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Good afternoon. We are spending our
week here in York for UK | 0:00:33 | 0:00:40 | |
Championship. This is one of the
landmarks of this city, very popular | 0:00:40 | 0:00:44 | |
at this time of year, with the
Christmas markets in full swing. But | 0:00:44 | 0:00:48 | |
not far from here somebody is going
to win a sizeable Christmas bonus at | 0:00:48 | 0:00:52 | |
the Barbican centre. This afternoon,
we have the class of 92. They are | 0:00:52 | 0:01:03 | |
like the sporting greats Ryan Giggs
and David Beckham but these guys | 0:01:03 | 0:01:09 | |
have been dazzling the crowds for 25
years. They are John Higgins, and | 0:01:09 | 0:01:14 | |
the man who celebrates his 42nd
birthday today, The Rocket, Ronnie | 0:01:14 | 0:01:18 | |
O'Sullivan. Thank you very much.
Brilliant! | 0:01:18 | 0:01:24 | |
I played Stephen Hendry and Steve
Davis, the legends of the game, and | 0:02:05 | 0:02:09 | |
they've won the most, but I think
he's somebody who just makes it look | 0:02:09 | 0:02:17 | |
easy, right-handed and left-handed.
He's just a one-off. He's probably | 0:02:17 | 0:02:24 | |
one of the greatest players of all
time. You know, me, John, Mark | 0:02:24 | 0:02:30 | |
Williams, we've noted each other,
we've probably been good for each | 0:02:30 | 0:02:32 | |
other. Still standing indeed. Both
42 years young, O'Sullivan and | 0:02:32 | 0:02:39 | |
Higgins are now very top two players
left in this Championship, at four | 0:02:39 | 0:02:46 | |
and five respectively, and they both
have something in common today. They | 0:02:46 | 0:02:50 | |
are fighting off the younger
generation. | 0:02:50 | 0:02:52 | |
Ronnie is officially the top man
here in York now. So say both the | 0:02:55 | 0:03:00 | |
rankings and the bookies, who make
him a runaway favourite for his | 0:03:00 | 0:03:03 | |
sixth title. Michael Whyte is in his
way today. He has also struck | 0:03:03 | 0:03:13 | |
lightning in the silverware. John
Higgins has been putting in the | 0:03:13 | 0:03:15 | |
miles ahead of his match back and
forward to be tiptop today. Because | 0:03:15 | 0:03:21 | |
he faces the amazing 17-year-old
Yann Byng Tao -- Yan Bingtao, who | 0:03:21 | 0:03:28 | |
reached his first semifinal. Any
questions or queries, you know where | 0:03:28 | 0:03:35 | |
to send them.
These guys were once sensations | 0:03:35 | 0:03:42 | |
themselves. This is a truly old
Championship. It's getting very | 0:03:42 | 0:03:48 | |
precarious now all those top seeds
have gone, especially after that | 0:03:48 | 0:03:52 | |
final frame decider last night. Yes,
we all say you don't have to get | 0:03:52 | 0:04:00 | |
that much from your top standard.
They think is a bit easier to win | 0:04:00 | 0:04:14 | |
but you just can't let your guard
down. We have two cracking matches | 0:04:14 | 0:04:19 | |
this afternoon. That's talk about
this amazing 17-year-old, Yan | 0:04:19 | 0:04:24 | |
Bingtao, against a wily John
Higgins. How much of tasks as John | 0:04:24 | 0:04:32 | |
face today? I've been watching Yan
Bingtao and he has been improving | 0:04:32 | 0:04:40 | |
hand over fist and he's a top, top
competitor. Jermaine has a | 0:04:40 | 0:04:44 | |
potentially very difficult
afternoon. He's incredibly talented | 0:04:44 | 0:04:50 | |
and works very hard. -- John has a
potentially very difficult | 0:04:50 | 0:04:55 | |
afternoon. It was Ronnie who won
this title at 17 years of age. This | 0:04:55 | 0:05:03 | |
guy is only 17 as well. Let's focus
on Ronnie and John's longevity. It's | 0:05:03 | 0:05:12 | |
incredible. I went round looking at
the junior event once and then I saw | 0:05:12 | 0:05:21 | |
these two, and once these two suss
out what it it -- what is needed to | 0:05:21 | 0:05:27 | |
be a professional, my goodness! And
then to still be playing 25 years | 0:05:27 | 0:05:32 | |
later, remarkable. Willie is the
favourite for the event and John's | 0:05:32 | 0:05:40 | |
matchplay is incredible. -- Ronnie
is the favourite. | 0:05:40 | 0:05:45 | |
Will this be more of a contest for
Ronnie today? It depends how he | 0:05:45 | 0:05:53 | |
plays, because when he puts his mind
to it he has as good a safety game | 0:05:53 | 0:05:56 | |
as anybody in the game and you would
expect him to dictate the exchanges. | 0:05:56 | 0:06:02 | |
Michael is seriously talented and
he's going to have to play his own | 0:06:02 | 0:06:05 | |
game today, so it will be
fascinated. We are ready for it. We | 0:06:05 | 0:06:11 | |
have another couple of crackers for
you as well, on tables three and | 0:06:11 | 0:06:15 | |
four. A former semifinalist here.
Martin Gould, who knows there's a | 0:06:15 | 0:06:30 | |
possible route back into the top 16
world rankings, if you can keep this | 0:06:30 | 0:06:34 | |
one going this week, he takes on the
23-year-old Iranian player Hossein | 0:06:34 | 0:06:41 | |
salsa, who has already been to a
quarterfinal of an English Open. But | 0:06:41 | 0:06:49 | |
it is Ronnie's match we will be
watching festival. It has been clear | 0:06:49 | 0:06:53 | |
skies and plain sailing for him but
he doesn't want to get hit by White | 0:06:53 | 0:06:57 | |
lightning today. | 0:06:57 | 0:07:03 | |
It would be nice to win a sort of
major tournament but I'm quite happy | 0:07:11 | 0:07:15 | |
in general. I'm quite confident that
it's going to happen. If not this | 0:07:15 | 0:07:21 | |
week then maybe this season may be
next season, because I'm doing all | 0:07:21 | 0:07:25 | |
the right things to put myself in
the best position I can, so my game | 0:07:25 | 0:07:31 | |
is in a pretty good place at the
moment and hopefully I can soon get | 0:07:31 | 0:07:36 | |
back into the top 16. I've worked a
lot on my safety. It's been a bit | 0:07:36 | 0:07:49 | |
inconsistent. It's going to have to
be as good as it can be. If I do get | 0:07:49 | 0:07:53 | |
the chance is going to have to take
them. I need to enjoy it and not put | 0:07:53 | 0:07:57 | |
too much pressure on myself, which
I'm trying not to, but it will be a | 0:07:57 | 0:08:01 | |
great occasion for me. I think a lot
of pressures came when I won my | 0:08:01 | 0:08:08 | |
first tournament and I don't think I
dealt with it as well as maybe I | 0:08:08 | 0:08:11 | |
could have, but I was young at the
time. I'm still pretty young. I've | 0:08:11 | 0:08:15 | |
got years ahead of me so, yeah, I
think I'm sort of getting back to | 0:08:15 | 0:08:20 | |
playing some of my best snooker. | 0:08:20 | 0:08:24 | |
COMMENTATOR: Once again, your
champion, Ronnie O'Sullivan! | 0:08:29 | 0:08:32 | |
CHEERING AND APPLAUSE
He's the greatest player that has | 0:08:32 | 0:08:37 | |
ever lived in my eyes, so he's going
to be tough to beat, especially in | 0:08:37 | 0:08:42 | |
the Barbican, where he is so
comfortable. He's won numerous | 0:08:42 | 0:08:46 | |
times. If I turn up and play as good
as I can, I can do myself justice. | 0:08:46 | 0:08:52 | |
Well, this is the biggest stage upon
which these two have met so far. The | 0:08:55 | 0:09:00 | |
two previous matches, the most who
profile of which was a tournament in | 0:09:00 | 0:09:08 | |
Belgium. Michael has become a
multiple trophy winner this season, | 0:09:08 | 0:09:14 | |
most notably in Germany. It might be
Ronnie's birthday but Michael would | 0:09:14 | 0:09:18 | |
be in the room -- in the mood to
hand him any gifts yet! Let's get | 0:09:18 | 0:09:24 | |
the show on the road. | 0:09:24 | 0:09:25 | |
So many of the top 16 have gone but
many of the all-time greats are | 0:09:28 | 0:09:33 | |
still in contention in this
Championship. Two of the member | 0:09:33 | 0:09:36 | |
stage have amassed an incredible 59
ranking titles between them. This | 0:09:36 | 0:09:43 | |
promises to be a very special
Tuesday here in Yorkshire. | 0:09:43 | 0:09:54 | |
Please welcome the most exciting
teenage player we've seen for many | 0:10:03 | 0:10:06 | |
years. Former world amateur champion
and World Cup winner, he was one | 0:10:06 | 0:10:12 | |
frame away from becoming the
youngest ranking event champion in | 0:10:12 | 0:10:16 | |
history last month in Northern
Ireland, so here comes the Chinese | 0:10:16 | 0:10:20 | |
sensation Yan Bingtao! | 0:10:20 | 0:10:24 | |
And his opponent, one of the finest
sportsmen Scotland has ever | 0:10:37 | 0:10:42 | |
produced. He's been at the top for
well over 20 years adding yet | 0:10:42 | 0:10:46 | |
another ranking title to his huge
collection in India this season. | 0:10:46 | 0:10:51 | |
Four times a world champion, here
comes The Wizard of Wishaw, here | 0:10:51 | 0:10:56 | |
comes John Higgins! | 0:10:56 | 0:11:05 | |
About to emerge on table one, a
classy Welshman who's been banging | 0:11:13 | 0:11:17 | |
in competitive centuries since the
age of nine. His senior breakthrough | 0:11:17 | 0:11:22 | |
came in India two years ago and
earlier this season he doubled his | 0:11:22 | 0:11:26 | |
ranking event collection, winning
the Paul Hunter classic. Here comes | 0:11:26 | 0:11:29 | |
Michael White Lightning! | 0:11:29 | 0:11:39 | |
And finally, a man who has been
thrilling snooker crowds for a | 0:11:49 | 0:11:54 | |
quarter of a century. Superb form
this season has seen him win the | 0:11:54 | 0:11:57 | |
English Open and the Shanghai
Masters. 30 ranking titles in all, | 0:11:57 | 0:12:02 | |
five times a champion of the world,
blink and you'll miss him, The | 0:12:02 | 0:12:06 | |
Rocket, Ronnie O'Sullivan! | 0:12:06 | 0:12:16 | |
So, here's how we are going to play
this. Higgins-Bingtao will be on the | 0:12:21 | 0:12:28 | |
Red Button. We'll be keeping you
updated here on BBC Two and the | 0:12:28 | 0:12:32 | |
matches are also available via the
BBC sport website. It is table one | 0:12:32 | 0:12:37 | |
where we are heading, and, Dennis
Taylor and Ken Doherty, are you | 0:12:37 | 0:12:42 | |
ready? | 0:12:42 | 0:12:43 | |
DENNIS TAYLOR: We are. We are both
looking forward to seeing how the | 0:12:48 | 0:12:51 | |
birthday boy is playing today. A top
Welsh opponent in Michael White. So | 0:12:51 | 0:13:03 | |
off we go, then. Ronnie gets the
match underway. And pretty good | 0:13:03 | 0:13:08 | |
break-off shot there. Yeah, really
looking forward to this match, | 0:13:08 | 0:13:19 | |
Dennis. A classic already this
season, Michael. But other than | 0:13:19 | 0:13:29 | |
that, he hasn't played particularly
well. But he's a man for the big | 0:13:29 | 0:13:36 | |
occasions, you can certainly say
that, and this is one of those. | 0:13:36 | 0:13:39 | |
I think if he gets off to a good
start, settles down quickly, then it | 0:13:43 | 0:13:49 | |
could be a very interesting match.
But like any player playing Ronnie | 0:13:49 | 0:13:54 | |
O'Sullivan on the big stage, it
depends how fast Ronnie starts as | 0:13:54 | 0:13:57 | |
well. | 0:13:57 | 0:14:01 | |
Another pretty good safety shot.
From Ronnie. But Michael White, I | 0:14:05 | 0:14:14 | |
mean, we're looking at a player here
who made his first competitive | 0:14:14 | 0:14:18 | |
century when he was nine years of
age and won the world amateur when | 0:14:18 | 0:14:22 | |
he was 14. That's amazing. He's got
bundles of talent, no doubt about | 0:14:22 | 0:14:28 | |
that. And he's very, very quick
around the table. Scores very fast. | 0:14:28 | 0:14:36 | |
It was quite interesting in the
intro when he was being interviewed, | 0:14:36 | 0:14:41 | |
he said his safety has to be
top-notch. It certainly has to be, | 0:14:41 | 0:14:46 | |
but also scoring has to be top-notch
as well today, to put Ronnie under | 0:14:46 | 0:14:50 | |
any pressure. It's one thing that
sometimes we forget about with | 0:14:50 | 0:14:55 | |
Ronnie O'Sullivan. For all his big
breaks and 147s, his safety is among | 0:14:55 | 0:15:08 | |
the best that there is. A match for
anybody. | 0:15:08 | 0:15:13 | |
Well, this is not the best safety
shot he's played if this red keeps | 0:15:17 | 0:15:23 | |
on running. It's pulled up just in
time. Looked like it was going to go | 0:15:23 | 0:15:27 | |
right over the corner pocket there.
And it's put Michael in a spot of | 0:15:27 | 0:15:33 | |
bother, the fact that it's finished
there, because it's not easy to | 0:15:33 | 0:15:37 | |
knock this in, and there's no easy
safety shot on. So he just might | 0:15:37 | 0:15:44 | |
have to take it on. It wouldn't
normally be his choice. He's looked | 0:15:44 | 0:15:52 | |
at the potting angle. If he doesn't
get this, you could leave Ronnie | 0:15:52 | 0:15:58 | |
right in amongst them. -- he could
leave Ronnie. And that's a terrific | 0:15:58 | 0:16:06 | |
shot. Deserves to be on the black.
Superb queueing there. | 0:16:06 | 0:16:22 | |
That's not bad. | 0:16:32 | 0:16:38 | |
Looks to be a bit straight on this
black. | 0:16:47 | 0:16:55 | |
Didn't get into the cue ball the way
he would have liked. A lot of cue | 0:17:08 | 0:17:14 | |
power but didn't use it there at
all. Trying to get onto that red | 0:17:14 | 0:17:19 | |
just below the pink. Playing at off
the cushion now at this angle makes | 0:17:19 | 0:17:24 | |
it a lot more difficult. | 0:17:24 | 0:17:26 | |
This is missable. | 0:17:31 | 0:17:36 | |
Yeah, as Ken said, it was certainly
missable from that angle. It was the | 0:17:50 | 0:17:54 | |
shot just before where it was more
of a stunned than the screw. He just | 0:17:54 | 0:17:59 | |
didn't cue it the way he normally
would have. And you can see Michael | 0:17:59 | 0:18:09 | |
looking to see what Ronnie was going
to do with that shot and he's just | 0:18:09 | 0:18:14 | |
looking around the corner, around
the back of Ronnie there. | 0:18:14 | 0:18:24 | |
Just a bit awkward on the blue and
that's the reason he's taking the | 0:18:31 | 0:18:34 | |
yellow. | 0:18:34 | 0:18:37 | |
Ooh! Now, then! He might get away
with this even if the white goes in | 0:18:42 | 0:18:47 | |
the pocket. There's a pottable red
to the middle but that was an | 0:18:47 | 0:18:54 | |
unexpected miss. No one saw that
coming. | 0:18:54 | 0:19:01 | |
He's got a couple of rates to the
left centre. -- a couple of reds. | 0:19:17 | 0:19:25 | |
Not easy with the jaws of that
pocket. But certainly worth having a | 0:19:25 | 0:19:30 | |
go at it. He's looking at the safety
shot. | 0:19:30 | 0:19:36 | |
Well, quite a long way away from
that one. Has he left it? | 0:19:52 | 0:20:01 | |
That's a bit too thin from there.
Just planning the safety shot. He | 0:20:08 | 0:20:26 | |
could do with a gap here between the
green and the blue to get down the | 0:20:26 | 0:20:30 | |
left side of the reds, and there
just might be a gap. | 0:20:30 | 0:20:35 | |
And there was, and he's played it
well. Very good shot. | 0:20:39 | 0:20:45 | |
Another mistake from Ronnie.
Unexpected. But he hasn't left | 0:21:06 | 0:21:11 | |
anything. | 0:21:11 | 0:21:14 | |
It doesn't half make a big
difference, that. That's twice | 0:21:25 | 0:21:29 | |
Ronnie's missed one pot. He got it
safe and then hitting the jaws of | 0:21:29 | 0:21:35 | |
the pocket. He could quite easily
have put Michael in on both | 0:21:35 | 0:21:39 | |
occasions. | 0:21:39 | 0:21:41 | |
This cue balls come very close to
this pocket. He's played it very, | 0:21:53 | 0:21:59 | |
very well. He has him in a spot of
bother here. It's a bit of a messy | 0:21:59 | 0:22:10 | |
table, though, isn't it? The black
where it is. The pink off its spot, | 0:22:10 | 0:22:16 | |
the yellow up this end of the table.
You never know how it's going to pan | 0:22:16 | 0:22:20 | |
out but it's bit of -- it's a bit of
a scrappy frame. You never know how | 0:22:20 | 0:22:29 | |
the balls will finish up. | 0:22:29 | 0:22:36 | |
Well, that was a great shot. That
was an excellent return from Ronnie. | 0:22:56 | 0:23:02 | |
He duly acknowledges it. | 0:23:02 | 0:23:10 | |
It's the type of frame both players
went really enjoy very much. -- | 0:23:29 | 0:23:35 | |
weren't really enjoy. A bit of cat
and mouse at the moment. Trying to | 0:23:35 | 0:23:41 | |
find the first opening. | 0:23:41 | 0:23:45 | |
He's covered most of the reds. The
one between the pink and the red and | 0:24:13 | 0:24:20 | |
the pink spot is the only one that
is possible to pot. | 0:24:20 | 0:24:25 | |
If he took that on, the white would
be going towards the right corner | 0:24:33 | 0:24:37 | |
pocket, so he's got to try to cut
this in the middle, but this is | 0:24:37 | 0:24:41 | |
awkward cueing. That wasn't easy.
The cannon on the brown has kept | 0:24:41 | 0:24:48 | |
everything safe, though. | 0:24:48 | 0:24:52 | |
But gradually they are starting to
open up. | 0:24:57 | 0:25:02 | |
There's a couple of words Michael
could have a go at here. That one is | 0:25:22 | 0:25:26 | |
almost straight. A bit of angle. But
the yellow is up this end of the | 0:25:26 | 0:25:30 | |
table. That's what he's looking
that, to see if he stopped it dead, | 0:25:30 | 0:25:36 | |
would he be on the yellow? If he
stopped it dead he would be | 0:25:36 | 0:25:39 | |
snookered on the yellow with the red
to the left of the one he would be | 0:25:39 | 0:25:44 | |
taking. Playing it with topspin,
he's got to be careful the white | 0:25:44 | 0:25:49 | |
doesn't follow it in. | 0:25:49 | 0:25:51 | |
It wasn't easy, that. | 0:25:55 | 0:26:02 | |
He was hoping to get the cue ball
behind the brown but he's left this | 0:26:25 | 0:26:31 | |
red inside the blue. A very
straightforward safety shot from | 0:26:31 | 0:26:34 | |
Ronnie here. | 0:26:34 | 0:26:40 | |
Just wondering, can he cut this one
into the right-hand corner pocket? | 0:26:51 | 0:26:55 | |
There's a couple of friends he can
go at. Maybe get back up for blue or | 0:26:55 | 0:27:01 | |
yellow. -- a couple of reds. Some
good long balls already in this | 0:27:01 | 0:27:10 | |
frame. That's another good pot.
Trying to get back out for the | 0:27:10 | 0:27:16 | |
yellow into that corner pocket. Does
it go into the right centre? Well, | 0:27:16 | 0:27:22 | |
it's very tight. | 0:27:22 | 0:27:24 | |
No. Very tough to judge, those. | 0:27:32 | 0:27:39 | |
He let the white runaway there. | 0:27:51 | 0:27:56 | |
Good cueing. And just look at the
table. There's very few points | 0:28:04 | 0:28:12 | |
available but it's one of the
situations sometimes where Ronnie | 0:28:12 | 0:28:17 | |
O'Sullivan is good at break-building
when there's not a lot there. But | 0:28:17 | 0:28:23 | |
he's not timing the ball just as
well at the moment. He didn't get | 0:28:23 | 0:28:27 | |
into that one. | 0:28:27 | 0:28:29 | |
It is the first frame and it takes
the players just a while to settle | 0:28:36 | 0:28:41 | |
in. | 0:28:41 | 0:28:42 | |
He's got an angle on this red to
clip the black and the red on the | 0:28:47 | 0:28:51 | |
right side of the table. Doesn't
have to but it's possibly on. | 0:28:51 | 0:29:00 | |
Didn't take the opportunity. But it
worked out OK. | 0:29:06 | 0:29:13 | |
Now, he needs a nice angle after
putting this red. Hopefully for the | 0:29:17 | 0:29:21 | |
blue. Then try to go into those four
reds at the top there. It's a tough | 0:29:21 | 0:29:33 | |
target. | 0:29:33 | 0:29:34 | |
Well, he hit them OK but nothing
available. | 0:29:42 | 0:29:49 | |
Certainly not the type of framework
were expecting to start off. The | 0:30:07 | 0:30:14 | |
balls can sometimes get tied up. | 0:30:14 | 0:30:16 | |
Just got to be a bit careful here he
doesn't capture -- catch a colour on | 0:30:36 | 0:30:47 | |
the way back down. The yellow and
blue are in the way of the cue ball | 0:30:47 | 0:30:56 | |
heading back down the table, but
this will cut in. The referee, | 0:30:56 | 0:31:04 | |
Marcel Eckhardt, just removing the
foreign object of the cue ball. | 0:31:04 | 0:31:14 | |
It was a bit of a free shot, as I
say. | 0:31:23 | 0:31:29 | |
That's a few times Ronnie has put
Michael down in this position, and | 0:31:47 | 0:31:55 | |
it is always a very tough to cue.
