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Good afternoon. If Walls could talk,
these could tell a few stories from | 0:00:34 | 0:00:42 | |
the Tyne & Wear. These structures
have stood in this magnificent city | 0:00:42 | 0:00:47 | |
since the 13th century, but it was a
tale over there in the Barbican | 0:00:47 | 0:00:51 | |
Centre that we were telling
yesterday. The world number one and | 0:00:51 | 0:00:56 | |
defending champion was beaten by a
man who had never even won a match | 0:00:56 | 0:00:59 | |
until he turned up here and played
in the shadow of this wall. Winter | 0:00:59 | 0:01:07 | |
is coming for Mark Selby a bit more
quickly than he expected. | 0:01:07 | 0:01:12 | |
The defending champion Mark Selby
leads 2-0. All square at two frames | 0:01:28 | 0:01:41 | |
each. | 0:01:41 | 0:01:45 | |
Scott Donaldson puts himself one
frame away from causing quite an | 0:01:59 | 0:02:02 | |
upset here. | 0:02:02 | 0:02:04 | |
A brilliant performance from Scott
Donaldson and he knocks at | 0:02:19 | 0:02:22 | |
A brilliant performance from Scott
Donaldson and he knocks at the | 0:02:22 | 0:02:22 | |
defending champion. Scott Donaldson,
a name now written into the history | 0:02:22 | 0:02:29 | |
of this event. And we have lost the
world number one Mark Selby and Ding | 0:02:29 | 0:02:35 | |
Junhui has also gone, leaving the
way in the bookmakers programmer | 0:02:35 | 0:02:38 | |
might at least Ronnie O'Sullivan. He
has been entertaining the crowds in | 0:02:38 | 0:02:44 | |
this for 25 years. Check this out,
you will be seeing him once again | 0:02:44 | 0:02:52 | |
today. | 0:02:52 | 0:02:53 | |
This young man is not a team yet.
Stephen Hendry will shake his hand. | 0:03:09 | 0:03:15 | |
A wonderful exhibition by this young
man. -- 18. | 0:03:15 | 0:03:30 | |
And with that 70 break Ronnie
O'Sullivan wins the UK Championship | 0:03:38 | 0:03:43 | |
for the second time.
# I can see clearly now the rain has | 0:03:43 | 0:03:54 | |
gone.
# I can see all the obstacles in my | 0:03:54 | 0:03:59 | |
way.
# Gone are dark clouds, it is going | 0:03:59 | 0:04:05 | |
to be a bright, sunshiny day. I will
not take anything for granted. It is | 0:04:05 | 0:04:12 | |
important I put a lot of effort in
and I will try my best from the word | 0:04:12 | 0:04:16 | |
go. | 0:04:16 | 0:04:22 | |
He is UK champion for the fourth
time. | 0:04:31 | 0:04:36 | |
# I can see clearly now the rain has
gone. | 0:04:36 | 0:04:43 | |
Superb, absolutely superb! He is a
genius! Yes, 1992 was the first time | 0:04:43 | 0:04:57 | |
Ronnie O'Sullivan played in the UK
Championship and 25 years later he | 0:04:57 | 0:05:03 | |
is still play in the big crowds here
in the Barbican Centre. His | 0:05:03 | 0:05:08 | |
second-round match is coming up for
you live this afternoon. He enjoyed | 0:05:08 | 0:05:15 | |
a blistering start to the season
with four finals and two more titles | 0:05:15 | 0:05:21 | |
to add to his collection. He played
and beat Michael Georgiou here a | 0:05:21 | 0:05:27 | |
couple of months ago. The Cypriot
aims to rewrite the script this | 0:05:27 | 0:05:32 | |
time. Shaun Murphy has not changed
his tune. | 0:05:32 | 0:05:36 | |
He is still playing the aggressive
game that has brought him silverware | 0:05:39 | 0:05:44 | |
this season. | 0:05:44 | 0:05:54 | |
And we will reflect on how the
unflappable Scott Donaldson | 0:05:55 | 0:05:59 | |
outplayed the world number one
yesterday. In fact, we have got | 0:05:59 | 0:06:07 | |
eight matches in total on the go
this afternoon in the second stage | 0:06:07 | 0:06:11 | |
of the championship. | 0:06:11 | 0:06:12 | |
Luca Brecel won his big title of the
season earlier on this year. | 0:06:21 | 0:06:37 | |
Ricky Walden is aiming to climb the
ladder into the top 16. | 0:06:37 | 0:06:41 | |
All that to look forward to and
could it get any more perfect? We | 0:06:55 | 0:07:00 | |
get to spend it in this excellent
company. Is that not lovely? A lot | 0:07:00 | 0:07:06 | |
to talk about on our first day of
coverage yesterday. Notably Mark | 0:07:06 | 0:07:10 | |
Selby. What was your perspective on
the magnitude of the achievement for | 0:07:10 | 0:07:16 | |
Scott Donaldson and how do you think
Mark Selby will respond to that | 0:07:16 | 0:07:20 | |
disappointment? He will be extremely
disappointed. The Masters and the | 0:07:20 | 0:07:27 | |
majors are the ones who are governed
by. I think he will be in a state of | 0:07:27 | 0:07:31 | |
shock more than anything. He had and
95% portrait which is only bettered | 0:07:31 | 0:07:37 | |
by Robertson. He made three times to
make 97%. It will be sore for him. | 0:07:37 | 0:07:46 | |
For the lad who won he has to back
it up in the next round. From his | 0:07:46 | 0:07:51 | |
point of view he took a big scalp.
They go there and they think, I have | 0:07:51 | 0:07:56 | |
not got a chance of winning and they
play freely. They are not thinking | 0:07:56 | 0:08:01 | |
about winning the tournament. Does
it change the complexion of the draw | 0:08:01 | 0:08:05 | |
knowing that the world number one
has gone? Absolutely. It perks up a | 0:08:05 | 0:08:11 | |
lot of the other top seeds in the
draw. The top half is wide open. And | 0:08:11 | 0:08:17 | |
the number two seed, and Ding Junhui
has gone. A lot of them will be | 0:08:17 | 0:08:25 | |
saying one of the hardest men to
play, Mark Selby, is out. What about | 0:08:25 | 0:08:30 | |
the man who opposed you yesterday,
Mark Robertson? You are commentating | 0:08:30 | 0:08:36 | |
on that match. I thought Ken played
fantastic yesterday. But the three | 0:08:36 | 0:08:43 | |
frames where he was absolutely
incredible, and you had no chance | 0:08:43 | 0:08:48 | |
yesterday. Thankfully the chair was
nice and comfortable. I was sitting | 0:08:48 | 0:08:55 | |
back and admiring it. He looked to
be back to his best and I have not | 0:08:55 | 0:08:58 | |
seen him play that well for a long
time and nobody has played as well | 0:08:58 | 0:09:02 | |
as that against me for a long time.
You could see he was confident. He | 0:09:02 | 0:09:08 | |
looks like a peacock around the
table and his queueing was great. | 0:09:08 | 0:09:14 | |
Last season he looked around the
table a bit too much and he was | 0:09:14 | 0:09:19 | |
confusing himself, but if he keeps
that up, he will be one to beat. The | 0:09:19 | 0:09:26 | |
man who was playing for fun, Jimmy
white, he was playing in the Garrard | 0:09:26 | 0:09:30 | |
at the back. He was very frustrated
about that. You have played him, | 0:09:30 | 0:09:34 | |
what difference does it make to you?
It makes a big difference. OK, Jimmy | 0:09:34 | 0:09:40 | |
is way down in the rankings, but he
is one of the biggest names in the | 0:09:40 | 0:09:45 | |
game. Why not put him out here in
front of that crowd? We do not know | 0:09:45 | 0:09:49 | |
how long he will be playing,
hopefully for a long time, BT has | 0:09:49 | 0:09:54 | |
been a great ambassador. He has won
this championship, he should have | 0:09:54 | 0:09:57 | |
been out there. Nonetheless he went
down. Let me remind you of some of | 0:09:57 | 0:10:05 | |
the other results because it was an
eventful day. | 0:10:05 | 0:10:10 | |
Only the top 16 in the world
rankings will be invited to | 0:10:20 | 0:10:24 | |
Alexandra Palace in the New Year. A
word about ticket sales. In July and | 0:10:24 | 0:10:32 | |
August this year's final of the UK
Championship was sold out. It has | 0:10:32 | 0:10:37 | |
been extraordinary that the public
have given it so much support. It is | 0:10:37 | 0:10:42 | |
wonderful to play here, they love
the snooker here. Last year the | 0:10:42 | 0:10:47 | |
final was one of the best matches I
have ever seen. If it is like last | 0:10:47 | 0:10:51 | |
year, we are in for a treat. Great
atmosphere, great crowds and it is | 0:10:51 | 0:10:57 | |
firmly established as the number one
championship in the UK. We mentioned | 0:10:57 | 0:11:03 | |
the rocket was in last year's final
and many people expect him to be | 0:11:03 | 0:11:07 | |
there in a week's time. However,
there is a lot of work to do and as | 0:11:07 | 0:11:13 | |
you know for Ronnie it is not all
about business. What hobby would you | 0:11:13 | 0:11:22 | |
get into if time and money were not
an issue? Art. I just love art. I | 0:11:22 | 0:11:29 | |
never thought I would, but a friend
of mine is very good at art and he | 0:11:29 | 0:11:33 | |
has brought me into the studio a few
times and I try to have a go and I | 0:11:33 | 0:11:38 | |
thought what an amazing feeling it
is. Like snooker you can get lost in | 0:11:38 | 0:11:43 | |
what you are doing. What is the most
inane question that people ask you? | 0:11:43 | 0:11:50 | |
When this your next tournament. Very
annoying. Or can I have a selfie? As | 0:11:50 | 0:11:58 | |
the only human left on Earth, what
would you do? Celebrate. Yes, no | 0:11:58 | 0:12:05 | |
humans! Beautiful planet. What do
you hope your last words will be? | 0:12:05 | 0:12:13 | |
Just be nice to each other, no more
wars, just let's cuddle each other, | 0:12:13 | 0:12:17 | |
be friends. What do people think is
weird about you? Everything, I am | 0:12:17 | 0:12:24 | |
just a weirdo. In your group of
friends what role do you play? The | 0:12:24 | 0:12:33 | |
feeder. I do like my food. We never
go hungry in his firm. What would | 0:12:33 | 0:12:41 | |
you be if it was a spirit animal?
Are taught us, nice and slow, nice | 0:12:41 | 0:12:47 | |
and relaxed, chilled out, just
taking my time. What light do you | 0:12:47 | 0:12:52 | |
tell most often? I am a very good
snooker player. What was the best | 0:12:52 | 0:13:02 | |
compliment you receive? You have got
great biceps! I am here in the | 0:13:02 | 0:13:15 | |
commentary box with Stephen Hendry
and we will be talking you through | 0:13:15 | 0:13:19 | |
the action. It is always a joy to
commentate on Ronnie O'Sullivan. | 0:13:19 | 0:13:25 | |
Yes, we are going to see snooker how
it is meant to be played. We will | 0:13:25 | 0:13:30 | |
see cue ball control, the right shot
played at the right time. Although | 0:13:30 | 0:13:34 | |
he is playing Michael Giorgione, and
we expect Ronnie to win, he will | 0:13:34 | 0:13:37 | |
give him respect. As one of the
greatest break builders and someone | 0:13:37 | 0:13:45 | |
who spearheaded break building, that
is one of the strengths of your | 0:13:45 | 0:13:49 | |
game, it must be a joy to watch
Ronnie O'Sullivan do it. Does he | 0:13:49 | 0:13:53 | |
ever surprise you with different
shots you would not think of? He is | 0:13:53 | 0:13:58 | |
one of the players you know what
shot he is going to play. I know | 0:13:58 | 0:14:02 | |
what he is planning two or three
shots ahead and it is a joy to | 0:14:02 | 0:14:06 | |
comment on. There is now an argument
to say this is Ronnie's championship | 0:14:06 | 0:14:12 | |
to lose with Mark Selby out.
Tactical play was not your strong | 0:14:12 | 0:14:16 | |
point. Does he ever surprise you?
His tactical game is as good as | 0:14:16 | 0:14:22 | |
anybody's. He really forces
opponents to make mistakes. We are | 0:14:22 | 0:14:27 | |
looking forward to the match.
Stephen is commentating on break | 0:14:27 | 0:14:32 | |
building and porting and I am doing
tactics, which means I have got an | 0:14:32 | 0:14:35 | |
easy day.
Ronnie B Michael | 0:14:35 | 0:14:48 | |
. He changed his nationality so he
could compete for Cyprus. He says he | 0:14:57 | 0:15:01 | |
is determined to develop the sport
there in the coming years and aims | 0:15:01 | 0:15:05 | |
to open Snooker Academy in coming
years. Big ambitions today and in | 0:15:05 | 0:15:10 | |
the future. We wish him well with
all that. We welcome back the one | 0:15:10 | 0:15:15 | |
and only Rob Walker. Good afternoon,
ladies and gentlemen. It is | 0:15:15 | 0:15:20 | |
brilliant to be back here at the
Barbican for the 2017 UK | 0:15:20 | 0:15:26 | |
Championship. What an atmosphere in
this very special arena. We are | 0:15:26 | 0:15:33 | |
poised for a sensational session of
snooker. | 0:15:33 | 0:15:44 | |
Please welcome on table two, a
player who has produced some of the | 0:15:49 | 0:15:55 | |
best form of his season. Hoping to
repeat his great run here 12 months | 0:15:55 | 0:16:00 | |
ago, here comes Liam Highfield! | 0:16:00 | 0:16:11 | |
And his opponent, a man who has once
again underlined his status as one | 0:16:18 | 0:16:22 | |
of the world's finest this season,
making three big finals and winning | 0:16:22 | 0:16:26 | |
the champion of champions. Sean the
magician Murphy. | 0:16:26 | 0:16:44 | |
On table one here comes a player
making his third consecutive | 0:16:51 | 0:16:54 | |
appearance in the second round of
the UK championship, beating Alfie | 0:16:54 | 0:16:59 | |
burden in a tense decider in the
opening round. This is a huge day | 0:16:59 | 0:17:03 | |
for the former world under 21
champion, Michael Georgiou. | 0:17:03 | 0:17:16 | |
And finally, 24 years after first
winning this title he is back once | 0:17:26 | 0:17:31 | |
more and in superb form. This season
he has already won the English Open | 0:17:31 | 0:17:37 | |
and the Shanghai Masters, five times
champion of the world, the rocket | 0:17:37 | 0:17:40 | |
Ronnie O'Sullivan. | 0:17:40 | 0:17:51 | |
It is all eyes on this match, table
one right now. We will see the other | 0:17:55 | 0:18:00 | |
match later, but it is also
available on the BBC sport website, | 0:18:00 | 0:18:05 | |
so you can watch it wherever you are
this afternoon. I know that Stephen | 0:18:05 | 0:18:10 | |
and Steve are more than happy to
watch this from the comfort of the | 0:18:10 | 0:18:13 | |
commentary box. | 0:18:13 | 0:18:13 | |
Welcome to the Ronnie O'Sullivan
show. Ronnie O'Sullivan to break. | 0:18:19 | 0:18:26 | |
There is always huge expectation
when Ronnie takes to the table. He | 0:18:26 | 0:18:32 | |
did beat Michael last year in this
event. I cannot remember if it was | 0:18:32 | 0:18:39 | |
6- 06- one, but obviously he is very
comfortable. | 0:18:39 | 0:18:45 | |
I have been informed it was 6-1. | 0:18:49 | 0:18:53 | |
It was not the plan to put the red
in the right corner pocket. This is | 0:19:30 | 0:19:39 | |
tough because there is no real
advantage. Forcing the cube or the | 0:19:39 | 0:19:47 | |
table and by doing that he made it a
lot harder. But he was forced to | 0:19:47 | 0:19:52 | |
play it. | 0:19:52 | 0:19:56 | |
In an exhibition you might be
tempted to play at topspin banana | 0:20:03 | 0:20:07 | |
shot. But I do not think that would
be played in the UK Championship! | 0:20:07 | 0:20:13 | |
Instead played to develop the black. | 0:20:13 | 0:20:19 | |
It is the first frame and he has
only scored eight. | 0:20:37 | 0:20:43 | |
There are not many players in the
game when you watch them from the | 0:20:52 | 0:20:56 | |
commentary box who seem to settle
down so much so quickly. You would | 0:20:56 | 0:21:05 | |
not put it past Ronnie O'Sullivan to
make a frame winning break, or a | 0:21:05 | 0:21:12 | |
large century. Yes, the many
strengths that Ronnie has is he is | 0:21:12 | 0:21:20 | |
one of the best players in the world
in the first frame and the last | 0:21:20 | 0:21:24 | |
frame. He seems to play his best
snooker. The first frame settles him | 0:21:24 | 0:21:30 | |
straightaway and then he has the
last frame to win the match. | 0:21:30 | 0:21:35 | |
That was always going to be the
problem with that shot going into | 0:21:49 | 0:21:54 | |
the main bunch. Just a bit thicker
on it than he wanted. A hardball | 0:21:54 | 0:21:58 | |
collision. | 0:21:58 | 0:22:05 | |
He made that look easy. | 0:22:10 | 0:22:20 | |
Awful contact. It took all the spin
of the cue ball. | 0:22:27 | 0:22:33 | |
It was not Ronnie O'Sullivan's fault
that break came to an end so soon. | 0:22:52 | 0:22:57 | |
That cost Michael possibly the first
frame. But it is such a pressure on | 0:23:46 | 0:23:56 | |
these players, the long game. You
never know, whenever you miss it | 0:23:56 | 0:24:08 | |
could cost you the frame. Yes, both
those shots were missed to the left | 0:24:08 | 0:24:15 | |
of the pocket. No player likes to
have a slice or a hook in the game. | 0:24:15 | 0:24:22 | |
He is not quite on the black as he
wanted. Has to do a bit more with | 0:25:32 | 0:25:37 | |
the cue ball here. Perfectly played. | 0:25:37 | 0:25:45 | |
There really is no one else in the
game who has such good cue ball | 0:25:50 | 0:25:55 | |
control. That is partly why he is so
fast, he does not have to think. | 0:25:55 | 0:25:59 | |
Also, Stephen, he has such a quick
brain for working out his shots and | 0:26:05 | 0:26:09 | |
that helps his rhythm. If you are a
player who gets confused in | 0:26:09 | 0:26:13 | |
positional play and you have to stop
to work things out, that can destroy | 0:26:13 | 0:26:18 | |
your rhythm easily. | 0:26:18 | 0:26:20 | |
It is speeded up off the cushion. | 0:26:29 | 0:26:31 | |
He hit that well. | 0:26:38 | 0:26:43 | |
Well, a solid performance in the
first frame. He definitely looks in | 0:27:00 | 0:27:07 | |
the groove as he has indeed done all
season. Let's have a look at his | 0:27:07 | 0:27:12 | |
record. Four finals and converted
two of them into victories. | 0:27:12 | 0:27:26 | |
Significantly the Shanghai Masters
was his 30th world ranking title | 0:27:26 | 0:27:30 | |
overtaking John Higgins and Steve
Davis on 28. Only Stephen Hendry to | 0:27:30 | 0:27:37 | |
beat on 36. Could he get there?
Absolutely, particularly with the | 0:27:37 | 0:27:42 | |
amount of ranking tournaments we
have now. There is more variety. I | 0:27:42 | 0:27:47 | |
know he does pick and choose, but he
seems to have peaked over these last | 0:27:47 | 0:27:52 | |
few weeks. He looked a bit jaded
when he came back from China and in | 0:27:52 | 0:27:56 | |
Northern Ireland he looked a bit
tired, but this is a tournament he | 0:27:56 | 0:28:00 | |
wants to play well in and I think he
has his target on six UK | 0:28:00 | 0:28:05 | |
Championships. I think that is what
inspires him, these targets and | 0:28:05 | 0:28:09 | |
records and he will be chasing
Stephen Hendry's 36. Why would you | 0:28:09 | 0:28:14 | |
not want to break all records? He
already owns the Masters record that | 0:28:14 | 0:28:19 | |
was previously owned by Stephen
Hendry, that was his seventh title, | 0:28:19 | 0:28:23 | |
and he seems to have that ambition
and drive again. Yes, he has found | 0:28:23 | 0:28:29 | |
it from somewhere. He loves the
game. He always liked practising. So | 0:28:29 | 0:28:35 | |
to have that longevity and we saw it
in the VAT, when he was at 17, and | 0:28:35 | 0:28:42 | |
to be playing at the standard that
he is playing at, higher than | 0:28:42 | 0:28:48 | |
everyone else, it is a phenomenal
talent. People say we should enjoy | 0:28:48 | 0:28:55 | |
him when he is playing because we
will not see another one like him. | 0:28:55 | 0:28:59 | |
Less enjoy. Let us enjoy. | 0:28:59 | 0:29:04 | |
Michael Georgiou clearing away
straightaway from the black. | 0:29:14 | 0:29:21 | |
Thinking negatively as a player
against Ronnie O'Sullivan perhaps | 0:29:21 | 0:29:24 | |
you would be a bit scared to leave
that out in the open. But there is | 0:29:24 | 0:29:30 | |
no way Michael is going to win
without being positive today. | 0:29:30 | 0:29:36 | |
A choice of reds into the left or
right middle. If he misses it, it | 0:30:02 | 0:30:10 | |
will be a shock to nothing.
