
Browse content similar to Second Round: Part 1. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
Hello again, from the Barbican
Centre in the magnificent city of | 0:00:32 | 0:00:38 | |
York. We are here for what is the
first of three majors in the snooker | 0:00:38 | 0:00:43 | |
season. The bit where United Kingdom
championship. This is a very special | 0:00:43 | 0:00:49 | |
week. Neal Robinson knows what it
takes to win. He has done it twice | 0:00:49 | 0:00:53 | |
before, and in the second round
match was up against Ken Doherty who | 0:00:53 | 0:00:59 | |
has graced three UK finals. Ken fell
off the tour at the end of last | 0:00:59 | 0:01:02 | |
season but was given special
invitational status to continue and | 0:01:02 | 0:01:06 | |
he really has been courteous wave
through some of the tournaments | 0:01:06 | 0:01:10 | |
already this season and trying to
make the most of that opportunity. | 0:01:10 | 0:01:14 | |
We will join them in this best of 11
second-round match. | 0:01:14 | 0:01:22 | |
Excellent. Great length on that
stately shot. To get back on these | 0:01:34 | 0:01:39 | |
tables with the cloth is by | 0:01:39 | 0:01:41 | |
stately shot. To get back on these
tables with the cloth is by the fist | 0:01:41 | 0:01:41 | |
and to get it on the cushion is
excellent judgment. It makes such a | 0:01:41 | 0:01:45 | |
difference. You can see the left
channel for Ken Doherty. He can play | 0:01:45 | 0:01:57 | |
the cue ball up there and he has a
different problem now. | 0:01:57 | 0:02:00 | |
That really is an excellent shot. He
has left him the maximum amount of | 0:02:03 | 0:02:08 | |
trouble he could be in. I cannot see
a way back down into the baulk area | 0:02:08 | 0:02:18 | |
from any shot at it as so he may
have to roll down the cushion and | 0:02:18 | 0:02:23 | |
rest on something here. | 0:02:23 | 0:02:25 | |
He will be catching this on the
thick side. He is playing a return | 0:02:29 | 0:02:37 | |
on trying to buy himself another
shot. I think this will be a feature | 0:02:37 | 0:02:43 | |
of this match actually, they are
both fantastic tactically. You would | 0:02:43 | 0:02:52 | |
think Neal is the heaviest scorer
but not many players in the world | 0:02:52 | 0:02:56 | |
can outmanoeuvre it can in the
tactical department. This match is | 0:02:56 | 0:03:02 | |
important for both players. They
want to get off to the best start | 0:03:02 | 0:03:07 | |
possible. This is good stuff from
Ken Doherty already. | 0:03:07 | 0:03:10 | |
There is a type of shot as well but
if Neal takes it on he can play with | 0:03:16 | 0:03:20 | |
a bit of safety in mind and if he
stands it over to the other side of | 0:03:20 | 0:03:24 | |
the table it is merely a shot to
nothing. I am not saying he can't | 0:03:24 | 0:03:33 | |
leave anything. He is that far away
from this that he will leave it | 0:03:33 | 0:03:37 | |
surely. A long way away that. | 0:03:37 | 0:03:44 | |
That was a better shot and looked.
There was not much margin for error. | 0:04:05 | 0:04:09 | |
Just to screw it in with a bit of
check side. Ideally he would have | 0:04:09 | 0:04:14 | |
liked another six inches or so on
the cue ball to come up straight on | 0:04:14 | 0:04:18 | |
the blue but it was a pretty good
shot. | 0:04:18 | 0:04:22 | |
It is tough to score from here. He
will need a little screw shot and to | 0:04:52 | 0:04:57 | |
try and land on the black if he can.
He has played for the gap on the | 0:04:57 | 0:05:02 | |
pink and I don't blame him for that.
We had both shots there. It is not a | 0:05:02 | 0:05:07 | |
straightforward chance. | 0:05:07 | 0:05:10 | |
Still play with that old cue he has
had, he got it for a few quid in | 0:05:18 | 0:05:23 | |
Dublin and he is still playing the
same cue. He is properly had a new | 0:05:23 | 0:05:28 | |
ferry all and a bit of waiting done
to it over the years because they | 0:05:28 | 0:05:32 | |
tend to wear out but it does in good
stead, that one. He has always stuck | 0:05:32 | 0:05:42 | |
with that. It is a trusty old one.
It is good to see Ken back playing | 0:05:42 | 0:05:51 | |
well again. The last five or six
years he has not been how we use to | 0:05:51 | 0:05:56 | |
see him but he really has played
this season. He seems to be working | 0:05:56 | 0:06:01 | |
hard at it. He was a little bit awry
with the cue ball there. He may have | 0:06:01 | 0:06:07 | |
to take a plant on now. The scenes
have a lot of enthusiasm. I have | 0:06:07 | 0:06:12 | |
been speaking to in the last couple
of weeks and he still loves playing | 0:06:12 | 0:06:15 | |
and compete again there was nothing
like having a few good results your | 0:06:15 | 0:06:19 | |
confidence. That is the big thing.
If you get a few matches you can win | 0:06:19 | 0:06:22 | |
a new play good in those then all of
a sudden the world is a rosier | 0:06:22 | 0:06:26 | |
place. The table looks like it is
playing nice as well. | 0:06:26 | 0:06:37 | |
That red looks tight, doesn't it? He
is as good night as he possibly | 0:07:01 | 0:07:07 | |
could be but possibly just off the
left jaw. He played a touch further | 0:07:07 | 0:07:11 | |
down the table to leave himself two
options. The one he is taking now | 0:07:11 | 0:07:17 | |
with the second option. He would
have loved to be a little bit lower. | 0:07:17 | 0:07:22 | |
It could work in his plays are --
they could work in his favour. The | 0:07:22 | 0:07:33 | |
play for any particular colour, just
an area above the blue spot. It is | 0:07:33 | 0:07:40 | |
getting harder from where we are
sitting. He is scrapping for the cue | 0:07:40 | 0:07:44 | |
ball, isn't it? He would love to be
able to chip the blue in the middle | 0:07:44 | 0:07:49 | |
and play little cannon into the pack
but it looks very acute, that. | 0:07:49 | 0:07:53 | |
Certainly on these tables that play
with a little bit of side. The cue | 0:07:53 | 0:07:58 | |
ball can move off very quickly.
Quite sensibly, he is taking the | 0:07:58 | 0:08:02 | |
yellow. Once again he will need a
good cue ball. As the other plans? | 0:08:02 | 0:08:15 | |
He will fancy this. It is a virtual
certainty for a player. A little | 0:08:15 | 0:08:25 | |
brush cannon off the second and then
he could be up for blue under baulk | 0:08:25 | 0:08:29 | |
colour. This might be enough in the
middle. Oh, wrong. I didn't see him | 0:08:29 | 0:08:41 | |
missing it, but I certainly didn't
see him missing it by that far. That | 0:08:41 | 0:08:43 | |
was very unusual. A complete mis-hit
there. It was almost like a miscue. | 0:08:43 | 0:08:50 | |
I don't quite know what happened. | 0:08:50 | 0:08:54 | |
It is sometimes tricky to get out
from these reds. How would you play | 0:09:08 | 0:09:13 | |
this shot? I think you should be
disturbing pink and black kid | 0:09:13 | 0:09:16 | |
because he will be busy getting
topside of the blue. The base just | 0:09:16 | 0:09:20 | |
comes off the cue ball. Past the far
corner. That is no good. I think | 0:09:20 | 0:09:26 | |
that was worth the risk there.
People look at the shot and see the | 0:09:26 | 0:09:30 | |
red and they think it will be easy
and he will make a few from here but | 0:09:30 | 0:09:34 | |
some shots you cannot get the cue
ball out of at it the more it was | 0:09:34 | 0:09:38 | |
going to have a reaction. | 0:09:38 | 0:09:43 | |
So, from looking like maybe a
chance, it is just going to be the | 0:09:57 | 0:10:00 | |
safety now and he is checking out
where the places that he could leave | 0:10:00 | 0:10:04 | |
the cue ball for the most trouble
for Ken. | 0:10:04 | 0:10:12 | |
A nice target that behind the green
and brown. There is one red towards | 0:10:46 | 0:10:50 | |
the corner pocket but if he can get
in there a could pay dividends. | 0:10:50 | 0:10:59 | |
Yes, I was thinking the same myself,
but what a pot that was. It | 0:11:06 | 0:11:12 | |
certainly was, I didn't even think
that went. Fabulous cueing. Brown | 0:11:12 | 0:11:20 | |
will just about pass the green. OK,
a couple of positional shots away | 0:11:20 | 0:11:32 | |
from being a nice chance by the way
the two breads are -- the way the | 0:11:32 | 0:11:36 | |
two red Czar this could be the first
real scoring opportunity finial. | 0:11:36 | 0:11:44 | |
These are little testers. You should
pop this red. The difficulty is that | 0:12:01 | 0:12:04 | |
you are not sure where the cue ball
is going to finish. It is impossible | 0:12:04 | 0:12:10 | |
to avoid a cannon and you have to
trust to a little bit of luck here. | 0:12:10 | 0:12:17 | |
He is trying to spring open pink and
black. Good shot. Unlucky. Yes, | 0:12:17 | 0:12:33 | |
obviously couldn't get a fair bit of
work, he needed to be down the table | 0:12:33 | 0:12:37 | |
more for the brown in the green
looks like it is over the corner but | 0:12:37 | 0:12:40 | |
you cannot bridge left-handed
anyway, that will be horrible. Just | 0:12:40 | 0:12:44 | |
the safety. An interesting opening
frame this. Both players are | 0:12:44 | 0:12:50 | |
scrapping for chances. | 0:12:50 | 0:12:55 | |
The red over the left corner pocket
is a bit of a problem here because | 0:13:04 | 0:13:07 | |
Ken would like to play the safety of
the red near the blue but the red | 0:13:07 | 0:13:11 | |
left corner is a bit a problem. | 0:13:11 | 0:13:17 | |
Well, there is a confident shot from
a confident man. You don't want to | 0:13:24 | 0:13:30 | |
touch that because you know full
well you will be leaving it. Would | 0:13:30 | 0:13:33 | |
you have played that? I don't think
I would in all honesty. That was | 0:13:33 | 0:13:37 | |
some shot. Two or three out of ten.