Almost over the pocket. | 0:31:55 | 0:32:04 | |
You have got to be so precise. | 0:32:12 | 0:32:16 | |
It wasn't the best safety shot, but
he will certainly be happy with it. | 0:32:24 | 0:32:28 | |
APPLAUSE | 0:32:40 | 0:32:42 | |
Good effort. | 0:32:45 | 0:32:47 | |
Well, how many times have we seen
that white up in the jaws of that | 0:33:07 | 0:33:15 | |
top corner pocket? But this will cut
in. It is a half chance for Ronnie. | 0:33:15 | 0:33:20 | |
APPLAUSE
It has gone close on numerous | 0:33:20 | 0:33:26 | |
occasions, and there again it is in
the jaws, but he is on the brown, | 0:33:26 | 0:33:31 | |
and there is a red, the one that is
nearest the right corner. | 0:33:31 | 0:33:36 | |
The other one might possibly be. | 0:33:36 | 0:33:38 | |
He is now looking at the green. But
you would think the brown would be | 0:33:49 | 0:33:54 | |
the better one for position. Yes,
back to the brown. | 0:33:54 | 0:33:57 | |
Oh, the flick on the blue. What's
the outcome? I tell you what, it | 0:34:07 | 0:34:14 | |
might not be bad, because he flicked
the red away, and now the black is | 0:34:14 | 0:34:21 | |
available. So that could turn out to
his advantage, that flick on the | 0:34:21 | 0:34:27 | |
blue. | 0:34:27 | 0:34:28 | |
APPLAUSE | 0:34:36 | 0:34:39 | |
I tell you, that really takes superb
cueing. That was a fantastic shot. | 0:34:44 | 0:34:51 | |
The brown wasn't that easy either.
Those two shots on their own will | 0:34:51 | 0:34:58 | |
tell you how good he is cueing. Now,
watch this, it was amazing. When he | 0:34:58 | 0:35:06 | |
flicked the blue, I thought it was
all going wrong, but look at the | 0:35:06 | 0:35:10 | |
other flick on the red to free the
black. | 0:35:10 | 0:35:15 | |
This is another tough one coming up.
It is not straightforward. | 0:35:23 | 0:35:28 | |
He doesn't want this red to knock
the black safe, he is playing a | 0:35:54 | 0:35:57 | |
safety shot, that's OK. | 0:35:57 | 0:36:02 | |
28 points, the difference. The game
has now opened up. So, one mistake | 0:36:20 | 0:36:25 | |
could be costly. | 0:36:25 | 0:36:27 | |
At the moment, he may not be timing
the ball as well as he would like, | 0:36:35 | 0:36:42 | |
but his safety so far has been
excellent. | 0:36:42 | 0:36:45 | |
And Michael's hasn't been too
shabby, either. | 0:36:52 | 0:36:58 | |
First loose one. | 0:37:05 | 0:37:11 | |
And as I say, we have had a lot of
safety, because the frame went very | 0:37:15 | 0:37:20 | |
awkward. Can Michael White convert
this long read, give himself a | 0:37:20 | 0:37:24 | |
chance? | 0:37:24 | 0:37:25 | |
Oh, dear. There was a lot of safety
play. This might be in, off the | 0:37:40 | 0:37:48 | |
brown, is it? He cued that one very
poorly, have a look at this. That is | 0:37:48 | 0:37:55 | |
not the sort of thing you want to
see happening. | 0:37:55 | 0:37:58 | |
Yes, quite a lot of movement, and
that will certainly worry him a | 0:38:14 | 0:38:18 | |
little bit. | 0:38:18 | 0:38:21 | |
Now, a chance for Ronnie to get a 28
point lead. | 0:38:35 | 0:38:41 | |
He can hold for the black here with
a little kiss on the yellow. Just | 0:38:42 | 0:38:47 | |
the black and one more red for this
opening frame, that has been a bit | 0:38:47 | 0:38:50 | |
scrappy. He won't mind, they all
count. He has got to judge a little | 0:38:50 | 0:39:00 | |
cannon into these two reds here. | 0:39:00 | 0:39:06 | |
That hasn't worked out well at all. | 0:39:15 | 0:39:18 | |
No attempt at the double there,
although the red almost went in off | 0:39:41 | 0:39:49 | |
the pink. But Michael has got to get
the white back up the table, and | 0:39:49 | 0:39:56 | |
somewhere to the right of the yellow
and towards the black, otherwise he | 0:39:56 | 0:40:03 | |
will leave that red near the pocket,
so it will be interesting to see how | 0:40:03 | 0:40:07 | |
he plays this. | 0:40:07 | 0:40:09 | |
And he did. Now he has got the white
up the table, but not the way he | 0:40:13 | 0:40:17 | |
intended. I was just about to say
that that was the frame over, until | 0:40:17 | 0:40:21 | |
he double-kissed the red. | 0:40:21 | 0:40:25 | |
Another good safety from Ronnie
O'Sullivan, still waiting for that | 0:41:15 | 0:41:22 | |
one red that he needs. This friend
coming up to almost 29 minutes. | 0:41:22 | 0:41:28 | |
He has got to be careful here that
he doesn't leave this red on. | 0:41:32 | 0:41:41 | |
REFEREE: Foul and a miss.
He has got hit it this time, because | 0:41:41 | 0:41:56 | |
he is 40 behind. | 0:41:56 | 0:41:58 | |
It is so easy to push this red into
a portable position. | 0:42:11 | 0:42:15 | |
APPLAUSE | 0:42:30 | 0:42:40 | |
And where is the white going to
finish? On the blue spot. | 0:42:48 | 0:42:53 | |
46 ahead. | 0:42:58 | 0:42:59 | |
Bit of a scrappy opener, a lot of
safety, the balls went a bit messy. | 0:43:13 | 0:43:20 | |
Yes, you never know how the frame is
going to pan out. It will possibly | 0:43:20 | 0:43:26 | |
turn out to be the longest frame of
the match. | 0:43:26 | 0:43:30 | |
I think we spoke about Ronnie's
safety game that is up there with | 0:43:39 | 0:43:46 | |
the best as well, and a few little
shots during that frame just showed | 0:43:46 | 0:43:53 | |
how good he was, got into all sorts
of trouble a couple of times, and | 0:43:53 | 0:43:57 | |
ultimately it cost him the frame.
Yes, he has kept his focus, which | 0:43:57 | 0:44:04 | |
you have to do, when you get an
awkward frame like this. They are | 0:44:04 | 0:44:10 | |
just as important to win, probably
more important. It doesn't matter | 0:44:10 | 0:44:15 | |
about the pink wobbling in the jaws
of the pocket. It is a frame that | 0:44:15 | 0:44:19 | |
lasted just over half an hour, and
Ronnie O'Sullivan takes it, and he | 0:44:19 | 0:44:23 | |
leads one frame to nil.
Hazel IRVINE: Ronnie off and | 0:44:23 | 0:44:32 | |
running, and there were points when
the decisions needed to be made by | 0:44:32 | 0:44:36 | |
most Michael White and Ronnie. He is
in the situation, he is 30 points | 0:44:36 | 0:44:43 | |
behind, the two reds on the table, I
would have been tempted to play the | 0:44:43 | 0:44:47 | |
other one that was in the baulk
area. He plays it another way, clips | 0:44:47 | 0:44:53 | |
the red, and he is making it harder
for himself to make a clearance if | 0:44:53 | 0:44:57 | |
he gets it anyway, by potting
another red close to the cushion. | 0:44:57 | 0:45:04 | |
He clips the red like this, and now
he is snookered. It is funny how | 0:45:10 | 0:45:16 | |
people see the game differently. I'm
not saying what he did was wrong, | 0:45:16 | 0:45:19 | |
but it is the way of looking at it
and thinking, how will I get back | 0:45:19 | 0:45:22 | |
into the game? He certainly played a
fantastic safety shot from there, | 0:45:22 | 0:45:30 | |
and it was such a difficult shot to
play, there was a chance of going in | 0:45:30 | 0:45:36 | |
off, so it was an excellent safety
shot. You can't fault his | 0:45:36 | 0:45:41 | |
preparation, he was here for a
couple of hours, and beta you have | 0:45:41 | 0:45:44 | |
been privy to the fact that he has
been doing a lot of work recently. | 0:45:44 | 0:45:50 | |
Yes, I popped into the Academy in
Sheffield yesterday, and I had a | 0:45:50 | 0:45:53 | |
best of nine with one of the lads
before I came to York, and he was | 0:45:53 | 0:45:58 | |
practising there. He was still there
when I left, he is potting a lot of | 0:45:58 | 0:46:01 | |
hard work in. And he is paying off,
he has been in three of the four | 0:46:01 | 0:46:06 | |
recent finals, he has two major
titles under his belt this season, | 0:46:06 | 0:46:10 | |
and he seems to be very committed.
And he was fully focused, and if he | 0:46:10 | 0:46:26 | |
keeps winning, and his attitude
there was unquestionable. Dennis, | 0:46:26 | 0:46:33 | |
back to you. | 0:46:33 | 0:46:36 | |
That is a long pot, looks a little
quicker than the other day, but | 0:46:51 | 0:47:03 | |
playing absolutely beautiful. | 0:47:03 | 0:47:05 | |
That was a good point Peter Ebdon
made about the practice, you think | 0:47:10 | 0:47:16 | |
here's a natural player, doesn't
have to practice, there has never | 0:47:16 | 0:47:20 | |
been a player that could play and
get to the top of the game of | 0:47:20 | 0:47:24 | |
snooker without putting the hard
work in. There is no secret to | 0:47:24 | 0:47:28 | |
getting to the top of this game, you
have to put in the hours and hours | 0:47:28 | 0:47:33 | |
of practice. A great quote from the
great Sir Alex Ferguson, he said | 0:47:33 | 0:47:41 | |
talent without hard work wins
nothing. Ronnie has got bundles of | 0:47:41 | 0:47:47 | |
talent, but he works hard to go with
it, and that's why he's been so | 0:47:47 | 0:47:51 | |
successful. 25 years ago he won this
championship, just 17 years of age. | 0:47:51 | 0:47:59 | |
And of course, he has won it five
times, he is bidding this year to | 0:47:59 | 0:48:07 | |
equal Steve Davis's six. A
remarkable career, still going | 0:48:07 | 0:48:15 | |
strong. | 0:48:15 | 0:48:15 | |
Totally the opposite to the opening
frame. | 0:48:54 | 0:48:56 | |
Just a couple more reds available. | 0:49:04 | 0:49:07 | |
Even the great players take their
eye off the pot sometimes. He | 0:49:33 | 0:49:38 | |
concentrated on the cannon into the
reds there, had to play it with | 0:49:38 | 0:49:42 | |
side, and just took his
concentration of the pot. It is very | 0:49:42 | 0:49:51 | |
important for Michael White here to
knock a few in just settle down. But | 0:49:51 | 0:49:55 | |
in off the left jaw. | 0:49:55 | 0:50:00 | |
If he had hit this any harder, just
have a look at this. It would have | 0:50:05 | 0:50:09 | |
come back out again. But he is a
very talented player, so he could do | 0:50:09 | 0:50:16 | |
with knocking in a few here to get
right back into this second frame. | 0:50:16 | 0:50:20 | |
Yes, it is situations like this that
he really has to score from, not | 0:50:26 | 0:50:30 | |
only to give himself a bit of
confidence but just to let Ronnie no | 0:50:30 | 0:50:34 | |
that he is going to have to play
well to beat him. | 0:50:34 | 0:50:40 | |
He has to make Ronnie know that if
he misses, he is going to get | 0:50:44 | 0:50:47 | |
punished. It is an important break,
this, for Michael. | 0:50:47 | 0:50:53 | |
I think the red that is close to the
pink doesn't pot, so he might leave | 0:51:20 | 0:51:27 | |
the angle close so that he can nudge
the red into play, that looks | 0:51:27 | 0:51:34 | |
perfect. The only awkward red would
be that one just below the black on | 0:51:34 | 0:51:41 | |
the cushion, you would have to say.
That may be the key to this frame. | 0:51:41 | 0:51:47 | |
I think he tried to move it there. | 0:51:59 | 0:52:03 | |
He definitely tried to take it off
the cushion. | 0:52:08 | 0:52:12 | |
He has changed his mind a couple of
times there. That's OK. | 0:52:28 | 0:52:35 | |
Very easy to get up for that red to
the right of the blue. | 0:52:40 | 0:52:45 | |
And he got a kick, he almost missed
the pot. That would have been | 0:52:49 | 0:52:54 | |
unlucky, he got a heavy contact
there. It just jumped a little bit. | 0:52:54 | 0:53:00 | |
Now, how is he going to go about
this red that is behind the black? | 0:53:00 | 0:53:05 | |
Is he going to play to get on it for
either corner pocket? Or if he | 0:53:05 | 0:53:11 | |
doesn't fancy that, he can leave the
white in such a position that he | 0:53:11 | 0:53:15 | |
could put Ronnie in all sorts of
trouble. It will be interested to | 0:53:15 | 0:53:20 | |
see how he goes about this and what
his decision will be. When you are | 0:53:20 | 0:53:24 | |
at the table, sometimes you think, I
am going to go for it, but that is | 0:53:24 | 0:53:28 | |
what he is already debating in his
own mind. I think he has got to try | 0:53:28 | 0:53:34 | |
to get on that baulk, try to get
somewhere close to that red. | 0:53:34 | 0:53:41 | |
I would just put a little cue ball
up there, Dennis. If he gets | 0:53:47 | 0:53:53 | |
anywhere within that vicinity, then
he leaves a nice angle on the red. | 0:53:53 | 0:53:56 | |
Has he missed the black? Just got a
little flick on the black. He could | 0:53:56 | 0:54:07 | |
put everything into just potting
this. He has a slight angle, but | 0:54:07 | 0:54:13 | |
that is the problem with these
pockets, if you force them... | 0:54:13 | 0:54:17 | |
It is OK we knew are just dropping
the men along the cushion, but when | 0:54:21 | 0:54:24 | |
you have to put in any pace, it is
so easy for this to happen. I mean, | 0:54:24 | 0:54:29 | |
it looked good there. But this was
the position that Michael could have | 0:54:29 | 0:54:36 | |
put Ronnie in. But you can't blame
him for trying to knock the red in. | 0:54:36 | 0:54:49 | |
Yes, maybe laying a snooker for
Ronnie O'Sullivan. If you just drops | 0:54:49 | 0:54:53 | |
the red in, the angle wasn't
fantastic to get up for the black, | 0:54:53 | 0:54:57 | |
but he could have dropped it in and
maybe played a little snooker just | 0:54:57 | 0:55:00 | |
up behind the black and put Ronnie
and a lot of trouble, and now he has | 0:55:00 | 0:55:05 | |
got to not only try and hit this
red, but get it safe, that is going | 0:55:05 | 0:55:10 | |
to be the most difficult part of
this equation. | 0:55:10 | 0:55:13 | |
He is going for the swerve shot,
right down the cue. Now, where is | 0:55:22 | 0:55:29 | |
the red going to finish? And where
is the blue going to finish? Is the | 0:55:29 | 0:55:34 | |
blue coming to the rescue on the cue
ball? It is, he holds his hand up. | 0:55:34 | 0:55:40 | |
APPLAUSE | 0:55:47 | 0:55:50 | |
You never know where they are going
to finish, and what a result there. | 0:55:54 | 0:55:59 | |
That was a case of, anything you can
do, I can do better. | 0:55:59 | 0:56:03 | |
He has to clip the edge of this red,
because if he clips it fourball, the | 0:56:06 | 0:56:13 | |
Green will take all of the pace out
of the cue ball, so he has to clip | 0:56:13 | 0:56:18 | |
the edge. That is not too bad, he
will be happy with that. | 0:56:18 | 0:56:28 | |
I don't fit Ronnie can pot this red.
If he sends it all around the angle, | 0:56:31 | 0:56:39 | |
he will get somewhere behind the
black, I would think. And here it | 0:56:39 | 0:56:46 | |
comes. He caught the jaw of the
pocket, otherwise he would have got | 0:56:46 | 0:56:53 | |
the red in behind the black. I tell
you what, if Michael can play one | 0:56:53 | 0:57:00 | |
good safety shot here, double the
red across, the white back up | 0:57:00 | 0:57:04 | |
towards yellow and brown, the red
might go close to the right corner | 0:57:04 | 0:57:09 | |
pocket. | 0:57:09 | 0:57:10 | |
Played it well, this is a very good
shot. Excellent. | 0:57:15 | 0:57:19 | |
Is there a gap? I think there is. | 0:57:26 | 0:57:31 | |
Well, Ronnie's time to be extremely
lucky, he got the double-kiss. | 0:57:41 | 0:57:45 | |
There is a big target there, the
green, and the pink and of course | 0:57:58 | 0:58:02 | |
the blue, he can use them as
Brockers. The yellow is not a bad | 0:58:02 | 0:58:07 | |
one, either. | 0:58:07 | 0:58:10 | |
That is a great safety, and he will
need a little bit of luck, two | 0:58:15 | 0:58:18 | |
cushions.
REFEREE: Foul, and a miss. Michael | 0:58:18 | 0:58:34 | |
White, four.
Ronnie is not playing just hit this, | 0:58:34 | 0:58:41 | |
he wants to clip it. | 0:58:41 | 0:58:43 | |
And this could be a free ball, this
could be very costly, it could have | 0:58:49 | 0:58:53 | |
cost him the frame. It is, and I
know it is the best of 11 and it is | 0:58:53 | 0:58:59 | |
early days, but this is a huge frame
for this young Welsh player. | 0:58:59 | 0:59:03 | |
REFEREE: Yellow ball. | 0:59:06 | 0:59:08 | |
The yellow counts as one point. | 0:59:20 | 0:59:23 | |
I don't know about you, Dennis, but
I think I would like to get the | 0:59:29 | 0:59:33 | |
greenback up on its spot here, just
to make the break a bit easier. OK, | 0:59:33 | 0:59:40 | |
he is 18 points ahead, he could go
blue, red, blue or pink and then | 0:59:40 | 0:59:46 | |
yellow, and then Ronnie Wood need
snickers, but he could go for the | 0:59:46 | 0:59:49 | |
green here, if he wished. | 0:59:49 | 0:59:51 | |
No, he is going to go red, blue,
yellow. And Ronnie will need one | 0:59:54 | 1:00:01 | |
snooker. This is a frame that Ronnie
really should have won. | 1:00:01 | 1:00:09 | |
Yes, surprised he left a three ball
-- free ball there. | 1:00:16 | 1:00:24 | |
But as you can see, only one snooker
required, so this green might go | 1:00:34 | 1:00:39 | |
past the black. I'm not sure. I
think this was the problem. By not | 1:00:39 | 1:00:46 | |
getting the greenback on its spot
he's made life a bit more difficult | 1:00:46 | 1:00:49 | |
for him. Well, just about. | 1:00:49 | 1:00:54 | |
Well, Ronnie says that's enough so
Michael White name gets his first | 1:01:07 | 1:01:11 | |
frame on the board. It's 1-1.
HAZEL IRVINE: So, one frame apiece. | 1:01:11 | 1:01:22 | |
The way he went about getting over
the line there, there was much | 1:01:22 | 1:01:25 | |
discussion between you two about
that process. Yeah, you don't expect | 1:01:25 | 1:01:30 | |
O'Sullivan to miss the way he's done
that, miss the red and then the free | 1:01:30 | 1:01:36 | |
ball. The first shot out have been
playing was yellow off side cushion, | 1:01:36 | 1:01:40 | |
get the green, dead straight,
greenback on its spot perfect and | 1:01:40 | 1:01:44 | |
then the clearance is much easier,
but he went another way and got over | 1:01:44 | 1:01:47 | |
the line but did it the hard way.
Questions of Michael so far, Peter? | 1:01:47 | 1:01:55 | |
It's been an interesting game.
They've shared excellent safety, | 1:01:55 | 1:01:58 | |
potted a lot of balls. Michael White
now really have to play his own game | 1:01:58 | 1:02:03 | |
and he's gone out and attacked
Ronnie but he's also tried to | 1:02:03 | 1:02:06 | |
compete with him in the safety
department, which will be difficult | 1:02:06 | 1:02:08 | |
over the course of the match, but
he's doing well and that was an | 1:02:08 | 1:02:12 | |
important frame to him to win. This
is one of the first times that he | 1:02:12 | 1:02:19 | |
opened my eyes to think he could be
one of the best players was when I | 1:02:19 | 1:02:24 | |
saw him not at his best but, boy,
did he compete. He took Selby to a | 1:02:24 | 1:02:29 | |
final frame decider. He didn't have
his best game that day but he showed | 1:02:29 | 1:02:33 | |
me that even without his best game,
he's a good competitor and he's | 1:02:33 | 1:02:37 | |
difficult to beat. He has had a
rough time of it of late. He came | 1:02:37 | 1:02:41 | |
back and won an event in Germany. He
has taken some matches against Selby | 1:02:41 | 1:02:49 | |
this season, but even with that,
he's had some mental health issues | 1:02:49 | 1:02:53 | |
and address those and really seems
to be getting back to where he was a | 1:02:53 | 1:02:56 | |
couple of years ago, which is
fantastic to see. In terms of his | 1:02:56 | 1:03:00 | |
competitive ability, how would you
rate him as a 26-year-old in this | 1:03:00 | 1:03:06 | |
game now? He's a very good
competitor and he such a natural | 1:03:06 | 1:03:09 | |
talent as well, isn't he? When he's
on his game he is capable of beating | 1:03:09 | 1:03:13 | |
anybody. Going back to his mental
issues, this is the most difficult | 1:03:13 | 1:03:18 | |
game in the world bar none. When you
get beat, when you sit and make a | 1:03:18 | 1:03:22 | |
mistake -- when you met mistakes,
then sit in your chair. There's so | 1:03:22 | 1:03:27 | |
much luck involved as well. It's a
story we've heard from many players. | 1:03:27 | 1:03:32 | |
It's a hard game to master and it
does inflict psychological blows | 1:03:32 | 1:03:37 | |
upon you the longer you stay in.
