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MUSIC | 0:00:43 | 0:00:53 | |
Good evening from the Barbican
Centre in York, home of the United | 0:01:07 | 0:01:13 | |
Kingdom Championships, snooker's
first major of the season. If you | 0:01:13 | 0:01:17 | |
were with us at 7pm on BBC Two, you
will know Ronnie Sullivan, the | 0:01:17 | 0:01:23 | |
runaway favourite was in an
intriguing match against the lowest | 0:01:23 | 0:01:27 | |
ranked player left, Sunny Akani, the
world number 84 from Thailand. | 0:01:27 | 0:01:32 | |
Incredible match. We will show you
it in a moment after a quick look at | 0:01:32 | 0:01:39 | |
how the other results are shaping
the quarterfinal line-up. Shaun | 0:01:39 | 0:01:45 | |
Murphy, the only other surviving
member of the top 16 to make it this | 0:01:45 | 0:01:49 | |
far. No surprises, a 6-1 win over
Ricky Walden. Has been good to see | 0:01:49 | 0:01:55 | |
him on the comeback trail after a
year of back problems but Shaun | 0:01:55 | 0:02:01 | |
Murphy is through to the quarters. I
played nicely. A few shots here and | 0:02:01 | 0:02:07 | |
there that didn't go to plan and on
another day, Ricky, being more | 0:02:07 | 0:02:12 | |
clinical might have punished me and
we might still have been playing. | 0:02:12 | 0:02:17 | |
The game turns on a little mistake
here or there and I have lost | 0:02:17 | 0:02:24 | |
matches from 3-1 ahead, 4-1 ahead
and you can never afford to take | 0:02:24 | 0:02:28 | |
your foot off the gas. A tortuous
first part of the match for Xiao | 0:02:28 | 0:02:43 | |
Guodong and Martin Gould. I made a
good start. And then other than | 0:02:43 | 0:02:54 | |
that, I think it was a case of
neither of us really got going. The | 0:02:54 | 0:03:00 | |
last two frames were good from my
perspective making two, 60s. There | 0:03:00 | 0:03:09 | |
was a couple of sticky one I managed
to pots, which I did feel like my | 0:03:09 | 0:03:15 | |
elbow was coming out a little bit.
But it is nice to be in the | 0:03:15 | 0:03:20 | |
quarterfinals. He awaits the winner
of this match and everyone expected | 0:03:20 | 0:03:25 | |
Ronnie O'Sullivan to cruise through
against Sunny Akani Thailand. | 0:03:25 | 0:03:30 | |
Everyone except for his .com who
travels with him. But he beat Barry | 0:03:30 | 0:03:37 | |
Hawkins in the last round and he
started off in the most amazing | 0:03:37 | 0:03:44 | |
self-possessed form and took the
first two frames. Ronnie hit back | 0:03:44 | 0:03:51 | |
after the interval. Watching this
contest is Stephen Hendry and Dennis | 0:03:51 | 0:03:55 | |
Taylor. | 0:03:55 | 0:03:56 | |
COMMENTATOR: Ronnie is getting
frustrated now, he wants this match | 0:04:09 | 0:04:12 | |
over with. I think this is a more
important frame for the young Thai | 0:04:12 | 0:04:23 | |
player, led 2-0. | 0:04:23 | 0:04:27 | |
What a debut this would be. | 0:04:31 | 0:04:35 | |
Longest frame of the match so far
and what an important shot this | 0:04:52 | 0:04:55 | |
series. It was close, but look at
the cue ball. He took the double on, | 0:04:55 | 0:05:09 | |
but he knew he was coming towards
the pink and black. | 0:05:09 | 0:05:16 | |
He needs the three colours. If he
pots the blue and pink, Ronnie can | 0:05:28 | 0:05:37 | |
still tie with the black. | 0:05:37 | 0:05:40 | |
Not very good. He doesn't want to
look. Look at that smile, but | 0:06:15 | 0:06:21 | |
nothing for Ronnie to smile at. That
was unfortunate after that horrific | 0:06:21 | 0:06:28 | |
pot on the blue. He might be able to
get a snooker back if he just clips | 0:06:28 | 0:06:34 | |
the pink, half ball. If he doesn't,
he could leave the pink. Got to be | 0:06:34 | 0:06:40 | |
very precise. Does this pink go into
the corner? If not, he can get the | 0:06:40 | 0:06:51 | |
snooker in behind the black. He
needs the pink and black does Sunny | 0:06:51 | 0:06:56 | |
Akani. If he doesn't fancy the pots,
he can quite easily screw in behind | 0:06:56 | 0:07:04 | |
the black. He is very close to the
pink. Don't thing he will push it. | 0:07:04 | 0:07:10 | |
He went for the parts. A bit unlucky
not to be on the black. Could quite | 0:07:28 | 0:07:37 | |
easily have made the snooker there. | 0:07:37 | 0:07:41 | |
He's gone for the safety shot. He
hasn't. He was looking for the black | 0:07:54 | 0:08:03 | |
to be tight on the baulk cushion.