That is not slipping on the back is | 0:13:37 | 0:13:52 | |
it? Just about OK. Going back. It
goes back to where the greenies. Ken | 0:13:52 | 0:14:04 | |
will be tracking in behind it. | 0:14:04 | 0:14:15 | |
That is about as good as he could've
done with that one really because if | 0:14:28 | 0:14:31 | |
he had left it to the side he would
have been slipping him behind the | 0:14:31 | 0:14:34 | |
green, but he get there now. He has
done quite well to get himself out | 0:14:34 | 0:14:39 | |
of that one, Neil. Once again Ken 's
judgment is excellent. | 0:14:39 | 0:14:56 | |
This is dangerous. If he gets this
thin the rate will go to the corner. | 0:15:14 | 0:15:19 | |
That was unfortunate. Yes, all
caused by the excellent safety. Just | 0:15:19 | 0:15:28 | |
the total difference of having that
cue ball tight on the bottom cushion | 0:15:28 | 0:15:31 | |
as opposed to six or eight inches
offered made all the difference to | 0:15:31 | 0:15:35 | |
that made it a lot more difficult
for Neil. Ken has a great chance to | 0:15:35 | 0:15:47 | |
take the opening frame and he can
score here. This isn't bad on the | 0:15:47 | 0:15:51 | |
blue. I wonder if that pink will
pass into the left corner. He just | 0:15:51 | 0:15:58 | |
overcooked this. If he has landed on
that red just above the pink and it | 0:15:58 | 0:16:11 | |
goes then that is an absolute
result. I think he has. Wow. What a | 0:16:11 | 0:16:18 | |
result that was. I am not sure if
Ken knew, I think he played for the | 0:16:18 | 0:16:27 | |
loose one. Either way, it is now
offering winning chance. -- a | 0:16:27 | 0:16:41 | |
winning chance. | 0:16:41 | 0:16:44 | |
Now that is even nicer with the
black going on the pink spot. He | 0:16:53 | 0:16:58 | |
looks confident. His safety has been
superb. It is all looking good at | 0:16:58 | 0:17:06 | |
the moment. Both of us are dismayed
by the fact that he still has | 0:17:06 | 0:17:16 | |
excellent eyesight at his age. We
both need glasses for reading but he | 0:17:16 | 0:17:22 | |
was showing off that he does not
need them any more. We were | 0:17:22 | 0:17:26 | |
comparing specs. He seems like an
eagle. He must have eaten a lot of | 0:17:26 | 0:17:30 | |
carrots. It has been a good start,
hasn't it? As you say, his safety | 0:17:30 | 0:17:36 | |
has been exemplary in the first
frame but we expect that from Ken | 0:17:36 | 0:17:40 | |
Doherty. The ideal start. We said it
earlier in this frame that he will | 0:17:40 | 0:17:50 | |
make Neil work for his chances.
Nothing has happened in the opening | 0:17:50 | 0:17:56 | |
frame to make me change my mind. A
great matchplay. | 0:17:56 | 0:18:11 | |
Yes, never been afraid to play
anybody. If they have a cue he will | 0:18:12 | 0:18:17 | |
go into battle. He has always been
the same. | 0:18:17 | 0:18:26 | |
A good idea to clear up as well.
Keep Neil off the table. An | 0:18:50 | 0:18:59 | |
important start to the match, when
the first frame and keep your | 0:18:59 | 0:19:02 | |
opponent sitting there a little bit
cold and that will help you in the | 0:19:02 | 0:19:06 | |
second frame. Just going back to the
blue that he landed plum on the next | 0:19:06 | 0:19:15 | |
red, that is the kind of thing that
happens when you are in good form | 0:19:15 | 0:19:18 | |
and feeling confident. The end
result is that he will win the frame | 0:19:18 | 0:19:23 | |
with a decent contribution. When
things like that just go your way. | 0:19:23 | 0:19:35 | |
He's just keen to clear the table,
get the feel of the cloth on the way | 0:19:35 | 0:19:40 | |
the conditions are playing. | 0:19:40 | 0:19:46 | |
-- cushions are playing. | 0:19:50 | 0:19:55 | |
The ideal start for Ken Doherty. He
leads Neil Robertson 1-0. | 0:20:18 | 0:20:35 | |
I was watching closely yesterday on
the practice table just around the | 0:20:37 | 0:20:41 | |
corner at the hotel. A really
purposeful stride he had. He has | 0:20:41 | 0:20:46 | |
always had that and in the last
couple of years he struggled with | 0:20:46 | 0:20:50 | |
his game and he has not looks like
the Neil Robertson we would normally | 0:20:50 | 0:20:55 | |
see but I noticed in practice that
he looked full of purpose and fuller | 0:20:55 | 0:20:59 | |
figure. He was hitting the ball
beautifully. He is up against an | 0:20:59 | 0:21:05 | |
opponent, as we said a few times
today, he will have to work his | 0:21:05 | 0:21:09 | |
socks off for his chances. | 0:21:09 | 0:21:13 | |
Goodness me. They may as well just
give him the trophy. I was a | 0:21:22 | 0:21:27 | |
fantastic pot. OK, he was not
playing a wholly with the intention | 0:21:27 | 0:21:30 | |
of knocking it in, it was one where
he just wanted to get out of | 0:21:30 | 0:21:34 | |
trouble, but nevertheless, superb
cueing. This is a little tester. | 0:21:34 | 0:21:51 | |
Right in the heart of the pocket. He
has played for the rednecks to the | 0:21:51 | 0:21:55 | |
black as well. This is what the very
best players in the world do. They | 0:21:55 | 0:22:02 | |
shot selection is of such paramount
importance. That was a brilliant | 0:22:02 | 0:22:07 | |
choice. This red is tough but if it
goes in he has created a good chance | 0:22:07 | 0:22:13 | |
out of absolutely nothing. Yes, well
the last shot had been cueing and | 0:22:13 | 0:22:21 | |
this one is going to have to be even
better. These are smelly little | 0:22:21 | 0:22:25 | |
shops. | 0:22:25 | 0:22:28 | |
He turns away in frustration. It is
the first good chance the Neil | 0:22:38 | 0:22:43 | |
Robertson. That was a horrible one
and it is very easy to flick a bit | 0:22:43 | 0:22:47 | |
of side on the ball there. We have
seen can stamp his authority on the | 0:22:47 | 0:22:57 | |
match at the start, showing you how
well he was hitting the ball, and | 0:22:57 | 0:23:00 | |
now it is Neil was my turn. Red at
the back of the pack that is loose | 0:23:00 | 0:23:07 | |
is not in a bad place because if you
can pop out and play little screw | 0:23:07 | 0:23:11 | |
cannon into the and out you could
knock a few balls out. It is just a | 0:23:11 | 0:23:18 | |
matter of which were Neil decides to
go but he will not be too enamoured | 0:23:18 | 0:23:23 | |
by that shot, he overscrewed it. | 0:23:23 | 0:23:26 | |
Excellent recovery. Yes, he is
coming around to look at that rate | 0:23:37 | 0:23:46 | |
but this is the absolute optimum
angle he has on this blue. I think | 0:23:46 | 0:23:51 | |
he will split them. | 0:23:51 | 0:23:58 | |
Well played. He played in such a way
that he didn't lose the cue ball. | 0:24:07 | 0:24:12 | |
Just checking to see how far down he
has to be once he plays this, he | 0:24:12 | 0:24:16 | |
might have to run through just an
inch or so to be on the black. | 0:24:16 | 0:24:23 | |
It doesn't seem to be a problem,
does it? He obviously wants to make | 0:24:32 | 0:24:37 | |
life as easy as possible by hitting
it as straight as he can but he will | 0:24:37 | 0:24:43 | |
have to play some sort of little cut
back on the position is not | 0:24:43 | 0:24:45 | |
guaranteed. Coming back from blue? | 0:24:45 | 0:24:49 | |
Well, not what he wanted but
definitely second prize. This is a | 0:25:00 | 0:25:05 | |
lovely way to finish, straight blue.
Not happy with the contact there, | 0:25:05 | 0:25:13 | |
for some reason. I think it was just
an audience member took a drink from | 0:25:13 | 0:25:18 | |
a bottle of juice or something just
on his backswing. | 0:25:18 | 0:25:25 | |
a bottle of juice or something
just on his backswing. | 0:25:25 | 0:25:33 | |
He actually is a bit of work to do
with these red the way they are. It | 0:25:51 | 0:25:55 | |
is not straightforward. He is pretty
straight on the black which doesn't | 0:25:55 | 0:25:58 | |
help. He is two or three good
positional shots away from having a | 0:25:58 | 0:26:04 | |
really good chance, but not
straightforward. | 0:26:04 | 0:26:10 | |
That is the best shot he has played
today. | 0:26:17 | 0:26:23 | |
You called it before when he played
a little cannon. He might be tempted | 0:26:40 | 0:26:43 | |
to play another one here. There are
two reds. There was a cluster of | 0:26:43 | 0:26:49 | |
four when a line on the right and he
defeated get on the one that looks | 0:26:49 | 0:26:53 | |
furred up in those four. The top
cushion would be all right. It | 0:26:53 | 0:26:59 | |
depends how he sees this. They are
not perfect the way they are. I | 0:26:59 | 0:27:05 | |
wonder if he could drop a little
cannon on there. Have you looked? It | 0:27:05 | 0:27:14 | |
is fine. Didn't blame him at all for
playing that shot. He was always | 0:27:14 | 0:27:22 | |
bound to land on one, wasn't he? It
is important that he gets the top | 0:27:22 | 0:27:33 | |
side of it, which he has done. The
reds are just covering one another | 0:27:33 | 0:27:39 | |
and sitting diagonally. They're
covering the corner in the middle. | 0:27:39 | 0:27:45 | |
It has been a funny break because
every time you scum the reds had | 0:27:45 | 0:27:48 | |
been blocking each other off and he
has had to work quite hard for this | 0:27:48 | 0:27:51 | |
break. | 0:27:51 | 0:27:51 | |
He has to play another little
cannon. Nothing is guaranteed. He | 0:27:55 | 0:28:00 | |
will have to work the cue ball. He
is playing the screw. If the red | 0:28:00 | 0:28:07 | |
below the pink spot goes there is a
plant as well. Not bad, not ideal. | 0:28:07 | 0:28:18 | |
Yes, slightly overhit that one. A
fair bit of distance between these | 0:28:18 | 0:28:25 | |
two reds. The plant before we
thought was that the unmissable but | 0:28:25 | 0:28:38 | |
this one has a little more Arjun --
margin for error. He will probably | 0:28:38 | 0:28:45 | |
get it more times than not but one
good thing about if the line that he | 0:28:45 | 0:28:49 | |
is looking at he can screw back for
blue which kind of makes the plant | 0:28:49 | 0:28:52 | |
little easier as far as the pot
goes. I fancy him for this. Yes. | 0:28:52 | 0:29:07 | |
A good shot, and once again, I do
not know whether there is a red in | 0:29:07 | 0:29:11 | |
the middle that goes... Maybe?
