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| Line | From | To | |
|---|---|---|---|
Quarterfinal day at the Barbican in
York. First up today was Ronnie | 0:00:34 | 0:00:40 | |
O'Sullivan, fresh from a dramatic
6-5 win over 22-year-old Tyler and | 0:00:40 | 0:00:45 | |
sensation Sunny Akani. O'Sullivan
taking on Martin Gould, looking to | 0:00:45 | 0:00:57 | |
book a | 0:00:57 | 0:01:01 | |
taking on Martin Gould, looking to
book a | 0:01:01 | 0:01:07 | |
Martin Gould still scales 5-3, but
he is back in this match. He played | 0:02:05 | 0:02:10 | |
his part in a magnificent match this
afternoon, very enjoyable, but it is | 0:02:10 | 0:02:16 | |
The Rocket who goes through. Once
you get to the quarters, you think | 0:02:16 | 0:02:23 | |
it's there for the taking, so you
try and give it all you can. I've | 0:02:23 | 0:02:28 | |
got whatever I could out of myself
today and just tried to control the | 0:02:28 | 0:02:32 | |
balls. Every poor shot I played,
just try and forget about it and | 0:02:32 | 0:02:37 | |
move on and try again. The Rocket
powers on. Ronnie O'Sullivan will | 0:02:37 | 0:02:42 | |
meet Stephen Maguire in a repeat of
the 2007 final. O'Sullivan won it | 0:02:42 | 0:02:47 | |
10-2. The choir meeting Joe Perry
earlier today by 6-3. -- Maguire | 0:02:47 | 0:02:54 | |
beating Joe Perry. Ronnie
O'Sullivan, same scoreline in the | 0:02:54 | 0:03:01 | |
Stephen Maguire against Joe Perry
match. Maguire lifted the title in | 0:03:01 | 0:03:05 | |
2004, and they meet tomorrow for
them should be a cracker. Next up, | 0:03:05 | 0:03:11 | |
Shaun Murphy against Mark King, who
knocked out John Higgins in the | 0:03:11 | 0:03:16 | |
earlier round. When we left you on
BBC Two, it was 2-1 to Murphy. We | 0:03:16 | 0:03:21 | |
join it in frame four. | 0:03:21 | 0:03:25 | |
JOHN PARROTT: good chance this. He
won't be happy with that shot. KEN | 0:03:30 | 0:03:52 | |
DOHERTY: GOING TO GO OFF THE TOP
CUSHION. WILL TAKE THE ONE ABOVE IT. | 0:03:52 | 0:04:05 | |
This isn't nice. Well played. Good
shot. Recovered well. What will he | 0:04:05 | 0:04:27 | |
do here? Play a cannon or try to
drop onto the red? Played the | 0:04:27 | 0:04:30 | |
cannon. | 0:04:30 | 0:04:34 | |
The red into the right centre. A red
that he is slightly hampered onto | 0:04:37 | 0:04:45 | |
the bottom right-hand corner pocket.
Looking to see what's wrong with the | 0:04:45 | 0:04:57 | |
one in the middle, he's taking it
now. Certainly easier to Cuba. I | 0:04:57 | 0:05:04 | |
don't believe it. Almost as if he
didn't want to take it. To do that, | 0:05:04 | 0:05:19 | |
Mark, major mistake. | 0:05:19 | 0:05:30 | |
Could be extremely costly. | 0:05:39 | 0:05:46 | |
Good choice to try to go into the
pack. Always knew he had a red open | 0:05:53 | 0:06:00 | |
over the right centre pocket. And
the split has worked out very nicely | 0:06:00 | 0:06:06 | |
indeed. He's hitting the ball back
to good, he nearly missed the pack, | 0:06:06 | 0:06:12 | |
the shot before with the top spin,
just about clipped the side of the | 0:06:12 | 0:06:17 | |
pack. Getting so much work on the
cue ball. | 0:06:17 | 0:06:25 | |
Purposely try to get on the red.
Free up the pink spot. | 0:06:29 | 0:06:39 | |
Can we see him? Going for a sizeable
break without any lapses of | 0:06:44 | 0:06:53 | |
concentration? It's always around
40, 50, 60, just before his opponent | 0:06:53 | 0:07:01 | |
needs a snooker, that his
concentration seems to break down. A | 0:07:01 | 0:07:07 | |
lovely shot to pot the pink and
screw onto one of the two reds | 0:07:07 | 0:07:16 | |
underneath the spot. A chance to
open up the reds about. Those two | 0:07:16 | 0:07:21 | |
might not be possible as it stands.