But this is far from easy. | 0:08:03 | 0:08:09 | |
Wasn't easy. Where is the cue ball
going? | 0:08:16 | 0:08:21 | |
He's looking at the potting angle.
Got to be potting the black into the | 0:08:27 | 0:08:38 | |
pocket that Ronnie is sitting
behind. | 0:08:38 | 0:08:45 | |
Ronnie won the two frames before the
mid-session interval but now he is | 0:08:54 | 0:08:58 | |
back in the league 3-2.
Majestic shot and Sunny Akani forged | 0:08:58 | 0:09:07 | |
ahead. Playing fearless snooker.
This wasn't in the script. Once | 0:09:07 | 0:09:14 | |
again, a Sullivan made up the two
frame deficit to level up at 4-4. So | 0:09:14 | 0:09:22 | |
here we are again, Ronnie to play.
COMMENTATOR: Hang on, it can you get | 0:09:22 | 0:09:30 | |
your breath?
Sunny Akani, can't get his breath. | 0:09:30 | 0:09:38 | |
He didn't have time to finish his
water. He thought he would be | 0:09:38 | 0:09:45 | |
sitting for a while. Have a look at
what he did with the cue ball. | 0:09:45 | 0:09:51 | |
APPLAUSE | 0:10:02 | 0:10:04 | |
Managed to flick the black and stay
on it. But these sort of things | 0:10:08 | 0:10:12 | |
happen when you do what Ronnie has
just done. You shouldn't have been | 0:10:12 | 0:10:17 | |
anywhere near the middle with the
cue ball. You just sense sometimes, | 0:10:17 | 0:10:22 | |
when that sort of thing happens,
when things can change around again | 0:10:22 | 0:10:31 | |
and he has won the last two to level
at 4-4, but what a chance early in | 0:10:31 | 0:10:38 | |
this frame for this young Thai
player. | 0:10:38 | 0:10:41 | |
How well did he play back? Looking
at that smile, he can't believe he | 0:11:10 | 0:11:19 | |
hasn't finished on a red because
that last shot, he couldn't have | 0:11:19 | 0:11:26 | |
played it any better. He hit the
pink, full-ball, scattered The reds. | 0:11:26 | 0:11:34 | |
Absolutely landed on nothing. | 0:11:34 | 0:11:40 | |
Hang on, is there a gap? Does the
red go? | 0:11:47 | 0:11:53 | |
He is still smiling to himself. He
can't believe where the ball has | 0:12:08 | 0:12:14 | |
finished up. He is having the cue
ball cleaned. There doesn't look to | 0:12:14 | 0:12:25 | |
be a gap. He could play the other
one at the other end of the table. | 0:12:25 | 0:12:30 | |
But because he is playing such a
good shot when he's playing the | 0:12:30 | 0:12:33 | |
reds, he wants to take something on.
He must feel like he can see enough | 0:12:33 | 0:12:38 | |
of this. | 0:12:38 | 0:12:40 | |
Well done. Well done. There must
only just have been enough pass the | 0:12:58 | 0:13:11 | |
pink. | 0:13:11 | 0:13:13 | |
Need to watch those reds. He's
leaning over there. Well clear. | 0:13:16 | 0:13:25 | |
I will tell you what, Stephen, this
boy has a lot of bottle? Twice he | 0:13:35 | 0:13:41 | |
has been two frames ahead and twice
Ronnie O'Sullivan has come back to | 0:13:41 | 0:13:45 | |
make it level. He just keeps
powering forward. Clumsy cue ball. | 0:13:45 | 0:13:58 | |
Shouldn't be a problem. Should be
able to get on a red. In between | 0:13:58 | 0:14:12 | |
green and brown, right-hand side.
