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I'll come back to the Barbican
centre for our first day of coverage | 0:00:33 | 0:00:38 | |
of the first of the three major
championships in any given season, | 0:00:38 | 0:00:44 | |
the Betway UK Championship and
reappear in the lounge with Steve | 0:00:44 | 0:00:49 | |
Davis, you have won six UK titles,
the only record you still own the | 0:00:49 | 0:00:54 | |
these days. But my change, Ronnie
O'Sullivan could match your record, | 0:00:54 | 0:00:59 | |
he starts in round two tomorrow but
it is the reigning champion, Mark | 0:00:59 | 0:01:04 | |
Selby, but we are watching. In round
two this afternoon, Borini UK and | 0:01:04 | 0:01:10 | |
world champion and he is playing
Scott Donaldson. From Perth and | 0:01:10 | 0:01:16 | |
Scotland, world number 66. Playing
one of the most high-profile matches | 0:01:16 | 0:01:19 | |
of his career so far, this man has
made it to the semifinals of the | 0:01:19 | 0:01:25 | |
Welsh Open, his greatest progression
in his career. He has beaten mark on | 0:01:25 | 0:01:30 | |
one previous occasion but he has his
hands full with the man who just | 0:01:30 | 0:01:34 | |
thrives in these big major events.
We can return with the score at 1-0 | 0:01:34 | 0:01:40 | |
to Mark Selby, Stephen Hendrie is an
commentary, alongside Dennis Taylor. | 0:01:40 | 0:01:46 | |
Thank you. As we can see Mark
rolling up behind the yellow, he has | 0:01:50 | 0:02:01 | |
a chance, knocking that cracking
long red to go in and looked like he | 0:02:01 | 0:02:05 | |
was going to go on to make a winning
contribution and look at where he | 0:02:05 | 0:02:11 | |
left that cube all, the red over the
left corner. And he has snookered | 0:02:11 | 0:02:14 | |
himself on the red ball. | 0:02:14 | 0:02:25 | |
He was a little bit fortunate, the
cue ball just grazing the blue. It | 0:03:05 | 0:03:11 | |
would be somewhere up in that
direction anyway, but he has been | 0:03:11 | 0:03:15 | |
staggered. If you can get to this
one, just to the left of the table. | 0:03:15 | 0:03:22 | |
Mark got in, just as we were
switching channels, and this was a | 0:03:29 | 0:03:32 | |
long red he got in, I thought he was
going to go on to make a big break | 0:03:32 | 0:03:39 | |
but he just left that white tight
against the reds. | 0:03:39 | 0:03:44 | |
I am not sure if this red will go
past the green, it might do. | 0:03:53 | 0:03:57 | |
Yes, every chance of getting onto
the black. Oh, no! | 0:04:05 | 0:04:09 | |
A long way off. There is no real
pressure on that one. And Scott just | 0:04:14 | 0:04:23 | |
tying his shoelace. | 0:04:23 | 0:04:27 | |
He can play this red to the far left
corner, he will not leave anything, | 0:04:32 | 0:04:37 | |
the only red that he can leave is
the one that he is playing. There is | 0:04:37 | 0:04:41 | |
not much pressure on this one.
Concentrate, Orlando %. -- 100%. | 0:04:41 | 0:04:51 | |
That is a long way off as well.
These are only half chances but | 0:04:51 | 0:04:57 | |
these are the chances he has to take
to win this game. | 0:04:57 | 0:05:01 | |
Scott feels... He was looking at the
potting angle, he can miss those | 0:05:45 | 0:05:53 | |
reds, onto the pink, playing the
safety shot. He did have a look at | 0:05:53 | 0:05:57 | |
that potting angle but that was
risky. I think he is still quite | 0:05:57 | 0:06:02 | |
tense, Scott. The last attempt at
the long red showed that he has not | 0:06:02 | 0:06:06 | |
fully relaxed just yet. | 0:06:06 | 0:06:08 | |
He has to get that white back to
somewhere near where it is sitting | 0:06:32 | 0:06:40 | |
at the moment, tighter on the
cushion with the letter and he can | 0:06:40 | 0:06:43 | |
screw off the cushion. Well, he
tried to screw that straight back. | 0:06:43 | 0:06:53 | |
Just getting a little bit of a messy
table, all of those lower value | 0:06:53 | 0:06:59 | |
colours, all off their spots. | 0:06:59 | 0:07:03 | |
The red directly below the pink,
potting to the right middle. That is | 0:07:13 | 0:07:19 | |
risky to take on. I wonder if Mark
will -- Mark will be tempted. He is | 0:07:19 | 0:07:31 | |
taking the long red, the same
pocket. That was a great shot! | 0:07:31 | 0:07:45 | |
Played with a degree of safety,
where the cue ball is. | 0:07:45 | 0:07:50 | |
He think he is looking at the none
too reds to see if there is a | 0:09:47 | 0:09:50 | |
possible plant into the right
middle, I do not think he can get | 0:09:50 | 0:09:54 | |
past the black to see if there is
enough of that to take that plant | 0:09:54 | 0:09:57 | |
on, it is not far-away... He cannot
see enough of the red to have a go | 0:09:57 | 0:10:03 | |
at that. If he leaves the cue ball
and plays the red, just touching the | 0:10:03 | 0:10:13 | |
pink, off the left-hand side, that
leaves the Care Bill up near that | 0:10:13 | 0:10:18 | |
yellow pocket, not a safe place. --
cue ball. | 0:10:18 | 0:10:23 | |
He would have to be pretty accurate
but that is a possibility. Well, | 0:10:43 | 0:10:49 | |
that is on the cushion, that is a
big help. It has worked out that the | 0:10:49 | 0:10:57 | |
red would not pass the blue, the one
near the yellow spot. | 0:10:57 | 0:11:02 | |
Or does it? It does. So, that wasn't
the best shot from Scott. It is | 0:11:06 | 0:11:17 | |
amazing, he came around to look
after playing the shot so it | 0:11:17 | 0:11:21 | |
obviously he did not look before
playing that safety shot so that is | 0:11:21 | 0:11:24 | |
pretty careless, if that is the
case. | 0:11:24 | 0:11:28 | |
Well, he thought any sort of cannon
and he would be nicely on the red | 0:12:12 | 0:12:16 | |
and it is amazing how things work
out sometimes. He played that well | 0:12:16 | 0:12:19 | |
enough. But... Absolutely nothing.
And very thin snick, if you take | 0:12:19 | 0:12:32 | |
that on to the right corner.
APPLAUSE. | 0:12:32 | 0:12:38 | |
I suppose he is looking at the
possibility of cutting that in, he | 0:12:46 | 0:12:53 | |
would not really leave a great deal,
but this is so thin. | 0:12:53 | 0:12:57 | |
Well, it is in.
APPLAUSE. | 0:13:05 | 0:13:07 | |
He will have to play for the red
knew of the brown, here. -- near the | 0:13:35 | 0:13:40 | |
brown. I don't think he will be
taking that on now. The cue ball | 0:13:40 | 0:13:48 | |
behind the brown. | 0:13:48 | 0:13:50 | |
Yes, the green is there as insurance
if he does not get tight behind the | 0:13:56 | 0:14:00 | |
brown. | 0:14:00 | 0:14:01 | |
Problems for Scott. He probably will
attempt the two-cushion escape just | 0:14:14 | 0:14:22 | |
to glance off... The one near the
pink, you would think. | 0:14:22 | 0:14:30 | |
There is no easy one to just land
on, that one is near the cushion. | 0:14:37 | 0:14:41 | |
There is no path through to that so
that two-cushion flick to the red. | 0:14:41 | 0:14:48 | |
Is he trying to land on one of them?
The two-cushion, has he judged that? | 0:14:48 | 0:14:59 | |
That is pretty good, that is a very
good effort. | 0:14:59 | 0:15:02 | |
He might be behind the brown again,
here. | 0:15:08 | 0:15:10 | |
APPLAUSE.
That looks like being the | 0:16:03 | 0:16:10 | |
frame-winning shot. | 0:16:10 | 0:16:11 | |
I think Scott Donaldson has to do
something different, he has to shake | 0:16:17 | 0:16:22 | |
things up, the way thing is going,
he is not putting Mark Selby under | 0:16:22 | 0:16:28 | |
any pressure, these continuing
safety exchanges. If it keeps going | 0:16:28 | 0:16:33 | |
like this, you can only see one
result and that is a comfortable | 0:16:33 | 0:16:36 | |
afternoon for the world number one. | 0:16:36 | 0:16:38 | |
Yes, he could do with a good chance
in amongst the balls, just to get | 0:16:43 | 0:16:47 | |
some confidence. Scott has had a few
chances but he has not settled. | 0:16:47 | 0:16:52 | |
This is the key shot coming up here.
It is not an easy one. That opening | 0:17:01 | 0:17:11 | |
long red... His head shaking. That
was a solid part. Does not red pass | 0:17:11 | 0:17:20 | |
black. -- those that red past the
black? | 0:17:20 | 0:17:28 | |
That means that Scott needs a
snooker, 36 is the difference with | 0:17:33 | 0:17:40 | |
just 35 remaining. | 0:17:40 | 0:17:42 | |
The red did not part but he has to
make sure of the bank. Barring that | 0:17:47 | 0:17:55 | |
snooker, the defending champion will
be leading to know. I don't think he | 0:17:55 | 0:18:07 | |
can push the red past the black,
here? No... Hang on a minute... If | 0:18:07 | 0:18:14 | |
that keeps running... Well... I
don't think it is quite a snooker | 0:18:14 | 0:18:22 | |
but he might not be able to see
enough to pot that, not without a | 0:18:22 | 0:18:26 | |
trace the side. -- aside. He played
that with left-hand side. And he | 0:18:26 | 0:18:39 | |
secured that pot and the frame. | 0:18:39 | 0:18:41 | |
Yet to be put under any pressure, so
far, in this much, Mark Selby. -- | 0:19:00 | 0:19:07 | |
this match. | 0:19:07 | 0:19:09 | |
-- this match. | 0:19:21 | 0:19:21 | |
He is not going to bother with the
black, that was a scrappy frame, | 0:19:49 | 0:19:54 | |
that is why it lasted almost 35
minutes but at the moment it is | 0:19:54 | 0:19:56 | |
pretty comfortable for the defending
champion, Mark Selby leading 2-0. | 0:19:56 | 0:20:03 | |
That is part of the reason this
domination that the bookmakers think | 0:20:03 | 0:20:08 | |
that Mark Selby has a very good
chance of defending his title and | 0:20:08 | 0:20:13 | |
making it a third UK title. It is
Ronnie O'Sullivan that they have as | 0:20:13 | 0:20:18 | |
a favourite, not surprisingly,
because a fantastic record this | 0:20:18 | 0:20:22 | |
season. Real application, four
finals and he has converted two of | 0:20:22 | 0:20:30 | |
them to sit on 30th world ranking
titles. He does look great? He does | 0:20:30 | 0:20:35 | |
but looking down that list to some
of the players featuring in the | 0:20:35 | 0:20:39 | |
final stages of events recently,
there are some big prices and there | 0:20:39 | 0:20:43 | |
are plenty of people who will be
interested in trying to find some | 0:20:43 | 0:20:47 | |
value in the betting and even though
this is not my specialist subject, | 0:20:47 | 0:20:50 | |
there is value all over the place.
Mark Selby only 3-1. Others are | 0:20:50 | 0:20:59 | |
producing at such a young age. He
made the final in Belfast at the | 0:20:59 | 0:21:04 | |
weekend. Sean Hamill, lots of people
who could win this and that is the | 0:21:04 | 0:21:08 | |
fascination of snooker these days,
you just do not know when the next | 0:21:08 | 0:21:12 | |
winner will come from and West, yes,
Ronnie O'Sullivan, on the big stage, | 0:21:12 | 0:21:19 | |
Mark Selby is dominant but you must
play these bread matches, the best | 0:21:19 | 0:21:24 | |
of 11. You must keep yourself in the
frame and you can only win it if you | 0:21:24 | 0:21:28 | |
are in it. Absolutely right but the
breadth and the number of different | 0:21:28 | 0:21:32 | |
winners this season does add up to a
potentially fascinating nine days in | 0:21:32 | 0:21:36 | |
front of us. Back to the third
frame. | 0:21:36 | 0:21:38 | |
I was just going to say that Scott
did not make a particularly good | 0:21:44 | 0:21:49 | |
break of that shot. The fact that
Mark Selby missed that long red has | 0:21:49 | 0:21:54 | |
given Scott a chance, as we show you
that attempt at the long pot. As | 0:21:54 | 0:22:03 | |
Stephen said, he has to make
something happen. And now is not a | 0:22:03 | 0:22:07 | |
bad time to start. Very capable and
a very talented player. | 0:22:07 | 0:22:14 | |
, straightaway, he has a good angle
on this blue, smashing that into the | 0:22:27 | 0:22:33 | |
pink. | 0:22:33 | 0:22:35 | |
Well done. That was a good shot. If
anything, he did not get the pink, | 0:22:37 | 0:22:47 | |
full ball, but he has a choice of a
couple of raids to the left middle. | 0:22:47 | 0:22:52 | |
He just catches the pink on the
left-hand side as he looks at it. | 0:22:52 | 0:22:56 | |
That was a good attacking shot. This
is not easy. | 0:22:56 | 0:23:01 | |
Well done. He has to score, here. | 0:23:05 | 0:23:11 | |
There are a few reds he can play for
but he would like to get the one to | 0:23:22 | 0:23:26 | |
the right of the black potted, it
doesn't have to go that way but that | 0:23:26 | 0:23:30 | |
red is a little bit of a
distraction, there. | 0:23:30 | 0:23:33 | |
The imperative is that he gets onto
the black, here. | 0:23:43 | 0:23:47 | |
As I said, that red is a little bit
of a distraction, to the right of | 0:24:02 | 0:24:07 | |
the black spot. When it goes back
onto its a spot... | 0:24:07 | 0:24:12 | |
APPLAUSE. | 0:24:43 | 0:24:45 | |
That has caused us a little bit too
far, he was hoping to be nicely onto | 0:25:26 | 0:25:31 | |
the blue and then putting that red,
but I have managed that one to the | 0:25:31 | 0:25:34 | |
right of the black, he was hoping to
be in a nice position to get onto | 0:25:34 | 0:25:39 | |
that... But... That is not the
correct angle for that. | 0:25:39 | 0:25:44 | |
He has a couple of choices, he could
play the green and screw back for | 0:25:58 | 0:26:03 | |
the yellow to the left corner. That
would be a simple safety shot, this | 0:26:03 | 0:26:09 | |
positional shot, than this. | 0:26:09 | 0:26:11 | |
He has played the cannon but he is
still on this red to the right | 0:26:18 | 0:26:22 | |
corner, he can use a couple of
questions for the black to save the | 0:26:22 | 0:26:27 | |
pocket. An opportunity... --
cushions. Yes, he has an angle, if | 0:26:27 | 0:26:38 | |
he plots that and screw is somewhere
near that line, he will leave | 0:26:38 | 0:26:41 | |
himself on the black. | 0:26:41 | 0:26:47 | |
That is nicely played and now he can
play for that red to the right of | 0:26:55 | 0:26:59 | |
the black and getting that out of
the way just clears the black spot | 0:26:59 | 0:27:03 | |
area somewhat. | 0:27:03 | 0:27:04 | |
A couple of choices, he can play for
the loose red or play for that | 0:27:45 | 0:27:51 | |
cannon, those six red is closest to
the white, he can play the cannon on | 0:27:51 | 0:27:55 | |
that... His heart was in his mouth,
he played that a lot firmer than I | 0:27:55 | 0:28:06 | |
thought. Very forcibly, but still in
a good position... | 0:28:06 | 0:28:09 | |
We always say, you never really
settled until you get your first | 0:28:35 | 0:28:39 | |
frame on the board and he had a
couple of chances in the opening | 0:28:39 | 0:28:42 | |
frames but he looked a little bit
tense. This is much better from | 0:28:42 | 0:28:45 | |
Scott. He has to keep things going,
though... | 0:28:45 | 0:28:49 | |
And this is the key shot coming up
because he will come in those three | 0:28:57 | 0:29:01 | |
reds and he must make sure he gets
onto the black, he does not want to | 0:29:01 | 0:29:05 | |
stick into the reds, so that he can
play that with quite a bit of top | 0:29:05 | 0:29:10 | |
spin to make sure the white runs
through. Yes, nicely played. This is | 0:29:10 | 0:29:18 | |
much more positive, as you were
saying, this is exactly what he had | 0:29:18 | 0:29:22 | |
to do, he had to make something
happen and they are certainly doing | 0:29:22 | 0:29:26 | |
that here. -- he is. He has to keep
his concentration here. Another four | 0:29:26 | 0:29:36 | |
or five pots to make this friend
said, look at the way the balls are, | 0:29:36 | 0:29:40 | |
that as an elite -- easy clearance
for Mark Selby. That is a good | 0:29:40 | 0:29:48 | |
performance from Scott Donaldson. He
has not really had much of a chance | 0:29:48 | 0:29:53 | |
to score in the first few frames. He
is taking advantage of this very | 0:29:53 | 0:29:57 | |
well so far. | 0:29:57 | 0:29:59 | |
He wants | 0:30:25 | 0:30:30 | |
He wants to get this frame put
beyond doubt at this visit. The last | 0:30:30 | 0:30:33 | |
thing he wants is 15 minutes of Mark
Selby going for snookers. Yeah, just | 0:30:33 | 0:30:40 | |
coming up to the hour. That second
frame was almost 35 minutes. | 0:30:40 | 0:30:48 | |
The frame well and truly safe now,
so he can just concentrate on trying | 0:30:59 | 0:31:03 | |
to knock in a century break. At the
moment, 137 is the high break - Judd | 0:31:03 | 0:31:19 | |
Trump and Joe Perry both achieving
that. | 0:31:19 | 0:31:27 | |
That's interesting. Scot's highest
ever break in competitive play is a | 0:31:33 | 0:31:45 | |
137, back in 2016. He had a couple
of centuries in round one. Can he | 0:31:45 | 0:32:00 | |
get nicely on this red to give
himself a chance? Nicely played. | 0:32:00 | 0:32:17 | |
A little bit of distraction from the
other table - he won't be too | 0:32:26 | 0:32:32 | |
disappointed. He's got himself on
the scoreboard, that's the main | 0:32:32 | 0:32:34 | |
thing.
HAZEL IRVINE: In fact Scot played | 0:32:34 | 0:32:40 | |
very well in his opening round to
win six two,including a couple of | 0:32:40 | 0:32:42 | |
century breaks, and that was his
first win in ten matches, he's been | 0:32:42 | 0:32:48 | |
on a terrible run. Yeah, and trying
to get form these days is very | 0:32:48 | 0:32:53 | |
difficult, even though there are
more tournaments, if you get on a | 0:32:53 | 0:32:56 | |
bad role, it can unravel. All of the
confidence from previous seasons | 0:32:56 | 0:33:03 | |
matter for nothing, and sometimes
you just need one lucky match or | 0:33:03 | 0:33:06 | |
just a good performance, to get you
off and running. Sometimes one good | 0:33:06 | 0:33:15 | |
pot can make a difference as well.
