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Good afternoon, what a mad weekend
at the Barbican Centre in the first | 0:00:34 | 0:00:41 | |
snooker major of the year. 32
matches at the weekend. Producing an | 0:00:41 | 0:00:47 | |
epic accounts with big surprises.
Goodbye Mark Selby. Some big breaks, | 0:00:47 | 0:00:52 | |
goodbye to a maximum break from Mark
King who missed on the pink. And | 0:00:52 | 0:01:00 | |
some cracking deciders. It didn't
wrap up until 12:30am. | 0:01:00 | 0:01:05 | |
Things have changed since. The
second arena has now turned into the | 0:01:05 | 0:01:15 | |
practice facility.
All eyes will be on the main arena | 0:01:15 | 0:01:19 | |
for the four tables and 32 players.
We have unpacked our boxers into our | 0:01:19 | 0:01:27 | |
studio home for the next few days.
Great. | 0:01:27 | 0:01:30 | |
Who has the kettle? | 0:01:30 | 0:01:33 | |
We will be sitting back and
marvelling at Judd Trump, now the | 0:01:38 | 0:01:42 | |
highest seed left.
What a fascinating game he faces | 0:01:42 | 0:01:51 | |
against one of the wiliest
craftsman, Graeme Dott. | 0:01:51 | 0:01:58 | |
And all Welsh match between Mark
Williams who took the most recent in | 0:01:58 | 0:02:04 | |
Belfast last Sunday.
Ryan Day won the opening event in | 0:02:04 | 0:02:09 | |
Riga, his first title in 20 years as
a pro. | 0:02:09 | 0:02:17 | |
If you have any questions for our
expert team, they can be contacted | 0:02:17 | 0:02:28 | |
on our hashtag.
This afternoon we have four matches. | 0:02:28 | 0:02:31 | |
Stephen Maguire won the title in
2004. Marco Fu finds himself having | 0:02:41 | 0:02:48 | |
to fight off another talent who has
only just left his teenage years. | 0:02:48 | 0:02:56 | |
It is a lot longer then -- since
these two left their teenage years. | 0:02:56 | 0:03:04 | |
Even the referees are younger than
us. A great line-up. All the action | 0:03:07 | 0:03:13 | |
in the main arena, far more
desirable for the players. | 0:03:13 | 0:03:19 | |
This is where the players want to be
playing. Down to the business end of | 0:03:19 | 0:03:25 | |
the tournament. We have lost a
couple of top players. | 0:03:25 | 0:03:28 | |
What a line-up still.
You nearly got over the line against | 0:03:28 | 0:03:34 | |
Jimmy Robinson.
Lost at the final hurdle. | 0:03:34 | 0:03:38 | |
Three former winners in action,
Stephen Maguire on table number | 0:03:38 | 0:03:44 | |
three.
Mark Williams will be floating | 0:03:44 | 0:03:52 | |
around the table. Great to see him
back at winning ways in Northern | 0:03:52 | 0:03:56 | |
Ireland.
It will be a real cracker. | 0:03:56 | 0:04:02 | |
Here, Judd Trump, is it fair to say,
the most astonishing shotmaker since | 0:04:02 | 0:04:09 | |
Alex Higgins?
Without question, his power is more | 0:04:09 | 0:04:12 | |
than any other player by a
considerable margin. Real fireworks. | 0:04:12 | 0:04:17 | |
Graeme Dott is a tough Scots, three
times a world finalist, he has won | 0:04:17 | 0:04:24 | |
the World Championships in 2006, out
of the limelight but now back on | 0:04:24 | 0:04:29 | |
centre stage. | 0:04:29 | 0:04:30 | |
You don't get as many highs as those
in snooker, which you learn as you | 0:04:37 | 0:04:41 | |
come through. It is how you deal
with them. You have to keep out the | 0:04:41 | 0:04:47 | |
back. It is hard to play if you are
not mentally right. It is a mental | 0:04:47 | 0:04:52 | |
game, snooker.
I don't enjoy the practising as | 0:04:52 | 0:05:00 | |
much.
It is a living! I am finding it hard | 0:05:00 | 0:05:06 | |
to deal with playing on outside
tables, going into a match and no | 0:05:06 | 0:05:14 | |
one is watching you, that is tough
to deal with. | 0:05:14 | 0:05:17 | |
But you have to do it. I can't
complain. The players are higher | 0:05:17 | 0:05:27 | |
rank than me. I played against
Dominic Dale which wasn't even in | 0:05:27 | 0:05:35 | |
the venue.
You're desperate to win so you are | 0:05:35 | 0:05:39 | |
back in the arena.
I'm delighted to get through. It is | 0:05:39 | 0:05:45 | |
always nice to get back in, I feel
at home. | 0:05:45 | 0:05:53 | |
I need to play well to win.
Earlier this season he properly | 0:05:53 | 0:06:01 | |
played the best ever. It would be
nice to get a good round in the BBC | 0:06:01 | 0:06:08 | |
event. Last year I didn't do well in
any of them. You build your season | 0:06:08 | 0:06:11 | |
to hopefully do well in front of the
big audiences in your own country. | 0:06:11 | 0:06:18 | |
If you have never won a tournament,
you might be happy with the | 0:06:18 | 0:06:22 | |
quarterfinal. Otherwise, you are
here to win the tournament. I have | 0:06:22 | 0:06:27 | |
been playing low enough to know
there is a gradual process. | 0:06:27 | 0:06:32 | |
Last 16 is all I have got to. You
are always trying to win it. | 0:06:32 | 0:06:39 | |
We are dealing with the current
world two and a former number two. | 0:06:41 | 0:06:47 | |
His levels of class and craft are
still formidable. | 0:06:47 | 0:06:51 | |
There is 12 years between them but a
yawning gulf also in their styles of | 0:06:55 | 0:06:59 | |
play. I wonder what the view from
the commentary box is in that | 0:06:59 | 0:07:05 | |
difference in styles. | 0:07:05 | 0:07:06 | |
You know what you will get big
Graeme Dott, he plays the right | 0:07:09 | 0:07:14 | |
shots to the right standard. Great
to see him in the main auditorium. I | 0:07:14 | 0:07:18 | |
am sure it will get his juices
flowing. | 0:07:18 | 0:07:23 | |
We know about Judd and his power,
but Graeme Dott, his craft is | 0:07:23 | 0:07:32 | |
fluent, what questions can he asked
of Judd today? | 0:07:32 | 0:07:36 | |
It depends on the start, if Judd
gets off to a flying start, he could | 0:07:36 | 0:07:41 | |
run away with it. If Graeme ties him
down to a more tactical game, that | 0:07:41 | 0:07:48 | |
will suit Graeme. You wonder if Judd
respects the players. Judd will | 0:07:48 | 0:07:54 | |
expect to blow him away. He is a
proven class winner of the World | 0:07:54 | 0:08:00 | |
Championship.
Also he will remember he lost to | 0:08:00 | 0:08:06 | |
Graeme Dott a couple of months ago.
Round three in China. This is a | 0:08:06 | 0:08:12 | |
proper examination of Judd if he
doesn't do his work. | 0:08:12 | 0:08:16 | |
Judd is now the top seed remaining,
Mark Selby has gone, Ding has gone. | 0:08:16 | 0:08:24 | |
Big expectation. In my opinion he is
an under achiever. I commented his | 0:08:24 | 0:08:29 | |
first match but he still won 6-0.
But he will be under pressure today. | 0:08:29 | 0:08:36 | |
Eight players in action today. Here
is the MC Rob Walker. | 0:08:36 | 0:08:42 | |
Good afternoon. We started last week
with 128, now 32 remain with a | 0:08:42 | 0:08:49 | |
chance of becoming Betway UK
champion. Have four for world-class | 0:08:49 | 0:08:58 | |
players waiting to take place in the
last 16. | 0:08:58 | 0:09:01 | |
Please welcome first of all a man
who deservedly climbed the ranking | 0:09:14 | 0:09:18 | |
event mountain earlier this season
in this his 20th year as a pro, his | 0:09:18 | 0:09:24 | |
fifth ranking final, and finally he
did it, the Riga Masters champion, a | 0:09:24 | 0:09:30 | |
huge achievement, so here comes Ryan
Day! | 0:09:30 | 0:09:39 | |
APPLAUSE | 0:09:42 | 0:09:45 | |
And his opponent, a man who a year
ago in York joked he should be | 0:09:50 | 0:09:54 | |
introduced as the Welsh has been.
Just a week ago he won the northern | 0:09:54 | 0:09:59 | |
Island open in dramatic fashion, his
19th ranking title, his first six | 0:09:59 | 0:10:04 | |
years, he reminded us all he is
still quite good! Mark Williams! | 0:10:04 | 0:10:15 | |
APPLAUSE | 0:10:21 | 0:10:23 | |
On table one, a player emerging in
his 24th collective UK campaign, | 0:10:28 | 0:10:33 | |
here after victory over Dominic Dale
in their decider, world champion in | 0:10:33 | 0:10:40 | |
2006, the pocket dynamo, Graeme
Dott! | 0:10:40 | 0:10:48 | |
And finally, arguably the most
exciting player of his generation, | 0:11:00 | 0:11:04 | |
yet to concede a frame in this
year's championship, he won a | 0:11:04 | 0:11:08 | |
classic final against Mark Allen in
2011 and this season he successfully | 0:11:08 | 0:11:14 | |
defended his European Masters crown.
Here he is with his legendary brand | 0:11:14 | 0:11:20 | |
of naughty snooker, the ace in the
pack, Judd Trump! | 0:11:20 | 0:11:31 | |
STUDIO: Some cheeky interruptions
from Rob Walker. | 0:11:35 | 0:11:44 | |
The Welsh derby is on table two live
on the red button. | 0:11:44 | 0:11:49 | |
We will keep me posted on that
throughout. Stephen and John, it is | 0:11:49 | 0:11:55 | |
all yours.
COMMENTATOR: Welcome to everybody | 0:11:55 | 0:12:01 | |
for what should be a fascinating
encounter. | 0:12:01 | 0:12:04 | |
Looking forward to this one. Judd
Trump, of course, a very exciting | 0:12:04 | 0:12:10 | |
and opening attacking player. | 0:12:10 | 0:12:16 | |
Good to see him back out in the
arena, Graeme Dott. | 0:12:19 | 0:12:24 | |
Stephen? The sort of match Graeme
Dott will be up for, playing against | 0:12:24 | 0:12:29 | |
one of the high-profile players of
today's game. He will be up for the | 0:12:29 | 0:12:37 | |
challenge. | 0:12:37 | 0:12:38 | |
That is an excellent shot from
Graeme Dott, that is really good. | 0:13:05 | 0:13:10 | |
The break from Judd was awkward but
to play that after two cushions and | 0:13:10 | 0:13:14 | |
get the cue ball back, that is
excellent. You can see Judd | 0:13:14 | 0:13:18 | |
appreciated it. | 0:13:18 | 0:13:22 | |
A little lucky. Slightly too thick. | 0:13:31 | 0:13:38 | |
Amazing to think, Stephen, he turned
pro in 2005, he has been around | 0:13:45 | 0:13:49 | |
quite a while. Really, the UK and
the world and the Masters is what | 0:13:49 | 0:13:54 | |
players are judged by, he has
managed to win a UK but you would | 0:13:54 | 0:13:58 | |
think his record would be better
than that. | 0:13:58 | 0:14:03 | |
He lost in the final two John
Higgins in the World Championship. | 0:14:03 | 0:14:07 | |
Most in the game thought he would be
a future world champion quite | 0:14:07 | 0:14:12 | |
quickly. It hasn't happened. In
terms of snooker talent, there are | 0:14:12 | 0:14:19 | |
few better with tube power to die
for. -- cue. In his first match, his | 0:14:19 | 0:14:32 | |
long ball playing was way off the
mark for him. Perhaps the | 0:14:32 | 0:14:37 | |
concentration wasn't up there. You
would think yesterday he spent time | 0:14:37 | 0:14:42 | |
at the practice table.
For the likes of yourself, if you | 0:14:42 | 0:14:50 | |
turn up at a tournament and people
often say if it isn't there, you | 0:14:50 | 0:14:56 | |
won't find it. But you can if you
put a few hours in, something | 0:14:56 | 0:15:02 | |
clicks, your long game can return.
It is not how you want to turn -- | 0:15:02 | 0:15:10 | |
start a tournament with your long
game so badly off. | 0:15:10 | 0:15:16 | |
Critically when it is a part of his
game he relies on to create chances. | 0:15:16 | 0:15:23 | |
A major part of his armoury. That
was an excellent safety shot by Judd | 0:15:23 | 0:15:26 | |
Trump. It has forced a mistake. At
first glance, and a wave of the hand | 0:15:26 | 0:15:34 | |
from Graeme, he thinks he has got
away with it. | 0:15:34 | 0:15:42 | |
1-1 in the lucky stakes, that is for
sure. | 0:15:42 | 0:15:45 | |
Playing off the red below the pink
spot. He needs a good cue ball. | 0:16:14 | 0:16:20 | |
Slightly thicker than he would have
liked. Hence the cue ball pulling | 0:16:20 | 0:16:24 | |
out there. | 0:16:24 | 0:16:28 | |
There is a choice but it is finding
a path for the cue ball. | 0:16:32 | 0:16:38 | |
We will see whether that long game
has come back. | 0:16:38 | 0:16:42 | |
He always aims on the right hand
side of the cue ball. Swinging it | 0:16:42 | 0:16:47 | |
across. That is a big improvement
from his first round. A great pot, | 0:16:47 | 0:16:56 | |
look at what he is leaving. | 0:16:56 | 0:16:58 | |
A nice shot as well. First scoring
opportunity to Judd Trump. | 0:17:04 | 0:17:10 | |
That was well controlled. He has
played a very good long pot. He came | 0:17:29 | 0:17:36 | |
through the gap.
Setting up a cannon on the left of | 0:17:36 | 0:17:42 | |
the black. He could have played it
either way, Kristian first all | 0:17:42 | 0:17:48 | |
directly.
-- cushion. | 0:17:48 | 0:17:53 | |
After some good positional shots, he
has a decent chance. | 0:17:57 | 0:18:02 | |
From his first match I can tell from
his body language, the look on his | 0:18:09 | 0:18:13 | |
face, he looks much more focused
already. | 0:18:13 | 0:18:18 | |
I think he knows he has got to be.
No disrespect to his other opponent, | 0:18:22 | 0:18:29 | |
this is a big step up against Graeme
Dott. We know what he's capable of. | 0:18:29 | 0:18:34 | |
You never reach three wild finals if
you don't know your way around a | 0:18:34 | 0:18:38 | |
snooker table. He was champion as
well. That epic match with Peter | 0:18:38 | 0:18:43 | |
Ebdon. | 0:18:43 | 0:18:44 | |
Well controlled, playing with a bit
of Czech side. What has been | 0:19:08 | 0:19:12 | |
noticeable this week is the cushions
are bouncing very uniformly. That | 0:19:12 | 0:19:18 | |
was a candidate if you weren't
careful. But bouncing really nicely | 0:19:18 | 0:19:22 | |
this week. A lovely bit of Czech
side to hold it up. He may have two | 0:19:22 | 0:19:27 | |
split the reds here -- check side.
Though, that will do. | 0:19:27 | 0:19:42 | |
Because this break has been pretty
awkward with the positions of the | 0:19:57 | 0:20:07 | |
reds,... We hadn't even noticed it
was five reds and five blacks. This | 0:20:07 | 0:20:16 | |
might be the end of it here, is he
going off the blue? The priority is | 0:20:16 | 0:20:27 | |
certainly in the first frame of the
match to make a frame-winning | 0:20:27 | 0:20:31 | |
contribution. If you have a chance
to go for the match, great, but make | 0:20:31 | 0:20:38 | |
sure you get up into the late 70s or
80s. Get the frame on the board. It | 0:20:38 | 0:20:43 | |
would be some effort to make a
maximum the way the balls are | 0:20:43 | 0:20:49 | |
positioned, three on the left-hand
side will be problematic. Just when | 0:20:49 | 0:20:53 | |
the frame first. -- win. An
excellent start, all from that long | 0:20:53 | 0:21:14 | |
read. Stunning through the gap in
the reds. | 0:21:14 | 0:21:20 | |
He could have finished on nothing.
He has the table straightaway with | 0:21:20 | 0:21:23 | |
that shot. Just got to be careful
here not to get the cannon on the | 0:21:23 | 0:21:30 | |
red that is below. That was the one.
He didn't need that flick. | 0:21:30 | 0:21:35 | |
Still on this black. A touch of the
left-hand side. Well played. | 0:21:40 | 0:21:49 | |
The maximum is over. That is telling
me straightaway he is focused. He | 0:22:00 | 0:22:10 | |
didn't even look at the red in the
middle to go across, it was all | 0:22:10 | 0:22:13 | |
about making the break, winning the
first frame. He is thinking clearly. | 0:22:13 | 0:22:18 | |
You wouldn't have refused it, would
you? | 0:22:21 | 0:22:25 | |
I would have had a little think, and
being tempted. | 0:22:29 | 0:22:34 | |
As you say, a sign he has come out
to win this | 0:22:34 | 0:22:38 | |
Highest break at the moment 142 by
the Welshman Michael White. | 0:23:03 | 0:23:09 | |
A superb contribution. The opening
red set this break up a bike in the | 0:23:34 | 0:23:40 | |
centre of the pocket, a little bit
of stagger on the tubal, couldn't | 0:23:40 | 0:23:44 | |
have hit it better. Oh! It is not to
be. But a fantastic start from Judd | 0:23:44 | 0:23:52 | |
Trump. Wonderful positional play.
First frame with a break of 93, he | 0:23:52 | 0:23:58 | |
leads 1-0.
STUDIO: Some interesting | 0:23:58 | 0:24:04 | |
observations. | 0:24:04 | 0:24:05 | |
About the way Judd plays across the
ball. | 0:24:10 | 0:24:14 | |
He addresses it to the right-hand
side. On delivery, watch the cue, it | 0:24:14 | 0:24:19 | |
it goes to our right. | 0:24:19 | 0:24:21 | |
The main point is he delivers on
line. He just sights it to his right | 0:24:24 | 0:24:29 | |
hand side. Graeme Dott in the last
year has tried to chain his eyes to | 0:24:29 | 0:24:34 | |
find the middle of the cue ball.
It is a theoretical problem, you | 0:24:34 | 0:24:38 | |
could argue nobody goes through
straight. It is desirable to set up | 0:24:38 | 0:24:46 | |
in the middle, put it back online
and deliver it at to the point you | 0:24:46 | 0:24:50 | |
were originally at but not every
player does it. It is possible as | 0:24:50 | 0:24:54 | |
long as you time the ball properly
and go through to that same point, | 0:24:54 | 0:24:59 | |
you can play with a cue action that
goes through on a curve. | 0:24:59 | 0:25:05 | |
Have you betrayed yourself?
No, I hit the ball around corners! | 0:25:05 | 0:25:09 | |
COMMENTATOR: They are far too modest
in there, he hits the ball pretty | 0:25:14 | 0:25:19 | |
well, always has done. Interesting
the way, and we will see it again, | 0:25:19 | 0:25:27 | |
basically people have one eye
stronger than the other. It is what | 0:25:27 | 0:25:32 | |
you see. But it is about timing. On
the right of the cue ball again. | 0:25:32 | 0:25:39 | |
With Judd Trump, if he doesn't type
it properly, he misses long shots by | 0:25:47 | 0:25:52 | |
a mile. | 0:25:52 | 0:25:54 | |
A long way off. | 0:25:56 | 0:26:00 | |
May be tempted by the double. The
only one he could really leave. | 0:26:10 | 0:26:16 | |
Worth a shot. If it passes the blue,
which it certainly does, between | 0:26:19 | 0:26:26 | |
blue and yellow, Judd will be taking
this. | 0:26:26 | 0:26:30 | |
A chance missed. A very big chance,
the natural angle to spin it and he | 0:26:37 | 0:26:44 | |
could have come into the pack. A
bigger chance than it looked. | 0:26:44 | 0:26:49 | |
No, he hasn't done. It was pretty
close. It makes this shot so much | 0:27:05 | 0:27:12 | |
more comfortable. | 0:27:12 | 0:27:14 | |
Not particularly close from Judd. | 0:27:37 | 0:27:39 | |
I can think Graeme is looking at the
red of the other red into the middle | 0:27:47 | 0:27:52 | |
pocket, or is he? He might be. Has
it in the other corner. The other | 0:27:52 | 0:28:06 | |
option. Straight in as well. It was
worth it, good shot. | 0:28:06 | 0:28:15 | |
A clever little shot. Actually an
excellent positional shot. | 0:28:15 | 0:28:25 | |
Pink is going to the back of the
pack, it would fit on the spot. So, | 0:28:45 | 0:28:50 | |
Graeme, it is a pretty big target,
if he can get on the yellow, he has | 0:28:50 | 0:28:56 | |
a choice of any of those Balkan
colours. Hutcheon baulk colours. A | 0:28:56 | 0:29:03 | |
pretty big pack to go into. I would
love the yellow. The left-hand side, | 0:29:03 | 0:29:09 | |
lovely to come into with a bit of
pace. Some people go the other way. | 0:29:09 | 0:29:15 | |
I'll be surprised if he doesn't hit
them. | 0:29:15 | 0:29:18 | |
That is a poor shot, he didn't get
anything into the cue ball, he | 0:29:27 | 0:29:31 | |
needed to hit it lower. You need to
get into the cue ball more than | 0:29:31 | 0:29:38 | |
that. | 0:29:38 | 0:29:39 | |
No prizes for guessing what Judd
Trump will do with this blue. A big | 0:29:58 | 0:30:04 | |
target. Those four reds across the
top of the pack. In the middle of | 0:30:04 | 0:30:12 | |
those, at pace, the reds should go
everywhere. He hit them perfectly. | 0:30:12 | 0:30:16 | |
When he splits up, watch the
double-kiss. | 0:30:23 | 0:30:27 | |
Coming off the cushion, will go into
the pack. Watch... Bingo. That's | 0:30:27 | 0:30:35 | |
absolutely lovely. | 0:30:35 | 0:30:39 | |
Those two reds, that of course opens
up the pocket for the other red. A | 0:31:06 | 0:31:11 | |
cannon here into the cluster of
three, it would be nice to keep the | 0:31:11 | 0:31:15 | |
red on the right-hand side nearest
to the cue ball. This is an | 0:31:15 | 0:31:20 | |
excellent chance.