Pressure, really. -- shot to | 0:30:10 | 0:30:14 | |
nothing. I think that is the thing
with Ronnie these days. He is | 0:30:14 | 0:30:21 | |
prepared to win with his big game
and even his seagoing. A couple of | 0:30:21 | 0:30:25 | |
times the performance meant more
than the result. He's talking about | 0:30:25 | 0:30:29 | |
targets and titles and it's all
about the result now. He is prepared | 0:30:29 | 0:30:35 | |
to scrap it to win ugly. Doesn't do
that very often. But he is prepared | 0:30:35 | 0:30:41 | |
to do it. Yes, I think there is a
mind shift to be able to do that. | 0:30:41 | 0:30:51 | |
And if you can get pride out of
winning, as you say, ugly, enjoy the | 0:30:51 | 0:30:58 | |
challenge when it's not a day which
is fluent, you end up winning a | 0:30:58 | 0:31:02 | |
match playing your beading. You go
back to your hotel room and think I | 0:31:02 | 0:31:08 | |
have been proud of that, I have done
a workmanlike job instead of | 0:31:08 | 0:31:12 | |
worrying about how it looked. It
makes you an even stronger player. | 0:31:12 | 0:31:18 | |
Players in the past would think
hopefully Ronnie will get | 0:31:37 | 0:31:39 | |
frustrated. Those days don't come
along any more. | 0:31:39 | 0:31:45 | |
It's really hard to see what kind of
game plan Michael should have today. | 0:31:49 | 0:31:58 | |
Perhaps even himself expects to lose
this match. How do you go about | 0:31:58 | 0:32:02 | |
playing it? Just enjoy it? The first
thing is you have to play the ball | 0:32:02 | 0:32:08 | |
is. Sometimes you don't get the
shots to attack or sometimes you | 0:32:08 | 0:32:13 | |
don't get to defend. It's just how
the game unfolds, how the frame | 0:32:13 | 0:32:16 | |
unfolds. Especially when you get a
couple of reds at the bottom half of | 0:32:16 | 0:32:24 | |
the table. You are obligated to play
safety to the top fish and. No | 0:32:24 | 0:32:29 | |
players really like this type of
game but they are forced sometimes | 0:32:29 | 0:32:32 | |
to do it. Yes, and whoever gets the
first chance after this exchange, it | 0:32:32 | 0:32:41 | |
would be a good one, because all of
the reds have been moved. | 0:32:41 | 0:32:45 | |
He was not playing to put the black
say. If that was the plan, it was an | 0:33:06 | 0:33:11 | |
awful plan. He was not planning to
play negatively. You just overheated | 0:33:11 | 0:33:19 | |
on the spot. -- he just overhit it
on the spot. | 0:33:19 | 0:33:29 | |
Ronnie, not even looking at the red. | 0:34:35 | 0:34:38 | |
I think he is prepared to wait it
out. First mistake. I think that is | 0:34:41 | 0:34:46 | |
a pretty big one. | 0:34:46 | 0:34:51 | |
Couldn't have done more damage from
a safety shot if you had tried | 0:34:53 | 0:34:56 | |
there, could you? I mean, it was a
positive shot. He got the white | 0:34:56 | 0:35:02 | |
where he wanted but must read where
the reds were going to end up. -- | 0:35:02 | 0:35:10 | |
miss read. That was a nice little
gap to find. The blue did not go to | 0:35:10 | 0:35:20 | |
the left middle. He has found the
gap. The first chance in these | 0:35:20 | 0:35:26 | |
exchanges is normally a good one
because the reds are everywhere. | 0:35:26 | 0:35:31 | |
Not the worst result. | 0:35:38 | 0:35:42 | |
No. If he uses the brown as the
black ball, to break build, the only | 0:35:47 | 0:35:53 | |
difference is he won't be
progressing points wise, as | 0:35:53 | 0:35:58 | |
strongly. He will need more reds to
get over the line. | 0:35:58 | 0:36:06 | |
He is on the black if he wants,
but... Does not leave the position | 0:36:49 | 0:36:55 | |
to chance. Something he very rarely
does. I feel like going into the | 0:36:55 | 0:37:06 | |
pack off the blues is something
which is strongly on his mind. If he | 0:37:06 | 0:37:16 | |
is going to go into the red above
the pink, as long as he does not hit | 0:37:16 | 0:37:19 | |
it to the left side as we look at
it, which is what he didn't do. He | 0:37:19 | 0:37:27 | |
had to go on the right-hand side. He
just overdid it. Got too much into | 0:37:27 | 0:37:34 | |
the cue ball there. Not enough back
spin to get on the far side. Ended | 0:37:34 | 0:37:39 | |
up just getting a bit too far. A bit
unlucky, though, to have got that | 0:37:39 | 0:37:44 | |
result. | 0:37:44 | 0:37:47 | |
Assuming the red does not go into
the middle pocket, it does go into | 0:38:21 | 0:38:24 | |
the corner. It wasn't particularly
that much of a shot to nothing the | 0:38:24 | 0:38:34 | |
way Michael Georgiou played it.
Quite tight into the middle. | 0:38:34 | 0:38:41 | |
I think the corner is much more
desirable here. | 0:38:45 | 0:38:49 | |
OK, Michael Georgiou is left with a
long read into the green pocket. So | 0:39:02 | 0:39:08 | |
far, on the long shots, he has
missed to the left of the pocket. | 0:39:08 | 0:39:15 | |
Hit it pretty well, to be fair. He
did not hit it that hard. | 0:39:23 | 0:39:31 | |
APPLAUSE | 0:40:53 | 0:40:55 | |
That's something we are both jealous
of, being able to pot balls like | 0:40:58 | 0:41:02 | |
that.
That is a scary shot. Not just the | 0:41:02 | 0:41:08 | |
fact he hit it and got it in the
pocket, but the control and the | 0:41:08 | 0:41:12 | |
striking, left-handed. You get used
to hitting the ball with your right | 0:41:12 | 0:41:18 | |
hand but to do it with your left
hand... I wonder if Eakin throw with | 0:41:18 | 0:41:27 | |
his wrong hand? -- I wonder if he
can throw with his left hand? | 0:41:27 | 0:41:34 | |
Incredible. That is a skill to have
in your armoury. Although, it has to | 0:41:39 | 0:41:47 | |
be said, far more players now are
starting their careers and | 0:41:47 | 0:41:50 | |
practising left-handed, opposite
handed. | 0:41:50 | 0:41:56 | |
Just hit the absolute perfect to
read there. | 0:42:04 | 0:42:08 | |
Still not got one red gone safe. | 0:42:12 | 0:42:17 | |
Played that last positional shot
disregarding where the pink was | 0:42:42 | 0:42:45 | |
because the pink is not so easy to
get back, so getting the right side | 0:42:45 | 0:42:50 | |
of the blue, two reds going to the
right corner. | 0:42:50 | 0:42:57 | |
One into the left. | 0:43:00 | 0:43:04 | |
So far, as we said at the top of the
show, it is the Ronnie O'Sullivan | 0:43:14 | 0:43:18 | |
show, but not just a big breaks.
Also considered safety play, as | 0:43:18 | 0:43:22 | |
well. Being patient. And he has got
his reward. Yes, Ronnie O'Sullivan I | 0:43:22 | 0:43:29 | |
think has become almost, percentage
rise, makes him sound defensive, but | 0:43:29 | 0:43:38 | |
he does not feel the need to take
risks. The opponents are under so | 0:43:38 | 0:43:43 | |
much pressure before they even come
to the table, there is no need. He | 0:43:43 | 0:43:47 | |
just plays his game, forces
opponents to make mistakes. Most | 0:43:47 | 0:43:53 | |
players he plays are beaten before
they even come to the table, it has | 0:43:53 | 0:43:56 | |
to be said. Yes, that is a big
problem for a player coming to play | 0:43:56 | 0:44:06 | |
against Ronnie O'Sullivan although
he didn't have it all his own way in | 0:44:06 | 0:44:08 | |
the first round. He played Jackson
page from Wales, who lost 6-3 in the | 0:44:08 | 0:44:17 | |
end. Don't think Michael Georgiou
will be coming back to the table so | 0:44:17 | 0:44:25 | |
Ronnie O'Sullivan goes into an 2-0
lead. | 0:44:25 | 0:44:30 | |
Ronnie, 2-0. His opponent Michael
Georgiou yet to score a point. | 0:45:36 | 0:45:39 | |
Looking at his body language, he
does not look full of confidence you | 0:45:39 | 0:45:46 | |
would have to say, but you can't
blame him. He has had the toughest | 0:45:46 | 0:45:50 | |
draw you can get. | 0:45:50 | 0:45:56 | |
He needs to get some feeling back in
his cue arm because, at the moment, | 0:46:00 | 0:46:04 | |
it must feel really tight. Once
again, he is going to be left with a | 0:46:04 | 0:46:10 | |
long red. The red on the black
question makes it comfortable to get | 0:46:10 | 0:46:20 | |
the cube will back up to the baulk
end. -- cue ball. | 0:46:20 | 0:46:29 | |
That will make him feel a bit
better. His first long pot. Now | 0:46:36 | 0:46:45 | |
needs to get the cue ball as tight
in the baulk cushion as possible. | 0:46:45 | 0:46:50 | |
Mis-hit that one. Quite a long way
out there with the safety. He very | 0:47:42 | 0:47:49 | |
rarely plays a safety shot. He's
always trying to manoeuvre angles, | 0:47:49 | 0:47:55 | |
similar to the way Alex Higgins used
to play. It is the type of shot you | 0:47:55 | 0:48:05 | |
feel like you are going to take on,
really, but you don't want to. It | 0:48:05 | 0:48:10 | |
looks like Ronnie O'Sullivan has got
away with that. Would you have gone | 0:48:10 | 0:48:16 | |
for that read? It did not look good,
the angle. When your opponent makes | 0:48:16 | 0:48:21 | |
a mistake these days, you want to
try £2. -- to pounce. | 0:48:21 | 0:48:37 | |
Again, that target behind green and
brown, looking for the cue ball, | 0:49:00 | 0:49:04 | |
just having to look. Looking to see
if there's any plans but if he plays | 0:49:04 | 0:49:11 | |
a safety, will he knock a red over
the safety pocket? It does look to | 0:49:11 | 0:49:16 | |
be some sort of plant on their into
the right corner. | 0:49:16 | 0:49:21 | |
Hit that pretty poorly, as well. Far
too thick. That plant is on. A | 0:49:28 | 0:49:38 | |
stupid four ball plant looks
possible. Four balls in a line. | 0:49:38 | 0:49:47 | |
Not now. | 0:49:47 | 0:49:50 | |
Has that red poked its snows out?
No. -- it's nose out first | 0:49:54 | 0:50:02 | |
this is dangerous. He has got to get
this right. | 0:50:07 | 0:50:14 | |
Well, it looked like he got the
right line there but the vast leap | 0:50:22 | 0:50:28 | |
overhit the shot. Whether that was a
big cushion bounce or just a bit of | 0:50:28 | 0:50:31 | |
tension in the arm. It's not looking
that good for Michael Georgiou at | 0:50:31 | 0:50:37 | |
the moment. Nowhere near settling
down in this match. | 0:50:37 | 0:50:43 | |
I suppose the only thing Ronnie
O'Sullivan has got to guard against | 0:51:48 | 0:51:53 | |
today is his complacency. Not being
put under any pressure, sometimes | 0:51:53 | 0:51:58 | |
your concentration can be affected.
But he still looks very focused. And | 0:51:58 | 0:52:04 | |
I think that is something he does
better than most top players. Even | 0:52:04 | 0:52:08 | |
when he is playing he is expected to
beat easily, he still looks focused | 0:52:08 | 0:52:13 | |
in the job. | 0:52:13 | 0:52:16 | |
It's always nice to have things your
own way, have the table to yourself, | 0:52:28 | 0:52:32 | |
dominate things. Ronnie O'Sullivan,
as a great champion, also has the | 0:52:32 | 0:52:39 | |
ability to be a great bully. | 0:52:39 | 0:52:43 | |
A choice of three red is going to
the left corner. -- reds. No need to | 0:53:07 | 0:53:19 | |
get the black. | 0:53:19 | 0:53:23 | |
Is not easy to continue this break
for a while. Bit of resolving to be | 0:53:27 | 0:53:36 | |
done. Quite a clever shopper there
to get on the pink -- clever shot. | 0:53:36 | 0:53:43 | |
Could disturb a few reds. Struck
that nicely. Perhaps too nicely? I | 0:53:43 | 0:53:52 | |
enjoy watching these breaks. He has
got to work everything out. All the | 0:53:52 | 0:53:59 | |
red block each other. This is where
he makes it so easy. And also he has | 0:53:59 | 0:54:10 | |
great touch. You find he very rarely
gets the wrong side of the ball. | 0:54:10 | 0:54:14 | |
That is his strength. | 0:54:14 | 0:54:17 | |
Used every bit of the pocket there.
I thought for a minute there was a | 0:55:34 | 0:55:39 | |
possibility that was going to miss.
That is not right. Very wide on that | 0:55:39 | 0:55:45 | |
pink. Still expect him to get it. | 0:55:45 | 0:55:50 | |
Michael Georgiou concedes. It's been
pretty easy so far. 3-0. I thought | 0:56:12 | 0:56:27 | |
possibly...
HAZEL IRVINE: I thought was going to | 0:56:27 | 0:56:30 | |
finish that thought. Your thoughts
on what we have seen so far. It's | 0:56:30 | 0:56:34 | |
produced and forward. Yes, it's hard
for Michael Georgiou. You are | 0:56:34 | 0:56:40 | |
produced and forward. Yes, it's hard
for Michael Georgiou. You are | 0:56:40 | 0:56:41 | |
playing in front of the cameras.
It's a bit different playing there | 0:56:41 | 0:56:43 | |
as opposed to at home. There's so
much pressure as Stephen Hendry said | 0:56:43 | 0:56:52 | |
commentary. Every long ball, safety
shot, there's so much pressure on | 0:56:52 | 0:56:56 | |
you and he is not settled down. It's
very easy for Ronnie O'Sullivan at | 0:56:56 | 0:57:01 | |
the moment. Is there a degree of
rising panic in this situation | 0:57:01 | 0:57:05 | |
because you don't want to let
yourself down and you want to show | 0:57:05 | 0:57:08 | |
what you have got because he's very
serious about his profession. I | 0:57:08 | 0:57:13 | |
remember last year, when he played
in the tournament, he said he was | 0:57:13 | 0:57:16 | |
intimidated. But also he said you
sit in the chair and you are | 0:57:16 | 0:57:21 | |
watching and thinking, how good is
he? You forget what you are supposed | 0:57:21 | 0:57:25 | |
to be doing which is going to work.
Looks like it's happening exactly | 0:57:25 | 0:57:30 | |
the same today. He has not settled
down at all. I don't blame him for | 0:57:30 | 0:57:34 | |
going out and composing his thoughts
about. 225-1 is the score the | 0:57:34 | 0:57:40 | |
moment. It was about 400 odd points
Neal Robertson scored against you. | 0:57:40 | 0:57:46 | |
Thanks for that. I merely mention
because that's what players feel | 0:57:46 | 0:57:53 | |
when that happens. I met in this
morning. I said good luck today. I | 0:57:53 | 0:57:59 | |
told him to go and enjoy it. You
have to enjoy it and sometimes, even | 0:57:59 | 0:58:03 | |
if the other guys playing so well,
you have to wait your chance but | 0:58:03 | 0:58:07 | |
enjoyed the whole scenario. There's
not many chances are playing one of | 0:58:07 | 0:58:12 | |
the best players who has ever played
the game and you have to enjoy those | 0:58:12 | 0:58:15 | |
moments but when your chance comes
along, you have to take it and | 0:58:15 | 0:58:19 | |
compose yourself and, at the moment,
he's not getting any chances. The | 0:58:19 | 0:58:24 | |
longer it goes on it gets magnified.
That's a problem he's got. In a | 0:58:24 | 0:58:28 | |
perfect situation he would have got
a dolly chance in the first frame. | 0:58:28 | 0:58:32 | |
It's not happened. Now it is 2-0,
3-0, getting worse and he feels like | 0:58:32 | 0:58:40 | |
he is in quicksand so we've got to
school the next one. If it goes to | 0:58:40 | 0:58:44 | |
4-0, it is all over. It's
unfortunate because Michael has | 0:58:44 | 0:58:47 | |
worked so hard to get himself on the
tour. He fell off it last year. He | 0:58:47 | 0:58:51 | |
came through the cue School,
qualifying school, really tough way | 0:58:51 | 0:58:56 | |
to come through. It shows his
confidence and composure. He has the | 0:58:56 | 0:59:04 | |
game to upset and has got a few good
results so far this season. But this | 0:59:04 | 0:59:09 | |
is a different kettle of fish. It's
a different game that's for sure. | 0:59:09 | 0:59:14 | |
Steve, you were saying? | 0:59:14 | 0:59:16 | |
I can't remember what I was going to
say. It was so long ago. He could | 0:59:23 | 0:59:32 | |
have got his cue arm going and
potted a view. -- a view. -- a few. | 0:59:32 | 0:59:44 | |
That is a knife wound to Michael
Georgiou. | 0:59:44 | 0:59:50 | |
A possible red to left middle. It
was a great attempt to make | 1:00:15 | 1:00:24 | |
something happen off quite a tight
pack. | 1:00:24 | 1:00:27 | |
He had a little look. I do not think
he has left a read. If he has, it is | 1:00:40 | 1:00:47 | |
a tactical mistake. He has played it
as a shot to nothing. | 1:00:47 | 1:00:52 | |
Every bit a stalemate. He does not
want to be tip tapping around, but | 1:00:58 | 1:01:09 | |
there is no alternative. Ronnie
O'Sullivan is very clever at | 1:01:09 | 1:01:16 | |
stopping stalemates usually. He
works out some clever shots. | 1:01:16 | 1:01:28 | |
He could send the cue ball down into
the jaws of the yellow pocket. | 1:01:29 | 1:01:37 | |
Spotted a nice place on the cushion
that does no damage whatsoever. That | 1:01:37 | 1:01:45 | |
is the end of the stalemate. | 1:01:45 | 1:01:47 | |
Oh, my goodness! A marvellous pot.
OK, he is not perfectly on the | 1:02:17 | 1:02:30 | |
black, but you would expect him to
cut this back. He has had most of | 1:02:30 | 1:02:35 | |
the table time today. Nope. First
mistake. Has he left anything easy | 1:02:35 | 1:02:41 | |
for Michael Georgiou? | 1:02:41 | 1:02:44 | |
He has got a read to the far left
corner, but it is not the easiest | 1:02:49 | 1:02:54 | |
opportunity. | 1:02:54 | 1:02:55 | |
Well done. But the problems have not
ended. He has to get the cue ball | 1:02:59 | 1:03:09 | |
out from that pocket. | 1:03:09 | 1:03:15 | |
He perhaps caught it a fraction V or
did not hit it hard enough. I think | 1:03:28 | 1:03:33 | |
your choice of short, a half of all
black, was the better option. That | 1:03:33 | 1:03:43 | |
shot would not have relied on
perfect weight. | 1:03:43 | 1:03:46 | |
Good shot. But the problems do not
stop. Awkward cueing. | 1:03:49 | 1:04:12 | |
One good pot with the green and he
has got a decent opportunity in this | 1:04:13 | 1:04:16 | |
fourth frame. | 1:04:16 | 1:04:17 | |
But he is just under so much
pressure every time he comes to the | 1:04:23 | 1:04:27 | |
table. He is just a bit overawed out
there. That was a long way out. He | 1:04:27 | 1:04:39 | |
got some left-hand spin on the ball
and pushed the cue ball into the | 1:04:39 | 1:04:43 | |
green. He did not play that one
correctly. But still a chance of the | 1:04:43 | 1:04:53 | |
black similar to the one he had
angle wise before. | 1:04:53 | 1:04:57 | |
That is another black of its spot.
When Michael comes to the table he | 1:05:13 | 1:05:18 | |
is entitled to think he might have
an easy read to start with. But you | 1:05:18 | 1:05:24 | |
make your own problems because that
shot when the black was over the | 1:05:24 | 1:05:28 | |
pocket, going into the reds was a
more positive way of going about it, | 1:05:28 | 1:05:32 | |
opening it up, trying to make
something work. Yes, the balls do | 1:05:32 | 1:05:40 | |
not forgive you if you do not play
the right shot. | 1:05:40 | 1:05:44 | |
Ken told him to just go out and
enjoy it. I do not think he is | 1:06:39 | 1:06:44 | |
enjoying it, Michael Georgiou. You
cannot enjoy it if you are not doing | 1:06:44 | 1:06:50 | |
yourself justice out on the table.
It is an awful feeling. As you | 1:06:50 | 1:06:55 | |
mentioned earlier, Stephen, about
the different Ronnie O'Sullivan we | 1:06:55 | 1:07:03 | |
CDs days. In the past it has been
about his performance and not | 1:07:03 | 1:07:07 | |
getting over the line and winning.
Sometimes in a match like this, | 1:07:07 | 1:07:13 | |
missing two blacks off the spot, he
would have beaten himself up. He | 1:07:13 | 1:07:17 | |
does not do that now. It goes
straight out of his mind and it is | 1:07:17 | 1:07:24 | |
about the result. | 1:07:24 | 1:07:27 | |
This match has long gone as a
contest. | 1:07:41 | 1:07:45 | |
Currently this is a bread-and-butter
performance for Ronnie O'Sullivan, | 1:08:00 | 1:08:04 | |
to be as clinical as possible and
get into the next round. Save the | 1:08:04 | 1:08:11 | |
major accolades for the latter
rounds. It is all about getting into | 1:08:11 | 1:08:14 | |
the final and enjoying the final. | 1:08:14 | 1:08:17 | |
In the commentary box Stephen is
laughing at me about that last | 1:08:25 | 1:08:29 | |
remark. But surely it is all about
getting into the final? At the top | 1:08:29 | 1:08:38 | |
of the show we talked about the big
shock yesterday, Mark Selby. | 1:08:38 | 1:08:42 | |
Ronnie O'Sullivan was one of the
only people who could have beaten | 1:08:50 | 1:08:54 | |
him will stop so now he is one of
the favourites to win the Champion. | 1:08:54 | 1:09:00 | |
We have seen a few balls recently
where he hit the near jaw and it | 1:09:00 | 1:09:04 | |
dropped in. People will say the
pockets are playing too easy. With | 1:09:04 | 1:09:10 | |
that particular one Ronnie expected
it to drop. | 1:09:10 | 1:09:13 | |
He tried to shift those two reds
away from the black. | 1:09:19 | 1:09:30 | |
The vast majority of shots Michael
Georgiou has missed today I missed | 1:09:35 | 1:09:39 | |
to the left of the pocket. He will
know that as much as we can see in | 1:09:39 | 1:09:46 | |
the commentary box. Somehow he is
inadvertently putting side spin on | 1:09:46 | 1:09:51 | |
the cue ball going across the face
from the middle when he hits the | 1:09:51 | 1:09:56 | |
ball. | 1:09:56 | 1:09:58 | |
His right hand on the cue, he is
gripping it so tightly, his cue | 1:10:04 | 1:10:08 | |
action is not flowing. It does not
get through the ball. It is due to | 1:10:08 | 1:10:15 | |
the fact he is out of his comfort
zone out there unfortunately. | 1:10:15 | 1:10:19 | |
That is what I was talking about
earlier. Guarding against losing | 1:11:11 | 1:11:17 | |
concentration because things are too
easy. That is Ronnie's biggest enemy | 1:11:17 | 1:11:21 | |
today. | 1:11:21 | 1:11:27 | |
I did not expect Ronnie O'Sullivan
to lose his grip on forging ahead, | 1:11:31 | 1:11:36 | |
but he has left a door ajar for
Michael Georgiou. But you get the | 1:11:36 | 1:11:43 | |
feeling it is not going to happen
for him. | 1:11:43 | 1:11:46 | |
That was a tough shot. | 1:12:06 | 1:12:08 | |
He had to play that slowly otherwise
it would have gone into another area | 1:12:13 | 1:12:19 | |
of the table. That is a great safety
shot from Ronnie O'Sullivan. | 1:12:19 | 1:12:26 | |
He made it look very easy. He is in
trouble here as well. Two cushions. | 1:12:37 | 1:12:52 | |
He has got to get this right. The
pace and the line have to be | 1:12:52 | 1:12:56 | |
perfect. You cannot argue with that.
He could, however, be in some | 1:12:56 | 1:13:04 | |
trouble now. | 1:13:04 | 1:13:06 | |
He has got to try and keep the ball
safe as well, so if he does choose | 1:13:26 | 1:13:31 | |
to go across the table, what he is
hoping for is not a full-ball | 1:13:31 | 1:13:36 | |
contact. Does he decide to try and
hit one side of the red or the other | 1:13:36 | 1:13:44 | |
or does he trusts to a bit of luck. | 1:13:44 | 1:13:51 | |
REFEREE: File and a miss. Not the
right amount of side spin. | 1:13:57 | 1:14:05 | |
He cannot afford to miss the game,
otherwise he will require snookers. | 1:14:27 | 1:14:32 | |
It is nothing to do with the cue
ball. Just make sure you pop the red | 1:15:53 | 1:15:58 | |
because you will automatically be on
the pink. | 1:15:58 | 1:16:03 | |
I beg your pardon, he needs two
blacks. | 1:16:09 | 1:16:11 | |
Getting on the yellow would not be a
bad thing. Good and bad. But he will | 1:16:29 | 1:16:40 | |
be more interested in getting
another black off this red. Sorry to | 1:16:40 | 1:16:45 | |
keep on going on about it, Michael,
he missed to the left of the pocket. | 1:16:45 | 1:16:51 | |
You can tell yourself that is
unlucky, but you should not have | 1:16:51 | 1:16:54 | |
been missing the red in the first
place. | 1:16:54 | 1:17:01 | |
Well, that is the end of the frame.