Just make sure he plays it with | 0:14:12 | 0:14:16 | |
enough pace. Has gone the other way.
He keeps going to the opposite way | 0:14:16 | 0:14:25 | |
to the one I suggest. You just
played the shot you see. This will | 0:14:25 | 0:14:33 | |
be a nice, just to get through. Has
he gone too far? Perfect. What a | 0:14:33 | 0:14:46 | |
chance to go 5-4 up. | 0:14:46 | 0:14:50 | |
You can tell there is a little bit
of tension creeping in. When he | 0:14:59 | 0:15:03 | |
played to get on the blue, it was
Adrenaline centred. Too far. That is | 0:15:03 | 0:15:11 | |
tight. He is smiling to himself, but
that was very careless. He had so | 0:15:11 | 0:15:20 | |
much margin for error. | 0:15:20 | 0:15:26 | |
I can't believe he's not got on the
black. If he does lose this match, | 0:15:32 | 0:15:38 | |
that is the shot he will remember.
Play it with a little trace of side, | 0:15:38 | 0:15:46 | |
if you are not absolutely sure. It
doesn't look on, to me. It is there. | 0:15:46 | 0:15:57 | |
Panic over. | 0:15:57 | 0:15:58 | |
No cannon on the pink here. | 0:16:14 | 0:16:18 | |
Played it well. He wasn't on the
black as he intended. Using the pink | 0:16:30 | 0:16:34 | |
as a stopper. | 0:16:34 | 0:16:37 | |
I suppose he deserves to win this
frame. The shot he played when he | 0:16:47 | 0:16:52 | |
opened everything up and looked like
he didn't drop on one. He deserves | 0:16:52 | 0:16:56 | |
to win the match because he played
this shot to perfection. Hit the | 0:16:56 | 0:17:01 | |
pink full-ball and looked like he
had dropped on nothing but he picked | 0:17:01 | 0:17:06 | |
one out he could only just get to.
It was the control of the cue ball, | 0:17:06 | 0:17:11 | |
enough action on the cue ball to
keep it in the middle of the table. | 0:17:11 | 0:17:17 | |
That always gives you the best
chance of being on a red. When you | 0:17:17 | 0:17:23 | |
move the cue ball to the corner
pockets, that is when you are in | 0:17:23 | 0:17:26 | |
trouble. | 0:17:26 | 0:17:29 | |
Look where he has put the cue ball
here. He is only a few pots away. | 0:17:39 | 0:18:00 | |
Definitely feeling the pressure. | 0:18:00 | 0:18:10 | |
Almost two feet, too far the cue
ball has travelled. This is tough. | 0:18:13 | 0:18:18 | |
Great shots, grapeshot! | 0:18:18 | 0:18:21 | |
Just keeps getting out of position
but keeps potting balls. I keep | 0:18:25 | 0:18:38 | |
waiting for him to show a real
weakness and it's not happening. | 0:18:38 | 0:18:44 | |
Yes, does he realise where he is?
He's in the barbican, playing | 0:18:44 | 0:18:50 | |
probably the world's greatest ever
player. And he keeps knocking them | 0:18:50 | 0:18:57 | |
in. UK championship, second biggest
event in our calendar. One good | 0:18:57 | 0:19:02 | |
pink... | 0:19:02 | 0:19:12 | |
I am very, very impressed with this
young player here. Now then, where | 0:19:13 | 0:19:22 | |
does the pink go? You would like it
to go on the spot, is there enough | 0:19:22 | 0:19:26 | |
room? Just. It might have caused a
bit of a problem. That is the frame | 0:19:26 | 0:19:44 | |
secure. This is unbelievable, Steve. | 0:19:44 | 0:19:55 | |
The highest break is 79 in this
championship. Looks like he's going | 0:20:10 | 0:20:18 | |
to that here. What a time to do it.