Scars, too, as we talked about, | 1:03:37 | 1:03:42 | |
John. Back we go. One frame apiece. | 1:03:42 | 1:03:49 | |
DENNIS TAYLOR: Once again, another
very good break of shocked. -- | 1:03:53 | 1:04:00 | |
break-off shot. Tight to the
cushion. That's what you're looking | 1:04:00 | 1:04:06 | |
for. Michael pap the table there to
acknowledge that. -- Michael tapped | 1:04:06 | 1:04:12 | |
the table. Of course he plays it
left-handed as well. You tend to | 1:04:12 | 1:04:22 | |
forget about Ronnie breaking off
left-handed and it just becomes so | 1:04:22 | 1:04:29 | |
customary. You take it for granted. | 1:04:29 | 1:04:32 | |
Coming off two cushions to try to
get to the red. | 1:04:41 | 1:04:47 | |
REFEREE: Foul and a miss. | 1:04:55 | 1:04:59 | |
That's the perfect line. Can he
remember where he hit the cushion? | 1:05:02 | 1:05:10 | |
Well, if he doesn't hit it this
time, this looks a bit weak as well. | 1:05:14 | 1:05:23 | |
Will it reach? Yes, well played,
well played. | 1:05:23 | 1:05:31 | |
Good pot from Ronnie into a cute
angle there -- a cued angle there. | 1:05:55 | 1:06:07 | |
This is the only other red that's
available. And those two reds are a | 1:06:40 | 1:06:52 | |
bit awkward to get a good split here
but he's so good at this type of | 1:06:52 | 1:06:56 | |
shot. And he's played that very well
indeed. | 1:06:56 | 1:07:04 | |
Just going back to what the boys and
Hazel were talking about in the | 1:07:12 | 1:07:17 | |
studio about mental strength in this
game... I haven't seen Doctor Steve | 1:07:17 | 1:07:28 | |
Peters, who arrives a lot of the
time with Ronnie. A sports | 1:07:28 | 1:07:32 | |
psychiatrist rather than
psychologist. When he's around, | 1:07:32 | 1:07:37 | |
Ronnie's always in a good frame of
mind. | 1:07:37 | 1:07:42 | |
Yeah, well, I think his good friend
Damien Hirst is here as well, the | 1:07:50 | 1:07:55 | |
artist. Always seems to have a
calming influence on Ronnie. They | 1:07:55 | 1:08:01 | |
get on very, very well together. | 1:08:01 | 1:08:06 | |
We talk about how tough this game
is. Michael White bounced out of the | 1:08:13 | 1:08:18 | |
arena after winning that close last
frame. He's in a difficult position. | 1:08:18 | 1:08:26 | |
No shot, plays out of snooker and
has been sitting in his chair for | 1:08:26 | 1:08:29 | |
the rest of the frame. Tough game. | 1:08:29 | 1:08:34 | |
This just improves the importance of
getting a good break-off shot and | 1:08:39 | 1:08:43 | |
Ronnie have the perfect one. -- had
the perfect one. I mentioned at the | 1:08:43 | 1:08:52 | |
time I thought the first frame would
be the longest of the match. It's | 1:08:52 | 1:08:56 | |
certainly proving that way at the
moment. Last frame was just 15 | 1:08:56 | 1:09:04 | |
minutes. | 1:09:04 | 1:09:06 | |
Should be OK. Just need to avoid the
baulk colours and a few reds still | 1:09:16 | 1:09:22 | |
available. That was a lovely little
shot Ronnie played there, and that's | 1:09:22 | 1:09:32 | |
part of the art of break-building.
He used the pack of reds, a bit of | 1:09:32 | 1:09:36 | |
left-hand side to bring some more
reds back into place to go up for | 1:09:36 | 1:09:41 | |
the blue. Beautiful shot. And the
control that goes with it. | 1:09:41 | 1:09:49 | |
Ronnie's up at 95%. That's
excellent. | 1:09:58 | 1:10:02 | |
Yeah, you're watching a player who's
made 908 century breaks in his | 1:10:35 | 1:10:39 | |
career. That's remarkable! He's made
two in this tournament. Made 50 | 1:10:39 | 1:10:47 | |
centuries last season. 34 this
season. The highest break at the | 1:10:47 | 1:10:58 | |
moment held by Ronnie's opponent,
Michael White. 142. | 1:10:58 | 1:11:05 | |
Another marvellous century from
Ronnie. Never been out of position | 1:11:27 | 1:11:31 | |
once. A wonderful break. So
effortless, so easy. And often that | 1:11:31 | 1:11:46 | |
break off... Just coming up to eight
minutes in this third frame. He is | 1:11:46 | 1:11:56 | |
slowing down a bit, isn't he?
Everyone always brings up the | 1:11:56 | 1:12:03 | |
maximum break in five minutes and 20
seconds! That was made in 1997 at | 1:12:03 | 1:12:11 | |
The Crucible. Can you believe it? | 1:12:11 | 1:12:15 | |
Well, what a magnificent frame from
Ronnie O'Sullivan. It was the great | 1:12:23 | 1:12:28 | |
break of shocked that opened the way
for him to get that chance, and | 1:12:28 | 1:12:31 | |
didn't he take it well? -- the great
break-off shot. | 1:12:31 | 1:12:35 | |
HAZEL IRVINE: You two were waxing
lyrical about the shot that enabled | 1:12:38 | 1:12:45 | |
him to go on and win previously.
Yeah, he plays the cannon, | 1:12:45 | 1:12:53 | |
deliberately just sending the white
through there to leave himself the | 1:12:53 | 1:12:56 | |
red into the opposite corner. You've
got to get the correct angle | 1:12:56 | 1:13:02 | |
absolutely on that. If you don't, it
can and is the red out of the way, | 1:13:02 | 1:13:09 | |
you don't get back on the ball. But
so poetic. Every positional shot was | 1:13:09 | 1:13:15 | |
perfect, the touch, the way he works
around the break. You know they are | 1:13:15 | 1:13:19 | |
going to go in. The touch is
phenomenal. We were saying at the | 1:13:19 | 1:13:25 | |
weekend, he crossed that 900 ton
mark and now he's going so quickly | 1:13:25 | 1:13:28 | |
to try to establish the 1000th. It's
off the chart, really, that | 1:13:28 | 1:13:33 | |
achievement, isn't it? He is
phenomenal. I did an interview | 1:13:33 | 1:13:39 | |
recently for the BBC website and
he's a creative genius. That's | 1:13:39 | 1:13:43 | |
exactly what he is as well. Even the
red he played, the hardest on shot, | 1:13:43 | 1:13:49 | |
he didn't perfectly get on the blue,
then he played a lovely controlled | 1:13:49 | 1:13:52 | |
screw shot. Brilliant and beautiful
to watch. The trouble is, he makes | 1:13:52 | 1:13:58 | |
it look too easy. I could do that!
You can't! Trust me, you can't! | 1:13:58 | 1:14:07 | |
There's nobody like him. Does he see
a break differently? Does he go | 1:14:07 | 1:14:13 | |
about it in a way that is
fundamentally different? He does, | 1:14:13 | 1:14:19 | |
and he's proved that because he's
made more centuries than anybody | 1:14:19 | 1:14:23 | |
else, but as John alluded to there,
it's his touch, on these very | 1:14:23 | 1:14:29 | |
difficult cloths. Just a genius.
Brilliant to watch. Ronnie has given | 1:14:29 | 1:14:35 | |
us some artistry, as Peter said, and
it is Michael White with it all to | 1:14:35 | 1:14:39 | |
do as we head into the last before
the interval. | 1:14:39 | 1:14:42 | |
KEN DOHERTY: Interesting from the
studio there. It's a great sight | 1:15:12 | 1:15:20 | |
when you see Ronnie O'Sullivan in
full flight. Particularly some of | 1:15:20 | 1:15:26 | |
the shots he sees, and he sees them
so quickly. And plays them with the | 1:15:26 | 1:15:31 | |
greatest of ease and aplomb. | 1:15:31 | 1:15:35 | |
It would be some feat when he
eventually does reach the 1000 mark | 1:15:49 | 1:15:53 | |
in the century 's department. I
don't think he's going to be too far | 1:15:53 | 1:15:57 | |
away. Already 999. A couple of
seasons, maybe. Could well reach | 1:15:57 | 1:16:09 | |
that thousand but you never know
what's around the corner for anyone | 1:16:09 | 1:16:12 | |
in sport or life. You just enjoy it
while you're doing it. | 1:16:12 | 1:16:20 | |
And the double-kiss. Well, I thought
it might come to his rescue but he | 1:16:23 | 1:16:30 | |
can pot this one to the left corner.
Just a couple of the long pots | 1:16:30 | 1:16:35 | |
Michael's had a go but, he hasn't
queued them very smoothly. He needs | 1:16:35 | 1:16:39 | |
to get in amongst the balls but he's
not getting any chances. -- he | 1:16:39 | 1:16:44 | |
hasn't cued them very smoothly. Not
getting in at the moment. Though he | 1:16:44 | 1:16:49 | |
might get one here. Not happy with
that shot. | 1:16:49 | 1:16:57 | |
He was playing a delicate pot and
the cannon to hold the black there. | 1:17:02 | 1:17:10 | |
Well, I did mention there that
Michael needed a chance in amongst | 1:17:28 | 1:17:31 | |
the reds and he's got that. If he
can go into the mid-session interval | 1:17:31 | 1:17:37 | |
at two -- to-2, he would be a happy
bunny. | 1:17:37 | 1:17:45 | |
I like that shot. I really do. He
took the risk there to open up the | 1:18:07 | 1:18:15 | |
reds and stay on the back. Did it
perfectly. He made it look very easy | 1:18:15 | 1:18:23 | |
but could quite easily have run onto
the cushion. So the chance is there. | 1:18:23 | 1:18:28 | |
Can he knock this sizeable effort
in? | 1:18:28 | 1:18:31 | |
Just having a quick look at that top
two. Doesn't feel they are on, | 1:18:36 | 1:18:45 | |
otherwise he would have gone
straight there. Try to stay on the | 1:18:45 | 1:18:50 | |
black here. Potting this red. | 1:18:50 | 1:18:55 | |
The top red of those two, the right,
we'll popped into this pocket. | 1:19:00 | 1:19:08 | |
Really open things up for him. --
we'll popped into this pocket. | 1:19:08 | 1:19:18 | |
Ooh! He didn't have to hold for the
blue there. By doing that it just | 1:19:29 | 1:19:38 | |
made it a bit more difficult. He
could easily have gone for a baulk,. | 1:19:38 | 1:19:44 | |
-- a baulk colour. Could cost him
dearly. | 1:19:44 | 1:19:54 | |
It certainly quickened up on this
table. A couple of the tables were | 1:20:13 | 1:20:17 | |
playing a bit heavy but not now.
Would you believe it? At first | 1:20:17 | 1:20:27 | |
glance he hasn't left anything. The
only possible red is the one up past | 1:20:27 | 1:20:32 | |
the pink into the corner but he's
down on one knee there and he | 1:20:32 | 1:20:41 | |
thought he would be in his seat for
a while! That's tight, isn't it? If | 1:20:41 | 1:20:49 | |
he was right behind the red he might
be able to take that on. | 1:20:49 | 1:20:54 | |
He tried one in the middle pocket
that caught the yellow with it and | 1:21:03 | 1:21:11 | |
that was similar to this. He's
missed it to the right. | 1:21:11 | 1:21:20 | |
He thought he would put the white in
a safe position but Ronnie can knock | 1:21:30 | 1:21:35 | |
this in. No, yes! | 1:21:35 | 1:21:43 | |
That second chance. How many can he
make this time? | 1:21:51 | 1:21:58 | |
Not gone far enough but still
pottable. Wanted to be straight on | 1:22:12 | 1:22:16 | |
this red. | 1:22:16 | 1:22:17 | |
Just makes this next positional shot
is a bit more awkward. He played a | 1:22:24 | 1:22:31 | |
nice cannon on that red to hold for
the pink. | 1:22:31 | 1:22:35 | |
Would like to get that red away from
the blue. Just sizing it up there. | 1:23:00 | 1:23:08 | |
Just trying to leave a nice little
angle on the red, and when he opens | 1:23:13 | 1:23:18 | |
the blue up it will help his cause,
back down for the black or the pink, | 1:23:18 | 1:23:22 | |
you would suggest. | 1:23:22 | 1:23:24 | |
It's not completely straightforward
to win the frame from this visit. A | 1:23:46 | 1:23:55 | |
few difficult pots to negotiate. | 1:23:55 | 1:23:59 | |
Hmm, unexpected miss there, but when
you force them into the middle | 1:24:26 | 1:24:31 | |
pocket, that can happen. The red
jumped there, so... It was in the | 1:24:31 | 1:24:37 | |
pocket for a split-second but it
jumped back out. That was the that | 1:24:37 | 1:24:41 | |
caused that. -- that was the kick
that caused that. | 1:24:41 | 1:24:59 | |
That was a careless one. Now, will
the red next to the pink... It might | 1:25:06 | 1:25:17 | |
not pot but... It will go to the
middle pocket as we look at it, so | 1:25:17 | 1:25:21 | |
that is for a few shots' time. But
not going to score many points from | 1:25:21 | 1:25:27 | |
this petition with the way the reds
are situated. He's just checking | 1:25:27 | 1:25:32 | |
whether the red next to the pink
goes to the left middle pocket. -- | 1:25:32 | 1:25:37 | |
many points from this position. | 1:25:37 | 1:25:40 | |
He didn't want to be hitting the
yellow. That's very careless. | 1:25:44 | 1:25:55 | |
He had already planned his strategy
there. That yellow spoiled all that. | 1:25:58 | 1:26:07 | |
A good escape. | 1:26:52 | 1:26:57 | |
He's played that nicely. Terrific
shot there. He couldn't go down the | 1:27:36 | 1:27:43 | |
other side of the table because of
the reds near that cushion. He would | 1:27:43 | 1:27:49 | |
have cannoned into bins. -- into
those. That's opened them up. He | 1:27:49 | 1:28:00 | |
needs a good cue ball here and he's
going to come up a long way short. | 1:28:00 | 1:28:07 | |
Maybe the brown's helping him
slightly. A long, straight red. He | 1:28:07 | 1:28:13 | |
is hampered by the brown so he'll
take one of the others. Those two | 1:28:13 | 1:28:18 | |
there to the left of the pink.
Well... | 1:28:18 | 1:28:27 | |
That red, he's just had a look and
that red closest to the pink will | 1:29:01 | 1:29:08 | |
pot into the centre pocket. So he
doesn't have to nudge that. Nudge | 1:29:08 | 1:29:19 | |
that red out. | 1:29:19 | 1:29:22 | |
The black will put him 27 ahead.
Just one red and a colour to make | 1:29:30 | 1:29:38 | |
certain of this frame. A quick
glance at the score. | 1:29:38 | 1:29:45 | |
And it's a frame that Michael White,
Dennis, will feel has got away from | 1:29:50 | 1:29:54 | |
him. He had a good chance. Yeah,
he's going to go into the middle | 1:29:54 | 1:30:04 | |
session with things not all that bad
but you can imagine if he had gone | 1:30:04 | 1:30:11 | |
two each, he would have really
enjoyed his cup of tea. Just that | 1:30:11 | 1:30:16 | |
red to the middle that he missed to
try to hold for the blue. It cost | 1:30:16 | 1:30:20 | |
him this frame. | 1:30:20 | 1:30:21 | |
This is the one that Ken was talking
about, if he had rolled it in, it | 1:30:35 | 1:30:42 | |
would have been much easier, but
there was no way he was expecting to | 1:30:42 | 1:30:46 | |
miss that, and it cost him. | 1:30:46 | 1:30:48 | |
APPLAUSE | 1:31:17 | 1:31:20 | |
Ronnie O'Sullivan takes his chance
with a nice break of 64, and he goes | 1:31:24 | 1:31:28 | |
into the mid-session now leading
Michael white 3-1. | 1:31:28 | 1:31:39 | |
What percentage increase in Ronnie's
level do you think we are seeing | 1:31:39 | 1:31:44 | |
today? Slightly, but Michael is a
much better player than he showed in | 1:31:44 | 1:31:50 | |
the opening session the other day,
we know that. The difference in the | 1:31:50 | 1:31:54 | |
match so far for me is the quality
of the cue ball control. It was the | 1:31:54 | 1:32:00 | |
shot before, he was perfect on the
black and shouldn't have been | 1:32:00 | 1:32:03 | |
anywhere near playing that shot. You
wouldn't expect it to miss it, but | 1:32:03 | 1:32:07 | |
when they have got in, the
difference in who has got the cue | 1:32:07 | 1:32:09 | |
ball in the best positions is
noticeable. Sullivan has got it on a | 1:32:09 | 1:32:15 | |
string. Full of admiration for him
today, are you? Even the positional | 1:32:15 | 1:32:20 | |
shot he played at the end from black
to yellow was just sublime. | 1:32:20 | 1:32:25 | |
More of the same possibly when we
come back after the mid-session | 1:32:30 | 1:32:33 | |
interval, but we are looking forward
to seeing John Higgins plate Yan | 1:32:33 | 1:32:38 | |
Bingtao from China, the 17-year-old
wonder kid. After his last victory, | 1:32:38 | 1:32:45 | |
he had a few problems with his cue,
specifically the tip of his cue, and | 1:32:45 | 1:32:49 | |
said he was going to go back to
Glasgow to get it fixed, but in the | 1:32:49 | 1:32:53 | |
end he went back to the eminent Les
Dodd in Southport, and you might | 1:32:53 | 1:32:57 | |
remember he did that also at the
Crucible in May. That is the kind of | 1:32:57 | 1:33:03 | |
level of attention to detail and
dedication that has brought John so | 1:33:03 | 1:33:06 | |
much success over the years. Either
that or he just likes driving! | 1:33:06 | 1:33:10 | |
John Higgins was born on the 18th of
May 1975 in Wishaw, Scotland. He has | 1:33:17 | 1:33:23 | |
been a professional snooker player
for more than a quarter of a | 1:33:23 | 1:33:28 | |
century. He has been in the top 16
in the world for an incredible 23 | 1:33:28 | 1:33:32 | |
years. He married Denise in 2000,
and they have three children. The | 1:33:32 | 1:33:40 | |
couple appeared in a TV show Mr and
Mrs and won the final. John has also | 1:33:40 | 1:33:49 | |
appeared on Celebrity mastermind,
where his specialist subject was | 1:33:49 | 1:33:52 | |
Dallas, the TV show. His nickname is
the Wizard of Wishaw. Last season at | 1:33:52 | 1:33:59 | |
the age of 41 he became the oldest
Crucible finalist for 35 years. John | 1:33:59 | 1:34:08 | |
has won more than £7 million in
prize money during his career. In | 1:34:08 | 1:34:13 | |
2008, he was awarded an MBE in the
New years Honours list. | 1:34:13 | 1:34:20 | |
He has achieved a whole lot, and
John knows he is going to have to be | 1:34:20 | 1:34:24 | |
in tiptop form today. The defeat
last month to Yan Bingtao is still | 1:34:24 | 1:34:30 | |
raw, this teenager who were still
two months away from his 18th | 1:34:30 | 1:34:33 | |
birthday is apparently afraid of no
one. He became the second youngest | 1:34:33 | 1:34:37 | |
player ever to reach the Crucible
final stages in April, and in the | 1:34:37 | 1:34:41 | |
last month, he became the youngest
player ever to reach the final of a | 1:34:41 | 1:34:44 | |
world ranking event when he appeared
in Belfast, Northern Ireland, open | 1:34:44 | 1:34:49 | |
final, beating any end by Mark
Williams. Sophie is a bull who is | 1:34:49 | 1:34:54 | |
charging headlong up the rankings
right now. The first frame of this | 1:34:54 | 1:34:59 | |
match was a 41 minute one, and was
taken in the John Higgins, and we | 1:34:59 | 1:35:05 | |
are going to pick them up in frame
two. It is Alan McManus and Steve | 1:35:05 | 1:35:10 | |
Davis in have the ringside seats for
this one. | 1:35:10 | 1:35:13 | |
STEVE DAVIS: John Higgins has looked
at the possibility of playing this | 1:35:16 | 1:35:22 | |
down into the low pocket, he will be
more concentrating on screwing the | 1:35:22 | 1:35:26 | |
whiteboard back to the black
cushion. If it goes in, what a | 1:35:26 | 1:35:32 | |
bonus. And to big white honest, he
didn't play for the cue ball on the | 1:35:32 | 1:35:41 | |
back of the cushion. That was a very
aggressive shot. What a pot, wasn't | 1:35:41 | 1:35:44 | |
it? I think even John will be a
little surprised he has potted that, | 1:35:44 | 1:35:51 | |
that was so difficult. We spoke
about his cue action. | 1:35:51 | 1:36:00 | |
And attacking shot from John
Higgins, nobody would have forgiven | 1:36:06 | 1:36:10 | |
him for just playing a safety shot
to the top cushion. | 1:36:10 | 1:36:14 | |
OK, but even so, you have to be
careful where these red Czar, you | 1:36:21 | 1:36:25 | |
could, Cropper. -- you have to be
careful where these reds are, you | 1:36:25 | 1:36:34 | |
could come a cropper. It is closer
than he would like to the middle. | 1:36:34 | 1:36:46 | |
That little clip on the brown was
nice, makes this yellow and little | 1:36:51 | 1:36:57 | |
straighter, more controllable. | 1:36:57 | 1:36:59 | |
That red that you mentioned earlier
by the blue, still causing John | 1:37:07 | 1:37:13 | |
Higgins some problems. The way to
open this frame up would be possibly | 1:37:13 | 1:37:17 | |
to use the blue to get into the
pack. It is not so easy from where | 1:37:17 | 1:37:22 | |
the balls are currently. | 1:37:22 | 1:37:26 | |
He can maybe get things opened up
now, little glance at the pink, I'm | 1:37:46 | 1:37:50 | |
not sure it goes to the corner.