As Stephen Hendry was saying in | 0:33:15 | 0:33:19 | |
commentary, it was a confidence
building shot, and he went on to | 0:33:19 | 0:33:24 | |
convert the frame. As an aspiring
pro, it's tough in the early stages, | 0:33:24 | 0:33:29 | |
particularly with so many vying for
the top 64 spots on the tour, and | 0:33:29 | 0:33:36 | |
we've got 128 professionals here -
it is just the odd shot which can | 0:33:36 | 0:33:39 | |
make the difference between a
successful start to your career or | 0:33:39 | 0:33:43 | |
not? Yeah, and the first problem you
have is getting onto the | 0:33:43 | 0:33:45 | |
professional ladder. You celebrate
that but that's when the problems | 0:33:45 | 0:33:51 | |
start! The next biggest problem is
trying to keep your tour card. This | 0:33:51 | 0:33:53 | |
64 cut-off is a very, very important
thing for most players. Currently | 0:33:53 | 0:33:58 | |
world number 66 is Scot. Shown some
real province promised over the last | 0:33:58 | 0:34:04 | |
couple of years. He has come through
qualifying to become a professional | 0:34:04 | 0:34:11 | |
in the first place. And here he is,
one behind. | 0:34:11 | 0:34:17 | |
DENNIS TAYLOR: Once again off the
break-off shot, I think it has | 0:34:17 | 0:34:23 | |
happened in most frames here, the
black tied up. Amazing how that | 0:34:23 | 0:34:26 | |
happens so many times. As Hazel
mentioned, the interval is after | 0:34:26 | 0:34:38 | |
this fourth frame. It's the best of
11, so I suppose it is nice for the | 0:34:38 | 0:34:46 | |
players to be playing best of 11. A
lot of the tournaments these days | 0:34:46 | 0:34:51 | |
are best of seven. | 0:34:51 | 0:34:55 | |
APPLAUSE | 0:34:57 | 0:35:00 | |
The yellow is quite nice target to
try and get in behind, off its spot | 0:35:52 | 0:35:59 | |
but it's in a good position to try
and get a snookered behind. Can he | 0:35:59 | 0:36:05 | |
swing around the angles? A little
bit too thick. FAR too thick! Well, | 0:36:05 | 0:36:14 | |
if he's got away with that, he's
very fortunate to. He was attempting | 0:36:14 | 0:36:18 | |
to get round behind the yellow, and
just got too much side, and it | 0:36:18 | 0:36:23 | |
through the cue ball into the red. | 0:36:23 | 0:36:34 | |
STEPHEN HENDRY: Just looking to see
where the black is going to be | 0:37:00 | 0:37:05 | |
spotted after he pots it here. | 0:37:05 | 0:37:17 | |
He can play for the black again
here, stun off the cushioned get | 0:37:20 | 0:37:29 | |
that black back into play as soon as
possible. If he runs a bit short, | 0:37:29 | 0:37:32 | |
he's always got the blue. | 0:37:32 | 0:37:35 | |
Well, heap did play for the back,
but -- for the black, but it has | 0:37:49 | 0:37:56 | |
furnished just as you predicted,
Stephen! The pink is totally out of | 0:37:56 | 0:38:03 | |
commission, but there are 45 loose
reds. The black on its spot would | 0:38:03 | 0:38:10 | |
really help. -- four or five loose
reds. He'll have to just concentrate | 0:38:10 | 0:38:17 | |
on the blue for a couple more shots.
He could leave an angle on the blue | 0:38:17 | 0:38:25 | |
and then go straight into the pink
and reds. Staying on the blue. And | 0:38:25 | 0:38:41 | |
he's got the chance now to go
straight into the pink, as I | 0:38:41 | 0:38:44 | |
mentioned, and he could bring quite
a few reds into play and hopefully | 0:38:44 | 0:38:51 | |
free the pink. If he plays that
shot, as long as he hits the | 0:38:51 | 0:39:03 | |
right-hand side of the pink as we
look at it, he will be OK. If he | 0:39:03 | 0:39:09 | |
hits the pink on the left-hand side,
he could lose it, he could even go | 0:39:09 | 0:39:12 | |
in off. | 0:39:12 | 0:39:22 | |
That's OK. As long as he had that
side of the pink he was always going | 0:39:23 | 0:39:32 | |
to have reds to the corner pocket.
The problem is, the pink has gone | 0:39:32 | 0:39:37 | |
safe. | 0:39:37 | 0:39:38 | |
Yeah, he's got a comfortable red to
go at but he has what to find a path | 0:39:50 | 0:39:58 | |
to the pink... Yes, took his eye off
the pot. He didn't find the path, | 0:39:58 | 0:40:05 | |
either. So, probably lost a little
bit of concentration there. He was | 0:40:05 | 0:40:16 | |
more concerned with the cue ball and
took his eye off the red there. That | 0:40:16 | 0:40:23 | |
was a golden opportunity that he's
let slip. | 0:40:23 | 0:40:24 | |
The | 0:40:38 | 0:40:48 | |
good news from Scot's point of view
is that he hasn't left Mark Selby | 0:40:49 | 0:40:52 | |
with an easy opener. | 0:40:52 | 0:41:02 | |
I suppose he could get the red up
into the corner and he would be on | 0:41:06 | 0:41:12 | |
the blue if it goes in. | 0:41:12 | 0:41:23 | |
Well, almost a minute and a half
thinking about this one. This red is | 0:41:32 | 0:41:40 | |
a little bit of a distraction, the
one just under his waistcoat. | 0:41:40 | 0:41:48 | |
Well, he felt it was worth the risk,
because had that red dropped, just | 0:42:04 | 0:42:10 | |
look at the way the balls were
situated. Now, can Scott yet on the | 0:42:10 | 0:42:16 | |
black, as we show you this red? If
he could not on the black here and | 0:42:16 | 0:42:24 | |
get it back on the spot, it would be
another great chance. | 0:42:24 | 0:42:32 | |
One good positional shot and with a
21 point advantage, and the | 0:42:41 | 0:42:49 | |
mid-session interval coming up, it
could be 2-2. A lot of balls to be | 0:42:49 | 0:42:56 | |
potted, though. | 0:42:56 | 0:42:59 | |
That's perfect. Great chance.
Already 28 points up in this frame. | 0:43:08 | 0:43:22 | |
I don't expect him to miss this
black, but he could have done with | 0:43:22 | 0:43:25 | |
another couple of inches on the cue
ball there. He's going to player | 0:43:25 | 0:43:35 | |
cannon, but he has to keep his eye
is on the pot. I thought he was | 0:43:35 | 0:43:42 | |
going to cannon the OTHER red, and
he would have been perfect! He would | 0:43:42 | 0:43:56 | |
have been in perfect position. This
is a little bit of a cutback. | 0:43:56 | 0:44:04 | |
Nicely played. It's all about
keeping your full concentration | 0:44:09 | 0:44:17 | |
here. It is an important frame, from
Scott's point of view. | 0:44:17 | 0:44:27 | |
He would have preferred not to be
playing little cannons, but he's | 0:44:56 | 0:45:03 | |
going to have to play one here. | 0:45:03 | 0:45:07 | |
Just slightly awkward bridging now,
but shouldn't be a problem. Doesn't | 0:45:16 | 0:45:23 | |
have a great deal to do with the cue
ball. Wow! I think he thought he had | 0:45:23 | 0:45:27 | |
missed that! Any harder, that
wouldn't have dropped. It just shows | 0:45:27 | 0:45:36 | |
you, when you have to play a little
cannons that you don't really want | 0:45:36 | 0:45:39 | |
to be playing, it can finish
awkward. I'm sure he felt that | 0:45:39 | 0:45:41 | |
wasn't going to go in.
STEPHEN HENDRY: I actually can't | 0:45:41 | 0:45:51 | |
believe it DID go in! That will have
sharpened up his concentration, thus | 0:45:51 | 0:45:58 | |
little scare! | 0:45:58 | 0:46:01 | |
DENNIS TAYLOR: It was all looking
pretty comfortable for the defending | 0:46:26 | 0:46:36 | |
champion, first couple of frames,
but he now knows that he should we | 0:46:36 | 0:46:39 | |
heading off to the mid-session
interval all square. Just a couple | 0:46:39 | 0:46:44 | |
more pots to make absolutely sure. | 0:46:44 | 0:46:48 | |
Well, that's very careless indeed.
He's 67 in front. Just needs the | 0:47:24 | 0:47:32 | |
black to make sure of the frame.
It's as if he was concentrating on | 0:47:32 | 0:47:37 | |
the cannon. And well, the balls are
a little bit awkward here, but there | 0:47:37 | 0:47:46 | |
is the possibility of a respotted
black. | 0:47:46 | 0:47:54 | |
And if there is one player you don't
want to leave a glimmer of hope for, | 0:48:03 | 0:48:09 | |
it's Mark Selby, and Scott can't
believe he missed the black. | 0:48:09 | 0:48:16 | |
He can just crop the black in and
leave the red to the left of the | 0:48:20 | 0:48:27 | |
pink spot. | 0:48:27 | 0:48:37 | |
I don't think it was the wrong shot
to play the cannon - I think he | 0:48:38 | 0:48:44 | |
played the right shot, it's just he
took his eye off it. Could have just | 0:48:44 | 0:48:52 | |
rolled the black in, I suppose, but
he played a positive shot. Don't | 0:48:52 | 0:48:58 | |
expect to miss us. Do you think he
had in the back of his mind that it | 0:48:58 | 0:49:06 | |
was frame ball? It's amazing what it
does psychologically to a player, | 0:49:06 | 0:49:12 | |
even great players sometimes. | 0:49:12 | 0:49:18 | |
Well, would you believe it? Mark
Selby, world number one, misses a | 0:49:34 | 0:49:43 | |
black off the spot. Giving himself a
little bit of a telling off there. | 0:49:43 | 0:49:46 | |
You don't see that very often. It'll
be a relieved Scott Donaldson, | 0:49:46 | 0:49:53 | |
that's for sure. Two snookers
required. | 0:49:53 | 0:50:00 | |
APPLAUSE | 0:50:08 | 0:50:16 | |
The balls are in ideal positions for
snookers. The black, the pink and | 0:53:42 | 0:53:45 | |
yellow. So, Scott will have to be a
little bit careful here. | 0:53:45 | 0:53:54 | |
A little beauty. He's played a
little beauty there. Mark Selby just | 0:54:00 | 0:54:10 | |
tapping the table. | 0:54:10 | 0:54:13 | |
And there you've got the perfect
picture to watch this swerve shot. | 0:54:17 | 0:54:28 | |
Oh! No problem. I say that, but
Scott will roll in this red, and | 0:54:28 | 0:54:36 | |
we'll all head off to the
mid-session interval - hopefully. A | 0:54:36 | 0:54:43 | |
little bit of a distraction, with
the other table going after the | 0:54:43 | 0:54:49 | |
interval. That's the problem you
have, with four tables in play, and | 0:54:49 | 0:54:53 | |
the dividing wall. Can see what's
going on on the other tables. And | 0:54:53 | 0:54:59 | |
that will do nicely. It has to be
said, he's done very well. OK he | 0:54:59 | 0:55:08 | |
missed that easy black, but he had a
break of 88 to take the first frame | 0:55:08 | 0:55:15 | |
- or HIS first frame. And we will go
off to the mid-session interval. | 0:55:15 | 0:55:24 | |
Scott Donaldson will be more than
happy to be all square at two frames | 0:55:24 | 0:55:27 | |
each.
HAZEL IRVINE: I'm sure he is, | 0:55:27 | 0:55:32 | |
especially having come back from,
and suffer down. The man who won the | 0:55:32 | 0:55:38 | |
European amateur to get his career
going, and he's been there or | 0:55:38 | 0:55:41 | |
thereabouts since 2013. He's really
dragging him into a fight now, | 0:55:41 | 0:55:43 | |
Steve? Yeah, it was a really good
third friend, and he's reaped the | 0:55:43 | 0:55:50 | |
rewards. That frame was not good
from Mark Selby in a few ways. The | 0:55:50 | 0:55:52 | |
first one was playing this red down
the rail. I'm not sure if he was | 0:55:52 | 0:55:58 | |
committed to having to play it that
slow. You would like to play it | 0:55:58 | 0:56:05 | |
where if you missed it, the ball
would escape from the pocket. He | 0:56:05 | 0:56:08 | |
more or less committed totally to
that. It missed, and all of a sudden | 0:56:08 | 0:56:11 | |
Scott got back in at the table.
Something else the players have been | 0:56:11 | 0:56:18 | |
mentioning quite often - Scott
played this one and it looked like | 0:56:18 | 0:56:24 | |
it was going to the near. , and
really a ball off the near jaw | 0:56:24 | 0:56:27 | |
shouldn't really be going in the
pocket. And there's been talk that | 0:56:27 | 0:56:31 | |
the corner pockets are playing a
little bit easy. Not saying they're | 0:56:31 | 0:56:37 | |
bigger at they're playing a bit
easy. A lot of people saying the | 0:56:37 | 0:56:40 | |
corners are getting a little bit
sloppy. I have been chatting to the | 0:56:40 | 0:56:46 | |
table fitters about, it can
sometimes be that the slate is a bit | 0:56:46 | 0:56:52 | |
rounded - it certainly isn't. The
templates seem accurate. It could be | 0:56:52 | 0:56:54 | |
good conditions, try cloths, thin
cloths, conditions are helping it go | 0:56:54 | 0:57:00 | |
in. An opponent who had never
actually won a of snooker in his | 0:57:00 | 0:57:06 | |
professional career actually took
four off Mark Selby and really put | 0:57:06 | 0:57:12 | |
him through the mill. So, he doesn't
want to get dragged into that again? | 0:57:12 | 0:57:15 | |
No, he doesn't, but towards the
sharp end of the match, Mark Selby | 0:57:15 | 0:57:19 | |
seems to focus everything down. He
is tough to overcome if it gets down | 0:57:19 | 0:57:25 | |
to a best-of-three, the last
frame... He knows how to dig in at | 0:57:25 | 0:57:28 | |
the end of a match. We will update
you as to what's going on on some of | 0:57:28 | 0:57:34 | |
the other tables. On table three, we
thought this one would be a good one | 0:57:34 | 0:57:40 | |
- Mark Allen, a runner-up in this
tournament, he's 2-2 at the end of | 0:57:40 | 0:57:52 | |
interval against Oliver Lines. And
Mark Williams, the man who became | 0:57:52 | 0:57:58 | |
the Northern Ireland champion on
Sunday, his first world ranking | 0:57:58 | 0:58:04 | |
title since 2003, well, Andrew
Higginson, a former Welsh open | 0:58:04 | 0:58:11 | |
runner-up, he has come back from 2-0
down as well. The witness warrior, | 0:58:11 | 0:58:18 | |
who turns 40 next week, is certainly
in the match as well. -- the Widness | 0:58:18 | 0:58:27 | |
Warrior. This is one of the three
majors of the season, as we've been | 0:58:27 | 0:58:33 | |
saying. We have got this? 128
players turning up. We've got the | 0:58:33 | 0:58:39 | |
Masters at Alexandra Palace.
Traditionally that was an | 0:58:39 | 0:58:42 | |
invitational event - but it is
invitational no more, because they | 0:58:42 | 0:58:46 | |
actually have to qualify. It's the
race to the Masters these days, and | 0:58:46 | 0:58:51 | |
it's based on the current world
ranking seedings. This is the way it | 0:58:51 | 0:58:54 | |
looks at the moment, but you will
see at number 17 is Neil Robertson, | 0:58:54 | 0:58:57 | |
a former Masters winner himself,
Triple Crown winner indeed. Neil is | 0:58:57 | 0:59:02 | |
having a few problems in terms of
the points that he's acquired, | 0:59:02 | 0:59:06 | |
particularly in the 2015 UK
Championship - they drop off after | 0:59:06 | 0:59:12 | |
this, which means that provisionally
he's out of the rankings. He's got | 0:59:12 | 0:59:16 | |
to try and achieve a finish here in
York urges better than that of the | 0:59:16 | 0:59:20 | |
16th placed player at the moment,
Ryan Day. Now, he has won an event | 0:59:20 | 0:59:27 | |
this season, it was an invitational
event in itself, the Hong Kong | 0:59:27 | 0:59:32 | |
Masters. But he has had a bit of an
up and down season, the Australian, | 0:59:32 | 0:59:35 | |
and earlier this week he explained
that its family matters rather than | 0:59:35 | 0:59:40 | |
matters on the table that have been
his priority of late. In fact he | 0:59:40 | 0:59:46 | |
took to social media to explain and
to praise his partner for combating | 0:59:46 | 0:59:51 | |
and beating depression and anxiety. | 0:59:51 | 0:59:58 | |
It has been very difficult to have
that kind of killer instinct, | 0:59:58 | 1:00:03 | |
winning at all costs attitude, which
are usually have, they just have | 1:00:03 | 1:00:06 | |
been more important things going on
and coming into this was the right | 1:00:06 | 1:00:10 | |
time because she is doing very well,
winning the battle at the moment and | 1:00:10 | 1:00:15 | |
this is something people generally
bottled up inside and you never know | 1:00:15 | 1:00:18 | |
for a lot of people. For a lot of
people it has got to the point where | 1:00:18 | 1:00:22 | |
it is too late to help before
something disastrous happens. She | 1:00:22 | 1:00:27 | |
has adopted the best possible
attitude, she has bottled on and has | 1:00:27 | 1:00:34 | |
a first-class degree at Cambridge
University from last year and to be | 1:00:34 | 1:00:37 | |
able to deal with anxiety and
depression and to raise our son for | 1:00:37 | 1:00:40 | |
the most part, while I am travelling
away, it is incredible. The focus is | 1:00:40 | 1:00:47 | |
shifting more on me, the first time
for about 2.5 years that I have been | 1:00:47 | 1:00:52 | |
able to practice every day for as
long as I want to. Knowing | 1:00:52 | 1:00:55 | |
everything at home is OK, Alexander
is OK and I know that my game is | 1:00:55 | 1:01:01 | |
definitely coming back and hopefully
I will be a better player than two | 1:01:01 | 1:01:04 | |
years ago. We are delighted to see
his wife and her son here in York. | 1:01:04 | 1:01:12 | |
Courageously speaking about that.
Making it better for other families | 1:01:12 | 1:01:17 | |
going through the same thing. And we
were talking about life as a | 1:01:17 | 1:01:22 | |
professional sportsman or woman and
how difficult it is to come into | 1:01:22 | 1:01:27 | |
family life and then go away, how
difficult is the balance to strike | 1:01:27 | 1:01:30 | |
when life gets in the way? It is a
tough problem for a family unit. To | 1:01:30 | 1:01:35 | |
have one person, talking generally,
not specific situations, because | 1:01:35 | 1:01:43 | |
depression can strike in always,
shapes and forms and it is not | 1:01:43 | 1:01:47 | |
dependent on anything else but that
person. Thinking back to the time | 1:01:47 | 1:01:51 | |
when you are self-centred and
self-motivated, on the road all the | 1:01:51 | 1:01:55 | |
time, you are not much help at all,
let's be honest. By nature, anybody | 1:01:55 | 1:02:00 | |
involved in a top-class sport, they
have to be selfish and if there is a | 1:02:00 | 1:02:05 | |
problem in any other part of the
relationship, any other problems, | 1:02:05 | 1:02:10 | |
that is tough to deal with when you
have to be selfish yourself at the | 1:02:10 | 1:02:13 | |
end result is possibly becoming more
and selfish and your game suffers in | 1:02:13 | 1:02:17 | |
some way. A very difficult balancing
act. Neal has been very open about | 1:02:17 | 1:02:24 | |
this, as has his wife and that is a
very courageous step they have | 1:02:24 | 1:02:27 | |
taken. It is good to talk and once
you get past the level of the | 1:02:27 | 1:02:32 | |
problem and to the stage where you
can talk about it, perhaps you have | 1:02:32 | 1:02:36 | |
broken the ice and you can get on
with the job in hand. I don't things | 1:02:36 | 1:02:41 | |
like this go away quickly so this is
something you have to keep on top of | 1:02:41 | 1:02:44 | |
God from Neal's perspective, he
feels there is a weight lifted off | 1:02:44 | 1:02:48 | |
his shoulders by talking about it.