If he plays the cannon to the top | 0:07:21 | 0:07:25 | |
red, should be on for the one into
the middle. He has decided to play | 0:07:25 | 0:07:31 | |
for the red at the back of the
black, which is OK. Need to play a | 0:07:31 | 0:07:38 | |
little cannon into those two reds at
some point. | 0:07:38 | 0:07:44 | |
In fact, he doesn't have to. Even
more perfect chance. That's why he | 0:07:56 | 0:08:07 | |
didn't play the cannon before. | 0:08:07 | 0:08:13 | |
He is buzzing around the table. 18
seconds per shot. Ronnie O'Sullivan | 0:08:18 | 0:08:27 | |
would probably be a little bit
faster, 14 or 15 seconds today. It | 0:08:27 | 0:08:36 | |
tells you how quick he is playing.
It's quite intimidating as well when | 0:08:36 | 0:08:44 | |
you play a player like that.
Bouncing around the table, playing | 0:08:44 | 0:08:49 | |
at a fast pace. Everything is going
into the middle of the pocket OK. A | 0:08:49 | 0:08:56 | |
few little misses here and there,
but walks around the table with an | 0:08:56 | 0:09:03 | |
aura about him. It's an aura of
confidence. He knows his game is in | 0:09:03 | 0:09:11 | |
good nick. Why wouldn't he? When you
are cueing as well as he is. You | 0:09:11 | 0:09:16 | |
would be walking around like that
yourself. | 0:09:16 | 0:09:20 | |
This is where he has to keep his
concentration. Getting to the | 0:09:26 | 0:09:30 | |
critical stage of this frame. | 0:09:30 | 0:09:38 | |
Just a few reds and colours away
from going into a 3-1 lead at the | 0:09:38 | 0:09:48 | |
interval. A bit more to do here. Not
ideal at that shot. Thought he had | 0:09:48 | 0:09:56 | |
more than one red to go at but
negotiated it. Perfect again now. | 0:09:56 | 0:10:05 | |
Mark King's mistake to the centre
pocket will be very costly. Can't | 0:10:10 | 0:10:16 | |
afford to miss those. Just because
he changed his plan, was originally | 0:10:16 | 0:10:24 | |
going to play for the other red and
didn't concentrate hard enough on | 0:10:24 | 0:10:28 | |
that one. Fines himself 3-1 down at
the interval any second. -- he finds | 0:10:28 | 0:10:37 | |
himself. | 0:10:37 | 0:10:41 | |
This red and another colour, 48
ahead. Either pink or black will be | 0:10:47 | 0:10:52 | |
enough. Checking the score. | 0:10:52 | 0:10:55 | |
Double-checking. Prefer red and
black to put him 56 ahead with 51 on | 0:11:00 | 0:11:09 | |
the table, meaning your opponent
requires two snookers. That's why | 0:11:09 | 0:11:18 | |
they call you crafty Ken. Always
thinking. Red and pink is only 55. | 0:11:18 | 0:11:27 | |
Still the possibility of one
snooker. But if this goes in, it's | 0:11:27 | 0:11:31 | |
well beyond the hope of Mark King
coming back to the table. Showed | 0:11:31 | 0:11:42 | |
good concentration and focus. | 0:11:42 | 0:11:44 | |
He's not bothered about missing the
red. Mark says that's enough. Shaun | 0:11:54 | 0:12:00 | |
Murphy wins the fourth frame and
goes to the mid-session interval | 0:12:00 | 0:12:04 | |
leading Mark King 3-1. STUDIO: Mark
King having their chances but Murphy | 0:12:04 | 0:12:09 | |
looking good when he gets in. It was
4-1 after the mid-session interval. | 0:12:09 | 0:12:16 | |
Into the sixth frame. Mark King has
had a break of 40 and is back at the | 0:12:16 | 0:12:20 | |
table. | 0:12:20 | 0:12:22 | |
JOHN PARROTT: Here we go. It's
unbelievable. The quality of his | 0:12:47 | 0:12:59 | |
long game has been absolutely
outstanding. Makes you wonder how he | 0:12:59 | 0:13:02 | |
cannot do that in and play such a
bad shot with the red over the hole. | 0:13:02 | 0:13:06 | |
Brilliant. | 0:13:06 | 0:13:09 | |
A flick on the green has now gone in
the worst spot possible because the | 0:13:20 | 0:13:25 | |
two reds on the right-hand side, he
would definitely take one of those, | 0:13:25 | 0:13:29 | |
and he can't see them. He's going to
need a good pot here. It's not easy | 0:13:29 | 0:13:38 | |
with lots of balls in his way.
