Day 1 World Championship Snooker Extra


Day 1

Similar Content

Browse content similar to Day 1. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

Hello, welcome to the first World Championship Snooker Extra from the

:00:40.:00:43.

2013 Betfair World Snooker Championship from the Crucible

:00:43.:00:48.

Theatre in Sheffield. This is the first round match between Ricky

:00:48.:00:58.
:00:58.:01:00.

Walden and Michael Holt. Michael Holt's latest debut in 2005.

:01:00.:01:04.

Similar Crucible experience for both players. Your commentators are

:01:04.:01:14.
:01:14.:01:43.

If the cue ball hadn't gone into the pocket, it would have been

:01:43.:01:49.

easier for Michael Holt. Still, he has this long red. This will

:01:49.:01:59.
:01:59.:02:20.

He has left an opportunity for Ricky Walden. He may be able to

:02:20.:02:30.
:02:30.:02:44.

Very tough to score, just the two open reds. He will need an angle to

:02:44.:02:48.

get into the cluster of reds, he needs to get the black into play at

:02:48.:02:58.
:02:58.:03:30.

the earliest opportunity. Otherwise Didn't quite get into the cue ball,

:03:30.:03:36.

he needed a lot of side. It is still on. If he misses it, he will

:03:36.:03:46.
:03:46.:03:46.

A little bit surprised he didn't try to get the red into the

:03:47.:03:56.
:03:57.:04:23.

That was a surprise. Probably concentrating on position, not

:04:24.:04:30.

looking at the red. It is so easy to do so the rate on that shot. If

:04:30.:04:40.
:04:40.:04:48.

First frame. You don't settle until halfway through this Mini session

:04:48.:04:58.
:04:58.:05:31.

This will be beneficial if he can He felt he did not have the angle.

:05:31.:05:41.

Doesn't look like there is anything I'm not saying there is anything

:05:41.:05:46.

wrong with this safety shot but he could definitely have played, well,

:05:46.:05:56.
:05:56.:05:56.

Apology for the loss of subtitles for 52 seconds

:05:56.:06:49.

he has brought some reds into play. He can see the edge of the one just

:06:49.:06:56.

below the pink. At least, he thinks he can, he is having a close look.

:06:56.:07:06.
:07:06.:07:14.

Decided he can. He has played this very well, this could be very close.

:07:14.:07:24.
:07:24.:07:24.

Apology for the loss of subtitles for 52 seconds

:07:24.:08:30.

Unlucky. It has still left him A little bit more pace, that would

:08:30.:08:36.

have been right behind the brown. The pink is on its spot, just

:08:36.:08:46.
:08:46.:09:09.

covering the red below. He is in a What a shot he has pulled out

:09:09.:09:16.

there! He couldn't have played that much better. He was in a bit of

:09:16.:09:21.

trouble but found a wonderful pot. He has opened up the black, and

:09:21.:09:27.

look at all of the reds now. From a frame which 30 seconds ago was dead,

:09:27.:09:31.

it looks like it should be a frame- winning opportunity. As you rightly

:09:31.:09:37.

said, fortuitous to get a kiss, but he would have been on the pink

:09:37.:09:47.
:09:47.:09:47.

Apology for the loss of subtitles for 52 seconds

:09:47.:10:59.

I do not think the yellow passes. So, blue. In and out of baulk. It

:11:00.:11:09.
:11:10.:11:31.

This is what you dream about, having the balls in this situation.

:11:31.:11:35.

When you are nervous, the first frame of the morning. You pray for

:11:35.:11:41.

an opportunity to score. He has got that now. He only leads by 27, he

:11:41.:11:51.
:11:51.:12:13.

Have you played a key very much? He has been a great player for a

:12:13.:12:18.

number of years, he has established himself as a top 16 player.

:12:18.:12:23.

played him in Beijing recently, he knocked me out in the first round

:12:23.:12:33.
:12:33.:12:34.

5-2. He won in Shanghai a few years previously. As we see here, he

:12:34.:12:44.
:12:44.:12:45.

plays very fluently, very quick. He has a nice touch. He is very

:12:45.:12:50.

prolific scoring. Sometimes, against the bigger player, he may

:12:50.:12:58.

lack a bit of confidence. Without a doubt, I suggest he is one of the

:12:58.:13:02.

top 10 players in the world in the break-building department. He may

:13:02.:13:10.

lack a bit of confidence at times. Very few players have the full

:13:10.:13:20.
:13:20.:13:32.

package, have everything. He has He has played 147 as well. In 2011.

:13:32.:13:37.

He is very capable. As we are seeing, he has polished these quite

:13:37.:13:43.

nicely, kept the cue ball in complete control. You mentioned how

:13:43.:13:48.

quick he was, the pace around the table. A player when he is in full

:13:48.:13:57.

flight, around 16 seconds a shot, which is very quick. This has been

:13:57.:14:07.
:14:07.:14:25.

Just enough on the table. What a shame. It would have been great to

:14:25.:14:35.

start with a attention. -- with a century. But he takes the frame.

:14:35.:14:45.

REFEREE: Second frame. Ricky Walden. So, Ricky Walden breaks off. Not a

:14:45.:14:52.

very good break. As John Virgo would say, what ever you do, don't

:14:52.:15:02.
:15:02.:15:08.

It is a straight forward shot, the break off, but you don't want to

:15:08.:15:14.

give an easy opening red. He was unlucky there. The yellow or green

:15:14.:15:24.
:15:24.:15:58.

