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Hello, welcome to the first World Championship Snooker Extra from the | :00:40. | :00:43. | |
2013 Betfair World Snooker Championship from the Crucible | :00:43. | :00:48. | |
Theatre in Sheffield. This is the first round match between Ricky | :00:48. | :00:58. | |
:00:58. | :01:00. | ||
Walden and Michael Holt. Michael Holt's latest debut in 2005. | :01:00. | :01:04. | |
Similar Crucible experience for both players. Your commentators are | :01:04. | :01:14. | |
:01:14. | :01:43. | ||
If the cue ball hadn't gone into the pocket, it would have been | :01:43. | :01:49. | |
easier for Michael Holt. Still, he has this long red. This will | :01:49. | :01:59. | |
:01:59. | :02:20. | ||
He has left an opportunity for Ricky Walden. He may be able to | :02:20. | :02:30. | |
:02:30. | :02:44. | ||
Very tough to score, just the two open reds. He will need an angle to | :02:44. | :02:48. | |
get into the cluster of reds, he needs to get the black into play at | :02:48. | :02:58. | |
:02:58. | :03:30. | ||
the earliest opportunity. Otherwise Didn't quite get into the cue ball, | :03:30. | :03:36. | |
he needed a lot of side. It is still on. If he misses it, he will | :03:36. | :03:46. | |
:03:46. | :03:46. | ||
A little bit surprised he didn't try to get the red into the | :03:47. | :03:56. | |
:03:57. | :04:23. | ||
That was a surprise. Probably concentrating on position, not | :04:24. | :04:30. | |
looking at the red. It is so easy to do so the rate on that shot. If | :04:30. | :04:40. | |
:04:40. | :04:48. | ||
First frame. You don't settle until halfway through this Mini session | :04:48. | :04:58. | |
:04:58. | :05:31. | ||
This will be beneficial if he can He felt he did not have the angle. | :05:31. | :05:41. | |
Doesn't look like there is anything I'm not saying there is anything | :05:41. | :05:46. | |
wrong with this safety shot but he could definitely have played, well, | :05:46. | :05:56. | |
:05:56. | :05:56. | ||
Apology for the loss of subtitles for 52 seconds | :05:56. | :06:49. | |
he has brought some reds into play. He can see the edge of the one just | :06:49. | :06:56. | |
below the pink. At least, he thinks he can, he is having a close look. | :06:56. | :07:06. | |
:07:06. | :07:14. | ||
Decided he can. He has played this very well, this could be very close. | :07:14. | :07:24. | |
:07:24. | :07:24. | ||
Apology for the loss of subtitles for 52 seconds | :07:24. | :08:30. | |
Unlucky. It has still left him A little bit more pace, that would | :08:30. | :08:36. | |
have been right behind the brown. The pink is on its spot, just | :08:36. | :08:46. | |
:08:46. | :09:09. | ||
covering the red below. He is in a What a shot he has pulled out | :09:09. | :09:16. | |
there! He couldn't have played that much better. He was in a bit of | :09:16. | :09:21. | |
trouble but found a wonderful pot. He has opened up the black, and | :09:21. | :09:27. | |
look at all of the reds now. From a frame which 30 seconds ago was dead, | :09:27. | :09:31. | |
it looks like it should be a frame- winning opportunity. As you rightly | :09:31. | :09:37. | |
said, fortuitous to get a kiss, but he would have been on the pink | :09:37. | :09:47. | |
:09:47. | :09:47. | ||
Apology for the loss of subtitles for 52 seconds | :09:47. | :10:59. | |
I do not think the yellow passes. So, blue. In and out of baulk. It | :11:00. | :11:09. | |
:11:10. | :11:31. | ||
This is what you dream about, having the balls in this situation. | :11:31. | :11:35. | |
When you are nervous, the first frame of the morning. You pray for | :11:35. | :11:41. | |
an opportunity to score. He has got that now. He only leads by 27, he | :11:41. | :11:51. | |
:11:51. | :12:13. | ||
Have you played a key very much? He has been a great player for a | :12:13. | :12:18. | |
number of years, he has established himself as a top 16 player. | :12:18. | :12:23. | |
played him in Beijing recently, he knocked me out in the first round | :12:23. | :12:33. | |
:12:33. | :12:34. | ||
5-2. He won in Shanghai a few years previously. As we see here, he | :12:34. | :12:44. | |
:12:44. | :12:45. | ||
plays very fluently, very quick. He has a nice touch. He is very | :12:45. | :12:50. | |