Doesn't matter, he is well past the | 0:20:18 | 0:20:28 | |
winning post in this frame and this
pact barbican won't believe what | 0:20:28 | 0:20:33 | |
they are seeing here. | 0:20:33 | 0:20:36 | |
APPLAUSE | 0:20:53 | 0:20:55 | |
What a performance. | 0:21:11 | 0:21:14 | |
He's made five centuries this
season, eight last season. He's made | 0:21:49 | 0:21:59 | |
14. That is number 15. | 0:21:59 | 0:22:04 | |
His highest break as a professional
is 125. He could beat that. He won't | 0:22:14 | 0:22:21 | |
be thinking about that, I am sure,
but I am so impressed with this | 0:22:21 | 0:22:26 | |
young player. | 0:22:26 | 0:22:28 | |
Brilliant. Absolutely brilliant. | 0:23:02 | 0:23:05 | |
So pleased for Sunny Akani. 128
break, Sunny Akani takes the lead | 0:23:12 | 0:23:24 | |
again to Ronnie O'Sullivan. He needs
one frame to cause possibly the | 0:23:24 | 0:23:28 | |
biggest shock of the tournament so
far. | 0:23:28 | 0:23:32 | |
STUDIO: Said the man who'll idolise
as the Rocket has put him in a | 0:23:32 | 0:23:39 | |
position to knock him out. He has
charmed the Barbican crowd tonight | 0:23:39 | 0:23:43 | |
but can he complete the job in frame
Number Ten? Just two red here. | 0:23:43 | 0:23:54 | |
COMMENTATOR: where is this red going
to end up? Automatically down for | 0:24:00 | 0:24:05 | |
the pink or black. | 0:24:05 | 0:24:10 | |
What a shot that was. I can see a
bit of determination in Ronnie's | 0:24:15 | 0:24:22 | |
face. Watched this shot, he has an
angle. Here comes the cue ball. He | 0:24:22 | 0:24:29 | |
has been unlucky. | 0:24:29 | 0:24:33 | |
Doesn't want the red in. I don't
think he's got the snooker. He can | 0:24:45 | 0:24:59 | |
send this across the table, twice
across and get the white up towards | 0:24:59 | 0:25:03 | |
yellow and brown. Will he play it
that way? No, he has played it the | 0:25:03 | 0:25:08 | |
other way. Looks good to me. | 0:25:08 | 0:25:16 | |
Look where he has put the green. | 0:25:22 | 0:25:27 | |
It was a tough snooker to get out
of. | 0:25:39 | 0:25:44 | |
Well, another big pressure shots. If
he goes for this, you have to go for | 0:25:54 | 0:26:02 | |
it 100%. Don't play it too hard,
just drop it in. You have to be on | 0:26:02 | 0:26:08 | |
the yellow, green or brown. What a
pot. If he is on the low to middle, | 0:26:08 | 0:26:21 | |
that is possibly the shot. Yellow,
then yellow. | 0:26:21 | 0:26:27 | |
I think I would be playing yellow,
stunning across and playing yellow | 0:26:31 | 0:26:36 | |
to the green pocket. I don't think
he has looked up that shot. | 0:26:36 | 0:26:42 | |
He has played to leave the long
yellow. Need to have a lot of | 0:26:47 | 0:26:55 | |
confidence to leave yourself that
shot under these circumstances. It | 0:26:55 | 0:27:01 | |
is a strange shot choice, very
unorthodox. But if the yellow goes | 0:27:01 | 0:27:08 | |
in, who is to say it is wrong? | 0:27:08 | 0:27:12 | |
It is there. Left himself on the
green. Can he get nicely onto the | 0:27:21 | 0:27:34 | |
brown here? He must be doing
cartwheels inside, Sunny Akani. | 0:27:34 | 0:27:49 | |
If you are playing an exhibition,
you would pot the green and flick | 0:27:58 | 0:28:02 | |
the blue out and hope to be on the
brown. This is not an exhibition. | 0:28:02 | 0:28:08 | |
The orthodox shot here is top spin
two questions. I have given up | 0:28:19 | 0:28:28 | |
predicting the shots he is going to
play. How unlucky can you be! If | 0:28:28 | 0:28:36 | |
that blue stays over the pocket, he
could win the match. Dear, oh dear. | 0:28:36 | 0:28:47 | |
That is so unfortunate. Because he
decided to play that shot because he | 0:28:47 | 0:28:51 | |
knew if he had a pot at the green
and brown he would have a difficult | 0:28:51 | 0:28:57 | |
blue. | 0:28:57 | 0:28:59 | |
Is that his chance of winning this
match gone? | 0:29:05 | 0:29:09 | |
Cruel. | 0:29:11 | 0:29:13 | |
Well, Ronnie can't believe that he's
at the table. He knows that the shot | 0:29:17 | 0:29:24 | |
that his young opponent took on was
a brilliant effort, it really was. | 0:29:24 | 0:29:30 | |
It doesn't matter about that.