Unless there is a plant, he is going | 1:37:50 | 1:37:57 | |
to have to develop one or two. This
wouldn't be the most ideal way of | 1:37:57 | 1:38:03 | |
going about opening the pack off the
bat cushion. Players like to go | 1:38:03 | 1:38:08 | |
indirectly. | 1:38:08 | 1:38:11 | |
He doesn't have to open the pack,
but you feel like you would be | 1:38:16 | 1:38:19 | |
tempted. This is the experience of
John Higgins, knowing full well that | 1:38:19 | 1:38:24 | |
going into the pack doesn't always
come out correctly. And if that red | 1:38:24 | 1:38:30 | |
is now going to be cleared, that you
talked about at the start of this | 1:38:30 | 1:38:35 | |
frame, but he still needs a good
positional shot to get back on these | 1:38:35 | 1:38:40 | |
four reds at some stage. But he has
got a couple of reds to play with. I | 1:38:40 | 1:38:48 | |
think again, not going into the pack
a couple of shots ago is out of | 1:38:48 | 1:38:53 | |
respect to his opponent. Against a
lesser player, he would think, nice | 1:38:53 | 1:38:56 | |
angle on the black, let's get them
open and win the frame in one visit, | 1:38:56 | 1:39:00 | |
but he has to build his way into the
match, build the frame if you like. | 1:39:00 | 1:39:06 | |
But if this goes wrong, then you
could make the case if you were | 1:39:06 | 1:39:12 | |
being critical that that was a
chance gone begging. I think the | 1:39:12 | 1:39:18 | |
reason he refused the split is
simply because his opponent has got | 1:39:18 | 1:39:21 | |
him under some pressure. Just
clearly doesn't want to take any | 1:39:21 | 1:39:27 | |
undue risks come possibly having a
new tip was a factor in this shot | 1:39:27 | 1:39:35 | |
selection. He needs an angle on this
black. | 1:39:35 | 1:39:37 | |
And he has got a nice angle, and
this time, he will go into the pack, | 1:39:41 | 1:39:46 | |
but I suppose it does beg the
question, perhaps he should have | 1:39:46 | 1:39:49 | |
gone into it last time, doesn't it?
Some fascinating shot selections | 1:39:49 | 1:39:53 | |
today. It is an ice pack, because
they are set diagonal, you would | 1:39:53 | 1:39:58 | |
expect to get a decent split. But
there is a situation, you are not | 1:39:58 | 1:40:05 | |
guaranteed. I think he is all right. | 1:40:05 | 1:40:08 | |
It is funny, you can see the cue
ball is actually in the way, I don't | 1:40:24 | 1:40:29 | |
know whether this goes. I think it
will. No problem. | 1:40:29 | 1:40:33 | |
And it doesn't matter how John
Higgins ever... Well, of course it | 1:40:51 | 1:40:55 | |
matters how he plays, but almost
regardless of how he is playing, he | 1:40:55 | 1:40:58 | |
is so difficult to play against, so
difficult to get on top. He keeps | 1:40:58 | 1:41:05 | |
chances at a minimum, stingy he is
as far as making mistakes. | 1:41:05 | 1:41:11 | |
But there is no player in the game
that can add class John Higgins, so | 1:41:15 | 1:41:21 | |
it's no disgrace from Yan Bingtao's
perspective to be going 2-0 down | 1:41:21 | 1:41:29 | |
here. It is going to be a good
work-out. Coming out with the | 1:41:29 | 1:41:34 | |
cliches, he has got plenty of time
and all that, he will be desperate | 1:41:34 | 1:41:39 | |
to win, get a ranking tournament
under his belt, as young as | 1:41:39 | 1:41:41 | |
possible. But it is about learning
your trade as well. And he could do | 1:41:41 | 1:41:50 | |
worse than picked John Higgins as a
master to learn from. | 1:41:50 | 1:41:55 | |
Well, no century. John Higgins goes
into a comfortable 2-0 lead. | 1:42:58 | 1:43:10 | |
Looks comfortable, as Alan said, and
Steve, too, but John was quoted as | 1:43:12 | 1:43:18 | |
saying he would have to play 100
times better to see this fellow off | 1:43:18 | 1:43:23 | |
in this match. He has great respect
for him, and as Alan says, with that | 1:43:23 | 1:43:28 | |
new tip on, he is not taking any
liberties as we head into frame | 1:43:28 | 1:43:31 | |
three. | 1:43:31 | 1:43:32 | |
STEVE DAVIS: Made that opening reds
look a lot easier than it was, | 1:44:16 | 1:44:23 | |
didn't just blast at it. | 1:44:23 | 1:44:25 | |
A couple of loose reds. | 1:44:27 | 1:44:29 | |
Nicely judged. I think he's got
enough of an angle that he can | 1:44:35 | 1:44:41 | |
bounce the cue ball off the top
cushion. And get back on that red. | 1:44:41 | 1:44:46 | |
Might be going into reds here,
though. First shot, I thought for a | 1:44:46 | 1:44:55 | |
minute, it looked like he was
setting up to disturb more. Now he | 1:44:55 | 1:44:59 | |
will need a nice angle on this black
to go into the pack, though. A | 1:44:59 | 1:45:06 | |
little flick on that red creates the
angle. And that second red of the | 1:45:06 | 1:45:12 | |
two that are at the back looks
inviting. That should disturb things | 1:45:12 | 1:45:16 | |
quite nicely. Stun into it. | 1:45:16 | 1:45:22 | |
Got a bit too low on that, I think,
didn't he? Preferred more of a power | 1:45:26 | 1:45:32 | |
stun there. May be just felt the
shape of the wasn't conducive to | 1:45:32 | 1:45:38 | |
going in with power and deep screw,
but he has got one. | 1:45:38 | 1:45:43 | |
Tough little red to middle, but
should it going, they are opened, | 1:45:43 | 1:45:48 | |
and it has. John Higgins slowly but
surely finding his way into a bit of | 1:45:48 | 1:45:53 | |
form. | 1:45:53 | 1:45:55 | |
Yes, just sizing up the situation
here, is it worth playing for a | 1:46:22 | 1:46:30 | |
choice of pink and black? | 1:46:30 | 1:46:34 | |
I wasn't sure what she was doing,
whether he was deciding to play onto | 1:46:40 | 1:46:47 | |
the blue because he doesn't like the
shape of the pack? That is the only | 1:46:47 | 1:46:51 | |
reason I can think of that choice of
up and down. The pink as well as you | 1:46:51 | 1:46:57 | |
say, but why he kept looking at that
red in the middle pocket, I'd know. | 1:46:57 | 1:47:04 | |
Perhaps he wasn't looking at the
red, looking at the pink. | 1:47:04 | 1:47:08 | |
I never really used to like this
kind of shot, but sometimes you have | 1:47:15 | 1:47:19 | |
to play it. Not always easy to
guarantee how they are going to | 1:47:19 | 1:47:24 | |
split. Now what? That was a
brilliant shot, actually. It looks | 1:47:24 | 1:47:34 | |
like that pink doesn't spot. But he
may be covered. I think it will go | 1:47:34 | 1:47:40 | |
close to it, but can he still get
the red in the middle? | 1:47:40 | 1:47:45 | |
The referee has got to make sure
this is absolutely perfect, as close | 1:47:54 | 1:47:58 | |
as possible to its own spot in a
direct line with the line of the | 1:47:58 | 1:48:02 | |
spots, but not touching the cue
ball, as close as possible to it. | 1:48:02 | 1:48:05 | |
It is actually very classy of John
to just go back to his chair and | 1:48:10 | 1:48:13 | |
have a little sip of water. Wherever
she replaces the pink, he will deal | 1:48:13 | 1:48:20 | |
with it. By his body language, he
can still get it. Tatiana there | 1:48:20 | 1:48:31 | |
doing a very good job. | 1:48:31 | 1:48:33 | |
She is doing a fantastic job, not
only is she refereeing this, she is | 1:48:43 | 1:48:47 | |
looking after two children and Ben
Woollaston as well, the ups and | 1:48:47 | 1:48:54 | |
downs of the snooker player. | 1:48:54 | 1:48:57 | |
That was a brilliant shot, he is an
lucky that he is not on one. | 1:49:07 | 1:49:23 | |
I think I am correct in saying that
Tatiana, Ben's wife, she can't | 1:49:24 | 1:49:29 | |
referee his matches. But also I
don't think she can referee matches | 1:49:29 | 1:49:34 | |
where he might have an interest.
Just to be seen to be correct, not | 1:49:34 | 1:49:41 | |
anything untoward, but correct
decisions. That was tight, but he | 1:49:41 | 1:49:49 | |
got it. So, this black is not
guaranteed, he is a little bit out | 1:49:49 | 1:49:56 | |
of position, said the biggest shot
of this frame so far for John | 1:49:56 | 1:50:01 | |
Higgins. Wouldn't want to take his
foot off the pedal here. | 1:50:01 | 1:50:17 | |
Well, after a tough start, this is
starting to look like a John Higgins | 1:50:56 | 1:51:00 | |
masterclass here today. | 1:51:00 | 1:51:03 | |
Perhaps it needed a match of this
quality for John to focus properly, | 1:51:11 | 1:51:17 | |
or it could be the fact that he has
had tip problems, one of the two. | 1:51:17 | 1:51:25 | |
Yes, we are getting the full gambit
of John Higgins' abilities. These | 1:51:29 | 1:51:36 | |
first two and a half frames, he has
toughed it out, a couple of really | 1:51:36 | 1:51:41 | |
clever shots, that red into the
yellow pocket that set up the frame | 1:51:41 | 1:51:44 | |
when in chance in frame two. | 1:51:44 | 1:51:47 | |
Yan 's highest break still only...
Higgins building up of steam. It is | 1:51:50 | 1:52:03 | |
that ability to just slip into
scoring mode, even though it appears | 1:52:03 | 1:52:09 | |
he is not quite on top of his game.
Still well capable. | 1:52:09 | 1:52:15 | |
No century, but a classy break of
80, and John Higgins is halfway | 1:53:00 | 1:53:04 | |
home. 3-0. And John impressively
freezing out this youngster for now, | 1:53:04 | 1:53:13 | |
you can keep watching this on the
red button, and we will be back for | 1:53:13 | 1:53:17 | |
more of that later on. Mark King
took the first with a break of 86 | 1:53:17 | 1:53:24 | |
against Luca Brecel, and he is now
3-1 up at the break. And on table | 1:53:24 | 1:53:30 | |
four, Martin Gould lost the opening
frame, against the very impressive | 1:53:30 | 1:53:42 | |
remaining player, Vafaei, and Gould
has just taken the second. But the | 1:53:42 | 1:53:47 | |
top match we have been enjoying an
table one, Ronnie O'Sullivan's 900 | 1:53:47 | 1:53:53 | |
and century, made against this man,
former world number 15, Michael | 1:53:53 | 1:53:59 | |
White, now at 26 in the world
standings. And Michael, he got a | 1:53:59 | 1:54:04 | |
handle on this match at 1-1, but
Ronnie has pushed on with a 132 and | 1:54:04 | 1:54:10 | |
a 64, and has a 3-1 advantage. So we
hand you back to Dennis and Ken. | 1:54:10 | 1:54:20 | |
DENNIS TAYLOR: Thank you, Hazel. He
has made some very good breaks so | 1:54:28 | 1:54:37 | |
far, not quite as good this time. He
has left a possible long pot to the | 1:54:37 | 1:54:44 | |
left corner pocket, but it is far
from easy, that's for sure, and with | 1:54:44 | 1:54:49 | |
the way the reds have opened up
already, it puts a lot of pressure | 1:54:49 | 1:54:52 | |
on this opening chance. Could quite
easily have been two each, he has | 1:54:52 | 1:55:01 | |
had the chances, he is just
limbering up to take this pot on. | 1:55:01 | 1:55:06 | |
He has missed a few long pots by a
long way, and where is the red going | 1:55:10 | 1:55:14 | |
to finish? Sometimes you get away
with it, but he missed that by a | 1:55:14 | 1:55:20 | |
long way. Yes, I think there has
been a little bit of movement from | 1:55:20 | 1:55:30 | |
distance, and I think again a slight
bit of movement on the backswing | 1:55:30 | 1:55:33 | |
there. Quite a long way out, he has
put its good long balls, but some of | 1:55:33 | 1:55:38 | |
the ones he has missed, he has
missed the by quite a considerable | 1:55:38 | 1:55:42 | |
margin. | 1:55:42 | 1:55:46 | |
Not a straightforward, that red
below the black is just slightly out | 1:56:08 | 1:56:12 | |
of the way, he couldn't avoid
hitting it. | 1:56:12 | 1:56:16 | |
There is a red that will go up into
a left corner pocket, you know, | 1:56:19 | 1:56:23 | |
there is a gap between the pink and
the other red, and that is what he | 1:56:23 | 1:56:27 | |
is looking at there. He would be
able to get back for the black. | 1:56:27 | 1:56:33 | |
Oh, that jumped. | 1:56:37 | 1:56:39 | |
Maybe he didn't hit it as well as he
want, but have a look at the red | 1:56:44 | 1:56:48 | |
here. Through it off-line slightly. | 1:56:48 | 1:56:54 | |
Well, that was just the pace that
kept that in the pocket. It was | 1:57:12 | 1:57:21 | |
slightly drifting towards that near
knuckle. | 1:57:21 | 1:57:24 | |
Now, time for Michael White to fill
his boots here. He has really got to | 1:57:39 | 1:57:44 | |
make the most of these chances if he
has any ambitions to win this match. | 1:57:44 | 1:57:49 | |
Make it a contest. | 1:57:49 | 1:57:52 | |
I'm sure the red below the pink
pots, and that will free up the pink | 1:58:02 | 1:58:08 | |
into all four pockets. | 1:58:08 | 1:58:09 | |
Well, did he get a kick on that? We
will have to have a look at that | 1:58:37 | 1:58:41 | |
again. I'm not quite sure. | 1:58:41 | 1:58:46 | |
I'm going to give him the benefit of
the doubt, the way he pointed the | 1:58:55 | 1:58:59 | |
cue, I think it did just jump
slightly. | 1:58:59 | 1:59:02 | |
Well, he certainly can't grumble
about the chances he's had, Dennis, | 1:59:10 | 1:59:14 | |
in these first few frames. | 1:59:14 | 1:59:17 | |
He just hasn't made the most of
them. Ronnie O'Sullivan has been a | 1:59:19 | 1:59:26 | |
little more clinical, whereas
Michael White hasn't, and that has | 1:59:26 | 1:59:28 | |
been the difference. | 1:59:28 | 1:59:32 | |
Let's have another look to see what
happened with that black there. It | 1:59:43 | 1:59:48 | |
is hard to see the kick, but... | 1:59:48 | 1:59:52 | |
Usually the ball lifts off the bed
of the table. I'm not convinced it | 1:59:57 | 2:00:02 | |
was a kick. I think he has just been
struggling. He didn't look | 2:00:02 | 2:00:09 | |
comfortable. Even the cannon he
played, the pot on the red before | 2:00:09 | 2:00:16 | |
the black wasn't played properly, he
wasn't even trying to get on the | 2:00:16 | 2:00:19 | |
black. | 2:00:19 | 2:00:19 | |
DENNIS TAYLOR: It's not the best of
chances here because the pink is in | 2:00:45 | 2:00:49 | |
the way of splitting the red, so he
might play for green or brown here | 2:00:49 | 2:00:54 | |
rather than the blue. Because if he
had played for the blue, the pink | 2:00:54 | 2:00:59 | |
was in the way of the cannon, so now
he's got the green off beside | 2:00:59 | 2:01:03 | |
cushion and into the reds and he
could open the whole game up here. | 2:01:03 | 2:01:09 | |
-- the green off beside cushion --
the side cushion. It couldn't have | 2:01:09 | 2:01:19 | |
played it better but has he covered
them all? I think he's having to | 2:01:19 | 2:01:27 | |
bend this. He'll have to play it
with a lot of left-hand side to | 2:01:27 | 2:01:30 | |
create the potting angle. | 2:01:30 | 2:01:32 | |
He made it look easy but he had to
bend that slightly. | 2:01:39 | 2:01:45 | |
The red just below the pink pots.
This wondered straight into this | 2:01:56 | 2:02:01 | |
corner pocket as well. -- this one
dead straight. | 2:02:01 | 2:02:12 | |
He's already 37 points to the good. | 2:02:17 | 2:02:21 | |
I think when you're playing Ronnie
O'Sullivan it doesn't half add a lot | 2:02:40 | 2:02:43 | |
of pressure to your game, because
you know if you miss he's going to | 2:02:43 | 2:02:48 | |
do this. A lot of the top players
will do this but more so if you're | 2:02:48 | 2:02:53 | |
playing and you're at the table and
you know you make a mistake, you | 2:02:53 | 2:02:58 | |
know you're really going to be
punished. | 2:02:58 | 2:03:00 | |
Yeah, and it's not only the pressure
on the balls when you're in amongst | 2:03:07 | 2:03:11 | |
them yourself and you do have
chances, its pressure on your safety | 2:03:11 | 2:03:19 | |
shots and you've got to try to cope
with it. We thought after he won the | 2:03:19 | 2:03:26 | |
second frame it might settle him
down a bit. Hasn't made the most of | 2:03:26 | 2:03:31 | |
his chances. I think you'll be
kicking himself when he looks back | 2:03:31 | 2:03:35 | |
on this match and went for micro-1
down. -- went for-1 down. Like Ken | 2:03:35 | 2:03:48 | |
said, did have a chance there but it
was Ronnie O'Sullivan with that one | 2:03:48 | 2:03:52 | |
opportunity who made enough to
secure the frame and an advantage. | 2:03:52 | 2:03:59 | |
KEN DOHERTY: An incredible career
this man has had. Birthday boy | 2:04:59 | 2:05:04 | |
today. He was only ten or 11 years
of age when he moved over and we | 2:05:04 | 2:05:20 | |
used to practice together at the
snooker centre together. When I | 2:05:20 | 2:05:24 | |
moved over from Dublin. You could
tell how good he was going to be. I | 2:05:24 | 2:05:35 | |
think the darling of Dublin sounds
better than the darling of | 2:05:35 | 2:05:37 | |
Guildford! You spent many years
practising there before moving back | 2:05:37 | 2:05:43 | |
home, didn't you? Yeah. A couple of
weeks before the World Championship | 2:05:43 | 2:05:53 | |
in 97, we practised every day for
almost two weeks and of course he | 2:05:53 | 2:05:58 | |
made that magical 147 that year. | 2:05:58 | 2:06:03 | |
I was lucky enough to avoid him in
the draw and go on to win the | 2:06:06 | 2:06:11 | |
Championship! But we had a lot of
great days in Ilford practising with | 2:06:11 | 2:06:16 | |
each other. He used to beat me up
over time. I didn't like it that | 2:06:16 | 2:06:22 | |
much! But certainly good practice!
-- beat me up all the time. That was | 2:06:22 | 2:06:35 | |
a tough enough black if he had
rolled it in but to stun it in at | 2:06:35 | 2:06:41 | |
that pace - excellent. No. He's
anxiously looking to see if he | 2:06:41 | 2:06:49 | |
covered it. And he hasn't. So a
chance for Michael. It's time for | 2:06:49 | 2:06:58 | |
the man from Neath to go to work
here. This is a must-win frame. All | 2:06:58 | 2:07:09 | |
about the cannon on the reds.
Mustn't let that white slip away. | 2:07:09 | 2:07:19 | |
That's nicely played. | 2:07:19 | 2:07:25 | |
We will just show you it again.
Still very unlucky. Wanted to screw | 2:08:01 | 2:08:08 | |
past that red. Unfortunate to stick
on them but just cannoned the wrong | 2:08:08 | 2:08:13 | |
red there. But that's normally the
case when you are struggling a bit. | 2:08:13 | 2:08:16 | |
That sort of thing happens. When
you're playing well, even if you can | 2:08:16 | 2:08:21 | |
the wrong ball, you always finish on
one. -- even if you cannon the wrong | 2:08:21 | 2:08:28 | |
ball. Where's the safety shot coming
from? Can't do much with this. | 2:08:28 | 2:08:37 | |
Might be touching both reds here. It
is. You don't see that very often. | 2:09:00 | 2:09:07 | |
At least it solves the problem.
Michael can come off this cushion | 2:09:07 | 2:09:15 | |
behind the black and back up, and
the frame will be back to normal. | 2:09:15 | 2:09:20 | |
But this is a must-win for him. You
wouldn't give him much of a hope | 2:09:23 | 2:09:36 | |
with it being 5-1. | 2:09:36 | 2:09:40 | |
That's a wonderful safety shot. Down
the right-hand side. We'll have to | 2:11:01 | 2:11:16 | |
use two cushions past the blue. --
had to use two cushions. Very well | 2:11:16 | 2:11:26 | |
negotiated indeed. | 2:11:26 | 2:11:29 | |
Might be tempted to have a go at
this red into the left corner. He | 2:11:40 | 2:11:45 | |
could get himself on the black. He's
coming round the table to see what | 2:11:45 | 2:11:49 | |
he could leave. If he takes it on
and doesn't get on the black there | 2:11:49 | 2:11:54 | |
is one available to the left middle.
Let's see how this works out. A | 2:11:54 | 2:12:01 | |
marvellous shot! I say marvellous
shot. It was a marvellous pot but | 2:12:01 | 2:12:11 | |
didn't get the cue ball where he
wanted. | 2:12:11 | 2:12:15 | |
He went full-blooded for it because
he was leaving a red to the left | 2:12:29 | 2:12:34 | |
middle pocket, but just lost the cue
ball. | 2:12:34 | 2:12:38 | |
He's left this red. You can't see a
direct but he can play the plant. | 2:12:54 | 2:13:04 | |
Put this red and still stay on the
black, I think, pocket off the | 2:13:04 | 2:13:08 | |
cushion. -- pot it off the cushion.