Ronnie O'Sullivan will be going into | 1:17:23 | 1:17:29 | |
a 4-0 lead and looking very
comfortable. There is the | 1:17:29 | 1:17:37 | |
concession. 4-0, Ronnie O'Sullivan. | 1:17:37 | 1:17:41 | |
A bit of inaccuracy from both men.
Steve made a good point, it must be | 1:17:46 | 1:17:51 | |
difficult when as a contest it seems
to be over but you still have to go | 1:17:51 | 1:17:55 | |
out there and do the professional
job. He is not really getting any | 1:17:55 | 1:18:02 | |
opposition at the moment. Michael is
a very competent match player, but | 1:18:02 | 1:18:05 | |
he is not showing up at all today.
From Ronnie's point of view he just | 1:18:05 | 1:18:10 | |
needs to keep doing what he is
doing. Michael needs to get some | 1:18:10 | 1:18:14 | |
sort of foothold. To be 4-0 down to
Ronnie O'Sullivan makes it look as | 1:18:14 | 1:18:20 | |
if it is all over. On the outside
tables there has been all sorts of | 1:18:20 | 1:18:25 | |
excitement. Michael King is very
close to being a maximum man here, | 1:18:25 | 1:18:30 | |
but he missed. On the outside tables
we have got eight matches going on. | 1:18:30 | 1:18:37 | |
That would have been a £15,000
bonus. What they call a Christmas | 1:18:37 | 1:18:42 | |
present. Even out in the so-called
garage the pressures come on. What | 1:18:42 | 1:18:52 | |
is the pre-eminent moment in your
spot to get the maximum? I managed | 1:18:52 | 1:18:59 | |
to do it once, but I am more famous
for missing the black for the | 1:18:59 | 1:19:04 | |
maximum. It is a nice feather in his
cap. Unfortunately for Mark, missing | 1:19:04 | 1:19:10 | |
the pain, he will be horrified at
missing out on a nice Christmas | 1:19:10 | 1:19:13 | |
present. But Mike King is doing very
well. He is totally rejuvenated. 20 | 1:19:13 | 1:19:20 | |
odd years as a professional, so it
is great to see him back and playing | 1:19:20 | 1:19:24 | |
so well. Who knows? We might get the
maximum. Ryan Day missed on the | 1:19:24 | 1:19:30 | |
green. It looks like we might be
building up to one. We have had a | 1:19:30 | 1:19:36 | |
few events here in the past few
days. Ding Junhui, the second seed | 1:19:36 | 1:19:42 | |
and the world number three who
departed. Ali Carter was ranked in | 1:19:42 | 1:19:50 | |
the top 16 as well and he went out.
But yesterday, the world number one | 1:19:50 | 1:19:55 | |
Mark Selby departed the scene and it
was all down to a man called | 1:19:55 | 1:19:58 | |
Donaldson. Scott Donaldson gets it
under way. | 1:19:58 | 1:20:07 | |
The defending champion Mark Selby
leads 2-0. All square at two frames | 1:20:17 | 1:20:28 | |
each. | 1:20:28 | 1:20:31 | |
Scott Donaldson puts himself just
one frame away from causing quite an | 1:20:48 | 1:20:52 | |
upset. | 1:20:52 | 1:21:02 | |
A brilliant performance from Scott
Donaldson and he knocks out the | 1:21:07 | 1:21:10 | |
defending champion. | 1:21:10 | 1:21:11 | |
And here is the man of the hour.
Congratulations. How have the last | 1:21:14 | 1:21:21 | |
24 hours been? What has the reaction
been like? I had a lot of messages, | 1:21:21 | 1:21:25 | |
but I am not going to get carried
away. It does not matter who you | 1:21:25 | 1:21:30 | |
beat, it is just another win.
Delighted to get through. You were | 1:21:30 | 1:21:36 | |
very calm and measured yesterday
considering you had been 2-0 down | 1:21:36 | 1:21:41 | |
and you came back. You took the
chances so well. That is what | 1:21:41 | 1:21:45 | |
everyone was saying. You were given
a few chances, but you catch | 1:21:45 | 1:21:49 | |
yourself together. How did you do
that? I can't tell you. It is a | 1:21:49 | 1:21:56 | |
strange game at times, as you know.
Some days you cannot pot of all and | 1:21:56 | 1:22:02 | |
luckily for me yesterday they all
went in. On another day I could have | 1:22:02 | 1:22:06 | |
missed them all. I cannot really get
an answer to that but I am happy to | 1:22:06 | 1:22:11 | |
be able to take my chances and get
through to the next round. It is a | 1:22:11 | 1:22:15 | |
great confidence booster as well.
You have beaten the world number one | 1:22:15 | 1:22:19 | |
on TV. You have been working hard,
but it is great to get. This is what | 1:22:19 | 1:22:26 | |
your season needed, a kick-start? It
is also good to get a decent couple | 1:22:26 | 1:22:32 | |
of wins in a bid to match like this.
That is pleasing. But I have been | 1:22:32 | 1:22:39 | |
disappointed in my form in the last
few months, so I changed stuff on my | 1:22:39 | 1:22:44 | |
cue and did nefarious things. You
did hit not rock bottom, but you did | 1:22:44 | 1:22:50 | |
tweet something I am not sure if you
remember. If anybody is walking and | 1:22:50 | 1:22:57 | |
they see my game are lying on the
floor, could they please hand it | 1:22:57 | 1:23:01 | |
back to me as soon as possible? That
was only last week in Belfast. I was | 1:23:01 | 1:23:07 | |
so low. It shows you how things can
change in a couple of days. Never | 1:23:07 | 1:23:11 | |
give up. Is there any one thing or
did it just start flowing? Maybe | 1:23:11 | 1:23:21 | |
because I tweeted that it may be a
bit annoyed and angry. When I saw it | 1:23:21 | 1:23:26 | |
I laughed because I could relate to
it. I'm sure all of us can relate to | 1:23:26 | 1:23:31 | |
it. Sometimes the game leaves you
and you do not know why and you are | 1:23:31 | 1:23:35 | |
still working hard and practising.
But you need the confidence. It is | 1:23:35 | 1:23:39 | |
like a vicious circle. You are
trying to get on that roundabout. | 1:23:39 | 1:23:45 | |
Hopefully this will be the
kick-start for him. We talked about | 1:23:45 | 1:23:50 | |
the impact it will have amongst the
other players, the departure of Mark | 1:23:50 | 1:23:53 | |
Selby. From what you have said what
has been the reaction of the other | 1:23:53 | 1:23:59 | |
players? In terms of? Are they
slapping you on the back? I have | 1:23:59 | 1:24:07 | |
definitely had a lot of
congratulations but I do not really | 1:24:07 | 1:24:13 | |
take much notice of that. I do not
care if people say it is good or | 1:24:13 | 1:24:17 | |
bad. I am just staying in my own
head and giving myself calm and | 1:24:17 | 1:24:25 | |
keeping myself calm. That is very
wise because you now have a match | 1:24:25 | 1:24:32 | |
against Lee Hann of China who has
gone pretty far in a couple of | 1:24:32 | 1:24:36 | |
events. In the semifinals of the
China championship. But your record | 1:24:36 | 1:24:41 | |
against him is good. Yes, I have
beaten him twice. He is a great | 1:24:41 | 1:24:47 | |
player, I have watched him a couple
of times and he scores heavily. At | 1:24:47 | 1:24:54 | |
hard part now is after climbing
Everest against the number one it is | 1:24:54 | 1:25:01 | |
to come down to earth. That is the
right attitude. Forget about that | 1:25:01 | 1:25:06 | |
much, it has gone, just think about
this match and recreate all the | 1:25:06 | 1:25:08 | |
great moments from yesterday. It is
like in Wimbledon sometimes you see | 1:25:08 | 1:25:14 | |
somebody beating Federer Rafael
Nadal in the first round and then | 1:25:14 | 1:25:18 | |
you never see that guy again. That
is a very excellent way to thing. | 1:25:18 | 1:25:25 | |
Well done again. You have created a
lot of headlines. 12 years ago a | 1:25:25 | 1:25:32 | |
young Shaun Murphy created a lot of
headlines as well. He was only 22 | 1:25:32 | 1:25:35 | |
when he turned up at the Crucible
and won the World Championship. He | 1:25:35 | 1:25:41 | |
was only the second ever qualifier
to do so. Since then he has gone on | 1:25:41 | 1:25:45 | |
to become one of the greats of the
game and has won all of the major | 1:25:45 | 1:25:49 | |
titles and this season he is proving
he is in very good nick. Shaun | 1:25:49 | 1:26:00 | |
Murphy was born on the 10th of
August 1982. His nickname is the | 1:26:00 | 1:26:09 | |
magician. At the age of 13 he
secured a £5,000 a year sponsorship. | 1:26:09 | 1:26:16 | |
In 2000 he received the world
Snooker newcomer of the year. Sean | 1:26:16 | 1:26:23 | |
is a keen pianist and talented
golfer who occasionally hit a subpar | 1:26:23 | 1:26:27 | |
round. His first title was the 2005
World Championship beating Matthew | 1:26:27 | 1:26:35 | |
Stevens in the final. As well as
winning at the Crucible he has taken | 1:26:35 | 1:26:39 | |
the Masters and the UK Championship
titles. He has been ranked in the | 1:26:39 | 1:26:44 | |
top eight in the world in the past
12 years. He donates £100 for every | 1:26:44 | 1:26:52 | |
century to the Royal Manchester
Children's Hospital. He has won more | 1:26:52 | 1:26:57 | |
than £3 million in prize money. And
that adds up to a whole lot of good | 1:26:57 | 1:27:06 | |
snooker. This fellow has been
playing good snooker as well, | 1:27:06 | 1:27:11 | |
27-year-old Liam Highfield. | 1:27:11 | 1:27:12 | |
He comes from Stoke and when he is
not putting in the hours on the | 1:27:21 | 1:27:26 | |
practice table, he is putting in the
miles on the roads because he is a | 1:27:26 | 1:27:30 | |
very keen long-distance runner and a
half marathon bag as well. We picked | 1:27:30 | 1:27:35 | |
this one up in frame two. Murphy has
taken a 1-0 lead. Your commentary is | 1:27:35 | 1:27:43 | |
from Peter Ebdon and Dennis Taylor. | 1:27:43 | 1:27:45 | |
Not ideally on a colour. | 1:28:01 | 1:28:12 | |
That is a good pot. It is never easy
when you are digging down into the | 1:28:15 | 1:28:20 | |
cue ball. He played that with a
touch on the right-hand side as well | 1:28:20 | 1:28:26 | |
which made it even more difficult. A
good pot in the circumstances. | 1:28:26 | 1:28:31 | |
Can he get on the red in the right
corner? Yes, he can. | 1:28:45 | 1:28:49 | |
It clears the path for the black
into the same pocket. Let's see if | 1:28:54 | 1:29:02 | |
he can knock in the reasonable
break. | 1:29:02 | 1:29:05 | |
Is that aggressive enough for you,
Dennis? It was the order of the day. | 1:29:21 | 1:29:27 | |
He has given himself an excellent
opportunity now. | 1:29:27 | 1:29:30 | |
You could not have the red sitting
much better than this. It was the | 1:29:34 | 1:29:39 | |
shock off the black that opened them
up. | 1:29:39 | 1:29:44 | |
But that cue action, even amongst
the balls, he pulled the cue back | 1:29:52 | 1:29:56 | |
quite a long way. It is just his
natural way of playing. We keep | 1:29:56 | 1:30:03 | |
talking about the Rolls-Royce cue
action that he has. Sometimes when | 1:30:03 | 1:30:07 | |
you are in close control, it can be
a bit of a disadvantage. | 1:30:07 | 1:30:14 | |
That's the key to this game of
snooker. | 1:30:19 | 1:30:24 | |
Very well controlled. | 1:30:53 | 1:30:57 | |
When he's in full flow, he really is
a beautiful player to watch. He | 1:31:04 | 1:31:09 | |
times the ball so well. I remember
when he beat Neal Robertson in the | 1:31:09 | 1:31:14 | |
final of the Masters, Dennis, a
while ago. I think it was as well as | 1:31:14 | 1:31:20 | |
I had ever seen anybody time the
ball. He cued so well in that | 1:31:20 | 1:31:23 | |
tournament. When he won his world
title, against Matthew Stevens, he | 1:31:23 | 1:31:30 | |
came from behind. Absolutely
incredible how he played. I remember | 1:31:30 | 1:31:36 | |
travelling down on the coach with a
lot of the Welsh supporters and they | 1:31:36 | 1:31:40 | |
thought he was going to be world
champion but Sean had other ideas. | 1:31:40 | 1:31:45 | |
Talk about break buildings, he's
made 438 centuries in his career. | 1:31:45 | 1:31:55 | |
Well, he will have two pot a long
blue. A trademark of Shaun Murphy. | 1:31:55 | 1:32:02 | |
He is not safe, so there is a bit of
pressure on this. Lets see if it | 1:32:02 | 1:32:06 | |
goes right into the heart of the
pocket. No. So even with that cue | 1:32:06 | 1:32:14 | |
action, when you know the importance
of the shot, even the great players | 1:32:14 | 1:32:18 | |
can miss. | 1:32:18 | 1:32:21 | |
Well, the chance is there for Liam.
He had an opening frame chance even | 1:32:26 | 1:32:32 | |
though he was behind. What can he
make of this opportunity? | 1:32:32 | 1:32:37 | |
Big pressure. On Liam Highfield. He
knows the importance of this visit. | 1:32:40 | 1:32:48 | |
He would love to get a foothold in
this match. And draw level. | 1:32:48 | 1:32:56 | |
The pink is on the right-hand side
of the table for him, as well, being | 1:33:05 | 1:33:11 | |
a left-hander, so the balls are
there for him. It's just about | 1:33:11 | 1:33:15 | |
keeping himself together now. | 1:33:15 | 1:33:19 | |
Any harder, that would have stayed
out. | 1:33:46 | 1:33:50 | |
He will have two come up for the
blue here. Went instead for the | 1:34:00 | 1:34:05 | |
black. Just screwed it slightly so
it is imperative he gets the other | 1:34:05 | 1:34:11 | |
side of the blue. Doesn't want to
come up short. I think he's just | 1:34:11 | 1:34:23 | |
about OK. A quick glance at the
scoreboard. 17 behind. | 1:34:23 | 1:34:31 | |
He has tried to work out whether he
needs the pink to level the score | 1:34:36 | 1:34:41 | |
up. | 1:34:41 | 1:34:43 | |
As Peter said, the pink won't be a
problem because he's a left-hander | 1:35:01 | 1:35:09 | |
and can dropping behind it. -- drop
in behind it. | 1:35:09 | 1:35:18 | |
And, once again, must get a good
angle on the blue so he can drop | 1:35:32 | 1:35:36 | |
right in behind that pink. | 1:35:36 | 1:35:41 | |
Needs to run and he has come up
short. That has made such a | 1:35:45 | 1:35:50 | |
difference. The other side of the
blue, you just roll sitting and get | 1:35:50 | 1:35:55 | |
18 inches behind the pink. Now he
has got to force it in. And that is | 1:35:55 | 1:36:02 | |
a pretty good effort if it keeps
running. He needs to pull up. Is | 1:36:02 | 1:36:07 | |
going to be too close to the pink.
Oh dear. But it was the previous | 1:36:07 | 1:36:14 | |
shot. He got the wrong side of the
blue. And this would be a body blow | 1:36:14 | 1:36:19 | |
because he was odds-on favourite to
level the match. He is so close to | 1:36:19 | 1:36:26 | |
the pink. It's not easy to get it
say. It is such a shame, Denis, | 1:36:26 | 1:36:31 | |
because he held himself together so
well up to that point. Just a | 1:36:31 | 1:36:43 | |
fraction. He followed it all the way
down and now he has flicked the | 1:36:43 | 1:36:48 | |
back, Shaun Murphy could cut this
pink in. The White will go close to | 1:36:48 | 1:36:52 | |
the left middle pocket. If he does
not catch the middle pocket, he | 1:36:52 | 1:36:57 | |
could finish on the black. Oh,
close. | 1:36:57 | 1:37:05 | |
Liam will be absolutely delighted to
see the black go very close to the | 1:37:11 | 1:37:17 | |
top cushion there. Liam only just
needs this pink. Shaun Murphy needs | 1:37:17 | 1:37:24 | |
both balls. He can take this on.
Just needs to avoid the left-hand | 1:37:24 | 1:37:31 | |
pocket. Which he has done. And
excellent parts. Well played, Liam | 1:37:31 | 1:37:39 | |
Highfield. Levels this match. Frame
each. | 1:37:39 | 1:37:48 | |
HAZEL IRVINE: That match continues
on the red button and online on the | 1:37:48 | 1:37:53 | |
BBC sport website if you are so
inclined. | 1:37:53 | 1:37:55 | |
Let me bring you up to date with the
other two televised tables. Table | 1:37:57 | 1:38:03 | |
three where Yu De Lu is just making
sure to go | 1:38:03 | 1:38:12 | |
three where Yu De Lu is just making
sure to go into it with Kyren | 1:38:12 | 1:38:13 | |
Wilson, a top 16 player with a
promising season, 2-2, there. And | 1:38:13 | 1:38:22 | |
Aditya Mehta up against Luca Brecel
and it is Luca Brecel who has taken | 1:38:22 | 1:38:27 | |
a 3-0 lead. Versus Aditya Mehta at
the table, the man from them by, the | 1:38:27 | 1:38:32 | |
star from India, they call him. The
first Indian player to make a | 1:38:32 | 1:38:36 | |
maximum break in 2014. He was
runner-up in the Indian open 2013. | 1:38:36 | 1:38:41 | |
Interesting stats. He is a lovely
fellow and a very talented player | 1:38:41 | 1:38:45 | |
but he's got a job to do against
Luca Brecel from Belgium. Meanwhile, | 1:38:45 | 1:38:49 | |
our star attraction, Ronnie
O'Sullivan is due out any second. | 1:38:49 | 1:38:55 | |
Here he comes. He is in control
today against Michael Georgiou, 29 | 1:38:55 | 1:39:01 | |
years old, representing Cyprus.
Ronnie, a 4-0 advantage. He has | 1:39:01 | 1:39:06 | |
outscored Michael by about over 300
points now to only 19 so let's hand | 1:39:06 | 1:39:14 | |
you back to the commentators. How is
the commentary discipline working | 1:39:14 | 1:39:19 | |
there? Big breaks and tactics? Is
that working for you? | 1:39:19 | 1:39:24 | |
COMMENTATOR: We have tried not to
stray into each other's expertise | 1:39:24 | 1:39:27 | |
areas. Not too much. The game is not
as simple as that, is it? | 1:39:27 | 1:39:38 | |
That trademark left-handed break off
from Ronnie O'Sullivan. He won't be | 1:39:43 | 1:39:53 | |
particularly happy with that. I
think he feels he can swing the cue | 1:39:53 | 1:39:57 | |
ball round better from a left-handed
perspective than right, but, in that | 1:39:57 | 1:40:02 | |
case, after the mid session
interval, called it wrong. Nice pot. | 1:40:02 | 1:40:11 | |
And, for the first time in this
match, Liam Michael Georgiou has a | 1:40:11 | 1:40:19 | |
chance to put the black of the spot.
The first in in this frame, what | 1:40:19 | 1:40:24 | |
does he make of it? I have to say,
straight into the bunch with pace, | 1:40:24 | 1:40:29 | |
plenty of screwball to bring the
black to the right-hand side of the | 1:40:29 | 1:40:37 | |
table. Very well played. Deserved to
be on the red. Hit that very well. | 1:40:37 | 1:40:43 | |
He scored 19 points in the first
four frames. | 1:40:43 | 1:40:48 | |
It may not be too long before he is
doubling his overall total score. | 1:40:52 | 1:40:59 | |
Already he can screw the black to
the right middle. He was low on the | 1:40:59 | 1:41:08 | |
black and can be red to the
right-hand corner. Still in a good | 1:41:08 | 1:41:12 | |
position. | 1:41:12 | 1:41:17 | |
Already out of position. It's just
the art of brick building, really. | 1:41:30 | 1:41:39 | |
Recognising the patterns you have to
go through. To make it easier. | 1:41:39 | 1:41:49 | |
Should be able to screw this offer
two cushions. To the right corner. | 1:41:49 | 1:41:55 | |
Well done. | 1:41:55 | 1:41:58 | |
I did not think that was going in.
Gravity working. Good shot. Good | 1:42:11 | 1:42:19 | |
recovery. And the angle he has got
here lends itself to going into the | 1:42:19 | 1:42:28 | |
pink. A bit perhaps too far away
from the blue to make it | 1:42:28 | 1:42:37 | |
comfortable, but there are loose
threads, though. Choices. -- loose | 1:42:37 | 1:42:44 | |
reds, though. Yes, I think as long
as he hit the right-hand side of the | 1:42:44 | 1:42:52 | |
pink... Anything left of the pink
would have been bad. Very lucky to | 1:42:52 | 1:42:58 | |
be going that way. | 1:42:58 | 1:43:02 | |
Very close to the cue ball. | 1:43:15 | 1:43:19 | |
He could have got closer to these
two reds. | 1:43:22 | 1:43:28 | |
Well, he has got himself out of
position by fractions a few times in | 1:43:48 | 1:43:53 | |
this break. Just enough the right
side of the blue. There have been a | 1:43:53 | 1:44:07 | |
couple of potential banana skins in
this break so far. But some good | 1:44:07 | 1:44:10 | |
pots. Still has that 6-ball pack to
resolve. To get pack -- past the | 1:44:10 | 1:44:23 | |
winning line. He would like an angle
on the black to go into the bunch | 1:44:23 | 1:44:28 | |
and stay on that red into the right
corner. He can't do that now from | 1:44:28 | 1:44:33 | |
this angle. It's always nice to have
a bit of insurance. Have at least | 1:44:33 | 1:44:39 | |
one loose red when you go into the
bunch. Michael Georgiou are just | 1:44:39 | 1:44:46 | |
coming around to check if the pink
was a viable proposition to open up | 1:44:46 | 1:44:51 | |
the pack. Decided the black was more
straightforward. And, this time, he | 1:44:51 | 1:45:03 | |
has got the angle to go off the top
cushion into the pack. He has got to | 1:45:03 | 1:45:08 | |
get a bit of pace into this one.
That can make the party more | 1:45:08 | 1:45:12 | |
difficult. -- that can make the pot
more difficult. | 1:45:12 | 1:45:21 | |
Just when he did all the hard work.