It was the better choice for position but he hit it poorly. What

:15:58.:16:04.

an easy opening this is now, red, straight forward stun shot for the

:16:04.:16:14.
:16:14.:16:45.

black. He could find himself 40 At the beginning of this match, we

:16:45.:16:51.

did speak about easy chances. At the moment, Michael Holt hasn't

:16:52.:17:01.
:17:02.:17:28.

settled and has gifted Ricky Walden This is the key shot, he would have

:17:28.:17:32.

liked to leave an angle but he hasn't got it so it is important to

:17:32.:17:39.

finish low or high on the black. Ricky is running through. There is

:17:39.:17:46.

an angle to get into the gap. If he can arc the cue ball and hit the

:17:46.:17:56.
:17:56.:18:12.

Which is what he has done, he is on The cue ball went first and barked.

:18:12.:18:22.
:18:22.:18:22.

Apology for the loss of subtitles for 52 seconds

:18:22.:19:23.

Unlucky to get -- not to get on one He doesn't have the ideal angle on

:19:23.:19:30.

the blue so he has to be careful he does not snooker itself on the pink,

:19:30.:19:35.

which I think he just about has done. He can cut the one in the

:19:35.:19:45.
:19:45.:20:01.

It looks like he is a bit too straight on the black. He would

:20:01.:20:08.

have liked an angle to go into the red. It makes it a little more

:20:08.:20:12.

difficult. He can't really go up for the blue. He might try to hold

:20:12.:20:22.
:20:22.:20:25.

That looks pretty good. It looks like the two reds which are to the

:20:25.:20:31.

right of the pink spot. If he can hit them flush on the first, it

:20:31.:20:41.
:20:41.:20:55.

will send the bottom one to the REFEREE: File. -- Foul.

:20:55.:21:00.

You may say that was unlucky but a professional of that standard, that

:21:00.:21:06.

was a poor shot. He wanted to go into the pack. He went into the

:21:06.:21:16.
:21:16.:21:22.

side of them which is why he lost That looks pretty good, a good pace

:21:22.:21:32.
:21:32.:21:45.

and a good line, an excellent shot This is one possible escape route.

:21:45.:21:53.

The top cushion. He has decided against that. This is more tricky,

:21:53.:22:03.
:22:03.:22:16.

two cushions. If he uses too much -- may pot. Into the bottom left-

:22:16.:22:21.

hand corner pocket. That wasn't a great escape. You can see it

:22:21.:22:31.
:22:31.:22:51.

There is no real pressure, he can Played it a little harder than I

:22:51.:22:58.

would have done. But still near the brown. He is OK. On the yellow. A

:22:58.:23:08.
:23:08.:23:41.

key shot, he can get back into the An angle on the pink would be

:23:41.:23:45.

lovely to bring those three reds into play, but he has gone too far.

:23:45.:23:51.

He will have to play for the loose red now. The one behind the pink

:23:51.:24:01.
:24:01.:24:01.

Apology for the loss of subtitles for 52 seconds

:24:01.:25:00.

definitely pots. He has managed to He should be OK as long as he

:25:00.:25:05.

doesn't get too much side to get onto the red in the opposite corner.

:25:05.:25:12.

He has played it nicely. Obviously, the key shot is getting onto the

:25:12.:25:17.

red with an angle, to get on to the black. Anything but straight should

:25:17.:25:24.

be OK. Not perfect on the black. But, at least, it takes the

:25:24.:25:34.
:25:34.:25:59.

equation of been straight out of It was possible to hit it too well,

:25:59.:26:09.
:26:09.:26:30.

which is what he has done, straight A good shot here on the yellow. And

:26:30.:26:37.

the frame will be at his mercy. It didn't go into the centre of the

:26:37.:26:41.

pocket and you can see from the reaction of the cue ball, a bit of

:26:41.:26:51.
:26:51.:27:00.

tension in his arm, he overhit it Brown, blue and pink required. This

:27:00.:27:06.

would be a really good steel for Michael Holt. Ricky had 76 in the

:27:06.:27:11.

first, this has undoubtedly been the best break of the match, under

:27:11.:27:18.

the most pressure. 50 behind, looking like going 2-0 behind. This

:27:18.:27:28.
:27:28.:27:35.

Welcome to the missed blue club. Goodness me. He took his eye off it,

:27:35.:27:41.

there is no excuse. He was wondering whether to play two

:27:41.:27:47.

cushions, one cushion, he got done without making his mind up.

:27:47.:27:53.

costly that may prove to be. A good shot required to control that ball,

:27:53.:28:03.
:28:03.:28:15.

Four points ahead, Walden. Pink, to The pink goes in, in a frame when

:28:15.:28:21.

it looked like Ricky Walden was going to lose but a bad missed blue

:28:21.:28:26.

by Michael Holt has gifted Ricky Walden another frame. He goes into

:28:26.:28:36.
:28:36.:28:42.

REFEREE: Frame three, Michael Holt to break. He will be very

:28:42.:28:47.

disappointed, Michael Holt. He knows that was a very easy miss. As

:28:47.:28:53.

you can see when he stands shaking his head, he is a player who wears

:28:53.:28:58.

his heart on his sleeve. I think this is a very important frame for

:28:58.:29:08.
:29:08.:29:21.

What a fantastic opening red from Ricky Walden. Required really good

:29:21.:29:31.
:29:31.:29:36.

That has worked out a treat. Fantastic shot. For the people

:29:36.:29:41.

watching, you played at this magnificent venue many times, in a

:29:41.:29:47.

morning session, what was in your routine? What time did you get up?

:29:47.:29:53.

