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A cold one today with snow showers,
just in time for the run-up to | 0:00:35 | 0:00:40 | |
Christmas but in the Barbican centre
last night it was very sunny, thanks | 0:00:40 | 0:00:47 | |
to the stylish 22-year-old player
from Thailand, Sunny Akani, who | 0:00:47 | 0:00:52 | |
almost toppled The Rocket Ronnie
O'Sullivan taking him through to a | 0:00:52 | 0:00:58 | |
final frame decider and afterwards
Ronnie said he felt like he had | 0:00:58 | 0:01:02 | |
robbed him and yet the Rocket
scrambled over the line and is in | 0:01:02 | 0:01:05 | |
the running to lift the trophy for a
record equalling sixth time and also | 0:01:05 | 0:01:10 | |
in the running are these guys in
today's quarterfinals. | 0:01:10 | 0:01:22 | |
# If you're ready. | 0:01:37 | 0:01:51 | |
# If you're ready. | 0:02:00 | 0:02:09 | |
Not perhaps the line-up for the
quarterfinals we expected? Not at | 0:02:15 | 0:02:19 | |
all, but we have Mark Joyce in
there. He has been in good form this | 0:02:19 | 0:02:24 | |
season and a vindication of the
modern game, Mark Joyce when he beat | 0:02:24 | 0:02:29 | |
Neil Robertson, and he came back
with more and he was so impressive | 0:02:29 | 0:02:34 | |
and that is the way the game is. I
am still on the tour and I see this | 0:02:34 | 0:02:39 | |
and it is no surprise to me. A lot
of big seeds out and I was asked | 0:02:39 | 0:02:48 | |
last night with his match against
Sunny Akani, I was asked who could | 0:02:48 | 0:02:54 | |
beat him I said perhaps Shaun Murphy
but it could have been Sunny Akani. | 0:02:54 | 0:02:59 | |
It is well-documented. He does
seven, eight hours a day on the | 0:02:59 | 0:03:03 | |
practice table and he does not do
that to come and views. He was | 0:03:03 | 0:03:08 | |
playing Ronnie, a big hero of his,
but he had no fear. He charmed the | 0:03:08 | 0:03:14 | |
Barbican last night, which was great
to see. You see the lower ranked | 0:03:14 | 0:03:19 | |
players coming through on the tour
and know how much of a gap there is | 0:03:19 | 0:03:22 | |
between them and top ranked players,
surely the gap is smaller? It | 0:03:22 | 0:03:29 | |
definitely is. Sunny Akani is ranked
84 and numbers do not mean anything. | 0:03:29 | 0:03:35 | |
You are either a 64 seed or you are
not, so one outside will play one | 0:03:35 | 0:03:41 | |
inside but anyone can beat anyone
and two of the top 16, being in the | 0:03:41 | 0:03:49 | |
last rounds here is almost unheard
of. Coming up this afternoon... | 0:03:49 | 0:04:00 | |
Ronnie stepping out in his 60s UK
quarterfinal in 25 years. Can Martin | 0:04:00 | 0:04:06 | |
Gould step up against in? The world
number 18 meeting Ronnie for the | 0:04:06 | 0:04:10 | |
first time in a triple crown event
today. 13 years since Stephen | 0:04:10 | 0:04:15 | |
Maguire blazed a trail to this title
but he is smouldering again in York. | 0:04:15 | 0:04:21 | |
Can gentlemen Joe Perry douse his
flames? Joe Perry made the Masters | 0:04:21 | 0:04:25 | |
finals. Another strong run in a
snooker major. We are sitting up | 0:04:25 | 0:04:33 | |
straight today because the gaffer is
in the house, Barry Hearn, welcome. | 0:04:33 | 0:04:38 | |
Did you see Sunny Akani's valiant
attempt against Ronnie O'Sullivan? I | 0:04:38 | 0:04:44 | |
was dropping off to sleep but it was
so exciting it kept me up. I came | 0:04:44 | 0:04:49 | |
back from Vegas yesterday and could
not take my eyes off it. I wonder if | 0:04:49 | 0:04:54 | |
Barry Hawkins, who Sunny Akani
thrashed 6-0, he is probably feeling | 0:04:54 | 0:05:00 | |
better today. Players are selfish
and he will look at that and think, | 0:05:00 | 0:05:05 | |
maybe I was not too bad. It was not
just Barry Hawkins, Michael Holt and | 0:05:05 | 0:05:12 | |
Fergal O'Brien have felt his raff.
Hopefully we will see more of him on | 0:05:12 | 0:05:17 | |
our screens. He charmed everyone.
Absolutely superb. More on the | 0:05:17 | 0:05:22 | |
championship shortly but Barry, you
are here also because you have big | 0:05:22 | 0:05:26 | |
news. I have great news and I am
excited about it. Snooker has done | 0:05:26 | 0:05:32 | |
really well the past few years and
we have had a great time | 0:05:32 | 0:05:36 | |
revitalising the game. We finally
agreed a new extension to the BBC | 0:05:36 | 0:05:42 | |
contract. It has been going for ever
and we are part of the fabric of BBC | 0:05:42 | 0:05:47 | |
Sport and we have announced a new
deal to extend the current contract | 0:05:47 | 0:05:51 | |
by another five years, a minimum of
six and a half years to go. One of | 0:05:51 | 0:05:57 | |
the fastest growing sports in the
world, which is in this age of | 0:05:57 | 0:06:02 | |
linear television, most sports are
seeing declining audiences and we | 0:06:02 | 0:06:07 | |
are bucking the trend. Snooker
audiences, especially with great | 0:06:07 | 0:06:11 | |
events like this, our fabulous. The
numbers do not live. The | 0:06:11 | 0:06:16 | |
relationship between World Snooker
And the BBC is a fundamental part of | 0:06:16 | 0:06:21 | |
our growth plans and it has been the
rock we have built the industry | 0:06:21 | 0:06:26 | |
around and we are happy we will be
with you a lot longer. You are in | 0:06:26 | 0:06:30 | |
the job, I am in a job, the boys get
to work, everybody is happy. The | 0:06:30 | 0:06:37 | |
opportunity created for sports men
and women all over the world has | 0:06:37 | 0:06:41 | |
been strengthened by this
relationship and I am delighted to | 0:06:41 | 0:06:48 | |
be part of it. It has been on the
BBC since 1969. This is the triple | 0:06:48 | 0:06:51 | |
crown events free to air until 2024.
Ronnie O'Sullivan will be almost 50 | 0:06:51 | 0:06:59 | |
and Alan and Steve Davis will be
looking the same. Why was it | 0:06:59 | 0:07:03 | |
important to nail this deal? It is a
long deal and my feeling is as I get | 0:07:03 | 0:07:09 | |
older, the legacy of what we are
trying to build, to encourage people | 0:07:09 | 0:07:13 | |
to play snooker, to reward those who
are successful and give opportunity | 0:07:13 | 0:07:18 | |
to people from all around the world,
it is not just a British game, it is | 0:07:18 | 0:07:24 | |
a global sport, but you need the
bedrock, the solid foundation and | 0:07:24 | 0:07:30 | |
what we have done is tie-up
long-term deals with chosen | 0:07:30 | 0:07:33 | |
partners. A ten year deal with CCTV
in China. Sport does not get 10-year | 0:07:33 | 0:07:40 | |
deals and we have it. The BBC who
has been there from the beginning, | 0:07:40 | 0:07:45 | |
and when I got involved it was
watching Pot Black on BBC in | 0:07:45 | 0:07:51 | |
black-and-white. When the Nugget
won, the greatest day of my sporting | 0:07:51 | 0:07:58 | |
life, 18 and a half million. It has
created moments we will look back on | 0:07:58 | 0:08:02 | |
our deathbed and remember and now we
have a five-year extension. It is a | 0:08:02 | 0:08:09 | |
friendship, relationship that has
been built on the basis we have both | 0:08:09 | 0:08:13 | |
delivered what each other's needs.
We have delivered ratings, the BBC | 0:08:13 | 0:08:18 | |
have given us the bedrock of the
sport to say to the world these are | 0:08:18 | 0:08:22 | |
the greatest players in the world,
it is free to air and everyone can | 0:08:22 | 0:08:28 | |
access this free of charge on the
BBC and that is where we have built | 0:08:28 | 0:08:33 | |
our business from. It has expanded
around the world and we have seen | 0:08:33 | 0:08:40 | |
prize money Grove. We are getting
500 million for the World Snooker | 0:08:40 | 0:08:45 | |
Championships. This does not come by
mistake. It is a part of the plan | 0:08:45 | 0:08:50 | |
and the integral part of the plan is
the relationship with the BBC and we | 0:08:50 | 0:08:54 | |
wanted to make the statement we are
here to stay, these are our partners | 0:08:54 | 0:08:59 | |
and we will build the sport to
levels we have not seen before. And | 0:08:59 | 0:09:03 | |
I have to take the side of the fans
sometimes in this argument and that | 0:09:03 | 0:09:10 | |
is, with the profile, 65 network
hours this week for snooker on BBC | 0:09:10 | 0:09:17 | |
Two, something sticks in the crore
of fans, no Mark Selby nominated at | 0:09:17 | 0:09:21 | |
Sports Personality Of The Year and
Ronnie O'Sullivan has never been | 0:09:21 | 0:09:24 | |
nominated. What is going on and what
is your view? It is an independent | 0:09:24 | 0:09:31 | |
panel, not just a BBC decision. Is
it a reflection of the perception of | 0:09:31 | 0:09:37 | |
snooker Amond sporting audience? I
think you have got to sack the | 0:09:37 | 0:09:41 | |
panel! In any business, if you do
not listen, and as a promoter I have | 0:09:41 | 0:09:46 | |
to listen to my audience. I have to
entertain. I cannot just make | 0:09:46 | 0:09:53 | |
decisions that have no commercial
value or do not entertain people. | 0:09:53 | 0:09:57 | |
This panel, and they are
independent, they must be from | 0:09:57 | 0:10:02 | |
another planet. The fact that a
genius like Ronnie O'Sullivan has | 0:10:02 | 0:10:07 | |
not been nominated means sack the
panel. Because they are not | 0:10:07 | 0:10:11 | |
listening to what the public says.
We are seeing TV audiences decline | 0:10:11 | 0:10:17 | |
in virtually every sport at the
moment, other than the snooker. The | 0:10:17 | 0:10:22 | |
world champion has not been
nominated. I am not criticising | 0:10:22 | 0:10:26 | |
those who have been nominated, they
are there on merit, but you have to | 0:10:26 | 0:10:31 | |
listen. You cannot go off on a
tangent and do what maybe is | 0:10:31 | 0:10:36 | |
politically correct, makes you feel
all look good. I know there are a | 0:10:36 | 0:10:41 | |
lot of deserving cases but you
cannot... We do not produce enough | 0:10:41 | 0:10:47 | |
geniuses in the sporting world to
explore a talent like Ronnie | 0:10:47 | 0:10:49 | |
O'Sullivan. It is stupid beyond
belief. It is not the BBC's fault. | 0:10:49 | 0:10:57 | |
You have three members on a 15 man
panel. My advice, we sack the panel | 0:10:57 | 0:11:03 | |
and start again. You talk about
Ronnie O'Sullivan as a personality | 0:11:03 | 0:11:08 | |
and he is that. He has had a lot to
say and the last topic, he has | 0:11:08 | 0:11:12 | |
talked about numpties. It has been
tongue in cheek but it has produced | 0:11:12 | 0:11:26 | |
what is called as the numpty
revolution. You could take the high | 0:11:26 | 0:11:30 | |
ground and say it is disrespectful
but the numpties, which I do not | 0:11:30 | 0:11:35 | |
believe they are. They have had
their final say. We have seen some | 0:11:35 | 0:11:40 | |
amazing snooker. Sport is about
giving opportunity to everybody and | 0:11:40 | 0:11:45 | |
the only criterion is the ability of
the individual. The players have | 0:11:45 | 0:11:49 | |
spoken. The results are what we see.
Two off the top 16 in the | 0:11:49 | 0:11:56 | |
quarterfinals. This is a great time
to be a snooker player and the | 0:11:56 | 0:12:00 | |
opportunity to change your life is
there if you have the ability. What | 0:12:00 | 0:12:04 | |
we are seeing despite Ronnie's
tongue in cheek comments, as Allen | 0:12:04 | 0:12:09 | |
said earlier, there is no gimmes in
this game. They can all play and we | 0:12:09 | 0:12:16 | |
are seeing it every round of every
event. Barry, always a pleasure and | 0:12:16 | 0:12:23 | |
fascinating to talk. He always has a
lot to say, doesn't he? Thank you | 0:12:23 | 0:12:28 | |
for keeping snooker free to air.
Thank you for the airtime. Well, it | 0:12:28 | 0:12:34 | |
was Sunny Akani who put the
frighteners on Ronnie O'Sullivan | 0:12:34 | 0:12:40 | |
last night and I wonder if he will
get a scare from Martin Gould. This | 0:12:40 | 0:12:44 | |
is | 0:12:44 | 0:12:44 | |
get a scare from Martin Gould. This
is the head-to-head. Ronnie has won | 0:12:44 | 0:12:50 | |
all previous matches but this is the
first time they have met in one of | 0:12:50 | 0:12:54 | |
the treasured triple crown events.
We have two quarterfinals and we are | 0:12:54 | 0:12:59 | |
looking at Stephen Maguire against
Joe Perry. A lot to get our teeth | 0:12:59 | 0:13:03 | |
into | 0:13:03 | 0:13:03 | |
Joe Perry. A lot to get our teeth
into and it is time for Rob Walker. | 0:13:03 | 0:13:09 | |
Good afternoon, it is quarterfinal
time at the UK Championship and we | 0:13:09 | 0:13:12 | |
are edging towards the business end
of the tournament and we have four | 0:13:12 | 0:13:17 | |
proven ranking event winners waiting
in the wings ready to go toe to toe | 0:13:17 | 0:13:22 | |
for a place in this year's
semifinals. | 0:13:22 | 0:13:25 | |
CHEERING | 0:13:25 | 0:13:35 | |
Please welcome first of all, a
player making his first appearance | 0:13:41 | 0:13:46 | |
in a UK quarterfinal in nine years.
Here after an excellent victory over | 0:13:46 | 0:13:52 | |
Mark Allen in the fourth round. The
players championship winner a couple | 0:13:52 | 0:13:56 | |
of years ago. From Cambridge, he is
the gentleman, Joe Perry. | 0:13:56 | 0:14:12 | |
MUSIC: Happy.
His opponent, a player who often | 0:14:17 | 0:14:21 | |
produces his best in the UK
Championship. He is always so | 0:14:21 | 0:14:31 | |
excited, maybe because he knows
Santa is coming later in the month. | 0:14:31 | 0:14:35 | |
He won this one in 2004. He is
Stephen V Maverick Maguire. | 0:14:35 | 0:14:44 | |
-- Stephen Maguire, the Maverick. | 0:14:51 | 0:14:53 | |
On table one, please welcome a
player making his second | 0:14:58 | 0:15:01 | |
quarterfinal in York in three years,
semifinalist at the international | 0:15:01 | 0:15:07 | |
championship in China last year's
German Masters winner, Martin Gould. | 0:15:07 | 0:15:13 | |
And finally, after 25 years in the
sport, he is still snooker's box | 0:15:30 | 0:15:38 | |
office draw, surviving a spirited
performance from Sunny Akani to book | 0:15:38 | 0:15:45 | |
a 16th UK Championship quarterfinal.
The Rocket, Ronnie O'Sullivan. | 0:15:45 | 0:15:53 | |
MUSIC: Rock 'n' Roll Star by Oasis | 0:15:53 | 0:16:01 | |
HAZEL IRVINE: Two watchable
quarterfinals and we will stick with | 0:16:01 | 0:16:09 | |
table one but we will catch up with
the events on the other table this | 0:16:09 | 0:16:13 | |
afternoon but if you want to watch
that match, it is on the red button | 0:16:13 | 0:16:16 | |
and both games are available via the
BBC Sport website. John Parrott and | 0:16:16 | 0:16:24 | |
Stephen Hendry are in the box.
Stephen Hendry, do you have your | 0:16:24 | 0:16:28 | |
breath back after | 0:16:28 | 0:16:29 | |
Stephen Hendry, do you have your
breath back after commentating on | 0:16:29 | 0:16:29 | |
that amazing match last night?
COMMENTATOR: What a match. It is | 0:16:29 | 0:16:37 | |
awhile since I have seen so much
drama in an early round of a major | 0:16:37 | 0:16:43 | |
championship. John, I get the
feeling sometimes, when you almost | 0:16:43 | 0:16:50 | |
went out of the tournament, you
should have gone out possibly, you | 0:16:50 | 0:16:54 | |
tend to play better next day. You
can look back on tournaments you win | 0:16:54 | 0:16:59 | |
and see the first round matches and
think I should have gone there, my | 0:16:59 | 0:17:03 | |
opponent got a kick at the end and I
managed to win, and you can get a | 0:17:03 | 0:17:09 | |
boost from it. I know you expect him
to fly today. We were talking before | 0:17:09 | 0:17:14 | |
we came on air that we thought we
would get a big performance today. | 0:17:14 | 0:17:19 | |
REFEREE: Foul and a miss.
I have never seen Ronnie as rattled | 0:17:25 | 0:17:32 | |
as last night. At some stages, his
head was gone. He could not buy a | 0:17:32 | 0:17:42 | |
positional shot, which, for him, is
incredible. Interesting to see if | 0:17:42 | 0:17:47 | |
Martin Gould, who did not play well
yesterday, can put him under | 0:17:47 | 0:17:50 | |
pressure. | 0:17:50 | 0:17:52 | |
A change of plan. Did not play on
the loose red at the back. He may | 0:18:11 | 0:18:17 | |
have left a cut in the corner.
Bridging is the problem that there | 0:18:17 | 0:18:23 | |
is a chance. He could play at thin
to the other side and the only reds | 0:18:23 | 0:18:30 | |
you could leave is the one you have
taken. | 0:18:30 | 0:18:35 | |
A nice opening pot. This was
awkward. Martin today has nothing to | 0:18:51 | 0:18:57 | |
lose.
Not many expect him to win. | 0:18:57 | 0:18:59 | |
He is a player who quite enjoys the
big occasion. He enjoys playing top | 0:19:02 | 0:19:08 | |
players. He has beaten all of them,
I was going to say, but the one he | 0:19:08 | 0:19:15 | |
has not beaten is Ronnie O'Sullivan.
Almost everybody else you care to | 0:19:15 | 0:19:23 | |
mention he has beaten at some point
in his career. He is game, he loves | 0:19:23 | 0:19:29 | |
a battle. People get his snooker cue
out and play anyone. What I would | 0:19:29 | 0:19:35 | |
say about yesterday's match, while
it was not pretty against Xiao | 0:19:35 | 0:19:39 | |
Guodong, he produced his best when
he needed the most. | 0:19:39 | 0:19:42 | |
That always does your confidence a
bit of good. | 0:19:47 | 0:19:49 | |
An obvious thing to say, but this is
not what you want to do against | 0:20:04 | 0:20:09 | |
Ronnie O'Sullivan. Leave him right
in with an easy opener. | 0:20:09 | 0:20:12 | |
It looked like he got pre-possessed
with the cannon rather than | 0:20:20 | 0:20:24 | |
concentrating on the priority which
of course is always knocking the | 0:20:24 | 0:20:31 | |
ball in the hole. | 0:20:31 | 0:20:32 | |
Maybe he will not fly today. I think
you missed two blues last night. | 0:20:39 | 0:20:46 | |
Certainly in the final frame. Off
the spot. Which as I said in | 0:20:46 | 0:20:52 | |
commentary, the one he missed last
night reminded me of Willie | 0:20:52 | 0:20:57 | |
Thorne's. And that is you getting a
text message! | 0:20:57 | 0:21:00 | |
Neither player has settled down just
yet. | 0:21:22 | 0:21:24 | |
There is huge expectation from
everyone for Ronnie O'Sullivan to | 0:21:47 | 0:21:51 | |
win this UK Championship and
probably from himself. He has yet to | 0:21:51 | 0:21:55 | |
play anyone in the top 16 in the
draw, so every match, the pressure | 0:21:55 | 0:22:00 | |
is on him to play well. Sometimes,
it can force you to not be | 0:22:00 | 0:22:07 | |
concentrating properly. You see the
draw and you think, I should win | 0:22:07 | 0:22:13 | |
this championship. It does not work
out like that. | 0:22:13 | 0:22:15 | |
That was a nice positional shot. He
could play into the bunch from this | 0:22:30 | 0:22:34 | |
blue. | 0:22:34 | 0:22:35 | |
It is the way he thinks about making
breaks that is fabulous. How many | 0:22:42 | 0:22:47 | |
would have screwed back to leave the
gap for the blue and now he has the | 0:22:47 | 0:22:52 | |
cannon and another chip up for a
baulk colour. And what a chance, he | 0:22:52 | 0:23:00 | |
has opened up the reds. Just by
thinking about the shot for the | 0:23:00 | 0:23:06 | |
screw back to the blue. It is just
another level from some of the other | 0:23:06 | 0:23:10 | |
players when it comes to break
building. | 0:23:10 | 0:23:13 | |
And he's got the quiff back today.
He had a flat hairstyle last night. | 0:23:26 | 0:23:30 | |
He has just come slightly awkward.
He would have liked to have been | 0:23:36 | 0:23:44 | |
straight to run through for the
black sews change of plan. Perhaps a | 0:23:44 | 0:23:48 | |
little stun around the back. | 0:23:48 | 0:23:52 | |
You were right, John, the expected
message from Willie Thorne. I cannot | 0:24:28 | 0:24:36 | |
repeat what he said. It was not too
complimentary will stop I hope you | 0:24:36 | 0:24:40 | |
are well, pal. | 0:24:40 | 0:24:43 | |
He decided to put the cue ball into
an area... Well, he is OK. He cannot | 0:24:53 | 0:25:00 | |
stay on the black. | 0:25:00 | 0:25:04 | |
This break has been made by this
shot earlier. What thinking to come | 0:25:34 | 0:25:39 | |
back and play in the gap for the
blue. Fabulous. It was awkward | 0:25:39 | 0:25:47 | |
start. The balls were in the open
but he was slightly off position. | 0:25:47 | 0:25:55 | |
You might be right comic he may be
flying today. -- he might be right, | 0:25:55 | 0:26:01 | |
he may be flying today. Martin Gould
had a half chance but sometimes when | 0:26:01 | 0:26:11 | |
you are playing Ronnie O'Sullivan,
those are the ones you have to take, | 0:26:11 | 0:26:14 | |
half chances. If you are sitting in
the chair waiting for easy chances, | 0:26:14 | 0:26:19 | |
you might be there a long time. | 0:26:19 | 0:26:22 | |
Already passed the point, you would
think of winning the frame. Just | 0:27:20 | 0:27:24 | |
making absolutely certain. Very
fluent. A surprising miss early on. | 0:27:24 | 0:27:32 | |
The blue on the spot. I bet he could
not believe he would be back at the | 0:27:32 | 0:27:37 | |
table that quickly. An excellent
break. | 0:27:37 | 0:27:40 | |
Already sending a message to Martin
Gould, if you miss, this is what is | 0:27:46 | 0:27:50 | |
going to happen. | 0:27:50 | 0:27:52 | |
Normally you would say the reds or
in a bad position for right-handed | 0:27:56 | 0:28:02 | |
player, but it does not apply here.