A good break. 60. Is it going to be | 1:45:35 | 1:45:43 | |
enough? Plenty of reds left for
Ronnie O'Sullivan to pinch this | 1:45:43 | 1:45:47 | |
frame. Which is normally very good
at. | 1:45:47 | 1:45:55 | |
The second ball that has been very,
very close to going in into the | 1:46:09 | 1:46:16 | |
middle pocket but pretty tight,
these middles. | 1:46:16 | 1:46:22 | |
Black and one more red. | 1:46:35 | 1:46:38 | |
Showing | 1:46:53 | 1:46:56 | |
showing signs of letting its
gameplay become more comfortable | 1:46:58 | 1:47:03 | |
now. As if there is less pressure on
him now and he has decided to try | 1:47:03 | 1:47:09 | |
and relax and enjoy it a bit more.
That is the way to get back into | 1:47:09 | 1:47:13 | |
this game. | 1:47:13 | 1:47:16 | |
He would like to part one more red.
Ronnie O'Sullivan may come back to | 1:47:21 | 1:47:26 | |
the table if he misses this. | 1:47:26 | 1:47:29 | |
I suppose he has done the first job
and avoided a whitewash. | 1:47:37 | 1:47:43 | |
Will Ronnie stay in his seat? | 1:47:48 | 1:47:52 | |
He does do.
APPLAUSE | 1:47:54 | 1:47:57 | |
Avoided a 6-0 whitewash.
That was an important factor in | 1:47:59 | 1:48:03 | |
winning his first frame, but he
still trails 4-1. | 1:48:03 | 1:48:07 | |
HAZEL IRVINE: He avoids the
whitewash and of course last time, | 1:48:07 | 1:48:11 | |
12 months ago, it was a 6-1 win for
Ronnie Barker. In some respects, is | 1:48:11 | 1:48:16 | |
it a massive relief when you're
under so much under the cosh at that | 1:48:16 | 1:48:19 | |
point? | 1:48:19 | 1:48:20 | |
under so much under the cosh at that
point? Yes, is another word with | 1:48:20 | 1:48:22 | |
himself and said, come on, we know
he's much better than what he shown | 1:48:22 | 1:48:27 | |
this afternoon. The occasion has got
the better of him, so he's thinking, | 1:48:27 | 1:48:30 | |
at least let's make the score
respectable and show people we can | 1:48:30 | 1:48:34 | |
actually play and that's what is
done. It's nice why had to get a | 1:48:34 | 1:48:37 | |
frame on the board and salvage
something. You know, what can you | 1:48:37 | 1:48:42 | |
say? Is going to be up against it,
you don't expect him to win from | 1:48:42 | 1:48:46 | |
here, but he will get a little bit
of confidence to get satisfaction, | 1:48:46 | 1:48:50 | |
other than a whitewash. The other
thing it does as well, Hazel, some | 1:48:50 | 1:48:54 | |
of these players, are used to
playing in cubicles and get adept | 1:48:54 | 1:49:01 | |
and then when they go into the main
arena, this is all new to them. It | 1:49:01 | 1:49:06 | |
doesn't matter that they have been
professionals for a long time. He | 1:49:06 | 1:49:10 | |
has not done that very much. They
need to become acclimatised to | 1:49:10 | 1:49:14 | |
playing in cubicles so it's like a
different ball game. He's got the | 1:49:14 | 1:49:19 | |
combination of the arena and the
best player who has ever lived, so | 1:49:19 | 1:49:23 | |
he is under it before he even
starts. | 1:49:23 | 1:49:25 | |
he is under it before he even
starts. Stephen asked at the start | 1:49:25 | 1:49:28 | |
of the commentary what Michael will
have learned from his experience on | 1:49:28 | 1:49:30 | |
exactly this stage, albeit a round
earlier from last year, and I guess | 1:49:30 | 1:49:36 | |
he is asking himself the same
question out there right now as we | 1:49:36 | 1:49:39 | |
head back into frame six. | 1:49:39 | 1:49:42 | |
COMMENTATOR: Well, of course, when
you were talking about the cubicle | 1:49:52 | 1:49:58 | |
style of snooker with multi-table
setups, it has changed slightly in | 1:49:58 | 1:50:04 | |
as much as it's more open plan now
and you can actually see other | 1:50:04 | 1:50:09 | |
tables. But when it is a multi-table
setup at one of the ranking in the | 1:50:09 | 1:50:14 | |
early stages, various still that
cubicle style feel that your match | 1:50:14 | 1:50:20 | |
is one of many and no real eyes are
on it, so this is a different | 1:50:20 | 1:50:26 | |
scenario at the Barbican. A full
packed crowd watching Ronnie | 1:50:26 | 1:50:30 | |
O'Sullivan. You have got to deal
with that as well. | 1:50:30 | 1:50:35 | |
Ronnie's intensity has definitely
slipped in the last three frames. | 1:50:54 | 1:51:00 | |
The standards he sets are so high,
you don't expect him to miss shots | 1:51:00 | 1:51:03 | |
like that. Perhaps overstretching a
bit. Michael Georgiou has an awkward | 1:51:03 | 1:51:10 | |
situation with the green and his
left arm, but that goes in. He would | 1:51:10 | 1:51:17 | |
have loved to have been on the
correct side of the blue but Michael | 1:51:17 | 1:51:21 | |
Georgiou is getting some
encouragement from Ronnie | 1:51:21 | 1:51:22 | |
O'Sullivan. | 1:51:22 | 1:51:26 | |
Very unlucky there. That was an
excellent positional shot Michael | 1:51:51 | 1:51:54 | |
played. Possibly three reds he could
have been on, but he is none of | 1:51:54 | 1:52:02 | |
them. Desperately in. -- desperately
unlucky. He hit that blue is the | 1:52:02 | 1:52:20 | |
best he could hit it. Good safety
but there is an edge sticking out. | 1:52:20 | 1:52:33 | |
Got the possibilities of a four
cushion safety. Come-down behind the | 1:52:47 | 1:52:53 | |
yellow. Playing the thin safety. Hit
it a bit hard. Nasty shot for Ronnie | 1:52:53 | 1:53:08 | |
O'Sullivan from underneath the
cushion. Makes his shot a lot | 1:53:08 | 1:53:11 | |
harder. | 1:53:11 | 1:53:14 | |
Look at that red. Taking this on
with his good cueing. | 1:54:43 | 1:54:50 | |
He has done very well with the cue
ball. Just as he was playing that | 1:55:01 | 1:55:08 | |
shot, something fluttered down from
the ceiling. May have distracted | 1:55:08 | 1:55:12 | |
him. We've not seen much of Ronnie
O'Sullivan's long game today. | 1:55:12 | 1:55:24 | |
Everything has been close in, so
it's an opportunity to see. He is | 1:55:24 | 1:55:30 | |
committing himself. All the eggs
coming in the basket here. He found | 1:55:30 | 1:55:33 | |
a gap. Did not think that was on. So
there was an element of safety in | 1:55:33 | 1:55:41 | |
the shot on a shot to nothing. I did
not think he could get through that | 1:55:41 | 1:55:46 | |
gap. | 1:55:46 | 1:55:48 | |
Just run away with it there. The cue
ball has gone a little bit too far. | 1:55:57 | 1:56:07 | |
Ronnie was playing the blue. He
looked to see where it went, usually | 1:56:07 | 1:56:13 | |
you tell players not to do that, get
up again and think what you are | 1:56:13 | 1:56:17 | |
going to play. That is why the cue
ball ran an extra bit. | 1:56:17 | 1:56:25 | |
Could be end of break. | 1:56:30 | 1:56:35 | |
It does look like there is a red
which goes past the black. And he is | 1:56:38 | 1:56:47 | |
left-handed. He may be able to reach
over and cut this in. Half ball cut. | 1:56:47 | 1:57:01 | |
Doesn't feel it with a left hand for
the shot. Perhaps it's too much of a | 1:57:01 | 1:57:05 | |
stretch. | 1:57:05 | 1:57:09 | |
Fantastic shot. | 1:57:13 | 1:57:16 | |
And for someone like Ronnie
O'Sullivan who can play | 1:57:20 | 1:57:23 | |
right-handed, left-handed, on a
daily practice basis, he wouldn't | 1:57:23 | 1:57:26 | |
necessarily be using his wrist that
much. So it could become something | 1:57:26 | 1:57:34 | |
to be fearful of but he is a great
player. Is he going into the pack | 1:57:34 | 1:57:38 | |
here? With speed, he misjudged it
quite a bit and that is end of | 1:57:38 | 1:57:43 | |
break. | 1:57:43 | 1:57:47 | |
Decent safety shot in many ways. Cut
of escape routes back down the table | 1:59:20 | 1:59:27 | |
and may have forced Ronnie
O'Sullivan to go for this pot. With | 1:59:27 | 1:59:30 | |
no guarantee of position. So a bad
risk reward proposition coming up. | 1:59:30 | 1:59:42 | |
I thought that was in. Well, a
chance for Michael Georgiou, it | 1:59:46 | 1:59:52 | |
looks like an easy one, into the
left corner, and guaranteed position | 1:59:52 | 1:59:55 | |
on the black. | 1:59:55 | 1:59:59 | |
That was a bit straighter than I
thought, but, even so, a bad miss. | 2:00:05 | 2:00:11 | |
Just when he was getting some slight
signs of encouragement, he has won a | 2:00:21 | 2:00:26 | |
frame, Ronnie has started missing a
couple. | 2:00:26 | 2:00:31 | |
Poor shot. The poor shot was that
angle on the black. It can still put | 2:01:50 | 2:02:03 | |
this, but it has become missable. | 2:02:03 | 2:02:05 | |
It would have been unlucky to have
not been on a colour. | 2:02:13 | 2:02:26 | |
From Michael Georgiou's perspective
he cannot have any complaints. He | 2:02:42 | 2:02:48 | |
has not been strong enough today so
far. | 2:02:48 | 2:02:51 | |
What a shot. Just fantastic. Made a
bit easier because the frame was | 2:04:04 | 2:04:15 | |
finished. Whilst it has not been a
sparkling performance from Ronnie | 2:04:15 | 2:04:22 | |
O'Sullivan today, it has been a
comfortable day at the office for | 2:04:22 | 2:04:26 | |
him. 5-1, Ronnie O'Sullivan. | 2:04:26 | 2:04:31 | |
In terms of Michael Bosman case in
round one where he won the last | 2:04:34 | 2:04:40 | |
three to beat Alfie burden to be
here, it is an entirely different | 2:04:40 | 2:04:44 | |
question when he is facing Ronnie.
He has got one frame and he has got | 2:04:44 | 2:04:52 | |
a little bit of confidence. He could
have made another nice little break | 2:04:52 | 2:05:01 | |
and he will be kicking himself now
because he had a chance to put a few | 2:05:01 | 2:05:05 | |
points on the board and put some
doubt into running's nine. It looks | 2:05:05 | 2:05:08 | |
like Ronnie has gone off the boil.
His concentration has gone because | 2:05:08 | 2:05:13 | |
it is too easy for him. Do you read
it in same way? Absolutely. That was | 2:05:13 | 2:05:20 | |
a chance. It is the first to 6, it
is not the best of nine. But it is a | 2:05:20 | 2:05:28 | |
massive mistake missing that. We saw
Michael go out earlier on to give | 2:05:28 | 2:05:33 | |
himself a pep talk. Has this just
happened to Ronnie? He will not be | 2:05:33 | 2:05:37 | |
happy with the way he has played. He
will be happy that he has had an | 2:05:37 | 2:05:42 | |
easy match and a little run out, but
he will not be happy with the way he | 2:05:42 | 2:05:46 | |
has played. In patches he looks
good, but his concentration has gone | 2:05:46 | 2:05:50 | |
and he has missed a lot of balls
that you would not normally see him | 2:05:50 | 2:05:54 | |
miss. It will be different in the
next round, he will have a tougher | 2:05:54 | 2:05:58 | |
match. It is a little run out as it
were today. In his first-round match | 2:05:58 | 2:06:04 | |
he made two centuries and those were
the 907th and 908 of his career. You | 2:06:04 | 2:06:13 | |
will not have realised that he
crossed the 900 barrier last month. | 2:06:13 | 2:06:17 | |
His top break to date is 69. When
you look at his career that is an | 2:06:17 | 2:06:21 | |
extraordinary number. I do not see
that ever getting beaten. No one in | 2:06:21 | 2:06:27 | |
a million years is ever going to
beat that. When he finishes playing, | 2:06:27 | 2:06:39 | |
I think he better get even further.
I do not think it will take him | 2:06:39 | 2:06:45 | |
long. I do not think it will take
him many seasons to get 100 | 2:06:45 | 2:06:49 | |
centuries. He has not shown that
century form today. However, he is | 2:06:49 | 2:06:58 | |
just one away from a place in the
last 32 in a championship that he is | 2:06:58 | 2:07:03 | |
attempting to win for the sixth time
and that would be a record equalling | 2:07:03 | 2:07:08 | |
number with a certain Steve Davis
sitting in our commentary box. | 2:07:08 | 2:07:11 | |
STEVE DAVIS: Wreckers either be
broken. There are few you do not | 2:07:17 | 2:07:21 | |
think will be broken. Possibly Judd
Trump is best placed to beat one of | 2:07:21 | 2:07:33 | |
them. It depends on how long he can
stay at the top of the game. | 2:07:33 | 2:07:38 | |
STEPHEN HENDRY: I said at the start
of this match that in the first | 2:07:51 | 2:07:58 | |
frame and the last frame he is at
his strongest. I know which way I | 2:07:58 | 2:08:10 | |
would be betting. He is so good at
killing and match off. | 2:08:10 | 2:08:16 | |
You are asking for trouble! | 2:08:21 | 2:08:23 | |
Steve, I bet you a pound he wins the
match at this visit! | 2:08:36 | 2:08:40 | |
A lot of players with a frame to win
the match go into their shell a bit. | 2:08:47 | 2:08:52 | |
He is exactly the opposite. He can
smell the opportunity. | 2:08:52 | 2:08:56 | |
To get the job done. One more easy
ride. I think I will have that bet | 2:09:02 | 2:09:16 | |
with you just to see the look on
your face when you have to pull a | 2:09:16 | 2:09:19 | |
pound out! | 2:09:19 | 2:09:21 | |
A touch of left-hand side to make
the cue ball arch into the bunch. | 2:09:29 | 2:09:36 | |
Did not go in with as much
conviction as I thought he would. | 2:09:36 | 2:09:41 | |
If the pink goes under the pack,
there is possibly another read to | 2:10:22 | 2:10:26 | |
the left-hand corner. The red is on
the pink spot. This is starting to | 2:10:26 | 2:10:37 | |
look ominous for Michael Georgiou. I
think you have one yourself a quid | 2:10:37 | 2:10:42 | |
here. | 2:10:42 | 2:10:44 | |
Great pace to get the right side of
the blue. Very good at that shot. | 2:10:51 | 2:11:01 | |
Getting that perfect angle on the
blue a significant amount of time | 2:11:01 | 2:11:07 | |
when you play it can make the game
very easy. It is an amazing amount | 2:11:07 | 2:11:16 | |
of breaks you see end. A lot of
players get on the wrong side of the | 2:11:16 | 2:11:21 | |
blue. It is like the friend of the
snooker player, but it can also be | 2:11:21 | 2:11:27 | |
the enemy. | 2:11:27 | 2:11:28 | |
This is the last of the pottable red
in the middle of the table. Looking | 2:11:37 | 2:11:43 | |
for some sort of angle on the black
on this. | 2:11:43 | 2:11:45 | |
on this. | 2:11:45 | 2:11:54 | |
That will do. | 2:12:02 | 2:12:04 | |
No century break so far. Can this be
the way he finishes this match? | 2:12:19 | 2:12:26 | |
14 seconds shot. Pity brisk. --
pretty brisk. Match ball. £1 for | 2:12:40 | 2:12:54 | |
Steve Davis! | 2:12:54 | 2:13:00 | |
Michael has had an afternoon of
suffering out in this main arena, | 2:13:10 | 2:13:15 | |
but it is being put to an end now. | 2:13:15 | 2:13:17 | |
Can you change a fiver? ! | 2:13:23 | 2:13:27 | |
APPLAUSE
And very easy victory for Ronnie | 2:13:35 | 2:13:42 | |
O'Sullivan. Neither player will be
happy with their game, but it was | 2:13:42 | 2:13:46 | |
all about the win today for Ronnie
O'Sullivan. | 2:13:46 | 2:13:52 | |
Ronnie goes through and he will face
either Michael White or Matthew | 2:13:56 | 2:14:01 | |
Selt. They will be playing later
today. In the end a conference of | 2:14:01 | 2:14:06 | |
victory, the same scoreline that he
inflicted last year. We'll Michael | 2:14:06 | 2:14:10 | |
take any more crumbs of comfort from
this performance as compared to the | 2:14:10 | 2:14:14 | |
last one? The experience of playing
one of the greatest players who has | 2:14:14 | 2:14:19 | |
ever played the game. It is in the
main arena on TV. Even though it is | 2:14:19 | 2:14:25 | |
a baptism of fire, the next time he
goes out and he plays in the garage | 2:14:25 | 2:14:29 | |
or wherever he has that experience
there. He is a good lad, he is a lot | 2:14:29 | 2:14:35 | |
better than he was today. He has to
take some sort of crumbs of comfort | 2:14:35 | 2:14:40 | |
from it. We did not see too much
break-building from Ronnie. It was a | 2:14:40 | 2:14:46 | |
comfortable performance, he got over
the line. How will he reflect on it | 2:14:46 | 2:14:50 | |
himself? He will not be happy, he
lost his concentration. He has been | 2:14:50 | 2:14:55 | |
cueing pretty well over the last
couple of months. It will be | 2:14:55 | 2:14:59 | |
interesting to see how he feels, he
has done a lot of travelling back | 2:14:59 | 2:15:02 | |
and forwards to China. He has been
at a lot of events recently. But he | 2:15:02 | 2:15:09 | |
is cueing quite well and is the man
to beat. There were 5/2 centuries in | 2:15:09 | 2:15:14 | |
that match. We talked about the fact
that he has got over 900 centuries. | 2:15:14 | 2:15:21 | |
At what point do you think he will
hit 1000? If he is averaging about | 2:15:21 | 2:15:28 | |
50 or 60 season, he is still a young
man and only 41, we do not know how | 2:15:28 | 2:15:33 | |
long he will stay and when he will
go or hang up his cue, but you can | 2:15:33 | 2:15:38 | |
see him being around in the next six
years at least, at least 30 or 40 | 2:15:38 | 2:15:45 | |
centuries. Is he the man to beat?
Yes, he is. Mark Selby was the man | 2:15:45 | 2:15:53 | |
in form and a lot of people would
try to avoid Ronnie, but there is a | 2:15:53 | 2:15:57 | |
long way to go in this tournament,
there are a lot of great players and | 2:15:57 | 2:16:01 | |
it remains to be seen how big will
pan out. Here he comes. Good to see | 2:16:01 | 2:16:06 | |
you. 4-0 and it was all over as a
contest. How did you feel the match | 2:16:06 | 2:16:14 | |
went in general? It was hard because
Michael really struggled out there. | 2:16:14 | 2:16:20 | |
You should not feel for someone but
you could see everything he tried | 2:16:20 | 2:16:23 | |
went wrong, which is good for me. I
played all right. I never worry | 2:16:23 | 2:16:31 | |
about who I am playing or how they
play, I always try to keep the ball | 2:16:31 | 2:16:36 | |
in my court and think as long as I
put in a good performance, it will | 2:16:36 | 2:16:40 | |
take someone to play well to beat
me. I was therefore taking but he | 2:16:40 | 2:16:44 | |
had to play better than he did
today. The concentration was going | 2:16:44 | 2:16:48 | |
because it was easier than you
expected? Definitely not. When I | 2:16:48 | 2:16:53 | |
went through that spell of missing
balls it was not because of | 2:16:53 | 2:16:57 | |
concentration, you know how
difficult this game is, when you are | 2:16:57 | 2:17:01 | |
not completely on it you can steer
balls and things like that. It is | 2:17:01 | 2:17:06 | |
how quickly you can get through that
period. It lasted for a frame and a | 2:17:06 | 2:17:12 | |
half until that last frame and then
I had the tubal on a bit of a | 2:17:12 | 2:17:15 | |
string. I have got this new chalk
out there and it is great for | 2:17:15 | 2:17:21 | |
balance and pushing. I still think
the triangle is the governor and I | 2:17:21 | 2:17:26 | |
felt a different feeling out there
in the last frame. We have to | 2:17:26 | 2:17:30 | |
congratulate you, it has been a
blistering start to the season. Four | 2:17:30 | 2:17:33 | |
big finals, two titles, 30 major
world ranking titles. Is there | 2:17:33 | 2:17:42 | |
anything you have done differently?
You are playing an awful lot. I have | 2:17:42 | 2:17:47 | |
probably played about half what
everyone else has played. Last year | 2:17:47 | 2:17:53 | |
I had 70 exhibitions and some of the
tables you play on... I am playing | 2:17:53 | 2:18:00 | |
people who cannot even make ten, all
club players. You lose your match | 2:18:00 | 2:18:05 | |
focus and everything. But I winged
it and I did all right last year. | 2:18:05 | 2:18:13 | |
Before this year's World
Championships I put in about six | 2:18:13 | 2:18:16 | |
weeks practice and my game improved
again and I thought I owed it to | 2:18:16 | 2:18:20 | |
myself to give it a good go. I have
cut down the exhibitions, I am | 2:18:20 | 2:18:25 | |
playing more tournaments, doing more
solo practice. How are you feeling? | 2:18:25 | 2:18:31 | |
We talked about you going back and
forwards to China for tournaments. | 2:18:31 | 2:18:35 | |
How are you feeling mentally? Are
you getting a bit tired? I do not | 2:18:35 | 2:18:40 | |
feel tired at all. I have been
eating well, I changed my diet 12 | 2:18:40 | 2:18:45 | |
weeks ago. What do you do
differently? I was eating too much | 2:18:45 | 2:18:49 | |
and drinking tea and coffee, so I
was having a lot of highs and lows. | 2:18:49 | 2:18:54 | |
At the moment I do not feel like
that, I feel pretty strong. That was | 2:18:54 | 2:19:00 | |
a revelation, I thought I had to run
seven or eight miles to keep the | 2:19:00 | 2:19:04 | |
weight off. I can stay slim if I eat
the right stuff. That is the new | 2:19:04 | 2:19:11 | |
book for Christmas! The Ronnie
O'Sullivan diet. We did talk about | 2:19:11 | 2:19:16 | |
records and chasing records and we
talked about you getting over 900 | 2:19:16 | 2:19:21 | |
tons, but this 30 world ranking
titles, Stephen Hendry has got 36. | 2:19:21 | 2:19:26 | |
You have got that in your site. We
talked about motivation, but that | 2:19:26 | 2:19:30 | |
has got to get you up in the morning
chasing these things? No, absolutely | 2:19:30 | 2:19:35 | |
not. I want to play for the
enjoyment of it. It is the hardest | 2:19:35 | 2:19:41 | |
thing I do. All the work that I do,
I find it tough sometimes. That will | 2:19:41 | 2:19:46 | |
never change, I have to manage it as
well as I can and I am doing that | 2:19:46 | 2:19:51 | |
pretty well. Records are something I
am not bothered about. I try and | 2:19:51 | 2:19:55 | |
keep it as businesslike as I can. I
do not want to get too emotionally | 2:19:55 | 2:20:00 | |
involved with playing. It is helping
me to do other stuff. I am not all | 2:20:00 | 2:20:06 | |
totally into snooker. It does not
work for me. What gives you the | 2:20:06 | 2:20:11 | |
bars? Just playing. If I am playing
terrible, I am the most miserable | 2:20:11 | 2:20:16 | |
man in the world. Somebody is
helping me work on that and it has | 2:20:16 | 2:20:21 | |
helped, but I find it hard to
accept. Winning is a by-product for | 2:20:21 | 2:20:25 | |
me if you play the game properly and
do all the right things. But if you | 2:20:25 | 2:20:30 | |
do not play properly, the standard
the way the game is, you will not | 2:20:30 | 2:20:36 | |
win no matter how good you are. It
is very black and white for me in | 2:20:36 | 2:20:39 | |
that respect. The two titles you
have already got, that would be a | 2:20:39 | 2:20:45 | |
successful season for most guys. Is
everything else is a bonus? Can you | 2:20:45 | 2:20:50 | |
afford to think like that or are you
going for more? It is nice to have a | 2:20:50 | 2:20:55 | |
bit of comfort to know you do not
have to worry about qualifying for | 2:20:55 | 2:20:59 | |
the Masters, but I wanted to win a
tournament in China. That was a goal | 2:20:59 | 2:21:03 | |
at the start of the season. But do
not rest on your laurels. You have a | 2:21:03 | 2:21:09 | |
little moment when you think if I do
not win for the rest of the season, | 2:21:09 | 2:21:13 | |
I will be all right. What is the
point of thinking like that for six | 2:21:13 | 2:21:17 | |
months? That is a loser's attitude.