Ooh... Off the bump. This will be a | 0:29:11 | 0:29:21 | |
good shot. 46. | 0:29:21 | 0:29:26 | |
Busy cueing that was... That was the
shot of a confident man. Here comes | 0:29:40 | 0:29:57 | |
another one... | 0:29:57 | 0:30:07 | |
Neil Robertson, 47. I do not blame
him on that occasion, taking on the | 0:30:09 | 0:30:14 | |
blue, he probably cannot lose the
frame, he could win it if he pots | 0:30:14 | 0:30:22 | |
it. Figuring if he goes on behind
the yellow, being the player he is, | 0:30:22 | 0:30:26 | |
Ken was always going to drop on one
of these four reds. | 0:30:26 | 0:30:36 | |
A 40 point lead for Neill. The lead
is pretty massive at the minute... | 0:30:42 | 0:30:50 | |
Trying to make a clearance with the
way that the balls R. | 0:30:50 | 0:30:54 | |
-- with the way that the balls are.
Excellent. Ken can just get through. | 0:30:58 | 0:31:08 | |
Almost playing to miss this time.
That is what has happened. As long | 0:31:08 | 0:31:16 | |
as he doesn't leave a free ball,
he's OK. He's a liar, needs glasses! | 0:31:16 | 0:31:25 | |
Just having a little side there. | 0:31:25 | 0:31:31 | |
The referee checked whether he could
see it full ball, which is | 0:31:36 | 0:31:42 | |
important, because if he misses this
time... He would be warned, on the | 0:31:42 | 0:31:50 | |
third time of asking. He has got it
this time. Experience, again, coming | 0:31:50 | 0:31:55 | |
into play for Ken. Another thing
that Doherty knows in this, OK, he | 0:31:55 | 0:32:05 | |
is 44 behind but if the frame goes
on for another three or four minutes | 0:32:05 | 0:32:11 | |
playing safety, eventually he will
get the chance to bring those reds | 0:32:11 | 0:32:14 | |
interplay. -- into play. | 0:32:14 | 0:32:29 | |
You thought the frame was messy
before, this would put them even | 0:32:33 | 0:32:37 | |
closer together. | 0:32:37 | 0:32:47 | |
An excellent shot again from Neill.
Very high quality safety at the | 0:32:58 | 0:33:01 | |
minute. | 0:33:01 | 0:33:12 | |
A clip off the outside read here.
Getting in behind green or blue, the | 0:33:36 | 0:33:41 | |
pink may have covered the way back
to the baulk area. Just past the | 0:33:41 | 0:33:55 | |
blue, and clipping that read. It
would be a decent shot, that. | 0:33:55 | 0:34:07 | |
Yes. Cannot get through to the red.
An awkward bridge, over the blue. | 0:34:18 | 0:34:29 | |
This is tough. I think Neil had a
result there, with how it has worked | 0:34:29 | 0:34:38 | |
out. Very good. Slowly but surely,
the reds had come into better | 0:34:38 | 0:34:54 | |
positions. | 0:34:54 | 0:35:03 | |
The red and the black have gone a
bit awkward, that isn't on, to knock | 0:35:04 | 0:35:10 | |
that one in... Hull and a miss. I
thought it looked tight, right | 0:35:10 | 0:35:23 | |
behind the line of the shot. Ken can
get the red this time. The referee | 0:35:23 | 0:35:36 | |
delighted that they are going back!
Was it a pink on the spot? Making | 0:35:36 | 0:35:45 | |
use of the monitor to double-check.
A little that way... Seems happy | 0:35:45 | 0:36:01 | |
enough with that. All about the cue
ball. It is tough. This is where | 0:36:01 | 0:36:11 | |
trust plays a part. For me, just
looking at the line, I thought they | 0:36:11 | 0:36:17 | |
would struggle to get through. There
wasn't a lot of room. I don't know | 0:36:17 | 0:36:23 | |
whether... Maybe he didn't look at
it properly? | 0:36:23 | 0:36:35 | |
One thing that he will not do is to
steal any advantage here. | 0:36:39 | 0:36:52 | |
I've said before that the red and
black was awkward, you cannot play a | 0:36:58 | 0:37:05 | |
plant that you can now. Those two
reds there, easy PC. I don't leave | 0:37:05 | 0:37:14 | |
he can play it slowly to make sure
he doesn't cover the pocket with the | 0:37:14 | 0:37:18 | |
other red. He is thinking the same
thing... Openly black and still go. | 0:37:18 | 0:37:23 | |
It's not ideal, he was a little
unlucky. Maybe just drop the red in? | 0:37:23 | 0:37:30 | |
A better chance of being on the
black. The pace more or less made it | 0:37:30 | 0:37:36 | |
shot on. He could see the red, it
was possible he could foul. Playing | 0:37:36 | 0:37:44 | |
it slowly, that was why he wanted to
guarantee getting the ball. But I am | 0:37:44 | 0:37:49 | |
surprised at that. Not taking one of
those colours on. And I'm even more | 0:37:49 | 0:37:55 | |
surprised at the shot he plays after
it. Very careless. You don't get | 0:37:55 | 0:38:01 | |
position on the colour. It isn't
like him to put them in trouble. | 0:38:01 | 0:38:04 | |
Punishing them. The red coming up
the table. In behind the blue... | 0:38:04 | 0:38:14 | |
Just about. I'm just looking to see
if he can play a plant. He could be | 0:38:14 | 0:38:26 | |
onto the pink... This is a chance.
If he plays the first red, he could | 0:38:26 | 0:38:32 | |
hold the cue ball on the pink. This
is a chance for a frame here. I | 0:38:32 | 0:38:37 | |
couldn't agree more. It's very much
uncertainty. Anything filly, and the | 0:38:37 | 0:38:45 | |
red will drop. It is a good chance.
And a good shot. Lost the cue ball. | 0:38:45 | 0:38:53 | |
One thing he had to do there was
ensure that he had plenty of work on | 0:38:53 | 0:38:58 | |
the cue ball. If he got that, it
would have been a chance and a half. | 0:38:58 | 0:39:02 | |
He just had to hold it for the pink.
Now, will he be brave enough to take | 0:39:02 | 0:39:08 | |
the pink? What do you think? I think
he might play it. I think he is 1-0 | 0:39:08 | 0:39:17 | |
up, and he has been given. A chance
in the frame, if this goes on, | 0:39:17 | 0:39:26 | |
they'd get a frame. He has taken it
on. | 0:39:26 | 0:39:37 | |
Ken Doherty, one. I do not blame him
taking it. The shop before was the | 0:39:38 | 0:39:47 | |
one. Just had to hold the cue ball,
the whole frame was looking | 0:39:47 | 0:39:51 | |
unpromising. That was the lifeline
he was looking for. Didn't quite get | 0:39:51 | 0:39:56 | |
that cue ball. Should really be 1-1
now. | 0:39:56 | 0:40:13 | |
The black is in a slightly tricky
position. Just near the side | 0:40:55 | 0:40:59 | |
cushion. But it shouldn't be a
problem for Neil... 42 in front, | 0:40:59 | 0:41:11 | |
just needing to drop that black in.
A 49 point lead. He keeps having a | 0:41:11 | 0:41:22 | |
good look at it. Looking relatively
simple from here. Yes, that should | 0:41:22 | 0:41:33 | |
be the frame. | 0:41:33 | 0:41:43 | |
Two excellent frames of snooker.
Good matchplay. Good positional | 0:42:02 | 0:42:05 | |
play. It's fascinating to watch
these two top-class protagonists go | 0:42:05 | 0:42:13 | |
at it. Ken cannot really complain.
He had a couple of chances in this | 0:42:13 | 0:42:25 | |
frame. The long pink was one that he
had to get. | 0:42:25 | 0:42:37 | |
It has been good stuff. | 0:42:42 | 0:42:52 | |
It isn't there, but that is Neil
Robertson. With a break of 47 and 35 | 0:43:17 | 0:43:22 | |
in the frame. | 0:43:22 | 0:43:25 | |
Leather | 0:43:26 | 0:43:27 | |
-- levelling the match at one frame
all. | 0:43:31 | 0:43:42 | |
1-1. Enjoyed it so far. These two
great players trying to outthink | 0:43:55 | 0:44:05 | |
each other. | 0:44:05 | 0:44:15 | |
Well, that is a shocker. I don't
know what he was doing there to hate | 0:44:41 | 0:44:46 | |
it so thick. He will be kicking
himself. Those hurt, those unforced | 0:44:46 | 0:44:54 | |
ones. No trouble at all and then you
go and do that. A little gift. There | 0:44:54 | 0:45:02 | |
will not be many from either player
this afternoon. It is a bad one by | 0:45:02 | 0:45:10 | |
any standard. | 0:45:10 | 0:45:20 | |
It's a good shot. A choice of two
reds is excellent. Staying down the | 0:45:21 | 0:45:27 | |
business end of the table. The pink
might even go to the left corner. | 0:45:27 | 0:45:32 | |
Plenty of options. Early on... | 0:45:32 | 0:45:44 | |
Even that was a lovely touch and
absolutely perfect. Could not have | 0:45:54 | 0:45:57 | |
put it any better. The long tackle
is difficult to get the actual feel, | 0:45:57 | 0:46:05 | |
it's different to the weight of your
cue. I'm impressed with how he hit | 0:46:05 | 0:46:10 | |
the ball. | 0:46:10 | 0:46:20 | |
He is going to have a little more
work to do. What he does next, it | 0:47:03 | 0:47:09 | |
would have been lovely to leave that
there. Playing the cannon into the | 0:47:09 | 0:47:14 | |
pack. A loose one at the back, he
cannot do that any more. He will be | 0:47:14 | 0:47:18 | |
relying on some luck when he splits
up the pack... Here we go... A good | 0:47:18 | 0:47:28 | |
angle. Three reds and a line
committee would love to catch the | 0:47:28 | 0:47:35 | |
right of the three. He has done,
slipping off the other one. Does the | 0:47:35 | 0:47:40 | |
right go past the pink? Right
middle... I don't think it does. I'm | 0:47:40 | 0:47:51 | |
not really one for taking players to
task but how he went about that | 0:47:51 | 0:47:56 | |
break there, I thought he'd got it
wrong. Those reds at the bottom of | 0:47:56 | 0:48:01 | |
the pack, they play the cannon into
the pack. That's the insurance | 0:48:01 | 0:48:05 | |
policy on the break. And there is
the recovery. | 0:48:05 | 0:48:12 | |
A great pot but once again, a little
straight on the black. Looking to | 0:48:19 | 0:48:26 | |
see, if he runs through slightly, at
least a shot at one in the middle? | 0:48:26 | 0:48:39 | |
He is thinking to play the right one
of the two. The green or the brown. | 0:48:47 | 0:48:53 | |
Almost playing as a half shot to
nothing but it makes that pot a | 0:48:53 | 0:48:58 | |
little easier. A bit more pace into
it. I'm not sure of the angle. | 0:48:58 | 0:49:05 | |
Running into the blue, playing the
ball. | 0:49:05 | 0:49:16 | |
A clever shot, he took the pressure
off himself by going over to the | 0:49:17 | 0:49:24 | |
other caution. That was good
thinking. He wouldn't be leading | 0:49:24 | 0:49:31 | |
anything. He has done well, unusual
in how he has done it but | 0:49:31 | 0:49:40 | |
nevertheless... He is still on the
table and he is still scoring. | 0:49:40 | 0:49:49 | |
Doesn't have too play a cannon here.