One or two shots at long pots at the | 0:31:20 | 0:31:25 | |
start of this frame. Didn't get
particularly close, now got the | 0:31:25 | 0:31:29 | |
chance close in to score a few. | 0:31:29 | 0:31:41 | |
Wiped his feet. | 0:32:07 | 0:32:11 | |
Just slightly lost the cue ball the
last couple of shots. Shouldn't be a | 0:32:15 | 0:32:18 | |
problem to get it back. | 0:32:18 | 0:32:29 | |
He's played that perfectly. Thought
he might have put a cannon into | 0:32:57 | 0:33:02 | |
these two reds. A perfect angle,
just a drop on the pink. | 0:33:02 | 0:33:07 | |
Did mention at the start of the
match that before the match started | 0:33:07 | 0:33:12 | |
could Judd get a quick start.
He is doing. He's a very good | 0:33:12 | 0:33:19 | |
frontrunner. | 0:33:19 | 0:33:20 | |
Just hit that last red slightly too
hard, leaving himself slightly | 0:33:22 | 0:33:27 | |
awkward angle. | 0:33:27 | 0:33:37 | |
Take the outside red now, not out
far enough with the cue ball. | 0:33:41 | 0:33:45 | |
That's as good a shot as he played
in the break. | 0:33:50 | 0:34:02 | |
This is not necessarily Graeme Dott
wanted to see in this match. Too | 0:34:20 | 0:34:25 | |
experienced for any alarm bells to
be going off yet. He wouldn't want | 0:34:25 | 0:34:29 | |
to see someone like Judd Trump get
into a flow. | 0:34:29 | 0:34:34 | |
Not panic yet. But 3-0 might be. So
he knows how big the next frame is | 0:34:34 | 0:34:39 | |
going to be. This one looks like
it's gone. | 0:34:39 | 0:34:45 | |
60 ahead. 51 remaining. Just dropped
the red in the middle. | 0:34:45 | 0:34:52 | |
Well noticed. | 0:34:52 | 0:35:00 | |
He's already tuned up a lot better
than the other day - that's for | 0:35:16 | 0:35:20 | |
sure. | 0:35:20 | 0:35:24 | |
Looking in very good scoring form. | 0:35:31 | 0:35:42 | |
73 and 78, very impressive from Judd
Trump so far. It is Graeme Dott, | 0:35:50 | 0:35:54 | |
2-0. | 0:35:54 | 0:35:56 | |
You are spotting some interesting
points. Compare with the other | 0:36:01 | 0:36:05 | |
players on the he circuit, what does
he possess? What he does, is a | 0:36:05 | 0:36:13 | |
combination of power and control in
the modern game. Look | 0:36:13 | 0:36:16 | |
Look at the cue ball after it hits
the reds. It comes back an inch or | 0:36:18 | 0:36:22 | |
twosmt it is the timing he's got. It
is the control and combined with the | 0:36:22 | 0:36:26 | |
power that gets him to get the
action on the cue ball. There's not | 0:36:26 | 0:36:29 | |
that many players in the game, in
fact there isn't any that have that | 0:36:29 | 0:36:33 | |
kind of power. But it is harnessing
it in the correct way, isn't it? | 0:36:33 | 0:36:38 | |
It is easy to hit it if you can hit
it hard. If you can generate a lot | 0:36:40 | 0:36:45 | |
of power with less body movement you
have a big advantage over somebody | 0:36:45 | 0:36:49 | |
who has to give everything to get
the shot in. If that power is not | 0:36:49 | 0:36:54 | |
harnessed correctly you can get into
problems of a consequence of hitting | 0:36:54 | 0:36:59 | |
it hard. He shot on his backswing
and maintained the power, which is | 0:36:59 | 0:37:05 | |
impressive. You would think it would
take your power away, but it doesn't | 0:37:05 | 0:37:11 | |
seem to with him. He's a
big-occasion player. Stephen said he | 0:37:11 | 0:37:15 | |
had to up his game from the last
round. I think now he's on the | 0:37:15 | 0:37:19 | |
centre stage it does help. He's up
against another big-occasion player | 0:37:19 | 0:37:23 | |
in Graeme Dott. You cannot do much
from the chair and that what he's | 0:37:23 | 0:37:27 | |
had to do so far. He knows he has it
all to do. He's gone out to compose | 0:37:27 | 0:37:33 | |
himself. In those circumstances you
are not geeing yourself up, but what | 0:37:33 | 0:37:37 | |
is the process by which you start to
talk to yourself when things are | 0:37:37 | 0:37:40 | |
like this? He's been sitting down
for so long it is nice to walk | 0:37:40 | 0:37:44 | |
around. You cannot walk around the
table, so have a walk out and come | 0:37:44 | 0:37:47 | |
back. Start afresh. He starts from
2-0 down. | 0:37:47 | 0:37:59 | |
THE COMMENTATOR: You cannot say he's
done that much wrong, he's not had | 0:38:01 | 0:38:07 | |
his hand on the table with any
chance. Once he got in the second, | 0:38:07 | 0:38:12 | |
he's made a frame-winning
contribution. So it is not like he's | 0:38:12 | 0:38:16 | |
done a massive amount wrong. You can
see 175-8. It is just he's not had | 0:38:16 | 0:38:22 | |
any table time. | 0:38:22 | 0:38:27 | |
You mentioned John, he could have
taken the yellow. A green. Went in | 0:38:31 | 0:38:38 | |
off. You could say it is a tough
game at this level. Those are the | 0:38:38 | 0:38:41 | |
chances you have to take.
Ended up costing him the frame. | 0:38:41 | 0:38:46 | |
There wasn't a lot on. | 0:38:46 | 0:38:52 | |
And that is an excellent safety shot
from Judd. That is one thing that | 0:38:56 | 0:39:00 | |
definitely has got better. When he
puts his mind to it he can play good | 0:39:00 | 0:39:04 | |
safety. It is difficult sometimes
when you have that much power your | 0:39:04 | 0:39:09 | |
armoury and that much scoring
ability that sometimes you think you | 0:39:09 | 0:39:12 | |
don't have to play a bit of safety.
That was very good there. | 0:39:12 | 0:39:18 | |
He's forced a mistake from Graham.
He knew he was in trouble there. | 0:39:18 | 0:39:25 | |
Eme. | 0:39:34 | 0:39:34 | |
Could possibly drop it in and cannon
the red. I think ... Oh, it is what | 0:39:37 | 0:39:47 | |
he's done. | 0:39:47 | 0:39:51 | |
So error. This is a chance for
Graeme Dott. | 0:39:52 | 0:40:01 | |
I think he's playing for the gap
here. | 0:40:01 | 0:40:06 | |
Mind you, at the same time, to knock
it in, but anyway it has happened | 0:40:06 | 0:40:14 | |
and this is the first chance
Graeme's got his happened on the | 0:40:14 | 0:40:18 | |
table with a decent chance among the
balls. Got to score. | 0:40:18 | 0:40:24 | |
That wouldn't have filled him with
much confidence the way he hit that | 0:40:24 | 0:40:28 | |
black. He almost missed it.
Sometimes that can sharpen up your | 0:40:28 | 0:40:33 | |
concentration to get away with one.
He's left a decent angle. As you | 0:40:33 | 0:40:40 | |
say, we used all the draw there.
Should be going into the pack here. | 0:40:40 | 0:40:47 | |
Get some balls in play. | 0:40:47 | 0:40:51 | |
Didn't hit that exactly how he would
have liked, but it's turned out OK. | 0:40:57 | 0:41:08 | |
I think today the only way he will
put pressure on is if he can win | 0:41:08 | 0:41:13 | |
frames in one visit. If he does
taking one or three chances it will | 0:41:13 | 0:41:19 | |
not put tremendous pressure on Judd
Trump. Nothing puts pressure on an | 0:41:19 | 0:41:26 | |
opponent more than making him sit in
his chair for one visit. | 0:41:26 | 0:41:30 | |
The last red Graeme played there was
a good one to get out of the way. | 0:41:30 | 0:41:35 | |
Two lefts, now both pot in the
opposite corner, which is what he's | 0:41:35 | 0:41:39 | |
played on now. Played on an area to
give himself options. Because he | 0:41:39 | 0:41:43 | |
removed that last red this one goes.
Turned into a good chance. | 0:41:43 | 0:41:58 | |
Sort of willing the pots in.
You can see this one, a bit of body | 0:41:59 | 0:42:07 | |
movement there.
Just needs to calm down a bit. | 0:42:07 | 0:42:19 | |
His cueing action just looks a
little bit on the short side at the | 0:42:27 | 0:42:31 | |
minute, like he's a little bit
anxious. I mean you have to think | 0:42:31 | 0:42:38 | |
he's not... He must have been trying
to cannon the red as close to the | 0:42:38 | 0:42:42 | |
cue ball. Don't know what he played.
This could work out all right for | 0:42:42 | 0:42:45 | |
him though. He's on a plant at the
back here that can be made. Got to | 0:42:45 | 0:42:49 | |
take it on.
Just double-checking on it. But he | 0:42:49 | 0:42:54 | |
can play this nice and firm. Open
all the reds out. As long as you | 0:42:54 | 0:42:58 | |
make the pots, which he should do,
makes the chance even better. | 0:42:58 | 0:43:08 | |
A little bit fortunate there. Poor
positional shot. Now one good pot on | 0:43:11 | 0:43:17 | |
the blue. It should be his frame. | 0:43:17 | 0:43:27 | |
Again not a perfect position. Still
got to play a shot here. | 0:43:35 | 0:43:41 | |
One perfect positional shot away
from this being perhaps a | 0:43:44 | 0:43:48 | |
frame-winning chance.
That should be it. | 0:43:48 | 0:44:01 | |
He had a wobble in the middle of the
break when he lost the cue ball for | 0:44:01 | 0:44:05 | |
a while, but he's got it back now.
And this will settle him down. | 0:44:05 | 0:44:11 | |
Winning it in one visit, Stephen,
makes all the difference. | 0:44:11 | 0:44:20 | |
Also shows your opponent that you
are capable of scoring on the day. | 0:44:20 | 0:44:25 | |
It has been very impressive so far.
It is his turn to watch now. | 0:44:25 | 0:44:35 | |
Again not ideal on this red.
Three or four pots away from | 0:44:49 | 0:45:00 | |
securing this third frame.
That little shot there suits Graeme | 0:45:00 | 0:45:09 | |
Dott's action there. No excuse now.
This is bread and but tore a | 0:45:09 | 0:45:16 | |
top-class professional, like Graeme
is. | 0:45:16 | 0:45:24 | |
He doesn't waste much time Graeme
Dott. When he's in, quite a fast | 0:45:29 | 0:45:35 | |
player, really.
I think it makes a difference to his | 0:45:35 | 0:45:39 | |
game, if I am being honest. A couple
of seasons he went slower and it | 0:45:39 | 0:45:43 | |
looked more like hard work for
Graeme. When he's at his best this | 0:45:43 | 0:45:46 | |
is what he plays like, because he is
a fluent scorer when he gets going. | 0:45:46 | 0:45:59 | |
I think he became a better player
after he won the World Championship. | 0:46:00 | 0:46:08 | |
Became more aggressive. | 0:46:08 | 0:46:16 | |
Would have been saying, I need to
win this in one visit and that's | 0:46:38 | 0:46:43 | |
exactly what he's done.
Averted a potential 3-0 deficit with | 0:46:43 | 0:46:49 | |
this contribution, so good stuff
from him. Couldn't be more | 0:46:49 | 0:46:53 | |
confident. | 0:46:53 | 0:47:00 | |
As hard address you can, -- as hard
as you can Graeme, you might get it. | 0:47:04 | 0:47:13 | |
Not there. Just when he needed it.
Could have been going 3-0 behind. A | 0:47:13 | 0:47:20 | |
wonderful contribution of 86 and it
is 2-1 to Judd Trump. | 0:47:20 | 0:47:30 | |
That exit seems to have paid up. .
That frame more than any other, | 0:47:33 | 0:47:40 | |
small things made huge difference in
this game. Judd flicks the red, | 0:47:40 | 0:47:46 | |
Graeme gets in, has a chance. He's
taken a gutsy, that is what it was, | 0:47:46 | 0:47:50 | |
he's sat in his chair, as Steve
mentioned first couple of frames and | 0:47:50 | 0:47:54 | |
his arm was getling twitchy. Took it
well. The black didn't go in the | 0:47:54 | 0:48:01 | |
middle of the pocket. A player under
pressure but having enough character | 0:48:01 | 0:48:05 | |
to withstand that and get the ball
in the hole. A few positional shots | 0:48:05 | 0:48:09 | |
might have gone wrong, but he
recovered very well. You don't get | 0:48:09 | 0:48:12 | |
to three world finals without being
a fantastic player. Yes, exactly. | 0:48:12 | 0:48:17 | |
He's come back from some precarious
positions. He's had a bit of a rough | 0:48:17 | 0:48:24 | |
time. He didn't enjoy last season.
He had to prequelfy for the | 0:48:24 | 0:48:30 | |
cruisable. He went out to Barry
Hawkins. He was pleased to see the | 0:48:30 | 0:48:36 | |
end of that season. How much has he
done with Chris Henry to get things | 0:48:36 | 0:48:40 | |
moving again. He went to brurge. It
gave him motivation and something to | 0:48:40 | 0:48:55 | |
settle on. This is the last one
before the interval. | 0:48:55 | 0:48:59 | |
THE COMMENTATOR: Got very lucky.
Brought the red up the table and | 0:49:03 | 0:49:08 | |
managed to snooker Judd behind a
yellow. | 0:49:08 | 0:49:13 | |
Knocked close with the long ball. A
chance for Graeme. | 0:49:17 | 0:49:30 | |
If you think this doesn't mean
anything from Graeme, that's just | 0:49:38 | 0:49:42 | |
from a poor break off. | 0:49:42 | 0:49:53 | |
He once smashed his cue in a
motorway services when he got beaten | 0:50:00 | 0:50:06 | |
in a match. Must have taken it a bit
badly. Everyone in snooker knows how | 0:50:06 | 0:50:12 | |
much Graeme Dott will be up for this
match today. That proves it, that | 0:50:12 | 0:50:15 | |
reaction. | 0:50:15 | 0:50:25 | |
He absolutely believes he can beat
Judd today. So the decision, brown, | 0:50:27 | 0:50:33 | |
into the bunch - that's the shot.
I was going to say, when you play | 0:50:33 | 0:50:37 | |
for the brown, some would play for
the red above the pink but you have | 0:50:37 | 0:50:41 | |
to go into the pack a bit later. | 0:50:41 | 0:50:49 | |
It is OK. He didn't hit the red he
intended to. Hit the main bunch, but | 0:50:50 | 0:50:56 | |
he'll be quite happy with the
result. Just catches one of the | 0:50:56 | 0:51:00 | |
outside ones.
Absolutely, the right shot all day | 0:51:00 | 0:51:04 | |
long.
Playing there. | 0:51:04 | 0:51:09 | |
This will tell us whether Graeme has
settled down. Plays this with a dab | 0:51:21 | 0:51:28 | |
of the left-hand side.
Just not got that cue ball on a | 0:51:28 | 0:51:38 | |
string, the break. Two or three
times he wasn't in a perfect | 0:51:38 | 0:51:41 | |
position to rescue the situation. It
is the same here. Just happens to | 0:51:41 | 0:51:45 | |
play good shots all the time. Just
hard when you are scrapping for | 0:51:45 | 0:51:52 | |
breaks all the time. Either want the
cue ball perfect, just a break of 86 | 0:51:52 | 0:51:59 | |
from Graeme in the last - the
highest he's made in the tournament | 0:51:59 | 0:52:02 | |
so far. It was the first frame that
Judd has lost. A couple of | 0:52:02 | 0:52:08 | |
whitewashes. But you do need that
cue ball to be nice and tight. | 0:52:08 | 0:52:16 | |
This is not straightforward.
Obviously you wouldn't expect him to | 0:52:16 | 0:52:21 | |
miss the pot, but the position here
is awkward. He's almost too straight | 0:52:21 | 0:52:25 | |
to go around the angles to go to
blue for left middle. There is a | 0:52:25 | 0:52:30 | |
chance he could on the black, but...
It was awkward, all caused by a | 0:52:30 | 0:52:40 | |
straightforward shot on the black.
On these cloths, when there's very | 0:52:40 | 0:52:51 | |
little now, the side can throw off
and not come back and that's what | 0:52:51 | 0:52:58 | |
happened there. He'll be kicking
himself, he really will. Nothing | 0:52:58 | 0:53:03 | |
worse when they've all been there
for you and you present them to your | 0:53:03 | 0:53:07 | |
opponent. | 0:53:07 | 0:53:13 | |
Doesn't go to the left corner, so
that would be the red he would be | 0:53:14 | 0:53:19 | |
playing for. | 0:53:19 | 0:53:26 | |
Hit that one nicely.
Sure did. A couple of options, that | 0:53:28 | 0:53:36 | |
one on the left and one you can see
at the gap at the other end of the | 0:53:36 | 0:53:46 | |
pack there. | 0:53:46 | 0:53:48 | |
That is nicely struck and played. A
little bit of run inside. A | 0:53:56 | 0:54:01 | |
guarantee he would be on blue or
baulk colour. | 0:54:01 | 0:54:04 | |
A bit of work to be done with this T
a few balls in the open, we know. | 0:54:04 | 0:54:08 | |
But not easy to score, as yet. | 0:54:08 | 0:54:11 | |
If he landed on the red above the
black he could pot it and play a | 0:54:26 | 0:54:31 | |
cannon and flick the other red away.
I don't know if the cue ball's come | 0:54:31 | 0:54:36 | |
down far enough. Maybe it has. | 0:54:36 | 0:54:40 | |
It was tricky, but I still thought
he'd get it. | 0:55:01 | 0:55:05 | |
It is cue ball control that's
letting both players down at the | 0:55:05 | 0:55:09 | |
moment.
Getting pinpoint position. | 0:55:09 | 0:55:22 | |
Not the best opening shot of the
break, that one. Shouldn't be a | 0:55:41 | 0:55:46 | |
problem just dropping this one in,
but would like the position to be a | 0:55:46 | 0:55:50 | |
lot easier. | 0:55:50 | 0:55:51 | |
Leaves himself a half ball on the
black here, a screw shot and take | 0:56:11 | 0:56:16 | |
the red out on the three. If nothing
pots. That would be nice. | 0:56:16 | 0:56:34 | |
The way the reds were he couldn't
play the shot I was mentioning | 0:56:46 | 0:56:49 | |
there. So he had to go into them. I
think he's going to be all right. It | 0:56:49 | 0:56:53 | |
is very tight. | 0:56:53 | 0:56:59 | |
He should be OK.
What do you think? You like to play | 0:57:08 | 0:57:16 | |
a follow through, don't you? He has
to stand the cue ball to get | 0:57:16 | 0:57:20 | |
position. | 0:57:20 | 0:57:30 | |
It was a better shot than it looked.
We knew what was going through his | 0:57:33 | 0:57:38 | |
brain there.
It is one of those shots you look at | 0:57:38 | 0:57:49 | |
for ages and you are relieved when
it goes in there. | 0:57:49 | 0:57:53 | |
I have to say, this is a cracking
match - it really is. Very high | 0:58:00 | 0:58:05 | |
standards in the scoring. OK, one or
two positional lapses, but certainly | 0:58:05 | 0:58:10 | |
made it very interesting.
You can see from that picture there, | 0:58:10 | 0:58:15 | |
those two reds go to right middle.
If he gets an angle, the black now | 0:58:15 | 0:58:22 | |
could just stand maybe two cushions
to get to that left-hand side | 0:58:22 | 0:58:26 | |
cushion for a choice of those reds.
And the black could be ideal. | 0:58:26 | 0:58:36 | |
That is not a bad angle just to
screw back. | 0:58:40 | 0:58:45 | |
The speed of both players, they are
getting on with it. The match so far | 0:58:45 | 0:58:51 | |
only taken 42 minutes. The first
frame has taken it with some. It has | 0:58:51 | 0:58:58 | |
been very good indeed. Great to
watch. | 0:58:58 | 0:59:05 | |
He really is a gritty competitor. He
does know how to compete. | 0:59:10 | 0:59:18 | |
What a shot! | 0:59:39 | 0:59:40 | |
APPLAUSE | 0:59:41 | 0:59:43 | |
An excellent standard, these first
four frames. Top-quality snooker | 0:59:46 | 0:59:51 | |
from both players.
If Judd didn't know he was in a | 0:59:51 | 1:00:01 | |
tough match, he does now. This has
been excellent from 2-0 down from | 1:00:01 | 1:00:05 | |
Graeme Dott.
I mentioned in the last frame, the | 1:00:05 | 1:00:14 | |
highest break of the tournament was
86. | 1:00:14 | 1:00:16 | |
STUDIO: It's very brisk and
watchable, and I think those who | 1:01:12 | 1:01:15 | |
were expecting it to be a tactical
exchange particularly with Graeme | 1:01:15 | 1:01:20 | |
will not be right. It's been really
good to miss so far. -- it has been | 1:01:20 | 1:01:27 | |
really good business. An excellent
first session and I think Graeme | 1:01:27 | 1:01:30 | |
Dott has stolen the session. It
greater comeback from 2-0 behind. He | 1:01:30 | 1:01:35 | |
is a big occasion player but he
hasn't been playing too much on the | 1:01:35 | 1:01:39 | |
television stages and he comes out a
bit colder this respect, in an area | 1:01:39 | 1:01:45 | |
where Judd Trump has played lots of
recently and picked up the reins. | 1:01:45 | 1:01:50 | |
Graeme Dott is not shy when it comes
to the TV cameras. The two black Sea | 1:01:50 | 1:01:55 | |
have picked out, especially the last
one? The first | 1:01:55 | 1:02:01 | |
have picked out, especially the last
one? The first couple of frames, he | 1:02:01 | 1:02:05 | |
would not have hit that that well at
the start of the third frame. He was | 1:02:05 | 1:02:12 | |
cold, out of stroke. Shifting the
last red as well. Couple of nice | 1:02:12 | 1:02:18 | |
little shots, he was gutsy. He is
deceptively fluid, he has been known | 1:02:18 | 1:02:26 | |
as a global player, but he is not.
He has this got the ring craft. -- | 1:02:26 | 1:02:33 | |
he has been known as slow player.