Wow! Over swerved it. | 2:13:08 | 2:13:25 | |
It's funny. It looked as if he could
just play it off the side of the | 2:13:30 | 2:13:35 | |
cushion but the swerve took it right
into the other red, as we will show | 2:13:35 | 2:13:38 | |
you. But the way they finished up
here, and Ronnie knows only too | 2:13:38 | 2:13:46 | |
well, that it's not easy to get good
position from. If he can use the | 2:13:46 | 2:13:52 | |
rest it might not be too bad. He
might be able to get onto the black. | 2:13:52 | 2:13:57 | |
But the spider would have been
tough. He's played that nicely. | 2:13:57 | 2:14:03 | |
It's just not happening for Michael
White. For a few shots he looks OK | 2:15:19 | 2:15:28 | |
and then like that, he just cued
across it slightly. It's tough out | 2:15:28 | 2:15:39 | |
there. Just at 79% there, as you can
see. | 2:15:39 | 2:15:47 | |
That didn't even get in the jaws of
the pocket, that one. | 2:15:58 | 2:16:04 | |
There's nothing over that side of
the table to play behind because the | 2:16:43 | 2:16:48 | |
green's off its spot. The brown's
out of commission as well. Just | 2:16:48 | 2:16:54 | |
plain to get the cue ball as close
to the cushion as possible. And | 2:16:54 | 2:16:59 | |
that's pretty good. -- just playing
to get the cue ball. | 2:16:59 | 2:17:08 | |
Doesn't want that red coming over
the left centre pocket. And it looks | 2:17:49 | 2:17:54 | |
like it's come far enough. I think
this can cut in. | 2:17:54 | 2:18:00 | |
Needs a bit of luck with the cue
ball. If it runs past the red he | 2:18:10 | 2:18:14 | |
could be on the pink... No. | 2:18:14 | 2:18:19 | |
A slightly bewildered look from
Ronnie O'Sullivan. It's not there so | 2:18:28 | 2:18:38 | |
the cue ball will be going back.
REFEREE: A foul and a miss. Ronnie | 2:18:38 | 2:18:50 | |
hasn't moved from the position. Just
to make sure. Let the referee know | 2:18:50 | 2:18:55 | |
exactly where the cue ball is going.
LAUGHTER | 2:18:55 | 2:19:01 | |
Never seen that before. He's staying
there! He's not moving, he's not | 2:19:01 | 2:19:16 | |
moving... He's still there. He's not
going to play this shot again, I'm | 2:19:16 | 2:19:26 | |
sure, because he's going to get
warned. He had forgotten about that, | 2:19:26 | 2:19:32 | |
Ronnie, I think. He can just play
the black and leave the white kite | 2:19:32 | 2:19:40 | |
on this cushion. -- the white tight
on this cushion. | 2:19:40 | 2:19:54 | |
APPLAUSE | 2:20:13 | 2:20:18 | |
He's got the white tight on the
cushion but the trouble is he's put | 2:20:33 | 2:20:38 | |
the black safe as well. Well, that's
a poor effort from Michael. Ronnie's | 2:20:38 | 2:20:52 | |
29 points behind, and, OK, he's got
the blue in play but the pink's not | 2:20:52 | 2:20:56 | |
ideally placed. | 2:20:56 | 2:21:01 | |
There's no way he should have had a
shot at that red. A bit careless | 2:21:05 | 2:21:10 | |
from Michael there. | 2:21:10 | 2:21:13 | |
He's just lost his concentration,
Ronnie O'Sullivan, at the moment. | 2:21:27 | 2:21:34 | |
Not a chance for Michael White. | 2:21:46 | 2:21:50 | |
Normally such a proficient long
potter, Michael White, but has been | 2:22:09 | 2:22:14 | |
completely off today. | 2:22:14 | 2:22:18 | |
Delicate little shot there, nice
cannon on the blue. | 2:22:27 | 2:22:31 | |
May have to win this frame by taking
blues with the remaining reds. Yeah, | 2:23:08 | 2:23:17 | |
that's why I mentioned when he
pushed the black safe it was going | 2:23:17 | 2:23:20 | |
to make it awkward for himself.
That's not the best. Although he's | 2:23:20 | 2:23:30 | |
on the blue. Could quite easily have
snookered himself there. Shouldn't | 2:23:30 | 2:23:36 | |
be a problem. | 2:23:36 | 2:23:38 | |
Good pot but he's going to need
another good position shot to get up | 2:23:46 | 2:23:51 | |
the top side of the blue. --
positional shot. | 2:23:51 | 2:23:58 | |
Sweet. Very sweet. | 2:24:09 | 2:24:15 | |
Seems to like that blue up into the
corner pocket. | 2:24:26 | 2:24:29 | |
Wonderful shot. | 2:24:42 | 2:24:45 | |
Well, he's had five blues up to now.
This will be number six. But at that | 2:25:05 | 2:25:13 | |
pace, it was never going to be easy.
He didn't want the cannon on the | 2:25:13 | 2:25:18 | |
pink. That was the problem. Almost
tight on the cushion to force that | 2:25:18 | 2:25:29 | |
blue in. Was always going to be
difficult. | 2:25:29 | 2:25:32 | |
The percentages against getting onto
the last red there were very low | 2:25:38 | 2:25:43 | |
indeed. As I mentioned earlier, this
is a must-win frame for Michael | 2:25:43 | 2:25:50 | |
White. He's still in it, just six
points behind. | 2:25:50 | 2:25:55 | |
Well, that's amazing. You could say
the red shouldn't have been near the | 2:26:04 | 2:26:14 | |
pink but still very unfortunate to
leave it over the pocket. | 2:26:14 | 2:26:17 | |
Had to be thin. Oh! That's a Michael
White special coming at the right | 2:26:33 | 2:26:44 | |
time! Is he going to drop nicely
onto a colour? I think he's OK. He's | 2:26:44 | 2:26:51 | |
got the yellow, which will come back
nicely onto its spot. But the | 2:26:51 | 2:26:56 | |
brown's going to be the problem
ball. But the fact that the blue is | 2:26:56 | 2:27:03 | |
up there means if he gets as far as
the brown, he won't have much to do | 2:27:03 | 2:27:12 | |
with it. But having said that, he
hasn't left himself perfectly placed | 2:27:12 | 2:27:16 | |
here by any means. | 2:27:16 | 2:27:19 | |
He's missed it. He was trying to get
through that gap. He's struggling a | 2:27:26 | 2:27:34 | |
bit, Ken, isn't he? We've all been
there. You have to feel a bit sorry | 2:27:34 | 2:27:42 | |
for him but he's struggling with his
game at the moment. | 2:27:42 | 2:27:48 | |
When he part of the yellow after
that good opening red he just didn't | 2:27:53 | 2:27:58 | |
get into the cue ball enough to
leave himself straight on the yellow | 2:27:58 | 2:28:01 | |
again. Had to use the rest.
Struggling a bit. | 2:28:01 | 2:28:09 | |
But if you hang on in there, you
never know what can happen, because | 2:28:19 | 2:28:24 | |
Ronnie's lost a bit of focus, you
have to say. | 2:28:24 | 2:28:29 | |
That's close. | 2:28:32 | 2:28:37 | |
Does this green go past the pink? He
can play the snooker if it doesn't. | 2:28:41 | 2:28:48 | |
REFEREE: Foul. He had to hit it to
get it safe but to get it into the | 2:29:16 | 2:29:27 | |
corner at that pace... I mean,
goodness gracious me! You could | 2:29:27 | 2:29:33 | |
stand there for a year and not see
that happen again. | 2:29:33 | 2:29:38 | |
Well, it's not over just yet! As I
say, I think Ronnie has lost a bit | 2:29:57 | 2:30:06 | |
of focus at the moment. That was
very careless there. He only needed | 2:30:06 | 2:30:10 | |
the blue. So any distance across the
table and he was on it. | 2:30:10 | 2:30:15 | |
It's not a gimme. It's certainly
potable into the | 2:30:26 | 2:30:29 | |
It's not a gimme. It's certainly
potable into the right centre | 2:30:29 | 2:30:30 | |
pocket. He only needs the blue.
Looks like 5-1 now, Denis. | 2:30:30 | 2:30:46 | |
Two snookers has made a very tall
order. | 2:30:57 | 2:31:03 | |
And where the black is, it's highly
unlikely that he will get the two | 2:31:21 | 2:31:26 | |
snookers that's required. | 2:31:26 | 2:31:28 | |
This is not a bad effort. No, he's
decided that he wasn't going to be | 2:31:33 | 2:31:38 | |
able to get the snookers and he
concedes the frame. He had his | 2:31:38 | 2:31:42 | |
chances though, in that frame,
Michael White. But it's Ronnie | 2:31:42 | 2:31:45 | |
O'Sullivan who ends his lead. He
only needs one more frame. He leads | 2:31:45 | 2:31:49 | |
5-1.
STUDIO: It could be game over at | 2:31:49 | 2:31:51 | |
this point. Michael White clearly
not in a good place there. He had | 2:31:51 | 2:31:54 | |
chances. In fact, you called it.
There was a distinct possibility he | 2:31:54 | 2:31:59 | |
might have got back into the frame.
Yeah, there's quite a few unforced | 2:31:59 | 2:32:03 | |
errors | 2:32:03 | 2:32:03 | |
Yeah, there's quite a few unforced
errors coming into Michael's game. | 2:32:03 | 2:32:04 | |
One long red into the left hand
black pocket as we're looking at the | 2:32:04 | 2:32:08 | |
screen now. He played it with
left-hand side and just got through | 2:32:08 | 2:32:12 | |
the cue ball very quick, pushed it
thick. He's not timing the ball very | 2:32:12 | 2:32:16 | |
well at all unfortunately. He's had
plenty of chances, which is | 2:32:16 | 2:32:19 | |
disappointing. One safety shot in
particular that left Ronnie on. Yeah | 2:32:19 | 2:32:24 | |
there's nothing worse than when it's
an unforced error. A massive gap to | 2:32:24 | 2:32:29 | |
play the cue ball down in the area.
He hit it completely wrong and | 2:32:29 | 2:32:33 | |
nobody goes out with the intention
of playing poorly. He will be so | 2:32:33 | 2:32:36 | |
disappointed with the level he's
played because he has had chances. | 2:32:36 | 2:32:40 | |
It's been his cue ball today. He's
never had it. Three, four shots in | 2:32:40 | 2:32:46 | |
the break, he's usually lost it. All
over by the shouting? Yes, he's lost | 2:32:46 | 2:32:52 | |
all confidence. It's a shame,
because there was a bit of an edge | 2:32:52 | 2:32:56 | |
to this match. He's been playing
well. You thought if he holds | 2:32:56 | 2:32:59 | |
himself together but he's had
chances and not taken them | 2:32:59 | 2:33:02 | |
unfortunately. He'll be bitterly
disappointed. Ronnie as the highest | 2:33:02 | 2:33:11 | |
seed left, Stephen said something
interesting he said in many respect | 2:33:11 | 2:33:17 | |
this is Ronnie's Championship to
lose. How do you feel about that? I | 2:33:17 | 2:33:21 | |
wouldn't go that far. He's a
favourite. Certainly he's been the | 2:33:21 | 2:33:23 | |
best player on the circuit this year
with his form. A brave man to bet | 2:33:23 | 2:33:28 | |
against him. There's lots of good
players here. When you have best of | 2:33:28 | 2:33:32 | |
11s, we alluded at the start of the
day, they're not best of 17s any | 2:33:32 | 2:33:36 | |
more, best of 11s, some of the
players consider they have more of a | 2:33:36 | 2:33:40 | |
chance in that situation. Yes he's a
strong favourite. If you give me a | 2:33:40 | 2:33:43 | |
free fiver, I'd have it on
O'Sullivan, but there's lots of good | 2:33:43 | 2:33:46 | |
players left. In terms of his
progress in this match. We've just | 2:33:46 | 2:33:51 | |
seen the focus dim slightly from
Ronnie's perspective. Probably no | 2:33:51 | 2:33:55 | |
wonder at this point. No, it's
because Michael isn't taking his | 2:33:55 | 2:33:59 | |
chances. It's not surprising that
Ronnie's concentration and focus has | 2:33:59 | 2:34:03 | |
slipped a bit. If Michael were to
step up a gear, it would be there | 2:34:03 | 2:34:07 | |
again. Is this going to be the last
one? Let's find out. | 2:34:07 | 2:34:10 | |
again. Is this going to be the last
one? Let's find out. | 2:34:10 | 2:34:15 | |
COMMENTATOR: That's the question
Hazel, will this be the last frame | 2:34:15 | 2:34:17 | |
of the match? | 2:34:17 | 2:34:23 | |
That's certainly opened the reds up
from that break-off shot. Listen, | 2:34:26 | 2:34:31 | |
he's 5-1 down, he might as well
throw the cue at it now, try and | 2:34:31 | 2:34:35 | |
re-Alex and give it your best shot.
Sometimes you do relax and you start | 2:34:35 | 2:34:39 | |
knocking these shots in. | 2:34:39 | 2:34:48 | |
It can be the loneliest place in the
world, in front a packed house, | 2:34:53 | 2:34:57 | |
you're out there. And there's no
hiding place, is there, Ken? No, not | 2:34:57 | 2:35:00 | |
at all. It's not like a team game.
Sometimes you get a little bit | 2:35:00 | 2:35:04 | |
embarrassed that you're not
performing the way you know you can. | 2:35:04 | 2:35:08 | |
Particularly on the TV. And in front
of a nice, big crowd. One of the | 2:35:08 | 2:35:16 | |
biggest tournaments on the snooker
calendar. He's had a couple of good | 2:35:16 | 2:35:20 | |
wins to get here. | 2:35:20 | 2:35:21 | |
We were all expecting a lot more,
I'm sure he was as well. Just hasn't | 2:35:28 | 2:35:32 | |
happened today. His confidence has
drained as this match has gone on. | 2:35:32 | 2:35:36 | |
I mean he's tight on the cushion.
That's probably the best | 2:36:56 | 2:36:59 | |
I mean he's tight on the cushion.
That's probably the best pot he's | 2:36:59 | 2:36:59 | |
had this afternoon. Look at the kiss
he had on the black. | 2:36:59 | 2:37:06 | |
If you don't get that bit of good
fortune in this game, it's hard | 2:37:06 | 2:37:10 | |
work. | 2:37:10 | 2:37:14 | |
He may be able to screw the cue ball
back behind the black here, bring a | 2:37:20 | 2:37:25 | |
few more reds into play. | 2:37:25 | 2:37:30 | |
This is a possible little shot,
screw the cue ball off to the left | 2:37:40 | 2:37:44 | |
hand red of that pack. | 2:37:44 | 2:37:47 | |
He doesn't want this cue ball going
into the pocket. Oh, no. Well it's | 2:38:40 | 2:38:43 | |
all happening.
It's all happening for Michael | 2:38:43 | 2:38:48 | |
White. | 2:38:48 | 2:38:49 | |
That could possibly be his last shot
in this year's Championship. | 2:38:54 | 2:38:59 | |
Not sure whether the pink will
respot on its own spot. If it | 2:39:35 | 2:39:39 | |
doesn't, Ronnie would prefer it to
go onto the black spot. | 2:39:39 | 2:39:44 | |
That was possibly the reason why he
didn't go into the pack of reds from | 2:39:44 | 2:39:48 | |
the blue. | 2:39:48 | 2:39:53 | |
Nice cannon into the pack here. | 2:39:59 | 2:40:03 | |
Has he gone too far? Looks too hard. | 2:40:09 | 2:40:14 | |
Good recovery, on the yellow into
the right centre. | 2:40:37 | 2:40:44 | |
Gradually he'll work his way back up
to the scoring end of the table. | 2:40:57 | 2:41:03 | |
He's got the blue and pink
available. | 2:41:05 | 2:41:09 | |
I say the scoring end of the table,
you can score both ends of the | 2:41:16 | 2:41:20 | |
table, but the more points gained at
this end. With the high valued | 2:41:20 | 2:41:28 | |
colours. It's looking good now for
Ronnie O'Sullivan, it has to be | 2:41:28 | 2:41:31 | |
said.
I don't think he'll be overjoyed by | 2:41:31 | 2:41:35 | |
his performance today. He sets very
high standards for himself. Even | 2:41:35 | 2:41:43 | |
when you feel he's played really
well, he'll come out and say he | 2:41:43 | 2:41:49 | |
wasn't happy. I think the fact that
Michael has struggled a bit probably | 2:41:49 | 2:41:55 | |
hasn't helped Ronnie's game. He
would have raised his game, but | 2:41:55 | 2:41:58 | |
yeah, you've got to feel a bit sorry
for Michael White. He was so looking | 2:41:58 | 2:42:02 | |
forward to playing Ronnie
O'Sullivan. It just hasn't happened | 2:42:02 | 2:42:07 | |
for the man from Neath. I'm sure
he'll be back. There's plenty more | 2:42:07 | 2:42:16 | |
tournaments the rest of the season.
He won that Paul Hunter classic | 2:42:16 | 2:42:21 | |
earlier on this year. Yeah, well he
has won two ranking tournaments and | 2:42:21 | 2:42:29 | |
a lot of players go through their
career without doing that. | 2:42:29 | 2:42:37 | |
60 points ahead, just this red,
leaving Michael White needing a | 2:42:52 | 2:42:57 | |
snooker.
APPLAUSE | 2:42:57 | 2:43:06 | |
Acknowledged by the crowd. | 2:43:06 | 2:43:08 | |
Yeah, I think the fourth frame
Michael could have gone to the | 2:43:13 | 2:43:19 | |
midsession interval 2-2, might have
been a different story. But he | 2:43:19 | 2:43:22 | |
hasn't really performed. Doesn't
matter about missing the pink. | 2:43:22 | 2:43:34 | |
Michael has picked up his extension
and he comes forward to congratulate | 2:43:34 | 2:43:37 | |
Ronnie O'Sullivan. He just couldn't
get going, Michael. In the end, | 2:43:37 | 2:43:44 | |
Ronnie O'Sullivan this year's
favourite, runs out a very | 2:43:44 | 2:43:48 | |
comfortable winner by 6-1.
STUDIO: Congratulations to Ronnie, | 2:43:48 | 2:43:56 | |
the birthday boy through to the last | 2:43:56 | 2:43:57 | |
the birthday boy through to the last
16 here in York. Will he have | 2:43:57 | 2:44:00 | |
enjoyed that one, because in the
end, it was a little more | 2:44:00 | 2:44:05 | |
straightforward than possibly we
expected it to be. We all enjoyed | 2:44:05 | 2:44:08 | |
it. If you won 6-1, and you didn't
have to be at your best, we'd be | 2:44:08 | 2:44:14 | |
delighted with that. He can tell us
better in a minute. I'd be happy | 2:44:14 | 2:44:18 | |
with #6-1. I think I would be as
well. Part of Ronnie will be | 2:44:18 | 2:44:21 | |
disappointed for Michael today. He
knows what a talented player he is. | 2:44:21 | 2:44:26 | |
Don't get me wrong, he obviously
wants to win the match. He'll be | 2:44:26 | 2:44:29 | |
delighted to win comfortably. But he
knows that Michael is a far better | 2:44:29 | 2:44:33 | |
player than he showed today. He'll
be a little disappointed for him. | 2:44:33 | 2:44:37 | |
He's coming in here shortly. Just
before we speak to Ronnie, quick | 2:44:37 | 2:44:41 | |
update on what's been happening out
there. There are dramatic events | 2:44:41 | 2:44:45 | |
here on table three. | 2:44:45 | 2:44:46 | |
there. There are dramatic events
here on table three. Mark King, this | 2:44:46 | 2:44:48 | |
is a respoted black. Mark was 3-2 up
here. It's all very dramatic of the | 2:44:48 | 2:44:54 | |
Yes, funny thing is he's played the
shot. You try to leave the cue ball | 2:44:54 | 2:44:57 | |
higher than the black. Not this.
This leaves a double and he's taken | 2:44:57 | 2:45:01 | |
this it. Luca Brecel levels the
match. Kingy not happy. What's going | 2:45:01 | 2:45:07 | |
on? There you go, he's in a real
fight. Meanwhile table four, Martin | 2:45:07 | 2:45:14 | |
Gould in a tussle as well. Martin
was 2-1 up. A good break of 75 for | 2:45:14 | 2:45:24 | |
Vafaei in frame four has levelled it
there. It's all happening out there. | 2:45:24 | 2:45:30 | |
In fact we're hearing Gould has
taken frame five. He's | 2:45:30 | 2:45:34 | |
re-established a 3-2 advantage.
There's a lot of | 2:45:34 | 2:45:36 | |
re-established a 3-2 advantage.
There's a lot of good snooker out | 2:45:36 | 2:45:37 | |
there. That King, Brecel match, Luka
is one to be watched here. And just | 2:45:37 | 2:45:48 | |
discovered how to win. I've watched
him in the commentary box the last | 2:45:48 | 2:45:51 | |
few years. He's got tremendous
talent. He can pop balls from the | 2:45:51 | 2:45:55 | |
lamp shade. He's playing against
certain players who wait and wait | 2:45:55 | 2:45:58 | |
and tactically they wait for chances
off him. Now he's got to grips with | 2:45:58 | 2:46:01 | |
what he needs to do. He's a
tournament winner now. That makes | 2:46:01 | 2:46:05 | |
all the difference to confidence.
