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Bristol is a national programme. We are going to argue over to | :00:11. | :00:13. | |
Wimbledon. Larkham to Wimbledon on ladies | :00:14. | :00:28. | |
finals day. This was the moment that guy been a good loser was cloned | :00:29. | :00:33. | |
-- Muguruza. She lost two years ago to Serena Williams and today she | :00:34. | :00:50. | |
took on a player who inspired her as a youngster. Venus Williams so | :00:51. | :00:58. | |
sporting in defeat. Muguruza is the new champion at Wimbledon. She has | :00:59. | :01:02. | |
played so well throughout the Championships, and the dropping a | :01:03. | :01:07. | |
set. She saved two said points in the first set and raised through the | :01:08. | :01:16. | |
second set. The crowd rise to a new star. Her coach Conchita Martinez | :01:17. | :01:21. | |
absolutely delighted. Only the second Spanish woman to win the | :01:22. | :01:26. | |
title at Wimbledon. We will be hoping to speak to Muguruza so on. | :01:27. | :01:33. | |
We are heading back to Centre Court for the men's doubles. We can show | :01:34. | :01:41. | |
you what happened in the set point in the third set. Marcelo Melo and | :01:42. | :02:00. | |
Lukasz Kubot serving. Mail and Kubot take the boat set. It is Oliver | :02:01. | :02:15. | |
Marach and Mate Pavic serving. Let us join the commentators John Lloyd, | :02:16. | :02:19. | |
Peter Fleming and Mark Petchey. He has only hit two lobs. But they | :02:20. | :02:44. | |
have both been spectacularly good. One on a break point that really | :02:45. | :02:48. | |
turned the tide in their favour and this one made of the same. That was | :02:49. | :02:55. | |
a terrific pick-up. The lob was simply better. | :02:56. | :03:14. | |
For the first time we feel as though Kubot took a calculated risk in the | :03:15. | :03:21. | |
tie-break sitting on his full rant with a terrific return but here we | :03:22. | :03:29. | |
have another very big point. What will Marakh decide to do? That | :03:30. | :03:37. | |
works. Terrific serve. Kubot pretty certain that was where | :03:38. | :03:55. | |
the serve was going. Interesting that they decided on the | :03:56. | :05:47. | |
tie-break to stand back, but they have not done it in open play, and | :05:48. | :05:52. | |
why they thought then it was a good idea and subsequently haven't. Very | :05:53. | :05:53. | |
interesting. Because service games like this just | :05:54. | :06:26. | |
build your confidence. That was some response by Kubot. He | :06:27. | :06:52. | |
got so much pace on the ball. Completely surprised Marakh. Yes. In | :06:53. | :07:00. | |
a service game like that it does not matter where you are standing, | :07:01. | :07:06. | |
you're not breaking serve. Often it is good to get your opponent to | :07:07. | :07:11. | |
think a little. Get them out of their comfort zone. What is this? | :07:12. | :07:16. | |
Maybe we should try something different. You have already | :07:17. | :07:18. | |
succeeded if you get that response. Yes, on that last serve, a good | :07:19. | :07:51. | |
example of why doubles on grass is difficult. It is difficult to break | :07:52. | :07:57. | |
serve because you often get slightly erratic bounces. | :07:58. | :09:18. | |
The ninth ace of the match, the 77th of the tournament. Just 32 for Kubot | :09:19. | :09:31. | |
and properly which, considering how well the serve, is not a lot. | :09:32. | :09:50. | |
The trainer working on the top part of the need for Marakh. I guess that | :09:51. | :10:04. | |
would be the quad. Perhaps the quadriceps tendon down there. It | :10:05. | :10:13. | |
certainly does not seem to be impairing him much. He is still | :10:14. | :10:15. | |
getting around the court pretty quickly. | :10:16. | :10:35. | |
Smiles from the team, still enjoying the challenge ahead of them. | :10:36. | :11:17. | |
It has been a while coming that that is the first volley from Melo in | :11:18. | :11:22. | |
particular. Then he was cautious with that one | :11:23. | :11:58. | |
as well after the miss on the first point. Here is a chance. Yes, and | :11:59. | :12:08. | |
that time Marakh to just a little off of the return, I load the ball | :12:09. | :12:14. | |
to drop. When you rip the returns as he has done throughout this match | :12:15. | :12:22. | |
you give your opponents waist high volleys. He made sure he got that | :12:23. | :12:40. | |
serve in. Sometimes you feel like this profile of hitting the ball is | :12:41. | :12:45. | |
hard as you can it does not get to utilise scoreboard pressure. If you | :12:46. | :12:49. | |
never make your opponent play on a big point like that in some ways you | :12:50. | :12:54. | |
never get to know how composed they are. It seemed like a decent play | :12:55. | :13:06. | |
maybe even to drop back, get both of them on the baseline, give yourself | :13:07. | :13:07. | |
more time. Good serve. It checked a little bit, | :13:08. | :13:29. | |
that ball. Yeah, it is virtually impossible to return a serve that | :13:30. | :13:36. | |
hits the service line. The ball just checks and it is impossible to time | :13:37. | :13:39. | |
it properly. He invented a shot. An overhead lob. | :13:40. | :14:03. | |
It was unbelievably successful. Kubot trying to help his partner | :14:04. | :14:23. | |
out. Just claimed his move slightly wrong. He has made it. Nothing wrong | :14:24. | :14:37. | |
with the timing off of the return. Beirut back into this final beckons | :14:38. | :15:03. | |
for Marakh and Pavic. I thought that I'd got away from him a little bit | :15:04. | :15:07. | |
but he reacted well. Just connected with a couple of | :15:08. | :15:34. | |
forehands. Out of this world. That could have been Novak Djokovic. | :15:35. | :15:55. | |
He left hand of Novak hitting that return, perfectly timed. | :15:56. | :16:11. | |
Too good, too much power, that was vicious from Marek but his partner | :16:12. | :16:21. | |
set it up well for him. Yeah, it and again Marakh's backhand mate have | :16:22. | :16:25. | |
had the fence but he could not get out of the way. That was a rocket. | :16:26. | :16:57. | |
The Croatian is on fire. Cannot put a foot wrong at the moment. | :16:58. | :17:26. | |
Kubot this time response. 120 Zevon. Marakh challenging the call. They | :17:27. | :17:36. | |
have touched 130 today. Some nice finishing touches to a | :17:37. | :19:14. | |
again a stunning return from Kubot who is matching Pavic's achievement | :19:15. | :19:19. | |
in the last game. Lovely passage of play between these two teams right | :19:20. | :19:21. | |
now. Did not need to hit that that hard. | :19:22. | :20:12. | |
If he is staying at home you lose the point anyway. See if you cannot | :20:13. | :20:19. | |
put it into play. It does not have to be an out late winner. | :20:20. | :20:55. | |
They break back. Quality game from Kubot. His partner was calling out. | :20:56. | :21:05. | |
I think he was correct. Prudence made the day and he made it anyway | :21:06. | :21:12. | |
just to be sure. Breaks traded for the first time today. How could you | :21:13. | :21:18. | |
possibly have predicted this? Two breaks on a roll, the way they have | :21:19. | :21:27. | |
been serving. Yet, the second serve was short. In the middle of the box. | :21:28. | :21:33. | |
I suppose the longer this match wears on the more fatigued or four | :21:34. | :21:44. | |
players' nerves become and serves that they might have hit in the | :21:45. | :21:49. | |
first set or two where they might have taken a risk are now falling by | :21:50. | :21:59. | |
the wayside. Those serves... They are more worried about double | :22:00. | :22:05. | |
faulting, so allowing the return teams to get their rackets on a few | :22:06. | :22:16. | |
more returns. Intrigued building with those couple of breaks. | :22:17. | :22:25. | |
Certainly the Croatian can remain after the last game, a bit of food | :22:26. | :22:27. | |
for thought for Kubot and Melo. That was a quality second serve, | :22:28. | :23:08. | |
continuing where you left off in the previous game. That has been one of | :23:09. | :23:14. | |
the big differences between the two. Kubot and Melo winning over 60% of | :23:15. | :23:23. | |
their points on the second serve compared to just over 40% for their | :23:24. | :23:24. | |
opponents. He is not missing at the moment on | :23:25. | :24:05. | |
the return. Yeah, but I do not understand why they persist with | :24:06. | :24:07. | |
that formation when you have a right-hander who is able to serve | :24:08. | :24:16. | |
though serve out wide. Play orthodox so he cannot does push the ball up | :24:17. | :24:20. | |
the line, make him go crosscourt in front of the net. It is not an easy | :24:21. | :24:32. | |
shot to hit. A good volley from Melo. Yes, again it was a net court. | :24:33. | :24:54. | |
This is just breathtaking returning. Every single one has been a winner | :24:55. | :25:40. | |
or has found the shoelaces of Kubot or Melo as they have come in and raw | :25:41. | :25:47. | |
power this time delivered to the ball from Pavic. We have seen Marach | :25:48. | :25:49. | |
hit some beautiful forehands today. Took too long between the serve. Too | :25:50. | :26:48. | |
much time to think about that serve. It is more the quality of returning | :26:49. | :26:52. | |
than any real change in strategy from the team of Pavic and Maric | :26:53. | :26:57. | |
that has contributed to that. You need to get the other team to think | :26:58. | :27:00. | |
a little bit brother than just playing on instinct though it has | :27:01. | :27:04. | |
been the quality that has forced them to think. They changed their | :27:05. | :27:14. | |
position and you could see Kubot looked very nervous about that | :27:15. | :27:15. | |
second serve. Once again Kubot struck the returns | :27:16. | :29:53. | |
venomously but right at the net men. Easily put away. | :29:54. | :30:04. | |
From Pavic, on the line. How cool we did he put away that overhead? -- | :30:05. | :30:18. | |
coolly. There is no doubt that Pavic has | :30:19. | :30:57. | |
been the best player on court the last four, five games. He has gone | :30:58. | :31:02. | |
up a level. It is amazing to think he peaked at 295 in the world in | :31:03. | :31:08. | |
2013 in singles. He never finished a year higher than 317 in the world. | :31:09. | :31:18. | |
When you see him hit the ball as beautifully as he has at times. | :31:19. | :31:34. | |
And having dropped their serve and gaining the break for the first time | :31:35. | :31:40. | |
in the fourth set, that is an impressive sequence of games. Both | :31:41. | :31:47. | |
players, both teams have been taken the distance in the run through to | :31:48. | :31:51. | |
the Wimbledon final and both will feel confident, if and when we get | :31:52. | :31:57. | |
to a deciding set. Of course, there will be no tie-breaker. Who knows | :31:58. | :32:05. | |
how epic this meant's doubles final will end up proving to be? Still | :32:06. | :32:08. | |
work to be done in the fourth set. He is absolutely everywhere at the | :32:09. | :32:39. | |
moment, isn't he? He mistimed that. There was concern | :32:40. | :33:18. | |
about Pavic coming into the match, whether he had hurt his hand in the | :33:19. | :33:23. | |
semifinals. We have not seen any sight of that but that one certainly | :33:24. | :33:30. | |
stung the Austrian. How is this returning Chris Nike is not missing | :33:31. | :33:36. | |
now! He is just timing the ball. -- how is this returning?. It is great | :33:37. | :33:42. | |
returning. But, again, he is catching its late. Serve it wide, | :33:43. | :33:53. | |
force him to stretch and see if you can get crosscourt. That is not | :33:54. | :33:54. | |
easy. He gave him the total off pace | :33:55. | :34:35. | |
balls. He was all over it, also. He missed | :34:36. | :34:50. | |
his target by about two grommet three inches, otherwise it would | :34:51. | :34:56. | |
have been a brutal return. -- by about two, three inches. | :34:57. | :35:18. | |
Getting fluid on board as he takes the balls from the ball boy. As he | :35:19. | :35:28. | |
lines up to try to take this meant's doubles final into a fifth and | :35:29. | :35:30. | |
deciding set. Good hands. Could have thought he | :35:31. | :36:07. | |
hit a winner on the first. Prepared for the next that came at him and | :36:08. | :36:09. | |
put that away. A good point. Just the third stubble for the team. | :36:10. | :37:23. | |
More than offsetting that with 11 aces. | :37:24. | :37:57. | |
A couple of points, being vigilant with the ball coming back from a | :37:58. | :38:05. | |
somewhat surprising situation. Just shy of three hours in the match and | :38:06. | :38:07. | |
we have a couple of set points. And it will be a fifth and deciding | :38:08. | :38:34. | |