He can fully concentrate on his | 1:02:48 | 1:02:52 | |
second-round match against a rather
rejuvenated Ken Doherty. He fell off | 1:02:52 | 1:02:56 | |
the tour last season and Jimmy White
with him was given an invitation to | 1:02:56 | 1:03:01 | |
keep going for another two years and
he has made the most of it. Just a | 1:03:01 | 1:03:06 | |
little taste of this much... Neal at
the table in the opening frame, Neal | 1:03:06 | 1:03:12 | |
is 29 points clear and watching
this, Allen McManus and John | 1:03:12 | 1:03:15 | |
this is dangerous. Going towards the
left corner? That is unfortunate. | 1:03:18 | 1:03:32 | |
That was an excellent safety shot.
The total difference of having the | 1:03:32 | 1:03:36 | |
cue ball type under caution as
opposed to eight inches away, that | 1:03:36 | 1:03:41 | |
made all the difference and made it
much more difficult for Neil. | 1:03:41 | 1:03:45 | |
Well... Ken Doherty, 30 in front. I
great chance to take the opening | 1:03:45 | 1:03:53 | |
frame, he can score here. This is
not bad on the blue, the natural | 1:03:53 | 1:04:00 | |
question... On to the pink spot. I
wonder if they think will pass into | 1:04:00 | 1:04:05 | |
the left corner? He has overcooked
this. | 1:04:05 | 1:04:08 | |
If he has landed on the red just
above the pink and that goes, that | 1:04:14 | 1:04:18 | |
is an absolute result. I think he
has... Wow! What a result that was! | 1:04:18 | 1:04:28 | |
I'm not sure if he knew that the
raid was on, I think he played for | 1:04:28 | 1:04:34 | |
the loose one. Either way, this is a
frame-winning chance. 43 point lead. | 1:04:34 | 1:04:51 | |
That is even nicer with a black
going onto the pink spot. He looks | 1:05:00 | 1:05:05 | |
confident. Hitting the ball well.
The safety has been superb. Looking | 1:05:05 | 1:05:12 | |
good at the moment. And both of us
are dismayed by the fact he still | 1:05:12 | 1:05:21 | |
has excellent eyesight at his age!
We were both using glasses, he was | 1:05:21 | 1:05:26 | |
showing off last night, he does not
need those any more! | 1:05:26 | 1:05:30 | |
Like an eagle. He must have eaten a
lot of carrots! It has been a good | 1:05:34 | 1:05:41 | |
start, his safety has been exemplary
in the first frame, we can expect | 1:05:41 | 1:05:46 | |
that from Ken Doherty. The ideal
start. We said earlier in this | 1:05:46 | 1:05:56 | |
friend, he is going to make Neil
work for his chances. -- in this | 1:05:56 | 1:06:02 | |
frame. Nothing is happening in the
opening frame to make me change my | 1:06:02 | 1:06:08 | |
mind. Great matchplay. | 1:06:08 | 1:06:10 | |
Yes, never has been afraid to be
anybody. If we both have a cue, | 1:06:18 | 1:06:24 | |
let's go into battle, he has always
been the same. | 1:06:24 | 1:06:27 | |
That was a good idea to clear up, as
well. Keep Neil off the table. In | 1:06:57 | 1:07:05 | |
the first frame, keeping your
opponent at bay, that will help you | 1:07:05 | 1:07:11 | |
in the second frame, keeping them
cold. A bit of tension. Just going | 1:07:11 | 1:07:18 | |
back to that blew that he played up
and down the table and he landed | 1:07:18 | 1:07:23 | |
plum on the next red, that is what
happens when you are feeling | 1:07:23 | 1:07:26 | |
confident and in good form, the end
result is he will win this frame | 1:07:26 | 1:07:30 | |
with a decent contribution. Things
like that, when they just go your | 1:07:30 | 1:07:34 | |
way... Just clearing the table.
Getting a feel of the cloth and the | 1:07:34 | 1:07:47 | |
way the cushions are playing. | 1:07:47 | 1:07:50 | |
The ideal start for Ken Doherty.
Leading Neil Robertson 1-0. | 1:08:26 | 1:08:34 | |
HAZEL IRVINE: No surprise, become
Ken Doherty has been putting in the | 1:08:34 | 1:08:40 | |
work, he made the semifinals of the
first event of the season in July, | 1:08:40 | 1:08:45 | |
losing there. This is a rejuvenated
Ken Doherty. And indeed, he went 2-1 | 1:08:45 | 1:08:51 | |
in front over another former world
champion and we will join them in | 1:08:51 | 1:08:54 | |
the fourth frame, just before the
interval, Neil Robertson with a 38.8 | 1:08:54 | 1:08:58 | |
Vantage. The area behind the green
is a good spot if you can lead the | 1:08:58 | 1:09:06 | |
cue ball player. -- 38 point
advantage. He tried. He would love | 1:09:06 | 1:09:21 | |
to take this red on, Ken Doherty. He
is weighing the sub, is it worth it? | 1:09:21 | 1:09:28 | |
More pertinently, the question is,
how do I feel about it? Sometimes | 1:09:28 | 1:09:32 | |
you feel confident. Can I leave the
cue ball somewhere where I can maybe | 1:09:32 | 1:09:38 | |
get away with it? I don't think this
is one of those situations? This is | 1:09:38 | 1:09:44 | |
one where you have to put all of
your eggs into one basket, you must | 1:09:44 | 1:09:47 | |
be committed to the pot and not
worry about what will happen. If you | 1:09:47 | 1:09:52 | |
are taking this on, it needs to go
into the pocket. I could not agree | 1:09:52 | 1:09:57 | |
more. How is he feeling? Taking this
on? What a shot! | 1:09:57 | 1:10:06 | |
APPLAUSE.
And the perfect cue ball. | 1:10:06 | 1:10:14 | |
He deserves everything he gets after
that shot, absolutely excellent. | 1:10:28 | 1:10:33 | |
Lots of players might have played
the long stalled shot with that but | 1:10:33 | 1:10:38 | |
Ken Doherty just drop that in. The
way he fancied. -- stunt shot. It is | 1:10:38 | 1:10:44 | |
just a matter of keeping the cue
ball under control and a first | 1:10:44 | 1:10:48 | |
priority is get yourself back into
the frame. | 1:10:48 | 1:10:51 | |
He has not really made a good shot
after the last red, he has left | 1:10:55 | 1:11:02 | |
himself slightly awkward here. The
yellow is a problem. The blue... | 1:11:02 | 1:11:11 | |
That long bridge. Great shot. To
find the gap. And that was quite | 1:11:11 | 1:11:18 | |
deliberate. | 1:11:18 | 1:11:20 | |
Quite back in perfect position, I
don't know if he can hold for the | 1:11:25 | 1:11:29 | |
blue, playing this red to the left
middle. It is not quite in position. | 1:11:29 | 1:11:37 | |
Is he? Scrapping for it. Potting
some great shots. The last | 1:11:37 | 1:11:50 | |
positional shot was better than a
blip. He just needs a really good | 1:11:50 | 1:11:55 | |
positional shot, and do not miss the
Brian! Goodness me! I did not see | 1:11:55 | 1:12:00 | |
that coming! -- brown. Amazing, this
game. All the professionals tell | 1:12:00 | 1:12:09 | |
you, you can miss anything and you
cannot take your eye off at Forest | 1:12:09 | 1:12:15 | |
at second, you will miss it. It is
funny how it happens because he has | 1:12:15 | 1:12:20 | |
played the tricky shots, the gap, it
is almost as if your concentration | 1:12:20 | 1:12:27 | |
drops and you don't put it all in
for the next pot. | 1:12:27 | 1:12:39 | |
I am wondering if this could be a
big turning point in the match? Ken | 1:12:46 | 1:12:51 | |
has done really well so far this
afternoon. The first really big | 1:12:51 | 1:12:55 | |
mistake he has made. We always said
this was going to be a big frame. | 1:12:55 | 1:13:05 | |
With the mid-session. The insurer.
It always is. A shrug of the | 1:13:05 | 1:13:13 | |
interval. This black and one more
red... For more insurance, then it | 1:13:13 | 1:13:20 | |
will be all square again. Towards
the interval. Already passed the | 1:13:20 | 1:13:28 | |
point, once this red disappears,
then Ken will not return to the | 1:13:28 | 1:13:33 | |
table. | 1:13:33 | 1:13:35 | |
Yes, concession from Ken Doherty, it
will be 2-2, all to play for when | 1:13:58 | 1:14:05 | |
they return. Neil Robertson makes it
2-2. | 1:14:05 | 1:14:11 | |
HAZEL IRVINE: You can continue
watching that on the Red Button | 1:14:11 | 1:14:14 | |
right now. In fact, they are at the
interval and behind me, Neil | 1:14:14 | 1:14:21 | |
Robertson's son, Alexander, has been
lapping up the attention. He is | 1:14:21 | 1:14:25 | |
featured at the Masters also, he was
at the table when Neil Robertson | 1:14:25 | 1:14:30 | |
Juan Mata, here with Ben
Woollaston's son, they are playing | 1:14:30 | 1:14:38 | |
on the practice table. Always go,
here. Always chock-a-block and the | 1:14:38 | 1:14:42 | |
players want to make large. They
come to this wonderful city of York | 1:14:42 | 1:14:48 | |
to spend some time with families in
this amazing city whilst are | 1:14:48 | 1:14:51 | |
playing. We have much as
professional or our minds as world | 1:14:51 | 1:14:56 | |
number one, Mark Selby, is coming
back out to resume his second-round | 1:14:56 | 1:15:01 | |
match against Scott Donaldson and
there is poised at 2-2. Is the best | 1:15:01 | 1:15:07 | |
of 11. The first two six booth
through to round three. Bafta | 1:15:07 | 1:15:12 | |
Stephen Davis and Dennis. Hugh
Dennis. Hazel and Steve are doing a | 1:15:12 | 1:15:24 | |
great job on that very tight
players' Lounge, huddled in the | 1:15:24 | 1:15:27 | |
corner together. This will change
once we get the studio back. Those | 1:15:27 | 1:15:41 | |
outside tables are being used. Great
atmosphere in the players' room, I | 1:15:41 | 1:15:46 | |
just popped in for a coffee. He does
make a mean copy, Stephen Hendry! I | 1:15:46 | 1:15:53 | |
never get one but he doesn't mean --
make a mean copy! -- Coffeegate. | 1:15:53 | 1:16:01 | |
-- coffee. That was a poor shot from
Mark Selby. They are normally bread | 1:16:27 | 1:16:32 | |
and butter to him, there was
continuing safety is. But is has | 1:16:32 | 1:16:35 | |
left Scott with the red to the left
middle. -- he has left Scott. | 1:16:35 | 1:16:41 | |
That was a long way out. In that
player 's modern Atlanta, there are | 1:16:50 | 1:16:56 | |
no practice table is because they
are using that room for the matches. | 1:16:56 | 1:17:00 | |
There is one table in the lounge,
very tight but Mark Selby has spent | 1:17:00 | 1:17:05 | |
his whole time potting long balls.
Not easy, with those distractions, | 1:17:05 | 1:17:12 | |
lots of people. He needs to get his
focus back in this match. Scott | 1:17:12 | 1:17:21 | |
played well to win the third and
fourth frames. You could sense that | 1:17:21 | 1:17:25 | |
Mark Selby was getting a little bit
too easy, he let his concentration | 1:17:25 | 1:17:29 | |
levels drop. He needs to get back
and stamp his authority back on this | 1:17:29 | 1:17:38 | |
match. | 1:17:38 | 1:17:39 | |
With the black awkward and getting
tied up, he gets a good angle on the | 1:18:19 | 1:18:24 | |
blue after potting thus, he can open
this frame up. | 1:18:24 | 1:18:27 | |
Having said that, but has little bit
too straight, there is a red to the | 1:18:31 | 1:18:36 | |
back of the bunch are available but
he had some heavy contact, I am sure | 1:18:36 | 1:18:40 | |
he was wanting to leave the angle on
the blue and cannon straight back | 1:18:40 | 1:18:44 | |
into the pink and open things up,
but... Slight change of plan. Just | 1:18:44 | 1:18:53 | |
playing with a little bit of dry,
hitting the white on the bottom... | 1:18:53 | 1:18:58 | |
Just a slight kick. -- little bit of
drag. | 1:18:58 | 1:19:04 | |
Can he get the correct side of the
blue this time? | 1:19:10 | 1:19:14 | |
He has probably overcompensated this
time. | 1:19:22 | 1:19:24 | |
I think he is just about OK, then
contact. The pink full ball would be | 1:19:29 | 1:19:36 | |
great, here. Half all, there might
be a red into the middle pocket but | 1:19:36 | 1:19:45 | |
he did not get the cannon. | 1:19:45 | 1:19:50 | |
That was not easy, but that was a
long way out. Great chance. For | 1:20:17 | 1:20:21 | |
Scott Donaldson...
APPLAUSE. | 1:20:21 | 1:20:29 | |
Into the reds, here. He needs to
kill the pace of the cue ball. If he | 1:20:38 | 1:20:50 | |
plays this at decent pace, he could
possibly bring the black into the | 1:20:50 | 1:20:54 | |
open as well. There are reds to play
for but he could be tempted to go | 1:20:54 | 1:20:59 | |
into the bunch, here. | 1:20:59 | 1:21:01 | |
And that also seemed to jump a
little bit, it has taken some of the | 1:21:50 | 1:21:54 | |
pace out of the cue ball, he was
hoping for the plant and you can see | 1:21:54 | 1:21:58 | |
both reds to the left of the one
that he just potted, maybe the fact | 1:21:58 | 1:22:02 | |
he is to the wrong side of the blue
does not matter because of those... | 1:22:02 | 1:22:06 | |
Yes, he has got the red to the right
of them also. But there did looked | 1:22:06 | 1:22:11 | |
to be a plant. Yes. -- bearded look. | 1:22:11 | 1:22:17 | |
And if he gets enough screw on this
shot when he takes the plant, he | 1:22:22 | 1:22:26 | |
will finish back on the blue. And
possibly the pink... | 1:22:26 | 1:22:30 | |
Just a little bit... In between,
here. Yes, stretching a little bit, | 1:22:38 | 1:22:49 | |
he could not get the action of the
cue ball but he wanted. It takes the | 1:22:49 | 1:22:53 | |
blue to the far right corner. This
is testing. | 1:22:53 | 1:22:57 | |
The sort of shots that professionals
spend hours practising. Solid pot, | 1:23:06 | 1:23:14 | |
right in the middle. Of the pocket. | 1:23:14 | 1:23:16 | |
It would be ideal if he could get
onto the black but it does look a | 1:23:49 | 1:23:53 | |
little bit tight because of the red
to the right of the black. He has | 1:23:53 | 1:23:56 | |
got plenty of other options are
available to him, here. He is on the | 1:23:56 | 1:24:05 | |
pink but he will be just have a look
at the black again. -- maybe just. | 1:24:05 | 1:24:12 | |
If you can pot the black and nudge
that red away, he would have | 1:24:12 | 1:24:16 | |
everything in the open. He played
that in such a way as if he did not | 1:24:16 | 1:24:21 | |
feel that he could see enough of the
black, he was always going to have | 1:24:21 | 1:24:25 | |
the pink... | 1:24:25 | 1:24:26 | |
If he is on the black he has to play
it, obviously he is not. Because | 1:24:32 | 1:24:36 | |
that is the shot... | 1:24:36 | 1:24:38 | |
He has come up a little bit short
body can screw up for the left of | 1:25:03 | 1:25:08 | |
the blue. It just depends on the
angle he has. -- but he can screw. | 1:25:08 | 1:25:20 | |
Yes, nicely played. He is starting
to look comfortable in this match. | 1:25:20 | 1:25:29 | |
Scott Donaldson. He is starting to
look like they are starting to | 1:25:29 | 1:25:35 | |
believe. That he can do something
here this afternoon. -- like he is | 1:25:35 | 1:25:39 | |
starting to believe. | 1:25:39 | 1:25:42 | |
Just one more easy red available to
Scott. The one next to the black. I | 1:26:28 | 1:26:34 | |
don't think it will pot, there is
one either side of the table. | 1:26:34 | 1:26:40 | |
Ideally placed, no problem. For the
red that is just to the right of the | 1:26:40 | 1:26:46 | |
black and red. It is not a
straightforward run to the winning | 1:26:46 | 1:26:52 | |
line in this frame. | 1:26:52 | 1:26:53 | |
Look at that. They both scored 221
points. | 1:27:06 | 1:27:10 | |
Dead straight on the red, as you can
see. No problem screwing that back. | 1:27:22 | 1:27:28 | |
What does he do? Try to drop behind
that red on the right side of the | 1:27:32 | 1:27:37 | |
table? I think that probably is the
shot, if you try to move that you | 1:27:37 | 1:27:44 | |
could maybe put that in a worse
position. | 1:27:44 | 1:27:46 | |
Does the pink block the path? He has
played that to move it but the bank | 1:27:52 | 1:27:57 | |
might be blocking the path. That
could be the end of the break, a | 1:27:57 | 1:28:03 | |
little bit unlucky, there. Look at
that. It is amazing. Just fractions. | 1:28:03 | 1:28:16 | |
That is what this game is all about. | 1:28:16 | 1:28:19 | |
He might have to just come off the
side cushion. Hit love to be able to | 1:30:00 | 1:30:10 | |
get past the yellow just to flick
this red and get back up to safety. | 1:30:10 | 1:30:17 | |
He's playing it with a touch of
swerve, as you can see. He's got to | 1:30:17 | 1:30:22 | |
be careful he doesn't get too much
on this. | 1:30:22 | 1:30:25 | |
He was always pushing one towards
the corner, but I'll tell you what, | 1:30:33 | 1:30:36 | |
overall, that is a pretty good shot
there. | 1:30:36 | 1:30:42 | |
The thin safety shot, hit could get
the double kiss, so I wonder whether | 1:31:22 | 1:31:29 | |
he will attempt to pot it. Now,
Scott had a look at this black. It's | 1:31:29 | 1:31:37 | |
very, very tight. I was just
watching Mark's face and he gave a | 1:31:37 | 1:31:47 | |
nice smile, as if to say, I don't
think I can pot this. | 1:31:47 | 1:31:58 | |
Very good safety shot there from
Scott Donaldson, you can see the tap | 1:32:44 | 1:32:53 | |
on the table of appreciation from
Mark Selby. | 1:32:53 | 1:32:57 | |
Very high standard of safety so far
from both players. Donaldson more | 1:33:02 | 1:33:10 | |
than holding his own at the moment. | 1:33:10 | 1:33:21 | |
DENNIS TAYLOR: Now, one good long
pot here, he could yet himself onto | 1:33:49 | 1:33:54 | |
the blue in such a way that he could
then bring the red next to the black | 1:33:54 | 1:34:00 | |
into play. But he's got to knock the
red in first. There's the red. It's | 1:34:00 | 1:34:08 | |
going to bit too far for comfort to
be able to pot the blue and cannon | 1:34:08 | 1:34:14 | |
that red. I suppose you'd have to
say, that's a trademark shot from | 1:34:14 | 1:34:22 | |
Mark Selby. | 1:34:22 | 1:34:25 | |
That was about the best he could do,
there was no way he could get onto | 1:35:05 | 1:35:12 | |
that red or play a cannon from that
position, it was very difficult. But | 1:35:12 | 1:35:14 | |
the frame is now in the balance,
even though Scott leads by 90 | 1:35:14 | 1:35:19 | |
points. All the colours are on. | 1:35:19 | 1:35:22 | |
-- 19th points. | 1:35:29 | 1:35:32 | |
He could do with kicking this red
off the top cushioned try and get a | 1:35:50 | 1:35:57 | |
bit of distance between red and cue
ball. No, he's just playing to | 1:35:57 | 1:36:04 | |
nestle onto it. But you could put
yourself in trouble playing it that | 1:36:04 | 1:36:07 | |
way. He could be in a worse position
for his next shot. | 1:36:07 | 1:36:13 | |
Yeah, this sort of situation, Mark
Selby, so strong. Very few players | 1:36:29 | 1:36:34 | |
get the better of him. Disappointed,
he's just left the left edge of that | 1:36:34 | 1:36:49 | |
red out - that careless. Well, I'm
right in line with the shot and I | 1:36:49 | 1:36:54 | |
think he's going to have to come off
the baulk cushion. He's only 23 | 1:36:54 | 1:37:04 | |
years of age, his eyesight's a lot
better than mine, that's for sure. | 1:37:04 | 1:37:10 | |
But... If he comes off the baulk
cushion, the red could go over | 1:37:10 | 1:37:17 | |
either corner pocket. | 1:37:17 | 1:37:20 | |
Well, he'll settle for that. You're
never absolutely sure where they're | 1:37:24 | 1:37:36 | |
going to finish.
