Men's and Ladies' Doubles Finals Wimbledon


Men's and Ladies' Doubles Finals

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Bristol is a national programme. We are going to argue over to

:00:11.:00:13.

Wimbledon. Larkham to Wimbledon on ladies

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finals day. This was the moment that guy been a good loser was cloned

:00:29.:00:33.

-- Muguruza. She lost two years ago to Serena Williams and today she

:00:34.:00:50.

took on a player who inspired her as a youngster. Venus Williams so

:00:51.:00:58.

sporting in defeat. Muguruza is the new champion at Wimbledon. She has

:00:59.:01:02.

played so well throughout the Championships, and the dropping a

:01:03.:01:07.

set. She saved two said points in the first set and raised through the

:01:08.:01:16.

second set. The crowd rise to a new star. Her coach Conchita Martinez

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absolutely delighted. Only the second Spanish woman to win the

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title at Wimbledon. We will be hoping to speak to Muguruza so on.

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We are heading back to Centre Court for the men's doubles. We can show

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you what happened in the set point in the third set. Marcelo Melo and

:01:42.:02:00.

Lukasz Kubot serving. Mail and Kubot take the boat set. It is Oliver

:02:01.:02:15.

Marach and Mate Pavic serving. Let us join the commentators John Lloyd,

:02:16.:02:19.

Peter Fleming and Mark Petchey. He has only hit two lobs. But they

:02:20.:02:44.

have both been spectacularly good. One on a break point that really

:02:45.:02:48.

turned the tide in their favour and this one made of the same. That was

:02:49.:02:55.

a terrific pick-up. The lob was simply better.

:02:56.:03:14.

For the first time we feel as though Kubot took a calculated risk in the

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tie-break sitting on his full rant with a terrific return but here we

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have another very big point. What will Marakh decide to do? That

:03:30.:03:37.

works. Terrific serve. Kubot pretty certain that was where

:03:38.:03:55.

the serve was going. Interesting that they decided on the

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tie-break to stand back, but they have not done it in open play, and

:05:48.:05:52.

why they thought then it was a good idea and subsequently haven't. Very

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interesting. Because service games like this just

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build your confidence. That was some response by Kubot. He

:06:27.:06:52.

got so much pace on the ball. Completely surprised Marakh. Yes. In

:06:53.:07:00.

a service game like that it does not matter where you are standing,

:07:01.:07:06.

you're not breaking serve. Often it is good to get your opponent to

:07:07.:07:11.

think a little. Get them out of their comfort zone. What is this?

:07:12.:07:16.

Maybe we should try something different. You have already

:07:17.:07:18.

succeeded if you get that response. Yes, on that last serve, a good

:07:19.:07:51.

example of why doubles on grass is difficult. It is difficult to break

:07:52.:07:57.

serve because you often get slightly erratic bounces.

:07:58.:09:18.

The ninth ace of the match, the 77th of the tournament. Just 32 for Kubot

:09:19.:09:31.

and properly which, considering how well the serve, is not a lot.

:09:32.:09:50.

The trainer working on the top part of the need for Marakh. I guess that

:09:51.:10:04.

would be the quad. Perhaps the quadriceps tendon down there. It

:10:05.:10:13.

certainly does not seem to be impairing him much. He is still

:10:14.:10:15.

getting around the court pretty quickly.

:10:16.:10:35.

Smiles from the team, still enjoying the challenge ahead of them.

:10:36.:11:17.

It has been a while coming that that is the first volley from Melo in

:11:18.:11:22.

particular. Then he was cautious with that one

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as well after the miss on the first point. Here is a chance. Yes, and

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that time Marakh to just a little off of the return, I load the ball

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to drop. When you rip the returns as he has done throughout this match

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you give your opponents waist high volleys. He made sure he got that

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serve in. Sometimes you feel like this profile of hitting the ball is

:12:41.:12:45.

hard as you can it does not get to utilise scoreboard pressure. If you

:12:46.:12:49.

never make your opponent play on a big point like that in some ways you

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never get to know how composed they are. It seemed like a decent play

:12:55.:13:06.

maybe even to drop back, get both of them on the baseline, give yourself

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more time. Good serve. It checked a little bit,

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that ball. Yeah, it is virtually impossible to return a serve that

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hits the service line. The ball just checks and it is impossible to time

:13:37.:13:39.

it properly. He invented a shot. An overhead lob.

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It was unbelievably successful. Kubot trying to help his partner

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out. Just claimed his move slightly wrong. He has made it. Nothing wrong

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with the timing off of the return. Beirut back into this final beckons

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for Marakh and Pavic. I thought that I'd got away from him a little bit

:15:04.:15:07.

but he reacted well. Just connected with a couple of

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forehands. Out of this world. That could have been Novak Djokovic.

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He left hand of Novak hitting that return, perfectly timed.

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Too good, too much power, that was vicious from Marek but his partner

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set it up well for him. Yeah, it and again Marakh's backhand mate have

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had the fence but he could not get out of the way. That was a rocket.

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The Croatian is on fire. Cannot put a foot wrong at the moment.

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Kubot this time response. 120 Zevon. Marakh challenging the call. They

:17:27.:17:36.

have touched 130 today. Some nice finishing touches to a

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again a stunning return from Kubot who is matching Pavic's achievement

:19:15.:19:19.

in the last game. Lovely passage of play between these two teams right

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now. Did not need to hit that that hard.

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If he is staying at home you lose the point anyway. See if you cannot

:20:13.:20:19.

put it into play. It does not have to be an out late winner.

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They break back. Quality game from Kubot. His partner was calling out.

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I think he was correct. Prudence made the day and he made it anyway

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just to be sure. Breaks traded for the first time today. How could you

:21:13.:21:18.

possibly have predicted this? Two breaks on a roll, the way they have

:21:19.:21:27.

been serving. Yet, the second serve was short. In the middle of the box.

:21:28.:21:33.

I suppose the longer this match wears on the more fatigued or four

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players' nerves become and serves that they might have hit in the

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first set or two where they might have taken a risk are now falling by

:21:50.:21:59.

the wayside. Those serves... They are more worried about double

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faulting, so allowing the return teams to get their rackets on a few

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more returns. Intrigued building with those couple of breaks.

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Certainly the Croatian can remain after the last game, a bit of food

:22:26.:22:27.

for thought for Kubot and Melo. That was a quality second serve,

:22:28.:23:08.

continuing where you left off in the previous game. That has been one of

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the big differences between the two. Kubot and Melo winning over 60% of

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their points on the second serve compared to just over 40% for their

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opponents. He is not missing at the moment on

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the return. Yeah, but I do not understand why they persist with

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that formation when you have a right-hander who is able to serve

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though serve out wide. Play orthodox so he cannot does push the ball up

:24:17.:24:20.

the line, make him go crosscourt in front of the net. It is not an easy

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shot to hit. A good volley from Melo. Yes, again it was a net court.

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This is just breathtaking returning. Every single one has been a winner

:24:55.:25:40.

or has found the shoelaces of Kubot or Melo as they have come in and raw

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power this time delivered to the ball from Pavic. We have seen Marach

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hit some beautiful forehands today. Took too long between the serve. Too

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much time to think about that serve. It is more the quality of returning

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than any real change in strategy from the team of Pavic and Maric

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that has contributed to that. You need to get the other team to think

:26:58.:27:00.

a little bit brother than just playing on instinct though it has

:27:01.:27:04.

been the quality that has forced them to think. They changed their

:27:05.:27:14.

position and you could see Kubot looked very nervous about that

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second serve. Once again Kubot struck the returns

:27:16.:29:53.

venomously but right at the net men. Easily put away.

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From Pavic, on the line. How cool we did he put away that overhead? --

:30:05.:30:18.

coolly. There is no doubt that Pavic has

:30:19.:30:57.

been the best player on court the last four, five games. He has gone

:30:58.:31:02.

up a level. It is amazing to think he peaked at 295 in the world in

:31:03.:31:08.

2013 in singles. He never finished a year higher than 317 in the world.

:31:09.:31:18.

When you see him hit the ball as beautifully as he has at times.

:31:19.:31:34.

And having dropped their serve and gaining the break for the first time

:31:35.:31:40.

in the fourth set, that is an impressive sequence of games. Both

:31:41.:31:47.

players, both teams have been taken the distance in the run through to

:31:48.:31:51.

the Wimbledon final and both will feel confident, if and when we get

:31:52.:31:57.

to a deciding set. Of course, there will be no tie-breaker. Who knows

:31:58.:32:05.

how epic this meant's doubles final will end up proving to be? Still

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work to be done in the fourth set. He is absolutely everywhere at the

:32:09.:32:39.

moment, isn't he? He mistimed that. There was concern

:32:40.:33:18.

about Pavic coming into the match, whether he had hurt his hand in the

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semifinals. We have not seen any sight of that but that one certainly

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stung the Austrian. How is this returning Chris Nike is not missing

:33:31.:33:36.

now! He is just timing the ball. -- how is this returning?. It is great

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returning. But, again, he is catching its late. Serve it wide,

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force him to stretch and see if you can get crosscourt. That is not

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easy. He gave him the total off pace

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balls. He was all over it, also. He missed

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his target by about two grommet three inches, otherwise it would

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have been a brutal return. -- by about two, three inches.

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Getting fluid on board as he takes the balls from the ball boy. As he

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lines up to try to take this meant's doubles final into a fifth and

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deciding set. Good hands. Could have thought he

:35:31.:36:07.

hit a winner on the first. Prepared for the next that came at him and

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put that away. A good point. Just the third stubble for the team.

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More than offsetting that with 11 aces.

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A couple of points, being vigilant with the ball coming back from a

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somewhat surprising situation. Just shy of three hours in the match and

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we have a couple of set points. And it will be a fifth and deciding

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set that determines the winner of the men's doubles competition here

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at the Wimbledon Championships. Not a lot of need for Hawk-Eye, off the

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final return from Melo which hit the canvas on-the-fly. They were

:38:53.:38:57.

favourites coming into this final. The number four seeds. Kubot and

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Melo but you have to say that Marach and Pavic of the form players,

:39:08.:39:15.

through the fourth set and they were fantastic. When you consider the

:39:16.:39:22.

percentage of first serves made by Kubot and Melo, the fact they were

:39:23.:39:26.

broken twice will be concerning and may be for the first time in this

:39:27.:39:30.

match, they need to change their strategy to protect their serve.

:39:31.:39:40.

They did not need to change anything in the first three sets, but now you

:39:41.:39:44.

feel they need to think about things differently. Yes, I could not agree

:39:45.:39:51.

more. Interesting. I suppose Pavic just hack to go, because why would

:39:52.:39:57.

you go in that situation? You have been dominant and now you allow your

:39:58.:40:02.

opponent a break to pull themselves together. It has been a constant

:40:03.:40:13.

cause debate, the bathroom breaks at the end of sets and medical

:40:14.:40:17.

time-outs taken in matches. You kind of feel the only way you can

:40:18.:40:21.

possibly govern them is by literally having one free one each, a medical

:40:22.:40:26.

time-out and a bathroom break at the end of a set, and the next one you

:40:27.:40:34.

take, you lose a point. Do you need to go, or just use it to compose

:40:35.:40:40.

yourself? There is one of the great names and personalities in the world

:40:41.:40:48.

of tennis. How many years we loved listening to John Barrett on the

:40:49.:40:55.