set that determines the winner of the men's doubles competition here | :38:35. | :38:44. | |
at the Wimbledon Championships. Not a lot of need for Hawk-Eye, off the | :38:45. | :38:52. | |
final return from Melo which hit the canvas on-the-fly. They were | :38:53. | :38:57. | |
favourites coming into this final. The number four seeds. Kubot and | :38:58. | :39:07. | |
Melo but you have to say that Marach and Pavic of the form players, | :39:08. | :39:15. | |
through the fourth set and they were fantastic. When you consider the | :39:16. | :39:22. | |
percentage of first serves made by Kubot and Melo, the fact they were | :39:23. | :39:26. | |
broken twice will be concerning and may be for the first time in this | :39:27. | :39:30. | |
match, they need to change their strategy to protect their serve. | :39:31. | :39:40. | |
They did not need to change anything in the first three sets, but now you | :39:41. | :39:44. | |
feel they need to think about things differently. Yes, I could not agree | :39:45. | :39:51. | |
more. Interesting. I suppose Pavic just hack to go, because why would | :39:52. | :39:57. | |
you go in that situation? You have been dominant and now you allow your | :39:58. | :40:02. | |
opponent a break to pull themselves together. It has been a constant | :40:03. | :40:13. | |
cause debate, the bathroom breaks at the end of sets and medical | :40:14. | :40:17. | |
time-outs taken in matches. You kind of feel the only way you can | :40:18. | :40:21. | |
possibly govern them is by literally having one free one each, a medical | :40:22. | :40:26. | |
time-out and a bathroom break at the end of a set, and the next one you | :40:27. | :40:34. | |
take, you lose a point. Do you need to go, or just use it to compose | :40:35. | :40:40. | |
yourself? There is one of the great names and personalities in the world | :40:41. | :40:48. | |
of tennis. How many years we loved listening to John Barrett on the | :40:49. | :40:55. | |
BBC. His wife in front of him to the left, Angela Mortimer Barrett, the | :40:56. | :41:08. | |
winner here in... Way back when. 61, I bet it was. Is that a guess? I | :41:09. | :41:19. | |
think it was 61. Australian Open in 58, French Open in 55. Just the | :41:20. | :41:26. | |
semifinal at the US Open in 1961. You looked that up quickly, Peter. | :41:27. | :41:34. | |
Quick recall, John. This man is a whizz around computers. People find | :41:35. | :41:45. | |
their way affectively around the Centre Court for the next 45 | :41:46. | :41:50. | |
minutes, one hour, or more. No tie-breaker to decide it. The | :41:51. | :41:56. | |
winner takes all. Perhaps he expected the return to be | :41:57. | :43:13. | |
struck with a little more power. That time, Pavic did a nice job of | :43:14. | :43:18. | |
just feeling it. It dropped well inside the baseline. | :43:19. | :44:19. | |
The statement of intent made by Kubot. It was a stronghold. Plenty | :44:20. | :44:31. | |
of volume in terms of the come ons. Huw -- huge intensity out there. | :44:32. | :44:48. | |
Good to see Rod labour in attendance for the men's doubles final. Great | :44:49. | :44:56. | |
to see him around the grounds. It adds to the occasion. How many great | :44:57. | :45:07. | |
champions had Rod Labour as their idol growing up? A lot. -- Rod Laver | :45:08. | :45:23. | |
as their idol? So many great champions. A couple of the really | :45:24. | :45:27. | |
great players of tennis have almost taken back to a different level, | :45:28. | :45:33. | |
becoming almost artists rather than athletes on the court and you | :45:34. | :45:37. | |
certainly felt Rod Laver was one of those. | :45:38. | :45:46. | |
Arguably a man who is taking to the court tomorrow can be in the same | :45:47. | :45:54. | |
category in what he has achieved over the years. What he has given to | :45:55. | :45:57. | |
the crowds around the globe, as well. | :45:58. | :46:18. | |
That spurred Kubot on to a needy hot streak. He is certainly capable of | :46:19. | :46:42. | |
it. There is not a lot you can do about | :46:43. | :47:16. | |
that. A perfectly placed volley. Short | :47:17. | :48:01. | |
enough so that Kubot could barely reach it. | :48:02. | :49:35. | |
A good point, very good point. Excellent volley Abba net. | :49:36. | :49:44. | |
-- an excellent volley at the net. Calm at the net. Good angles. | :49:45. | :50:41. | |
It is going to be fascinating to see what makes a difference between | :50:42. | :50:46. | |
these teams because you have seen a little bit of everything. Some will | :50:47. | :50:56. | |
argue that experience wins and certainly this team have that. There | :50:57. | :51:03. | |
account is heavily in favour than the team they are playing against, | :51:04. | :51:10. | |
but who knows? Nude experience of being here | :51:11. | :51:10. | |
-- the inexperience of being here in this situation perhaps allows them | :51:11. | :51:24. | |
to play more freely. You think perhaps Pavic has been the deciding | :51:25. | :51:30. | |
factor in how things have unfolded. If he can continue the hot streak he | :51:31. | :51:37. | |
has hand, he is going to be offering up chances. They did have an epic | :51:38. | :51:40. | |
semifinal. 17-15, Melo and Pavic. Did that take a little more out of | :51:41. | :51:59. | |
their legs than the team they are taking on today? | :52:00. | :52:13. | |
Spectacular reactions here. Good anticipation as to where the | :52:14. | :53:16. | |
overhead might go. Beautifully guided return from | :53:17. | :53:39. | |
Kubot. You do feel that serve, if you can | :53:40. | :56:55. | |
get pressure on the service game and create that moment when we saw in | :56:56. | :57:02. | |
the fourth, when the double fault came, they could be the possibility | :57:03. | :57:06. | |
it would come again. He lost to the rhythm completely, Kubot. | :57:07. | :57:30. | |
We had that brief sequence of games in the fourth with a couple of | :57:31. | :57:40. | |
breaks and a real shift in momentum. This fifth set is unfolding in a | :57:41. | :57:45. | |
similar fashion to the opening three with utter dominance on serve, so | :57:46. | :57:52. | |
far, from both teams. It really is a waiting game, John, in terms of | :57:53. | :57:55. | |
opportunities that have presented themselves throughout the match. | :57:56. | :58:01. | |
Exactly. Business as usual in this first five games. Nobody has got | :58:02. | :58:06. | |
ahead in the game on the returning side. As we get closer to the | :58:07. | :58:11. | |
business end, and we are almost getting there, then the pressure | :58:12. | :58:14. | |
mounts, when you are that close to winning your first Wimbledon title. | :58:15. | :58:22. | |
And then we might see serves getting shorter and double faults thrown in | :58:23. | :58:30. | |
and someone take charge. Pavic did on that amazing run he had when he | :58:31. | :58:34. | |
opened up his shoulders and was hitting winners all over the place. | :58:35. | :58:39. | |
Do you think it will happen tonight? Probably not. Remember, we have an | :58:40. | :58:42. | |
11pm curfew. Two pretty accurate serves to start | :58:43. | :59:34. | |
off this game. You do not want to be playing this | :59:35. | :02:28. | |
game is your reactions are just a little dull. Could be dangerous. | :02:29. | :02:58. | |
Just missed three out of the team first serves in this final set. We | :02:59. | :03:32. | |
have been here before when we haven't been expecting a break of | :03:33. | :03:36. | |
serve and all of a sudden it comes out of nowhere and that could well | :03:37. | :03:40. | |
be what happens again but Melo making good use of the new balls, he | :03:41. | :03:51. | |
phoned his spots spectacularly. Melo getting a little bit of instruction | :03:52. | :03:54. | |
about which way to go for the return. Looking almost as if it was | :03:55. | :04:02. | |
to the backhand side, to cover the backhand side with the first serve | :04:03. | :04:08. | |
coming down. 11 is attempted winning Wimbledon for Melo. He has been in | :04:09. | :04:16. | |
the final in 2013. This will be Kubot's 12 time. | :04:17. | :04:31. | |
Perseverance pays off in the end. Which of these two teams have | :04:32. | :04:41. | |
persevered and will ultimately walk away with the glory? | :04:42. | :05:41. | |
Just over swung at that return. That second serve was 91 which was OK but | :05:42. | :05:50. | |
it was straight mac in the middle of the service box. Certainly | :05:51. | :05:51. | |
returnable. Spectacular return that time from | :05:52. | :07:07. | |
Melo. At full stretch. Melo did an amazing job of being | :07:08. | :08:05. | |
able to control that ball that was coming at him with such velocity. | :08:06. | :08:26. | |
Visual and audio effects. True surround sound. A little bit | :08:27. | :09:03. | |
exaggerated. They threw everything at that game, | :09:04. | :09:20. | |
Melo and Kubot, but ultimately came away with nothing. | :09:21. | :09:54. | |
Good moving. Very good moving. Managed to get on top of that one | :09:55. | :10:05. | |
quick. So the chip coming. Took two quickstep sound punch that one away. | :10:06. | :10:15. | |
Yeah, nicely played, little dead shot from Maric to keep the ball | :10:16. | :10:16. | |
low. That took a bit of courage to make | :10:17. | :10:34. | |
that serve because he took all of the pays off of it. Marach ended up | :10:35. | :10:40. | |
serving in early at the ball and did not get the pace he was looking for | :10:41. | :10:42. | |
in the return. Good cross he made there. That was a | :10:43. | :11:08. | |
high volley for him to go across on. He gambled. Kubot should have done | :11:09. | :11:22. | |
more with the volley relief. Yet, but it is a difficult one to pull | :11:23. | :11:25. | |
the trigger on in that situation. You want to be careful with it. He | :11:26. | :11:35. | |
had a good look at that return. The box believe that I of relief. | :11:36. | :13:14. | |
Edgy moments for Kubot and Melo to get through. It looked as though | :13:15. | :13:20. | |
Pavic was finding his range on the returns and getting onto everything | :13:21. | :13:25. | |
but a terrific serve from Kubot at 30-30 into the body... | :13:26. | :13:43. | |
This would in many ways be his finest moment. He won in Australia | :13:44. | :13:53. | |
in 2014. Melo also a Grand Slam winner. Pavic won the mixed doubles | :13:54. | :14:11. | |
last year. Of course the scoreboard giving Kubot and Melo a slight | :14:12. | :14:15. | |
advantage because any break points they reached will be match points. | :14:16. | :14:21. | |
That is never fun. To serve when you are going match points in the final | :14:22. | :14:23. | |
set. Just a little delay in the rhythm. | :14:24. | :15:43. | |
The pressure is at its maximum. That can contribute to moments like that. | :15:44. | :17:25. | |
Good reactions. Also some clean living. Beyond belief. Yes, he | :17:26. | :17:42. | |
wasn't there, just stuck his racket out of the last second. Nice step. | :17:43. | :18:03. | |
You just wonder whether the problem he has been having with his legs and | :18:04. | :18:10. | |
is the fourth set and the mass outing and just above his knee and | :18:11. | :18:15. | |
his quad, if you can keep here serving, maybe he is not getting up | :18:16. | :18:19. | |
as much as he was earlier in the match. Yes, and of course the left | :18:20. | :18:33. | |
knee is the one that does all of the jumping. You jump on the left knee | :18:34. | :18:41. | |
and land on it so it is taking some punishment. | :18:42. | :19:20. | |
That was a good serve. 101 on the second serve. Melo clearly was | :19:21. | :19:28. | |
distracted by the move that Pavic made. | :19:29. | :19:59. | |
Kubot has got the bit between his teeth. He has had the luxury of | :20:00. | :20:09. | |
getting a few more second serves. Melo if he can find something hell | :20:10. | :20:15. | |
is going to increase the pressure on this man exponentially. He is | :20:16. | :20:20. | |
struggling to find first serves. He desperately wants a free point. | :20:21. | :20:28. | |
Thing is getting very complicated. I was going to say, he is taking a | :20:29. | :20:29. | |
long time. Brilliantly read by Kubot. Nice | :20:30. | :21:10. | |
creativity when he got there. The short forehand is good in theory | :21:11. | :21:41. | |
perhaps but in practice did not get the job done. | :21:42. | :21:56. | |
He may well look to the heavens. That was much closer than he | :21:57. | :22:00. | |
intended it to be. Both teams have been here already at | :22:01. | :22:52. | |
this tournament, deep into a fifth set. But this has the extra | :22:53. | :22:59. | |
incentive and the extra pressure of having a Wimbledon title attached to | :23:00. | :23:04. | |
it, whoever comes out on top in the end, and Kubot and Melo are | :23:05. | :23:09. | |