You can drop it in dead weight. | 0:28:02 | 0:28:10 | |
So much for dead weight. He rolled
it in beautifully. What an asset, to | 0:28:23 | 0:28:33 | |
be able to switch to left-handed and
drop it in like that. If he makes a | 0:28:33 | 0:28:39 | |
century it will be the fifth of this
year's championship. | 0:28:39 | 0:28:42 | |
And in the tournament so far, there
has been 85. As you would expect | 0:28:46 | 0:28:53 | |
with the best players and lovely
conditions and the extended run out | 0:28:53 | 0:28:56 | |
of best of 11s, the boys are
certainly knocking in plenty of | 0:28:56 | 0:29:03 | |
balls. Just this blue for century
908 11 in in his career. -- 911 stop | 0:29:03 | 0:29:18 | |
there it is. | 0:29:18 | 0:29:19 | |
The crowd enjoying that. | 0:29:23 | 0:29:34 | |
He will not take the black, that is
enough. Despite missing the blue, he | 0:29:36 | 0:29:41 | |
makes a century of 107 and takes a
1-0 lead over Martin Gould. | 0:29:41 | 0:29:46 | |
makes a century of 107 and takes a
1-0 lead over Martin Gould. | 0:29:46 | 0:29:49 | |
Highly significant because that is
his 105th century in this | 0:29:49 | 0:29:55 | |
championship over the past 25 years,
equalling the record held by Stephen | 0:29:55 | 0:29:59 | |
Hendry, sale he is equalling and
indeed going beyond records in his | 0:29:59 | 0:30:06 | |
career. A gift for Martin | 0:30:06 | 0:30:12 | |
indeed going beyond records in his
career. A gift for Martin. | 0:30:12 | 0:30:13 | |
indeed going beyond records in his
career. A gift for Martin. He | 0:30:13 | 0:30:13 | |
struggled at time. He had no
business playing this red, Martin | 0:30:13 | 0:30:18 | |
Gould. He wants to settle into the
match. That is probably a one intend | 0:30:18 | 0:30:24 | |
to get back. Do not leave Ronnie
Casey setup. We know how quickly he | 0:30:24 | 0:30:29 | |
gets into his cueing. -- do not
leave Ronnie O'Sullivan a setup. He | 0:30:29 | 0:30:36 | |
played the blue, beautiful angle.
Stephen Hendry said he would be into | 0:30:36 | 0:30:40 | |
the pack. Without hesitating. They
split beautifully. The point is not | 0:30:40 | 0:30:47 | |
to give him encouragement. Martin
Gould has got to tighten | 0:30:47 | 0:30:48 | |
to give him encouragement. Martin
Gould has got to tighten up. Is | 0:30:48 | 0:30:52 | |
Martin potentially to feel the
backlash from Ronnie O'Sullivan | 0:30:52 | 0:30:56 | |
after last night's win. Possibly.
Martin Gould plays an aggressive | 0:30:56 | 0:31:01 | |
game and perhaps that was not the
time to do it. But the work-out | 0:31:01 | 0:31:05 | |
Ronnie got against Sunny Akani, and
straight back on the table, means he | 0:31:05 | 0:31:09 | |
is in stroke. | 0:31:09 | 0:31:10 | |
Back to the play, and frame two. | 0:31:15 | 0:31:16 | |
Back to the play, and frame two.
COMMENTATOR: Both of those matches, | 0:31:16 | 0:31:24 | |
Michael Georgiou, and Michael White,
Ronnie didn't get anything too | 0:31:24 | 0:31:33 | |
strenuous in those matches, not
playing as good as they are capable | 0:31:33 | 0:31:36 | |
of. | 0:31:36 | 0:31:46 | |
Obviously Martin didn't hear Alan.
He has obviously decided to come out | 0:31:48 | 0:31:52 | |
and attack, go for his shots, Martin
Gould, and I am not going to see | 0:31:52 | 0:31:58 | |
that as a bad way of playing. I
mean, he could come out and try to | 0:31:58 | 0:32:04 | |
keep Ronnie it and still get beat
6-0, so what is the right way to | 0:32:04 | 0:32:08 | |
play? Do you want to go out
attacking? The only right way, when | 0:32:08 | 0:32:20 | |
you play against O'Sullivan, don't
miss, simple as that. I don't blame | 0:32:20 | 0:32:24 | |
him taking on a couple. Certainly
with Alan for the first one, that | 0:32:24 | 0:32:30 | |
middle pocket was always fraught
with danger if you didn't knock it | 0:32:30 | 0:32:34 | |
in so early in the match. Such a
test against O'Sullivan. If you play | 0:32:34 | 0:32:39 | |
good safety, he can match you. If
you score well, you can match you. | 0:32:39 | 0:32:42 | |
The only real solution to it all,
you just can't afford to miss. That | 0:32:42 | 0:32:47 | |
is the level he plays it. When your
chance comes, you have to go to | 0:32:47 | 0:32:51 | |
work, and it is tough to do. | 0:32:51 | 0:32:58 | |
Already looks more focused, more
calm, almost subdued in his manner | 0:33:24 | 0:33:28 | |
around the table. Last night, his
opponent definitely got him at it, | 0:33:28 | 0:33:34 | |
he was very agitated. A lot of
headshaking going on. | 0:33:34 | 0:33:41 | |
Going into these here? I don't think
so. | 0:33:52 | 0:34:00 | |
But I think definitely do the right
of these two reds, the blue, then | 0:34:00 | 0:34:07 | |
full in the face into the pink.
Maybe he feels like going into the | 0:34:07 | 0:34:15 | |
black. There are a couple of reds
below the pink, a couple that look | 0:34:15 | 0:34:19 | |
they are going towards the corner,
Eddie he has already seen those and | 0:34:19 | 0:34:22 | |
doesn't want to go into the pack
from the blue. Definitely going into | 0:34:22 | 0:34:25 | |
the here. -- perhaps he has already
seen those. You always want to go | 0:34:25 | 0:34:33 | |
into the pack when at least one of
those reds can give you a bit of | 0:34:33 | 0:34:37 | |
insurance.
That is the one he is on. Never | 0:34:37 | 0:34:41 | |
quite understand players, and
talking about some professionals, | 0:34:41 | 0:34:44 | |
who cherry pick out all the reds and
don't give themselves any option. If | 0:34:44 | 0:34:49 | |
you take away the loose reds getaway
and open up the pack, and there is a | 0:34:49 | 0:34:54 | |
lose red available, giving yourself
a better chance to make a break. A | 0:34:54 | 0:35:05 | |
little low on this, probably what he
wants just to move a few more reds | 0:35:05 | 0:35:09 | |
out.
It sounded a little heavy, but it is | 0:35:09 | 0:35:17 | |
OK. | 0:35:17 | 0:35:23 | |
I see what you mean about his look,
Stephen, he is in his office today, | 0:35:48 | 0:35:53 | |
that's for sure. He looks very
focused. | 0:35:53 | 0:35:59 | |
Now, starting to look inevitable. It
will be two centuries out of the | 0:36:18 | 0:36:23 | |
first two frames. | 0:36:23 | 0:36:29 | |
If there was not a great deal of
pressure on Martin Gould, there is | 0:36:35 | 0:36:38 | |
now. Already, you know, 2-0 behind,
hardly had his hand on the table. | 0:36:38 | 0:36:46 | |
One poor choice of shot in the
middle in the first frame, and | 0:36:46 | 0:36:49 | |
that's about it. Given that loose
red he started his frame with, but | 0:36:49 | 0:36:55 | |
in no time at all you don't feel you
are involved in a match and you are | 0:36:55 | 0:36:59 | |
too- zero behind. Yes, I suppose the
only positive way Martin Gould can | 0:36:59 | 0:37:04 | |
look at it, this is exactly what you
expect Ronnie to do. It is not as if | 0:37:04 | 0:37:08 | |
it is a shot. Coming to the end,
thinking if I let Ronnie in the | 0:37:08 | 0:37:14 | |
balls, you will clear up. And as you
said, when he gets a chance, he has | 0:37:14 | 0:37:17 | |
to take it. | 0:37:17 | 0:37:28 | |
You can come up with all the
theories you like on how to beat | 0:37:31 | 0:37:34 | |
Ronnie, but the only solution is you
just have to play exceptionally | 0:37:34 | 0:37:38 | |
well, like Mark Selby did in the
final last year, beating him 10-8 in | 0:37:38 | 0:37:43 | |
an absolute classic.
Boy, did Mark Selby play well in | 0:37:43 | 0:37:46 | |
that match. But that is what you
have to do if you're going to beat | 0:37:46 | 0:37:50 | |
him. A possible 145, will be
difficult, with this red, the way | 0:37:50 | 0:37:56 | |
the last two reds our position. 142
to beat. Michael White, who Ronnie | 0:37:56 | 0:38:07 | |
beat earlier on in the tournament,
holds that record at the moment. | 0:38:07 | 0:38:11 | |
Yes, on how to beat Ronnie, and
other way is to do something | 0:38:11 | 0:38:15 | |
different.
APPLAUSE | 0:38:15 | 0:38:23 | |
The century comes up. Awesome start.
Sunny Akani's shot choice was very | 0:38:23 | 0:38:31 | |
unorthodox, the shots he was going
for an plane, his style of play, and | 0:38:31 | 0:38:34 | |
I think it knocked Ronnie out of his
comfort zone. If Martin is just | 0:38:34 | 0:38:42 | |
going to take on pots and miss, it
will be a very quick afternoon. | 0:38:42 | 0:38:46 | |
APPLAUSE | 0:38:46 | 0:38:56 | |
This is tremendous stuff. | 0:38:56 | 0:39:07 | |
Well, no total clearance...
APPLAUSE | 0:39:09 | 0:39:15 | |
He leads Martin Gould two frames to
nil. | 0:39:15 | 0:39:22 | |
HAZEL IRVINE: Stephen Hendry waves
goodbye to another of his records, | 0:39:22 | 0:39:26 | |
because Benitez, the all-time
century maker in this official | 0:39:26 | 0:39:30 | |
championship is Ronnie O'Sullivan
and let's be honest, Steve, Martin | 0:39:30 | 0:39:34 | |
Gould not making much headway with
this all-out attack plan? Everyday | 0:39:34 | 0:39:38 | |
is a different day from | 0:39:38 | 0:39:40 | |
this all-out attack plan? Everyday
is a different day from Ronnie's | 0:39:40 | 0:39:40 | |
perspective but Martin Gould would
have hoped to get off to better | 0:39:40 | 0:39:43 | |
start than his last match, where it
was a pretty poor standard yesterday | 0:39:43 | 0:39:48 | |
but as Alan said, half from him, but
the half chances Martin Gould will | 0:39:48 | 0:39:53 | |
get, he has to take, as Stephen
mentioned, and if he misses them he | 0:39:53 | 0:39:57 | |
knows he is dead and buried. Ronnie
O'Sullivan looks a different animal | 0:39:57 | 0:40:01 | |
today. Absolutely, I was going to
say. Completely different from last | 0:40:01 | 0:40:06 | |
May? Absolutely, but as I said at
the end of the first frame you just | 0:40:06 | 0:40:09 | |
can't give him a gift like that,
early doors. Make him work for it. | 0:40:09 | 0:40:13 | |
Don't play a red where you are only
going to pot one in ten. Two down, | 0:40:13 | 0:40:26 | |
they will be feeling terrible and
Ronnie has his dander up. It was | 0:40:26 | 0:40:28 | |
interesting last night because
Ronnie did look a little out of | 0:40:28 | 0:40:30 | |
sorts and uncomfortable out there
when an unknown quantity, a younger | 0:40:30 | 0:40:33 | |
player coming onto the scene,
started to cause them problems. | 0:40:33 | 0:40:35 | |
Someone in a hurry! The situation he
found himself in was one of getting | 0:40:35 | 0:40:40 | |
over the line for the crowd got
behind him. Today is different. He | 0:40:40 | 0:40:43 | |
is playing Martin Gould and he knows
what Martin Gould is capable of and | 0:40:43 | 0:40:47 | |
I don't think Martin Gould scares
him much. It is interesting because | 0:40:47 | 0:40:50 | |
Stephen Hendry made a good point in
commentary last night, it is all | 0:40:50 | 0:40:53 | |
very well clearing up to win
silverware, but different pressure | 0:40:53 | 0:40:58 | |
when you're clearing up to stay in a
match against the world number 84, a | 0:40:58 | 0:41:02 | |
position he is not used to, let's be
honest? Yes, I agree with Doctor | 0:41:02 | 0:41:08 | |
Mackie knows what Martin Gould has
got the tools he has, and Martin | 0:41:08 | 0:41:12 | |
Gould will not handle him, giving
gifts like that, as I see -- I agree | 0:41:12 | 0:41:17 | |
with Stephen, he knows what Martin
Gould has got. When he is in this | 0:41:17 | 0:41:21 | |
mood it is dangerous times. Watch
out, Martin. Back we go... | 0:41:21 | 0:41:29 | |
mood it is dangerous times. Watch
out, Martin. Back we go... John JOHN | 0:41:29 | 0:41:35 | |
PARROTT: All big frames, we know, in
this championship, but this one is a | 0:41:35 | 0:41:39 | |
massive one. | 0:41:39 | 0:41:49 | |
He has a shot to nothing here,
Martin. Wasn't close, certainly | 0:42:10 | 0:42:16 | |
wasn't with the one he attempted in
the last frame. Has to get closer | 0:42:16 | 0:42:20 | |
than this, and he has it that far
too thick. -- hit that far too | 0:42:20 | 0:42:32 | |
thick. | 0:42:32 | 0:42:37 | |
APPLAUSE
Once again Martin's made a cardinal | 0:42:41 | 0:42:50 | |
sin there, just not in any trouble,
unforced error, got Ronnie straight | 0:42:50 | 0:42:57 | |
back in again, just far too thick on
that attempted red. STEPHEN HENDRY: | 0:42:57 | 0:43:04 | |
These are the sort of visits | 0:43:04 | 0:43:05 | |
that attempted red. STEPHEN HENDRY:
These are the sort of visits to | 0:43:05 | 0:43:05 | |
table with Ronnie O'Sullivan. Great
to see how he will eventually get | 0:43:05 | 0:43:10 | |
that back on the spot and carry it
on and make the century break. I | 0:43:10 | 0:43:17 | |
think the record amount for
centuries was by one player, Fergal | 0:43:17 | 0:43:22 | |
brown, last year, definitely made
four, possibly five. I think he did. | 0:43:22 | 0:43:27 | |
I was calling him five-ton Fergal
for the rest of the week. It was | 0:43:27 | 0:43:39 | |
definitely that. You can see Ronnie
making three or four. | 0:43:39 | 0:43:54 | |
Just got | 0:44:08 | 0:44:19 | |
passed, straight on the blue. He can
open some reds up here. | 0:44:20 | 0:44:25 | |
Pretty much perfect.
Maybe an inch to the right would | 0:44:30 | 0:44:35 | |
have been ideal, but he has to get
into this cue ball a bit more, more | 0:44:35 | 0:44:42 | |
angle on it, make sure and political
act towards the blue. -- make sure | 0:44:42 | 0:44:53 | |
and pull it back towards the blue. | 0:44:53 | 0:44:59 | |
Would be handy to get the pink, on
the black spot, I think, and that is | 0:45:32 | 0:45:40 | |
taken by that red. | 0:45:40 | 0:45:41 | |
Can't do too much with this so just
a little pull-back off the pink and | 0:45:51 | 0:45:54 | |
try to read the red in the corner --
leave the red in the corner. Just a | 0:45:54 | 0:46:03 | |
chip, top pocket.
It is all about the judgment now, to | 0:46:03 | 0:46:10 | |
make sure he is a collar up by | 0:46:10 | 0:46:23 | |
the blue. I would say 90% of the
shots Ronnie O'Sullivan misses, he | 0:46:23 | 0:46:31 | |
misses them, and it is just a tiny
bit of deceleration. It will annoy | 0:46:31 | 0:46:41 | |
him, that little miss, because he
was flying. It might look easy, but | 0:46:41 | 0:46:48 | |
this is a bit smelly...
APPLAUSE | 0:46:48 | 0:46:53 | |
One of those shots, when you haven't
had your hand on the table, easy to | 0:46:53 | 0:47:01 | |
miss those, and it wasn't
particularly close, not settled. | 0:47:01 | 0:47:07 | |
Just played that of little cannon,
the option of two reds. Just need a | 0:47:33 | 0:47:45 | |
little bit of attention, these.
There have been one or two of these | 0:47:45 | 0:47:48 | |
shots missed, along the top cushion. | 0:47:48 | 0:47:59 | |
They'd like to Mr two reds
immediately above the pink, screw | 0:48:13 | 0:48:20 | |
into the right-hand side of this
bunch. And he did exactly that. The | 0:48:20 | 0:48:26 | |
cue ball arc misses the two, and the
ball keeps living to the left. -- | 0:48:26 | 0:48:34 | |
they'd like to miss the two reds
immediately | 0:48:34 | 0:48:41 | |
above the pink. | 0:48:45 | 0:48:50 | |
Red at the top of that cluster of
three is obviously available. Why he | 0:49:01 | 0:49:08 | |
has played that. And you can be sure
he will be trying to win the frame | 0:49:08 | 0:49:15 | |
on this visit and keep Martin even
more cold than he already is. Hasn't | 0:49:15 | 0:49:20 | |
had his hand on the table with a
decent chance yet. Can't really get | 0:49:20 | 0:49:25 | |
into this particular match this
afternoon, so keep him away from the | 0:49:25 | 0:49:30 | |
table and it'll help. Mm. But that
might have gone wrong. Yeah, hit the | 0:49:30 | 0:49:36 | |
wrong red first. Play the cannon
into the two reds that are touching, | 0:49:36 | 0:49:43 | |
leaving one to the right middle. | 0:49:43 | 0:49:50 | |
Ronnie O'Sullivan, 26.
APPLAUSE | 0:50:08 | 0:50:17 | |
Nice time, just half an hour. It is
great when he plays, isn't it? -- | 0:50:17 | 0:50:23 | |
the match time. One positional shot
going all right, Martin has a squeak | 0:50:23 | 0:50:33 | |
in this frame if he can get in --
one positional shot going awry. | 0:50:33 | 0:50:39 | |
Under pressure, 2-0 down. Yes,
safety, not a recipe for winning | 0:50:39 | 0:50:46 | |
this match. | 0:50:46 | 0:50:51 | |
Yes, he missed it, but not the worst
result. The side cushion as well, so | 0:50:58 | 0:51:02 | |
when you are 54 points behind you
want all the balls in the middle of | 0:51:02 | 0:51:06 | |
the table for potential counter
clearance, but I suppose at the | 0:51:06 | 0:51:11 | |
moment all Martin needs is to just
knock in some balls, get involved. | 0:51:11 | 0:51:23 | |
Pretty close to this, the pace kept
it out. Unfortunately for him. Just | 0:51:23 | 0:51:35 | |
have to be careful here not to get
the red over the left corner pocket. | 0:51:35 | 0:51:46 | |
He just keeps tempting, just not
quite there, not quite in this | 0:52:19 | 0:52:29 | |
afternoon at the moment, just can't
quite get involved. | 0:52:29 | 0:52:35 | |
Going to cue these well, off the
side cushion. Easy to put a bit of | 0:52:48 | 0:52:52 | |
side on. Not Mr O'Sullivan cueing
that. Yes, lovely town, ball hitting | 0:52:52 | 0:53:01 | |
the middle of the back of the
pocket. Normally a sign of supreme | 0:53:01 | 0:53:09 | |
cueing and timing, when the ball
it's the middle. | 0:53:09 | 0:53:19 | |
-- hits the middle. | 0:53:19 | 0:53:24 | |
So red, to win this third frame. I'm
thinking Martin Gould's club, John, | 0:53:24 | 0:53:33 | |
it is | 0:53:33 | 0:53:43 | |
nicknamed, and he will have to be to
win this. Depressing frame, can't | 0:53:50 | 0:53:54 | |
get his hand on the table. First two
frames, being left half chances, but | 0:53:54 | 0:54:00 | |
unfortunately the level you play at,
you have to make some of those half | 0:54:00 | 0:54:03 | |
chances, and they haven't gone in
for him, and in the blink of an IKEA | 0:54:03 | 0:54:07 | |
's 3- down. -- in the blink of an
eye he is 3-0 down. Well, no century | 0:54:07 | 0:54:26 | |
break this time. Martin Gould, I was
going to say you don't expect him to | 0:54:26 | 0:54:35 | |
come back to the table. He obviously
wants to pot something. Hasn't | 0:54:35 | 0:54:38 | |
scored a point in this frame, just
wants to get his hand on the table, | 0:54:38 | 0:54:42 | |
pot a few balls. And I admit the way
the reds are, I wouldn't be | 0:54:42 | 0:54:48 | |
bothering. OK, if they were open,
fine. | 0:54:48 | 0:54:56 | |
Martin Gould, eight. Well, normally
you come to the table to get your | 0:55:19 | 0:55:25 | |
arm moving, but as I was saying I
don't see the point, with that last | 0:55:25 | 0:55:30 | |
shot. | 0:55:30 | 0:55:34 | |
Yeah, decided against it.
