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MUSIC: "Drag Racer" by the Doug Wood
Band. | 0:00:08 | 0:00:17 | |
An a busy for the crews here at the
Barbican in York. The 2017 victory | 0:00:36 | 0:00:42 | |
UK Championship is hotting up as we
go from beta-mac, to four, two two | 0:00:42 | 0:00:49 | |
tables. Good afternoon to you. We
have reached the fourth round of | 0:00:49 | 0:00:54 | |
this tournament. As well as losing
those tables, we have some big names | 0:00:54 | 0:00:59 | |
along the way. Including defending
champion Mark Selby. | 0:00:59 | 0:01:04 | |
COMMENTATOR: Another one of the
favourites Paul's. Barry Hawkins | 0:01:08 | 0:01:17 | |
crashes out to Thailand's Sone
Aluko. | 0:01:17 | 0:01:19 | |
Ding Junhui loses five frames in a
row. Graeme Dott, what a fantastic | 0:01:26 | 0:01:33 | |
result. Brilliant performance from
Scott Donaldson and he knocks out | 0:01:33 | 0:01:40 | |
the defending champion. Six of the
ten best players in the world | 0:01:40 | 0:01:50 | |
the defending champion. Six of the
ten best players in the world are | 0:01:50 | 0:01:50 | |
out. Better still four UK champions
left in the draw. Ten titles are | 0:01:50 | 0:01:56 | |
shared between Shaun Murphy, John
Higgins, Stephen Maguire and Ronnie | 0:01:56 | 0:02:00 | |
O'Sullivan. Sunny can he is 22, from
Thailand, his reward is a | 0:02:00 | 0:02:09 | |
O'Sullivan. Sunny can he is 22, from
Thailand, his reward is a plum draw | 0:02:09 | 0:02:10 | |
against Ronnie O'Sullivan. It is an
interesting draw for the last 16. | 0:02:10 | 0:02:17 | |
Baby is the perception in the
tournament, lots more big seeds | 0:02:17 | 0:02:20 | |
going out in the tournament. Whether
that is the case, what do you put it | 0:02:20 | 0:02:24 | |
down to in this tournament? Is it
because players are getting better, | 0:02:24 | 0:02:29 | |
the gap is narrowing honours this
tournament has went from Best of 17 | 0:02:29 | 0:02:34 | |
to best of 11. Players play so many
tournament. Looking from the | 0:02:34 | 0:02:40 | |
outside, top players, they are not
prior Taarabt -- prioritising this | 0:02:40 | 0:02:43 | |
as a massive event. Some of them not
giving the opponents of the respect | 0:02:43 | 0:02:50 | |
that they deserve. Back in our time,
if we lost to a relative unknown | 0:02:50 | 0:02:54 | |
that the public did not know, they
would have been distraught. Bad | 0:02:54 | 0:02:58 | |
press conference. It is infuriating.
Mark Selby, the world number one, | 0:02:58 | 0:03:06 | |
lost to Scott Donaldson. Scott
Donaldson loses 6-1 and the next | 0:03:06 | 0:03:12 | |
round and that makes you feel worse.
Do the players of today have to | 0:03:12 | 0:03:16 | |
change their attitude to bruising?
Do they have to take it more on the | 0:03:16 | 0:03:20 | |
chin and state there is another
tournament a the corner? They are | 0:03:20 | 0:03:25 | |
not prior traumatising these big
events as much as we used to do. | 0:03:25 | 0:03:28 | |
They know there is another
tournament next week. Some big-name | 0:03:28 | 0:03:32 | |
still left in and let us see what is
coming up this afternoon. John | 0:03:32 | 0:03:40 | |
Higgins, the three times UK champion
has won a ranking title this season | 0:03:40 | 0:03:44 | |
at the Indian open, could this be
his year in York? He is against Mark | 0:03:44 | 0:03:49 | |
King, he won the Northern Ireland
open last season. He is the world's | 0:03:49 | 0:03:54 | |
21 and has the highest break of 146.
Stephen Maguire won this title in | 0:03:54 | 0:04:00 | |
2004 and it is an all Scotland clash
for him this afternoon. He plays | 0:04:00 | 0:04:05 | |
Graeme Dott, the 2006 Crucible
champion who knocked out Judd Trump | 0:04:05 | 0:04:09 | |
in the last round. And if you would
like to get in touch with us we | 0:04:09 | 0:04:16 | |
would like to hear from you. Use
this hash tag. Mark King aiming to | 0:04:16 | 0:04:21 | |
make his second semifinal of the
season. He reached the last four of | 0:04:21 | 0:04:26 | |
the Indian open. He has had some
highs and lows. | 0:04:26 | 0:04:31 | |
It has been full of lots of things
of the table and on the table. In | 0:04:37 | 0:04:41 | |
January I had a car accident. Not a
bad one but I ended up getting | 0:04:41 | 0:04:46 | |
tennis elbow. My dad's house was
petrol bombed. Touch wood, | 0:04:46 | 0:04:51 | |
everything seems to have died down.
Thank God he is OK. Now I can crack | 0:04:51 | 0:04:59 | |
on and begin practising, not worry
about anything. Get on with my | 0:04:59 | 0:05:03 | |
snooker. I had a couple of minutes
with my family coming out after | 0:05:03 | 0:05:13 | |
having so many years of thinking it
will not happen. I had the little | 0:05:13 | 0:05:17 | |
one as well. You could not write it.
It was fantastic. I do not need to | 0:05:17 | 0:05:23 | |
win to pay a bill now. To have that
one decent one, I was able to be | 0:05:23 | 0:05:29 | |
everything that I owed. I only
actually playing to win and to enjoy | 0:05:29 | 0:05:33 | |
it. Touch wood, I am doing all
right. And I can play. I was on the | 0:05:33 | 0:05:40 | |
yellow and I was thinking, see you
later. I had a little sneaky 20 | 0:05:40 | 0:05:49 | |
seconds... I had a couple of days to
think about it. Pretty devastating. | 0:05:49 | 0:05:54 | |
In all fairness it was a poor
positional shot. I am still in and | 0:05:54 | 0:05:59 | |
still fighting. I could make one
tomorrow, the next day. Whatever. I | 0:05:59 | 0:06:06 | |
still have a chance of making one.
John is a fantastic player and one | 0:06:06 | 0:06:12 | |
of the all-time greats. You know
what you will get. If I do not play | 0:06:12 | 0:06:15 | |
well and will go home. Simple as
that. He can play back, play well, | 0:06:15 | 0:06:21 | |
score well, scrap it out. I am
looking forward to it. I will enjoy | 0:06:21 | 0:06:24 | |
it. | 0:06:24 | 0:06:26 | |
We are looking forward to it as
well. Long history between them. The | 0:06:30 | 0:06:35 | |
vast aim that the one, Mark was
victorious pipe - four. John Higgins | 0:06:35 | 0:06:39 | |
is one the UK Championship on three
occasions. He has 18 victories over | 0:06:39 | 0:06:46 | |
three for Mark King. It is their
third meeting at the UK | 0:06:46 | 0:06:50 | |
Championship. Let us head over to
Rob Walker. Good afternoon. Fourth | 0:06:50 | 0:06:56 | |
round tie at the Betway UK
Championships. What an important day | 0:06:56 | 0:06:59 | |
for Scottish Luca. Three of the
format are from north of the border | 0:06:59 | 0:07:04 | |
behind the stage. Ahead of the
chirpy cockney who is never short of | 0:07:04 | 0:07:07 | |
the word or two. The battle for the
quarterfinal starts right here, | 0:07:07 | 0:07:11 | |
right now.
APPLAUSE | 0:07:11 | 0:07:17 | |
Please welcome, arguably one of the
most underrated players on the | 0:07:30 | 0:07:33 | |
circuit. Here in York he defeated
Dale in a divide and 16 on the spin | 0:07:33 | 0:07:39 | |
against Judd Trump. Lee MacKenzie
world finalist and took the big one | 0:07:39 | 0:07:43 | |
in 2006. He is the Pocket Dynamo,
Graeme Dott. | 0:07:43 | 0:07:52 | |
And his opponent, coming through a
6-5 Filip Kiss Liang Wenbo, to | 0:08:05 | 0:08:10 | |
secure his 14th consecutive UK
Championship fourth round | 0:08:10 | 0:08:14 | |
appearance. He has got by ranking
titles. When he is good he is on | 0:08:14 | 0:08:19 | |
fire, he is Stephen Maguire. | 0:08:19 | 0:08:21 | |
And on table one, a player making
his first appearance in the fourth | 0:08:37 | 0:08:41 | |
round for five years after that
impressive victory over the Belgian | 0:08:41 | 0:08:45 | |
Bullet Luca Bruxelles. Semifinalist
in the Indian open this year. Here | 0:08:45 | 0:08:52 | |
comes snooker's answer to the telly
Savalas, who loves you, baby? Mark | 0:08:52 | 0:08:56 | |
King. | 0:08:56 | 0:09:00 | |
And finally, one of the sport's
all-time greats. Beating promising | 0:09:18 | 0:09:25 | |
youngster Yan Bingtao yesterday.
Looking for his fourth quarterfinal. | 0:09:25 | 0:09:28 | |
Three times a winner here. 29
ranking titles. The Wizard of | 0:09:28 | 0:09:33 | |
Wishaw, John Higgins. | 0:09:33 | 0:09:39 | |
And all Scotland a fear on table
tonight. Stephen Maguire taking on | 0:09:48 | 0:09:53 | |
Graeme Dott. That is light on the
red button and on the BBC sport | 0:09:53 | 0:09:58 | |
website. Live on BBC Two, it is John
Higgins taking on Mark King. Good | 0:09:58 | 0:10:02 | |
afternoon to the commentators, John
Parrott and Ken Doherty. JOHN | 0:10:02 | 0:10:12 | |
PARROTT: Thank you. Mark is a
character. Robert knows him very | 0:10:12 | 0:10:18 | |
well. | 0:10:18 | 0:10:18 | |
Great introduction for Kojak.
Wonderful pictures at the start of | 0:10:21 | 0:10:32 | |
the show. I am so glad he | 0:10:32 | 0:10:38 | |
Wonderful pictures at the start of
the show. I am so glad he can | 0:10:38 | 0:10:38 | |
appreciate it and do it. Wonderful
thing to win the tournament. | 0:10:38 | 0:10:41 | |
Wonderful scenes. He has been around
for a long time. Great reward for | 0:10:41 | 0:10:47 | |
the effort. This man has had some
career. | 0:10:47 | 0:11:08 | |
Sleeping too much water in that
model. | 0:11:22 | 0:11:29 | |
He waited a long time for his first
tournament win and that gives you | 0:11:48 | 0:11:52 | |
confidence. What you cannot do is
plate loosely like that. That was a | 0:11:52 | 0:11:56 | |
poor shot. | 0:11:56 | 0:11:58 | |
Down to the nitty-gritty in the UK
Championship. Last 16. This is where | 0:12:02 | 0:12:09 | |
the big boys come out to play. John
Higgins had a hard match yesterday. | 0:12:09 | 0:12:15 | |
They might have won the 6-3 but had
to work very hard. It was absolute | 0:12:15 | 0:12:21 | |
granite. He glued his opponent to
the bottom cushion and get nothing | 0:12:21 | 0:12:24 | |
to look at. | 0:12:24 | 0:12:25 | |
It was a study in top class to go
yesterday. So impressed. Mark King | 0:12:39 | 0:12:43 | |
was quite right when interviewed. | 0:12:43 | 0:12:46 | |
He said that when John Higgins is
playing badly he is still good | 0:12:54 | 0:12:58 | |
enough to win. And when he is
playing well he is one of the best. | 0:12:58 | 0:13:02 | |
That was good to come off the side
cushion. The side of the pack is a | 0:13:02 | 0:13:06 | |
big target. | 0:13:06 | 0:13:06 | |
He could have went in harder than
that. He did cannon quite high up | 0:13:12 | 0:13:17 | |
the pack. | 0:13:17 | 0:13:18 | |
Did not get into that as much as he
could of done and still unlucky not | 0:13:22 | 0:13:26 | |
to be on anything. | 0:13:26 | 0:13:27 | |
I have not heard touching ball from
referee Paul Collier. He does not | 0:13:33 | 0:13:40 | |
want to leave a touching ball for
Mark. They also do not want to play | 0:13:40 | 0:13:45 | |
a push shot. That would be a foul. | 0:13:45 | 0:13:51 | |
He is not the tallest on the circuit
so it is proving to be a bit of a | 0:13:59 | 0:14:03 | |
problem. | 0:14:03 | 0:14:05 | |
Looks like a touching ball from
here. The referee has confirmed it. | 0:14:11 | 0:14:17 | |
That gives Mark the advantage. Twice
across the table. Big target behind | 0:14:17 | 0:14:25 | |
the yellow and the green. | 0:14:25 | 0:14:27 | |
Not sure if it will come off the
side cushion and nestle in behind | 0:14:34 | 0:14:38 | |
the yellow. Trying to get the cue
ball right behind the yellow. This | 0:14:38 | 0:14:44 | |
looks pretty good. 'S very dangerous
opponent with Luca Bruxelles and the | 0:14:44 | 0:14:55 | |
last round. | 0:14:55 | 0:15:00 | |
Mark has all been a good competitor
but he is not one of the heaviest | 0:15:05 | 0:15:09 | |
scorers on the circuit but it has
got better. The boys have been | 0:15:09 | 0:15:12 | |
telling me he has been working with
Chris Henry who is a decent coach. | 0:15:12 | 0:15:16 | |
His cue ball has definitely improved
and his scoring has got heavier. | 0:15:24 | 0:15:27 | |
Write that one down. Do not see many
of those, John Higgins making a | 0:15:27 | 0:15:33 | |
mistake in the tactical department. | 0:15:33 | 0:15:36 | |
Shouldn't change your attitude.
Today is another day. He is 18-3 | 0:15:53 | 0:16:01 | |
behind in matches. He should say he
is in good form. Is there a chance? | 0:16:01 | 0:16:07 | |
Absolutely. The Mark King of today
is a better player than he may have | 0:16:07 | 0:16:13 | |
been over the previous seven or
eight years. That confidence. He has | 0:16:13 | 0:16:20 | |
been more successful over the past
couple of years. His confidence has | 0:16:20 | 0:16:23 | |
grown. He is going to enjoy today.
He will not be too fearful of John | 0:16:23 | 0:16:30 | |
Higgins. | 0:16:30 | 0:16:31 | |
The bookmakers and lots of people in
the game will not expect him to win | 0:16:38 | 0:16:42 | |
today but if you come out with that
attitude then he has nothing to | 0:16:42 | 0:16:45 | |
lose. He is a great competitor. If
anybody can compete with John | 0:16:45 | 0:16:50 | |
Higgins in the safety apartment then
it is Matt -- Mark King. Scoring is | 0:16:50 | 0:16:55 | |
different. | 0:16:55 | 0:16:58 | |
I was not surprised about that. He
came between everything. He was very | 0:17:14 | 0:17:19 | |
straight on the yellow and he had a
foresight to try to get an angle out | 0:17:19 | 0:17:22 | |
of it. Early in the match it is not
a shot that you want to be playing. | 0:17:22 | 0:17:32 | |
Ultimately, I agree with you, it
will be about how he scores today. | 0:17:32 | 0:17:36 | |
He is much improved in that
department and people have to be. | 0:17:36 | 0:17:39 | |
I am surprised that John is not
coming off the red on the left | 0:17:45 | 0:17:50 | |
because he has a big target with the
yellow and green. He does not fancy | 0:17:50 | 0:17:55 | |
it for some reason. | 0:17:55 | 0:17:57 | |
You may have heard Mark King, say,
good shot. It is therefore easy to | 0:18:20 | 0:18:26 | |
play these. -- it is never easy. | 0:18:26 | 0:18:32 | |
UMPIRE: Foul and a miss. I am sure
that John will ask for the cue ball | 0:18:46 | 0:18:51 | |
to be put back. It is about making
sure you get a thin contact on the | 0:18:51 | 0:18:57 | |
red. You do not want to be thick.
Anything nice and fun and this is | 0:18:57 | 0:19:01 | |
straightforward for somebody of the
capabilities of Mark. | 0:19:01 | 0:19:06 | |
UMPIRE: Foul and the miss. The turn
of John to Mr Boll. | 0:19:44 | 0:19:49 | |
It may be more difficult for the
return safety that John was playing. | 0:19:53 | 0:19:59 | |
He has left it with tears. -- left
it where it is. | 0:19:59 | 0:20:06 | |
In just about see the outside edge.
Can mark see the edge? Come on down | 0:20:17 | 0:20:27 | |
the left-hand side of this table. | 0:20:27 | 0:20:30 | |
I think he has left this red. It is
not a gimme but he can get back up | 0:20:50 | 0:20:59 | |
for the blue. This is the Department
we are John Higgins has improved in | 0:20:59 | 0:21:07 | |
the last couple of seasons. His long
game has become better. Just like | 0:21:07 | 0:21:13 | |
that. | 0:21:13 | 0:21:16 | |
He was starting to struggle with the
long game but it is no bank to its | 0:21:20 | 0:21:24 | |
best. Topside of the blue as well.
So important. It gives you the | 0:21:24 | 0:21:35 | |
opportunity. You come to the table
thinking, I can knock everything in. | 0:21:35 | 0:21:46 | |
Gives you plenty of confidence when
you are not losing. Just had a | 0:21:46 | 0:21:52 | |
little sticky look at the point. He
could stun the red and try to get | 0:21:52 | 0:21:56 | |
onto the pink, back in for the blue. | 0:21:56 | 0:21:58 | |
That is a little bit short. He has
asked for the cue ball to be | 0:22:02 | 0:22:08 | |
cleaned. Just about the right side
of the blue. He will have a bit more | 0:22:08 | 0:22:13 | |
of an angle. | 0:22:13 | 0:22:15 | |
Will still try to storm it in. | 0:22:20 | 0:22:22 | |
He has played that very well, very
well, indeed. | 0:22:32 | 0:22:36 | |
Unfortunately that has gone awry.
The little can inflict the red away | 0:22:50 | 0:22:54 | |
from the bank. Not be contacted he
wanted. | 0:22:54 | 0:23:03 | |
Slightly scrappy start to this
match. | 0:23:08 | 0:23:11 | |
Never a wasted shot with John
Higgins, is there? Lost position. | 0:23:40 | 0:23:45 | |
Just trying to give the maximum
headache. | 0:23:45 | 0:23:48 | |
Always pressure with every shot you
play against John to make sure your | 0:23:54 | 0:23:57 | |
return is correct. That was a great
effort. | 0:23:57 | 0:24:03 | |
Julie acknowledged by John, tapping
the table. John Higgins has to be | 0:24:08 | 0:24:16 | |
careful with the red. It is close to
the left-hand side cushion. Poses a | 0:24:16 | 0:24:19 | |
slight problem. Going to avoid that. | 0:24:19 | 0:24:28 | |
That was a little bit short. | 0:24:33 | 0:24:39 | |
Markers come round to look at this.
He could double that across the | 0:24:47 | 0:24:51 | |
table. Good length again on the cue
ball. | 0:24:51 | 0:25:04 | |
All the time you're playing the shot
you are worrying about sticking a | 0:25:20 | 0:25:24 | |
red across the corner. Players will
tend to be nice and thin. Doesn't | 0:25:24 | 0:25:33 | |
make anything easy for you. | 0:25:33 | 0:25:37 | |
But Mark takes the red on the
left-hand side with the two reds. | 0:26:03 | 0:26:07 | |
That was what he was thinking about.
I don't know if you can come off the | 0:26:07 | 0:26:13 | |
side cushion and drop it onto the
two dates on the side cushion. Or | 0:26:13 | 0:26:19 | |
onto the ones just three-cushion. I
don't know if he has the angle for | 0:26:19 | 0:26:23 | |
that. That is why he is taking his
time. | 0:26:23 | 0:26:29 | |
Put the cue ball there and I don't
know if he can come off the top | 0:26:35 | 0:26:38 | |
cushion and nestle into that red.
How do you like that one? What a | 0:26:38 | 0:26:50 | |
shot that was. Look with the cue
ball has finished. | 0:26:50 | 0:26:53 | |
The only thing I can see about that,
he has to work on his positional | 0:27:01 | 0:27:05 | |
play with that one. What a shot this
is. One of John Virgo's trick shots. | 0:27:05 | 0:27:12 | |
He would have been happy with that. | 0:27:12 | 0:27:18 | |
That is fantastic. That really is
fabulous. That was sweet as a nut | 0:27:28 | 0:27:33 | |
but to get at the cue ball up the
table... There was lots of pressure | 0:27:33 | 0:27:38 | |
with that one. Beautifully cued. Two
long pots have been struck | 0:27:38 | 0:27:42 | |
beautifully. He will need to strike
this one beautifully as well. This | 0:27:42 | 0:27:46 | |
is nasty. Horrible little short. | 0:27:46 | 0:27:50 | |
Deserves everything he gets out of
this break. Those last two shots | 0:27:58 | 0:28:02 | |
have been top drawer. Certainly.
Good test of cueing. | 0:28:02 | 0:28:13 | |
If any young amateurs are watching,
look how still his head was when he | 0:28:18 | 0:28:22 | |
played the shot. He is the wrong
side of the blue so he will lead to | 0:28:22 | 0:28:29 | |
negotiate the cue ball against the
baulk. | 0:28:29 | 0:28:32 | |
This looks very good. Excellent
positional shot. He has given | 0:28:44 | 0:28:54 | |
themselves options of four reds. He
can run inside of the angles. He can | 0:28:54 | 0:29:01 | |
be on the pink spot on the one at
the corner. It was a big target but | 0:29:01 | 0:29:06 | |
didn't he strike it well? | 0:29:06 | 0:29:08 | |
Get the pink back on its spot. You
would expect it to be plain sailing | 0:29:18 | 0:29:24 | |
here for John Higgins in the first
frame. The long pot and the | 0:29:24 | 0:29:34 | |
positional shot, and even the blue
of the cushion, fantastic. Great | 0:29:34 | 0:29:41 | |
champions. 38 ahead. He is a few
balls away from being over the line. | 0:29:41 | 0:29:45 | |
You would not see him making a slap
up from here. The players know the | 0:29:45 | 0:29:53 | |
authority needed to stamp their
authority on the match. Ever since | 0:29:53 | 0:29:57 | |
he will do it here. He will hold his
spot. The bank will go on the black | 0:29:57 | 0:30:06 | |
spot and that makes the break
easier. | 0:30:06 | 0:30:07 | |
That puts him 52 ahead, just 51
remaining. I don't think Mark King | 0:30:34 | 0:30:43 | |
will become an back to the table. A
bit scrappy early on in this frame, | 0:30:43 | 0:30:55 | |
but a couple of great pots,
especially that positional shot, set | 0:30:55 | 0:31:01 | |
this frame-winning clearance up. | 0:31:01 | 0:31:08 | |
And he dried to stay on the black.
It's not there but he won't be | 0:31:18 | 0:31:29 | |
worried about that. He secures the
frame. And he leads Mark King by | 0:31:29 | 0:31:38 | |
1-0. Just before we talk to Stephen
and Steve, given that we've lost | 0:31:38 | 0:31:44 | |
some of the world's leading players,
let's have a look at the latest | 0:31:44 | 0:31:48 | |
odds. Ronnie O'Sullivan going for
his sixth UK title. So, initial | 0:31:48 | 0:31:56 | |
thoughts from the first frame,
Stephen Hendry? | 0:31:56 | 0:32:00 | |
thoughts from the first frame,
Stephen Hendry? It was a little bit | 0:32:00 | 0:32:01 | |
scrappy but I was just thinking,
it's very hard to make a case for | 0:32:01 | 0:32:05 | |
Mark King in this match today, it
really is. You think John Higgins | 0:32:05 | 0:32:10 | |
will have it over him in every
department - scrappy games, safety, | 0:32:10 | 0:32:15 | |
scoring... It's just very difficult.
Mark will have to play his absolute | 0:32:15 | 0:32:18 | |
best. In fairness Mark said that
just before the match started, he | 0:32:18 | 0:32:23 | |
said, if I don't play well, I know
I'm going home. Yeah, and that's... | 0:32:23 | 0:32:31 | |
It's not necessarily a negative way
to look at it, it is more of a | 0:32:31 | 0:32:35 | |
realistic appraisal from his
personal. But Mark King is the title | 0:32:35 | 0:32:39 | |
player who just gives of his bet on
the day and sees what happens. He's | 0:32:39 | 0:32:42 | |
been in the game long enough to be a
journeyman player as well as now a | 0:32:42 | 0:32:47 | |
proven winner. His stock has risen,
but it's still a big ask to beat the | 0:32:47 | 0:32:53 | |
like of John Higgins in the UK
championship. It would still be | 0:32:53 | 0:32:56 | |
considered by Mark King I think a
massive scalp. Let's get back to | 0:32:56 | 0:33:05 | |
John Parrott and Ken Doherty. | 0:33:05 | 0:33:08 | |
KEN DOHERTY: Not the best break-off.
JOHN PARROTT: The only thing is, | 0:33:12 | 0:33:21 | |
there's no natural way back. At
first you think you've left him a | 0:33:21 | 0:33:24 | |
chance, but the way the red and
black is, it is hard to get through | 0:33:24 | 0:33:29 | |
the gap. That it's a bit more
pressure on the player. If he had | 0:33:29 | 0:33:37 | |
have up there and there was a
guaranteed way back to baulk, I'm | 0:33:37 | 0:33:41 | |
sure he would have knocked that in.
But there was a bit more to think | 0:33:41 | 0:33:45 | |
about, especially when you're one
behind. | 0:33:45 | 0:33:51 | |
JOHN PARROTT: They seem to have
stats for everything these days, | 0:34:09 | 0:34:14 | |
Ken, but if you had a stat for whose
cue ball was closest to the cushion | 0:34:14 | 0:34:19 | |
after the break-off, I'm sure John
Higgins would be close to the top of | 0:34:19 | 0:34:23 | |
it! It is practically glued there.