prolific scoring. Sometimes, against the bigger player, he may | :12:50. | :12:58. | |
lack a bit of confidence. Without a doubt, I suggest he is one of the | :12:58. | :13:02. | |
top 10 players in the world in the break-building department. He may | :13:02. | :13:10. | |
lack a bit of confidence at times. Very few players have the full | :13:10. | :13:20. | |
:13:20. | :13:32. | ||
package, have everything. He has He has played 147 as well. In 2011. | :13:32. | :13:37. | |
He is very capable. As we are seeing, he has polished these quite | :13:37. | :13:43. | |
nicely, kept the cue ball in complete control. You mentioned how | :13:43. | :13:48. | |
quick he was, the pace around the table. A player when he is in full | :13:48. | :13:57. | |
flight, around 16 seconds a shot, which is very quick. This has been | :13:57. | :14:07. | |
:14:07. | :14:25. | ||
Just enough on the table. What a shame. It would have been great to | :14:25. | :14:35. | |
start with a attention. -- with a century. But he takes the frame. | :14:35. | :14:45. | |
REFEREE: Second frame. Ricky Walden. So, Ricky Walden breaks off. Not a | :14:45. | :14:52. | |
very good break. As John Virgo would say, what ever you do, don't | :14:52. | :15:02. | |
:15:02. | :15:08. | ||
It is a straight forward shot, the break off, but you don't want to | :15:08. | :15:14. | |
give an easy opening red. He was unlucky there. The yellow or green | :15:14. | :15:24. | |
:15:24. | :15:58. | ||
It was the better choice for position but he hit it poorly. What | :15:58. | :16:04. | |
an easy opening this is now, red, straight forward stun shot for the | :16:04. | :16:14. | |
:16:14. | :16:45. | ||
black. He could find himself 40 At the beginning of this match, we | :16:45. | :16:51. | |
did speak about easy chances. At the moment, Michael Holt hasn't | :16:52. | :17:01. | |
:17:02. | :17:28. | ||
settled and has gifted Ricky Walden This is the key shot, he would have | :17:28. | :17:32. | |
liked to leave an angle but he hasn't got it so it is important to | :17:32. | :17:39. | |
finish low or high on the black. Ricky is running through. There is | :17:39. | :17:46. | |
an angle to get into the gap. If he can arc the cue ball and hit the | :17:46. | :17:56. | |
:17:56. | :18:12. | ||
Which is what he has done, he is on The cue ball went first and barked. | :18:12. | :18:22. | |
:18:22. | :18:22. | ||
Apology for the loss of subtitles for 52 seconds | :18:22. | :19:23. | |
Unlucky to get -- not to get on one He doesn't have the ideal angle on | :19:23. | :19:30. | |
the blue so he has to be careful he does not snooker itself on the pink, | :19:30. | :19:35. | |
which I think he just about has done. He can cut the one in the | :19:35. | :19:45. | |
:19:45. | :20:01. | ||
It looks like he is a bit too straight on the black. He would | :20:01. | :20:08. | |
have liked an angle to go into the red. It makes it a little more | :20:08. | :20:12. | |
difficult. He can't really go up for the blue. He might try to hold | :20:12. | :20:22. | |
:20:22. | :20:25. | ||
That looks pretty good. It looks like the two reds which are to the | :20:25. | :20:31. | |
right of the pink spot. If he can hit them flush on the first, it | :20:31. | :20:41. | |
:20:41. | :20:55. | ||
will send the bottom one to the REFEREE: File. -- Foul. | :20:55. | :21:00. | |
You may say that was unlucky but a professional of that standard, that | :21:00. | :21:06. | |
was a poor shot. He wanted to go into the pack. He went into the | :21:06. | :21:16. | |
:21:16. | :21:22. | ||
side of them which is why he lost That looks pretty good, a good pace | :21:22. | :21:32. | |
:21:32. | :21:45. | ||
and a good line, an excellent shot This is one possible escape route. | :21:45. | :21:53. | |
The top cushion. He has decided against that. This is more tricky, | :21:53. | :22:03. | |
:22:03. | :22:16. | ||
two cushions. If he uses too much -- may pot. Into the bottom left- | :22:16. | :22:21. | |
hand corner pocket. That wasn't a great escape. You can see it | :22:21. | :22:31. | |
:22:31. | :22:51. | ||
There is no real pressure, he can Played it a little harder than I | :22:51. | :22:58. | |
would have done. But still near the brown. He is OK. On the yellow. A | :22:58. | :23:08. | |