APPLAUSE | 0:55:40 | 0:55:47 | |
He still wins the frame easily, 3-0. | 0:55:47 | 0:55:55 | |
John JOHN PARROTT: Ronnie
O'Sullivan, flying this afternoon, | 0:56:57 | 0:57:00 | |
and as you rightly said, Stephen,
you expected it to be happening. | 0:57:00 | 0:57:07 | |
And for Martin Gould, this is one
enormous frame. If he goes 4-0 down | 0:57:07 | 0:57:16 | |
going into the interval there is no
way back. Got to score in this frame | 0:57:16 | 0:57:24 | |
somehow. | 0:57:24 | 0:57:32 | |
Oh, at the moment it is a massive
struggle. Every shot he has taken is | 0:57:49 | 0:57:52 | |
well away, and that was just far too
thick, and because it is Victor cue | 0:57:52 | 0:57:56 | |
ball can't get up the table. --
because it is thick, the cue ball. | 0:57:56 | 0:58:03 | |
He is definitely feeling it. | 0:58:03 | 0:58:09 | |
That is an excellent shot. Very good
safety. Not quite trapped Ronnie, | 0:58:48 | 0:59:00 | |
the red to the rate of the blue. He
can play half and back into the area | 0:59:00 | 0:59:14 | |
right of the blue. This is an
interesting part of the frame coming | 0:59:14 | 0:59:19 | |
up. Is he going to take this shot
again? It is not natural to get | 0:59:19 | 0:59:27 | |
down, and if you take this on, and
he has not had a good success rate | 0:59:27 | 0:59:30 | |
so far today, he will get very lucky
if he doesn't clatter into | 0:59:30 | 0:59:34 | |
something. So if you're taking this
on, Martin, it has to go in. | 0:59:34 | 0:59:40 | |
APPLAUSE | 0:59:40 | 0:59:50 | |
STEPHEN HENDRY: Nobody could accuse
Martin Gould of being negative | 0:59:51 | 0:59:54 | |
today, there is no doubt about that.
Fabulous pot. He is going to need | 0:59:54 | 0:59:59 | |
another one here. Blue to far right
corner, the red to the left of it. | 0:59:59 | 1:00:07 | |
But he is potting himself under the
cosh, in this situation when you are | 1:00:07 | 1:00:11 | |
a 3-0 down, do you go for it? Big
decision. | 1:00:11 | 1:00:19 | |
Why hit it so hard? I think he was
under so much pressure. | 1:00:19 | 1:00:25 | |
Just trying to work out if he can
play the cannon. Just trying to get | 1:00:51 | 1:01:01 | |
the black out, and that is class.
Absolutely wonderful touch. To have | 1:01:01 | 1:01:11 | |
the side, hit the cushion and flick
the red out. That is the shot of the | 1:01:11 | 1:01:17 | |
week, so far, for me, that one. Very
few if any of the professionals in | 1:01:17 | 1:01:23 | |
the game could have played that.
Just the touch. Phenomenal. | 1:01:23 | 1:01:31 | |
The way he played it, most people
would think, that was an easy shot. | 1:01:42 | 1:01:48 | |
To get through the cue ball enough
to get the work on. The only thing | 1:01:48 | 1:01:53 | |
is, as he made a positional mistake?
And followed it up with that. | 1:01:53 | 1:01:59 | |
Incredible. You do not see that
often. | 1:01:59 | 1:02:02 | |
He just overscrewed it. To be fair,
those were the kinds of shots he was | 1:02:05 | 1:02:15 | |
playing last night. Today, it is
very unusual. | 1:02:15 | 1:02:17 | |
He is taking his time, because he
wants to play down the baulk area. | 1:02:29 | 1:02:36 | |
If he cannot guarantee hiding the
two reds on the right. He has played | 1:02:36 | 1:02:40 | |
a safety, cleverly, to move them. | 1:02:40 | 1:02:43 | |
It was a shame he did not go on to
make a century because the opening | 1:02:51 | 1:02:56 | |
red was wonderful. Playing the
cannon. Fabulous shot. | 1:02:56 | 1:03:01 | |
That is the best shot of the match
from Martin Gould. Excellent. The | 1:03:14 | 1:03:18 | |
last red was good. That one is
better. Excellent cueing. Now, | 1:03:18 | 1:03:25 | |
Martin, you have got to score. If
you want any involvement in the | 1:03:25 | 1:03:31 | |
match today, these are the chances
you have to score points from. Not | 1:03:31 | 1:03:36 | |
straightforward, but you have got to
knock them in. | 1:03:36 | 1:03:43 | |
It was nicely played that he ran an
inch too far. This is a horrible | 1:04:11 | 1:04:16 | |
shot. Can he land on anything
playing it plain ball? If he could | 1:04:16 | 1:04:28 | |
drop in the blue dead weight and
play on the red, it might be OK. | 1:04:28 | 1:04:32 | |
Watch this reaction, an electric
shock from the table. It does | 1:04:43 | 1:04:46 | |
happen. | 1:04:46 | 1:04:47 | |
It was always a problem. Just too
much of an angle on that blue. | 1:05:01 | 1:05:13 | |
Ronnie is inspecting the back. I am
not sure if he is trying to make a | 1:05:13 | 1:05:17 | |
plant. If he considers it to be on,
he will take it. He does not like | 1:05:17 | 1:05:24 | |
the look of it, so it is a safety. | 1:05:24 | 1:05:26 | |
Playing it this way, you have a
chance to clip a red over the | 1:05:36 | 1:05:44 | |
corner, which is why he has thought
about it. | 1:05:44 | 1:05:47 | |
While it is far from easy, it is a
chance, particular whether blue is. | 1:05:55 | 1:06:04 | |
A mistake. | 1:06:25 | 1:06:26 | |
I think the red is too straight to
play the red and go into the bunch. | 1:06:40 | 1:06:47 | |
I do not think he has the angle. It
will basically be getting the cue | 1:06:47 | 1:06:52 | |
ball out. Well, he did have the
angle. I did not think he did. It | 1:06:52 | 1:06:57 | |
looks straight. Is he on a pink? He
is looking at the potting angle, so | 1:06:57 | 1:07:09 | |
it is on. | 1:07:09 | 1:07:10 | |
What a great pot with the check
side. To land on a red after that is | 1:07:32 | 1:07:44 | |
a great shot. He could not be
entirely sure where he would finish. | 1:07:44 | 1:07:48 | |
But, oh. | 1:07:48 | 1:07:52 | |
This is what the championship tables
are like. If you catch the near jaw, | 1:07:57 | 1:08:08 | |
they do not go in. A couple of
chances have gone begging. | 1:08:08 | 1:08:13 | |
It was a good try, and he played it
in a way he thinks the red is not | 1:08:37 | 1:08:48 | |
cuttable. Ronnie is having a look at
it. If it clips in, it was not so | 1:08:48 | 1:08:56 | |
clever. | 1:08:56 | 1:08:57 | |
No damage done, really. I suppose
the only bad thing is he will | 1:09:29 | 1:09:35 | |
probably get put back in. | 1:09:35 | 1:09:36 | |
Ronnie has looked at the potting
angle. Trying to get the cue ball to | 1:10:21 | 1:10:25 | |
somewhere where it is now. | 1:10:25 | 1:10:27 | |
What a pot. That is just madness.
What a pot will -- what a pot. That | 1:10:31 | 1:10:49 | |
is ridiculous. This may be a big
pocket with the red there. He will | 1:10:49 | 1:10:58 | |
be taking this black on. Massive
pocket. I cannot blame Martin Gould. | 1:10:58 | 1:11:10 | |
What has happened to him is daylight
robbery. The pot in the middle | 1:11:10 | 1:11:15 | |
pocket, that is obscene. | 1:11:15 | 1:11:17 | |
1 million miles the best shot of the
match. | 1:11:23 | 1:11:26 | |
I still prefer the little cannon for
the black. You can have that one. I | 1:11:33 | 1:11:39 | |
will have that. | 1:11:39 | 1:11:41 | |
The difference is my shot will get
him to 4-0. | 1:11:47 | 1:11:52 | |
Has that gone wrong? Judging by the
body language the first red goes to | 1:12:12 | 1:12:21 | |
the middle. | 1:12:21 | 1:12:24 | |
That was missable. You can see what
Ronnie thinks about it. Furious. | 1:12:38 | 1:12:45 | |
Always on the right-hand jaw. What a
chance for Martin Gould. 3-0 down, | 1:12:45 | 1:12:53 | |
27 points down, it is anything but
easy, no matter where the reds are. | 1:12:53 | 1:13:00 | |
He needs all the character and
believe he has to win this frame | 1:13:04 | 1:13:07 | |
from this visit. | 1:13:07 | 1:13:08 | |
Going back to the point you made
about the shots you prefer. He will | 1:13:27 | 1:13:33 | |
not get to 4-0 on it at the moment
but he has played two of the best | 1:13:33 | 1:13:41 | |
shots I have seen all week and at
the moment he could be losing this | 1:13:41 | 1:13:45 | |
frame. Martin has to think, how much
will this irritate my opponent if I | 1:13:45 | 1:13:50 | |
cleared up? | 1:13:50 | 1:13:51 | |
Ronnie's temperament is so good it
will probably not stop him from | 1:14:13 | 1:14:17 | |
winning this match. But it will
mildly irritate him. Enough to put a | 1:14:17 | 1:14:23 | |
little doubt in his mind. | 1:14:23 | 1:14:25 | |
Already in this break, Martin's cue
ball has not been great. You should | 1:14:36 | 1:14:40 | |
not have to take this so early. But
it was a good pot. He has redeemed | 1:14:40 | 1:14:45 | |
himself. It is one of those breaks,
if you make it, you are back in the | 1:14:45 | 1:14:53 | |
match, but if you do not take it,
you will sit in the chair, after the | 1:14:53 | 1:14:59 | |
interval, 4-0 down, absolutely
kicking yourself. So it is a big | 1:14:59 | 1:15:04 | |
contribution at the moment in the
context of the match. | 1:15:04 | 1:15:07 | |
For all the world it looks like the
red up towards the baulk area will | 1:15:18 | 1:15:23 | |
be the important ball in the area
because he should not have any | 1:15:23 | 1:15:26 | |
problem with the next three. | 1:15:26 | 1:15:28 | |
He has to be careful. Not to snooker
himself. That is why he played it | 1:15:49 | 1:15:58 | |
lower. Could have run behind the red
the cue ball is closest to, so well | 1:15:58 | 1:16:05 | |
played. | 1:16:05 | 1:16:06 | |
Under the circumstances, so far this
is a good effort. He had to take the | 1:16:24 | 1:16:30 | |
mid range red up into the middle
pocket when he lost position. Which | 1:16:30 | 1:16:39 | |
would you play for? If he plays to
the left middle there is an argument | 1:16:39 | 1:16:44 | |
to come off the baulk cushion,
right-hand side and try to play a | 1:16:44 | 1:16:49 | |
cannon on the red and if you missed
the cannon, you will still be on | 1:16:49 | 1:16:52 | |
something. | 1:16:52 | 1:16:57 | |
He has an opportunity to play the
red to the same pocket. | 1:17:05 | 1:17:09 | |
I have to be honest, I did not like
him playing the blue. It is harder | 1:17:22 | 1:17:31 | |
to get in behind that with control
whereas you can do it off the brown | 1:17:31 | 1:17:36 | |
and green more easily. The path the
cue ball went it was ideal to screw | 1:17:36 | 1:17:43 | |
for the red to the same pocket. | 1:17:43 | 1:17:45 | |
That was very tricky. I think he has
decided to go for everything when he | 1:17:53 | 1:18:05 | |
gets the chance, which is
understandable. I think that shot | 1:18:05 | 1:18:09 | |
shows you. He had a simple safety.
There is pressure on this. | 1:18:09 | 1:18:14 | |
And the good news for Ronnie, he has
a snooker. The almost does not seem | 1:18:22 | 1:18:28 | |
fair when you are that good to get a
run of the balls. | 1:18:28 | 1:18:33 | |
As ever with snooker is, no matter
the difficulty, not hitting them... | 1:18:38 | 1:18:46 | |
Martin is looking to see if he can
swerve around the black and hit the | 1:18:46 | 1:18:52 | |
red from behind. He is going side
cushion and try to hit the red off | 1:18:52 | 1:18:58 | |
the two cushions instead. | 1:18:58 | 1:19:00 | |
Yes, that is as good as he can do. | 1:19:08 | 1:19:10 | |
He is not fully snookered. He is
having a good run. | 1:19:44 | 1:19:57 | |
He has a nice target in the baulk
area, of the green and the brown. | 1:20:16 | 1:20:22 | |
He played the think -- think clip.
Going back to last night's match, | 1:20:28 | 1:20:46 | |
Sunny Akani potted the blue when
potting the green. When he needed a | 1:20:46 | 1:20:55 | |
snooker, Ronnie could have gone
in-off off the pink. Sometimes, your | 1:20:55 | 1:21:02 | |
name is on the trophy. The last
couple of shots he has played he has | 1:21:02 | 1:21:09 | |
had some lovely little rubs. He had
a very good hit to get out of a | 1:21:09 | 1:21:15 | |
snooker he was in and he will need
another one. | 1:21:15 | 1:21:18 | |
Brilliant shot. He has left pot on
but that was great. A little bit | 1:21:23 | 1:21:35 | |
unlucky for the cue ball to travel
so far away from the cushion. | 1:21:35 | 1:21:40 | |
It has gone awkward enough to keep
him honest with this shot. | 1:21:55 | 1:22:02 | |
He did not play it. | 1:22:06 | 1:22:08 | |
If he gets the snooker, it is
because he has played a good shot. | 1:22:11 | 1:22:19 | |
Which he has. Excellent. Not
snooker, but what do you do with | 1:22:19 | 1:22:27 | |
that? | 1:22:27 | 1:22:28 | |
If you hit it thick, it is danger. | 1:22:32 | 1:22:39 | |
Well, that is a fabulous shot. He
has done ever so well. A great | 1:22:47 | 1:22:54 | |
effort. But, unfortunately, the last
role on the cue ball has just come | 1:22:54 | 1:23:02 | |
out and given Ronnie a chance to
snick the red in. | 1:23:02 | 1:23:13 | |
How do you like them apples?
Unbelievable. Nowhere near the pot | 1:23:17 | 1:23:30 | |
by his own standards. Once again,
Martin Gould is in all sorts of | 1:23:30 | 1:23:36 | |
bother. He could play it as a shot
to nothing. You have no idea where | 1:23:36 | 1:23:45 | |
the red will end up when you go for
a pot. | 1:23:45 | 1:23:48 | |
It looks like he will come off two
cushions. It is a difficult hit. | 1:24:02 | 1:24:12 | |
Also you will be promoting the red
to the middle or a corner. You will | 1:24:12 | 1:24:17 | |
do well to hit this and get out of
it without leaving a pot. REFEREE: | 1:24:17 | 1:24:26 | |
Foul and a miss. . | 1:24:26 | 1:24:29 | |
The only good thing is it is not a
free ball. | 1:24:33 | 1:24:38 | |
And the reds in the middle of the
table, it is harder to get safe if | 1:24:42 | 1:24:48 | |
you hit it. | 1:24:48 | 1:24:51 | |
APPLAUSE
Another excellent shot. | 1:25:14 | 1:25:22 | |
He has been in all sorts of bother
and two hits that and not leave it | 1:25:22 | 1:25:26 | |
up is excellent. -- to hit it. I am
not sure how he is managing to do | 1:25:26 | 1:25:36 | |
it, but he is still in the frame. | 1:25:36 | 1:25:38 | |
Another fabulous safety shot. | 1:25:55 | 1:26:05 | |
He has had a run at the end of the
frame but that was not a run, it was | 1:26:06 | 1:26:12 | |
a superb shot. A little bit of run
inside to help the cue ball. I will | 1:26:12 | 1:26:19 | |
not believe it if Martin Gould wins
this frame. He has been in so much | 1:26:19 | 1:26:23 | |
trouble, how could he possibly win
it? | 1:26:23 | 1:26:26 | |
Again. And a tap on the table from
Ronnie O'Sullivan. He knows how | 1:26:31 | 1:26:41 | |
great that shot was. Great escapes. | 1:26:41 | 1:26:45 | |
The last two have been brilliant. I
would not begrudge him luck to get | 1:26:50 | 1:26:59 | |
the snooker back. The problem here,
two cushions, hit the red from | 1:26:59 | 1:27:08 | |
behind, you do not want to hit the
yellow with the red. Just try to | 1:27:08 | 1:27:15 | |
avoid a cannon on the yellow. | 1:27:15 | 1:27:18 | |
This is just unbelievable, this
frame. | 1:27:26 | 1:27:28 | |
I told you, he cannot win this
frame, it is impossible. | 1:27:33 | 1:27:37 | |
Every credit to Martin Gould. He has
given the shots full attention. He | 1:27:45 | 1:27:51 | |
could be excused for headshaking.
No, he is battling. Ten minutes | 1:27:51 | 1:27:58 | |
since a ball was potted.
Fascinating. | 1:27:58 | 1:28:04 | |
Absolutely brilliant again. He will
settle for about. | 1:28:19 | 1:28:22 | |
Not straight forward on the safety
here. | 1:28:34 | 1:28:36 | |
Not unless you are a genius. What a
shot bat is. Absolutely superb. Yes, | 1:28:52 | 1:29:00 | |
it was on, but boy, did you have to
hit it well. | 1:29:00 | 1:29:05 | |
He is giving us the full repertoire
today, Ronald. | 1:29:11 | 1:29:16 | |
If he gets this day, I will say he
will win the frame, Martin Gould. -- | 1:29:31 | 1:29:36 | |
if he gets it safe. He has done. | 1:29:36 | 1:29:43 | |
Ronnie has thrown everything at him. | 1:29:49 | 1:29:52 | |
This might be one of the best ends
to a frame I have seen. What has | 1:29:58 | 1:30:06 | |
happened is incredible. The
standard. OK, a little bit of luck, | 1:30:06 | 1:30:11 | |
but to keep getting out of them and
leaving them safe, I have not seen a | 1:30:11 | 1:30:17 | |
frame like it. You see it happening
once or twice but this is seven, | 1:30:17 | 1:30:21 | |
eight, nine times. 20 shots since a
pot. Incredible. | 1:30:21 | 1:30:29 | |
Well, another excellent shot, but
the way it has been going in this | 1:30:49 | 1:30:52 | |
frame kiss Martin, you can guarantee
there is a gap. -- in this frame for | 1:30:52 | 1:31:01 | |
Martin. Shaking his head, and I
don't blame you! | 1:31:01 | 1:31:14 | |
Just made it, and it is another
great shot, another great safety | 1:31:31 | 1:31:36 | |
shot. ... By Martin is surprised. He
has come to the table thinking, | 1:31:36 | 1:31:41 | |
maybe it is not -- I don't know why
Martin is surprised. An excellent | 1:31:41 | 1:31:45 | |
shot from Ronnie. | 1:31:45 | 1:31:56 | |
Got to be a little careful with this
if he hits it. Oh. I wasn't thinking | 1:31:59 | 1:32:09 | |
that side of it. I suppose that's
about as good as he could have got | 1:32:09 | 1:32:14 | |
out of it, once it has hit that
side, and lots of pressure on pot, | 1:32:14 | 1:32:19 | |
particularly when you haven't been
playing any for quite well, | 1:32:19 | 1:32:25 | |
approaching 15 minutes since pot, so
this is a test of your cue action. | 1:32:25 | 1:32:28 | |
20 minutes since the last one
actually, so good luck with this | 1:32:28 | 1:32:32 | |
one.
APPLAUSE | 1:32:32 | 1:32:38 | |
A great pot. Ideal, on a colour.
Pink, you would say, left-handed, on | 1:32:38 | 1:32:47 | |
the angles. The blue into the green
pocket, a couple of options. As you | 1:32:47 | 1:32:56 | |
say, John, after that amount of
time, to still plot that ball -- | 1:32:56 | 1:33:03 | |
still pot the ball is very good,
still focused. Yes, you could see | 1:33:03 | 1:33:07 | |
when he was going about that, he was
loving the tactical battle, how to | 1:33:07 | 1:33:11 | |
get the smokers, and I think he was
absolutely engrossed in it. Why | 1:33:11 | 1:33:16 | |
shouldn't he be? It is the UK
championship, but nevertheless he | 1:33:16 | 1:33:20 | |
was loving every part of that and
that was a fascinating part of the | 1:33:20 | 1:33:23 | |
frame. | 1:33:23 | 1:33:30 | |
Lovely shot left-handed, lovely
touch, and I had to look before, as | 1:33:42 | 1:33:48 | |
I say, Stephen, I looked at Martin
Gould sitting in his chair, and I | 1:33:48 | 1:33:52 | |
feel for him because this never
looked like a frame he was going to | 1:33:52 | 1:33:55 | |
win. The way the run of the balls
went, and also the way Ronnie's | 1:33:55 | 1:34:00 | |
safety has been. It just looked like
4-0 Jimmy. Yes, you had that chance | 1:34:00 | 1:34:07 | |
earlier on in the frame, Martin
Gould, one of the balls, possibly | 1:34:07 | 1:34:14 | |
made an error, went for the blue
rather than the ball colour, in | 1:34:14 | 1:34:17 | |
clearing up. In the end it all
counts for nothing. Just the pink. | 1:34:17 | 1:34:33 | |
APPLAUSE
Convincing. Leeds Martin Gould 4-0. | 1:34:33 | 1:34:47 | |
HAZEL IRVINE: And we have seen the
best of indeed both Ronnie's | 1:34:47 | 1:34:53 | |
attacking and defensive game,
defending about game. The | 1:34:53 | 1:34:57 | |
possibility of outgunning Ronnie
O'Sullivan? It is just not going to | 1:34:57 | 1:35:00 | |
happen here and there was a good
example of him trying to do that in | 1:35:00 | 1:35:04 | |
that frame. | 1:35:04 | 1:35:05 | |
example of him trying to do that in
that frame. Martin Gould has been | 1:35:05 | 1:35:06 | |
attacking but that is no good if
you're throwing yourself of my edge | 1:35:06 | 1:35:09 | |
of a cliff. This shot is one in 20.
Trying to | 1:35:09 | 1:35:13 | |
of a cliff. This shot is one in 20.