Most players will have been up at 7:30am, early breakfast, get a

:29:53.:30:00.

little bit of fresh air, and get down here around 9am. Practicing on

:30:00.:30:06.

the practice table. Just behind the arena. They have three practice

:30:06.:30:14.

tables at the back. They will be waking up, to get fresh enough.

:30:14.:30:19.

When you knew you had a 10 am session, did you practice before at

:30:19.:30:29.

10am? Not really. I did, to get the mind set for that early start.

:30:29.:30:39.
:30:39.:31:16.

Meanwhile, back at the ranch... Ricky Walden is looking good again

:31:16.:31:24.

now. A couple of loose reds. Anything on the pink is good. It is

:31:24.:31:32.

not one of those shots way you have to play at 100 mph. He is fortunate

:31:32.:31:39.

there. He did not screwed into it like the players normally did. He

:31:39.:31:49.
:31:49.:31:49.

Apology for the loss of subtitles for 52 seconds

:31:49.:32:58.

knew that it was split and he just He is just citing up where he wants

:32:58.:33:08.
:33:08.:33:11.

to leave the cue ball. Nice angle now on the black. If he goes into

:33:11.:33:17.

the pack on the right-hand side, he will still have the red on the

:33:17.:33:27.
:33:27.:33:43.

You always have to be on the right It looks like he is playing really

:33:43.:33:53.
:33:53.:34:20.

Going into a couple of reds around the pink. He will need a bit of

:34:20.:34:29.

luck for position. That was controlled nicely. He is nice to

:34:29.:34:33.

watch when he gets in among the balls. He gets on with it and he

:34:33.:34:41.

tries to win the frame in one visit. He will take a risk early on in a

:34:41.:34:49.

break, getting reds into play. That blue will live in his mind for a

:34:49.:34:59.
:34:59.:34:59.

Apology for the loss of subtitles for 52 seconds

:34:59.:35:46.

That gives him a good chance of a century. Moving that red has got to

:35:46.:35:50.

give him a good chance of getting the upper two. It looks like being

:35:50.:35:58.

a bit scrappy at first. It took some effort to get into open play

:35:58.:36:08.
:36:08.:36:11.

He made a break of 76 in the first round, Ricky Walden. He should have

:36:11.:36:18.

made a century. A break of 55 in the second frame and 90 art and

:36:18.:36:28.
:36:28.:36:29.

counting here. -- and 90 and counting here. A possible one for 0

:36:29.:36:39.
:36:39.:36:45.

here. -- 140. I would expect at least 145 TB their highest break. -

:36:45.:36:55.
:36:55.:37:01.

Nothing gives you a thrill more. All of the centuries in the

:37:01.:37:05.

tournaments around the world but a crucial century at the Crucible,

:37:05.:37:15.
:37:15.:37:27.

-- buzz. And there is an unusual prize for the highest break, a

:37:27.:37:37.
:37:37.:37:54.

It does not matter who you are playing. If you are playing as well

:37:54.:38:00.

as witty at the moment, you can beat anybody. Started with 76, then

:38:00.:38:06.

a 55 and a magnificent break which could be a tournament winner. He

:38:07.:38:16.
:38:17.:38:39.

Weetch saw a look of determination saying come on, -- we saw a look of

:38:39.:38:49.
:38:49.:39:17.

determination, saying come on, you He did not have the angle to try

:39:17.:39:26.

and hold it for a little nudge off the black. But it shows you how

:39:26.:39:31.

well he is playing, knocking thoses in. He has done a few of them in

:39:31.:39:41.
:39:41.:39:48.

this match so far. That is a pretty As you said, it is very important

:39:48.:39:56.

for Michael Holt's... Trying for damage limitation. Trying to get a

:39:56.:40:03.

few frames on the board. He might settle even for a 6-3 deficit at

:40:03.:40:13.
:40:13.:40:22.

Always importer to treat every session like a miniature match. --

:40:23.:40:32.
:40:33.:40:34.

it is always important. If you can come out of this 3-2, 4-1 would be

:40:34.:40:43.

a big bonus. That would be a dream land. You can just forget about

:40:43.:40:47.

those four and try and win this session 3-2 and you would be more

:40:47.:40:57.
:40:57.:40:58.

than happy. The body language tells you it could be a macro curry ball

:40:58.:41:07.

plant. -- a three ball plant. You can see it slightly to the right of

:41:07.:41:17.
:41:17.:41:17.

Apology for the loss of subtitles for 52 seconds

:41:17.:42:19.

No problem with the pot. If he can kiss the reds to the right of the

:42:19.:42:23.

pink he has got a chance of staying on the pink. He needs a decent pace

:42:23.:42:33.
:42:33.:42:36.

because he cannot afford for it to roll work macro. -- role off.

:42:36.:42:42.

might be able to stay on the pink if he can kiss the reds. That is

:42:42.:42:46.

not the way he would have played it but he will be happy with that. You

:42:46.:42:56.
:42:56.:42:58.

have got to make sure that you popped the object ball. -- pot.

:42:58.:43:03.

on reflection, it is 4-0 in favour of Ricky Walden and he has got

:43:03.:43:11.

decent breaks. He has not been outplayed in all departments. He

:43:11.:43:15.

has had three long ones that he should have got and an easy blue in

:43:15.:43:21.

the second frame. At this level, you cannot afford to make mistakes.

:43:21.:43:25.

It is purely mistakes that have cost him at the moment. He has not

:43:25.:43:35.
:43:35.:43:44.

He is blessed with an awful lot of power. He can play those shots as

:43:44.:43:54.
:43:54.:44:15.