:23:08. | :23:41. | ||
key shot, he can get back into the An angle on the pink would be | :23:41. | :23:45. | |
lovely to bring those three reds into play, but he has gone too far. | :23:45. | :23:51. | |
He will have to play for the loose red now. The one behind the pink | :23:51. | :24:01. | |
:24:01. | :24:01. | ||
Apology for the loss of subtitles for 52 seconds | :24:01. | :25:00. | |
definitely pots. He has managed to He should be OK as long as he | :25:00. | :25:05. | |
doesn't get too much side to get onto the red in the opposite corner. | :25:05. | :25:12. | |
He has played it nicely. Obviously, the key shot is getting onto the | :25:12. | :25:17. | |
red with an angle, to get on to the black. Anything but straight should | :25:17. | :25:24. | |
be OK. Not perfect on the black. But, at least, it takes the | :25:24. | :25:34. | |
:25:34. | :25:59. | ||
equation of been straight out of It was possible to hit it too well, | :25:59. | :26:09. | |
:26:09. | :26:30. | ||
which is what he has done, straight A good shot here on the yellow. And | :26:30. | :26:37. | |
the frame will be at his mercy. It didn't go into the centre of the | :26:37. | :26:41. | |
pocket and you can see from the reaction of the cue ball, a bit of | :26:41. | :26:51. | |
:26:51. | :27:00. | ||
tension in his arm, he overhit it Brown, blue and pink required. This | :27:00. | :27:06. | |
would be a really good steel for Michael Holt. Ricky had 76 in the | :27:06. | :27:11. | |
first, this has undoubtedly been the best break of the match, under | :27:11. | :27:18. | |
the most pressure. 50 behind, looking like going 2-0 behind. This | :27:18. | :27:28. | |
:27:28. | :27:35. | ||
Welcome to the missed blue club. Goodness me. He took his eye off it, | :27:35. | :27:41. | |
there is no excuse. He was wondering whether to play two | :27:41. | :27:47. | |
cushions, one cushion, he got done without making his mind up. | :27:47. | :27:53. | |
costly that may prove to be. A good shot required to control that ball, | :27:53. | :28:03. | |
:28:03. | :28:15. | ||
Four points ahead, Walden. Pink, to The pink goes in, in a frame when | :28:15. | :28:21. | |
it looked like Ricky Walden was going to lose but a bad missed blue | :28:21. | :28:26. | |
by Michael Holt has gifted Ricky Walden another frame. He goes into | :28:26. | :28:36. | |
:28:36. | :28:42. | ||
REFEREE: Frame three, Michael Holt to break. He will be very | :28:42. | :28:47. | |
disappointed, Michael Holt. He knows that was a very easy miss. As | :28:47. | :28:53. | |
you can see when he stands shaking his head, he is a player who wears | :28:53. | :28:58. | |
his heart on his sleeve. I think this is a very important frame for | :28:58. | :29:08. | |
:29:08. | :29:21. | ||
What a fantastic opening red from Ricky Walden. Required really good | :29:21. | :29:31. | |
:29:31. | :29:36. | ||
That has worked out a treat. Fantastic shot. For the people | :29:36. | :29:41. | |
watching, you played at this magnificent venue many times, in a | :29:41. | :29:47. | |
morning session, what was in your routine? What time did you get up? | :29:47. | :29:53. | |
Most players will have been up at 7:30am, early breakfast, get a | :29:53. | :30:00. | |
little bit of fresh air, and get down here around 9am. Practicing on | :30:00. | :30:06. | |
the practice table. Just behind the arena. They have three practice | :30:06. | :30:14. | |
tables at the back. They will be waking up, to get fresh enough. | :30:14. | :30:19. | |
When you knew you had a 10 am session, did you practice before at | :30:19. | :30:29. | |
10am? Not really. I did, to get the mind set for that early start. | :30:29. | :30:39. | |
:30:39. | :31:16. | ||
Meanwhile, back at the ranch... Ricky Walden is looking good again | :31:16. | :31:24. | |
now. A couple of loose reds. Anything on the pink is good. It is | :31:24. | :31:32. | |
not one of those shots way you have to play at 100 mph. He is fortunate | :31:32. | :31:39. | |
there. He did not screwed into it like the players normally did. He | :31:39. | :31:49. | |
:31:49. | :31:49. | ||
Apology for the loss of subtitles for 52 seconds | :31:49. | :32:58. | |