Trying to pot, keep the breaks | 1:35:13 | 1:35:14 | |
going, trying to win a frame, but
that is like desperation, and the | 1:35:14 | 1:35:19 | |
problem is if you miss you will
probably leave Ronnie O'Sullivan | 1:35:19 | 1:35:22 | |
with the tactical advantage, so from
that perspective I think it was the | 1:35:22 | 1:35:25 | |
wrong shot, but then a little later
on Ronnie O'Sullivan has a chance, | 1:35:25 | 1:35:29 | |
doesn't the? I think with that shot
Martin Gould could still be out | 1:35:29 | 1:35:34 | |
there trying to pot it right now and
he still wouldn't have made it. I | 1:35:34 | 1:35:43 | |
don't know why he played it. He has
cue ball near red, the initiative | 1:35:43 | 1:35:46 | |
for the safety battle, straight
shot. However Ronnie O'Sullivan has | 1:35:46 | 1:35:48 | |
one red left, very gettable, but he
plays a defensive shot in a | 1:35:48 | 1:35:56 | |
situation when you think you would
attack from in front, and the shot | 1:35:56 | 1:36:00 | |
selection and how to keep the
pressure on your opponent, and | 1:36:00 | 1:36:03 | |
Martin Gould's decision to go for at
that red in the middle pocket, at | 1:36:03 | 1:36:09 | |
professional level, is indefensible,
unless he thinks he can get away | 1:36:09 | 1:36:14 | |
with it safe somehow. We spoke about
that aggression level he has come | 1:36:14 | 1:36:18 | |
out with, going for things, but do
you have to be judicious about | 1:36:18 | 1:36:21 | |
implementing a game plan when you go
out there? There is a | 1:36:21 | 1:36:25 | |
implementing a game plan when you go
out there? There is a fine line, | 1:36:25 | 1:36:26 | |
yes, between recklessness and just
taking on your shots. You can't play | 1:36:26 | 1:36:30 | |
shots that don't go. I just don't
think that red went in the middle, | 1:36:30 | 1:36:34 | |
but going back to the first frame,
and we sure that after the first | 1:36:34 | 1:36:37 | |
frame, the red he took on, and the
other red he took on on the opposite | 1:36:37 | 1:36:42 | |
middle, this game doesn't forgive
you. It is as if the balls have a | 1:36:42 | 1:36:46 | |
memory at times. If you play the
wrong shot it is as if they know and | 1:36:46 | 1:36:53 | |
say, look, fellow, you will be
sitting down this afternoon. Martin | 1:36:53 | 1:36:55 | |
Gould has not set out his stall to
compete with Ronnie O'Sullivan. I | 1:36:55 | 1:36:59 | |
think he has made a dressing room
decision to go out and go for | 1:36:59 | 1:37:03 | |
anything he sees, but you have to
think on your feet out there. You | 1:37:03 | 1:37:06 | |
make your decision at the table, not
in the dressing room. | 1:37:06 | 1:37:09 | |
It is close to Christmas and he has
been gifting Ronnie, he has put, a | 1:37:09 | 1:37:19 | |
lot of the shots. I like it! Well,
it might be a late birthday present, | 1:37:19 | 1:37:23 | |
it was his birthday a couple of days
ago. We will be back to that game | 1:37:23 | 1:37:27 | |
after the interval, but let me bring
you up to date and up to speed with | 1:37:27 | 1:37:30 | |
the other quarterfinal this
afternoon. This one features two | 1:37:30 | 1:37:34 | |
fellows who have been around a lot
in this game. A couple of true | 1:37:34 | 1:37:39 | |
snooker star works, former world
number two Stephen Maguire, former | 1:37:39 | 1:37:42 | |
winner of this, and another proven
Trophy winner in Joe Perry, who made | 1:37:42 | 1:37:54 | |
the Masters final this year, still
playing strong stagger into his 40s. | 1:37:54 | 1:37:57 | |
Given their respective experience
and think it is a bit surprising | 1:37:57 | 1:37:59 | |
Maguire has such a dominant record.
Eight wins to one and the | 1:37:59 | 1:38:01 | |
significant events, and taking in
all the other ones, Maguire has 14 | 1:38:01 | 1:38:04 | |
wins to Joe's two, although Perry
won perhaps the biggest one they | 1:38:04 | 1:38:08 | |
have played so far, a Crucible final
in 2008 which went down to a | 1:38:08 | 1:38:12 | |
decider. This is what these guys
make of this contest today... | 1:38:12 | 1:38:21 | |
First part of the season, I was
still practising but not hard | 1:38:21 | 1:38:25 | |
enough, and I wasn't getting the
results. Smoker is tough with always | 1:38:25 | 1:38:28 | |
travelling all over the place,
winning a game here and there, and | 1:38:28 | 1:38:31 | |
you don't get any confidence from
just a match in the qualifiers, but | 1:38:31 | 1:38:36 | |
I just felt the last few
tournaments, I have been practising | 1:38:36 | 1:38:39 | |
a little harder, moving around,
playing a few other players I | 1:38:39 | 1:38:43 | |
haven't played before, travelling
about a bit, getting out of my club, | 1:38:43 | 1:38:47 | |
and it seems to have made a
difference, got me a little sharper | 1:38:47 | 1:38:50 | |
coming into the tournaments, and
even though I haven't gone deep or | 1:38:50 | 1:38:53 | |
anything, I feel my game is slowly
coming back. | 1:38:53 | 1:38:59 | |
My best? Adult doll. I think it is
for everybody else to say, but I | 1:38:59 | 1:39:04 | |
feel a lot better this week -- I
don't know, I think it is for | 1:39:04 | 1:39:07 | |
everybody else. I feel a lot better
this week that I have done. Latvia, | 1:39:07 | 1:39:13 | |
the start of the season, it felt
good. Then everything just went and | 1:39:13 | 1:39:17 | |
I lost, whatever, just lost
everything, but I start to feel good | 1:39:17 | 1:39:22 | |
at this tournament. Feel as if I am
hitting the ball pretty good. | 1:39:22 | 1:39:29 | |
Yes, another game to look forward
to. Former winner, one of the best | 1:39:29 | 1:39:35 | |
out there, also looks like he's
coming into some good form. For him | 1:39:35 | 1:39:37 | |
he has been out of the winner's
circle for some time and he is the | 1:39:37 | 1:39:41 | |
sort of player you expect to be
there competing, winning trophies, | 1:39:41 | 1:39:46 | |
season in, the snout, but I have
watched him. He is playing good. I | 1:39:46 | 1:39:50 | |
am sure he will fancy it because his
record against me as very positive | 1:39:50 | 1:39:53 | |
in his favour but it is another game
and we haven't played for a little | 1:39:53 | 1:39:56 | |
while. I am in good form, so I will
need to get my best to get a win or | 1:39:56 | 1:40:00 | |
compete but I am looking forward to
it. | 1:40:00 | 1:40:06 | |
HAZEL IRVINE: Indeed, Joe, we
looking forward to it as well. | 1:40:06 | 1:40:10 | |
Giving you a feel for this in the
first frame. Maguire's named | 1:40:10 | 1:40:14 | |
quarterfinal at the UK championship
and he really enjoys this one. He | 1:40:14 | 1:40:17 | |
has work to do in the opening frame,
55-12 behind, and we have a couple | 1:40:17 | 1:40:22 | |
of former world champions
commentating for your... | 1:40:22 | 1:40:29 | |
commentating for you... | 1:40:29 | 1:40:33 | |
COMMENTATOR: I can't believe that.
That the cue ball went in. I'm sure | 1:40:56 | 1:41:03 | |
Stephen Maguire thought it was frame
over, now all of a sudden there is | 1:41:03 | 1:41:07 | |
chance. | 1:41:07 | 1:41:12 | |
APPLAUSE | 1:41:24 | 1:41:27 | |
I wonder how much of an important
role that Green will play in this | 1:41:36 | 1:41:40 | |
frame now.
Joe Perry refused to take the pink | 1:41:40 | 1:41:51 | |
into centre pocket, played the
safety of the krhin, may be his only | 1:41:51 | 1:41:55 | |
hope of staying in this frame.
-- played the safety on the green. | 1:41:55 | 1:42:07 | |
This red and the other two shouldn't
be a problem. | 1:42:07 | 1:42:20 | |
Doesn't want the cue ball going too
far. Just travelled a little further | 1:42:23 | 1:42:29 | |
than he would have liked. | 1:42:29 | 1:42:40 | |
That was a much better shot than it
looked. The cue raised in the error. | 1:42:55 | 1:43:02 | |
So easy to put unintentional side
on, especially when you're playing | 1:43:02 | 1:43:10 | |
with power.
That's OK. | 1:43:10 | 1:43:22 | |
If he chooses to, Stephen may be
able to leave himself an angle on | 1:43:22 | 1:43:28 | |
this last red, to move the green.
foal he hasn't got -- but he hasn't | 1:43:28 | 1:43:38 | |
got that angle now. if he plays the
cannon on the brown, it is a | 1:43:38 | 1:43:49 | |
delicate cannon that could go wrong.
maybe try to push the brown towards | 1:43:49 | 1:43:57 | |
the yellow pocket. played nicely. | 1:43:57 | 1:44:07 | |
Yes, so he only has one more chance.
He needs a good angle after potting | 1:44:15 | 1:44:24 | |
this yellow, to get on the girl
again. | 1:44:24 | 1:44:29 | |
Now he has had a quick look. As soon
as he potted the yellow he was | 1:44:29 | 1:44:35 | |
looking at that angle on the cue
ball, and it looks like he has a | 1:44:35 | 1:44:39 | |
perfect angle.
He has to hit the green of the right | 1:44:39 | 1:44:46 | |
side, the inside of the green, to
try to knock it towards the middle. | 1:44:46 | 1:44:49 | |
If he hits it on the outside, the
cue ball will go dangerously close | 1:44:49 | 1:44:53 | |
to the middle pocket. | 1:44:53 | 1:44:59 | |
He has been quite aggressive
already, Peter, but I really can't | 1:45:06 | 1:45:11 | |
see him taking on the screen, but
you never know with Stephen Maguire. | 1:45:11 | 1:45:16 | |
-- taking on this green. The other
straight up and down with the green, | 1:45:16 | 1:45:23 | |
sizing it up. He has already looked
at it, hasn't he? That is a really | 1:45:23 | 1:45:27 | |
tough shot. Can't take this on,
surely. Foul. Stephen Maguire, 33, | 1:45:27 | 1:45:45 | |
Joe Perry 34. If he has left a free
ball, it could be game over. | 1:45:45 | 1:45:58 | |
Well, I'm not quite sure. Has the
referee looked at it? Oh, no, it's | 1:45:58 | 1:46:04 | |
not. From this angle in the
commentary box is looks pretty | 1:46:04 | 1:46:06 | |
close, but I'm not even sure...
Bull-mac, not from that angle, it's | 1:46:06 | 1:46:15 | |
not a free ball. | 1:46:15 | 1:46:25 | |
-- No, not from that angle,
it's not a free ball. | 1:46:27 | 1:46:31 | |
APPLAUSE | 1:46:41 | 1:46:51 | |
If the cue ball is a couple of
inches away from the side cushion | 1:47:07 | 1:47:11 | |
you would expect Joe Perry to pot
it, but it looks very straight, and | 1:47:11 | 1:47:15 | |
it is so hard, the cue as well.
It's a difficult shot. Yes, even in | 1:47:15 | 1:47:22 | |
practice you would probably miss
this at least format, five times out | 1:47:22 | 1:47:25 | |
of ten. It requires incredible
cueing. | 1:47:25 | 1:47:36 | |
Well, he could be in a bit of
trouble, if something comes to the | 1:47:36 | 1:47:41 | |
table. | 1:47:41 | 1:47:46 | |
Stephen will be disappointed with
that. | 1:48:08 | 1:48:15 | |
Poor safety shot from Joe Perry
there. | 1:48:38 | 1:48:42 | |
Fortunate to get away with that,
under the circumstances. | 1:48:42 | 1:48:48 | |
Stephen's got a good opportunity to
take the cue ball around the ankles | 1:48:48 | 1:48:53 | |
here, with lots of right-hand side,
played snooker the black. | 1:48:53 | 1:48:59 | |
He could also play it thin as well,
but it looks like he's electing to | 1:48:59 | 1:49:13 | |
play the snooker behind the brown. | 1:49:13 | 1:49:20 | |
Yes, just a little bit short of
pace. Really wanted to have a full | 1:49:27 | 1:49:34 | |
ball smoker there, and he's left Joe
on the green, but I don't think | 1:49:34 | 1:49:40 | |
you'll be taking it on. Just a
little concerning, the green off the | 1:49:40 | 1:49:47 | |
top cushion backs, and be careful of
the double kiss, and has to play | 1:49:47 | 1:49:53 | |
that shot now. | 1:49:53 | 1:49:59 | |
Taking this on, deep screw. What a
shot! That was fantastic cueing. | 1:50:19 | 1:50:29 | |
APPLAUSE
Grapeshot, wasn't it? Fantastic -- | 1:50:29 | 1:50:41 | |
great shot. It is OK when you are
dropping these browns, but playing | 1:50:41 | 1:50:44 | |
with a little bit of pace and they
could go for the blue. Just about... | 1:50:44 | 1:50:54 | |
It is OK. The wrong side of the
blue, but leaving the cue ball in | 1:50:54 | 1:51:01 | |
the middle of the table, or he can
go round the angles. | 1:51:01 | 1:51:13 | |
Has he got the pace of the cue ball,
and angle to get back on the black? | 1:51:18 | 1:51:22 | |
Looks OK. | 1:51:22 | 1:51:32 | |
The cue ball needs to slow down a
little bit. Black for the frame, and | 1:51:36 | 1:51:45 | |
what a steal this would be for
Stephen Maguire. Ah, what a | 1:51:45 | 1:51:54 | |
fantastic clearance from Stephen
Maguire. He was 54 points behind in | 1:51:54 | 1:51:58 | |
that frame, and he eventually wins
it on the black, and Stephen Maguire | 1:51:58 | 1:52:02 | |
pinches the first frame and leaves
Joe | 1:52:02 | 1:52:07 | |
pinches the first frame and leaves
Joe Perry 1-0. Hazel Irvine grand | 1:52:07 | 1:52:10 | |
larceny! Terrific start from Stephen
Maguire. He was a runner-up to | 1:52:10 | 1:52:14 | |
Ronnie O'Sullivan a couple of years
back in Telfer, and a winner of this | 1:52:14 | 1:52:17 | |
event. Now it is frame two and Joe
Perry | 1:52:17 | 1:52:23 | |
event. Now it is frame two and Joe
Perry ahead, but he will not be | 1:52:23 | 1:52:25 | |
wanting his feet whipped from him
now. | 1:52:25 | 1:52:28 | |
COMMENTATOR: Not only has he Mr red,
he has taken the black. -- not only | 1:52:28 | 1:52:35 | |
has he missed the red. Can't believe
he missed that red, Peter. Played it | 1:52:35 | 1:52:52 | |
so hard. Amazing, the things that go
through your mind sometimes when | 1:52:52 | 1:52:57 | |
you're sitting in that chair,
thinking, I can't believe I have put | 1:52:57 | 1:53:03 | |
black into play, but he will be
bitterly disappointed to have | 1:53:03 | 1:53:09 | |
missed. An unexpected miss, that's
for sure. | 1:53:09 | 1:53:21 | |
It has been noticeable in these
first couple of frames how both | 1:53:24 | 1:53:27 | |
players have struggled with the pace
at the table to the extent they both | 1:53:27 | 1:53:30 | |
finished on the wrong side of the
blue a few locations, and both | 1:53:30 | 1:53:34 | |
finished straight. Having to hit the
ball quite hard to move the white | 1:53:34 | 1:53:44 | |
around. | 1:53:44 | 1:53:51 | |
Finish low on this blue, after
potting the brown. You always feel | 1:53:58 | 1:54:02 | |
when you are clearing up the
colours, that is the shot, the | 1:54:02 | 1:54:05 | |
crucial one. A nice angle on the
blue. | 1:54:05 | 1:54:09 | |
APPLAUSE
And this is for another steel, a | 1:54:09 | 1:54:15 | |
frame that he shouldn't have won. | 1:54:15 | 1:54:25 | |
And this is
for another steal, a | 1:54:25 | 1:54:26 | |
frame that he shouldn't have won. | 1:54:26 | 1:54:31 | |
So it is Stephen Maguire that takes
their two frame lead, leading 2-0. | 1:54:40 | 1:54:46 | |
So it is Stephen Maguire that takes
their two frame lead, leading 2-0. | 1:54:46 | 1:54:49 | |
HAZEL IRVINE: That one continues on
the red button and we will probably | 1:54:49 | 1:54:52 | |
return to it later in the afternoon
but that match has seen a dominant | 1:54:52 | 1:54:55 | |
start for Stephen be an end rather
larcenous circumstances, as I say, | 1:54:55 | 1:55:02 | |
but it is Ronnie O'Sullivan who has
been absolutely flying today. 4-0 | 1:55:02 | 1:55:06 | |
lead over Martin Gould, former
German Masters winner of course, and | 1:55:06 | 1:55:11 | |
the all-out attack has not worked so
far kiss Martin. Let's get back to | 1:55:11 | 1:55:15 | |
it to see whether Ronnie will wrap
it up in quickfire fashion, or | 1:55:15 | 1:55:19 | |
whether Martin has something to say.
Back to John and Stephen. | 1:55:19 | 1:55:25 | |
STEPHEN | 1:55:25 | 1:55:26 | |
Back to John and Stephen.
STEPHEN HENDRY: The cue ball close | 1:55:26 | 1:55:30 | |
to the green to try to get a nice
contact... John JOHN PARROTT: You | 1:55:30 | 1:55:42 | |
tried all-out attack and he is 4-0
down. | 1:55:42 | 1:55:44 | |
What does he do now, Stephen? If it
is possible for him to go through | 1:55:44 | 1:55:58 | |
the second session without missing a
single pot, it is the only chance | 1:55:58 | 1:56:02 | |
he's got.
Ronnie O'Sullivan is one of the best | 1:56:02 | 1:56:11 | |
front runners, probably the best, in
the game. | 1:56:11 | 1:56:17 | |
This is tricky, this red, that he is
trying to clip here, because he has | 1:56:17 | 1:56:23 | |
to swerve round the blue. He has
played it superbly well. That was an | 1:56:23 | 1:56:28 | |
excellent shot, swerved it just
enough to get round the blue. | 1:56:28 | 1:56:31 | |
Superb.
When he is in this focused mood he | 1:56:31 | 1:56:38 | |
is in this afternoon, Ronnie, every
shot is like a challenge. It is not | 1:56:38 | 1:56:42 | |
like a problem. It is just like a
challenge, to see how well he can | 1:56:42 | 1:56:46 | |
play the shot. | 1:56:46 | 1:56:50 | |
Yes, it is funny when players, you
know, Alan was saying, in the | 1:56:54 | 1:57:01 | |
dressing room, they think, I'm going
to go for all-out attack, but | 1:57:01 | 1:57:04 | |
snooker is not like that. You have
to play the balls the way they are. | 1:57:04 | 1:57:08 | |
If the game opens up and it is all
open and you can attack, that's | 1:57:08 | 1:57:12 | |
fine, but the right shot is always
the right shot, no matter how you | 1:57:12 | 1:57:15 | |
play it. He has certainly played a
few very strange ones today. I agree | 1:57:15 | 1:57:21 | |
with the boys talking about the red
in the middle pocket that Martin | 1:57:21 | 1:57:25 | |
tried to clip in, when he didn't get
on it, that was never really the | 1:57:25 | 1:57:28 | |
right shot.
Desperation, wasn't it? | 1:57:28 | 1:57:37 | |
Disappointment as well, sometimes,
when you know you have a chance like | 1:57:37 | 1:57:40 | |
that played such a poor positional
shot like he did off the blue, you | 1:57:40 | 1:57:44 | |
just try and force it.
You can see Ronnie's miles ahead in | 1:57:44 | 1:57:54 | |
the points scored today. Of course
pot success as well, apart 94%, | 1:57:54 | 1:57:59 | |
which is excellent. -- up at 94%.
Ronnie's in the position in this | 1:57:59 | 1:58:10 | |
match that he doesn't need to take
any risks. He doesn't anyway | 1:58:10 | 1:58:14 | |
generally. He always plays the right
shot, just forces the mistakes out | 1:58:14 | 1:58:17 | |
of his opponent, but it is Martin
now who has to take on these risky | 1:58:17 | 1:58:24 | |
long pots.
APPLAUSE | 1:58:24 | 1:58:32 | |
Obviously when you need at kiss, you
never get one. OK, the cue ball | 1:58:32 | 1:58:44 | |
shouldn't even have been going near
the pack of reds, to be fair. I | 1:58:44 | 1:58:47 | |
don't think that is what he was
playing, but still unfortunate not | 1:58:47 | 1:58:51 | |
to be on anything.
He didn't seem to get any Czech side | 1:58:51 | 1:59:02 | |
on that cue ball, so it avoided the
cannon and a bunch of reds. I think | 1:59:02 | 1:59:09 | |
it was a case of the red, and I
don't blame him- he is 4-0 down, but | 1:59:09 | 1:59:14 | |
you need a bit of check if you are
going to avoid the pack. You just | 1:59:14 | 1:59:26 | |
need a good length of cue ball here,
off the back, a bit of right-hand | 1:59:26 | 1:59:31 | |
side. Mm. That is not great, unless
he gets an angle. Oh, he nearly did. | 1:59:31 | 1:59:49 | |
A poor shot, really. But it still
takes a bit of cueing, this one, but | 1:59:49 | 1:59:55 | |
you would expect him to knock it in.
Yes, and he will be trusting what a | 1:59:55 | 2:00:01 | |
little bit with position. When you
are going into the reds... | 2:00:01 | 2:00:09 | |
How is the luck? Body language
suggests no. The blue is tricky, | 2:00:17 | 2:00:29 | |
bridging over the red. Nothing to do
with the cue ball, make sure of the | 2:00:29 | 2:00:34 | |
pot. It is | 2:00:34 | 2:00:44 | |
missable. This is tricky with the
bridging over. | 2:00:45 | 2:00:49 | |
In the end, he was a long way off.