REFEREE: 12. That should take us | 0:29:34 | 0:29:43 | |
into a deciding frame. It's one
snooker that is needed. What has he | 0:29:43 | 0:29:47 | |
done there.
HAZEL IRVINE: Akani came back. | 0:29:47 | 0:29:52 | |
O'Sullivan having been so close to
defeat, survived to face this, a | 0:29:52 | 0:30:02 | |
final-frame decider, Akani 13 points
behind in it. | 0:30:02 | 0:30:08 | |
DENNIS TAYLOR: Tension, pressure of
a deciding frame. Ronnie's had a | 0:30:08 | 0:30:13 | |
second bite of the Cherie. | 0:30:13 | 0:30:19 | |
-- cherry. | 0:30:21 | 0:30:25 | |
STEPHEN HENDRY: Wasn't the smoothest
delivery, the cue. Surely this time. | 0:30:35 | 0:30:48 | |
Is I suppose nothing is going to
surprise us, Dennis, tonight? Yeah, | 0:30:48 | 0:30:55 | |
nice little cannon required here.
He's played it perfectly. He's | 0:30:55 | 0:31:03 | |
opened most of the game up. | 0:31:03 | 0:31:08 | |
He would have to do something
careless, but we've seen him do that | 0:31:12 | 0:31:16 | |
in a few of the frames, but he can
taste victory here. Yep. If you're | 0:31:16 | 0:31:28 | |
not absolutely sure, get back up and
make sure you have full | 0:31:28 | 0:31:34 | |
concentration. You know what I mean!
Pressure getting to you, Dennis? Do | 0:31:34 | 0:31:43 | |
you know, my hands are perspiring
here. I've enjoyed every minute of | 0:31:43 | 0:31:48 | |
this match. | 0:31:48 | 0:31:52 | |
It's harded to see were it can go
wrong. The fact he missed that blue | 0:32:06 | 0:32:11 | |
will make him try even harder,
Ronnie, concentrate harder. | 0:32:11 | 0:32:18 | |
You know what, Dennis, if Ronnie
comes through this match I wouldn't | 0:32:27 | 0:32:30 | |
like to be the player who you play
next, when you should have gone out | 0:32:30 | 0:32:37 | |
you relax the next day and just play
incredible snooker. Yeah. I think | 0:32:37 | 0:32:43 | |
Ronnie will be full of praise for
his young opponent here because | 0:32:43 | 0:32:46 | |
no-one could see this coming. | 0:32:46 | 0:32:49 | |
While he's got a kick there, he's
got a kick which has spoiled the | 0:32:51 | 0:32:57 | |
position somewhat. Look at the black
jump there. Is there one more twist? | 0:32:57 | 0:33:08 | |
Yeah, one more twist. Can you
believe it? What a time to get heavy | 0:33:08 | 0:33:13 | |
contact. A couple of pots away from
winning the match, and he gets a bad | 0:33:13 | 0:33:18 | |
contact. | 0:33:18 | 0:33:21 | |
Watch the black jump. | 0:33:34 | 0:33:36 | |
I think he will be playing the red
near the blue spot. He could play | 0:33:41 | 0:33:45 | |
for the pink, it goes to the right
corner, or black to the right | 0:33:45 | 0:33:48 | |
corner. | 0:33:48 | 0:33:51 | |
APPLAUSE | 0:34:11 | 0:34:13 | |
What drama we had in the previous
frame. Is there more drama to come | 0:34:15 | 0:34:22 | |
here? There's one red that's on the
side cushion. The other four are | 0:34:22 | 0:34:31 | |
perfectly placed. | 0:34:31 | 0:34:34 | |
He just hit that all wrong. OK,
potted the black, but he didn't get | 0:34:47 | 0:34:51 | |
any side on the cue ball to avoid
cannoning the reds, but he's | 0:34:51 | 0:34:59 | |
fortunate, the reds look pretty
straight to the yellow pocket. | 0:34:59 | 0:35:01 | |
He's concentrating so hard on
potting the ball that it's taking | 0:35:11 | 0:35:16 | |
his mind off the position. That's
the pressure. Yeah. I mean, if he | 0:35:16 | 0:35:24 | |
underscrews it he's on the pink. The
only way he could go wrong is | 0:35:24 | 0:35:29 | |
overscrewing it. Now what a pressure
pot this is. | 0:35:29 | 0:35:34 | |
A possible plant. They are just off,
so if they're close together he'd | 0:35:45 | 0:35:52 | |
have to hit the first red on the
right side, as we look at it, to | 0:35:52 | 0:35:58 | |
push it on, to squeeze it. It goes
the opposite way when they're that | 0:35:58 | 0:36:05 | |
close together. Looking at that you
would think, if he hits it on the | 0:36:05 | 0:36:10 | |
left side it will make it into the
plant, but that's not the case. He | 0:36:10 | 0:36:14 | |
has to hit it on the opposite side.