STEPHEN HENDRY: The red may have | 1:37:36 | 1:37:43 | |
travelled just an inch too far for
the double. So, cue ball in behind | 1:37:43 | 1:37:50 | |
the black, red on the baulk cushion.
Well, he's completely mis-hit that. | 1:37:50 | 1:37:59 | |
Well, this is a chance now. You
would think he would automatically | 1:37:59 | 1:38:11 | |
finish on a colour. This could be a
frame winner. It's | 1:38:11 | 1:38:18 | |
And he's played it nicely, as long
as it doesn't drop on the side | 1:38:26 | 1:38:34 | |
cushion. Well, he's finish a little
awkward, because if he pots the | 1:38:34 | 1:38:44 | |
black, he's going to be 27 in front,
with 27 remaining. Just make sure | 1:38:44 | 1:38:52 | |
you don't smoke yourself on the
yellow. | 1:38:52 | 1:38:57 | |
And every chance now that he could
take this frame - that would be | 1:39:17 | 1:39:20 | |
three in a row, from 2-0 down. But
there's plenty of snooker left in | 1:39:20 | 1:39:26 | |
this frame. | 1:39:26 | 1:39:28 | |
Well, he looked at the potting angle
there, so he may be taking this on. | 1:39:58 | 1:40:16 | |
He's played a few shots in this
frame where he's been way out with | 1:40:18 | 1:40:21 | |
his judgment. Scott Donaldson will
pick up on that. | 1:40:21 | 1:40:28 | |
Look whether white's finished! 21
ahead, he needs one snooker to tie, | 1:41:03 | 1:41:12 | |
and Scott can't believe where the
cue ball has finished, because it's | 1:41:12 | 1:41:14 | |
not a straightforward escape,
either. He would have felt when he | 1:41:14 | 1:41:23 | |
potted the yellow, well, that's the
frame secured. And look whether | 1:41:23 | 1:41:27 | |
white's finished up. | 1:41:27 | 1:41:30 | |
If he's going to come off the side
cushion, Mark Selby knows that he | 1:41:37 | 1:41:42 | |
will have to have a lot of swerve on
this death raising the butt of the | 1:41:42 | 1:41:55 | |
cue, as you can see. | 1:41:55 | 1:41:58 | |
The brown is the only good ball in a
position to get snookers behind. | 1:43:09 | 1:43:21 | |
That's a bit of insurance for Scott
- it's safe there on the side | 1:43:21 | 1:43:23 | |
cushion. Might just be able to get
up behind the brown this time. | 1:43:23 | 1:43:41 | |
He's caught it a bit thin. | 1:43:47 | 1:43:51 | |
Now, can he judge it better this
time? Well, he's going close to the | 1:44:40 | 1:44:48 | |
pocket. It's not a bad effort,
though. | 1:44:48 | 1:45:02 | |
A bit unlucky to knock the pink in.
He has conceded the frame. So, Scott | 1:46:41 | 1:46:48 | |
Donaldson, having been 2-0 down, all
of a sudden he's leading the | 1:46:48 | 1:46:52 | |
defending champion by 3-2.
HAZEL IRVINE: That certainly | 1:46:52 | 1:46:55 | |
defending champion by 3-2.
HAZEL IRVINE: That certainly was not | 1:46:55 | 1:46:55 | |
in the script but fair play to Scott
Donaldson. That was a tough frame, | 1:46:55 | 1:46:58 | |
and to come out on top of it, a real
Philip? Yeah, and Mark Selby has | 1:46:58 | 1:47:04 | |
effectively stalled the bit. Every
player like to be dominating amongst | 1:47:04 | 1:47:09 | |
the balls, but the scrappy stuff
is... Those matches can be up in the | 1:47:09 | 1:47:12 | |
air sometimes. It is going to be a
fight for him now. The second of the | 1:47:12 | 1:47:17 | |
tournament. And we spoke about the
first-round Duke he has actually | 1:47:17 | 1:47:22 | |
when you think about it had
reasonably slow starts in the early | 1:47:22 | 1:47:25 | |
rounds here in York on his way to
winning two UK crowns in the past. | 1:47:25 | 1:47:31 | |
He seems to get momentum as he goes
along, but he can't afford to wait | 1:47:31 | 1:47:34 | |
too long? No. Often it can be a
victim of your own success, how you | 1:47:34 | 1:47:41 | |
judge yourself. The level of
expectation a player has coming into | 1:47:41 | 1:47:46 | |
every tournament. Mark Selby
obviously asks a lot of himself. It | 1:47:46 | 1:47:49 | |
would be lovely to target events,
and to some degree at the start of | 1:47:49 | 1:47:54 | |
the show Stephen Hendry said that
perhaps Mark Selby does that better | 1:47:54 | 1:47:58 | |
than most. But the general form can
wax and wane. This is an event he | 1:47:58 | 1:48:05 | |
would like to do well in, but he
can't guarantee it. And being the | 1:48:05 | 1:48:08 | |
defending champion and the world
champion, every time you meet a | 1:48:08 | 1:48:11 | |
player from the Linux, it's an FA
Cup final for them in effect. And | 1:48:11 | 1:48:17 | |
they tend to raise their game! Fair
play to Scott Donaldson! Back we go. | 1:48:17 | 1:48:23 | |
STEPHEN HENDRY: He's done very well
to get himself into this position in | 1:48:30 | 1:48:34 | |
this match, Scott Olsen. Sometimes
you can see the pressure reversed | 1:48:34 | 1:48:38 | |
and he might start to get
promotional thoughts of winning this | 1:48:38 | 1:48:40 | |
match. -- Scott Donaldson. That was
a big mistake early in this sixth | 1:48:40 | 1:48:48 | |
frame. | 1:48:48 | 1:48:58 | |
That was not the cleanest pot in the
world. | 1:49:01 | 1:49:14 | |
DENNIS TAYLOR: That certainly helps
Mark's cause, the pink going on the | 1:49:26 | 1:49:38 | |
blue spot. He mistimed that
completely. In fact he's going to do | 1:49:38 | 1:49:43 | |
well to get onto that red to the
left of the bunch of. As we show you | 1:49:43 | 1:49:46 | |
the shot again... Yeah, his timing
is slightly out at the moment. Look | 1:49:46 | 1:49:54 | |
at the top spin he's generated
there, and his finished on that red | 1:49:54 | 1:49:57 | |
to the right of the bunch that I
mentioned. In fact there's a couple | 1:49:57 | 1:50:02 | |
of reds available, there might even
be three into this left corner | 1:50:02 | 1:50:08 | |
pocket. But once again, the black
was tied up off the break-off shot. | 1:50:08 | 1:50:14 | |
Mark would say to me at the interval
that he thought the table was not as | 1:50:25 | 1:50:29 | |
fast as perhaps the players expect
these days, a little heavy. He's | 1:50:29 | 1:50:38 | |
underhit that shot as well. | 1:50:38 | 1:50:42 | |
When you're not timing the ball as
well as you should be, it does make | 1:50:45 | 1:50:52 | |
the table seem heavier. | 1:50:52 | 1:50:55 | |
He opened up with a break of 68 in
the opening frame, but this has been | 1:51:44 | 1:51:47 | |
his highest rate since then. -- his
highest break. | 1:51:47 | 1:52:01 | |
It doesn't matter how good you are
or how big you are in the game... He | 1:52:33 | 1:52:41 | |
would be too happy with that
positional shot. Playing this red | 1:52:41 | 1:52:46 | |
into a blind pocket - can be missed. | 1:52:46 | 1:52:51 | |
Chance of a couple of reds to the
right corner here. Getting the red | 1:53:09 | 1:53:17 | |
to the left of the black - that's
the more exact positional shot, is | 1:53:17 | 1:53:22 | |
he on it? Well, he's smiling to
himself, so I don't think he is on | 1:53:22 | 1:53:36 | |
it. Just ran a little bit too far.
And once again, just a fraction | 1:53:36 | 1:53:46 | |
making all the difference. | 1:53:46 | 1:53:56 | |
That was a useful little angle on
the middle pocket to leave himself | 1:57:26 | 1:57:32 | |
nicely on the pink. He's not getting
through the cue ball well at the | 1:57:32 | 1:57:44 | |
moment, Mark Selby - that was
another slight deceleration. Didn't | 1:57:44 | 1:57:52 | |
get the stun on the cue ball. | 1:57:52 | 1:57:59 | |
Yeah, enough loose reds there to
secure this sixth frame. | 1:58:16 | 1:58:27 | |
So, he's stopped that mini run from
Scott Donaldson, who took three | 1:59:24 | 1:59:31 | |
frames in a row. As we both
mentioned, he had lost his way a | 1:59:31 | 1:59:37 | |
little bit earlier in this frame,
the timing was just out. But we know | 1:59:37 | 1:59:48 | |
that Mark Selby can soon play
himself back into top form again - | 1:59:48 | 1:59:52 | |
and he'll have to do that to beat
Scott Donaldson here. | 1:59:52 | 1:59:55 | |
It doesn't matter, the fact that he
has not dropped on a red, he can | 2:00:20 | 2:00:24 | |
still have a go at this but it does
not matter whether it goes in or | 2:00:24 | 2:00:27 | |
not. So, he has stopped the run of
three in a row from Scott Donaldson | 2:00:27 | 2:00:38 | |
and the defending champion, Mark
Selby, is back at all square, he | 2:00:38 | 2:00:42 | |
deserves that drink!
HAZEL IRVINE: I will tell you who | 2:00:42 | 2:00:46 | |
else deserves a drink, Ryan Day,
becoming | 2:00:46 | 2:00:49 | |
. After that six frames to three
when over their child and no, a | 2:00:52 | 2:00:59 | |
great relief because as we told you
earlier, he is clinging on the 16th | 2:00:59 | 2:01:03 | |
spot in the world rankings,
guaranteeing that he plays at the | 2:01:03 | 2:01:07 | |
Masters but snapping at his heels is
the provisional number 17, Neil | 2:01:07 | 2:01:12 | |
Robertson, who we have been watching
earlier. There is a lot at stake, in | 2:01:12 | 2:01:17 | |
these early rounds, not least the
title, but going forward? It is a | 2:01:17 | 2:01:22 | |
very exciting ranking list, people
have their own ideas on the money | 2:01:22 | 2:01:27 | |
ranking list and with the Masters
and the World Championship being | 2:01:27 | 2:01:30 | |
affected by the top 16 spots, two
points in the season, everybody has | 2:01:30 | 2:01:35 | |
to scramble for the top 16 so it
makes things quite nail-biting for | 2:01:35 | 2:01:40 | |
those players around that mark.
Going back to Scott Donaldson and | 2:01:40 | 2:01:45 | |
Mark Selby, Ryan Day is officially
out of the conversation which starts | 2:01:45 | 2:01:49 | |
with, who is the best player never
to win a world ranking title? After | 2:01:49 | 2:01:55 | |
that victory at the Masters, and at
long last. All of a sudden he had | 2:01:55 | 2:02:01 | |
his cue broken and he is playing
with a relatively new cue, any | 2:02:01 | 2:02:07 | |
performance at the moment with
basically a brand-new piece of wood | 2:02:07 | 2:02:09 | |
is fantastic. Snookered gives and
takes away at the same time! Back to | 2:02:09 | 2:02:15 | |
the match... -- snooker. | 2:02:15 | 2:02:17 | |
We will surely that attempt again at
that long pot, usually a trademark | 2:02:22 | 2:02:27 | |
of Mark Selby's but he has done
remarkably well with the outcome, | 2:02:27 | 2:02:31 | |
once he missed the red he would have
felt he would stick Scott Donaldson | 2:02:31 | 2:02:35 | |
in amongst them. | 2:02:35 | 2:02:39 | |
APPLAUSE.
I did not spot that plant, but was a | 2:02:48 | 2:02:56 | |
good safety shot. Does he have the
angle on the brown to capitalise on | 2:02:56 | 2:03:03 | |
that flicked plant? Or does he roll
up tight to the yellow? -- fluked | 2:03:03 | 2:03:15 | |
plant. He could drop the brown and
play left to the blue, he is a | 2:03:15 | 2:03:22 | |
pretty good long potter, Scott. | 2:03:22 | 2:03:26 | |
That is what he has done. He needs
good cueing, the sort of shot that | 2:03:32 | 2:03:39 | |
players practice. For hours on end.
You mentioned that he used to play | 2:03:39 | 2:03:45 | |
at your club in sterling, I used to
watch Stephen Hendry at Spencer's | 2:03:45 | 2:03:51 | |
practising this type of shot. | 2:03:51 | 2:03:54 | |
APPLAUSE. | 2:03:58 | 2:04:00 | |
It looks like he is enjoying this
challenge at the moment, Scott | 2:04:15 | 2:04:20 | |
Donaldson, potting that red quickly
and walking around the table to see | 2:04:20 | 2:04:23 | |
what the situation was. Decent
opportunity, this. The black is | 2:04:23 | 2:04:29 | |
available, to the left corner. | 2:04:29 | 2:04:32 | |
Decent long pot success Scott
Donaldson, three quarters. Just | 2:04:44 | 2:04:52 | |
edging out Mark Selby, his success
is 52% with long pots, not good, not | 2:04:52 | 2:05:00 | |
what you would expect. | 2:05:00 | 2:05:01 | |
That is the sadistic we did not
expect, 94% with the safety success | 2:05:09 | 2:05:14 | |
rate against Mark Selby's 91%. --
sadistic. That statistic. Almost | 2:05:14 | 2:05:24 | |
played perfectly, he can leave
himself on the black full -- black. | 2:05:24 | 2:05:28 | |
Yes, I think you sum that up nicely,
Stephen. He is enjoying himself, he | 2:05:51 | 2:05:57 | |
did look edgy for the first two
friends. He knows he is quite | 2:05:57 | 2:06:01 | |
capable of causing an upset here. --
frames. | 2:06:01 | 2:06:05 | |
He has had breaks of 88, 47 and 50
one. -- 51. He did not score in the | 2:08:13 | 2:08:23 | |
previous frame, 37 and 50. But this
is a great response from Scott, | 2:08:23 | 2:08:28 | |
here. | 2:08:28 | 2:08:29 | |
He looks confident. You could argue
and say he looks the more confident | 2:08:41 | 2:08:48 | |
of both players at the moment. | 2:08:48 | 2:08:50 | |
He certainly looks like the more
likely to win a frame in one visit. | 2:08:54 | 2:08:59 | |
Just coming up a little bit short, a
few more inches and he could have | 2:09:04 | 2:09:09 | |
played nicely onto the black. As you
can see, the angle he is left with, | 2:09:09 | 2:09:14 | |
he has to be careful because he is
not that many points away from | 2:09:14 | 2:09:17 | |
winning the frame. | 2:09:17 | 2:09:18 | |
Yes. He avoided the cannon on that
red, that was good. Nicely played, | 2:09:22 | 2:09:30 | |
the last shot. He did not want to
cannon that red and he managed to | 2:09:30 | 2:09:37 | |
get around the back of it. | 2:09:37 | 2:09:39 | |
APPLAUSE. | 2:10:22 | 2:10:24 | |
Mark Selby needs a snooker. It has
been very good break, Scott | 2:10:32 | 2:10:39 | |
Donaldson. | 2:10:39 | 2:10:41 | |
He has played this with a lot of
authority. | 2:10:44 | 2:10:48 | |
Just letting the cue ball drift a
little bit, the frame has been one, | 2:11:22 | 2:11:27 | |
he wants to make a century. He can
use the red to cool down the pace of | 2:11:27 | 2:11:33 | |
the Kubot. Well done. -- cue ball.
He will need the difficult red as | 2:11:33 | 2:11:42 | |
well to make that century, four
centuries this season so far, and | 2:11:42 | 2:11:47 | |
Ford of them last season and he made
24 in his professional career, | 2:11:47 | 2:11:54 | |
turning professional in 2012. If he
can get this difficult red, he has | 2:11:54 | 2:11:58 | |
overscrewed that a little bit. He
will have to take it because the | 2:11:58 | 2:12:03 | |
other red doesn't bounce to the
other. This has to go in to make the | 2:12:03 | 2:12:08 | |
century, it is not imperative but
always nice if you can. What a | 2:12:08 | 2:12:12 | |
shame.
APPLAUSE. | 2:12:12 | 2:12:20 | |
He took that and made a fantastic 90
break. Back in the lead. 4-3. Very | 2:12:20 | 2:12:30 | |
impressive from the young Scott.
Losing both opening frames and then | 2:12:30 | 2:12:38 | |
coming back to win three in a row
with breaks of 88, 47 and 50 one. | 2:12:38 | 2:12:43 | |
And 90, terrific. He makes up for
it, losing the first two frames and | 2:12:43 | 2:12:50 | |
be thought Mark Selby would have a
lovely time this afternoon and | 2:12:50 | 2:12:54 | |
breeze through this but Scott
Donaldson is back into this and he | 2:12:54 | 2:12:58 | |
looks the more confident player
around the table. Mark Selby is not | 2:12:58 | 2:13:03 | |
striking the cue ball very well. He
does not look comfortable. This is | 2:13:03 | 2:13:07 | |
the last thing you want as the
defending champion, a tough match | 2:13:07 | 2:13:10 | |
like this in the first round. He is
thinking right because he could have | 2:13:10 | 2:13:16 | |
rolled up behind the yellow in that
frame added at the brown in the | 2:13:16 | 2:13:19 | |
middle and went on to make that
magnificent break. Thinking very | 2:13:19 | 2:13:23 | |
positively at the moment, the young
Scott Donaldson. | 2:13:23 | 2:13:27 | |
He just has to stay in the moment,
Scott Donaldson, and not start to | 2:13:52 | 2:13:58 | |
think ahead, which is what might
happen. This would be a massive | 2:13:58 | 2:14:02 | |
victory for him but there is a long
way to go. One frame at a time, one | 2:14:02 | 2:14:06 | |
shot at a time. | 2:14:06 | 2:14:08 | |
There is a red to the right middle.
But he has to get it. He has to | 2:14:53 | 2:14:59 | |
leave something on, if he misses
that red it is going up to the left | 2:14:59 | 2:15:03 | |
of the blue. | 2:15:03 | 2:15:04 | |
Again, a long way off the pot. He
has left Scott Donaldson with an | 2:15:28 | 2:15:34 | |
easy opener. | 2:15:34 | 2:15:36 | |
This time, the black is not tied up,
the pink is the black is available | 2:15:58 | 2:16:03 | |
and the red next to it is also
available. He is thinking a few | 2:16:03 | 2:16:07 | |
shots ahead, as you can see, where
he was pointing the cue. | 2:16:07 | 2:16:11 | |
He missed that completely. | 2:16:50 | 2:16:53 | |
He has been pretty good at this sort
of shot, so far. Mid-range. Again, | 2:16:58 | 2:17:05 | |
right in the middle of the pocket. | 2:17:05 | 2:17:08 | |
There is a chance to play for the
black, here. Stun the cue ball, side | 2:17:13 | 2:17:18 | |
cushion. | 2:17:18 | 2:17:20 | |
Another excellent pot. | 2:17:31 | 2:17:33 | |
When he pots this red it will clear
the path for the red at the back of | 2:18:32 | 2:18:36 | |
the bunch. It will then become
available into the right corner. And | 2:18:36 | 2:18:41 | |
then, that is it. No other red
available so he will already be | 2:18:41 | 2:18:47 | |
plotting his path to bring them into
play. He has to go into them. That | 2:18:47 | 2:18:57 | |
is a big target. Top spin, attached
to the right-hand side. Into that | 2:18:57 | 2:19:05 | |
main bunch, you must miss that loose
red between the black and the pack. | 2:19:05 | 2:19:12 | |
Well played. Very well played.