potentially very close to winning this. More work ahead of them on | :23:10. | :23:12. | |
serve. You get the feeling that most of the | :23:13. | :23:33. | |
10,000 people still left in Centre Court have invested three and a half | :23:34. | :23:40. | |
hours in this match and now is the payback. | :23:41. | :24:21. | |
He has made it. That is just outrageous. The pace that he hit it | :24:22. | :24:28. | |
with coupled with the angle. What a pick-up from Melo. That was a | :24:29. | :24:59. | |
great move. That was lovely doubles. Rather than committing his weight | :25:00. | :25:23. | |
forward he held his balance so he could move one way or the other. | :25:24. | :25:29. | |
Just so much fun to watch. Great angle from Melo, just taking | :25:30. | :26:25. | |
the racket out of Marach's hands. It has been his best serve, that one | :26:26. | :26:28. | |
out wide, the backhand side. That does not augur well for us | :26:29. | :26:52. | |
getting home tonight. At 11pm. We will be postponed and have to come | :26:53. | :26:59. | |
back tomorrow. Think how well the other team had served when you think | :27:00. | :27:04. | |
about the last game be played and the length of it and they had to | :27:05. | :27:07. | |
endure before safely coming through in the end. They will be looking for | :27:08. | :27:11. | |
something a little less problematic here. | :27:12. | :27:51. | |
Apologises but would love three more of these. If the tennis gods are on | :27:52. | :28:00. | |
his side, who is he to argue? This is the moment they have been | :28:01. | :29:18. | |
working for and patiently waiting for. Produced by some wonderful | :29:19. | :29:27. | |
returns. The first helped by good fortune. The last couple have been | :29:28. | :29:35. | |
absolutely sensational. It is two championship points for Kubot and | :29:36. | :29:38. | |
Marach. Heart in the mouth for both sides. | :29:39. | :30:15. | |
Could Melo have done any more with the shot before that. Don't believe | :30:16. | :30:23. | |
he had that much time. A courageous second serve, as well. | :30:24. | :30:49. | |
If they had more of a chance on the first one, there was no chance for | :30:50. | :30:55. | |
Kubot on that. The perfect delivery. What an end to a game that had | :30:56. | :31:41. | |
everything in it. Quality all the way through, championship points, | :31:42. | :31:45. | |
but, ultimately, another hold of serve. And how positively will Kubot | :31:46. | :31:54. | |
and Melo react? UMPIRE: Mr Kubot challenging the | :31:55. | :33:10. | |
call. The ball was called out. Two I'd definitely better than one | :33:11. | :34:29. | |
of them, two racquets were better, they shovelled the back cover, in | :34:30. | :34:35. | |
fact, it was Kubot who managed to get his string onto the ball, they | :34:36. | :34:39. | |
both went for it, he was all over the place. -- shovelled it back | :34:40. | :34:44. | |
over. So much raw emotion in these | :34:45. | :34:58. | |
moments, so many different stories to get through, so money stages of | :34:59. | :35:04. | |
winning major titles. -- so many stages. | :35:05. | :35:37. | |
The shoe is on the other foot, Kubot is feeling the pressure. | :35:38. | :35:48. | |
They are going to get a warning here also, if they are not careful. There | :35:49. | :35:53. | |
has been a long time between points. Kubot responding in a similar | :35:54. | :36:12. | |
fashion as Pavic in the previous game, although with a championship | :36:13. | :36:16. | |
point staring him in the face, he delivered an ace. Bringing the best | :36:17. | :36:22. | |
out of each other. One of the biggest stages, if not | :36:23. | :36:57. | |
the biggest stage in the world and everything on the line. And those | :36:58. | :37:03. | |
last two players, Kubot and Pavic, in the service games, have produced | :37:04. | :37:11. | |
some fantastic serving. And we continue to be enthralled by this | :37:12. | :37:21. | |
Men's Doubles final. Kubot electing to not even sit down. Aidan Turner | :37:22. | :37:34. | |
and Bartoli continuing to talk about many of the permutations that could | :37:35. | :37:36. | |
still occur here. Virginia Wade. Continuing to witness | :37:37. | :38:01. | |
this drama unfolding. Barracudas struggled in his previous game, he | :38:02. | :38:05. | |
will be looking for a few more free points. Which he does not get on the | :38:06. | :38:13. | |
opening point of the game. One of the best backhand returns the final. | :38:14. | :39:19. | |
It looked like he had quite a bit of time, he was onto that forehand. | :39:20. | :39:28. | |
That was a time to play, to see how nervous your opponent is right now. | :39:29. | :39:37. | |
Like you said before, it does not matter how hard, he will still lose | :39:38. | :39:41. | |
the point is, pulled out in, see what happens. -- pull it in. | :39:42. | :39:54. | |
Well, that is a full-blooded swing, that return, he connected perfectly | :39:55. | :40:25. | |
and that beats Pavic as he crosses perfectly. | :40:26. | :40:43. | |
Calm as you like. There is ice in his veins. | :40:44. | :41:33. | |
Well, one continues to wonder what the catalyst for victory will be for | :41:34. | :41:39. | |
either of these teams, over one hour has gone in the final set alone. | :41:40. | :41:50. | |
Four hours, ticking over. And we are kept guessing. Who will be the | :41:51. | :41:54. | |
victor is out here? -- victors. Kubot apologises and he apologises | :41:55. | :44:05. | |
for a long time. They are playing in good spirit, in this final and Pavic | :44:06. | :44:12. | |
was right, that ball was travelling out but it was travelling at to | :44:13. | :44:17. | |
quickly apace. To get out of the way. It certainly got a lot cooler | :44:18. | :44:22. | |
than it was in the middle of the day and also a lot darker, we are about | :44:23. | :44:28. | |
ten minutes past eight in the evening and blankets are being | :44:29. | :44:33. | |
passed around in the Royal box. We need some of them down here! I am | :44:34. | :44:39. | |
just wondering at what stage they will make a decision in terms of | :44:40. | :44:44. | |
closing the roof and putting the lights on and all that. On a clear | :44:45. | :44:55. | |
day,... Nine o'clock? But it is not clear at all today. Therefore, it | :44:56. | :45:01. | |
might be closer to half past eight. I was on court to when Curry was | :45:02. | :45:08. | |
playing Jo Wilfried Tsonga and at a quarter past eight on a nice | :45:09. | :45:14. | |
evening, we thought this will we get done tonight, added five minutes to | :45:15. | :45:19. | |
nine, it was much too dark. There will be some discussions about what | :45:20. | :45:23. | |
to do. Maybe one of these teams will take the decision out of their | :45:24. | :45:26. | |
hands. Deft touch. That bounced like | :45:27. | :46:59. | |
sandbag! It is amazing how close to the net... Almost leaning over. | :47:00. | :47:03. | |
Right on top of the net. He had a few ciders, but with that | :47:04. | :48:55. | |
motion, you question whether that will stack up on a break point, it | :48:56. | :49:01. | |
is a very flat trajectory and for the most part it does work. But if | :49:02. | :49:08. | |
Marach and Pavic can get themselves to that break point situation, it | :49:09. | :49:19. | |
might just crack. -- a few sighters. It has dropped in. It looked like | :49:20. | :49:25. | |
they were out of trouble and that was a miraculous pick-up from Kubot. | :49:26. | :49:30. | |
He just did not do enough of that. The back edge. | :49:31. | :49:39. | |
And backs to the wall stuff for Kubot and Melo. | :49:40. | :49:57. | |
What a point he played there! His nerves! The first volley, I think, | :49:58. | :50:10. | |
was quite deep. And that was also very deep. | :50:11. | :50:27. | |
Inspirational play. Three break points. The first one is saved in | :50:28. | :50:39. | |
routine fashion but there is nothing routine about the situation they | :50:40. | :50:41. | |
find themselves in. That is a stunning serve. Credit to | :50:42. | :51:10. | |
Kubot, the weather Pavic is playing, that felt like it was the only way | :51:11. | :51:15. | |
they could where they could win the point, just not allowing them to | :51:16. | :51:27. | |
touch it. -- the way that Pavic is playing. | :51:28. | :51:38. | |
That is great serving. Just questioning whether the technique | :51:39. | :51:46. | |
would hold up, they answered that affirmatively. | :51:47. | :52:38. | |
That second service lacked just a bit of nerve, into the middle of the | :52:39. | :52:50. | |
box. And Pavic had a wonderful return, back at his feet. | :52:51. | :53:25. | |
Well, it was good scrambling but he was never really in the point after | :53:26. | :53:33. | |
the return and again, credit to Kubot are finding that terrific | :53:34. | :53:36. | |
first serve when he needed it the most. -- for finding. | :53:37. | :54:18. | |
I am not sure what happened. It was nowhere near the line. It didn't | :54:19. | :54:25. | |
come through, as he expected it. UMPIRE: Time violation warning, | :54:26. | :54:47. | |
Kubot and Melo. Quite right. Break points have come and gone. And Kubot | :54:48. | :55:04. | |
and Melo hang on. Now, legitimately, both teams feel they could be | :55:05. | :55:08. | |
Wimbledon champions, no matter what way this end -- this ends up going, | :55:09. | :55:16. | |
that was courage under fire, Kubot and Bella. Finding that ace at | :55:17. | :55:22. | |
15-40. Returning spectacularly well, he was back in the groove. Once | :55:23. | :55:31. | |
again, Kubot just not wanting to sit down and he is keeping himself warm. | :55:32. | :55:38. | |
Rod Laver will enjoy what he is watching. He knows what it takes to | :55:39. | :55:41. | |
play with courage when your back is against the wall. To play your best | :55:42. | :55:49. | |
tennis when everyone else, including yourself, is potentially doubting | :55:50. | :55:52. | |
it. This is unknown territory for both teams, they have never even | :55:53. | :55:57. | |
played each other before. No one here has a Wimbledon title to their | :55:58. | :56:01. | |
name and they desperately seek one of them. | :56:02. | :57:22. | |
Nice volleying. Unfortunately, their opponents cover every inch of the | :57:23. | :57:32. | |
court. That was a good follow. Full | :57:33. | :58:16. | |
stretch, Billy Strong, nudging that one. As soon as March held his | :58:17. | :58:25. | |
ground, he was in trouble. -- really strong. | :58:26. | :58:58. | |
Pavic, just in front of us, starting to flex his left leg or his left | :58:59. | :59:08. | |
hip, I do not know whether he tweaked that or if he was in some | :59:09. | :59:10. | |
degree of pain... Neither team has flinched in the | :59:11. | :59:26. | |
final set. It took a long time to develop the | :59:27. | :59:41. | |
last half set has been fascinating. There was nothing on that serve at | :59:42. | :00:10. | |
all. Against that grimace, he has to | :00:11. | :01:18. | |
serve next, he would dearly love to do that with a break in the bank as | :01:19. | :01:25. | |
well. He may not get that luxury. He has not always find that accuracy | :01:26. | :01:30. | |
down the T, but he did that time, when he needed that the most, great | :01:31. | :01:32. | |
response from Melo. He struggles on the backhand side, | :01:33. | :01:56. | |
if you get in there with pace, he can almost always only go down the | :01:57. | :02:02. | |
line or inside the doubles line, but Melo is once again directing the | :02:03. | :02:10. | |
traffic at a decent velocity, 117 out wide and the 0-30 lead has | :02:11. | :02:11. | |
vanished. Courage, calmness and precision on | :02:12. | :03:34. | |
serve from Melo, he digs his team out of trouble, that was a lightning | :03:35. | :03:40. | |
start from Pavic in that game and look at that, they are not dead even | :03:41. | :03:45. | |
on the scoreboard but in terms of total points one. And again, we | :03:46. | :03:49. | |
continue to wonder and wait to see what the difference will be. It is | :03:50. | :03:55. | |
amazing to think that as a team, March and Pavic have yet to win any | :03:56. | :04:02. | |
title together. They have individually, but not together and, | :04:03. | :04:06. | |
well, if they were to do it here, in the circumstances, it would be quite | :04:07. | :04:15. | |
something. I wonder if they have thought about closing the roof, | :04:16. | :04:21. | |
producing, I would think. Half past eight at night, we certainly do not | :04:22. | :04:27. | |
have that much more good light to play, there is no blue sky. | :04:28. | :04:41. | |
With it so finely balanced here, it would take a brave decision to stop | :04:42. | :04:49. | |
it right now, for shore. They will have to go to the last second and | :04:50. | :04:54. | |