They can go up the table and passed | 0:49:49 | 0:49:54 | |
the pink on that one. It all
depends. Looking like the back one | 0:49:54 | 0:50:04 | |
pots as well... Perfect! | 0:50:04 | 0:50:15 | |
Playing a little cannon here. Going
through for a black, it should be | 0:50:16 | 0:50:25 | |
all right, I think. Not
guaranteed... Going wrong, he is the | 0:50:25 | 0:50:28 | |
pink. It was a shop before for me.
If you knows this two reds comedian | 0:50:28 | 0:50:37 | |
got to be on the table. You do not
have to play any cannon. Being a | 0:50:37 | 0:50:44 | |
little short on the last one was a
problem. And just the fact that he | 0:50:44 | 0:50:57 | |
is keen to put the blue there. Not
absolutely safe but losing the cue | 0:50:57 | 0:51:05 | |
ball. Neil Robertson's long game,
the last couple of seasons, hasn't | 0:51:05 | 0:51:09 | |
been to his normal standard. Let's
see how he tackles this one... A | 0:51:09 | 0:51:17 | |
good pot. Just about on the yellow.
Just about will do. You would expect | 0:51:17 | 0:51:32 | |
him to get as far as that blue,
wouldn't you? In an ideal world | 0:51:32 | 0:51:39 | |
comedies like the blue on another
question, to be honest, being | 0:51:39 | 0:51:43 | |
left-handed. The blue isn't as hard
for him as it would be for a | 0:51:43 | 0:51:48 | |
right-handed player, he could use
his own cue as opposed to the rest. | 0:51:48 | 0:51:53 | |
It's a long way down the line but I
do not think that a blue will be as | 0:51:53 | 0:51:57 | |
much of a problem if he gets there.
A classic chance of a counter attack | 0:51:57 | 0:52:05 | |
here. Is he up to it? Looking down
the line, if he gets as far as those | 0:52:05 | 0:52:19 | |
colours. A half Paul Green. Flicking
the blue into play. If this | 0:52:19 | 0:52:31 | |
develops, Doherty would be worried,
sitting in his chair... A fabulous | 0:52:31 | 0:52:38 | |
shot, a brilliant shot. How many
players would have thought of that? | 0:52:38 | 0:52:46 | |
That is absolutely superb! The red
was always going to be a problem. It | 0:52:46 | 0:52:50 | |
would have been a half ball and he
plays a screw of the condition and | 0:52:50 | 0:52:55 | |
promotes it into play. -- off the
cushion. That really is a tremendous | 0:52:55 | 0:53:05 | |
shot, it looks like nothing against
everything that it was superb. | 0:53:05 | 0:53:20 | |
These are the frames, the ones that
really hurt. It's a brilliant | 0:53:25 | 0:53:31 | |
opportunity for Neil Robertson. Some
people say that snooker is not a | 0:53:31 | 0:53:38 | |
physical game, but this will hurt.
Making the clearance... Already, the | 0:53:38 | 0:53:47 | |
tension will have been on the green,
getting the blue out, that's what we | 0:53:47 | 0:53:54 | |
are talking about. This red is a
little thinner. | 0:53:54 | 0:54:07 | |
The backhand shot, where he played
the blue, he clipped it. Would he | 0:54:07 | 0:54:11 | |
have been better making sure he got
the cue ball type? He would love to | 0:54:11 | 0:54:16 | |
have have got one of them. On the
cushion, this does not come. The | 0:54:16 | 0:54:25 | |
fact he is as nice as he is, this
red points to the road. 25 behind, | 0:54:25 | 0:54:32 | |
playing for a bold colour which sets
them up. Now looking at the green. | 0:54:32 | 0:54:38 | |
He can almost use the cue ball on
his hands, the timing is perfect. | 0:54:38 | 0:54:56 | |
It's a good shout from before, off
the green. Looking at it now, he is | 0:54:56 | 0:55:03 | |
just perfect, where he has finished.
This has been a superb performance | 0:55:03 | 0:55:11 | |
so far. A lovely screw splitting up
the reds with the best of the break. | 0:55:11 | 0:55:22 | |
This is important, and if he flicks
this blue out... Well, it's gone | 0:55:22 | 0:55:28 | |
wrong. He has just made it ten times
worse! Because he is left-handed, | 0:55:28 | 0:55:36 | |
that is in a shocking position, that
blue. He doesn't need the blue, he | 0:55:36 | 0:55:44 | |
is still 17 in front. Did he play it
a little hard? You only really want | 0:55:44 | 0:55:50 | |
to promote the blue a foot or so
outside of the cushion. You're | 0:55:50 | 0:55:55 | |
right, he was guaranteed to get the
cushion first and then kick the | 0:55:55 | 0:55:57 | |
blue. No need to play with pace. At
least off the brown, you can get the | 0:55:57 | 0:56:06 | |
blue of that. It's important he does
not leave Ken one shot to nothing, | 0:56:06 | 0:56:14 | |
it's easier to get the blue near a
cushion. | 0:56:14 | 0:56:26 | |
He has left him some temptation,
it's one of those shots that can win | 0:56:29 | 0:56:35 | |
you the frame but it could also lose
you it. It is decision time! | 0:56:35 | 0:56:49 | |
What a pot! Thinking that Neil
Robertson was going to let that | 0:56:50 | 0:57:00 | |
frame... He's going to be 2-1 in
front. Two snookers. It was an | 0:57:00 | 0:57:13 | |
excellent pot. Of course, it is just
one. And there it is. Wouldn't | 0:57:13 | 0:57:27 | |
really be a problem to Ken, of the
side cushion. But nevertheless,... | 0:57:27 | 0:57:43 | |
Took a chance hitting it hard. You
are bringing pockets into play when | 0:57:53 | 0:57:57 | |
you play it that firm. I would
agree, sometimes you've just got to | 0:57:57 | 0:58:06 | |
think, hit the pink! Slow pace, just
hit it and if you don't, fair | 0:58:06 | 0:58:10 | |
enough, you have made the mistake!
You are right, he was bringing other | 0:58:10 | 0:58:15 | |
pockets into play. That will be a
pot. | 0:58:15 | 0:58:31 | |
It is far from a lost cause.
Robertson made play the cross | 0:58:48 | 0:58:53 | |
double. Depending on the pocket that
he has. What he doesn't want to do | 0:58:53 | 0:58:58 | |
is leave the cue ball and the pink
close together because he knows the | 0:58:58 | 0:59:02 | |
control that Neil Robertson has, he
will fancy getting in behind the | 0:59:02 | 0:59:05 | |
black. | 0:59:05 | 0:59:12 | |
The other thing is because the black
is on its spot, it is a position you | 0:59:12 | 0:59:17 | |
know really well and you know the
angle to get in behind. Neil has not | 0:59:17 | 0:59:22 | |
played that particularly well. It
should be OK for Ken to drop in. He | 0:59:22 | 0:59:25 | |
does. What a fantastic frame of
snooker that was. Absolutely | 0:59:25 | 0:59:31 | |
brilliant. It looks like Neil
Robertson would come back and make | 0:59:31 | 0:59:36 | |
it but Ken Doherty leads the frame
2-1 in a very interesting match. | 0:59:36 | 0:59:44 | |
Neil Robertson breaks off in frame
four. A very interesting encounter | 0:59:44 | 0:59:48 | |
so far this afternoon. Most people
would have been thinking that the | 0:59:48 | 0:59:54 | |
Australian was a big certainty for
this match, playing against Ken | 0:59:54 | 0:59:57 | |
Doherty, but we all know
differently. Ken has been in good | 0:59:57 | 1:00:02 | |
nick and always an excellent match
player. He has given Neil plenty to | 1:00:02 | 1:00:06 | |
think about in this opening session. | 1:00:06 | 1:00:12 | |
He has been a top-class player for a
long, long time. He was an amateur | 1:00:24 | 1:00:31 | |
champion and turned professional in
1990. He was a constant on the | 1:00:31 | 1:00:36 | |
circuit up until the last year or so
when he got a wild card. He is | 1:00:36 | 1:00:41 | |
certainly making the best of it.
Good results. It looks like he is | 1:00:41 | 1:00:47 | |
still enjoying being out there
competing which is the big thing. As | 1:00:47 | 1:00:51 | |
long as you can't wait to get your
dickie bow and get your cue out of | 1:00:51 | 1:00:55 | |
the kiss and go and play and compete
and as long as you still feel like | 1:00:55 | 1:01:00 | |
that then there will be good
performances. | 1:01:00 | 1:01:04 | |
That is a good point, the desire and
the hunger to stay out there. Just | 1:01:12 | 1:01:18 | |
getting your cue out of the kiss, it
sounds like a simple thing but you | 1:01:18 | 1:01:21 | |
have to be up for it. The way the
top players are and with the | 1:01:21 | 1:01:25 | |
youngsters coming through, with the
Chinese contingent of players that | 1:01:25 | 1:01:31 | |
are all hungry, you have got with
the same. You are very fortunate | 1:01:31 | 1:01:36 | |
that you haven't got there yet but
you do know when your time is up and | 1:01:36 | 1:01:39 | |
you have had enough of it. I have
the ultimate respect for this game | 1:01:39 | 1:01:44 | |
and everything I have got is because
of it but if you do not enjoy being | 1:01:44 | 1:01:47 | |
out there eating then you know. That
is what happened to me in the end. I | 1:01:47 | 1:01:52 | |
thoroughly enjoyed watching and
talking about it but the competing | 1:01:52 | 1:01:56 | |
side of it now I have been and gone
and done it so I have a great deal | 1:01:56 | 1:02:00 | |
of respect for the likes of Ken and
yourself who are still out there. | 1:02:00 | 1:02:05 | |
Even that is a clever shot by Ken.