That's very good. It looked... Look | 0:13:38 | 0:13:49 | |
where the cue ball finished. So much
confidence of the red going in, | 0:13:49 | 0:13:56 | |
didn't even think about playing it
as a shock to nothing. -- as a shot | 0:13:56 | 0:14:03 | |
to nothing. Great pot. Gets him out
of trouble so many times, having | 0:14:03 | 0:14:10 | |
such a long ball game. A wry smile
from Mark King sitting in his seat. | 0:14:10 | 0:14:17 | |
Not much you can do when someone is
knocking every long ball in. Played | 0:14:17 | 0:14:26 | |
a good shot. Shaun Murphy knocked it
in. Mark King looked at it, landed | 0:14:26 | 0:14:37 | |
on one, have you? How important is
it to take the yellow for cushion. | 0:14:37 | 0:14:51 | |
Back on its own spot. Not as safe
ball on the table. You just have to | 0:14:51 | 0:15:02 | |
give yourself the best possible
opportunity with a what if. What if | 0:15:02 | 0:15:07 | |
I get another chance. How will I
make it easier for myself to clear | 0:15:07 | 0:15:10 | |
up? He got the yellow for cushion,
and one excellent long pot later, he | 0:15:10 | 0:15:18 | |
has a very good chance of going 5-1.
So big a chance, in fact, that if he | 0:15:18 | 0:15:26 | |
doesn't take it, he will kick
himself. They are all there. | 0:15:26 | 0:15:33 | |
This is probably going to be his
most difficult pot. The scores are | 0:15:38 | 0:15:46 | |
level. He's going to need, after
this black, yellow, green, brown and | 0:15:46 | 0:15:53 | |
blue. | 0:15:53 | 0:15:56 | |
We talked about the difference in
players. And the scoring prowess. | 0:16:10 | 0:16:17 | |
That's been the difference tonight.
Apart from some of those outstanding | 0:16:17 | 0:16:22 | |
long pots, it's been the pot success
and the brick building from Shaun | 0:16:22 | 0:16:27 | |
Murphy. | 0:16:27 | 0:16:32 | |
This break here. Adding to previous
high breaks. He takes another frame, | 0:16:38 | 0:16:55 | |
just one more frame from a place in
the semifinal. STUDIO: Inevitably, | 0:16:55 | 0:17:02 | |
just a few minutes later, Shaun
Murphy booked his place in the last | 0:17:02 | 0:17:05 | |
four with breaks of 32 and 35 to
knock Mark King out and seal a place | 0:17:05 | 0:17:11 | |
in the last four. Murphy beat King
on his way to lifting the champion | 0:17:11 | 0:17:15 | |
of champions title in November. And
then he went on to beat Ronnie | 0:17:15 | 0:17:20 | |
O'Sullivan. So is history about to
repeat itself here at the Betway UK | 0:17:20 | 0:17:27 | |
Championship? | 0:17:27 | 0:17:27 | |
repeat itself here at the Betway UK
Championship? I'm over the moon. I | 0:17:27 | 0:17:29 | |
came here with a distant goal of try
to do better than last year. I have | 0:17:29 | 0:17:33 | |
now equalled my run from last year.
It shows good consistency. It's like | 0:17:33 | 0:17:38 | |
trying to lose weight of a specific
part of your body. It's impossible | 0:17:38 | 0:17:42 | |
to do. In the it's almost impossible
to time your good performances for | 0:17:42 | 0:17:45 | |
the major championships. You just
have to prepare as well as you can | 0:17:45 | 0:17:51 | |
all the time and hope that week is
your week. It's so nice at the | 0:17:51 | 0:17:55 | |
moment, I'm in a nice vein of form
and it coincided with the events. | 0:17:55 | 0:17:59 | |
Over the moon and I can't wait to
play again. He's hitting the ball so | 0:17:59 | 0:18:05 | |
well. Shaun Murphy will play the
winner of the other quarterfinal | 0:18:05 | 0:18:08 | |
between Wales' Ryan Day and
England's Mark Joyce. | 0:18:08 | 0:18:14 | |
between Wales' Ryan Day and
England's Mark Joyce. Ryan Day | 0:18:14 | 0:18:19 | |
leading the career head-to-head
statistics. He has won his last | 0:18:19 | 0:18:22 | |
three against Mark Joyce. A great
start from Ryan Day to take the | 0:18:22 | 0:18:28 | |
first tomb dig two frames. -- to
take the first two frames. | 0:18:28 | 0:18:37 | |
DENNIS TAYLOR: no wonder he's
scratching his head. That was quite | 0:18:46 | 0:18:55 | |
an attacking shot he took on there.