BBC. His wife in front of him to the left, Angela Mortimer Barrett, the

:40:56.:41:08.

winner here in... Way back when. 61, I bet it was. Is that a guess? I

:41:09.:41:19.

think it was 61. Australian Open in 58, French Open in 55. Just the

:41:20.:41:26.

semifinal at the US Open in 1961. You looked that up quickly, Peter.

:41:27.:41:34.

Quick recall, John. This man is a whizz around computers. People find

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their way affectively around the Centre Court for the next 45

:41:46.:41:50.

minutes, one hour, or more. No tie-breaker to decide it. The

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winner takes all. Perhaps he expected the return to be

:41:57.:43:13.

struck with a little more power. That time, Pavic did a nice job of

:43:14.:43:18.

just feeling it. It dropped well inside the baseline.

:43:19.:44:19.

The statement of intent made by Kubot. It was a stronghold. Plenty

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of volume in terms of the come ons. Huw -- huge intensity out there.

:44:32.:44:48.

Good to see Rod labour in attendance for the men's doubles final. Great

:44:49.:44:56.

to see him around the grounds. It adds to the occasion. How many great

:44:57.:45:07.

champions had Rod Labour as their idol growing up? A lot. -- Rod Laver

:45:08.:45:23.

as their idol? So many great champions. A couple of the really

:45:24.:45:27.

great players of tennis have almost taken back to a different level,

:45:28.:45:33.

becoming almost artists rather than athletes on the court and you

:45:34.:45:37.

certainly felt Rod Laver was one of those.

:45:38.:45:46.

Arguably a man who is taking to the court tomorrow can be in the same

:45:47.:45:54.

category in what he has achieved over the years. What he has given to

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the crowds around the globe, as well.

:45:58.:46:18.

That spurred Kubot on to a needy hot streak. He is certainly capable of

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it. There is not a lot you can do about

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that. A perfectly placed volley. Short

:47:17.:48:01.

enough so that Kubot could barely reach it.

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A good point, very good point. Excellent volley Abba net.

:49:36.:49:44.

-- an excellent volley at the net. Calm at the net. Good angles.

:49:45.:50:41.

It is going to be fascinating to see what makes a difference between

:50:42.:50:46.

these teams because you have seen a little bit of everything. Some will

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argue that experience wins and certainly this team have that. There

:50:57.:51:03.

account is heavily in favour than the team they are playing against,

:51:04.:51:10.

but who knows? Nude experience of being here

:51:11.:51:10.

-- the inexperience of being here in this situation perhaps allows them

:51:11.:51:24.

to play more freely. You think perhaps Pavic has been the deciding

:51:25.:51:30.

factor in how things have unfolded. If he can continue the hot streak he

:51:31.:51:37.

has hand, he is going to be offering up chances. They did have an epic

:51:38.:51:40.

semifinal. 17-15, Melo and Pavic. Did that take a little more out of

:51:41.:51:59.

their legs than the team they are taking on today?

:52:00.:52:13.

Spectacular reactions here. Good anticipation as to where the

:52:14.:53:16.

overhead might go. Beautifully guided return from

:53:17.:53:39.

Kubot. You do feel that serve, if you can

:53:40.:56:55.

get pressure on the service game and create that moment when we saw in

:56:56.:57:02.

the fourth, when the double fault came, they could be the possibility

:57:03.:57:06.

it would come again. He lost to the rhythm completely, Kubot.

:57:07.:57:30.

We had that brief sequence of games in the fourth with a couple of

:57:31.:57:40.

breaks and a real shift in momentum. This fifth set is unfolding in a

:57:41.:57:45.

similar fashion to the opening three with utter dominance on serve, so

:57:46.:57:52.

far, from both teams. It really is a waiting game, John, in terms of

:57:53.:57:55.

opportunities that have presented themselves throughout the match.

:57:56.:58:01.

Exactly. Business as usual in this first five games. Nobody has got

:58:02.:58:06.

ahead in the game on the returning side. As we get closer to the

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business end, and we are almost getting there, then the pressure

:58:12.:58:14.

mounts, when you are that close to winning your first Wimbledon title.

:58:15.:58:22.

And then we might see serves getting shorter and double faults thrown in

:58:23.:58:30.

and someone take charge. Pavic did on that amazing run he had when he

:58:31.:58:34.

opened up his shoulders and was hitting winners all over the place.

:58:35.:58:39.

Do you think it will happen tonight? Probably not. Remember, we have an

:58:40.:58:42.

11pm curfew. Two pretty accurate serves to start

:58:43.:59:34.

off this game. You do not want to be playing this

:59:35.:02:28.

game is your reactions are just a little dull. Could be dangerous.

:02:29.:02:58.

Just missed three out of the team first serves in this final set. We

:02:59.:03:32.

have been here before when we haven't been expecting a break of

:03:33.:03:36.

serve and all of a sudden it comes out of nowhere and that could well

:03:37.:03:40.

be what happens again but Melo making good use of the new balls, he

:03:41.:03:51.

phoned his spots spectacularly. Melo getting a little bit of instruction

:03:52.:03:54.

about which way to go for the return. Looking almost as if it was

:03:55.:04:02.

to the backhand side, to cover the backhand side with the first serve

:04:03.:04:08.

coming down. 11 is attempted winning Wimbledon for Melo. He has been in

:04:09.:04:16.

the final in 2013. This will be Kubot's 12 time.

:04:17.:04:31.

Perseverance pays off in the end. Which of these two teams have

:04:32.:04:41.

persevered and will ultimately walk away with the glory?

:04:42.:05:41.

Just over swung at that return. That second serve was 91 which was OK but

:05:42.:05:50.

it was straight mac in the middle of the service box. Certainly

:05:51.:05:51.

returnable. Spectacular return that time from

:05:52.:07:07.

Melo. At full stretch. Melo did an amazing job of being

:07:08.:08:05.

able to control that ball that was coming at him with such velocity.

:08:06.:08:26.

Visual and audio effects. True surround sound. A little bit

:08:27.:09:03.

exaggerated. They threw everything at that game,

:09:04.:09:20.

Melo and Kubot, but ultimately came away with nothing.

:09:21.:09:54.

Good moving. Very good moving. Managed to get on top of that one

:09:55.:10:05.

quick. So the chip coming. Took two quickstep sound punch that one away.

:10:06.:10:15.

Yeah, nicely played, little dead shot from Maric to keep the ball

:10:16.:10:16.

low. That took a bit of courage to make

:10:17.:10:34.

that serve because he took all of the pays off of it. Marach ended up

:10:35.:10:40.

serving in early at the ball and did not get the pace he was looking for

:10:41.:10:42.

in the return. Good cross he made there. That was a

:10:43.:11:08.

high volley for him to go across on. He gambled. Kubot should have done

:11:09.:11:22.

more with the volley relief. Yet, but it is a difficult one to pull

:11:23.:11:25.

the trigger on in that situation. You want to be careful with it. He

:11:26.:11:35.

had a good look at that return. The box believe that I of relief.

:11:36.:13:14.

Edgy moments for Kubot and Melo to get through. It looked as though

:13:15.:13:20.

Pavic was finding his range on the returns and getting onto everything

:13:21.:13:25.

but a terrific serve from Kubot at 30-30 into the body...

:13:26.:13:43.

This would in many ways be his finest moment. He won in Australia

:13:44.:13:53.

in 2014. Melo also a Grand Slam winner. Pavic won the mixed doubles

:13:54.:14:11.

last year. Of course the scoreboard giving Kubot and Melo a slight

:14:12.:14:15.

advantage because any break points they reached will be match points.

:14:16.:14:21.

That is never fun. To serve when you are going match points in the final

:14:22.:14:23.

set. Just a little delay in the rhythm.

:14:24.:15:43.

The pressure is at its maximum. That can contribute to moments like that.

:15:44.:17:25.

Good reactions. Also some clean living. Beyond belief. Yes, he

:17:26.:17:42.

wasn't there, just stuck his racket out of the last second. Nice step.

:17:43.:18:03.

You just wonder whether the problem he has been having with his legs and

:18:04.:18:10.

is the fourth set and the mass outing and just above his knee and

:18:11.:18:15.

his quad, if you can keep here serving, maybe he is not getting up

:18:16.:18:19.

as much as he was earlier in the match. Yes, and of course the left

:18:20.:18:33.

knee is the one that does all of the jumping. You jump on the left knee

:18:34.:18:41.

and land on it so it is taking some punishment.

:18:42.:19:20.

That was a good serve. 101 on the second serve. Melo clearly was

:19:21.:19:28.

distracted by the move that Pavic made.

:19:29.:19:59.

Kubot has got the bit between his teeth. He has had the luxury of

:20:00.:20:09.

getting a few more second serves. Melo if he can find something hell

:20:10.:20:15.

is going to increase the pressure on this man exponentially. He is

:20:16.:20:20.

struggling to find first serves. He desperately wants a free point.

:20:21.:20:28.

Thing is getting very complicated. I was going to say, he is taking a

:20:29.:20:29.

long time. Brilliantly read by Kubot. Nice

:20:30.:21:10.

creativity when he got there. The short forehand is good in theory

:21:11.:21:41.

perhaps but in practice did not get the job done.

:21:42.:21:56.

He may well look to the heavens. That was much closer than he

:21:57.:22:00.

intended it to be. Both teams have been here already at

:22:01.:22:52.

this tournament, deep into a fifth set. But this has the extra

:22:53.:22:59.

incentive and the extra pressure of having a Wimbledon title attached to

:23:00.:23:04.

it, whoever comes out on top in the end, and Kubot and Melo are

:23:05.:23:09.

potentially very close to winning this. More work ahead of them on

:23:10.:23:12.

serve. You get the feeling that most of the

:23:13.:23:33.

10,000 people still left in Centre Court have invested three and a half

:23:34.:23:40.

hours in this match and now is the payback.

:23:41.:24:21.

He has made it. That is just outrageous. The pace that he hit it

:24:22.:24:28.

with coupled with the angle. What a pick-up from Melo. That was a

:24:29.:24:59.

great move. That was lovely doubles. Rather than committing his weight

:25:00.:25:23.

forward he held his balance so he could move one way or the other.

:25:24.:25:29.

Just so much fun to watch. Great angle from Melo, just taking

:25:30.:26:25.

the racket out of Marach's hands. It has been his best serve, that one

:26:26.:26:28.

out wide, the backhand side. That does not augur well for us

:26:29.:26:52.

getting home tonight. At 11pm. We will be postponed and have to come

:26:53.:26:59.

back tomorrow. Think how well the other team had served when you think

:27:00.:27:04.

about the last game be played and the length of it and they had to

:27:05.:27:07.

endure before safely coming through in the end. They will be looking for

:27:08.:27:11.

something a little less problematic here.

:27:12.:27:51.

Apologises but would love three more of these. If the tennis gods are on

:27:52.:28:00.

his side, who is he to argue? This is the moment they have been

:28:01.:29:18.

working for and patiently waiting for. Produced by some wonderful

:29:19.:29:27.

returns. The first helped by good fortune. The last couple have been

:29:28.:29:35.

absolutely sensational. It is two championship points for Kubot and

:29:36.:29:38.

Marach. Heart in the mouth for both sides.

:29:39.:30:15.

Could Melo have done any more with the shot before that. Don't believe

:30:16.:30:23.

he had that much time. A courageous second serve, as well.