Excellent shot. Worth another look. | 2:19:12 | 2:19:22 | |
That is the best shot of the match
so far, right there. Can he go on | 2:19:22 | 2:19:30 | |
and pulled himself together and put
himself in a very strong position? | 2:19:30 | 2:19:36 | |
He would only need one more frame to
cause quite an upset. He looks | 2:19:36 | 2:19:41 | |
pretty cool and calculated at the
moment. He still needs quite a few | 2:19:41 | 2:19:47 | |
points to secure this frame. | 2:19:47 | 2:19:50 | |
Showing good composure. Having a
look around the table at the | 2:19:54 | 2:20:00 | |
situation, not getting too excited.
It is very easy to let things run | 2:20:00 | 2:20:04 | |
away and play too quickly.
Composure. That is the name of the | 2:20:04 | 2:20:09 | |
game at the moment. For Scott
Donaldson. | 2:20:09 | 2:20:12 | |
And that man has got big problems.
If he wants to stay and defend his | 2:20:16 | 2:20:20 | |
title. | 2:20:20 | 2:20:21 | |
A couple of longish frames, it all
went a bit scrappy, but the rest of | 2:21:01 | 2:21:05 | |
the frames have been won virtually
with one visit. He could have done | 2:21:05 | 2:21:14 | |
with bouncing a little bit further.
He is going to have to use one of | 2:21:14 | 2:21:18 | |
the reds as a stopper. If he can
cannon the one that is in between | 2:21:18 | 2:21:24 | |
the pink and the red to the left, he
will be perfectly placed. It is all | 2:21:24 | 2:21:28 | |
about putting the black. Bind to be
on a red, you would feel. Well, he | 2:21:28 | 2:21:36 | |
has cannoned the wrong red. He still
has this on to the left corner but | 2:21:36 | 2:21:41 | |
he played a delicate cannon and he
wanted to hit the one between the | 2:21:41 | 2:21:46 | |
pink and the red to the left of it.
This one. He should be OK. He can | 2:21:46 | 2:21:52 | |
stand behind the black again. --
stunned. | 2:21:52 | 2:21:56 | |
-- stun. | 2:22:09 | 2:22:17 | |
I think he is going to have to play
a screenshot of this right-hand | 2:22:39 | 2:22:44 | |
cushion, but he has to get this
well. He has to take the cue ball | 2:22:44 | 2:22:48 | |
into the middle of the table. --
screw shot. | 2:22:48 | 2:22:58 | |
He doesn't look like missing at the
moment. Very, very impressed with | 2:23:04 | 2:23:08 | |
Scott Donaldson. I mentioned his
breaks, 88, 47 and 51 and 90 in the | 2:23:08 | 2:23:19 | |
last frame and then he is doing
this. We mentioned that Mark Selby | 2:23:19 | 2:23:26 | |
had lost his timing a little bit.
But a lot of that is down to the way | 2:23:26 | 2:23:31 | |
this young man is playing. He is
going to have to win three in a row | 2:23:31 | 2:23:35 | |
to stay in this year's Betway UK
Championship. He is going to be | 2:23:35 | 2:23:43 | |
unlucky again. He has had a few
chances to get essentially break and | 2:23:43 | 2:23:49 | |
that has just finished very awkward.
-- as century break. | 2:23:49 | 2:23:54 | |
He nods to the referee, concedes the
frame, so Scott Donaldson with that | 2:24:15 | 2:24:22 | |
magnificent break just putting
himself one frame away from causing | 2:24:22 | 2:24:25 | |
quite the upset here.
HAZEL IRVINE: This would be the | 2:24:25 | 2:24:29 | |
upset of the season! He has surely
come on strongly in the last couple | 2:24:29 | 2:24:34 | |
of frames and he has outscored Mark
Selby 38 - 71, he is | 2:24:34 | 2:24:41 | |
of frames and he has outscored Mark
Selby 38 - 71, he is outplaying him. | 2:24:41 | 2:24:43 | |
The upset of the season in one
respect is from being 2-0 behind, | 2:24:43 | 2:24:48 | |
not just from level scores. For Mark
Selby, he seems to have dug himself | 2:24:48 | 2:24:54 | |
into a whole. How do you explain
that? I don't have a clue, this | 2:24:54 | 2:24:59 | |
player should be dominant in his
arena. If it goes 2-0 up against a | 2:24:59 | 2:25:04 | |
player who has not shown any form,
the next minute it all unravels. He | 2:25:04 | 2:25:08 | |
is not over the line yet, this is
the toughest one to win but when you | 2:25:08 | 2:25:13 | |
look at the respective performances
over the season, Scott Donaldson has | 2:25:13 | 2:25:17 | |
not had a great time, where has this
form come from? He had lost ten | 2:25:17 | 2:25:22 | |
matches in a row before coming here
and suddenly he has found something. | 2:25:22 | 2:25:28 | |
There are cycles in your form, one
minute you play badly and the next | 2:25:28 | 2:25:33 | |
minute you find something that
inspires you in practice but this | 2:25:33 | 2:25:35 | |
would be a turnaround in this
particular match, defined form and | 2:25:35 | 2:25:39 | |
get over the line and perhaps have
your biggest scalp. Mark Selby has | 2:25:39 | 2:25:44 | |
succumbed to a lesser opposition,
with the greatest of respect, Jo | 2:25:44 | 2:25:48 | |
Scott in the past, David Morris, one
of the lower ranking players, | 2:25:48 | 2:25:53 | |
beating at this stage into -- 2014.
My goodness, this would be a feather | 2:25:53 | 2:25:58 | |
in Scott's CAB, I'll be looking at
something dramatic featuring the | 2:25:58 | 2:26:06 | |
world champion and the defending UK
champ in. -- champion. | 2:26:06 | 2:26:10 | |
That needs to pull up. I say that,
there is still a possible pot to the | 2:26:18 | 2:26:26 | |
right middle pocket. | 2:26:26 | 2:26:31 | |
With the white right in the jaws of
the pocket, it is very difficult | 2:26:34 | 2:26:37 | |
indeed. Maybe this is a young man we
are looking at that just likes the | 2:26:37 | 2:26:43 | |
big stage, likes playing on
television, and a lot of those | 2:26:43 | 2:26:47 | |
defeats would have been in the
best-of-7s and that. Maybe he is a | 2:26:47 | 2:26:53 | |
big occasion player and he is
showing that here, that is for sure. | 2:26:53 | 2:26:58 | |
That was good judgment, that was too
tough other pot to risk. -- too | 2:27:10 | 2:27:16 | |
tough apart. | 2:27:16 | 2:27:16 | |
-- too tough a pot. | 2:27:40 | 2:27:43 | |
He would like to take the red next
to the yellow and get the frame back | 2:28:04 | 2:28:08 | |
to normal but it is a bit awkward.
With the yellow next to the red. | 2:28:08 | 2:28:12 | |
We could have one of those awkward
frames, there is another red corner | 2:28:24 | 2:28:27 | |
of the table. | 2:28:27 | 2:28:32 | |
Just a little bit of a stalemate at
the moment, with three reds at the | 2:29:33 | 2:29:38 | |
other end of the table. There is
nothing much available to other | 2:29:38 | 2:29:41 | |
players here. -- either player. | 2:29:41 | 2:29:46 | |
Touching again. It does not matter.
He can play off the other red. As | 2:29:52 | 2:30:01 | |
long as you don't move the red that
you are touching. If you do that it | 2:30:01 | 2:30:04 | |
is a foul shot. | 2:30:04 | 2:30:08 | |
It might just take a few shots to
resolve this situation here. Whoever | 2:30:36 | 2:30:48 | |
gets the first chance, it's normally
a good one, because the players has | 2:30:48 | 2:30:52 | |
spent so long bringing the reds into
the open. | 2:30:52 | 2:31:05 | |
The most difficult frame to win,
though, the one to get over the | 2:31:09 | 2:31:13 | |
winning line. | 2:31:13 | 2:31:23 | |
Of course, as the reds loosen up, it
is not easy just to roll up to one | 2:31:27 | 2:31:35 | |
and keep everything safe. You'd have
to be tempted by this red to the | 2:31:35 | 2:31:42 | |
right middle. Looks like it's the
containing shot. Oh, that was a bit | 2:31:42 | 2:31:54 | |
pacey. I don't know if he meant to
hit it is hardest asked. -- to hit | 2:31:54 | 2:32:06 | |
it as hard as that. | 2:32:06 | 2:32:10 | |
DENNIS TAYLOR: Well, this man is
going to have to call on all his | 2:32:17 | 2:32:20 | |
years of experience here to keep
himself in this year's UK Snooker | 2:32:20 | 2:32:25 | |
Championship, that's for sure. He
knows he can't make many more | 2:32:25 | 2:32:31 | |
mistakes. But how many times have we
seen him in the World Championship, | 2:32:31 | 2:32:41 | |
the UK Snooker Championship, who
various Championships, where his | 2:32:41 | 2:32:45 | |
back has been against the wall, and
that's when he's been at his best. | 2:32:45 | 2:32:53 | |
STEPHEN HENDRY: Mark Selby will know
how much pressure his opponent is | 2:32:59 | 2:33:04 | |
under, so he certainly won't be
taking any risks. | 2:33:04 | 2:33:11 | |
Just enough room to get a bit of tax
being and get the white back. -- to | 2:33:26 | 2:33:38 | |
get a bit of backspin. There might
be a long red up into the corner, | 2:33:38 | 2:33:41 | |
but there's nothing easy, that's for
sure. | 2:33:41 | 2:33:46 | |
Over half an hour since his last
pot. Yeah, the last thing Selby | 2:33:59 | 2:34:12 | |
wants is a pressure pot, where if he
misses it, it could be his last. He | 2:34:12 | 2:34:19 | |
wants an easy opening at the moment. | 2:34:19 | 2:34:25 | |
Has he got a choice of two or three
reds to the right middle? He's got | 2:34:44 | 2:34:52 | |
to take something eventually. | 2:34:52 | 2:34:59 | |
Is there gap through to the red?
There might just be enough room. And | 2:35:04 | 2:35:16 | |
there was. Now, is he coming far
enough? Yes. Yeah, and as I said | 2:35:16 | 2:35:29 | |
before, after that safety exchange,
look at the reds now. What a chance. | 2:35:29 | 2:35:40 | |
You'd have to say, not a lot to do
with the cue ball - just keep | 2:35:40 | 2:35:45 | |
potting balls. He'll play a cannon
into the three reds near the pink | 2:35:45 | 2:35:53 | |
spot here, just to kill the cue
ball, stop it running away. That's | 2:35:53 | 2:35:57 | |
good, that's very good. Yeah, he
played your shot, Stephen, and the | 2:35:57 | 2:36:10 | |
red has just bounced that little bit
too far. He was hoping to be nicely | 2:36:10 | 2:36:14 | |
on the black. | 2:36:14 | 2:36:25 | |
This is like a practice setup now,
the way the reds are. It's all about | 2:36:30 | 2:36:41 | |
keeping your composure. | 2:36:41 | 2:36:43 | |
The backswing is getting a little
bit shorter - that's down to | 2:36:50 | 2:36:55 | |
pressure. Won't get a better chance
than this to win this match. Mark | 2:36:55 | 2:37:10 | |
has beaten him four times. Scott has
had one victory against Mark Selby, | 2:37:10 | 2:37:17 | |
4-2, a couple of seasons ago. The
first three times they played it was | 2:37:17 | 2:37:28 | |
4-0, 4-0, 4-1 to Mark Selby, but
he's facing a much better player | 2:37:28 | 2:37:33 | |
now. Scott, the way he's performed
in this match has been fabulous, it | 2:37:33 | 2:37:42 | |
has to be said. Can he keep it
going? | 2:37:42 | 2:37:56 | |
You'd have to say, it's only going
to be nerves or a careless shot, | 2:38:03 | 2:38:09 | |
because as I said, there's virtually
nothing to do with the cue ball. | 2:38:09 | 2:38:17 | |
Pink and black both in the open. Oh,
he's let that cue ball drift. He's | 2:38:17 | 2:38:33 | |
got red to the middle. Maybe if he
had played a cannon into the two | 2:38:33 | 2:38:43 | |
reds, that would have been the
better shot. You could tell he was | 2:38:43 | 2:38:48 | |
thinking, I don't really want to
have to risk playing a cannon geek | 2:38:48 | 2:38:51 | |
he tries to hold it -- to risk
playing a cannon, and he tried to | 2:38:51 | 2:38:59 | |
hold it. Oh, that's OK. Not an
intentional cannon on the red, but | 2:38:59 | 2:39:12 | |
he's recovered the situation. | 2:39:12 | 2:39:20 | |
You have to say, from 2-0 down, he's
been by far the better player. He's | 2:39:44 | 2:39:50 | |
struck the cue ball with more
authority than his opponent. And | 2:39:50 | 2:40:01 | |
when he's got in, he's looked more
likely to win the frame in one visit | 2:40:01 | 2:40:06 | |
than his opponent. | 2:40:06 | 2:40:11 | |
That's fantastic, 94% pot success
rate. His long pot success rate is | 2:40:19 | 2:40:35 | |
way above that of Mark Selby, and I
think he's outplayed Mark in all | 2:40:35 | 2:40:39 | |
departments, even the safety success
rate. And maybe as I mentioned he is | 2:40:39 | 2:40:52 | |
one of these players that loves the
limelight, loves to play on centre | 2:40:52 | 2:40:57 | |
stage, because the way he's playing
here against the defending champion | 2:40:57 | 2:41:00 | |
is brilliant. Still needs a few more
to be safe. | 2:41:00 | 2:41:17 | |
That was a bit of a nervy one, hit
could have done with screwing the | 2:41:18 | 2:41:22 | |
cue ball a little bit to leave this
think straight. He's just not | 2:41:22 | 2:41:30 | |
getting into the cue ball is much.
That's understandable, a huge result | 2:41:30 | 2:41:35 | |
this would be for Scott Donaldson.
You have to say, he's hit a poor | 2:41:35 | 2:41:51 | |
slump in form recently, Mark Selby,
by his standards. Didn't play in | 2:41:51 | 2:41:58 | |
Northern Ireland last week, so he's
had a break, but it's not worked. | 2:41:58 | 2:42:06 | |
APPLAUSE | 2:42:09 | 2:42:14 | |
DENNIS TAYLOR: Just taking his time,
composing himself a little bit. | 2:42:20 | 2:42:25 | |
Applause from one of the other
tables. | 2:42:25 | 2:42:36 | |
Now, 55 ahead. Two more reds with
two high-value colours would be | 2:42:38 | 2:42:50 | |
enough. And that's just about
perfect. He can put his white into a | 2:42:50 | 2:43:01 | |
position where he will have a choice
of three reds. You can see the angle | 2:43:01 | 2:43:08 | |
he screwed the white into. Leaving
himself options. 61 ahead - what a | 2:43:08 | 2:43:15 | |
performance from this young Scottish
player. Yeah, there will be a lot of | 2:43:15 | 2:43:24 | |
talk about how poorly Mark Selby has
played today, but they'll have to | 2:43:24 | 2:43:27 | |
talk about how well Scott
Donaldson's played. He's outplayed | 2:43:27 | 2:43:32 | |
world number one. | 2:43:32 | 2:43:35 | |
And I like his temperament, he's got
a very good temperament. We thought | 2:43:43 | 2:43:46 | |
he might struggle a little bit in
this frame, the one that gets you | 2:43:46 | 2:43:51 | |
over the winning line, but when he
gets the chance, he's certainly | 2:43:51 | 2:43:56 | |
taken it. And it's hard to describe
how this young man will be feeling | 2:43:56 | 2:44:05 | |
inside here, beating the defending
champion, world number one, current | 2:44:05 | 2:44:07 | |
world champion. | 2:44:07 | 2:44:18 | |
He's a very modest young man, but
I'll tell you what, inside, he'll be | 2:44:18 | 2:44:21 | |
absolutely over the moon. Yeah, I am
delighted for Scott. Sometimes you | 2:44:21 | 2:44:30 | |
need these results just to kick
start your career, a results like | 2:44:30 | 2:44:36 | |
this. | 2:44:36 | 2:44:44 | |
I think I detected a nice little
smile there. Like he suddenly | 2:44:58 | 2:45:07 | |
realised what he's achieved here.
He'll be gutted, absolutely gutted. | 2:45:07 | 2:45:24 | |
Well, he's come so close to making a
century break in two or three | 2:45:26 | 2:45:29 | |
frames. Can he get the cannon...?
Oh, I'm lucky! Hit it as hard as you | 2:45:29 | 2:45:41 | |
can, and hope for a fluke, but...
Well, he lost the two opening | 2:45:41 | 2:45:50 | |
frames, and Mark Selby comes forward
to congratulate this young Scotsman. | 2:45:50 | 2:45:59 | |
Absolutely brilliant! Brilliant
performance from a Scott Donaldson, | 2:45:59 | 2:46:02 | |
and he knocks out the defending
champion by sixthree! | 2:46:02 | 2:46:07 | |
HAZEL | 2:46:07 | 2:46:08 | |
champion by sixthree!