He is not guaranteed to get good position here. He cannot hold for

:44:15.:44:24.

the blues so he has to go for the brown wore the green. -- brown, or

:44:24.:44:34.
:44:34.:44:34.

Apology for the loss of subtitles for 52 seconds

:44:34.:45:27.

I am sure the two reds will pot into the bottom corner pocket. What

:45:27.:45:33.

will happen when he gets that red, the black will release into the

:45:33.:45:43.
:45:43.:45:51.

pocket that the red has just gone He has just got to judge this and

:45:51.:45:56.

pot the black off the top cushion. Try and go for the two reds close

:45:56.:46:02.

together above the black spot. That will hold of the key ball for one

:46:02.:46:10.

of these reds, left, all right of the black. That is pretty good.

:46:10.:46:20.
:46:20.:46:28.

Excellent shot. He judged that And as you said, when he gets in

:46:28.:46:34.

around this pink and black, he will score very quickly. He has got a

:46:34.:46:44.
:46:44.:46:44.

good pace around the table. He has played nice nudges and cannons.

:46:44.:46:47.

is one of these players that practices a lot as well. He does

:46:47.:46:54.

not leave it alone for a few days. He plays almost every day. People

:46:54.:47:02.

ask how do you practise? He just makes you play those stuns. You can

:47:02.:47:08.

try and clear up using one cushion, or more. There are always different

:47:08.:47:12.

ways for players of this class to make a century break. They have to

:47:12.:47:17.

give themselves targets. Maybe claim all pink, all blue, give

:47:17.:47:27.
:47:27.:47:28.

yourself targets. But you are playing screws all the time. And it

:47:28.:47:32.

helps you control the cue ball. That is the most important one on

:47:32.:47:40.

the table. He has got it on a string at the moment. It makes the

:47:40.:47:48.

breaks so much easier. You cannot win a match in the first session

:47:48.:47:53.

but you can lose 1. And as far as Michael Holt is concerned, you have

:47:53.:48:03.
:48:03.:48:11.

to get something from recession. -- The two reds above the black, the

:48:11.:48:18.

right and one will certainly popped. -- the right hand one will

:48:19.:48:28.
:48:29.:48:38.

These are the shots that you play all the time. Just trying to keep

:48:38.:48:42.

the cue ball about one foot away from the object all the time and

:48:42.:48:47.

that is what makes break-building so good, when you have got that

:48:47.:48:57.
:48:57.:49:05.

He has already made a break of 140. He has got a possibility of making

:49:05.:49:15.
:49:15.:49:18.

another century here. 17 centuries so far this season. But he will be

:49:18.:49:23.

a bit disappointed with that. But he will be happy to have another

:49:23.:49:30.

frame on the board. The match goes on for Ricky Walden. He goes into a

:49:30.:49:40.
:49:40.:49:45.

REFEREE: Frame six, Ricky Walden to break. Four more frames to play in

:49:45.:49:51.

this session, no tree. And Michael needs at least two free to stay in

:49:51.:50:01.
:50:01.:50:02.

the match. -- not three. Michael needs at least three in order to

:50:02.:50:12.
:50:12.:50:12.

Apology for the loss of subtitles for 52 seconds

:50:12.:51:07.

He just lost the cue ball slightly. He has to get on but you cannot go

:51:07.:51:11.

through all of the other reds. I did not think he can generate

:51:11.:51:21.
:51:21.:51:25.

enough power on that cue ball to He has decided against it. There is

:51:25.:51:35.
:51:35.:51:35.

no point in playing at shot if you cannot get on to a colour. -- that

:51:35.:51:45.
:51:45.:51:45.

Apology for the loss of subtitles for 52 seconds

:51:45.:52:44.

When you are in good form you get a kiss on the yellow and finish in to

:52:44.:52:47.

the brown in the corner but when you are struggling, it is not easy

:52:48.:52:55.

to roll up to be alive. He played it nicely. Things are not quite

:52:55.:53:05.
:53:05.:53:05.

Apology for the loss of subtitles for 52 seconds

:53:05.:54:21.

He has got on to the top side of the blue which is key for that shot.

:54:21.:54:27.

When you are behind you are trying to win the frame in one visit. A

:54:27.:54:35.

lot of players would have gone into the reds there. Still not perfect

:54:35.:54:45.
:54:45.:54:53.

on this red. He might have to come He has deliberately left an ankle

:54:53.:55:03.
:55:03.:55:03.

late to get back into them and he has got an angle on the black. If

:55:03.:55:10.

he can hit that with stun... He has screwed it. And you get that kind

:55:10.:55:17.

of reaction. If he had played the stun it would have gone into that

:55:17.:55:24.

corner and it is a much easier shot. You cannot afford to miss that at

:55:24.:55:32.

this level. He has taken his eye of the pot a few times. That blue has

:55:32.:55:42.
:55:42.:55:49.

And again we saw that he missed the black. He used a lot of false and

:55:49.:55:59.
:55:59.:56:14.

took his eye of the pot again. -- He is having a look to see if he

:56:14.:56:20.

can get on the black but he can drop that red, certainly. He is

:56:20.:56:30.
:56:30.:56:33.

He might take the opportunity... He might hit the blue but he has got

:56:33.:56:41.

the opportunity and angle to go into the reds. He does not have to

:56:41.:56:51.
:56:51.:57:03.

Unlucky with that. He played exactly the shot you suggested and

:57:03.:57:10.

he looks certain to bring four reds into play. How has he moved just

:57:10.:57:17.

one from there? Amazing! Unless you play that is perfectly, you are not

:57:17.:57:27.
:57:27.:57:27.