His average shots time is 19 seconds | 1:02:33 | 1:02:38 | |
per shots, that's probably top five
or six on the tour in terms of | 1:02:38 | 1:02:43 | |
speed. When he | 1:02:43 | 1:02:43 | |
or six on the tour in terms of
speed. When he is in the balls | 1:02:43 | 1:02:44 | |
coming he gets motoring. How
concerned will Judd be? Just | 1:02:44 | 1:02:50 | |
reminding him he's there. I'm not
sure that jobs will be concerned as | 1:02:50 | 1:02:55 | |
much but when you're coming from
there, you would hope that he would | 1:02:55 | 1:03:01 | |
have an easier match. Business as
usual, Judd has got to do well for | 1:03:01 | 1:03:08 | |
the second half. It just proves how
hard it is to guarantee winning at | 1:03:08 | 1:03:13 | |
the top class level, nobody is lying
down and giving up. It's even harder | 1:03:13 | 1:03:17 | |
to guarantee getting a run of form
throughout the season. So you have | 1:03:17 | 1:03:21 | |
got so mini tournaments, but to win
back-to-back tournaments, to win a | 1:03:21 | 1:03:24 | |
lot in the | 1:03:24 | 1:03:29 | |
back-to-back tournaments, to win a
lot in season, is getting even | 1:03:29 | 1:03:30 | |
harder. What is a successful season,
is it winning one? How do you judge | 1:03:30 | 1:03:36 | |
a successful season? You cannot be
too upset if you lose a lot of | 1:03:36 | 1:03:40 | |
best-of-7 matches because the
standard is so high. | 1:03:40 | 1:03:43 | |
On that note, let's talk about the
season winners so far. No sooner had | 1:03:43 | 1:03:46 | |
the glitter cannon gone off at the
Crucible for Mark Selby, the new | 1:03:46 | 1:03:55 | |
season had got under way, its
six-month old, they have been all | 1:03:55 | 1:03:58 | |
around the world, there has been
qualifying schools. And there have | 1:03:58 | 1:04:02 | |
been ten different winners of the
individual 13 events so far. It's | 1:04:02 | 1:04:06 | |
been wide and varied success so far. | 1:04:06 | 1:04:11 | |
MUSIC: Signed, Sealed,
Delivered by Stevie Wonder. | 1:04:37 | 1:04:42 | |
So there is plenty of prize money
and plenty of opportunity for | 1:05:50 | 1:05:53 | |
success but the trick is, peaking at
the right times. And speaking to the | 1:05:53 | 1:05:57 | |
majors. How difficult is that, is it
in every other big sport? The first | 1:05:57 | 1:06:03 | |
thing to say is that the good thing
is that the top players now have so | 1:06:03 | 1:06:06 | |
many events to play that they can
pick and choose, and that's | 1:06:06 | 1:06:11 | |
positive. Mark Selby took last week
in Belfast and he came here and lost | 1:06:11 | 1:06:15 | |
early. I don't put a lot of stock in
the missing an event and playing | 1:06:15 | 1:06:20 | |
well in the next one. It's just
gives you a rest to some of the top | 1:06:20 | 1:06:25 | |
players, more than anything. You've
seen the variety of winners this | 1:06:25 | 1:06:29 | |
season, even last season, Anthony
Hamilton, Mark King, so many. I | 1:06:29 | 1:06:34 | |
think the standard is so high
overall. It might be it's a more | 1:06:34 | 1:06:40 | |
athletic -- in a more athletic sport
you need to conserve energy, but in | 1:06:40 | 1:06:48 | |
snooker, there's no real answer to
picking and choosing. It might just | 1:06:48 | 1:06:51 | |
be luck. It could be that it has not
done you any good laying off but it | 1:06:51 | 1:06:56 | |
could help other people. If you do
lay off and you go wrong, you look | 1:06:56 | 1:06:59 | |
and think why did I bother, but if
you win the next tournament, you | 1:06:59 | 1:07:03 | |
think that is the answer. If you
take Allen, a couple of years ago, | 1:07:03 | 1:07:08 | |
what a | 1:07:08 | 1:07:11 | |
take Allen, a couple of years ago,
what wonderful run you had to the | 1:07:11 | 1:07:12 | |
semifinal but you could never had
predicted it could happen at that. | 1:07:12 | 1:07:16 | |
It sometimes happens. I think the
way the modern game has changed for | 1:07:16 | 1:07:21 | |
not only the top players, most of
the players, you don't practice at | 1:07:21 | 1:07:26 | |
home so much. Their home for two or
three days a lot of time, and for | 1:07:26 | 1:07:31 | |
those two or three days, they are
relaxing, chilling, lying on the | 1:07:31 | 1:07:35 | |
sofa, they don't practice. You
almost maintaining the game out here | 1:07:35 | 1:07:39 | |
on the tour. Like the boys are doing
behind us, just knocking up and | 1:07:39 | 1:07:43 | |
keeping loose. Because there's a lot
of matches now. You don't really | 1:07:43 | 1:07:50 | |
need to MOT your game in the
practice room back home as much as | 1:07:50 | 1:07:54 | |
he once did. And if there were a
formula, you would have bottled it, | 1:07:54 | 1:07:59 | |
but there ain't! It's interesting to
see the breadth of the winners, you | 1:07:59 | 1:08:03 | |
saw the likes of Ryan Day, a
first-time winner after 20 years as | 1:08:03 | 1:08:08 | |
a professional, brilliant success
for him and he is this afternoon | 1:08:08 | 1:08:10 | |
playing very fellow Welshman, who
has won two titles, including a 19th | 1:08:10 | 1:08:19 | |
world ranking title in Belfast.
Fantastic return to them winners | 1:08:19 | 1:08:23 | |
circle for Mark Williams. They have
faced one another 18 times over the | 1:08:23 | 1:08:27 | |
years but never on these terms
because both of them are now proven | 1:08:27 | 1:08:30 | |
title winners. What difference will
that make? Let's find out. We have | 1:08:30 | 1:08:40 | |
got Day trailing by 32 point in the
opening frame, and let's go to our | 1:08:40 | 1:08:45 | |
commentators now. | 1:08:45 | 1:08:46 | |
Super pot, super shot. Just lost the
cue ball. We saw Mark Williams put a | 1:08:52 | 1:08:58 | |
similar earlier on in this frame.
There's a lot of pressure on this. | 1:08:58 | 1:09:03 | |
He could take it on. The cue ball
definitely clearing into the reds | 1:09:03 | 1:09:11 | |
above it. He doesn't fancy it.
Having second thoughts, maybe he is | 1:09:11 | 1:09:18 | |
going to take it on. But if he gets
this black, it could be a | 1:09:18 | 1:09:26 | |
frame-winner. Let's see what
happens. And he has not got away | 1:09:26 | 1:09:31 | |
with it. That could cost him the
frame. Before he played the shot, I | 1:09:31 | 1:09:39 | |
was looking at him and he was
playing the safety shot but then he | 1:09:39 | 1:09:46 | |
changed his mind. Once you put that
doubt in your head, you should | 1:09:46 | 1:09:49 | |
forget about it. The first should be
the one you play. When I saw him | 1:09:49 | 1:09:58 | |
shake his head, I said, but get
about it. -- or get about it. It | 1:09:58 | 1:10:04 | |
would likely had convinced himself
to not take it on. | 1:10:04 | 1:10:08 | |
That might be another example of
Mark's tip. He is not at his place | 1:10:11 | 1:10:20 | |
at the table yet, did not want to be
so close to the cushion. A better | 1:10:20 | 1:10:24 | |
recovery. | 1:10:24 | 1:10:26 | |
Tight brown or blue here. | 1:10:32 | 1:10:34 | |
Mostly on the red into the bottom of
the corner, he can hold for the pink | 1:10:55 | 1:11:02 | |
and can then go back down for the
black. | 1:11:02 | 1:11:04 | |
Just seen him look at his tip there. | 1:11:09 | 1:11:13 | |
The tips that they make nowadays are
much easier to play with | 1:11:26 | 1:11:30 | |
straightaway. | 1:11:30 | 1:11:31 | |
Way back in the day, it took you
three or four days to get used to a | 1:11:33 | 1:11:39 | |
tip. But the composition of the tips
are much better now. | 1:11:39 | 1:11:46 | |
Doesn't need many more, does he?
Already 55 ahead. So this red would | 1:12:07 | 1:12:12 | |
be enough. | 1:12:12 | 1:12:14 | |
And even though it's the best of 11,
it's always nice to get the first | 1:12:19 | 1:12:24 | |
frame under your belt. It helps you
relax a little bit. | 1:12:24 | 1:12:27 | |
Ryan did have a chance but that cut
back on the black has cost him this | 1:12:30 | 1:12:36 | |
opening frame. | 1:12:36 | 1:12:38 | |
And if he manages to clear the
remaining colours, it will give him | 1:13:49 | 1:13:53 | |
a bit more confidence with the new
kit. That will not give him a grade | 1:13:53 | 1:13:59 | |
of confidence. Unless he flicks
it... But he is looking at the tip, | 1:13:59 | 1:14:08 | |
he will be quite pleased, he would
needed a couple of chances. Ryan | 1:14:08 | 1:14:13 | |
concedes and Mark Williams take the
opening frame quite comfortable. | 1:14:13 | 1:14:16 | |
concedes and Mark Williams take the
opening frame quite comfortable. | 1:14:16 | 1:14:17 | |
STUDIO: a good break to start,
incidentally of the 18 previous | 1:14:17 | 1:14:22 | |
matches that they have played, Mark
leads with ten wins, Ryan has seven | 1:14:22 | 1:14:26 | |
and they have one draw. They are
pretty evenly matched. Let's get | 1:14:26 | 1:14:30 | |
into the second frame and Ryan at
the table. | 1:14:30 | 1:14:32 | |
Just OK. He was hoping to leave
black or pink there. For the moment, | 1:14:39 | 1:14:47 | |
I thought he hadn't brought it back
far enough but he's fine. | 1:14:47 | 1:14:50 | |
Should be OK. He's got a slight
angle, needs to play it with a | 1:15:05 | 1:15:09 | |
little bit of pace to get out for
the yellow, green on the run. Maybe | 1:15:09 | 1:15:13 | |
straight on it. But he has got
plenty of cue power. The normal | 1:15:13 | 1:15:22 | |
ankle would have took that back and
can enter the green. -- can end the | 1:15:22 | 1:15:29 | |
green. | 1:15:29 | 1:15:29 | |
A nice positional shots of the red
into the lower pocket. The choice of | 1:15:45 | 1:15:50 | |
coming back up for the blue. | 1:15:50 | 1:15:52 | |
They take the loose read here. At
the back of the pack. If you can | 1:16:03 | 1:16:11 | |
leave a nice angle on this red, it
looks a bit straighter, if he left a | 1:16:11 | 1:16:16 | |
nice angle he could have disturbed a
few more and gone on to the black. A | 1:16:16 | 1:16:24 | |
couple of more inches towards the
black with that cue ball is needed. | 1:16:24 | 1:16:31 | |
You can see with the tip of his cue,
that is where he wants to leave the | 1:16:31 | 1:16:35 | |
cue ball. He is going to pot this
red on the black. This will be a | 1:16:35 | 1:16:46 | |
good shot coming up. Played it with
a lot of pace. If this works out, | 1:16:46 | 1:16:55 | |
could give him a chance to win the
frame. | 1:16:55 | 1:16:58 | |
Could have been a little bit better,
to be honest. But unlike you, he | 1:17:07 | 1:17:12 | |
opened the reds up nicely. He has
just got to be careful. He has got | 1:17:12 | 1:17:18 | |
to cannon the pink. He might be able
to push it towards the left middle | 1:17:18 | 1:17:23 | |
pocket, got to be careful that he
does not cannon it into the pocket. | 1:17:23 | 1:17:29 | |
Depends what kind of pace he wants
to play this act, as to whether he | 1:17:29 | 1:17:35 | |
finishes on the pink or blue. He has
hit it a little bit too hard. The | 1:17:35 | 1:17:43 | |
same shot with less pace would have
been perfect. The team could not | 1:17:43 | 1:17:46 | |
have come off the ocean as far, --
the pink would not have come off the | 1:17:46 | 1:17:51 | |
cushion as far, and now he has got
eight tricky one, the sort of shot | 1:17:51 | 1:17:56 | |
that players practice. Sometimes
players would rather play a thin | 1:17:56 | 1:18:06 | |
shot them along straight pot. Where
is the cue ball going to finish? | 1:18:06 | 1:18:12 | |
Not bad. | 1:18:17 | 1:18:21 | |
This looks really good. Judge that
very well. In an out of the top, | 1:18:39 | 1:18:54 | |
looking for the pink. | 1:18:54 | 1:18:55 | |
Did not want that kiss on the blue,
trying to avoid the blue for the two | 1:19:05 | 1:19:11 | |
reds. Again, he's left with a
difficult choice here. He could cut | 1:19:11 | 1:19:20 | |
this red on the pink spot into the
bottom left-hand corner pocket but | 1:19:20 | 1:19:25 | |
he is not crunchy percent sure
whether cue ball will go. -- 100% | 1:19:25 | 1:19:31 | |
sure where the cue ball will go. He
could use the pocket to try and slow | 1:19:31 | 1:19:35 | |
the ball down. He tried to hit the
red next to the middle pocket. | 1:19:35 | 1:19:42 | |
But he is in a bit of no man's land,
he is struggling. | 1:19:45 | 1:19:49 | |
That was a good recovery. He has
judged it nicely because he's got a | 1:20:21 | 1:20:26 | |
nice angle on this red to get back
for a ball colour. | 1:20:26 | 1:20:30 | |
Good pots. | 1:20:37 | 1:20:39 | |
One good positional shot here off
the brown and green. And he should | 1:20:46 | 1:20:50 | |
win the frame. | 1:20:50 | 1:20:53 | |
He has had to work hard for these,
hasn't he? | 1:21:01 | 1:21:04 | |
Yes, as long as you keep knocking
them in, you're going to win the | 1:21:09 | 1:21:13 | |
frame. Always nice if you can keep
close control, but sometimes you | 1:21:13 | 1:21:18 | |
have got to work to your points. | 1:21:18 | 1:21:20 | |
He has got terrific cue power, Ryan
Day. That shot was an indication of | 1:21:23 | 1:21:30 | |
it. | 1:21:30 | 1:21:32 | |
Just the black, leaving Mark needing
a snooker, and the reds are not | 1:21:39 | 1:21:44 | |
ideally placed. Make sure you put
the black. | 1:21:44 | 1:21:49 | |
Only one snooker needed at the
moment. | 1:21:58 | 1:22:00 | |
I don't think the double is on.
Maybe if he played it with a little | 1:22:08 | 1:22:11 | |
bit of left-hand side, he could
create the angle to double it. He's | 1:22:11 | 1:22:16 | |
playing safe, just a safety shot. So
that nice break of 65, you would | 1:22:16 | 1:22:26 | |
think might just be enough to give
him the frame. It should be one | 1:22:26 | 1:22:30 | |
each.
Indeed it was, and you can | 1:22:30 | 1:22:33 | |
each.
Indeed it was, and you can continue | 1:22:33 | 1:22:36 | |
to keep watching this on the red
button or the BBC sport website. | 1:22:36 | 1:22:40 | |
Back to table one now, because after
a refuel at the mid-session | 1:22:40 | 1:22:45 | |
interview, it is the Juddernaut and
the Pocket Dynamo which is now a | 1:22:45 | 1:22:56 | |
best-of-7. Great match so far. More
of the same, please, | 1:22:56 | 1:23:02 | |
best-of-7. Great match so far. More
of the same, please, absolutely | 1:23:02 | 1:23:02 | |
fabulous opening session. Breaks of
93, and 78 from Judd, and 83 from | 1:23:02 | 1:23:11 | |
Graeme Dott. And very entertaining
as well. A really quick match time. | 1:23:11 | 1:23:18 | |
44, and the average frame time... | 1:23:18 | 1:23:21 | |
Very quick indeed at 11 minutes per
frame. Keep that up and we will all | 1:23:24 | 1:23:31 | |
be happy! | 1:23:31 | 1:23:32 | |
What happened to there? A little
extra bit of side. You can see he is | 1:23:41 | 1:23:50 | |
putting some right-hand side on it
and what it off discussion. Still | 1:23:50 | 1:23:54 | |
had loads on. -- watch it off that
question. That is a massive mistake, | 1:23:54 | 1:24:03 | |
the back of the pack that he has to
go into. Judd has got to | 1:24:03 | 1:24:10 | |
re-establish himself in this match,
he raced into a 2-0 lead, as we | 1:24:10 | 1:24:14 | |
mentioned. He needs to start scoring
again. | 1:24:14 | 1:24:20 | |
Wasting no time opening up the bunch
of reds, stunning the cue ball into | 1:24:23 | 1:24:30 | |
it, a screw shot would have bought
the cue ball back to the right-hand | 1:24:30 | 1:24:36 | |
pocket. | 1:24:36 | 1:24:37 | |
Not possible to hold for the blue in
the middle. That was an excellent | 1:24:48 | 1:24:53 | |
shot. He's a little bit unfortunate
to finish between there. With Judd's | 1:24:53 | 1:25:00 | |
capabilities, you would fancy him
knocking the blue in. Excellent. | 1:25:00 | 1:25:05 | |
It's always nice when you have a
scoring opportunity at the beginning | 1:25:26 | 1:25:30 | |
of the frame, pink and black all
available. He has played for the top | 1:25:30 | 1:25:39 | |
of the bunch near the pink spot. | 1:25:39 | 1:25:41 | |
A slight grimace there. Not ideal on
the red. This can go wrong | 1:25:44 | 1:25:52 | |
sometimes. | 1:25:52 | 1:25:54 | |
I was looking at Graeme, a slight
shake of the head because he hit its | 1:26:02 | 1:26:13 | |
too hard and got a perfect angle on
the green. It's not great when | 1:26:13 | 1:26:18 | |
you're sitting there and you think
he has messed it up and you look up | 1:26:18 | 1:26:21 | |
and its plum. Graeme's opening shot
in this frame is very poor and | 1:26:21 | 1:26:29 | |
that's why he sitting in his chair. | 1:26:29 | 1:26:31 | |
Judd Trump just moves ahead on
points scored total. Nothing to | 1:26:55 | 1:26:59 | |
separate these players so far. If
you make a mistake, it will cost you | 1:26:59 | 1:27:07 | |
the frame. | 1:27:07 | 1:27:08 | |
68 points required. Mathematically
to win the frame. He has overhit | 1:27:35 | 1:27:45 | |
that by a good few inches. He is
blaming a contact on the red. It did | 1:27:45 | 1:27:53 | |
sound a bit heavy. He missed the
black earlier on this afternoon. The | 1:27:53 | 1:28:01 | |
cue ball was slightly closer to it,
but it cut back, missed one before | 1:28:01 | 1:28:05 | |
it is the same pocket. Each to do
better here. -- he needs to do | 1:28:05 | 1:28:12 | |
better. He has done the same thing.
He has got 40 but he will be kicking | 1:28:12 | 1:28:21 | |
himself he hasn't got more there. | 1:28:21 | 1:28:24 | |
Very tricky little shot there,
needed to get a bit of side on. Keep | 1:28:45 | 1:28:51 | |
it across the ball like that. | 1:28:51 | 1:28:54 | |
That's a great shot, that really is
a great shot. He cued that so well. | 1:29:08 | 1:29:16 | |
Just enough cue to get through the
wall, but not to send it all around | 1:29:16 | 1:29:21 | |
the table, really well controlled. | 1:29:21 | 1:29:23 | |
Going to need a couple more reds,
there is a chance to screw this and | 1:29:39 | 1:29:44 | |
click one of the reds out if he
wants to stay on the black. That's | 1:29:44 | 1:29:50 | |
what he's done, put it into play. | 1:29:50 | 1:29:52 | |
He took the opportunity there to
develop the reds. The two that are | 1:30:21 | 1:30:24 | |
on the right-hand side of the table
aren't really that good for Judd | 1:30:24 | 1:30:28 | |
because he's left-handed. | 1:30:28 | 1:30:30 | |
As it worked out, well, if it goes,
that's not bad. | 1:30:36 | 1:30:43 | |
You see the path of the cue ball
going. | 1:31:05 | 1:31:09 | |
Left himself a nice angle, the pink,
to play any of the reds. I mean, the | 1:31:09 | 1:31:15 | |
thing is, with that shot, it either
goes or it doesn't. | 1:31:15 | 1:31:23 | |
I think he was playing the safety. | 1:31:52 | 1:31:58 | |
Not surprised, but where it
finished, he won't be too | 1:32:00 | 1:32:04 | |
disappointed. | 1:32:04 | 1:32:14 | |
Give him a little chance. | 1:32:45 | 1:32:48 | |
It may turn out in your favour
because he's taken it and now | 1:32:55 | 1:32:58 | |
missed. Get back at the table. | 1:32:58 | 1:33:10 | |
Has to pot a colour with each red. | 1:33:33 | 1:33:35 | |
If he can pot this red and just come
down the table a little further and | 1:33:58 | 1:34:03 | |
leave an angle on the black, a
chance here to pot the black, move a | 1:34:03 | 1:34:07 | |
red off the cushion, maybe develop
two into play and stay on the other | 1:34:07 | 1:34:10 | |
one. This is not totally forlorn if
this goes in. | 1:34:10 | 1:34:21 | |
Which way would you play it? I was
thinking when he cannoned that red, | 1:34:25 | 1:34:30 | |
when the frame is won it goes right.
Definitely needs a good cannon here. | 1:34:30 | 1:34:35 | |
You are right, if the red is closest
to the cushion, if he cannons out | 1:34:35 | 1:34:39 | |
the left-hand side could take that
one off as well. | 1:34:39 | 1:34:42 | |
I think I would concentrate full
ball to cannon the red. Leave the | 1:34:42 | 1:34:48 | |
red to the left middle. | 1:34:48 | 1:34:52 | |
He had a look, lined up before, he
was trying to play the back one. | 1:35:02 | 1:35:09 | |
I am with you, I would have been the
other way, I think. | 1:35:09 | 1:35:15 | |
I think it might be a safety. | 1:35:18 | 1:35:30 | |
Still in the frame. | 1:35:41 | 1:35:52 | |
He's obviously going to leave the
cue ball down this end of the table, | 1:36:37 | 1:36:42 | |
so could leave Graeme Dott an
opportunity if he doesn't make this | 1:36:42 | 1:36:45 | |
pot.