KEN DOHERTY: Yeah, it's like he's | 0:34:23 | 0:34:30 | |
almost tempting Mark King here. The
problem with this shot is, he's | 0:34:30 | 0:34:37 | |
going to be bringing reds out from
the pack. He'll be hoping he doesn't | 0:34:37 | 0:34:42 | |
push one towards the corner pocket. | 0:34:42 | 0:34:48 | |
That didn't go in, but look at the
way he's played it. It's one of | 0:35:24 | 0:35:33 | |
those shots, you can play it like a
shot-to-nothing, because if you | 0:35:33 | 0:35:41 | |
miss, this is what you leave your
opponent. | 0:35:41 | 0:35:46 | |
I'm not quite sure whether he's
going to take on this red which is | 0:36:45 | 0:36:50 | |
close to the left centre pocket.
Just putting his hand on the table | 0:36:50 | 0:36:55 | |
there, where he could possibly leave
the cue ball without leaving | 0:36:55 | 0:36:58 | |
anything into the opposite corner
pocket. | 0:36:58 | 0:37:02 | |
Oh, that's a great shot! That will
do his confidence a world of good. | 0:37:08 | 0:37:16 | |
Good pot that, wasn't it? It really
was excellent. I thought it might | 0:37:30 | 0:37:38 | |
have just been hitting that near jaw
but anyway, it was very accurate. | 0:37:38 | 0:37:42 | |
Stephen mentioned in the studio,
he's got to score when these chances | 0:37:42 | 0:37:47 | |
come up. Absolutely right. | 0:37:47 | 0:37:54 | |
You won't be winning this match
against John Higgins if you don't. I | 0:38:03 | 0:38:08 | |
think the red that is closest to
this bottom left-hand corner pocket | 0:38:08 | 0:38:11 | |
would be ideal, it would free up the
black as well. No. Not this time. | 0:38:11 | 0:38:24 | |
That's nice for the confidence, when
you play that for the first time in | 0:38:40 | 0:38:45 | |
the match and you make sure you're
the right side of the blue. Really | 0:38:45 | 0:38:48 | |
nice. | 0:38:48 | 0:38:55 | |
I don't quite know what shot he
played there, but it wouldn't have | 0:38:59 | 0:39:03 | |
been the one I would have played. I
think he was trying to get onto the | 0:39:03 | 0:39:07 | |
red to the right of the black. And
he is overrun it by quite some way. | 0:39:07 | 0:39:18 | |
What a few options, but as you say,
it was a strange positional shot. He | 0:39:18 | 0:39:26 | |
will be kicking himself if he
doesn't score any more, because was | 0:39:26 | 0:39:32 | |
a great chance. That's why I was a
bit surprised couple of shots ago he | 0:39:32 | 0:39:42 | |
didn't get on that red on this top
cushion, it would have freed the | 0:39:42 | 0:39:48 | |
black up into both pockets and made
the break a lot easier for himself. | 0:39:48 | 0:39:52 | |
Now, he's struggling. | 0:39:52 | 0:39:54 | |
Good cueing there, easy to get a bit
of side on those and throw them off. | 0:40:20 | 0:40:25 | |
This one goes but it is tight -
pressure on this... And because of | 0:40:25 | 0:40:33 | |
that, he's missed it. I'll agree
with you, Ken, the first thing he | 0:40:33 | 0:40:41 | |
should have been doing in that
break... As we see this one again. | 0:40:41 | 0:40:45 | |
He should have been getting on that
loose red straightaway off the blue. | 0:40:45 | 0:40:51 | |
He's definitely missed a trick
there. He had plenty of options to | 0:40:51 | 0:40:55 | |
really open things up. | 0:40:55 | 0:40:59 | |
APPLAUSE | 0:41:08 | 0:41:14 | |
Great shot. Fantastic, and of course
he's got the option if he wants to | 0:41:14 | 0:41:19 | |
screw off the black into the pack
and open them up. This is looking | 0:41:19 | 0:41:24 | |
like a lovely target if he can get
in there. Well, he couldn't have hit | 0:41:24 | 0:41:35 | |
that much better. That's an early
Christmas present - because that's | 0:41:35 | 0:41:38 | |
lovely! And managed to play it in
such a way that he could keep | 0:41:38 | 0:41:45 | |
control of the cue ball. He didn't
absolutely smash them everywhere. | 0:41:45 | 0:41:53 | |
So, Mark King's positional play
could be costing him a frame here. I | 0:41:53 | 0:41:59 | |
just wonder, will John Higgins try
and get down onto that red now, | 0:41:59 | 0:42:05 | |
nearest this bottom left-hand corner
pocket? There you see the difference | 0:42:05 | 0:42:10 | |
each of straight on it, trying to
open the black into both corner | 0:42:10 | 0:42:14 | |
pockets. | 0:42:14 | 0:42:20 | |
Yeah, he really missed a trick
there, Mark King. Now, he's going to | 0:42:33 | 0:42:40 | |
have to sit in the chair and watch
John Higgins knock all of these in. | 0:42:40 | 0:42:48 | |
Wow! Don't see that very often. I
was about to say, he'll play a | 0:43:39 | 0:43:46 | |
little cannon into the reds and
hopefully won't stick onto the back | 0:43:46 | 0:43:50 | |
of them. But he's over-screwed that
one. So, Mark King looks like he's | 0:43:50 | 0:43:59 | |
going to get away with it. Unless
John can find something from | 0:43:59 | 0:44:06 | |
somewhere that I can't see. Well,
he's very good at playing doubles - | 0:44:06 | 0:44:13 | |
I'm not sure whether that red to the
right-hand side of the cue ball is a | 0:44:13 | 0:44:21 | |
possible double. But he does have
this one into the yellow pocket... | 0:44:21 | 0:44:28 | |
Great shot! Fantastic! | 0:44:28 | 0:44:30 | |
APPLAUSE | 0:44:30 | 0:44:35 | |
But not a great cue ball. He's going
to need another good shot on the | 0:44:35 | 0:44:40 | |
black, a this break going. Yeah, I
can see him knocking this end but I | 0:44:40 | 0:44:47 | |
can't see where the next red is
coming from, unless it's another | 0:44:47 | 0:44:51 | |
mid-range one. Good pot, but he's
going to need another one. | 0:44:51 | 0:45:08 | |
And this is never easy into the
corner pocket, a blind pocket, as we | 0:45:12 | 0:45:17 | |
say. If he misses it, he could lose
the frame. Yeah, interesting to see | 0:45:17 | 0:45:29 | |
whether he will actually go for it.
Because sometimes you've got to | 0:45:29 | 0:45:32 | |
steal yourself, you feel as if
you're in amongst the balls and you | 0:45:32 | 0:45:36 | |
should have a go. But equally, you
can miss and stick your opponent | 0:45:36 | 0:45:41 | |
back in. So, big shot coming up. So
big, in fact, he didn't take the pot | 0:45:41 | 0:45:49 | |
on. Well, that's not the best shot
he's played. He was trying to knock | 0:45:49 | 0:46:01 | |
the black safe as well and put the
red on the site cushion. But he has | 0:46:01 | 0:46:05 | |
left Mark this red into the left
centre. | 0:46:05 | 0:46:10 | |
John was not pleased about the
chance he gave to Mark, but he's | 0:46:28 | 0:46:30 | |
back at the table again. He doesn't
like making any mistakes. | 0:46:30 | 0:46:44 | |
If I was Mark I would be getting one
of those two reds off the site | 0:47:47 | 0:47:51 | |
cushion now. One of them back in
play. So, it's just the one red that | 0:47:51 | 0:47:57 | |
is on the side rail now which is a
problem for Mark, if he was going to | 0:47:57 | 0:48:01 | |
make a counter clearance. There's
only 90 and points in it, you know, | 0:48:01 | 0:48:10 | |
but if you're going to clear up, you
can need that red. | 0:48:10 | 0:48:24 | |
Foul, Mark King, four. Well, this is
one he will be taking on definitely, | 0:48:31 | 0:48:40 | |
you would feel. Into the same corner
pocket - could get onto the blue or | 0:48:40 | 0:48:52 | |
pink from this. Big shot. Yeah,
you've just got to be full-blooded | 0:48:52 | 0:48:57 | |
on this. Great shot. | 0:48:57 | 0:49:01 | |
APPLAUSE | 0:49:01 | 0:49:04 | |
Slightly difficult for Mark, being a
left-hander. | 0:49:25 | 0:49:37 | |
Slightly off straight, I think,
which is moving to be a little bit | 0:49:42 | 0:49:47 | |
of a problem. | 0:49:47 | 0:49:57 | |
So, it remains to be seen if that
red that John Higgins pushed onto | 0:49:58 | 0:50:02 | |
the site cushion earlier on in this
frame is going to be his insurance | 0:50:02 | 0:50:06 | |
policy. Bit of snooker to be played
yet, but that red might yet save | 0:50:06 | 0:50:14 | |
John from the counter clearance.
We'll see. | 0:50:14 | 0:50:25 | |
Yeah, and being on that side of the
table, it is not ideal for the | 0:50:28 | 0:50:31 | |
left-hander, so he might be playing
it with the rest. | 0:50:31 | 0:50:39 | |
Or square in this frame now. -- all
square. | 0:50:52 | 0:51:01 | |
KEN DOHERTY: --
KEN DOHERTY: It's imperative that he | 0:51:17 | 0:51:30 | |
gets a nice angle on this, thinking
about that red on the site cushion. | 0:51:30 | 0:51:34 | |
JOHN PARROTT: Yeah, it is a horrible
little spot, that red, he will do | 0:51:34 | 0:51:39 | |
very well to flick it out. Sometimes
if the black is on its spot, you can | 0:51:39 | 0:51:47 | |
go off the black. The pink is a bit
more difficult, to get from their | 0:51:47 | 0:51:51 | |
onto the red to move it off. That's
no good. That's nowhere. | 0:51:51 | 0:52:06 | |
KEN DOHERTY: He'll be very
disappointed with that. Even if he | 0:52:06 | 0:52:13 | |
had just potted the pink, 20 points
ahead, John would have needed red | 0:52:13 | 0:52:19 | |
and all the colours which the tough
black as well. So, this pink, the | 0:52:19 | 0:52:26 | |
six points, makes a big difference.
He's looking at trying to put the | 0:52:26 | 0:52:33 | |
brown safe. Trying to hide that red
with the green. Not too bad. Bit of | 0:52:33 | 0:52:45 | |
insurance. | 0:52:45 | 0:52:47 | |
APPLAUSE | 0:53:04 | 0:53:06 | |
Mark pushed that brown safe on the
site cushion. Red and pink and then | 0:53:39 | 0:53:47 | |
colours up to green would be enough
for him. Quite a few things can | 0:53:47 | 0:53:56 | |
happen here. | 0:53:56 | 0:53:59 | |
Clever little shot there from John
Higgins, not bringing the black into | 0:54:05 | 0:54:11 | |
play. | 0:54:11 | 0:54:18 | |
Not straightforward. He cannot be
certain there won't be a double | 0:54:53 | 0:55:01 | |
kiss, with it being so close to the
corners. Mark is having a little | 0:55:01 | 0:55:06 | |
walk around. If he plays it plain
ball and hits it off the two | 0:55:06 | 0:55:14 | |
handles, he's got to make sure he
doesn't come back and hit the green | 0:55:14 | 0:55:19 | |
with the red. That's a good shot.
And even better, knocking the blue | 0:55:19 | 0:55:30 | |
onto the site cushion. But he hit
that well. | 0:55:30 | 0:55:34 | |
This looks too hard. Could be over
the pocket here. It's not easy, but | 0:56:28 | 0:56:40 | |
it's a chance, and it's just
slightly off centre. If he runs | 0:56:40 | 0:56:44 | |
through this, he can camera and the
angles. | 0:56:44 | 0:56:51 | |
REFEREE: Foul Jake Mark, four. Not
to be. -- foul. Mark King, four. So, | 0:56:51 | 0:57:07 | |
a Chancellor Mark King. It is a
chance for the frame if he can knock | 0:57:07 | 0:57:16 | |
it in. | 0:57:16 | 0:57:21 | |
I'm just wondering, John, will he
try and knock the blue out here with | 0:57:53 | 0:57:56 | |
the red? It would be risky but if he
hits it with enough pace... Well, he | 0:57:56 | 0:58:05 | |
tried it! Just missed it! It was a
clever little shot from John Higgins | 0:58:05 | 0:58:11 | |
there. | 0:58:11 | 0:58:12 | |
Trying to clip the red onto the side
cushion here, and around the angles. | 0:58:51 | 0:58:58 | |
Get the red behind the brown... How
is the cue ball...? | 0:58:58 | 0:59:05 | |
Yeah, you could hear the sigh from
John Higgins - he wanted the | 0:59:12 | 0:59:17 | |
full-ball contact there. That would
have left Mark in a lot of trouble. | 0:59:17 | 0:59:26 | |
That's a nice little double kiss -
that red was going towards the | 0:59:26 | 0:59:29 | |
pocket. | 0:59:29 | 0:59:32 | |
Yeah, there's the black in play. He
tried to move the blue on the last | 0:59:49 | 0:59:56 | |
shot, didn't quite get it, but the
black has now moved out. You can be | 0:59:56 | 1:00:03 | |
sure if he gets other chances to
move blue and brown, he will be | 1:00:03 | 1:00:05 | |
doing it. | 1:00:05 | 1:00:08 | |
That is a great shot. | 1:00:21 | 1:00:25 | |
John can still seen the red but
still excellent. You wanted off the | 1:00:31 | 1:00:36 | |
cushion to put a touch of left-hand
side on to make sure you do not get | 1:00:36 | 1:00:41 | |
a double-kiss. Because it is on the
cushion it is hard. Could not do | 1:00:41 | 1:00:47 | |
much else. Just make sure that he
got the object ball safe. That is | 1:00:47 | 1:00:51 | |
the priority. Tough fame. Half an
hour. It did not look like that when | 1:00:51 | 1:01:07 | |
John Higgins was amongst the balls
but the split did not go right and | 1:01:07 | 1:01:11 | |
the cue ball was stuck. It changed
the complexion. Since then it has | 1:01:11 | 1:01:17 | |
been a hard battle. | 1:01:17 | 1:01:19 | |
There is a shot you do not see very
much in the game, double-kiss was | 1:01:35 | 1:01:40 | |
played. The cue ball springs back. I
went to John Harrison Lock, he will | 1:01:40 | 1:01:51 | |
see if he can clip return. It is
very fine but it is very fine but it | 1:01:51 | 1:01:56 | |
isn't at -- a natural angle to come
down for the black. With the cue | 1:01:56 | 1:02:02 | |
ball going? That is tight. Even if
Mark cannot see it directly, he can | 1:02:02 | 1:02:16 | |
swerve that a little bit. He is OK
but another couple of inches and it | 1:02:16 | 1:02:25 | |
would have been tied up behind the
blue. | 1:02:25 | 1:02:28 | |
Mark, what did you do? That is the
worst shot he has played in the | 1:02:35 | 1:02:41 | |
frame and he will be kicking himself
that he has done that. The cue ball | 1:02:41 | 1:02:45 | |
should not be anywhere near the
yellow. Just get on pink or black. | 1:02:45 | 1:02:52 | |
And it is frame over. What a mistake
that is. I am sure that the pink | 1:02:52 | 1:03:02 | |
pots into the bottom right pocket.
It is worth going for the pink just | 1:03:02 | 1:03:08 | |
for the six points alone. | 1:03:08 | 1:03:10 | |
No point in putting the green safe.
He is 19 points ahead. If the points | 1:03:21 | 1:03:28 | |
-- at the pots this pink then he
just needs the yellow. That is what | 1:03:28 | 1:03:33 | |
he attempted. | 1:03:33 | 1:03:36 | |
He will be kicking himself. | 1:03:40 | 1:03:45 | |
And you can bet your bottom dollar
that John Higgins will be trying | 1:03:51 | 1:03:55 | |
even harder now. If he wins this
frame with it looked like he would | 1:03:55 | 1:04:00 | |
never win it, Mark King will
remember. | 1:04:00 | 1:04:04 | |
He was heavy with the yellow but it
is pottable. Not sure if John can | 1:04:26 | 1:04:33 | |
get enough screw on the side of the
cue ball to take the browned off the | 1:04:33 | 1:04:38 | |
side cushion. This would be some
shot. What a shot. What a shot. He | 1:04:38 | 1:04:51 | |
has been so unlucky. Look where the
brown has finished. What a great | 1:04:51 | 1:04:57 | |
attempt. Fantastic. Great pot to try
to flick that out. The only thing | 1:04:57 | 1:05:02 | |
you can see that is OK about the
shot, it is a natural angle of the | 1:05:02 | 1:05:07 | |
game to get down for brown. Even
potting the brown will be difficult. | 1:05:07 | 1:05:14 | |
You don't have to do it all in one
visit. | 1:05:14 | 1:05:16 | |
That is the positional shot, gallon
for the brown. If you were playing | 1:05:23 | 1:05:34 | |
on a pub table, you would fancy
playing on the brown and then | 1:05:34 | 1:05:38 | |
spreading it out. But this is not a
pub table. You might play a double | 1:05:38 | 1:05:45 | |
on the blue. He might knock it on
and leave the double. He is one of | 1:05:45 | 1:05:56 | |
the best in the games with the
doubles. This would be a steal and a | 1:05:56 | 1:06:02 | |
half. | 1:06:02 | 1:06:04 | |
That was frame ball. Ten ahead and
Bach could not be to look at that | 1:06:16 | 1:06:26 | |
double. Mark will have a go at this
blue to get into the green pocket. | 1:06:26 | 1:06:31 | |
And you have to be full-blooded on
this wiki was earlier in the frame. | 1:06:35 | 1:06:39 | |
We cannot think about what you might
be about to leave. Give yourself the | 1:06:39 | 1:06:45 | |
best possible chance of putting it
in. | 1:06:45 | 1:06:51 | |
Is it in the middle? It is now.
Unless John Higgins is hampered | 1:06:56 | 1:07:08 | |
severely, it looks like he will win
a free and he never looked like | 1:07:08 | 1:07:12 | |
winning. -- a frame. | 1:07:12 | 1:07:16 | |
He was slightly hampered but I did
not think he would miss that. He has | 1:07:30 | 1:07:35 | |
slipped a bit of side on it and the
cue ball has gone. Mark King, you | 1:07:35 | 1:07:41 | |
have to knock on their sin. And he
does. After much trials and | 1:07:41 | 1:07:54 | |
tribulations, it was a frame that
took well over 35 minutes, it is | 1:07:54 | 1:07:58 | |
Mark King that takes it. The score
is 1-1. Very long frame. 2015 was | 1:07:58 | 1:08:08 | |
the last time it Mark King be John
Higgins. It was arduous. He did not | 1:08:08 | 1:08:13 | |
know who would win it at the end.
Mark was in the ascendancy but John | 1:08:13 | 1:08:18 | |
Higgins always fights back. In the
end it was the missed the blue, over | 1:08:18 | 1:08:21 | |
the top of the pink. It is difficult
to play a shot when you are... He | 1:08:21 | 1:08:29 | |
put in some decent mid range reds.
This looks like it should go and | 1:08:29 | 1:08:35 | |
because it's the first knuckle. It
is a good shot. These are good pots. | 1:08:35 | 1:08:41 | |
What Mark King is known for and what
the top players not Mark King four, | 1:08:41 | 1:08:46 | |
he could make games scrappy. He is
very good at that. He is not known | 1:08:46 | 1:08:52 | |
as being a prolific scorer, winning
lots of things in one visit. It | 1:08:52 | 1:08:57 | |
could get to someone like John
Higgins. That is not detrimental to | 1:08:57 | 1:09:00 | |
Mark King. It is not his game plan,
he does not go out to make it | 1:09:00 | 1:09:05 | |
scrappy, it is the style of play, he
is a fighter on the table. As it has | 1:09:05 | 1:09:09 | |
been said in the past, that he was
playing top jobs... You get lots of | 1:09:09 | 1:09:15 | |
dreams like that with Mark. He knows
the tactics of the game. He is not | 1:09:15 | 1:09:19 | |
the most prolific break-builder. He
can be scrappy so he knows how to | 1:09:19 | 1:09:29 | |
fight. It is not a game plan, I will
miss up the table for my opponent. | 1:09:29 | 1:09:32 | |
It is how it unfolds. The shot when
he gets the red and should be on the | 1:09:32 | 1:09:37 | |
yellow, but gets himself into
trouble. Positional sense of | 1:09:37 | 1:09:40 | |
something you can teach. Before you
get down to play the shot, you do | 1:09:40 | 1:09:44 | |
happen, I will pot of this and
properly be on the cover. You have | 1:09:44 | 1:09:49 | |
to ask what you're trying to
achieve. Some players are better | 1:09:49 | 1:09:53 | |
than others are doing that before
they get down. Some players to play | 1:09:53 | 1:09:59 | |
hit and hopes. I should play a
specific shot, you can end up in no | 1:09:59 | 1:10:03 | |
man's land. It is incredible. He was
guilty of that with that shot. Can | 1:10:03 | 1:10:09 | |
you eradicate that from your game?
You can. Players go into the | 1:10:09 | 1:10:14 | |
commentary box after many years
playing and can see the game in a | 1:10:14 | 1:10:16 | |
different way. It would be good if
perhaps players generally amongst | 1:10:16 | 1:10:21 | |
each other when they are still
competing in the game, if they have | 1:10:21 | 1:10:24 | |
a problem in that area, have one day
trying to analyse every positional | 1:10:24 | 1:10:29 | |
shot. Do not play the game but talk
amongst themselves. That could be | 1:10:29 | 1:10:33 | |
how players do it in the future,
have break building coaches. The gag | 1:10:33 | 1:10:38 | |
on my right, Stephen Hendry, would
not be a bad coach in that scenario. | 1:10:38 | 1:10:43 | |
-- the man on my right. Marquette
King was desperate to get one frame | 1:10:43 | 1:10:50 | |
on the board. It is a bit of
desperation. You must always decide | 1:10:50 | 1:10:55 | |
the shot before you get down. | 1:10:55 | 1:10:56 | |
JOHN PARROTT: Interesting from the
boys in the studio. Sports | 1:10:58 | 1:11:07 | |
psychologists say it is better to be
decisive than correct. It is true. | 1:11:07 | 1:11:12 | |
Even if it is not the right shot, be
decisive. That was the shot I am | 1:11:12 | 1:11:17 | |
playing, and go ahead and do it.
Another mistake. | 1:11:17 | 1:11:25 | |
You do not see many of them from
John Higgins. He is rattled after | 1:11:31 | 1:11:37 | |
that last frame. | 1:11:37 | 1:11:40 | |
There was some noise from the
ground. -- from the crowd. | 1:11:52 | 1:11:59 | |
Couple of loose reds. The difference
between the two players is how they | 1:12:03 | 1:12:10 | |
go about break building. The boys
were talking about it in the studio. | 1:12:10 | 1:12:13 | |
Good pots. Bit straight on this
black. The first black he potted, he | 1:12:20 | 1:12:30 | |
lost the cue ball pretty much
straight away. It was an angle that | 1:12:30 | 1:12:33 | |
was awkward. Now he is strictly off
angle so he is straight on the | 1:12:33 | 1:12:38 | |
black. Not really got this cue ball
this afternoon as yet. | 1:12:38 | 1:12:42 | |
He potted a good couple friends in
the last frame. He will need some | 1:13:00 | 1:13:05 | |
more here. -- good couple of reds.
Very good. | 1:13:05 | 1:13:10 | |
Nothing wrong with his mid range 14.
Very clean. Couple of loose reds. | 1:13:14 | 1:13:21 | |
Does not have to play into the pack.
FP has a natural angle he will be | 1:13:21 | 1:13:27 | |
tempted to play the pack. He has
decided to go into them now. It does | 1:13:27 | 1:13:35 | |
not look too bad. He will settle for
that, John. | 1:13:35 | 1:13:43 | |
Get a nice angle on this black. This
is typical of Mark. He had allowed | 1:13:48 | 1:13:55 | |
angle and now has overscrewed it. It
is loose. He leaves a half ball-on | 1:13:55 | 1:14:01 | |
the black. Goes into the back of the
pack, stays on the loose red. At the | 1:14:01 | 1:14:08 | |
moment he is fighting with the cue
ball. He is doing well. He is | 1:14:08 | 1:14:14 | |
keeping going but he is making it
hard for himself. | 1:14:14 | 1:14:16 | |
Difficult to judge whether he can
play through the gap. He had a look | 1:14:47 | 1:14:51 | |
to see a kicking pot that bread
coming through the gap vote getting | 1:14:51 | 1:14:54 | |
cannon. -- to see if he can pot that
bread. | 1:14:54 | 1:14:59 | |
To be a honest it was a struggle
from the first ball, that break. We | 1:15:08 | 1:15:17 | |
can see dismissed red again. Going
into the pack off this must red. | 1:15:17 | 1:15:22 | |
That was poor. That was such a poor
shot from John Higgins. He did not | 1:15:26 | 1:15:33 | |
take the opportunity to hit that is
hard as he could, split the pack | 1:15:33 | 1:15:36 | |
with the cue ball. | 1:15:36 | 1:15:37 | |
It was worth taking a risk. The
position is going to be off it. We | 1:15:42 | 1:15:48 | |
have got all the reds and play. If
you land on blue, pink or any of the | 1:15:48 | 1:15:54 | |
baulk colours at it is a fantastic
chance. | 1:15:54 | 1:15:58 | |
He was a bit short with the cue ball
and he is not interested in the red | 1:16:27 | 1:16:32 | |
into the corner pocket, he will play
a safety shot. I did not spot the | 1:16:32 | 1:16:37 | |
plant. That was very fortunate and
it could have mark in lots of | 1:16:37 | 1:16:46 | |
trouble now. | 1:16:46 | 1:16:47 | |
You can have the best cue action and
play for hours and practice but you | 1:16:57 | 1:17:02 | |
cannot beat the lot. Look at how
that flicked on. | 1:17:02 | 1:17:11 | |
He can get intake behind the bottom
bed. -- even tight. | 1:17:14 | 1:17:21 | |
This is a possible escape off the
side cushion into the top cushion. | 1:17:38 | 1:17:42 | |
Try to nestle into the red. He has
to be very precise. | 1:17:42 | 1:17:49 | |
I don't blame him taking his time
but it is the only shot he has got. | 1:17:54 | 1:18:06 | |
UMPIRE: Falque and Ruiz. -- Phil and
a | 1:18:06 | 1:18:13 | |
UMPIRE: Foul and a miss. There is a
red at the back. It is pottable into | 1:18:43 | 1:18:50 | |
the left centre. | 1:18:50 | 1:18:56 | |
There's a third time lucky? That
more like it. It was not | 1:19:18 | 1:19:29 | |
straightforward. Tricky shot into
the middle. He was only really going | 1:19:29 | 1:19:34 | |
to be left with this. | 1:19:34 | 1:19:36 | |
Let us look when Mark missed the
second time. Look with the cue ball | 1:20:04 | 1:20:08 | |
finished. The red at the bottom of
the four, at the pink spot. It does | 1:20:08 | 1:20:15 | |
go into left centre. He does not
leave much of the screws back for | 1:20:15 | 1:20:19 | |
the black. Did not even look at it.