It was not easy. | 2:01:01 | 2:01:06 | |
When he misses, he misses thin. So,
Martin, what can you do with this | 2:01:11 | 2:01:21 | |
chance? | 2:01:21 | 2:01:23 | |
All he can do is to keep potting. | 2:01:33 | 2:01:37 | |
Trying to play for police red. --
the loose red. Not totally | 2:03:29 | 2:03:40 | |
straightforward for him. The pink is
only available in the top left-hand | 2:03:40 | 2:03:49 | |
pocket and the opposite middle. Not
a lot of options for Martin. | 2:03:49 | 2:03:55 | |
Not the best shot on the pink to
leave himself this angle. He could | 2:04:30 | 2:04:36 | |
have done with screwing back a
little bit more. | 2:04:36 | 2:04:39 | |
That was a decent shot. The angle he
had on the red. | 2:04:55 | 2:05:03 | |
He is starting to find it more
difficult to keep in perfect | 2:05:30 | 2:05:34 | |
position. He is running out of loose
reds. This is tricky. He cannot | 2:05:34 | 2:05:44 | |
avoid cannons on the other reds. | 2:05:44 | 2:05:49 | |
He can stun the cue ball across. | 2:06:06 | 2:06:09 | |
Yes, nice shot. Controlled it
nicely. And now he has played that, | 2:06:19 | 2:06:30 | |
he can play this red into the corner
and hold the cue ball fair and he | 2:06:30 | 2:06:35 | |
has a chance to cannon into the pink
and five reds. I do not think there | 2:06:35 | 2:06:42 | |
is anything available so a nice
clean pot on the red. And you can | 2:06:42 | 2:06:47 | |
come down and hopefully get a
cannon. | 2:06:47 | 2:06:50 | |
It is not the easiest bunch to hit
because there is distance between | 2:07:00 | 2:07:04 | |
the pink and the red. | 2:07:04 | 2:07:07 | |
If he is to go into the pink, he
must hit it full ball. He has played | 2:07:11 | 2:07:19 | |
a controlled cannon. Cut the red on
the left. | 2:07:19 | 2:07:24 | |
He hit it too full in the face. A
decent effort. It have to be | 2:07:34 | 2:07:42 | |
extremely accurate. It was almost
one of those with the cue ball dying | 2:07:42 | 2:07:47 | |
on its last breath to get the
cannon. All he can do is play safe. | 2:07:47 | 2:07:54 | |
Up somewhere near the green. | 2:07:54 | 2:08:00 | |
APPLAUSE | 2:08:05 | 2:08:08 | |
It was a decent break.
He would have loved to do it in one | 2:08:17 | 2:08:24 | |
visit. He has put a red towards the
corner. All the time he will be | 2:08:24 | 2:08:33 | |
thinking about a counter clearance,
if it is coming from Ronnie, and | 2:08:33 | 2:08:37 | |
making it difficult by potting the
reds close to the cushion. | 2:08:37 | 2:08:42 | |
Very dangerous situation for Martin.
OK, he has 46 points in front, but | 2:08:49 | 2:08:55 | |
Ronnie is capable of clearing up and
four of the six reds are in open | 2:08:55 | 2:09:00 | |
play. He does not want to make any
more mistakes and that was a good | 2:09:00 | 2:09:08 | |
shot. | 2:09:08 | 2:09:09 | |
He is looking at the two reds. He
might be able to take least one off | 2:09:34 | 2:09:39 | |
the cushion. He had to avoid that.
That was on the cards. What a | 2:09:39 | 2:09:45 | |
result. | 2:09:45 | 2:09:46 | |
He is playing well and getting a
good run of the ball. Once he got | 2:09:52 | 2:09:57 | |
the double-kiss, it looks like it
was trouble. | 2:09:57 | 2:10:02 | |
Playing the thick contact. | 2:10:08 | 2:10:09 | |
It is a tough combination to play
against. Ronnie O'Sullivan playing | 2:10:15 | 2:10:19 | |
well and getting the run of the
balls into the bargain. | 2:10:19 | 2:10:23 | |
Still very much anyone's frame. If
Ronnie gets in with the chance, he | 2:10:30 | 2:10:37 | |
almost goes favourite, the way the
reds are. | 2:10:37 | 2:10:41 | |
There will be club snooker players
all over the country going, are you | 2:10:58 | 2:11:01 | |
mad, I would love to have a 46 point
lead. But not with Ronnie sitting in | 2:11:01 | 2:11:07 | |
the chair. One mistake, it could all
be gone. Just the red on the | 2:11:07 | 2:11:15 | |
left-hand side, but as you
mentioned, that is not a problem | 2:11:15 | 2:11:21 | |
when you are good with the
left-hand, as well. | 2:11:21 | 2:11:24 | |
I am wondering whether the one on
the left he could have pushed up and | 2:11:55 | 2:12:00 | |
down and left the cue ball tight
here and left the reds in the open | 2:12:00 | 2:12:04 | |
but he does not fancy because he
thinks he will leave one in the | 2:12:04 | 2:12:07 | |
middle. He will wait for another
opportunity. Martin Gould has had a | 2:12:07 | 2:12:17 | |
policy of going for everything you
could see this afternoon, but it | 2:12:17 | 2:12:22 | |
changes now, because he knows it
could cost him the frame. | 2:12:22 | 2:12:25 | |
If he were behind he would have
taken the red on but now he has gone | 2:12:45 | 2:12:52 | |
into protect the lead mode. | 2:12:52 | 2:13:00 | |
He would love to get this red from
the side cushion. You can see him | 2:13:04 | 2:13:09 | |
thinking about it all the time. | 2:13:09 | 2:13:11 | |
Not quite how he played it. If he
sits on the blue, I will never | 2:13:18 | 2:13:23 | |
believe it. I will never believe it.
Well, Martin Gould, you do not want | 2:13:23 | 2:13:30 | |
to be backing any horses over the
weekend because that is | 2:13:30 | 2:13:33 | |
unbelievable. A total mis-hit come
up and down the table and the one | 2:13:33 | 2:13:43 | |
spot that is a nightmare. He has had
some today. | 2:13:43 | 2:13:46 | |
You see, total mis-hit, too much on
the cue ball and we saw it | 2:13:52 | 2:13:56 | |
immediately and we both went over,
no. I am sure Martin thought worse | 2:13:56 | 2:14:01 | |
than that. | 2:14:01 | 2:14:02 | |
Even though Martin Gould is 46
points ahead, who is favourite to | 2:14:06 | 2:14:11 | |
win the frame? It is pretty close.
And to add insult to injury, what | 2:14:11 | 2:14:20 | |
shot can he play? It looks like a
hit and hope. Give it a smack, hope | 2:14:20 | 2:14:32 | |
you hit something and then end up
safe. | 2:14:32 | 2:14:37 | |
You have two lads in the studio who
know how to get out of snooker 's, | 2:14:43 | 2:14:48 | |
but I am sure they would be
struggling here. -- snookers. And | 2:14:48 | 2:14:55 | |
there we go. | 2:14:55 | 2:14:57 | |
Well, he will be absolutely
delighted with that. | 2:15:08 | 2:15:14 | |
He actually tried to play the pot,
which was very clever. He was in | 2:15:19 | 2:15:24 | |
that much trouble he thought, I
might as well have a go at it. He | 2:15:24 | 2:15:28 | |
almost got it, but well done him to
get the cue ball there. He has | 2:15:28 | 2:15:35 | |
forced Ronnie into taking the pot
on. Cannot see a safety shot this | 2:15:35 | 2:15:40 | |
time. I cannot tell you how tough
this is. | 2:15:40 | 2:15:45 | |
Oh, dear. | 2:15:50 | 2:15:57 | |
No, that is scary. What a pot that
was. Some things have happened in | 2:16:06 | 2:16:16 | |
this match today, Martin Gould, all
you can do is laugh about it. | 2:16:16 | 2:16:21 | |
Yes, it is more of those days. Your
opponent is playing brilliantly | 2:16:25 | 2:16:30 | |
well, striking the ball great,
having a good run of the balls and | 2:16:30 | 2:16:35 | |
some pots today have been three of
the best shots I have seen all week | 2:16:35 | 2:16:39 | |
and that was another one, cueing off
the top cushion. Fair to say they | 2:16:39 | 2:16:47 | |
are easier when you are 4-0 ahead
than behind. But that is a tough | 2:16:47 | 2:16:55 | |
shot. Goodness me. | 2:16:55 | 2:17:02 | |
Play the pink after this next red. | 2:17:21 | 2:17:24 | |
Straightaway leaving a wide-angle so
he can stun up just before the | 2:17:36 | 2:17:41 | |
middle pocket and probably play on
the yellow. Trying to make it as | 2:17:41 | 2:17:49 | |
easy as possible and as close as you
can. If anything, just a little bit | 2:17:49 | 2:17:54 | |
too firm. He could have done with it
pulling up more. I think he played | 2:17:54 | 2:18:02 | |
for green. | 2:18:02 | 2:18:05 | |
Just using the one cushion. This is
not a certainty. All of these pots | 2:18:10 | 2:18:16 | |
are easier if you are scoring in the
match but he knows this is a big | 2:18:16 | 2:18:25 | |
frame to win, to go 5-0. When he
fluked the snooker there was a new | 2:18:25 | 2:18:43 | |
favourite in the frame. | 2:18:43 | 2:18:52 | |
I fear for you in this frame,
Martin. You have not done a lot | 2:18:58 | 2:19:03 | |
wrong, OK, position went wrong at
the start of it, but that piece of | 2:19:03 | 2:19:10 | |
fortune Ronnie had with the mis-hit
on the safety shot was one of the | 2:19:10 | 2:19:15 | |
most outrageous fluked snookers I
have seen. But this break has been | 2:19:15 | 2:19:22 | |
made because of O'Sullivan's
magnificence of the cushion. | 2:19:22 | 2:19:27 | |
He went a little bit far with the
cue ball and this is Martin's only | 2:19:39 | 2:19:45 | |
hope, but you would not expect him
to miss this. And in it goes. There | 2:19:45 | 2:19:56 | |
was an inevitability about that
clearance. Martin Gould led by 46 | 2:19:56 | 2:20:02 | |
points but outrageous fortune for
Ronnie and a brilliant red in the | 2:20:02 | 2:20:05 | |
middle. HAZEL | 2:20:05 | 2:20:07 | |
Ronnie and a brilliant red in the
middle. HAZEL IRVINE: But you make | 2:20:07 | 2:20:10 | |
your own luck and you have been
talking about at the beginning of | 2:20:10 | 2:20:14 | |
the match. A shot Martin Gould took
on and the vortex spiralled | 2:20:14 | 2:20:20 | |
downwards. When you look back on
this was it | 2:20:20 | 2:20:22 | |
downwards. When you look back on
this was it the key shot? It is a | 2:20:22 | 2:20:26 | |
sliding doors moment. It is a low
percentage shot. Who knows what | 2:20:26 | 2:20:33 | |
would have happened had he chosen to
play a safety. It is not guaranteed | 2:20:33 | 2:20:38 | |
Ronnie is going | 2:20:38 | 2:20:39 | |
play a safety. It is not guaranteed
Ronnie is going to play well. It is | 2:20:39 | 2:20:42 | |
a big moment in the match and I
thought it at the time, do not | 2:20:42 | 2:20:48 | |
encourage O'Sullivan. Keep him as
safe as you can. I know it is not | 2:20:48 | 2:20:53 | |
easy but do not gift chances for no
reason. For me it is false bravado. | 2:20:53 | 2:21:02 | |
By Martin Gould. He has not competed
today. And the last frame when | 2:21:02 | 2:21:07 | |
Ronnie lands on the blue, almost the
balls tell you, that is what you get | 2:21:07 | 2:21:14 | |
for not applying yourself early the
match. It might be harsh but it is | 2:21:14 | 2:21:18 | |
the way the game treats you. If John
Higgins is watching, he understand. | 2:21:18 | 2:21:23 | |
It is not what happens afterwards. | 2:21:23 | 2:21:28 | |
Higgins is watching, he understand.
It is not what happens afterwards. | 2:21:28 | 2:21:29 | |
You do not know when luck comes but
you sometimes can make things happen | 2:21:29 | 2:21:34 | |
by playing the right shot at the
right time and if Martin Gould can | 2:21:34 | 2:21:38 | |
analyse that and look at that shot
and say, perhaps that was wrong. If | 2:21:38 | 2:21:43 | |
he has someone in his corner to say,
think about that, was it the right | 2:21:43 | 2:21:48 | |
shot? OK, if you do... We do not
think it was the right shot. HAZEL | 2:21:48 | 2:21:56 | |
IRVINE: He certainly has a lot to do
and he is looking at an exit in the | 2:21:56 | 2:22:00 | |
UK Championship. JOHN PARROTT:
Interesting from the boys, as ever. | 2:22:00 | 2:22:09 | |
It is funny, this game. The balls do
seem to have a memory, as was said | 2:22:09 | 2:22:15 | |
earlier. You do something wrong, and
the amount of times it has happened | 2:22:15 | 2:22:19 | |
in matches you should have won. You
play the wrong shot, and the rest of | 2:22:19 | 2:22:24 | |
the match, it does not forgive you. | 2:22:24 | 2:22:30 | |
Probably covered by the blue! Yes.
He has played brilliant tactical | 2:22:34 | 2:22:46 | |
shots today, Ronnie. | 2:22:46 | 2:22:49 | |
Well, hello. Of course, he will not
be on anything, you know that! Yes, | 2:23:07 | 2:23:15 | |
granite on the cushion. Good luck
rolling up to it. Does he take the | 2:23:15 | 2:23:24 | |
brown into the right middle? 5-0,
trying to lay the snooker. It is a | 2:23:24 | 2:23:34 | |
hard shot to play. These cloths are
fine. | 2:23:34 | 2:23:43 | |
That is about as good as he can do.
Good shot. | 2:23:47 | 2:24:00 | |
Ronnie is looking at three cushions,
maybe four. | 2:24:00 | 2:24:07 | |
Did not get a wide enough angle. | 2:24:23 | 2:24:27 | |
He may be tempted by the red to the
far left corner. No, he gets it put | 2:24:35 | 2:24:41 | |
back. | 2:24:41 | 2:24:44 | |
It is all about the slide off the
third cushion. Would have been, a | 2:25:02 | 2:25:16 | |
touch harder. | 2:25:16 | 2:25:17 | |
He has the angle worked out but it
is the third cushion. | 2:25:25 | 2:25:30 | |
REFEREE: Foul and a miss.
He is very close. Just a tiny bit | 2:25:50 | 2:25:58 | |
more pace. With the angle he is
hitting it, when you put on more | 2:25:58 | 2:26:06 | |
pace, sometimes, be third cushion,
it slides more. A tiny bit of | 2:26:06 | 2:26:10 | |
readjustment. | 2:26:10 | 2:26:12 | |
APPLAUSE
Yes. Good shot. He knew he would not | 2:26:20 | 2:26:32 | |
get much of an advantage if Ronnie
hit that correctly but he got 12 | 2:26:32 | 2:26:36 | |
points for nothing, which could come
in handy. | 2:26:36 | 2:26:40 | |
Well, he definitely will take this
red on. The left side of the | 2:27:24 | 2:27:31 | |
cluster, it looks like a natural
angle. | 2:27:31 | 2:27:33 | |
He will be disappointed with that.
He should have been stopping the cue | 2:27:48 | 2:27:55 | |
ball well short of the baulk line.
But he was trying so hard to make | 2:27:55 | 2:28:01 | |
the pot, the positional side, the
pot, will go wrong. Either that, or | 2:28:01 | 2:28:07 | |
play it firmer, go in and out,
because, at the end of the day, you | 2:28:07 | 2:28:12 | |
are 5-0 down. | 2:28:12 | 2:28:14 | |
Anyway, it was not to be. | 2:28:17 | 2:28:23 | |
It needs to be a similar shot. Three
cushions, possibly a fourth. | 2:28:29 | 2:28:38 | |
Yes, I think he knows it by now. | 2:28:44 | 2:28:48 | |
I have thoroughly enjoyed watching
this today. Starting off the match | 2:28:54 | 2:28:59 | |
with two glorious centuries. There
have been brilliant individual pots | 2:28:59 | 2:29:04 | |
and some fantastic tactical play. He
has looked fully up for every | 2:29:04 | 2:29:12 | |
department today in this match. | 2:29:12 | 2:29:14 | |
It was a good cue ball. But he might
be tempted to pot this. Far from | 2:29:24 | 2:29:31 | |
easy, of course. He could play thin
and plate a natural safety shot but | 2:29:31 | 2:29:41 | |
he is going for the pot. | 2:29:41 | 2:29:44 | |
Wasn't much chance of him flicking
the blue, the way it has been going. | 2:29:54 | 2:30:02 | |
Snookered him on that one. Going to
have to be the red, the plant to the | 2:30:02 | 2:30:17 | |
red over the corner pocket. He has
got that as a pot. Don't know which | 2:30:17 | 2:30:25 | |
one he was looking at. He has also
got a thin clip off the side of the | 2:30:25 | 2:30:32 | |
park and use the yellow and blue in
the bowl end. It is whether he says, | 2:30:32 | 2:30:43 | |
I am 5-0 behind, I might as well
have a go. Or whether he plays the | 2:30:43 | 2:30:47 | |
safety. | 2:30:47 | 2:30:49 | |
Didn't get it, but he played it in a
way that was quite clever. Good | 2:31:08 | 2:31:15 | |
angles and good cue ball. | 2:31:15 | 2:31:22 | |
He has had a go at a couple, this is
another one to the right middle. | 2:32:16 | 2:32:22 | |
Just wondering whether he can play
across double with a bit of safety | 2:32:22 | 2:32:31 | |
involved. He has a choice. Across
the face of it, and up and down. | 2:32:31 | 2:32:36 | |
Good pot. Excellent. Played it
confidently. He would have let | 2:32:36 | 2:32:49 | |
Ronnie in, should he have missed
that. He is at the point of no | 2:32:49 | 2:32:55 | |
return, Martin. Everything that is a
half chance, he is going to go for | 2:32:55 | 2:32:58 | |
it. | 2:32:58 | 2:33:01 | |
Playing this red because it doesn't
look like the black is possible. | 2:33:25 | 2:33:32 | |
Could have done with a bit more on
the cue ball but that is a nice, | 2:33:32 | 2:33:39 | |
clean pot. You cannot always judge
where the cue ball is going to go. | 2:33:39 | 2:33:44 | |
Thankfully he missed the double-kiss
with the black. | 2:33:44 | 2:33:49 | |
Nice little chance. Storm the pink
in, red in the middle and then the | 2:34:18 | 2:34:26 | |
black. Probably pot to the top
right-hand pocket. With it being | 2:34:26 | 2:34:32 | |
next to the reds, he could bring a
few more into play. Just coming to | 2:34:32 | 2:34:36 | |
have a look to see if the black
goes. Which it does. Pot this, come | 2:34:36 | 2:34:43 | |
down and try and get a bit low on
this. Stun the black in and move a | 2:34:43 | 2:34:50 | |
couple of the reds out. Perfect. | 2:34:50 | 2:34:56 | |
Little bit careful with the cannon.
This is a big shot. The only thing | 2:35:01 | 2:35:10 | |
that can go wrong is not landing on
one here. | 2:35:10 | 2:35:18 | |
Looking at his body language... From
that, it looks like it doesn't take | 2:35:26 | 2:35:31 | |
a lot. Just a little touch of
left-hand side, I think he will be | 2:35:31 | 2:35:37 | |
able to pot that. I think he is
going to have to take it. If he | 2:35:37 | 2:35:49 | |
plays the one he is looking at,
bridging over. All sorts of cannons | 2:35:49 | 2:35:54 | |
can happen. It is awkward. I am sure
Paul Collier is going to love this | 2:35:54 | 2:36:01 | |
one, cleaning the white. I don't
think I would be doing that. I would | 2:36:01 | 2:36:10 | |
say, I will clean it after this
shot. | 2:36:10 | 2:36:17 | |
Got to play it a bit to get the cue
ball on and off the cushion. It is | 2:36:36 | 2:36:49 | |
one of those shots. You have played
the cannon and you think, I am bound | 2:36:49 | 2:36:55 | |
to be on one. You don't want any
shot that has any degree of | 2:36:55 | 2:36:59 | |
difficulty. But I didn't think it
was going to be that hard. | 2:36:59 | 2:37:09 | |
You can't see how Martin can go
wrong here now. All credit to him, | 2:37:39 | 2:37:47 | |
he has been on the end of it today.
Ronnie has played great, tactically | 2:37:47 | 2:37:53 | |
very astute and all departments have
been in full flow. He is hanging in | 2:37:53 | 2:37:58 | |
there, he is 5-0 down, it can't be
easy, but this is a good effort. | 2:37:58 | 2:38:04 | |
Knowing Martin, he will be
determined to make a century break | 2:38:17 | 2:38:22 | |
here, just to show this crowd at the
Barbican, he can actually play the | 2:38:22 | 2:38:27 | |
game. They all know he can, but he
has been up against it today. | 2:38:27 | 2:38:41 | |
He has got a frame on the board. He
has avoided the dreaded whitewash. | 2:39:05 | 2:39:18 | |
Probably just delaying the
inevitable, but... He will try and | 2:39:18 | 2:39:27 | |
clear the table and that will be a
positive to take from today. | 2:39:27 | 2:39:34 | |
Taking these superbly well, Martin
Gould. Very good response. 5-0, very | 2:40:24 | 2:40:36 | |
easy to just throw the towel in.
Martin is still in there, still | 2:40:36 | 2:40:43 | |
punching. You don't win a major
event if you don't have something | 2:40:43 | 2:40:52 | |
about you. He won the Masters in
2016. All the boys know he is a good | 2:40:52 | 2:41:00 | |
competitor. It shows pride in his
performance, trying so hard to make | 2:41:00 | 2:41:08 | |
this century break. Good shots.
Little bit straight on the black. | 2:41:08 | 2:41:16 | |
Screw back with lots of right-hand
side. Here is a question, have you | 2:41:16 | 2:41:28 | |
ever won a match from 5-0 down in
the best of 11? Not that you are | 2:41:28 | 2:41:33 | |
ever 5-0 down, of course! I won the
Best of nine from 4-0. The wasn't | 2:41:33 | 2:41:45 | |
the best of 11 when I was playing.
It was the best of 17 by then. I was | 2:41:45 | 2:41:52 | |
thinking about the Masters, maybe? I
knew I shouldn't have asked the | 2:41:52 | 2:41:57 | |
question. | 2:41:57 | 2:42:01 | |
Well played, Martin Gould. There is
the century. The Barbican audience | 2:42:12 | 2:42:18 | |
appreciating it. Excellent. The blue
doesn't go in, but he won't be too | 2:42:18 | 2:42:25 | |
bothered. Fantastic response, 5-0
down, makes a century break. But it | 2:42:25 | 2:42:31 | |
is Ronnie O'Sullivan who leads 5-1.
HAZEL | 2:42:31 | 2:42:36 | |
is Ronnie O'Sullivan who leads 5-1.