:30:24.:30:49.

If they had more of a chance on the first one, there was no chance for

:30:50.:30:55.

Kubot on that. The perfect delivery. What an end to a game that had

:30:56.:31:41.

everything in it. Quality all the way through, championship points,

:31:42.:31:45.

but, ultimately, another hold of serve. And how positively will Kubot

:31:46.:31:54.

and Melo react? UMPIRE: Mr Kubot challenging the

:31:55.:33:10.

call. The ball was called out. Two I'd definitely better than one

:33:11.:34:29.

of them, two racquets were better, they shovelled the back cover, in

:34:30.:34:35.

fact, it was Kubot who managed to get his string onto the ball, they

:34:36.:34:39.

both went for it, he was all over the place. -- shovelled it back

:34:40.:34:44.

over. So much raw emotion in these

:34:45.:34:58.

moments, so many different stories to get through, so money stages of

:34:59.:35:04.

winning major titles. -- so many stages.

:35:05.:35:37.

The shoe is on the other foot, Kubot is feeling the pressure.

:35:38.:35:48.

They are going to get a warning here also, if they are not careful. There

:35:49.:35:53.

has been a long time between points. Kubot responding in a similar

:35:54.:36:12.

fashion as Pavic in the previous game, although with a championship

:36:13.:36:16.

point staring him in the face, he delivered an ace. Bringing the best

:36:17.:36:22.

out of each other. One of the biggest stages, if not

:36:23.:36:57.

the biggest stage in the world and everything on the line. And those

:36:58.:37:03.

last two players, Kubot and Pavic, in the service games, have produced

:37:04.:37:11.

some fantastic serving. And we continue to be enthralled by this

:37:12.:37:21.

Men's Doubles final. Kubot electing to not even sit down. Aidan Turner

:37:22.:37:34.

and Bartoli continuing to talk about many of the permutations that could

:37:35.:37:36.

still occur here. Virginia Wade. Continuing to witness

:37:37.:38:01.

this drama unfolding. Barracudas struggled in his previous game, he

:38:02.:38:05.

will be looking for a few more free points. Which he does not get on the

:38:06.:38:13.

opening point of the game. One of the best backhand returns the final.

:38:14.:39:19.

It looked like he had quite a bit of time, he was onto that forehand.

:39:20.:39:28.

That was a time to play, to see how nervous your opponent is right now.

:39:29.:39:37.

Like you said before, it does not matter how hard, he will still lose

:39:38.:39:41.

the point is, pulled out in, see what happens. -- pull it in.

:39:42.:39:54.

Well, that is a full-blooded swing, that return, he connected perfectly

:39:55.:40:25.

and that beats Pavic as he crosses perfectly.

:40:26.:40:43.

Calm as you like. There is ice in his veins.

:40:44.:41:33.

Well, one continues to wonder what the catalyst for victory will be for

:41:34.:41:39.

either of these teams, over one hour has gone in the final set alone.

:41:40.:41:50.

Four hours, ticking over. And we are kept guessing. Who will be the

:41:51.:41:54.

victor is out here? -- victors. Kubot apologises and he apologises

:41:55.:44:05.

for a long time. They are playing in good spirit, in this final and Pavic

:44:06.:44:12.

was right, that ball was travelling out but it was travelling at to

:44:13.:44:17.

quickly apace. To get out of the way. It certainly got a lot cooler

:44:18.:44:22.

than it was in the middle of the day and also a lot darker, we are about

:44:23.:44:28.

ten minutes past eight in the evening and blankets are being

:44:29.:44:33.

passed around in the Royal box. We need some of them down here! I am

:44:34.:44:39.

just wondering at what stage they will make a decision in terms of

:44:40.:44:44.

closing the roof and putting the lights on and all that. On a clear

:44:45.:44:55.

day,... Nine o'clock? But it is not clear at all today. Therefore, it

:44:56.:45:01.

might be closer to half past eight. I was on court to when Curry was

:45:02.:45:08.

playing Jo Wilfried Tsonga and at a quarter past eight on a nice

:45:09.:45:14.

evening, we thought this will we get done tonight, added five minutes to

:45:15.:45:19.

nine, it was much too dark. There will be some discussions about what

:45:20.:45:23.

to do. Maybe one of these teams will take the decision out of their

:45:24.:45:26.

hands. Deft touch. That bounced like

:45:27.:46:59.

sandbag! It is amazing how close to the net... Almost leaning over.

:47:00.:47:03.

Right on top of the net. He had a few ciders, but with that

:47:04.:48:55.

motion, you question whether that will stack up on a break point, it

:48:56.:49:01.

is a very flat trajectory and for the most part it does work. But if

:49:02.:49:08.

Marach and Pavic can get themselves to that break point situation, it

:49:09.:49:19.

might just crack. -- a few sighters. It has dropped in. It looked like

:49:20.:49:25.

they were out of trouble and that was a miraculous pick-up from Kubot.

:49:26.:49:30.

He just did not do enough of that. The back edge.

:49:31.:49:39.

And backs to the wall stuff for Kubot and Melo.

:49:40.:49:57.

What a point he played there! His nerves! The first volley, I think,

:49:58.:50:10.

was quite deep. And that was also very deep.

:50:11.:50:27.

Inspirational play. Three break points. The first one is saved in

:50:28.:50:39.

routine fashion but there is nothing routine about the situation they

:50:40.:50:41.

find themselves in. That is a stunning serve. Credit to

:50:42.:51:10.

Kubot, the weather Pavic is playing, that felt like it was the only way

:51:11.:51:15.

they could where they could win the point, just not allowing them to

:51:16.:51:27.

touch it. -- the way that Pavic is playing.

:51:28.:51:38.

That is great serving. Just questioning whether the technique

:51:39.:51:46.

would hold up, they answered that affirmatively.

:51:47.:52:38.

That second service lacked just a bit of nerve, into the middle of the

:52:39.:52:50.

box. And Pavic had a wonderful return, back at his feet.

:52:51.:53:25.

Well, it was good scrambling but he was never really in the point after

:53:26.:53:33.

the return and again, credit to Kubot are finding that terrific

:53:34.:53:36.

first serve when he needed it the most. -- for finding.

:53:37.:54:18.

I am not sure what happened. It was nowhere near the line. It didn't

:54:19.:54:25.

come through, as he expected it. UMPIRE: Time violation warning,

:54:26.:54:47.

Kubot and Melo. Quite right. Break points have come and gone. And Kubot

:54:48.:55:04.

and Melo hang on. Now, legitimately, both teams feel they could be

:55:05.:55:08.

Wimbledon champions, no matter what way this end -- this ends up going,

:55:09.:55:16.

that was courage under fire, Kubot and Bella. Finding that ace at

:55:17.:55:22.

15-40. Returning spectacularly well, he was back in the groove. Once

:55:23.:55:31.

again, Kubot just not wanting to sit down and he is keeping himself warm.

:55:32.:55:38.

Rod Laver will enjoy what he is watching. He knows what it takes to

:55:39.:55:41.

play with courage when your back is against the wall. To play your best

:55:42.:55:49.

tennis when everyone else, including yourself, is potentially doubting

:55:50.:55:52.

it. This is unknown territory for both teams, they have never even

:55:53.:55:57.

played each other before. No one here has a Wimbledon title to their

:55:58.:56:01.

name and they desperately seek one of them.

:56:02.:57:22.

Nice volleying. Unfortunately, their opponents cover every inch of the

:57:23.:57:32.

court. That was a good follow. Full

:57:33.:58:16.

stretch, Billy Strong, nudging that one. As soon as March held his

:58:17.:58:25.

ground, he was in trouble. -- really strong.

:58:26.:58:58.

Pavic, just in front of us, starting to flex his left leg or his left

:58:59.:59:08.

hip, I do not know whether he tweaked that or if he was in some

:59:09.:59:10.

degree of pain... Neither team has flinched in the

:59:11.:59:26.

final set. It took a long time to develop the

:59:27.:59:41.

last half set has been fascinating. There was nothing on that serve at

:59:42.:00:10.

all. Against that grimace, he has to

:00:11.:01:18.

serve next, he would dearly love to do that with a break in the bank as

:01:19.:01:25.

well. He may not get that luxury. He has not always find that accuracy

:01:26.:01:30.

down the T, but he did that time, when he needed that the most, great

:01:31.:01:32.

response from Melo. He struggles on the backhand side,

:01:33.:01:56.

if you get in there with pace, he can almost always only go down the

:01:57.:02:02.

line or inside the doubles line, but Melo is once again directing the

:02:03.:02:10.

traffic at a decent velocity, 117 out wide and the 0-30 lead has

:02:11.:02:11.

vanished. Courage, calmness and precision on

:02:12.:03:34.

serve from Melo, he digs his team out of trouble, that was a lightning

:03:35.:03:40.

start from Pavic in that game and look at that, they are not dead even

:03:41.:03:45.

on the scoreboard but in terms of total points one. And again, we

:03:46.:03:49.

continue to wonder and wait to see what the difference will be. It is

:03:50.:03:55.

amazing to think that as a team, March and Pavic have yet to win any

:03:56.:04:02.

title together. They have individually, but not together and,

:04:03.:04:06.

well, if they were to do it here, in the circumstances, it would be quite

:04:07.:04:15.

something. I wonder if they have thought about closing the roof,

:04:16.:04:21.

producing, I would think. Half past eight at night, we certainly do not

:04:22.:04:27.

have that much more good light to play, there is no blue sky.

:04:28.:04:41.

With it so finely balanced here, it would take a brave decision to stop

:04:42.:04:49.

it right now, for shore. They will have to go to the last second and

:04:50.:04:54.

hope against hope somehow it finishes.

:04:55.:05:29.

Getting those second serves in the strike zone. Melo. Middle of the

:05:30.:05:36.

net. And still they continued to

:05:37.:06:40.

entertain. A good move in from Melo, keeping the ball low, but great

:06:41.:06:42.

vision here from Marach. He said it is not the same, it is

:06:43.:07:37.

not the same when it is not sunny. They want it to close now, I think.

:07:38.:08:35.

As tough as it is to pick up the serve, as the light fades, it is

:08:36.:08:44.

perhaps even tougher to pick up the first volley when it comes back at

:08:45.:08:47.

that pace. Both teams are suffering a little bit here.

:08:48.:09:01.

Did they get the signals wrong? They must have.

:09:02.:09:50.

Both guys moving in the same direction. Yes. Just kicked in at 96

:09:51.:10:02.

mph, giving extra time to get the racket through the shot and drag it

:10:03.:10:06.

back crosscourt. Blanket coverage of the match

:10:07.:11:21.

continues. 11-10 in the final set. STUDIO: We will cover this live on

:11:22.:11:27.

BBC Two. The lights can come on after the roof closes and it can

:11:28.:11:34.

continue until 11pm. The longest men's final was 19-17. The

:11:35.:11:40.

tournament referee is chatting to the players to see whether they can

:11:41.:11:47.

keep going for another two games. If they can, they will try to get the

:11:48.:11:51.

match concluded and then close the roof. There is another final to come

:11:52.:11:55.

after this, the ladies' doubles final. Today at Wimbledon will not

:11:56.:12:02.

be happening but we will try in the gaps between the matches to bring

:12:03.:12:07.

the highlights of the fabulous singles final between the women.

:12:08.:12:13.