It's what we call a "squeeze shot." | 0:36:14 | 0:36:22 | |
Ronnie knows he's got a couple of
reds that are awkwardly placed. Even | 0:36:22 | 0:36:28 | |
if he makes the plant. If he hits it
that side, I think he won't pot it. | 0:36:28 | 0:36:33 | |
It might squeeze away from the
pocket. If he hits it that side, | 0:36:33 | 0:36:40 | |
with them going so close together,
he might miss this. Let's see. We've | 0:36:40 | 0:36:45 | |
got the perfect picture. | 0:36:45 | 0:36:48 | |
Yeah. I can't believe he couldn't
work that out. He's only a young | 0:36:50 | 0:36:57 | |
player, and he hit the wrong side of
the red there, Stephen. Yeah. He | 0:36:57 | 0:37:02 | |
needed to hit the left side of the
red as he looks at it the opposite | 0:37:02 | 0:37:07 | |
to where you would normally play a
plant. | 0:37:07 | 0:37:10 | |
APPLAUSE
I think Ronnie was always | 0:37:10 | 0:37:16 | |
comfortable in his seat knowing
where the reds were. Ronnie is | 0:37:16 | 0:37:24 | |
desperate to get this match over
with, he really is. | 0:37:24 | 0:37:29 | |
Not the night he was expecting. | 0:37:33 | 0:37:40 | |
Yeah. It's not the night that this
Barbican crowd were expecting. They | 0:37:48 | 0:37:55 | |
thought they were going to see a
comfortable victory for the strong | 0:37:55 | 0:38:02 | |
favourite. But what an exciting
match it's turned out to be. Is | 0:38:02 | 0:38:08 | |
there another twist? | 0:38:08 | 0:38:10 | |
Oh, what's happening here? What is
happening here? That's not a bad | 0:38:23 | 0:38:31 | |
result in the end because the red
has gone safe and the white has gone | 0:38:31 | 0:38:35 | |
near the cushion, but Ronnie hit
that all wrong. His head is | 0:38:35 | 0:38:42 | |
scrambled at the moment, Ronnie
O'Sullivan. It's not often you say | 0:38:42 | 0:38:44 | |
that. | 0:38:44 | 0:38:45 | |
You get the sense it's becoming too
much of an ask for Sunny Akani to | 0:38:53 | 0:38:59 | |
win this match now. | 0:38:59 | 0:39:05 | |
APPLAUSE | 0:39:15 | 0:39:20 | |
44 points behind and all the reds up
the other end of the table. It's a | 0:39:28 | 0:39:33 | |
very difficult situation for this
young player from Thailand. | 0:39:33 | 0:39:38 | |
APPLAUSE | 0:39:52 | 0:39:52 | |
That helps his cause. Getting the
red up towards the high valued | 0:39:55 | 0:40:03 | |
colours, should he get a chance. | 0:40:03 | 0:40:07 | |
Well, he did try to pot that because
he knew the red wouldn't pass the | 0:40:32 | 0:40:39 | |
pink, but that's got to be the wrong
choice of shot under the | 0:40:39 | 0:40:43 | |
circumstances. Surely, that was a
bit too much even for the great | 0:40:43 | 0:40:47 | |
Ronnie O'Sullivan to take on. | 0:40:47 | 0:40:50 | |
Now, can this young man hold himself
together and get right back into | 0:41:00 | 0:41:05 | |
this deciding frame?