One of those funny situation. Two | 1:36:45 | 1:36:49 | |
reds he could look at here. Just
thinking about which one to take. | 1:36:49 | 1:36:54 | |
So, it is looking like this one down
the right-hand side. | 1:36:54 | 1:36:59 | |
Could easily play it and screw the
cue ball back into both. It makes | 1:36:59 | 1:37:05 | |
the pot harder, so decisions to be
made. | 1:37:05 | 1:37:16 | |
APPLAUSE | 1:37:33 | 1:37:33 | |
Pretty close. What you can guarantee
here is this red is coming off the | 1:37:34 | 1:37:39 | |
side cushion. If Graeme can line it
up with the green. It had to be | 1:37:39 | 1:37:47 | |
thicker than that, Graeme. He knew
straightaway when he hit it. | 1:37:47 | 1:37:54 | |
He hasn't done it and given Judd a
really good chance. OK, it is not a | 1:37:56 | 1:38:05 | |
sitter. | 1:38:05 | 1:38:06 | |
I just had a feeling that shot.
Graeme Dott has played two or three | 1:38:11 | 1:38:18 | |
safety shots. | 1:38:18 | 1:38:18 | |
Other times you play poor ones and
keep coming back to the table. | 1:38:27 | 1:38:32 | |
He's one good shot away, which he's
just played from a very good chance. | 1:38:32 | 1:38:40 | |
And this will hit Judd if he plays
up here. Make no mistake about that, | 1:38:40 | 1:38:45 | |
he should have won this frame. | 1:38:45 | 1:38:56 | |
Judd will be devastated if he loses
this frame. On the other side of the | 1:39:02 | 1:39:06 | |
coin Graeme doesn't take this
opportunity to pinch it, he will be | 1:39:06 | 1:39:11 | |
devastated. | 1:39:11 | 1:39:12 | |
If you are going to win these big
tournaments, it is winning the | 1:39:19 | 1:39:25 | |
frames you shouldn't win. They all
add up at the end of the week. That | 1:39:25 | 1:39:28 | |
is why people end up lifting
trophies. | 1:39:28 | 1:39:32 | |
Nicking games like this. It is so
nice if you are Graeme Dott. | 1:39:32 | 1:39:36 | |
Can he do it? | 1:39:36 | 1:39:40 | |
He can screw it for the blue. | 1:39:59 | 1:40:02 | |
Winning the frame by a point. And it
is there. | 1:40:04 | 1:40:13 | |
And this is a magnificent chance for
a clearance from nowhere. | 1:40:13 | 1:40:26 | |
He's been thrown a semi lifeline
because he's overscrewed the yellow. | 1:40:45 | 1:40:51 | |
He shouldn't have been anywhere
using a rest after that shot, but he | 1:40:51 | 1:40:54 | |
S got to be a little bit more
careful. May have to play this green | 1:40:54 | 1:40:58 | |
with a touch of side as well. | 1:40:58 | 1:41:09 | |
He played it beautifully to make
sure he was definitely on the brown. | 1:41:13 | 1:41:26 | |
Tremendous steal from Graeme Dott
and this will hurt Judd Trump. | 1:41:57 | 1:42:01 | |
Should be 3-2 in front, but now he's
3-2 behind. A clearance from Graeme | 1:42:01 | 1:42:07 | |
Dott. Once again the signs of that
gritty competitor he is. 62 points | 1:42:07 | 1:42:14 | |
to 61, he nicks it and he leads by
3-2. | 1:42:14 | 1:42:19 | |
STUDIO: Graeme has forged ahead
here. 3-2 against the world number | 1:42:23 | 1:42:28 | |
two and the top seed left in this
Er's championship. | 1:42:28 | 1:42:33 | |
This match was 2-2 at the interval.
It Another. A 56 from Maguire and | 1:42:41 | 1:42:54 | |
even Stephens at the break. This is
game five. On table four we've got | 1:42:54 | 1:43:03 | |
an interesting one. The 20-year-old,
in fact he only turned 20 last week, | 1:43:03 | 1:43:08 | |
a very talented young man, this.
Third season in the game. He was on | 1:43:08 | 1:43:12 | |
2-0 up at one point. Michael's come
back at him and he's on a break of | 1:43:12 | 1:43:17 | |
64 right now as they head towards
the interval. Could it be that the | 1:43:17 | 1:43:20 | |
youngster will take a 3-1 advantage
into the interval against the man | 1:43:20 | 1:43:26 | |
who was a runner up in this
championship, in Telford, in 2008? | 1:43:26 | 1:43:32 | |
So, intrigue and interest. | 1:43:32 | 1:43:33 | |
There are some great matches and we
are very much enjoying this comeback | 1:43:35 | 1:43:39 | |
from Graeme Dott so far. Yes. Never
would have predicted that would be | 1:43:39 | 1:43:44 | |
2-0 behind. Graeme looked like he
was struggling. A bit of table time | 1:43:44 | 1:43:48 | |
and perhaps all that confidence has
sort of flooded back into his body. | 1:43:48 | 1:43:52 | |
The old feelings of being out there
on the centre table and, as we said | 1:43:52 | 1:43:57 | |
before Graeme Dott is a proven
winner this that department. And the | 1:43:57 | 1:44:03 | |
old feelings, that is very well put.
The memories of good times and being | 1:44:03 | 1:44:07 | |
able to take on the world's best,
you don't lose the feeling, do you? | 1:44:07 | 1:44:11 | |
You never lose them. Graeme will be
loving it out there. He plays quick. | 1:44:11 | 1:44:17 | |
He can score heavy. But he loves a
dogfight as well. There's nothing | 1:44:17 | 1:44:21 | |
that will phase him out there. What
a good clearance that was. We were | 1:44:21 | 1:44:25 | |
sitting here when he potted the
first red with the rest, we thought, | 1:44:25 | 1:44:29 | |
job done here. He's going to finish
it and he did. Judd Trump is the | 1:44:29 | 1:44:35 | |
expected winner of this game,
against a player who is getting | 1:44:35 | 1:44:39 | |
older and not doing so well
recently. You have to fight against | 1:44:39 | 1:44:43 | |
those expectations and play the game
as it is. It is not easy to | 1:44:43 | 1:44:47 | |
sometimes think, I should beat this
guy. For Dott, the tail is up - he's | 1:44:47 | 1:44:54 | |
ahead. | 1:44:54 | 1:44:58 | |
THE COMMENTATOR: It was a massive
frame for Graeme Dott. A big frame | 1:45:00 | 1:45:07 | |
for Judd. Doesn't want to go behind
to Graeme Dott. And that will help. | 1:45:07 | 1:45:12 | |
Excellent opening pot. | 1:45:12 | 1:45:18 | |
Once again he's got one of these
little cut backs on the black and | 1:45:56 | 1:46:00 | |
the two he's taken on so far this
afternoon, he's missed both and they | 1:46:00 | 1:46:05 | |
have both been to the near jaw.
That one didn't miss. What a shot | 1:46:05 | 1:46:13 | |
that was. | 1:46:13 | 1:46:17 | |
A great shot. Very good shot. So
aggressive. As you say John, missed | 1:46:19 | 1:46:27 | |
twice and by a mile.
You wouldn't have thought so the way | 1:46:27 | 1:46:30 | |
he played that. The only downside
there, he's left himself on a red in | 1:46:30 | 1:46:35 | |
the centre. The black doesn't go
into the right-hand top corner | 1:46:35 | 1:46:39 | |
pocket, so position's awkward. May
have to take the one at the back and | 1:46:39 | 1:46:43 | |
power through this. Needs a bit of
luck to land on one. | 1:46:43 | 1:46:48 | |
Which he hasn't.
Didn't look like he had to hit it | 1:46:48 | 1:46:53 | |
that hard.
As long as he got the top spin on | 1:46:53 | 1:46:57 | |
it. Thought the cue ball was going
to keep going. | 1:46:57 | 1:47:03 | |
It was a magnificent chance to go
3-3, but now it will be a lot of | 1:47:14 | 1:47:21 | |
hard work. | 1:47:21 | 1:47:31 | |
Don't know how Dott's nerves are,
but if he could leave the cue ball | 1:47:38 | 1:47:43 | |
down in the jaws of the yellow
pocket, that is one shot. I'm not | 1:47:43 | 1:47:47 | |
sure he'll fancy that at the moment.
It is one of those if you are forced | 1:47:47 | 1:47:51 | |
into it, you may play into it, but
at the moment you may not think it | 1:47:51 | 1:47:55 | |
is the percentage. Don't blame him. | 1:47:55 | 1:48:02 | |
He has got one.
Looking at the shot you mentioned, | 1:48:10 | 1:48:15 | |
John. | 1:48:15 | 1:48:25 | |
It isn't where he wanted it. Good
luck with this one. This is a proper | 1:48:29 | 1:48:33 | |
test. | 1:48:33 | 1:48:36 | |
Blue to left middle.
All I'll say is if he knocks it in, | 1:48:38 | 1:48:44 | |
he'll deserve everything he gets
from it. This is really tough. | 1:48:44 | 1:48:52 | |
May play with pace black-to-left
middle. Dropping it in dead weight | 1:48:52 | 1:48:58 | |
is horrible.
Wasn't easy. Didn't really make a | 1:48:58 | 1:49:04 | |
good effort at it.
The only thing you can say about it | 1:49:04 | 1:49:08 | |
is he's hit it so poorly he's made
it a little bit more awkward for | 1:49:08 | 1:49:12 | |
Judd. They are horrible shots. We
mentioned it before he played it. He | 1:49:12 | 1:49:17 | |
can quite possibly miss those.
So you would fancy Judd Trump to get | 1:49:17 | 1:49:23 | |
this clip in the middle. It's not a
certainty. There you go. It wasn't. | 1:49:23 | 1:49:27 | |
Once again, the shot that Graeme
Dott hasn't played well will pay | 1:49:27 | 1:49:32 | |
dividends because he's back in
again. It is a strange game at | 1:49:32 | 1:49:35 | |
times. | 1:49:35 | 1:49:38 | |
What a chance. | 1:49:42 | 1:49:44 | |
Judd went back to his seat
absolutely furious. | 1:49:47 | 1:49:58 | |
Judd Trump is in a dogfight now. How
much does he want it? | 1:50:04 | 1:50:11 | |
The top seed in this tournament now. | 1:50:13 | 1:50:24 | |
Not been out here in the main
auditorium in the last years or so. | 1:50:26 | 1:50:31 | |
We know he's got great experience
but you have to keep on doing it out | 1:50:31 | 1:50:35 | |
there. He's not really been in this
situation for a while. | 1:50:35 | 1:50:44 | |
Have every faith, but sometimes you
have to show it. Sometimes you can | 1:50:44 | 1:50:46 | |
get excited be I the fact your
opponent is missing a few. | 1:50:46 | 1:50:51 | |
He's got to keep himself together.
He's got to do what he's good at. | 1:50:51 | 1:51:06 | |
Getting a little bit straight on
this black. | 1:51:50 | 1:51:53 | |
Can't really screw back. He had a
look at just coming back a couple of | 1:51:53 | 1:52:06 | |
inches. Making that shot a
difficult. It's all he could do. So | 1:52:06 | 1:52:13 | |
he's tried to hold the spot, so he
hasn't got a problem with the cue in | 1:52:13 | 1:52:18 | |
and if he can drop this red in the
middle, well, the blacks available. | 1:52:18 | 1:52:25 | |
This is the most important shot on
this break because if he gets it in, | 1:52:25 | 1:52:30 | |
he's got a wonderful chance to win
the frame. | 1:52:30 | 1:52:36 | |
Well cued. That was excellent. That
was. | 1:52:37 | 1:52:42 | |
He had half a pocket to aim at
there. | 1:52:42 | 1:52:46 | |
His bottle is still in tact. | 1:52:49 | 1:53:06 | |
Coming out against a fancied player. | 1:53:11 | 1:53:22 | |
Got to be a little bit careful with
this. See the players go around and | 1:53:44 | 1:53:50 | |
have a little look and see the
angle. | 1:53:50 | 1:53:57 | |
Slightly more difficult
position-wise in a minute. | 1:54:17 | 1:54:20 | |
A couple of red colours away from
taking a 4-2 lead. | 1:54:34 | 1:54:45 | |
This break has been excellent. Very
good indeed. 94% pot success rate is | 1:54:45 | 1:54:53 | |
top class. He's come straight on the
black again, or just offstraight. | 1:54:53 | 1:55:02 | |
Not on the ideal angle. | 1:55:02 | 1:55:08 | |
Been excellent with the rest so far
this afternoon. | 1:55:31 | 1:55:43 | |
Usually stick it up, which is what
he's done here. | 1:55:57 | 1:56:06 | |
This This is on the black, of sorts.
The problem, he was desperate to get | 1:56:20 | 1:56:27 | |
a ball off the cushion. Imperative
to land on a colour because he needs | 1:56:27 | 1:56:32 | |
the points.
Another black off the spot missed. | 1:56:32 | 1:56:37 | |
I think he's probably missed more of
those this afternoon than he has all | 1:56:37 | 1:56:40 | |
season. | 1:56:40 | 1:56:49 | |
Four frames in a row for Graeme
Dott. | 1:56:55 | 1:57:07 | |
APPLAUSE | 1:57:13 | 1:57:15 | |
Graeme Dott, four frames to two.
Only looks like one winner at the | 1:57:21 | 1:57:25 | |
minute, that is Graeme Dott. Looks
like he's got the bit between his | 1:57:25 | 1:57:30 | |
teeth. Ironically he's played a
couple of poor shots and ended in | 1:57:30 | 1:57:35 | |
getting in off them. His opponent
has had one or two tricky shots. One | 1:57:35 | 1:57:41 | |
in particular, where you questioned
the way he played this. If I have | 1:57:41 | 1:57:46 | |
got a criticism of Judd Trump and
his cue ball control, he overhits a | 1:57:46 | 1:57:50 | |
lot of shots. This one, you can see
the shape of the pack. You think, as | 1:57:50 | 1:57:54 | |
long as he hits it nicely, does
haven't to hit this as hard. I know | 1:57:54 | 1:58:00 | |
he's scared of leaving the cue ball
right to the cushion but imperative | 1:58:00 | 1:58:05 | |
leaving your pot on the black. Hits
it very hard and you can see just | 1:58:05 | 1:58:09 | |
lands nowhere. He had quite a big
margin for error. It wasn't like it | 1:58:09 | 1:58:13 | |
was just travelling. It was going to
go across the table and back. A | 1:58:13 | 1:58:19 | |
slight mis-judgment there. Looks out
of sorts at the moment. Body | 1:58:19 | 1:58:23 | |
language is not good. When he's
missing, he's looking under pressure | 1:58:23 | 1:58:27 | |
now. He is under pressure, no doubt
about it. If we thought the last | 1:58:27 | 1:58:32 | |
frame was big, this is huge. | 1:58:32 | 1:58:36 | |
We have seen Graeme today. He's been
very fluent in scoring, but has the | 1:59:36 | 1:59:41 | |
luxury of being 4-2 ahead. If he
wants to have a scrapie frame, he | 1:59:41 | 1:59:45 | |
can have one. It is not him playing
catch up. At the moment he's in the | 1:59:45 | 1:59:49 | |
driving seat. He won't mind which
way this match goes, Judd is | 1:59:49 | 1:59:54 | |
desperate to get in and score
heavily. From Graeme's point of | 1:59:54 | 1:59:58 | |
view, he can play how he sees it. | 1:59:58 | 2:00:04 | |
The big questions are being asked of
Judd Trump now. | 2:00:24 | 2:00:27 | |
When you hit it well, you tend to
get a bit of luck and that was a | 2:00:42 | 2:00:47 | |
lovely little kiss but fantastic
opening pot. There were couple of | 2:00:47 | 2:00:51 | |
reds available for Graeme, who won
at the back of the pack certainly | 2:00:51 | 2:00:55 | |
goes and at the middle. If you leave
it low, you can pot this and leave | 2:00:55 | 2:01:01 | |
some reds into play. Looks good. | 2:01:01 | 2:01:04 | |
That was a lovely shot, really well
played. Nice and controlled, who | 2:01:14 | 2:01:20 | |
come any reds came into play there.
-- look how many reds came into | 2:01:20 | 2:01:26 | |
play. It was almost stunning the cue
ball into the pack. You have to keep | 2:01:26 | 2:01:39 | |
the excitement in check, remain in
the moment. | 2:01:39 | 2:01:41 | |
It's not been that he has been in
the big stage that often in recent | 2:01:46 | 2:01:53 | |
times. He is one of the premier
players, Judd Trump. The composure | 2:01:53 | 2:01:58 | |
is there. At the moment. The way he
has been playing the balls, you'd | 2:01:58 | 2:02:05 | |
expect this to be 5-2 now. | 2:02:05 | 2:02:08 | |
If he is not on a red there... He
has got one back into the corner. He | 2:02:37 | 2:02:45 | |
would love to be on something
easier. But his positional play out | 2:02:45 | 2:02:55 | |
of kilter. You wouldn't expect him
to get this but you've got a plan | 2:02:55 | 2:03:03 | |
and it has to change, sometimes you
can miss. But not now. | 2:03:03 | 2:03:09 | |
Well played as well. Nice touch. | 2:03:41 | 2:03:43 | |
He's looking good, he really is.
Best I've seen him play for a good | 2:03:54 | 2:03:58 | |
while. | 2:03:58 | 2:03:59 | |
Everything is going in the middle of
the pocket now, we mentioned earlier | 2:04:06 | 2:04:09 | |
on in the match, one or two wobbly
shots and it's nice and clean now. | 2:04:09 | 2:04:16 | |
He's working walking around the
table like he's very confident. | 2:04:16 | 2:04:22 | |
Just a little bit low there. Thought
the way they played it, he was on | 2:04:37 | 2:04:42 | |
the bottom red. That's the one he
played on, the one just below the | 2:04:42 | 2:04:49 | |
pink. Obviously it's still pots, but
the position is more difficult. | 2:04:49 | 2:04:57 | |
Another great shot. | 2:05:09 | 2:05:13 | |
Eventually got round onto that red. | 2:05:23 | 2:05:26 | |
He keeps on finishing awkwardly on
the colours and reds but he keeps on | 2:05:55 | 2:05:58 | |
potting balls. Just sheer
determination. Yes, 63 ahead, 75 | 2:05:58 | 2:06:05 | |
left. And this is probably going to
be the important shot. He needs to | 2:06:05 | 2:06:11 | |
get a good cannon to get on a
colour. Well played. Hit that | 2:06:11 | 2:06:17 | |
lovely. And this is definitely frame
ball, if this goes in. | 2:06:17 | 2:06:24 | |
Has been a very great effort. | 2:06:34 | 2:06:40 | |
Surely from this position you will
see the first entry of this match. | 2:06:45 | 2:06:53 | |
Oh! What a shot. And Judd Trump
remained in his chair. Another one | 2:06:53 | 2:07:01 | |
for Graeme notched to extend his
lead, he needs just one more to be | 2:07:01 | 2:07:05 | |
top seed in this tournament. You can
guarantee he won't be taking | 2:07:05 | 2:07:12 | |
anything for granted because he was
53 against manic Dale and suddenly | 2:07:12 | 2:07:16 | |
found himself in a final frame --
5-3 against Dominic Dale and that | 2:07:16 | 2:07:22 | |
itself in a final frame decider. But
not | 2:07:22 | 2:07:24 | |
itself in a final frame decider. But
not showing huge amount. We talked | 2:07:24 | 2:07:27 | |
about his fighting quality, he has
fought his way into the match, | 2:07:27 | 2:07:32 | |
Graeme, and taken complete control.
We have seen Judd sitting down for | 2:07:32 | 2:07:37 | |
the majority of the five frames. We
are beginning to see the body | 2:07:37 | 2:07:42 | |
language from Judd who was looking
more uncomfortable. Other than the | 2:07:42 | 2:07:45 | |
chair is getting more comfortable
because he's spending too much time | 2:07:45 | 2:07:49 | |
in it. You cannot give him, it's not
his full pieces happened, you have | 2:07:49 | 2:07:53 | |
got to say from Graeme Dott's
perspective, every credit what he's | 2:07:53 | 2:07:55 | |
done. The only thing that I can
criticise is that he has been to the | 2:07:55 | 2:08:03 | |
toilet twice, and he used to
criticise me for going all the time. | 2:08:03 | 2:08:06 | |
You went after everything. He has
obviously learned from me. New | 2:08:06 | 2:08:13 | |
feature, toilet talk! What would you
change from a gritty perspective? -- | 2:08:13 | 2:08:19 | |
from Judd's perspective? When you're
on the point of departure, we have | 2:08:19 | 2:08:22 | |
seen him come back often from here
but that he looked like he's in | 2:08:22 | 2:08:26 | |
stroke to do so today? I think he is
physically in stroke but I'll be | 2:08:26 | 2:08:31 | |
honest, if I was Judd's mate, I
would get him someone in his corner | 2:08:31 | 2:08:35 | |
who really knows this game, and
knows what it is like to be out | 2:08:35 | 2:08:42 | |
there. At times like this, you were
2-0 up and bossing it and all of a | 2:08:42 | 2:08:48 | |
sudden, you are staring at the other
table, watching the other match, | 2:08:48 | 2:08:52 | |
that's not good body language.
You've got to be on it every second | 2:08:52 | 2:08:55 | |
you're out there and he's not. I
think mentally, he can improve. | 2:08:55 | 2:08:59 | |
Pretend you're his mate, what would
you say? Get focused and get his | 2:08:59 | 2:09:03 | |
mind on the job and be up for the
fight. He's going out to play Dott | 2:09:03 | 2:09:10 | |
today, he knows what Graeme brings
to the table, and Graeme isn't | 2:09:10 | 2:09:15 | |
afraid of him. People are not going
to go out there and play against | 2:09:15 | 2:09:20 | |
Judd, rollover and have your belly
tickled, he will be to 6-1 and we go | 2:09:20 | 2:09:25 | |
home, it doesn't work that way. You
know you are into a fight before you | 2:09:25 | 2:09:31 | |
turn up. In these modern day games,
players have to perform all the | 2:09:31 | 2:09:38 | |
time. He got off to a fantastic
start, Judd. Sometimes, you can't do | 2:09:38 | 2:09:42 | |
much about another guy playing well
against you. It's very hard to keep | 2:09:42 | 2:09:46 | |
a good man down like Graeme Dott.