Garbine Muguruza and Venus Williams. But this match continues so I hand

:12:14.:12:18.

you over to Mark Petchey, Peter Fleming and John Lloyd.

:12:19.:12:23.

The gentleman on the court having a word with the umpire, you sense it

:12:24.:12:30.

might have been a precursor for this game to be the final one before the

:12:31.:12:36.

roof is shut and the lights come on. It is 8:37pm.

:12:37.:12:45.

But, who knows? That may be the start of something special here for

:12:46.:12:57.

Kubot and Melo. He was there. He tried to cut it as

:12:58.:13:27.

finely as possible over the top of the dart-macro to keep it alone.

:13:28.:14:01.

Such a good move from Pavic. His forehand return has been down the

:14:02.:14:11.

line, but he had the courage to cut off the crosscourt return after the

:14:12.:14:14.

Brazilian hit a pretty good one. And there he is again. Alert and

:14:15.:14:45.

agile after over four and a half hours.

:14:46.:15:27.

And this is it, isn't it? Yes. You would expect the players to leave

:15:28.:15:44.

the court while this happens. UMPIRE: Ladies and gentlemen, play

:15:45.:15:50.

is suspended for approximately ten minutes while the roof is closed.

:15:51.:16:03.

STUDIO: While the roof closes let us take this opportunity to recapture

:16:04.:16:10.

on a wonderful day of tennis. We have to go back to 1908 since a

:16:11.:16:16.

37-year-old won the ladies' championship, Charlotte Cooper

:16:17.:16:24.

Sterry stop Venus Williams was trying to emulate her, playing

:16:25.:16:27.

Garbine Muguruza, 14 years her junior. Would age, experience or

:16:28.:16:34.

youth win the day? You reach the last round and feel,

:16:35.:16:39.

what I am doing is right. I have a lot to give. I am a glass half full

:16:40.:16:47.

kind of person. It is 50-50, the chances. I have another opportunity

:16:48.:16:51.

and have to do my best with it. It is not over till it's over. It was

:16:52.:16:56.

the ninth time Venus had taken this walk. She did not look at pictures

:16:57.:17:00.

of herself on the walls. She knows how to cope with days like these,

:17:01.:17:03.

how to win matches like this. For Muguruza, a

:17:04.:17:18.

second Wimbledon final. Last time she said it went by so fast against

:17:19.:17:20.

the younger Williams. Venus makes the most of time. She delayed a few

:17:21.:17:23.

moments, as if to emphasise she is the queen around here. The wait was

:17:24.:17:26.

worth it because what followed was truly extraordinary.

:17:27.:17:50.

And again, come the big moments in big games, the noise increases and

:17:51.:17:58.

the powerless. The decibels level went up. Brilliant hitting from

:17:59.:17:59.

both. It was well long and she is trying

:18:00.:18:26.

to impose her will and presence, Williams. She knows the pressure

:18:27.:18:28.

Muguruza is under. Forehand error again from the

:18:29.:18:43.

Spaniard. Williams two points away. And a mistake, again, and it is the

:18:44.:19:20.

first serve of Muguruza that has disappeared and gives Williams the

:19:21.:19:21.

two set points. And a rally in. She could not do it

:19:22.:20:09.

at the end and Muguruza holds firm. Still one more to go. Clearly, Venus

:20:10.:20:15.

was targeting the forehand. As she should. Muguruza impressively held

:20:16.:20:19.

steady. What a time to find that first serve

:20:20.:20:35.

again from Muguruza. There was a sigh of relief.

:20:36.:21:01.

The forehand worked well in that rally for Muguruza.

:21:02.:21:26.

And that is how to stand up to set points. Muguruza played so well.

:21:27.:21:36.

They know how important that was. Not afraid of a double fault, it is

:21:37.:22:27.

part of her game. But it does put the pressure on.

:22:28.:22:42.

I think she is going to challenge. Yes. And a big moment. It is worth

:22:43.:22:55.

challenging. My goodness! It is not even close! The linesman today are

:22:56.:23:04.

tighter than the players. Everyone is feeling the pressure.

:23:05.:23:11.

She fell on her heels and lost her balance. When you get nervous, your

:23:12.:23:21.

feet sometimes get tangled and that is what happened there.

:23:22.:23:42.

Both players struggling on the forehand side. Suddenly, from having

:23:43.:23:53.

two set points in the previous game, Williams is facing break point.

:23:54.:24:02.

Wow. This is a nervy game for both players. They both have the same

:24:03.:24:10.

weakness at the moment, the fragility in their forehand.

:24:11.:24:32.

There will be another chance for Garbine Muguruza.

:24:33.:24:46.

First blood to Garbine Muguruza. And William suddenly looks a little bit

:24:47.:25:28.

weaker. Muguruza still has two survey it out, but what a position

:25:29.:25:43.

she is aided in this final. -- she has to serve it out.

:25:44.:26:07.

Wow. That is tremendous from Venus and the movement to get up to it

:26:08.:26:18.

quickly and time it so well. Indecisive on this one. It was very

:26:19.:26:25.

tough. Down at Muguruza's feet. The crowd gasp as they thought

:26:26.:26:58.

Muguruza went long. But she gets away with it. She had control in the

:26:59.:27:05.

first part of the set, but now hers has gone off.

:27:06.:27:21.

She went for it on the final forehand, Williams, but it is

:27:22.:27:33.

Muguruza getting closer. They are very physical rallies. The movement,

:27:34.:27:36.

the explosive first step. How did she get that ball? It could

:27:37.:28:04.

be the shot of the set. For all the world, Venus Williams was in control

:28:05.:28:08.

of the rally and then she bowed her head as she watched this land in the

:28:09.:28:09.

corner. Two set points for Muguruza. Still fighting. Venus had two set

:28:10.:28:33.

points earlier. Muguruza one left. And Muguruza has the first set in

:28:34.:29:16.

this final. STUDIO: Muguruza saving set points

:29:17.:29:21.

and taking the set 7-5. We're going back to centre core for live tennis

:29:22.:29:27.

because the final of the men's doubles has just resumed. We can be

:29:28.:29:31.

join Mark Petchey, Fleming, and John Lloyd.

:29:32.:29:36.

It was a quick warm up. No real warm up, to be honest. So difficult

:29:37.:29:44.

perhaps for the players off the return straightaway. They came up,

:29:45.:29:50.

warmed up their serve and got on with it.

:29:51.:30:49.

The ball boy tripping up over the canvas towards a photographer, who

:30:50.:30:55.

threw it back. It hit the front of his lens.

:30:56.:31:11.

A strange start on the restart. For next week's was number one, Marcelo

:31:12.:31:19.

Melo. 100 minutes this final set has taken

:31:20.:31:31.

already. One wonders how deep into the evening we can go. We have

:31:32.:31:35.

another couple of hours this could've feasibly go. Melo did well

:31:36.:31:45.

on that game. The resumption is always difficult. But he served

:31:46.:31:51.

well. Some good volleys from his partner to back him up and now

:31:52.:31:55.

pressure switches to the other side of the court. And I would say

:31:56.:31:59.

another couple of hours is highly feasible. It has a tendency, the

:32:00.:32:09.

roof, to make things slower at times and I wonder if that will help both

:32:10.:32:10.

teams. To create more opportunities. Slotted it into the space with

:32:11.:33:00.

precision. And then moved in behind it. He has done that a few times. A

:33:01.:33:07.

good start to the game. Unbelievable fortune for Melo. Not

:33:08.:34:10.

even trying to disguise how happy he is about it. They had a couple of

:34:11.:34:22.

championship points earlier in the set. They will have three more now.

:34:23.:34:38.

What a remarkable victory for Melo and Kubot. Winning Wimbledon for the

:34:39.:34:50.

first time as a team and in quite simply astonishing fashion.

:34:51.:35:03.

We thought the match could go along into the night. The celebration is

:35:04.:35:10.

certainly well. He is world number one once next week. He has already

:35:11.:35:17.

have that number next to his name once before in 2015 and 2016. Kubot,

:35:18.:35:26.

who won the Australian Open in 2014, is now the Wimbledon champion. And

:35:27.:35:33.

Melo adds to his title in Roland Garros will stop but let's spare a

:35:34.:35:36.

thought for the other two players in this magnificent final who end up

:35:37.:35:42.

the runners up, who played more than their fair share in the drama that

:35:43.:35:48.

unfolded over the last four hours and 41 minutes. Those are not tears

:35:49.:36:00.

of joy under their 4-3. -- Pavic. But what a performance from the

:36:01.:36:04.

Croatian and the Austrian. What a resumption. Did they lose a point on

:36:05.:36:12.

the resumption? Did Melo lose one point on his serve? Spectacular

:36:13.:36:17.

serving and then even more dynamic returning to break and win the

:36:18.:36:18.

title. Fabulous scenes there were Lukasz

:36:19.:36:35.

Kubot and Marcelo Melo. We will be back to see the trophy presentation

:36:36.:36:46.

later on. We will be showing, the single's final. We were updating you

:36:47.:36:52.

on what happened earlier on the final during the final of the

:36:53.:36:56.

Ladies' Singles final. I am so impressed with the weight

:36:57.:37:26.

Muguruza was able to stay so positive and find her forehand

:37:27.:37:31.

again. Because that is what she has been struggling with since winning

:37:32.:37:35.

the French. It has been a little bit more erratic and inconsistent. That

:37:36.:37:40.

is what stood out during these championships. Much more reliable

:37:41.:37:41.

ground strokes. No sign of any lack of power at the

:37:42.:38:03.

start of the second set from Venus Williams.

:38:04.:38:13.

An interested observer somewhere in the world will be Serena Williams.

:38:14.:38:34.

Maybe she can't bear to watch it live, she will watch it on tape

:38:35.:38:43.

later. She might not want to watch it if it continues to go the way of

:38:44.:38:45.

the Spaniard. Just cannot afford to miss neutral

:38:46.:39:15.

balls like that. Right at the start of the second

:39:16.:39:32.

set, Venus Williams in all sorts of trouble.

:39:33.:39:55.

Blistering back and says Venus Williams on that occasion. Some

:39:56.:40:07.

heavy hitting from both players here at the moment.

:40:08.:40:20.

Too many mistakes from Venus Williams at the moment. Too deep in

:40:21.:40:26.

the court. Muguruza is controlling court position here. As hard as

:40:27.:40:30.

Williams is hitting it. Challenge from Muguruza. A big

:40:31.:40:48.

decision for our virtual friends. Good challenge. She shook her head

:40:49.:41:00.

emphatically. It is a huge turn of events from an ace to losing your

:41:01.:41:08.

serve. Gabine Muguruza it is firmly in control of this final now.

:41:09.:41:20.

That is lovely from Venus Williams. That was a difficult half-volley.

:41:21.:41:34.

Beautiful hands and feel to gently caress that. I don't know if it is

:41:35.:41:47.

physical or she's lost a bit of spirit, but she doesn't seem to have

:41:48.:41:54.

as much energy, Williams. Some uncomfortable speeds to deal with.

:41:55.:42:06.

The winners, the energy coming from Muguruza now. The energy coming from

:42:07.:42:12.

the Spaniard is tiring out Venus Williams at the moment. I don't see

:42:13.:42:17.

a whole lot emanating from the American's side.

:42:18.:42:29.

This is a must hold, can't go down the double break.

:42:30.:42:40.