hope against hope somehow it finishes. | :04:55. | :05:29. | |
Getting those second serves in the strike zone. Melo. Middle of the | :05:30. | :05:36. | |
net. And still they continued to | :05:37. | :06:40. | |
entertain. A good move in from Melo, keeping the ball low, but great | :06:41. | :06:42. | |
vision here from Marach. He said it is not the same, it is | :06:43. | :07:37. | |
not the same when it is not sunny. They want it to close now, I think. | :07:38. | :08:35. | |
As tough as it is to pick up the serve, as the light fades, it is | :08:36. | :08:44. | |
perhaps even tougher to pick up the first volley when it comes back at | :08:45. | :08:47. | |
that pace. Both teams are suffering a little bit here. | :08:48. | :09:01. | |
Did they get the signals wrong? They must have. | :09:02. | :09:50. | |
Both guys moving in the same direction. Yes. Just kicked in at 96 | :09:51. | :10:02. | |
mph, giving extra time to get the racket through the shot and drag it | :10:03. | :10:06. | |
back crosscourt. Blanket coverage of the match | :10:07. | :11:21. | |
continues. 11-10 in the final set. STUDIO: We will cover this live on | :11:22. | :11:27. | |
BBC Two. The lights can come on after the roof closes and it can | :11:28. | :11:34. | |
continue until 11pm. The longest men's final was 19-17. The | :11:35. | :11:40. | |
tournament referee is chatting to the players to see whether they can | :11:41. | :11:47. | |
keep going for another two games. If they can, they will try to get the | :11:48. | :11:51. | |
match concluded and then close the roof. There is another final to come | :11:52. | :11:55. | |
after this, the ladies' doubles final. Today at Wimbledon will not | :11:56. | :12:02. | |
be happening but we will try in the gaps between the matches to bring | :12:03. | :12:07. | |
the highlights of the fabulous singles final between the women. | :12:08. | :12:13. | |
Garbine Muguruza and Venus Williams. But this match continues so I hand | :12:14. | :12:18. | |
you over to Mark Petchey, Peter Fleming and John Lloyd. | :12:19. | :12:23. | |
The gentleman on the court having a word with the umpire, you sense it | :12:24. | :12:30. | |
might have been a precursor for this game to be the final one before the | :12:31. | :12:36. | |
roof is shut and the lights come on. It is 8:37pm. | :12:37. | :12:45. | |
But, who knows? That may be the start of something special here for | :12:46. | :12:57. | |
Kubot and Melo. He was there. He tried to cut it as | :12:58. | :13:27. | |
finely as possible over the top of the dart-macro to keep it alone. | :13:28. | :14:01. | |
Such a good move from Pavic. His forehand return has been down the | :14:02. | :14:11. | |
line, but he had the courage to cut off the crosscourt return after the | :14:12. | :14:14. | |
Brazilian hit a pretty good one. And there he is again. Alert and | :14:15. | :14:45. | |
agile after over four and a half hours. | :14:46. | :15:27. | |
And this is it, isn't it? Yes. You would expect the players to leave | :15:28. | :15:44. | |
the court while this happens. UMPIRE: Ladies and gentlemen, play | :15:45. | :15:50. | |
is suspended for approximately ten minutes while the roof is closed. | :15:51. | :16:03. | |
STUDIO: While the roof closes let us take this opportunity to recapture | :16:04. | :16:10. | |
on a wonderful day of tennis. We have to go back to 1908 since a | :16:11. | :16:16. | |
37-year-old won the ladies' championship, Charlotte Cooper | :16:17. | :16:24. | |
Sterry stop Venus Williams was trying to emulate her, playing | :16:25. | :16:27. | |
Garbine Muguruza, 14 years her junior. Would age, experience or | :16:28. | :16:34. | |
youth win the day? You reach the last round and feel, | :16:35. | :16:39. | |
what I am doing is right. I have a lot to give. I am a glass half full | :16:40. | :16:47. | |
kind of person. It is 50-50, the chances. I have another opportunity | :16:48. | :16:51. | |
and have to do my best with it. It is not over till it's over. It was | :16:52. | :16:56. | |
the ninth time Venus had taken this walk. She did not look at pictures | :16:57. | :17:00. | |
of herself on the walls. She knows how to cope with days like these, | :17:01. | :17:03. | |
how to win matches like this. For Muguruza, a | :17:04. | :17:18. | |
second Wimbledon final. Last time she said it went by so fast against | :17:19. | :17:20. | |
the younger Williams. Venus makes the most of time. She delayed a few | :17:21. | :17:23. | |
moments, as if to emphasise she is the queen around here. The wait was | :17:24. | :17:26. | |
worth it because what followed was truly extraordinary. | :17:27. | :17:50. | |
And again, come the big moments in big games, the noise increases and | :17:51. | :17:58. | |
the powerless. The decibels level went up. Brilliant hitting from | :17:59. | :17:59. | |
both. It was well long and she is trying | :18:00. | :18:26. | |
to impose her will and presence, Williams. She knows the pressure | :18:27. | :18:28. | |
Muguruza is under. Forehand error again from the | :18:29. | :18:43. | |
Spaniard. Williams two points away. And a mistake, again, and it is the | :18:44. | :19:20. | |
first serve of Muguruza that has disappeared and gives Williams the | :19:21. | :19:21. | |
two set points. And a rally in. She could not do it | :19:22. | :20:09. | |
at the end and Muguruza holds firm. Still one more to go. Clearly, Venus | :20:10. | :20:15. | |
was targeting the forehand. As she should. Muguruza impressively held | :20:16. | :20:19. | |
steady. What a time to find that first serve | :20:20. | :20:35. | |
again from Muguruza. There was a sigh of relief. | :20:36. | :21:01. | |
The forehand worked well in that rally for Muguruza. | :21:02. | :21:26. | |
And that is how to stand up to set points. Muguruza played so well. | :21:27. | :21:36. | |
They know how important that was. Not afraid of a double fault, it is | :21:37. | :22:27. | |
part of her game. But it does put the pressure on. | :22:28. | :22:42. | |
I think she is going to challenge. Yes. And a big moment. It is worth | :22:43. | :22:55. | |
challenging. My goodness! It is not even close! The linesman today are | :22:56. | :23:04. | |
tighter than the players. Everyone is feeling the pressure. | :23:05. | :23:11. | |
She fell on her heels and lost her balance. When you get nervous, your | :23:12. | :23:21. | |
feet sometimes get tangled and that is what happened there. | :23:22. | :23:42. | |
Both players struggling on the forehand side. Suddenly, from having | :23:43. | :23:53. | |
two set points in the previous game, Williams is facing break point. | :23:54. | :24:02. | |
Wow. This is a nervy game for both players. They both have the same | :24:03. | :24:10. | |
weakness at the moment, the fragility in their forehand. | :24:11. | :24:32. | |
There will be another chance for Garbine Muguruza. | :24:33. | :24:46. | |
First blood to Garbine Muguruza. And William suddenly looks a little bit | :24:47. | :25:28. | |
weaker. Muguruza still has two survey it out, but what a position | :25:29. | :25:43. | |
she is aided in this final. -- she has to serve it out. | :25:44. | :26:07. | |
Wow. That is tremendous from Venus and the movement to get up to it | :26:08. | :26:18. | |
quickly and time it so well. Indecisive on this one. It was very | :26:19. | :26:25. | |
tough. Down at Muguruza's feet. The crowd gasp as they thought | :26:26. | :26:58. | |
Muguruza went long. But she gets away with it. She had control in the | :26:59. | :27:05. | |
first part of the set, but now hers has gone off. | :27:06. | :27:21. | |
She went for it on the final forehand, Williams, but it is | :27:22. | :27:33. | |
Muguruza getting closer. They are very physical rallies. The movement, | :27:34. | :27:36. | |
the explosive first step. How did she get that ball? It could | :27:37. | :28:04. | |
be the shot of the set. For all the world, Venus Williams was in control | :28:05. | :28:08. | |
of the rally and then she bowed her head as she watched this land in the | :28:09. | :28:09. | |
corner. Two set points for Muguruza. Still fighting. Venus had two set | :28:10. | :28:33. | |
points earlier. Muguruza one left. And Muguruza has the first set in | :28:34. | :29:16. | |
this final. STUDIO: Muguruza saving set points | :29:17. | :29:21. | |
and taking the set 7-5. We're going back to centre core for live tennis | :29:22. | :29:27. | |
because the final of the men's doubles has just resumed. We can be | :29:28. | :29:31. | |
join Mark Petchey, Fleming, and John Lloyd. | :29:32. | :29:36. | |
It was a quick warm up. No real warm up, to be honest. So difficult | :29:37. | :29:44. | |
perhaps for the players off the return straightaway. They came up, | :29:45. | :29:50. | |
warmed up their serve and got on with it. | :29:51. | :30:49. | |
The ball boy tripping up over the canvas towards a photographer, who | :30:50. | :30:55. | |
threw it back. It hit the front of his lens. | :30:56. | :31:11. | |
A strange start on the restart. For next week's was number one, Marcelo | :31:12. | :31:19. | |
Melo. 100 minutes this final set has taken | :31:20. | :31:31. | |
already. One wonders how deep into the evening we can go. We have | :31:32. | :31:35. | |
another couple of hours this could've feasibly go. Melo did well | :31:36. | :31:45. | |
on that game. The resumption is always difficult. But he served | :31:46. | :31:51. | |
well. Some good volleys from his partner to back him up and now | :31:52. | :31:55. | |
pressure switches to the other side of the court. And I would say | :31:56. | :31:59. | |
another couple of hours is highly feasible. It has a tendency, the | :32:00. | :32:09. | |
roof, to make things slower at times and I wonder if that will help both | :32:10. | :32:10. | |
teams. To create more opportunities. Slotted it into the space with | :32:11. | :33:00. | |
precision. And then moved in behind it. He has done that a few times. A | :33:01. | :33:07. | |
good start to the game. Unbelievable fortune for Melo. Not | :33:08. | :34:10. | |
even trying to disguise how happy he is about it. They had a couple of | :34:11. | :34:22. | |
championship points earlier in the set. They will have three more now. | :34:23. | :34:38. | |
What a remarkable victory for Melo and Kubot. Winning Wimbledon for the | :34:39. | :34:50. | |
first time as a team and in quite simply astonishing fashion. | :34:51. | :35:03. | |
We thought the match could go along into the night. The celebration is | :35:04. | :35:10. | |
certainly well. He is world number one once next week. He has already | :35:11. | :35:17. | |
have that number next to his name once before in 2015 and 2016. Kubot, | :35:18. | :35:26. | |
who won the Australian Open in 2014, is now the Wimbledon champion. And | :35:27. | :35:33. | |
Melo adds to his title in Roland Garros will stop but let's spare a | :35:34. | :35:36. | |
thought for the other two players in this magnificent final who end up | :35:37. | :35:42. | |
the runners up, who played more than their fair share in the drama that | :35:43. | :35:48. | |
unfolded over the last four hours and 41 minutes. Those are not tears | :35:49. | :36:00. | |
of joy under their 4-3. -- Pavic. But what a performance from the | :36:01. | :36:04. | |
Croatian and the Austrian. What a resumption. Did they lose a point on | :36:05. | :36:12. | |
the resumption? Did Melo lose one point on his serve? Spectacular | :36:13. | :36:17. | |
serving and then even more dynamic returning to break and win the | :36:18. | :36:18. | |
title. Fabulous scenes there were Lukasz | :36:19. | :36:35. | |
Kubot and Marcelo Melo. We will be back to see the trophy presentation | :36:36. | :36:46. | |
later on. We will be showing, the single's final. We were updating you | :36:47. | :36:52. | |
on what happened earlier on the final during the final of the | :36:53. | :36:56. | |
Ladies' Singles final. I am so impressed with the weight | :36:57. | :37:26. | |
Muguruza was able to stay so positive and find her forehand | :37:27. | :37:31. | |
again. Because that is what she has been struggling with since winning | :37:32. | :37:35. | |
the French. It has been a little bit more erratic and inconsistent. That | :37:36. | :37:40. | |
is what stood out during these championships. Much more reliable | :37:41. | :37:41. | |
ground strokes. No sign of any lack of power at the | :37:42. | :38:03. | |
start of the second set from Venus Williams. | :38:04. | :38:13. | |
An interested observer somewhere in the world will be Serena Williams. | :38:14. | :38:34. | |
Maybe she can't bear to watch it live, she will watch it on tape | :38:35. | :38:43. | |
later. She might not want to watch it if it continues to go the way of | :38:44. | :38:45. | |
the Spaniard. Just cannot afford to miss neutral | :38:46. | :39:15. | |