Good call. | 1:20:19 | 1:20:24 | |
There is a good chance that Mark
will be adept in the tactical | 1:20:55 | 1:20:59 | |
department, he used to play hours
and hours of snooker practice with | 1:20:59 | 1:21:03 | |
Steve Davis. If you did not learn
anything if he had not been | 1:21:03 | 1:21:07 | |
watching. I can imagine a session
with Steve will be taxing on the | 1:21:07 | 1:21:11 | |
brain. | 1:21:11 | 1:21:13 | |
What you also forget about when you
play at this level of snooker, he | 1:21:30 | 1:21:36 | |
had a tough afternoon, John Higgins.
He had to play one of the | 1:21:36 | 1:21:41 | |
up-and-coming players. John Bostic
one month ago, 6-2. He would have | 1:21:41 | 1:21:48 | |
been geared up for yesterday. They
do not get much time before you are | 1:21:48 | 1:21:52 | |
back out again. Mark King had that
wonderful win against Luca Purcell. | 1:21:52 | 1:22:01 | |
He has played well over the last
couple of seasons. | 1:22:01 | 1:22:03 | |
He had a tough enough match as well.
This match is not caught fire just | 1:22:10 | 1:22:17 | |
yet. Tactical play. The games have
become scrappy. I am sure it'll get | 1:22:17 | 1:22:24 | |
better, no about that. | 1:22:24 | 1:22:26 | |
At the moment it is tough match play
snooker from both players. | 1:22:33 | 1:22:37 | |
Nice mid-range chance for John in
takes. | 1:23:25 | 1:23:29 | |
Quickly if you reds for John that
unavailable to come down and play | 1:23:33 | 1:23:38 | |
on. | 1:23:38 | 1:23:40 | |
Just run a little bit too far, that
cue ball. | 1:23:59 | 1:24:04 | |
This is the red that John wanted to
get rid of because I am sure that | 1:24:10 | 1:24:14 | |
the pink pots in the same pocket.
That has turned out beautifully. It | 1:24:14 | 1:24:18 | |
was very nice. The pink now goes
back on its spot but opens up the | 1:24:18 | 1:24:26 | |
next red. That one shot has made it
a totally different frame. At first | 1:24:26 | 1:24:34 | |
I felt he would be hampered with
that but he pleaded beautifully to | 1:24:34 | 1:24:38 | |
get on the pink. Slightly hitting it
down, could not strike it any | 1:24:38 | 1:24:46 | |
better. | 1:24:46 | 1:24:48 | |
No need for John to be contemplating
the black at the minute, it is out | 1:25:11 | 1:25:16 | |
of play as it is. He can look at
these three Mac reds boss. | 1:25:16 | 1:25:21 | |
Then he will have some thinking to
do. | 1:25:25 | 1:25:29 | |
He has to be careful. The green is
slightly in the way every he the | 1:25:57 | 1:26:00 | |
side cushion. So much so he has
decided to go for blue instead. He | 1:26:00 | 1:26:08 | |
was wavy playing it off the cushion
back for the bank. -- pink. | 1:26:08 | 1:26:14 | |
Is there a gap? Interesting to see
how he will go about this. He will | 1:26:31 | 1:26:42 | |
try to get on the green, here. | 1:26:42 | 1:26:46 | |
I will just put down a little
circle. It begin get the cue ball | 1:27:01 | 1:27:05 | |
somewhere in that vicinity, this
bottom right-hand corner does not. | 1:27:05 | 1:27:18 | |
It is not like. It is the shot
before. Being so straight on the | 1:27:18 | 1:27:25 | |
blue gave him just one shot that he
could play to leave it in that | 1:27:25 | 1:27:28 | |
circle. He has got himself back into
the frame. He will not be happy that | 1:27:28 | 1:27:34 | |
he has let that can skim. -- let
that chance go. | 1:27:34 | 1:27:41 | |
He is just not completely filing in
all cylinders, John Higgins. | 1:27:48 | 1:27:55 | |
He has got to be snookered again.
Those two reds on the top cushion at | 1:28:29 | 1:28:34 | |
a big target. | 1:28:34 | 1:28:35 | |
Is there a gap between the blue and
pink? It looks like it is. Maybe | 1:28:40 | 1:28:47 | |
clip the right-hand side of the
straight and back up on the yellow. | 1:28:47 | 1:28:51 | |
I would not have played that shot,
that was strange. | 1:29:01 | 1:29:06 | |
Mark is 17 points behind. | 1:29:33 | 1:29:37 | |
It is just a clip of. | 1:29:42 | 1:29:44 | |
Busy trying to tempt John Higgins
into a double? | 1:29:53 | 1:29:56 | |
If he was hit was not having it.
Another hard-fought frame. | 1:30:02 | 1:30:08 | |
Mark can see this red to the
right-hand side on the top cushion | 1:30:16 | 1:30:19 | |
but you have to hit these properly.
Anything that here spells disaster. | 1:30:19 | 1:30:29 | |
That top-quality. He couldn't have
played that much better. He's got | 1:30:52 | 1:30:56 | |
the snooker as well as double about
as good a shot as he has played | 1:30:56 | 1:31:01 | |
tactically in the match, that she
shall. -- that's for sure. | 1:31:01 | 1:31:12 | |
Mind you, you've got to be up very
early in the morning to put one over | 1:31:33 | 1:31:37 | |
John Higgins. Got to be something
pretty special to trap him. | 1:31:37 | 1:31:52 | |
Another excellent shot from Mark,
though. Yeah, not only did he get | 1:31:53 | 1:32:01 | |
the cue ball tight onto the cushion,
but he's brought that safe red which | 1:32:01 | 1:32:06 | |
was tight to the cushion behind the
black spot into play now - very | 1:32:06 | 1:32:12 | |
clever. Yes, the last two shots have
been superb from Mark. He'll be | 1:32:12 | 1:32:24 | |
hoping for a bit of luck here are,
John, because he couldn't do much | 1:32:24 | 1:32:28 | |
else - that was the only shot he had
on. And he HASN'T got away with it. | 1:32:28 | 1:32:36 | |
This is a Chancellor Mark King. His
long potting has been pretty good so | 1:32:36 | 1:32:39 | |
far in this match. One good one
here... -- chance for Mark King. | 1:32:39 | 1:32:47 | |
You don't get many chances when
you're playing John Higgins, Ken, | 1:33:03 | 1:33:06 | |
and you've got to take those. Yeah,
it was one of those, he didn't have | 1:33:06 | 1:33:14 | |
to hit it too hard - disappointed he
missed that chance. | 1:33:14 | 1:33:21 | |
He could play a little snooker
behind the black, but it would be a | 1:33:40 | 1:33:43 | |
very, very brave shot. And just
thinking, if he plays it, he can | 1:33:43 | 1:33:48 | |
screw back to the baulk. He's having
a look at it now. He's got the angle | 1:33:48 | 1:33:55 | |
to play the pot, it is worth having
a go at if he has, because the other | 1:33:55 | 1:34:00 | |
two safeties aren't straightforward. | 1:34:00 | 1:34:13 | |
Well, that was sort of a semi quit,
if I'm being honest. He didn't | 1:34:17 | 1:34:24 | |
really get through that one,which is
unusual for John. So, once again, | 1:34:24 | 1:34:30 | |
another chance for Mark. | 1:34:30 | 1:34:33 | |
Good pot. The green was always over
the right centre. This next red is | 1:34:36 | 1:34:47 | |
the one that's close to the pocket.
Needs a good angle as well, doesn't | 1:34:47 | 1:34:53 | |
want to be too straight. He's OK.
Yeah, no excuse from here. This is a | 1:34:53 | 1:35:03 | |
great chance for 2-1. That's not the
best shot he's played. | 1:35:03 | 1:35:14 | |
Now, just play off this one, Mark,
up to the baulk end. Don't get too | 1:35:25 | 1:35:34 | |
fancy trying to stay on pink. Just
get up there and do yourself a easy | 1:35:34 | 1:35:39 | |
shot. Lost the cue ball... Betwixt
and between, isn't he? Should have | 1:35:39 | 1:35:48 | |
been either short on the blue or up
towards a baulk colour. I would have | 1:35:48 | 1:35:52 | |
been up towards about the colour
myself, try and make it easy. He can | 1:35:52 | 1:35:58 | |
just drop the blue in and take the
yellow. He's been quite good from | 1:35:58 | 1:36:05 | |
the mid distance so far, but there's
extra pressure on this yellow. | 1:36:05 | 1:36:14 | |
Good pot. House here's cue ball?
Very good. -- how is his cue ball? | 1:36:28 | 1:36:39 | |
Should win the frame from here. | 1:36:39 | 1:36:45 | |
He may have given himself a little
palpitation. Didn't get off the last | 1:36:51 | 1:36:55 | |
red perfectly onto a colour, but it
looks like he's going to do it | 1:36:55 | 1:37:00 | |
eventually. It's been a good
performance from Mark King over this | 1:37:00 | 1:37:05 | |
last couple of frames. He's dug in,
competed well in the safety | 1:37:05 | 1:37:11 | |
department, hasn't scored that well,
but when it's come down to some of | 1:37:11 | 1:37:15 | |
the pressure pots... As the pink
goes in! Mark King leads the former | 1:37:15 | 1:37:22 | |
UK Champion John Higgins by 2-1. | 1:37:22 | 1:37:25 | |
goes in! Mark King leads the former
UK Champion John Higgins by 2-1. | 1:37:25 | 1:37:27 | |
It's been a fascinating couple of
days, we've seen some of the big | 1:37:27 | 1:37:30 | |
names tumbling out at we're
wondering if another one is about to | 1:37:30 | 1:37:35 | |
go? Well, such is the standard of
players generally. There's different | 1:37:35 | 1:37:39 | |
ways to skin that snooker. Even
though Mark King hasn't scored that | 1:37:39 | 1:37:45 | |
well, another player with perhaps
high outbreak building prowess might | 1:37:45 | 1:37:49 | |
be thinking, this is not so good,
but Mark is used to that style of | 1:37:49 | 1:37:56 | |
play, so therefore he doesn't beat
himself up when he loses position. | 1:37:56 | 1:38:01 | |
He just gets on with it, because
he's a bit more used to that | 1:38:01 | 1:38:06 | |
happening. What is happening out
there for John, for you? He's not | 1:38:06 | 1:38:11 | |
getting into much of a rhythm.
People say John is the best | 1:38:11 | 1:38:15 | |
all-round player of all-time but his
strength is break-building and | 1:38:15 | 1:38:18 | |
winning frames in visit. And he's
not been able to do that. A couple | 1:38:18 | 1:38:24 | |
of positional shots have let him
down, which you wouldn't expect from | 1:38:24 | 1:38:27 | |
John. I think Mark has put him a
little bit out of his comfort zone. | 1:38:27 | 1:38:34 | |
This is not going to make the best
of DVD? Well, every match is | 1:38:34 | 1:38:39 | |
different and sometimes, the story
of a frame, it builds up to a | 1:38:39 | 1:38:43 | |
crescendo. John Higgins knows very
well but it is not how you start a | 1:38:43 | 1:38:47 | |
match, it's how you finish. He's got
plenty in the bank, he won't be | 1:38:47 | 1:38:51 | |
disappointed, just play every frame
as if it's the first. | 1:38:51 | 1:38:57 | |
JOHN PARROTT: At a really good point
Steve made about Mark's temperament. | 1:39:02 | 1:39:09 | |
He just forgets about what's gone
on, loses position, gets on with it | 1:39:09 | 1:39:14 | |
and plays the next shot. Wanting
he's always done his compete. There | 1:39:14 | 1:39:23 | |
are people with a more subtle cue
ball on the circuit than Mark, | 1:39:23 | 1:39:28 | |
that's for sure, but at the end of
the day, it's all about winning. And | 1:39:28 | 1:39:31 | |
he's done plenty of that recently. | 1:39:31 | 1:39:35 | |
Just to put that into context,
looking at the scoresheet so far, | 1:40:09 | 1:40:15 | |
Mark King has had one break over 30
- 37. And his leading 2-1. Mind you, | 1:40:15 | 1:40:25 | |
John's is only 41, which is very
unusual. Total points aren't exactly | 1:40:25 | 1:40:34 | |
massive, either. It's been a bit
scrappy. That's very unusual in-off. | 1:40:34 | 1:40:44 | |
REFEREE: Foul. Mark King, four. | 1:40:44 | 1:40:49 | |
APPLAUSE | 1:41:19 | 1:41:24 | |
Excellent pot. He's mid-range
stuff's been very good. OK, he | 1:41:24 | 1:41:30 | |
missed one in the last which he
probably should have got, but | 1:41:30 | 1:41:33 | |
there's been some really good ones.
And that is a better pot than it | 1:41:33 | 1:41:38 | |
looked. So, two crackers there.
KEN DOHERTY: He's left red to the | 1:41:38 | 1:41:52 | |
left centre. Doesn't have to do
anything with the cue ball, it's | 1:41:52 | 1:41:55 | |
going to be topside of the blue.
Well, he's played that completely | 1:41:55 | 1:42:00 | |
different than what I would have
expected. I thought he might have | 1:42:00 | 1:42:03 | |
just dropped it in. | 1:42:03 | 1:42:11 | |
JOHN PARROTT: That's mostly
controlled from John - what a lovely | 1:42:33 | 1:42:37 | |
shot. He'll be digging in here,
he'll be trying to win the frame in | 1:42:37 | 1:42:41 | |
one visit. To get normal service
resumed. | 1:42:41 | 1:42:49 | |
Well, that will pot up there, but
it's very... There is the split - it | 1:42:55 | 1:43:06 | |
didn't go how he wanted it.
Difficult to know where the cue ball | 1:43:06 | 1:43:10 | |
is going to finish off this one.
Trust to look a bit. Main thing of | 1:43:10 | 1:43:15 | |
course, can he knock the red in? He
might be able to cannon the green | 1:43:15 | 1:43:23 | |
and stop the cue ball. And that is a
juicy bonus. What a result he's had | 1:43:23 | 1:43:39 | |
there. Would have been completely
out of position if it wasn't for | 1:43:39 | 1:43:42 | |
that kiss on the red. | 1:43:42 | 1:43:47 | |
Yeah, no need to go into the pack
there. That was a lovely little case | 1:43:52 | 1:43:59 | |
he had to go perfect on the blue.
Wow! -- kiss. | 1:43:59 | 1:44:05 | |
It's early days in this break, of
course, but whether reds are | 1:44:15 | 1:44:21 | |
positioned, John Higgins will be
loving the sight of these. Yeah, | 1:44:21 | 1:44:26 | |
there's at least two reds just above
the black which will go into this | 1:44:26 | 1:44:31 | |
right-hand corner pocket. | 1:44:31 | 1:44:34 | |
That's opened a couple more reds.
He's got to be slightly careful with | 1:44:50 | 1:45:02 | |
this. Little cannon... Which he's
got. And that's made all the | 1:45:02 | 1:45:09 | |
difference. Once he got that one,
everything else was opened up. These | 1:45:09 | 1:45:15 | |
are lovely now. John will expect to
win the frame from here. | 1:45:15 | 1:45:25 | |
There's his target, 72, before his
opponent will need a snooker. So, | 1:45:42 | 1:45:52 | |
another five reds and colours. He
would love to play the red in the | 1:45:52 | 1:46:00 | |
other corner, but of course,
hampered by the pack. So, up for the | 1:46:00 | 1:46:04 | |
blue. They really are lovely, these,
whichever way you look at them. For | 1:46:04 | 1:46:15 | |
him to at least get over the line,
that's for sure. | 1:46:15 | 1:46:29 | |
And it was a wonderful slice of
fortune, wasn't it? It was a good | 1:46:31 | 1:46:35 | |
pot, but have a look at this... Gets
a little kiss of the red, hits the | 1:46:35 | 1:46:40 | |
knuckle... Perfect. | 1:46:40 | 1:46:44 | |
If he had missed the red, John, I
don't think he would have come down | 1:46:51 | 1:46:55 | |
to make the black into the corner
pocket. He would have been out of | 1:46:55 | 1:46:59 | |
position. This is his highest break
so far. With always save, when you | 1:46:59 | 1:47:08 | |
get a bit of good luck, make the
best of it, because you will have | 1:47:08 | 1:47:13 | |
plenty of bad during your career.
And we'll see if he can beat his | 1:47:13 | 1:47:19 | |
highest wake of the tournament so
far. Remarkably, only 80. It just | 1:47:19 | 1:47:23 | |
goes to show you, it's about
matchplay and winning. I wouldn't | 1:47:23 | 1:47:31 | |
mind having the highest break of 80
if I had about 46 of them! It's | 1:47:31 | 1:47:38 | |
amazing, Neil Robertson lost the
other day, he's made eight centuries | 1:47:38 | 1:47:41 | |
in this tournament. He's at home
probably watching. John Higgins, in | 1:47:41 | 1:47:47 | |
the last 16, his highest break is
only 80. | 1:47:47 | 1:47:53 | |
Yes, I think Mark Williams, when he
won his first ranking event, his | 1:48:07 | 1:48:12 | |
highest break in the whole event was
only 79. It just shows you. As long | 1:48:12 | 1:48:17 | |
as you're making consistent 70s and
taking your chances, can still win | 1:48:17 | 1:48:22 | |
events. | 1:48:22 | 1:48:28 | |
That was frame ball, acknowledged by
the crowd. And Stephen Hendry in the | 1:48:37 | 1:48:42 | |
studio before this last frame, said
that John Higgins hasn't got his arm | 1:48:42 | 1:48:50 | |
going gets in which he hadn't - but
this will make him feel better. Got | 1:48:50 | 1:48:54 | |
into his rhythm. Oh, missed it! Was
trying to get the cannon there. John | 1:48:54 | 1:49:20 | |
Higgins won't be too bothered to. As
they go off to the mid-session | 1:49:20 | 1:49:29 | |
interval, it's John Higgins 2-2 Mark
King. Yes, we're all square again. A | 1:49:29 | 1:49:37 | |
quick chat with the lads before we
talk about the other match taking | 1:49:37 | 1:49:41 | |
place this afternoon, between Graeme
Dott and Stephen Maguire. Where is | 1:49:41 | 1:49:44 | |
this one heading, Steve? I think
probably capacity first and then | 1:49:44 | 1:49:48 | |
this one heading, Steve? I think
probably capacity first and then get | 1:49:48 | 1:49:48 | |
back out for action. Everything to
play for, from Mark King 's | 1:49:48 | 1:49:56 | |
perspective, the first hurdle has
been done, he's playing a bit | 1:49:56 | 1:49:59 | |
better. The game hasn't really taken
off yet but the fireworks might | 1:49:59 | 1:50:07 | |
start in the second half. John
Higgins was able to win the frame in | 1:50:07 | 1:50:13 | |
one visit, lysed cannons, most
stands around the pink and black - | 1:50:13 | 1:50:19 | |
it's what he's best at. A one
session match is never as guaranteed | 1:50:19 | 1:50:24 | |
for one of the top seeds, even if
the lower ranked player is an | 1:50:24 | 1:50:30 | |
excellent player himself. It is
always a nervy start. You don't | 1:50:30 | 1:50:34 | |
always get off to a flyer. John
Higgins usually in a raises the | 1:50:34 | 1:50:40 | |
tempo, as it gets close to the end,
he starts honing in. That's probably | 1:50:40 | 1:50:44 | |
what's going to happen. Also, given
the fact that we've seen so many big | 1:50:44 | 1:50:50 | |
names and top-ranked players going
out, he might be thinking to | 1:50:50 | 1:50:54 | |
himself, I don't want to be the
next? It can make you a bit on edge, | 1:50:54 | 1:50:59 | |
knowing that so many seeds have gone
out of. It can affect you in terms | 1:50:59 | 1:51:03 | |
of, it's not going to be me. John
traditionally has always been very | 1:51:03 | 1:51:08 | |
funny about cues and tips,
everything. It may be that he's | 1:51:08 | 1:51:17 | |
still not 100% happy with the tip on
his cue, but that last frame will | 1:51:17 | 1:51:22 | |
make him feel a lot better. Let's
bring you up to date with what's | 1:51:22 | 1:51:25 | |
happening on the other table Tameka
all Scotland a fair. Stephen Maguire | 1:51:25 | 1:51:31 | |
has been facing some tricky
questions. What hubby would you get | 1:51:31 | 1:51:39 | |
into if time and money you weren't
an issue? Something to do with a | 1:51:39 | 1:51:45 | |
boat so that I could just go out to
seam and not see anyone for days. | 1:51:45 | 1:51:51 | |
What job would you be terrible at?
An office job. Anything can happen. | 1:51:51 | 1:52:02 | |
What fad or trend do you hope comes
back? Having a beer when you're | 1:52:02 | 1:52:10 | |
playing. What is the luckiest thing
that has happened to you. Meeting my | 1:52:10 | 1:52:14 | |
wife and having three kids. What was
the best compliments you've | 1:52:14 | 1:52:19 | |
received? None! I don't get any! If
you had to change your name, what | 1:52:19 | 1:52:27 | |
would you change it to? My mum gave
me this name, I wouldn't change it | 1:52:27 | 1:52:35 | |
for nothing. What are you really
good at but embarrassed that you are | 1:52:35 | 1:52:38 | |
good at it? I'm awesome at dancing
but I don't get embarrassed about | 1:52:38 | 1:52:43 | |
it. If your childhood had a smell,
what would it be? Smoke. It was | 1:52:43 | 1:52:52 | |
smoke back in the day in the snooker
room. What's the most immature thing | 1:52:52 | 1:52:57 | |
that you do? You will need to ask my
wife. I'm sure she can come up with | 1:52:57 | 1:53:01 | |
a few answers. What would be your
spirit animal? A tiger. Because | 1:53:01 | 1:53:11 | |
who's going to beat up a Tiger I'm
afraid what is the most annoying | 1:53:11 | 1:53:17 | |
habit that other people have?
Breathing on my hair! But other than | 1:53:17 | 1:53:24 | |
that...! Well, we don't think the
beer coming back when playing is | 1:53:24 | 1:53:30 | |
going to happen sometime soon.
Stephen, this is the 11th match | 1:53:30 | 1:53:36 | |
between these two Scots, the first
in this tournament, interestingly. | 1:53:36 | 1:53:46 | |
And this year, Graeme is feeling
confident. It felt really good to be | 1:53:46 | 1:53:51 | |
back, playing a match, being
introduced, even to step out there | 1:53:51 | 1:53:55 | |
again felt Willie good. It was nice
to show people that I can still | 1:53:55 | 1:53:59 | |
play. 2006, when I won the world
title, it was the slowest vinyl for | 1:53:59 | 1:54:04 | |
so many years, so I think people
just automatically think, slowest | 1:54:04 | 1:54:09 | |
vinyl, Graeme Dott, he must be slow.
I don't think I am. I think if I had | 1:54:09 | 1:54:14 | |
the cue ball control of Ronnie
O'Sullivan or John Higgins, I would | 1:54:14 | 1:54:19 | |
probably be quicker than them. But
my cue ball control is quite bad so | 1:54:19 | 1:54:25 | |
I am still relatively quick in
comparison with them! We're going to | 1:54:25 | 1:54:29 | |
join it in the second frame, with
Steve having won the first. And tree | 1:54:29 | 1:54:36 | |
from Dennis Taylor and Peter Ebdon. | 1:54:36 | 1:54:39 | |
Steve having won the first. And tree
from Dennis Taylor and Peter Ebdon. | 1:54:39 | 1:54:42 | |
DENNIS TAYLOR: Yeah, there was a bit
of pressure on that. It was just a | 1:54:42 | 1:54:49 | |
couple of shots ago when he got the
wrong side of the blue and he wanted | 1:54:49 | 1:54:53 | |
to be closer to that red, but at
least he hasn't left it on. But he | 1:54:53 | 1:54:56 | |
could be in trouble, you would feel. | 1:54:56 | 1:55:01 | |
Had to play it with a lot of side...
And this is a free ball. Unless the | 1:55:21 | 1:55:25 | |
white goes in.
REFEREE: Foul, and a miss, Stephen | 1:55:25 | 1:55:32 | |
Maguire, four.