Too good. This match is slipping away from Venus Williams. Muguruza

:42:41.:42:59.

is plain wonderful tennis. Break point again.

:43:00.:43:28.

And Muguruza housing, has the double break. Surely has one hand on this

:43:29.:43:32.

trophy? -- has it. Suddenly this court, where she has

:43:33.:43:49.

had so much success must be a very dark place.

:43:50.:44:13.

24 unforced errors now. Just 11 from Muguruza.

:44:14.:44:26.

It is painful to watch if you are a supporter of Venus Williams. But she

:44:27.:44:36.

is wilting here. Woody Harrelson, watching on. Anyway, three break

:44:37.:44:43.

points for Garbine Muguruza. And the crowd, trying to lift their

:44:44.:44:48.

favourite, this great champion. She is in a very deep hole.

:44:49.:45:02.

And the end surely is coming quickly. Muguruza with a

:45:03.:45:10.

stranglehold on this match. It not over yet, but Williams already looks

:45:11.:45:16.

a beaten figure. Garbine Muguruza, to step out onto Centre Court, to

:45:17.:45:20.

serve for the Ladies' Singles championship.

:45:21.:45:34.

Goodness. You want to see this title taken, you don't want to see a meek

:45:35.:45:48.

surrender. I think we are seeing both. The

:45:49.:46:04.

combination is going to make it six love in the second.

:46:05.:46:12.

Everything is with her now and there is noise inside Centre Court, but

:46:13.:46:20.

just one more point for Garbine Muguruza and it will all be hers.

:46:21.:46:38.

It might end on this. The umpire says it's good, so the challenge. I

:46:39.:46:50.

hope it doesn't end this way. It doesn't, so we will play again.

:46:51.:47:14.

We will have to wait just a little bit longer. Two more chances.

:47:15.:48:05.

This challenge might end this way. We look to the challenge, we look to

:48:06.:48:19.

the screen. Garbine Muguruza, if it is long she is the champion. It is

:48:20.:48:24.

and it is a sorry way for this final two end, but what a victory for

:48:25.:48:30.

Garbine Muguruza. She is the Wimbledon champion and tears of this

:48:31.:48:34.

spare a couple of beers ago as she lost to Serena Williams. But

:48:35.:48:41.

overwhelming joy now as she is the champion. And the sad end to Venus

:48:42.:48:48.

Williams who played so well throughout this championship and

:48:49.:48:53.

promised so much. But all the smiles belonged to Garbine Muguruza, the

:48:54.:48:57.

moment is hers, the title belongs to the Spaniard.

:48:58.:49:04.

A day to savour but Garbine Muguruza. She said she was

:49:05.:49:14.

determined to enjoy this moment. And lifting the Venus rose water dish

:49:15.:49:20.

and seeing her name. And look at how many times it says Williams, either

:49:21.:49:25.

Serena or Venus. It is rare for anybody else to live this trophy.

:49:26.:49:32.

She came out to packed crowds on the balcony. Unfortunately, they took

:49:33.:49:36.

the trophy away from her. She said it was all too soon. She hadn't had

:49:37.:49:41.

time to hold it in her hands for long enough. Only the second

:49:42.:49:48.

Spaniard since Conchita Martinez in 1994 to win Wimbledon. And there is

:49:49.:49:53.

the woman who has helped her through this fortnight. She has come through

:49:54.:49:56.

with the loss of only one set and the only person to beat Venus

:49:57.:50:01.

Williams six love in a set here at Wimbledon. The trophy presentation

:50:02.:50:06.

has been happening but the Men's Doubles. The Duke of Kent, President

:50:07.:50:19.

of the All-England Club and executive, making the presentation

:50:20.:50:30.

to Kubot from Poland and Melo from Brazil. On the presentation has

:50:31.:50:35.

happened but the Girls' Singles champion and for the first time in

:50:36.:50:40.

25 years it has been won by an American. The third seed who beat

:50:41.:50:48.

her fellow American. Clare lives the trophy and very shortly, on centre,

:50:49.:50:51.

there is still another final to come, because we will be showing the

:50:52.:50:59.

final of the Ladies' Doubles final. The roof is now close. On centre,

:51:00.:51:04.

those players will be appearing shortly. We can find out what Venus

:51:05.:51:10.

Williams said after her defeat in the final. Venus, commiserations,

:51:11.:51:16.

how would you sum up the challenge posed by Garbine Muguruza today? I

:51:17.:51:22.

have never played her on grass, so it was a different experience. She

:51:23.:51:28.

played really well. It was a wonderful two weeks for me. I don't

:51:29.:51:31.

have any complaints, she played amazing. Do you think we

:51:32.:51:36.

underestimated just how difficult it would be to win a Grand Slam title

:51:37.:51:43.

at the age of 37? I am thinking more about what I need to accomplish, I

:51:44.:51:46.

don't necessarily think what other people think. Or your age? Not at

:51:47.:51:57.

all. You had to set points which is very high quality and very

:51:58.:52:00.

competitive, at the end of the first set, what do you remember? I try to

:52:01.:52:09.

win those points, obviously. She played some amazing tennis. I would

:52:10.:52:13.

like to have had more opportunities in the match, but she played

:52:14.:52:18.

amazing, so I give her a lot of credit. The two sets were very

:52:19.:52:22.

different, where you feeling very tired in the second set? I felt I

:52:23.:52:28.

went for a little bit too much. You have to go for it, so I don't have

:52:29.:52:34.

any regrets. Do you think the exertions of the last fortnight have

:52:35.:52:37.

caught up with you? Every match is different and you give your best

:52:38.:52:41.

effort and like I said, she played very well. Two grand slam finals

:52:42.:52:49.

this year, I must assume you are very proud of your achievement? It

:52:50.:52:54.

is great tennis this year, I look forward to the next major and giving

:52:55.:53:00.

it my best shot. Is your appetite still as great as ever? I love the

:53:01.:53:07.

game, sometimes it is wins and losses, mostly wins, so there will

:53:08.:53:12.

be more. We will see you next year. Thank you.

:53:13.:53:16.

Venus Williams has been coming here for 20 years and is not ruling it

:53:17.:53:23.

out coming back next year. She will be 38 next year. The women

:53:24.:53:26.

contesting the Ladies' Doubles finals, are walking out. Garbine

:53:27.:53:32.

Muguruza becomes the first person ever to beat both Williams sisters

:53:33.:53:36.

to win a grand slam title, having won the French and Wimbledon at well

:53:37.:53:43.

and 23 she has many great years ahead of her. But Venus, not saying

:53:44.:53:49.

this will be her last Wimbledon. She very much still wants to come back

:53:50.:53:52.

and who knows, Serena may be back again next year. The first set was

:53:53.:53:58.

populous tennis, it was so powerful, so full of pace and amazing accuracy

:53:59.:54:04.

and then Venus, it was like the battery ran out in the second set.

:54:05.:54:09.

Garbine Muguruza, won the Ladies' Singles for Spain. If you have tuned

:54:10.:54:15.

in to watch in margin with Alan Yentob, that will follow the tennis,

:54:16.:54:19.

but we are in for a late finish because we still have the final of

:54:20.:54:23.

the Ladies' Doubles to come. I shall handed over to David Mercer and Liz

:54:24.:54:29.

Smiley to tell you about it. The pair in your picture are only

:54:30.:54:33.

playing their second tournament together. Their first was at

:54:34.:54:43.

Eastbourne the week before. They lost in the first round. Liz Smiley,

:54:44.:54:51.

the doubles champion here with Kathy Jordan, they have done better this

:54:52.:54:57.

time? They are up against one of the best teams in women's tennis these

:54:58.:54:59.

days. You might have just picked up the

:55:00.:55:36.

umpire saying angel. That is the anglicised name she is commonly

:55:37.:55:40.

known as. That is the name by which he likes to be called. Here are the

:55:41.:55:55.

Olympic champions,. They were the champions at Roland

:55:56.:56:19.

Garros in 2013 and at the US Open. The following year, they were both

:56:20.:56:24.

ranked number three in the world. They very seldom play with other

:56:25.:56:34.

partners. Elena Vesnina got married last year and her maid of honour is

:56:35.:56:40.

her doubles partner. They have never won here at Wimbledon. They were

:56:41.:56:47.

runner-up in 2015 and runner-up at the French as well. They are looking

:56:48.:56:53.

for their first Wimbledon doubles title.

:56:54.:57:11.

Slightly older at 30. Her partner is 29. Chan, 23 years of age.

:57:12.:57:31.

It's not surprisingly is two teams have not played against each other,

:57:32.:57:41.

given the fact that this is only their second event together. It is

:57:42.:57:46.

interesting they have just gelled immediately. You see that sometimes

:57:47.:57:53.

the doubles pairings, they don't have to play for a long time to

:57:54.:57:57.

understand each other or where their partner is hitting the ball, they

:57:58.:57:59.

have an chemistry. Ekaterina Makarova, the grand slam

:58:00.:58:20.

titles won with her partner today. It is an impressive record. In the

:58:21.:58:27.

majors they have reached the finals of all of them. They would love to

:58:28.:58:38.

make it three the night. Ten doubles title for Katarina. A few more for a

:58:39.:58:50.

Elena Vesnina. She has won 16 doubles titles. And of course, those

:58:51.:59:01.

two majors. They have both won Mixed Doubles grand slam titles with the

:59:02.:59:03.

same man, Bruno Soares. Nine wins as a team, one win in 2007

:59:04.:59:19.

and this is the route to the final, just losing the one set in the

:59:20.:59:27.

quarterfinals. One break in each set of that particular match. It was

:59:28.:59:34.

very tough. The Australians themselves have been runners-up. The

:59:35.:59:44.

Australians reached three grand slam finals and lost the lot in 2013.

:59:45.:00:03.

Here is angel, born in Taipei. Has won 12 doubles titles, nine with her

:00:04.:00:10.

sister. But she was playing with Martina Hingis and they were playing

:00:11.:00:15.

with the number one seeds in this event. Monica Niculescu is an

:00:16.:00:29.

unusual player on the tour, she will play particularly on the forehand

:00:30.:00:30.

and an exaggerated slice forehand. She doesn't have any grand slam

:00:31.:00:54.

titles. Her world ranking is 25. This is their route, little bit

:00:55.:01:04.

different than the semifinal. They ended up winning 9-7 in the third

:01:05.:01:10.

set, two other matches went the distance. They have not faced a

:01:11.:01:15.

seeded player. They are the ninth seeds.

:01:16.:01:26.

The umpire, one of the full-time officials on the women's WTA to. Lot

:01:27.:01:37.

more aces, you can see from the Russians. One more points but then

:01:38.:01:53.

they have played a lot of you are games. Rather more efficient at

:01:54.:02:08.

converting break points on paper. They are the highest seeds left in

:02:09.:02:12.

the/ when the number one seeds had the defaults.

:02:13.:02:18.

Bethany Matt Dixon and suffered a terrible injury.

:02:19.:02:26.