Lee Camp play round the black but he | 1:02:20 | 1:02:26 | |
is leaving a guaranteed shot to
nothing Neil Robertson, so clever. | 1:02:26 | 1:02:31 | |
He play shots other people do not
play and the fact that he is in | 1:02:31 | 1:02:35 | |
better form all around now we get to
see him do this. For a couple of | 1:02:35 | 1:02:41 | |
seasons he has been off the radar
but when you watch him play and you | 1:02:41 | 1:02:44 | |
are in the commentary box watching
him play you realise why he has been | 1:02:44 | 1:02:48 | |
around for a long time. And now he
can maybe play the safety around the | 1:02:48 | 1:02:54 | |
back. Back into the baulk. He has to
be careful not to push a red into | 1:02:54 | 1:03:06 | |
this right corner. He has not done.
That lost -- that last shot he | 1:03:06 | 1:03:12 | |
played with tactical brilliance. You
cannot teach that either, can you? | 1:03:12 | 1:03:20 | |
You have to learn it for yourself.
There are people in play the circuit | 1:03:20 | 1:03:25 | |
and they just do not get it. They
don't. He, obviously, through his | 1:03:25 | 1:03:30 | |
mouth and his tactical awareness he
does. How many players would have | 1:03:30 | 1:03:35 | |
played that that way around to give
yourself the best opportunity? | 1:03:35 | 1:03:38 | |
Absolutely. Ken has all the moves.
He is just asking questions of Neil | 1:03:38 | 1:03:48 | |
Robertson. | 1:03:48 | 1:03:53 | |
There was an answer. Sometimes you
just have to hold your hand up and | 1:04:00 | 1:04:09 | |
say, great shot, and that was one of
them. He was in a fair bit of | 1:04:09 | 1:04:13 | |
trouble there but what a pot that
was. | 1:04:13 | 1:04:18 | |
By all accounts, I think you have
heard that Neil is practising really | 1:04:30 | 1:04:33 | |
hard and putting all of the hour was
same, which is what you have to do | 1:04:33 | 1:04:37 | |
to get back to the levels he was
that. The snooker he was playing a | 1:04:37 | 1:04:42 | |
few years ago and one year in the
Masters he played up until the final | 1:04:42 | 1:04:47 | |
when he played Ali Carter in one
game and it was as good as I have | 1:04:47 | 1:04:51 | |
seen anyone play. He beat Ali Carter
and missed one ball in the whole six | 1:04:51 | 1:04:55 | |
frames. It was a blue when the frame
was over. He was as close to | 1:04:55 | 1:05:00 | |
perfection as you can get. He beat
Ronnie O'Sullivan. Unfortunately he | 1:05:00 | 1:05:06 | |
didn't have much left in the final
because he played so well but he has | 1:05:06 | 1:05:09 | |
produced some of the best
performances on a snooker table I | 1:05:09 | 1:05:12 | |
have ever seen. It is difficult to
maintain the standards but you | 1:05:12 | 1:05:17 | |
reckon he has been grafted hard
which is always a step in the right | 1:05:17 | 1:05:21 | |
direction. Absolutely he has been
putting the hour was in. I think I | 1:05:21 | 1:05:26 | |
was on the circuit are not always
aware of what the others are doing | 1:05:26 | 1:05:31 | |
but with social media and everything
that goes with that, news does | 1:05:31 | 1:05:34 | |
filter out there. | 1:05:34 | 1:05:39 | |
Neil Robertson is going to get to
work. This looks like the last of | 1:05:45 | 1:05:49 | |
the easy red. He doesn't have any
plants on stop he must get top side | 1:05:49 | 1:05:56 | |
of the blue. | 1:05:56 | 1:06:00 | |
Absolutely perfect and now the full
ball cannon into the screw and hold | 1:06:09 | 1:06:12 | |
the cue ball. How does he look?
Well, not great actually. It is all | 1:06:12 | 1:06:19 | |
right but that a crude -- a tricky
shot demolition. -- off the cushion. | 1:06:19 | 1:06:28 | |
The more power on the shot the
harder the pot becomes. | 1:06:28 | 1:06:36 | |
He hit that so well. He didn't quite
get the pot just right on the cue | 1:06:45 | 1:06:49 | |
ball, but just on the blue though.
It can the yellow. It is a natural. | 1:06:49 | 1:06:55 | |
It is all the pot here. Guarantees
to finish on the red. He has just | 1:06:55 | 1:07:03 | |
slipped past the yellow, but not too
bad. I think he is one of the best | 1:07:03 | 1:07:08 | |
players in the world of the push on
with those little shots like that, | 1:07:08 | 1:07:11 | |
he cues the ball so straight. We
have already seen an example this | 1:07:11 | 1:07:15 | |
afternoon when it was on the
left-hand side of the table and he | 1:07:15 | 1:07:18 | |
cued through it beautifully. It is
very easy to click a bit of side on | 1:07:18 | 1:07:22 | |
those and you'll doesn't do that. Is
he playing for black you? Much | 1:07:22 | 1:07:38 | |
easier. The position was never
guaranteed. That red was then and it | 1:07:38 | 1:07:43 | |
is decent on the yellow. He can just
about reach it. | 1:07:43 | 1:07:48 | |
It is amazing to think that he
actually lost his tour card right at | 1:08:05 | 1:08:09 | |
the start. You have to have
something about you to come from | 1:08:09 | 1:08:12 | |
Australia as far as he has come like
he has come over here and lose your | 1:08:12 | 1:08:16 | |
card and not get on the circuit and
come back into the player he is | 1:08:16 | 1:08:21 | |
today, you have to have plenty about
you. He is made of stern stuff. A | 1:08:21 | 1:08:26 | |
typical Aussie. Great sportsman with
the Cricketers in late Intuit and | 1:08:26 | 1:08:33 | |
all of those sort of guys. He has
been fabulous. I think he won his | 1:08:33 | 1:08:45 | |
first ranking event 13 or 14 years
ago in Aberdeen. | 1:08:45 | 1:08:50 | |
I don't quite know what he is
looking at here, maybe just trying | 1:09:07 | 1:09:11 | |
to work out at he thinks the reds
will do off the safety. He played | 1:09:11 | 1:09:18 | |
that like a shot to nothing there,
trying to flick off the other one. | 1:09:18 | 1:09:21 | |
Quite a clever shot. | 1:09:21 | 1:09:27 | |
Foul. Neil Robertson, four. He knew
it was going closely was trying to | 1:09:45 | 1:09:54 | |
make sure he didn't promote to the
corner but unfortunately for him he | 1:09:54 | 1:10:01 | |
has now got a plain-ball on this
red. | 1:10:01 | 1:10:12 | |
Ken can look forward to being right
up behind the brown here, I think. | 1:10:14 | 1:10:21 | |
Yes, it is important that he gets
tight in behind this. Ken will be | 1:10:21 | 1:10:26 | |
trying to drop on the red to the
black against the table in a few | 1:10:26 | 1:10:30 | |
seconds. Switch it off please! The
dreaded mobile phone goes off. He | 1:10:30 | 1:10:43 | |
has just come back to that red near
the black. I think it passes. Neil | 1:10:43 | 1:10:48 | |
Robertson, one. He has not got it.
He was just doing what you were | 1:10:48 | 1:10:55 | |
saying, trying to cover that side of
it and make the escape more | 1:10:55 | 1:10:58 | |
difficult but unfortunately for him
it was a little too far. He was | 1:10:58 | 1:11:02 | |
trying to get the liftoff of the
brown as we see it. He was trying to | 1:11:02 | 1:11:12 | |
snooker him, these boys try to make
it as difficult as possible. There | 1:11:12 | 1:11:17 | |
is a way back into this frame for
Ken. | 1:11:17 | 1:11:21 | |
That was a better shot than it
looked. You can't do much else | 1:11:25 | 1:11:29 | |
there. You would have been playing
the cannon onto the black and just | 1:11:29 | 1:11:33 | |
about getting the cue ball down the
table so he did pretty well there. | 1:11:33 | 1:11:43 | |
The area down behind the green is
looking like a good spot if you can | 1:11:43 | 1:11:47 | |
get the cue ball down there. He
tried. He would love to take this | 1:11:47 | 1:12:04 | |
red on. It is just what he is
weighing up, is it worth it? The | 1:12:04 | 1:12:10 | |
question more pertinently is, how do
I feel about it? Sometimes you feel | 1:12:10 | 1:12:15 | |
confident. He is looking to see if
he can leave the cue ball somewhere | 1:12:15 | 1:12:18 | |
and maybe get away with it. I don't
think this is one of those | 1:12:18 | 1:12:24 | |
situations. This is one where you
just have to go all your eggs in one | 1:12:24 | 1:12:28 | |
basket and be committed to the pot.
Not be worried about what will | 1:12:28 | 1:12:32 | |
happen. If you are taking this on
then it needs to go in the pocket. | 1:12:32 | 1:12:39 | |
Yes, couldn't agree more. I think is
it on. What a shot. Perfect cue | 1:12:39 | 1:12:51 | |
ball. | 1:12:51 | 1:12:54 | |
Deserves everything he gets after
that shot. Absolutely excellent. A | 1:13:10 | 1:13:15 | |
lot of players may have played along
stunt shot with that but Ken dropped | 1:13:15 | 1:13:19 | |
it in. He did it the way he fancied.