Look what he's done with the reds. | 0:18:55 | 0:19:07 | |
They've got all sorts of extensions
these days. Extensions that go on | 0:19:36 | 0:19:40 | |
extensions. In the good old days,
Jim Meadowcroft, used a commentator | 0:19:40 | 0:19:46 | |
for the BBC, and a great player,
just passed away a couple of years | 0:19:46 | 0:19:50 | |
ago, he came up with a cue plus. It
was the first-ever extension, and it | 0:19:50 | 0:20:03 | |
just slotted over the bottom of the
cue and away you went. Little did we | 0:20:03 | 0:20:11 | |
think we would have all sorts of
bits of extensions to use. | 0:20:11 | 0:20:19 | |
Especially with the long, as we used
to call it the long tackle, but you | 0:20:19 | 0:20:22 | |
don't see that at the side of the
table is any more. You will if you | 0:20:22 | 0:20:26 | |
go to a snooker club. Big long cue,
and a big long rest. It used to | 0:20:26 | 0:20:33 | |
wobble when you put it on the table.
You were lucky to pot anything with | 0:20:33 | 0:20:39 | |
it. | 0:20:39 | 0:20:43 | |
Quiet as possible please, thank you.
Plenty of noise coming from the | 0:21:35 | 0:21:41 | |
other side, the table is on the
mid-session interval. They are | 0:21:41 | 0:21:44 | |
coming back into their seats. Not a
full pocket there. Well played. | 0:21:44 | 0:21:59 | |
PETER EBDON: Would have liked a more
full contact on that. Still has the | 0:22:36 | 0:22:46 | |
choice of three reds. | 0:22:46 | 0:22:50 | |
Just once again, letting the cue
ball run on two or three inches | 0:22:56 | 0:23:00 | |
further than he intended. Shouldn't
miss this black, but should have | 0:23:00 | 0:23:09 | |
been straighter. | 0:23:09 | 0:23:12 | |
Because he's not getting on the
black as he is intending, he is | 0:23:19 | 0:23:25 | |
having to use cannons to stop the
white ball running up the table. | 0:23:25 | 0:23:31 | |
Once again, coming up a little bit
short and will have to play another | 0:23:45 | 0:23:50 | |
cannon. He doesn't need that many
more pots to secure this fourth | 0:23:50 | 0:23:55 | |
frame. And level the scores up.
Played it well this time. | 0:23:55 | 0:24:11 | |
Should be able to clinch the frame.
I know we felt that at the previous | 0:24:26 | 0:24:32 | |
frame, getting to 54 and then
missing the black off the spot. | 0:24:32 | 0:24:40 | |
And Ryan let him off the hook. Ryan
should have pinched the third. He | 0:24:44 | 0:24:52 | |
will not get a chance to do anything
about this frame. Has a little bit | 0:24:52 | 0:24:57 | |
to think about at the mid-session
interval. | 0:24:57 | 0:25:01 | |
That the frame safe now. | 0:25:06 | 0:25:10 | |
Ryan Day will know he has left Mark
Joyce off the hook here. Mark | 0:25:22 | 0:25:28 | |
certainly didn't settle early on. Of
the two players, he will be the much | 0:25:28 | 0:25:38 | |
happier at the interval, that's for
sure. | 0:25:38 | 0:25:43 | |
Now, Mark, can you treat us to a
century break here? I'm sure that's | 0:26:03 | 0:26:11 | |
something this audience at the
Barbican Centre in New York would | 0:26:11 | 0:26:14 | |
love to see. | 0:26:14 | 0:26:17 | |
One good cannon here and he has the
chance of a century. Hang on! | 0:26:40 | 0:26:47 | |
LAUGHTER
Smiles all around from Ryan Day, | 0:26:47 | 0:26:53 | |
from the audience. He still has to
pull out another good pot. We have | 0:26:53 | 0:27:03 | |
had 88 centuries this year so far.
It might be 89. | 0:27:03 | 0:27:17 | |
Doesn't want to land tight on it.