The top section of the drawer opened up once the number one seeds were

:02:27.:02:32.

gone. The number two seeds, we will see here. I am sure many of the

:02:33.:02:46.

people were queueing the resale tickets. Then they can say, not only

:02:47.:02:53.

did I go to Wimbledon and sat on the Hill, then I saw a Wimbledon final

:02:54.:02:59.

on Centre Court. Wonderful thing for them. Most famous tennis court in

:03:00.:03:05.

the world. There is always a queue of people whose dream it is to watch

:03:06.:03:07.

a final. Tough for all four ladies to have to

:03:08.:04:03.

wait so long that remarkable Men's Doubles going past the four-hour

:04:04.:04:04.

mark. It is all in the timing when you

:04:05.:04:47.

cross and just too much space down there, left a little bit early,

:04:48.:04:53.

Makarova was good enough to hit the forehand up the line. Very solid off

:04:54.:04:54.

the ground. She had shoulder treatment during

:04:55.:05:11.

the semifinal, Chan. You can see why Niculescu and Chan

:05:12.:05:46.

combine well. Excellent volleys from Niculescu at the net. She is always

:05:47.:05:50.

looking to inject herself into the point.

:05:51.:06:18.

If you strike the ball well, there is a lovely resonance under the

:06:19.:06:22.

roof. Perfect conditions. On the full stretch, the return was

:06:23.:07:46.

unable to hit an effective lob. Not a bad idea. Vesnina really closes in

:07:47.:07:47.

on the net. That is why we need to have the

:07:48.:08:14.

lights on and roof closed. That is quite a sunset in the distance. That

:08:15.:08:25.

is a beautiful sight. Red sky at night, Shepherd's delight. Red sky

:08:26.:08:29.

in the morning... Shepherd's warding. -- warning.

:08:30.:09:49.

When you are struggling on serve, 0-30, you love to see your partner

:09:50.:09:59.

doing that for you. There was too much power from

:10:00.:10:54.

Makarova first on the big ground stroke and then on the overhead. The

:10:55.:10:57.

first break point goes to the Olympic champions.

:10:58.:11:08.

Vesnina makes an extraordinary noise when she strikes the ball. It sounds

:11:09.:11:16.

like "hiya". Hello to you. What she lacks in pace, Niculescu,

:11:17.:11:55.

she makes up for with direction. And pinpoint accuracy on the serve.

:11:56.:12:28.

The backhand hits a flat and powerfully. -- was hit so flat and

:12:29.:12:35.

powerfully. Vesnina and Makarova probably

:12:36.:13:24.

thought they had pretty good net position but a screamer up the line

:13:25.:13:33.

from Niculescu. Two break points saved.

:13:34.:13:39.

That was an overall by the umpire. No challenge. -- overrule.

:13:40.:14:06.

That second serve, 71 mph, it was difficult for champ to withstand

:14:07.:14:11.

that pace of shot. -- for Chan. The perfect start for the number two

:14:12.:14:41.

seeds. They have had a long day, the ball

:14:42.:14:54.

kids. Excellent hands from Makarova.

:14:55.:15:32.

Niculescu had worked her way so close to the net, she had no time to

:15:33.:15:34.

react. I do not think there is any other

:15:35.:17:50.

player I can name who is playing today who hits a forehand like

:17:51.:17:54.

Niculescu, and to be able to squeeze that the line, it is such an unusual

:17:55.:17:58.

shot. The favourites justifying their

:17:59.:18:29.

favouritism with this fine start. It is a spectacular sight, the roof at

:18:30.:18:36.

night. We will be spoiled when we have two. One on Centre Court and

:18:37.:18:41.

one on Court Number One. I think that is the London eye in the

:18:42.:18:46.

distance. Mind you, we are still behind the Australian Open, because

:18:47.:18:50.

you have three. We do, but that is OK. It is constant communication

:18:51.:19:03.

between Vesnina and Makarova on the change event, between between

:19:04.:19:12.

points. -- change of ends. Both of them have won two singles titles

:19:13.:19:16.

apiece and they have both won in Eastbourne, one of the lead up

:19:17.:19:27.

championships. Vesnina in 2013 and Makarova in 2010. Makarova ranked as

:19:28.:19:31.

high as number eight in singles and her partner as high as 13.

:19:32.:20:30.

That first serve, 79 mph. That really does put Chan on the back

:20:31.:20:36.

foot immediately, particularly against the hitters like Vesnina and

:20:37.:20:44.

Makarova. I wonder how much the shoulder injury is contributing to

:20:45.:20:45.

the lack of speed. It was just long. Two points for the

:20:46.:21:23.

double break. That is a wonderful angle from Chan.

:21:24.:22:42.

Niculescu is trying to work her way into the point at the net, but she

:22:43.:22:47.

did not needed on that particular occasion. It was a great angle from

:22:48.:22:52.

Chan. Still in trouble, fighting hard to hold.

:22:53.:23:28.

The next shot from Chan was not effective enough. That is easy

:23:29.:23:32.

pickings. Slightly extravagant, I thought,

:23:33.:23:45.

that choice of shot from Vesnina. She thought Vesnina was going to

:23:46.:24:18.

cross. Goes up the line, Chan, but Vesnina was not going anywhere.

:24:19.:24:21.

Fourth break point in this game. terrific poach. Niculescu has to

:24:22.:24:44.

keep doing that, even if she gets burned a couple of times down the

:24:45.:24:49.

line. She have to keep trying to help Chan.

:24:50.:25:37.

Perhaps a little unfair the 4-0 scoreline on Chan and Niculescu.

:25:38.:25:47.

They have fought really hard in the two service games, but no reward.

:25:48.:26:12.

UMPIRE: Ladies and gentlemen, please make sure the flashes off on your

:26:13.:26:16.

cameras. Thank you. That is the problem with the sliced,

:26:17.:27:37.

blocks returned from Niculescu. If she gets it wrong, it is floating

:27:38.:27:40.

high and is easy pickings. And the object is to keep the

:27:41.:28:51.

receivers guessing as to which way the partner will move? Correct and

:28:52.:28:55.

also to pick their spot, be definitive about where they want to

:28:56.:29:00.

hit and do not worry about the person at the net.

:29:01.:29:26.

I cannot imagine it happened to you, but if you are losing 5-0, are you

:29:27.:29:37.

saying to each other, we had better try something different? I think you

:29:38.:29:43.

mentioned the scoreline is probably not an accurate reflection of the

:29:44.:29:49.

quality of the match so far. Niculescu had opportunities to hold

:29:50.:29:54.

as did Chan. But they lack a little bit of power. Certainly not from

:29:55.:30:00.

Chan, but Niculescu, even though she is darting from side to side and is

:30:01.:30:05.

doing her best at the net, her return lacks power and the serve of

:30:06.:30:11.

both of these ladies lacks a bit of power, which gives the Russians

:30:12.:30:15.

advantage because they want to be aggressive both sides. You have to

:30:16.:30:21.

forget about the score at this point and just focus on this game. We have

:30:22.:30:36.

had one love set today, the second set of the singles final.

:30:37.:31:02.

My point about lack of power was illustrated. Niculescu hit the

:31:03.:31:09.

forehand on the line and anybody else who hits that it is probably a

:31:10.:31:14.

winner because you have the whole court, because it does not have

:31:15.:31:17.

pace, the Russians are able to run its down and stay in the point. --

:31:18.:31:29.

run it down. A terrific return and then the classic interception. These

:31:30.:31:31.

two are playing really well. A bit adventurous with that shot, I

:31:32.:31:55.

think. It drops in. They are challenging

:31:56.:32:40.

the decision. Outside edge. Two set points. When things aren't going

:32:41.:32:44.

your way, they just go your way, don't they?

:32:45.:32:54.

STUDIO: Makarova and Vesnina are clearly aware play can not go beyond

:32:55.:33:31.

11pm. Taking the first set 6-0. Earlier in the day we had British

:33:32.:33:35.

winners in the wheelchair doubles final with Gordon Reid and Alfie

:33:36.:33:43.

Hewett beating Stephane Houdet and Nicolas Peifer France. The Frenchman

:33:44.:33:51.

saved four match points before, finally, netting the ball that gave

:33:52.:33:59.

victory. Tomorrow we will have more British interest, because in the

:34:00.:34:03.

women's doubles finals, Jordanne Whiley of Great Britain teams up

:34:04.:34:07.

with her doubles partner and we will show you that from the 11am live on

:34:08.:34:13.

BBC Two. A great crowd on Court Number 3, the first time the

:34:14.:34:17.

wheelchair finals have been staged there and about 2000 people packed

:34:18.:34:22.

in to see it and as you can see, thousands left at Wimbledon, as the

:34:23.:34:26.

clock ticks past 10pm and we live with the final of the ladies'

:34:27.:34:34.

doubles. Makarova and Vesnina taking the first set 6-0. We can rejoin

:34:35.:34:37.

David Mercer. Almost the perfect set.

:34:38.:34:48.

Overambitious on a fume shots, the Olympic champions.

:34:49.:34:55.

Oh yes! Mixing the power with finesse. It started with the Vesnina

:34:56.:36:52.

lob. They haven't put a foot wrong, the Russian pair.

:36:53.:37:51.

Makarova and Vesnina pick up the second set where they left the

:37:52.:38:02.

first. Let's see who opens proceedings here serving. It'll be

:38:03.:38:10.

Niculescu. They are changing ends. Niculescu served from the other end

:38:11.:38:12.

in the first set. Too early. Way too early from Chan.

:38:13.:38:35.

All the time in the world for Makarova to hit the ball up the

:38:36.:38:36.

line. It is a bit like a heavyweight

:38:37.:39:40.

against a flyweight at the moment. It is a big problem for them on the

:39:41.:39:42.

serve, both Chan and Niculescu. Much better timing that time. The

:39:43.:40:35.

crowd urging on Chan and Niculescu. They'd love them to get a game, but

:40:36.:40:36.

still facing break point. Slides that slice down the line.

:40:37.:41:47.

When you are playing against a shot like that, you think, she can't keep

:41:48.:41:54.

hitting that up there. But it is her favourite shot of that side.

:41:55.:42:07.

Good variety from the Russians. We have seen some timely lobs from both

:42:08.:43:08.

Makarova and Vesnina. Sitting there waiting for it,

:43:09.:44:04.

Vesnina. As a player, do you start to think

:44:05.:44:58.

about love and love? It is getting quite desperate for Niculescu and

:44:59.:45:03.

her partner, Chan. It is difficult to see where they can change this

:45:04.:45:06.

because they are both struggling with the pace of shot on the serve.

:45:07.:45:11.

Coupled with the fact the Russians are just gaining in confidence,

:45:12.:45:15.

every service game, expecting to either break or at police go close.

:45:16.:45:21.

So that is putting more pressure on. First serve points won just 38%.

:45:22.:45:26.

Second serve points one is worse. I remember Steffi Graf against

:45:27.:45:43.

Natasha 's grave in the French Open, 6-0, 6-0 and I think it was about 36

:45:44.:45:54.

minutes. Steffi Graf could do that to people at her best.

:45:55.:46:44.

She got herself into an awkward position, Niculescu. But just did it

:46:45.:47:50.

just in time. -- adjusted it. Doing its best to get over her left

:47:51.:47:54.

shoulder, Niculescu. Good footwork in the end. There was the chance to

:47:55.:48:03.

get to their first game point of the match.

:48:04.:48:23.

Not willing to give an inch, are they, the Olympic champions?

:48:24.:49:57.

Bay are absolutely determined to be ruthless. So you should in this

:49:58.:50:45.

professional age. The days of giving someone a game have long since gone.

:50:46.:51:00.