Apology for the loss of subtitles for 52 seconds

:57:27.:59:21.

guaranteed to get on to it nicely. This is possibly his last chance in

:59:21.:59:31.
:59:31.:59:41.

the frame. Ricky possess macro lead is 30. -- Ricky's. This is a chance

:59:41.:59:51.
:59:51.:59:59.

That's not the best, he overrun that. He doesn't want the pink to

:59:59.:00:09.
:00:09.:00:43.

He has played the cannon, he played That was an excellent shot.

:00:43.:00:53.
:00:53.:00:55.

Slightly two inches harder than he Red, colour, and one more red, will

:00:55.:01:02.

be enough. What angle has he got on the blue? Too hard. Not guaranteed

:01:02.:01:12.
:01:12.:01:44.

I suppose the straight forward shot is the black but you don't want to

:01:44.:01:50.

bring the black back down to the other end of the table. That is

:01:50.:01:54.

what he has done, tried to put the black out of commission, I don't

:01:54.:02:04.
:02:04.:02:29.

He needs to make contact with this because, where the black is, he

:02:29.:02:35.

would have to say he needs a snooker. This is the angle he is

:02:35.:02:45.
:02:45.:02:49.

trying to negotiate, just below the REFEREE: Foul.

:02:49.:02:59.
:02:59.:03:11.

There should have been a miss called? You can't call a miss

:03:11.:03:18.

when... It if you can tie, then you can call a miss. That is why it

:03:18.:03:28.
:03:28.:03:29.

He must play the safety shot now. He is in a commanding position now

:03:29.:03:36.

with the black in the baulk area. Michael Holt would need three reds,

:03:36.:03:44.

three colours, all the colours, to tie.

:03:44.:03:49.

There is a chance he can take this on. As long as he misses a kiss on

:03:49.:03:59.
:03:59.:04:03.

the blue. He can stun it around He played it two cushions. Not

:04:03.:04:08.

guaranteed to get on to black. When things are going against you, it is

:04:08.:04:18.
:04:18.:04:28.

You heard a sigh from Michael Holt saying, that is enough. Another

:04:28.:04:35.

frame on the board for Michael Walden. The Michael Holt, it is

:04:35.:04:45.

Three more frames to go, can Michael Holt win all three? That is

:04:45.:04:50.

possibly the equation he has to have any chance in this match. We

:04:50.:05:00.
:05:00.:05:00.

Apology for the loss of subtitles for 52 seconds

:05:00.:06:26.

couldn't see him coming 7-2 behind. When you are playing well, these

:06:26.:06:34.

are Eddie. When you are 6-0 behind, it is not. This is probably the

:06:34.:06:38.

loneliest place in snooker. When you are playing bad at the Crucible,

:06:38.:06:44.

for some reason, you just disappear. Yes. It can be the greatest place

:06:44.:06:49.

to play but when you are sitting in that chair, as Michael Holt is now,

:06:49.:06:55.

he can't believe how far he has missed it. The pressure just bills.

:06:55.:07:03.

It is a venue like no other. The Crucible nerves get to everybody at

:07:03.:07:13.
:07:13.:07:14.

some stage. Two tables. A packed audience here, the first day. It's

:07:15.:07:23.

a very true saying. Here, in commentary, until you get that

:07:23.:07:28.

first frame on the board, you never really settled down into a match,

:07:28.:07:38.
:07:38.:07:50.

and Michael Holt is feeling that at A little unlucky there, he played

:07:50.:07:58.

the screw around the black -- back of the red and just flicked the red.

:07:58.:08:08.
:08:08.:08:12.

Just looking at the safest place to try to cover the red up in the

:08:12.:08:22.
:08:22.:08:26.

baulk area. He can do that from the I can only presume that has run off.

:08:26.:08:32.

Michael Holt... As you can see he is amazed by that has finished. Can

:08:32.:08:37.

you believe that? He completely mishit it and covered the pocket

:08:38.:08:47.
:08:48.:08:48.

Apology for the loss of subtitles for 52 seconds

:08:48.:09:47.

with the yellow. That is very He just lost a bit of concentration.

:09:47.:09:53.

Michael is bemoaning his ill- fortune at the previous shot.

:09:53.:09:58.

Difficult to stay competitive. An easy safety shot for tricky, the

:09:58.:10:08.
:10:08.:10:08.

Apology for the loss of subtitles for 52 seconds

:10:08.:11:21.

fact he has left his hand on the A great pot. Perilously close to

:11:21.:11:31.
:11:31.:12:00.

He has an angle on the blue which I don't blame him, it pours a tough

:12:00.:12:10.
:12:10.:12:10.

Apology for the loss of subtitles for 52 seconds

:12:10.:12:56.

One of those bandanas would suit you, Kent! -- Ken! Let us have

:12:56.:13:00.

another look that those ladies in the front row. Look quite nice,

:13:01.:13:07.

actually. Explaining to her daughter but they are on television

:13:08.:13:17.
:13:18.:13:19.

That was the first relatively easy shot that reiki has missed. They

:13:19.:13:24.

you are. When you are struggling and things are not going well,

:13:24.:13:34.
:13:34.:13:36.

anything goes wrong. You would Why me? We have all said that a few

:13:36.:13:46.
:13:46.:13:53.

Amazingly enough, will already been to frame seven, that is the first

:13:54.:14:02.

long red that Ricky Walden has missed. He has been superb so far.

:14:02.:14:06.