They are in the bank and out of the | 2:21:17 | 2:21:23 | |
way and it is about pushing on and
doing better. A couple of shots | 2:21:23 | 2:21:26 | |
already in this tournament. When
Scott Donaldson was playing Mark | 2:21:26 | 2:21:31 | |
Selby I said if Mark Selby is not on
it, he can win. Anyone with a great | 2:21:31 | 2:21:36 | |
temperament can beat any of the top
guys. He has got a very good match | 2:21:36 | 2:21:43 | |
temperament. Most Scottish people
have, and the Welsh people. They are | 2:21:43 | 2:21:48 | |
very tough. And the Irish! It is not
a surprise to me. If Mark played his | 2:21:48 | 2:21:56 | |
top game, then he probably would
have won. But if you do not play | 2:21:56 | 2:22:00 | |
your top game and the other guy
brings his top game to the table, | 2:22:00 | 2:22:04 | |
they are racking up 70, 80, 90. You
have to sit in your chair and wait. | 2:22:04 | 2:22:12 | |
Have you had a sneaky look at the
drawers? No. Not bothered? No, some | 2:22:12 | 2:22:20 | |
of my hardest drawers have been the
reason why I have won. The pressure | 2:22:20 | 2:22:25 | |
is on now climbing the rankings.
That is what they expect me to do. | 2:22:25 | 2:22:34 | |
We are testing your memory because
this is your 25th anniversary of | 2:22:34 | 2:22:39 | |
your first appearance. 1992. Can you
remember who you beat that year? | 2:22:39 | 2:22:45 | |
When? 1992. Did I beat someone? I
know who I lost two. I can't | 2:22:45 | 2:22:55 | |
remember. Bob Shepherd and Nicky
Frew. Did I? Is that memory still | 2:22:55 | 2:23:09 | |
sharp even these 25 years on? It was
such a bad... I was lucky to get one | 2:23:09 | 2:23:21 | |
frame. Ronnie, it is great to see
you in such good form 25 years later | 2:23:21 | 2:23:28 | |
and you are into round three. It has
been good watching you today. All | 2:23:28 | 2:23:32 | |
the best. We were looking at the
other match, and it was 1-1 when we | 2:23:32 | 2:23:40 | |
left it. We are in the company of
Peter and Dennis in frame three. | 2:23:40 | 2:23:47 | |
Not the best break-off shot in the
world, the brown coming to his | 2:24:02 | 2:24:05 | |
rescue. Maybe not. There is an early
chance for Liam Highfield. He can | 2:24:05 | 2:24:12 | |
get this and get on the black. Even
the pink might be available. It | 2:24:12 | 2:24:19 | |
shows the importance of a good break
off short. | 2:24:19 | 2:24:22 | |
You can see what he is doing there,
he did not push it through in a | 2:24:36 | 2:24:40 | |
straight line. | 2:24:40 | 2:24:42 | |
This is one of the toughest things
about the game of snooker. You have | 2:25:15 | 2:25:19 | |
had the opportunity, you play a bad
shot and you have to go back to your | 2:25:19 | 2:25:24 | |
seat and you have to watch your
opponent pot the balls that you know | 2:25:24 | 2:25:28 | |
you should be taking on. | 2:25:28 | 2:25:30 | |
Liam Highfield showed everybody why
he thought he had missed it. If you | 2:25:58 | 2:26:11 | |
miss, you miss, but never let your
opponent know that you cued across | 2:26:11 | 2:26:17 | |
it because that will just give them
confidence. | 2:26:17 | 2:26:19 | |
That last shot on the black, he
could have done with a bit more pace | 2:26:43 | 2:26:47 | |
on the shot. The white is stuck in
the reds. This is very awkward. | 2:26:47 | 2:26:56 | |
That was a pretty good shot. | 2:27:07 | 2:27:11 | |
Having a good look at the cushion.
He felt he had got a bounce there. | 2:27:14 | 2:27:20 | |
It is always one of the more
difficult things for a player to | 2:27:32 | 2:27:35 | |
contend with. It means you lose
possession. At the highest level you | 2:27:35 | 2:27:45 | |
do not get that many chances in a
frame. That was a very poor shot | 2:27:45 | 2:27:51 | |
from Liam Highfield. A total
misjudgement. He will be absolutely | 2:27:51 | 2:27:57 | |
devastated with that. | 2:27:57 | 2:27:58 | |
He cannot keep giving these type of
opportunities to a player of Shaun | 2:28:41 | 2:28:45 | |
Murphy's class. When he gets on a
roll, he can score very heavily. | 2:28:45 | 2:28:55 | |
Three, four, five frames can
disappear in no time at all. | 2:28:55 | 2:28:58 | |
One or two signs of nerves that Sean
had at the start of this match are | 2:29:06 | 2:29:12 | |
dissipating very quickly. | 2:29:12 | 2:29:14 | |
You would not expect many long
frames with these two players, both | 2:30:35 | 2:30:41 | |
attacking. The opening frame was
quite scrappy, that is why it lasted | 2:30:41 | 2:30:46 | |
nearly half an hour. | 2:30:46 | 2:30:49 | |
He does not need many more pots.
Pink, red, collar. That would be | 2:31:14 | 2:31:23 | |
enough. There you see, 65 ahead. He
only needs this red. The way they | 2:31:23 | 2:31:37 | |
are sitting, I would be surprised if
he does not finish up and pot the | 2:31:37 | 2:31:43 | |
lot. | 2:31:43 | 2:31:45 | |
Maybe not now after the cannon on
the red. He has got to be careful | 2:32:05 | 2:32:13 | |
with the pink. Not bad. | 2:32:13 | 2:32:18 | |
There is the possibility of a
century. | 2:32:22 | 2:32:25 | |
In fact, he made 37 centuries last
season. He is on 20 so far this | 2:32:49 | 2:32:55 | |
season. | 2:32:55 | 2:32:57 | |
I think the table is playing a bit
better today. It does not seem to be | 2:33:01 | 2:33:06 | |
quite as heavy as you said the
atmosphere can affected. It is a | 2:33:06 | 2:33:12 | |
beautiful day in York, the sun was
shining. I was out for a little work | 2:33:12 | 2:33:21 | |
this morning. A gentle walk. Now
jogging for me. Referee quietly, | 2:33:21 | 2:33:29 | |
please. Interestingly, Liam
Highfield is one of the fittest guys | 2:33:29 | 2:33:35 | |
and the circuit, he is a serious
runner, very lean. That really | 2:33:35 | 2:33:41 | |
helps, especially in the longer
matches. This has been a great | 2:33:41 | 2:33:47 | |
effort from a former champion here,
Shaun Murphy. He just screwed that | 2:33:47 | 2:33:56 | |
too much. | 2:33:56 | 2:33:57 | |
Just the pink for the century.
Unlucky. But he will not be too | 2:34:05 | 2:34:13 | |
concerned. It was a great effort. He
got one chance and he took it. It | 2:34:13 | 2:34:18 | |
was enough to win the frame. He is
back in the lead. | 2:34:18 | 2:34:21 | |
was enough to win the frame. He is
back in the lead. A shake of the | 2:34:21 | 2:34:23 | |
head from Shaun Murphy but he is
enjoying a good season, he has been | 2:34:23 | 2:34:27 | |
in the big finals and has just
landed the Champion of champions | 2:34:27 | 2:34:32 | |
title last month. In we go to the
last before the interval, and Shaun | 2:34:32 | 2:34:38 | |
has a 32 point advantage. | 2:34:38 | 2:34:39 | |
Just avoided the double kiss, but
has not got good position with the | 2:34:45 | 2:34:52 | |
cue ball. He has a choice of reds.
The middle pockets are playing | 2:34:52 | 2:34:57 | |
really small and this is a tough
opportunity into the right centre. | 2:34:57 | 2:35:02 | |
He will be taking it on. He will be
on the black if it goes in, but this | 2:35:02 | 2:35:10 | |
is not a certainty, that is for
sure. | 2:35:10 | 2:35:14 | |
Just trying to compose himself. He
knows that this is a tough shot. | 2:35:24 | 2:35:33 | |
That is very well put. Well played.
-- well cued. Liquidity left the cue | 2:35:33 | 2:35:44 | |
ball. He had no intention of missing
the pot. He was always going to be | 2:35:44 | 2:35:50 | |
on the black. That was very clever.
What a chance to get right back into | 2:35:50 | 2:35:57 | |
this fourth frame. Well, he has a
chance to go to the mid-session | 2:35:57 | 2:36:03 | |
interval all square, but lots of
balls have to be potted before that | 2:36:03 | 2:36:08 | |
happens. Yes, it was a clever short.
The way he played it, he took | 2:36:08 | 2:36:14 | |
pressure out of the pot. He knew
that by playing it in such a way, he | 2:36:14 | 2:36:18 | |
was not going to be leaving an
opportunity for Shaun Murphy Shiggy | 2:36:18 | 2:36:24 | |
mist. Well played, well thought out.
-- should he miss. Not ideal, the | 2:36:24 | 2:36:38 | |
wrong side of the blue. | 2:36:38 | 2:36:40 | |
He needs to avoid the cannon and the
brown on the way down. Played with | 2:36:45 | 2:36:50 | |
right-hand side. He just needs the
cue ball to run. That is well | 2:36:50 | 2:36:56 | |
played, well controlled. He has
looked at the pink a couple of | 2:36:56 | 2:37:00 | |
times. It looks like it does go. | 2:37:00 | 2:37:03 | |
He chose to play for the black
instead. It should not be too much | 2:37:12 | 2:37:19 | |
trouble. He can play the black
against one cushion with top spin | 2:37:19 | 2:37:25 | |
and have a choice of at least two
reds into the right centre. | 2:37:25 | 2:37:30 | |
He has underhit that. Now he will
have to take a more difficult red | 2:37:34 | 2:37:40 | |
into the green pocket. | 2:37:40 | 2:37:43 | |
He is taking it into the centre. Now
he is back in prime position. Nice | 2:37:50 | 2:37:56 | |
pot. | 2:37:56 | 2:37:58 | |
I think he is just OK. For a moment,
I thought maybe he had covered the | 2:38:16 | 2:38:21 | |
red to the left middle, but he is
OK. Just four points behind. The red | 2:38:21 | 2:38:29 | |
nude the left cushion is going to be
key to this fourth frame. | 2:38:29 | 2:38:33 | |
That has worked out very nicely. He
did well to avoid the brown and the | 2:39:10 | 2:39:15 | |
green. He did not intend to get on
the red in that fashion, but it | 2:39:15 | 2:39:23 | |
worked out nicely for him. He is
probably playing for the red to the | 2:39:23 | 2:39:32 | |
right of the pink. | 2:39:32 | 2:39:35 | |
Thinking if you shots ahead, he may
leave himself an angle on the red to | 2:39:49 | 2:39:54 | |
the left of the paying to develop
the red away from the left-hand | 2:39:54 | 2:39:58 | |
cushion. He has got the opportunity
to do that now if he wants to. It | 2:39:58 | 2:40:06 | |
looks like he's playing behind the
red. | 2:40:06 | 2:40:09 | |
He got a kick. Yes, it might have
helped him. Has he got a slight | 2:40:28 | 2:40:37 | |
angle? Yes, he can just roll it in,
but this is tough. This is virtually | 2:40:37 | 2:40:46 | |
frame ball. 23 the difference. This
red, blue, pink or black would be | 2:40:46 | 2:40:59 | |
enough, but this is awkward. | 2:40:59 | 2:41:02 | |
That was an awkward one. He knew the
importance of that. Had he not that | 2:41:05 | 2:41:13 | |
income ie he would have been off to
the mid-session interval all square. | 2:41:13 | 2:41:17 | |
That will be annoying. | 2:41:17 | 2:41:20 | |
Shaun still has to knock them in.
That is not the best shot he has | 2:41:32 | 2:41:39 | |
ever played. He did not want to
cannon into the blue. | 2:41:39 | 2:41:46 | |
Can he just cue past the blue or
does he need the spider? | 2:42:13 | 2:42:16 | |
No, no. He got a little bit side on
that. What a let off. When you are | 2:42:27 | 2:42:37 | |
bridging over a ball like that, it
is so easy to get a little trace of | 2:42:37 | 2:42:43 | |
side which throws the white
off-line. He needs the yellow Andy | 2:42:43 | 2:42:49 | |
Green. -- and the green. It is very
thin. If he does not fancy the cut | 2:42:49 | 2:43:04 | |
in, he can play the snooker and
screw the yellow towards the pink | 2:43:04 | 2:43:10 | |
and black. I think that is
definitely the right shot. | 2:43:10 | 2:43:13 | |
Screw the cue ball in behind the
green. He could not have played that | 2:43:20 | 2:43:23 | |
any better. He is looking anxiously
to see if he has got the snooker. | 2:43:23 | 2:43:36 | |
He might be able to catch the yellow
and play a safety shot. Having said | 2:43:41 | 2:43:46 | |
that, if he gets the yellow, he
could cannon into the black with the | 2:43:46 | 2:43:51 | |
cue ball. I think he might be better
playing to swerve this. To get a | 2:43:51 | 2:44:01 | |
fool contact and the yellow. If he
gets it thin enough and avoids going | 2:44:01 | 2:44:09 | |
into the black, he can get the
yellow and the white save. There is | 2:44:09 | 2:44:14 | |
also the option of coming off the
top cushion and catching the yellow | 2:44:14 | 2:44:18 | |
thing on the side on the way back.
But that is a very good shot. He | 2:44:18 | 2:44:23 | |
could not have played that better. | 2:44:23 | 2:44:25 | |
As you alluded to, that was fraught
with danger. It was so easy to get a | 2:44:33 | 2:44:38 | |
double kiss. He played it with check
side, hoping to avoid the kiss. That | 2:44:38 | 2:44:44 | |
was a gem. He could not have played
it any better. | 2:44:44 | 2:44:47 | |
That was equally as good. There was
very little room for manoeuvre. | 2:44:54 | 2:45:01 | |
Shaun can cut the yellow end. If he
does, the right will be heading back | 2:45:01 | 2:45:07 | |
towards the green. As long as he
does not going to the pink. It is | 2:45:07 | 2:45:12 | |
tough. It is. How is the kiss on the
brown? It is not bad. | 2:45:12 | 2:45:20 | |
That is one the positional shot now.
This would be a steal. For Shaun | 2:45:48 | 2:45:54 | |
Murphy, here. | 2:45:54 | 2:46:04 | |
Well, it looked odds on that
Highfield was going through to the | 2:46:18 | 2:46:24 | |
mid-session interval, a slip-up and
Shaun Murphy pounced and now he goes | 2:46:24 | 2:46:29 | |
to the mid-session leading three
frames to one. STUDIO: He has the | 2:46:29 | 2:46:34 | |
gap and we will fast forward through
the interval, watching then drink | 2:46:34 | 2:46:38 | |
tea and eating biscuits isn't
riveting television but we go to | 2:46:38 | 2:46:40 | |
frame five and it is Highfield with
a 35 point advantage. | 2:46:40 | 2:46:46 | |
frame five and it is Highfield with
a 35 point advantage. COMMENTATOR: | 2:46:46 | 2:46:49 | |
Needing to play with pace. Avoiding
the cannon and going into the pink. | 2:46:49 | 2:46:53 | |
Perhaps trying to screw the White
around the ankles. Around the | 2:46:53 | 2:46:58 | |
right-hand side, playing it more as
a drag shot -- around the ankles. | 2:46:58 | 2:47:07 | |
That isn't good. It's what he was
concerned about, hitting the short | 2:47:07 | 2:47:12 | |
thick, avoiding the cannon and going
into the pink. He had to open the | 2:47:12 | 2:47:17 | |
reds up and look what he is left
with, from sitting... And in a a few | 2:47:17 | 2:47:24 | |
minutes time, that advantage that he
had of 37 points, it could be | 2:47:24 | 2:47:30 | |
eroded. The black is tied up but it
doesn't matter, the blue and the | 2:47:30 | 2:47:39 | |
pink are in the open and the reds
and nicely placed. -- and the red | 2:47:39 | 2:47:52 | |
s are nicely placed. | 2:47:55 | 2:47:56 | |
I do not think this will tie up the
pink, the spot is available and it | 2:48:32 | 2:48:37 | |
may also be possible to get into a
couple of pockets. | 2:48:37 | 2:48:47 | |
If he read next to the pink goes
into the right middle, it will open | 2:48:54 | 2:49:00 | |
the pink up completely. -- if the
red next to the pink goes into the | 2:49:00 | 2:49:05 | |
right middle. A little bit of heavy
contact there but he is OK. He can | 2:49:05 | 2:49:11 | |
forget about the black for the
moment but concentrate on the pink. | 2:49:11 | 2:49:24 | |
Shaun Murphy looking increasingly
more comfortable around the table. | 2:49:43 | 2:49:49 | |
Really positive and a real spring in
his step as he grows in confidence | 2:49:49 | 2:49:55 | |
in this match. Playing that nicely.
Screwing off the side cushion from | 2:49:55 | 2:50:03 | |
the left-hand side. | 2:50:03 | 2:50:13 | |
He's got to do a bit of work with
the cue ball here... Now... How is | 2:50:31 | 2:50:40 | |
he going to play this? A shot where
he can pot this and nudge the red | 2:50:40 | 2:50:45 | |
away so the black doesn't have to do
that but he can concentrate on the | 2:50:45 | 2:50:49 | |
pink again. If he gets the correct
angle on the red near the black | 2:50:49 | 2:51:02 | |
spot, the cannon is tied up next to
the black. That looks absolutely | 2:51:02 | 2:51:09 | |
perfect! All about the little cannon
here. Can you believe it? How many | 2:51:09 | 2:51:26 | |
times do we see that, where the
player concentrates on the cannon | 2:51:26 | 2:51:30 | |
and takes his eyes off the pot? Just
when he was in a position to extend | 2:51:30 | 2:51:37 | |
his lead, now he has got to go back
and sit down, and see what Liam can | 2:51:37 | 2:51:43 | |
make of this chance... APPLAUSE
CHEERING | 2:51:43 | 2:52:07 | |
That was applause from one of the
other tables. Now he has to steady | 2:52:12 | 2:52:18 | |
himself... | 2:52:18 | 2:52:25 | |
An opportunity for Liam Highfield,
he just needs to settle himself, | 2:52:47 | 2:52:51 | |
there is quite a bit of noise in the
arena at the moment, one of the | 2:52:51 | 2:52:56 | |
referees from one of the other
tables has already asked for quiet | 2:52:56 | 2:52:59 | |
but it is still quite noisy with
people moving around. Timing that | 2:52:59 | 2:53:11 | |
very nicely. | 2:53:11 | 2:53:21 | |
Settle down, please. | 2:53:40 | 2:53:50 | |
The blue, the brown and the pink, a
chance he did not think that he was | 2:53:59 | 2:54:03 | |
going to get. A big frame, they are
all big frames but almost certainly | 2:54:03 | 2:54:17 | |
is going to fall 4-1 behind. | 2:54:17 | 2:54:27 | |
He is going to roll the black in any
way, it does not matter. I'm sure | 2:54:36 | 2:54:42 | |
Shaun Murphy thought he would be
leading 4-3 but Liam Highfield had | 2:54:42 | 2:54:48 | |
other ideas. He is back to just one
behind, at 3-2. Liam Highfield to | 2:54:48 | 2:55:01 | |
break. | 2:55:01 | 2:55:03 | |
Liam Highfield breaks off... At the
beginning of frame six. It would | 2:55:16 | 2:55:24 | |
like to have had the cue ball tip on
the baulk cushion. And that is why. | 2:55:24 | 2:55:33 | |
A wonderful open pot from Shaun
Murphy. He is one of the very best | 2:55:33 | 2:55:37 | |
in the business at that type of
shot. A little unfortunate, really, | 2:55:37 | 2:55:42 | |
to finish so tight to the question. | 2:55:42 | 2:55:55 | |
Cued it in nicely. He is all right
for pace. A good opportunity for | 2:56:03 | 2:56:14 | |
playing for blue. All the pink here.
-- or the pink. It was just OK. | 2:56:14 | 2:56:28 | |
Straight... | 2:56:28 | 2:56:38 | |
To play for the black, this time. | 2:56:42 | 2:56:53 | |
Might play an attacking shot here,
going into the reds, trying to stay | 2:57:04 | 2:57:10 | |
on the black. He plays it well. He
would like to have seen the cue ball | 2:57:10 | 2:57:17 | |
come away from the side cushion,
another few inches... He has been | 2:57:17 | 2:57:23 | |
unfortunate to finish straight on
the black as well. Just off | 2:57:23 | 2:57:27 | |
straight, as you can see. From that
angle. | 2:57:27 | 2:57:39 | |
He's taken a more difficult pink.
This is really tough. Just composing | 2:57:50 | 2:57:58 | |
himself, some movement behind the
shot. If you miss these, you tend to | 2:57:58 | 2:58:04 | |
miss these thin. There is a lot of
movement going on in the background, | 2:58:04 | 2:58:09 | |
unfortunately. That is twice now,
he's just composing himself again. | 2:58:09 | 2:58:24 | |
This is really tough. That is an
excellent pot. Well played. | 2:58:24 | 2:58:43 | |
A nice little cannon between the
gap... Was always going to be on a | 2:58:54 | 2:59:03 | |
red. Having played at the way that
he did. | 2:59:03 | 2:59:14 | |
The pink was the shot when he looked
at the black. He took the more | 2:59:17 | 2:59:21 | |
difficult pink to keep the break
going. Sean is one of the players | 2:59:21 | 2:59:31 | |
who can put disappointment behind
him. In the previous frame he missed | 2:59:31 | 2:59:36 | |
an easy red when he played the
cannon from the black that he is | 2:59:36 | 2:59:40 | |
such an experienced campaigner these
days. He has come out firing on all | 2:59:40 | 2:59:48 | |
cylinders here. He has gone up a
gear here. Steve Davis talks about | 2:59:48 | 2:59:57 | |
the top players, sensing danger.