I don't know if those days ever existed, did they? I was told by my

:51:01.:51:09.

parents, in the juniors, if you are beating somebody 6-0, you ought to

:51:10.:51:14.

give them again. -- again. Now than! It is like please, can I

:51:15.:53:23.

just win this point. Their first break point, their second game point

:53:24.:53:25.

of the match. As Vesnina urges Makarova to go

:53:26.:56:04.

higher, because that is what it sounds like. The order of play

:56:05.:56:08.

tomorrow, from two o'clock on Centre Court it will be the men's final,

:56:09.:56:16.

Marin Cilic trying to win his first title against Roger Federer trying

:56:17.:56:20.

to win his eighth. We have Jamie Murray playing alongside Martina

:56:21.:56:28.

Hingis and Heather Watson. But coverage starts earlier because from

:56:29.:56:33.

11 o'clock on BBC Two we will be on for the wheelchair doubles final.

:56:34.:56:38.

That features Jordanne Whiley of Great Britain. Let's see if the

:56:39.:56:42.

love, love scoreline can be achieved by the Russian pair.

:56:43.:56:51.

One last chance the Chan and Niculescu to get on the scoreboard.

:56:52.:58:15.

Niculescu is trying everything and so is Chan. To be able to move into

:58:16.:58:22.

the court and take that ball in the air, I think it seems like they can

:58:23.:58:28.

do. They are underpowered and they have

:58:29.:58:42.

been overwhelmed. Two championship points.

:58:43.:59:10.

APPLAUSE A third Grand Slam title than for

:59:11.:59:24.

the Russians. Makarova and Vesnina. They played quite superbly. And a

:59:25.:59:35.

first title here at Wimbledon. And for the opponents, they have got

:59:36.:59:53.

to console themselves by saying, in our second tournament together, have

:59:54.:00:02.

reached the Wimbledon final. STUDIO: Very impressive from

:00:03.:00:05.

Makarova and Vesnina winning 6-0, 6-0 and venting their defeat in the

:00:06.:00:11.

final last year which was at the hands of Venus and Serena Williams.

:00:12.:00:18.

Venus was involved in the Lady single final earlier today and she

:00:19.:00:26.

put up a brave fight, but Garbine Muguruza was ruthless. Venus seemed

:00:27.:00:29.

to run out of energy and she made too many mistakes. Garbine Muguruza

:00:30.:00:36.

went to Hawk-Eye to challenge and the ball was confirmed out and that

:00:37.:00:41.

meant Garbine Muguruza at the age of 23 has won her first Wimbledon title

:00:42.:00:46.

and becomes the first minute to do so since Conchita Martinez since

:00:47.:00:49.

1994 and only the second Spanish woman ever. She holds that aloft as

:00:50.:00:55.

the Wimbledon champion. He will follow in those footsteps tomorrow?

:00:56.:01:00.

It will be either Roger Federer or Marin Cilic. Good night for now.

:01:01.:01:08.

No-one... ..tells us... ..what to choose.

:01:09.:01:21.

Take this island like a dose of medicine

:01:22.:01:59.

Emerging from the mists of afternoon thunderstorms

:02:00.:02:17.

Waterfalls pound your head into shape

:02:18.:02:24.

Let the sea beat your longing out of you

:02:25.:02:32.

Restless spirits to whom no priest or pundit bid farewell

:02:33.:02:43.

Strange names of disparate tongues from far-flung places

:02:44.:02:57.

Let this island medicine intoxicate you

:02:58.:03:04.

Let the liquor dance a spirit dance in your veins

:03:05.:03:12.

This is where you come to find yourself

:03:13.:03:24.

Into the forest, into the cane fields

:03:25.:03:30.

Among the lost things of this island, find yourself whole again.

:03:31.:03:42.

For over a decade the British artist Chris Ofili

:03:43.:03:46.

has made the Caribbean island of Trinidad his home.

:03:47.:03:51.

For me, one of the attractive things about Trinidad is

:03:52.:03:54.

and it still feels like it's brand-new.

:03:55.:04:06.

From his explosive early works featuring riotous colours,

:04:07.:04:20.

collage and, infamously, elephant dung,

:04:21.:04:23.

Chris Ofili has always pushed the possibilities of painting.

:04:24.:04:31.

But his time in Trinidad has been a creative rebirth.

:04:32.:04:36.

There's so much of it and it's so powerful -

:04:37.:04:40.

It's just a very kind of painterly island.

:04:41.:05:00.

is to find a way to bring those elements together

:05:01.:05:06.

His latest project attempts just this.

:05:07.:05:20.

It's a remarkable collaboration, a giant tapestry,

:05:21.:05:24.

almost three metres high and over seven metres wide,

:05:25.:05:28.

that is centrepiece of a new Ofili exhibition

:05:29.:05:31.

Created alongside a team of master weavers,

:05:32.:05:42.

it's taken nearly three years to complete.

:05:43.:05:54.

that weaves together the sights and sounds of Trinidad...

:05:55.:06:02.

..with nods to both the classical world and, unexpectedly,

:06:03.:06:07.

the Italian footballer Mario Balotelli.

:06:08.:06:15.

And he's called it The Caged Bird's Song.

:06:16.:06:20.

It brings to mind the idea of the question of sweetness of the song.

:06:21.:06:25.

Is the sweeter song the song of the uncaged bird

:06:26.:06:34.

And what that really is asking about liberation and constraint

:06:35.:06:44.

and how that could potentially relate to...

:06:45.:06:50.

The story begins four and a half thousand miles away from Trinidad...

:06:51.:07:15.

This former Victorian swimming baths is home to Dovecot Studios,

:07:16.:07:25.

one of the world's leading creators of hand-woven tapestries.

:07:26.:07:32.

Back in 2013, the studio was approached by the Clothworkers,

:07:33.:07:36.

a London livery company with a rich textile history,

:07:37.:07:40.

who were looking to make a bold new commission.

:07:41.:07:48.

We were hoping for a contemporary, a modern, vibrant tapestry,

:07:49.:07:54.

and we were looking for an established,

:07:55.:07:55.

Dovecot came up with a short list, and then,

:07:56.:08:03.

when we found that Chris was very keen to experiment outside his usual

:08:04.:08:10.

field, to go in to tapestry, we were absolutely delighted.

:08:11.:08:15.

The Clothworkers wrote and asked if I would consider making a tapestry

:08:16.:08:22.

Which, to me, at the time, seemed like a commission.

:08:23.:08:29.

Which is something that I would normally run away from

:08:30.:08:31.

because I felt that the fear is that they would want to have a say in

:08:32.:08:35.

raised a level of anxiety that I didn't really want to take on.

:08:36.:08:44.

So I think I sent back a number of, like, questions

:08:45.:08:49.

and they were pretty much a list of things I wasn't going to do, like

:08:50.:08:53.

I didn't want to see where it was going to go,

:08:54.:08:55.

and I didn't want to have a conversation about content.

:08:56.:08:59.

On every front, you just nixed them.

:09:00.:09:03.

I thought, no, now they've agreed to everything,

:09:04.:09:12.

that means that they've got something up their sleeve.

:09:13.:09:18.

The way that Chris works with colours really is fascinating,

:09:19.:09:22.

and we thought that would very much fulfil the bill.

:09:23.:09:25.

We wanted a Chris Ofili piece, we wanted him to be happy.

:09:26.:09:31.

At home in Trinidad, Ofili created a vibrant design for the tapestry -

:09:32.:09:37.

a triptych, painted - rather mischievously - in watercolour.

:09:38.:09:44.

because the subject is pretty much about water and fluidity.

:09:45.:09:52.

And I also thought it would be funny to see if the weavers could actually

:09:53.:09:57.

So I found myself making a watercolour

:09:58.:10:03.

and trying to release the pigment even more,

:10:04.:10:06.

and almost giggling at the fact that it was almost impossible for them to

:10:07.:10:11.

There's no way they're going to be able to do this.

:10:12.:10:14.

and met them, they had a kind of solidity to them, and a confidence,

:10:15.:10:28.

a creative confidence, about their own process.

:10:29.:10:30.

Thankfully, they were really open to the challenge of it.

:10:31.:10:33.

as to whether or not they could achieve it.

:10:34.:10:42.

For the weavers, it was a major undertaking.

:10:43.:10:45.

and complexity would take years of their lives.

:10:46.:10:50.

Haven't you chosen something quite challenging?

:10:51.:10:57.

Because watercolours must be incredibly difficult to weave and to

:10:58.:11:01.

The watercolour is, like, multi-layered, so you're often

:11:02.:11:07.

looking at the colours underneath to come up through, as well.

:11:08.:11:12.

They want... They did a colour strip, wove it in front of me,

:11:13.:11:26.

and they started to put together threads to make that turquoise fizz

:11:27.:11:33.

in front of my eyes, when you look at it as a solid colour.

:11:34.:11:36.

And I realised that was completely different to my understanding of it.

:11:37.:11:40.

And so I felt as though I could just let go and float with this process.

:11:41.:11:49.

These are the bobbins that we use for weaving with.

:11:50.:11:53.

If you're wanting to weave something that looks all the same colour,

:11:54.:11:56.

but you don't want it to look flat like cardboard,

:11:57.:11:59.

you would make a mix with very close colours,

:12:00.:12:02.

and then it would just gently look like the same colour.

:12:03.:12:12.

you get more of an idea of what it's going to weave up like.

:12:13.:12:17.

So these are more subtle, different variations of these colours.

:12:18.:12:20.

I can see these... That's right, yes.

:12:21.:12:23.

I think we lifted the colour from the original image.

:12:24.:12:27.

But there's almost no pure colour in here, is there?

:12:28.:12:30.

It's all a mix... It's all a mix, yes. ..which watercolour is, really.

:12:31.:12:33.

Absolutely. Making those mixtures means that we can get the subtlety

:12:34.:12:38.

and the richness. But it also means that we can blend one colour

:12:39.:12:42.

into another to get that... This watercolour effect.

:12:43.:12:45.

Watercolour and wool are such completely different materials. Yes!

:12:46.:12:54.

He's a master colourist, Chris Ofili, so,

:12:55.:12:56.

he wanted to challenge them by using a watercolour pigment,

:12:57.:12:59.

which is the most free-flowing of the pigments,

:13:00.:13:02.

and so you get this wonderful paradox between this spontaneous,

:13:03.:13:06.

which then becomes this permanent fixed three-dimensional object

:13:07.:13:15.

There is that great variation in the watercolours themselves, very lush,

:13:16.:13:23.

and then almost non-colour and the use of charcoal.

:13:24.:13:27.

Midweek colours? Yeah, midweek colours, and the weekend colours are

:13:28.:13:32.

the popping colours that you get around.

:13:33.:13:34.

And he's drawn in charcoal and his clothing is turquoise.

:13:35.:13:45.

I remember putting the turquoise down and the colour just suddenly

:13:46.:13:48.

I remember thinking, "Oh, no! I've screwed it up!"

:13:49.:13:53.

And then, I just thought, this is kind of hilarious.

:13:54.:14:00.

That they are now going to capture that moment,

:14:01.:14:03.

and I still see it when I look at it.

:14:04.:14:06.

You're a bit of a sadist, aren't you?

:14:07.:14:07.

No! No! I think it was just to see if...

:14:08.:14:12.

It was a way of trying to have a dialogue, really.

:14:13.:14:19.

So, what of the actual narrative within Ofili's tapestry design?