HAZEL IRVINE: And you've just been | 2:46:08 | 2:46:13 | |
witnessing one of the great shots of
recent times, because Mark Selby, | 2:46:13 | 2:46:16 | |
undisputed king of this sport, for
three years he's not been knocked | 2:46:16 | 2:46:21 | |
off his perch in terms of his number
one ranking, how did this young | 2:46:21 | 2:46:27 | |
23-year-old do it? Well, the top
players in the world are all great | 2:46:27 | 2:46:30 | |
players, but very impressive how he
held himself together to close that | 2:46:30 | 2:46:35 | |
match out, when perhaps he might
have been thinking, this is going to | 2:46:35 | 2:46:40 | |
be a big scalp if I can get over the
line. From Mark Selby's perspective, | 2:46:40 | 2:46:43 | |
very rarely do you see a collapse
like that. I think he took his eye | 2:46:43 | 2:46:48 | |
off the game, foot off the gas,
whatever you call it, and the next | 2:46:48 | 2:46:53 | |
minute Mark Selby looked like a bit
player - amazing. You always expect | 2:46:53 | 2:46:56 | |
the rearguard action from Mark
Selby, when he's really up against | 2:46:56 | 2:47:01 | |
it. But he just didn't seem to be
there today. No, I think he felt his | 2:47:01 | 2:47:08 | |
form in the early part of the season
wasn't good and he was searching for | 2:47:08 | 2:47:11 | |
answers overboard he had a toe
injury which caused him to miss a | 2:47:11 | 2:47:14 | |
couple of events. But then he wins
an event and you think business as | 2:47:14 | 2:47:16 | |
usual, Mark Selby's going to go from
strength to strength in the major | 2:47:16 | 2:47:21 | |
events. But your form line every
season is not going to be the same, | 2:47:21 | 2:47:26 | |
you're going to go through peaks and
troughs. It looks like Mark Selby | 2:47:26 | 2:47:29 | |
has hit a bit of a break wall in
being able to switch the switch, and | 2:47:29 | 2:47:32 | |
great performances happen. It was
only last month he was winning the | 2:47:32 | 2:47:41 | |
International Championship, the
fourth biggest event in the | 2:47:41 | 2:47:43 | |
calendar. But here is Scott
Donaldson, and no wonder they're | 2:47:43 | 2:47:49 | |
clapping! Well done! Where did this
come from? I don't really know, to | 2:47:49 | 2:47:52 | |
be honest. It's been well-documented
I've not won a game, this is my | 2:47:52 | 2:47:59 | |
first couple of wins this season,
but I got half an inch taken off my | 2:47:59 | 2:48:04 | |
cue at the start of the season, I
thought... Didn't like it. And the | 2:48:04 | 2:48:12 | |
cue is playing even better than I
had before, so... This is a | 2:48:12 | 2:48:18 | |
technical point, but you're one of
the few players who has your back | 2:48:18 | 2:48:25 | |
arm outside the vertical. It is
considered to be 90 degrees but | 2:48:25 | 2:48:28 | |
Scott plays with his arm further
back, so perhaps you were trying to | 2:48:28 | 2:48:33 | |
shorten up your action? Actually
it's now 57 inches, and I try it | 2:48:33 | 2:48:42 | |
again this season and it was just a
shambles. I'm happy with the cue and | 2:48:42 | 2:48:45 | |
I feel like I can make breaks
whereas before I was really | 2:48:45 | 2:48:51 | |
struggling. It's not just that, is
it? All of a sudden against a player | 2:48:51 | 2:48:56 | |
like that, Ugo two behind, and then
it all seems to change? I was | 2:48:56 | 2:49:03 | |
thinking, I'm not playing quick
enough here. I thought, just nick | 2:49:03 | 2:49:10 | |
Ephraim and it will make you feel a
lot better. That was a very | 2:49:10 | 2:49:16 | |
important frame? Yeah, if I had lost
that it could have been 6-0. How do | 2:49:16 | 2:49:25 | |
you rate this in terms of all the
matches you've played? It is up | 2:49:25 | 2:49:32 | |
there. Actually I played him in
Barnsley recently and I played quite | 2:49:32 | 2:49:34 | |
similar to that level. Mark doesn't
give you anything, he beat me 4-3 | 2:49:34 | 2:49:40 | |
that day. Whoever I play next is
going to be just as tough as that | 2:49:40 | 2:49:48 | |
game. This is an almighty Shokat
you've created here. How do you push | 2:49:48 | 2:49:57 | |
on from that? Stephen Hendry said in
commentary that this could be a | 2:49:57 | 2:50:09 | |
career starting performance - does
it feel like that to you? I'm not | 2:50:09 | 2:50:11 | |
sure, I've just got to keep playing
fluently. Just keep doing what I'm | 2:50:11 | 2:50:17 | |
doing. It is all good but I've got a
really tough game whoever I play | 2:50:17 | 2:50:26 | |
next. This was one of the most
significant moments in your career | 2:50:26 | 2:50:30 | |
in terms of the attention and the
cameras. Did you feel the pressure, | 2:50:30 | 2:50:36 | |
playing the world number one?
Without a doubt, the UK is one of | 2:50:36 | 2:50:40 | |
the best tournaments. It's not as
big as the World Championships, but | 2:50:40 | 2:50:46 | |
you can play under the lights and
you get good experience. I love | 2:50:46 | 2:50:50 | |
York, it's a beautiful place. And
also enjoy the television exposure, | 2:50:50 | 2:50:56 | |
enjoy saying on the big stage, it's
a good confidence booster. It is | 2:50:56 | 2:51:02 | |
great to do that against Mark Selby.
Yeah, you know what it's like... You | 2:51:02 | 2:51:12 | |
get so many knocks... Well, you
didn't have many knocks, but...! A | 2:51:12 | 2:51:17 | |
lot of people can't get through it
but I'm delighted to get through | 2:51:17 | 2:51:23 | |
that one. It's only two wins, so a I
have to keep doing what I'm doing. | 2:51:23 | 2:51:27 | |
My next opponent is going to want to
beat me as well, so... It's very | 2:51:27 | 2:51:33 | |
hard on this tour. You've been six
years on and off the tour - what | 2:51:33 | 2:51:45 | |
keeps you believing in yourself and
what has kept you going all these | 2:51:45 | 2:51:51 | |
years, having to come back through
the Europeans? Yeah. It's hard to | 2:51:51 | 2:51:54 | |
explain. For me it is difficult,
that's all I can say. I want to keep | 2:51:54 | 2:52:05 | |
playing at this level. What do you
love about the game? I love being | 2:52:05 | 2:52:11 | |
out there. It was a really hard day
to day, when you've got a lot of | 2:52:11 | 2:52:14 | |
people telling you what you should
do and what you should do. I think | 2:52:14 | 2:52:19 | |
everybody's different and you've
just got to do what you think is | 2:52:19 | 2:52:23 | |
best for you, because you know
yourself better than anyone else, so | 2:52:23 | 2:52:26 | |
I'll just keep doing what I'm doing.
Well, you should, because that was a | 2:52:26 | 2:52:31 | |
fantastic performance today. See you
in the next round. We were talking | 2:52:31 | 2:52:34 | |
earlier about Ken Doherty, who was
out on an adjacent table, and he was | 2:52:34 | 2:52:39 | |
playing Neil Robertson. Ken Doherty,
as you know, came off the tour last | 2:52:39 | 2:52:45 | |
year and was granted an Invitational
by world snooker, and he's been | 2:52:45 | 2:52:52 | |
trying very hard to justify world
snooker's faith in him since then. | 2:52:52 | 2:52:57 | |
That's a very serious proposition
for Ken, but as you know with the | 2:52:57 | 2:52:59 | |
Irishman, there's always a few
laughs along the way. What artist do | 2:52:59 | 2:53:06 | |
you like but rarely admit to liking?
Neil diamond. What do you hope your | 2:53:06 | 2:53:18 | |
last words will be? Oh! What would I
hope my last words would be?! Cash! | 2:53:18 | 2:53:35 | |
What would be your spirit animal?
Tiger. What is the most annoying | 2:53:35 | 2:53:44 | |
question that people ask you? What
was the best compliment you've | 2:53:44 | 2:53:51 | |
received? The best compliment I've
ever received... | 2:53:51 | 2:54:03 | |
Oh, I stopped crying for three hours
during the World Championships sugar | 2:54:03 | 2:54:06 | |
from a Chief of Police. What do you
do most often? Golfing practice! | 2:54:06 | 2:54:22 | |
Well, Ken was really making a good
fist of this earlier on, he was | 2:54:23 | 2:54:26 | |
leading 2-1, but he missed one
straightforward pot on the brown and | 2:54:26 | 2:54:30 | |
it was the Australian Neil Robertson
who claimed up frame four. We're | 2:54:30 | 2:54:34 | |
going to joined them in frame five,
it's all square and it's watched I | 2:54:34 | 2:54:38 | |
Alan McManus and John Parrott.
REFEREE: Frame five, Ken Doherty to | 2:54:38 | 2:54:46 | |
break. | 2:54:46 | 2:54:49 | |
JOHN PARROTT: Ken Doherty breaks off
in frame five after the mid-session | 2:54:55 | 2:54:58 | |
interval, and it was a very good
session before the interval, too. | 2:54:58 | 2:55:03 | |
Interesting tactical play, some good
long potting. Ken might be kicking | 2:55:03 | 2:55:11 | |
himself a little bit, a chance on
the brown that he shouldn't have | 2:55:11 | 2:55:14 | |
missed. But that has all gone now.
2-2, and all to play for. | 2:55:14 | 2:55:25 | |
Ken has got to be a little bit
careful with this safety. Well, he | 2:56:52 | 2:57:05 | |
would like to have that one again.
The thing he had to avoid there was | 2:57:05 | 2:57:11 | |
the double kiss. McManus label yes,
he just caught the jaw the corner. | 2:57:11 | 2:57:28 | |
ALAN MCMANUS: we said before the
interval how tough Australian sports | 2:57:54 | 2:57:57 | |
people are, and the Australian rugby
league team won the World Cup Final | 2:57:57 | 2:58:04 | |
this morning against England, 6-0.
Danny at one point that split was | 2:58:04 | 2:58:11 | |
looking stinky unpromising, but
there's a couple of options for Neil | 2:58:11 | 2:58:18 | |
now. There's one in the middle
pocket if he is still it. Just one | 2:58:18 | 2:58:28 | |
good pot, with position away from a
very good chance here. Yeah, the way | 2:58:28 | 2:58:41 | |
these reds are sitting, the next
couple of shots are massive... Oh, | 2:58:41 | 2:58:43 | |
that was good. As I mentioned
earlier, his cue action is | 2:58:43 | 2:58:51 | |
absolutely bowled straight and those
shots are made to look effortless. | 2:58:51 | 2:59:00 | |
Something else, actually, this
season, the cushions have been | 2:59:17 | 2:59:24 | |
really good, John, they've not been
bouncing the way they were three | 2:59:24 | 2:59:30 | |
seasons ago. This type of shot, is
give you confidence that you can hit | 2:59:30 | 2:59:33 | |
it properly and not lose the cue
ball. Do you know why, Alan, wired | 2:59:33 | 2:59:38 | |
has improved? Not really, I must be
honest, but it's been a feature this | 2:59:38 | 2:59:44 | |
season. Does not been any players
complaining about tables misbehaving | 2:59:44 | 2:59:51 | |
this season, which I hope stay the
same. I'm just wondering whether the | 2:59:51 | 3:00:02 | |
boys using that new chalk which
doesn't give you any kicks is | 3:00:02 | 3:00:05 | |
helping, I don't know. But it's
good, because you want consistency. | 3:00:05 | 3:00:10 | |
If the tables are doing the job,
then great. Much has been made about | 3:00:10 | 3:00:17 | |
this new chalk, Alan, are you an
advocate? I do have one piece of it | 3:00:17 | 3:00:24 | |
in my cue case, but I've not started
using it as yet. I think I probably | 3:00:24 | 3:00:29 | |
will. The only thing I've heard
reports that a lot of players have | 3:00:29 | 3:00:33 | |
been this cueing modern-day would,
so that is a concern, but it's | 3:00:33 | 3:00:39 | |
definitely takes away the chalk
marks - why? I don't know, but it | 3:00:39 | 3:00:41 | |
definitely does. You still get the
odd bad contact, but I think it does | 3:00:41 | 3:00:47 | |
reduce the number of kicks. | 3:00:47 | 3:00:54 | |
Hugh Robertson is taking these
brilliantly well. I mentioned before | 3:00:54 | 3:00:59 | |
the interval, but brine that Ken
missed, that could have changed the | 3:00:59 | 3:01:02 | |
course of this match. I hope it
doesn't but at the moment it is | 3:01:02 | 3:01:06 | |
looking very promising for a meal.
But before Neil. One of those shots | 3:01:06 | 3:01:13 | |
that you were on about. The cue ball
was coming up miles too far, this is | 3:01:13 | 3:01:20 | |
the second one he has had in this
break. Perfect, but it's great. If | 3:01:20 | 3:01:26 | |
you know that is happening, that is
exactly what you want. | 3:01:26 | 3:01:31 | |
Even with that shot, it helps that
he can punch it in properly and know | 3:01:43 | 3:01:50 | |
you will not lose the cue ball
topside, it makes a difference to | 3:01:50 | 3:01:54 | |
players of this standard for a lot
of shots. It is not something we | 3:01:54 | 3:01:58 | |
want to be talking about. You don't
want this to be an issue, long may | 3:01:58 | 3:02:02 | |
it continue. Neil Robertson picking
up a head of steam, here. | 3:02:02 | 3:02:09 | |
Here's not daft, he has been around
the block, he might have got away | 3:02:14 | 3:02:18 | |
with one in the last frame. With Ken
missing that Brian. Players can | 3:02:18 | 3:02:24 | |
sense it. Certain parts of matches
where you know your opponent has | 3:02:24 | 3:02:27 | |
pressed ahead -- should have pressed
ahead and he has not done that, you | 3:02:27 | 3:02:33 | |
try even harder in the next frame to
make him remember it. Taking these | 3:02:33 | 3:02:38 | |
beautifully well so far. The cue
ball has been exemplary. Already 64 | 3:02:38 | 3:02:46 | |
points in the lead. This will put
him over the line in the frame, | 3:02:46 | 3:02:52 | |
nothing like winning in one visit.
He has not been able to do that so | 3:02:52 | 3:02:55 | |
far in this match. Safety shot from
Ken, the double-kiss, that will cost | 3:02:55 | 3:03:03 | |
in the frame. -- cost him. | 3:03:03 | 3:03:09 | |
They belittle Calan off the pink and
take the outside red from the two, | 3:03:18 | 3:03:23 | |
if he wants, just that little flick.
Just dropped that in. That shot was | 3:03:23 | 3:03:30 | |
on, if you wanted it. | 3:03:30 | 3:03:34 | |
No reason why we should not see the
first century of this match. He has | 3:04:11 | 3:04:14 | |
taken these beautifully. Just the
red and the colour will see him... | 3:04:14 | 3:04:23 | |
Very impressive. | 3:04:27 | 3:04:30 | |
APPLAUSE.
Beautiful century. Neil Robertson. | 3:04:36 | 3:04:45 | |
The red does not matter. He will be
in the lead for the first time. 3-2. | 3:04:45 | 3:04:54 | |
Hugh Robertson was born on the 11th
of February 1892 in Melbourne, | 3:05:04 | 3:05:08 | |
Australia. His nickname is the
Thunder from Down Under. In 2003, he | 3:05:08 | 3:05:18 | |
won the world under 21 championship
in New Zealand. He has been at the | 3:05:18 | 3:05:22 | |
gain since 2014. His first ranking
title came at the 2006 Grand Prix, | 3:05:22 | 3:05:31 | |
where he beat Jamie Cooke in the
final. In 2014, he made 103 | 3:05:31 | 3:05:38 | |
centuries in a single season,
smashing the record of 61. He has | 3:05:38 | 3:05:44 | |
won £3.5 million in career
prize-money. He is a good frame of | 3:05:44 | 3:05:49 | |
John Terry and is a regular at
Stamford Bridge. In 2010, he became | 3:05:49 | 3:05:54 | |
the third player from outside the UK
to lift the World Championship | 3:05:54 | 3:05:58 | |
trophy. He has made more than 500
centuries in his career. | 3:05:58 | 3:06:04 | |
Neil Robertson breaks in frame six.
He will not be happy with that. He | 3:06:19 | 3:06:28 | |
will need a bit of luck to get away
with it. Has he? Ken can just about | 3:06:28 | 3:06:39 | |
get through to the red. Very
difficult pot. | 3:06:39 | 3:06:43 | |
Those are not easy when you have
been sitting in your chair, added to | 3:06:48 | 3:06:52 | |
that interval of 15 minutes, that is
a good 40 minutes. The double whammy | 3:06:52 | 3:06:59 | |
was the red ran past the other one,
running back light into a pottable | 3:06:59 | 3:07:03 | |
position. He just hates those so
nicely. Another example of that | 3:07:03 | 3:07:11 | |
straight cueing, you cannot pot
football unless you cue the ball | 3:07:11 | 3:07:14 | |
straight. -- pot that ball. | 3:07:14 | 3:07:19 | |
That was beautiful, the control,
three or four times he has landed | 3:07:41 | 3:07:46 | |
absolutely perfect on this blue.
Into the reds again, how is his | 3:07:46 | 3:07:50 | |
luck? Not great. The red corner, can
he get through for the pink to the | 3:07:50 | 3:08:03 | |
right middle? That is the question.
One of the middle, it is not a | 3:08:03 | 3:08:07 | |
cinch. But... It is not easy to
control the cue ball, playing it. | 3:08:07 | 3:08:15 | |
This is definitely an example of
straight through the ball cueing. | 3:08:15 | 3:08:21 | |
Once again, it is not a problem.
That was bowled straight. It looked | 3:08:21 | 3:08:27 | |
like nothing, that shot, but that
was a beautiful shot. And for a | 3:08:27 | 3:08:34 | |
left-hander, to be on the pink and
not need the rest, that shows you | 3:08:34 | 3:08:39 | |
the control. If you can just pick a
spot for the next red he could be in | 3:08:39 | 3:08:43 | |
business again. Is he playing the
cannon into the reds? No, he can | 3:08:43 | 3:08:52 | |
obviously pick one out. This is
looking promising. He is just | 3:08:52 | 3:08:59 | |
stepping through the gears at the
minute, playing quicker. He knows | 3:08:59 | 3:09:05 | |
the importance of scoring heavily. | 3:09:05 | 3:09:07 | |
In this part of the match, he feels
as if he has got Ken slightly on the | 3:09:11 | 3:09:16 | |
ropes at the moment. | 3:09:16 | 3:09:19 | |
That is a clever shot, it shows you
how well he is thinking and he wants | 3:09:39 | 3:09:44 | |
to get the reds opened early. Just
about the topside of the blue. That | 3:09:44 | 3:09:52 | |
will be fine. Are we back down to
the next red. It will not be easy. | 3:09:52 | 3:10:01 | |
The reds are loosely spread but
covering one another. This is an | 3:10:01 | 3:10:06 | |
important shot. Finishing a red, and
the way he is playing you would | 3:10:06 | 3:10:10 | |
fancy him. The red near the top
right-hand corner, the closest to | 3:10:10 | 3:10:15 | |
it, if he drops the blue and he is
left-handed that would be OK, he | 3:10:15 | 3:10:19 | |
will just run the cue ball through.
He will look at that. That is a red | 3:10:19 | 3:10:23 | |
I would have thought would be the
one. Right there. And just play it, | 3:10:23 | 3:10:29 | |
then clip and back down the table
and maybe land on a colour. That is | 3:10:29 | 3:10:34 | |
the best option at the moment. | 3:10:34 | 3:10:37 | |
He has gone on the same line, going
right across. | 3:10:42 | 3:10:47 | |
That was like a two in one shot. He
played for a choice of the plant, | 3:11:02 | 3:11:10 | |
the red to the left corner, but he
is in the knowledge that the | 3:11:10 | 3:11:18 | |
overhead that, he would have been on
that red and that was good thinking, | 3:11:18 | 3:11:20 | |
thinking clearly. One good
positional shot away from a bullet | 3:11:20 | 3:11:27 | |
fired chance of winning this frame
at this visit. -- mollified. | 3:11:27 | 3:11:32 | |
We said earlier in the day that one
of the breaks made by Ken, scrapping | 3:11:36 | 3:11:42 | |
proposition, this has been another,
he has not quite been right for the | 3:11:42 | 3:11:46 | |
last three or four shots, Neil.
There is another good positional | 3:11:46 | 3:11:50 | |
shot required. | 3:11:50 | 3:11:53 | |
This E.On one? -- is he on one? He
is not on the one closest to the | 3:11:57 | 3:12:09 | |
black on the right-hand side but he
is on the one above. He has to not | 3:12:09 | 3:12:14 | |
the same because you don't really
know where the cue ball is going. -- | 3:12:14 | 3:12:18 | |
knock this in. What a shot. That is
as good as anything today. Once | 3:12:18 | 3:12:28 | |
again... Beautifully straight
cueing. He has a choice of green or | 3:12:28 | 3:12:34 | |
blue. If this goes in... It looks
like the end of the frame. Just | 3:12:34 | 3:12:45 | |
going through the gearbox, all of a
sudden. | 3:12:45 | 3:12:49 | |
That is worried Ken in his chair, 20
minutes since your last a ball and | 3:13:12 | 3:13:19 | |
really, 45 minutes since he had any
decent table time to speak of. -- | 3:13:19 | 3:13:27 | |
since he last potted ball. And he
does not look like he is getting any | 3:13:27 | 3:13:32 | |
soon. Playing really quickly at the
moment, he is obviously very | 3:13:32 | 3:13:40 | |
confident. You can always tell when
a player is in good stroke. | 3:13:40 | 3:13:48 | |
Certainly with Neil, his shoulders
go back and he walks, pride as a | 3:13:48 | 3:13:53 | |
peacock, around the table and it is
very quick and fluent and that is | 3:13:53 | 3:13:57 | |
what is happening at the moment. | 3:13:57 | 3:13:59 | |
Hard to play any better than this. | 3:14:08 | 3:14:11 | |
Beginning to enjoy himself. The
first three or four frames today | 3:14:31 | 3:14:38 | |
were hard-fought. Safety battles.