Now it is just a matter of keeping | 1:13:19 | 1:13:27 | |
the cue ball under control. The
first priority is get yourself back | 1:13:27 | 1:13:30 | |
in the frame. He hasn't really made
a good effort of the last red, he is | 1:13:30 | 1:13:42 | |
slightly awkward here. The yellow
was a bit of a problem. | 1:13:42 | 1:13:53 | |
Great shot. To find the gap, and
that was quite deliberate as well. | 1:13:58 | 1:14:07 | |
Quite back in perfect position, I
don't know if he can hold for the | 1:14:07 | 1:14:09 | |
blue. He is certainly going in and
out of the ball. It is not quite in | 1:14:09 | 1:14:18 | |
position yet. He is scrapping for
it, isn't he? There are some great | 1:14:18 | 1:14:28 | |
points to keep it going and the last
positional shot was to rigour and | 1:14:28 | 1:14:32 | |
that was better than it looked. He
just needs to get one really good | 1:14:32 | 1:14:36 | |
positional shot, and not miss the
brown! Goodness me. I did not see | 1:14:36 | 1:14:41 | |
that coming. Amazing, isn't it, this
game. The professionals tell you you | 1:14:41 | 1:14:51 | |
can miss anything. You take your eye
off it for a split second and you | 1:14:51 | 1:14:57 | |
can miss it. It is funny how it
happens as well because he has | 1:14:57 | 1:15:01 | |
played all the tricky shots with the
Longbridge and gone through the gap | 1:15:01 | 1:15:04 | |
in through the middle and it is
almost as though your concentration | 1:15:04 | 1:15:07 | |
drops a little level and you don't
put it all in for the next pot. | 1:15:07 | 1:15:14 | |
I am just wondering if that could be
a big turning point in this match. | 1:15:28 | 1:15:32 | |
Ken has done really well this
afternoon so far and that was the | 1:15:32 | 1:15:37 | |
first really big mistake he has
made. We always said it was going to | 1:15:37 | 1:15:45 | |
be a big frame. It always is before
the mid-session interval. This black | 1:15:45 | 1:15:54 | |
and one more red will stop that will
be the insurance and then it will | 1:15:54 | 1:16:03 | |
all be square again towards the
interval. They have already passed | 1:16:03 | 1:16:10 | |
the point that once they see this
red disappear it is going in and Ken | 1:16:10 | 1:16:14 | |
wouldn't return to the table. | 1:16:14 | 1:16:18 | |
Neil Robertson, 23. And the frame.
The concession from Ken Doherty, it | 1:16:37 | 1:16:43 | |
will be 2-2 and all to play for when
we return. Neil Robertson makes it | 1:16:43 | 1:16:48 | |
2-2. | 1:16:48 | 1:16:58 | |
So, Ken Doherty breaks off in frame
five after the mid-session interval. | 1:16:59 | 1:17:04 | |
A very good session before the
interval it was too. Interesting | 1:17:04 | 1:17:10 | |
tactical play. Some good, long
potting. Ken making himself a little | 1:17:10 | 1:17:16 | |
bit after a chance on the brown that
he had and he should not have | 1:17:16 | 1:17:19 | |
missed. He could have got a counter
clearance in the last frame but it | 1:17:19 | 1:17:24 | |
has all gone now. 2-2 and all to
play for. | 1:17:24 | 1:17:28 | |
He has got to be a little bit
careful with this return safety. If | 1:18:54 | 1:19:00 | |
he decides to play in with a bit of
check side. Well, he played another | 1:19:00 | 1:19:10 | |
shot completely, and he would like
to have that one again. The thing he | 1:19:10 | 1:19:16 | |
had to avoid there was double-kiss.
Yes, he just caught the far jaw in | 1:19:16 | 1:19:20 | |
the corner. The double-kiss. | 1:19:20 | 1:19:28 | |
We said before the interval, tough
as the Australian sports stars are. | 1:19:47 | 1:19:58 | |
The Australian Rugby league team won
the World Cup this morning against | 1:19:58 | 1:20:00 | |
England full is not 6-0. | 1:20:00 | 1:20:13 | |
At one point that was looking
distinctly unpromising, that splits, | 1:20:13 | 1:20:17 | |
but Neil has a couple of options
now. One of which is a red in the | 1:20:17 | 1:20:23 | |
middle pocket, if he wants it. The
left corner is also portable. One | 1:20:23 | 1:20:31 | |
good pot and a positional play away
from a really good chance here. | 1:20:31 | 1:20:36 | |
Yes, the way these reds are sitting.
Please shots a masterful. That was | 1:20:43 | 1:20:50 | |
good, that was good. I mentioned
earlier, his cue action is | 1:20:50 | 1:20:54 | |
absolutely bowled straight and those
shots are made to look effortless. | 1:20:54 | 1:20:58 | |
He was right to the middle of the
cue ball, as straight as you like, | 1:20:58 | 1:21:02 | |
and that is tough to do. | 1:21:02 | 1:21:13 | |
It is something else actually that
this season, talking about | 1:21:20 | 1:21:26 | |
conditions, the conditions have been
really good. They have not been | 1:21:26 | 1:21:30 | |
bouncing the way they were two or
three seasons ago and it gives you | 1:21:30 | 1:21:33 | |
this kind of little shot, it looks
like nothing but it gives you | 1:21:33 | 1:21:37 | |
confidence you can get it properly
and not lose the cue ball. Do you | 1:21:37 | 1:21:42 | |
know why it has improved? Not
really, I had to be honest. It has | 1:21:42 | 1:21:46 | |
been a feature of this season. I
think I'm back to social media are | 1:21:46 | 1:21:50 | |
you hear players complaining about
tables misbehaving but there has | 1:21:50 | 1:21:57 | |
been none of that this season and we
hope it stays the same. And | 1:21:57 | 1:22:00 | |
wondering if it is because the boys
are all using the new chalk and it | 1:22:00 | 1:22:06 | |
doesn't give any kicks because it
doesn't rest on the table other | 1:22:06 | 1:22:09 | |
conditions. It is good. You want
consistency and you want to know | 1:22:09 | 1:22:13 | |
exactly how the ball will come of
the cushion. If the tables are doing | 1:22:13 | 1:22:17 | |
the job, then great. Much has been
made of this new chalk. Are you | 1:22:17 | 1:22:25 | |
using it? Are you an advocate? I do
have a piece of it my cue kiss but I | 1:22:25 | 1:22:30 | |
have not started using it as yet. I
think I probably will. The only | 1:22:30 | 1:22:35 | |
thing I have heard reports that a
lot of players are miss cueing more | 1:22:35 | 1:22:39 | |
than they ever would say that his
aim con servant but it definitely | 1:22:39 | 1:22:43 | |
takes away the chalk marks. Why, I
don't know, but it does. Kicks, you | 1:22:43 | 1:22:49 | |
still get the odd bad contact but I
think they do reduce kick count. | 1:22:49 | 1:22:56 | |
Meanwhile Neil Robertson has taken
these brilliantly well. I mentioned | 1:22:56 | 1:23:04 | |
before the interval that it could
change the course of the match. At | 1:23:04 | 1:23:11 | |
the moment it is looking very
promising for Neil. There is another | 1:23:11 | 1:23:16 | |
one of those shots where there are
kings of the condition where the cue | 1:23:16 | 1:23:24 | |
ball was coming up far too far and
that is the second one he has had in | 1:23:24 | 1:23:28 | |
the break. It is absolutely perfect.
That is great. If you're playing all | 1:23:28 | 1:23:32 | |
the time and you know that is
happening, that is exactly what you | 1:23:32 | 1:23:36 | |
want. | 1:23:36 | 1:23:41 | |
Even with that shot it helps, you
can punch it improperly and know you | 1:23:52 | 1:23:57 | |
will not lose the cue ball topside
so it makes a difference to players | 1:23:57 | 1:24:00 | |
of this standard. An awful lot of
shots, it's not something we want to | 1:24:00 | 1:24:06 | |
be talking about, you don't want it
to be an issue so may it continue | 1:24:06 | 1:24:14 | |
the weather conditions have been.
Neil Robertson getting up of steam | 1:24:14 | 1:24:17 | |
here. He is not daft. He has been
around the block, he knows he may | 1:24:17 | 1:24:24 | |
have got away with one in the last
frame of this with Ken missing | 1:24:24 | 1:24:27 | |
brown. Players know, they can sense,
there are certain parts of the match | 1:24:27 | 1:24:33 | |
were you know your opponent should
have gone ahead or pressed ahead and | 1:24:33 | 1:24:36 | |
he hasn't done it then you try even
harder than you are doing in the | 1:24:36 | 1:24:40 | |
next frame just to make him remember
it. He is taking this beautifully | 1:24:40 | 1:24:46 | |
well so far. The cue ball has been
exemplary. He is already 64 points | 1:24:46 | 1:24:53 | |
in the league. This will put him
over the line in the frame said | 1:24:53 | 1:24:58 | |
there is nothing like winning in one
visit which is what he has not been | 1:24:58 | 1:25:01 | |
able to do so far in this match. If
safety shot and a double-kiss the | 1:25:01 | 1:25:09 | |
Ken will cost in the frame. -- that
safety shot and the double-kiss will | 1:25:09 | 1:25:18 | |
cost Ken the frame. Play a little
cannon off the pink here and take | 1:25:18 | 1:25:27 | |
the outside red as well if he wants.
A little flick across. He just | 1:25:27 | 1:25:32 | |
dropped it in. Could take that shot
on if he wanted it. | 1:25:32 | 1:25:41 | |
No reason why now we should not see
the first century of this match. He | 1:26:18 | 1:26:22 | |
has taken these beautifully. Red and
a colour will see him not that | 1:26:22 | 1:26:29 | |
century. Very impressive. | 1:26:29 | 1:26:40 | |
A beautiful century for Neil
Robertson. The red doesn't matter. | 1:26:49 | 1:26:55 | |
He will be in the lead for the first
time at three frames to two. | 1:26:55 | 1:27:08 | |
Neil Robertson breaks off in frame
six. He will not be happy with that | 1:27:12 | 1:27:15 | |
break. He will need a bit of luck to
get away with it. Has he? Ken can | 1:27:15 | 1:27:27 | |
just about get through to red. It is
a difficult pot. Yes, those are not | 1:27:27 | 1:27:39 | |
easy when you have been your chair,
added to the interval 15 minutes it | 1:27:39 | 1:27:44 | |
is probably a good half an hour or
hour or so or 40 minutes. The double | 1:27:44 | 1:27:49 | |
whammy was that the red has come out
to a portable position. He just hit | 1:27:49 | 1:27:55 | |
so so nicely. It is once again such
a nice example of that straight | 1:27:55 | 1:27:59 | |
cueing. You cannot put that ball
unless you cue threw the ball | 1:27:59 | 1:28:03 | |
straight. | 1:28:03 | 1:28:13 | |
That was beautiful. The control.