Then responding under pressure. | 2:59:57 | 3:00:06 | |
Shaun Murphy is certainly doing that
at the moment despite a kick on the | 3:00:06 | 3:00:10 | |
black there. | 3:00:10 | 3:00:21 | |
Is this has been an impressive
response from Shaun Murphy. | 3:00:21 | 3:00:26 | |
-- this has been. Very well
controlled. He did not have to go in | 3:00:31 | 3:00:41 | |
with lots of pace. It was a nice,
gentle little cannon. Look what he | 3:00:41 | 3:00:47 | |
has done with the reds. He has put
them all in pottable positions with | 3:00:47 | 3:00:53 | |
that one delicate positional shot.
He already has a 57.8 Vantage. -- 57 | 3:00:53 | 3:01:09 | |
point advantage. Well on the way to
opening up a two frame at Vantage | 3:01:09 | 3:01:15 | |
again. | 3:01:15 | 3:01:18 | |
64 points ahead. 75 on the table. | 3:01:24 | 3:01:30 | |
Well, I thought he was going to go
on and make quite a high break. He | 3:02:19 | 3:02:26 | |
will not be too concerned about the
missed red in the middle. Shaun | 3:02:26 | 3:02:32 | |
Murphy, as Peter Ebdon said, he has
stepped up again and now he is | 3:02:32 | 3:02:37 | |
leading 4-2. Yes, but Liam keeps
coming back at him. Can he do the | 3:02:37 | 3:02:43 | |
same in frame seven? The Stoke
player has a ten-point advantage. | 3:02:43 | 3:02:53 | |
It is a little bit of a messy table.
Only the pink is anywhere near its | 3:03:16 | 3:03:22 | |
own spot. All the other colours are
of their spots. | 3:03:22 | 3:03:27 | |
This looks better. | 3:03:31 | 3:03:33 | |
Can he get down the left side of the
table? I do not think so. That was | 3:03:43 | 3:03:48 | |
an excellent safety shot from Liam
Highfield. It really was. | 3:03:48 | 3:03:54 | |
That will make him a bit happier.
Safety has not been the strongest | 3:04:00 | 3:04:05 | |
part of his game today. That was not
a good safety shot from Shaun | 3:04:05 | 3:04:12 | |
Murphy. It just goes to show what
can happen. Play good safety shots, | 3:04:12 | 3:04:19 | |
and even the best players in the
world make mistakes. | 3:04:19 | 3:04:22 | |
Straightaway, playing to get the
black backline its spot. The pink is | 3:04:30 | 3:04:34 | |
out of commission at the moment and
the blue is virtually out of | 3:04:34 | 3:04:37 | |
commission. | 3:04:37 | 3:04:38 | |
He needs a good angle on this. | 3:04:51 | 3:04:54 | |
You would think the green, to
hopefully give himself a chance to | 3:04:59 | 3:05:03 | |
get into the reds. He has done that.
If he can catch this one correctly | 3:05:03 | 3:05:10 | |
he can bring the reds and possibly
the pink into play. Plenty of pace, | 3:05:10 | 3:05:16 | |
plenty of screw. He is unlucky. He
is very unfortunate. You always need | 3:05:16 | 3:05:22 | |
a little bit of luck at this game
when you play that type of shot. He | 3:05:22 | 3:05:28 | |
played it well, he got the curve and
the cue ball with the side and screw | 3:05:28 | 3:05:32 | |
and he knew straightaway that he had
not had any luck. | 3:05:32 | 3:05:36 | |
That is a good safety shot from
Shaun Murphy. If Liam Highfield | 3:06:18 | 3:06:25 | |
takes this on, which he is sizing
up, this is really tough. | 3:06:25 | 3:06:33 | |
He could not have got much closer.
He almost caught the referee. Yes, | 3:06:39 | 3:06:49 | |
you must not swing the cue around.
He did not see. That could have been | 3:06:49 | 3:06:55 | |
dangerous. | 3:06:55 | 3:06:56 | |
It is something you do not see
happen very often. Watch this. He | 3:07:01 | 3:07:07 | |
got up and waved to the cue away. He
did not see her. | 3:07:07 | 3:07:15 | |
Well, he is back at the table with a
decent chance. He did not expect | 3:07:40 | 3:07:49 | |
Shaun to miss that. | 3:07:49 | 3:07:51 | |
If he cannot see enough of the blue,
he is in bother in the jiggly. -- he | 3:08:04 | 3:08:14 | |
is in bother straightaway. But if he
can get past the red, you would | 3:08:14 | 3:08:18 | |
think he is bound to pot the blue. | 3:08:18 | 3:08:22 | |
I would move away. In the line of
fire again. | 3:08:26 | 3:08:30 | |
Not often the referees get injured.
Many, many years back, occasionally | 3:08:36 | 3:08:43 | |
they might have got injured. I
remember one referee getting a | 3:08:43 | 3:08:50 | |
little punch in the stomach and a
director that got head-butted. But | 3:08:50 | 3:08:56 | |
those days are long gone. | 3:08:56 | 3:08:58 | |
Meanwhile, after a very fortuitous
cannon on the blue, leaving it very | 3:09:32 | 3:09:36 | |
close to the green pocket, Liam
Highfield has an excellent | 3:09:36 | 3:09:40 | |
opportunity. He can pool another
frame back. | 3:09:40 | 3:09:46 | |
Yes, that is the one that gets him
past the finishing post in this | 3:10:58 | 3:11:03 | |
frame, Shaun. It was not the easiest
of pots but he is normally pretty | 3:11:03 | 3:11:08 | |
good at that type of shot. But it
has cost him this frame. | 3:11:08 | 3:11:13 | |
Liam's tires sprayed in the match so
far was in frame four when he made a | 3:11:37 | 3:11:42 | |
break of 55. He has had 48, 41, so
he has not really been on top of his | 3:11:42 | 3:11:54 | |
game but he is only one frame
behind, so that will give him a | 3:11:54 | 3:11:58 | |
certain amount of confidence. | 3:11:58 | 3:11:59 | |
It does not matter about missing the
pink. He has done what he needed to | 3:12:06 | 3:12:10 | |
do. He has won the frame and he
closes the gap. He is just one | 3:12:10 | 3:12:17 | |
behind. 4-3, Shaun Murphy. Indeed,
Liam won the next frame as well. It | 3:12:17 | 3:12:24 | |
is all square in this best of 11
frames match. The first to six goes | 3:12:24 | 3:12:29 | |
through. Interestingly, this is only
the second time that these players | 3:12:29 | 3:12:33 | |
have played. The first was just a
month ago in the English open. That | 3:12:33 | 3:12:38 | |
went down to a final frame decider
won in the end by Shaun Murphy. | 3:12:38 | 3:12:44 | |
Could we have a grandstand finish
once again? We have caught them up, | 3:12:44 | 3:12:48 | |
and we will join them live. Shaun
waiting in his chair because Liam | 3:12:48 | 3:12:53 | |
Highfield has just gone out. He is
waiting to resume frame nine. You | 3:12:53 | 3:13:02 | |
have | 3:13:02 | 3:13:02 | |
waiting to resume frame nine. You
have been watching this one. It is | 3:13:02 | 3:13:04 | |
hard to be critical of someone who
has as much talent as Shaun. This is | 3:13:04 | 3:13:09 | |
a typical Murphy match. He looks
like he is outplaying his opponent, | 3:13:09 | 3:13:14 | |
that the man should be done and he
has made a couple of mistakes and he | 3:13:14 | 3:13:19 | |
has found himself for- four. For me,
he has been the better player by | 3:13:19 | 3:13:23 | |
some way but because he has made
those mistakes, he is embroiled in a | 3:13:23 | 3:13:27 | |
harder match than he should have
been. He does this quite a lot. Yes, | 3:13:27 | 3:13:32 | |
typical of Shaun Murphy. Shots that,
we were seeing, he is so much more | 3:13:32 | 3:13:40 | |
experience that playing these shots.
He has taken on a very difficult red | 3:13:40 | 3:13:43 | |
down the cushion with the rest. He
only needs a red and a | 3:13:43 | 3:13:49 | |
down the cushion with the rest. He
only needs a red and a colour but | 3:13:49 | 3:13:50 | |
the previous positional shot was
bad. He is expecting to pot this, he | 3:13:50 | 3:13:54 | |
is good with the rest, but he should
have been a little bit straighter. | 3:13:54 | 3:13:59 | |
Then it is a straightforward shot.
He has left it short. It is tough, | 3:13:59 | 3:14:05 | |
but he is throwing away frames to
Liam Highfield. He should already be | 3:14:05 | 3:14:09 | |
home and dry in this match. It is an
interesting point. I was listening | 3:14:09 | 3:14:14 | |
to Shaun at the Champion of
champions, when he beat Ronnie in | 3:14:14 | 3:14:18 | |
the final to win that. He says that
he cannot play any other way. He has | 3:14:18 | 3:14:24 | |
to go for it. I am 100% with him.
Compared to some of the better | 3:14:24 | 3:14:31 | |
players, and one is sitting next to
me in Ken Doherty, he has not got | 3:14:31 | 3:14:35 | |
it. It is not being nasty, he just
does not see the tactical side. His | 3:14:35 | 3:14:41 | |
strength is his cue action and his
scoring. It will mean that he will | 3:14:41 | 3:14:46 | |
lose a few tournaments that he
should win, but when he is on, he is | 3:14:46 | 3:14:51 | |
very good. People will get chances
and he will lose the odd Maggie | 3:14:51 | 3:14:55 | |
should not lose. Liam has taken his
chances and it is now a best-of-3 | 3:14:55 | 3:15:02 | |
for a place in the next round of the
first major of this season, the | 3:15:02 | 3:15:08 | |
Betway UK Championship. We have got
a good one. | 3:15:08 | 3:15:12 | |
I could not agree more. I agree with
the boys in the studio. The man | 3:15:12 | 3:15:17 | |
should be over. A few
uncharacteristic mistakes. He did | 3:15:17 | 3:15:23 | |
look at the plant, Liam Highfield.
It is amazing how things can turn | 3:15:23 | 3:15:26 | |
around when you do not punish
opponents. Shaun should have been | 3:15:26 | 3:15:31 | |
backed in his hotel, relaxing. That
was like a plan to nothing. Worth | 3:15:31 | 3:15:39 | |
the risk. He has dropped on the
yellow. If he can play this nicely | 3:15:39 | 3:15:44 | |
he will give himself an early
opportunity. | 3:15:44 | 3:15:46 | |
No... Now then. Just a little bit of
pressure on that. I expected him to | 3:15:52 | 3:16:02 | |
pot that. An early chance as he bows
his head there. He may be in the | 3:16:02 | 3:16:10 | |
seat for a while... | 3:16:10 | 3:16:13 | |
Shaun Murphy has already stepped up
a gear once before in this match. | 3:16:43 | 3:16:49 | |
Then let things slip. Can he step up
again? | 3:16:49 | 3:17:00 | |
Obviously not, a very poor
positional shot. He would be very | 3:17:01 | 3:17:07 | |
disappointed. This is a positional
shot, played previously, previously. | 3:17:07 | 3:17:19 | |
A shocker from Sean there, he could
have gone on the black. What a | 3:17:19 | 3:17:25 | |
mistake. That is terrific, the
opening red there. Highfield, who | 3:17:25 | 3:17:44 | |
probably is gaining a little bit of
confidence, he is being helped by | 3:17:44 | 3:17:47 | |
Shaun Murphy with a few of the
mistakes that he is making. It was a | 3:17:47 | 3:17:55 | |
very nice cannon on the red, to
finish with the yellow in the | 3:17:55 | 3:18:00 | |
centre. But he's going to have to
play this with pace. | 3:18:00 | 3:18:14 | |
A very good effort around the cue
ball, eight or ten inches too much. | 3:18:19 | 3:18:28 | |
We have seen the shops done with a
lot of right-hand side of the two | 3:18:28 | 3:18:33 | |
cushions. An excellent effort. Just
needing that cue ball to slow down | 3:18:33 | 3:18:37 | |
just a touch. | 3:18:37 | 3:18:47 | |
A little short with the safety too. | 3:18:48 | 3:19:00 | |
That has knocked the brown safe, a
little scrappy, this frame. Where | 3:19:10 | 3:19:14 | |
the pink is next to the yellow, it
is out of the game. A chance to get | 3:19:14 | 3:19:29 | |
off the blue, from this red. He is
about four of the condition. Handled | 3:19:29 | 3:19:45 | |
it well. A choice here, he could go
straight into the reds after potting | 3:19:45 | 3:20:03 | |
the blue, which he has done. How is
your luck, Shaun? Not bad, as it | 3:20:03 | 3:20:09 | |
passes the blue. Played that well. I
think it's fair to say that this is | 3:20:09 | 3:20:21 | |
when Shaun is that his strongest,
opening up the balls. For Shaun | 3:20:21 | 3:20:30 | |
Murphy, a little negative in that
match. You don't often say that | 3:20:30 | 3:20:34 | |
about Shaun Murphy, he has refused
quite a lot of balls. We have both | 3:20:34 | 3:20:38 | |
been surprised. He has not hit this.
He decelerated on the shot. That is | 3:20:38 | 3:20:46 | |
just a lapse in concentration. That
is quite unbelievable. | 3:20:46 | 3:21:01 | |
He is totally bit amused by that
shot. | 3:21:01 | 3:21:12 | |
Yet another lifeline thrown to Liam
Highfield. Highly unexpected. Can he | 3:21:17 | 3:21:27 | |
retain his composure? He has the
black back on the pink spot, which | 3:21:27 | 3:21:38 | |
is a big advantage. What a chance!
He showed last season what a good | 3:21:38 | 3:21:54 | |
player he was. Losing 6-5 to Mark
Williams, at the UK championship | 3:21:54 | 3:21:59 | |
last year he lost to the same
player, 10-9, in the World | 3:21:59 | 3:22:04 | |
Championship. The red jumping there
but it did not affect that shot too | 3:22:04 | 3:22:09 | |
much. He is quite capable. It won't
be another big shock if he can pull | 3:22:09 | 3:22:17 | |
this off, from 4-2 behind. It all
looked to be plain sailing for Shaun | 3:22:17 | 3:22:22 | |
Murphy. | 3:22:22 | 3:22:32 | |
A delicate little cannon here, to
put the red away. | 3:23:04 | 3:23:20 | |
The reds not badly placed, if he
gets one on the right of that batch | 3:24:01 | 3:24:06 | |
of four, it would clear the path for
another red. In fact, the other one | 3:24:06 | 3:24:19 | |
might go, which is even better. He
had that, clearly. | 3:24:19 | 3:24:33 | |
The two reds, I'm not sure if one of
those would go. Not a | 3:24:37 | 3:24:42 | |
straightforward run to the winning
line in this frame. You would | 3:24:42 | 3:24:50 | |
notice, Dennis, that the is very
happy to play these softs done drag | 3:24:50 | 3:24:56 | |
shots, he pulls a few of them thin.
Not the ideal kind of shot to play | 3:24:56 | 3:25:01 | |
when the cloth is a little heavy.
Early in the match, he cued across a | 3:25:01 | 3:25:07 | |
few shots like that. | 3:25:07 | 3:25:17 | |
He is a left-hander, the red is on
the wrong side of the table for him | 3:25:25 | 3:25:28 | |
there. He has to use the rest for
this one. 36 in front. The colour | 3:25:28 | 3:25:44 | |
red, still needed. | 3:25:44 | 3:25:55 | |
How does he get to the red that he
needs? He cannot get close behind | 3:26:06 | 3:26:12 | |
that one, the left side of the
table. The other two are covering | 3:26:12 | 3:26:16 | |
one another. | 3:26:16 | 3:26:26 | |
Is he going to try and go around the
table? Even then, it would be | 3:26:28 | 3:26:34 | |
difficult to get on the red. No...
He is coming towards the red. He | 3:26:34 | 3:26:42 | |
wants to go around the back of it
now, which he has. A great effort. | 3:26:42 | 3:26:49 | |
He put everything into the pot
there. He almost got the red out... | 3:26:49 | 3:27:03 | |
I'm wondering if Shaun Murphy can
pot a red into the middle after a | 3:27:07 | 3:27:11 | |
blue here. He has not looked at it.
It's a chance of getting a good cue | 3:27:11 | 3:27:18 | |
ball, sending it towards the brown.
It's just about OK. Liam Buchanan | 3:27:18 | 3:27:38 | |
clip the red thin, on the right-hand
side, he plays it very well, unless | 3:27:38 | 3:27:43 | |
the blue goes in... Ooh... | 3:27:43 | 3:27:55 | |
That would have been a disaster, he
would have left a free ball there. | 3:27:58 | 3:28:05 | |
He was close to flipping the blue
in. Had to play this on the thick | 3:28:05 | 3:28:16 | |
side to get over behind the green.
But... | 3:28:16 | 3:28:22 | |
He needs this red and any colour
from the brown upwards. To leave | 3:28:32 | 3:28:39 | |
Shaun needing a snooker. | 3:28:39 | 3:28:41 | |
He could have done without a kiss on
the brown there. It's a natural | 3:29:11 | 3:29:17 | |
angle, if he takes the pot on
committee can cannon into the two | 3:29:17 | 3:29:22 | |
reds, and that would be the last
thing he would want to happen. It's | 3:29:22 | 3:29:26 | |
a long potter, if you does not want
to cannon the reds, he would have to | 3:29:26 | 3:29:30 | |
force it a little and it makes the
pot more difficult. A big shot | 3:29:30 | 3:29:34 | |
coming up. He is digging down and
this is far from easy. | 3:29:34 | 3:29:47 | |
The White was bouncing around as you
could see that it was a | 3:29:56 | 3:30:00 | |
frame-winner, had he knocked it in.
I wonder if Shaun Murphy would be | 3:30:00 | 3:30:10 | |
tempted to play a cross table double
here. It may be a little thin for | 3:30:10 | 3:30:14 | |
that. But the blue is over the
middle. I would not blame him for | 3:30:14 | 3:30:20 | |
taking it on. Because he can get a
good cue ball. | 3:30:20 | 3:30:28 | |
It would certainly give him a chance
to win the frame at this visit if he | 3:30:40 | 3:30:45 | |
did play the cross table double. He
is not certain to leave the | 3:30:45 | 3:30:59 | |
red I think he got | 3:31:04 | 3:31:24 | |
the he all of a sudden, from Shaun
will have to win | 3:31:25 | 3:31:46 | |
the who it | 3:32:10 | 3:32:14 | |
It was a bit of adrenaline, with the
blue. He overscrewed it. | 3:32:19 | 3:32:34 | |
Another double-kiss coming up. | 3:32:34 | 3:32:45 | |
He had a terrific shock yesterday
when Scott Donaldson played | 3:32:59 | 3:33:03 | |
fantastically well to knock out the
defending champion, Mark Selby. Is | 3:33:03 | 3:33:09 | |
there another shock on the cards
here today? | 3:33:09 | 3:33:20 | |
I am surprised that Sean is playing
on here. There is a difference, 53 | 3:33:50 | 3:34:00 | |
with only 55 on the table. He
signals over to Liam, he and he | 3:34:00 | 3:34:08 | |
concedes he frame, what a turnaround
all of a sudden, Liam Highfield is | 3:34:08 | 3:34:15 | |
now just one frame away from another
big shock. | 3:34:15 | 3:34:20 | |
now just one frame away from another
big shock. STUDIO: It is all | 3:34:20 | 3:34:22 | |
happening, and it's all happening on
table three. A man with a world | 3:34:22 | 3:34:27 | |
ranking title, Kyren Wilson is
playing Yu, Yu was five frames | 3:34:27 | 3:34:36 | |
behind and | 3:34:36 | 3:34:36 | |
playing Yu, Yu was five frames
behind and here he is, clearing the | 3:34:36 | 3:34:38 | |
colours to go one behind, the man
was the runner-up this year. Kyren | 3:34:38 | 3:34:47 | |
Wilson with some work to do but we
are hearing that he is just a few | 3:34:47 | 3:34:52 | |
points away from securing a place in
round three. They need to work very | 3:34:52 | 3:34:57 | |
hard | 3:34:57 | 3:34:58 | |
round three. They need to work very
hard today, these seeds? The | 3:34:58 | 3:34:59 | |
standard is incredibly high. They do
not fear any reputations. But lose | 3:34:59 | 3:35:07 | |
your concentration a little bit,
like Shaun Murphy did with the blue, | 3:35:07 | 3:35:11 | |
that's a shocker. Such a simple shot
and because of that, he has | 3:35:11 | 3:35:17 | |
forgotten to concentrate and that
there, in a nutshell, shouldn't have | 3:35:17 | 3:35:23 | |
happened. Is the same with his game.
Every now and again he has a | 3:35:23 | 3:35:30 | |
complete block. That is what has
happened in the last few frames. | 3:35:30 | 3:35:34 | |
Played a lot of uncharacteristic
mistakes. Perfect to make the frame | 3:35:34 | 3:35:40 | |
in the break there. Now he finds
himself one behind with two to play. | 3:35:40 | 3:35:47 | |
It's interesting for me, he has been
4-2 down, it looks like he's going | 3:35:47 | 3:35:51 | |
out of the tournament but suddenly,
can he get over the line? He needs | 3:35:51 | 3:35:59 | |
this frame to make progress to the
last 32. What a scalp Shaun Murphy | 3:35:59 | 3:36:05 | |
would be for this fellow. Back we
go. | 3:36:05 | 3:36:13 | |
How many times have we seen in the
past, Shaun Murphy, when he is put | 3:36:13 | 3:36:20 | |
under pressure, produces some of his
best snooker, but Liam is in with a | 3:36:20 | 3:36:24 | |
great chance now, but do not rate of
Shaun Murphy, that is one thing for | 3:36:24 | 3:36:29 | |
sure. | 3:36:29 | 3:36:32 | |
How close was that? He has not got
away with it. What a great effort | 3:36:46 | 3:36:51 | |
this was. Liam is already looking
around the black spot area. He is | 3:36:51 | 3:37:01 | |
thinking a few shots ahead. | 3:37:01 | 3:37:04 | |
He knows if he can get on the red
that is closest to the black in a | 3:37:12 | 3:37:17 | |
few shots time, he could have the
black in play. Meanwhile, he needs | 3:37:17 | 3:37:22 | |
some good pots to get him into that
position. Well, he's certainly would | 3:37:22 | 3:37:31 | |
have liked to be more
straightforward and the pink. He is | 3:37:31 | 3:37:36 | |
slightly the wrong side of it,
taking the cue ball away from the | 3:37:36 | 3:37:40 | |
reds. | 3:37:40 | 3:37:40 | |
It did look slightly thick. When he
played the shot. | 3:37:52 | 3:37:56 | |
He has missed a golden opportunity. | 3:38:05 | 3:38:07 | |
Can Shaun Murphy respond? He has
done it so many times throughout his | 3:38:20 | 3:38:25 | |
career. This tournament will mean so
much to him. Especially as a former | 3:38:25 | 3:38:36 | |
UK champion. Time to dig deeper. | 3:38:36 | 3:38:42 | |
He is not sure if that red goes past
the black. He is also thinking about | 3:38:49 | 3:38:56 | |
the shots ahead. Let's have a look.