HAZEL IRVINE: bat has been very | 2:42:36 | 2:42:38 | |
enjoyable and having spent a bit of
time knocking Martin for some of the | 2:42:38 | 2:42:43 | |
decision-making process earlier on,
he has shown he can still pot them | 2:42:43 | 2:42:47 | |
when it matters? It is common when a
player reaches the point of no | 2:42:47 | 2:42:59 | |
return, the Bugle is blown and he
starts swinging his arm and a few | 2:42:59 | 2:43:04 | |
start going in. He didn't have a
great game yesterday, but he didn't | 2:43:04 | 2:43:10 | |
dropped his head or throw the towel
in. We know he loves the game of | 2:43:10 | 2:43:13 | |
snooker. Even though he has been
knocked out of the World | 2:43:13 | 2:43:18 | |
Championship, we have seen him at
the Winter Garden. He won't be | 2:43:18 | 2:43:22 | |
saying it is all terrible, he plays
every game of snooker, 5-0 down | 2:43:22 | 2:43:28 | |
against Ronnie O'Sullivan, OK. Next
frame, go for it. That is why Martin | 2:43:28 | 2:43:33 | |
Gould is knocking on the doors of
the top 16. Yesterday he breaks 69 | 2:43:33 | 2:43:42 | |
and 64 and he has plenty of bottle
and belief? He does, but like | 2:43:42 | 2:43:48 | |
football, you have to earn the right
to play well. You have got to do | 2:43:48 | 2:43:52 | |
that early doors by competing. You
just don't give gifts. Doing what he | 2:43:52 | 2:43:57 | |
did early in the match, he almost
lost the right to compete by giving | 2:43:57 | 2:44:03 | |
Ronnie the lead. Not giving Ronnie
believed, he is talented enough, but | 2:44:03 | 2:44:08 | |
he didn't compete and you cannot do
that against O'Sullivan. Is this a | 2:44:08 | 2:44:15 | |
consolation prize, that century? It
looks to be, but you never know with | 2:44:15 | 2:44:19 | |
a game of snooker. You expect Ronnie
to make some frame-winning | 2:44:19 | 2:44:26 | |
contribution and it would be all
over. Ronnie would be into the | 2:44:26 | 2:44:32 | |
semifinals I think without having
played anybody in the top 16? Yes, | 2:44:32 | 2:44:38 | |
Martin is 18 in the world and such
as being the extraordinary nature of | 2:44:38 | 2:44:44 | |
this championship, we were saying
earlier with Barry Hearn, there is | 2:44:44 | 2:44:47 | |
only Ronnie and Shaun Murphy from
the top 16 players left in the | 2:44:47 | 2:44:51 | |
tournament. If Ronnie will go on to
win this match, regardless of who | 2:44:51 | 2:44:57 | |
wins between Joe Perry and Stephen
Maguire, none of them are in the top | 2:44:57 | 2:45:01 | |
16. It is strange. It is, but
Stephen and Joe are all but and they | 2:45:01 | 2:45:07 | |
have been on the circuit for a long
time so we will be going back to | 2:45:07 | 2:45:10 | |
that one in a while, but meanwhile,
can Ronnie finish this off? | 2:45:10 | 2:45:15 | |
COMMENTATOR: that is what Ronnie
will be looking to do, get it over | 2:45:21 | 2:45:25 | |
as soon as possible. That is a
mistake. Paul Martin go straight | 2:45:25 | 2:45:29 | |
into the bunch of this red. Has got
the angle. It is a lovely pack. It | 2:45:29 | 2:45:40 | |
will keep the white, that pack. That
is what he is thinking. | 2:45:40 | 2:45:47 | |
Oh dear. That is what he played, but
the cue almost came out of his | 2:45:49 | 2:46:02 | |
hands, it was that bad. That wasn't
anything like he can do. That was a | 2:46:02 | 2:46:18 | |
universal snooker player's action
for saying, you have cued around the | 2:46:18 | 2:46:21 | |
corner. | 2:46:21 | 2:46:27 | |
Strange. It was almost as if he
played that without making his mind | 2:46:40 | 2:46:46 | |
up. He was down on the shot, I think
the cogs in his brain was still | 2:46:46 | 2:46:55 | |
working when he was playing that
one. Normally, so strong, closing a | 2:46:55 | 2:47:09 | |
match out. | 2:47:09 | 2:47:12 | |
He gets a sniff of a chance to win
the match, normally that's enough. | 2:47:17 | 2:47:26 | |
Not ideal angle on the blue to go
into the pink. Might be playing for | 2:47:26 | 2:47:33 | |
this red left of the pink. He can
hit that red and screw as hard as he | 2:47:33 | 2:47:39 | |
likes because the black is available
over on the other corner. Unless red | 2:47:39 | 2:47:45 | |
came out and covered the pocket, he
is bound to be on that. He has lost | 2:47:45 | 2:47:51 | |
the cue ball. That was clumsy from
Ronnie O'Sullivan. He knows it. You | 2:47:51 | 2:47:56 | |
can see the frustration. He will
kick himself over that. Just leave | 2:47:56 | 2:48:02 | |
the cue ball high, open them up and
then the black is there. That will | 2:48:02 | 2:48:10 | |
annoy him. | 2:48:10 | 2:48:16 | |
Excellent safety shot, but this was
very unlike Ronnie O'Sullivan to | 2:48:25 | 2:48:30 | |
lose control of the cue ball like
that. | 2:48:30 | 2:48:34 | |
APPLAUSE | 2:49:17 | 2:49:19 | |
Same shot again for Martin. Off a
couple of cushions and drop into the | 2:49:22 | 2:49:28 | |
pack. Slightly different this time.
Ronnie can play off the side with a | 2:49:28 | 2:49:42 | |
little bit of running side into the
baulk area. | 2:49:42 | 2:49:48 | |
Just checking up there is no
available plants amongst the | 2:49:59 | 2:50:04 | |
cluster. This is a shot that has
become much changed over the years. | 2:50:04 | 2:50:11 | |
It is a shot players like to hit
very thin now. Not to open the pack | 2:50:11 | 2:50:17 | |
up. He gave up the fact he couldn't
get a good white. Just to maintain | 2:50:17 | 2:50:24 | |
the cluster. | 2:50:24 | 2:50:30 | |
Only really the one you can leave,
you would think. Definitely worth | 2:50:58 | 2:51:04 | |
having a go at this. Where the black
is, with it being so close to the | 2:51:04 | 2:51:14 | |
pocket, if he can knock the red in,
where every finish round there, you | 2:51:14 | 2:51:19 | |
can split the pack up. But he is
refusing it. Interesting! | 2:51:19 | 2:51:24 | |
Maybe he thinks it didn't go.
Sometimes you get a different view | 2:51:31 | 2:51:34 | |
than the player. He has a new game
plan, John! Now he is 5-1 down, he | 2:51:34 | 2:51:51 | |
has decided not to go for anything.
He has played a very good safety | 2:51:51 | 2:51:55 | |
shot, but he was definitely on that
red. | 2:51:55 | 2:52:03 | |
I think the red closest to the right
corner will cut in. If it did and he | 2:52:13 | 2:52:19 | |
can play it with pace, he could go
into the pack and remain on the | 2:52:19 | 2:52:23 | |
black. It is a tough shot, but that
pack could go. | 2:52:23 | 2:52:28 | |
He was right not to hit it too hard,
but he needed a trace of left-hand | 2:52:41 | 2:52:47 | |
side on the cue ball just to make
sure that didn't happen. He did hit | 2:52:47 | 2:52:53 | |
the red above that one, didn't he?
If he missed the red above, he would | 2:52:53 | 2:53:00 | |
be guaranteed to be on it. Not only
is he in a load of trouble and has | 2:53:00 | 2:53:05 | |
to play a colour, he has red over
the left-hand pocket as well. He has | 2:53:05 | 2:53:12 | |
done pretty well today, Martin
Gould, to get out of a lot of | 2:53:12 | 2:53:16 | |
trouble. Certainly with the snooker
is. But this has got to be very good | 2:53:16 | 2:53:20 | |
to get out of this. | 2:53:20 | 2:53:26 | |
That was an excellent shot. He is
still potting the effort in, Martin | 2:53:47 | 2:53:55 | |
Gould. Excellent temperament. | 2:53:55 | 2:54:00 | |
May be a little bit of a delay.
Somebody in the audience has taken a | 2:54:19 | 2:54:24 | |
turn for the worst. So there might
just be a little hiatus here. | 2:54:24 | 2:54:41 | |
Somebody being attended to. Plenty
of people helping. So all good at | 2:55:07 | 2:55:11 | |
the moment. | 2:55:11 | 2:55:17 | |
HAZEL IRVINE: we will hang fire
until attention has given to the | 2:55:27 | 2:55:31 | |
member of the audience. Stephen said
he would have been proud of the shot | 2:55:31 | 2:55:39 | |
that Martin played early on, it was
an angle special. I don't know about | 2:55:39 | 2:55:44 | |
that. He was unlucky, potted a good
red, cut back and we were wondering | 2:55:44 | 2:55:50 | |
if he would get onto the black. He
was unlucky. Unfortunately, he's | 2:55:50 | 2:55:55 | |
leaving bits too late. The
showcasing of the skills is all very | 2:55:55 | 2:56:00 | |
well, but is the match, for you,
done and dusted at this point? It | 2:56:00 | 2:56:06 | |
is, but we have seen things come
back. Apparently the man to my right | 2:56:06 | 2:56:11 | |
was 5-0 behind in the UK
championship and one 6-5, it is not | 2:56:11 | 2:56:18 | |
impossible but suffer against Ronnie
O'Sullivan. You wear, was that in | 2:56:18 | 2:56:21 | |
the garage? No, it was in the arena
last year. Barry Hawkins was 5-0 up | 2:56:21 | 2:56:31 | |
and was overtaken by Nigel Bond. So
it can be done. It is rather rare | 2:56:31 | 2:56:35 | |
these days, isn't it? From Martin
Gould's perspective, the only way | 2:56:35 | 2:56:43 | |
back in is to keep your head up. If
you start to believe you are getting | 2:56:43 | 2:56:47 | |
unlucky and they haven't gone right,
ridiculous things have gone wrong in | 2:56:47 | 2:56:53 | |
some of the frames. The only way you
could possibly get back is to still | 2:56:53 | 2:56:58 | |
be optimistic. That is his great
strength in the game. Just repeating | 2:56:58 | 2:57:03 | |
what we said before, he absolutely
loves snooker, you can tell. He is | 2:57:03 | 2:57:09 | |
hanging around, when he is not
playing, he is hanging around, | 2:57:09 | 2:57:13 | |
watching, talking to the fans. Great
character and the type of person we | 2:57:13 | 2:57:18 | |
need on the circuit, but from this
level, it is a tough ask. When he | 2:57:18 | 2:57:23 | |
started to appear at the Crucible,
such was his enthusiasm, he would be | 2:57:23 | 2:57:28 | |
knocked out but he would stay for
the whole two weeks. He has done | 2:57:28 | 2:57:33 | |
that a few times, yes. We sometimes
don't really see what happens behind | 2:57:33 | 2:57:39 | |
the scene is, how much effort the
players put into the game. Sometimes | 2:57:39 | 2:57:44 | |
you don't want to talk to the fans,
they get on with their own game but | 2:57:44 | 2:57:49 | |
others are pretty decent. It is
worth talking about Ronnie's | 2:57:49 | 2:57:53 | |
longevity. Martin is trying to get
through to only his second semifinal | 2:57:53 | 2:57:58 | |
at the UK championship, but Ronnie
is on the cusp of a tense semifinal | 2:57:58 | 2:58:03 | |
in 25 years. His record is
extraordinary. When you consider the | 2:58:03 | 2:58:10 | |
first 15 years of Ronnie's career,
he probably didn't apply himself the | 2:58:10 | 2:58:14 | |
way he does these days. If he had
all the stuff going on from the | 2:58:14 | 2:58:23 | |
early days, it is scary to think
what he would have won. It is just | 2:58:23 | 2:58:28 | |
over a decade ago, we remember
Ronnie walking out on the Crucible | 2:58:28 | 2:58:32 | |
quarterfinal against Stephen Hendry,
4-2 down. He was all over the place | 2:58:32 | 2:58:39 | |
with his game, but to have this
period of stability and consistency | 2:58:39 | 2:58:45 | |
in his game and he professes he is
not interested in the records. | 2:58:45 | 2:58:48 | |
Surely that has got to be his
driving ambition? He is now 42 years | 2:58:48 | 2:58:54 | |
of age, but he seems to be getting
better. In his physical game hitting | 2:58:54 | 2:58:59 | |
the ball, the most amazing part, the
last five years, his long game is | 2:58:59 | 2:59:04 | |
probably better than it was when he
was a teenager. I don't know what | 2:59:04 | 2:59:10 | |
the magic formula is. But it has
been impressive. Ronnie O'Sullivan | 2:59:10 | 2:59:14 | |
keeps himself in good shape by
running. There are John Higgins and | 2:59:14 | 2:59:22 | |
Mark Wellings in their 40s playing
good snooker. -- Mark Williams. Play | 2:59:22 | 2:59:36 | |
is about to resume and I'm happy to
say we are back under way in this | 2:59:36 | 2:59:40 | |
frame, seven. | 2:59:40 | 2:59:41 | |
COMMENTATOR: Thank you, we just hope
the person who was taken out is all | 2:59:48 | 2:59:51 | |
well and good. | 2:59:51 | 2:59:55 | |
Martin found a way through there. | 3:00:00 | 3:00:03 | |
I'm just wondering whether he can do
this properly. It's a good test of | 3:00:12 | 3:00:20 | |
your cueing. Always a worry when
there is a ball he could catch. That | 3:00:20 | 3:00:33 | |
could have stuck its nose out and
been easy, but it's gone right | 3:00:33 | 3:00:40 | |
behind the black. | 3:00:40 | 3:00:47 | |
APPLAUSE | 3:01:09 | 3:01:15 | |
This is very tight. To get through
this thread and onto the black, it | 3:01:25 | 3:01:33 | |
doesn't look on. No, it's not on.
This has to be hit good. What a | 3:01:33 | 3:01:40 | |
shot. What a shot. I know he's going
to leave this red to the right | 3:01:40 | 3:01:49 | |
corner but that contact on the road
was brilliant. -- on the red was | 3:01:49 | 3:01:55 | |
brilliant. Yes, he has made the best
of a tough job there. He has got the | 3:01:55 | 3:02:04 | |
cue ball nearly glued to the bottom
cushion and it just makes the shot | 3:02:04 | 3:02:08 | |
harder than it could have been. If
that cue ball was not on the top | 3:02:08 | 3:02:15 | |
cushion, Martin gets down and rolls
it straight in. You would expect him | 3:02:15 | 3:02:19 | |
to knock it in but it is not a
gimme. | 3:02:19 | 3:02:25 | |
Surely he is on the black this time?
Well, that tells me already he is | 3:02:30 | 3:02:37 | |
not. | 3:02:37 | 3:02:47 | |
In practice, you'd have a go at
bending this. It's just how he | 3:02:48 | 3:02:54 | |
feels. He might try one cushion up
behind the brown. I think he may be | 3:02:54 | 3:03:09 | |
tempted at the swerve, you know. I
think the shot behind the brown is a | 3:03:09 | 3:03:17 | |
really good shot. I think that's the
one he will play. If you can come | 3:03:17 | 3:03:21 | |
behind it, if you do hit the brown
at the right pace, you can snooker | 3:03:21 | 3:03:27 | |
him back. It's just whether he
thinks he can play that one or it's | 3:03:27 | 3:03:30 | |
a green. He's gone for the green. A
miss. Martin Gould, one, Ronnie | 3:03:30 | 3:03:46 | |
O'Sullivan, four. I am pretty sure
that shot you called and was on, to | 3:03:46 | 3:03:53 | |
go in behind the brown. Yes, I can
only assume he didn't play it | 3:03:53 | 3:04:01 | |
because he didn't think he'd get a
snooker close to the right corner. | 3:04:01 | 3:04:09 | |
He is looking because he is loath to
put it back in. A professional | 3:04:20 | 3:04:26 | |
player probably wouldn't be missing
the green again second go, so he | 3:04:26 | 3:04:30 | |
doesn't think there's any great
benefit to sticking him back into | 3:04:30 | 3:04:34 | |
that. -- in two back. | 3:04:34 | 3:04:41 | |
He doesn't like this shot. | 3:04:46 | 3:04:52 | |
It's not a bad chance, this. Read to
the left of the black and the one | 3:05:33 | 3:05:40 | |
above that, obviously readily
available. The right-hand side isn't | 3:05:40 | 3:05:46 | |
too difficult either, so a big area
to play in position elite. | 3:05:46 | 3:05:55 | |
This is a good chance. | 3:06:03 | 3:06:09 | |
I thought he might have played for
the black to left corner. If he puts | 3:06:17 | 3:06:22 | |
the pink -- if you pots the pink and
it goes on its own spot... If it | 3:06:22 | 3:06:32 | |
goes on the black spot, it's OK, but
it complicates things a little bit. | 3:06:32 | 3:06:46 | |
APPLAUSE | 3:06:56 | 3:07:03 | |
I think he's OK. At first, I thought
he had stuck on that. But he's fine. | 3:07:27 | 3:07:38 | |
It's all after the event, of course,
but the way he is playing now and | 3:07:38 | 3:07:42 | |
the quality of his matchplay, you
wonder what would have happened if | 3:07:42 | 3:07:50 | |
he had played like this from the
start, because his matchplay has | 3:07:50 | 3:07:54 | |
been very, very good the last couple
of frames. It's what we are used to | 3:07:54 | 3:07:59 | |
seeing from him. Yes, you could
possibly say that now he has 5-0 | 3:07:59 | 3:08:09 | |
behind, he has relaxed. When you
can't win the match, sometimes it is | 3:08:09 | 3:08:14 | |
easier than a normal game. The
shackles off. It would be | 3:08:14 | 3:08:23 | |
interesting if he was to win another
couple of frames how his game would | 3:08:23 | 3:08:30 | |
evolve. | 3:08:30 | 3:08:35 | |
He didn't play that last read
particularly well. And because of | 3:08:47 | 3:08:53 | |
that, he has had to take this one in
the centre, so a little more to do | 3:08:53 | 3:09:00 | |
with the cue ball. He has decided to
play the pot and run-through. | 3:09:00 | 3:09:14 | |
He will be taking be outside red of
these two, slightly hampered in the | 3:09:45 | 3:09:51 | |
cueing. Shouldn't miss it. There is
not too much to do with the white. | 3:09:51 | 3:09:59 | |
So, this red and another colour and
he would need a snooker. Yes, that | 3:10:43 | 3:10:59 | |
is an excellent effort. Very good.
Just make sure you concentrate for | 3:10:59 | 3:11:03 | |
the next two shots. Not just this
one, that gets you over the line, | 3:11:03 | 3:11:09 | |
but the one after as well. Once you
get over the line, you can relax a | 3:11:09 | 3:11:16 | |
little, miss one, and all of a
sudden you have 15 minutes of | 3:11:16 | 3:11:20 | |
snooker is when you don't need them. | 3:11:20 | 3:11:24 | |
Yes, I nod off the head from Ronnie
O'Sullivan. A 61 break from Martin | 3:11:53 | 3:11:57 | |
Gould. Reduces his deficit and it is
now five frames to two macro. | 3:11:57 | 3:12:07 | |
Stephen, in that match last night,
it could all have been so different. | 3:12:07 | 3:12:14 | |
The match last night, certainly in
the final frame, it was very | 3:12:14 | 3:12:20 | |
exciting but there was one instance
when I was watching on my iPad and | 3:12:20 | 3:12:24 | |
he had this plant and he didn't know
what to play, did he? Yes, we talk | 3:12:24 | 3:12:30 | |
about the squeeze plant, when the
two balls are touching and you play | 3:12:30 | 3:12:34 | |
the opposite side and you normally
would and he is aiming as he looks | 3:12:34 | 3:12:38 | |
at it on the right-hand side of the
red. You look at it and for all the | 3:12:38 | 3:12:43 | |
world you would think it is the side
he's going to hit. But it is a | 3:12:43 | 3:12:47 | |
reverse plant, isn't it? It was
amazing that somebody, OK, he is | 3:12:47 | 3:12:54 | |
young and inexperienced, but surely
he knows what a reverse plant is? It | 3:12:54 | 3:12:58 | |
is never going in repeated that
there. There was a bit of space | 3:12:58 | 3:13:03 | |
between the two beds and I think it
confused him. Whether it was the | 3:13:03 | 3:13:06 | |
pressure of the situation but if
that had gone in, we could be | 3:13:06 | 3:13:10 | |
looking at a different match today.
Very unusual for a top-class | 3:13:10 | 3:13:17 | |
professional not to know that what
he will look back at that match and | 3:13:17 | 3:13:22 | |
work on it, because it was such an
important part of the match and of | 3:13:22 | 3:13:27 | |
course warning went on to win.
He did, and Sony had a couple of | 3:13:27 | 3:13:36 | |
chances to win but he stumbled and
suddenly Bonnie was back in the | 3:13:36 | 3:13:40 | |
match. There were a couple of twists
and turns, went there? There really | 3:13:40 | 3:13:47 | |
were. There was the green with the
rest, he chipped the blue in. Back | 3:13:47 | 3:13:52 | |
to that plant, if you think about a
normal plant, when the ball is two | 3:13:52 | 3:13:57 | |
or three inches apart, you know
which way to manipulate it. When | 3:13:57 | 3:14:03 | |
they are touching, it's the reverse.
So at what point is the space where | 3:14:03 | 3:14:09 | |
you can't do anything with it? That
was the case there. That's the first | 3:14:09 | 3:14:14 | |
time I have seen that. I think it's
about four or five millimetres apart | 3:14:14 | 3:14:20 | |
then it doesn't matter where you hit
the first red. It wasn't that easy | 3:14:20 | 3:14:25 | |
to judge what would happen now. No,
but the moment he got down on it, I | 3:14:25 | 3:14:31 | |
think everybody was screaming, don't
do it, don't do it, because we all | 3:14:31 | 3:14:34 | |
knew what was going to happen do the
ball. Perhaps the only thing you | 3:14:34 | 3:14:39 | |
could say is that if he plays a lot
in Thailand where the air is quite | 3:14:39 | 3:14:43 | |
humid, perhaps he is used do other
things happening, because you do | 3:14:43 | 3:14:48 | |
know from playing plants that if you
have something that stops the | 3:14:48 | 3:14:53 | |
friction in between the balls, they
acted differently. Have I said | 3:14:53 | 3:15:02 | |
something funny? You lost me at
hello, Steve. Let's get back to the | 3:15:02 | 3:15:08 | |
match.
Thanks for that. Left field or what? | 3:15:08 | 3:15:15 | |
Always God and explanation, hasn't
he, Steve? -- always got an | 3:15:15 | 3:15:24 | |
explanation, hasn't he, Steve?