Three or four times today he has | 1:28:28 | 1:28:35 | |
landed absolutely perfect on the
blue. Into the reds again. How is | 1:28:35 | 1:28:39 | |
his luck. Not great. Can he get
through for pink to the right | 1:28:39 | 1:28:49 | |
middle? Won over the middle. It is
not a cinch. It is not easy to | 1:28:49 | 1:29:00 | |
control the cue ball playing it. | 1:29:00 | 1:29:06 | |
This is definitely an example of
straight through the ball cueing | 1:29:06 | 1:29:11 | |
here... Which, once again, was not a
problem. It really is bowled | 1:29:11 | 1:29:16 | |
straight. It looks like nothing
though. It was a beautiful shot. A | 1:29:16 | 1:29:23 | |
very fine left-hander as well. To be
on the pink but not on the rest, it | 1:29:23 | 1:29:29 | |
shows you the control. Picking a
spot for the next red, meaning | 1:29:29 | 1:29:33 | |
business again... Is he playing the
cannon into the reds? No, he can | 1:29:33 | 1:29:44 | |
pick out one. Edit the gap looking
promising... Stepping through the | 1:29:44 | 1:29:52 | |
gaze at the minute. Trying to go a
little quicker... That was the | 1:29:52 | 1:29:56 | |
importance of scoring heavily. In
this part of the match he feels he's | 1:29:56 | 1:30:04 | |
got Ken slightly on the ropes at the
moment. | 1:30:04 | 1:30:16 | |
It's a clever shot that shows you
how well he is thinking. Just about | 1:30:30 | 1:30:40 | |
the top side of the blue. Finding a
way back down to the next red. It | 1:30:40 | 1:30:47 | |
isn't going to be easy. Loosely
spread. Covering one another. It's | 1:30:47 | 1:30:54 | |
an important shot right here.
Finishing the red how he is playing. | 1:30:54 | 1:31:00 | |
You would fancy him. I wonder that
red at the top, dropping the blue, | 1:31:00 | 1:31:07 | |
it would be OK if he runs that cue
ball three. Let's have a look at the | 1:31:07 | 1:31:13 | |
red that I thought would be the one
for Neil. Leave the cue ball right | 1:31:13 | 1:31:17 | |
there, play a thin clip in and play
up the table. That looks to be the | 1:31:17 | 1:31:24 | |
best option at the moment... He has
gone on the same line, going twice | 1:31:24 | 1:31:35 | |
across... | 1:31:35 | 1:31:38 | |
He played a two in 1-shot there. He
played for the choice of a plant a | 1:31:54 | 1:32:01 | |
loose red corner. Filling in the
knowledge, on the red, he was | 1:32:01 | 1:32:10 | |
thinking clearly. Good thinking. One
good positional shot away, a fine | 1:32:10 | 1:32:15 | |
chance. To win the frame his
visit... We said earlier in the day | 1:32:15 | 1:32:28 | |
that all of the breaks, one of those
made by Ken, he was scrapping for a | 1:32:28 | 1:32:33 | |
position. It's another one here. He
hasn't been right for the last three | 1:32:33 | 1:32:37 | |
or four shots. Another good
positional shot is required. | 1:32:37 | 1:32:50 | |
Now, is he on one? He is not on the
one closest to the black on the | 1:32:50 | 1:33:00 | |
right-hand side but he is on one
above. Once again, got to knock it | 1:33:00 | 1:33:04 | |
in because you don't really know
where the cue ball is going. What a | 1:33:04 | 1:33:12 | |
shot. As good as anything today.
Again, beautifully striped. A choice | 1:33:12 | 1:33:25 | |
of green or blue. If it goes in it
looks like it would be the end of | 1:33:25 | 1:33:32 | |
the frame. Just gone through the
Boxall of a sudden... | 1:33:32 | 1:33:46 | |
A worried Ken sat in his chair
there. 20 minutes since he last | 1:34:01 | 1:34:07 | |
potted a ball. Really, 45 minutes
since he had any decent table time | 1:34:07 | 1:34:11 | |
to speak of... And he doesn't look
like he is getting any time soon, | 1:34:11 | 1:34:22 | |
either. He is playing really quickly
at the moment. He is obviously very | 1:34:22 | 1:34:29 | |
confident. You can always tell when
a player is in good stroke. | 1:34:29 | 1:34:36 | |
Certainly with Neil Robertson, his
shoulders go back and he walks as | 1:34:36 | 1:34:41 | |
proud as a peacock around the table.
Quick and fluent. That is what is | 1:34:41 | 1:34:45 | |
happening at the moment. 69... | 1:34:45 | 1:34:51 | |
Hard to play any better than this. | 1:34:58 | 1:35:09 | |
Just beginning to enjoy himself out
there, Neil, the first three or four | 1:35:21 | 1:35:26 | |
frames were hard-fought today. A
good single for plotting, but not | 1:35:26 | 1:35:33 | |
really the fluency we are expecting.
But he is beginning to move through | 1:35:33 | 1:35:39 | |
the gears. He is looking good. It
was interesting, a couple of shots | 1:35:39 | 1:35:50 | |
he could have played and flicked the
pink off the cushion. He ignored it. | 1:35:50 | 1:35:54 | |
He didn't even take a chance on that
one, he just wanted to make a | 1:35:54 | 1:35:58 | |
century. And there it is.
Consecutive century breaks. | 1:35:58 | 1:36:10 | |
Extremely impressive. Done in pretty
quick time. Superb from the | 1:36:10 | 1:36:14 | |
Australian. | 1:36:14 | 1:36:24 | |
Great to see him playing back like
this. As you say he's one of the | 1:36:39 | 1:36:43 | |
finest players I've ever seen in
this game and when he motors like | 1:36:43 | 1:36:47 | |
this, here's a handful! It would
take someone exceptional to beat him | 1:36:47 | 1:36:51 | |
if he continues in this vein... It's
great stuff. | 1:36:51 | 1:37:10 | |
The way he's hitting this, it's a
certainty! APPLAUSE | 1:37:14 | 1:37:23 | |
124. The frame to Neil Robertson.
102 in the last, opening up a two | 1:37:23 | 1:37:39 | |
frame lead. Neil Robertson leading
Ken Doherty four frames to two. He | 1:37:39 | 1:37:44 | |
is looking good. | 1:37:44 | 1:37:55 | |
My goodness. Well... That's what
happens, unfortunately, in sport. | 1:38:13 | 1:38:22 | |
When somebody is playing so well
they get the rub. That is one of | 1:38:22 | 1:38:26 | |
those, missing it by a foot.
Straight into the corner. I wouldn't | 1:38:26 | 1:38:31 | |
put it past him making another
frame-winning contribution here. | 1:38:31 | 1:38:35 | |
That is tough to take. Yes, this
game, it seems to have a memory. On | 1:38:35 | 1:38:45 | |
what has gone on before in the last
couple of frames, the half-century | 1:38:45 | 1:38:49 | |
breaks by Neil... Not bad enough for
Ken Doherty that the opponent is | 1:38:49 | 1:38:55 | |
playing the way that he is. Like is
also on his side. Clever, playing | 1:38:55 | 1:39:04 | |
for the pink right there. It will go
to the back of the cluster. | 1:39:04 | 1:39:17 | |
It clears a couple of rates and some
shots to work out the order that he | 1:39:17 | 1:39:22 | |
is going to take the reds in.
Already thinking of the best way to | 1:39:22 | 1:39:29 | |
win this bunch. | 1:39:29 | 1:39:40 | |
A couple of loose reds before he
needs to think about that but, once | 1:39:58 | 1:40:04 | |
again, a cluster the way that they
are. Off the blue, that would be | 1:40:04 | 1:40:11 | |
happy but he has come a little short
on this one. Just about the cannon | 1:40:11 | 1:40:16 | |
that he gets here. The fact that he
can sneak past the side of the pack, | 1:40:16 | 1:40:20 | |
I didn't think he could see that at
first but that is all right! Still | 1:40:20 | 1:40:26 | |
got two loose reds before he has two
manoeuvre any more balls into play. | 1:40:26 | 1:40:38 | |
This frame, all about the split. I
do think though that, is there a | 1:40:38 | 1:40:45 | |
plant on the same pocket? I think
that he's going to play for the | 1:40:45 | 1:40:49 | |
loose red. Similar how he was on it
a couple of shots ago. Finishing | 1:40:49 | 1:40:56 | |
where his farm is there. That is
perfect! That is perfect. Played it | 1:40:56 | 1:41:06 | |
nicely. Once again judging the
cannon. You have to be careful, how | 1:41:06 | 1:41:10 | |
hard you hit these. And also making
sure you do not screw it off in the | 1:41:10 | 1:41:18 | |
middle pocket, that is a
possibility. Interesting to see | 1:41:18 | 1:41:22 | |
which way he does this. He can
actually push the reds in. I wonder | 1:41:22 | 1:41:31 | |
if the plant is still on. | 1:41:31 | 1:41:42 | |
It can definitely be made. No doubt.
It looks like it is all happening | 1:41:43 | 1:41:51 | |
here. A fluke on the opening red and
he has found a plant as well. Hmm. | 1:41:51 | 1:42:00 | |
The other thing is, he will be
pushing the other reds into play and | 1:42:00 | 1:42:09 | |
playing this... If the balls are
even virtually touching, they don't | 1:42:09 | 1:42:14 | |
have to be touching, and he can
still manufacture this, putting it | 1:42:14 | 1:42:22 | |
into the middle of the pocket...
Yes. A good shot. My goodness, | 1:42:22 | 1:42:31 | |
honestly, this frame, you want to
put a line through this one. Ken | 1:42:31 | 1:42:35 | |
wants to sit and look for the fluke,
then the plant, the split is | 1:42:35 | 1:42:40 | |
absolutely perfect. I would not be
backing any horses if I was Ken! It | 1:42:40 | 1:42:49 | |
is a tough life sometimes, the life
of a snooker player. Playing in this | 1:42:49 | 1:42:54 | |
kind of form, since the interval,
you don't have to do much wrong... | 1:42:54 | 1:43:02 | |
You can bet he's trying to make
another century, he likes to make | 1:43:02 | 1:43:05 | |
three or four on the spin. He's
obviously very motivated by the | 1:43:05 | 1:43:12 | |
history of the game and wants to win
as many majors as he can, scoring | 1:43:12 | 1:43:17 | |
wonderful centuries that season,
with over 100 of them. Just coming a | 1:43:17 | 1:43:27 | |
little straight on this, otherwise
he would have played it already. And | 1:43:27 | 1:43:35 | |
it is also very good matchplay, in
terms of the experience. He's | 1:43:35 | 1:43:39 | |
reached a stage in the match where
the next half a dozen shots are so | 1:43:39 | 1:43:43 | |
important, to take him to a 5-2 lead
which you would think are not | 1:43:43 | 1:43:50 | |
unassailable but are in a very
strong position. He's taking his | 1:43:50 | 1:43:54 | |
time, fluent, but there are times in
a match where you would want to hang | 1:43:54 | 1:43:58 | |
back and weigh up your options this
is one of them. | 1:43:58 | 1:44:10 | |
Once again, that was beautifully
played. The pot on the bottom of the | 1:44:12 | 1:44:16 | |
pink. That is just... Well, it is
superb. Well, this looks like they | 1:44:16 | 1:44:24 | |
are all going to go. Certainly
enough to get past the line. 48 | 1:44:24 | 1:44:28 | |
ahead already. John Paul used to say
that all he's got to do is to mind | 1:44:28 | 1:44:34 | |
his work! As I say, taking his time.