One or two shots we were talking | 2:09:46 | 2:09:50 | |
earlier about, occasionally as Alan
made the | 2:09:50 | 2:09:56 | |
earlier about, occasionally as Alan
made the point to me, sometimes Judd | 2:09:56 | 2:09:57 | |
doesn't make it hard enough for his
opponent. Perhaps John Higgins food | 2:09:57 | 2:10:03 | |
make you work harder for your
opportunities. Judd plays an open | 2:10:03 | 2:10:09 | |
game. Let's go back, they could be
on the point of yet another shot in | 2:10:09 | 2:10:15 | |
the tournament. | 2:10:15 | 2:10:16 | |
Interesting stuff as ever. What he
cannot afford to do business. The | 2:10:19 | 2:10:24 | |
scoreline is 5-2 because Graeme has
played very well. -- he cannot | 2:10:24 | 2:10:30 | |
afford to miss. Graeme has been back
at the table straightaway when Judd | 2:10:30 | 2:10:36 | |
has played poor shots. He has got
severely punished but ultimately, it | 2:10:36 | 2:10:44 | |
was him who missed. | 2:10:44 | 2:10:46 | |
That fifth frame is looking more and
more like the turning point in this | 2:10:55 | 2:10:58 | |
match. Judd had a couple of chances
at it, to go up himself. But since | 2:10:58 | 2:11:06 | |
then, to be frank, he has folded a
bit. Imagine if you put a player | 2:11:06 | 2:11:12 | |
with Judd's talent and Graeme Dott's
fighting ability together, he would | 2:11:12 | 2:11:21 | |
be unbeatable. I would not fancy
playing them. | 2:11:21 | 2:11:24 | |
There is nothing like confidence.
Starting to knock in everything now, | 2:11:38 | 2:11:44 | |
Graeme, playing the standard that he
was playing when he was reaching | 2:11:44 | 2:11:46 | |
world finals. | 2:11:46 | 2:11:47 | |
This is something else you get. He
is a great match player on top of | 2:11:51 | 2:11:57 | |
being a very good and fluent scorer.
When he is at his best, he's a much | 2:11:57 | 2:12:02 | |
for everybody. This is what Judd is
finding out this afternoon. | 2:12:02 | 2:12:05 | |
Great percentage, that is, what
success, 93. Very high pot success. | 2:12:13 | 2:12:23 | |
One thing I agree with, Alan
McManus, his body language is not | 2:12:27 | 2:12:32 | |
inspiring much confidence that he
will come back into this match. He | 2:12:32 | 2:12:37 | |
may prove me wrong and everyone
wrong but at the moment I don't see | 2:12:37 | 2:12:40 | |
it.
Foulness macro. | 2:12:40 | 2:12:44 | |
Very tight into the centre pocket.
He has decided he doesn't fancy | 2:12:59 | 2:13:06 | |
that. | 2:13:06 | 2:13:08 | |
Wow, that is the ultimate mistake.
You hit the black, chipped it in the | 2:13:41 | 2:13:47 | |
pocket, put it back on the spot and
leave Graeme with a simple red. | 2:13:47 | 2:13:53 | |
Could not be any worse if you tried. | 2:13:53 | 2:14:04 | |
He has finished straight on blacks a
few times today, Graeme Dott. He has | 2:14:10 | 2:14:15 | |
not been stopping them, he keeps
finding position and keeps going on. | 2:14:15 | 2:14:21 | |
That shot Judd just played there,
goodness me. I bet he can't believe | 2:14:21 | 2:14:25 | |
the way that turned out. Once again,
Graeme has just slightly lost the | 2:14:25 | 2:14:33 | |
cue ball, a little bit too hard.
Does not want to play a cannon into | 2:14:33 | 2:14:37 | |
the two reds above the black. If he
had kept the cue ball mice and | 2:14:37 | 2:14:43 | |
tight, he wouldn't have to. If he
plays a screw shot into the first | 2:14:43 | 2:14:50 | |
red, he can leave the second one
into the right corner. He is playing | 2:14:50 | 2:14:53 | |
top spin. | 2:14:53 | 2:14:55 | |
Clever little shot, the way he
played it. You has gone up the | 2:15:00 | 2:15:04 | |
table, chart of the one up the
table. -- he has gone up the table, | 2:15:04 | 2:15:10 | |
chance for the one up the table. | 2:15:10 | 2:15:12 | |
Mentioned the shot that Judd played
there, unbelievable how that | 2:15:36 | 2:15:43 | |
happened. A bad shot, should not be
going anywhere near the black, not | 2:15:43 | 2:15:47 | |
only does he pot it, put it back on
the spot and then leaves the red. | 2:15:47 | 2:15:55 | |
Goodness me, when it's not your
day... | 2:15:55 | 2:15:58 | |
That was an excellent shot.
Stumbling through, just a bit of | 2:16:08 | 2:16:14 | |
side to hold it up. | 2:16:14 | 2:16:18 | |
Very good at those types of shots,
slightly awkward. He just keeps | 2:16:19 | 2:16:25 | |
knocking them in and keeping them
going. Wants to get a 76 to get over | 2:16:25 | 2:16:33 | |
the line in this frame. Let's see
which way he goes about this. The | 2:16:33 | 2:16:39 | |
red at the top of the eight pack
does pot so you want to play for | 2:16:39 | 2:16:44 | |
blue instead of pink. Just needs the
cue ball to run a bit. He has got it | 2:16:44 | 2:16:51 | |
so he will play that read, leave it
short so he can pot it and bring the | 2:16:51 | 2:17:01 | |
other reds into play. | 2:17:01 | 2:17:03 | |
He's run a little bit further than
he may have liked. | 2:17:11 | 2:17:16 | |
Just to force another read out. | 2:17:28 | 2:17:30 | |
Again, not dead straight but
finished, not with a natural angle | 2:17:34 | 2:17:42 | |
to play for the red to left corner. | 2:17:42 | 2:17:48 | |
Another excellent shot there. One
more required here. Just come out | 2:17:58 | 2:18:06 | |
back for another colour. Has been a
superb break. It's the circumstances | 2:18:06 | 2:18:11 | |
that make this very good. We have
mentioned he has not been in the | 2:18:11 | 2:18:15 | |
main arena for a while, for a couple
of seasons it hasn't been brilliant. | 2:18:15 | 2:18:20 | |
But to produce this on a big stage,
against the top seed in the | 2:18:20 | 2:18:25 | |
tournament, this has been absolutely
superb from Graeme Dott. And on this | 2:18:25 | 2:18:30 | |
form, he'll take some beating. | 2:18:30 | 2:18:32 | |
They just have an angle here to
flick into the pack, bring another | 2:18:43 | 2:18:46 | |
one into play. There it is again,
this has been excellent. A couple of | 2:18:46 | 2:18:54 | |
shots ago, he flicked the pack and
one came out, he has done it again | 2:18:54 | 2:18:58 | |
there, perfect position. What a
break this has been. Fantastic | 2:18:58 | 2:19:05 | |
performance. Just virtually frozen
his opponent out. Trump has scored | 2:19:05 | 2:19:18 | |
something like 85 point since he
went 2-0 up. After all that | 2:19:18 | 2:19:26 | |
wonderful play, just knock this
black in and that's all that's | 2:19:26 | 2:19:32 | |
required. Didn't get the cannon but
he will not be worried about that, | 2:19:32 | 2:19:41 | |
79 ahead. Judd won't concede that 67
remaining, I don't think. | 2:19:41 | 2:19:49 | |
Disappointing for him. Out of the UK
championship. He is conceding, he's | 2:19:55 | 2:19:59 | |
had enough. So here comes the
handshake. You can see has conceded, | 2:19:59 | 2:20:13 | |
Graeme Dott one six frames in a row,
he beats the top seed six frames to | 2:20:13 | 2:20:21 | |
two. | 2:20:21 | 2:20:22 | |
he beats the top seed six frames to
two. | 2:20:22 | 2:20:25 | |
A dramatic finish in the end, from
2-0 down, with a break of 86 in | 2:20:25 | 2:20:30 | |
frame three, Graeme Dott pushed in
winning six in a row to dispose of | 2:20:30 | 2:20:34 | |
the number two in the world, which
means that this championship has now | 2:20:34 | 2:20:43 | |
lost 11, Mark Selby, number two Judd
Trump and number three, Ding Junhui. | 2:20:43 | 2:20:47 | |
Can you sum up the achievement? It a
massive win for him, I know him | 2:20:47 | 2:20:54 | |
well, I think it's been on the
cards. I know how hard he has been | 2:20:54 | 2:20:57 | |
working on his game, I know how well
he's been playing and this kind of | 2:20:57 | 2:21:01 | |
result has been simmering on the
surface. I'm delighted for him, it | 2:21:01 | 2:21:07 | |
was a brilliant performance. From
2-0 down, I think that third frame, | 2:21:07 | 2:21:12 | |
we just saw him starting to warm up
and here he comes, warmed up now and | 2:21:12 | 2:21:16 | |
into the next round,
congratulations. A brilliant | 2:21:16 | 2:21:19 | |
victory, from 2-0 down, you went out
of the arena, what are you telling | 2:21:19 | 2:21:23 | |
yourself? Beat him 6-0! I actually
felt quite nervous at the start. He | 2:21:23 | 2:21:29 | |
had a really good chance in the
third frame, my good chance to | 2:21:29 | 2:21:34 | |
settle down, I took the black off
the spot. It just went in. It was | 2:21:34 | 2:21:40 | |
just such an easy shot, if I missed
that, it could have been a | 2:21:40 | 2:21:45 | |
nightmare. Settle down eventually.
In the scheme of things, it's just | 2:21:45 | 2:21:50 | |
one more win along the way, but from
the point of view of getting your | 2:21:50 | 2:21:57 | |
morale up, trying to prove that
you're winning, it's a great boost, | 2:21:57 | 2:22:01 | |
to get a performance like that on
the TV table, it must be marvellous. | 2:22:01 | 2:22:05 | |
It was great to be back on TV, it
feels so much better than playing in | 2:22:05 | 2:22:11 | |
the back. I know Graeme really well
as we know, but Graeme is saying | 2:22:11 | 2:22:15 | |
it's so much better out there. It's
also so much easier for someone like | 2:22:15 | 2:22:19 | |
you. I think it is. You play a
safety shot and you get the white | 2:22:19 | 2:22:24 | |
where you expected to go, and you
when you play on the outside tables, | 2:22:24 | 2:22:28 | |
it's not the same. We have all been
in the same situation, away from the | 2:22:28 | 2:22:32 | |
sharp end of the game and away from
the TV tables, it's easy to forget | 2:22:32 | 2:22:37 | |
when you have got your chance you
grasp it. It's like a water feature | 2:22:37 | 2:22:44 | |
final. I have been playing well,
it's the best I have played with the | 2:22:44 | 2:22:51 | |
last few years. I have been working
hard on my game. I'm getting the | 2:22:51 | 2:22:54 | |
rewards now. We were talking about
that, you have had a disappointing | 2:22:54 | 2:23:01 | |
season last season, you didn't get
through the qualifiers, you took | 2:23:01 | 2:23:04 | |
another scalp at the Crucible. What
did you work on over the summer and | 2:23:04 | 2:23:07 | |
what has made a difference? I think
I was getting disillusioned with the | 2:23:07 | 2:23:13 | |
game. I can't complain that I am
honoured outside table because my | 2:23:13 | 2:23:17 | |
raking leaves and should be out
there. It's hard to get motivated -- | 2:23:17 | 2:23:21 | |
might ranking means I should be out
there. It's hard to get motivated | 2:23:21 | 2:23:26 | |
when no one is watching. Then I just
wasn't practising, not doing | 2:23:26 | 2:23:30 | |
anything at all. When I went to see
Chris, it gave me something else to | 2:23:30 | 2:23:34 | |
try, different weight to play and it
gave me something back. I was | 2:23:34 | 2:23:38 | |
speaking about it, you played
basically the cue ball for a week, | 2:23:38 | 2:23:42 | |
trying to find the middle of the
white and being able to hit it, | 2:23:42 | 2:23:45 | |
where are you with that? Still
nowhere near it, probably! Is this | 2:23:45 | 2:23:51 | |
true, you had one white ball for a
week and you just hit it up and down | 2:23:51 | 2:23:56 | |
the spots for the? A little bit,
maybe a little bit more. You have | 2:23:56 | 2:24:05 | |
less life than I do, you're trying
to take over my nickname! Very | 2:24:05 | 2:24:11 | |
rarely do I use the playing balls.
It's nice to know what the centre | 2:24:11 | 2:24:17 | |
is. As Chris would say, I was
completely uncoordinated before I | 2:24:17 | 2:24:23 | |
saw him and now I'm feeling better.
And now you're into the last 16, | 2:24:23 | 2:24:27 | |
first time for three years. When you
look at this progress in the UK | 2:24:27 | 2:24:35 | |
championship, it has been the
weakest of all the majors. Is there | 2:24:35 | 2:24:39 | |
a reason for that, is it to
something that he failed to get to | 2:24:39 | 2:24:41 | |
grips with? I think I got one is to
the semis and Stephen Hendry beat | 2:24:41 | 2:24:47 | |
me. I just never have got on with
it, I just would rather every | 2:24:47 | 2:24:57 | |
tournament was at the Crucible. So
it's looking like it's going to be | 2:24:57 | 2:25:03 | |
Stephen Maguire or Liang Wenbo, how
you looking at that? It's nice to | 2:25:03 | 2:25:09 | |
finish a match like that, it gives
you confidence. They are both | 2:25:09 | 2:25:14 | |
fantastic players. Thank you very
much, good luck for the next round. | 2:25:14 | 2:25:20 | |
Let's have a quick look to see how
your prospective opponents are | 2:25:20 | 2:25:25 | |
doing, this is the situation on
table three, Liang Wenbo who made | 2:25:25 | 2:25:30 | |
the final couple of | 2:25:30 | 2:25:35 | |
table three, Liang Wenbo who made
the final couple of years ago, | 2:25:35 | 2:25:38 | |
against Stephen Maguire, it is three
frames apiece. Maguire is on break | 2:25:38 | 2:25:42 | |
of 29, so that could go all the way.
A very close and enjoyable contest | 2:25:42 | 2:25:46 | |
from what I'm hearing. And table
four, Lyu Haotian against Marco Fu, | 2:25:46 | 2:25:57 | |
it's now 3-2, so Marco is coming
back at him. This is all going very | 2:25:57 | 2:26:04 | |
intriguingly in these matters. A
straightforward victory though for | 2:26:04 | 2:26:09 | |
Graeme Dott over the world number
two. | 2:26:09 | 2:26:14 | |
The other much we have been watching | 2:26:14 | 2:26:18 | |
two.
The other much we have been watching | 2:26:18 | 2:26:18 | |
features the all Wales confrontation
between Ryan Day and Mark Williams. | 2:26:18 | 2:26:24 | |
A very distinguished career in
snooker for the player, four finals, | 2:26:24 | 2:26:32 | |
and he is in the race for the
Masters. He is in the 16th | 2:26:32 | 2:26:38 | |
qualifying position for Alexandra
Palace. | 2:26:38 | 2:26:40 | |
qualifying position for Alexandra
Palace. This is not just about what | 2:26:40 | 2:26:44 | |
happens here in York, it is about
what is going to be the last couple | 2:26:44 | 2:26:49 | |
of spots in the Masters. Ryan is in
the last olivine position, Neil | 2:26:49 | 2:26:55 | |
Robertson is hot on his heels.
Stephen Maguire is not out of this, | 2:26:55 | 2:27:00 | |
if you can go deep into the
tournament, he could into action by | 2:27:00 | 2:27:02 | |
the Masters is concerned. | 2:27:02 | 2:27:08 | |
tournament, he could into action by
the Masters is concerned. It's an | 2:27:08 | 2:27:10 | |
intriguing position, you both won
the Masters, Neil Robertson has got | 2:27:10 | 2:27:14 | |
a lot of pressure to try and make
sure he's there. He has, and it's | 2:27:14 | 2:27:19 | |
been quite a long road back for Neil
Robertson in terms of winning big | 2:27:19 | 2:27:23 | |
events. I don't know if I'm right in
saying he was the last one aside | 2:27:23 | 2:27:28 | |
from Mark Selby who won this couple
of years ago. He's back playing the | 2:27:28 | 2:27:33 | |
way we know he can and that's the
most important thing. Whether or not | 2:27:33 | 2:27:36 | |
he gets in the Masters for me, I
think I have been watching him | 2:27:36 | 2:27:40 | |
closely over the last few months and
he's almost there. Ryan Day, a word | 2:27:40 | 2:27:45 | |
about him because after that
conversation about the best player | 2:27:45 | 2:27:47 | |
never to win a world ranking title,
on one hand, it's flattering to be | 2:27:47 | 2:27:54 | |
in that conversation but it's also
very frustrating and he was the last | 2:27:54 | 2:27:58 | |
one that we had been talking about
and he's done it at long last. And I | 2:27:58 | 2:28:01 | |
think everyone in the game is
pleased that he has done it because | 2:28:01 | 2:28:04 | |
he is a lovely guy and a great
player. It shows that players can | 2:28:04 | 2:28:07 | |
mature at different times in your
career and learning ring craft does | 2:28:07 | 2:28:12 | |
not come as easily as it does to
others. He has got all the pieces of | 2:28:12 | 2:28:19 | |
the jigsaw together now. The race to
the Masters, it's fascinating how | 2:28:19 | 2:28:23 | |
many great players who are involved
which may not get in. The Masters | 2:28:23 | 2:28:28 | |
many years ago, without being
disrespectful, 12 people and then | 2:28:28 | 2:28:33 | |
some made up the numbers.
Invitational in the actual sense. | 2:28:33 | 2:28:39 | |
Perhaps not quite as strong. Now all
that all of a sudden there is the | 2:28:39 | 2:28:43 | |
possibility of absolutely great
players who have been world | 2:28:43 | 2:28:47 | |
champions and they would be in the
Masters because they have not been | 2:28:47 | 2:28:50 | |
on the leaderboard enough. We shall
see, because it's certainly a | 2:28:50 | 2:28:56 | |
subplot here at York. Ryan Day is
definitely in that. Having been in a | 2:28:56 | 2:29:01 | |
four major finals, he finally got
over the line in Riga and it has had | 2:29:01 | 2:29:06 | |
all of his fellow pros talking. | 2:29:06 | 2:29:08 | |
So so, there you are, the snooker
nearly man, bashing your head | 2:29:15 | 2:29:18 | |
against the wall to win an event,
getting to some finals and never | 2:29:18 | 2:29:21 | |
getting there. You finally win an
event and then your favourite cue | 2:29:21 | 2:29:25 | |
breaks. A bit upsetting, really?
Yeah and you know, we've had | 2:29:25 | 2:29:31 | |
problems with cues travelling around
over the years, on a flight, getting | 2:29:31 | 2:29:42 | |
broke, but this was with someone in
the trade and it is broken halfway | 2:29:42 | 2:29:50 | |
through, I wouldn't be very happy.
It's testament to his skill that | 2:29:50 | 2:29:55 | |
he's found a replacement and pushed
on because a great player and | 2:29:55 | 2:29:59 | |
definitely more in the tank. It can
take a long time when something like | 2:29:59 | 2:30:04 | |
that happens, getting used to a new
cue. Especially under pressure. You | 2:30:04 | 2:30:09 | |
can feel OK in practice. You go back
to your habits. Yes, you're OK in | 2:30:09 | 2:30:17 | |
practice, but under pressure, the
cue is throwing off differently. If | 2:30:17 | 2:30:20 | |
it does that, you're going to miss.
It's about timing and distance, if | 2:30:20 | 2:30:26 | |
you're using side is going to be
very tough for him. But not | 2:30:26 | 2:30:29 | |
impossible. Not impossible and he is
supremely talented, a very gifted | 2:30:29 | 2:30:36 | |
player and at times, he gets so much
spin. You feel he needs to go up in | 2:30:36 | 2:30:45 | |
size almost because he gets so much
because he's overscrewing things | 2:30:45 | 2:30:50 | |
even when he doesn't mean to. The
other thing in the past is not | 2:30:50 | 2:30:54 | |
knowing perhaps when there's a bit
of danger in a frame and tactically | 2:30:54 | 2:30:57 | |
not playing the right shot but I
think he's come to terms with that. | 2:30:57 | 2:31:02 | |
I'm not sure, a bit like myself,
that criticism is levelled at us in | 2:31:02 | 2:31:07 | |
terms of not playing safe, not
knowing how to play and I don't | 2:31:07 | 2:31:11 | |
think it's true. I don't think you
achieve what he's achieved, and | 2:31:11 | 2:31:15 | |
other players as well, without
having that string to your bow. I | 2:31:15 | 2:31:19 | |
think he might just get them wrong.
Everyone has strengths and | 2:31:19 | 2:31:24 | |
weaknesses. He wouldn't be as strong
in that area of the game as he is in | 2:31:24 | 2:31:30 | |
scoring and break-building and he
isn't as strong as other players in | 2:31:30 | 2:31:34 | |
other areas but others don't have
the ability he has. I think it's a | 2:31:34 | 2:31:39 | |
matter, not if, but when he'll win
again and I think he's an | 2:31:39 | 2:31:45 | |
exceptionally dangerous player on
his day and I guess the question is, | 2:31:45 | 2:31:48 | |
when it's not your day, you still
got to find a way to win and maybe | 2:31:48 | 2:31:52 | |
that's something he should look at. | 2:31:52 | 2:31:56 | |
So, will he find a way to win here?
When The Last Leg the match it was | 2:31:58 | 2:32:04 | |
1-1. Mark Williams took the third to
go ahead on 2-1. Williams, 33-0 up, | 2:32:04 | 2:32:12 | |
back to | 2:32:12 | 2:32:12 | |
go ahead on 2-1. Williams, 33-0 up,
back to Ken and Dennis. | 2:32:12 | 2:32:17 | |
COMMENTATOR: That was a bullet shot,
he's left it at the other end of the | 2:32:21 | 2:32:26 | |
table. He didn't get into it at all.
He should have blocked the path, | 2:32:26 | 2:32:30 | |
been tight on the cushion and been
six, eight inches across the table | 2:32:30 | 2:32:37 | |
-- that was a poor workshops. Looks
like he's going to cannon and | 2:32:37 | 2:32:44 | |
there's every chance he may go on to
the black. It looks natural to | 2:32:44 | 2:32:49 | |
cannon the red. Make sure the pot
and just hope you get on a colour. | 2:32:49 | 2:32:56 | |
That's not bad. | 2:33:00 | 2:33:03 | |
Just wondering whether he has an
angle on the red, if he Pons it he | 2:33:32 | 2:33:38 | |
could bring the blue into play -- if
he pots it. I don't think so | 2:33:38 | 2:33:44 | |
otherwise he'd have played that
shot. Would love to get the blue | 2:33:44 | 2:33:49 | |
back on its spot. | 2:33:49 | 2:33:54 | |
Might develop one of these reds on
the left-hand side cushion. Yes, | 2:34:06 | 2:34:11 | |
staying nicely on the other end to
the yellow pocket. Good shot. | 2:34:11 | 2:34:18 | |
That's what he's looking at, going
back to the red just to see what | 2:34:37 | 2:34:42 | |
kind of an angle he'd require to get
on the red and bring the blue and | 2:34:42 | 2:34:50 | |
red into play. Has he got the angle
this time? | 2:34:50 | 2:34:57 | |
That's worked out very nice indeed.