Sometimes when they are almost | 3:38:56 | 3:39:01 | |
touching it is difficult to know,
but the black does not go, so the | 3:39:01 | 3:39:05 | |
red must. Having said all that, he
has left himself the wrong side of | 3:39:05 | 3:39:11 | |
the boy. He has got enough power to
swing this around, but it should | 3:39:11 | 3:39:16 | |
have been much easier than this. Had
he gone past the blue spot, it would | 3:39:16 | 3:39:23 | |
have been easy. Now he has to play
this with lots of power and avoid | 3:39:23 | 3:39:29 | |
the baulk colours. | 3:39:29 | 3:39:31 | |
How is your lot, Shaun? -- your
luck. Not very good. That was | 3:39:35 | 3:39:48 | |
desperately unlucky. If fantastic
shot, lots of power and left-hand | 3:39:48 | 3:39:52 | |
side, desperately unlucky. | 3:39:52 | 3:39:56 | |
I think from the previous shot on
the red, when Shaun finished the | 3:40:00 | 3:40:05 | |
wrong side of the blue, plus the
blue that he missed in the previous | 3:40:05 | 3:40:10 | |
flame where the blue did not reach
the pocket, it gives an indication | 3:40:10 | 3:40:14 | |
of how the heavy this table is
playing. It changes through the | 3:40:14 | 3:40:18 | |
match. At the beginning, it looked
better than it played last night, | 3:40:18 | 3:40:23 | |
but it has been quite evidently
playing heavy, and Shaun has | 3:40:23 | 3:40:27 | |
struggled because of that. | 3:40:27 | 3:40:31 | |
That was far from easy. There is a
pot that Liam can go for. The one to | 3:40:59 | 3:41:13 | |
the left of the three pots. | 3:41:13 | 3:41:17 | |
He will automatically drop on the
blue or possibly the pink. | 3:41:22 | 3:41:27 | |
It is not a great chance just yet.
The black is awkward. The pink is | 3:41:34 | 3:41:43 | |
pottable, but not in the ideal
position. | 3:41:43 | 3:41:47 | |
He may have to leave himself with
the tricky black in a couple of | 3:41:55 | 3:41:59 | |
shots time. He can pot the blue and
get up for the reds near the black | 3:41:59 | 3:42:04 | |
spot. | 3:42:04 | 3:42:05 | |
He could have done with coming
further up the table. | 3:42:11 | 3:42:15 | |
This really would be another shock.
If Liam Highfield can manage to hold | 3:42:21 | 3:42:30 | |
himself together and win this frame.
And with the shocks of Mark Selby, | 3:42:30 | 3:42:41 | |
the defending champion, losing in
this tournament, are we seeing | 3:42:41 | 3:42:45 | |
conditions playing a big part in
these results? I believe we are. It | 3:42:45 | 3:42:54 | |
is certainly hard work for the
players. The balls are playing | 3:42:54 | 3:42:58 | |
heavier than normal. We have had
quite a few big bounces and kicks | 3:42:58 | 3:43:06 | |
and it is disconcerting for a player
to try and keep your concentration | 3:43:06 | 3:43:11 | |
when the cue ball keeps going into
positions that you do not expect. | 3:43:11 | 3:43:17 | |
Very often through no fault of your
own. This is not ideal for Liam. He | 3:43:17 | 3:43:30 | |
is faced with a difficult pot.
Whichever of these two he decides to | 3:43:30 | 3:43:35 | |
play. | 3:43:35 | 3:43:36 | |
That is a very good pots. Well
played. What a key shot coming up as | 3:43:41 | 3:43:49 | |
we show you that pot that went right
in the centre of the pocket. It did | 3:43:49 | 3:43:55 | |
not touch the sides. If the next
shot work site, what a chance he | 3:43:55 | 3:44:00 | |
could have. The pink and black are
not ideally placed, but he can open | 3:44:00 | 3:44:05 | |
up the reds. | 3:44:05 | 3:44:07 | |
How lucky is Liam? He has won to the
right middle pocket. He has opened | 3:44:12 | 3:44:19 | |
up the reds. They are all pottable.
There is lots of pressure on this | 3:44:19 | 3:44:28 | |
red to the centre. If he gets it, he
knows he should win the match. Well | 3:44:28 | 3:44:33 | |
played. | 3:44:33 | 3:44:34 | |
He has got work to do with the cue
ball because he is quite straight. | 3:45:09 | 3:45:13 | |
He will play this with power. That
was the problem. | 3:45:13 | 3:45:19 | |
would be for this fellow. Back we
go. | 3:45:24 | 3:45:25 | |
That is pure tension there. That is
all that is. You could see the cue | 3:45:25 | 3:45:29 | |
did not go through in a straight
line. Just a little ahead of | 3:45:29 | 3:45:35 | |
themselves, it is understandable. It
is a huge match for Liam. | 3:45:35 | 3:45:49 | |
Needs the angle to helping out. If
he kisses the brown, he is OK. | 3:46:00 | 3:46:06 | |
APPLAUSE
The White was heading into the | 3:46:06 | 3:46:13 | |
corner there. But that angle on the
middle pocket helps things. | 3:46:13 | 3:46:19 | |
Shaun knows how tough it is to win
the frame that gets you over the | 3:46:26 | 3:46:30 | |
line. His more experienced and he
knows that Highfield will be under | 3:46:30 | 3:46:36 | |
it. Dennis, I do not honestly
believe that Shaun felt he would get | 3:46:36 | 3:46:46 | |
another chance in this match, when
the red went into the right centre, | 3:46:46 | 3:46:52 | |
he probably thought that was it. So,
this is an unexpected opportunity. | 3:46:52 | 3:47:07 | |
He may be hampered slightly, here,
because of the green. He's got to | 3:47:10 | 3:47:15 | |
get some action on the cue ball. He
took the other red, he has played a | 3:47:15 | 3:47:27 | |
little too card. To take that blue
up into the corner now. | 3:47:27 | 3:47:41 | |
The pink back on the spot in a
couple of shots time would really | 3:47:42 | 3:47:45 | |
help the situation. | 3:47:45 | 3:47:56 | |
Amazing. The Rolls-Royce cue action
has let him down on a pretty | 3:47:56 | 3:48:06 | |
straightforward pot there. He was
looking at the paint a few shots | 3:48:06 | 3:48:10 | |
ahead. -- pink. It's another chance
for Liam Highfield. At this stage, | 3:48:10 | 3:48:26 | |
this player's career, a chance of
taking a big scalp, everything is | 3:48:26 | 3:48:30 | |
not straightforward. Straightaway,
he has left himself almost straight | 3:48:30 | 3:48:39 | |
on this red, meaning he has to get a
lot of action on the cue ball. It's | 3:48:39 | 3:48:46 | |
amazing. It is all about the tension
at the moment, causing these slight | 3:48:46 | 3:48:53 | |
errors. | 3:48:53 | 3:49:03 | |
Shaun did look at the pink, when he
was at the table. Peter has told us | 3:49:05 | 3:49:15 | |
a good few times how tight the
middle pockets are. You don't want | 3:49:15 | 3:49:19 | |
to play this with too much pace. | 3:49:19 | 3:49:30 | |
He will need both reds for this
match. And it isn't going to be | 3:49:40 | 3:49:47 | |
easy. | 3:49:47 | 3:49:57 | |
Once again, that was just pressure.
So close. Didn't even hit the jaws, | 3:50:01 | 3:50:11 | |
really. | 3:50:11 | 3:50:21 | |
Could have done without the kiss on
the brown there. Yes, not the best | 3:50:25 | 3:50:32 | |
safety shot in the world from Shaun
Murphy. At a time when he needed a | 3:50:32 | 3:50:36 | |
really good safety shot. That is a
wonderful pot. Well, Shaun will be | 3:50:36 | 3:50:55 | |
getting quite anxious, let me show
you that terrific long pot, he needs | 3:50:55 | 3:51:00 | |
that brown to get onto the red. If
he can finish 18 inches either side | 3:51:00 | 3:51:06 | |
of the red... This looks pretty good
to me, if it bounces off the | 3:51:06 | 3:51:14 | |
cushioning, he is in pretty good
shape. An excellent shot! | 3:51:14 | 3:51:27 | |
As we show you the positional shot
again committee still needs this red | 3:51:29 | 3:51:34 | |
and any colour above yellow would
leave Shaun needing a snooker. This | 3:51:34 | 3:51:39 | |
is the key... No! That is just pure
tension and pressure. Liam | 3:51:39 | 3:51:48 | |
Highfield, five. So near and yet so
far from this upset here. | 3:51:48 | 3:52:03 | |
It's not a straightforward table to
clear up from. A lot of tension at | 3:52:09 | 3:52:20 | |
there for both players. | 3:52:20 | 3:52:31 | |
He has hit it a little too hard now.
It's just about OK? I think he can | 3:52:49 | 3:52:58 | |
take it in the left corner but it
could have been a lot easier than | 3:52:58 | 3:53:01 | |
this, Peter. It certainly could have
been. It is a good angle. Should be | 3:53:01 | 3:53:07 | |
on the brown, if he gets it. A great
shot! Unfortunately, he could not | 3:53:07 | 3:53:18 | |
control the cue ball. It was as if
he put everything into the pot | 3:53:18 | 3:53:28 | |
there. Look where he has finished. I
think once he knew he potted the | 3:53:28 | 3:53:36 | |
green, he knew that he would be on
the brown but look where he | 3:53:36 | 3:53:39 | |
finished. | 3:53:39 | 3:53:49 | |
If this was in practice, Shaun
Murphy would probably cut the brown | 3:53:57 | 3:54:00 | |
in. But this is not practice. | 3:54:00 | 3:54:13 | |
He needs to pull up a little bit.
And get past the blue. | 3:54:13 | 3:54:26 | |
Now, where is the brown going? Where
is that brown going? It's going to | 3:54:48 | 3:54:56 | |
be all about the black... Forward we
could see enough of that to pot it. | 3:54:56 | 3:55:12 | |
I am thinking here of a couple of
frames ago. Shaun missed the red in | 3:55:20 | 3:55:27 | |
the same position as the black. If
he parts the blue and drops in | 3:55:27 | 3:55:32 | |
behind the black, it will not be
easy. Interesting to see if he | 3:55:32 | 3:55:36 | |
leaves some angle on the pink to
bring the black into play. I was | 3:55:36 | 3:55:40 | |
just going to suggest that, he has
got that angle... He has the ankle | 3:55:40 | 3:55:47 | |
to move the black if he wants to. | 3:55:47 | 3:55:58 | |
If he plays to drop behind the
black, he needs to be right behind. | 3:55:59 | 3:56:02 | |
He has played the cannon. This is a
really, really tough black. If he | 3:56:02 | 3:56:12 | |
decides to take it on, that is.
There's an awful lot of pressure on | 3:56:12 | 3:56:17 | |
this. This is really tough... | 3:56:17 | 3:56:27 | |
Make your mind up time for Shaun
Murphy. It's a cross table double on | 3:56:28 | 3:56:37 | |
Dennis. He may have looked at that
but it is all down to how he feels. | 3:56:37 | 3:56:52 | |
It might be on, Peter... Almost, he
always knew that he could get it | 3:56:53 | 3:56:58 | |
safe. So, here we go. We have the
tensions of the black bull fight. | 3:56:58 | 3:57:12 | |
One player, and the other in a match
to stay in it. A double-kiss but it | 3:57:12 | 3:57:16 | |
isn't bad. Will he get the chance to
shut the match out? A good shot from | 3:57:16 | 3:57:34 | |
Shaun, acknowledged by Liam, tapping
the table. | 3:57:34 | 3:57:45 | |
Ooh... What a time to catch the jaw
of the middle pocket. He has had a | 3:57:46 | 3:57:55 | |
couple of golden opportunities to
knock Shaun Murphy out. This is the | 3:57:55 | 3:58:00 | |
black catching the middle pocket...
And in it goes. Somehow, Shaun | 3:58:00 | 3:58:05 | |
Murphy has kept himself in this
year's bet where UK championship, to | 3:58:05 | 3:58:11 | |
all of the world it looks like he
was out but no wonder he is smiling, | 3:58:11 | 3:58:16 | |
we are down to a decider! A grimace
from Shaun, he is riding his luck | 3:58:16 | 3:58:22 | |
but it's great to have a chase for
the black ball! It's very exciting. | 3:58:22 | 3:58:27 | |
A brilliant | 3:58:27 | 3:58:27 | |
the black ball! It's very exciting.
A brilliant friend of snooker. A lot | 3:58:27 | 3:58:29 | |
of things happening. When he played
on the pink, I thought he would drop | 3:58:29 | 3:58:36 | |
behind the black but then he decided
to play the other shots too. He | 3:58:36 | 3:58:39 | |
would be delighted with the final
frame decider. I think Liam | 3:58:39 | 3:58:45 | |
Highfield would rue the last read
that he missed out. The match was | 3:58:45 | 3:58:53 | |
all over, it's a very small
marriage, if he is never out of it, | 3:58:53 | 3:59:02 | |
he has all the more experience than
Liam Highfield. Liam Highfield | 3:59:02 | 3:59:05 | |
absolutely kicking himself. The
tension was palpable and he's also | 3:59:05 | 3:59:11 | |
in the remaining matches. He won his
first world title earlier in the | 3:59:11 | 3:59:18 | |
season. This is for 125. Does not
bother to pot that one. Six frames | 3:59:18 | 3:59:33 | |
to three, and he was cruising at one
point in that match, actually, Luca | 3:59:33 | 3:59:38 | |
Brecel, he beat Aditya Mehta of
India. He is a very likeable | 3:59:38 | 3:59:44 | |
character. Many people would be
delighted he got that victory. He's | 3:59:44 | 3:59:50 | |
turned himself into a much better
player. Always able to pot and score | 3:59:50 | 3:59:54 | |
but wide open. He has been on the
circuit and has had enough | 3:59:54 | 3:59:59 | |
experience to know that yes,
everybody has to play some kind of | 3:59:59 | 4:00:03 | |
safety shot. Now we know what the
game is about, he is very dangerous. | 4:00:03 | 4:00:07 | |
And he is full of confidence. On the
belt he feels ten foot tall, | 4:00:07 | 4:00:13 | |
strutting around, feeling great. He
makes the game look easy and he is | 4:00:13 | 4:00:17 | |
so quick. He can score and win a
frame in five or six minutes. Great | 4:00:17 | 4:00:21 | |
to watch. | 4:00:21 | 4:00:25 | |
He won the China championship in
August and became the first European | 4:00:25 | 4:00:29 | |
continental player to win a world
ranking title. He was the youngest | 4:00:29 | 4:00:33 | |
ever to make it through to the
Crucible. It seems ridiculous to | 4:00:33 | 4:00:37 | |
think that was only five or six
years ago. He has been around for a | 4:00:37 | 4:00:40 | |
long time. I played him as a young
kid, he was about ten years old. Yet | 4:00:40 | 4:00:49 | |
-- I said, what can you do? Pot if
you balls. He potted everything. I | 4:00:49 | 4:00:54 | |
thought that he was going to be
something special. It has taken a | 4:00:54 | 4:00:59 | |
while. People have been too shrewd,
they have waited for him, but he is | 4:00:59 | 4:01:04 | |
a talent. Luca will now play Matt
King. He wrapped up his victory | 4:01:04 | 4:01:10 | |
today. So close to 147. He will play | 4:01:10 | 4:01:14 | |
today. So close to 147. He will play
Luca Brecel, but all eyes in the | 4:01:14 | 4:01:16 | |
arena are on this one. Shaun Murphy,
Liam Highfield, will the world | 4:01:16 | 4:01:21 | |
number six prevail? This has been an
almighty struggle and it has gone | 4:01:21 | 4:01:26 | |
down to the wire. If final frame
decider. | 4:01:26 | 4:01:29 | |
Look where the cue ball has
finished. Not where Shaun was | 4:01:34 | 4:01:40 | |
intending. He tried to get the white
close to the cushion. We will show | 4:01:40 | 4:01:45 | |
you the break again. Once again, a
red right up against the black, but | 4:01:45 | 4:01:55 | |
more importantly for Shaun, the
white went right up against the | 4:01:55 | 4:01:59 | |
green. This is in no man's land.
REFEREE: Foul and a miss. He cannot | 4:01:59 | 4:02:09 | |
come off the cushion and nestle into
the pack because of the reds either | 4:02:09 | 4:02:14 | |
side of the bunch. He is trying to
get up against the one to the left | 4:02:14 | 4:02:19 | |
of the black. He might need a fewer
attempts to get there. -- a few | 4:02:19 | 4:02:29 | |
attempts. As I say, that was a bonus
for Shaun to finish tied against the | 4:02:29 | 4:02:36 | |
green. Can they get closer this
time? Better pace. REFEREE: Foul and | 4:02:36 | 4:02:45 | |
a miss. | 4:02:45 | 4:02:46 | |
As I say, it could cost him a few
points. He has got to get this just | 4:02:51 | 4:02:56 | |
right. He does not want to hit it
too hard and put Shaun in. | 4:02:56 | 4:03:03 | |
That is the right line, but is it
hard enough? Not quite, but if he | 4:03:18 | 4:03:23 | |
can remember the line. That time it
was perfect, but not quite enough | 4:03:23 | 4:03:28 | |
pace. | 4:03:28 | 4:03:31 | |
Better pace this time. Well played.
APPLAUSE | 4:03:49 | 4:03:54 | |
I think the crowd at the York
Barbican are really enjoying this | 4:04:11 | 4:04:15 | |
one. You can feel the tension out
there. | 4:04:15 | 4:04:17 | |
Yes, no distractions now. Play is
finished on the other three tables. | 4:04:33 | 4:04:38 | |
Much better for the players. | 4:04:38 | 4:04:39 | |
We have had a bit of everything so
far in this match, fantastic pots, | 4:04:54 | 4:05:00 | |
incredible misses, cut fingers, and
blues that have failed to reach the | 4:05:00 | 4:05:07 | |
pocket. | 4:05:07 | 4:05:08 | |
Of course, we must not forget that
Liam almost struck the referee with | 4:05:13 | 4:05:19 | |
his cue when he pulled it away from
the table. She was right behind him. | 4:05:19 | 4:05:25 | |
A referee who is one of the top
referees in the game now. She has | 4:05:25 | 4:05:32 | |
done a great job here. | 4:05:32 | 4:05:34 | |
Once again, he has not quite a few
of those in, but it is tough for | 4:05:44 | 4:05:48 | |
Liam. He is sitting in his seat and
he knows that he should have won the | 4:05:48 | 4:05:53 | |
match in the previous frame. | 4:05:53 | 4:05:55 | |
It is a bit tight as to whether that
pots. If he hits the red and the | 4:06:02 | 4:06:07 | |
black at the same time, it is a foul
shot. That is what would happen. | 4:06:07 | 4:06:14 | |
A good safety shot from Shaun
Murphy. Lots of pressure on every | 4:06:32 | 4:06:36 | |
single safety shot knife. | 4:06:36 | 4:06:38 | |
-- shot now. As John Parrott always
says, in a deciding frame, all you | 4:06:43 | 4:06:52 | |
want is one chance. Who will get the
first chance? | 4:06:52 | 4:06:56 | |
This is a little gem. If he missed
the brown, he would have had a | 4:07:01 | 4:07:07 | |
snooker a game. -- a snooker again.
A good opportunity to possibly get | 4:07:07 | 4:07:20 | |
the cue ball behind the brown. | 4:07:20 | 4:07:21 | |
Unlucky. Good effort. I am wondering
if we will see a Shaun Murphy | 4:07:28 | 4:07:34 | |
special. There is quite a bit of
pressure on Shaun, but at this type | 4:07:34 | 4:07:39 | |
of shot, he is one of the best in
the game. | 4:07:39 | 4:07:42 | |
You have got the perfect picture.
Can he deliver the cue in a straight | 4:07:46 | 4:07:51 | |
line. There is the answer. The first
chance falls to the floor -- to the | 4:07:51 | 4:08:02 | |
former UK campaign. -- champion.
Shaun will be looking to move the | 4:08:02 | 4:08:13 | |
red away from the black as soon as
he possibly can. | 4:08:13 | 4:08:16 | |
He can get to that red from either
the yellow of the green. He needs to | 4:08:24 | 4:08:29 | |
be accurate with his positional
play. | 4:08:29 | 4:08:31 | |
Yes, we did see that red previously.
I do not think it goes. Maybe that | 4:08:42 | 4:08:48 | |
is why he did not play to get on it.
It was very tight. I think he can | 4:08:48 | 4:08:54 | |
get through for the one to the right
middle pocket. | 4:08:54 | 4:08:56 | |
I mean, they are not ideally placed.
The reds are open, but they are all | 4:09:07 | 4:09:14 | |
covering each other, somewhat. We
will find out now if that red pots | 4:09:14 | 4:09:23 | |
next to the black. He has got the
other one above it. I do not think | 4:09:23 | 4:09:28 | |
he can get on that even if he
finished short so he has to leave it | 4:09:28 | 4:09:32 | |
for the time being. | 4:09:32 | 4:09:33 | |
That helped his cause, somewhat. But
once the pain goes back on its part, | 4:09:41 | 4:09:47 | |
it is still not going to be
available into old pockets. -- in | 4:09:47 | 4:09:52 | |
the pink. | 4:09:52 | 4:09:53 | |
He has just got to sit there and
hope that something will go wrong | 4:10:00 | 4:10:05 | |
for Shaun. I think it has gone wrong
straightaway. It is not too bad. | 4:10:05 | 4:10:12 | |
Let's have a look. Yes, he is OK. | 4:10:12 | 4:10:16 | |
It looks as if he can play for the
blue. But there are a fewer | 4:10:22 | 4:10:31 | |
obstacles in the way. -- a few
obstacles. | 4:10:31 | 4:10:41 | |
He wants to be ultra-careful. He
does not want to get down and cannon | 4:10:46 | 4:10:52 | |
a red and put himself out of
position. This is the hardest thing | 4:10:52 | 4:10:58 | |
about our incredible game. Liam
Highfield is really struggling in | 4:10:58 | 4:11:02 | |
his seat. He is really going through
it. It is such a tough game to | 4:11:02 | 4:11:10 | |
handle mentally. You have got to be
so strong, because disappointments | 4:11:10 | 4:11:18 | |
always far outweighs the victories.
It is very difficult to handle. | 4:11:18 | 4:11:21 | |
When you have not taking your
chances, it is even tougher. Shaun | 4:11:26 | 4:11:35 | |
Murphy is calling on all his
experience. You could tell by the | 4:11:35 | 4:11:41 | |
expression on his face when he left
the arena when he levelled that he | 4:11:41 | 4:11:45 | |
was just pleased to still be in this
year's UK Championship. Now he is | 4:11:45 | 4:11:51 | |
well on his way to victory. | 4:11:51 | 4:11:53 | |
Already 37 in front. He had to get
himself in the perfect position to | 4:12:00 | 4:12:08 | |
get on the red next to the black.
This time I think he has just about | 4:12:08 | 4:12:13 | |
managed it. Yes, that is exactly
where he needed the cue ball. | 4:12:13 | 4:12:20 | |
Well, hang on a minute, Liam. Let's
have a look at what Shaun has done | 4:12:37 | 4:12:43 | |
with this positional shot. Is he OK?
He wanted to cannon that pink. | 4:12:43 | 4:12:53 | |
Football. -- full ball. They are all
covering each other so maybe it is | 4:12:53 | 4:13:06 | |
not over yet for Liam Highfield.