He's only 22. It seems | 2:46:05 | 2:46:08 | |
extraordinary. He was such a young
man, youngest ever to play at The | 2:46:08 | 2:46:13 | |
Crucible. Turned up there 17 years
of age. I think he's established his | 2:46:13 | 2:46:17 | |
own style. He seems to be his own
man out there now. Very much so. | 2:46:17 | 2:46:21 | |
He's one of the few players in the
game that plays with a tremendous | 2:46:21 | 2:46:25 | |
amount of side. He plays with a very
small tip. He has fantastic cue | 2:46:25 | 2:46:31 | |
power, pots incredible balls, scores
well and his safety and tactics have | 2:46:31 | 2:46:34 | |
come on a lot in the last season or
two. They have to. The top players | 2:46:34 | 2:46:39 | |
look for your weakness. Tactically
he wasn't as adept at putting the | 2:46:39 | 2:46:44 | |
cue ball in. They're going to make
it difficult for you, put the cue | 2:46:44 | 2:46:48 | |
ball in awkward positions, try to
keep you away from potting. Come on | 2:46:48 | 2:46:52 | |
in. Congratulations. Good to see
you, bud. Into the last 16, happy | 2:46:52 | 2:46:58 | |
birthday, Ronnie. Yeah, thank you.
Cheers. How pleased with that today? | 2:46:58 | 2:47:01 | |
We were saying that 6-1 sounds
fairly straightforward, was it | 2:47:01 | 2:47:07 | |
straightforward from your
perspective? Michael didn't play | 2:47:07 | 2:47:10 | |
well at all. He was just struggling.
He was getting lots of bad luck as | 2:47:10 | 2:47:14 | |
well. I wasn't feeling great either.
We dragged each other down. I just | 2:47:14 | 2:47:20 | |
think I managed to scramble better
than Michael did today. A century in | 2:47:20 | 2:47:26 | |
there, 909 centuries so far and
counting. Have you lost count, is it | 2:47:26 | 2:47:30 | |
something I take a mental note of?
No, I know each entry gets me nearer | 2:47:30 | 2:47:36 | |
the thousand, which will be nice to
do. Someone else will beat it at | 2:47:36 | 2:47:39 | |
some point. We've talked about the
thousand, is there an expected time | 2:47:39 | 2:47:44 | |
scale for this, or you just keep
going? I've gone past all that. I | 2:47:44 | 2:47:49 | |
just try to enjoy it if I can. You
look like you're enjoying competing | 2:47:49 | 2:47:54 | |
I'm trying my hardest. You know,
it's just come here, have a bit of | 2:47:54 | 2:47:58 | |
fun. If I win, great. If I don't
win, you know, I've always got Plan | 2:47:58 | 2:48:03 | |
B, which is nice, so it takes the
pressure off really. In terms of | 2:48:03 | 2:48:06 | |
what we've seen in this Championship
so far, there's been so many top | 2:48:06 | 2:48:11 | |
seeds going out, you are the top
seed left at number four. A | 2:48:11 | 2:48:14 | |
surprising Championship in some
respects. I don't know. I've not | 2:48:14 | 2:48:17 | |
watched a lot of snooker, what I can
gather, a lot of players say they | 2:48:17 | 2:48:23 | |
haven't been playing well. It's a
tough game when you're not feeling | 2:48:23 | 2:48:26 | |
confident out there. I'm not feeling
100% with my game. This game is a | 2:48:26 | 2:48:29 | |
bit like golf. If you don't get the
line right and you know, you can put | 2:48:29 | 2:48:34 | |
the ball anywhere, so I'm a little
bit fortunate. I'm a bit like Seve | 2:48:34 | 2:48:41 | |
or Tiger, where I can manufacture
shots. Whereas the more robotic type | 2:48:41 | 2:48:46 | |
players, if they're not online, they
really struggle. With me, like Mark | 2:48:46 | 2:48:51 | |
Williams, we are shot makers as
well. We can scramble a bit better. | 2:48:51 | 2:48:55 | |
That's what you have to do
sometimes. Do you think there's too | 2:48:55 | 2:48:58 | |
much snooker now? No, I want to see
more. Give us some more! # You're in | 2:48:58 | 2:49:03 | |
a fortunate position whereby you can
pick and choose your turn amounts, | 2:49:03 | 2:49:06 | |
is there a question of players
playing in everything burning out? I | 2:49:06 | 2:49:11 | |
don't care any more.
LAUGHTER | 2:49:11 | 2:49:13 | |
I tried to get players together and
do anything, but they all just | 2:49:13 | 2:49:16 | |
bottled out in the end. I thought I
have to do my own thing, live my own | 2:49:16 | 2:49:20 | |
life. I do other bits outside of
snooker because I can. I come here, | 2:49:20 | 2:49:24 | |
have a bit of fun. This is a Brucie
bonus for me. I understand what the | 2:49:24 | 2:49:29 | |
players are going through. Until
they get some, their bottle together | 2:49:29 | 2:49:34 | |
and stand up together, then this is
going to keep moaning. I got fed up | 2:49:34 | 2:49:38 | |
with moaning. I thought I might as
go and get a great life, which I've | 2:49:38 | 2:49:43 | |
got a great life now. I don't care
what they do. They can do what they | 2:49:43 | 2:49:46 | |
like. Make us play outside, if you
like, in the freezing cold, I won't | 2:49:46 | 2:49:51 | |
ever complain about a ref or
official. They're all fantastic. You | 2:49:51 | 2:49:56 | |
are Mr Chill at the moment, I must
say. No, I'm not. I used to be, I | 2:49:56 | 2:50:01 | |
was ingrained in snooker, that's all
I done. Every little thing bothers | 2:50:01 | 2:50:04 | |
you. I can't. It's too painful. It's
frustrating because you want things | 2:50:04 | 2:50:09 | |
sorted and you want the players to
stick together and they never do. | 2:50:09 | 2:50:13 | |
You know, get on with, it have it.
Have you found a formula, I don't | 2:50:13 | 2:50:17 | |
know if anybody's quite got it yet.
I don't have a formula. Seriously, | 2:50:17 | 2:50:20 | |
you're trying to come in for the
majors? No, I don't care about the | 2:50:20 | 2:50:26 | |
majors, any tournament is a major. I
don't care. I just come up, pitch | 2:50:26 | 2:50:30 | |
up, the UK is the same as the
British Open, China, they're all | 2:50:30 | 2:50:33 | |
lovely. I take any one of them.
There isn't a formula for success? | 2:50:33 | 2:50:37 | |
No, this is a hobby. I don't care.
LAUGHTER | 2:50:37 | 2:50:42 | |
Otherwise you start to get driven
mad by it. All the players players | 2:50:42 | 2:50:46 | |
are moaning and you feel like you
want to do something, I give up. | 2:50:46 | 2:50:49 | |
They can do their thing. I do my
thing. Good luck to everybody. | 2:50:49 | 2:50:52 | |
You've just got to drive your own
car. That's what I'm doing at the | 2:50:52 | 2:50:54 | |
moment. It doesn't affect me as
much. If I win here great. If I | 2:50:54 | 2:50:58 | |
don't, I really don't care. I want
to win. Of course, I'd love to win. | 2:50:58 | 2:51:03 | |
I'm not going to drive myself mad.
If the referee has a stinker, just | 2:51:03 | 2:51:07 | |
let him have a stinker. Fair enough.
Next year, when we come to the UK | 2:51:07 | 2:51:12 | |
Championship, it has been suggested,
I know there was a lot of banter in | 2:51:12 | 2:51:16 | |
the press room the other day about
your potentially doing a stint in | 2:51:16 | 2:51:19 | |
the jungle. Jimmy has done it and
Steve has. Would you do it? Yeah | 2:51:19 | 2:51:24 | |
million per cent, I'd do anything
now. I love it. | 2:51:24 | 2:51:27 | |
LAUGHTER
I'm up for the crack. I used to | 2:51:27 | 2:51:31 | |
think, no I couldn't do that. I've
got to be a pure snooker player. But | 2:51:31 | 2:51:35 | |
you get to a stage, where you think
this is painful. That's all fun and | 2:51:35 | 2:51:38 | |
a good laugh. Everything I do away
from snooker is great. I want to do | 2:51:38 | 2:51:42 | |
as much of that as I can. Obviously
I want to play a bit of snooker and | 2:51:42 | 2:51:45 | |
do myself justice. As long as I'm in
the top 64, being number one, number | 2:51:45 | 2:51:50 | |
four, number 64 it doesn't matter
any more. Why not, let's have a bit | 2:51:50 | 2:51:55 | |
of the jungle. They'll think I'm a
gorilla though when they look at me! | 2:51:55 | 2:52:03 | |
As long as you don't walk round like
Steve. No, no, please. If you are Mr | 2:52:03 | 2:52:08 | |
Chill at the moment, how do you get
the competitive head back when you | 2:52:08 | 2:52:11 | |
have to come in? I love to win.
Simple as that? I took up running | 2:52:11 | 2:52:15 | |
and I wanted to be like, you know,
compete for my county. I just have a | 2:52:15 | 2:52:19 | |
natural desire to want to compete.
That will never go. But I won't get | 2:52:19 | 2:52:24 | |
bothered by tables and venues and
referees and photographers. | 2:52:24 | 2:52:27 | |
Photographers, they've got to behave
themselves! | 2:52:27 | 2:52:29 | |
LAUGHTER
They have to come with a little | 2:52:29 | 2:52:35 | |
stick, you know, tripod, otherwise
no tripod, you're going. All you | 2:52:35 | 2:52:40 | |
camera guys, get your tripods out.
I'll even supply them as well. What | 2:52:40 | 2:52:46 | |
are you going to do for the rest of
your birthday? Go to the gym, treat | 2:52:46 | 2:52:49 | |
myself. That's my birthday present.
Then go and have some food. Then | 2:52:49 | 2:52:53 | |
watch a bit of celebrity Get Me Out
Of Here. I couldn't have done that | 2:52:53 | 2:52:57 | |
trial last night with the snakes.
No, I saw that. Don't they them | 2:52:57 | 2:53:02 | |
that, that's what they'll give you.
Say you love snakes. I want to start | 2:53:02 | 2:53:06 | |
getting used to snakes! I'm getting
trained. He's in the jungle next | 2:53:06 | 2:53:09 | |
year, I'm not sure how we're going
to cope without you. There we go. | 2:53:09 | 2:53:12 | |
Ronnie, thank you very much. Enjoy
the rest of your birthday. Cheers. | 2:53:12 | 2:53:17 | |
Ronnie is through. We will get back
into the match we've been enjoying. | 2:53:17 | 2:53:20 | |
John Higgins took a healthy lead,
taking no chances against this | 2:53:20 | 2:53:27 | |
young, ambitious 17-year-old Yan
Bingtao. We rejoin them in frame | 2:53:27 | 2:53:30 | |
four. Back to Alan with Steve Davis. | 2:53:30 | 2:53:33 | |
COMMENTATOR: Looks on. If John
Higgins goes for it, I expect him to | 2:53:40 | 2:53:44 | |
get it.
Or get on black, depending the way | 2:53:44 | 2:53:49 | |
he plays it. Oh, he's played it with
control, this is brilliant. What a | 2:53:49 | 2:53:53 | |
shot that is. | 2:53:53 | 2:53:58 | |
This is currently a master surgeon
at work. | 2:54:16 | 2:54:21 | |
Not ideally placed on the red, but
the way he started to cue, you fancy | 2:54:29 | 2:54:35 | |
this red in the middle pocket. | 2:54:35 | 2:54:39 | |
Not much of a pocket to go for, is
there? Never touched the sides. What | 2:54:40 | 2:54:50 | |
a performance so far this has turned
into. Got to say, he's got to be one | 2:54:50 | 2:54:56 | |
of the favourites for the UK
Championship this year. A few big | 2:54:56 | 2:54:59 | |
names have gone out. There's a few
still in, of course. | 2:54:59 | 2:55:05 | |
Not absolutely the way he played it.
Still on one. He's going to have to | 2:55:31 | 2:55:36 | |
put all his eggs in one basket here.
This is dead weight. The fact that | 2:55:36 | 2:55:43 | |
it's a fairly new cloth may help the
shot. | 2:55:43 | 2:55:46 | |
I fancy him to get it, but it is
missable. | 2:55:46 | 2:55:50 | |
It should go in. But no. Yan
Bingtao, sat in that chair for most | 2:55:50 | 2:56:01 | |
of the last couple of frames, has
got, at long last, a decent chance. | 2:56:01 | 2:56:09 | |
Yeah, very easy to say well, he's
got to make something from this, but | 2:56:12 | 2:56:17 | |
when you've been kept off the table
for so long, it's tough. | 2:56:17 | 2:56:23 | |
This is a difficult one to judge, to
get the correct weight. Can't argue | 2:56:29 | 2:56:34 | |
at that.
Made sure he didn't leave it short, | 2:56:34 | 2:56:41 | |
not too short. Assuming the black
does go fully. | 2:56:41 | 2:56:45 | |
Must do. | 2:56:45 | 2:56:50 | |
Be a good boost for morale now for
Yan Bingtao to win this in a classy | 2:56:59 | 2:57:04 | |
way, this frame.
Just to show John Higgins what he's | 2:57:04 | 2:57:09 | |
capable of. | 2:57:09 | 2:57:11 | |
This is not an absolute bona fide
chance to win the frame just yet. I | 2:58:46 | 2:58:51 | |
don't think any of those reds will
go to this black pocket. They have | 2:58:51 | 2:58:56 | |
to manufacture something. Wouldn't
really want to play to right middle. | 2:58:56 | 2:59:04 | |
That would be missable. He's looking
for something a bit more certain. | 2:59:04 | 2:59:10 | |
Just a little tester, just the fact
that he's not any table time, you | 2:59:17 | 2:59:21 | |
expect him to get it - nice and
straight, not a lot to do with the | 2:59:21 | 2:59:25 | |
cue ball. Just get the pot, opens
the frame up a little. | 2:59:25 | 2:59:34 | |
This is why you play eight hours a
day, or whatever you decide to play. | 2:59:36 | 2:59:40 | |
When you do get a chance, when
you've been kept off the table, | 2:59:42 | 2:59:47 | |
you're quickly into your stride. | 2:59:47 | 2:59:50 | |
It's definitely a measured approach
from Yang Bingtao. Even a certain | 3:00:18 | 3:00:23 | |
black you'd already think he'd know
which red he's going to play but | 3:00:23 | 3:00:27 | |
he's taking his time. Average shot
time of 31 seconds, which is | 3:00:27 | 3:00:31 | |
pedestrian by modern standards. It
is, but it's indicative of what he's | 3:00:31 | 3:00:38 | |
put up with today. I don't think
it's his natural speed. Floated | 3:00:38 | 3:00:42 | |
past, does the other red go? I think
it does. It's OK. I think if he was | 3:00:42 | 3:00:52 | |
the one dominating proceedings you'd
see faster speed. | 3:00:52 | 3:00:56 | |
That one red at the bottom of the
pack, you can't get the right side | 3:01:02 | 3:01:10 | |
of it, and maybe the other red goes.
Think is available, that helps. | 3:01:10 | 3:01:20 | |
Yeah, the pink goes on the green
spot now, so that's fine. A good | 3:01:20 | 3:01:25 | |
frame-winning chance now. Not saying
it's necessarily a bad thing, the | 3:01:25 | 3:01:31 | |
pace he's played today. It's another
strength to his bow. Exactly, yeah. | 3:01:31 | 3:01:38 | |
You wouldn't always want to be
playing at 30 seconds a shot, it's | 3:01:38 | 3:01:44 | |
difficult to get rhythm but he's
been up against it. It's impossible | 3:01:44 | 3:01:48 | |
for him to have had any rhythm in
the match, soap understandable that | 3:01:48 | 3:01:53 | |
his shot times would be slow. Most
of his shots have been head | 3:01:53 | 3:01:59 | |
scratchers. Doesn't want to be
straight on this. Not good if it's | 3:01:59 | 3:02:04 | |
straight. He's got enough of an
angle. He's got to judge the pace of | 3:02:04 | 3:02:12 | |
this because it is he goes too far
he won't be on the red. Not far | 3:02:12 | 3:02:20 | |
enough and it's too fine Abe cut.
That's very nice indeed. Going to | 3:02:20 | 3:02:26 | |
disturb the other red now. A good
lead of the reds and guaranteed | 3:02:26 | 3:02:32 | |
position on the black, pace wise, he
could be over the line. | 3:02:32 | 3:02:42 | |
I think the other thing it tells us,
the way he's taking his time this | 3:02:47 | 3:02:55 | |
afternoon, and especially this
contribution, he thinks he can still | 3:02:55 | 3:02:58 | |
win the match. That's important.
It's not like, some players can be | 3:02:58 | 3:03:04 | |
forgiven for mentally almost giving
up, just throw their cue at Bayview | 3:03:04 | 3:03:11 | |
shots -- at a few shots. | 3:03:11 | 3:03:17 | |
He's still in line with being the
youngest ever winner of a major | 3:03:22 | 3:03:28 | |
event. Up until the German Masters I
think next year. But to be honest | 3:03:28 | 3:03:34 | |
that would be just a small record. I
think when the history books are | 3:03:34 | 3:03:40 | |
finally closed on this game of
snooker, if they are ever closed, I | 3:03:40 | 3:03:47 | |
think you'll see Yan Bingtao's name
cropping up a few times. How can you | 3:03:47 | 3:03:53 | |
win the World Cup at 15? | 3:03:53 | 3:03:58 | |
He did that with his compatriot a
couple of years ago. | 3:04:01 | 3:04:17 | |
John Higgins may decide to come back
to the table here. Bingtao's last | 3:04:26 | 3:04:32 | |
positional shot before the red was
perhaps a bit risky. Might seem like | 3:04:32 | 3:04:36 | |
he's well clear but as we've seen,
when you look at the table, after | 3:04:36 | 3:04:47 | |
potting the black he's going to be
55 points behind. It's a tough ask | 3:04:47 | 3:04:59 | |
but not much different to the first
frame with Yan Bingtao carrying on. | 3:04:59 | 3:05:08 | |
He'll want to keep the last red on
the table. That keeps open the | 3:05:08 | 3:05:13 | |
option of free balls. That's a
quicker way to get penalty points. | 3:05:13 | 3:05:23 | |
So, no positional shot played. Can
he get in behind this black? Should | 3:05:23 | 3:05:31 | |
he so choose. He misjudged that by
miles. Poor effort really from John | 3:05:31 | 3:05:42 | |
Higgins. | 3:05:42 | 3:05:46 | |
Frame conceded. So, Yan Bingtao gets
a frame on the board but John | 3:06:00 | 3:06:10 | |
Higgins goes into the interval
leading 3-1. STUDIO: Looks | 3:06:10 | 3:06:13 | |
comfortable but this youngster is on
the move. He started the season as | 3:06:13 | 3:06:17 | |
the world number 56 and he's jumped
up to 27 already. He's a man on the | 3:06:17 | 3:06:23 | |
move and will he keep moving here in
frame five? | 3:06:23 | 3:06:29 | |
COMMENTATOR: Bingtao straight back
at the table. Bad timing for the ice | 3:06:43 | 3:06:49 | |
bucket to come on the table. Just
out of your picture, one of our | 3:06:49 | 3:06:59 | |
officials delivered a fresh ice
bucket to John Higgins. It was | 3:06:59 | 3:07:04 | |
nearly in Yan Bingtao's by --
eyeline. | 3:07:04 | 3:07:15 | |
Perhaps justice is served, back so
early, that miss to the right middle | 3:07:23 | 3:07:34 | |
by John. Pretty ramrod straight
delivery of the cue. Always nice to | 3:07:34 | 3:07:47 | |
see. Not every player goes through
on a straight line. You'd think it | 3:07:47 | 3:07:56 | |
would be essential but it's really
only at the point of hitting the the | 3:07:56 | 3:08:02 | |
cue needs to be in the straight line
with the desired line to the object | 3:08:02 | 3:08:06 | |
ball. Common sense says it would be
better if it was in line all the | 3:08:06 | 3:08:15 | |
time from the back swing to the end
of the delivery. Plenty of cue power | 3:08:15 | 3:08:23 | |
to get the right side of the blue.
Excellent effort. Has he got there? | 3:08:23 | 3:08:31 | |
I don't think he's quite got the
angle. He's poker straight on it. | 3:08:31 | 3:08:37 | |
Pink is the sort of shot normally
well within his compass but he won't | 3:08:37 | 3:08:43 | |
want to play it unless he has to.
Just a case of how much he fancies a | 3:08:43 | 3:08:54 | |
long-distance red. So this is a
little tester. | 3:08:54 | 3:09:03 | |
I guess you could say a little
unfortunate there. Is there a plant? | 3:09:28 | 3:09:35 | |
Possible. Oh, fabulous shot. Well
played. That's a bonus, landing on | 3:09:35 | 3:09:44 | |
the black | 3:09:44 | 3:09:47 | |
played. That's a bonus, landing on
the black. Drop in the black and | 3:09:47 | 3:09:52 | |
he'll be back to just one frame
behind, Yang Bingtao -- Yan Bingtao. | 3:09:52 | 3:10:01 | |
That's motored up the table a bit.
He's on the red but not as he would | 3:10:12 | 3:10:19 | |
have liked. He just needs this red.
Plant as well. That's nice. A bit | 3:10:19 | 3:10:34 | |
lucky really, the plants have all
planned out for him. The pink wasn't | 3:10:34 | 3:10:40 | |
absolutely wonderful. So from being
completely outplayed and getting a | 3:10:40 | 3:10:50 | |
lifeline in the fourth frame, all of
a sudden, Yan Bingtao gets it back | 3:10:50 | 3:10:56 | |
to only one behind. Interesting
times in this match. | 3:10:56 | 3:11:02 | |
Another massive kick. What's going
on? From having none to having a | 3:11:09 | 3:11:16 | |
few. | 3:11:16 | 3:11:18 | |
A bit of general consensus that the
new brand of chalk on the market | 3:11:25 | 3:11:28 | |
reduces the amount of kicks players
get in matches. Yan Bingtao doesn't | 3:11:28 | 3:11:34 | |
use that particular brand. | 3:11:34 | 3:11:40 | |
Doesn't matter about the pink. And
the frame. 81 break, Yan Bingtao, | 3:13:52 | 3:13:59 | |
hot on the heels of John Higgins.