He's got an angle I think on the | 2:35:21 | 2:35:28 | |
pink to bring the four reds, at
least a couple into play. Yeah, | 2:35:28 | 2:35:37 | |
that's the angle. He could force it
in, he has enough angle to force it. | 2:35:37 | 2:35:46 | |
With these fine clocks you can
create a much better angle than you | 2:35:46 | 2:35:50 | |
used used to be able to with the
heavy cloths. And that looks pretty | 2:35:50 | 2:36:00 | |
good to me. -- with these fine
cloths. | 2:36:00 | 2:36:15 | |
Yes, he's quite a tall lad, Ryan,
about six foot three, something like | 2:37:18 | 2:37:23 | |
that, and he couldn't reach it.
Needing the extension and even then, | 2:37:23 | 2:37:28 | |
it's quite a stretch. As long as you
keep one foot on the floor, you're | 2:37:28 | 2:37:32 | |
OK. If the foot leaves the floor,
it's a foul shot. Unlike the clubs | 2:37:32 | 2:37:40 | |
were used to learn to play income if
you had one foot in the D area, you | 2:37:40 | 2:37:45 | |
are OK. -- the clubs we used to
learn to play in, if you had one | 2:37:45 | 2:37:56 | |
foot in the D area. Not sure if that
was a heavy contact. A bit short. | 2:37:56 | 2:38:07 | |
Two comfortable reds still available
and then the difficult one, that's | 2:38:16 | 2:38:19 | |
going to be the key ball in this
frame. He's only nine points ahead. | 2:38:19 | 2:38:25 | |
He's already planning his route to
try and move that's difficult red. | 2:38:25 | 2:38:35 | |
You saw him mumbling to himself.
He's trying to work out the scores | 2:38:41 | 2:38:45 | |
in his head. That red that's close
to the right-hand side cushion, | 2:38:45 | 2:38:54 | |
that's going to be the key ball in
the frame. Normally you'd try and | 2:38:54 | 2:39:03 | |
move the red from the blue, you'd
leave the white at the other end | 2:39:03 | 2:39:09 | |
just to pot it and can it out. If
you played for the pink it would be | 2:39:09 | 2:39:14 | |
so difficult, you'd have to be so
precise. You'd have more margin for | 2:39:14 | 2:39:18 | |
error in a few play on the blue
here. Interesting to see if he does | 2:39:18 | 2:39:21 | |
that. He could leave the Green also
but it's a standard sort of shot, if | 2:39:21 | 2:39:29 | |
he rolls through the red. If he
plays for the pink he's got to be | 2:39:29 | 2:39:36 | |
absolutely pinpoint. If he plays for
the blue and comes off the top | 2:39:36 | 2:39:40 | |
cushion, a bit more margin for
error. Let's see how he feels. This | 2:39:40 | 2:39:50 | |
has to be absolutely spot on. Has he
gone on a bit too far at the Mac is | 2:39:50 | 2:39:57 | |
very natural angle? -- or is it a
natural angle? You can always tell | 2:39:57 | 2:40:08 | |
from the body language, if he goes
down quick it looks pretty good. I | 2:40:08 | 2:40:13 | |
think if he had hit it into the
left-hand side of the pocket he | 2:40:13 | 2:40:19 | |
could have hit the red. Now it's
just going to be, you'd expect | 2:40:19 | 2:40:27 | |
whoever pots this red will win the
frame. He's got a 28 point lead but | 2:40:27 | 2:40:40 | |
he'll still be disappointed not to
win the frame from that visit. Yes, | 2:40:40 | 2:40:47 | |
especially after the last frame when
he made breaks of 65 and 41. | 2:40:47 | 2:40:53 | |
He's got a slight double-kiss. Is
the red going to go far enough? Just | 2:41:00 | 2:41:07 | |
about. | 2:41:07 | 2:41:10 | |
Is he going to be brave enough to go
off the baulk cushion, try and hit | 2:41:16 | 2:41:21 | |
the red on the way back? Having a
look at it, he's going to look from | 2:41:21 | 2:41:27 | |
the other end. If it was close to
the pocket you'd have a go. If he | 2:41:27 | 2:41:32 | |
hits the cushion, there's no way
he's going to pot it. The only | 2:41:32 | 2:41:39 | |
problem, it's a difficult safety
shot if he tries to play it on this | 2:41:39 | 2:41:46 | |
side of the table. He's got to try
and even knock it off the knuckle of | 2:41:46 | 2:41:54 | |
the pocket, but you're never sure
where the red is going to go. I'm | 2:41:54 | 2:41:59 | |
not sure what the best shot is here.
If he tries that then the white is | 2:41:59 | 2:42:03 | |
going to go close to the corner
pocket. It isn't a natural angle, if | 2:42:03 | 2:42:08 | |
egos past the others to go on the
cushion. He's got to play it with | 2:42:08 | 2:42:13 | |
right-hand guide and if he makes it
it would be a number label shot. | 2:42:13 | 2:42:18 | |
From that angle, the odds would be
against not knocking in the red, but | 2:42:18 | 2:42:21 | |
here we go -- it would be an
unbelievable shot. Give him credit | 2:42:21 | 2:42:27 | |
if he manages it. Foul and a miss.
Again, Mark is quite happy to have | 2:42:27 | 2:42:38 | |
this replaced. Quite a long way away
from it as well so he's going to | 2:42:38 | 2:42:44 | |
have to readjust this. The other
thing, if he misses this time he'll | 2:42:44 | 2:42:50 | |
be warned because three misses when
you can see full ball, you lose the | 2:42:50 | 2:42:54 | |
frame. Peggy Lee there just checking
the monitor to see exactly where the | 2:42:54 | 2:43:03 | |
cue ball was. He's having to play it
with side to make the angle. I'm not | 2:43:03 | 2:43:13 | |
sure it was that close to the top
cushion, was it? I think that the | 2:43:13 | 2:43:18 | |
cue ball was a bit further wrap. --
a bit further up. He's just ask Mark | 2:43:18 | 2:43:32 | |
and Mark has agreed with him.
Further up | 2:43:32 | 2:43:37 | |
and Mark has agreed with him.
Further up? Yeah it was a bit | 2:43:37 | 2:43:44 | |
further up. That's OK. Now, second
attempt. If he doesn't hit it this | 2:43:44 | 2:43:52 | |
time he'll be warned. Foul and a
miss. | 2:43:52 | 2:44:03 | |
Don't forget to warn him. Having a
laugh with each other. Is he winding | 2:44:07 | 2:44:20 | |
him up a little bit? He's quite a
character, Mark, that's for sure. He | 2:44:20 | 2:44:24 | |
can play the shot from here if he
wishes. He's got to put him back | 2:44:24 | 2:44:30 | |
income is surely. -- to put him back
in, surely. | 2:44:30 | 2:44:39 | |
Strange choice. I would have
definitely put him back in. How is | 2:44:43 | 2:44:49 | |
he going to get it safe? He couldn't
try the same shot again otherwise | 2:44:49 | 2:44:53 | |
he'd lose the frame. And he's left a
possible pots for Ryan Day. Strange | 2:44:53 | 2:44:59 | |
choice from Mark. | 2:44:59 | 2:45:04 | |
It may have worked to his advantage
because Ryan seemed to hit it much | 2:45:15 | 2:45:21 | |
harder than the he intended and
didn't come close to the pot. He's | 2:45:21 | 2:45:32 | |
gifted a great opportunity now to
Mark Williams. But the pink into the | 2:45:32 | 2:45:38 | |
yellow pocket and get it back on its
spot. | 2:45:38 | 2:45:44 | |
He's going to need all the way up to
the black to win the frame. | 2:45:47 | 2:45:59 | |
Brown to blue is always the tricky
one when you're clearing up. As long | 2:46:09 | 2:46:17 | |
as you get perfect on the blue, no
problem. That's pretty good. Don't | 2:46:17 | 2:46:25 | |
want to be using the top cushion,
you want to play it in such a way, | 2:46:25 | 2:46:34 | |
leave the pink as easy as possible.
And that's absolutely perfect. | 2:46:34 | 2:46:44 | |
Well, the black goes in. Never lies
to lose a frame, when you make a | 2:46:54 | 2:47:01 | |
break of 61 and then you lose it,
he's got something to think about, | 2:47:01 | 2:47:06 | |
Mark Williams. He'll be delighted to
be in the frame. | 2:47:06 | 2:47:11 | |
Mark Williams. He'll be delighted to
be in the frame. We'll catch up with | 2:47:11 | 2:47:13 | |
him before the interval. | 2:47:13 | 2:47:14 | |
be in the frame. We'll catch up with
him before the interval. Williams is | 2:47:14 | 2:47:14 | |
12 points in front. | 2:47:14 | 2:47:20 | |
That was an uncharacteristic mistake
from Mark Williams. | 2:47:27 | 2:47:31 | |
He could try and cut the red. Can
miss the blue and the black going | 2:47:38 | 2:47:48 | |
back up to the baulk. This looks
absolutely perfect, if he can get on | 2:47:48 | 2:48:00 | |
the black. Looks really good, he may
have an angle on the black to free | 2:48:00 | 2:48:06 | |
up the red on the side cushion. I
wonder, does he? That would have | 2:48:06 | 2:48:11 | |
been a bonus but even if he doesn't,
he can get on the red. He can take | 2:48:11 | 2:48:17 | |
that red out. Well, what was that?
He obviously didn't have the angle | 2:48:17 | 2:48:26 | |
too can be other red but he should
never have missed a black -- to | 2:48:26 | 2:48:33 | |
cannon the other red. He's annoyed
with himself. And he won't be very | 2:48:33 | 2:48:42 | |
happy with that. He's still not
happy with that tip, is he? One of | 2:48:42 | 2:48:52 | |
those delicate shots where he seems
to be playing it with a touch of | 2:48:52 | 2:48:58 | |
side. Where is the cue ball going to
finish? Is he OK? Does he have an | 2:48:58 | 2:49:06 | |
angle on the yellow to come back
pass the pink and bring the red into | 2:49:06 | 2:49:09 | |
play? He could drop behind it. I
think he could do. He'd be playing | 2:49:09 | 2:49:19 | |
to move this, rather than drop
behind it, if you have the correct | 2:49:19 | 2:49:23 | |
angle that is. Doesn't think he has
all stop -- doesn't think he has. | 2:49:23 | 2:49:31 | |
Going to try and come off two
cushions and land on the red. Not a | 2:49:48 | 2:49:53 | |
bad effort, not bad at all. What a
great shot that was. Great escape. I | 2:49:53 | 2:50:10 | |
love that film, Steve McQueen. | 2:50:10 | 2:50:13 | |
Well, he has all sorts of choices
available. The yellow to play | 2:50:31 | 2:50:36 | |
behind, he can play behind the
black, he can even take on the pot. | 2:50:36 | 2:50:41 | |
Depends how he feels. Deciding on
the pot. | 2:50:41 | 2:50:49 | |
And a half chance for Ryan Day here.
But I think the pressure, I know | 2:50:53 | 2:50:59 | |
it's the best of 11 but when you go
to the mid-session interval it adds | 2:50:59 | 2:51:03 | |
a bit of pressure if you're trying
to level the door. If you're trying | 2:51:03 | 2:51:08 | |
to get a 3-1 advantage it's amazing
how you can miss a few balls. That | 2:51:08 | 2:51:17 | |
will give him a bit of confidence.
He struck that really nicely indeed. | 2:51:17 | 2:51:25 | |
Would love to have been straight on
the brown. He's going to have two | 2:51:25 | 2:51:29 | |
pot the brown and screw off the side
cushion here. | 2:51:29 | 2:51:37 | |
He's hitting the ball a bit harder
than I think he needs to, I think | 2:51:45 | 2:51:49 | |
that's a sign of pressure. Doesn't
have the ideal angle. If the pink | 2:51:49 | 2:51:58 | |
isn't in the way, the angle on the
yellow would be nice. Looks like | 2:51:58 | 2:52:02 | |
he's concerned, the path of the cue
ball. Looks like it's going into the | 2:52:02 | 2:52:10 | |
pink and he won't end up with the
green that way. Not quite sure how | 2:52:10 | 2:52:16 | |
he's going to judge this one,
Dennis. As long as he doesn't go | 2:52:16 | 2:52:20 | |
past the middle pocket, he will be
on a comfortable green. Going all | 2:52:20 | 2:52:28 | |
the way around the ankles, looks
pretty good to me but is it hard | 2:52:28 | 2:52:32 | |
enough? He's going to have two pot
is it with the rest. Good attempt, I | 2:52:32 | 2:52:40 | |
think he'd settle with that. The
natural angle of the cue ball, going | 2:52:40 | 2:52:46 | |
back into the brown. | 2:52:46 | 2:52:52 | |
Why was he screwing it in? He only
had to play it with top spin and | 2:52:54 | 2:53:00 | |
drop the green in. He's feeling the
pressure, Ryan Day. | 2:53:00 | 2:53:08 | |
This is a clever little shot. | 2:53:14 | 2:53:18 | |
A bit of a chance, this. It will cut
in. It is a thin one. As long as he | 2:53:33 | 2:53:39 | |
avoids the right middle pocket. If
he attempts the pot, which I'm sure | 2:53:39 | 2:53:44 | |
he's going to do, be careful of the
middle pocket. Yes, no problem. Is | 2:53:44 | 2:53:51 | |
it going to drop nicely on the
brown, that's the question. If it | 2:53:51 | 2:53:55 | |
keeps on running... But it hasn't.
The worst possible place it could | 2:53:55 | 2:54:09 | |
have finished. Amazing, you go all
that distance and it drops there. | 2:54:09 | 2:54:14 | |
Yes but I think he can cut the brown
in. Just before the middle pocket | 2:54:14 | 2:54:19 | |
and it's a natural angle back to the
blue. Yes, it's there. Oh, a little | 2:54:19 | 2:54:26 | |
kiss on the black has taken the pace
off the cue ball but he's still on | 2:54:26 | 2:54:31 | |
the blue. He's ten points in the
league, the blue is just required. | 2:54:31 | 2:54:37 | |
15 ahead with just 13 on the table
-- he's ten points in the lead. | 2:54:37 | 2:54:45 | |
He'll be very relieved, it's another
frame that's gone away from Ryan | 2:54:45 | 2:54:51 | |
Day. He should have won this frame a
couple of times over. | 2:54:51 | 2:55:00 | |
Yes, pretty good. He's going to wait
at the table. Ryan Day will be very | 2:55:07 | 2:55:16 | |
disappointed. Mark Williams leading
3-1. | 2:55:16 | 2:55:21 | |
disappointed. Mark Williams leading
3-1. The two frame advantage, we'll | 2:55:21 | 2:55:25 | |
be back with that match shortly but
a quick update on table three. Even | 2:55:25 | 2:55:30 | |
stave 3-3 until frame Devon. -- even
Stevens. | 2:55:30 | 2:55:37 | |
stave 3-3 until frame Devon. -- even
Stevens. Liang Wenbo forcing the | 2:55:37 | 2:55:39 | |
reason but it black and Alan and
Steve, this is it. Playing the tried | 2:55:39 | 2:55:45 | |
and trusted method of side to side,
black and white. There's a | 2:55:45 | 2:55:49 | |
possibility of a double from that
shot but it's in the lap of the | 2:55:49 | 2:55:52 | |
gods, if you miss it, the balls go.
Couldn't have played it any better. | 2:55:52 | 2:55:56 | |
The only thing is, the black is a
couple of inches from the side | 2:55:56 | 2:56:04 | |
cushion and Liang Wenbo, we don't
know what shot he'll play but I | 2:56:04 | 2:56:07 | |
imagine it will be a slow double and
the black back across. Obviously if | 2:56:07 | 2:56:16 | |
you can get the cue ball safe,
that's desirable. At the same time, | 2:56:16 | 2:56:21 | |
a bit of insurance. He'll have been
delighted where that ended up after | 2:56:21 | 2:56:26 | |
missing it looks like a relatively
straightforward safety shot for | 2:56:26 | 2:56:30 | |
Stephen Maguire but he's got to be
careful of the black ball going over | 2:56:30 | 2:56:34 | |
a corner pocket. Yeah, just off
straight, stunted around four | 2:56:34 | 2:56:40 | |
cushions. He might catch the
knuckle. Oh, a disaster. -- stunt it | 2:56:40 | 2:56:49 | |
around four cushions. If you're
playing that shot with a view to | 2:56:49 | 2:56:52 | |
going through the middle pocket, if
it catches the jaws, you never know | 2:56:52 | 2:56:58 | |
where it's going to go and it's in
the lap of the dots. He should pot | 2:56:58 | 2:57:03 | |
this -- the lap of the gods. Massive
frame, that, frame and seven. It | 2:57:03 | 2:57:10 | |
sure was. So, Wenbo forcing the
issue, potting the black to go 4-3. | 2:57:10 | 2:57:21 | |
And on frame four, Lu Haotian, the
man who has already beaten two | 2:57:21 | 2:57:30 | |
winners in the past, Peter Ebdon.
He's made 101 against Marco Fu. He | 2:57:30 | 2:57:36 | |
was 4-2 up and now he is 4-3 in
front, 20 years old. Three seasons | 2:57:36 | 2:57:44 | |
in the game and he's taking it to
Marco Fu so we'll keep our eyes | 2:57:44 | 2:57:47 | |
peeled on this one. Very natty
footwear as well, like the style. It | 2:57:47 | 2:57:53 | |
remind me of Ken Doherty all those
years ago. Anyway, let's go back to | 2:57:53 | 2:57:58 | |
the Williams Day match and Williams
has a two frame advantage. | 2:57:58 | 2:58:06 | |
COMMENTATOR: Ryan is looking to
split the pack and get the cue ball | 2:58:06 | 2:58:13 | |
behind the pack. | 2:58:13 | 2:58:17 | |
Could be playing these shots for a
while unless they look at the | 2:58:26 | 2:58:29 | |
referee for a possible re-rack.
Well... He picked one out but | 2:58:29 | 2:58:41 | |
unfortunately he's not on the black. | 2:58:41 | 2:58:48 | |
That's a terrific long pot there
from Mark Williams, it really is. | 2:59:41 | 2:59:47 | |
Full-blooded full-back. --
full-blooded for that. And that's a | 2:59:47 | 2:59:57 | |
sign of an all-time great, when you
get a chance like that, going | 2:59:57 | 3:00:01 | |
full-blooded for it. | 3:00:01 | 3:00:03 | |
He may play into the reds from the
blue. He's got the red | 3:01:28 | 3:01:32 | |
He may play into the reds from the
blue. He's got the red over the | 3:01:32 | 3:01:32 | |
middle pocket. That's a bit of
insurance. | 3:01:32 | 3:01:38 | |
And that's what he's done. What a
great split, because he knew if he | 3:01:39 | 3:01:43 | |
wasn't going to drop nicely on a
red, and that's what's happened, he | 3:01:43 | 3:01:48 | |
knew that one over the middle
pocket. | 3:01:48 | 3:01:52 | |
Not all the players would have
thought of that route, Ken. Yeah, he | 3:01:56 | 3:01:59 | |
hit it lovely. Got the apex ball
perfectly full on. | 3:01:59 | 3:02:05 | |
Always had that red over the middle
pocket. Couldn't have played it much | 3:02:07 | 3:02:10 | |
better. His opening red, that was
really what's created this chance. | 3:02:10 | 3:02:14 | |
He had to take it on full bloodied. | 3:02:14 | 3:02:19 | |
He's going to get his just rewards
you would feel from this position. | 3:02:22 | 3:02:28 | |
He had to play that with a touch of
side, so there was no problem there | 3:02:28 | 3:02:33 | |
with the new tip. | 3:02:33 | 3:02:34 | |
The more frames he plays with it,
the better it will become. | 3:02:39 | 3:02:45 | |
He's got the perfect angle on the
black to leave himself at least four | 3:03:31 | 3:03:37 | |
reds. | 3:03:37 | 3:03:38 | |
Playing the white into an area where
you've got multiple choices | 3:03:43 | 3:03:48 | |
sometimes. | 3:03:48 | 3:03:54 | |
Not too many pots away from securing
this frame. | 3:03:55 | 3:03:58 | |
I go back to the frame before the
middle session interval, it played | 3:04:05 | 3:04:10 | |
quite a big part in this match. | 3:04:10 | 3:04:13 | |
He can't do much about this. It was
a long pot that got Mark in. | 3:04:22 | 3:04:28 | |
He should have won the fourth frame
and the frame before that as well. | 3:04:31 | 3:04:35 | |
Had chances. | 3:04:35 | 3:04:37 | |
He's letting it slip slightly. Mark
Williams has grown in stature in | 3:04:39 | 3:04:46 | |
this match, getting more confident. | 3:04:46 | 3:04:48 | |
This is a lovely break he's put
together here. | 3:04:50 | 3:04:54 | |
It's not going to be easy to make
the century. The two reds are the | 3:04:58 | 3:05:01 | |
wrong side of the table for Mark,
being a left-hander. | 3:05:01 | 3:05:08 | |
It doesn't really matter, he'd still
love to make a century. 403 he's | 3:05:13 | 3:05:18 | |
made in his career. He never carried
on to try to make the century break. | 3:05:18 | 3:05:28 | |
I think all players like to make
centuries now, I think because of | 3:05:30 | 3:05:34 | |
the stats. It wasn't a big thing
maybe 15 or 20 years ago. | 3:05:34 | 3:05:39 | |
We've got all these stats now.
That's an excellent pot to keep the | 3:05:44 | 3:05:49 | |
break going. | 3:05:49 | 3:05:50 | |
That's a nice indication of
sometimes how you're feeling, how | 3:05:59 | 3:06:02 | |
you're playing. He's certainly
playing well. He's coming off the | 3:06:02 | 3:06:05 | |
back of that, his 19th career
ranking win in Northern Ireland, | 3:06:05 | 3:06:11 | |
Belfast.