He would like to get the cue ball into the jaws of the baulk pocket,

:14:06.:14:16.
:14:16.:14:16.

Apology for the loss of subtitles for 52 seconds

:14:16.:16:04.

but how does he get there? There's This looks to be a half chance.

:16:04.:16:14.
:16:14.:16:17.

Just enough room to slide by the There wasn't an awful lot of room.

:16:17.:16:24.

No problem getting on took a red. But black and pink? He needs a big

:16:24.:16:30.

break here, he hasn't made a break above 49 since the second frame.

:16:30.:16:40.
:16:40.:17:01.

Since then, he hasn't made any That is no good. Just a little bit

:17:01.:17:07.

straight. He will have to go in and out of baulk, a lot of top spin. He

:17:07.:17:17.
:17:17.:17:25.

could drop it in. Coming around the When you are 6-0 down, this will

:17:25.:17:35.
:17:35.:17:44.

Yes, look where the red has gone. Everything he is missing, he is

:17:45.:17:49.

knocking over one pocket, leaving an easy opening for Ricky Walden.

:17:49.:17:54.

He never got in position during that break. He was struggling with

:17:54.:18:04.
:18:04.:18:06.

It is his turn out to bring the blue and pink into play. When you

:18:06.:18:10.

are playing well, you seem to get there. In saying that, he can't

:18:10.:18:20.
:18:20.:18:20.

Apology for the loss of subtitles for 52 seconds

:18:20.:19:05.

play the cannon unless he plays The key shot. He needs a half ball

:19:05.:19:14.

to play the cannon into the red and Just a gap between those reds way

:19:14.:19:24.
:19:24.:19:30.

he can play that cannon. Having a A perfect angle. If he catches the

:19:30.:19:36.

red half ball, he will bring pink and black into play. He played the

:19:36.:19:41.

cannon but unfortunately hit the wrong ball. He didn't get into the

:19:41.:19:51.
:19:51.:19:52.

He actually hit the first red which he wanted to miss. Still brought

:19:52.:20:02.
:20:02.:20:02.

Apology for the loss of subtitles for 52 seconds

:20:02.:21:28.

A clever shot from a Ricky Walden - - from Ricky Walden, he has covered

:21:28.:21:35.

all of the reds here. Pretty straightforward, the side cushion,

:21:35.:21:45.
:21:45.:22:01.

But, the problem is, he may find Back in behind the black. A bit too

:22:01.:22:11.
:22:11.:22:25.

It is not too bad. He didn't get the desired snooker behind the

:22:25.:22:28.

black. It came off the cushion quickly, the cue ball. He's

:22:29.:22:35.

certainly got the cue ball tight enough to the cushion that it makes

:22:35.:22:38.

it a little more difficult. He can't get the cue ball back behind

:22:38.:22:48.
:22:48.:23:00.

the black again. Will he be tempted No, straight forward safety shot.

:23:00.:23:04.

It's one of those where he wasn't gaining an advantage from playing

:23:04.:23:11.

the safety shot, it was like a containing shot. Faced with a

:23:11.:23:16.

difficult safety shot. As long as he covers the red with the brown in

:23:16.:23:23.

the baulk area which I think he has done. 8 1/2 she safety shot now for

:23:23.:23:33.
:23:33.:24:05.

You can see that was a really tough safety shot. He wasn't gaining the

:24:05.:24:09.

advantage, he'd just had to play a containing shot. The fact buckle

:24:09.:24:16.

covered the red with the brown and found the baulk cushion -- the fact

:24:17.:24:26.
:24:27.:24:37.

It is one of those times when you want to get out of the auditorium.

:24:37.:24:47.
:24:47.:24:47.

Apology for the loss of subtitles for 52 seconds

:24:47.:25:46.

APPLAUSE well done, having missed a relatively straightforward red in

:25:46.:25:51.

his previous visit, he has found one there.

:25:51.:26:01.
:26:01.:26:14.

Come on, Michael, let us have a 60 Trying to get on to the pink. He

:26:14.:26:21.

has been struggling with the cue ball. Getting into an ideal

:26:21.:26:31.
:26:31.:26:31.

Apology for the loss of subtitles for 52 seconds

:26:31.:27:25.

A nice frame winning break here His best break has been 49, in the

:27:25.:27:35.
:27:35.:27:58.

A little bit straight on the black. I'm not sure whether he has the

:27:58.:28:08.
:28:08.:28:14.

angle. He just managed to do it, he 35 points in front. One red, and a

:28:14.:28:21.

high value colour. And I am sure he will get a warm round of applause.

:28:21.:28:25.

It's not been a match where Ricky Walden has deserved to be 6-0 in

:28:25.:28:29.

front. Michie has played exceptionally well but you can't

:28:29.:28:36.

expect to beat a top player to 0. A big frame. That looks like it is

:28:36.:28:46.
:28:46.:28:53.

frame over. As long as he makes APPLAUSE he thinks he has won the

:28:53.:28:58.

frame but, please do not miss the red. Otherwise Ricky will carry on.

:28:58.:29:04.

He is a lovely chap, buckle, I have got a lot of time for him, he is a

:29:04.:29:14.
:29:14.:29:16.

good kid. The -- Michael. He needs to concentrate on winning the next

:29:16.:29:26.
:29:26.:29:35.

two, to have a chance of winning He has got a frame on the board and

:29:36.:29:43.

he is now trailing 6-1. REFEREE: Frame eight. Ricky Walden

:29:43.:29:53.
:29:53.:29:58.

to break. Well, there you go. What a good referee she is, Willie was

:29:58.:30:08.
:30:08.:30:11.

saying, and she forgets to put the But she had the foresight to see

:30:11.:30:16.

that it was not on the spot, just in time. I am not sure if that is a

:30:16.:30:24.

foul any more. It was if it was put on the wrong spot and now it is a

:30:24.:30:34.
:30:34.:30:35.

referee error, which is a good will. -- regulation. Does not need to

:30:35.:30:45.
:30:45.:30:45.