APPLAUSE | 0:41:05 | 0:41:11 | |
Well, if he can pot these two open
reds, wouldn't it be ironic that the | 0:41:30 | 0:41:34 | |
last red he plays in this match with
that infamous technique with the | 0:41:34 | 0:41:39 | |
rest. | 0:41:39 | 0:41:43 | |
Can he get himself to that position,
that is the question? He doesn't | 0:41:47 | 0:41:53 | |
want to over think things here. | 0:41:53 | 0:41:55 | |
He could do with screwing back. If
this is straight, he screws back for | 0:41:59 | 0:42:03 | |
the blue, if you go too far, you're
on the pink. I don't think he should | 0:42:03 | 0:42:06 | |
be playing for the yellow. | 0:42:06 | 0:42:09 | |
He needs the points on the board. | 0:42:11 | 0:42:13 | |
He has done. He's not played a
single shot I've chosen tonight, | 0:42:14 | 0:42:24 | |
Dennis, but he's not done too badly. | 0:42:24 | 0:42:27 | |
This now needs a really good
positional shot. If he's on blue or | 0:42:30 | 0:42:35 | |
pink, it's very straight-forward. | 0:42:35 | 0:42:36 | |
Yeah, that was tough. | 0:42:44 | 0:42:47 | |
Now because he takes the yellow,
Ronnie O'Sullivan only needs the red | 0:42:57 | 0:43:01 | |
to leave him with a snooker. | 0:43:01 | 0:43:02 | |
Now, he hasn't hit that hard enough. | 0:43:18 | 0:43:22 | |
That might be OK. Am it wasn't quite
as he played it, but the pink has | 0:43:37 | 0:43:42 | |
covered that red, that's to the left
of the yellow. | 0:43:42 | 0:43:45 | |
He's anxiously looking there. | 0:43:49 | 0:43:52 | |
Might be snookered on both. That
could be the winning shot. | 0:43:56 | 0:44:00 | |
Oh! The red hitting the yellow could
be very costly indeed. | 0:44:25 | 0:44:32 | |
As Stephen said, he only needs this
red now. | 0:44:35 | 0:44:41 | |
APPLAUSE
That might be the one that gets him | 0:44:43 | 0:44:47 | |
over the winning line. | 0:44:47 | 0:44:52 | |
It will be a very relieved Ronnie
O'Sullivan because this young man | 0:44:59 | 0:45:04 | |
has played stunning snooker this
evening. | 0:45:04 | 0:45:09 | |
APPLAUSE | 0:45:09 | 0:45:11 | |
He knows he's put up a fantastic
performance. OK Ronnie O'Sullivan's | 0:45:16 | 0:45:22 | |
been far from his focused Betts, but
what a performance that young man's | 0:45:22 | 0:45:26 | |
put up. | 0:45:26 | 0:45:27 | |
Well, it doesn't matter about
potting the green or the brown. What | 0:45:40 | 0:45:44 | |
a performance. He led Ronnie
O'Sullivan 2-0, then he lead 4-2. He | 0:45:44 | 0:45:51 | |
was unlucky when he potted the green
and knocked the blue in. Just look | 0:45:51 | 0:45:56 | |
at that, acknowledging this crowd
here in the Barbican centre. Ronnie, | 0:45:56 | 0:46:00 | |
well, he will be a very relieved
player. Well done to Sunny Akani. | 0:46:00 | 0:46:06 | |
Great match. Ronnie O'Sullivan takes
it on the deciding frame. 6-5. | 0:46:06 | 0:46:12 | |
Great match. Ronnie O'Sullivan takes
it on the deciding frame. 6-5. Here | 0:46:12 | 0:46:15 | |
he is after the closest of close
calls. Relieved, Ronnie? I don't | 0:46:15 | 0:46:19 | |
know, really. You know, he put up a
great performance. You know, he his | 0:46:19 | 0:46:25 | |
first time out there. You know,
he's... He played better than I did, | 0:46:25 | 0:46:30 | |
really help probably deserved to
winch I got very, very lucky there | 0:46:30 | 0:46:33 | |
tonight. So I'm relieved to win.