DENNIS TAYLOR: I don't think it is a | 1:55:32 | 1:55:35 | |
free ball. So, Stephen will just
see... If the white was on the green | 1:55:35 | 1:55:43 | |
spot, who could he hit the red on
both sides hammered I don't think it | 1:55:43 | 1:55:46 | |
is a free ball. So, he's got
multiple choices here. He's having | 1:55:46 | 1:55:52 | |
it put back. He could have played
the shot himself and snookered him | 1:55:52 | 1:55:57 | |
again behind the green - and maybe
got a better snooker. And I do | 1:55:57 | 1:56:11 | |
believe Stephen Maguire would have
played the shot and put him in a | 1:56:11 | 1:56:16 | |
more difficult snooker.
REFEREE: Foul, and a miss, Stephen | 1:56:16 | 1:56:29 | |
Maguire, four.
PETER EBDON: Prior to that Miss | 1:56:29 | 1:56:33 | |
referee decided to hold onto the cue
ball - and I don't think Stephen | 1:56:33 | 1:56:37 | |
Kerr have played it from there! One
of the top referees now. Nice to see | 1:56:37 | 1:56:44 | |
lots of ladies involved in our game.
All doing superb jobs. Taking the | 1:56:44 | 1:56:50 | |
pink as his free ball - that will
count as one point. So, he's still | 1:56:50 | 1:57:05 | |
going to need that difficult red.
He's got a good angle on the black | 1:57:05 | 1:57:09 | |
to drop down onto it. If he doesn't
drop nicely on it, he can still play | 1:57:09 | 1:57:15 | |
the snooker. | 1:57:15 | 1:57:17 | |
The black will put him 30 in front.
Was above 35 still on the table. | 1:57:24 | 1:57:38 | |
I mean, he doesn't HAVE to pot the
black. You could lay the snooker, | 1:57:39 | 1:57:45 | |
but that's not what he's doing.
Pushing the black near the cushion | 1:57:45 | 1:57:54 | |
as well. Graeme has had a couple of
goes at this escape. He needs a bit | 1:57:54 | 1:58:03 | |
more left-hand side. And this time,
well,... That was always a | 1:58:03 | 1:58:13 | |
possibility. Has he got the snooker?
I think he has! You can tell by that | 1:58:13 | 1:58:24 | |
smile on Stephen Maguire's face!
Well, Dennis, I think Stephen | 1:58:24 | 1:58:30 | |
Maguire missed a trick there. I
think he would have been much better | 1:58:30 | 1:58:35 | |
off potting the black and then
playing the snooker. Leaving the cue | 1:58:35 | 1:58:39 | |
ball behind the green. Under the
circumstances, he's played an | 1:58:39 | 1:58:45 | |
excellent safety shot there. Having
a wry smile to himself there, | 1:58:45 | 1:58:49 | |
Stephen Maguire. Graeme Dott will be
delighted at the moment, because | 1:58:49 | 1:58:55 | |
he's still in the frame. But perhaps
not after that shot. | 1:58:55 | 1:58:59 | |
As I mentioned, 23 in front. No
problem getting onto the blue from | 1:59:11 | 1:59:16 | |
this one. Blue or brown will be
enough. | 1:59:16 | 1:59:36 | |
So, with very good rakes of 57 and
72 Stephen Maguire leads Graeme Dott | 2:00:41 | 2:00:49 | |
by 2-0. A very good start for
Stephen Maguire. That show you what | 2:00:49 | 2:00:57 | |
happened. -- let's show you what
happened. Well played. That is an | 2:00:57 | 2:01:06 | |
excellent pot. | 2:01:06 | 2:01:07 | |
He would have preferred the green
that he is neither could on that, I | 2:01:20 | 2:01:23 | |
think. That shot means he has a
little further to travel to be on | 2:01:23 | 2:01:33 | |
that red near the blue. He has
played that well. | 2:01:33 | 2:01:40 | |
It is all about the four reds. Just
looking to see if that would go. | 2:01:46 | 2:01:52 | |
That would be a help. | 2:01:52 | 2:01:54 | |
It passes the other red, it is just
the black that is in no way. Not a | 2:01:58 | 2:02:04 | |
lot of room past the red. -- that is
in the way. | 2:02:04 | 2:02:09 | |
If he does not feel that that red
goes, he has an angle here to get a | 2:02:13 | 2:02:21 | |
cannon on to something with just to
open it up. He is coming round again | 2:02:21 | 2:02:26 | |
to make absolutely sure he can get
on that red. It is very tight. | 2:02:26 | 2:02:31 | |
The fact he was even looking at the
yellow means he is going to play | 2:02:42 | 2:02:47 | |
some sort of cannon. The green is
not easy to get into the reds from, | 2:02:47 | 2:02:54 | |
so it is the round. He shot coming
up. -- be brown. | 2:02:54 | 2:03:01 | |
The left hand red will go in one
quarter of it. -- corner pocket. | 2:03:07 | 2:03:18 | |
That is the one he has played for.
Not a bad shot. When he pops this, | 2:03:18 | 2:03:26 | |
it clear the path for another one. | 2:03:26 | 2:03:28 | |
That was pinpoint accuracy with the
brown. | 2:03:35 | 2:03:47 | |
All of a sudden he only has one read
that as a little bit awkward. | 2:03:52 | 2:03:58 | |
-- red. | 2:04:04 | 2:04:05 | |
That has pushed the other one
awkward as well. | 2:04:08 | 2:04:13 | |
He had to leave an angle this time.
You do not want to play needs with | 2:04:37 | 2:04:42 | |
too much pace. We have seen these
missed played at pace. Did not get | 2:04:42 | 2:05:05 | |
enough on it. We will have to watch
the white go all around the table. | 2:05:05 | 2:05:09 | |
If he is going to go on the last
red, he does not have to. He could | 2:05:09 | 2:05:15 | |
pot black and play the sneaker.
Here's quite aggressive, so he is | 2:05:15 | 2:05:21 | |
looking at the ankles. Would have to
come between the yellow and the | 2:05:21 | 2:05:25 | |
brown. -- the angles. If he was to
hit the ball Klein, he would come | 2:05:25 | 2:05:32 | |
right around the table. -- baulk
line. Near the green. | 2:05:32 | 2:05:40 | |
So, it is going to be a close finish
to this third frame. Just three | 2:05:44 | 2:05:52 | |
points the difference. He could
flick this and get down behind the | 2:05:52 | 2:05:59 | |
pink, but that is not
straightforward. He does not want to | 2:05:59 | 2:06:05 | |
push the red on for the left corner.
It would have to be a thin one to | 2:06:05 | 2:06:13 | |
send the red very far along the
cushion. | 2:06:13 | 2:06:16 | |
He will be fortunate. He got too
much side on that. Wanting to keep | 2:06:51 | 2:06:57 | |
the white up this end of the table. | 2:06:57 | 2:07:08 | |
That was a very uncharacteristic
mistake from Graeme Dott. He is | 2:07:16 | 2:07:20 | |
normally so reliable with that sort
of shot. He will be kicking himself | 2:07:20 | 2:07:33 | |
because he has had chances. And that
makes a huge difference potting the | 2:07:33 | 2:07:41 | |
brown. It puts him two in front. He
just needs the yellow, green, brown | 2:07:41 | 2:07:47 | |
and blue. He won't need the tricky
pink. One good positional shot from | 2:07:47 | 2:07:56 | |
green to brown and it could quite
soon be 3-0. | 2:07:56 | 2:08:07 | |
That got a bit of a jump, a bit of
it kick. To get onto the pink, he | 2:08:28 | 2:08:37 | |
only needs the blue. | 2:08:37 | 2:08:38 | |
16 now the difference with 13 on the
table. | 2:08:55 | 2:08:57 | |
So, barring a snooker, it is three
in a row for Stephen Maguire. | 2:09:10 | 2:09:16 | |
Maguire did win that frame. A
blistering start by Stephen Maguire. | 2:09:16 | 2:09:22 | |
Graeme Dott pulled one back before
the mid-session interview. It is | 2:09:22 | 2:09:28 | |
3-1, live on the BBC red button, the
website and the app, where you can | 2:09:28 | 2:09:35 | |
choose which match to watch. Here on
BBC Two that we have John Higgins | 2:09:35 | 2:09:40 | |
taking on Mark King. Let's rejoin
our match commentators. Yes, the | 2:09:40 | 2:09:51 | |
boys are ready, just behind the
screen. They are waiting for either | 2:09:51 | 2:09:56 | |
table to complete a break. Scoring a
few. They might have to show that | 2:09:56 | 2:10:04 | |
later. You are wary of walking in,
particularly the guys in line of the | 2:10:04 | 2:10:16 | |
shot. Loud applause. No prize for
guessing. This match is nicely | 2:10:16 | 2:10:32 | |
poised after the interval. It is to
four frames. The first 26 for a | 2:10:32 | 2:10:41 | |
place in the quarterfinals. One of
those opening sessions is not great | 2:10:41 | 2:10:51 | |
for both players. John Higgins would
like to be in front, Mark King, his | 2:10:51 | 2:10:58 | |
highest break is only 37 and he 2-2.
There had been something in the | 2:10:58 | 2:11:03 | |
interval for both players. Not the
best break off for Mark King. Very | 2:11:03 | 2:11:17 | |
disappointed. He left a red to left
centre. Also read in the right-hand | 2:11:17 | 2:11:25 | |
corner pocket. -- also a red. This
is the last thing you wanted. | 2:11:25 | 2:11:34 | |
This is a surprise. Maybe it is a
trap he set John. Not quite at it | 2:11:43 | 2:11:51 | |
today, John. The worst thing of that
myth is the Czech side on the cue | 2:11:51 | 2:11:56 | |
ball. Mark King, the left-hander is
absolutely plumb on the red. -- miss | 2:11:56 | 2:12:08 | |
is the check side.. A long pot in
mid range has been pretty good but | 2:12:08 | 2:12:16 | |
his cue ball control has not been
the best. It has been much better | 2:12:16 | 2:12:22 | |
recently but, today, it has not been
wonderful so far. He just needs to | 2:12:22 | 2:12:27 | |
make it easier for himself will stop
me know how good a player he is. We | 2:12:27 | 2:12:31 | |
saw at the top of the show, on that
maximum break, and that call, just | 2:12:31 | 2:12:38 | |
missed the pink. That is the shot
again. He will want to be a bit low. | 2:12:38 | 2:12:46 | |
He has done a couple of times in
this match already. A typical | 2:12:46 | 2:12:53 | |
positional shot. It is a bread and
butter shot for the pros. The hours | 2:12:53 | 2:12:58 | |
he practises, he should not be
leaving big cue ball there. Gives | 2:12:58 | 2:13:02 | |
you less options more than anything.
-- the cue ball. A salvage situation | 2:13:02 | 2:13:14 | |
there. A good positional shot. He
has a lot of cue power. He can pull | 2:13:14 | 2:13:20 | |
back or run-through. He has a couple
of options here. Played that nicely. | 2:13:20 | 2:13:35 | |
It is important when he drops the
red in, he has an angle again. He | 2:13:47 | 2:13:54 | |
could play an angle on the outside
right and play for the bottom one or | 2:13:54 | 2:13:58 | |
he could go into the pack. He could
leave at half ball, play a cannon up | 2:13:58 | 2:14:06 | |
pots the bottom red in the Triangle
and open more into play. | 2:14:06 | 2:14:10 | |
Once again, too hard. | 2:14:13 | 2:14:15 | |
Just a little. The shot you mention
is the cannon. Needed the cue ball | 2:14:20 | 2:14:26 | |
to get done a couple of inches. I
don't know where he could play the | 2:14:26 | 2:14:31 | |
cannon. The cue ball needs to go.
That is it. Four times he has come | 2:14:31 | 2:14:40 | |
straight on to the black. It has
cost him. | 2:14:40 | 2:14:47 | |
It is amazing, it really is. It is
so basic. We know what a fantastic | 2:15:01 | 2:15:06 | |
player and competitor he is. He is
laughing to himself or stop he | 2:15:06 | 2:15:10 | |
cannot get the half ball on the
black. -- laughing to himself. | 2:15:10 | 2:15:15 | |
Shock, horror, John Higgins plays a
good safety shot. Absolutely glued. | 2:15:38 | 2:15:46 | |
Both players are 90% at the minute.
Mark, we know, knows his way around | 2:15:46 | 2:15:51 | |
also. | 2:15:51 | 2:15:51 | |
I love his attitude. Most players
would be going back to the chair and | 2:16:01 | 2:16:06 | |
mumbling to themselves can kicking
themselves, not making a sizeable | 2:16:06 | 2:16:11 | |
contribution. He has little laugh
and joke to himself or stop it | 2:16:11 | 2:16:14 | |
relaxes him. He has not played the
best safety shot. Left the red into | 2:16:14 | 2:16:24 | |
the right centre. | 2:16:24 | 2:16:28 | |
He is helping to cover the red. I
think he just about brands. -- just | 2:16:51 | 2:17:00 | |
about has | 2:17:00 | 2:17:02 | |
think he just about brands. -- just
about has. | 2:17:02 | 2:17:02 | |
I am delighted to see the red go for
the top cushion. It was getting | 2:17:20 | 2:17:25 | |
perilously close to the corner. Just
a little drop on the red from John. | 2:17:25 | 2:17:31 | |
Covered the right-hand side with the
brown and the blue into the pack of | 2:18:38 | 2:18:42 | |
reds, so he can hit the left-hand
side. The problem he has is the red | 2:18:42 | 2:18:47 | |
near the top cushion is stopping the
natural angle into the baulk | 2:18:47 | 2:18:53 | |
carrier. If you take the single red,
you must hit it properly. So, here | 2:18:53 | 2:19:01 | |
we go. He has to avoid the cannon. | 2:19:01 | 2:19:04 | |
Which he has done very well indeed.
Attack of the table by John Higgins. | 2:19:11 | 2:19:18 | |
Why not? He has played some great
safety. John Higgins looking at a | 2:19:18 | 2:19:24 | |
possible plant. | 2:19:24 | 2:19:27 | |
Just the red between the two reds,
needs to knock it off line. | 2:19:34 | 2:19:39 | |
I wonder if it is worth taking a
chance. | 2:19:45 | 2:19:49 | |
That is what he was scared of. It is
not too bad but it is not the best. | 2:19:57 | 2:20:10 | |
Certainly very attacking safety. He
knew full well the reds would open. | 2:20:10 | 2:20:15 | |
In heritage to get a good cue ball.
He has not quite managed it. -- it | 2:20:15 | 2:20:22 | |
was imperative to get a good cue
ball. You think that Mark would not | 2:20:22 | 2:20:26 | |
continue if he does not he will
struggle. What is putting him off, | 2:20:26 | 2:20:31 | |
the cue ball is going into other
reds. It is not a guarantee of being | 2:20:31 | 2:20:38 | |
on a colour. He has played it well.
Played it very well. If he could | 2:20:38 | 2:20:50 | |
just play it off the second red to
control the cue ball... He did it | 2:20:50 | 2:20:56 | |
very well indeed. | 2:20:56 | 2:21:02 | |
We keep saying when Mark King gets
these chances he must score. He is | 2:21:06 | 2:21:15 | |
2-2. 38 points in front in the next.
You really do have to take these | 2:21:15 | 2:21:26 | |
chances. That was a lovely cannon he
has played. A really nice shot. He | 2:21:26 | 2:21:34 | |
played a little stunned to force the
cue ball over to get the correct | 2:21:34 | 2:21:37 | |
cannon. -- stun. This is a great
chance. | 2:21:37 | 2:21:46 | |
Which, unfortunately, that black was
not very good. Needed to be much | 2:21:51 | 2:21:57 | |
higher with the cue ball. The red
the bottom of the three, he should | 2:21:57 | 2:22:02 | |
have been higher on that, to stand
down from the black. Then he must | 2:22:02 | 2:22:06 | |
stop to play cannons again. Just
basic stuff really. Mon of Mark's | 2:22:06 | 2:22:12 | |
capabilities. -- really for someone
of Mark's capabilities. Not too bad. | 2:22:12 | 2:22:27 | |
He will need to pot the blue and
manoeuvre the cue ball in and out of | 2:22:27 | 2:22:31 | |
four. The fact the red has come over
the pocket has helped his case. -- | 2:22:31 | 2:22:41 | |
baulk. The pink also pots. I would
be inclined to take the blue here. | 2:22:41 | 2:22:49 | |
Back cue ball needs to run. Just all
the time putting more pressure on | 2:22:59 | 2:23:05 | |
himself with every shot will stop --
every shot. I know it is not | 2:23:05 | 2:23:14 | |
intentional is not trying to do it
do it. It is the way it is | 2:23:14 | 2:23:17 | |
happening. He needs to tightened the
cue ball up. | 2:23:17 | 2:23:24 | |
Excellent. Now you have the cue ball
perfect. No excuse from here. | 2:23:30 | 2:23:38 | |
He is certainly pulling out some
good pots. 58 ahead. So, not very | 2:23:45 | 2:23:56 | |
far from the winning line with this
frame. | 2:23:56 | 2:24:03 | |
He has a wry smile to himself or I
think he has gone a little bit far. | 2:24:10 | 2:24:15 | |
What he must do is make sure he has
the correct angle on the blue. The | 2:24:15 | 2:24:20 | |
reds are below the pink spot you
must be high on because the black | 2:24:20 | 2:24:25 | |
only pots in one corner. That is
just a little bit of thought. | 2:24:25 | 2:24:30 | |
So, now he is on a red that is more
difficult. He has put pressure on | 2:24:37 | 2:24:42 | |
himself when he should have been on
the simple one, just to come for the | 2:24:42 | 2:24:46 | |
black. He has managed to get it. He
will need the black to go 72 ahead, | 2:24:46 | 2:24:57 | |
67 remaining. Well played! He has
snickered himself on the red he was | 2:24:57 | 2:25:09 | |
trying to get on. Smiles to himself
again. But he is in a position where | 2:25:09 | 2:25:17 | |
his opponent needs a sneaker, so it
is not too bad. -- snooker. Should | 2:25:17 | 2:25:29 | |
have been well ahead from there that
he will be happy with the | 2:25:29 | 2:25:35 | |
contribution. Disappointed that he
did not get anything more. | 2:25:35 | 2:25:39 | |
One part of Mark's name that has
been firing on all cylinders is the | 2:26:01 | 2:26:05 | |
long game for the it has been very
good. One good pot should see the | 2:26:05 | 2:26:11 | |
frame definitely one. -- long game.
Not to be. Mind you, that is not too | 2:26:11 | 2:26:26 | |
bad, where he has finished. | 2:26:26 | 2:26:27 | |
Well, I said it was not too bad.
What a pot that was! Fabulous. There | 2:26:40 | 2:26:59 | |
are one or two players on the
circuit I would not want following | 2:26:59 | 2:27:02 | |
me when any one or two snookers, and
here's one of them. The red behind | 2:27:02 | 2:27:10 | |
the pink is lovely. It might not all
be over yet. John Higgins will be | 2:27:10 | 2:27:18 | |
trying to pot this black and take
the two loose reds and leave the red | 2:27:18 | 2:27:23 | |
behind the pink as the last one. Up
the table and put the cue ball | 2:27:23 | 2:27:28 | |
behind the pink. | 2:27:28 | 2:27:29 | |
Just drop the red in and get on the
black. Get behind the pink. | 2:28:02 | 2:28:10 | |
Anywhere on the left-hand side of
the table with the cue ball, potting | 2:28:18 | 2:28:24 | |
the black. Open the reds to baulk
and tried to get tight line pink. | 2:28:24 | 2:28:29 | |
That is the key foot if you can get
tight in behind it, I don't think he | 2:28:29 | 2:28:35 | |
has stunned through enough. Really
wanted to try to knock the red and | 2:28:35 | 2:28:41 | |
get close to the green foot he
cannot do that now. Still tight | 2:28:41 | 2:28:47 | |
behind this pink as possible. That
is pretty good. An excellent shot. | 2:28:47 | 2:28:54 | |
He is 41 ahead. John Higgins needs
two four point snookers. The worst | 2:28:54 | 2:29:02 | |
thing that King can do is leave a
free ball. He must be careful of | 2:29:02 | 2:29:07 | |
that. Does not want to hit this too
hard. | 2:29:07 | 2:29:09 | |
He must be very careful here. This
is a lot of his own doing. The frame | 2:29:17 | 2:29:25 | |
should have truly been over. He has
gone up and down using the extended | 2:29:25 | 2:29:34 | |
rest. Much harder to hit the red
this way. If he misses the red, he | 2:29:34 | 2:29:41 | |
will not leave the free ball. If he
goes across the table and tries to | 2:29:41 | 2:29:47 | |
hit the red from a side cushion,
you're possibly leave a free ball. | 2:29:47 | 2:29:51 | |
This is harder, isn't it? He is
looking at playing top condition and | 2:29:51 | 2:29:55 | |
side cushion. It will be summer
before the middle pocket with the | 2:29:55 | 2:29:59 | |
cue ball. As long as you get the
pace right. -- it will be somewhere | 2:29:59 | 2:30:05 | |
for Stuckey has decided to go
straight up and down. The first four | 2:30:05 | 2:30:11 | |
point. It is game on. 27 points
behind now, John Higgins. A snooker | 2:30:11 | 2:30:26 | |
required. This is not going to be
it. The cue ball behind the black. | 2:30:26 | 2:30:38 | |
That is not like John. He missed a
big chance. That was not difficult | 2:30:38 | 2:30:42 | |
for him and he knows it. | 2:30:42 | 2:30:47 | |
One those of situations where John
could get a snooker back here. | 2:30:47 | 2:30:54 | |
Wow, what a mistake from John
Higgins. He's trying to hit it | 2:31:28 | 2:31:32 | |
thing, but now he need to the two
snookers again. | 2:31:32 | 2:31:38 | |
-- hit it thin. | 2:31:41 | 2:31:46 | |
Looks like a snooker, but it
shouldn't be too difficult to hit, a | 2:32:11 | 2:32:18 | |
run of side before hitting the
middle pocket. | 2:32:18 | 2:32:22 | |
I think he can just hit baulk
cushion. Not too difficult, that | 2:32:52 | 2:33:01 | |
one. | 2:33:01 | 2:33:04 | |
Now, can he get the cue ball tied
behind the black and red, somewhere | 2:33:07 | 2:33:12 | |
in the proximity of brown and green. | 2:33:12 | 2:33:16 | |
Didn't get the red close to the
brown and green, but he's got the | 2:33:20 | 2:33:24 | |
snooker. A bit more difficult to hit
this one. I'm not quite sure what he | 2:33:24 | 2:33:32 | |
can see on the left-hand side
cushion. So maybe a swerve, or | 2:33:32 | 2:33:39 | |
possibly coming off the right side
cushion just before the middle | 2:33:39 | 2:33:42 | |
pocket. | 2:33:42 | 2:33:44 | |
That's the possible angle there. | 2:33:52 | 2:33:56 | |
Oh! | 2:34:05 | 2:34:07 | |
Well, there is a chance here, just a
thin clip and write behind the black | 2:34:14 | 2:34:18 | |
again with the side cushion. He
couldn't get in kind, he didn't have | 2:34:18 | 2:34:25 | |
the angle, so he's got it lined up
with the brown. All the time, it is | 2:34:25 | 2:34:31 | |
adding pressure on Mark King not to
make a mistake. This has all come, | 2:34:31 | 2:34:36 | |
really, from his poor positional
play early in the break. He should | 2:34:36 | 2:34:38 | |
have this frame already won. And
there's the miss, and a free ball. | 2:34:38 | 2:34:48 | |
Wow, what a turnaround frame of
snooker this is. You don't want John | 2:34:48 | 2:34:56 | |
Higgins on your tail doing this. Now
he's got a chance. What a good | 2:34:56 | 2:35:03 | |
snooker that last one was. | 2:35:03 | 2:35:05 | |
So, pop the black, try to get the
black again, and get a good | 2:35:13 | 2:35:17 | |
position. He needs to be pretty
close to the red. The only saving | 2:35:17 | 2:35:25 | |
grace is the red being tied to the
top cushion. It is the only thing | 2:35:25 | 2:35:29 | |
that can save Mark. | 2:35:29 | 2:35:34 | |
This looks like it has been hit a
bit too hard. Mark can fight another | 2:35:34 | 2:35:43 | |
day here. He won't be going for
this, John Higgins. Leaving the cue | 2:35:43 | 2:35:48 | |
ball exactly where the red is, send
it down the table. Getting the | 2:35:48 | 2:35:52 | |
snooker behind the brown. | 2:35:52 | 2:35:56 | |
And he's got lucky there, because he
certainly didn't play it like that. | 2:36:02 | 2:36:07 | |
I was just about to say, the yummy
thing he had to avoid was hitting | 2:36:07 | 2:36:11 | |
the red into the yellow, so he
avoided that. The clip off the blue | 2:36:11 | 2:36:16 | |
didn't look great, but where it has
finished, four ball snooker. Really | 2:36:16 | 2:36:21 | |
turned round, this frame. | 2:36:21 | 2:36:24 | |
He's played that very well. It was a
good head. Not only a good hit, but | 2:36:28 | 2:36:33 | |
he got the distance between the red
and the cue ball. | 2:36:33 | 2:36:41 | |
If he can play the red up and down,
get the cue ball down the baulk, a | 2:36:43 | 2:36:52 | |
big area behind green and brown
again. Well he can plot it. I didn't | 2:36:52 | 2:36:58 | |
think he could, wow. Yeah, went past
the yellow. What a cracking pot. And | 2:36:58 | 2:37:08 | |
this will hurt Mark King. What a
steal this is. Never looked at any | 2:37:08 | 2:37:14 | |
point like he was in the frame.