Might just be able to get it into | 0:27:22 | 0:27:27 | |
the corner. | 0:27:27 | 0:27:30 | |
Two centuries so far for Mark King
in the Betway UK Championship. No | 0:27:42 | 0:27:49 | |
reason why this shouldn't be his
third. | 0:27:49 | 0:27:54 | |
There we go, century number 89. | 0:28:42 | 0:28:46 | |
If that had gone in the pocket, it
would have counted as well. It | 0:29:00 | 0:29:04 | |
doesn't matter, he lost the two
opening frames. Ryan Day made a | 0:29:04 | 0:29:09 | |
careless mistake and had to sit it
out as Mark Joyce made the century | 0:29:09 | 0:29:12 | |
to level the match. STUDIO: It's a
good comeback from Mark Joyce, | 0:29:12 | 0:29:21 | |
winning frames five and seven with
Ryan Day pegging him back. We join | 0:29:21 | 0:29:25 | |
early in frame nine, back to Dennis
and Peter. | 0:29:25 | 0:29:32 | |
We can see that side of it. The jaw
hasn't helped in there. I noticed, | 0:29:35 | 0:29:45 | |
Dennis, that Mark Joyce has been
reluctant to play those deep power | 0:29:45 | 0:29:48 | |
shots. | 0:29:48 | 0:29:51 | |
He may regret that now. | 0:29:56 | 0:29:59 | |
Smiles all round. He has plotted
both threads there. He would have | 0:30:02 | 0:30:07 | |
rather the other red had stayed over
the left corner pocket. Mark has | 0:30:07 | 0:30:13 | |
been unlucky. Catching the jaw of
the middle pocket to believe that | 0:30:13 | 0:30:15 | |
on. He has plotted two reds with
that shot. But you only have to plot | 0:30:15 | 0:30:24 | |
the one colour! | 0:30:24 | 0:30:26 | |
Ryan Day's viewpoint, it might not
be bad that he had a joke with | 0:30:34 | 0:30:38 | |
somebody in the audience, because it
might have broken the ice of it. | 0:30:38 | 0:30:41 | |
There is a lot of tension out there.
A bit of fun might help him relax a | 0:30:41 | 0:30:45 | |
bit. | 0:30:45 | 0:30:48 | |
Just a slight angle here. | 0:31:50 | 0:31:54 | |
I tell you what, I don't know how
many times that pink wobbled. Let's | 0:32:01 | 0:32:04 | |
have a look. One, two, three, four.
Four wobbles and in. | 0:32:04 | 0:32:14 | |
And this is where he's got to keep
his concentration and focus. | 0:32:20 | 0:32:28 | |
Give yourself that little extra
second or two just to compose | 0:32:38 | 0:32:43 | |
yourself and not slip up. | 0:32:43 | 0:32:46 | |
Once again, he'd have been better to
go straight on the pink. | 0:33:02 | 0:33:10 | |
This is the best that he's looked
for a good two or three frames, | 0:33:36 | 0:33:39 | |
Dennis. | 0:33:39 | 0:33:41 | |
All of a sudden, he looks as if he's
gone into Ryan Day tournament winner | 0:33:46 | 0:33:52 | |
mode. And coming just at the right
time for him and all his supporters. | 0:33:52 | 0:34:02 | |
47 in front. | 0:34:09 | 0:34:12 | |
That's the sort of red you want to
leave yourself when you only need | 0:34:20 | 0:34:26 | |
that to leave your opponent needing
smokers. -- snookers. Up until the | 0:34:26 | 0:34:36 | |
previous frame, believe it or not,
Ryan Day's highest break was 38. | 0:34:36 | 0:34:44 | |
This is coming at just the right
time. | 0:34:44 | 0:34:47 | |
All of a sudden, Ryan Day looks like
a completely different. -- a | 0:35:06 | 0:35:13 | |
completely different player. Looking
a bit like he did last season, when | 0:35:13 | 0:35:19 | |
he made 39 centuries. He's only made
13 this season. He's had three in | 0:35:19 | 0:35:27 | |
this year's Betway UK Championship. | 0:35:27 | 0:35:30 | |
And we've had 89 centuries so far
this year. | 0:35:41 | 0:35:45 | |
One more good positional shot, and
every chance of the century. | 0:35:48 | 0:35:55 | |
Yeah, that should be perfect.
Brilliant positional shot to give | 0:36:34 | 0:36:40 | |
himself the century. | 0:36:40 | 0:36:43 | |
Well played, Ryan Day. Very well
played. And the black to finish the | 0:36:46 | 0:36:54 | |
lot off. He was 4-3 down, he's come
back with breaks of 55 and that | 0:36:54 | 0:37:02 | |
magnificent break of 111. He is now
just one away from a place in the | 0:37:02 | 0:37:06 | |
semifinal. He leads 5-4. A great
break to go 5-4 in front, but Joyce | 0:37:06 | 0:37:15 | |
then levels, so we have a final
frame decider. Oh, wow, what a shot! | 0:37:15 | 0:37:27 | |
Have a look at this for a bit of
cueing. Never touched the sides. | 0:37:31 | 0:37:36 | |
Well, that unbelievable pot, he's
given himself a chance. If he's not | 0:37:53 | 0:38:01 | |
straight on this red, he may well...