That was only last week. | 3:06:11 | 3:06:16 | |
Every chance now because he's got a
nice angle to pot the black and get | 3:06:20 | 3:06:23 | |
onto the yellow. He could go in and
out of the baulk area between the | 3:06:23 | 3:06:29 | |
yellow and brown. | 3:06:29 | 3:06:32 | |
That's what he's played. He's going
to be close to the yellow here. | 3:06:34 | 3:06:40 | |
He might just have spoiled the
century break. | 3:06:42 | 3:06:46 | |
To knock that into the middle pocket
at that pace, we know how tight they | 3:06:51 | 3:06:58 | |
are - that was some shot that! | 3:06:58 | 3:07:00 | |
Great shot. Yeah wonderful break. | 3:07:06 | 3:07:09 | |
His 21st century this season. He
made 26 last season. Foul. A | 3:07:12 | 3:07:22 | |
billiard shot to finish the break
off with. He'll not be concerned | 3:07:22 | 3:07:25 | |
about that. That was a terrific
century. But he got in with a | 3:07:25 | 3:07:28 | |
terrific long red and well, the rest
was history. Lovely century. He | 3:07:28 | 3:07:33 | |
extends his lead. | 3:07:33 | 3:07:37 | |
MUSIC | 3:08:18 | 3:08:23 | |
Quite an unusual break off there
from Mark Williams. Wasn't using the | 3:09:02 | 3:09:06 | |
conventional little bit of
right-hand side around the four | 3:09:06 | 3:09:10 | |
cushions. Because of that, he's left
Ryan Day a chance. Good opening pot, | 3:09:10 | 3:09:16 | |
a little bit low on the black, but
again, he's got the angle to go into | 3:09:16 | 3:09:20 | |
the pack here. | 3:09:20 | 3:09:24 | |
It's not happening for Ryan Day
today. He's looked very edgy right | 3:09:36 | 3:09:39 | |
from the beginning. Of course,
losing those couple of close frames | 3:09:39 | 3:09:43 | |
won't have helped him. | 3:09:43 | 3:09:48 | |
He could do with a sizeable
contribution here, Ryan Day, to get | 3:10:31 | 3:10:35 | |
a little bit of confidence back. | 3:10:35 | 3:10:39 | |
That's not going to do his
confidence a lot of good. But it may | 3:10:44 | 3:10:51 | |
work to his advantage to play it for
this one. He's still looking at it, | 3:10:51 | 3:10:58 | |
but he thought maybe the one at the
back of the pack might go, but it | 3:10:58 | 3:11:01 | |
doesn't. | 3:11:01 | 3:11:04 | |
He knew straight away he hadn't hit
that. Decelerated and look where the | 3:11:13 | 3:11:17 | |
white's finished. It's a tough game
when you lose you're timing. -- your | 3:11:17 | 3:11:27 | |
timing | 3:11:27 | 3:11:31 | |
One good pot on this black and
concentrate on the black, the | 3:12:00 | 3:12:04 | |
natural angle of the cue ball going
into the pack here. He missed one | 3:12:04 | 3:12:07 | |
earlier.
If he pots this and splits them | 3:12:07 | 3:12:10 | |
nicely, it will be a good chance.
How's your luck? Not the best. | 3:12:10 | 3:12:20 | |
APPLAUSE | 3:13:31 | 3:13:33 | |
Just looking at the six reds around
the pink spot, I think one of them | 3:14:28 | 3:14:31 | |
might be available. Mark's had a
look at them. Didn't matter what | 3:14:31 | 3:14:34 | |
side of the blue he got on there.
With the two reds up the other end | 3:14:34 | 3:14:40 | |
of the table. | 3:14:40 | 3:14:42 | |
He's underhit that by a long way.
That's a careless one. | 3:14:43 | 3:14:50 | |
Should have been a lot easier than
this. | 3:14:52 | 3:14:55 | |
He's certainly got to bring reds
into play. He's got to be careful if | 3:15:00 | 3:15:04 | |
he screws back that he doesn't go
into the middle pocket there. | 3:15:04 | 3:15:08 | |
Oh, he's played it well, well he's
potted two. He only has to pot one | 3:15:08 | 3:15:15 | |
colour. A kiss on the blue. | 3:15:15 | 3:15:20 | |
It's getting a little bit more
difficult now. | 3:17:48 | 3:17:52 | |
32 the difference. So he needs the
black and he needs a red. And | 3:18:03 | 3:18:11 | |
another colour to secure the frame. | 3:18:11 | 3:18:14 | |
A frame that he had to win, really.
5-1 behind against Mark Williams, | 3:18:16 | 3:18:23 | |
not much of a chance. But 4-2, he's
still in there. | 3:18:23 | 3:18:27 | |
Just the black to make certain. | 3:18:53 | 3:18:57 | |
This will put him 47 in front with a
possible 43 remaining | 3:19:03 | 3:19:11 | |
He's missed the pink by a long way.
Mark Williams stays in his chair. He | 3:19:40 | 3:19:46 | |
says, "Thank you very much." So Ryan
Day gets another frame on the board. | 3:19:46 | 3:19:52 | |
But Mark Williams is only two away
from victory. He leads 4-2. | 3:19:52 | 3:19:57 | |
STUDIO: So he was three behind, but
Ryan Day continues to nibble away | 3:19:57 | 3:20:02 | |
into | 3:20:02 | 3:20:02 | |
Ryan Day continues to nibble away
into his colleague's lead. Can he do | 3:20:02 | 3:20:03 | |
it again? Can he maintain the
momentum as we head into frame | 3:20:03 | 3:20:07 | |
seven? | 3:20:07 | 3:20:08 | |
He's not happy with that.
The red into the green pocket. | 3:20:19 | 3:20:26 | |
If he wanted to be on the pink to
the left centre, he hasn't hit it | 3:20:47 | 3:20:50 | |
hard enough. | 3:20:50 | 3:20:53 | |
This black is very tricky and very
missable. He's normally very, very | 3:20:58 | 3:21:04 | |
good with the rest. Again, he's
putting a little bit of side on the | 3:21:04 | 3:21:11 | |
tip makes it a little bit harder.
He's got it, that's an excellent | 3:21:11 | 3:21:14 | |
shot.. Very well done.
Nice control. | 3:21:14 | 3:21:20 | |
Every time he puts a bit of side on
the cue ball, he's struggling with | 3:21:48 | 3:21:52 | |
it. He's looking at it again. He
didn't fancy that. | 3:21:52 | 3:21:58 | |
Put a lot of left-hand side. He's
not sure where it's going to go. | 3:21:58 | 3:22:03 | |
Ryan Day has to take advantage of
these situations. He did in the last | 3:22:22 | 3:22:26 | |
frame. He really needs to try and
hurt Mark Williams. And get back | 3:22:26 | 3:22:34 | |
into this match. Really got to make
the most of these opportunities. | 3:22:34 | 3:22:41 | |
Plain and simple he's got to take
this frame, because if he drops 5-2 | 3:22:47 | 3:22:51 | |
behind, the first to six, wouldn't
give him much of a chance. If he | 3:22:51 | 3:22:55 | |
wins this, that's game back on
again. | 3:22:55 | 3:22:58 | |
Make no mistake, Ryan Day, when he
gets on a run win frames -- he can | 3:23:38 | 3:23:44 | |
win frames in a very short space of
time. | 3:23:44 | 3:23:49 | |
He made 39 centuries last season,
just 12 this season. 305 in total. | 3:23:49 | 3:23:59 | |
So a terrific break-builder, that's
for sure. | 3:23:59 | 3:24:03 | |
Nicely played, delicate little
cannon that. | 3:24:12 | 3:24:18 | |
Couple of reds below the pink pot
into the bottom right-hand corner | 3:25:37 | 3:25:41 | |
pocket. He may try and just drop
onto those there. | 3:25:41 | 3:25:45 | |
Looks pretty good. | 3:25:45 | 3:25:48 | |
He pushes the cue ball through here,
he could be on possibly pink or | 3:25:52 | 3:25:58 | |
black. | 3:25:58 | 3:26:01 | |
Keep saying how laid back Mark
Williams is, but inside maybe | 3:26:24 | 3:26:31 | |
watching Ryan winning the frame here
and thinking about the red that he | 3:26:31 | 3:26:37 | |
tried to cut into the green pocket
there, when he applied a little bit | 3:26:37 | 3:26:41 | |
of side. That's the only thing he's
been struggling with, with the new | 3:26:41 | 3:26:44 | |
tip, is when he puts side on. | 3:26:44 | 3:26:48 | |
You can't play the shot without
putting side on because you've got | 3:26:49 | 3:26:52 | |
to play the correct shot otherwise
you're going to lose the position. | 3:26:52 | 3:26:56 | |
But every credit to Ryan Day here. | 3:26:56 | 3:27:00 | |
Pink would put him 54 ahead. 67
left. So one more red and colour. | 3:27:48 | 3:27:57 | |
He's got himself back in this match
now. | 3:27:59 | 3:28:03 | |
Yeah, you can tell by his body
language and the way he's moving | 3:28:11 | 3:28:15 | |
round the table, he's much more
relaxed now. He didn't look very | 3:28:15 | 3:28:18 | |
good a few frames back in his seat. | 3:28:18 | 3:28:22 | |
He loos a little bit edgy, didn't
he? -- looked a little bit edgy, | 3:28:28 | 3:28:33 | |
didn't he? A couple of frames got
away that he felt he should have | 3:28:33 | 3:28:38 | |
won. | 3:28:38 | 3:28:41 | |
He needed to take this opportunity
to give himself a chance of winning | 3:28:44 | 3:28:47 | |
this match. There was a bad miss
from Mark Williamsment He's | 3:28:47 | 3:28:53 | |
struggling a little bit with that
tip at the moment. | 3:28:53 | 3:28:56 | |
Doesn't matter about missing that
red. Mark puts his cue on the table | 3:29:04 | 3:29:07 | |
and concedes the frame.
So from 4-1 down, all of a sudden, | 3:29:07 | 3:29:14 | |
Ryan Day is back in this match. He's
one behind at 4-3 to Mark Williams. | 3:29:14 | 3:29:19 | |
STUDIO: Day one, third frame in a
row, following up that knock of 76 | 3:29:19 | 3:29:26 | |
with a 65 to level the match. This
is the fourth time these two have | 3:29:26 | 3:29:34 | |
played in a world ranking event this
season alone. It's not getting old, | 3:29:34 | 3:29:37 | |
but it's getting very tight. It's
now become pay best of three frames | 3:29:37 | 3:29:40 | |
for a place in the last 16. This is
frame nine, Williams eight points in | 3:29:40 | 3:29:46 | |
arrears here. | 3:29:46 | 3:29:51 | |
Foul and a miss. How costly is that
going to be? | 3:30:50 | 3:30:57 | |
Not straightforward here for Mark. | 3:31:28 | 3:31:35 | |
Straightaway he is faced with this
red with a rest. But he can get onto | 3:31:49 | 3:32:02 | |
the black. The pink is still
available also. | 3:32:02 | 3:32:12 | |
All of a sudden, Mark Williams is
finding things very difficult out | 3:32:19 | 3:32:29 | |
there. Still don't get a lot of
reaction from Mark. He's been | 3:32:29 | 3:32:41 | |
blessed with a terrific temperament
through his career. That's why he's | 3:32:41 | 3:32:44 | |
been so successful. Inside, he
mustn't be feeling very comfortable. | 3:32:44 | 3:32:53 | |
That was a wonderful positional shot
from Ryan Day. Judged it off the | 3:33:11 | 3:33:16 | |
side cushion to perfection. That's
why I was surprised, Mark, when he | 3:33:16 | 3:33:27 | |
was using the rest, didn't role in
the red and play for the black. He | 3:33:27 | 3:33:34 | |
decided to screw back which makes
the pot more difficult. If he drops | 3:33:34 | 3:33:38 | |
that in he'd be on the black that
Ryan finished up on. Yeah. Could go | 3:33:38 | 3:33:54 | |
into the three reds just above the
black if he wished. Doesn't want to | 3:33:54 | 3:33:59 | |
do it on this occasion but he could
have done that and been on a choice | 3:33:59 | 3:34:02 | |
of reds. | 3:34:02 | 3:34:07 | |
Well... | 3:34:17 | 3:34:20 | |
Hard to believe. He hasn't missed
many over these last few Mac frames. | 3:34:28 | 3:34:38 | |
Again, fortunate that he's covered
the red. He'd have two swerve it a | 3:34:38 | 3:34:45 | |
little bit but if he pots it he
could finish on the blue. That's | 3:34:45 | 3:34:53 | |
finished a bit awkward for him.
Played with a lot of side there. | 3:34:53 | 3:34:59 | |
Good judgment, that is. | 3:34:59 | 3:35:04 | |
He may need that rest again. | 3:35:14 | 3:35:21 | |
Just having a look at those six
reds. By sword of covering each | 3:35:33 | 3:35:41 | |
other an FEI? -- play just sort of
covering each other, aren't they? | 3:35:41 | 3:35:51 | |
He's going to need a cannon to
develop them. And there's one that | 3:35:51 | 3:35:57 | |
must be all -- that must be on. Has
he seen something that we couldn't | 3:35:57 | 3:36:12 | |
see? Don't think so. This must be a
long pot to the far corner. This is | 3:36:12 | 3:36:18 | |
far from a gimme. Looks good. Ooh!
He stood up and block our path. It | 3:36:18 | 3:36:33 | |
looked to be in. Just pulled towards
the left hand side cushion. He | 3:36:33 | 3:36:43 | |
thought it was in when he hit it. He
had a bit of an ankle on the blacks | 3:36:43 | 3:36:54 | |
to possibly play the cannon. -- an
angle. I guess he wanted to be | 3:36:54 | 3:37:02 | |
straight. Just spotted something. I
don't think it's on the red, I think | 3:37:02 | 3:37:09 | |
there's something in front on the
cloth. Yes, it looks like a little | 3:37:09 | 3:37:14 | |
chalk mark, doesn't it? Yeah it's
when you play a screw shot, you can | 3:37:14 | 3:37:23 | |
leave a chalk mark on the cloth.
Quite funny why that would be | 3:37:23 | 3:37:30 | |
bothering him. Only looking at the
red now. I didn't think he was even | 3:37:30 | 3:37:36 | |
attempting the red. This is a tough
shot down the rail, especially with | 3:37:36 | 3:37:44 | |
a bit of pace. Never easy, that
shot. He knew he was covering the | 3:37:44 | 3:37:57 | |
one near the corner pocket but the
one he missed as caught the black | 3:37:57 | 3:38:01 | |
and it is possible. | 3:38:01 | 3:38:05 | |
Oh, good cueing there. Very good.
That was an excellent pot. Right in | 3:38:09 | 3:38:19 | |
the heart of the pocket, kept
perfectly still as well. He's got a | 3:38:19 | 3:38:24 | |
nice angle, he's looking at the
Green but the blue was good as well | 3:38:24 | 3:38:31 | |
if he wants to go into the pack of
reds around the pink. | 3:38:31 | 3:38:36 | |
OK, he's going to try and maybe get
on the blue here. The red to the | 3:38:42 | 3:38:51 | |
right of the pink, just above the
line will go into the bottom right | 3:38:51 | 3:38:57 | |
hand corner pocket. So he doesn't
have to do disturb the reds here. | 3:38:57 | 3:39:13 | |
That's OK. When he pots the blue he
can take the red to the extreme | 3:39:36 | 3:39:45 | |
right of the four and leave a nice
angle. When he pots the red he can | 3:39:45 | 3:39:52 | |
go into the three reds below the
pink and still be on the black or | 3:39:52 | 3:39:58 | |
pink. This will open things up. Now,
is he on the black? No. The red has | 3:39:58 | 3:40:15 | |
come over and covered it. If he was
on the black, it was frame over. Now | 3:40:15 | 3:40:20 | |
he's got to negotiate a tough pink.
Yes, running slightly away from the | 3:40:20 | 3:40:24 | |
reds. The one next to the black will
go. That was a delicate little screw | 3:40:24 | 3:40:37 | |
shot he played there. Especially
being hampered. That was a better | 3:40:37 | 3:40:43 | |
shot than it looked. He played it
nicely. Now, black will put him 30 | 3:40:43 | 3:40:57 | |
points ahead, so just one red and a
colour will give him a one-frame | 3:40:57 | 3:41:02 | |
advantage with a possible two to
play. Typical Mark Williams, this. | 3:41:02 | 3:41:14 | |
Virtually sitting out for three
frames, as Ryan came back from 3-1 | 3:41:14 | 3:41:20 | |
down. But 3-1 three terrific frames.
He's going to have to win two in a | 3:41:20 | 3:41:32 | |
row if he's going to get through to
the next round. | 3:41:32 | 3:41:38 | |
We mentioned, sitting in his seat,
about his temperament, and he's | 3:41:45 | 3:41:52 | |
showing exactly what a great
temperament he has. Yeah, he's got | 3:41:52 | 3:41:57 | |
great experience and composure.
Never blusters. It was a wonderful | 3:41:57 | 3:42:13 | |
opening pot as well. They're took a
tricky red down the rail and cannon | 3:42:13 | 3:42:21 | |
the black, leaving with a tough
opener but he duly obliged with the | 3:42:21 | 3:42:26 | |
cueing and set up in this nice
break. | 3:42:26 | 3:42:32 | |
That was a terrific long blue. | 3:42:51 | 3:42:59 | |
Nice break, 72 from the former
champion, Mark Williams. Going one | 3:43:06 | 3:43:12 | |
up with a possible two to play. He
leads his compatriot Ryan Day 5-4. | 3:43:12 | 3:43:19 | |
We have a grandstand finish because
Brian Davis took frame ten with 58. | 3:43:19 | 3:43:25 | |
Just underway in the decider -- Ryan
Day took frame ten. The final frame | 3:43:25 | 3:43:34 | |
they faced was in Riga in the
semifinal which is when Ryan beat | 3:43:34 | 3:43:39 | |
Mark to win that one and then took
the title. Haps the omens are good | 3:43:39 | 3:43:43 | |
for him. Let's see. The best of one. | 3:43:43 | 3:43:50 | |
COMMENTATOR: Just before you joined
us, I don't know what happened to | 3:43:53 | 3:44:00 | |
Mark's shot. We can show you. Seemed
to get a heavy contact, that's for | 3:44:00 | 3:44:08 | |
sure. Ryan played a careless shots,
to the far right corner, which is | 3:44:08 | 3:44:19 | |
how Mark got in. Safety shot and he
put the white straight in the | 3:44:19 | 3:44:25 | |
pocket. Mark knocked in the red was
amongst them until he got the heavy | 3:44:25 | 3:44:30 | |
contact. Now the chance is there for
Mark Selby. You mean Ryan Day? Who | 3:44:30 | 3:44:42 | |
did I say? Mark Selby! | 3:44:42 | 3:44:48 | |
What kind of angle does he have on
the red here? He has the red to the | 3:44:52 | 3:44:59 | |
right centre. Stay on the pink here
if he can. | 3:44:59 | 3:45:09 | |
Just having a look to see whether
the black pots or the red above it, | 3:45:14 | 3:45:22 | |
to the corner pocket. I think the
red should pot because of the angle. | 3:45:22 | 3:45:33 | |
Yeah the red definitely pots. He'd
love to get that one out the way as | 3:45:33 | 3:45:38 | |
soon as possible. Not sure where the
pink will have to go, directly | 3:45:38 | 3:45:47 | |
in-line, behind its own spot, which
is going to tie up the pink for the | 3:45:47 | 3:45:53 | |
moment. Yeah, the referee, Becky Li
getting the pink in-line and then | 3:45:53 | 3:46:03 | |
slide it closer to the reds without
touching them. I don't think the | 3:46:03 | 3:46:09 | |
black is on, is it, Dennis? The red
pots but I'm not sure about the | 3:46:09 | 3:46:13 | |
black. We'll soon find out. Well, it
definitely does, then. | 3:46:13 | 3:46:31 | |
So, from that last shot, this black
will definitely open things up for | 3:46:31 | 3:46:36 | |
Ryan Day. Great opportunity. You can
see Ryan, he keeps wiping the cloth, | 3:46:36 | 3:46:43 | |
that's the chalk marks he's brushing
off the table. It really has been a | 3:46:43 | 3:46:54 | |
terrific performance, from 4-1 down.
We know Mark has missed a few shots | 3:46:54 | 3:47:07 | |
but overall, he's played all right.
It's just the new tip, on certain | 3:47:07 | 3:47:12 | |
shots where he was putting side on
and wasn't getting them. | 3:47:12 | 3:47:18 | |
You look at the standard, Mark has
had breaks of 50, 40, 102, 72. | 3:47:23 | 3:47:29 | |
Pretty high standard and I can.
Yeah, it has been. Evidence of a bit | 3:47:29 | 3:47:37 | |
of an adrenaline rush from Ryan Day.
He hit that too far by quite a long | 3:47:37 | 3:47:44 | |
way. Only one to go at at the back
of the pack. He's OK, he can roll it | 3:47:44 | 3:47:58 | |
and come off two cushions and leave
the red you mentioned. If he | 3:47:58 | 3:48:05 | |
finishes nicely on it in such a
way... Well, you risk bringing more | 3:48:05 | 3:48:12 | |
reds into play. Or just play for the
blue and leave the angle to go into | 3:48:12 | 3:48:18 | |
the reds. This is the only red
available to him at the moment. He's | 3:48:18 | 3:48:30 | |
going into the reds when potting
this. In fact he could hold this end | 3:48:30 | 3:48:38 | |
of the table. He's played that
lovely, hasn't he? He's brought the | 3:48:38 | 3:48:46 | |
pink into play and he can drop in
the pink. The red to the extreme | 3:48:46 | 3:48:56 | |
right will go to the left-hand
corner pocket. | 3:48:56 | 3:49:02 | |
This is the only other red available
to him. Imperative he gets a good | 3:49:13 | 3:49:22 | |
angle on the pink this time. That
one to the left, it's not an either | 3:49:22 | 3:49:31 | |
-- it's not on either. This is the
shops, coming up. -- this is the | 3:49:31 | 3:49:40 | |
shot. Key to this deciding frame.