3-2. And indeed in the next frame, | 3:13:59 | 3:14:06 | |
Yan Bingtao made it all square. A
break of 37 and a pretty elongated | 3:14:06 | 3:14:11 | |
frame, 33 minutes and Yan Bingtao
getting over the line so we're into | 3:14:11 | 3:14:17 | |
a best of five. Let's rejoin in
seven. COMMENTATOR: That could be a | 3:14:17 | 3:14:26 | |
massive error. That one he seemed to
play a bit casually. He probably | 3:14:26 | 3:14:37 | |
didn't, it just seemed like he did. | 3:14:37 | 3:14:42 | |
The red actually moved, the other
red, when he potted that. Yes, | 3:15:03 | 3:15:09 | |
played a combination shot there. | 3:15:09 | 3:15:15 | |
Nicely judged. Didn't go into them
too hard but he knew they'd open up | 3:15:22 | 3:15:29 | |
nicely. A nice feeling when you play
that well, the cannon and they | 3:15:29 | 3:15:35 | |
spread open like they have. Doesn't
guarantee anything but it makes the | 3:15:35 | 3:15:42 | |
next probably 30 points fairly
straightforward, as straightforward | 3:15:42 | 3:15:45 | |
as they can ever be. Just gives you
a nice warm feeling inside, a cannon | 3:15:45 | 3:15:50 | |
like that. Works out as intended. He
needs a few good things to happen | 3:15:50 | 3:16:00 | |
right now, John Higgins.
Re-establish some authority in this | 3:16:00 | 3:16:05 | |
match. | 3:16:05 | 3:16:08 | |
He could conceivably get over the
winning post without needing that | 3:16:21 | 3:16:25 | |
red on the side cushion. Not
necessarily sure he'll have done | 3:16:25 | 3:16:31 | |
those maths. Job in hand. That was
sloppy, he'll have to be precise | 3:16:31 | 3:16:43 | |
with this. Wasn't the end of the
world. But as you say, there are | 3:16:43 | 3:16:53 | |
easier ways of getting on those
reds. | 3:16:53 | 3:16:58 | |
Yes, that's a good point you make
Steve, about the red on the side | 3:17:15 | 3:17:19 | |
cushion. He needs blacks. I think he
can get away with one more extra | 3:17:19 | 3:17:26 | |
pink. He's got two points to play
with. Two pinks and three blacks, | 3:17:26 | 3:17:36 | |
sorry, four blacks and he wouldn't
need that red. It is something you | 3:17:36 | 3:17:48 | |
should do the maths for but there's
so much work to be done, sometimes | 3:17:48 | 3:17:52 | |
you're concentrating on keeping
position. Where these balls are, | 3:17:52 | 3:17:56 | |
you're more or less going to be
going for blacks but if he took too | 3:17:56 | 3:18:00 | |
many pinks, that is a sort of minor
mistake, isn't it? John won't be | 3:18:00 | 3:18:04 | |
thinking about it yet. But he should
be. The future of the game, players | 3:18:04 | 3:18:10 | |
should be aware if they need that
ball on the cushion or not. It's | 3:18:10 | 3:18:14 | |
just we have the luxury of sitting
here and being able to count it out | 3:18:14 | 3:18:18 | |
and we don't have two pot anything.
That's a nice shot opening them up. | 3:18:18 | 3:18:24 | |
I don't know if he's checked the
school board. He's looking at it | 3:18:24 | 3:18:28 | |
now. -- the score board. I think
he'll look at the scoreboard now. | 3:18:28 | 3:18:44 | |
Now, has he done the maths? He's
doing it now. | 3:18:44 | 3:18:52 | |
Is it the maths or is it the math?
American. Singular is the posh way | 3:18:57 | 3:19:10 | |
of saying it. Is there a Scottish
way? Probably, yeah. That was a good | 3:19:10 | 3:19:21 | |
shot as well. Three blacks. | 3:19:21 | 3:19:29 | |
I think he can screw back to the
side cushion. This is dead straight. | 3:20:27 | 3:20:32 | |
Doing his job of keeping on the
black. Didn't need to screw back to | 3:20:32 | 3:20:40 | |
the side cushion. The best way to
play for this red is the far corner | 3:20:40 | 3:20:53 | |
because he can get back to the black
for that. He doesn't want to play it | 3:20:53 | 3:20:57 | |
in the middle. That's clever, a very
clever shot. Just an indication | 3:20:57 | 3:21:04 | |
again of the shot selection being
the most important thing. The way he | 3:21:04 | 3:21:09 | |
played it, he didn't have to play
the shot perfectly. Just get top | 3:21:09 | 3:21:14 | |
side of the red and the next black
should be a formality. He's taken | 3:21:14 | 3:21:17 | |
them well. | 3:21:17 | 3:21:22 | |
After potting this black, he'd like
to get the double as well just to | 3:21:42 | 3:21:48 | |
put the lid on this frame. | 3:21:48 | 3:21:56 | |
Barring snookers, John Higgins has
his nose in front at 4-3. STUDIO: 67 | 3:22:11 | 3:22:20 | |
was enough for John to retake the
lead at 4-3, the momentum back with | 3:22:20 | 3:22:25 | |
the Scotsman. They just had a
rewrite in frame eight. This is | 3:22:25 | 3:22:31 | |
early in the restart of this frame.
John has potted the red, so back to | 3:22:31 | 3:22:38 | |
Alan and Steve. | 3:22:38 | 3:22:39 | |
How is the split? Oh, this is good.
It's just beginning to happen now. A | 3:22:48 | 3:22:58 | |
big target, that. He got the pink
half all. -- half ball. He'd settle | 3:22:58 | 3:23:09 | |
for this, John Higgins. | 3:23:09 | 3:23:18 | |
John Higgins smelling blood here.
Realises the significance of Yan | 3:24:18 | 3:24:27 | |
Bingtao's shot, not punishing him
enough. | 3:24:27 | 3:24:30 | |
John doesn't want to play for the
red on the cushion. That would be | 3:25:30 | 3:25:34 | |
last resort. | 3:25:34 | 3:25:41 | |
Well, this was the shot that Yan
Bingtao played. He'd turned down a | 3:25:50 | 3:25:54 | |
pot to the left corner for the more
safe safety shot. John Higgins got | 3:25:54 | 3:26:02 | |
in from that shot. | 3:26:02 | 3:26:09 | |
Yan Bingtao bashing the table with
his cue, the modern-day sign of | 3:27:11 | 3:27:16 | |
appreciation for your opponent. He's
left a red to the middle. Can he get | 3:27:16 | 3:27:33 | |
past the lack to the red to the
corner? Doesn't look like it. -- can | 3:27:33 | 3:27:41 | |
he get past the black. You'd expect
him to get this. Wow, I thought that | 3:27:41 | 3:27:52 | |
was going in. Just a fraction too
hard. I still thought it was going | 3:27:52 | 3:28:00 | |
in, didn't you? Yes, you could tell
by John's reaction as well. He | 3:28:00 | 3:28:04 | |
thought it was in. A puff of the
cheeks. This is thin but I'm sure | 3:28:04 | 3:28:16 | |
he'll get it. | 3:28:16 | 3:28:27 | |
That's why they have experts in the
commentary box, Alan! Yeah, a wry | 3:28:28 | 3:28:36 | |
smile again from John, he's somehow
covered the red with the blue, Yan | 3:28:36 | 3:28:44 | |
Bingtao. Bingtao was trying to play
a better position or shot than just | 3:28:44 | 3:28:55 | |
potting the red -- a better
positional shot. Would have been | 3:28:55 | 3:29:00 | |
ideal place to pot the red. Not easy
to get a telling safety shot here. | 3:29:00 | 3:29:17 | |
That got a bit close to the pocket,
didn't it? Yan Bingtao tapping the | 3:29:21 | 3:29:32 | |
table. It wasn't that far off being
a mistake. Now it's caused a few | 3:29:32 | 3:29:41 | |
problems. If he's going to play the
up and down safety he'll have to get | 3:29:41 | 3:29:48 | |
this very thin, drop the cushion
first on the left-hand red, which | 3:29:48 | 3:29:56 | |
he's doing. Still need to give these
respect. With the baulk colours as | 3:29:56 | 3:30:12 | |
they are, not easy to sort of get
telling snookers. Surprised here | 3:30:12 | 3:30:21 | |
that John, the loose red left of the
pink spot, slide off it, cue ball | 3:30:21 | 3:30:28 | |
over the yellow pocket and Yan
Bingtao would be in trouble. I don't | 3:30:28 | 3:30:33 | |
think John will be in masses of
trouble but he's giving up the | 3:30:33 | 3:30:36 | |
initiative. Obviously there was
thought behind it, 37 points in | 3:30:36 | 3:30:43 | |
front, tying up those three reds. | 3:30:43 | 3:30:47 | |
He doesn't make many tactical
mistakes, does he? There's one here | 3:30:53 | 3:31:00 | |
that he could play, leave John that
tempter, get as close to the baulk | 3:31:00 | 3:31:07 | |
cushion as you can. He's shifting
that red. John's long game's not | 3:31:07 | 3:31:12 | |
been on it. Not been on song today.
I would have left him a tempter | 3:31:12 | 3:31:15 | |
there.
Possible plant to nothing. The thing | 3:31:15 | 3:31:25 | |
about this situation now is there is
a way of getting down the table. And | 3:31:25 | 3:31:30 | |
getting a good snooker. Not easy.
From this side of the table. | 3:31:30 | 3:31:43 | |
That plant was a bit more on than
you would have thought from | 3:31:52 | 3:31:55 | |
distance. Red struggled in. But it's
definitely John Higgins with the | 3:31:55 | 3:31:59 | |
initiative. Playing in behind the
brown here, I feel. Clever shot | 3:31:59 | 3:32:07 | |
again. It takes out of the rest of
the left side cushion. Yan's in | 3:32:07 | 3:32:15 | |
trouble. Yan Bingtao will be seeing
if he's got any type of route to | 3:32:15 | 3:32:20 | |
those three reds on the top cushion. | 3:32:20 | 3:32:24 | |
He's looking at possibly a three
cushion escape. | 3:32:32 | 3:32:38 | |
He'll have to get close to the green
after two cushions. I don't think | 3:32:43 | 3:32:53 | |
that shot is on. Too much slide on
the cloth. He could probably try | 3:32:53 | 3:32:59 | |
this all day long and not get it.
He should know from what he's just | 3:32:59 | 3:33:05 | |
done, unless he gets stupidly close
to the green, he's not going to be | 3:33:05 | 3:33:09 | |
able to get out of it. It's going to
slide too much. I might be wrong. | 3:33:09 | 3:33:20 | |
Put the green back, though. | 3:33:23 | 3:33:31 | |
I don't think he can escape off
three cushions here. It's not | 3:33:33 | 3:33:36 | |
possible. Really, without being
disrespectful, he should know this | 3:33:36 | 3:33:40 | |
now. He's had one go and he must
have seen how the ball released off | 3:33:40 | 3:33:45 | |
that third cushion. | 3:33:45 | 3:33:48 | |
It's important they get the green
exactly where it was. It plays an | 3:33:50 | 3:33:57 | |
integral part of the shot. | 3:33:57 | 3:33:59 | |
He might just have made it.
Wow. What a hit that was. Wow! I | 3:34:12 | 3:34:25 | |
think he's having a chuckle at
himself. That's the best he could | 3:34:25 | 3:34:28 | |
have done to get across the table.
That's the absolute limit. | 3:34:28 | 3:34:35 | |
He obviously knows more than me!
Unless that green wasn't exactly in | 3:34:41 | 3:34:49 | |
the right place. | 3:34:49 | 3:34:54 | |
A great escape.
John will be making sure he doesn't | 3:34:55 | 3:35:01 | |
shift this brown, I'm sure.
Yeah just pushing a red safe. | 3:35:01 | 3:35:11 | |
No way John wants to get involved at
any time with having safety shots | 3:35:13 | 3:35:20 | |
that go near that brown. | 3:35:20 | 3:35:24 | |
Once again Bingtao in touch trouble.
It seems he's going off a side | 3:35:28 | 3:35:31 | |
cushion. | 3:35:31 | 3:35:35 | |
What was he lining up there? Not too
sure. I think he was just in between | 3:35:43 | 3:35:50 | |
the top, the middle and the brown.
Just looking at the natural and | 3:35:50 | 3:35:53 | |
dropping the three reds. Obviously
didn't fancy it. | 3:35:53 | 3:36:00 | |
John playing this red near the baulk
line. It's not a double kiss. He | 3:36:05 | 3:36:10 | |
doesn't really want to shift it,
unless he absolutely has to. | 3:36:10 | 3:36:16 | |
He can just drop onto the three
reds. | 3:36:20 | 3:36:24 | |
It's Yan Bingtao who has to do the
aggressive safety. | 3:36:26 | 3:36:29 | |
Nicely judged. Bingtao can improve
the situation. Needs a thin contact | 3:36:36 | 3:36:46 | |
on the first red. | 3:36:46 | 3:36:50 | |
Is there a gap between green and
blue that he can get the black into | 3:36:52 | 3:36:55 | |
play? | 3:36:55 | 3:36:57 | |
Needed to play an aggressive one and
has done. You've got to say that | 3:37:17 | 3:37:21 | |
he's asked the best question
possible of John Higgins. | 3:37:21 | 3:37:26 | |
John's got a relatively easy path
back to balk. At least it's opened | 3:37:29 | 3:37:35 | |
the reds up and opened the colours
up. | 3:37:35 | 3:37:44 | |
There won't be many times in his
career that he'll be tapping the | 3:37:54 | 3:37:59 | |
table as many as he has done against
John Higgins here today. Great | 3:37:59 | 3:38:06 | |
judgment of weight there as well,
caused as much problems as the line. | 3:38:06 | 3:38:13 | |
Last resort shot once again? He's
just coming down to see what type of | 3:38:19 | 3:38:25 | |
shot John Higgins as got from the
jaws this afternoon top left corner. | 3:38:25 | 3:38:30 | |
-- of that top left corner. Not sure
he's got many other options. Big | 3:38:30 | 3:38:34 | |
shot to try and pot it. | 3:38:34 | 3:38:37 | |
This is one in ten for me.
Yeah, that was so difficult. He's | 3:38:46 | 3:38:52 | |
not left an absolute sitter. But
John Higgins you would expect to | 3:38:52 | 3:38:59 | |
take full advantage. | 3:38:59 | 3:39:02 | |
He obviously believes in his own
ability. He could have possibly | 3:39:09 | 3:39:12 | |
played a containing shot there. | 3:39:12 | 3:39:15 | |
The score line in the frame and
knowing how clever John Higgins is, | 3:39:16 | 3:39:20 | |
perhaps he thought that was as good
a chance as he was going to get. | 3:39:20 | 3:39:24 | |
The last frame, the first frame
really that's gone against the | 3:39:36 | 3:39:39 | |
grain. | 3:39:39 | 3:39:41 | |
Yan Bingtao couldn't successfully
negotiate the positional side of the | 3:39:45 | 3:39:47 | |
frame. John Higgins got back in. Now
looks like John Higgins has smelled | 3:39:47 | 3:39:53 | |
a bit of blood. | 3:39:53 | 3:39:56 | |
Never balks at the finishing line,
that's for certain. | 3:39:59 | 3:40:04 | |
He's checked the scoreboard. | 3:40:11 | 3:40:14 | |
Three loose reds with colours. He
should be one away from victory. | 3:40:17 | 3:40:23 | |
Would still like this red in to
completely seal the frame. | 3:42:17 | 3:42:24 | |
Striking the ball very nicely. Never
overhits a shot, John Higgins. Knows | 3:42:32 | 3:42:37 | |
when to stroke the shot, when to
punch it in. The complete | 3:42:37 | 3:42:44 | |
all-rounder.
Apart from those shots obviously! | 3:42:44 | 3:42:51 | |
And that's John Higgins. 5-3 in
front. Needing one more for a place | 3:42:51 | 3:42:56 | |
in the last 16.
STUDIO: I'm sure this will be an | 3:42:56 | 3:43:03 | |
almighty relief to John after that
barrage of breaks from Yan Bingtao | 3:43:03 | 3:43:05 | |
earlier on. This is a fascinating
match. It's a real contrast of the | 3:43:05 | 3:43:11 | |
generations. We've seen enough from
Yan Bingtao to realise this | 3:43:11 | 3:43:14 | |
generations. We've seen enough from
Yan Bingtao to realise this fellow | 3:43:14 | 3:43:14 | |
is pretty special. Yeah a very
talented young player. John's | 3:43:14 | 3:43:18 | |
experience showed in the last frame
there. He really dug deep there. He | 3:43:18 | 3:43:22 | |
knows that he has to go up a gear
now against this young man. That was | 3:43:22 | 3:43:26 | |
impressive from John there. He
hasn't taken him lightly. He said he | 3:43:26 | 3:43:31 | |
would have to play 100 times better
than his previous opponent. How wary | 3:43:31 | 3:43:36 | |
was John coming into this match? Who
does he take lightly by the way? He | 3:43:36 | 3:43:41 | |
plays the right shot all the time to
an incredibly high standard. Two of | 3:43:41 | 3:43:45 | |
the lads in the commentary box are
exactly the same type of match | 3:43:45 | 3:43:50 | |
players, if you play the correct
shot and you play it to a high | 3:43:50 | 3:43:53 | |
standard every single time you play,
you are going to be a nightmare for | 3:43:53 | 3:43:56 | |
whoever you play against. The last
couple of frames, John's tightened | 3:43:56 | 3:43:59 | |
up. He's still scored well. He's
come to the table and he's tapping | 3:43:59 | 3:44:03 | |
the table all the time. He's just in
the maximum amount of trouble. Every | 3:44:03 | 3:44:06 | |
time he comes, there he's being
asked a question. It's a very stern | 3:44:06 | 3:44:10 | |
examination paper you get when you
play John. That's what he's been | 3:44:10 | 3:44:12 | |
given this afternoon. We know that
whoever wins this match, they're | 3:44:12 | 3:44:18 | |
going to play Mark King in the next
round. Mark has come through 6-3 | 3:44:18 | 3:44:23 | |
against Luca Brecel. After that
losing that respoted black earlier | 3:44:23 | 3:44:27 | |
on, he's won the last three in a row
has Mark. That's really impressive. | 3:44:27 | 3:44:31 | |
That's a great win. He's come on
leaps and bounds this season, after | 3:44:31 | 3:44:36 | |
winning in Northern Ireland last
year. He's kicked on. All of us were | 3:44:36 | 3:44:40 | |
so pleased for him to win his first
ranking event after all this time | 3:44:40 | 3:44:44 | |
last year. He's been working with
Chris Henry for some time now. It's | 3:44:44 | 3:44:48 | |
made a massive difference to his
game. He's a tournament winner now. | 3:44:48 | 3:44:52 | |
The biggest thing for Mark, with the
greatest respect, he wasn't the | 3:44:52 | 3:44:57 | |
heaviest scorers. He didn't score
like a lot of the top boys did. He | 3:44:57 | 3:45:01 | |
nearly had a maximum the other day,
which he should have had. A nice | 3:45:01 | 3:45:04 | |
break there to win the match. His
scoring has improved. Mark will be | 3:45:04 | 3:45:08 | |
watching the end of this one with
great interest as indeed are we. Can | 3:45:08 | 3:45:12 | |
John get over the line here? | 3:45:12 | 3:45:15 | |
COMMENTATOR: If he can Hazel, he's
still going to have to put the young | 3:45:21 | 3:45:28 | |
Chinese player away. He led 3-1
early on, John Higgins. Yan came | 3:45:28 | 3:45:35 | |
back strongly to 3-3. | 3:45:35 | 3:45:41 | |
He hasn't done a great deal wrong
today, Yan Bingtao. Last couple of | 3:46:04 | 3:46:10 | |
frames, messed up position once.
Then a sloppy safety shot. Other | 3:46:10 | 3:46:22 | |
than that it's been an impressive
performance. | 3:46:22 | 3:46:27 | |
From our perspective in the
commentary box, as players, Alan, | 3:46:32 | 3:46:36 | |
you know, it's not about if a player
just knocks him all over the place, | 3:46:36 | 3:46:40 | |
you don't get impressed by that so
much. It's shot selection, | 3:46:40 | 3:46:44 | |
decisions, demeanor at table,
temperament. That's how you judge | 3:46:44 | 3:46:49 | |
whether a player's got longevity in
the game. Absolutely. | 3:46:49 | 3:46:57 | |
Yan Bingtao has been a wee bit more
defensive than I was expecting | 3:46:59 | 3:47:03 | |
today, I have to say that. His
all-round game is | 3:47:03 | 3:47:07 | |
-- certainly improving all the time.
Regardless of the result today, he | 3:47:10 | 3:47:13 | |
will learn plenty. He beat John
Higgins 6-2 a few weeks ago out in | 3:47:13 | 3:47:20 | |
China. | 3:47:20 | 3:47:23 | |
Good to see a Chinese player not all
about knocking in the reds all over | 3:47:28 | 3:47:34 | |
the place, playing the fancy shots.
He can get down and tough it out. | 3:47:34 | 3:47:38 | |
Yeah getting that balance right
between attack and defence is the | 3:47:38 | 3:47:41 | |
art of it. A couple of shots we
actually thought he might have gone | 3:47:41 | 3:47:45 | |
for it and he turned it down. If
you're not attacking enough you're | 3:47:45 | 3:47:49 | |
in trouble as well. Plenty of years
left to get the balance right of | 3:47:49 | 3:47:55 | |
that. | 3:47:55 | 3:48:01 | |
Just a half chance here for John to
perhaps gain the upper hand in this | 3:48:43 | 3:48:48 | |
early safety battle. | 3:48:48 | 3:48:51 | |
Just trying to miss the brown on
either side of it. Yeah, that should | 3:48:58 | 3:49:01 | |
do. That should stop the easy return
for Yan Bingtao. | 3:49:01 | 3:49:07 | |
He does have a figure eight playing
the other way. | 3:49:07 | 3:49:12 | |
He's had enough of it. He's taken
one on. Yeah, getting more | 3:49:16 | 3:49:20 | |
aggressive here. Wouldn't say
throwing caution to the wind. He's | 3:49:20 | 3:49:24 | |
got enough screw power to stay clear
of the pink. | 3:49:24 | 3:49:32 | |
Foul. Can't really argue with that.