No, he's got the cue power to get | 0:38:01 | 0:38:11 | |
back across on the black. He could
even stun it through, but it was | 0:38:11 | 0:38:17 | |
almost straight, and look where he's
got the cue ball to. Chances now for | 0:38:17 | 0:38:22 | |
the Welshman. | 0:38:22 | 0:38:27 | |
Well, he decided not to go into the
reds with a lot of pace. He's left | 0:39:36 | 0:39:40 | |
them very awkward. He'll need the
spider to get to this one. | 0:39:40 | 0:39:46 | |
That is awkward. | 0:39:51 | 0:39:53 | |
No. I think it was the shot before,
he didn't cannon the reds that he | 0:39:58 | 0:40:10 | |
wanted to when he potted the black.
He left that very awkward. Has he | 0:40:10 | 0:40:18 | |
got away with it? I think he has.
Hmm. That makes a vast difference | 0:40:18 | 0:40:28 | |
when you miss one, if you get away
with it and leave it safe. | 0:40:28 | 0:40:33 | |
Couldn't get in behind those colours
from where he was situated. | 0:40:41 | 0:40:48 | |
That's far too thin. | 0:40:54 | 0:40:58 | |
One good telling safety shot, Mark
Joyce could give himself a chance. | 0:41:03 | 0:41:09 | |
He's 31 points behind.
What a chance that was for Ryan Day. | 0:41:09 | 0:41:16 | |
They have now been playing for over
four hours, not very often this | 0:41:16 | 0:41:20 | |
happens on our highlights show, but
we are now going live, because Mark | 0:41:20 | 0:41:26 | |
Joyce is very much closing in on
victory. Can he booked a place in | 0:41:26 | 0:41:30 | |
the semifinal?
Let's rejoin Dennis and Peter. As | 0:41:30 | 0:41:36 | |
you join us, it's very tense indeed.
He's clawed his way back into this | 0:41:36 | 0:41:41 | |
deciding frame, and he potted an
unbelievable pink to give himself a | 0:41:41 | 0:41:48 | |
chance, close to the cushion, and he
stroked it in beautifully. | 0:41:48 | 0:41:52 | |
And that's another cracking pot, but
it's getting more and more | 0:41:55 | 0:41:59 | |
difficult, with the way the reds are
situated. | 0:41:59 | 0:42:04 | |
He's got an angle on the blue. But
he's going to have to play a | 0:42:28 | 0:42:37 | |
terrific positional shot here. | 0:42:37 | 0:42:39 | |
Can he get through to the reds
that's near the pocket? Even if he | 0:42:50 | 0:42:56 | |
can, that's the one he'd have to
play with a bit of pace to get to | 0:42:56 | 0:43:00 | |
the pink. | 0:43:00 | 0:43:01 | |
That was the problem with that shot.
He couldn't just drop it in. He | 0:43:21 | 0:43:27 | |
wouldn't have been on a colour. And
we've seen lots of those mist, but | 0:43:27 | 0:43:34 | |
under these circumstances, this is
the biggest match of his career to | 0:43:34 | 0:43:38 | |
get through to the semifinal of the
UK Championship, and it's | 0:43:38 | 0:43:43 | |
understandable you're going to see a
few misses like that. Ryan is taking | 0:43:43 | 0:43:50 | |
the more difficult red, looking to
cannon away from the black. Oh, | 0:43:50 | 0:43:55 | |
that's perfect, well played. | 0:43:55 | 0:43:59 | |
Excellent pot and positional shot. | 0:44:03 | 0:44:05 | |
Lots and lots of pressure out there.