Meanwhile, Ronnie O'Sullivan has got | 3:15:24 | 3:15:34 | |
to get some... OK, he has been
outplayed the last couple of frames | 3:15:34 | 3:15:40 | |
but he has got to get this match
over with. The last thing he wants | 3:15:40 | 3:15:44 | |
to do is get to 5-3, 5-4, let it
become a real pressure situation | 3:15:44 | 3:15:51 | |
again like last night. Yes, you
can't say he has made any great | 3:15:51 | 3:15:57 | |
mistakes in the last two frames. I
think Martin has played two great | 3:15:57 | 3:16:02 | |
frames of snooker, I really do. It
goes back to what I said earlier. If | 3:16:02 | 3:16:06 | |
he had played the same way in the
opening session, this match would | 3:16:06 | 3:16:10 | |
have been closer. But it is water
under the bridge. You have got to | 3:16:10 | 3:16:14 | |
get on with what is in front of you. | 3:16:14 | 3:16:19 | |
Maybe it is Ronnie's tend to take a
more risky shot on? He obviously | 3:17:45 | 3:17:52 | |
wasn't expecting the cannon but he
missed the shot by so far, that is | 3:17:52 | 3:17:56 | |
what happened. A slight eagerness to
get this match over and done with. | 3:17:56 | 3:18:09 | |
Yes, he has got a choice of shots on
this red but he will play the clip. | 3:18:09 | 3:18:14 | |
You have got to put it, Martin.
Didn't see that one coming. | 3:18:14 | 3:18:22 | |
APPLAUSE | 3:18:43 | 3:18:47 | |
Beautifully cued. | 3:18:51 | 3:19:02 | |
Well. I must admit, I don't think I
would be playing the yellow that, I | 3:19:17 | 3:19:25 | |
think I would play the brown,
because you could move left to right | 3:19:25 | 3:19:33 | |
middle or to the far corner. It's
not often I don't agree with shots | 3:19:33 | 3:19:37 | |
Ronnie O'Sullivan plays but it
looked be harder one to control the | 3:19:37 | 3:19:42 | |
cue ball. Look where it has ended
up. | 3:19:42 | 3:19:49 | |
Just one minute, they are just going
to move the lady out, that's all. I | 3:20:11 | 3:20:18 | |
think there will be a pause in play
for a second with a couple of | 3:20:18 | 3:20:23 | |
medical emergencies taking place.
Yes, a serious situation here at the | 3:20:23 | 3:20:32 | |
Barbican. The ambulance crew just
tending to the lady who has taken | 3:20:32 | 3:20:38 | |
ill. It's obviously a distressing
time for that lady and her family | 3:20:38 | 3:20:42 | |
but it's a difficult thing to cope
with as a player when this is | 3:20:42 | 3:20:46 | |
happening as well, I would imagine?
It is, but you are fully aware of | 3:20:46 | 3:20:52 | |
what is happening so it is not
something that you would consider | 3:20:52 | 3:20:56 | |
would break your concentration. You
just say, oh, fair enough, wait for | 3:20:56 | 3:21:00 | |
it to happen, get on with the game.
In terms of what is happening within | 3:21:00 | 3:21:05 | |
this game so far, it is Martin Gould
who has found some form. Yes, and we | 3:21:05 | 3:21:10 | |
have said a few times, it's a shame
he has not played like this from the | 3:21:10 | 3:21:15 | |
first whistle today, so to speak.
Ronnie has started playing some | 3:21:15 | 3:21:19 | |
funny shots there, as Stephen
mentioned. If he wins the next | 3:21:19 | 3:21:26 | |
couple of frames, things could get
really tasty. Indeed. OK, we are | 3:21:26 | 3:21:31 | |
back into this. | 3:21:31 | 3:21:34 | |
Quite a tricky positional shot here.
That is about as good as he could do | 3:21:39 | 3:21:47 | |
and it isn't bad. He's actually got
a nice angle here just to screw this | 3:21:47 | 3:21:57 | |
in, take the black and of course the
red to the left of black is clear, | 3:21:57 | 3:22:03 | |
so it's not a bad start. | 3:22:03 | 3:22:06 | |
Yes, these matches are all about
momentum and at the moment, it is | 3:22:19 | 3:22:23 | |
Martin Gould's that has got it. So,
the next three shots he has got, | 3:22:23 | 3:22:31 | |
looking at back on the cue ball with
the black comedy red that's | 3:22:31 | 3:22:36 | |
available, a half ball on the black
and then a cannon up into the pack | 3:22:36 | 3:22:41 | |
would be ideal. He wants to get the
bottom right of the seven behind the | 3:22:41 | 3:22:46 | |
pink, he wants to hit that virtually
full and then get into the pack. | 3:22:46 | 3:22:57 | |
There it is. He's got to play this
with plenty of pace here, straight | 3:23:10 | 3:23:15 | |
into that read, -- straight into
that red, open them up, you would be | 3:23:15 | 3:23:26 | |
unlucky not to get them out from
there, but he has got to play this | 3:23:26 | 3:23:30 | |
with plenty of He is about half and
it's too far to play with pace from | 3:23:30 | 3:23:37 | |
the bottom. He couldn't play it with
extreme pace because the cue ball | 3:23:37 | 3:23:45 | |
goes out to the left first but he
couldn't have played it's better. It | 3:23:45 | 3:23:54 | |
finished low on the black. He's got
a huge target to go out again. He is | 3:23:54 | 3:24:00 | |
playing for the lease rates now.
Yes, I am with you that. If he goes | 3:24:00 | 3:24:07 | |
through and goes half ball, lucky to
go into the centre. That's the shot | 3:24:07 | 3:24:12 | |
you would happen playing. | 3:24:12 | 3:24:16 | |
He has hit that one too well. A lot
of action in the cue ball. Have got | 3:24:24 | 3:24:29 | |
to hit this into the far corner.
Nothing to do with the cue ball. | 3:24:29 | 3:24:37 | |
Well done. At least two reds
available to left corner, so just a | 3:24:37 | 3:24:48 | |
matter of stunning off the cushion. | 3:24:48 | 3:24:53 | |
This match is getting, well, as Alan
said, tasty. | 3:24:56 | 3:25:06 | |
Yes, you used the word momentum, it
can change. Sometimes you are | 3:25:12 | 3:25:15 | |
sitting in your chair and you can't
get a decent chance, you try to | 3:25:15 | 3:25:21 | |
force it a bit and all of a sudden
your opponent has the cue ball and | 3:25:21 | 3:25:25 | |
there's very little you can do about
it. Mind you, Martin went to be very | 3:25:25 | 3:25:29 | |
happy with that shot. He would have
wanted it higher up the table for | 3:25:29 | 3:25:33 | |
the bottom right. Yes, finishing low
is worse because there is no pink or | 3:25:33 | 3:25:39 | |
blue to play for. | 3:25:39 | 3:25:42 | |
There is now. Well played. Good shot
but he could have done with the red | 3:25:46 | 3:25:59 | |
that's gone up into the baulk area
with outgoing tide to the cushion. | 3:25:59 | 3:26:03 | |
If it had stayed in a more pottable
area, it would have been better. If | 3:26:03 | 3:26:10 | |
it had bounced off the cushion, it
would have been nicer. He doesn't | 3:26:10 | 3:26:15 | |
want to be straight on this. | 3:26:15 | 3:26:19 | |
He's got to give this shot his
absolute attention, full | 3:26:31 | 3:26:36 | |
concentration. Plenty of reds left
for Ronnie to try to counter attack | 3:26:36 | 3:26:41 | |
and still the frames. -- steal the
brain. | 3:26:41 | 3:26:49 | |
Yes, good shot, that. Pot the brown
and come round the angles for the | 3:27:00 | 3:27:12 | |
left-hand side. Yes, hit that
lovely. He really did hit that nice. | 3:27:12 | 3:27:20 | |
He is hitting every shot well now.
Hitting that cue ball with a lot of | 3:27:20 | 3:27:27 | |
authority now. Of course, you made
the point earlier that he not really | 3:27:27 | 3:27:34 | |
thinking he has a chance of winning
this match yet, so he is hitting it | 3:27:34 | 3:27:38 | |
well with a lot of freedom. The
winning post is not within Martin's | 3:27:38 | 3:27:43 | |
site at the moment. It's just about
trying to make the score respectable | 3:27:43 | 3:27:48 | |
and winning each frame on its
merits. As it gets a bit closer, | 3:27:48 | 3:27:53 | |
that might change a touch, but at
the moment, he is doing very well. | 3:27:53 | 3:28:01 | |
I'm not sure where the next red is
coming from. Is he going to stun to | 3:28:01 | 3:28:08 | |
the corner? Yes. Well, he has eight
choice of two reds. | 3:28:08 | 3:28:16 | |
So, whichever red he plays, that is
the one he needs. Then Ronnie | 3:28:20 | 3:28:27 | |
O'Sullivan would need a snooker
again. Well, we mentioned already, | 3:28:27 | 3:28:36 | |
just make sure you pop this black
and another red and stop your | 3:28:36 | 3:28:40 | |
opponent coming back to the table.
Yes, it's sort of a natural | 3:28:40 | 3:28:49 | |
inclination. You sort of breathe a
sigh of relief when you get past the | 3:28:49 | 3:28:53 | |
winning post in the frame, or you
think you have. You watch it year | 3:28:53 | 3:28:59 | |
in, year out, and people end up
giving themselves aggravation for | 3:28:59 | 3:29:02 | |
the next 20 minutes because they
didn't give it more concentration. | 3:29:02 | 3:29:11 | |
Oh, he has missed it. It will be
interesting to see whether Ronnie | 3:29:11 | 3:29:16 | |
comes back to the table. That is
conceded. He just wants to get on | 3:29:16 | 3:29:21 | |
with it. Martin Gould wins another
frame. He still trails 5-3, but he | 3:29:21 | 3:29:26 | |
is back in this match. | 3:29:26 | 3:29:31 | |
I seem to remember quarterfinal here
couple of years ago where Martin | 3:30:24 | 3:30:30 | |
Gould was 5-1 up on David Grace and
then lost. He has been on the other | 3:30:30 | 3:30:35 | |
end of this. Every frame on the
board is a frame towards | 3:30:35 | 3:30:42 | |
respectability. At what point do you
think, I have a chance here? | 3:30:42 | 3:30:45 | |
respectability. At what point do you
think, I have a chance here? He is | 3:30:45 | 3:30:50 | |
still in playing mode, let's see
what happens, but if he wins this, | 3:30:50 | 3:30:54 | |
he will be thinking, maybe I can win
this. But he is not there just yet. | 3:30:54 | 3:31:00 | |
No, when you are in that situation,
you are either embarrassed and you | 3:31:00 | 3:31:05 | |
run out of the Barbican in a heap.
Or you do a bit of fighting, which | 3:31:05 | 3:31:10 | |
he has done and you get to play the
game of snooker. It is great to see, | 3:31:10 | 3:31:17 | |
showing a bit of character, not in a
condescending way, but we know how | 3:31:17 | 3:31:22 | |
good Martin Gould can play. It'll be
interesting see what happens. Frame | 3:31:22 | 3:31:28 | |
nine. | 3:31:28 | 3:31:30 | |
COMMENTATOR: There might be just
glimmer is of hope he can turn this | 3:31:43 | 3:31:46 | |
match around. 5-4, is totally
different to 53 macro. He might | 3:31:46 | 3:31:56 | |
start thinking, I have a shout at
this. -- 5-3. I think he will be | 3:31:56 | 3:32:04 | |
starting to believe now he has a
chance. | 3:32:04 | 3:32:07 | |
We all know it just takes one decent
opportunity and Ronnie Sullivan | 3:32:21 | 3:32:25 | |
could wrap this up very quickly. | 3:32:25 | 3:32:30 | |
It's not a nice feeling when you
have been 5-0 and you think the | 3:32:34 | 3:32:40 | |
afternoon is virtually done and
dusted and then all of the sudden, | 3:32:40 | 3:32:43 | |
you have got to get back to work, as
it were. That was a very attacking | 3:32:43 | 3:32:55 | |
and positive safety shot. It may
provide dividends for Ronnie | 3:32:55 | 3:33:02 | |
O'Sullivan. It has gone over the
corner. Is Ronnie getting static | 3:33:02 | 3:33:08 | |
again? Very positive shot. He's
going to put his hand near the | 3:33:08 | 3:33:19 | |
table. There we are. | 3:33:19 | 3:33:25 | |
The tricky part, he can't knock red
answer the other won over the corner | 3:33:33 | 3:33:40 | |
to try and pot it. May be forced
into taking a pot on. Is it this one | 3:33:40 | 3:33:50 | |
into the corner, into the left
corner? It looks like it. It could | 3:33:50 | 3:33:55 | |
be all or nothing.
APPLAUSE | 3:33:55 | 3:33:59 | |
That is a brilliant pot. So unlucky
to stick the red by the black. What | 3:34:06 | 3:34:12 | |
a pot this is. Fantastic pot, it
really was. If we thought there was | 3:34:12 | 3:34:25 | |
pressure on the last one, good luck
with this. The only thing we are | 3:34:25 | 3:34:29 | |
looking at is the pink in the
middle. He had a red right at the | 3:34:29 | 3:34:33 | |
start of the match today, tricky
into the centre pocket. Now he has | 3:34:33 | 3:34:39 | |
got this. You either knock this in
and they are all yours, or it could | 3:34:39 | 3:34:43 | |
be the end of the match. The pink
was almost, if not more difficult | 3:34:43 | 3:34:54 | |
than the red. The way he played it,
he screwed over, move the red away | 3:34:54 | 3:34:59 | |
from the black, red over the corner
pocket. Ronnie can just drop this in | 3:34:59 | 3:35:04 | |
and the black is available. | 3:35:04 | 3:35:11 | |
Ronnie, walking round the table
looking at the situation. Steeling | 3:35:19 | 3:35:22 | |
himself for what he hopes is his
last effort. Needs to get over the | 3:35:22 | 3:35:29 | |
line in this match. | 3:35:29 | 3:35:31 | |
It has got nothing to do with the
cue ball, just keep potting balls. | 3:35:38 | 3:35:44 | |
As long as he keeps potting the
black, he will always be on | 3:35:44 | 3:35:48 | |
something, you would think. The blue
is there as well. Slight change of | 3:35:48 | 3:35:54 | |
plan, just flicked off the red. He
played to miss the reds completely. | 3:35:54 | 3:36:00 | |
He has so many options with so many
red is available. What a chance. | 3:36:00 | 3:36:10 | |
Finished on a lovely angle. Played a
lovely run through because the black | 3:36:39 | 3:36:44 | |
is only available into the top,
right-hand pocket. The two reds | 3:36:44 | 3:36:50 | |
together, I presume one of them is
available. He has played for it. The | 3:36:50 | 3:36:57 | |
bottom one definitely goes. | 3:36:57 | 3:37:00 | |
You would have to say, this match
looks all over. It is only | 3:37:06 | 3:37:17 | |
carelessness, possibly a kick,
something like that, that could stop | 3:37:17 | 3:37:21 | |
Ronnie winning the match at this
visit. | 3:37:21 | 3:37:26 | |
To be fair, since going 5-0, this is
the best chance he has had, the way | 3:37:38 | 3:37:42 | |
Martin has play? Absolutely, he
hasn't done a lot wrong, his | 3:37:42 | 3:37:47 | |
opponent has taken his chances.
Players get pegged back, someone is | 3:37:47 | 3:37:56 | |
on a run. Then their chance comes
and they make the most of it. | 3:37:56 | 3:38:07 | |
From 5-0, to 5-3, starting to feel a
bit edgy, it is exactly the chance | 3:38:45 | 3:38:50 | |
you want. It is like a practice
routine, the way the reds have been. | 3:38:50 | 3:38:57 | |
Match time approaching two and three
quarters hours. One of those frames | 3:39:13 | 3:39:20 | |
had a brilliant ending, 20 minutes
of the best tactical and safety play | 3:39:20 | 3:39:27 | |
you will ever see. How Martin Gould
kept getting out of them and playing | 3:39:27 | 3:39:35 | |
safe, was incredible. He has played
all right today, but when you looks | 3:39:35 | 3:39:39 | |
back at the first session, he will
ask whether he went about it the | 3:39:39 | 3:39:43 | |
right way at the start the match.
Before the match started, did he | 3:39:43 | 3:39:50 | |
have the belief he could win? We
have seen in these last few frames, | 3:39:50 | 3:39:56 | |
it looked like he did. I am going to
go back to it, but he was absolutely | 3:39:56 | 3:40:03 | |
cursed not to land on the black. The
red he knocked in at the beginning | 3:40:03 | 3:40:08 | |
of this frame, was one of the best
you will see. | 3:40:08 | 3:40:15 | |
APPLAUSE
Round of applause, the audience | 3:40:15 | 3:40:23 | |
recognising that has got Ronnie,
over the winning line. 71 ahead, 59 | 3:40:23 | 3:40:30 | |
remaining. Will want to knock this
one in, just to make sure. The balls | 3:40:30 | 3:40:40 | |
were in the open, but you have still
got to knock them in. And under the | 3:40:40 | 3:40:46 | |
circumstances, an excellent break.
He mentioned earlier, one of the | 3:40:46 | 3:40:50 | |
best are getting over the winning
line. He has taken these | 3:40:50 | 3:40:55 | |
beautifully. All departments have
been pretty good. Tactically and | 3:40:55 | 3:41:06 | |
scoring. This could be his third
century of the match. Had a century | 3:41:06 | 3:41:15 | |
from Martin Gould as well, so the
standard has been very high. Has | 3:41:15 | 3:41:20 | |
been an excellent match to watch. He
is finishing in style. | 3:41:20 | 3:41:30 | |
This will be a good one. | 3:41:36 | 3:41:40 | |
It's not there. But what a wonderful
break from Ronnie O'Sullivan, a | 3:41:45 | 3:41:52 | |
break of 94 and Martin Gould comes
to shake his hand. He played his | 3:41:52 | 3:42:00 | |
Park this afternoon. It was a
wonderful semifinal. | 3:42:00 | 3:42:06 | |
HAZEL | 3:42:06 | 3:42:08 | |
wonderful semifinal.
HAZEL IRVINE: overall, how do you | 3:42:08 | 3:42:13 | |
think he will reflect on that
performance today? I think he will | 3:42:13 | 3:42:16 | |
be pleased. It is good that for him,
Martin Gould came back at him and | 3:42:16 | 3:42:21 | |
gave him a challenge. It will
toughen him up for what is to come | 3:42:21 | 3:42:28 | |
tomorrow. Martin will be
disappointed how he started the | 3:42:28 | 3:42:31 | |
match? It is whether he agrees with
us in the studio, but he will | 3:42:31 | 3:42:38 | |
consider himself unlucky on a number
of occasions, especially the last | 3:42:38 | 3:42:41 | |
one when he was forced to play the
tough pink. He showed some guts out | 3:42:41 | 3:42:46 | |
there in the end but would probably
feel he let Ronnie off to a good | 3:42:46 | 3:42:51 | |
start, it would always be an uphill
struggle. He was chasing his tail | 3:42:51 | 3:42:56 | |
from 5-0 behind and Ronnie coming in
now. Congratulations. You told me | 3:42:56 | 3:43:02 | |
last night, you felt he needed to
improve in order to try to win this | 3:43:02 | 3:43:06 | |
title. How much of an improvement
was that? Much more, I think my | 3:43:06 | 3:43:15 | |
attitude was a bit more spot on.
Just trying to play one ball at the | 3:43:15 | 3:43:20 | |
time, I am not playing well enough
to think too far ahead. Just had to | 3:43:20 | 3:43:25 | |
go back to basics and build some
momentum. It is tough for me, | 3:43:25 | 3:43:30 | |
playing the game like that.
Sometimes you have got to do it. We | 3:43:30 | 3:43:34 | |
were talking in the studio about the
number of gifts that Martin gave you | 3:43:34 | 3:43:39 | |
early on, were you surprised back?
He came out so aggressively. Nothing | 3:43:39 | 3:43:46 | |
surprises me at these matches and
tournaments, you have do turn up and | 3:43:46 | 3:43:50 | |
play and hope your numbers come up.
Another day you could have parted | 3:43:50 | 3:43:53 | |
them. In the studio, we analysed the
shot selections and Martin took it | 3:43:53 | 3:44:03 | |
to you immediately, played some
aggressive shots. That is how we | 3:44:03 | 3:44:07 | |
read it in the studio. If they come
off, it is great, but they didn't. | 3:44:07 | 3:44:11 | |
It seemed you have got some help to
start with? It wasn't really risky | 3:44:11 | 3:44:20 | |
shots, I didn't think so. When he
was 5-3, is 5-4 the point you would | 3:44:20 | 3:44:26 | |
start thinking... I was thinking
that our 5-0. No point in lying, you | 3:44:26 | 3:44:35 | |
have all sat here and won matches, I
am not playing fantastic, but I am | 3:44:35 | 3:44:41 | |
competing and trying my hardest. If
something clicks, great, I will have | 3:44:41 | 3:44:46 | |
to be scraped off the table if not.
We were talking about your match | 3:44:46 | 3:44:55 | |
last night and everybody in the
Barbican Centre were charmed by the | 3:44:55 | 3:45:00 | |
way he played, with a smile on his
face. When you see somebody like | 3:45:00 | 3:45:06 | |
that coming through, it was a
difficult situation, how much could | 3:45:06 | 3:45:10 | |
you appreciate the situation he
found himself in last night? I was | 3:45:10 | 3:45:15 | |
the same 24 years ago playing Steve.
Now I am there. You have been at it | 3:45:15 | 3:45:22 | |
a long time, so when you are new to
the game, you don't have anything to | 3:45:22 | 3:45:27 | |
lose. It is great. He is a fantastic
guy, fantastic for the sport and he | 3:45:27 | 3:45:32 | |
played a great match. Stephen
mentioned last night, you are | 3:45:32 | 3:45:38 | |
clearing up this day in a match
against the world number 84, is it a | 3:45:38 | 3:45:42 | |
different feeling to when you are
clearing up to win a piece of | 3:45:42 | 3:45:47 | |
silverware and how much more
nerve-racking is that? I just go out | 3:45:47 | 3:45:54 | |
there and play your match. At the
start of the season you want to get | 3:45:54 | 3:45:57 | |
a couple of results. Because I have
done that, I am in match mode now | 3:45:57 | 3:46:04 | |
and one match built into the next
and the more you win, the less | 3:46:04 | 3:46:10 | |
pressure you feel. Sunny has played
a lot of matches in the last couple | 3:46:10 | 3:46:17 | |
of years and he has played quite
slow. But last night he realised, I | 3:46:17 | 3:46:22 | |
have got to get on with things and
take the game to Ronnie. He has a | 3:46:22 | 3:46:27 | |
good old head on young shoulders?