He knows. He knows how important | 1:44:34 | 1:44:47 | |
this visit is. Keep Ken in the
chair. Get a 5-2 lead. He isn't on | 1:44:47 | 1:44:54 | |
the red. As far as patting it
directly but it should be all right. | 1:44:54 | 1:45:00 | |
Virtual certainty... | 1:45:00 | 1:45:10 | |
That shot on the right-hand side can
he left himself in the right place | 1:45:14 | 1:45:17 | |
to placed and cannon, all the time
he is thinking of using his brains. | 1:45:17 | 1:45:28 | |
Not much you can do about this. ...
If you play golf, but when your | 1:45:28 | 1:45:40 | |
opponent has the cue ball, you've
just got to sit and watch. This has | 1:45:40 | 1:45:46 | |
been brilliant from Neil Robertson.
There is nothing Ken Doherty can do | 1:45:46 | 1:45:51 | |
about it. | 1:45:51 | 1:46:01 | |
Chasing centuries again... Deep
enough into this to push the red | 1:46:09 | 1:46:15 | |
over to the left middle. He needs to
work on his positional play. Been | 1:46:15 | 1:46:28 | |
absolutely superb for the last two
and three quarters frames. Looking | 1:46:28 | 1:46:34 | |
like someone who has won of the last
for the United Kingdom. That is what | 1:46:34 | 1:46:39 | |
he has done. It's great to see him
back playing so well. | 1:46:39 | 1:46:56 | |
The only way to get the read out, I
think. He tried to get it out a | 1:46:59 | 1:47:06 | |
couple of shots ago. What a shock it
was. Everything working in perfect | 1:47:06 | 1:47:12 | |
harmony. | 1:47:12 | 1:47:22 | |
So, pink, red, and another colour.
That will be three centuries on the | 1:47:34 | 1:47:37 | |
spin for Neil Robertson. Absolutely
grey day -- absolutely A great | 1:47:37 | 1:47:49 | |
today. Dropping this in... | 1:47:49 | 1:47:53 | |
That's three times in a row. Neil
Robertson is flying out there. Make | 1:48:07 | 1:48:20 | |
no mistake, ladies and gentlemen. He
is back. The real Neil Robertson has | 1:48:20 | 1:48:24 | |
entered the building. Hasn't been
massively off in his game but | 1:48:24 | 1:48:32 | |
slightly awry with how he has been
playing. He has been saying that | 1:48:32 | 1:48:37 | |
people are playing good against him
but trust me, he isn't playing that | 1:48:37 | 1:48:40 | |
good when he plays them. It is
vintage stuff at the moment. | 1:48:40 | 1:48:53 | |
He is really enjoying himself out
there now. | 1:48:58 | 1:49:09 | |
124 and 129. Neil Robertson, with a
three frame lead. One from victory | 1:49:15 | 1:49:22 | |
at 5-2. Neil Robertson to break.
Neil Robertson to break off in frame | 1:49:22 | 1:49:29 | |
eight. It's been an exhibition since
the mid-session interval from the | 1:49:29 | 1:49:34 | |
Australian. Three consecutive
century breaks. Fabulous control of | 1:49:34 | 1:49:39 | |
the cue ball. Exhibition
break-building the highest numbers. | 1:49:39 | 1:49:46 | |
Not much that Ken Doherty can do on
that. You've just got to hope that | 1:49:46 | 1:49:51 | |
things turn around. | 1:49:51 | 1:50:01 | |
It's another wonderful piece of
cueing. When he is on like this, his | 1:50:20 | 1:50:26 | |
long game is sensational. There are
not many better. | 1:50:26 | 1:50:39 | |
A couple of ways of playing this. He
may drop a dead weight. Playing two | 1:50:40 | 1:50:45 | |
cushions for a choice of rates.
Deciding on the dead weight, if he | 1:50:45 | 1:50:50 | |
finds this gap through the red, left
of the black... He plays it within | 1:50:50 | 1:50:54 | |
an inch. Were you expecting anything
else? Not really! And there it is. | 1:50:54 | 1:51:02 | |
He is up and running again. I love
how he plays the game. As far as his | 1:51:02 | 1:51:13 | |
safety he takes his time and place a
correct short but when he gets in | 1:51:13 | 1:51:17 | |
close he likes to get motoring and
picking up the pieces. He's done | 1:51:17 | 1:51:21 | |
that since the interval, wasting no
time. | 1:51:21 | 1:51:26 | |
Flat black, 400 points without
reply. For Neil Robertson. Clean as | 1:52:04 | 1:52:14 | |
a whistle as well. I think that the
record is somewhere in the region of | 1:52:14 | 1:52:18 | |
560. Maybe John Higgins against
Anthony Hamilton at the Crucible? | 1:52:18 | 1:52:32 | |
Suppose that the good news is it
looks like the last frame because | 1:52:32 | 1:52:36 | |
there were more in this match that
could be happening here. He is not | 1:52:36 | 1:52:39 | |
liking this at the moment. The cue
ball is absolutely superb. | 1:52:39 | 1:52:54 | |
Of course, losing the cue ball for
the first time... But mind you, he | 1:52:57 | 1:53:03 | |
has been knocking these in for fun! | 1:53:03 | 1:53:15 | |
It was over the pocket, no
hesitation, again. | 1:53:17 | 1:53:29 | |
Weight a deep screw. A cannon into
the pink. It is a clever shot. Is he | 1:53:29 | 1:53:34 | |
on one? The only where he is not
going to pot one, if he's looking at | 1:53:34 | 1:53:42 | |
a chance of going in the pocket, I
think this is the end of the break. | 1:53:42 | 1:53:49 | |
A little bit of luck needed there.
You can take it onto the corner but | 1:53:49 | 1:53:55 | |
the way that he is going, he has
knocked everything in. 44 points in | 1:53:55 | 1:54:06 | |
front, 5-2 ahead and when you play
as well as he is, sometimes it is | 1:54:06 | 1:54:11 | |
difficult to steal yourself that you
still need to play the right shot | 1:54:11 | 1:54:13 | |
and the right shot here is to skip
out. Yes, a medicine shop this, I | 1:54:13 | 1:54:20 | |
think. Play the shot on its merit,
he wants to make four tons in a row, | 1:54:20 | 1:54:27 | |
of course he does. But if it doesn't
cut, there's no point in playing it. | 1:54:27 | 1:54:33 | |
He isn't playing someone in the club
handicap, he plays Ken Doherty, | 1:54:33 | 1:54:38 | |
capable of clearing up if he misses.
Play the right shot, I'm sure he | 1:54:38 | 1:54:42 | |
will do. And there you go. That is
why he is the champion. | 1:54:42 | 1:55:00 | |
Now then!
CHEERING | 1:55:08 | 1:55:10 | |
CHUCKLES
That is nice to see. Just don't miss | 1:55:10 | 1:55:20 | |
that brown though! It's been a long
time coming but worth the wait in | 1:55:20 | 1:55:28 | |
the end. It's a decent chance. Not a
certainty, the brown, but so fully | 1:55:28 | 1:55:36 | |
capable. This is why like to play
the screw on the angle, try and get | 1:55:36 | 1:55:43 | |
into the pack... There he is, he has
Mr brown. That's the shot I was | 1:55:43 | 1:55:48 | |
thinking... Hmm... -- he has missed
the brown. Unfortunately, his | 1:55:48 | 1:55:58 | |
position is good. Year, it's a
symptom of a lack of table time, | 1:55:58 | 1:56:04 | |
isn't it? Look at that. That's where
you put the cue ball with your hand. | 1:56:04 | 1:56:10 | |
No idea really of where he was going
to land but that is plumb. If this | 1:56:10 | 1:56:21 | |
match isn't over now, Neil Robertson
would be very annoyed with himself. | 1:56:21 | 1:56:25 | |
51 points in the league... Easily 20
or 30 more to come, you would think. | 1:56:25 | 1:56:40 | |
He has been hugely impressive this
afternoon. The second session has | 1:56:40 | 1:56:44 | |
been as good as he can play. The
only reason he hasn't made for | 1:56:44 | 1:56:49 | |
centuries on the spin is because he
lost the cue ball, on the positional | 1:56:49 | 1:56:53 | |
shot, not because he missed
anything. Back to his very best and | 1:56:53 | 1:56:57 | |
he is going to take some stopping
here... Whoever he plays against. | 1:56:57 | 1:57:10 | |
Just making sure of the black.
Playing the match... He has been | 1:57:25 | 1:57:30 | |
good, hasn't he? He has, an
exhibition of power and control. | 1:57:30 | 1:57:40 | |
APPLAUSE
And it is good to see him play this | 1:57:40 | 1:57:49 | |
way again... It's not like he hasn't
been playing that well, still | 1:57:49 | 1:57:56 | |
knocking in centuries but to put it
together, all in one burst... The | 1:57:56 | 1:58:05 | |
red didn't go in, but the Australian
was absolutely all for nothing in | 1:58:05 | 1:58:10 | |
the interval. Wrapping it up there.
In the final frame. Brilliant play | 1:58:10 | 1:58:17 | |
from Neil Robertson the Australian,
Ken Doherty can do much about it in | 1:58:17 | 1:58:21 | |
the second session. The Australian
was awesome, winning 6-2. | 1:58:21 | 1:58:26 | |
the second session. The Australian
was awesome, winning 6-2. | 1:58:26 | 1:58:27 | |
What a performance from Neil
Robertson, 422 points without reply, | 1:58:27 | 1:58:31 | |
two matches in a row where he has
made three successive centuries. He | 1:58:31 | 1:58:35 | |
looks very good, does the two-time
UK champion. 16 second-round matches | 1:58:35 | 1:58:42 | |
remaining, we will get through those
on Sunday, starting at one o'clock | 1:58:42 | 1:58:46 | |
and we will be ready, on-air, for
the match between Ronnie O'Sullivan, | 1:58:46 | 1:58:51 | |
the five-time champion of this
event. I hope you join us for that, | 1:58:51 | 1:58:56 | |
but in the meantime, get some sleep. | 1:58:56 | 1:58:59 |