When he was 4-3 down, he made breaks | 0:44:12 | 0:44:20 | |
of 55 and 111 Mark Joyce did
remarkably well to level to take us | 0:44:20 | 0:44:26 | |
to a decider. | 0:44:26 | 0:44:30 | |
That puts him 19 in front. Red,
black, red. | 0:44:49 | 0:44:57 | |
Just leave yourself with a chance to
just roll the red in. | 0:45:03 | 0:45:12 | |
As easy as you like here. He's
puffing his cheeks. He won't want to | 0:45:22 | 0:45:31 | |
be forcing this, just make sure of
the red and then he can roll up | 0:45:31 | 0:45:35 | |
behind the black. It's there. | 0:45:35 | 0:45:40 | |
It turned out to be a fabulous match
here, both players were missing easy | 0:45:43 | 0:45:47 | |
shots earlier on, quite
understandable. Ryan Day has got one | 0:45:47 | 0:46:00 | |
foot in the semifinal. | 0:46:00 | 0:46:02 | |
Only one snooker needed. Can Mark
Joyce escape from this? And get it | 0:46:06 | 0:46:15 | |
safe? Just enough room to slip round
the back of that yellow. | 0:46:15 | 0:46:22 | |
And he has done, and he might hit
the black. That might be the end. He | 0:46:37 | 0:46:44 | |
missed the black. Had he hit the
black, it would have been all over. | 0:46:44 | 0:46:55 | |
He still needs two snookers. A
little smile, that was nice to see | 0:46:55 | 0:47:01 | |
from Mark Joyce. He's had a
brilliant UK Championship, and he's | 0:47:01 | 0:47:05 | |
not just out of it yet. | 0:47:05 | 0:47:08 | |
Ryan Day has done so well to get
himself back into this match and put | 0:47:22 | 0:47:26 | |
himself in a winning position. There
were times early in the match when | 0:47:26 | 0:47:29 | |
he literally couldn't pot a ball and
he was really struggling. He's done | 0:47:29 | 0:47:37 | |
tremendously well to hold himself
together. | 0:47:37 | 0:47:45 | |
You can't always play for your
snooker. Sometimes you've just got | 0:47:51 | 0:47:57 | |
to keep the object ball safe and
wait for a better chance. | 0:47:57 | 0:48:01 | |
He can just get past the blue. Not
an easy pot. This to make absolutely | 0:48:14 | 0:48:24 | |
certain of a place in the semifinal.
It's there. | 0:48:24 | 0:48:30 | |
Green up towards the black, white
behind the brown. Could have played | 0:48:38 | 0:48:43 | |
it better. But it's a tall order now
for Mark Joyce. 34, the difference. | 0:48:43 | 0:48:56 | |
It's a good effort. Got him
snookered behind the pink and blue, | 0:49:32 | 0:49:41 | |
and I don't think he can swerve
this. He's pretty good at swerving, | 0:49:41 | 0:49:46 | |
and he is going to swerve it, but he
might hit the ocean before the | 0:49:46 | 0:49:50 | |
brown. -- hit the cushion. Yeah,
well played. | 0:49:50 | 0:50:02 | |
Pink and black are not too badly
placed. 27, the difference. Just two | 0:50:15 | 0:50:26 | |
snookers now needed, because he'll
be getting five points for a | 0:50:26 | 0:50:31 | |
snooker, if he can get them. | 0:50:31 | 0:50:34 | |
A bit too pacey. | 0:50:38 | 0:50:41 | |
You've done well, Mark. You've done
really well this year. | 0:50:46 | 0:50:51 | |
A bit of a chance here, if he gets
enough side on this. Not a bad | 0:51:46 | 0:51:53 | |
effort. Not a bad effort at all! In
fact, a little bit harder, the | 0:51:53 | 0:52:05 | |
swerve escape wouldn't have been on. | 0:52:05 | 0:52:08 | |
He's tried this in the corner
pocket. But this is a bit of a | 0:52:49 | 0:52:54 | |
chance, off the left side of the
blue, a little trace of left-hand | 0:52:54 | 0:53:04 | |
side, Ryan possibly could be
snookered here. | 0:53:04 | 0:53:06 | |
It's pretty good. | 0:53:13 | 0:53:16 | |
But, once again, just enough room
for him to swerve around the pink. | 0:53:24 | 0:53:31 | |
He needs to get tight in behind one
of those colours, and it's not going | 0:53:39 | 0:53:43 | |
to be easy to do that. | 0:53:43 | 0:53:46 | |
Not a bad effort again, but I think
this time he can maybe just see | 0:54:09 | 0:54:13 | |
enough of the blue to take the pot
on. It's a very tough one. | 0:54:13 | 0:54:19 | |
It's in! And Mark Joyce comes
forward. These two boys have given | 0:54:23 | 0:54:31 | |
them a great match and, in the end,
it's the Welshman, and no wonder he | 0:54:31 | 0:54:36 | |
wipes the sweat off his brow, who
goes through this first ever | 0:54:36 | 0:54:40 | |
semifinal. Well played, Ryan Day. | 0:54:40 | 0:54:42 | |
Another late finish at the Betway UK
Championship 2017, and Ryan Day | 0:54:44 | 0:54:52 | |
delighted, win of the Masters this
season, and he is through to the | 0:54:52 | 0:54:56 | |
semifinal, where he will meet Shaun
Murphy, | 0:54:56 | 0:54:59 | |
semifinal, where he will meet Shaun
Murphy, and it's Ronnie O'Sullivan | 0:54:59 | 0:55:00 | |
against Stephen Maguire. Another
dramatic finish tonight, but we are | 0:55:00 | 0:55:03 | |
back tomorrow. Dust yourselves down,
BBC One 1:15pm, join us for Ronnie | 0:55:03 | 0:55:11 | |
O'Sullivan against Stephen Maguire.