Apology for the loss of subtitles for 52 seconds

:30:45.:31:33.

kiss the blue, otherwise it will The bottom red will pot but this is

:31:33.:31:39.

a wonderful pack to get into. It looks like he is clear enough to

:31:39.:31:46.

play it. He played it in such a way that he knew that he would slide by

:31:46.:31:52.

the pack. He played that really well. Still sliding by the reds.

:31:52.:31:57.

Excellent position and unfortunate not to have brought more than two

:31:57.:32:07.
:32:07.:32:21.

What kind of angle does he have all this blew? Not great by the look of

:32:21.:32:28.

how he is holding his cue. We can see from that angle that it looks

:32:28.:32:38.
:32:38.:33:02.

A good pot needed to keep the break A good recovery. And the pink is in

:33:02.:33:07.

the middle. He could play the stun below the pink and bring a couple

:33:07.:33:17.
:33:17.:33:34.

He played the cannon. He does not appear to have got on anything.

:33:34.:33:44.
:33:44.:33:44.

Apology for the loss of subtitles for 52 seconds

:33:44.:35:33.

Just did not quite get enough I think that second Test -- second

:35:33.:35:43.
:35:43.:35:58.

-- second kiss. That angle is very thin. He managed to get at the back

:35:58.:36:05.

of the pack. Is anything available from this blue? I am not sure if

:36:05.:36:15.
:36:15.:36:25.

The way that he has played that it obviously does. He played it well.

:36:25.:36:29.

Just enough pace for the blue route to reach the pocket and hold for at

:36:29.:36:39.
:36:39.:37:01.

He wants to get that black back on I think it will get past the red it

:37:01.:37:07.

into the back corner pocket. He will take that red close to the top

:37:07.:37:12.

cushion and then tried to create an angle for the black on the next one

:37:12.:37:22.
:37:22.:37:31.

after this. But he must be low on Somewhere in this position on that

:37:31.:37:41.
:37:41.:37:47.

He has got to hit the red above the black with plenty of power. Lost

:37:47.:37:57.
:37:57.:38:05.

the cue ball a little bit. Just a quarter ball on bat red. -- that

:38:05.:38:15.
:38:15.:38:17.

And that was a good pot but he got a very quick bounce. That is the

:38:17.:38:24.

first sign of bad contact we have had. Usually it will come off at

:38:24.:38:30.

the same speed that it goes on but it has come off a lot quicker. You

:38:30.:38:34.

would think that he would still take on the black. But he is

:38:34.:38:41.

looking at the pink in the middle. And now looking at the safety. The

:38:41.:38:47.

fact that he is 60 in front, he might think it is too risky. Is he

:38:47.:38:57.
:38:57.:39:00.

I think that he will put the green on the side cushion and wait for

:39:00.:39:10.
:39:10.:39:19.

He is playing a different shot. Putting the blues safe. He might

:39:19.:39:25.

have got it safe but I would not say it is his best shot. He is

:39:25.:39:35.
:39:35.:39:44.

leaving a heart on the red. Just above the black. -- heart. -- cut.

:39:44.:39:50.

He needs that green to come to his rescue and I did not think that it

:39:50.:40:00.
:40:00.:40:02.

has done. If he gets on to a colour this will be frame seven for Ricky

:40:02.:40:12.
:40:12.:40:14.

Walden and he could not have played it better. Perhaps that will

:40:14.:40:19.

fortunate... Perhaps a bit fortunate that it played on to that

:40:19.:40:29.
:40:29.:40:54.

There was a slight chance Michael would have carried on if he had

:40:54.:41:04.
:41:04.:41:18.

Michael said yes to Michaela Tabb. He has conceded the frame. Ricky

:41:18.:41:28.
:41:28.:41:32.

Walden moves into a 7-1 lead. This is the last frame. He must win,

:41:32.:41:42.
:41:42.:41:47.

Michael Holt. Just checking the Michael Holt getting the final

:41:47.:41:57.
:41:57.:42:06.

He might be forced into playing a pot. The black is what he is going

:42:06.:42:16.
:42:16.:42:26.

for, or the one in the middle. It It was a good shot. He had to hit

:42:26.:42:36.
:42:36.:42:36.

Apology for the loss of subtitles for 52 seconds

:42:36.:43:56.

Looking at that angle, it looks possible. He is definitely on this

:43:56.:44:03.

red. He could have a go for the pot. It is almost like a shot two

:44:03.:44:09.

nothing here. Sometimes it can be quite difficult passing a ball on

:44:09.:44:19.
:44:19.:44:24.

the way. It can Arnside is likely but he has refused it. -- distract

:44:24.:44:34.
:44:34.:44:47.

A very clever safety shot. He actually made sure that he played

:44:47.:44:51.

around the back of the black. And he has played it very well and

:44:51.:44:59.

covered the right hand side of the table. This is a very good safety

:44:59.:45:09.
:45:09.:45:09.

Apology for the loss of subtitles for 52 seconds

:45:09.:46:23.

The fact that... When he gets rid of the red above the black, that

:46:23.:46:33.
:46:33.:46:36.