Shaun was looking at the plant | 4:13:06 | 4:13:12 | |
having run out of position. That
would be very dangerous. I think he | 4:13:12 | 4:13:18 | |
can play the red with the rest and
screw the cue ball around the ankles | 4:13:18 | 4:13:21 | |
with lots of right-hand side and
play that as a shot to nothing. If | 4:13:21 | 4:13:26 | |
the red was in he could play the
snooker behind a baulk colour, | 4:13:26 | 4:13:31 | |
potentially the brown. I think that
is the value short, certainly with a | 4:13:31 | 4:13:36 | |
45 point lead. -- value shot. He
needs to play this with pace. | 4:13:36 | 4:13:42 | |
The red does not go. He just playing
the safety shot. I thought the red | 4:13:51 | 4:13:57 | |
went. My apologies. So, he is in the
driving seat, but it has to be said, | 4:13:57 | 4:14:07 | |
he should have shot out in the
match. He knows that. That has | 4:14:07 | 4:14:16 | |
thrown a lifeline to Liam that he
did not expect to be getting. For | 4:14:16 | 4:14:22 | |
all the world, he would have been
convinced, sitting in his seat, that | 4:14:22 | 4:14:26 | |
he would be out of this year's
Betway UK Championship. This is a | 4:14:26 | 4:14:33 | |
tough pot. | 4:14:33 | 4:14:34 | |
That could be the end. That was a
massive shot that he took on. He is | 4:14:42 | 4:14:54 | |
normally so good at it, but under
these conditions, and with what has | 4:14:54 | 4:15:00 | |
happened in the previous frame,
where he knows that he should have | 4:15:00 | 4:15:03 | |
won the match. But every credit to
Shaun Murphy. He thought he was on | 4:15:03 | 4:15:12 | |
his way out, but far from it now. | 4:15:12 | 4:15:14 | |
He has come up a little | 4:15:25 | 4:15:26 | |
He has come up a little short here.
Should have been straight on this | 4:15:26 | 4:15:29 | |
red, to make it as easy as possible
for himself. | 4:15:29 | 4:15:36 | |
I think he got a miscue there. But
it was the positional shot, still | 4:15:39 | 4:15:46 | |
did not expect him to miss it but
what a time to miscue it. This match | 4:15:46 | 4:15:50 | |
has had a bit of everything. Playing
a deep screw shot with a lot of | 4:15:50 | 4:15:56 | |
left-hand side. The miscue at a
vital time. Another lifeline. Karen | 4:15:56 | 4:16:09 | |
Highfield take the opportunity this
time? -- can Highfield take the | 4:16:09 | 4:16:16 | |
opportunity this time? It is there.
Well played. I've been around the | 4:16:16 | 4:16:26 | |
blocks a few times that I am
starting to perspire in the | 4:16:26 | 4:16:31 | |
commentary box, this is getting very
exciting... We thought it was over | 4:16:31 | 4:16:38 | |
in the last frame, we thought it was
over there and that then there was | 4:16:38 | 4:16:41 | |
the miscue from Shaun. What else is
in store? | 4:16:41 | 4:16:56 | |
These balls may look
straightforward. This is a huge test | 4:17:09 | 4:17:12 | |
of character. For Highfield. He will
be under incredible pressure out | 4:17:12 | 4:17:22 | |
there. Did not cue that very well
either. Some heavy contact. But it | 4:17:22 | 4:17:27 | |
goes to show what pressure can do.
This time he had the red up the | 4:17:27 | 4:17:41 | |
other end of the table and it came
to his rescue. If he can keep going, | 4:17:41 | 4:17:45 | |
the key ball is the red next to the
brown. A long way to go before he | 4:17:45 | 4:17:55 | |
gets to the final red, but the
chance is there. I'm surely would be | 4:17:55 | 4:18:06 | |
delighted to get that far, Dennis.
And potentially, play a snooker. He | 4:18:06 | 4:18:11 | |
has not played this very well. Did
not play that very well at all. | 4:18:11 | 4:18:19 | |
Losing the cue ball there. This red
is no guinea, with the rest... If he | 4:18:19 | 4:18:35 | |
misses it, it will stay right out of
the pocket -- this red is no gimme. | 4:18:35 | 4:18:44 | |
Well played... That was a bit of
pressure. He's gone a little too | 4:18:44 | 4:18:54 | |
far, he has to take the blue into
the corner but should be able to get | 4:18:54 | 4:19:00 | |
on the red, both are available.
Better there than the middle pocket. | 4:19:00 | 4:19:06 | |
No problem there. So far so good. He
is looking at the black to make sure | 4:19:06 | 4:19:23 | |
he can pass the red. Must be tight,
which is why he plays for the pink. | 4:19:23 | 4:19:44 | |
Got a kick and heavy contact there.
Going to play him, Liam, for that. | 4:19:47 | 4:19:55 | |
Let's have another look... The pink
laptop off its spot. Unbelievable. | 4:19:55 | 4:20:03 | |
-- the pink sprang off its spot. 18
points behind. The red next to the | 4:20:03 | 4:20:13 | |
Bradl is still going to be the key
ball. Dennis, I think there could | 4:20:13 | 4:20:19 | |
still be some drama left in this
match yet. | 4:20:19 | 4:20:30 | |
If he does not get on the red to
take the pot, it's an easy snooker | 4:20:33 | 4:20:40 | |
behind the brown. Make sure you have
plenty of chalk on the tip, he is | 4:20:40 | 4:20:44 | |
going to have to play this with a
lot of screw and side. | 4:20:44 | 4:20:59 | |
He would have preferred a better
angle than this, Dennis. This is a | 4:21:00 | 4:21:06 | |
lot of key power. He is going to
need all of it here. Where he points | 4:21:06 | 4:21:13 | |
the tip of the cucumber he isn't
even going to take the black one but | 4:21:13 | 4:21:16 | |
surely he can go up the other end of
the table? If he does not get on the | 4:21:16 | 4:21:22 | |
red, he will leave himself in such a
position he won't get the snooker. | 4:21:22 | 4:21:27 | |
You don't want to overthink it. He
is not taking the pot on. It is a | 4:21:27 | 4:21:39 | |
tough one to hit. It is, Dennis.
But, should he hit the red, where | 4:21:39 | 4:21:49 | |
the yellow and the pink are, he may
even flick a snooker. I wouldn't be | 4:21:49 | 4:21:55 | |
surprised with how this much has
gone so far. A trick shot here... | 4:21:55 | 4:22:03 | |
Best of luck to the referee, to put
these back. But it's a free ball, | 4:22:03 | 4:22:08 | |
Shaun Murphy may take the black, and
have a quick look at the scoreboard. | 4:22:08 | 4:22:13 | |
He could take the black as the extra
red. 23 is the difference. The black | 4:22:13 | 4:22:28 | |
only counts as a point. He will
still need that last red. | 4:22:28 | 4:22:43 | |
Oh, dear! He has looked at the
referee and he says, yes please! | 4:22:43 | 4:22:50 | |
Well, we could be here for a while!
But they've got the monitor to help. | 4:22:50 | 4:23:01 | |
I cannot really see it... He had a
choice, he could have potted the | 4:23:01 | 4:23:08 | |
black, played the blue down and got
the snooker on the last round. Liam | 4:23:08 | 4:23:20 | |
Highfield is in such a hole here. | 4:23:20 | 4:23:33 | |
I mean, 23 is the difference, if he
were to miss again. Could only | 4:23:34 | 4:23:39 | |
afford two more misses. Sitting in
his seat and reflecting on what has | 4:23:39 | 4:23:51 | |
just happened. Should have been in
the next round! He has really been | 4:23:51 | 4:23:55 | |
through it in this match. I feel
sorry for him because he has done so | 4:23:55 | 4:24:00 | |
well, going to win three in a row
and then looking like he got a | 4:24:00 | 4:24:08 | |
victory, it would have been terrific
to knock out the former champion. | 4:24:08 | 4:24:21 | |
This is tough for the referee and
the marker with the monitor. So many | 4:24:30 | 4:24:37 | |
balls moved. We can show you where
they were originally. That is the | 4:24:37 | 4:24:44 | |
position. Yes, they will get there
eventually but the shot that Liam | 4:24:44 | 4:24:54 | |
was trying, he was trying to hit it
and make the angle. It wasn't a | 4:24:54 | 4:25:02 | |
natural angle as he was trying to
get out of the snooker. He tries to | 4:25:02 | 4:25:05 | |
come off the side cushion, you are
swerving the ball. We can show you | 4:25:05 | 4:25:11 | |
it again. This was the attempt. Not
a natural angle. He was trying to | 4:25:11 | 4:25:16 | |
make it. He had too much on it.
That's why he hit the green. Playing | 4:25:16 | 4:25:25 | |
the deep screw shot off the green
side cushion. Just to square the | 4:25:25 | 4:25:31 | |
angle up. It's a shame the match
will finish with this, that's the | 4:25:31 | 4:25:39 | |
last thing that you want to see. You
cannot blame Sean, he's completely | 4:25:39 | 4:25:44 | |
in the driving seat, he knows what
has gone on in this match. All he is | 4:25:44 | 4:25:50 | |
concerned about is getting into the
next round. He has one foot there | 4:25:50 | 4:25:56 | |
already. We cannot be too far from
it now... We could see a fracture of | 4:25:56 | 4:26:07 | |
the red, and we cannot see it any
more... I wonder, let's have a | 4:26:07 | 4:26:15 | |
look... It is pretty good, this.
That is not bad... Give me the | 4:26:15 | 4:26:21 | |
picture... Yes, I think you are
almost there. Yes, that looks good | 4:26:21 | 4:26:31 | |
to me. And I think, really, our
referee deserves a round of applause | 4:26:31 | 4:26:42 | |
here! APPLAUSE
Thank you. Well done! Yes... Liam | 4:26:42 | 4:27:01 | |
comes to the table, will he attempt
the same shot again? I hope he does | 4:27:01 | 4:27:06 | |
not hit the green again... Just a
double-check but I think it is | 4:27:06 | 4:27:17 | |
almost spot on. This is like a trick
shot that he is trying here. Ooh! He | 4:27:17 | 4:27:27 | |
may go back again. At least it is a
bit easier to replace this time. | 4:27:27 | 4:27:34 | |
Once again, a free ball. Now, 27 is
the difference. Looking to pot the | 4:27:34 | 4:27:45 | |
blue. He would still need the final
red, if he were to come up for the | 4:27:45 | 4:27:51 | |
black. It's a shame, the outcome of
this terrific match, that it will be | 4:27:51 | 4:28:01 | |
decided on a few missed shots. But,
those are the rules. Third time | 4:28:01 | 4:28:08 | |
lucky for Liam. Foul. Miss. Now...
If he misses this time... If Shaun | 4:28:08 | 4:28:40 | |
takes the black as a free ball, he
would need that difficult last red | 4:28:40 | 4:28:44 | |
now... Once again, he is putting
them back in. Would you just check, | 4:28:44 | 4:29:00 | |
please? If he misses the right this
time, he would be 35 behind. 35 on | 4:29:00 | 4:29:05 | |
the table if he does not hit one of
the higher value colours. | 4:29:05 | 4:29:20 | |
There is no other easy escape route.
He will get such a raw if he escapes | 4:29:21 | 4:29:28 | |
from it, it is a tough shot. That he
is attempting... -- he will get such | 4:29:28 | 4:29:39 | |
a roar. Needs to hit slightly
further up the cushion, for all of | 4:29:39 | 4:29:45 | |
the screw and the back spin that he
is playing... That is brilliant... | 4:29:45 | 4:29:50 | |
Ooh! Will it come to the rescue? He
has! He looks at John and he smiles! | 4:29:50 | 4:30:02 | |
Suddenly, there are smiles all
round. What is going to happen next | 4:30:02 | 4:30:07 | |
in this match? | 4:30:07 | 4:30:13 | |
This is a brilliant escape, having
to make the cue ball band to strike | 4:30:13 | 4:30:19 | |
the red. When it was over the
pocket, he thought, that is the end, | 4:30:19 | 4:30:24 | |
and he looked down the line and he
has got the snooker. | 4:30:24 | 4:30:28 | |
31 the difference. Plenty of
tension. Playing the cue ball up and | 4:30:43 | 4:30:49 | |
down, the red across the table
behind the black. This is an | 4:30:49 | 4:30:55 | |
absolute corker. What a shot. | 4:30:55 | 4:30:58 | |
Well, what a finish to this match. | 4:31:09 | 4:31:11 | |
If he can kick this from behind, he
can get a snooker behind the black. | 4:31:17 | 4:31:23 | |
He has hit to the black. REFEREE:
Miss. And it is a free ball. He can | 4:31:23 | 4:31:32 | |
play the yellow and get the yellow
into play and get in behind the | 4:31:32 | 4:31:36 | |
pink. In fact, he can see enough of
the pink to take on the pot. Would | 4:31:36 | 4:31:49 | |
you be taking this on? There is a
chance that he did not think he was | 4:31:49 | 4:31:55 | |
going to get into this situation. It
is there. | 4:31:55 | 4:31:59 | |
All of a sudden, he is right back in
this deciding frame. What a finish. | 4:32:07 | 4:32:12 | |
He did well to play for the gap
between the pink and the brown. The | 4:32:31 | 4:32:38 | |
balls are at his mercy. Can he hold
himself together? He could knock out | 4:32:38 | 4:32:47 | |
the former UK champion. | 4:32:47 | 4:32:48 | |
He needs it to stop. He has gone too
far. The brown slightly in the way | 4:32:58 | 4:33:05 | |
of potting the blue. Just that
little bit of adrenaline. He would | 4:33:05 | 4:33:14 | |
have been much better finishing
shorter because he had the brown or | 4:33:14 | 4:33:18 | |
the pink. He just over a slightly.
Can they avoid the colours and get | 4:33:18 | 4:33:24 | |
back to the yellow? | 4:33:24 | 4:33:25 | |
He needs to miss the black. He has
not. | 4:33:29 | 4:33:32 | |
This looks OK. | 4:33:51 | 4:33:52 | |
Shaun, as we showed you the gap, at
the moment needs yellow, green and | 4:34:06 | 4:34:10 | |
brown to seal victory. | 4:34:10 | 4:34:13 | |
With 12 points the difference, if
Liam can get a chance, he will not | 4:34:24 | 4:34:30 | |
need the difficult black. Yellow to
pink would be enough. There have | 4:34:30 | 4:34:37 | |
been so many twists and turns
towards the end of this match. It | 4:34:37 | 4:34:43 | |
has been quite incredible.
Unbelievable drama. The Betway UK | 4:34:43 | 4:34:48 | |
Championship. | 4:34:48 | 4:34:50 | |
You see, he cannot screw this yellow
and miss the pink and leave the | 4:35:01 | 4:35:05 | |
white on the cushion. He is
concerned that the yellow does not | 4:35:05 | 4:35:09 | |
go into the black. He needs to be
careful. He just decided on a | 4:35:09 | 4:35:17 | |
containing safety. It is all right.
It might have handed the advantage | 4:35:17 | 4:35:24 | |
to Liam. If he can get a good cue
ball in behind the pink or start | 4:35:24 | 4:35:30 | |
behind the black. He had a couple of
options. That is OK. | 4:35:30 | 4:35:34 | |
-- or stop behind the black. No
matter how good a player you are, to | 4:35:42 | 4:35:49 | |
come off the cushion, and strike the
yellow and get it safe, you need | 4:35:49 | 4:35:53 | |
some good fortune. Just trust to
luck. | 4:35:53 | 4:35:56 | |
The yellow does cut. | 4:36:03 | 4:36:05 | |
This is very thin. He is playing it
with right-hand side, which means he | 4:36:14 | 4:36:18 | |
will have to play two overcut it, to
allow for the throw. He did not. Can | 4:36:18 | 4:36:28 | |
you believe this match? Quite
incredible. The reason why the | 4:36:28 | 4:36:36 | |
yellow when the egg was because of
the right-hand side that he imparted | 4:36:36 | 4:36:41 | |
on the cue ball. Can Shaun Murphy
play a good positional shot? | 4:36:41 | 4:36:45 | |
It is too hard, much too hard. He
still needs the green and the brown. | 4:36:51 | 4:36:57 | |
Well, the number of times we have
told you that this is the best | 4:37:01 | 4:37:07 | |
player in the game that has ever
been using the rest. Does he need it | 4:37:07 | 4:37:11 | |
now? | 4:37:11 | 4:37:12 | |
Is a good green. Good cueing needed
on the brown. | 4:37:23 | 4:37:29 | |
He just pushed a cue through in a
straight line. The man in the | 4:37:41 | 4:37:47 | |
studio, John Parrott, was brilliant
at this. He needs to get this | 4:37:47 | 4:37:51 | |
because he could be moving the black
away from the cushion. Like -- that | 4:37:51 | 4:37:55 | |
is why he played a dead weight. What
a great shot. | 4:37:55 | 4:38:03 | |
Sometimes you get confused,
reckoning the score, but Liam does | 4:38:09 | 4:38:14 | |
need a snooker. | 4:38:14 | 4:38:17 | |
As Peter said, we have had
absolutely everything in the | 4:38:23 | 4:38:28 | |
deciding frame. Surely Liam cannot
get to the snooker and keep it | 4:38:28 | 4:38:32 | |
going. He has potted the blue when
he did not want to. It is going to | 4:38:32 | 4:38:39 | |
be tough to get a good snooker with
the black as it is. He could get a | 4:38:39 | 4:38:45 | |
possible snooker. He has not hit it
hard enough. | 4:38:45 | 4:38:49 | |
What an incredible deciding frame.
That was a great match in the end. | 4:39:03 | 4:39:11 | |
Liam Highfield, he was 4-2 down, he
won three frames in a row and he | 4:39:11 | 4:39:16 | |
looked like he was going to knock
out Shaun Murphy, but in the end, | 4:39:16 | 4:39:21 | |
Shaun scrapes over the | 4:39:21 | 4:39:22 | |
out Shaun Murphy, but in the end,
Shaun scrapes over the line, 6-5. My | 4:39:22 | 4:39:25 | |
goodness, nothing like a bit of
Sunday afternoon drama. I know this | 4:39:25 | 4:39:29 | |
is a time of seasonal gifts but that
was bordering on the ridiculous. | 4:39:29 | 4:39:34 | |
What an extraordinary last few
frames. You watch this game for | 4:39:34 | 4:39:37 | |
hours and hours, you see all these
matches, and you never know what is | 4:39:37 | 4:39:42 | |
coming up. That was a brilliant
frame of matchplay snooker. He was | 4:39:42 | 4:39:46 | |
in Alcatraz, Highfield. There was no
way he was getting out. He looked in | 4:39:46 | 4:39:54 | |
trouble, one shot turns it around,
and the snookers Shaun. What has | 4:39:54 | 4:39:59 | |
cost, the shot on the last red, to
not get on a colour correctly was a | 4:39:59 | 4:40:04 | |
stinker. That will really hurt him.
He just needs to land on a colour. | 4:40:04 | 4:40:09 | |
If he gets on the brown paint he had
a chance of a clearance. A great | 4:40:09 | 4:40:18 | |
green from Shaun. Especially when he
left the cue ball in the cushion. | 4:40:18 | 4:40:21 | |
The green was a wonderful shot, with
running side. With the brown, he | 4:40:21 | 4:40:25 | |
knows he will get a cannon on the
black, so is the object ball does | 4:40:25 | 4:40:30 | |
not going, he will leave the black.
All these things are going through | 4:40:30 | 4:40:35 | |
your brown and a final frame
decider. Shaun Murphy is through. | 4:40:35 | 4:40:41 | |
What an almighty scare. He is on his
way just now. Do you kick on or puff | 4:40:41 | 4:40:47 | |
out your cheeks and thank the stars
that you are there? Absolutely. He | 4:40:47 | 4:40:52 | |
will go home and relax and think, I
should have been out of this | 4:40:52 | 4:40:55 | |
tournament. I have seen loads of
people do it in the past, when they | 4:40:55 | 4:41:00 | |
should have gone out in around, and
they come back and win the event. He | 4:41:00 | 4:41:04 | |
has got to count his blessings. 3-1
up, 4-2 up. It ends like this. | 4:41:04 | 4:41:11 | |
Hello. Congratulations. That was a
bit lively. It was never in doubt. | 4:41:11 | 4:41:20 | |
My goodness. Well done. Why do you
do this to yourself? I have got no | 4:41:20 | 4:41:24 | |
idea. I do not drive. Even in that
frame, I was thinking, do I put the | 4:41:24 | 4:41:30 | |
ball safe. He had everybody. I
should have put the black safe, the | 4:41:30 | 4:41:36 | |
blue. You were so comfortable and
then you find yourself having to win | 4:41:36 | 4:41:40 | |
the last couple of frames. What went
wrong? I do not know. I was trying | 4:41:40 | 4:41:46 | |
to work it out. Mark Selby summed it
up yesterday. If you do not play | 4:41:46 | 4:41:52 | |
somewhere near their best, you lose.
The game is so tough. With the brown | 4:41:52 | 4:41:57 | |
to win, I cannot avoid the black.
That is my only saviour. The ball is | 4:41:57 | 4:42:02 | |
almost turn on you. It turned when
you live the blue over the pocket. | 4:42:02 | 4:42:07 | |
You have come too short. That is a
lack of concentration. You were | 4:42:07 | 4:42:11 | |
thinking you had position. When it
happened it never forgive you. That | 4:42:11 | 4:42:18 | |
is the equivalent of a professional
golfer chanting the trip. I have not | 4:42:18 | 4:42:22 | |
played a shot like that since I was
ten. It was horrific. Then there was | 4:42:22 | 4:42:28 | |
the snooker that Liam was trying to
get out of on the last red. You must | 4:42:28 | 4:42:32 | |
have thought you had him but he got
out of Alcatraz on that one. From a | 4:42:32 | 4:42:37 | |
mathematical point, I am looking at
the scoreboard going, here's missed | 4:42:37 | 4:42:40 | |
a red. I have got to move the red
myself. He is in trouble. I would | 4:42:40 | 4:42:46 | |
have loved another ball safe. In the
end, I did not fancy it. I think you | 4:42:46 | 4:42:53 | |
did the right thing. To come out of
that snooker was hard but to get | 4:42:53 | 4:42:58 | |
another snooker, it is just one of
those things, you cannot account for | 4:42:58 | 4:43:01 | |
that. You have done the right thing
by putting it back in. You have done | 4:43:01 | 4:43:06 | |
it, you're through. What will you
aim to do better in the next round? | 4:43:06 | 4:43:10 | |
I will try not to leave balls in
front of the pocket. I thought I | 4:43:10 | 4:43:17 | |
played all right. I scored well in
the balls and was hitting it nicely | 4:43:17 | 4:43:21 | |
but I need to tighten up on the
mistakes. Well done. Thank you for | 4:43:21 | 4:43:26 | |
sprinting into share your relief
with the nation. We will see you in | 4:43:26 | 4:43:30 | |
the next round. Go and have a lie
down. | 4:43:30 | 4:43:32 | |
This is what else is happening
today. Ronnie O'Sullivan is through, | 4:43:36 | 4:43:41 | |
no problems against Michael
Georgiou. A different story for | 4:43:41 | 4:43:45 | |
Shaun. | 4:43:45 | 4:43:48 | |
The only one not there, Alan
McManus. That is going to be the man | 4:43:54 | 4:44:02 | |
that Shaun faces, it will either be
Alan McManus Jimmy Robertson. It | 4:44:02 | 4:44:06 | |
looks like it is going to a final
frame decider. We will see you later | 4:44:06 | 4:44:11 | |
on for the highlights. There is more
light snooker on the red button and | 4:44:11 | 4:44:15 | |
on the BBC Sport website. We will
mop you down. I buy. -- goodbye. | 4:44:15 | 4:44:23 |