Mark, what have you done? | 2:37:14 | 2:37:20 | |
Hold the back page, it's not as
straightforward as it might have | 2:37:37 | 2:37:42 | |
been. He's got the cue ball clean,
but he got a heavy contact on the | 2:37:42 | 2:37:47 | |
cue ball. Really didn't get the cue
ball out far enough for this green. | 2:37:47 | 2:37:54 | |
He still should pop the green, but
it's miss a ball. | 2:37:54 | 2:38:00 | |
-- missable. Good cueing. Here is
more. This isn't straightforward. | 2:38:07 | 2:38:13 | |
Power through. What to hit the
middle of the white here. | 2:38:13 | 2:38:19 | |
These are the frames when you can
mix one like this when you never | 2:38:25 | 2:38:28 | |
looked like winning it, what a
difference it makes. Could be the | 2:38:28 | 2:38:34 | |
turning point of the match. | 2:38:34 | 2:38:36 | |
It's there. Right in the heart of
the pocket. Just pink and the black. | 2:38:41 | 2:38:47 | |
This will certainly heard -- hurt
Mark King. | 2:38:47 | 2:38:57 | |
Black for a steal. | 2:39:01 | 2:39:04 | |
Mark King sits in his chair. He will
be absolutely gutted, John Higgins | 2:39:12 | 2:39:19 | |
will be delighted. He takes the
frame to go 3-2 in the lead. | 2:39:19 | 2:39:24 | |
will be delighted. He takes the
frame to go 3-2 in the lead. | 2:39:24 | 2:39:25 | |
STUDIO: Class from John Higgins but
John Parrott said in, tree, he saw | 2:39:25 | 2:39:28 | |
the shot of Mark King and asked the
question, what have you done? The | 2:39:28 | 2:39:32 | |
answer is, completely blown the
frame. There is nothing worse than | 2:39:32 | 2:39:36 | |
effectively thinking you have thrown
a frame away. You don't get many | 2:39:36 | 2:39:40 | |
chances against top-class players.
You know John Higgins is a class act | 2:39:40 | 2:39:44 | |
when it comes to getting snookers.
After John Higgins getting one | 2:39:44 | 2:39:47 | |
snooker and failing to hit the ball,
getting himself back in the hole | 2:39:47 | 2:39:51 | |
with two snookers, Mark King in the
safety department was sloppy in the | 2:39:51 | 2:39:55 | |
end. They were good snookers, but
you don't want John Higgins behind | 2:39:55 | 2:39:59 | |
you.
Especially at the state of the game, | 2:39:59 | 2:40:01 | |
Mark King has done the hard work
before the mid-session interval. | 2:40:01 | 2:40:05 | |
Yeah, but also, he got himself 72-0
ahead. The black he potted to | 2:40:05 | 2:40:11 | |
Yeah, but also, he got himself 72-0
ahead. The black he potted to go | 2:40:11 | 2:40:11 | |
72-0, he is on the black, he thinks
the frame is over. He's not trying | 2:40:11 | 2:40:17 | |
to get on the red. If he has, it is
a bad shot. John Higgins doesn't | 2:40:17 | 2:40:22 | |
come back to the table | 2:40:22 | 2:40:24 | |
a bad shot. John Higgins doesn't
come back to the table if he pops | 2:40:24 | 2:40:25 | |
the next red. Those things make the
difference. The last red from John | 2:40:25 | 2:40:29 | |
Higgins.
Not different to what we were saying | 2:40:29 | 2:40:31 | |
at the start of the match when we
said the red for the yellow. I think | 2:40:31 | 2:40:37 | |
from Mark King's perspective, the
style of play, he plays an old | 2:40:37 | 2:40:42 | |
school style of game, in a way. Get
the ball in the hole. The modern-day | 2:40:42 | 2:40:48 | |
way is, you can't just get over the
line by one or two shots. That is | 2:40:48 | 2:40:53 | |
the difference between, no
disrespect, a player of his calibre | 2:40:53 | 2:40:59 | |
and the best players in the world.
Yeah, but it has changed. If you are | 2:40:59 | 2:41:04 | |
going to stay in the game, and Mark
King has done a lot of hard work in | 2:41:04 | 2:41:08 | |
this department as well, he is
better than before, you have to keep | 2:41:08 | 2:41:11 | |
at the additional side to make it
better. Going back to the clearance | 2:41:11 | 2:41:17 | |
John May, the long red was also, and
you could | 2:41:17 | 2:41:21 | |
John May, the long red was also, and
you could see, he knows when to | 2:41:21 | 2:41:22 | |
switch on and how long he was
taking, even the pink off the spot | 2:41:22 | 2:41:25 | |
to get the black. He knew the
importance of it. Is John Higgins | 2:41:25 | 2:41:31 | |
switched on? For- two in front.
COMMENTATOR: It is not about the | 2:41:31 | 2:41:41 | |
frames you should win, it is nicking
the ones you shouldn't. They change | 2:41:41 | 2:41:46 | |
matches -- 4-2 in front.
John Higgins definitely stole the | 2:41:46 | 2:41:50 | |
frame there. But it's gone, and we
mentioned today that Mark King has | 2:41:50 | 2:41:57 | |
an excellent tech prominent. He will
have to show it again -- excellent | 2:41:57 | 2:42:03 | |
temperament. He must be hurting
after the last frame. | 2:42:03 | 2:42:10 | |
That's one way to forget about the
last frame. Knocking a cracking red | 2:42:25 | 2:42:32 | |
in like that and staying on the
black. | 2:42:32 | 2:42:38 | |
Needs a bit of luck here. Need a bit
of luck. He's got it. A great shot. | 2:42:39 | 2:42:49 | |
He had that a you minutes ago, John.
He played it superbly well. He | 2:42:49 | 2:42:57 | |
certainly did. Come on, Mark. You
have these in a nice position here. | 2:42:57 | 2:43:02 | |
Just get tight with your cue ball.
Make this easy for yourself. This | 2:43:02 | 2:43:08 | |
afternoon, he has competed, played
well in the tactical department, all | 2:43:08 | 2:43:11 | |
those facets that you need to be
eight player is great, but his cue | 2:43:11 | 2:43:16 | |
ball has been mediocre to say the
least. That is why he should have | 2:43:16 | 2:43:20 | |
won the last frame, and he hasn't.
Just got to get it tighter. Had to | 2:43:20 | 2:43:27 | |
use the left-hand side of the pocket
with that one because he wasn't | 2:43:27 | 2:43:30 | |
quite right. But this is where you
have got to go to work. | 2:43:30 | 2:43:37 | |
As to be straight on the Kroos to
stay down for the black. He did have | 2:43:58 | 2:44:03 | |
a chance, he missed the pink early
in the week at 34. His body language | 2:44:03 | 2:44:12 | |
suggests that he wanted to stay on
the black. He had a wry smile to | 2:44:12 | 2:44:16 | |
himself. I think if you are playing
John Higgins in the last Ecstar in | 2:44:16 | 2:44:24 | |
the UK Championship, -- the last 16. | 2:44:24 | 2:44:35 | |
Pink in the same pocket. | 2:44:57 | 2:45:00 | |
Just overran that slightly for the
red to this bottom right-hand corner | 2:45:05 | 2:45:09 | |
pocket. That's his target, 70,
before John Higgins will play a | 2:45:09 | 2:45:16 | |
snooker, but he will have to come
back up for the blue here. He is | 2:45:16 | 2:45:25 | |
always having to change plan, losing
the cue ball, you have got it worked | 2:45:25 | 2:45:31 | |
out in your mind, your next 3-4
shots, but he slightly loses the cue | 2:45:31 | 2:45:37 | |
ball, and now he has to play cannons
to look a bit of it where it would | 2:45:37 | 2:45:41 | |
have been straightforward. | 2:45:41 | 2:45:50 | |
That is a better shot. Choice of
reds here. | 2:45:51 | 2:45:57 | |
It's OK. He shrugged the shoulders,
but he will have to play the cannon | 2:46:07 | 2:46:13 | |
now into the pack of reds. There is
a lovely gap in there. Right side of | 2:46:13 | 2:46:18 | |
the pink goes into the reds there. A
red has stopped the cue ball running | 2:46:18 | 2:46:23 | |
away as well. If you want to play it
that way, you would be unlucky not | 2:46:23 | 2:46:27 | |
to land on something. That's too
much. Should have played the cannon. | 2:46:27 | 2:46:35 | |
Why didn't you play the cannon,
Mark? | 2:46:35 | 2:46:40 | |
No downside for the into the balls
there for me. You would have to be | 2:46:42 | 2:46:47 | |
cursed not to be on one, the way
they work place. They were all there | 2:46:47 | 2:46:53 | |
for hitting. | 2:46:53 | 2:46:55 | |
Do you know what, I might not have
played that either. I may have | 2:47:15 | 2:47:21 | |
played a thin clip and left the cue
ball somewhere approaching the | 2:47:21 | 2:47:24 | |
middle of the table, really, and
made sure I chipped the Kroos on the | 2:47:24 | 2:47:29 | |
corner into the side cushion, 49
point lead come I would like to have | 2:47:29 | 2:47:33 | |
an insurance policy stop he has left
the plant here. | 2:47:33 | 2:47:40 | |
It was close. | 2:47:41 | 2:47:45 | |
He has left a good cue ball.
Once again, will that poor | 2:47:46 | 2:47:55 | |
positional shot from Mark come back
to haunt him? It's the reason he is | 2:47:55 | 2:48:01 | |
not 3-2 ahead, because of his
position in the last frame. All the | 2:48:01 | 2:48:05 | |
balls in the middle of the table,
they are ripe for a counter | 2:48:05 | 2:48:12 | |
clearance if he's not careful. | 2:48:12 | 2:48:16 | |
APPLAUSE
Excellent shot. Well played. A | 2:48:18 | 2:48:25 | |
snooker back. What a shot he has
played there. Yeah, absolutely | 2:48:25 | 2:48:32 | |
superb escape. Sounds like I'm
harping on, but that's not the | 2:48:32 | 2:48:39 | |
department that's been in trouble
today. He certainly knows his way | 2:48:39 | 2:48:43 | |
around. | 2:48:43 | 2:48:46 | |
A good shot from Mark King. Duly
acknowledged. That was a good escape | 2:48:59 | 2:49:10 | |
from John Higgins. I'd just wonder,
it looks very tight. I think it just | 2:49:10 | 2:49:21 | |
about goes. Cue ball back up into
baulk. | 2:49:21 | 2:49:29 | |
Can't go back to the Borg area down
the left-hand side of the table now, | 2:50:05 | 2:50:09 | |
for obvious reasons of the pink
being there. So he has to be very | 2:50:09 | 2:50:14 | |
careful, red on the right-hand side
could be a problem. He took that out | 2:50:14 | 2:50:19 | |
of the equation, playing round the
angles. But where has the red gone, | 2:50:19 | 2:50:23 | |
Mark? Chancellor John Higgins. And
it looks like he can pot this and | 2:50:23 | 2:50:31 | |
avoid the cannon on the red. It is
on its own to the right of the pink. | 2:50:31 | 2:50:36 | |
So this is a chance to get back in
the frame. | 2:50:36 | 2:50:41 | |
He's overhit it for the blue into
the centre. He may take it into the | 2:51:00 | 2:51:06 | |
corner pocket, jump it in for the
red to the right of the pink. | 2:51:06 | 2:51:13 | |
Well, he stole a frame when he
should never have won in the last | 2:51:19 | 2:51:23 | |
frame. Can he do the same again? I
think the black goes, does it, as | 2:51:23 | 2:51:28 | |
well. On the left-hand side, he is
having a look to see if he can drop | 2:51:28 | 2:51:32 | |
the red in and land on the black.
The other goes in the other corner | 2:51:32 | 2:51:36 | |
as well. | 2:51:36 | 2:51:40 | |
Yeah, there's your answer. | 2:51:41 | 2:51:46 | |
Someone, I'm sure, when he pops the
Kroos below the black spot, I'm sure | 2:51:48 | 2:51:56 | |
that goes into the right corner
pocket. Just making sure that it | 2:51:56 | 2:52:09 | |
does, running through with the Crew
Ball. -- cue ball. | 2:52:09 | 2:52:13 | |
And now the only real concern for
John will be that red closest to the | 2:52:19 | 2:52:28 | |
right-hand side cushion, but it not
really tight to the cushion. | 2:52:28 | 2:52:34 | |
Not really a problem for him to go
to the top. Slightly overscrewed | 2:52:36 | 2:52:41 | |
that one. Had a choice there, could
have played the screw back and left | 2:52:41 | 2:52:47 | |
a half-ball angle on the black to
play the cannon back into the reds | 2:52:47 | 2:52:52 | |
for the pink and flick the end one
out. It is a change of plan, because | 2:52:52 | 2:52:56 | |
he slightly overscrewed it. | 2:52:56 | 2:52:59 | |
APPLAUSE | 2:53:02 | 2:53:05 | |
He couldn't have played that much
better. I think he has just got a | 2:53:08 | 2:53:14 | |
slight angle to get back out for the
black. | 2:53:14 | 2:53:21 | |
Now he might play that little cannon
that you mentioned, John. I think | 2:53:23 | 2:53:27 | |
he's got to hit the red on the
right, as opposed to the red close | 2:53:27 | 2:53:33 | |
to the pink. | 2:53:33 | 2:53:36 | |
It's OK. | 2:53:39 | 2:53:42 | |
Just hit it hard enough to push them
towards the right centre. | 2:53:43 | 2:53:49 | |
Yeah, taking these well so far. It
looks all about that red on the | 2:53:53 | 2:53:57 | |
right, close to the right-hand side
cushion. The rest of them, the way | 2:53:57 | 2:54:01 | |
that John Higgins is going about
this break, when they've gone. | 2:54:01 | 2:54:09 | |
Plenty of room behind. The one you
are talking about. | 2:54:09 | 2:54:18 | |
John has spotted something on the
red. He wanted it clean before he | 2:54:20 | 2:54:24 | |
takes this into the right centre. | 2:54:24 | 2:54:27 | |
You're watching a master match
player at work here. Absolutely | 2:54:49 | 2:54:54 | |
stole the last frame from Mark King. | 2:54:54 | 2:54:59 | |
Came to the table well behind in
this frame. | 2:55:01 | 2:55:07 | |
And a chance to steal this one as
well. | 2:55:09 | 2:55:14 | |
That was a better shot than it
looked. He was a little bit high on | 2:55:24 | 2:55:28 | |
that one, had to play it with a bit
of drag, just dropping it into the | 2:55:28 | 2:55:33 | |
jaw. It is all about position on to
the black to drop in behind the red. | 2:55:33 | 2:55:39 | |
This is the key shot. | 2:55:39 | 2:55:43 | |
He could possibly take the red out,
but if he can get the cue ball | 2:55:47 | 2:55:51 | |
somewhere there, it looks like he
has the angle to knock the red out. | 2:55:51 | 2:55:56 | |
Oh, John. I'm not quite sure if that
was the right shot. Anywhere behind | 2:55:56 | 2:56:02 | |
that red. | 2:56:02 | 2:56:10 | |
APPLAUSE
John Higgins on another day would | 2:56:15 | 2:56:21 | |
have cleared to win that frame. | 2:56:21 | 2:56:29 | |
Yeah, so a reprieve for Mark King.
He would have been sat in his chair, | 2:56:37 | 2:56:41 | |
thinking, "I am going to have
another one stolen off me." | 2:56:41 | 2:56:47 | |
Not that easy to play safe off this. | 2:57:02 | 2:57:07 | |
That's about all he had. And he's
played a brilliant shot. It has just | 2:57:10 | 2:57:18 | |
stuck its snows out. What a
difference that's made. | 2:57:18 | 2:57:26 | |
It might be for Mark. | 2:57:33 | 2:57:40 | |
APPLAUSE | 2:57:41 | 2:57:43 | |
I think he can hit it. The problem
is, he is going to clip it towards | 2:57:44 | 2:57:50 | |
the corner. I'd be very careful with
this. | 2:57:50 | 2:57:56 | |
Pot a wonderful red in the last
frame before the two snookers. Mark | 2:58:13 | 2:58:26 | |
will be expecting John Higgins to
knock this one in as well. | 2:58:26 | 2:58:31 | |
It was close. Where's the red going
to finish? Will he have a chance. | 2:58:35 | 2:58:43 | |
Has a blue come to his rescue? It's
very close, but it's an easy swerve. | 2:58:43 | 2:58:49 | |
What can you do, Mark? | 2:58:49 | 2:58:55 | |
Always the problem with that shot,
you've got to put the swerve onto | 2:58:58 | 2:59:02 | |
bend Proud and pocket. | 2:59:02 | 2:59:05 | |
It swerves round, the side hits the
cushion and kills it dead. So, | 2:59:09 | 2:59:18 | |
decision time. Is it worth taking
the seven points of the black? Even | 2:59:18 | 2:59:23 | |
an awkward long yellow, or do you
play the snooker and wait for | 2:59:23 | 2:59:28 | |
another chance? | 2:59:28 | 2:59:32 | |
I don't blame him for that. If the
yellow had been on the spot, he | 2:59:46 | 2:59:50 | |
would have played it straightaway.
But because it is further down the | 2:59:50 | 2:59:54 | |
table, it is not easy. Now, can John
get this safe? | 2:59:54 | 3:00:00 | |
Very well played. | 3:00:09 | 3:00:13 | |
Absolutely perfect. | 3:00:14 | 3:00:17 | |
Mark King has to be very careful
here to avoid a double-kiss full | 3:00:28 | 3:00:34 | |
stop cannot play across the face of
it he would be guaranteed a | 3:00:34 | 3:00:38 | |
double-kiss. If he plays it up and
down he could get one coming back. | 3:00:38 | 3:00:44 | |
He just has too plain baldness and
push it up the table. He could avoid | 3:00:44 | 3:00:53 | |
the double-kiss. -- plain wall this.
Has he got it safe? | 3:00:53 | 3:01:00 | |
He can pot it. | 3:01:07 | 3:01:08 | |
Not only can he pot it! That was a
great pot. What a run of the that | 3:01:24 | 3:01:31 | |
was. If Mark King was not hurting
after the last frame, he will be | 3:01:31 | 3:01:39 | |
after that shot. He will. Two frames
he should have one. | 3:01:39 | 3:01:45 | |
-- won. | 3:01:55 | 3:01:56 | |
And this will definitely hurt Mark
King. They work two frames that Mark | 3:02:03 | 3:02:17 | |
should have won and he has lost them
both. John Higgins is the master | 3:02:17 | 3:02:22 | |
match player. You get the feeling
that this frame was absolutely | 3:02:22 | 3:02:27 | |
pivotal foot look what Mark King has
himself into. He has been in early | 3:02:27 | 3:02:34 | |
in most frames. I am loathe to keep
digging himself out about his | 3:02:34 | 3:02:39 | |
position but this shot here, if I
were playing this short, there is a | 3:02:39 | 3:02:43 | |
gap between the red and the pink.
Almost impossible not to land on | 3:02:43 | 3:02:50 | |
something for the P has chosen to
miss the pack. -- on something - he | 3:02:50 | 3:02:57 | |
has chosen to miss the pack. He has
played a good shot but you are | 3:02:57 | 3:03:01 | |
making things difficult. There are
loads of ways to play positional | 3:03:01 | 3:03:06 | |
play but some are more accurate than
others. Mark King has another chance | 3:03:06 | 3:03:11 | |
to go into the bunch of reds, which
seems natural to go into them but | 3:03:11 | 3:03:15 | |
there is a loose red. He is trying
to be accurate. He hits this one to | 3:03:15 | 3:03:22 | |
harder now he has lost position. He
lets John Higgins back into the | 3:03:22 | 3:03:26 | |
game. Even know John Higgins was
lucky with the yellow, sometimes you | 3:03:26 | 3:03:33 | |
only have yourself to blame. Every
situation is different. The problem | 3:03:33 | 3:03:38 | |
is how you can improve your
positional play. That is why you can | 3:03:38 | 3:03:44 | |
have a day with another good player,
analysing every positional shot to | 3:03:44 | 3:03:49 | |
see if you can improve. Some people
have more natural ability than | 3:03:49 | 3:03:53 | |
others. There will be people at home
wondering whether he should go into | 3:03:53 | 3:03:58 | |
the reds. He should have gone in the
first shot. He had another chance to | 3:03:58 | 3:04:04 | |
go in when he only had one red left.
When it is a chance to go into the | 3:04:04 | 3:04:11 | |
pack of reds which it is most
guaranteed you get unlucky, as | 3:04:11 | 3:04:16 | |
Stephen was saying, perhaps that is
the time to go into them. The best | 3:04:16 | 3:04:19 | |
time is when you have one or two
loose reds. If you are unlucky, and | 3:04:19 | 3:04:25 | |
does not work out, you have an
insurance of a loose red. It is | 3:04:25 | 3:04:30 | |
putting all your eggs in one basket,
keep picking off the loose reds. | 3:04:30 | 3:04:36 | |
There are two parts to positional
play. Cue ball control and putting | 3:04:36 | 3:04:40 | |
the black we want to and with the
correct amount of weight is one | 3:04:40 | 3:04:44 | |
part. The route you go around the
table can be the killer, the sat are | 3:04:44 | 3:04:50 | |
part of the game. Some routes around
the table, there are traps. -- sat | 3:04:50 | 3:04:56 | |
now. When you start talking about
going into the pack, that is another | 3:04:56 | 3:05:00 | |
part of it. The route going into the
pack is all-important. I quite like | 3:05:00 | 3:05:06 | |
that phrase. It has been used quite
a few times. What can Mark King do | 3:05:06 | 3:05:14 | |
to stay in this one? I could not
agree more. The two opportunities to | 3:05:14 | 3:05:25 | |
go into the pack coming he had to go
in now both times. I'd take the | 3:05:25 | 3:05:30 | |
point that Steve made God are some
people who are cherry pickers, who | 3:05:30 | 3:05:35 | |
keep taking the loose red. -- Steve
made - there are some people. If | 3:05:35 | 3:05:44 | |
you're going to play like that, you
need to get an accurate cue ball. | 3:05:44 | 3:05:49 | |
Mark really has not had one today. | 3:05:49 | 3:05:59 | |
Pretty close with this attempt. He
has left a red. We will see whether | 3:06:09 | 3:06:16 | |
cue ball will finish up. He takes
this red on, the cue ball will | 3:06:16 | 3:06:21 | |
career into the reds were beneath
the pink. You need a little bit of | 3:06:21 | 3:06:25 | |
luck. | 3:06:25 | 3:06:31 | |
Well played! He has the luck. He is
on the pink into the right centre. | 3:06:34 | 3:06:42 | |
That was an excellent shot. No
problems with Mark King's | 3:06:42 | 3:06:48 | |
competitive instincts. He must be
blessed with a good temperament and | 3:06:48 | 3:06:56 | |
put the last two frames behind him.
He should have been in front 4-2. He | 3:06:56 | 3:07:04 | |
will stick in there. | 3:07:04 | 3:07:05 | |
A bit of movement from the other
table. That is putting him off | 3:07:14 | 3:07:20 | |
slightly. It is a beautiful arena
from the back of the hall. | 3:07:20 | 3:07:35 | |
A terrific venue, the Barbican. York
is a lovely town. Nice to walk | 3:07:40 | 3:07:48 | |
around, shopping in the shambles and
things like that. It has become | 3:07:48 | 3:07:53 | |
synonymous with the UK, this great
venue. The players are all like | 3:07:53 | 3:07:59 | |
coming here. -- all like. That city
and a beautiful time of year to come | 3:07:59 | 3:08:10 | |
and visit. Certainly very much
established as the home of the UK | 3:08:10 | 3:08:14 | |
over the last few years, since it
has moved to the Barbican. Great | 3:08:14 | 3:08:17 | |
venue and great crowds, a great
atmosphere. I hope you have not | 3:08:17 | 3:08:28 | |
bought me too many presents. | 3:08:28 | 3:08:30 | |
That was a good pot. | 3:08:42 | 3:08:44 | |
Following a similar pattern to the
last few frames, Mark King in first. | 3:08:48 | 3:08:54 | |
Not quite scoring enough points and
having to die a thousand deaths | 3:08:54 | 3:08:59 | |
while his opponent comes back and
mix the frame of him. I'm hoping it | 3:08:59 | 3:09:03 | |
will not be the same in this one. --
and nicks. He is not high enough for | 3:09:03 | 3:09:10 | |
the blue already. He is smiling to
himself stop on the blue and trying | 3:09:10 | 3:09:19 | |
to put the red in, getting a nice
angle on the black. | 3:09:19 | 3:09:23 | |
He decided to go for the blue. That
is OK. | 3:09:46 | 3:09:51 | |
The red at the bottom of the pack is
on. He tried to drop onto that. -- | 3:09:56 | 3:10:04 | |
he will try. Imperative when potting
this red to leave an angle. | 3:10:04 | 3:10:09 | |
Has he got enough of an angle? He
could have played this with a lot of | 3:10:25 | 3:10:32 | |
spin off the top cushion, trying to
get the cue ball into the pack. The | 3:10:32 | 3:10:37 | |
grimace will tell us it was a little
bit straighter than he would have | 3:10:37 | 3:10:42 | |
liked. | 3:10:42 | 3:10:43 | |
Watch the cue ball. That is not too
bad. That is a great shot. He has | 3:10:46 | 3:10:53 | |
done well. I thought he was up the
creek little bit with his positional | 3:10:53 | 3:10:59 | |
play. Getting out and landing on the
red is good. Once again, trying to | 3:10:59 | 3:11:04 | |
find an angle to get into the pack.