That's nicely played. Didn't have to | 3:49:40 | 3:49:49 | |
do too much. The one at the back of
the bunch of six will go. If this | 3:49:49 | 3:49:57 | |
works out, Ken, he could be in the
next round. Yes, he's got to judge | 3:49:57 | 3:50:02 | |
this nicely. Bringing the reds into
play. If he gets on a colour, it | 3:50:02 | 3:50:09 | |
could be all over. Not ideal. A
shake of the head. If he wasn't so | 3:50:09 | 3:50:22 | |
close to the cushion, he would have
been OK. He can do a little cannon | 3:50:22 | 3:50:29 | |
onto the red just above the blue. He
good and he's played it really well, | 3:50:29 | 3:50:34 | |
that was a great shot. That could be
it, Dennis. I think going back to | 3:50:34 | 3:50:47 | |
what I was talking about when he
beat Mark Williams in Riga and won | 3:50:47 | 3:50:52 | |
his first ranking title, he's a
different player now. This is a | 3:50:52 | 3:50:58 | |
deciding frame and much more
confident now that he's won that | 3:50:58 | 3:51:02 | |
first ranking title. But a few more
to be potted here. 58 ahead now. Red | 3:51:02 | 3:51:12 | |
and colour required. To leave Mark
Williams needing snooker. But so | 3:51:12 | 3:51:22 | |
many sharks we've already had in
this Championship, this is going to | 3:51:22 | 3:51:26 | |
be another one. Mark Williams coming
here on the back of winning the | 3:51:26 | 3:51:31 | |
Northern Ireland Trophy. | 3:51:31 | 3:51:37 | |
Has he missed the cannon on the
pink? Can't believe it, it was a big | 3:51:48 | 3:51:53 | |
target. It seemed just natural,
didn't it? OK, Mark needs a snooker | 3:51:53 | 3:52:04 | |
but that smile tells you," what have
I done there? Those quotes -- what | 3:52:04 | 3:52:11 | |
have I done their?". | 3:52:11 | 3:52:15 | |
Trying to put the red safe onto the
side cushion but he's made a big | 3:52:19 | 3:52:23 | |
mistake there. | 3:52:23 | 3:52:27 | |
Mark almost pinched an earlier
frame, needed two snookers. | 3:52:39 | 3:52:48 | |
He still needs two snookers. | 3:52:58 | 3:53:07 | |
He made try and double it across the
other side of the table. Bring the | 3:53:11 | 3:53:16 | |
cue ball back behind the brown.
Looks pretty good. It's a tall order | 3:53:16 | 3:53:28 | |
for Mark to try and get the two
snookers, especially when you are in | 3:53:28 | 3:53:32 | |
one yourself. | 3:53:32 | 3:53:38 | |
That's a pretty good shot from where
he was. He got the cue ball close to | 3:53:44 | 3:53:51 | |
the right-hand side cushion. He has
the pot on but if he misses it, he | 3:53:51 | 3:54:02 | |
may give Mark Williams a chance. He
has missed it and it has left him a | 3:54:02 | 3:54:08 | |
chance. OK, he'll need two high
value shots. Yes, he'll want to | 3:54:08 | 3:54:29 | |
leave the red there, the one to the
left of the black. | 3:54:29 | 3:54:35 | |
There's a little bit of life left in
this match just yet. | 3:54:39 | 3:54:45 | |
He needs the cue ball to go. That's
OK. Now just pot the black and move | 3:54:53 | 3:55:00 | |
the cue ball just above the lack and
move the cue ball back up the table | 3:55:00 | 3:55:07 | |
and try and snooker him behind the
black again. I know he needs two | 3:55:07 | 3:55:12 | |
snookers, there's always a chance
you get a free ball if he gets a | 3:55:12 | 3:55:16 | |
good snooker. Ideally you want the
red close to one of the baulk | 3:55:16 | 3:55:21 | |
colours. Oh, he needs a cannon? He's
overscrewed that. | 3:55:21 | 3:55:31 | |
Mark Williams is having a look at
the scoreboard. He's 30 points | 3:55:50 | 3:55:56 | |
behind. Red and Blackwood put him 32
behind with 27 left on the table. -- | 3:55:56 | 3:56:05 | |
and black would put him 32 behind. | 3:56:05 | 3:56:08 | |
Now, it will be interesting to see
what Mark Williams will do here. He | 3:56:21 | 3:56:28 | |
could pot yellow, green, brown, and
blue, leaving only one snooker on | 3:56:28 | 3:56:31 | |
the pink. But as it stands he needs
two four point snookers. What would | 3:56:31 | 3:56:38 | |
you do? I think that's what he has
in mind but he only has one ball to | 3:56:38 | 3:56:44 | |
play the snooker behind, though.
Still glancing around at the | 3:56:44 | 3:56:49 | |
scoreboard. | 3:56:49 | 3:56:52 | |
Very important that he gives himself
a chance when he pots the blue to | 3:56:58 | 3:57:02 | |
try and get behind the black. If he
wanted, he could play the snooker | 3:57:02 | 3:57:10 | |
off the blue, thin one behind but he
needs two snookers. The right shot | 3:57:10 | 3:57:17 | |
is to pot the blue. A chance on the
pink but he'd only need one snooker | 3:57:17 | 3:57:23 | |
on the pink. Pot the blue and get
the cue ball somewhere near the pink | 3:57:23 | 3:57:28 | |
spot if he can. Just above it,
leaving a nice angle. That's what | 3:57:28 | 3:57:34 | |
he's looking at, somewhere just in
line with the pink. Just above the | 3:57:34 | 3:57:39 | |
spot somewhere and knock the pink
into the Boult area, the white | 3:57:39 | 3:57:45 | |
behind the black. You feel this may
be the best chance he has to get the | 3:57:45 | 3:57:51 | |
snooker. Off two cushions, try and
nestle it behind the black. Looks a | 3:57:51 | 3:58:02 | |
bit pacey. | 3:58:02 | 3:58:07 | |
He's played the old in or over, we
call it, but it isn't right over the | 3:58:20 | 3:58:28 | |
pocket. He can go back towards the
black year. -- black here. Not | 3:58:28 | 3:58:37 | |
enough side, not enough on it. | 3:58:37 | 3:58:41 | |
He might roll the pink towards the
yellow pocket. | 3:58:48 | 3:58:56 | |
That's a bit short of pace. He
needed this pink down close to the | 3:59:13 | 3:59:19 | |
top cushion. | 3:59:19 | 3:59:21 | |
Oh, he's knocked the black into a
better position. That's better where | 3:59:31 | 3:59:36 | |
it is now but maybe not from where
he is sitting at the moment. They | 3:59:36 | 3:59:42 | |
doesn't always have to play the
snooker, keep it safe until you have | 3:59:42 | 3:59:45 | |
a better chance. That's it, just
playing the safety shot but he knows | 3:59:45 | 3:59:50 | |
that the black is in a much better
spot, if he gets a chance, to get | 3:59:50 | 3:59:54 | |
behind it. | 3:59:54 | 3:59:56 | |
That's very good from Ryan. | 4:00:07 | 4:00:11 | |
That could be the end. He didn't
catch that as he intended. He wanted | 4:00:23 | 4:00:33 | |
to try and keep the pink safe. That
is a fabulous win for Ryan Day. He | 4:00:33 | 4:00:44 | |
was 4-1 down against his good friend
Mark Williams. He battled back, won | 4:00:44 | 4:00:49 | |
three in a row, then one behind.
He's taken the decider. He'll be | 4:00:49 | 4:00:52 | |
delighted. He defeats Mark Williams
by 6-5. | 4:00:52 | 4:01:01 | |
STUDIO: From 4-1 down, an amazing
come back. He wins five of the last | 4:01:01 | 4:01:07 | |
six does Ryan Day to go through to
the last 16 for only the third time | 4:01:07 | 4:01:10 | |
in his career and the first time for
a while. A fantastic win from Ryan | 4:01:10 | 4:01:14 | |
Day's perspective. The way he, like
Graeme Dott u, opportuned things | 4:01:14 | 4:01:20 | |
around. -- he turned things around.
Mark Williams had a brand new tip on | 4:01:20 | 4:01:25 | |
for the day, and that is never nice
for a player. He was 4-1 in front, | 4:01:25 | 4:01:29 | |
though. From | 4:01:29 | 4:01:30 | |
for a player. He was 4-1 in front,
though. From Ryan Day's perspective. | 4:01:30 | 4:01:32 | |
Perhaps that win has done him the
world of good. He's using it as a | 4:01:32 | 4:01:36 | |
spring board for further things.
Yeah it was a real deja vu, we | 4:01:36 | 4:01:44 | |
mentioned the semifinal frame in
Riga as well. He's pushing on from | 4:01:44 | 4:01:48 | |
that. Here he is. I I think Ryan is
a different player now that he's won | 4:01:48 | 4:01:53 | |
a tournament quite honestly. Ryan
will tell us in a minute! He's a big | 4:01:53 | 4:01:57 | |
lad, as well! I think he's a
different player. Let's see. A | 4:01:57 | 4:02:00 | |
different player, same person, but
do you feel a different player? No, | 4:02:00 | 4:02:03 | |
not at all. Just feel the same. I
was disappointed to be 4-1 behind. I | 4:02:03 | 4:02:09 | |
lost a couple of frames before the
interval. I probably should have won | 4:02:09 | 4:02:15 | |
those. Just try to stay positive and
patient and yeah, just held myself | 4:02:15 | 4:02:22 | |
together in the last frame. A bit
tricky where the balls were, but | 4:02:22 | 4:02:27 | |
it's a good win, considering what's
on the line, do you know, with the | 4:02:27 | 4:02:31 | |
race to the Masters. It's been a
while since I played there. | 4:02:31 | 4:02:34 | |
Obviously coming here this week,
that was the, probably the main | 4:02:34 | 4:02:37 | |
goal. It's a tough one, because the
Masters is its own event. But this | 4:02:37 | 4:02:43 | |
is a massive event. But it's in the
back of your mind. Yeah you're still | 4:02:43 | 4:02:46 | |
thinking about. It I wasn't going to
give in today. Kept on fighting. We | 4:02:46 | 4:02:51 | |
were talking about Riga and
congratulations again for that | 4:02:51 | 4:02:55 | |
fantastic win there. But you had to
go through a similar process, this | 4:02:55 | 4:02:58 | |
time in a semifinal to face Mark
there, final frame decider. Was that | 4:02:58 | 4:03:02 | |
on your mind at any point? To be
honest, it was. Close to the end, | 4:03:02 | 4:03:07 | |
5-4, then to the deciding frame.
Myself and Mark played in the semis | 4:03:07 | 4:03:12 | |
in Riga, it was 5-4 to me. It went
all the way there as well. Something | 4:03:12 | 4:03:19 | |
to draw on because I've been pretty
good in deciders and before my cue | 4:03:19 | 4:03:24 | |
broke I seemed to make one visit all
the time, every time I played in a | 4:03:24 | 4:03:27 | |
deciding frame. But I was glad to do
that today. That's a tough thing, | 4:03:27 | 4:03:31 | |
mid-way through a season, after
you've had a good victory, to all of | 4:03:31 | 4:03:35 | |
a sudden, for the cue that you've
trusted, to get used to a new one. | 4:03:35 | 4:03:38 | |
Have you struck lucky on a new cue
or put in hard work? It's been both. | 4:03:38 | 4:03:45 | |
This cue maybe a fraction too long.
There's plenty of whip in it. A | 4:03:45 | 4:03:50 | |
couple of the shots you hit with
pace, you can feel the cue ball all | 4:03:50 | 4:03:57 | |
the way into your hand. You look
settled with it, though. I'm more | 4:03:57 | 4:04:01 | |
settled. It doesn't make a very good
sound when you hit the ball. I can | 4:04:01 | 4:04:05 | |
live with that as long as it sends
the cue ball where I want it to go. | 4:04:05 | 4:04:10 | |
It's obviously a difficult thing to
have coped with in the first place. | 4:04:10 | 4:04:12 | |
We were talking about the
circumstances, obviously you have to | 4:04:12 | 4:04:15 | |
be resigned to that, but it must
have been pretty traumatic at the | 4:04:15 | 4:04:19 | |
time what happened. Tell everybody
the story of how it happened. Yeah I | 4:04:19 | 4:04:24 | |
was out in Thailand playing in the
six red event. The cue maker is a | 4:04:24 | 4:04:32 | |
Thai chap. He said he needed three
to four days to lengthen it and do | 4:04:32 | 4:04:36 | |
the work that was needed. So we had
- So you were making changes to your | 4:04:36 | 4:04:42 | |
cue? Yeah the wood under the ferrell
had started to go. He needed to cut | 4:04:42 | 4:04:47 | |
it down and lengthen it. He said
four days. We were there and a | 4:04:47 | 4:04:52 | |
couple of beers and the text message
come through and it was a picture of | 4:04:52 | 4:04:56 | |
my cue laying on the floor and
snapped in half. It was a bit | 4:04:56 | 4:05:03 | |
sobering. I think it come loose in
the lathe as he was turning it. It | 4:05:03 | 4:05:09 | |
span out and snapped in half. I know
it's been a tough road since then, | 4:05:09 | 4:05:13 | |
over the last couple of weeks, I
must say. Tough to play Mark as | 4:05:13 | 4:05:16 | |
well, because you've played him so
often. The ninth time this year | 4:05:16 | 4:05:19 | |
already. Yeah, we've played a lot
this season. Obviously he's been | 4:05:19 | 4:05:24 | |
playing great, won last week. Over
the distance, I think the new tip he | 4:05:24 | 4:05:31 | |
had to put on yesterday, he looked
unsettled, especially on the long | 4:05:31 | 4:05:35 | |
shots. So I just tried to, like I
said, stay patient and hopefully the | 4:05:35 | 4:05:40 | |
game was going to turn and it did.
Lee Walker asked - does the winner | 4:05:40 | 4:05:45 | |
buy the beers or the loser? I don't
know. I think they'll be going back | 4:05:45 | 4:05:50 | |
home, obviously. Mark's wife is not
very well. He will shoot back and | 4:05:50 | 4:05:53 | |
see her. Fingers crossedment I'm --
crossed. I'm sure she's been | 4:05:53 | 4:05:58 | |
watching that. Well done,
congratulations. You're through to | 4:05:58 | 4:06:01 | |
play Sarah McDonald or Li Hang --
Scott Donaldson. With the world | 4:06:01 | 4:06:10 | |
number two Judd Trump going home
because an exceptional performance | 4:06:10 | 4:06:13 | |
from Graeme Dott. He was 2-0 down.
The former world champion's tenacity | 4:06:13 | 4:06:20 | |
and sheer bottle saw him charge
right back to win the next six in a | 4:06:20 | 4:06:24 | |
row. Dott back in the limelight and
loving every single moment of this. | 4:06:24 | 4:06:32 | |
Judd says that's enough. He says,
"I've had enough." The world number | 4:06:32 | 4:06:38 | |
two has gone. That means we've lost
the world numbers one, two and three | 4:06:38 | 4:06:44 | |
in this UK Championship and the
world number 30 as he is now, Graeme | 4:06:44 | 4:06:47 | |
Dott, striding into the last 16.
It's kind of the way you've got to | 4:06:47 | 4:06:51 | |
go out there and think. Generally
these players don't have many off | 4:06:51 | 4:06:55 | |
days. You've got to take advantage
when you can. There were two | 4:06:55 | 4:06:58 | |
important frames. The frame at 2-0,
potted a good long red, flicked the | 4:06:58 | 4:07:03 | |
black in and the frame at 2-2, I
kind of threw that away. After that | 4:07:03 | 4:07:08 | |
I didn't get many more chances. I
missed a couple of easy balls which | 4:07:08 | 4:07:13 | |
is disappointing. Graham played
well. I was happy because he's only | 4:07:13 | 4:07:18 | |
really had 2-1 visits. But something
happened in the third frame when he | 4:07:18 | 4:07:22 | |
was in, I think he split the pack
and a red went in. You can never | 4:07:22 | 4:07:27 | |
tell the way the game could have
went. The number two has gone and | 4:07:27 | 4:07:32 | |
the man practising behind us,
Ronnie, world number four, is the | 4:07:32 | 4:07:35 | |
highest player left in this event
and the bookies' favourite from the | 4:07:35 | 4:07:38 | |
start. Sum up for you the manner of
that victory for Dott today. I | 4:07:38 | 4:07:44 | |
thought it was fabulous. He had
battle first of all. Scrapped to | 4:07:44 | 4:07:49 | |
earn the right to play the way he
towards the back end of the match. | 4:07:49 | 4:07:52 | |
As we said actually during the game,
there's little turning points. Judd | 4:07:52 | 4:07:57 | |
potted a long red, chipped a black
in the right hand pocket. That gave | 4:07:57 | 4:08:01 | |
Graham a foot hold, but he took. It
he's been a star man. Brilliant | 4:08:01 | 4:08:05 | |
performance. We've enjoyed what
we've seen today. We'll have a final | 4:08:05 | 4:08:12 | |
frame decider in the afternoon,
usually. It was fraught with | 4:08:12 | 4:08:14 | |
dangerer. We thought Ryan had given
Mark Williams a life line. He | 4:08:14 | 4:08:18 | |
couldn't get over the line to get
the snookers. Those frames are, sort | 4:08:18 | 4:08:23 | |
of, the ones that are fascinating,
we see big breaks, but every now and | 4:08:23 | 4:08:28 | |
again the tricky deciders are always
good. Graeme Dott was superb. Judd | 4:08:28 | 4:08:34 | |
Trump went out in a bit of whimper
today. He didn't seem to fight hard | 4:08:34 | 4:08:38 | |
enough in the end. There again,
Graeme was so good, what could he | 4:08:38 | 4:08:41 | |
do? He's gone through and it's Judd
who goes home. Mark Williams as | 4:08:41 | 4:08:47 | |
well. We know that Mark's wife Jo
has been ill. We wish you well. Your | 4:08:47 | 4:08:51 | |
fella is coming back to give you
some tlc over the next few days. | 4:08:51 | 4:08:56 | |
This evening, in our matches, we | 4:08:56 | 4:08:58 | |
This evening, in our matches, we
have another four matches. | 4:08:58 | 4:09:04 | |
Peter was chatting earlier to Steve.
Here in the players' room, players | 4:09:42 | 4:09:47 | |
still buzzing around. Peter, the UK
Championship has been pretty good to | 4:09:47 | 4:09:52 | |
you over the years. Yeah, it's been
a pretty good event for me. I really | 4:09:52 | 4:09:55 | |
like it. York's a great place as
well. I did well when it was at | 4:09:55 | 4:10:02 | |
Telford, yeah, it's been pretty
good. Your first-round opponent, you | 4:10:02 | 4:10:05 | |
got over the line. Eventually. We
were pulled off at 5-5. It was a bit | 4:10:05 | 4:10:09 | |
tense. But I got over the line to
win. You're playing Mark Allen this | 4:10:09 | 4:10:17 | |
evening. In the previous round he
beat your son Oliver. Yeah, it was | 4:10:17 | 4:10:22 | |
disappointing. Because it would have
been a good occasion for us to play | 4:10:22 | 4:10:25 | |
each other. But fair play to Mark he
did play well. Oliver played quite | 4:10:25 | 4:10:33 | |
well. Would it be a bit of family
revenge? Hopefully! If not maybe | 4:10:33 | 4:10:40 | |
Sarah, my wife, could beat him in
the next round. What's it like | 4:10:40 | 4:10:44 | |
having your son on the tour as well?
Obviously, a father, proud father, | 4:10:44 | 4:10:48 | |
but you've got your own career as
well. Quite a tough situation. Yeah, | 4:10:48 | 4:10:51 | |
it is difficult. I don't think
people realise how difficult it is. | 4:10:51 | 4:10:55 | |
It is especially difficult for me
because I have to prepare for | 4:10:55 | 4:10:58 | |
matches whilst I'm helping him
prepare for his matches. But it is | 4:10:58 | 4:11:02 | |
fantastic. He's given me a second
lease of life playing, because his | 4:11:02 | 4:11:07 | |
enthusiasm is so good it rubs off on
me. Good luck tonight. Yeah, thank | 4:11:07 | 4:11:10 | |
you. Peter's got a top-16 player in
his sights in Mark Allen this | 4:11:10 | 4:11:15 | |
evening. I can tell you, yet another
of the top 16 seeds is out because | 4:11:15 | 4:11:20 | |
just a few moments ago, The world
number 82 has toppled Marco Fu, | 4:11:20 | 4:11:29 | |
ranked seven in the world, a runner
up in this event in 2008. He's done | 4:11:29 | 4:11:33 | |
it in some style. He was 4-2 up.
Marco came back at him. 5-3 to Lyu | 4:11:33 | 4:11:41 | |
and 6-4. That is a tremendous father
in his cap for the man who just | 4:11:41 | 4:11:46 | |
turned 20 only last week.
Congratulations to him. We see some | 4:11:46 | 4:11:51 | |
of these wonderful Chinese players
beginning to show us what they're | 4:11:51 | 4:11:54 | |
capable of. It looks like this one
is about to go 5-5 and into a | 4:11:54 | 4:11:59 | |
decider. This is Liang, runner up a
couple of years ago. Stephen Maguire | 4:11:59 | 4:12:09 | |
of Glasgow was 5-4 up. There we go,
it's Liang who has forced another | 4:12:09 | 4:12:14 | |
final frame decider this afternoon.
We'll be updating you with that in | 4:12:14 | 4:12:23 | |
the highlights. A lot happening with
the four tables out there, upsets. | 4:12:23 | 4:12:29 | |
Good to see Lyu performing like that
in the big arena. He's only 20. But | 4:12:29 | 4:12:34 | |
he virtually retired a couple of
years ago. Now he's back into it. | 4:12:34 | 4:12:38 | |
He's taken a step, you know, he's
showing what he can do. He virtually | 4:12:38 | 4:12:42 | |
retired because he was the youngest
winner of the under 21 Championship. | 4:12:42 | 4:12:46 | |
He was only 14. He's been around
since forever. He's only just turned | 4:12:46 | 4:12:50 | |
20. Extraordinary the production
line of talent coming out of that | 4:12:50 | 4:12:53 | |
part of the world. Yeah, I think
this year, there's been a tipping | 4:12:53 | 4:12:57 | |
point in the performances of the
Chinese players in general. I think | 4:12:57 | 4:13:00 | |
they've finally come of age as a
group of players, not just making up | 4:13:00 | 4:13:04 | |
the numbers further down, but
they're starting to compete further | 4:13:04 | 4:13:06 | |
up the ladder now. We're seeing more
and more getting involved in the top | 4:13:06 | 4:13:09 | |
32. You're going to see more and
more of them in the final stages of | 4:13:09 | 4:13:12 | |
events I'm sure. That's the world
number 82 who has gone through | 4:13:12 | 4:13:17 | |
today. Fantastic stuff. There's a
lot of surprises here in York. Let | 4:13:17 | 4:13:20 | |
me just tell you about the coverage
that we'll have this evening: | 4:13:20 | 4:13:28 | |
In the meantime, thanks for your
company and thanks to Alan and Steve | 4:13:40 | 4:13:43 | |
for theirs. A terrific afternoon.
Bye-bye for now. | 4:13:43 | 4:13:51 |