balls like that. Right at the start of the second | :39:16. | :39:32. | |
set, Venus Williams in all sorts of trouble. | :39:33. | :39:55. | |
Blistering back and says Venus Williams on that occasion. Some | :39:56. | :40:07. | |
heavy hitting from both players here at the moment. | :40:08. | :40:20. | |
Too many mistakes from Venus Williams at the moment. Too deep in | :40:21. | :40:26. | |
the court. Muguruza is controlling court position here. As hard as | :40:27. | :40:30. | |
Williams is hitting it. Challenge from Muguruza. A big | :40:31. | :40:48. | |
decision for our virtual friends. Good challenge. She shook her head | :40:49. | :41:00. | |
emphatically. It is a huge turn of events from an ace to losing your | :41:01. | :41:08. | |
serve. Gabine Muguruza it is firmly in control of this final now. | :41:09. | :41:20. | |
That is lovely from Venus Williams. That was a difficult half-volley. | :41:21. | :41:34. | |
Beautiful hands and feel to gently caress that. I don't know if it is | :41:35. | :41:47. | |
physical or she's lost a bit of spirit, but she doesn't seem to have | :41:48. | :41:54. | |
as much energy, Williams. Some uncomfortable speeds to deal with. | :41:55. | :42:06. | |
The winners, the energy coming from Muguruza now. The energy coming from | :42:07. | :42:12. | |
the Spaniard is tiring out Venus Williams at the moment. I don't see | :42:13. | :42:17. | |
a whole lot emanating from the American's side. | :42:18. | :42:29. | |
This is a must hold, can't go down the double break. | :42:30. | :42:40. | |
Too good. This match is slipping away from Venus Williams. Muguruza | :42:41. | :42:59. | |
is plain wonderful tennis. Break point again. | :43:00. | :43:28. | |
And Muguruza housing, has the double break. Surely has one hand on this | :43:29. | :43:32. | |
trophy? -- has it. Suddenly this court, where she has | :43:33. | :43:49. | |
had so much success must be a very dark place. | :43:50. | :44:13. | |
24 unforced errors now. Just 11 from Muguruza. | :44:14. | :44:26. | |
It is painful to watch if you are a supporter of Venus Williams. But she | :44:27. | :44:36. | |
is wilting here. Woody Harrelson, watching on. Anyway, three break | :44:37. | :44:43. | |
points for Garbine Muguruza. And the crowd, trying to lift their | :44:44. | :44:48. | |
favourite, this great champion. She is in a very deep hole. | :44:49. | :45:02. | |
And the end surely is coming quickly. Muguruza with a | :45:03. | :45:10. | |
stranglehold on this match. It not over yet, but Williams already looks | :45:11. | :45:16. | |
a beaten figure. Garbine Muguruza, to step out onto Centre Court, to | :45:17. | :45:20. | |
serve for the Ladies' Singles championship. | :45:21. | :45:34. | |
Goodness. You want to see this title taken, you don't want to see a meek | :45:35. | :45:48. | |
surrender. I think we are seeing both. The | :45:49. | :46:04. | |
combination is going to make it six love in the second. | :46:05. | :46:12. | |
Everything is with her now and there is noise inside Centre Court, but | :46:13. | :46:20. | |
just one more point for Garbine Muguruza and it will all be hers. | :46:21. | :46:38. | |
It might end on this. The umpire says it's good, so the challenge. I | :46:39. | :46:50. | |
hope it doesn't end this way. It doesn't, so we will play again. | :46:51. | :47:14. | |
We will have to wait just a little bit longer. Two more chances. | :47:15. | :48:05. | |
This challenge might end this way. We look to the challenge, we look to | :48:06. | :48:19. | |
the screen. Garbine Muguruza, if it is long she is the champion. It is | :48:20. | :48:24. | |
and it is a sorry way for this final two end, but what a victory for | :48:25. | :48:30. | |
Garbine Muguruza. She is the Wimbledon champion and tears of this | :48:31. | :48:34. | |
spare a couple of beers ago as she lost to Serena Williams. But | :48:35. | :48:41. | |
overwhelming joy now as she is the champion. And the sad end to Venus | :48:42. | :48:48. | |
Williams who played so well throughout this championship and | :48:49. | :48:53. | |
promised so much. But all the smiles belonged to Garbine Muguruza, the | :48:54. | :48:57. | |
moment is hers, the title belongs to the Spaniard. | :48:58. | :49:04. | |
A day to savour but Garbine Muguruza. She said she was | :49:05. | :49:14. | |
determined to enjoy this moment. And lifting the Venus rose water dish | :49:15. | :49:20. | |
and seeing her name. And look at how many times it says Williams, either | :49:21. | :49:25. | |
Serena or Venus. It is rare for anybody else to live this trophy. | :49:26. | :49:32. | |
She came out to packed crowds on the balcony. Unfortunately, they took | :49:33. | :49:36. | |
the trophy away from her. She said it was all too soon. She hadn't had | :49:37. | :49:41. | |
time to hold it in her hands for long enough. Only the second | :49:42. | :49:48. | |
Spaniard since Conchita Martinez in 1994 to win Wimbledon. And there is | :49:49. | :49:53. | |
the woman who has helped her through this fortnight. She has come through | :49:54. | :49:56. | |
with the loss of only one set and the only person to beat Venus | :49:57. | :50:01. | |
Williams six love in a set here at Wimbledon. The trophy presentation | :50:02. | :50:06. | |
has been happening but the Men's Doubles. The Duke of Kent, President | :50:07. | :50:19. | |
of the All-England Club and executive, making the presentation | :50:20. | :50:30. | |
to Kubot from Poland and Melo from Brazil. On the presentation has | :50:31. | :50:35. | |
happened but the Girls' Singles champion and for the first time in | :50:36. | :50:40. | |
25 years it has been won by an American. The third seed who beat | :50:41. | :50:48. | |
her fellow American. Clare lives the trophy and very shortly, on centre, | :50:49. | :50:51. | |
there is still another final to come, because we will be showing the | :50:52. | :50:59. | |
final of the Ladies' Doubles final. The roof is now close. On centre, | :51:00. | :51:04. | |
those players will be appearing shortly. We can find out what Venus | :51:05. | :51:10. | |
Williams said after her defeat in the final. Venus, commiserations, | :51:11. | :51:16. | |
how would you sum up the challenge posed by Garbine Muguruza today? I | :51:17. | :51:22. | |
have never played her on grass, so it was a different experience. She | :51:23. | :51:28. | |
played really well. It was a wonderful two weeks for me. I don't | :51:29. | :51:31. | |
have any complaints, she played amazing. Do you think we | :51:32. | :51:36. | |
underestimated just how difficult it would be to win a Grand Slam title | :51:37. | :51:43. | |
at the age of 37? I am thinking more about what I need to accomplish, I | :51:44. | :51:46. | |
don't necessarily think what other people think. Or your age? Not at | :51:47. | :51:57. | |
all. You had to set points which is very high quality and very | :51:58. | :52:00. | |
competitive, at the end of the first set, what do you remember? I try to | :52:01. | :52:09. | |
win those points, obviously. She played some amazing tennis. I would | :52:10. | :52:13. | |
like to have had more opportunities in the match, but she played | :52:14. | :52:18. | |
amazing, so I give her a lot of credit. The two sets were very | :52:19. | :52:22. | |
different, where you feeling very tired in the second set? I felt I | :52:23. | :52:28. | |
went for a little bit too much. You have to go for it, so I don't have | :52:29. | :52:34. | |
any regrets. Do you think the exertions of the last fortnight have | :52:35. | :52:37. | |
caught up with you? Every match is different and you give your best | :52:38. | :52:41. | |
effort and like I said, she played very well. Two grand slam finals | :52:42. | :52:49. | |
this year, I must assume you are very proud of your achievement? It | :52:50. | :52:54. | |
is great tennis this year, I look forward to the next major and giving | :52:55. | :53:00. | |
it my best shot. Is your appetite still as great as ever? I love the | :53:01. | :53:07. | |
game, sometimes it is wins and losses, mostly wins, so there will | :53:08. | :53:12. | |
be more. We will see you next year. Thank you. | :53:13. | :53:16. | |
Venus Williams has been coming here for 20 years and is not ruling it | :53:17. | :53:23. | |
out coming back next year. She will be 38 next year. The women | :53:24. | :53:26. | |
contesting the Ladies' Doubles finals, are walking out. Garbine | :53:27. | :53:32. | |
Muguruza becomes the first person ever to beat both Williams sisters | :53:33. | :53:36. | |
to win a grand slam title, having won the French and Wimbledon at well | :53:37. | :53:43. | |
and 23 she has many great years ahead of her. But Venus, not saying | :53:44. | :53:49. | |
this will be her last Wimbledon. She very much still wants to come back | :53:50. | :53:52. | |
and who knows, Serena may be back again next year. The first set was | :53:53. | :53:58. | |
populous tennis, it was so powerful, so full of pace and amazing accuracy | :53:59. | :54:04. | |
and then Venus, it was like the battery ran out in the second set. | :54:05. | :54:09. | |
Garbine Muguruza, won the Ladies' Singles for Spain. If you have tuned | :54:10. | :54:15. | |
in to watch in margin with Alan Yentob, that will follow the tennis, | :54:16. | :54:19. | |
but we are in for a late finish because we still have the final of | :54:20. | :54:23. | |
the Ladies' Doubles to come. I shall handed over to David Mercer and Liz | :54:24. | :54:29. | |
Smiley to tell you about it. The pair in your picture are only | :54:30. | :54:33. | |
playing their second tournament together. Their first was at | :54:34. | :54:43. | |
Eastbourne the week before. They lost in the first round. Liz Smiley, | :54:44. | :54:51. | |
the doubles champion here with Kathy Jordan, they have done better this | :54:52. | :54:57. | |
time? They are up against one of the best teams in women's tennis these | :54:58. | :54:59. | |
days. You might have just picked up the | :55:00. | :55:36. | |
umpire saying angel. That is the anglicised name she is commonly | :55:37. | :55:40. | |
known as. That is the name by which he likes to be called. Here are the | :55:41. | :55:55. | |
Olympic champions,. They were the champions at Roland | :55:56. | :56:19. | |
Garros in 2013 and at the US Open. The following year, they were both | :56:20. | :56:24. | |
ranked number three in the world. They very seldom play with other | :56:25. | :56:34. | |
partners. Elena Vesnina got married last year and her maid of honour is | :56:35. | :56:40. | |
her doubles partner. They have never won here at Wimbledon. They were | :56:41. | :56:47. | |
runner-up in 2015 and runner-up at the French as well. They are looking | :56:48. | :56:53. | |
for their first Wimbledon doubles title. | :56:54. | :57:11. | |
Slightly older at 30. Her partner is 29. Chan, 23 years of age. | :57:12. | :57:31. | |
It's not surprisingly is two teams have not played against each other, | :57:32. | :57:41. | |
given the fact that this is only their second event together. It is | :57:42. | :57:46. | |
interesting they have just gelled immediately. You see that sometimes | :57:47. | :57:53. | |
the doubles pairings, they don't have to play for a long time to | :57:54. | :57:57. | |
understand each other or where their partner is hitting the ball, they | :57:58. | :57:59. | |
have an chemistry. Ekaterina Makarova, the grand slam | :58:00. | :58:20. | |
titles won with her partner today. It is an impressive record. In the | :58:21. | :58:27. | |
majors they have reached the finals of all of them. They would love to | :58:28. | :58:38. | |
make it three the night. Ten doubles title for Katarina. A few more for a | :58:39. | :58:50. | |
Elena Vesnina. She has won 16 doubles titles. And of course, those | :58:51. | :59:01. | |
two majors. They have both won Mixed Doubles grand slam titles with the | :59:02. | :59:03. | |
same man, Bruno Soares. Nine wins as a team, one win in 2007 | :59:04. | :59:19. | |
and this is the route to the final, just losing the one set in the | :59:20. | :59:27. | |
quarterfinals. One break in each set of that particular match. It was | :59:28. | :59:34. | |
very tough. The Australians themselves have been runners-up. The | :59:35. | :59:44. | |
Australians reached three grand slam finals and lost the lot in 2013. | :59:45. | :00:03. | |
Here is angel, born in Taipei. Has won 12 doubles titles, nine with her | :00:04. | :00:10. | |
sister. But she was playing with Martina Hingis and they were playing | :00:11. | :00:15. | |
with the number one seeds in this event. Monica Niculescu is an | :00:16. | :00:29. | |
unusual player on the tour, she will play particularly on the forehand | :00:30. | :00:30. | |
and an exaggerated slice forehand. She doesn't have any grand slam | :00:31. | :00:54. | |