knew that it was split and he just He is just citing up where he wants | :32:58. | :33:08. | |
:33:08. | :33:11. | ||
to leave the cue ball. Nice angle now on the black. If he goes into | :33:11. | :33:17. | |
the pack on the right-hand side, he will still have the red on the | :33:17. | :33:27. | |
:33:27. | :33:43. | ||
You always have to be on the right It looks like he is playing really | :33:43. | :33:53. | |
:33:53. | :34:20. | ||
Going into a couple of reds around the pink. He will need a bit of | :34:20. | :34:29. | |
luck for position. That was controlled nicely. He is nice to | :34:29. | :34:33. | |
watch when he gets in among the balls. He gets on with it and he | :34:33. | :34:41. | |
tries to win the frame in one visit. He will take a risk early on in a | :34:41. | :34:49. | |
break, getting reds into play. That blue will live in his mind for a | :34:49. | :34:59. | |
:34:59. | :34:59. | ||
Apology for the loss of subtitles for 52 seconds | :34:59. | :35:46. | |
That gives him a good chance of a century. Moving that red has got to | :35:46. | :35:50. | |
give him a good chance of getting the upper two. It looks like being | :35:50. | :35:58. | |
a bit scrappy at first. It took some effort to get into open play | :35:58. | :36:08. | |
:36:08. | :36:11. | ||
He made a break of 76 in the first round, Ricky Walden. He should have | :36:11. | :36:18. | |
made a century. A break of 55 in the second frame and 90 art and | :36:18. | :36:28. | |
:36:28. | :36:29. | ||
counting here. -- and 90 and counting here. A possible one for 0 | :36:29. | :36:39. | |
:36:39. | :36:45. | ||
here. -- 140. I would expect at least 145 TB their highest break. - | :36:45. | :36:55. | |
:36:55. | :37:01. | ||
Nothing gives you a thrill more. All of the centuries in the | :37:01. | :37:05. | |
tournaments around the world but a crucial century at the Crucible, | :37:05. | :37:15. | |
:37:15. | :37:27. | ||
-- buzz. And there is an unusual prize for the highest break, a | :37:27. | :37:37. | |
:37:37. | :37:54. | ||
It does not matter who you are playing. If you are playing as well | :37:54. | :38:00. | |
as witty at the moment, you can beat anybody. Started with 76, then | :38:00. | :38:06. | |
a 55 and a magnificent break which could be a tournament winner. He | :38:07. | :38:16. | |
:38:17. | :38:39. | ||
Weetch saw a look of determination saying come on, -- we saw a look of | :38:39. | :38:49. | |
:38:49. | :39:17. | ||
determination, saying come on, you He did not have the angle to try | :39:17. | :39:26. | |
and hold it for a little nudge off the black. But it shows you how | :39:26. | :39:31. | |
well he is playing, knocking thoses in. He has done a few of them in | :39:31. | :39:41. | |
:39:41. | :39:48. | ||
this match so far. That is a pretty As you said, it is very important | :39:48. | :39:56. | |
for Michael Holt's... Trying for damage limitation. Trying to get a | :39:56. | :40:03. | |
few frames on the board. He might settle even for a 6-3 deficit at | :40:03. | :40:13. | |
:40:13. | :40:22. | ||
Always importer to treat every session like a miniature match. -- | :40:23. | :40:32. | |
:40:33. | :40:34. | ||
it is always important. If you can come out of this 3-2, 4-1 would be | :40:34. | :40:43. | |
a big bonus. That would be a dream land. You can just forget about | :40:43. | :40:47. | |
those four and try and win this session 3-2 and you would be more | :40:47. | :40:57. | |
:40:57. | :40:58. | ||
than happy. The body language tells you it could be a macro curry ball | :40:58. | :41:07. | |
plant. -- a three ball plant. You can see it slightly to the right of | :41:07. | :41:17. | |
:41:17. | :41:17. | ||
Apology for the loss of subtitles for 52 seconds | :41:17. | :42:19. | |
No problem with the pot. If he can kiss the reds to the right of the | :42:19. | :42:23. | |
pink he has got a chance of staying on the pink. He needs a decent pace | :42:23. | :42:33. | |
:42:33. | :42:36. | ||
because he cannot afford for it to roll work macro. -- role off. | :42:36. | :42:42. | |
might be able to stay on the pink if he can kiss the reds. That is | :42:42. | :42:46. | |
not the way he would have played it but he will be happy with that. You | :42:46. | :42:56. | |
:42:56. | :42:58. | ||