I've got to improve on that. I mean, | 0:46:33 | 0:46:39 | |
to think if I have any chance of
womening another match, really. 0-2, | 0:46:39 | 0:46:45 | |
2-4 down and it looks like like it
might be over in frame 10. He pots | 0:46:45 | 0:46:50 | |
the green he bangs the blue in as
well. Were you fearing the worst at | 0:46:50 | 0:46:53 | |
that point? I didn't really care, to
be honest with you. I thought - | 0:46:53 | 0:46:58 | |
let's see what happens. Anything
could happen, you know. By then, you | 0:46:58 | 0:47:01 | |
know, sometimes the fight goes out
of you not that I was fighting, | 0:47:01 | 0:47:05 | |
nothing I done tonight really went
right. You know, it was all very | 0:47:05 | 0:47:08 | |
stop start. It's difficult, you
know, for me to play the game when | 0:47:08 | 0:47:12 | |
it's like. That I had to hang in
there and hopefully something | 0:47:12 | 0:47:15 | |
happened. Even in the last, the game
at my mercy I managed to make hard | 0:47:15 | 0:47:21 | |
work of it. That's how it goes
sometimes. You might have made hard | 0:47:21 | 0:47:26 | |
work in your terms, the instinct
kicked in. You got over the line and | 0:47:26 | 0:47:30 | |
you want to be in this? Yeah.
There's no pressure. ' Here to enjoy | 0:47:30 | 0:47:37 | |
it and have fun. I I've had a great
week. I would love to win it. I | 0:47:37 | 0:47:43 | |
would have to improve massively on
the four performances I put in. What | 0:47:43 | 0:47:53 | |
did you think of this fella, he was
as cool as a cucumber at some | 0:47:53 | 0:47:57 | |
points? Fantastic. Such a lovely guy
as well he was talking to me after | 0:47:57 | 0:48:01 | |
we were going to the toilet he went
- ah, the blue. He's a lovely guy. | 0:48:01 | 0:48:09 | |
You know, comes from a great culture
in Thailand. He's fantastic. You | 0:48:09 | 0:48:14 | |
know, brilliant character for the
game. A great match. Thank you very | 0:48:14 | 0:48:18 | |
much for playing a fantastic part in
it. See you in the quarter-finals. | 0:48:18 | 0:48:21 | |
Cheers. Cheers. Over shadowed on the
other table tonight a match that was | 0:48:21 | 0:48:27 | |
of great significance for the two
fellas involved. It was the world | 0:48:27 | 0:48:35 | |
number 42, Mark Joyce and Lyu
Haotian who reached the semi-final | 0:48:35 | 0:48:38 | |
of the most recent event in Northern
Ireland. The Chinese player launched | 0:48:38 | 0:48:44 | |
a rescue attempt from 2-5 down. He
succumbed to the Englishman 6-4. | 0:48:44 | 0:48:50 | |
Joyce into his second UK
quarter-final and after a seven year | 0:48:50 | 0:48:54 | |
wait as well. Indeed here | 0:48:54 | 0:49:03 | |
quarter-final and after a seven year
wait as well. Indeed here is the | 0:49:03 | 0:49:03 | |
quarter-final line-up: | 0:49:03 | 0:49:04 | |
Two seasoned pros in the bottom half
of the draw, Stephen Maguire means | 0:49:10 | 0:49:16 | |
this year's Masters runner up, Joe
Perry. And Ronnie will meet Martin | 0:49:16 | 0:49:22 | |
Gould. Snooker Extra follows next.
Here's our line-up. | 0:49:22 | 0:49:29 | |
Gould. Snooker Extra follows next.
Here's our line-up. . | 0:49:29 | 0:49:30 | |
It has been quite a day here. One
very Sunny star is born. The crowds | 0:49:32 | 0:49:42 | |
love his style. Ronnie's star keeps
on rising if only just tonight. We | 0:49:42 | 0:49:46 | |
will catch you again very soon. In
the meantime from all of us here in | 0:49:46 | 0:49:50 | |
York, it's been a great day, goodbye
for now. | 0:49:50 | 0:49:58 |