titles. Her world ranking is 25. This is their route, little bit | :00:55. | :01:04. | |
different than the semifinal. They ended up winning 9-7 in the third | :01:05. | :01:10. | |
set, two other matches went the distance. They have not faced a | :01:11. | :01:15. | |
seeded player. They are the ninth seeds. | :01:16. | :01:26. | |
The umpire, one of the full-time officials on the women's WTA to. Lot | :01:27. | :01:37. | |
more aces, you can see from the Russians. One more points but then | :01:38. | :01:53. | |
they have played a lot of you are games. Rather more efficient at | :01:54. | :02:08. | |
converting break points on paper. They are the highest seeds left in | :02:09. | :02:12. | |
the/ when the number one seeds had the defaults. | :02:13. | :02:18. | |
Bethany Matt Dixon and suffered a terrible injury. | :02:19. | :02:26. | |
The top section of the drawer opened up once the number one seeds were | :02:27. | :02:32. | |
gone. The number two seeds, we will see here. I am sure many of the | :02:33. | :02:46. | |
people were queueing the resale tickets. Then they can say, not only | :02:47. | :02:53. | |
did I go to Wimbledon and sat on the Hill, then I saw a Wimbledon final | :02:54. | :02:59. | |
on Centre Court. Wonderful thing for them. Most famous tennis court in | :03:00. | :03:05. | |
the world. There is always a queue of people whose dream it is to watch | :03:06. | :03:07. | |
a final. Tough for all four ladies to have to | :03:08. | :04:03. | |
wait so long that remarkable Men's Doubles going past the four-hour | :04:04. | :04:04. | |
mark. It is all in the timing when you | :04:05. | :04:47. | |
cross and just too much space down there, left a little bit early, | :04:48. | :04:53. | |
Makarova was good enough to hit the forehand up the line. Very solid off | :04:54. | :04:54. | |
the ground. She had shoulder treatment during | :04:55. | :05:11. | |
the semifinal, Chan. You can see why Niculescu and Chan | :05:12. | :05:46. | |
combine well. Excellent volleys from Niculescu at the net. She is always | :05:47. | :05:50. | |
looking to inject herself into the point. | :05:51. | :06:18. | |
If you strike the ball well, there is a lovely resonance under the | :06:19. | :06:22. | |
roof. Perfect conditions. On the full stretch, the return was | :06:23. | :07:46. | |
unable to hit an effective lob. Not a bad idea. Vesnina really closes in | :07:47. | :07:47. | |
on the net. That is why we need to have the | :07:48. | :08:14. | |
lights on and roof closed. That is quite a sunset in the distance. That | :08:15. | :08:25. | |
is a beautiful sight. Red sky at night, Shepherd's delight. Red sky | :08:26. | :08:29. | |
in the morning... Shepherd's warding. -- warning. | :08:30. | :09:49. | |
When you are struggling on serve, 0-30, you love to see your partner | :09:50. | :09:59. | |
doing that for you. There was too much power from | :10:00. | :10:54. | |
Makarova first on the big ground stroke and then on the overhead. The | :10:55. | :10:57. | |
first break point goes to the Olympic champions. | :10:58. | :11:08. | |
Vesnina makes an extraordinary noise when she strikes the ball. It sounds | :11:09. | :11:16. | |
like "hiya". Hello to you. What she lacks in pace, Niculescu, | :11:17. | :11:55. | |
she makes up for with direction. And pinpoint accuracy on the serve. | :11:56. | :12:28. | |
The backhand hits a flat and powerfully. -- was hit so flat and | :12:29. | :12:35. | |
powerfully. Vesnina and Makarova probably | :12:36. | :13:24. | |
thought they had pretty good net position but a screamer up the line | :13:25. | :13:33. | |
from Niculescu. Two break points saved. | :13:34. | :13:39. | |
That was an overall by the umpire. No challenge. -- overrule. | :13:40. | :14:06. | |
That second serve, 71 mph, it was difficult for champ to withstand | :14:07. | :14:11. | |
that pace of shot. -- for Chan. The perfect start for the number two | :14:12. | :14:41. | |
seeds. They have had a long day, the ball | :14:42. | :14:54. | |
kids. Excellent hands from Makarova. | :14:55. | :15:32. | |
Niculescu had worked her way so close to the net, she had no time to | :15:33. | :15:34. | |
react. I do not think there is any other | :15:35. | :17:50. | |
player I can name who is playing today who hits a forehand like | :17:51. | :17:54. | |
Niculescu, and to be able to squeeze that the line, it is such an unusual | :17:55. | :17:58. | |
shot. The favourites justifying their | :17:59. | :18:29. | |
favouritism with this fine start. It is a spectacular sight, the roof at | :18:30. | :18:36. | |
night. We will be spoiled when we have two. One on Centre Court and | :18:37. | :18:41. | |
one on Court Number One. I think that is the London eye in the | :18:42. | :18:46. | |
distance. Mind you, we are still behind the Australian Open, because | :18:47. | :18:50. | |
you have three. We do, but that is OK. It is constant communication | :18:51. | :19:03. | |
between Vesnina and Makarova on the change event, between between | :19:04. | :19:12. | |
points. -- change of ends. Both of them have won two singles titles | :19:13. | :19:16. | |
apiece and they have both won in Eastbourne, one of the lead up | :19:17. | :19:27. | |
championships. Vesnina in 2013 and Makarova in 2010. Makarova ranked as | :19:28. | :19:31. | |
high as number eight in singles and her partner as high as 13. | :19:32. | :20:30. | |
That first serve, 79 mph. That really does put Chan on the back | :20:31. | :20:36. | |
foot immediately, particularly against the hitters like Vesnina and | :20:37. | :20:44. | |
Makarova. I wonder how much the shoulder injury is contributing to | :20:45. | :20:45. | |
the lack of speed. It was just long. Two points for the | :20:46. | :21:23. | |
double break. That is a wonderful angle from Chan. | :21:24. | :22:42. | |
Niculescu is trying to work her way into the point at the net, but she | :22:43. | :22:47. | |
did not needed on that particular occasion. It was a great angle from | :22:48. | :22:52. | |
Chan. Still in trouble, fighting hard to hold. | :22:53. | :23:28. | |
The next shot from Chan was not effective enough. That is easy | :23:29. | :23:32. | |
pickings. Slightly extravagant, I thought, | :23:33. | :23:45. | |
that choice of shot from Vesnina. She thought Vesnina was going to | :23:46. | :24:18. | |
cross. Goes up the line, Chan, but Vesnina was not going anywhere. | :24:19. | :24:21. | |
Fourth break point in this game. terrific poach. Niculescu has to | :24:22. | :24:44. | |
keep doing that, even if she gets burned a couple of times down the | :24:45. | :24:49. | |
line. She have to keep trying to help Chan. | :24:50. | :25:37. | |
Perhaps a little unfair the 4-0 scoreline on Chan and Niculescu. | :25:38. | :25:47. | |
They have fought really hard in the two service games, but no reward. | :25:48. | :26:12. | |
UMPIRE: Ladies and gentlemen, please make sure the flashes off on your | :26:13. | :26:16. | |
cameras. Thank you. That is the problem with the sliced, | :26:17. | :27:37. | |
blocks returned from Niculescu. If she gets it wrong, it is floating | :27:38. | :27:40. | |
high and is easy pickings. And the object is to keep the | :27:41. | :28:51. | |
receivers guessing as to which way the partner will move? Correct and | :28:52. | :28:55. | |
also to pick their spot, be definitive about where they want to | :28:56. | :29:00. | |
hit and do not worry about the person at the net. | :29:01. | :29:26. | |
I cannot imagine it happened to you, but if you are losing 5-0, are you | :29:27. | :29:37. | |
saying to each other, we had better try something different? I think you | :29:38. | :29:43. | |
mentioned the scoreline is probably not an accurate reflection of the | :29:44. | :29:49. | |
quality of the match so far. Niculescu had opportunities to hold | :29:50. | :29:54. | |
as did Chan. But they lack a little bit of power. Certainly not from | :29:55. | :30:00. | |
Chan, but Niculescu, even though she is darting from side to side and is | :30:01. | :30:05. | |
doing her best at the net, her return lacks power and the serve of | :30:06. | :30:11. | |
both of these ladies lacks a bit of power, which gives the Russians | :30:12. | :30:15. | |
advantage because they want to be aggressive both sides. You have to | :30:16. | :30:21. | |
forget about the score at this point and just focus on this game. We have | :30:22. | :30:36. | |
had one love set today, the second set of the singles final. | :30:37. | :31:02. | |
My point about lack of power was illustrated. Niculescu hit the | :31:03. | :31:09. | |
forehand on the line and anybody else who hits that it is probably a | :31:10. | :31:14. | |
winner because you have the whole court, because it does not have | :31:15. | :31:17. | |
pace, the Russians are able to run its down and stay in the point. -- | :31:18. | :31:29. | |
run it down. A terrific return and then the classic interception. These | :31:30. | :31:31. | |
two are playing really well. A bit adventurous with that shot, I | :31:32. | :31:55. | |
think. It drops in. They are challenging | :31:56. | :32:40. | |
the decision. Outside edge. Two set points. When things aren't going | :32:41. | :32:44. | |
your way, they just go your way, don't they? | :32:45. | :32:54. | |
STUDIO: Makarova and Vesnina are clearly aware play can not go beyond | :32:55. | :33:31. | |
11pm. Taking the first set 6-0. Earlier in the day we had British | :33:32. | :33:35. | |
winners in the wheelchair doubles final with Gordon Reid and Alfie | :33:36. | :33:43. | |
Hewett beating Stephane Houdet and Nicolas Peifer France. The Frenchman | :33:44. | :33:51. | |
saved four match points before, finally, netting the ball that gave | :33:52. | :33:59. | |
victory. Tomorrow we will have more British interest, because in the | :34:00. | :34:03. | |
women's doubles finals, Jordanne Whiley of Great Britain teams up | :34:04. | :34:07. | |
with her doubles partner and we will show you that from the 11am live on | :34:08. | :34:13. | |
BBC Two. A great crowd on Court Number 3, the first time the | :34:14. | :34:17. | |
wheelchair finals have been staged there and about 2000 people packed | :34:18. | :34:22. | |
in to see it and as you can see, thousands left at Wimbledon, as the | :34:23. | :34:26. | |
clock ticks past 10pm and we live with the final of the ladies' | :34:27. | :34:34. | |
doubles. Makarova and Vesnina taking the first set 6-0. We can rejoin | :34:35. | :34:37. | |
David Mercer. Almost the perfect set. | :34:38. | :34:48. | |
Overambitious on a fume shots, the Olympic champions. | :34:49. | :34:55. | |
Oh yes! Mixing the power with finesse. It started with the Vesnina | :34:56. | :36:52. | |
lob. They haven't put a foot wrong, the Russian pair. | :36:53. | :37:51. | |
Makarova and Vesnina pick up the second set where they left the | :37:52. | :38:02. | |
first. Let's see who opens proceedings here serving. It'll be | :38:03. | :38:10. | |
Niculescu. They are changing ends. Niculescu served from the other end | :38:11. | :38:12. | |
in the first set. Too early. Way too early from Chan. | :38:13. | :38:35. | |
All the time in the world for Makarova to hit the ball up the | :38:36. | :38:36. | |
line. It is a bit like a heavyweight | :38:37. | :39:40. | |
against a flyweight at the moment. It is a big problem for them on the | :39:41. | :39:42. | |
serve, both Chan and Niculescu. Much better timing that time. The | :39:43. | :40:35. | |
crowd urging on Chan and Niculescu. They'd love them to get a game, but | :40:36. | :40:36. | |
still facing break point. Slides that slice down the line. | :40:37. | :41:47. | |
When you are playing against a shot like that, you think, she can't keep | :41:48. | :41:54. | |
hitting that up there. But it is her favourite shot of that side. | :41:55. | :42:07. | |
Good variety from the Russians. We have seen some timely lobs from both | :42:08. | :43:08. | |
Makarova and Vesnina. Sitting there waiting for it, | :43:09. | :44:04. | |
Vesnina. As a player, do you start to think | :44:05. | :44:58. | |
about love and love? It is getting quite desperate for Niculescu and | :44:59. | :45:03. | |
her partner, Chan. It is difficult to see where they can change this | :45:04. | :45:06. | |
because they are both struggling with the pace of shot on the serve. | :45:07. | :45:11. | |
Coupled with the fact the Russians are just gaining in confidence, | :45:12. | :45:15. | |
every service game, expecting to either break or at police go close. | :45:16. | :45:21. | |
So that is putting more pressure on. First serve points won just 38%. | :45:22. | :45:26. | |
Second serve points one is worse. I remember Steffi Graf against | :45:27. | :45:43. | |
Natasha 's grave in the French Open, 6-0, 6-0 and I think it was about 36 | :45:44. | :45:54. | |