:14:20.:14:24.

Both the glowing colour palette and much of its imagery draws

:14:25.:14:27.

inspiration from his adopted island home of Trinidad.

:14:28.:14:32.

and try and get to the bottom of the caged-bird phenomenon.

:14:33.:14:43.

I like to almost observe it from a distance.

:14:44.:14:48.

You could be running around the Savanna,

:14:49.:14:51.

and somebody would come towards you, walking,

:14:52.:14:54.

and they're carrying a little bird in a cage.

:14:55.:14:56.

Then you can go to these competitions, which is like

:14:57.:15:00.

a kind of orchestra of little birds in cages, singing, you know.

:15:01.:15:07.

In the mornings in Trinidad, there's incredible birdsong.

:15:08.:15:10.

Keeping songbirds is a surprisingly macho subculture on the island.

:15:11.:15:23.

The birds are fed a local seed grass, known as crab eye,

:15:24.:15:27.

to help them perform to the best of their abilities.

:15:28.:15:34.

I grew up here and my grandfather used to mine then, my father,

:15:35.:15:37.

and now I have them. I inherit some of them even from my grandfather.

:15:38.:15:42.

These birds live up to 30, 35 years.

:15:43.:15:47.

The notes of the birds singing is just pleasing to my ear.

:15:48.:15:56.

When I listen to my birds, I have to play music, I like that song.

:15:57.:16:00.

I haven't, to this day, got myself my own caged bird.

:16:01.:16:15.

I do think it's a beautiful thing to be able to have around.

:16:16.:16:23.

Some of the songs of these caged birds are just...

:16:24.:16:28.

And they really just kind of captivate you and throw you

:16:29.:16:37.

MUSIC: You're Goin' Miss Your Candyman by Terry Callier

:16:38.:16:52.

Chris, he appreciates what we have here.

:16:53.:16:55.

This place is just such a rich bed for anyone who wants to study

:16:56.:17:02.

and the various nuances associated with such, you know?

:17:03.:17:09.

Especially those who have a particular creative energy.

:17:10.:17:14.

The natural world has been a huge source of delight for him,

:17:15.:17:30.

There's a tropical world, the colours are more vivid.

:17:31.:17:40.

You know, the sun shines more brightly.

:17:41.:17:49.

He's not the only artist to have moved to that kind of

:17:50.:17:52.

And I think it's inevitable that what you see around you becomes...

:17:53.:18:08.

becomes part of the landscape, becomes part of your repertoire.

:18:09.:18:15.

a great artist is that they often make a story their own.

:18:16.:18:22.

You know, what you're looking at, really, in the tapestry,

:18:23.:18:32.

And what's happening behind the curtain.

:18:33.:18:39.

And then when the curtain closes again,

:18:40.:18:42.

the man holding the caged bird, the lady holding the bird seed

:18:43.:18:46.

But just to try to understand the journey you went on, this is,

:18:47.:18:53.

in the end, one image, but you went through

:18:54.:18:56.

You didn't just arrive at that idea.

:18:57.:19:00.

There was a point at which I was quite clear on what the image was

:19:01.:19:03.

going to be. But I wanted to be able to render it with ease.

:19:04.:19:06.

And so, in order to do that, you kind of have to go through a few

:19:07.:19:10.

different iterations, really, of the same thing.

:19:11.:19:14.

To see what happens when a curve moves left instead of right,

:19:15.:19:19.

or a stroke is done from the bottom up, or the top down.

:19:20.:19:22.

And it's just to see which flows better.

:19:23.:19:24.

The fluidity is also part of the process of making,

:19:25.:19:28.

The sense of flow and the presence of water is everywhere in Ofili's

:19:29.:19:41.

A couple sit by a waterfall with a river swirling around them.

:19:42.:19:58.

The man is busy serenading, while the woman sips a cocktail.

:19:59.:20:06.

And the cocktail is being poured by a strange, abstracted figure,

:20:07.:20:11.

based on an image of the Italian footballer Mario Balotelli in tears.

:20:12.:20:18.

So, Chris, where does it all begin with Mario?

:20:19.:20:22.

Um... I was interested in the fact that maybe the tears,

:20:23.:20:27.

his tears, could become part of the cocktail. Ah!

:20:28.:20:30.

Yeah, that there's this kind of deep underlying sadness to him

:20:31.:20:34.

that's being transferred into this potion, or drink.

:20:35.:20:41.

But, in this case, I wanted to really collage the image that I was

:20:42.:20:45.

For it to be there, still in its raw state.

:20:46.:20:51.

connects various threads in Ofili's own story.

:20:52.:21:12.

Born and raised in Manchester to Nigerian parents,

:21:13.:21:15.

Chris's explorations of race and Afro identity -

:21:16.:21:19.

have always been a distinctive feature of his work.

:21:20.:21:39.

he won the Turner Prize for paintings

:21:40.:21:42.

that included a poignant depiction of Doreen Lawrence,

:21:43.:21:46.

grieving her son Stephen's brutal murder.

:21:47.:21:53.

For me, it's about trying to make a painting about tremendous loss.

:21:54.:22:01.

I mean, I focused on the image that was strongest to me,

:22:02.:22:05.

which was of Doreen, his mother, crying.

:22:06.:22:09.

And that just seemed like such a powerful image.

:22:10.:22:13.

When I finished the painting it felt like that raw emotion, that sorrow,

:22:14.:22:17.

it felt like that was actually in the room.

:22:18.:22:24.

As for Balotelli, the son of Ghanaian immigrants to Sicily,

:22:25.:22:28.

he was later fostered by an Italian family.

:22:29.:22:32.

But his footballing gifts are often overshadowed by his own volatile

:22:33.:22:36.

reputation, and racism within the game.

:22:37.:22:49.

So...I can't, in my heart, say that I think he's a wonderful footballer.

:22:50.:22:59.

Because he's wearing the wrong-colour shirt.

:23:00.:23:01.

But I think there are other qualities to him

:23:02.:23:05.

that are outside of his abilities as a sportsman.

:23:06.:23:10.

Qualities that seem much more mythical.

:23:11.:23:15.

I think, you know, the fact that he's a black African Italian.

:23:16.:23:20.

He symbolises the way race plays a part, still, in sport.

:23:21.:23:33.

I think he's a maverick, in a way that you don't often get.

:23:34.:23:41.

I've worked with images of him before,

:23:42.:23:44.

and this is another one, I'm still trying to figure it out.

:23:45.:23:48.

And I think, with him, it's also not fixed.

:23:49.:23:56.

So I've cast him in this sense, as a...

:23:57.:24:00.

Which you've done... You've done a bit of cocktail...

:24:01.:24:06.

Yeah. I like that idea of almost being in disguise, really.

:24:07.:24:12.

But you're also able to take on another personality

:24:13.:24:15.

Is that because when you were doing it you were trying

:24:16.:24:20.

to kind of get a glimpse of the world as it was,

:24:21.:24:22.

See it differently, yeah. To try and see things differently momentarily.

:24:23.:24:27.

Let's just say there are great cocktail waiters in the world.

:24:28.:24:40.

There must be something other than just mixing drinks.

:24:41.:24:44.

Adopting masks and alternative personas

:24:45.:25:01.

Much of the island's multicultural population is the colonial legacy.

:25:02.:25:19.

Generations of African slaves and indentured Indian labourers

:25:20.:25:23.

toiled on its sugar and cocoa plantations.

:25:24.:25:30.

When we think about the Amerindians who lived here...

:25:31.:25:34.

..and constructed, if you want, on their slaughter.

:25:35.:25:45.

Trinidad's annual carnival is a visceral celebration

:25:46.:26:12.

When rebellion is put down, as most of them have been...

:26:13.:26:30.

revolt on behalf of, or against, do not disappear.

:26:31.:26:38.

The people's attitude to these things also doesn't disappear.

:26:39.:26:43.

Right? What happens is that this moves into the culture.

:26:44.:26:53.

And that is why art and culture functions in

:26:54.:26:57.

such subversive ways in a kind of way,

:26:58.:27:00.

because you're looking for them to frontally to be saying one thing,

:27:01.:27:05.

and then they are saying something else, you know?

:27:06.:27:22.

It's a very interesting thing about our Carnival, we have, like,

:27:23.:27:25.

In our mythology we have so many shape shifters.

:27:26.:27:33.

You know, there are so many characters that change perspective,

:27:34.:27:36.

and change their outward appearance

:27:37.:27:39.

When you put on a costume, especially a blue devil,

:27:40.:27:49.

You know what I mean? Your energy is raw.

:27:50.:27:54.

It's raw. You kind of cast away your inhibitions.

:27:55.:27:58.

And as we say in Trinidad, you are free of yourself.

:27:59.:28:00.

I don't know, maybe that's part of what Chris

:28:01.:28:05.

experiences here. A certain level of freedom.

:28:06.:28:26.

The thing about Chris is that he... He disappears in a place like this.

:28:27.:28:32.

His blackness includes him in the society,

:28:33.:28:38.

in a way that if he was a white artist, he would not.

:28:39.:28:43.

His otherness is different here than it would be in England.

:28:44.:28:50.

For somebody who is a transplant from somewhere else,

:28:51.:28:55.

but a transplant from somewhere else that he doesn't know at all,

:28:56.:28:58.

the fact that Trinidad's full of people with different histories,

:28:59.:29:16.

did you just somehow absorb that and then sort of

:29:17.:29:19.

one of the attractive things about Trinidad is that it's still quite

:29:20.:29:30.

mysterious. And you think you are going in one direction,

:29:31.:29:34.

and you realise you're actually not going in that direction.

:29:35.:29:37.

If anything, it's kind of kept things open.

:29:38.:29:40.

..it to feel... To still feel like life is still being collaged

:29:41.:29:50.

Meanwhile, bringing Ofili's watercolour design to life

:29:51.:30:00.

remains a daunting task for the weavers.

:30:01.:30:04.

And yet, the whole art of tapestry-making

:30:05.:30:07.

is incredibly exacting, and labour-intensive.

:30:08.:30:13.

For centuries, tapestries were cherished for these very reasons.

:30:14.:30:18.

They were to the north of Europe what fresco was to the south.

:30:19.:30:23.

Vast projections of power, wealth and sophistication.

:30:24.:30:30.

would have stretched three miles if laid end to end.

:30:31.:30:37.

But the intricate processes involved in creating tapestry have changed

:30:38.:30:42.

Everything has to be made from scratch,

:30:43.:30:47.

and Ofili's original watercolours dramatically scaled up.

:30:48.:30:51.

looking forward to working with Chris

:30:52.:30:55.

after his work doing some set designs of backdrops for a ballet,

:30:56.:31:00.

we thought that he can imagine his work on that sort of scale.

:31:01.:31:05.

And so we knew that they would work well.

:31:06.:31:08.

You can see at the bottom it says, "Please enlarge by 877%."

:31:09.:31:17.

So from that we get a line drawing that we call the cartoon -

:31:18.:31:21.

Each mark has to be made not just on the front of

:31:22.:31:31.

the warp thread but also all the way round.

:31:32.:31:33.

And we're looking at the lines that are actually on the warps.

:31:34.:31:43.

We are constantly referring back to the image with the small cartoon

:31:44.:31:48.

sitting over the top. Already from this conversation,

:31:49.:31:50.

I can see how exhausting this must be.

:31:51.:31:54.

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