Now, at last, he has a half orcs on | 3:11:04 | 3:11:09 | |
the black, which is where he is
trying to be all afternoon. -- half | 3:11:09 | 3:11:15 | |
ball. You can fake cannons from
their all day long. If you're | 3:11:15 | 3:11:21 | |
getting straight, you have only got
two options, forward and back. With | 3:11:21 | 3:11:28 | |
the half angle, you have more
options. He needs a good shot. He is | 3:11:28 | 3:11:32 | |
going to screw back. Where is the
cue ball? He needs a bit of luck. | 3:11:32 | 3:11:41 | |
Did not get the side on the cue ball
to try and bring the cue ball up | 3:11:41 | 3:11:46 | |
towards the blue. Not quite sure why
he did not follow through and try to | 3:11:46 | 3:11:52 | |
stay on the black or play it hard
with more side and go up to have | 3:11:52 | 3:11:57 | |
yellow, green and brown. All you
have to do after that shot is | 3:11:57 | 3:12:01 | |
learned on a colour. That is the
only think of them give yourself the | 3:12:01 | 3:12:04 | |
chance to go up the table with more
backspin. | 3:12:04 | 3:12:07 | |
Smiling to himself. He seems to be
enjoying himself out there. He seems | 3:12:23 | 3:12:34 | |
very relaxed. | 3:12:34 | 3:12:44 | |
The line of the cue ball looks
pretty good. | 3:12:58 | 3:13:01 | |
The last thing Mac wants to do is
take the red of the right-hand | 3:13:13 | 3:13:19 | |
cushion, particularly as he has a
two point lead for the peers coming | 3:13:19 | 3:13:23 | |
in the top end of the table. The cue
ball is on the top end of the | 3:13:23 | 3:13:29 | |
cushion. A very strange choice of
shot. Absolutely no reason why he | 3:13:29 | 3:13:43 | |
should take the pot on. Should have
played the old dump shot up and down | 3:13:43 | 3:13:48 | |
and tired of the cushion for the P
has left John Higgins sniff of the | 3:13:48 | 3:13:52 | |
red in the middle. -- and tight off
the cushion. | 3:13:52 | 3:13:59 | |
It has not been easy for either
player this afternoon to be fluent. | 3:14:10 | 3:14:16 | |
John Higgins had a break of 80.
Quite a lot of 30 breaks. Mark King | 3:14:16 | 3:14:26 | |
has had 32, 37, 40 and 40 nine. --
49 will stop it was an excellent | 3:14:26 | 3:14:36 | |
opening pot from Mark. Very good
indeed. | 3:14:36 | 3:14:38 | |
A 43 point lead. In amongst the
balls. | 3:14:44 | 3:14:47 | |
Surely has to win the frame from
here. | 3:14:54 | 3:14:57 | |
He is showing an excellent
temperaments, Mark King. Chance | 3:15:21 | 3:15:25 | |
after chance. That is since two
frames all. John Higgins is needing | 3:15:25 | 3:15:39 | |
two sneakers and getting one. They
are still in their competing. You | 3:15:39 | 3:15:44 | |
can see why he wins lots of matches.
He does like a scrap. Just this red. | 3:15:44 | 3:15:58 | |
That was well played. | 3:15:58 | 3:16:02 | |
It does take a bit of character, no
doubt about that, when you have lost | 3:16:11 | 3:16:15 | |
a couple of frames like he has. You
have to put it out of your mind as | 3:16:15 | 3:16:22 | |
quickly as possible. The best way to
do that is when the next frame. -- | 3:16:22 | 3:16:29 | |
win. Well, he has missed the red.
That is enough. Mark King stops the | 3:16:29 | 3:16:45 | |
rot. But John Higgins still leaves.
He does indeed. We are trying to | 3:16:45 | 3:16:57 | |
analyse the game with constructive
criticism. It is a fair point. John | 3:16:57 | 3:17:01 | |
Parrott in commentary, it was a
strange choice of shot. If things | 3:17:01 | 3:17:09 | |
were bad shots and he was beating
himself up over it, that is no good | 3:17:09 | 3:17:13 | |
foot of actually he still plays very
optimistic thing gets on with the | 3:17:13 | 3:17:17 | |
job. Has a laugh when it goes wrong
and get on with it. That is a great | 3:17:17 | 3:17:22 | |
attitude to have. It is about the
mistakes you have made not playing | 3:17:22 | 3:17:28 | |
on your mind and getting on with it.
That is how it has always been foot | 3:17:28 | 3:17:32 | |
he looks like he is really enjoying
it. As Steve said, he still has a | 3:17:32 | 3:17:38 | |
smile on his face and can put a good
plant on it. Similar to yourself. I | 3:17:38 | 3:17:45 | |
would be chatting to everyone,
chatting to the audience, having a | 3:17:45 | 3:17:48 | |
word with the referee. How are you
doing tonight? Looking at some of | 3:17:48 | 3:17:54 | |
the breaks, we had the 80 from John
Higgins in the context of the match | 3:17:54 | 3:18:00 | |
cricket has not been a classic. The
standard of the potting has not been | 3:18:00 | 3:18:06 | |
brilliant. It has been tough
snooker. We are not seeing breaks | 3:18:06 | 3:18:15 | |
all over the place. It has been very
interesting and absorbing. Can Mark | 3:18:15 | 3:18:23 | |
King draw level once again? We will
find out. I cannot remember Stephen | 3:18:23 | 3:18:29 | |
Hendry laughing and joking. His dog
used to be scared when he got home | 3:18:29 | 3:18:39 | |
if he lost the match. That was so
close. A great attempt. Very close. | 3:18:39 | 3:18:57 | |
I was really impressed with Mark in
that frame. Two absolutely great | 3:18:57 | 3:19:06 | |
body blows to the solar plexus,
losing those two frames. | 3:19:06 | 3:19:19 | |
He has not played many bad safety
shots today. Back to safety has been | 3:19:44 | 3:19:51 | |
quite good. I'm agree he has a shot
on here. He complained a cannon into | 3:19:51 | 3:19:56 | |
the side of the pack and stay on the
black. The cluster of three, if he | 3:19:56 | 3:20:04 | |
plays is done in their... He played
to hold it and use the red. The same | 3:20:04 | 3:20:09 | |
thing. Playing the cannon would
always keep the cue ball there. | 3:20:09 | 3:20:16 | |
So, that might be a very costly
mistake from Mark King. Nothing | 3:20:29 | 3:20:36 | |
worse than to get yourself a
foothold in the match, play a good | 3:20:36 | 3:20:41 | |
frame like he has played, get one
behind and throw your opponents an | 3:20:41 | 3:20:47 | |
easy opportunity. The problem for
John Higgins is the black does not | 3:20:47 | 3:20:56 | |
go into the corner pocket. He has
quite a bit of work to do, if he is | 3:20:56 | 3:21:01 | |
going to make it a sizeable
contribution from this chance. That | 3:21:01 | 3:21:10 | |
overran the cue ball. Needs to get
straight on the blue to the right | 3:21:10 | 3:21:17 | |
centre. | 3:21:17 | 3:21:27 | |
I would love to get on the red
behind the black. Just to free up | 3:21:28 | 3:21:36 | |
the black to one of those pockets.
Does not look like he can do it from | 3:21:36 | 3:21:41 | |
this shot. No. | 3:21:41 | 3:22:01 | |
A reprieve from Mark King. What can
he do? I don't know. That will give | 3:22:08 | 3:22:18 | |
him encouragement. He will have to
do a bit with the cue extension on | 3:22:18 | 3:22:24 | |
the end. Have to force it a little
bit. I would have expected him to be | 3:22:24 | 3:22:32 | |
potting that one. He has read in the
open and he can play on them. He | 3:22:32 | 3:22:37 | |
also has a fantastic angle into the
side of the pack. A few loose red. | 3:22:37 | 3:22:44 | |
He might not want to do it but it is
that if he wants it. That one was | 3:22:44 | 3:22:49 | |
not played really with a great deal
of commitment that way it has worked | 3:22:49 | 3:22:57 | |
out if he can drop the Reading, the
black will go. -- the red in. After | 3:22:57 | 3:23:09 | |
potting this black, you could take
the red closest to the right-hand | 3:23:09 | 3:23:13 | |
corner pocket. It could be open for
both pockets. That has worked out a | 3:23:13 | 3:23:22 | |
treat for Mark King. | 3:23:22 | 3:23:33 | |
Again, imperative helium and -- he
leaves a nice angle on the black | 3:23:38 | 3:23:48 | |
when potting the red. It can go into
the pack or he can play for the | 3:23:48 | 3:23:54 | |
loose one foot he has a nice angle
you can screw up into the pack and | 3:23:54 | 3:23:59 | |
bring some read into play. -- the
loose one. He played that nicely. A | 3:23:59 | 3:24:08 | |
bit unlucky but the bottom red does
not pot but he still has this one on | 3:24:08 | 3:24:15 | |
the left hand side. | 3:24:15 | 3:24:19 | |
That was the good shot. Absolutely
perfect. I could not put that any | 3:24:24 | 3:24:32 | |
better. A nice, half ball. He can go
into the pack full he has had a look | 3:24:32 | 3:24:38 | |
around to see if there are any
plants are available. Not an ideal | 3:24:38 | 3:24:42 | |
pack. He needs plenty of power.
Knock the black king and fingers | 3:24:42 | 3:24:48 | |
crossed. -- the black in and fingers
crossed. Second prize... | 3:24:48 | 3:25:03 | |
The first one that looked a little
bit nervous. Not very smooth through | 3:25:22 | 3:25:29 | |
that one. He will be disappointed
with that. He was just one good shot | 3:25:29 | 3:25:38 | |
away for the even more disappointed
with the fact that this one goes. He | 3:25:38 | 3:25:51 | |
has just gone a little bit off the
boil, John Higgins. A very tough | 3:25:51 | 3:25:57 | |
match yesterday afternoon. It may
have been 6-3 yesterday afternoon | 3:25:57 | 3:26:09 | |
but he will have to play hard, match
play snooker to get past him. He has | 3:26:09 | 3:26:13 | |
not quite been firing today. | 3:26:13 | 3:26:25 | |
Might be a little bit of tipping and
tapping going on here. | 3:26:25 | 3:26:38 | |
Ideally, Mark would just like to tap
the bread that is him now into the | 3:27:14 | 3:27:20 | |
side of the pack but he does not
want to leave the pot on the red | 3:27:20 | 3:27:24 | |
pass the yellow you cannot really do
too much with the ones on the top | 3:27:24 | 3:27:30 | |
cushion, unless he decides to drop
in dead wait and hope he does not | 3:27:30 | 3:27:34 | |
leave a plant. That is the only
downside of this shot. You can play | 3:27:34 | 3:27:39 | |
it but not get unlucky and leave a
plant for your opponent. He has come | 3:27:39 | 3:27:48 | |
up to a minute of thinking time. I
don't blame him. The last thing he | 3:27:48 | 3:27:53 | |
wants is to make a stupid mistake.
There we go. Drop on this and don't | 3:27:53 | 3:27:58 | |
leave a plant. | 3:27:58 | 3:27:59 | |
I couldn't have been playing that
shot. No prizes for guessing where | 3:28:04 | 3:28:09 | |
the cue ball is going. | 3:28:09 | 3:28:10 | |
He could be in a lot of trouble.
Higgins wants the cue ball almost | 3:28:15 | 3:28:22 | |
exactly where it is now after
playing this shot. | 3:28:22 | 3:28:25 | |
Would have liked to have been
tighter to the blue and black for | 3:28:32 | 3:28:38 | |
the easy escape will stop -- escape. | 3:28:38 | 3:28:45 | |
Foul and a miss. John Higgins four. | 3:29:10 | 3:29:13 | |
He was asked if he wanted it back?
And he said no, I don't. You could | 3:29:29 | 3:29:39 | |
hit the cushion or go between the
red and the cushion. | 3:29:39 | 3:29:42 | |
I think he will still play the same
shot and tried to nestle into the | 3:29:50 | 3:29:55 | |
bunch of reds. If he hits it a
little bit hard, that may not a red | 3:29:55 | 3:30:03 | |
on. -- knock. He should be OK this
time. Foul and a miss. John Higgins, | 3:30:03 | 3:30:16 | |
four. He has left a pot on the green
pocket? Depends on the angle whether | 3:30:16 | 3:30:26 | |
John fancies this or not. No, he
does not like it. If he could have | 3:30:26 | 3:30:32 | |
played that unscrewed straight back,
he would have taken it. | 3:30:32 | 3:30:35 | |
APPLAUSE | 3:30:35 | 3:30:40 | |
Now, Mark anxiously looking to see
if he has left the red in the | 3:31:02 | 3:31:06 | |
middle. It looks very tight. | 3:31:06 | 3:31:11 | |
Has he left it into the corner? He
can't pot that. He definitely can't | 3:31:14 | 3:31:23 | |
pot it into the middle. Maybe worth
trying to pot it up into the corner | 3:31:23 | 3:31:30 | |
pocket, where the Queen pocket is,
as we call it. Top right-hand corner | 3:31:30 | 3:31:38 | |
pocket, play it as a shock to
nothing, get back down behind the | 3:31:38 | 3:31:42 | |
blue on black. -- where the green
pocket is. | 3:31:42 | 3:31:49 | |
It looks pretty good. Excellent pot. | 3:31:49 | 3:31:55 | |
Since Mark King played that shot
with the two reds on the top, he's | 3:31:59 | 3:32:05 | |
been definitely, it's been John
Higgins in the driving seat and the | 3:32:05 | 3:32:08 | |
tactical exchange. Black back on its
spot, so that's definitely going to | 3:32:08 | 3:32:13 | |
be touching. He gave the initiative,
playing that shot, Mark. | 3:32:13 | 3:32:22 | |
APPLAUSE
Another good shot. | 3:32:37 | 3:32:48 | |
But again, big target behind the
blue and black. Not a touching ball, | 3:32:53 | 3:32:59 | |
so he's got to play it off a red. | 3:32:59 | 3:33:03 | |
A possibility of a double, but it's
quite risky. The red to the right of | 3:33:07 | 3:33:14 | |
the cue ball is available for a
double. | 3:33:14 | 3:33:19 | |
He missed the cannon as well, he
played the little cannon on the blue | 3:33:30 | 3:33:35 | |
there, just if he got the double, it
would have flicked away and left him | 3:33:35 | 3:33:38 | |
on the black. That was a big shock,
that was. Had it gone in the middle | 3:33:38 | 3:33:45 | |
and got at cannon, all of a sudden,
it would have been a great chance. | 3:33:45 | 3:33:50 | |
Yeah, now it's Mark's turn to be in
the driving seat. John couldn't do | 3:34:35 | 3:34:39 | |
much about it in the last shot, all
he could do was feather it into the | 3:34:39 | 3:34:43 | |
red. He knew he would be in trouble
for the next shot. Sometimes you've | 3:34:43 | 3:34:51 | |
just got no choice. You know you
have a shot to get out of trouble, | 3:34:51 | 3:34:57 | |
and you might be in it on your next
shot, and that is what happens has | 3:34:57 | 3:35:02 | |
happened here. I can't see what shot
he's got on here. Is he taking a | 3:35:02 | 3:35:11 | |
shot of? | 3:35:11 | 3:35:15 | |
Well. Is he taking this in the
middle? | 3:35:19 | 3:35:23 | |
And he did try to play it in such a
way that he wouldn't leave anything. | 3:35:27 | 3:35:35 | |
Quite a clever shot, wasn't it. He
has just about left this red up into | 3:35:37 | 3:35:41 | |
the green pocket. | 3:35:41 | 3:35:46 | |
Just play it with a touch of
left-hand side here. Just try and | 3:35:47 | 3:35:55 | |
bring the cue ball out between green
and brown. Yeah. Priority, of | 3:35:55 | 3:36:02 | |
course, Ken, not get in. What ever
you do, don't miss it trying to play | 3:36:02 | 3:36:08 | |
too difficult a shot. Well played. | 3:36:08 | 3:36:12 | |
Nice control on it. Drag it in. A
great opportunity to win frame from | 3:36:14 | 3:36:23 | |
this visit, and level things up once
again. | 3:36:23 | 3:36:35 | |
I don't think he's too straight. He
would have liked a better angle, but | 3:37:10 | 3:37:15 | |
it's still OK. Drop it in, take the
green, then the red and baulk, if he | 3:37:15 | 3:37:21 | |
wishes. He may be taking the pain,
which may be the better option after | 3:37:21 | 3:37:30 | |
this red. -- taking pink. I think
the pink spot is occupied by those | 3:37:30 | 3:37:37 | |
two reds that would have gone up
onto the blue. Just trying to play | 3:37:37 | 3:37:40 | |
on the pink forehand. With him being
left-handed, this is a slight | 3:37:40 | 3:37:46 | |
stretch for Mark. Hasn't got to do
anything with the cue ball, just | 3:37:46 | 3:37:52 | |
make sure you knock the green in. | 3:37:52 | 3:37:55 | |
He has got to be a little bit
careful with his positional shot | 3:38:10 | 3:38:13 | |
after this red. Play on a baulk
colour, green or brown. | 3:38:13 | 3:38:24 | |
Sadly for him, he'd like to pop the
green, come off the side cushion and | 3:38:26 | 3:38:30 | |
come down. But the red on the side
cushion is in the way. | 3:38:30 | 3:38:36 | |
I will have to give him the benefit
of the doubt. I don't believe he | 3:38:48 | 3:38:53 | |
played that shot. I think he was
trying to miss that red and get back | 3:38:53 | 3:38:57 | |
down for the two reds below the
pink. I'm not going to give him the | 3:38:57 | 3:39:01 | |
benefit of the doubt for not just
coming off the cushion and leaving a | 3:39:01 | 3:39:07 | |
straight pink with the loss comes
about. Pop the pink, and two reds | 3:39:07 | 3:39:11 | |
are in the open. He has made his
positional shot to get onto it much | 3:39:11 | 3:39:15 | |
more difficult now. Easier to play a
bit of running side, leave yourself | 3:39:15 | 3:39:19 | |
on the pink, stun it in, the reds of
there. | 3:39:19 | 3:39:23 | |
Only just a few more pots from
winning this frame, 32 point litre, | 3:39:42 | 3:39:49 | |
red, pink, red. That will suffice.
Needs to put the memory of the last | 3:39:49 | 3:39:55 | |
shot out of his mind as well from
the rest. Didn't do very well with | 3:39:55 | 3:39:59 | |
the rest on the last go. That's
better. He could have had it a | 3:39:59 | 3:40:08 | |
couple of shots to go, but to his
credit, he's there now. I must say, | 3:40:08 | 3:40:13 | |
this has been a great performance
from Mark King. I didn't know how he | 3:40:13 | 3:40:18 | |
was going to react when he lost that
frame, well, the 2-1, needing the | 3:40:18 | 3:40:26 | |
two because, and the one after that,
with a 9-point lead. But in all | 3:40:26 | 3:40:32 | |
fairness, he has held himself
together very well. Showing a lot of | 3:40:32 | 3:40:35 | |
bottle here, Mark King, a lot of
character. | 3:40:35 | 3:40:39 | |
And the momentum has swung, it has
to be said. John Higgins hasn't | 3:40:40 | 3:40:44 | |
played his best today. At the
moment, it is definitely there for | 3:40:44 | 3:40:51 | |
the taking. If I was doing a school
report on this much, I would give | 3:40:51 | 3:40:56 | |
him a D -4 positional, but an A+ for
temperament. Absolutely fabulous, | 3:40:56 | 3:41:02 | |
Mark King. To come back, wonderful. | 3:41:02 | 3:41:13 | |
-- D- four positional. | 3:41:14 | 3:41:18 | |
This is a nice positional shot for
blue into the corner pocket. | 3:41:43 | 3:41:53 | |
A wonderful break of 52 there for
Mark King. He was 4-2 behind, and he | 3:41:55 | 3:42:01 | |
has now levelled up once more. Mark
King 4-4 John Higgins. | 3:42:01 | 3:42:11 | |
has now levelled up once more. Mark
King 4-4 John Higgins. | 3:42:11 | 3:42:13 | |
STUDIO:. This could go to the wire.
I used to play him in practice and | 3:42:13 | 3:42:23 | |
he came back every day for more
punishment, because I used to beat | 3:42:23 | 3:42:27 | |
him up when he was younger, beat him
on the table. He would come back | 3:42:27 | 3:42:30 | |
every day for more punishment. I
called him the wee bull. He never | 3:42:30 | 3:42:35 | |
fell over, but he came back again.
I'm glad you clarify back, you beat | 3:42:35 | 3:42:40 | |
him up on the table. Fair play for
Mark hanging in. You look at the | 3:42:40 | 3:42:46 | |
body language, if you go by body
language, there was only one winner. | 3:42:46 | 3:42:50 | |
We are not going to write John
Higgins off by any stretch, but we | 3:42:50 | 3:42:53 | |
have a best to get to the
quarterfinals. It is anyone's match. | 3:42:53 | 3:42:58 | |
At one stage, we thought John was on
his way to booking his place in the | 3:42:58 | 3:43:02 | |
quarterfinal. What happened to John?
I don't think he is in the type of | 3:43:02 | 3:43:06 | |
form he was in the last round. That
is difficult for the players to | 3:43:06 | 3:43:10 | |
guarantee that form. The UK
Championship has gone from best of | 3:43:10 | 3:43:16 | |
17 to best of 11. The top seeds in
the game preferred the best of 17. | 3:43:16 | 3:43:20 | |
All the players probably would say
they prefer that, but it probably | 3:43:20 | 3:43:23 | |
suited some of the top in the game.
They can get their teeth into it. | 3:43:23 | 3:43:27 | |
The likes of Mark Selby at the World
Championship in the UK can get on a | 3:43:27 | 3:43:31 | |
roll. Therefore, the short session
matches, one session matches, | 3:43:31 | 3:43:37 | |
perhaps there is more of a level
playing field. Even so, every day, | 3:43:37 | 3:43:40 | |
you have do hit the floor running.
I suppose an example of that is this | 3:43:40 | 3:43:45 | |
match. It is not over until the fat
lady sings, because Mark King, from | 3:43:45 | 3:43:52 | |
one stage this afternoon, we thought
it was it, and John was closer to | 3:43:52 | 3:43:56 | |
the line. You would have thought at
4-2 there was only one winner, | 3:43:56 | 3:43:59 | |
definitely. Absolutely. But the way
that John Higgins went in front, but | 3:43:59 | 3:44:08 | |
Mark King has impressed with the way
he has come back. His attitude and | 3:44:08 | 3:44:11 | |
demeanour around the table looks
positive. Talking about John Higgins | 3:44:11 | 3:44:16 | |
being a strong favourite, but the
last couple of months and | 3:44:16 | 3:44:20 | |
tournaments, he's not been at the
business end of tournaments. Maybe | 3:44:20 | 3:44:24 | |
John is getting twitchy as well. The
interesting thing is, maybe you can | 3:44:24 | 3:44:27 | |
teach better positional play, but
perhaps you can't always teach good | 3:44:27 | 3:44:33 | |
attitude around the table. Fighting
spirit? Fighting | 3:44:33 | 3:44:36 | |
attitude around the table. Fighting
spirit? Fighting spirit is a | 3:44:36 | 3:44:38 | |
difficult attribute to draw on if
you haven't got it. Some people | 3:44:38 | 3:44:41 | |
after making big mistakes in
positional play and throwing frames | 3:44:41 | 3:44:45 | |
are wayward drop their head. Not
Mark King. The crowd giving it, | 3:44:45 | 3:44:54 | |
"Come on, Mark." Maybe his tail is
up. | 3:44:54 | 3:45:00 | |
COMMENTATOR: A lot of ingredients go
into the recipe of becoming a top | 3:45:00 | 3:45:04 | |
class snooker player. Temperament is
definitely one of them. Mark King | 3:45:04 | 3:45:07 | |
has been excellent today in that
respect. It is true what the boys | 3:45:07 | 3:45:11 | |
said, it is something you can't
teach. You had to learn it yourself, | 3:45:11 | 3:45:16 | |
or be blessed with it. | 3:45:16 | 3:45:19 | |
First mistake from John Higgins. | 3:45:25 | 3:45:37 | |
APPLAUSE | 3:45:53 | 3:46:03 | |
Pace of the blue in the centre
taking it up... Oh. True a quick one | 3:46:09 | 3:46:15 | |
there. | 3:46:15 | 3:46:16 | |
John hoping to pop this red into the
right centre, trying to get a nice | 3:46:37 | 3:46:41 | |
wrangle on one of the colours. Or
even the blue. | 3:46:41 | 3:46:52 | |
He can go into the pack will play on
the loose red beside the black. It | 3:46:54 | 3:46:58 | |
depends on the angle. | 3:46:58 | 3:47:07 | |
That will do. Something to come out
of the pack and flicked that red | 3:47:12 | 3:47:21 | |
away from the black, but it nearly
did. He has still landed on the next | 3:47:21 | 3:47:26 | |
red, which is the important thing.
Not an easy chance, this, though. He | 3:47:26 | 3:47:33 | |
just had a quick look at the black,
didn't he come to see if it would | 3:47:33 | 3:47:36 | |
put into the left corner pocket. It
doesn't look like it will. There you | 3:47:36 | 3:47:44 | |
see it. I don't think that Potts, so
back up for blue here. | 3:47:44 | 3:47:57 | |
He hit that really well. Maybe a
touch too well. | 3:47:58 | 3:48:04 | |
Time just approaching three hours.
It's been engrossing. We've seen | 3:48:09 | 3:48:13 | |
matches with heavy scoring this week
here at the Barbican, but this has | 3:48:13 | 3:48:20 | |
been very interesting. | 3:48:20 | 3:48:30 | |
Now, nice angle on the blue. OK, a
bit of bit skinnier than he would | 3:48:39 | 3:48:47 | |
have liked, but still, natural angle
to go into the pack of reds. | 3:48:47 | 3:48:53 | |
No. No, that's not there. Yeah, much
thinner than it looked. Wasn't very | 3:48:55 | 3:49:08 | |
committed on the shot. Blue nearly
went into the cushion, but he's been | 3:49:08 | 3:49:14 | |
quite fortunate to split the pack up
and not leave Mark on anything. OK, | 3:49:14 | 3:49:20 | |
he's got a thin clip, bridging over
balls into a blind pocket. I suppose | 3:49:20 | 3:49:28 | |
he can play it with the luxury of
knowing, as long as he is in the | 3:49:28 | 3:49:31 | |
baulk area, he should be able to get
the blue. | 3:49:31 | 3:49:36 | |
Just the last couple of shots, I
think he's rushed them a little bit. | 3:49:39 | 3:49:46 | |
He just hasn't taken as much time,
particularly on the backswing. | 3:49:47 | 3:49:54 | |
Playing just a little bit too quick. | 3:49:54 | 3:49:59 | |
I don't like his next one... Help.