Bye-bye for now. | 0:55:11 | 0:55:14 | |
Didn't there use to be a shop
up here? No idea. | 0:55:23 | 0:55:25 | |
Welcome to Royston Vasey.
And who do we have here, then? | 0:55:25 | 0:55:27 | |
Oh, I just came back to
dig up some old friends. | 0:55:27 | 0:55:30 | |
Hey, Luigi! | 0:55:30 | 0:55:31 | |
The party's here! | 0:55:31 | 0:55:33 | |
This is a local shop
for local people! | 0:55:33 | 0:55:35 | |
Oh, I hope so, Luigi. | 0:55:35 | 0:55:37 | |
BOTH: Hello, Benjamin. | 0:55:37 | 0:55:38 | |
This is Les McGann.
McQueen. McQueen. | 0:55:38 | 0:55:40 | |
No! No! | 0:55:40 | 0:55:42 | |
HE CRIES OUT | 0:55:42 | 0:55:44 | |
I'm not stood here for your benefit!
Look who's back. | 0:55:44 | 0:55:46 | |
It's like they never left. | 0:55:46 | 0:55:47 | |
This programme contains
very strong language | 0:56:14 | 0:56:19 | |
Nice boots. I haven't seen you in
a couple of days. I've been busy. | 0:56:19 | 0:56:22 | |
You fucking piece of shit! | 0:56:22 | 0:56:23 | |
You have the balls to come in
here after running to Daddy? | 0:56:23 | 0:56:25 | |
Anyone else here? Gustavo? | 0:56:25 | 0:56:28 | |
I don't know where he is.
We have to talk. | 0:56:28 | 0:56:30 | |
You can't do it alone.
I'm not alone. | 0:56:30 | 0:56:34 | |
Does Club Glitter mean anything
to you? | 0:56:34 | 0:56:36 | |
Did that sister find out
we were there? | 0:56:36 | 0:56:37 | |
No, she met some guys
and left with them. | 0:56:37 | 0:56:39 | |
What guys? He kind of looked like,
like a Latino Freddie Mercury. | 0:56:39 | 0:56:43 | |
What you boys doing here?
We just cruisin'. | 0:56:43 | 0:56:45 | |
Then cruise. | 0:56:45 | 0:56:46 | |
We sell it right here in
the hood. Same as weed. | 0:56:46 | 0:56:49 | |
100,000 off a single key? | 0:56:49 | 0:56:51 | |
Oh, shit. | 0:56:53 | 0:56:55 | |
GUNSHOT | 0:56:55 | 0:56:56 | |
I'm comin', man! | 0:56:58 | 0:57:00 | |
They're on their way.
You're going to be all right. | 0:57:00 | 0:57:02 | |
MUFFLED CONVERSATION | 0:57:48 | 0:57:50 | |
Just chillin'... | 0:57:53 | 0:57:55 | |
Yeah, I know. I heard. | 0:57:55 | 0:57:57 | |
Um, have you seen Franklin?
Mm-hm. Can you just...? | 0:57:57 | 0:58:01 | |
Just send him home, you know? | 0:58:01 | 0:58:03 | |
I just... I just need to see him. | 0:58:03 | 0:58:05 | |
Or he can call me or,
you know, just, uh... | 0:58:05 | 0:58:08 | |
All right. | 0:58:08 | 0:58:10 | |
Where have you been?! | 0:58:29 | 0:58:32 | |
At the station. | 0:58:33 | 0:58:36 | |
God. | 0:58:38 | 0:58:40 | |
Mm. | 0:58:43 | 0:58:45 | |
Hope you could give
them more than I could. | 0:58:55 | 0:58:58 | |
Did the back and forth
there for over two hours. | 0:58:58 | 0:59:01 |