minutes. Steffi Graf could do that to people at her best. | :45:55. | :46:44. | |
She got herself into an awkward position, Niculescu. But just did it | :46:45. | :47:50. | |
just in time. -- adjusted it. Doing its best to get over her left | :47:51. | :47:54. | |
shoulder, Niculescu. Good footwork in the end. There was the chance to | :47:55. | :48:03. | |
get to their first game point of the match. | :48:04. | :48:23. | |
Not willing to give an inch, are they, the Olympic champions? | :48:24. | :49:57. | |
Bay are absolutely determined to be ruthless. So you should in this | :49:58. | :50:45. | |
professional age. The days of giving someone a game have long since gone. | :50:46. | :51:00. | |
I don't know if those days ever existed, did they? I was told by my | :51:01. | :51:09. | |
parents, in the juniors, if you are beating somebody 6-0, you ought to | :51:10. | :51:14. | |
give them again. -- again. Now than! It is like please, can I | :51:15. | :53:23. | |
just win this point. Their first break point, their second game point | :53:24. | :53:25. | |
of the match. As Vesnina urges Makarova to go | :53:26. | :56:04. | |
higher, because that is what it sounds like. The order of play | :56:05. | :56:08. | |
tomorrow, from two o'clock on Centre Court it will be the men's final, | :56:09. | :56:16. | |
Marin Cilic trying to win his first title against Roger Federer trying | :56:17. | :56:20. | |
to win his eighth. We have Jamie Murray playing alongside Martina | :56:21. | :56:28. | |
Hingis and Heather Watson. But coverage starts earlier because from | :56:29. | :56:33. | |
11 o'clock on BBC Two we will be on for the wheelchair doubles final. | :56:34. | :56:38. | |
That features Jordanne Whiley of Great Britain. Let's see if the | :56:39. | :56:42. | |
love, love scoreline can be achieved by the Russian pair. | :56:43. | :56:51. | |
One last chance the Chan and Niculescu to get on the scoreboard. | :56:52. | :58:15. | |
Niculescu is trying everything and so is Chan. To be able to move into | :58:16. | :58:22. | |
the court and take that ball in the air, I think it seems like they can | :58:23. | :58:28. | |
do. They are underpowered and they have | :58:29. | :58:42. | |
been overwhelmed. Two championship points. | :58:43. | :59:10. | |
APPLAUSE A third Grand Slam title than for | :59:11. | :59:24. | |
the Russians. Makarova and Vesnina. They played quite superbly. And a | :59:25. | :59:35. | |
first title here at Wimbledon. And for the opponents, they have got | :59:36. | :59:53. | |
to console themselves by saying, in our second tournament together, have | :59:54. | :00:02. | |
reached the Wimbledon final. STUDIO: Very impressive from | :00:03. | :00:05. | |
Makarova and Vesnina winning 6-0, 6-0 and venting their defeat in the | :00:06. | :00:11. | |
final last year which was at the hands of Venus and Serena Williams. | :00:12. | :00:18. | |
Venus was involved in the Lady single final earlier today and she | :00:19. | :00:26. | |
put up a brave fight, but Garbine Muguruza was ruthless. Venus seemed | :00:27. | :00:29. | |
to run out of energy and she made too many mistakes. Garbine Muguruza | :00:30. | :00:36. | |
went to Hawk-Eye to challenge and the ball was confirmed out and that | :00:37. | :00:41. | |
meant Garbine Muguruza at the age of 23 has won her first Wimbledon title | :00:42. | :00:46. | |
and becomes the first minute to do so since Conchita Martinez since | :00:47. | :00:49. | |
1994 and only the second Spanish woman ever. She holds that aloft as | :00:50. | :00:55. | |
the Wimbledon champion. He will follow in those footsteps tomorrow? | :00:56. | :01:00. | |
It will be either Roger Federer or Marin Cilic. Good night for now. | :01:01. | :01:08. | |
No-one... ..tells us... ..what to choose. | :01:09. | :01:21. | |
Take this island like a dose of medicine | :01:22. | :01:59. | |
Emerging from the mists of afternoon thunderstorms | :02:00. | :02:17. | |
Waterfalls pound your head into shape | :02:18. | :02:24. | |
Let the sea beat your longing out of you | :02:25. | :02:32. | |
Restless spirits to whom no priest or pundit bid farewell | :02:33. | :02:43. | |
Strange names of disparate tongues from far-flung places | :02:44. | :02:57. | |
Let this island medicine intoxicate you | :02:58. | :03:04. | |
Let the liquor dance a spirit dance in your veins | :03:05. | :03:12. | |
This is where you come to find yourself | :03:13. | :03:24. | |
Into the forest, into the cane fields | :03:25. | :03:30. | |
Among the lost things of this island, find yourself whole again. | :03:31. | :03:42. | |
For over a decade the British artist Chris Ofili | :03:43. | :03:46. | |
has made the Caribbean island of Trinidad his home. | :03:47. | :03:51. | |
For me, one of the attractive things about Trinidad is | :03:52. | :03:54. | |
and it still feels like it's brand-new. | :03:55. | :04:06. | |
From his explosive early works featuring riotous colours, | :04:07. | :04:20. | |
collage and, infamously, elephant dung, | :04:21. | :04:23. | |
Chris Ofili has always pushed the possibilities of painting. | :04:24. | :04:31. | |
But his time in Trinidad has been a creative rebirth. | :04:32. | :04:36. | |
There's so much of it and it's so powerful - | :04:37. | :04:40. | |
It's just a very kind of painterly island. | :04:41. | :05:00. | |
is to find a way to bring those elements together | :05:01. | :05:06. | |
His latest project attempts just this. | :05:07. | :05:20. | |
It's a remarkable collaboration, a giant tapestry, | :05:21. | :05:24. | |
almost three metres high and over seven metres wide, | :05:25. | :05:28. | |
that is centrepiece of a new Ofili exhibition | :05:29. | :05:31. | |
Created alongside a team of master weavers, | :05:32. | :05:42. | |
it's taken nearly three years to complete. | :05:43. | :05:54. | |
that weaves together the sights and sounds of Trinidad... | :05:55. | :06:02. | |
..with nods to both the classical world and, unexpectedly, | :06:03. | :06:07. | |
the Italian footballer Mario Balotelli. | :06:08. | :06:15. | |
And he's called it The Caged Bird's Song. | :06:16. | :06:20. | |
It brings to mind the idea of the question of sweetness of the song. | :06:21. | :06:25. | |
Is the sweeter song the song of the uncaged bird | :06:26. | :06:34. | |
And what that really is asking about liberation and constraint | :06:35. | :06:44. | |
and how that could potentially relate to... | :06:45. | :06:50. | |
The story begins four and a half thousand miles away from Trinidad... | :06:51. | :07:15. | |
This former Victorian swimming baths is home to Dovecot Studios, | :07:16. | :07:25. | |
one of the world's leading creators of hand-woven tapestries. | :07:26. | :07:32. | |
Back in 2013, the studio was approached by the Clothworkers, | :07:33. | :07:36. | |
a London livery company with a rich textile history, | :07:37. | :07:40. | |
who were looking to make a bold new commission. | :07:41. | :07:48. | |
We were hoping for a contemporary, a modern, vibrant tapestry, | :07:49. | :07:54. | |
and we were looking for an established, | :07:55. | :07:55. | |
Dovecot came up with a short list, and then, | :07:56. | :08:03. | |
when we found that Chris was very keen to experiment outside his usual | :08:04. | :08:10. | |
field, to go in to tapestry, we were absolutely delighted. | :08:11. | :08:15. | |
The Clothworkers wrote and asked if I would consider making a tapestry | :08:16. | :08:22. | |
Which, to me, at the time, seemed like a commission. | :08:23. | :08:29. | |
Which is something that I would normally run away from | :08:30. | :08:31. | |
because I felt that the fear is that they would want to have a say in | :08:32. | :08:35. | |
raised a level of anxiety that I didn't really want to take on. | :08:36. | :08:44. | |
So I think I sent back a number of, like, questions | :08:45. | :08:49. | |
and they were pretty much a list of things I wasn't going to do, like | :08:50. | :08:53. | |
I didn't want to see where it was going to go, | :08:54. | :08:55. | |
and I didn't want to have a conversation about content. | :08:56. | :08:59. | |
On every front, you just nixed them. | :09:00. | :09:03. | |
I thought, no, now they've agreed to everything, | :09:04. | :09:12. | |
that means that they've got something up their sleeve. | :09:13. | :09:18. | |
The way that Chris works with colours really is fascinating, | :09:19. | :09:22. | |
and we thought that would very much fulfil the bill. | :09:23. | :09:25. | |
We wanted a Chris Ofili piece, we wanted him to be happy. | :09:26. | :09:31. | |
At home in Trinidad, Ofili created a vibrant design for the tapestry - | :09:32. | :09:37. | |
a triptych, painted - rather mischievously - in watercolour. | :09:38. | :09:44. | |
because the subject is pretty much about water and fluidity. | :09:45. | :09:52. | |
And I also thought it would be funny to see if the weavers could actually | :09:53. | :09:57. | |
So I found myself making a watercolour | :09:58. | :10:03. | |
and trying to release the pigment even more, | :10:04. | :10:06. | |
and almost giggling at the fact that it was almost impossible for them to | :10:07. | :10:11. | |
There's no way they're going to be able to do this. | :10:12. | :10:14. | |
and met them, they had a kind of solidity to them, and a confidence, | :10:15. | :10:28. | |
a creative confidence, about their own process. | :10:29. | :10:30. | |
Thankfully, they were really open to the challenge of it. | :10:31. | :10:33. | |
as to whether or not they could achieve it. | :10:34. | :10:42. | |
For the weavers, it was a major undertaking. | :10:43. | :10:45. | |
and complexity would take years of their lives. | :10:46. | :10:50. | |
Haven't you chosen something quite challenging? | :10:51. | :10:57. | |
Because watercolours must be incredibly difficult to weave and to | :10:58. | :11:01. | |
The watercolour is, like, multi-layered, so you're often | :11:02. | :11:07. | |
looking at the colours underneath to come up through, as well. | :11:08. | :11:12. | |
They want... They did a colour strip, wove it in front of me, | :11:13. | :11:26. | |
and they started to put together threads to make that turquoise fizz | :11:27. | :11:33. | |
in front of my eyes, when you look at it as a solid colour. | :11:34. | :11:36. | |
And I realised that was completely different to my understanding of it. | :11:37. | :11:40. | |
And so I felt as though I could just let go and float with this process. | :11:41. | :11:49. | |
These are the bobbins that we use for weaving with. | :11:50. | :11:53. | |
If you're wanting to weave something that looks all the same colour, | :11:54. | :11:56. | |
but you don't want it to look flat like cardboard, | :11:57. | :11:59. | |
you would make a mix with very close colours, | :12:00. | :12:02. | |
and then it would just gently look like the same colour. | :12:03. | :12:12. | |
you get more of an idea of what it's going to weave up like. | :12:13. | :12:17. | |
So these are more subtle, different variations of these colours. | :12:18. | :12:20. | |
I can see these... That's right, yes. | :12:21. | :12:23. | |
I think we lifted the colour from the original image. | :12:24. | :12:27. | |
But there's almost no pure colour in here, is there? | :12:28. | :12:30. | |
It's all a mix... It's all a mix, yes. ..which watercolour is, really. | :12:31. | :12:33. | |
Absolutely. Making those mixtures means that we can get the subtlety | :12:34. | :12:38. | |
and the richness. But it also means that we can blend one colour | :12:39. | :12:42. | |
into another to get that... This watercolour effect. | :12:43. | :12:45. | |
Watercolour and wool are such completely different materials. Yes! | :12:46. | :12:54. | |
He's a master colourist, Chris Ofili, so, | :12:55. | :12:56. | |
he wanted to challenge them by using a watercolour pigment, | :12:57. | :12:59. | |
which is the most free-flowing of the pigments, | :13:00. | :13:02. | |
and so you get this wonderful paradox between this spontaneous, | :13:03. | :13:06. | |
which then becomes this permanent fixed three-dimensional object | :13:07. | :13:15. | |
There is that great variation in the watercolours themselves, very lush, | :13:16. | :13:23. | |
and then almost non-colour and the use of charcoal. | :13:24. | :13:27. | |
Midweek colours? Yeah, midweek colours, and the weekend colours are | :13:28. | :13:32. | |
the popping colours that you get around. | :13:33. | :13:34. | |
And he's drawn in charcoal and his clothing is turquoise. | :13:35. | :13:45. | |
I remember putting the turquoise down and the colour just suddenly | :13:46. | :13:48. | |
I remember thinking, "Oh, no! I've screwed it up!" | :13:49. | :13:53. | |
And then, I just thought, this is kind of hilarious. | :13:54. | :14:00. | |
That they are now going to capture that moment, | :14:01. | :14:03. | |