Stepladder required for this one, | 3:50:01 | 3:50:09 | |
I'd say. Scaffolding. | 3:50:09 | 3:50:14 | |
Whatever you have, revelry. Whatever
you have. Do you want an extension | 3:50:17 | 3:50:23 | |
on it as well? Yeah. The spider as
well here. I think. Extension on the | 3:50:23 | 3:50:35 | |
end of the extended rest. | 3:50:35 | 3:50:40 | |
They literally is no other book. He
can't make an escape to any other | 3:50:44 | 3:50:47 | |
ball, it has to be black. With the
miss world, you can see the black, | 3:50:47 | 3:50:52 | |
it is the ball he has got to play,
otherwise he is giving point away | 3:50:52 | 3:50:55 | |
left, right and centre. Difficult to
judge this. Just hard to see the cue | 3:50:55 | 3:51:06 | |
tip. | 3:51:06 | 3:51:08 | |
APPLAUSE | 3:51:10 | 3:51:13 | |
Under the circumstances, it's a
fantastic shot. | 3:51:17 | 3:51:23 | |
Well played. | 3:51:23 | 3:51:27 | |
He was just trying to get out of
trouble, but it's actually a very | 3:51:33 | 3:51:37 | |
good shot. He has left Mark with a
bit of a headache. The pink being on | 3:51:37 | 3:51:43 | |
the side cushion's a massive
problem. He can't get back down to | 3:51:43 | 3:51:47 | |
the baulk area, because of coming
off the side of the pack. | 3:51:47 | 3:51:54 | |
Maybe forced into a pot. | 3:51:54 | 3:52:00 | |
Only one area he can play, he can
play the red to the right of the | 3:52:09 | 3:52:13 | |
black really thin and go back up
through the gap. Because there's the | 3:52:13 | 3:52:19 | |
pink that way. He's hit the pink and
left it over the jaws. Wow, that was | 3:52:19 | 3:52:27 | |
close, Ken, wasn't it. A great
attempt. | 3:52:27 | 3:52:36 | |
Just wondering if he will try to pop
the red into the pack. That | 3:52:38 | 3:52:42 | |
surprises me. | 3:52:42 | 3:52:45 | |
OK, he had the blue over the left
centre, but he could have played the | 3:52:46 | 3:52:51 | |
red, the cue ball into the pack of
four reds, and still be on the | 3:52:51 | 3:52:55 | |
black. | 3:52:55 | 3:53:00 | |
Yeah, this is a big shot in the
context of this brain. He puts this | 3:53:07 | 3:53:11 | |
and it runs off the cushion slowly,
he has the red on the right-hand | 3:53:11 | 3:53:14 | |
side. -- the context of this frame.
He has come off the bump. | 3:53:14 | 3:53:23 | |
Originally thinking the one on the
right-hand side, he could have done | 3:53:23 | 3:53:26 | |
that and stayed on the back. As he
follows up, he catches the bump of | 3:53:26 | 3:53:29 | |
the middle. | 3:53:29 | 3:53:32 | |
Lovely shot. Reverse side to bring
the cue ball back to black again. | 3:53:40 | 3:53:48 | |
Really well played. | 3:53:48 | 3:53:54 | |
Really tough shots to judge, those,
when you are close to the cushion | 3:54:23 | 3:54:28 | |
and playing up for the brew. The
number of times you don't get quite | 3:54:28 | 3:54:31 | |
far enough, and a shake of the head
from John. When you play at the cue | 3:54:31 | 3:54:36 | |
ball, it gets trapped a little bit.
It's like a break, and it takes a | 3:54:36 | 3:54:40 | |
bit of pace out of it. He has got to
go round the table if he wants to | 3:54:40 | 3:54:45 | |
get back in position. | 3:54:45 | 3:54:50 | |
If the pink wasn't in the way, he
might be tempted to play brown. You | 3:55:00 | 3:55:05 | |
come round on the other side of the
table, two reds will pot that way. | 3:55:05 | 3:55:09 | |
He is not to take it, he will screw
back and the end red. | 3:55:09 | 3:55:16 | |
A good pot. The positional play
required. It is about getting the | 3:55:18 | 3:55:28 | |
red and coming back down the table. | 3:55:28 | 3:55:30 | |
A good pot. Jobs that one in, and it
was an excellent shot. He is coming | 3:55:53 | 3:56:05 | |
out to have a look at the red to the
left of the black. If he can get on | 3:56:05 | 3:56:11 | |
that, he can open the black up into
both pockets then. He would be | 3:56:11 | 3:56:18 | |
hitting into an area with a couple
of reds he can go onto here. The one | 3:56:18 | 3:56:22 | |
next to the black is the one he
wants to be on. He is on both reds, | 3:56:22 | 3:56:28 | |
as you can see. | 3:56:28 | 3:56:31 | |
He is going to take the easier one
of the two, back up for blue. | 3:56:31 | 3:56:40 | |
And again, missed the red he'd like
to get on. Just drop the blue in and | 3:56:43 | 3:56:48 | |
try to hold left for the red by the
black. | 3:56:48 | 3:56:56 | |
Looks pretty good. So, 41 point
lead, just red, black, and another | 3:57:12 | 3:57:25 | |
red, black, and that will be enough. | 3:57:25 | 3:57:27 | |
It looks like John Higgins is going
to go one up with a possible two to | 3:57:34 | 3:57:38 | |
play. But it's been hard-fought,
hasn't it. He has used all those | 3:57:38 | 3:57:51 | |
years of experience. Mark King can't
complain, you had a couple of | 3:57:51 | 3:57:53 | |
chances early on in the frames. | 3:57:53 | 3:58:00 | |
A good break from John Higgins,
that. Circumstances, 57 ahead, 51 | 3:58:52 | 3:58:58 | |
on. | 3:58:58 | 3:59:00 | |
REFEREE: Foul. That's the end of
that frame, that there is no doubt. | 3:59:04 | 3:59:12 | |
Mark King concedes the frame. An
excellent contribution in that one | 3:59:12 | 3:59:15 | |
from John Higgins. He puts his nose
ahead at five for Mac. | 3:59:15 | 3:59:21 | |
Getting near the business and now --
5-4. The shop Mark King had in the | 3:59:23 | 3:59:30 | |
frame, you've just got to play it
sometimes, and you can be a little | 3:59:30 | 3:59:33 | |
bit unlucky. It got so close, didn't
it. Just left, look at the | 3:59:33 | 3:59:38 | |
situation. It all came from the
safety shot when John Higgins hit | 3:59:38 | 3:59:43 | |
the extended spider and extended
rest. He left Mark King with this. | 3:59:43 | 3:59:51 | |
Look how close he gets. He is trying
to avoid the pink as well. How close | 3:59:51 | 3:59:56 | |
was that going into the pocket?
That's what cost him the frame. He | 3:59:56 | 4:00:02 | |
was very unlucky. Still smiling,
though. Listen, his temperament has | 4:00:02 | 4:00:07 | |
been to the fore today, of that
there is no doubt. John Higgins | 4:00:07 | 4:00:12 | |
there, dug in, hasn't been an easy
afternoon Goujon by a long stretch. | 4:00:12 | 4:00:16 | |
Hasn't been his but it's about
winning. Having a bit of a lollipop | 4:00:16 | 4:00:21 | |
he was given today. | 4:00:21 | 4:00:30 | |
A little bit of sugar. | 4:00:30 | 4:00:33 | |
The audience has definitely been
loving it this afternoon. Value for | 4:00:50 | 4:00:58 | |
money as ever and I have enjoyed
watching these two compete. No one | 4:00:58 | 4:01:03 | |
has left the auditorium. They are
all engrossed by it and why not? | 4:01:03 | 4:01:08 | |
Great venue. They love their snooker
in York. A fascinating encounter. A | 4:01:08 | 4:01:21 | |
good safety. A bit of Czech side to
stop the cue ball coming back and | 4:01:21 | 4:01:29 | |
hitting the pack. One red has popped
its nose out. A possible cut into | 4:01:29 | 4:01:35 | |
the right corner pocket for John
Higgins. That's a high percentage of | 4:01:35 | 4:01:47 | |
those types of shots. He needs a bit
of luck and has not got it. Very | 4:01:47 | 4:02:00 | |
good at that particular shots, John
Higgins. One of his many fortes. | 4:02:00 | 4:02:13 | |
Just as safety shot. | 4:02:13 | 4:02:24 | |
Part much he can do other than go
off the side of the pack for that | 4:02:55 | 4:02:59 | |
you don't want to be hitting the
black. What a mistake that is! And, | 4:02:59 | 4:03:11 | |
I could say straightaway, John
Higgins can pot this, go up and play | 4:03:11 | 4:03:16 | |
on the yellow, popped the yellow
goes straight into the side of the | 4:03:16 | 4:03:19 | |
pack if he wants. He can do it of
the blue but the yellow is there as | 4:03:19 | 4:03:25 | |
well. It is a great chance if he
wants to open the pack up. He has | 4:03:25 | 4:03:31 | |
played on the blue. He may have been
tempted by the yellow. The angle has | 4:03:31 | 4:03:39 | |
gone straight into the side of the
pack and smashed them all "Anyway, | 4:03:39 | 4:03:45 | |
he can do it here. He has been very
fortunate. He got a split. That | 4:03:45 | 4:03:57 | |
could've gone in. He managed to lead
himself -- leave himself on it. A | 4:03:57 | 4:04:13 | |
tricky situation, John Higgins, over
the years. He has converted a lot of | 4:04:13 | 4:04:23 | |
these situations. Just composing
himself by keeping the cue ball | 4:04:23 | 4:04:30 | |
clean. The red at the bottom of the
pack, trying to stun it into the | 4:04:30 | 4:04:45 | |
pocket. Not the perfect angle. He
has played it nicely from the red to | 4:04:45 | 4:04:57 | |
the right centre. Imperative he gets
top side of this. Even the yellow, | 4:04:57 | 4:05:13 | |
as you mentioned earlier. | 4:05:13 | 4:05:23 | |
He has never been won over the years
to baulk up the winning line, John | 4:05:24 | 4:05:30 | |
foot he notices a massive
opportunity for the frame and match. | 4:05:30 | 4:05:34 | |
-- John. Now then, is he on
anything? He will not have played | 4:05:34 | 4:05:48 | |
many worse position shots land that
one. -- band that one. You cannot | 4:05:48 | 4:05:56 | |
believe that. The boys in the
commentary were speaking about | 4:05:56 | 4:06:00 | |
opportunities going into the pack
when there were loose reds. He tried | 4:06:00 | 4:06:06 | |
to get onto a loose red foot he
could have got into the pack as | 4:06:06 | 4:06:10 | |
well. He has played a careless
safety shot will stop lost his | 4:06:10 | 4:06:18 | |
concentration. Completely missed by
that last positional shot, John | 4:06:18 | 4:06:25 | |
Higgins. -- miffed. | 4:06:25 | 4:06:35 | |
The good, opening pot. Just about
managers to hold position for the | 4:06:52 | 4:07:00 | |
pink. The cue ball and object ball
are so closer it is tricky at times | 4:07:00 | 4:07:06 | |
to work out the angle. I would be
surprised. It could be vintage | 4:07:06 | 4:07:17 | |
Higgins where he gets the one chance
and get over the line but not to be. | 4:07:17 | 4:07:31 | |
He has a big target up the table. If
he can get up there and come back | 4:07:41 | 4:07:48 | |
into the pack some point, you can
make sure if you are high up the | 4:07:48 | 4:07:52 | |
table you get an option of both of
those to come back into the pack. He | 4:07:52 | 4:07:59 | |
has chosen to play on the pink at
the moment, Mark. That is OK but | 4:07:59 | 4:08:05 | |
moving something about to get on the
next red. | 4:08:05 | 4:08:19 | |
Has he hit it enough to be on this
red into the corner? Maybe just | 4:08:21 | 4:08:28 | |
about on this red. He can nudge the
red to the right of it and the pink | 4:08:28 | 4:08:35 | |
into the left centre. That is a
lovely shot he played. Tries to | 4:08:35 | 4:08:44 | |
knock that into a possible position.
A good chance of a counter attack | 4:08:44 | 4:08:50 | |
from Mark King. That was a lovely
cannon he played before. Really good | 4:08:50 | 4:08:56 | |
touch will stop so nice to see a
good touch when it means the most to | 4:08:56 | 4:09:02 | |
you, at the business end of the
match. Could be going to a final | 4:09:02 | 4:09:15 | |
frame decider. He does love to
compete, this boy. He really does. | 4:09:15 | 4:09:31 | |
He hung around all day. Mentioned at
the start of the afternoon, 18 | 4:09:31 | 4:09:41 | |
matches to three behind against John
Higgins. They have played on 20 | 4:09:41 | 4:09:46 | |
occasions, twice in the UK will stop
had a couple of dumping is of him. | 4:09:46 | 4:09:54 | |
Here he is, still punching. Still in
there and still competing. All | 4:09:54 | 4:09:59 | |
credit to him. He has just come
around to have a look at the two | 4:09:59 | 4:10:07 | |
reds that have been left, make sure
the top one pots into the bottom | 4:10:07 | 4:10:12 | |
right corner. | 4:10:12 | 4:10:22 | |
He wants to be nice and straight on
the pink but it is just OK. He will | 4:10:23 | 4:10:28 | |
take the top red of the two reds.
That is exactly where he will take | 4:10:28 | 4:10:35 | |
the cue ball. The other red will be
open. He has gone about this break | 4:10:35 | 4:10:44 | |
very well so far. He wants the cue
ball to be bit straighter. 67 is his | 4:10:44 | 4:11:01 | |
target appears on 42. The four reds
and colours can he will not have to | 4:11:01 | 4:11:10 | |
worry about the red close to the
cushion. | 4:11:10 | 4:11:14 | |
He has taken these very well so far.
This is the toughest positional shot | 4:11:26 | 4:11:31 | |
he has had to play on the break.
Looking at his next red. | 4:11:31 | 4:11:38 | |
It is on the bottom one but not
exactly ideal. At least he has a | 4:11:46 | 4:11:50 | |
shot at it. | 4:11:50 | 4:11:52 | |
It went in. | 4:12:03 | 4:12:14 | |
They must make contact with the two
reds and blacks. It is a big target. | 4:12:21 | 4:12:27 | |
The yellow into the right centre
coming off the top cushion. Trying | 4:12:27 | 4:12:31 | |
to split them. A big shot this one.
If he gets it right he can win the | 4:12:31 | 4:12:44 | |
frame from it. I was just about to
say it is one of those once it is | 4:12:44 | 4:12:57 | |
easy to quit on. He have to get
through it. He is really in love | 4:12:57 | 4:13:03 | |
with the shot. You can tell by the
way he went about playing it. There | 4:13:03 | 4:13:09 | |
was a degree of difficulty in it.
Mind you can he has not let John | 4:13:09 | 4:13:19 | |
Higgins anything easy. -- mind you,
he has not left John Higgins | 4:13:19 | 4:13:25 | |
anything easy. Here's enjoying that
lollipop. | 4:13:25 | 4:13:28 | |
It has just gone slightly awkward.
He has been lucky. To clip that | 4:13:45 | 4:13:51 | |
across the table and finish that
close, then a short and bounce off | 4:13:51 | 4:13:56 | |
the touch, it is a gimme. Where it
has finished is enough to keep you | 4:13:56 | 4:14:01 | |
honest. It looks easy. But it is
not. Any flick on the near jaw and | 4:14:01 | 4:14:13 | |
this is not going in. Particularly
if he is going to play at bottom | 4:14:13 | 4:14:17 | |
right hand side as well. That can
always happen. Just pushes into the | 4:14:17 | 4:14:25 | |
red. John Higgins has had a result.
What can he make of it? | 4:14:25 | 4:14:35 | |
Well, I don't believe that. He has
left the cue ball in the one shot | 4:14:43 | 4:14:50 | |
that John Higgins can get through
the gap. No wonder he is shaking his | 4:14:50 | 4:14:54 | |
head. Once he potted it, another red
was in play, and so was the black | 4:14:54 | 4:15:05 | |
and pink. Wow! | 4:15:05 | 4:15:16 | |
Just depends on the yellow, how
close it is into the middle pocket. | 4:15:18 | 4:15:34 | |
It is definitely possible. It is how
much you can get out of it to get it | 4:15:36 | 4:15:41 | |
towards the green. | 4:15:41 | 4:15:51 | |
He is just having a look at it now.
Will he pot the red and leave the | 4:15:57 | 4:16:06 | |
yellow? That is the way to play it.
If you cannot force any of the | 4:16:06 | 4:16:14 | |
angles, knock it in, drop the
yellowing. The natural angle for the | 4:16:14 | 4:16:19 | |
yellow on the spot. The further away
with the cue ball and you have got a | 4:16:19 | 4:16:23 | |
straight pot at it. That is the way
I would be going if you can do it. | 4:16:23 | 4:16:33 | |
Having to refocus. He has to be
close to the yellow. The cue ball | 4:16:33 | 4:16:45 | |
and potting this red. No. Would you
believe it? | 4:16:45 | 4:17:02 | |
One good pot from Mark King, as John
Higgins missed the red. He only | 4:17:11 | 4:17:21 | |
played the pink through the middle.
Could have left himself pretty | 4:17:21 | 4:17:26 | |
straight on the red full if he had,
his clearance would have been | 4:17:26 | 4:17:30 | |
easier. With the amount of angle it
was more difficult. | 4:17:30 | 4:17:34 | |
Look at the action on the cue ball.
Have a look at this! A bit of | 4:17:44 | 4:17:53 | |
adrenaline. He has to go in and out
of baulk. This could be a really | 4:17:53 | 4:17:59 | |
good shot if he can get it close. | 4:17:59 | 4:18:02 | |
That is not close enough. It depends
on how straight and angle he has. | 4:18:10 | 4:18:20 | |
Trying to play this at pace is not a
gimme, is it? It is one of those | 4:18:20 | 4:18:25 | |
funny shots where you have to work
out percentage-wise whether you | 4:18:25 | 4:18:29 | |
think it is worth taking. What a
lovely shot he has played. He could | 4:18:29 | 4:18:36 | |
not hit that any better. A great
shot. | 4:18:36 | 4:18:39 | |
It will go on to a decider. That
really was a fabulous shot on the | 4:18:45 | 4:18:51 | |
yellow. To get up to the green, that
shot he has played is the best in | 4:18:51 | 4:18:59 | |
the match so far. It didn't look
like it would go 5-5 but that is | 4:18:59 | 4:19:06 | |
exactly what it is going to be. Well
played, Mark King! Both players are | 4:19:06 | 4:19:16 | |
leaving the auditorium. You know
what is coming up. It is a final | 4:19:16 | 4:19:19 | |
frame decider. It is all square at
five frames all. | 4:19:19 | 4:19:26 | |
None of us thought this was going to
happen. Mark stuck to his guns, and | 4:19:26 | 4:19:30 | |
in the end, in that frame, John
Higgins failed to clinch the match | 4:19:30 | 4:19:35 | |
because of poor positional play. He
missed the Coombs at the end, | 4:19:35 | 4:19:38 | |
because he was too far over it. What
a great shot | 4:19:38 | 4:19:42 | |
because he was too far over it. What
a great shot from Mark King. There | 4:19:42 | 4:19:47 | |
was no need for John to play from
yellow to red. As the guys | 4:19:47 | 4:19:53 | |
was no need for John to play from
yellow to red. As the guys said, | 4:19:53 | 4:19:54 | |
yellow to yellow is a good shot, but
the yellow was pot able. Just make | 4:19:54 | 4:19:59 | |
sure the yellow plays for pink and
black. It is unusual for John | 4:19:59 | 4:20:03 | |
Higgins to miss a chance. 2-3
chances to win a match. That is not | 4:20:03 | 4:20:07 | |
like him. His form has not been
great approaching this tournament in | 4:20:07 | 4:20:11 | |
the last couple of months. Last
season he had a purple patch. This | 4:20:11 | 4:20:16 | |
season has not been the same, so
maybe he is lacking confidence. You | 4:20:16 | 4:20:20 | |
were talking about Mark King's body
language when the chips were down. | 4:20:20 | 4:20:24 | |
There was a little smile. You said,
sometimes you have to get out of | 4:20:24 | 4:20:28 | |
your corner if it does not go your
way. He smiled when he potted the | 4:20:28 | 4:20:33 | |
yellow, the confidence came back.
Enjoying the occasion is half the | 4:20:33 | 4:20:36 | |
battle. You can judge your
performances over a period of a | 4:20:36 | 4:20:40 | |
career by different yardsticks. You
can say, the amount of times you get | 4:20:40 | 4:20:44 | |
in position to win a frame. Or how
times you can turn around a frame | 4:20:44 | 4:20:52 | |
when you should have won it. The
attitude you bring to the game is | 4:20:52 | 4:20:58 | |
important. What you said about John
Higgins was interesting, when he | 4:20:58 | 4:21:02 | |
reached those finals last season and
was playing consistently, Ahye | 4:21:02 | 4:21:05 | |
suggesting, when you are in a good
run of form, especially at the end | 4:21:05 | 4:21:09 | |
of tournaments, looking for booking
a place in a quarterfinal as well, | 4:21:09 | 4:21:15 | |
those shots come. Things like
finishing matches of, those become | 4:21:15 | 4:21:19 | |
automatic. You get a chance and you
kill. He played a shot, again, we | 4:21:19 | 4:21:25 | |
are talking about Mark King earlier
not going into the pack. John | 4:21:25 | 4:21:28 | |
Higgins had a chance to go to the
bunch. He played it wrong, you could | 4:21:28 | 4:21:32 | |
see the smile on his face. Very
unlike him. A deciding frame now, if | 4:21:32 | 4:21:38 | |
you are looking at who will win, you
would side with John Higgins. You | 4:21:38 | 4:21:43 | |
have also got to say that a player
in proving in standard, and Mark | 4:21:43 | 4:21:48 | |
King won a tournament last year, in
Northern Ireland, playing better | 4:21:48 | 4:21:52 | |
snooker. He is a happier frame of
mind. As his body length which | 4:21:52 | 4:21:57 | |
shows, he is not beating himself up.
That is a good way to go into a | 4:21:57 | 4:22:01 | |
final frame, enjoying the challenge.
Who is going to win, but you had on | 4:22:01 | 4:22:07 | |
the block. You have to go with Mark
King, he is more positive. | 4:22:07 | 4:22:11 | |
the block. You have to go with Mark
King, he is more positive. I | 4:22:11 | 4:22:12 | |
wouldn't be surprised if Mark turned
John over in the last frame. It is | 4:22:12 | 4:22:16 | |
anybody's. The stats are not much
different. Over his career, John | 4:22:16 | 4:22:23 | |
Higgins has won so many of these
deciding frames. We are staying with | 4:22:23 | 4:22:26 | |
this match live on BBC Two.
COMMENTATOR: The one thing you can't | 4:22:26 | 4:22:33 | |
do in a final frame decider is make
a break like that. Far too thick. | 4:22:33 | 4:22:40 | |
Mind you, he may have gotten away
with it. Match time coming up to 3.5 | 4:22:40 | 4:22:47 | |
hours, intriguing from the start. | 4:22:47 | 4:22:56 | |
Not that much between the final
frame-winning percentages, the boys | 4:23:12 | 4:23:17 | |
asked them, Steve said in that you
do, 56% for John Higgins, and 51% | 4:23:17 | 4:23:21 | |
from Mark King. So, virtually 50-50,
Ken. I suppose John Higgins has | 4:23:21 | 4:23:32 | |
probably done it more. He has been
involved in a lot more matches than | 4:23:32 | 4:23:40 | |
I am sure Mark King has. But the way
he's played... Oh. This could be | 4:23:40 | 4:23:46 | |
dangerous.
That was a tough pot, but also I | 4:23:46 | 4:23:54 | |
think he's overhit it. He didn't
expect to go into the pack and leave | 4:23:54 | 4:23:58 | |
this red here. I think because he
has hit it so poorly, the angle to | 4:23:58 | 4:24:03 | |
go towards pack, he courted much too
Finn. Nice to have first chance in | 4:24:03 | 4:24:10 | |
the final frame. That's for sure. | 4:24:10 | 4:24:18 | |
He can pot this yellow, just stunned
across and put a red into the same | 4:24:30 | 4:24:36 | |
pocket. I think that would be his
choice. Just about. | 4:24:36 | 4:24:43 | |
I don't think he'd be going into the
pack of this brew, John. The angle | 4:25:09 | 4:25:13 | |
is not good enough for him. He may
like to play on the loose red here. | 4:25:13 | 4:25:18 | |
Yeah, slightly missed a trick there,
he might have gone higher up for the | 4:25:23 | 4:25:28 | |
blue. The pack is looking really
nice. The pink is not even on its | 4:25:28 | 4:25:33 | |
spot, so a big target there. | 4:25:33 | 4:25:35 | |
Oh... Can you believe it?! | 4:25:40 | 4:25:44 | |
That was a shock. A shocker. | 4:25:48 | 4:25:58 | |
He's just trying to get the angle to
make sure he was nice and low. He | 4:25:59 | 4:26:05 | |
just forgot to pot the ball. | 4:26:05 | 4:26:09 | |
He has covered the red down the
left-hand side of the table. | 4:26:16 | 4:26:24 | |
He can only nestle into the red on
the top cushion, just coming off the | 4:26:32 | 4:26:35 | |
side cushion and trying to nestle
onto the red. Will he be forced into | 4:26:35 | 4:26:44 | |
having a go? If he tries to chip the
one closest to the right-hand side | 4:26:44 | 4:26:48 | |
cushion, the red may come across
over the left-hand corner pocket as | 4:26:48 | 4:26:53 | |
well. He may be forced into having a
go here. | 4:26:53 | 4:26:57 | |
That's a fantastic pot from John
Higgins! APPLAUSE | 4:27:03 | 4:27:09 | |
Yellow at what a shot. You're not
kidding. That is what all the hours | 4:27:09 | 4:27:15 | |
of practice are for. What a pot. | 4:27:15 | 4:27:25 | |
I don't know what you saw, John, but
look at Mark King's reaction when | 4:27:31 | 4:27:35 | |
John Higgins potted that. He nodded
in approval. He knew how good it | 4:27:35 | 4:27:40 | |
was. Good sportsmanship. | 4:27:40 | 4:27:44 | |
Wow. What's going on? I've never
seen John Higgins missed so many | 4:27:48 | 4:27:52 | |
easy balls. | 4:27:52 | 4:27:54 | |
You can count on one hand the number
he would miss of those in a season, | 4:28:02 | 4:28:09 | |
not just one match. A lot of
pressure felt from both players | 4:28:09 | 4:28:15 | |
here, as we see this red again. Mark
King has been so good in the safety | 4:28:15 | 4:28:20 | |
department this match. But hitting
the Brownhill has left another | 4:28:20 | 4:28:25 | |
possible long pot for John Higgins.