Good single ball potting but not | 3:14:38 | 3:14:43 | |
really the fluency we expect. But he
is beginning to move through the | 3:14:43 | 3:14:48 | |
skiers. He is looking good. --
through those years. -- gears. A | 3:14:48 | 3:14:59 | |
couple of shots ago they could have
flicked the pink off percussion and | 3:14:59 | 3:15:03 | |
he ignored that because he wanted to
make the century, did not even take | 3:15:03 | 3:15:08 | |
the chance on that, he just wanted
to make 100. | 3:15:08 | 3:15:12 | |
APPLAUSE.
And there it is. Extremely | 3:15:12 | 3:15:19 | |
impressive. And in pretty quick
time. Superb from the Australian. | 3:15:19 | 3:15:27 | |
Great to see him playing back like
this, he is one of the finest | 3:15:49 | 3:15:53 | |
players I have ever seen playing
this game and when he is motoring | 3:15:53 | 3:15:57 | |
like this, he is a handful and it
would take somebody playing | 3:15:57 | 3:16:00 | |
exceptionally well to beat him, if
he does continue in this vein. | 3:16:00 | 3:16:04 | |
Great stuff. | 3:16:09 | 3:16:11 | |
He is hitting this, that is a
certainty. | 3:16:24 | 3:16:28 | |
APPLAUSE.
. | 3:16:31 | 3:16:33 | |
102 in the last, 124 to open up this
country frame lead. Leading 4-2 and | 3:16:45 | 3:16:54 | |
he is looking good. | 3:16:54 | 3:16:56 | |
My goodness! Well... | 3:18:25 | 3:18:27 | |
This is what happens in sport,
unfortunately, when somebody is | 3:18:30 | 3:18:35 | |
playing well they tend to get the
rub and that is one of those. | 3:18:35 | 3:18:38 | |
Straight in the corner. I would not
put it past him making another | 3:18:38 | 3:18:44 | |
frame-winning contribution. That is
tough to take. Yes, this game, it | 3:18:44 | 3:18:52 | |
seems to have a memory. What has
gone before, the last couple of | 3:18:52 | 3:18:59 | |
frames, the century breaks by Neil.
If it is not bad enough for Ken | 3:18:59 | 3:19:08 | |
Doherty, your opponent playing well,
but luck is also on his side. | 3:19:08 | 3:19:14 | |
Clever, playing for the pink. That
will go to the back of the cluster | 3:19:14 | 3:19:18 | |
but that will not hinder Neil in any
way. He just clears up the reds. A | 3:19:18 | 3:19:29 | |
couple of shots to work out the
order he is going to take these reds | 3:19:29 | 3:19:34 | |
in. Already thinking about the best
way to go into the bunch. | 3:19:34 | 3:19:43 | |
A couple of loose reds before, any
suspect thinking about that. Once | 3:20:09 | 3:20:15 | |
again, that cluster, the way they
are, off the blue... That will be | 3:20:15 | 3:20:19 | |
handy. Mind you, he has come a
little bit short on this one. In | 3:20:19 | 3:20:29 | |
fact, he can sneak past the side of
that pack. That is all right. He | 3:20:29 | 3:20:36 | |
still has those two loose reds
before he has to manoeuvre any more | 3:20:36 | 3:20:40 | |
balls into play. | 3:20:40 | 3:20:42 | |
This really will be about the split.
Is there a plant on the same pocket? | 3:20:50 | 3:20:58 | |
I think he is going to play for the
loose red. Similar to the way he was | 3:20:58 | 3:21:03 | |
on that a couple of shots ago.
Finishing where his thumb is. That | 3:21:03 | 3:21:08 | |
is perfect. That is perfect. He
played that nicely, once again | 3:21:08 | 3:21:17 | |
judging the cannon. You have to be
careful of these, how hard you hit | 3:21:17 | 3:21:21 | |
them. Also make sure you don't screw
it off into the middle pocket, which | 3:21:21 | 3:21:29 | |
is a possibility. It'll be
interesting to see which way he does | 3:21:29 | 3:21:34 | |
this. Bush the reds into play. I
wonder if that plant is still on. -- | 3:21:34 | 3:21:43 | |
push. | 3:21:43 | 3:21:45 | |
It can definitely be made, no doubt. | 3:21:52 | 3:21:56 | |
It is all happening for Neil, he has
found the plant as well. How is your | 3:22:01 | 3:22:10 | |
luck, Ken? He will be pushing the
reds into play and playing this | 3:22:10 | 3:22:17 | |
plant. Just set for the left-hand
jaws, the balls don't have to be | 3:22:17 | 3:22:26 | |
touching... He can still
manufacturing this, as long as it is | 3:22:26 | 3:22:34 | |
into the middle of the pocket. Good
shot. Goodness me. Honestly, this | 3:22:34 | 3:22:45 | |
frame, Ken has had to sit there and
look for the fluke, then there is | 3:22:45 | 3:22:50 | |
the plant and the split has come
perfectly. I would not be backing | 3:22:50 | 3:22:54 | |
any horses if I was Ken! It is a
tough life sometimes, the life of a | 3:22:54 | 3:23:01 | |
snooker player! Playing a top player
in this sort of form, since the | 3:23:01 | 3:23:07 | |
interval, you don't have to do much
wrong. You can bet he will try to | 3:23:07 | 3:23:13 | |
make another century because it
likes the sort of things, making | 3:23:13 | 3:23:15 | |
three on a spin, word four.
Obviously very motivated by the | 3:23:15 | 3:23:23 | |
history of the game, he wants to win
as many majors as he can, he scored | 3:23:23 | 3:23:28 | |
those wonderful centuries that
season with over 100. | 3:23:28 | 3:23:31 | |
He has just come a little bit
straight on this, otherwise he would | 3:23:37 | 3:23:41 | |
have played it already. It is also
very good matchplay in terms of | 3:23:41 | 3:23:49 | |
experience, he has reached this
stage of the match were the next | 3:23:49 | 3:23:53 | |
half a dozen shots are so important
to take him into that 5-2 lead, | 3:23:53 | 3:23:57 | |
which you think would be, not
unassailable, but a very strong | 3:23:57 | 3:24:03 | |
position. Just making sure, taking
his time, he has been fluent but | 3:24:03 | 3:24:07 | |
there are times in a match when you
want to hang back and we are your is | 3:24:07 | 3:24:12 | |
one of them. -- weigh up your
options. That was just, once again, | 3:24:12 | 3:24:24 | |
beautifully played. That is just,
well, superb. Well, it looks like | 3:24:24 | 3:24:36 | |
they are all going to go, certainly
enough to get him past the line, he | 3:24:36 | 3:24:41 | |
is 48 ahead already. All he has to
do is mind his work. | 3:24:41 | 3:24:46 | |
Just taking his time. He knows how
important this visit is. Just keep | 3:24:52 | 3:25:02 | |
Ken in his chair, get that 5-2 lead.
He is not on the red. As far as | 3:25:02 | 3:25:09 | |
potting it directly. Should be all
right with the plant, a virtual | 3:25:09 | 3:25:12 | |
certainty. | 3:25:12 | 3:25:13 | |
Even that shot he played to leave
himself but the plant, he left | 3:25:24 | 3:25:27 | |
himself exactly in the right place
to play the stunt cannon. It looks | 3:25:27 | 3:25:32 | |
like nothing but all the time, it is
thinking, using his brains. | 3:25:32 | 3:25:36 | |
There is not much Ken can do about
this. As we always say about this | 3:25:40 | 3:25:46 | |
sport, if you play golf you have
your own ball and if you make | 3:25:46 | 3:25:50 | |
birdie, your opponent has to, but
when your opponent is on the cue | 3:25:50 | 3:25:54 | |
ball, you just have to sit and watch
and suffer. Absolutely brilliant | 3:25:54 | 3:25:58 | |
from Lee Robinson. Nothing Ken
Doherty can do about it. -- Neil | 3:25:58 | 3:26:03 | |
Robinson. -- Neil Robertson. | 3:26:03 | 3:26:09 | |
Chasing centuries again. Deep enough
into this to just pushed that red | 3:26:20 | 3:26:27 | |
over the left middle. He has tried
it. Not quite. He needs to work on | 3:26:27 | 3:26:33 | |
his positional play, I think.
Absolutely superb for the last two | 3:26:33 | 3:26:42 | |
and three quarters frames. Looking
like someone who has lost -- one two | 3:26:42 | 3:26:52 | |
of the last four UK Championship.
Back to see him playing so well. | 3:26:52 | 3:27:00 | |
The only way to get the red out. I
think you try to get it out a couple | 3:27:11 | 3:27:17 | |
of shots ago. What a shot that was!
Everything working in perfect | 3:27:17 | 3:27:22 | |
harmony. | 3:27:22 | 3:27:24 | |
Pink, red and another colour and
that'll be three centuries on the | 3:27:46 | 3:27:48 | |
spin for Neil Robertson. Absolutely
grade A. In the session after the | 3:27:48 | 3:28:00 | |
interval. Just drop this in. | 3:28:00 | 3:28:03 | |
Three times in a row. Neil Robertson
is flying out there. | 3:28:17 | 3:28:26 | |
Make no mistake, ladies and
gentlemen, he is back, the real Neil | 3:28:30 | 3:28:35 | |
Robertson has entered the building.
He has not be -- been massively off | 3:28:35 | 3:28:41 | |
is game but slightly awry with the
work he has been doing. People have | 3:28:41 | 3:28:49 | |
been playing good against him but he
has not been playing this good | 3:28:49 | 3:28:53 | |
against them. This is vintage stuff
at the moment. | 3:28:53 | 3:28:58 | |
He is really enjoying himself. | 3:29:07 | 3:29:09 | |
124 then 129. Neil Robertson. Three
frame lead, just one from victory at | 3:29:26 | 3:29:33 | |
three centuries in a row, just as he
did the other day and you suddenly | 3:29:37 | 3:29:42 | |
looks menacing? And arguably the
springboard towards this has been | 3:29:42 | 3:29:45 | |
that horrendous miss of Ken Doherty
in the fourth frame, he missed a | 3:29:45 | 3:29:51 | |
very bad round and he might well be
having nightmares about that if | 3:29:51 | 3:29:53 | |
things go badly here. The balls,
they are made of some sort of | 3:29:53 | 3:30:00 | |
plastic but I think they have brains
because they never forgive you! All | 3:30:00 | 3:30:06 | |
of a sudden, Ian Robertson starts to
get the luck. You should not have | 3:30:06 | 3:30:12 | |
missed that brown! The rest of us...
That is 378 points scored by Neil | 3:30:12 | 3:30:20 | |
Robertson without reply. Does panic
set in? As Ken Doherty? More | 3:30:20 | 3:30:29 | |
important than the balls, the
players knows that every player | 3:30:29 | 3:30:33 | |
knows he has missed that golden
opportunity and that plays on your | 3:30:33 | 3:30:37 | |
mind, perhaps you play shots more
negatively afterwards but you know | 3:30:37 | 3:30:39 | |
you have let somebody off the hook
and you know a big fish like Neil | 3:30:39 | 3:30:42 | |
Robertson can take full advantage.
It is not his fault he has become | 3:30:42 | 3:30:46 | |
lucky but he has taken advantage
because he is a class act. Six | 3:30:46 | 3:30:50 | |
centuries so far. Can he tie things
up in frame eight? | 3:30:50 | 3:31:03 | |
Thank you, frame eight, Neil
Robertson to break. | 3:31:03 | 3:31:05 | |
JOHN PARROTT: It has been an
absolute exhibition the mid-session | 3:31:05 | 3:31:25 | |
interval from the Aussie. Nothing
Ken Doherty can do about it - he's | 3:31:25 | 3:31:31 | |
just got to hope it turns around. | 3:31:31 | 3:31:34 | |
Well, the pockets are looking like
buckets at the minute. Wonderful | 3:31:56 | 3:32:03 | |
piece of cueing once again. When
he's on like this, his long name is | 3:32:03 | 3:32:05 | |
sensational. -- his long game.
ALAN MCMANUS: There's a couple of | 3:32:05 | 3:32:20 | |
ways of playing this - he seems to
be going dead weight. And he's | 3:32:20 | 3:32:26 | |
played it to the inch. Were you
expecting anything else?! Not | 3:32:26 | 3:32:31 | |
really! He's off and running again.
I just love the way he plays the | 3:32:31 | 3:32:44 | |
game, John. His safety is studious,
but when he gets in the balls, who | 3:32:44 | 3:32:55 | |
really likes to get motoring. His
done that since the interval, | 3:32:55 | 3:32:57 | |
wasting no time. | 3:32:57 | 3:33:04 | |
That black means it's been 400
points without reply from Neil | 3:33:43 | 3:33:47 | |
Robertson. I think the record,
actually, is someone in the region | 3:33:47 | 3:34:00 | |
of 560, maybe John Higgins against
Anthony Hamilton at The Crucible? I | 3:34:00 | 3:34:07 | |
suppose the good news is, this is
looking like the last frame, because | 3:34:07 | 3:34:16 | |
otherwise it could be happening
here! He is not looking like missing | 3:34:16 | 3:34:18 | |
out the moment. The quality of the
break-building, everything. And of | 3:34:18 | 3:34:33 | |
course, as soon as I say that, he
loses the cue ball for the first | 3:34:33 | 3:34:37 | |
time. Mind you, he's been knocking
these info phone. -- knocking these | 3:34:37 | 3:34:46 | |
in for fine. | 3:34:46 | 3:34:56 | |
No hesitation again. Little deep
screw, cannon into the pink - clever | 3:34:59 | 3:35:07 | |
shot, actually. Is he on one...? I
think this is end of break. Just | 3:35:07 | 3:35:24 | |
needed a little bit of good fortune
there. The way he's going, he has | 3:35:24 | 3:35:32 | |
knocked everything in, but... 44
points in front, 5-2 ahead, and when | 3:35:32 | 3:35:43 | |
you're playing as well as he is, it
is difficult sometimes to steal | 3:35:43 | 3:35:47 | |
yourself, but you still got to play
the right shot. And the right shot | 3:35:47 | 3:35:54 | |
here is to scheme out. Yeah. This is
a medicine shot I think. Play each | 3:35:54 | 3:35:59 | |
shot on its merits. If it doesn't
cut, there is no point in playing | 3:35:59 | 3:36:07 | |
it. He's not playing someone in a
club handicap, is in the UK | 3:36:07 | 3:36:12 | |
Championship against Ken Doherty,
who's perfectly capable of clearing | 3:36:12 | 3:36:19 | |
up if he misses it. That's why he's
a champion. | 3:36:19 | 3:36:31 | |
Now, then! That was nice to see!
Just don't miss the brown now, Ken! | 3:36:43 | 3:37:02 | |
It's been a long time coming, but
will it be worth the wait in the | 3:37:02 | 3:37:06 | |
end, because this was a decent
chance? As you say, John, fully | 3:37:06 | 3:37:13 | |
capable. He might try and get into
the pack... Oh, and he HAS missed | 3:37:13 | 3:37:20 | |
the brown! Unfortunately his
positioning is good! Yeah, I think | 3:37:20 | 3:37:37 | |
that was a symptom of the lack of
table time. Look at that! . That's | 3:37:37 | 3:37:41 | |
where you would put the cue ball
with your hand. | 3:37:41 | 3:37:54 | |
If this isn't match over now, Neil
Robertson will be very annoyed with | 3:37:55 | 3:37:58 | |
himself. Already 51 point in the
lead. An easy 20 or 30 more to come, | 3:37:58 | 3:38:06 | |
you would think. | 3:38:06 | 3:38:08 | |
He's been hugely impressive this
afternoon. This second session has | 3:38:17 | 3:38:20 | |
been as good as he can play. The
only reason he hasn't made four | 3:38:20 | 3:38:25 | |
centuries on the spin was because he
just lost the cue ball on a | 3:38:25 | 3:38:33 | |
positional shot, he didn't miss a
pot. He's going to take some | 3:38:33 | 3:38:40 | |
stopping, whoever he plays against. | 3:38:40 | 3:38:49 | |
Yes, make sure of the black, and
that's frame and match. He's been | 3:39:00 | 3:39:04 | |
good, Alan, hasn't he? He's been
awesome, an exhibition of power and | 3:39:04 | 3:39:13 | |
control. And it is good to see him
play this way again. It's not like | 3:39:13 | 3:39:27 | |
he's not been playing that well,
he's still knocking in centuries, | 3:39:27 | 3:39:32 | |
but to put it together all in one
burst... Well, the red didn't go in, | 3:39:32 | 3:39:39 | |
but it doesn't matter, and the
Australian was absolutely awesome | 3:39:39 | 3:39:45 | |
after the interval. Three
consecutive centuries. Brilliant | 3:39:45 | 3:39:51 | |
player from Neil Robertson, the
Australian. Ken Doherty could not do | 3:39:51 | 3:39:55 | |
much about it - the Australian was
awesome. | 3:39:55 | 3:39:57 | |
much about it - the Australian was
awesome. Yeah, he started off | 3:39:57 | 3:40:02 | |
brilliantly in the match, I didn't
do a great deal wrong. His safety | 3:40:02 | 3:40:05 | |
was awesome, he was potting really
good long balls as well. I just had | 3:40:05 | 3:40:15 | |
to wait for my chance, and he missed
the brown trying to force the angle, | 3:40:15 | 3:40:18 | |
which allowed me to get to 2-2. And
then after that, I got in and I was | 3:40:18 | 3:40:23 | |
able to make a few really good
breaks. I had a few chances, I was | 3:40:23 | 3:40:28 | |
happy with the way I played. If
anything, it's nice to be back out | 3:40:28 | 3:40:32 | |
there playing in front of the house,
in front of the big crowds. I was | 3:40:32 | 3:40:36 | |
really enjoying it cobbles and it's
something to take top of that | 3:40:36 | 3:40:48 | |
hopefully go forward. It will give
me that little bit of confidence | 3:40:48 | 3:40:50 | |
that I can still compete, albeit
against a guy who... There's not | 3:40:50 | 3:40:54 | |
many players who are going to knock
in three centuries in a row. I said | 3:40:54 | 3:41:00 | |
to him, you played really well.
Yeah, since winning it, I've won it | 3:41:00 | 3:41:04 | |
two years after, and hopefully
history can repeat itself. I feel | 3:41:04 | 3:41:11 | |
great about my game, I'm really
happy, enjoying life, and just can't | 3:41:11 | 3:41:15 | |
wait to get out there for the next
game. In the end it was 422 | 3:41:15 | 3:41:20 | |
unanswered points for Neil Robertson
and three centuries in a row, as we | 3:41:20 | 3:41:25 | |
discussed. How pleased should he
feel and how Linus does he look? | 3:41:25 | 3:41:34 | |
Considering we spoke at earlier
about how he has had some sort of | 3:41:34 | 3:41:37 | |
cloud over things, getting back to
winning ways when you're striving to | 3:41:37 | 3:41:39 | |
do that is difficult. So, it's
encouraging. But I think the same as | 3:41:39 | 3:41:43 | |
Scott Donaldson who came in here,
it's just two wins. We shouldn't get | 3:41:43 | 3:41:47 | |
too excited about it. But he does
make centuries for fun. And that was | 3:41:47 | 3:41:54 | |
how he did so well the year before,
he was winning lots of tournaments, | 3:41:54 | 3:42:00 | |
making 103 centuries in the season.