Creme De La Creme when players want | 3:46:27 | 3:46:31 | |
to learn, they go away and they
look. They ask players what they | 3:46:31 | 3:46:36 | |
should do. You give them advice and
he has taken advice from other | 3:46:36 | 3:46:40 | |
players. Against the top guys, you
probably won't get nothing unless | 3:46:40 | 3:46:46 | |
you make something happen. That is a
sign of someone not probably ends up | 3:46:46 | 3:46:50 | |
doing well in the game. Different
match today, although you were | 3:46:50 | 3:46:54 | |
straight back on the table after
last night. In one way it is good | 3:46:54 | 3:46:59 | |
because it is business as usual, but
a different style of player, someone | 3:46:59 | 3:47:04 | |
who has been round the block a few
times, but you have still got to do | 3:47:04 | 3:47:08 | |
a good job. I thought if I get
beaten, I will get home in time for | 3:47:08 | 3:47:14 | |
my dinner. But if I win, I will get
another match to play tomorrow. I | 3:47:14 | 3:47:21 | |
would like to see my wife, I would
like to see her. We had Barry Hearn | 3:47:21 | 3:47:26 | |
in here earlier and I know you
wouldn't have bracketed Sunny Akani | 3:47:26 | 3:47:38 | |
in the numpty rankings, but does on
his progress from world ranked 84 | 3:47:38 | 3:47:46 | |
and 128 players can turn up here?
Maybe it should be 256. No, I don't | 3:47:46 | 3:47:52 | |
really care, I have given up a while
ago and ie do my own thing. Whatever | 3:47:52 | 3:47:58 | |
happens in the game is great, I pick
and choose whatever I want to do. My | 3:47:58 | 3:48:03 | |
happiness comes in doing other
things away from snooker. This is a | 3:48:03 | 3:48:07 | |
bonus now. It is easier that way,
otherwise you get brought down in | 3:48:07 | 3:48:13 | |
the politics. Nobody really cares,
you know what I am saying? I would | 3:48:13 | 3:48:18 | |
rather be out of it, let the boys do
what they have got to do, I will | 3:48:18 | 3:48:24 | |
chip up and put my entries in. Well
played, Ronnie and we will see you | 3:48:24 | 3:48:29 | |
in the semifinal tomorrow. Let's
find out who Ronnie will be playing, | 3:48:29 | 3:48:34 | |
it will be the winner of the other
quarterfinal. We had Stephen Maguire | 3:48:34 | 3:48:38 | |
doing a job on Joe Perry. He stole a
march, nicking the first couple of | 3:48:38 | 3:48:45 | |
frames and Stephen Maguire produce
further breaks of 45 and 76 to go | 3:48:45 | 3:48:50 | |
4-0 in front and here we are in
frame five. Joe Perry on the | 3:48:50 | 3:48:56 | |
contribution of 52 here. | 3:48:56 | 3:48:59 | |
COMMENTATOR: If the blue had been on
its part, it would have been | 3:49:06 | 3:49:10 | |
straightforward. It's not over the
line. Chants for a counter attack | 3:49:10 | 3:49:19 | |
once again from Stephen Maguire. | 3:49:19 | 3:49:27 | |
Stephen Maguire, purposely came low
on the black here with this nice | 3:50:10 | 3:50:18 | |
angle to go into the pink and the
two reds, to bring them into play. | 3:50:18 | 3:50:25 | |
That has certainly opened things up.
It was a nice shot. | 3:50:32 | 3:50:39 | |
Tried to play on both reds. The cue
ball is closer now. If he had been | 3:51:40 | 3:51:52 | |
straighter on this red, he would
have taken that one. Trying to see | 3:51:52 | 3:52:01 | |
the difficulty here, Peter. Just
doing my calculations. 23 behind. He | 3:52:01 | 3:52:08 | |
is going to need up to at least the
pink, last red. The difficulty I can | 3:52:08 | 3:52:16 | |
see is brown to the blue, blue to
the pink, maybe? Stephen certainly | 3:52:16 | 3:52:25 | |
played a wonderful cannon to develop
the pink a few shots ago. To give | 3:52:25 | 3:52:33 | |
himself this opportunity. What would
you do here, Peter? Would you try | 3:52:33 | 3:52:38 | |
and play on the pink were tried to
get up for the blue and try to get | 3:52:38 | 3:52:43 | |
the blue on its spot. Such a natural
angle on this red. I would probably | 3:52:43 | 3:52:50 | |
play for the blue. | 3:52:50 | 3:52:55 | |
Pretty good. Doesn't have to do much
with the cue ball because of where | 3:53:00 | 3:53:06 | |
the yellow is. So, big shot in this
frame. If this blue goes in, it | 3:53:06 | 3:53:15 | |
could be another frame on the board
for Stephen Maguire. | 3:53:15 | 3:53:24 | |
Joe Perry can only sit and wait, and
hope somehow Stephen Maguire is | 3:53:32 | 3:53:37 | |
going to make a mistake here. But I
can't see it at the moment. | 3:53:37 | 3:53:47 | |
If Stephen Maguire was a highway
man, he would be done for robbery. | 3:53:54 | 3:53:58 | |
Without a doubt, the first five
frames, he could have lost every | 3:53:58 | 3:54:03 | |
single one of them. Two behind.
Blue, pink and black, required. Just | 3:54:03 | 3:54:25 | |
the pink, sorry, miscalculated. And
there it goes, what a wonderful | 3:54:25 | 3:54:31 | |
break from Stephen Maguire. Joe
Perry was in with 52, Stephen | 3:54:31 | 3:54:35 | |
Maguire took his chance with 61.
He leads now by 5-0. HAZEL IRVINE: | 3:54:35 | 3:54:42 | |
rather like Ronnie O'Sullivan,
Martin Gould match, Joe Perry wasn't | 3:54:42 | 3:54:49 | |
ready to throw in the towel. He has
got within two of the lead. So frame | 3:54:49 | 3:54:56 | |
nine, from the top we go.
COMMENTATOR: Stephen Maguire breaks | 3:54:56 | 3:55:02 | |
off. Frame nine. Leading by 5-3.
Quiet as possible, please. Thank | 3:55:02 | 3:55:15 | |
you. Now it is Stephen Maguire who
needs to retain his composure. | 3:55:15 | 3:55:24 | |
Because Joe Perry is right back in
this match now. You feel the | 3:55:24 | 3:55:27 | |
momentum has shifted. | 3:55:27 | 3:55:33 | |
He was playing that is, hoping that
if he missed it, he wasn't going to | 3:55:50 | 3:55:55 | |
leave it. He has left this red into
the corner pocket and maybe the easy | 3:55:55 | 3:56:00 | |
opening that Stephen Maguire was
hoping for, just to settle him | 3:56:00 | 3:56:02 | |
again. | 3:56:02 | 3:56:04 | |
He will be conscious of the fact now
that if he doesn't take his | 3:56:18 | 3:56:24 | |
opportunities, Stephen Maguire, he
knows his opponent is a different | 3:56:24 | 3:56:27 | |
player than he was a few frames ago.
He is likely to make a sizeable | 3:56:27 | 3:56:34 | |
contribution. He has got to make the
most of this opportunity here. | 3:56:34 | 3:56:41 | |
Plenty of reds available. | 3:56:41 | 3:56:44 | |
The red that is closest to the black
is in a nice position. If he can get | 3:57:15 | 3:57:21 | |
low on the black, go into the pack
and disturb, bring some more into | 3:57:21 | 3:57:28 | |
play. That red is always going to be
available. | 3:57:28 | 3:57:37 | |
Little bit surprised he didn't get
low on the black, as opposed to | 3:57:47 | 3:57:54 | |
high. | 3:57:54 | 3:57:56 | |
Choice of two reds. Imperative he
gets top side of the blue. | 3:58:10 | 3:58:20 | |
Now, a wonderful angle. Pot the
blue, bit of power and split these | 3:58:25 | 3:58:35 | |
reds into the open. This could be a
key shot in this match. | 3:58:35 | 3:58:39 | |
I think he will settle for that. | 3:58:53 | 3:58:58 | |
That is always the key shot after a
good split. Pot and position. So | 3:59:16 | 3:59:32 | |
that one very attacking shot, which
was executed perfectly into the | 3:59:32 | 3:59:36 | |
pack, from the blue into the centre,
has given Stephen Maguire an | 3:59:36 | 3:59:41 | |
excellent opportunity to close out
this match now. | 3:59:41 | 3:59:47 | |
He has got plenty of reds available
to him. Won't need any of those reds | 3:59:56 | 4:00:05 | |
that have gone close to the
left-hand side cushion. That didn't | 4:00:05 | 4:00:09 | |
go into the centre of the pocket. He
is still OK. | 4:00:09 | 4:00:14 | |
That's a better shot. He can pot
this red. | 4:00:29 | 4:00:35 | |
Come back down for the black again.
He may need just one more cannon for | 4:00:39 | 4:00:50 | |
those three rights just above the
pink. He went to be trying to open | 4:00:50 | 4:00:54 | |
them up from here. The one of those
left of the three pots into the | 4:00:54 | 4:01:05 | |
left-hand centre, but he also has to
think about the cushion. | 4:01:05 | 4:01:11 | |
That is the key shot. He only needs
one red and colour for a place in | 4:01:29 | 4:01:33 | |
the semifinal. | 4:01:33 | 4:01:36 | |
Now, how is your luck? When the pink
goes back on its spot, is he on for | 4:01:46 | 4:01:51 | |
the bottom red? Is there a gap? Body
language would suggest not. You | 4:01:51 | 4:02:03 | |
always look at the body language,
don't you, of your opponent, see if | 4:02:03 | 4:02:07 | |
he is on the road or not. -- on the
red or not. It has been a good break | 4:02:07 | 4:02:16 | |
so far though, Peter? Yes, it has
been an excellent break. This is | 4:02:16 | 4:02:23 | |
quite thin. That is very well
played. That is a wonderful kiss as | 4:02:23 | 4:02:31 | |
well. | 4:02:31 | 4:02:41 | |
Well played, Stephen Maguire, in
this match. He has made the most of | 4:02:44 | 4:02:49 | |
his opportunities. Joe Perry has had
plenty of opportunities in this | 4:02:49 | 4:02:52 | |
game. | 4:02:52 | 4:02:57 | |
A day of missed opportunities,
unfortunately, for Joe Perry. But he | 4:03:05 | 4:03:09 | |
will fight to live another day. He
is a class player and I am sure | 4:03:09 | 4:03:14 | |
there are more tournament wins in
him in the future. But | 4:03:14 | 4:03:21 | |
unfortunately, his UK Championship
is over for this year and well | 4:03:21 | 4:03:27 | |
played, Stephen Maguire. Stephen
Maguire runs out a 6-3 win against | 4:03:27 | 4:03:32 | |
Joe Perry.
Stephen, many congratulations, but | 4:03:32 | 4:03:43 | |
perhaps a little nervy than it
needed to be towards the end? You | 4:03:43 | 4:03:47 | |
could look at it like that. I had a
little chance to finish him off 6-0 | 4:03:47 | 4:03:52 | |
and I took a few liberties. I
thought the match was gone and I | 4:03:52 | 4:03:57 | |
went for a few crazy worms and
before you know it, it's 5-3, but I | 4:03:57 | 4:04:02 | |
knew if I got one decent chance on
the balls, I still felt OK. We have | 4:04:02 | 4:04:08 | |
already spoken this week about how
you tend to reduce your best here. | 4:04:08 | 4:04:13 | |
It's your sixth UK Championship
semifinal and you must be delighted | 4:04:13 | 4:04:18 | |
to continue your form from the
championship in Riga earlier this | 4:04:18 | 4:04:22 | |
year. Yes, absolutely. It looks like
it is going to be Ronnie O'Sullivan | 4:04:22 | 4:04:29 | |
and if you can't get up for playing
him on a Saturday night in the | 4:04:29 | 4:04:33 | |
semifinals of the UK Championship,
there is something wrong. I will | 4:04:33 | 4:04:36 | |
have to play better. Joe won't mind
me saying, after brain one, he was | 4:04:36 | 4:04:43 | |
rubbish and he let me have it a bit
easy there. Did you watch any of one | 4:04:43 | 4:04:49 | |
he 's match last night? No, I only
heard how unlucky he was at... It | 4:04:49 | 4:05:05 | |
will be a fantastic occasion. We
will see you in that one. | 4:05:05 | 4:05:09 | |
Thank you.
This is an event and Stephen Maguire | 4:05:09 | 4:05:15 | |
clearly loves it because he ranks
third in the centuries behind Ronnie | 4:05:15 | 4:05:23 | |
O'Sullivan. That shows what an
affinity has for this. The thing I | 4:05:23 | 4:05:27 | |
love about him, obviously I know him
well and he's my big pal, he doesn't | 4:05:27 | 4:05:32 | |
hit you with any flannel. You asking
a question, you get a straight | 4:05:32 | 4:05:37 | |
answer. That is who he is. But when
he plays Ronnie tomorrow, he will | 4:05:37 | 4:05:42 | |
not only fancy the job, but Ronnie
went fancy playing Stevie, because | 4:05:42 | 4:05:50 | |
Stevie is one of those guys running
respects deeply in the game. I also | 4:05:50 | 4:05:54 | |
feel Stevie is getting better in his
job, applying himself better than he | 4:05:54 | 4:06:04 | |
has done and this could be the
payoff. He got to his first final of | 4:06:04 | 4:06:10 | |
the season and it went a little cold
for him. But he always saves his | 4:06:10 | 4:06:14 | |
best ball here. You were saying he's
working so hard on his own, more or | 4:06:14 | 4:06:18 | |
less in the shed, and he is potting
in the hours. Yes, he hired out a | 4:06:18 | 4:06:26 | |
unit of you years ago and the idea
was he would get up and go out to | 4:06:26 | 4:06:32 | |
work in the morning. He is potting
the hours in and I'm really pleased | 4:06:32 | 4:06:36 | |
for him. He's a great player and a
great guide. We do remember her | 4:06:36 | 4:06:41 | |
final between these two when Ronnie
O'Sullivan had the better of him and | 4:06:41 | 4:06:46 | |
I think this may be the fourth or
bedtime they have met here but | 4:06:46 | 4:06:51 | |
significantly, Stephen haven't had a
victory over Ronnie O'Sullivan in | 4:06:51 | 4:07:00 | |
four years. But we have more matches
to get through before we think about | 4:07:00 | 4:07:03 | |
the semifinals. | 4:07:03 | 4:07:05 | |
Shaun Murphy is the world number
six, a former UK Championship know | 4:07:16 | 4:07:22 | |
the old Robbie Burns saying about
having the gifted see yourself as | 4:07:22 | 4:07:27 | |
others see you? Well, Shaun Murphy
had that chance recently. | 4:07:27 | 4:07:33 | |
Sean, if I was asked -- if I were to
ask Peter what was your biggest | 4:07:39 | 4:07:49 | |
strength, what do you think he would
say? I think he would probably say | 4:07:49 | 4:07:53 | |
long potting, break-building and
best play. Peter. I think Shaun is | 4:07:53 | 4:08:06 | |
very well aware of the things you
need to do to be a top player. Works | 4:08:06 | 4:08:10 | |
very hard, loves the game, perhaps
Anthony McGil might be the only | 4:08:10 | 4:08:15 | |
player I know he loves the game more
than you, if indeed that is even | 4:08:15 | 4:08:19 | |
possible. That is an outrage! I
thought you might say that. Shaun, | 4:08:19 | 4:08:26 | |
as far as I am concerned, has always
been a top class, brilliant | 4:08:26 | 4:08:31 | |
professional snooker player. Really
understand how important it is to be | 4:08:31 | 4:08:34 | |
a top-class professional and does a
brilliant job. Very naturally | 4:08:34 | 4:08:40 | |
talented, gifted, works very hard at
his game. Long game is fantastic but | 4:08:40 | 4:08:45 | |
it's all the other stuff.
Psychology, motivation, breathing. | 4:08:45 | 4:08:49 | |
Shaun understands all of that and
not all of the top players do. I | 4:08:49 | 4:08:53 | |
think if you were looking at a check
list, Shaun would take all of the | 4:08:53 | 4:08:57 | |
boxes and that's why he has become a
triple Crown winner. When he first | 4:08:57 | 4:09:02 | |
burst on the scene, the long potting
was, I think, potting the fear of | 4:09:02 | 4:09:09 | |
God into players and you were
knocking them in for fun with a | 4:09:09 | 4:09:12 | |
great attitude to the game. Long
term, you have to use the game and | 4:09:12 | 4:09:17 | |
analyse it and therein lies the
problem of being a long-term | 4:09:17 | 4:09:20 | |
sportsperson. I have definitely
dabbled with being super aggressive | 4:09:20 | 4:09:24 | |
and then being more cautious, should
I go for this shop now? I would have | 4:09:24 | 4:09:28 | |
done it years ago, should I do it
now? I have messed around with it | 4:09:28 | 4:09:32 | |
over the years and at the moment I
am in a period of, I shot I want to | 4:09:32 | 4:09:44 | |
play. I will play to my strengths.
Not many people have won the big | 4:09:44 | 4:09:47 | |
three. It would be nice to do it
again. I would love to set the | 4:09:47 | 4:09:50 | |
target of winning another set of
triple crowns. I certainly feel I | 4:09:50 | 4:09:53 | |
have at least another one of those
three tournaments in me but everyone | 4:09:53 | 4:09:58 | |
else is so good. The one specific
goal I set myself when I wanted to | 4:09:58 | 4:10:02 | |
be a snooker player was to get to
the top of the rankings and that's | 4:10:02 | 4:10:07 | |
something I have never achieved.
That is a big, big goal, that, | 4:10:07 | 4:10:11 | |
because of the way our system works.
Mark Selby is currently miles ahead | 4:10:11 | 4:10:15 | |
of everybody. That is that the back
of my mind. I set that goal as a | 4:10:15 | 4:10:23 | |
ten-year-old boy and I still have
that to achieve. | 4:10:23 | 4:10:26 | |
It is pretty emphatic in matches
between these two so far. 8-1 in | 4:10:26 | 4:10:32 | |
Shaun's favour. They last met at the
Champion of champions at the weeks | 4:10:32 | 4:10:35 | |
ago. King's only big win against
Shaun was at the China open last | 4:10:35 | 4:10:41 | |
year, but meeting at one of
snooker's majors, that is new for | 4:10:41 | 4:10:46 | |
them both. I don't need to win to
pay a bill now. I can just play and | 4:10:46 | 4:10:56 | |
if you scrape me off the table, if I
get beaten, it's not because I was | 4:10:56 | 4:11:00 | |
under pressure. It's just because I
wasn't good enough on the day. I am | 4:11:00 | 4:11:05 | |
a couple of shots here or there from
playing really clinical, one visit | 4:11:05 | 4:11:10 | |
snooker. If I can sort that, I'm
going to be dangerous. | 4:11:10 | 4:11:16 | |
Victory in the Northern Irish open
last season has changed Mark King. | 4:11:22 | 4:11:26 | |
He now knows how to win, he knows
how to win and that makes him a | 4:11:26 | 4:11:32 | |
completely different animal as far
as snooker goes. We have all known | 4:11:32 | 4:11:36 | |
for a long time he was a potential
winner. Now he is a winner. | 4:11:36 | 4:11:42 | |
Obviously winning Northern Ireland
was a kick-start after so many years | 4:11:42 | 4:11:45 | |
of trying. You just can't comprehend
how much it meant after so many | 4:11:45 | 4:11:51 | |
years of trying and thinking, you
know, it's never going to happen. | 4:11:51 | 4:11:55 | |
And then finally doing it. You just
couldn't write it. It was absolutely | 4:11:55 | 4:12:01 | |
fantastic. I don't think you can go
into these matches with a | 4:12:01 | 4:12:04 | |
preconceived idea that you go out
there and it won't be a shock to | 4:12:04 | 4:12:12 | |
anyone if I go out and attack. I
have been doing it for so long. I | 4:12:12 | 4:12:17 | |
only need to worry about my game,
not about anyone else. I worry about | 4:12:17 | 4:12:22 | |
my temperament and nothing else. You
just have to hope you make less | 4:12:22 | 4:12:26 | |
mistakes than the other guy. If I
can make a few less unforced errors | 4:12:26 | 4:12:30 | |
than he does, I have got half a
chance. Oh, it's going to be very | 4:12:30 | 4:12:36 | |
interesting because after all Mark
King disposed of John Higgins and | 4:12:36 | 4:12:39 | |
this whole thing of him not having
the financial problems, the | 4:12:39 | 4:12:43 | |
restrictions of going out and trying
to pay for his hotel bills, he's | 4:12:43 | 4:12:48 | |
almost a different animal these days
as Shaun was saying. He sure is and | 4:12:48 | 4:12:53 | |
I think it's been a complete
turnaround in his career. I know | 4:12:53 | 4:12:57 | |
that he works really hard at the
game on the practice table. The | 4:12:57 | 4:13:01 | |
things that he does practice as
well, I notice these things, I am a | 4:13:01 | 4:13:06 | |
student of the game, and you see
Mark working hard on his game. I | 4:13:06 | 4:13:09 | |
never really used to see it. He
won't blow many players of the table | 4:13:09 | 4:13:16 | |
with 80s, but he would trap Shaun
Murphy tonight. That will be part of | 4:13:16 | 4:13:21 | |
the game plan. He doesn't mind
playing scrappy. He will take the | 4:13:21 | 4:13:25 | |
game to Shaun and if he plays toward
the top of his game, Shaun has a | 4:13:25 | 4:13:32 | |
game on his hands. We are looking
forward to that one this evening and | 4:13:32 | 4:13:35 | |
it will be on BBC Two with Jason in
the chair. You will also be able to | 4:13:35 | 4:13:41 | |
see Ryan Day against Mark Joyce.
It's a quick break for Alan. He will | 4:13:41 | 4:13:44 | |
be with Jason. He has got be quick
break, I have got the long break | 4:13:44 | 4:13:50 | |
until tomorrow. Catch you then.
Bye-bye. | 4:13:50 | 4:13:55 | |
Michael McIntyre's Big Show
continues | 4:14:04 | 4:14:06 |