It's getting tense out there. | 4:28:25 | 4:28:31 | |
-- hitting the brown here. | 4:28:38 | 4:28:41 | |
Well, there's a red in the middle
for Mark. He wants to take it on, | 4:28:47 | 4:28:57 | |
along the top rail, it isn't
particularly appetising. But this is | 4:28:57 | 4:29:01 | |
massive, because he's definitely
going to leave something on if he | 4:29:01 | 4:29:03 | |
misses it. | 4:29:03 | 4:29:06 | |
APPLAUSE
Great shot. Absolutely great shot. | 4:29:06 | 4:29:14 | |
We saw Mark King's reaction a minute
ago, we have seen John Higgins's | 4:29:20 | 4:29:24 | |
reaction when that one went in. A
great pot it was indeed. Right in | 4:29:24 | 4:29:32 | |
the centre. Cracking pot. | 4:29:32 | 4:29:35 | |
You can see John kicking himself in
the chair there. The chances he has | 4:29:38 | 4:29:43 | |
had so far and missed. But there's a
load of pressure out there, and you | 4:29:43 | 4:29:48 | |
can miss anything. | 4:29:48 | 4:29:51 | |
Tried to get on the red left of the
cue ball into the left-hand corner | 4:30:01 | 4:30:04 | |
pocket, left it short. He had this
as a back-up. | 4:30:04 | 4:30:16 | |
Yeah, finished short on this. Just
have a walk round, make sure you can | 4:30:19 | 4:30:23 | |
leaders of an angle on the corner,
so you can screw it in and get | 4:30:23 | 4:30:27 | |
towards the black. | 4:30:27 | 4:30:30 | |
He can drop that in now and come off
the cushion, so that's fine. Once | 4:30:32 | 4:30:38 | |
again, just making sure you are
leaving yourself a half ball on the | 4:30:38 | 4:30:41 | |
black. | 4:30:41 | 4:30:44 | |
APPLAUSE
Taking a deep breath to relax | 4:30:52 | 4:30:54 | |
himself. Pogba black, play the cue
ball through the gap and hold the | 4:30:54 | 4:31:05 | |
red into the corner pocket. He has
played that really well -- pot | 4:31:05 | 4:31:10 | |
black. This could be a key shot. He
doesn't have the perfect angle the | 4:31:10 | 4:31:15 | |
red, but he will have to manoeuvre
the cue ball through a couple of | 4:31:15 | 4:31:19 | |
reds above it, stay on the black.
He's played it well. APPLAUSE | 4:31:19 | 4:31:30 | |
Yeah, played that beautifully.
Lovely touch. I think all John | 4:31:30 | 4:31:37 | |
Higgins can do is sit and hope that
Mark King makes a mistake. What a | 4:31:37 | 4:31:41 | |
chance this is for Mark King. | 4:31:41 | 4:31:46 | |
You just have to steel yourself in
this position, keep your | 4:31:47 | 4:31:51 | |
concentration, make your mind up,
what shot are you going to play, and | 4:31:51 | 4:31:55 | |
100% commit to it. Don't change your
mind made shot. Nice angle to go | 4:31:55 | 4:32:08 | |
into the two reds by the ping.
Guaranteed to be on the red to the | 4:32:08 | 4:32:14 | |
left corner. | 4:32:14 | 4:32:18 | |
If he wasn't on that one, he was
always going to be on the red to the | 4:32:19 | 4:32:24 | |
right centre. Could have worked out
a little bit better. Yeah, don't | 4:32:24 | 4:32:32 | |
blame him at all playing the cannon,
but it could possibly go a little | 4:32:32 | 4:32:37 | |
bit awkward, which it has. Good
recovery. APPLAUSE | 4:32:37 | 4:32:43 | |
4-5 good positional shots away here.
He could have a fantastic victory, | 4:32:53 | 4:32:59 | |
someone he has only beaten three
times in 21 outings. In the second | 4:32:59 | 4:33:06 | |
biggest tournament in the world.
Oh... | 4:33:06 | 4:33:11 | |
Betwixt and between again. He's just
feeling the tension slightly. That's | 4:33:12 | 4:33:19 | |
understandable. He doesn't have much
work to do it, you can drop the | 4:33:19 | 4:33:25 | |
Canter, come off the top cushion, Mr
black and have the black to the same | 4:33:25 | 4:33:28 | |
pocket. 29 points ahead, so three
reds, pinks and blacks, that would | 4:33:28 | 4:33:40 | |
be enough. Good shot. He just has
too hold himself together 4-5 pots | 4:33:40 | 4:33:55 | |
here. | 4:33:55 | 4:33:58 | |
That was a nice pot. | 4:34:10 | 4:34:18 | |
54 and counting, and it means the
most. | 4:34:20 | 4:34:26 | |
Hit the jaw. | 4:34:26 | 4:34:35 | |
I have nothing but admiration for
him today. We mention numerous | 4:34:41 | 4:34:44 | |
occasions, he had the worst cue
ball, and he went behind because of | 4:34:44 | 4:34:51 | |
it. But boy, has he stuck at it.
What a competitor. | 4:34:51 | 4:35:00 | |
No heroics here, just the black
required. Screwed back for the red, | 4:35:05 | 4:35:10 | |
outside cushion, get behind it. If
he gets this, it's all over. He has | 4:35:10 | 4:35:16 | |
overscrewed it. Would you believe
it? Goodness me. Only got to land on | 4:35:16 | 4:35:28 | |
one more red, why does it had to
land on that baulk, Ken? 51 ahead, | 4:35:28 | 4:35:35 | |
52 remaining, but that doesn't mean
a great deal when John Higgins is | 4:35:35 | 4:35:39 | |
concerned. He needed two Leuchars in
the fifth frame and got them. So | 4:35:39 | 4:35:47 | |
it's not over yet. | 4:35:47 | 4:35:51 | |
Could there be another twist in the
story? | 4:35:53 | 4:36:04 | |
APPLAUSE
Under the circumstances, making 69, | 4:36:13 | 4:36:18 | |
that was fabulous. | 4:36:18 | 4:36:22 | |
He didn't want that to go in. | 4:36:27 | 4:36:32 | |
May have to take the blue here. If
he misses this, well, he's taking | 4:36:33 | 4:36:39 | |
the ping. It could be shaking hands
if this doesn't go in. And its best. | 4:36:39 | 4:36:46 | |
There it is. John Higgins held his
hand out to Mark King. A fantastic | 4:36:46 | 4:36:53 | |
match this afternoon. Two brilliant
performances, but Mark King stuck in | 4:36:53 | 4:36:57 | |
there and refused to be beaten. He
goes through to the quarterfinal. He | 4:36:57 | 4:37:01 | |
wins, 6-5. | 4:37:01 | 4:37:04 | |
STUDIO: Another one bites the dust.
That was Queen, but this was King. | 4:37:06 | 4:37:13 | |
Deducible but it? John Higgins
showed frailty. He might have bit | 4:37:13 | 4:37:20 | |
the bullet, taken the green and
needed two Leuchars, but John was | 4:37:20 | 4:37:24 | |
mentally shocked by how many shots
he missed in the end, and wanted to | 4:37:24 | 4:37:28 | |
get out of there. You could see
that. It was playing on his mind. | 4:37:28 | 4:37:32 | |
When they both went out and came
back, the body language was not | 4:37:32 | 4:37:36 | |
positive to John. He prodded a
fantastic red, but two shots later, | 4:37:36 | 4:37:41 | |
missed a red on the next was missed
by a foot. The body language didn't | 4:37:41 | 4:37:45 | |
look good. Even from going 4-2
ahead, his body language was great. | 4:37:45 | 4:37:51 | |
Mark King dug in, looking at the
career head-to-head is, 18 wins, | 4:37:51 | 4:37:58 | |
John Higgins, Mark King has three.
It comes down to, we can ask Mark | 4:37:58 | 4:38:03 | |
when he comes in, the fact he won in
Northern Ireland was something that | 4:38:03 | 4:38:10 | |
has risen his stock up a bit in his
own mind, a bit of pride. When it | 4:38:10 | 4:38:13 | |
comes to a gritty part of the match,
he fancies it a bit more. His | 4:38:13 | 4:38:18 | |
performances in the tournament have
been fantastic. So many big names | 4:38:18 | 4:38:22 | |
have been lost on the way, maybe it
is the year summary like Mark as | 4:38:22 | 4:38:26 | |
well. Since Selby went out, I said
it was body till -- Ronnie's to | 4:38:26 | 4:38:34 | |
lose. It is amazing the way the
seeds have dropped. Come on in, | 4:38:34 | 4:38:40 | |
Mark. Well done, congratulations.
John was talking about the pressure | 4:38:40 | 4:38:44 | |
out there. Were you both feeling it
out there? Packed crowd. You can't | 4:38:44 | 4:38:51 | |
ask that any better. Sometimes you
can go out there, there might be 30 | 4:38:51 | 4:38:55 | |
people in China, but a packed crowd,
if you don't get yourself up for the | 4:38:55 | 4:38:59 | |
games, you might as well pack up.
Even at 4-2, you had a smile on your | 4:38:59 | 4:39:05 | |
face. I couldn't do it. He couldn't
do it. It is one of those things, to | 4:39:05 | 4:39:11 | |
go 3-2, I didn't do anything wrong,
you played two good sniggers and I | 4:39:11 | 4:39:14 | |
missed them. I didn't put any or
miss anything. I got into the next | 4:39:14 | 4:39:21 | |
frame. Really confident, I was
saying, keep still and calm, and | 4:39:21 | 4:39:29 | |
keep confident. In the last frame
after you made a couple of mistakes | 4:39:29 | 4:39:32 | |
to let John Higgins back, in the
end, you must have been surprised | 4:39:32 | 4:39:36 | |
when he missed a couple of reds?
Absolutely. I played the red in the | 4:39:36 | 4:39:41 | |
middle, hoping to cover the other
reds and I hit it thick. He went | 4:39:41 | 4:39:46 | |
red, yellow, and missed an easy red.
Then another easy red. The long one, | 4:39:46 | 4:39:50 | |
you played a bad safety shop. You
must have fancied him for the long | 4:39:50 | 4:39:54 | |
one? Of course. One bad safety shot,
I fought my best and I would go | 4:39:54 | 4:40:01 | |
home. Through the match, which we
were criticising some of your shot | 4:40:01 | 4:40:06 | |
selections, but the final frame, you
never put a foot wrong from the | 4:40:06 | 4:40:09 | |
break. It was into perfect when you
needed it. My cue ball is | 4:40:09 | 4:40:14 | |
normally... LAUGHTER
To be fair, I felt comfortable. | 4:40:14 | 4:40:19 | |
Don't miss anything easy. It is easy
to read things into things, but do | 4:40:19 | 4:40:25 | |
you think now, because of the win in
Northern Ireland that, all of a | 4:40:25 | 4:40:29 | |
sudden, you have more about you,
because you know you can get over | 4:40:29 | 4:40:32 | |
the line? 1,000,000%. I said in the
interview last night on BBC that | 4:40:32 | 4:40:39 | |
about 18 months ago I was playing to
pay bills. Now I am playing to | 4:40:39 | 4:40:44 | |
enjoy, and I am working hard. I feel
comfortable. It ain't, like, the | 4:40:44 | 4:40:51 | |
mortgage ain't been paid, clothes
whatever, it isn't about that | 4:40:51 | 4:40:56 | |
anymore. Now, I can played my game
and and enjoy it. If I get pumped | 4:40:56 | 4:41:03 | |
6-0, that is the way it was. I have
worked hard. That is what it is | 4:41:03 | 4:41:08 | |
about, working hard and being
confident in what I was doing. You | 4:41:08 | 4:41:11 | |
which the semifinal of the Indian
"Can you reach the semifinals or go | 4:41:11 | 4:41:15 | |
on and win this? Lets not get too
carried away! LAUGHTER | 4:41:15 | 4:41:20 | |
I don't fear anybody.
I've played Ronnie loads of times, | 4:41:20 | 4:41:25 | |
played well against them, one of my
only bogey men was John. I played | 4:41:25 | 4:41:30 | |
him when he was dominant and he
which to me in every way, shape and | 4:41:30 | 4:41:35 | |
form. It was nice to get one over on
him. We have lost so many of the | 4:41:35 | 4:41:39 | |
best players in the world, the
atmosphere around the Barbican right | 4:41:39 | 4:41:44 | |
now is, players like yourself
thinking, is it my year? It isn't | 4:41:44 | 4:41:49 | |
light years ago that someone beat
Stephen or Steve, it was, like, oh, | 4:41:49 | 4:41:52 | |
my God. Nowadays, people play every
week, the strength and depth in our | 4:41:52 | 4:42:00 | |
game, number 60 in the world can
have a decent run. Decent players. | 4:42:00 | 4:42:05 | |
They can win, Mark Joyce beating
Neil, that was no surprise, he is a | 4:42:05 | 4:42:10 | |
great player. What you have in your
are marine out is that you have | 4:42:10 | 4:42:13 | |
enough experience on the TV table in
front of a crowd that you are not | 4:42:13 | 4:42:18 | |
going to snort at that chance. I
have choked a few times, don't get | 4:42:18 | 4:42:23 | |
me wrong! LAUGHTER
I have had a twitch up! A lot of it | 4:42:23 | 4:42:30 | |
is down to paying bills. But as I
said, now I can enjoy it, feel | 4:42:30 | 4:42:33 | |
comfortable. I can pay the hotel
bill when I checked out. I will | 4:42:33 | 4:42:40 | |
never forget some of the interviews
you did in Northern Ireland, | 4:42:40 | 4:42:44 | |
especially the one on five live was
great. John Parrott said, "Nothing | 4:42:44 | 4:42:49 | |
but at oration" for you. That is
lovely. Good stuff. | 4:42:49 | 4:42:57 | |
That is Mark King, who is through to
the quarterfinals. We have time | 4:42:57 | 4:43:01 | |
before we leave you on BBC Two to
bring you up to date with the all | 4:43:01 | 4:43:04 | |
Scotland clash | 4:43:04 | 4:43:05 | |
bring you up to date with the all
Scotland clash over on the other | 4:43:05 | 4:43:05 | |
table this afternoon. When we left
it, Stephen McGuire let Graeme Dott. | 4:43:05 | 4:43:13 | |
COMMENTATOR: If that white bouncers,
he is OK. | 4:43:22 | 4:43:28 | |
I don't know if he can see enough of
the one to take on to the left | 4:43:30 | 4:43:34 | |
corner, I don't think he can. He has
had a bit of a result there, has | 4:43:34 | 4:43:43 | |
Graeme. Maybe he can see enough to
take the pot on there. If he can, | 4:43:43 | 4:43:52 | |
Dennis, we know what an aggressive
player Stephen McGuire is. | 4:43:52 | 4:43:56 | |
Trying to start around the back with
some left-hand side, cannon into the | 4:43:58 | 4:44:02 | |
red a foot to the right of the
black. He may not be able to play it | 4:44:02 | 4:44:09 | |
with enough pace to be able to play
that shot, especially if he had to | 4:44:09 | 4:44:13 | |
bend the cue ball a bit. Can he pop
the red and play the cannon? -- pot | 4:44:13 | 4:44:25 | |
the red. | 4:44:25 | 4:44:27 | |
He got the most important part of
the shot. And that's a very nice | 4:44:29 | 4:44:33 | |
kiss on the yellow. Options of
yellow with the rest, but almost | 4:44:33 | 4:44:41 | |
certainly the brown. The reds are
open, so he doesn't have to played a | 4:44:41 | 4:44:48 | |
really aggressive shot into the
pack. | 4:44:48 | 4:44:56 | |
Just needs to be a bit careful with
his waistcoat here in playing this | 4:45:10 | 4:45:14 | |
shot. | 4:45:14 | 4:45:16 | |
He is quite close to that. | 4:45:26 | 4:45:37 | |
Peggy Lee, was right there, either
lied. Making sure Stephen Maguire | 4:45:39 | 4:45:44 | |
didn't foul the red with his
waistcoat. | 4:45:44 | 4:45:55 | |
I bumped into Stephen's dad in the
corridor along with John Ray, former | 4:46:30 | 4:46:39 | |
professional Scottish player, here
to support Stephen. | 4:46:39 | 4:46:45 | |
A very aggressive player around the
table and sometimes can look a bit | 4:47:25 | 4:47:30 | |
angry. Away from the snooker table,
you couldn't meet a nicer lad. We | 4:47:30 | 4:47:39 | |
have seen in the past, with his
temperament he has given the table a | 4:47:39 | 4:47:48 | |
good smack with his knuckles. But
that is just to try and pump himself | 4:47:48 | 4:47:51 | |
up. I remember when he first turned
professional, he used to play in | 4:47:51 | 4:48:00 | |
Stephen Hendry's club in Stirling.
It's no longer there. All the boys | 4:48:00 | 4:48:05 | |
used to play there and I remember
having a few hours practice session | 4:48:05 | 4:48:09 | |
with him when he first turned
professional. I knew he was destined | 4:48:09 | 4:48:15 | |
for big things. | 4:48:15 | 4:48:22 | |
This is a good red to get out of the
way. Has cleared the path for the | 4:48:56 | 4:49:04 | |
one closest to it in the opposite
corner. All these stun and screw | 4:49:04 | 4:49:13 | |
shots played to perfection. This, in
turn, when he pots this, would clear | 4:49:13 | 4:49:26 | |
the one next to it. Just got to
concentrate a little bit harder. | 4:49:26 | 4:49:31 | |
Little bit of movement and noise.
They are coming back into the arena | 4:49:31 | 4:49:37 | |
for the other match. | 4:49:37 | 4:49:39 | |
Can't do much about this. You can
have a little sleep, I suppose. Just | 4:49:48 | 4:49:56 | |
concentrating, trying to focus. | 4:49:56 | 4:50:02 | |
He has taken the easy reds. Now it
becomes a little bit more difficult. | 4:50:20 | 4:50:31 | |
Not that far away from securing this
fifth frame. I am sure Stephen would | 4:50:31 | 4:50:39 | |
prefer to open the cluster, if he
can. Doesn't want to be taking one | 4:50:39 | 4:50:46 | |
of the reds along the cushion. Will
want to leave one of those there as | 4:50:46 | 4:50:50 | |
an insurance policy. And that looks
just about perfect. That was a very | 4:50:50 | 4:50:57 | |
well judged positional shot. Should
be able to play the pink into the | 4:50:57 | 4:51:09 | |
corner, followed the cue ball
through. Play the canon. Looks like | 4:51:09 | 4:51:16 | |
he is playing a hard stun shot.
There is a red that goes in the | 4:51:16 | 4:51:24 | |
middle. Yes. That was a bonus
because if you play the cannon, you | 4:51:24 | 4:51:31 | |
can always run out of position. The
black will put him 69 in front with | 4:51:31 | 4:51:42 | |
just 67 remaining. What a start for
Stephen Maguire. Has come back from | 4:51:42 | 4:51:53 | |
the mid-session interval and is just
carrying on where he left off. He | 4:51:53 | 4:51:58 | |
had a break of 70 in the previous
frame. | 4:51:58 | 4:52:04 | |
Might be easy to make a century
break, but he can relax now the | 4:52:12 | 4:52:17 | |
frame is safe. Made 32 centuries
last season, on 16 at the moment. | 4:52:17 | 4:52:26 | |
370 in his career. | 4:52:26 | 4:52:32 | |
This has been a very well crafted
break by Stephen Maguire. Very, very | 4:52:42 | 4:52:49 | |
fluent player, very high scorer. You
feel back Graeme Dott is going to | 4:52:49 | 4:52:56 | |
have two step up now. When he is
introduced, he calls him On Fire, | 4:52:56 | 4:53:08 | |
Stephen Maguire. That is the case at
the moment. Has he got enough angle | 4:53:08 | 4:53:19 | |
to just done in behind the Red Bull
bring it into play? Yes, slight | 4:53:19 | 4:53:24 | |
angle. Just dropping in behind it.
Going to need a little bit of | 4:53:24 | 4:53:33 | |
assistance with the extended rest
and the extension on his cue. Only | 4:53:33 | 4:53:38 | |
needs the red. For the century
break. | 4:53:38 | 4:53:48 | |
That's the 77th century in this
year's UK championship. And a big, | 4:53:59 | 4:54:13 | |
generous round of applause for that
century break. | 4:54:13 | 4:54:24 | |
The break held by Michael White, of
142 will take a bit of beating. | 4:54:29 | 4:54:35 | |
£5,000 for the highest break. A nice
little Christmas present, this time | 4:54:35 | 4:54:41 | |
of year. | 4:54:41 | 4:54:47 | |
This is the blue that Graeme Dott
knocked into this position from the | 4:54:54 | 4:54:57 | |
break-off shot. It looked like we
were going to have a scrappy frame | 4:54:57 | 4:55:06 | |
when the blue went there. That is
unlucky, but he won't be too | 4:55:06 | 4:55:10 | |
concerned about that. What a superb
effort from Stephen Maguire and he | 4:55:10 | 4:55:15 | |
extends his lead it is now 4-1.
STUDIO: 4-1, but Graeme Dott knocked | 4:55:15 | 4:55:26 | |
in frame six but Stephen Maguire
responded getting frame seven. | 4:55:26 | 4:55:34 | |
Graeme Dott, too good for Judd Trump
in the previous round, but not good | 4:55:34 | 4:55:41 | |
enough to beat fellow Scot, Stephen
Maguire, who was in complete control | 4:55:41 | 4:55:46 | |
of this and is through to the
quarterfinals. Well done, Stephen. | 4:55:46 | 4:55:53 | |
Yes, I played well and was solid
all-round. Potted a few long one, | 4:55:59 | 4:56:04 | |
which haven't been going in. I just
played a little bit better than him. | 4:56:04 | 4:56:08 | |
There wasn't too much in it, 6-2
flatters the match a little bit, but | 4:56:08 | 4:56:16 | |
he is so tough and I knew it wasn't
finished up 4-2, 5-2, I was trying | 4:56:16 | 4:56:22 | |
to get over the line as quickly as
possible. Because if he gets his | 4:56:22 | 4:56:27 | |
teeth into you, he doesn't let go.
It was a superb break and we were | 4:56:27 | 4:56:32 | |
keeping an eye on Stephen Maguire,
completely in control today? He is a | 4:56:32 | 4:56:38 | |
class player, his ranking is nowhere
near it should be, as far as I am | 4:56:38 | 4:56:43 | |
concerned. He looks to be coming
back to form. If he hits top form, | 4:56:43 | 4:56:51 | |
he is a danger to anyone? Do you
agree with that, Steve? Yes, players | 4:56:51 | 4:56:54 | |
have had a good match but not
followed it up with another one. | 4:56:54 | 4:56:59 | |
John Higgins, Neil Robertson and
Graeme Dott, three that spring to | 4:56:59 | 4:57:03 | |
mind. Let's look ahead to tonight.
We have Mark Allen taking on Joe | 4:57:03 | 4:57:07 | |
Parry on the red button and the BBC
sports website. Steve, you are | 4:57:07 | 4:57:14 | |
commentating on that one. | 4:57:14 | 4:57:17 | |
sports website. Steve, you are
commentating on that one. It will be | 4:57:17 | 4:57:19 | |
very close, it could go all the way.
I tipped it to be Mark Allen. | 4:57:19 | 4:57:25 | |
very close, it could go all the way.
I tipped it to be Mark Allen. You | 4:57:25 | 4:57:27 | |
spoke to jail earlier, is he in good
spirits? Yes, quietly understated | 4:57:27 | 4:57:33 | |
and the calm before the storm. He is
an experienced campaigner. Ryan Day, | 4:57:33 | 4:57:39 | |
was in the studio talking about
wanting to get in the Masters. | 4:57:39 | 4:57:44 | |
Another player who has a victory
under his belt. Considered one of | 4:57:44 | 4:57:49 | |
the best players never to win. Same
as Mark King, hopefully he can go on | 4:57:49 | 4:57:53 | |
to better things. It is so open?
Yes, but it puts pressure on players | 4:57:53 | 4:58:00 | |
thinking they have a good chance.
Now the question is, not normally a | 4:58:00 | 4:58:05 | |
question some of the lower ranked
players would have had. Now they | 4:58:05 | 4:58:08 | |
have the chance, will they take the
chance. This is a fantastic | 4:58:08 | 4:58:15 | |
opportunity for Ryan Day. Let's look
at the matches this evening and how | 4:58:15 | 4:58:18 | |
you can keep up with them. | 4:58:18 | 4:58:20 | |
Thank you very much indeed to Steve
and Stephen, enjoyed your company | 4:58:35 | 4:58:39 | |
and thank you for watching. Goodbye
for now. | 4:58:39 | 4:58:45 |