If the centuries start coming, it | 3:42:00 | 3:42:03 | |
makes the game a lot easier. So,
that's six centuries in two matches | 3:42:03 | 3:42:09 | |
so far. What we can take from it?
Great to see his confidence levels | 3:42:09 | 3:42:13 | |
restored this season? He's going to
go away from this match, he's going | 3:42:13 | 3:42:19 | |
to look at that brown ball and go, I
can't believe what happened. The | 3:42:19 | 3:42:23 | |
whole game collapsed around that one
shot. He could have had chances to | 3:42:23 | 3:42:28 | |
go 3-1 in front. Looking at the
bigger picture, Ken was at rock | 3:42:28 | 3:42:31 | |
bottom of his game when he fell off
the tour, he got given a wild card, | 3:42:31 | 3:42:36 | |
and this year he's been pretty
decent, he's started to turn players | 3:42:36 | 3:42:40 | |
over that were supposed to be
turning him over. Ken is now getting | 3:42:40 | 3:42:44 | |
into a more competitive frame of
mind, and he's getting results, the | 3:42:44 | 3:42:48 | |
same as Jimmy White. Those two liars
refuse to go away. It's almost as if | 3:42:48 | 3:42:56 | |
they're determined to prove Barry
Hearn chillies faith in them by | 3:42:56 | 3:42:59 | |
giving them the wild cards? Yes, but
also, UK and get the wild card, a | 3:42:59 | 3:43:04 | |
bit like myself, actually, I got the
wild card but my heart really wasn't | 3:43:04 | 3:43:10 | |
in it. I think Jimmy White and Ken
Doherty still think, I've got things | 3:43:10 | 3:43:14 | |
to prove, and they've got a game
which can, if they get confident, | 3:43:14 | 3:43:21 | |
compete. It's good for their morale
and they're proving that it was a | 3:43:21 | 3:43:24 | |
decent decision. Form... Class...
Class, form, whatever, temporary... | 3:43:24 | 3:43:33 | |
One of those things! I know! But
there's always the odd blip when it | 3:43:33 | 3:43:42 | |
comes to performance, and Mark Selby
has certainly experienced that | 3:43:42 | 3:43:44 | |
today. Because the world number one,
the defending champion and world | 3:43:44 | 3:43:51 | |
champion, has been turned over in
some style today by this fella, the | 3:43:51 | 3:43:55 | |
world number 66, Scott Donaldson,
the 23-year-old from Perth. The | 3:43:55 | 3:44:00 | |
Perth potting machine, they're
calling him! His biggest win in six | 3:44:00 | 3:44:09 | |
years of professional snooker in
this, the first major of the season. | 3:44:09 | 3:44:19 | |
So, the top seed is gone. This was
Mark Selby's reaction. Scott just | 3:44:19 | 3:44:22 | |
played well. To come back to 2-2, I
didn't really have thus much of a | 3:44:22 | 3:44:25 | |
chance, I didn't do that much wrong.
After the interval he just continued | 3:44:25 | 3:44:29 | |
the way he started from 2-0 really.
I've got no complaints, was | 3:44:29 | 3:44:33 | |
appointed obviously to lose but it
is not as if I've had chance after | 3:44:33 | 3:44:39 | |
chance and through the match away as
such. Scott has gone out there and | 3:44:39 | 3:44:43 | |
played remarkable snooker. I've been
saying it for most of the season | 3:44:43 | 3:44:47 | |
that everyone seemed to be playing
fantastic against me, and when I'm | 3:44:47 | 3:44:52 | |
winning matches I'm also having to
play my best as well. It doesn't | 3:44:52 | 3:44:55 | |
always happen. It is his earliest
exodus since 2014 in this jumper. It | 3:44:55 | 3:45:01 | |
really is a major surprise. And it
means we've now lost the world | 3:45:01 | 3:45:05 | |
number one, the 13 and also Ali
Carter in dramatic circumstances? | 3:45:05 | 3:45:10 | |
Yeah. There's the possibility, if
the standard of players further down | 3:45:10 | 3:45:19 | |
the ranking list improves, it's
going to bunch up, and there's going | 3:45:19 | 3:45:22 | |
to be more and more suppose it
shocks. We were talking about which | 3:45:22 | 3:45:26 | |
tournament it would be where the
vast majority of the 16 were already | 3:45:26 | 3:45:31 | |
out before the 16. It was Belfast,
actually. If this is the shape of | 3:45:31 | 3:45:37 | |
things to come, it's going to be
harder to prove your worth within | 3:45:37 | 3:45:39 | |
the game. Perhaps like the golfing
world, you have to be very patient | 3:45:39 | 3:45:45 | |
to get your wins, and it's about
your consistency throughout the | 3:45:45 | 3:45:51 | |
season. And you get one win in one
tournament in a season, is that a | 3:45:51 | 3:45:55 | |
good season? Yeah, perhaps it is.
It's going to be a Christmas without | 3:45:55 | 3:46:03 | |
the UK Snooker Championship title
this time for Mark Selby. We | 3:46:03 | 3:46:11 | |
mentioned Belfast, and that was last
weekend that Mark Williams claimed | 3:46:11 | 3:46:13 | |
the title, he really did roll back
the years, because he had not won a | 3:46:13 | 3:46:18 | |
world ranking title for six years.
In fact at the start of the season | 3:46:18 | 3:46:21 | |
the Welshmen have thought about
giving up the game and it was his | 3:46:21 | 3:46:24 | |
wife who persuaded him to keep
going, a new coach and a new method | 3:46:24 | 3:46:28 | |
of sighting the ball and suddenly it
comes good. However, it was in next | 3:46:28 | 3:46:33 | |
circumstances, because all the while
his wife Jo was ill in hospital and | 3:46:33 | 3:46:37 | |
he was dubious about whether he
should have carried on. He did, but | 3:46:37 | 3:46:42 | |
it was a week of mixed emotions for
the Welshmen. Once you start losing, | 3:46:42 | 3:46:53 | |
I suppose you get used to losing and
it is hard to get out of the habit | 3:46:53 | 3:46:57 | |
of. I knew if I was going to carry
on playing, I would have to do | 3:46:57 | 3:47:00 | |
something else, something different
to focus my mind on, and I found | 3:47:00 | 3:47:04 | |
that and it's working. I've just got
to keep riding the wave until | 3:47:04 | 3:47:11 | |
obviously the wave comes crashing
down. Always come crashing down, so | 3:47:11 | 3:47:16 | |
I'm just writing this one as long as
I can. Since I've been working with | 3:47:16 | 3:47:21 | |
Steve since the start of the season,
I game's come on 100% to what it | 3:47:21 | 3:47:27 | |
was. Taking a few breaks, putting
some long once, and I'm playing some | 3:47:27 | 3:47:31 | |
good stuff. I think it was the night
session I played really well, and he | 3:47:31 | 3:47:38 | |
played really well as well, and I
managed to get over the line. I | 3:47:38 | 3:47:42 | |
played a really good last frame and
he didn't printable. More than happy | 3:47:42 | 3:47:49 | |
with that, to handle the pressure.
Straight to the hospital now to see | 3:47:49 | 3:47:54 | |
how my wife is and see where we go
from here. My wife is in hospital, | 3:47:54 | 3:47:59 | |
not too well. It was one of them, do
I go back? Do I stay? She told me to | 3:47:59 | 3:48:06 | |
stay and play. If I go back I
suppose what can you do? Just sit by | 3:48:06 | 3:48:13 | |
her bed, really. I managed to stay,
and thankfully I did. I don't want | 3:48:13 | 3:48:18 | |
to pull out of the second biggest
ornament we play. I've just got to | 3:48:18 | 3:48:22 | |
play it and see what happens,
really. This is one of the hardest | 3:48:22 | 3:48:26 | |
tournaments to win. Mostly it's the
top players who win this tournament, | 3:48:26 | 3:48:31 | |
so it's going to be very difficult
for me to win it. But I'm coming in | 3:48:31 | 3:48:38 | |
here in probably some of the best
form in the last five-ten years, so | 3:48:38 | 3:48:41 | |
you never know. I'll give it my best
shot, it's just nice to be competing | 3:48:41 | 3:48:45 | |
with the big boys again, really.
HAZEL IRVINE: And sadly, Jo is still | 3:48:45 | 3:48:51 | |
poorly, and we are all thinking of
you right now and sending you our | 3:48:51 | 3:48:55 | |
very, very best wishes. In this
match, we saw Mark go 2-2, and in | 3:48:55 | 3:49:02 | |
fact he went 3-2 in front against
Andrew Higginson, the Widnes | 3:49:02 | 3:49:14 | |
Warrior. However fate conspired
against him and he went in off, | 3:49:14 | 3:49:20 | |
handing Mark Williams the
opportunity. And several minutes | 3:49:20 | 3:49:28 | |
later, never want to spurn his
chances, the man who is a double | 3:49:28 | 3:49:30 | |
blow champion and indeed. Double
winner of the fabled Triple Crown, | 3:49:30 | 3:49:38 | |
mopping up the pink and the black to
go 4-2 up after that gift from | 3:49:38 | 3:49:45 | |
Andrew Higginson. That 4-2 advantage
became five two, and here is Mark | 3:49:45 | 3:49:52 | |
Williams in frame eight, on his way
to wrapping up a 6-2 victory over | 3:49:52 | 3:49:59 | |
the Widnes Warrior. And it has been
great, Steve Davis, to see this man | 3:49:59 | 3:50:06 | |
back to his best, hasn't it? It is,
it's an exceptional -- it was an | 3:50:06 | 3:50:14 | |
exceptional performance in Northern
Ireland, especially considering | 3:50:14 | 3:50:16 | |
what's been happening off the table.
It just shows you the class of Mark | 3:50:16 | 3:50:22 | |
Williams. He's always had a great
game, he did have a drop in | 3:50:22 | 3:50:25 | |
confidence but it is great to see
him back. He has got a new coaching | 3:50:25 | 3:50:29 | |
method, and that can always inspire
you. It's always good when he's in | 3:50:29 | 3:50:33 | |
the tournament, because he's a great
character. And he says he is not to | 3:50:33 | 3:50:38 | |
comment on Jo's condition any
longer, he's playing, and he marches | 3:50:38 | 3:50:45 | |
on into round three. We're going to
catch up now with the remaining | 3:50:45 | 3:50:48 | |
matches. It has been a blur of
matches here. Mark Allen had his | 3:50:48 | 3:50:55 | |
work cut out against young Oliver
Lines today. World number nine from | 3:50:55 | 3:51:00 | |
Northern Ireland had been 3-2 down
against the former Rookie of the | 3:51:00 | 3:51:05 | |
Year player Oliver Lines. You might
remember the huge upset he pulled | 3:51:05 | 3:51:11 | |
off a couple of years ago. Very
tricky hurdle safely negotiated for | 3:51:11 | 3:51:19 | |
Mark Allen. So, a quick look at some
of the other matches that have been | 3:51:19 | 3:51:28 | |
taking place. Neil Robertson, safely
through. We've seen Scott Donaldson, | 3:51:28 | 3:51:33 | |
with that incredible victory. Mark
Allen, Mark Williams, and in the | 3:51:33 | 3:51:38 | |
sports hall, it's the secondary
venue, just like through the wall | 3:51:38 | 3:51:42 | |
from where we are, actually. Peter
Ebdon has gone out. Mark joys was | 3:51:42 | 3:51:48 | |
4-0 up before David Gilbert came
back but it is joys who progresses. | 3:51:48 | 3:51:57 | |
Ryan Day, the world number 16, has
gone through. He wants to make sure | 3:51:57 | 3:52:05 | |
that he has a place at the Masters | 3:52:05 | 3:52:07 | |
that he has a place at the Masters
next month. Rob Milkins has gone out | 3:52:07 | 3:52:11 | |
to Li Hang from China, who has been
putting together a decent season. | 3:52:11 | 3:52:17 | |
Let's just remind you of tonight's
matches, and we've got another eight | 3:52:17 | 3:52:20 | |
for you this evening. And this one
features Judd Trump. Now, all of the | 3:52:20 | 3:52:27 | |
star attractions are on show this
weekend. And Judd Trump is one of | 3:52:27 | 3:52:30 | |
those. His match against Chris
Wakeling will be live for you | 3:52:30 | 3:52:36 | |
available via the red button from
seven o'clock, and on the BBC | 3:52:36 | 3:52:39 | |
website. Judd has already made a
break 100 break. But Chris is | 3:52:39 | 3:52:54 | |
someone who has beaten Ronnie
O'Sullivan in the past and had | 3:52:54 | 3:52:58 | |
several other big victories as well.
Steve Davis spoke to him. I am here | 3:52:58 | 3:53:05 | |
with Chris, one of the new
up-and-coming players in the game, | 3:53:05 | 3:53:08 | |
currently ranked 60th in the game
check how are you finding the tour | 3:53:08 | 3:53:16 | |
these days? It is the best time to
be on the, or thing. Every time you | 3:53:16 | 3:53:21 | |
play in a tournament, it is a chance
to change your life. Could not ask | 3:53:21 | 3:53:25 | |
for a better time to be playing. Of
course, good win against Leigh | 3:53:25 | 3:53:28 | |
Walker in the first-round, but the
stakes are raised somewhat when it | 3:53:28 | 3:53:31 | |
gets to the televised stages? Yeah,
I played really well in the first | 3:53:31 | 3:53:36 | |
match. Just glad to get over the
line, really. That first-round is | 3:53:36 | 3:53:40 | |
almost like qualifying. So, getting
to the second round in the main | 3:53:40 | 3:53:43 | |
arena, playing Judd, it's a great
opportunity to showcase what I can | 3:53:43 | 3:53:48 | |
do. If I perform how I did in the
first round, then I've got a lot of | 3:53:48 | 3:53:52 | |
confidence. Have you had much
television experience? Yeah, I've | 3:53:52 | 3:53:57 | |
been on television in China a few
times, and also in the UK. In the | 3:53:57 | 3:54:03 | |
early stages of television, but I
would be fazed by the occasion. I've | 3:54:03 | 3:54:07 | |
been doing it for four years now.
Most of the players these days have | 3:54:07 | 3:54:13 | |
been playing 20 years! It's not just
about trying to do well in the match | 3:54:13 | 3:54:20 | |
is, you've also got to keep on the
tour for next year - 64 players drop | 3:54:20 | 3:54:26 | |
off, so it's tough when you're
around that area but only I think | 3:54:26 | 3:54:28 | |
the more you think about it, its
takes your attention away from what | 3:54:28 | 3:54:31 | |
you're trying to achieve, which is
to win matches and ultimately | 3:54:31 | 3:54:35 | |
tournaments. In the back of your
mind if you're looking at dropping | 3:54:35 | 3:54:38 | |
of the tour, then it's the wrong way
to be thinking. Judd Trump tonight - | 3:54:38 | 3:54:42 | |
any game plan? Go out there and
attack! Good luck! Thank you! | 3:54:42 | 3:54:52 | |
Attack! That's what you have to do
against Judd Trump, because he's | 3:54:52 | 3:54:57 | |
certainly going to throw a lot at
you! He had laser surgery on his | 3:54:57 | 3:55:03 | |
eyes in the summer, but he's since
gone on to win in Belgium. That was | 3:55:03 | 3:55:06 | |
his eighth world ranking title, and
in Shanghai he was runner-up to | 3:55:06 | 3:55:10 | |
Ronnie O'Sullivan last month.
Remember when he was playing that | 3:55:10 | 3:55:16 | |
naughty snooker, as he called it?
Well, he has allied that to some | 3:55:16 | 3:55:23 | |
nous these days. The absence of Mark
Selby, do you sense that for players | 3:55:23 | 3:55:33 | |
like Judd and everybody else, there
is more of an opportunity? Possibly. | 3:55:33 | 3:55:38 | |
I think there was a time when a big
name went out and the other players' | 3:55:38 | 3:55:45 | |
ears pricked up and thought, that
has made it easier. But I don't | 3:55:45 | 3:55:47 | |
think now that's the case. There's
so many good players administration | 3:55:47 | 3:55:50 | |
it jars change the betting I'm sure.
But I think Judd Trump knows that | 3:55:50 | 3:55:54 | |
every round is difficult. We will be
watching him this evening. And we | 3:55:54 | 3:56:06 | |
will also be keeping an eye on the
progress of a certain Jimmy White, | 3:56:06 | 3:56:10 | |
55 years of age, after that victory
over Ali Carter. And he strode over | 3:56:10 | 3:56:15 | |
the line with a century and a 61 -
there was no falling over the line! | 3:56:15 | 3:56:21 | |
How well will he go tonight from
what you've seento think he's | 3:56:21 | 3:56:26 | |
playing with confidence, and that's
the most important thing. And also | 3:56:26 | 3:56:29 | |
when you've got confidence, you
don't worry about things so much. | 3:56:29 | 3:56:32 | |
You go in and just think, I'm going
to fight. If you're worrying about | 3:56:32 | 3:56:37 | |
your technique, already undermining
yourself. Kurt Matthews is a great | 3:56:37 | 3:56:43 | |
player, it's a tough match for
Jimmy, and he's got to get the | 3:56:43 | 3:56:46 | |
levels of expectation right. If he
expects too much of himself, he can | 3:56:46 | 3:56:50 | |
ruin his performance. Just go out
and play. How much have you enjoyed | 3:56:50 | 3:56:55 | |
this Saturday here at the UK Snooker
Championship hammered it is always | 3:56:55 | 3:57:00 | |
wonderful to be in York, but so far
it has been a mixture of shocks and | 3:57:00 | 3:57:05 | |
expected victories? This one has
always been marvellous for the | 3:57:05 | 3:57:08 | |
snooker fan. You can walk around and
see which matches you fancy, eight | 3:57:08 | 3:57:13 | |
matches at once. You don't get
short-changed for your money which | 3:57:13 | 3:57:17 | |
the quality nowadays. Let's remind
you of what's coming up here in York | 3:57:17 | 3:57:20 | |
over the next hours. That live
coverage continues on the red | 3:57:20 | 3:57:23 | |
button. I'll be back tonight with
second round highlights of. We will | 3:57:23 | 3:57:33 | |
shoehorn as much news and action as
is humanly possible from the second | 3:57:33 | 3:57:37 | |
round matches. That's at 20 past 11
this evening. Ten to 12 in Scotland. | 3:57:37 | 3:57:44 | |
Tomorrow, it's Ronnie O'Sullivan,
has been the dominant force in | 3:57:44 | 3:57:52 | |
snooker this season, with two
victories and two further finals | 3:57:52 | 3:57:58 | |
already. He will be bidding for his
sixth crown here at the UK Snooker | 3:57:58 | 3:58:02 | |
Championship, which would equal the
record. And he has indeed been the | 3:58:02 | 3:58:05 | |
man of the season so far, with those
four finals and two conversions? | 3:58:05 | 3:58:10 | |
Yeah, I think he has decided to
apply himself better this year. The | 3:58:10 | 3:58:15 | |
big talking point with Ronnie
O'Sullivan is, if he decides to | 3:58:15 | 3:58:18 | |
play, he's going to win. That is the
general conceived idea. If Ronnie | 3:58:18 | 3:58:27 | |
decides he's going to try, he wins.
And that is sometimes the case. He | 3:58:27 | 3:58:32 | |
really does look up for it these
days, but we shall see. We've had a | 3:58:32 | 3:58:38 | |
big shot today, with Mark Selby
going out to Scott Donaldson, so who | 3:58:38 | 3:58:42 | |
knows what this weekend will hold?
Thank you for your company. Steve, | 3:58:42 | 3:58:48 | |
thank you for yours. Bye-bye. | 3:58:48 | 3:58:59 |