and I still see it when I look at it. | :14:04. | :14:06. | |
You're a bit of a sadist, aren't you? | :14:07. | :14:07. | |
No! No! I think it was just to see if... | :14:08. | :14:12. | |
It was a way of trying to have a dialogue, really. | :14:13. | :14:19. | |
So, what of the actual narrative within Ofili's tapestry design? | :14:20. | :14:24. | |
Both the glowing colour palette and much of its imagery draws | :14:25. | :14:27. | |
inspiration from his adopted island home of Trinidad. | :14:28. | :14:32. | |
and try and get to the bottom of the caged-bird phenomenon. | :14:33. | :14:43. | |
I like to almost observe it from a distance. | :14:44. | :14:48. | |
You could be running around the Savanna, | :14:49. | :14:51. | |
and somebody would come towards you, walking, | :14:52. | :14:54. | |
and they're carrying a little bird in a cage. | :14:55. | :14:56. | |
Then you can go to these competitions, which is like | :14:57. | :15:00. | |
a kind of orchestra of little birds in cages, singing, you know. | :15:01. | :15:07. | |
In the mornings in Trinidad, there's incredible birdsong. | :15:08. | :15:10. | |
Keeping songbirds is a surprisingly macho subculture on the island. | :15:11. | :15:23. | |
The birds are fed a local seed grass, known as crab eye, | :15:24. | :15:27. | |
to help them perform to the best of their abilities. | :15:28. | :15:34. | |
I grew up here and my grandfather used to mine then, my father, | :15:35. | :15:37. | |
and now I have them. I inherit some of them even from my grandfather. | :15:38. | :15:42. | |
These birds live up to 30, 35 years. | :15:43. | :15:47. | |
The notes of the birds singing is just pleasing to my ear. | :15:48. | :15:56. | |
When I listen to my birds, I have to play music, I like that song. | :15:57. | :16:00. | |
I haven't, to this day, got myself my own caged bird. | :16:01. | :16:15. | |
I do think it's a beautiful thing to be able to have around. | :16:16. | :16:23. | |
Some of the songs of these caged birds are just... | :16:24. | :16:28. | |
And they really just kind of captivate you and throw you | :16:29. | :16:37. | |
MUSIC: You're Goin' Miss Your Candyman by Terry Callier | :16:38. | :16:52. | |
Chris, he appreciates what we have here. | :16:53. | :16:55. | |
This place is just such a rich bed for anyone who wants to study | :16:56. | :17:02. | |
and the various nuances associated with such, you know? | :17:03. | :17:09. | |
Especially those who have a particular creative energy. | :17:10. | :17:14. | |
The natural world has been a huge source of delight for him, | :17:15. | :17:30. | |
There's a tropical world, the colours are more vivid. | :17:31. | :17:40. | |
You know, the sun shines more brightly. | :17:41. | :17:49. | |
He's not the only artist to have moved to that kind of | :17:50. | :17:52. | |
And I think it's inevitable that what you see around you becomes... | :17:53. | :18:08. | |
becomes part of the landscape, becomes part of your repertoire. | :18:09. | :18:15. | |
a great artist is that they often make a story their own. | :18:16. | :18:22. | |
You know, what you're looking at, really, in the tapestry, | :18:23. | :18:32. | |
And what's happening behind the curtain. | :18:33. | :18:39. | |
And then when the curtain closes again, | :18:40. | :18:42. | |
the man holding the caged bird, the lady holding the bird seed | :18:43. | :18:46. | |
But just to try to understand the journey you went on, this is, | :18:47. | :18:53. | |
in the end, one image, but you went through | :18:54. | :18:56. | |
You didn't just arrive at that idea. | :18:57. | :19:00. | |
There was a point at which I was quite clear on what the image was | :19:01. | :19:03. | |
going to be. But I wanted to be able to render it with ease. | :19:04. | :19:06. | |
And so, in order to do that, you kind of have to go through a few | :19:07. | :19:10. | |
different iterations, really, of the same thing. | :19:11. | :19:14. | |
To see what happens when a curve moves left instead of right, | :19:15. | :19:19. | |
or a stroke is done from the bottom up, or the top down. | :19:20. | :19:22. | |
And it's just to see which flows better. | :19:23. | :19:24. | |
The fluidity is also part of the process of making, | :19:25. | :19:28. | |
The sense of flow and the presence of water is everywhere in Ofili's | :19:29. | :19:41. | |
A couple sit by a waterfall with a river swirling around them. | :19:42. | :19:58. | |
The man is busy serenading, while the woman sips a cocktail. | :19:59. | :20:06. | |
And the cocktail is being poured by a strange, abstracted figure, | :20:07. | :20:11. | |
based on an image of the Italian footballer Mario Balotelli in tears. | :20:12. | :20:18. | |
So, Chris, where does it all begin with Mario? | :20:19. | :20:22. | |
Um... I was interested in the fact that maybe the tears, | :20:23. | :20:27. | |
his tears, could become part of the cocktail. Ah! | :20:28. | :20:30. | |
Yeah, that there's this kind of deep underlying sadness to him | :20:31. | :20:34. | |
that's being transferred into this potion, or drink. | :20:35. | :20:41. | |
But, in this case, I wanted to really collage the image that I was | :20:42. | :20:45. | |
For it to be there, still in its raw state. | :20:46. | :20:51. | |
connects various threads in Ofili's own story. | :20:52. | :21:12. | |
Born and raised in Manchester to Nigerian parents, | :21:13. | :21:15. | |
Chris's explorations of race and Afro identity - | :21:16. | :21:19. | |
have always been a distinctive feature of his work. | :21:20. | :21:39. | |
he won the Turner Prize for paintings | :21:40. | :21:42. | |
that included a poignant depiction of Doreen Lawrence, | :21:43. | :21:46. | |
grieving her son Stephen's brutal murder. | :21:47. | :21:53. | |
For me, it's about trying to make a painting about tremendous loss. | :21:54. | :22:01. | |
I mean, I focused on the image that was strongest to me, | :22:02. | :22:05. | |
which was of Doreen, his mother, crying. | :22:06. | :22:09. | |
And that just seemed like such a powerful image. | :22:10. | :22:13. | |
When I finished the painting it felt like that raw emotion, that sorrow, | :22:14. | :22:17. | |
it felt like that was actually in the room. | :22:18. | :22:24. | |
As for Balotelli, the son of Ghanaian immigrants to Sicily, | :22:25. | :22:28. | |
he was later fostered by an Italian family. | :22:29. | :22:32. | |
But his footballing gifts are often overshadowed by his own volatile | :22:33. | :22:36. | |
reputation, and racism within the game. | :22:37. | :22:49. | |
So...I can't, in my heart, say that I think he's a wonderful footballer. | :22:50. | :22:59. | |
Because he's wearing the wrong-colour shirt. | :23:00. | :23:01. | |
But I think there are other qualities to him | :23:02. | :23:05. | |
that are outside of his abilities as a sportsman. | :23:06. | :23:10. | |
Qualities that seem much more mythical. | :23:11. | :23:15. | |
I think, you know, the fact that he's a black African Italian. | :23:16. | :23:20. | |
He symbolises the way race plays a part, still, in sport. | :23:21. | :23:33. | |
I think he's a maverick, in a way that you don't often get. | :23:34. | :23:41. | |
I've worked with images of him before, | :23:42. | :23:44. | |
and this is another one, I'm still trying to figure it out. | :23:45. | :23:48. | |
And I think, with him, it's also not fixed. | :23:49. | :23:56. | |
So I've cast him in this sense, as a... | :23:57. | :24:00. | |
Which you've done... You've done a bit of cocktail... | :24:01. | :24:06. | |
Yeah. I like that idea of almost being in disguise, really. | :24:07. | :24:12. | |
But you're also able to take on another personality | :24:13. | :24:15. | |
Is that because when you were doing it you were trying | :24:16. | :24:20. | |
to kind of get a glimpse of the world as it was, | :24:21. | :24:22. | |
See it differently, yeah. To try and see things differently momentarily. | :24:23. | :24:27. | |
Let's just say there are great cocktail waiters in the world. | :24:28. | :24:40. | |
There must be something other than just mixing drinks. | :24:41. | :24:44. | |
Adopting masks and alternative personas | :24:45. | :25:01. | |
Much of the island's multicultural population is the colonial legacy. | :25:02. | :25:19. | |
Generations of African slaves and indentured Indian labourers | :25:20. | :25:23. | |
toiled on its sugar and cocoa plantations. | :25:24. | :25:30. | |
When we think about the Amerindians who lived here... | :25:31. | :25:34. | |
..and constructed, if you want, on their slaughter. | :25:35. | :25:45. | |
Trinidad's annual carnival is a visceral celebration | :25:46. | :26:12. | |
When rebellion is put down, as most of them have been... | :26:13. | :26:30. | |
revolt on behalf of, or against, do not disappear. | :26:31. | :26:38. | |
The people's attitude to these things also doesn't disappear. | :26:39. | :26:43. | |
Right? What happens is that this moves into the culture. | :26:44. | :26:53. | |
And that is why art and culture functions in | :26:54. | :26:57. | |
such subversive ways in a kind of way, | :26:58. | :27:00. | |
because you're looking for them to frontally to be saying one thing, | :27:01. | :27:05. | |
and then they are saying something else, you know? | :27:06. | :27:22. | |
It's a very interesting thing about our Carnival, we have, like, | :27:23. | :27:25. | |
In our mythology we have so many shape shifters. | :27:26. | :27:33. | |
You know, there are so many characters that change perspective, | :27:34. | :27:36. | |
and change their outward appearance | :27:37. | :27:39. | |
When you put on a costume, especially a blue devil, | :27:40. | :27:49. | |
You know what I mean? Your energy is raw. | :27:50. | :27:54. | |
It's raw. You kind of cast away your inhibitions. | :27:55. | :27:58. | |
And as we say in Trinidad, you are free of yourself. | :27:59. | :28:00. | |
I don't know, maybe that's part of what Chris | :28:01. | :28:05. | |
experiences here. A certain level of freedom. | :28:06. | :28:26. | |
The thing about Chris is that he... He disappears in a place like this. | :28:27. | :28:32. | |
His blackness includes him in the society, | :28:33. | :28:38. | |
in a way that if he was a white artist, he would not. | :28:39. | :28:43. | |
His otherness is different here than it would be in England. | :28:44. | :28:50. | |
For somebody who is a transplant from somewhere else, | :28:51. | :28:55. | |
but a transplant from somewhere else that he doesn't know at all, | :28:56. | :28:58. | |
the fact that Trinidad's full of people with different histories, | :28:59. | :29:16. | |
did you just somehow absorb that and then sort of | :29:17. | :29:19. | |
one of the attractive things about Trinidad is that it's still quite | :29:20. | :29:30. | |
mysterious. And you think you are going in one direction, | :29:31. | :29:34. | |
and you realise you're actually not going in that direction. | :29:35. | :29:37. | |
If anything, it's kind of kept things open. | :29:38. | :29:40. | |
..it to feel... To still feel like life is still being collaged | :29:41. | :29:50. | |
Meanwhile, bringing Ofili's watercolour design to life | :29:51. | :30:00. | |
remains a daunting task for the weavers. | :30:01. | :30:04. | |
And yet, the whole art of tapestry-making | :30:05. | :30:07. | |
is incredibly exacting, and labour-intensive. | :30:08. | :30:13. | |
For centuries, tapestries were cherished for these very reasons. | :30:14. | :30:18. | |
They were to the north of Europe what fresco was to the south. | :30:19. | :30:23. | |
Vast projections of power, wealth and sophistication. | :30:24. | :30:30. | |
would have stretched three miles if laid end to end. | :30:31. | :30:37. | |
But the intricate processes involved in creating tapestry have changed | :30:38. | :30:42. | |
Everything has to be made from scratch, | :30:43. | :30:47. | |
and Ofili's original watercolours dramatically scaled up. | :30:48. | :30:51. | |
looking forward to working with Chris | :30:52. | :30:55. | |
after his work doing some set designs of backdrops for a ballet, | :30:56. | :31:00. | |
we thought that he can imagine his work on that sort of scale. | :31:01. | :31:05. | |
And so we knew that they would work well. | :31:06. | :31:08. | |
You can see at the bottom it says, "Please enlarge by 877%." | :31:09. | :31:17. | |
So from that we get a line drawing that we call the cartoon - | :31:18. | :31:21. | |
Each mark has to be made not just on the front of | :31:22. | :31:31. | |
the warp thread but also all the way round. | :31:32. | :31:33. | |
And we're looking at the lines that are actually on the warps. | :31:34. | :31:43. | |
We are constantly referring back to the image with the small cartoon | :31:44. | :31:48. | |
sitting over the top. Already from this conversation, | :31:49. | :31:50. | |
I can see how exhausting this must be. | :31:51. | :31:54. |