He's hit it superbly well. It's just | 3:49:32 | 3:49:44 | |
screwing clear of the pink.
Unlucky. | 3:49:44 | 3:49:50 | |
Can't really say you should know
where the middle pocket is on that | 3:49:50 | 3:49:53 | |
one. He hit it too well.
Just to even get the pot doing | 3:49:53 | 3:49:58 | |
anything with the cue ball,
impressive. Amazing piece of ball | 3:49:58 | 3:50:02 | |
striking. | 3:50:02 | 3:50:05 | |
Got a good cue ball. | 3:50:19 | 3:50:23 | |
Another tap on the table from Yan. | 3:50:25 | 3:50:29 | |
If that red to the right corner is
dead straight, he could play it as a | 3:50:32 | 3:50:37 | |
sort of shot to nothing. The only
red he'd leave on is the one he | 3:50:37 | 3:50:44 | |
missed other than there's a red into
the middle pocket that would | 3:50:44 | 3:50:49 | |
possibly pot. He's got potential
with this one as well. | 3:50:49 | 3:50:54 | |
There was the potential. Never going
to be rolling it in dead weight | 3:50:58 | 3:51:02 | |
that. Was too risky.
Not far off getting the snooker. | 3:51:02 | 3:51:08 | |
Never really going to put his
opponent in too much trouble from | 3:51:39 | 3:51:42 | |
that shot. Yan Bingtao should be
able to find a path back to baulk. | 3:51:42 | 3:51:55 | |
It's been a feature of this match
and to be honest, a bit of a feature | 3:51:57 | 3:52:01 | |
of the modern game. Players are
loathe to play the safety off the | 3:52:01 | 3:52:05 | |
pack and open reds up, push a red
potentially over left corner and | 3:52:05 | 3:52:10 | |
you're sitting down the rest of the
frame. I've seen it more and more. | 3:52:10 | 3:52:15 | |
This looks good.
Not quite in behind the brown. John | 3:52:15 | 3:52:21 | |
Higgins perhaps here about to gain
the upper hand again. | 3:52:21 | 3:52:25 | |
He can't play the four cushion
safety this time. There's that red | 3:52:25 | 3:52:30 | |
between blue and pink in the way. He
can play the two cushion. | 3:52:30 | 3:52:36 | |
Slide it down to the baulk cushion,
line it up on the yellow. | 3:52:44 | 3:52:50 | |
Sound like I know what I'm talking
about there! That was a brilliant | 3:53:01 | 3:53:05 | |
shot. | 3:53:05 | 3:53:07 | |
Can't see any return to the baulk
area. I suppose he could drop dead | 3:53:12 | 3:53:17 | |
weight into the top of the bluster
of reds, but even that has a risk | 3:53:17 | 3:53:20 | |
attached to it.
Has he got another half ball one red | 3:53:20 | 3:53:25 | |
into the pack behind the black? If
he can see enough of the right-hand | 3:53:25 | 3:53:30 | |
side of the second red on the left
of the table, if that makes sense. | 3:53:30 | 3:53:35 | |
Yeah, I think he can.
Can't see many other shots at the | 3:53:37 | 3:53:41 | |
moment. That's a good spot that,
Steve. The reason he wouldn't like | 3:53:41 | 3:53:47 | |
really playing it, unless he can
maybe hit the red on the thin side | 3:53:47 | 3:53:50 | |
and not push too many open reds out
of the cluster. | 3:53:50 | 3:53:54 | |
What else has he got.
I think he's got to play this shot | 3:53:54 | 3:53:59 | |
and try to get in behind the black.
Thin half ball, not too thick. | 3:53:59 | 3:54:06 | |
He's looked at it there. He's going
through the same thought process | 3:54:07 | 3:54:11 | |
that we've gone through. | 3:54:11 | 3:54:14 | |
That's the shot he's going to play.
We think. | 3:54:16 | 3:54:24 | |
Unless he's seen something else. Can
he play the one nearer the blue? | 3:54:24 | 3:54:32 | |
Far enough out with the red that
didn't get the cue ball tracking | 3:54:41 | 3:54:47 | |
right. Has he left anything? | 3:54:47 | 3:54:52 | |
What he has left is not John's
favourite shot. Especially if he's | 3:54:55 | 3:54:59 | |
going to have to play it slowly. He
will come round for a choice of pink | 3:54:59 | 3:55:08 | |
or blue, makes the pop a fraction
easier. He's dribbled it. Oh, well | 3:55:08 | 3:55:12 | |
played. | 3:55:12 | 3:55:16 | |
Not as easy as it looked on the TV
that shot. | 3:55:19 | 3:55:25 | |
Frame and match winning opportunity
here. | 3:55:32 | 3:55:36 | |
The balls don't look that much out
in the open. But there's enough | 3:55:40 | 3:55:44 | |
loose reds around that a player of
the likes of John Higgins will be | 3:55:44 | 3:55:50 | |
able to orchestrate a chance. | 3:55:50 | 3:55:55 | |
Straight on this black. Would have
been a lot easier had he not been. | 3:56:00 | 3:56:04 | |
Tremendous amount of side spin on
that. Has it gone too far? Has he | 3:56:10 | 3:56:14 | |
overhit it? | 3:56:14 | 3:56:16 | |
He's just about all right. The red
in baulk helps him as well. | 3:56:26 | 3:56:32 | |
Holding for pink though, this is a
decent position. | 3:56:37 | 3:56:42 | |
Slowly pushing other reds into
pottable positions. | 3:56:47 | 3:56:48 | |
May be a bit low on this red. | 3:57:04 | 3:57:09 | |
Very nicely judged, though. | 3:57:17 | 3:57:21 | |
He had the experience to know you
have to punch that one in. | 3:57:24 | 3:57:30 | |
Just checking to see if he can play
for two reds, when playing this. | 3:57:34 | 3:57:43 | |
Just helped him get the cue ball
high enough to be perfect on the | 3:57:43 | 3:57:46 | |
next red. | 3:57:46 | 3:57:49 | |
It's been a fascinating match to
commentate on and should John | 3:57:52 | 3:58:00 | |
Higgins convert this chance, an
excellent match for John Higgins to | 3:58:00 | 3:58:05 | |
establish his mark in this
tournament and stake a claim on | 3:58:05 | 3:58:08 | |
possibly being the champion. He's
won it three times before, I think. | 3:58:08 | 3:58:13 | |
Who's to say he won't win it again.
Still got to mind his work here | 3:58:13 | 3:58:18 | |
though. Good chance to go into the
pack here. He shouldn't lose the cue | 3:58:18 | 3:58:23 | |
ball. He can go in with a bit of
pace. | 3:58:23 | 3:58:29 | |
An outside red ah, pollees. | 3:58:29 | 3:58:31 | |
-- apologies. I didn't think that
went. Flies in. He could have gone | 3:58:36 | 3:58:42 | |
into the reds there. It was risky. | 3:58:42 | 3:58:47 | |
It's actually a clever shot heed
played. -- he's played. Position on | 3:58:59 | 3:59:05 | |
the next red is virtually
guaranteed. | 3:59:05 | 3:59:09 | |
That red next to the pink, if that
went, then a gree with not going | 3:59:26 | 3:59:31 | |
into the -- I agree with not going
into the reds. | 3:59:31 | 3:59:36 | |
Such a clever player John Higgins.
He's got that red in baulk as well. | 3:59:42 | 3:59:46 | |
That's why he wouldn't have, excuse
me, played into them. | 3:59:46 | 3:59:51 | |
He needs a red and high value colour
from the cluster. I might have still | 3:59:59 | 4:00:03 | |
gone into them.
Wrongly! As it's proving. | 4:00:03 | 4:00:16 | |
One good positional shot. Yellow,
big area. Get that one right at | 4:00:16 | 4:00:24 | |
least. That's right, blue. I would
have played for the yellow. This is | 4:00:24 | 4:00:37 | |
the big shot. That's why we're in
here! He could have played this | 4:00:37 | 4:00:42 | |
earlier, God knows why he is bladed
knife. This is to effectively win | 4:00:42 | 4:00:47 | |
the match. Good split and it's all
over. | 4:00:47 | 4:00:50 | |
That red, 62, black to follow, which
is match ball. Coming up. | 4:01:02 | 4:01:09 | |
APPLAUSE
He satisfied hard all day long. 3-0 | 4:01:20 | 4:01:29 | |
in front, pegged back to 3-3 but
used all his experience. He will | 4:01:29 | 4:01:37 | |
want to see this red drop just to
confirm the victory. Not been | 4:01:37 | 4:01:43 | |
vintage John Higgins but good
enough. It has been good enough on | 4:01:43 | 4:01:50 | |
Yan Bingtao has not been found to
much wanting either. John Higgins | 4:01:50 | 4:01:54 | |
has been the stronger but Bingham | 4:01:54 | 4:01:57 | |
Yan Bingtao has not given up. I
think it's time to shake hands. | 4:02:02 | 4:02:12 | |
Victory for John Higgins and sledger
the next round where he meets Mark | 4:02:12 | 4:02:16 | |
King. APPLAUSE | 4:02:16 | 4:02:19 | |
Great victory for John Higgins today
because that was not an easy | 4:02:22 | 4:02:26 | |
prospect. This guy has been like a
charging bull over the last month. | 4:02:26 | 4:02:32 | |
He's a very dangerous opponent, John
will be delighted with that result. | 4:02:32 | 4:02:35 | |
He is just a granite match player,
one of the best match players to | 4:02:35 | 4:02:39 | |
ever play the game. The boys are
saying in commentary he hasn't been | 4:02:39 | 4:02:43 | |
in his best but I didn't see and do
too much wrong, his matchplay | 4:02:43 | 4:02:47 | |
quality, kept his opponent away from
the bowls and his safety play is | 4:02:47 | 4:02:50 | |
excellent, any time he got into
trouble. When he had a sniff of | 4:02:50 | 4:02:55 | |
victory, he just goes for it.
Stepped | 4:02:55 | 4:03:08 | |
up a was the same. He lost interest
the last couple of frames but the | 4:03:11 | 4:03:14 | |
sinner seeking to the point where he
could win the match he went up a | 4:03:14 | 4:03:17 | |
gear. Fantastic. Well done.
Congratulations. Is that a bit of a | 4:03:17 | 4:03:20 | |
relief because you told that you
would have two radio level 100 times | 4:03:20 | 4:03:22 | |
over. He is class. He is a future
world champion, without a doubt. He | 4:03:22 | 4:03:27 | |
nearly beat Ronnie's record, lost to
Mark Williams in Ireland, I knew it | 4:03:27 | 4:03:32 | |
was going to be a tough game but I
thought I played pretty well. He did | 4:03:32 | 4:03:37 | |
indeed, the way you close the match
out, he came back at you to get to | 4:03:37 | 4:03:40 | |
3-3 at him you Uber and a match.
Something clicked for you and how | 4:03:40 | 4:03:46 | |
much of a relief was it to have the
new tip, that was out of your mind | 4:03:46 | 4:03:50 | |
as well, you are focused. I was
going to drive home to Scotland and | 4:03:50 | 4:03:56 | |
I | 4:03:56 | 4:04:06 | |
phoned big lies but I would you are
potting in the miles. You have to | 4:04:57 | 4:05:00 | |
sometimes because there's no point
in going to bed. I knew it was gone. | 4:05:00 | 4:05:03 | |
When you feel OK about it. | 4:05:03 | 4:05:13 | |
I knew it was special. | 4:05:13 | 4:05:15 | |
I knew it was special. You love
competing, love playing. Yeah, you | 4:05:15 | 4:05:20 | |
can't beat that. I mean, I seen you
this morning and you've got a tough | 4:05:20 | 4:05:25 | |
game. I knew it was a tough game.
You love it out there in the battle. | 4:05:25 | 4:05:29 | |
Even if I lost that game, I felt
that I produced a good standard. If | 4:05:29 | 4:05:35 | |
you end up losing you shake the
guy's hand. But I felt good. What | 4:05:35 | 4:05:39 | |
aspect of your game actually saw him
off today? Because we know how | 4:05:39 | 4:05:43 | |
dangerous he is. He's a great
scorer. And the confidence level of | 4:05:43 | 4:05:48 | |
this young man, 17, completely
fearless. young man, 17, completely | 4:05:48 | 4:05:52 | |
fearless out there. I competed with
him with my safety game and I put | 4:05:52 | 4:05:58 | |
him under pressure. When I was out
in wasn't getting anywhere near the | 4:05:58 | 4:06:04 | |
baulk commission, leaving him with
his hand on the table and knocking | 4:06:04 | 4:06:07 | |
them in for fun. You need to get
them near the top cushion. You are | 4:06:07 | 4:06:15 | |
through to played Mark King in the
next round. Good luck. Birthday boy | 4:06:15 | 4:06:20 | |
Ronnie O'Sullivan's day as well. Out
on the table today and there was no | 4:06:20 | 4:06:25 | |
training on his parade at all. | 4:06:25 | 4:06:28 | |
on the table today and there was no
training on his parade at all. This | 4:06:28 | 4:06:28 | |
was a 6-1 win over Michael white and
included a 132, his out of the | 4:06:28 | 4:06:34 | |
championship. He was floating on air
when he came into the studio. | 4:06:34 | 4:06:40 | |
championship. He was floating on air
when he came into the studio. | 4:06:40 | 4:06:42 | |
Into the last 16, happy birthday.
Thank you. Pleased with that today, | 4:06:44 | 4:06:51 | |
6-1 sounds straightforward, was it
from your perspective? Marx didn't | 4:06:51 | 4:06:54 | |
play well at all. You could see he
was a struggling and getting lots of | 4:06:54 | 4:06:59 | |
bad luck as well and I wasn't
feeling great, we kind of dragged | 4:06:59 | 4:07:04 | |
each other down. I managed to
scramble today more than Michael | 4:07:04 | 4:07:10 | |
did. Century and then, 909 centuries
so far and counting. Have you lost | 4:07:10 | 4:07:15 | |
can, do you take a mental note of
them? I know each century gets me | 4:07:15 | 4:07:21 | |
nearer 1000, which would be nice to
do but I'm sure someone else will | 4:07:21 | 4:07:25 | |
beat it sometime. We talked about
the 1000, is there an expected | 4:07:25 | 4:07:30 | |
timescale for this? I don't put time
on anything, I'm past on that, I | 4:07:30 | 4:07:36 | |
just try to enjoy it. Bagnaia look
like you're enjoying competing? I'm | 4:07:36 | 4:07:39 | |
trying my hardest, just come here,
have a bit of fun, try to win. If I | 4:07:39 | 4:07:48 | |
don't win, I've always got another
plan, it takes the pressure off. In | 4:07:48 | 4:07:53 | |
terms of what we see in this
championship, so many of the top | 4:07:53 | 4:07:56 | |
seeds have gone now, you are the
only top seed left at number four. | 4:07:56 | 4:08:00 | |
It's been surprising in some
respects? I've not watched a lot of | 4:08:00 | 4:08:04 | |
slick about what I gathered from a
lot of players haven't been playing | 4:08:04 | 4:08:08 | |
well and it's a tough when you are
not feeling confident. I'm not | 4:08:08 | 4:08:13 | |
feeling 100% with my game, it is a
bit like golf, if you don't get the | 4:08:13 | 4:08:18 | |
line right, you can put the ball
anywhere. I think I'm a bit | 4:08:18 | 4:08:24 | |
fortunate, a bit like Tiger Woods, I
can manufacture shots, whereas the | 4:08:24 | 4:08:31 | |
more robotic tape players, if they
are not online, these really | 4:08:31 | 4:08:34 | |
struggle. A bit like Mark Williams,
shot makers. Can scramble a bit | 4:08:34 | 4:08:40 | |
better and that's what you have to
do sometimes. Do you think there's | 4:08:40 | 4:08:43 | |
too much slicker? Give me some more!
You're in the fortunate position | 4:08:43 | 4:08:49 | |
where you can pick and choose your
tournaments but the players who play | 4:08:49 | 4:08:52 | |
in everything, as a of them burning
out. I don't care any more. I try to | 4:08:52 | 4:09:00 | |
get players together but they all
just bottled out in the end and I | 4:09:00 | 4:09:03 | |
thought I had to do my own thing,
live my own life, dull and do other | 4:09:03 | 4:09:08 | |
bits outside of snooker because I
can't -- go and do. This is fun, | 4:09:08 | 4:09:12 | |
this is a bonus for me. I understand
what the players are going through | 4:09:12 | 4:09:17 | |
but until they get their bottle
together and stand up together, then | 4:09:17 | 4:09:21 | |
they will have to keep morning. I
got fed up morning so I might as | 4:09:21 | 4:09:25 | |
well get the good life, I have a
great life now and I don't care what | 4:09:25 | 4:09:30 | |
they do. They can do what they like,
make us play outside if they like in | 4:09:30 | 4:09:34 | |
the freezing cold. I would ever
complain about the referee or | 4:09:34 | 4:09:39 | |
unofficial, they are all fantastic.
You are Mr Shale at the moment. I | 4:09:39 | 4:09:45 | |
used to be because I was ingrained
in slicker -- Mr chill. You want to | 4:09:45 | 4:09:55 | |
get things sorted and the players to
stick together but they never do, so | 4:09:55 | 4:09:58 | |
just get on with it. Have it. Have
you found a form? Nobody has quite | 4:09:58 | 4:10:04 | |
got it, with all of these events.
You're trying to come in for the | 4:10:04 | 4:10:08 | |
major bug you have these. I don't
care about the majors, I will take | 4:10:08 | 4:10:13 | |
any tournament, I'm not involved in
this game, I just pitch up, the UK | 4:10:13 | 4:10:17 | |
is the same as the British Open,
China, they are all lovely. I'll | 4:10:17 | 4:10:21 | |
take any one of them. There isn't a
formula for success? I don't care! | 4:10:21 | 4:10:28 | |
Otherwise you'd drive yourself mad.
We the players morning and you feel | 4:10:28 | 4:10:32 | |
you want to try to do something.
Give up, they can do their thing, I | 4:10:32 | 4:10:35 | |
will do my thing, good luck to
everybody and you have to drive your | 4:10:35 | 4:10:39 | |
own car and that is what I'm doing.
It doesn't affect me as much. If I | 4:10:39 | 4:10:45 | |
win, great, if I don't, I don't
care. I love to win. I will not | 4:10:45 | 4:10:50 | |
drive myself mad. Just let them have
a stinker. Next year when we come to | 4:10:50 | 4:10:58 | |
the UK Championship, it has been
suggested, a lot of banter in the | 4:10:58 | 4:11:01 | |
press room about you doing a stint
in the jungle, Jimmy has done it, | 4:11:01 | 4:11:07 | |
Steve Davis. Would you do that? I
will do anything now. I will do | 4:11:07 | 4:11:14 | |
anything, I'm up for it. I used to
think I couldn't do that, I have to | 4:11:14 | 4:11:19 | |
be a pure slicker player but you get
to a stage where you think this is | 4:11:19 | 4:11:24 | |
painful -- snooker player.
Everything I do away from snooker is | 4:11:24 | 4:11:27 | |
great. I want to do as much as I
can. I want to play snooker and do | 4:11:27 | 4:11:33 | |
myself justice. As long as I am 64,
it doesn't matter if it's number one | 4:11:33 | 4:11:38 | |
or number four. Let's have a bit of
the jungle! LAUGHTER | 4:11:38 | 4:11:45 | |
They'll think I'm a gorilla when
they look at me. Walk around like | 4:11:45 | 4:11:49 | |
Steve! If you are Mr Shale at the
moment, how do you get the | 4:11:49 | 4:11:57 | |
competitive head on? -- Mr chill. I
want to get running back. I have the | 4:11:57 | 4:12:10 | |
desire to compete. Not bothered by
tables, venues, referees, | 4:12:10 | 4:12:15 | |
photographers. They have to behave
themselves. You have to come with a | 4:12:15 | 4:12:21 | |
stick, a tripod, if they don't have
them they are going. All you camera | 4:12:21 | 4:12:25 | |
guys. I believe a supply of them.
What are you go to do for the rest | 4:12:25 | 4:12:33 | |
of your body? And good to go to the
gym, that's my birthday present -- | 4:12:33 | 4:12:39 | |
the rest of your day. Have a bit of
food and then I'm a celebrity get me | 4:12:39 | 4:12:44 | |
out of here. I'm going to get
trained for it and use to snakes. | 4:12:44 | 4:12:53 | |
You had at first, he's in the jungle
next year, I'm not sure how we're | 4:12:53 | 4:12:57 | |
going to cope in the UK Championship
without you. Thank you very much, | 4:12:57 | 4:13:01 | |
enjoy the rest of your birthday. The
world according to Ronnie O'Sullivan | 4:13:01 | 4:13:06 | |
is a fascinating place and a long
answer is drive your own car and | 4:13:06 | 4:13:10 | |
learn to love snakes. That is what
we have learnt today. We learnt | 4:13:10 | 4:13:13 | |
who's going to call through from
this evening's matches and at seven | 4:13:13 | 4:13:17 | |
o'clock you will be able to see red
button coverage and online coverage | 4:13:17 | 4:13:24 | |
of Kieron Wilson against Ricky
Walden and world number six Shaun | 4:13:24 | 4:13:31 | |
Murphy against Jamie Robinson. Jason
is here with the late shift and the | 4:13:31 | 4:13:34 | |
highlights of the evening session at
five past midnight and it will be | 4:13:34 | 4:13:38 | |
John Higgins against Mark King
tomorrow at one o'clock but running | 4:13:38 | 4:13:42 | |
is on his way to the last 16 and
apparently into the jungle. See you | 4:13:42 | 4:13:45 | |
soon. | 4:13:45 | 4:13:50 | |
After the races are won
and medals gained, | 4:14:01 | 4:14:04 |