Regardless of what happens in this frame, it has been a fantastic

:46:36.:46:42.

session for Ricky Walden. He pinched the second frame and made a

:46:42.:46:52.
:46:52.:46:53.

break of 140 and put himself in line for the Golden cue prize. And

:46:53.:46:59.

this is the man that is suffering, Michael Holt. It is a lonely place

:47:00.:47:09.
:47:10.:47:10.

when the one losing. It looks like these two can plant into the bottom

:47:10.:47:16.

corner pocket. If he can take it arm. He could go into them and

:47:16.:47:20.

bring more into play. He could get back on the blue but for some

:47:20.:47:30.
:47:30.:47:39.

He could not have played that any better. Not only was it delicate

:47:39.:47:44.

but he got on to the top side of the blue and he could not have

:47:44.:47:50.

picked it up and put it better by hand. He decided to play for the

:47:50.:48:00.
:48:00.:48:14.

Perfect position again on the blue. He can use the reds and bring it

:48:14.:48:24.

more into play from that shot. I think the red above the black will

:48:24.:48:29.

pot as well. He could go into them if he wanted but I do not think he

:48:29.:48:39.
:48:39.:48:58.

I think it is important, if you are going to get to the latter stages,

:48:58.:49:02.

to try and give yourself a chance and do that because close matches,

:49:02.:49:12.
:49:12.:49:13.

it can be tiring. And if you can get it down early, it will do you

:49:13.:49:23.
:49:23.:49:26.

He looks a bit disappointed with his position. He is not on anything

:49:26.:49:36.
:49:36.:49:36.

easy. He has not got a lot of room to go in between the black and red.

:49:36.:49:45.

So much so that he has missed. Surely he has not got away with

:49:45.:49:52.

that. Yes, he can see that red quite easily. From our position

:49:52.:49:59.

sometimes it does not look like that. Plenty of room. Well, Michael,

:49:59.:50:04.

this is probably the last chance in this match. This is a frame that

:50:04.:50:14.
:50:14.:50:14.

Apology for the loss of subtitles for 52 seconds

:50:14.:51:57.

What an excellent shot this was. One good cannon is all he needs

:51:57.:52:05.

here. Anything but a full ball. Half either side is all right. He

:52:05.:52:11.

should definitely be pushing the red towards the middle. He should

:52:11.:52:17.

definitely stun. If it is screwed back, he could get back towards the

:52:17.:52:26.

black spot. Played it nicely. Well done. He should win the frame now.

:52:26.:52:32.

Just watch that you bowl. It hits the pack and goes again. Lovely.

:52:32.:52:41.

Very well controlled. -- just watch the cue ball. That was careless,

:52:41.:52:51.
:52:51.:53:04.

wasn't it? You should guarantee He needed a nice kiss on the red

:53:04.:53:14.
:53:14.:53:34.

and he has got it. He can get on to He needs that to travel a little

:53:34.:53:42.

bit and I think it has done. If he can cannoned into these, he will be

:53:42.:53:51.

in a perfect position. Four reds and four colours and he will have

:53:51.:54:01.
:54:01.:54:02.

won the last frame in this session. And he can open up the bottom of

:54:02.:54:07.

these three reds as well. He has just got to keep control of that

:54:07.:54:14.

cue ball. It is a big frame for Michael Cole. And he is still going

:54:14.:54:24.
:54:24.:54:24.

Apology for the loss of subtitles for 52 seconds

:54:24.:55:04.

to be 7-2 down if he wins this. -- Would you believe it? He has missed

:55:04.:55:11.

a few relatively easy pots in this match but that has cost him. Now we

:55:11.:55:21.
:55:21.:55:22.

are looking at possibly being even further behind. A chance that it

:55:22.:55:31.

could go 8-1. My goodness me, that was a bad miss. He has got a chance,

:55:31.:55:41.
:55:41.:55:45.

Ricky Walden. Trailing by 24. Look at that miss from Michael cold. --

:55:45.:55:54.

Michael Holt. We have all been there, haven't we? If he can make

:55:54.:56:04.

the cannon on the yellow... He has not kissed the red? Goodness me.

:56:04.:56:12.

What a result. This is going nowhere. There was no way he was on

:56:12.:56:22.
:56:22.:56:44.

12 behind. Two including the pink will suffice for Ricky Walden. With

:56:44.:56:50.

this angle, he does not want to be straight on this green. That is not

:56:50.:56:56.

the angle that he desired. It will be more difficult to get close to

:56:56.:57:06.
:57:06.:57:13.

this brown. He has got cue power. And this brown is not easy with a

:57:13.:57:23.
:57:23.:57:26.

long rest. Would you screw this in, Ken? I think he can certainly screw

:57:26.:57:32.

it in. And he does not have to get right up close to the blue. The

:57:32.:57:37.

most important thing is to pot the brown and leave yourself some sort

:57:37.:57:45.

of shot. He can get into this very easily. He is blessed with cue

:57:46.:57:55.
:57:56.:58:00.

And there you see it. War to a shot. -- what a shot. Excellent. In fact

:58:00.:58:10.
:58:10.:58:18.

it was overscrewed. One good shot This will be a bitter pill for

:58:18.:58:28.
:58:28.:58:34.

Michael Holt to swallow. He adds And they use it. -- and there it is

:58:34.:58:42.

and what a marvellous session on the opening day at the Crucible. He

:58:42.:58:47.

the opening day at the Crucible. He is leading 8-1. A pretty impressive

:58:47.:58:53.

Download Subtitles

SRT

ASS