have got to make sure that you popped the object ball. -- pot. | :42:58. | :43:03. | |
on reflection, it is 4-0 in favour of Ricky Walden and he has got | :43:03. | :43:11. | |
decent breaks. He has not been outplayed in all departments. He | :43:11. | :43:15. | |
has had three long ones that he should have got and an easy blue in | :43:15. | :43:21. | |
the second frame. At this level, you cannot afford to make mistakes. | :43:21. | :43:25. | |
It is purely mistakes that have cost him at the moment. He has not | :43:25. | :43:35. | |
:43:35. | :43:44. | ||
He is blessed with an awful lot of power. He can play those shots as | :43:44. | :43:54. | |
:43:54. | :44:15. | ||
He is not guaranteed to get good position here. He cannot hold for | :44:15. | :44:24. | |
the blues so he has to go for the brown wore the green. -- brown, or | :44:24. | :44:34. | |
:44:34. | :44:34. | ||
Apology for the loss of subtitles for 52 seconds | :44:34. | :45:27. | |
I am sure the two reds will pot into the bottom corner pocket. What | :45:27. | :45:33. | |
will happen when he gets that red, the black will release into the | :45:33. | :45:43. | |
:45:43. | :45:51. | ||
pocket that the red has just gone He has just got to judge this and | :45:51. | :45:56. | |
pot the black off the top cushion. Try and go for the two reds close | :45:56. | :46:02. | |
together above the black spot. That will hold of the key ball for one | :46:02. | :46:10. | |
of these reds, left, all right of the black. That is pretty good. | :46:10. | :46:20. | |
:46:20. | :46:28. | ||
Excellent shot. He judged that And as you said, when he gets in | :46:28. | :46:34. | |
around this pink and black, he will score very quickly. He has got a | :46:34. | :46:44. | |
:46:44. | :46:44. | ||
good pace around the table. He has played nice nudges and cannons. | :46:44. | :46:47. | |
is one of these players that practices a lot as well. He does | :46:47. | :46:54. | |
not leave it alone for a few days. He plays almost every day. People | :46:54. | :47:02. | |
ask how do you practise? He just makes you play those stuns. You can | :47:02. | :47:08. | |
try and clear up using one cushion, or more. There are always different | :47:08. | :47:12. | |
ways for players of this class to make a century break. They have to | :47:12. | :47:17. | |
give themselves targets. Maybe claim all pink, all blue, give | :47:17. | :47:27. | |
:47:27. | :47:28. | ||
yourself targets. But you are playing screws all the time. And it | :47:28. | :47:32. | |
helps you control the cue ball. That is the most important one on | :47:32. | :47:40. | |
the table. He has got it on a string at the moment. It makes the | :47:40. | :47:48. | |
breaks so much easier. You cannot win a match in the first session | :47:48. | :47:53. | |
but you can lose 1. And as far as Michael Holt is concerned, you have | :47:53. | :48:03. | |
:48:03. | :48:11. | ||
to get something from recession. -- The two reds above the black, the | :48:11. | :48:18. | |
right and one will certainly popped. -- the right hand one will | :48:19. | :48:28. | |
:48:29. | :48:38. | ||
These are the shots that you play all the time. Just trying to keep | :48:38. | :48:42. | |
the cue ball about one foot away from the object all the time and | :48:42. | :48:47. | |
that is what makes break-building so good, when you have got that | :48:47. | :48:57. | |
:48:57. | :49:05. | ||
He has already made a break of 140. He has got a possibility of making | :49:05. | :49:15. | |
:49:15. | :49:18. | ||
another century here. 17 centuries so far this season. But he will be | :49:18. | :49:23. | |
a bit disappointed with that. But he will be happy to have another | :49:23. | :49:30. | |
frame on the board. The match goes on for Ricky Walden. He goes into a | :49:30. | :49:40. | |
:49:40. | :49:45. | ||
REFEREE: Frame six, Ricky Walden to break. Four more frames to play in | :49:45. | :49:51. | |
this session, no tree. And Michael needs at least two free to stay in | :49:51. | :50:01. | |
:50:01. | :50:02. | ||
the match. -- not three. Michael needs at least three in order to | :50:02. | :50:12. | |
:50:12. | :50:12. | ||
Apology for the loss of subtitles for 52 seconds | :50:12. | :51:07. | |
He just lost the cue ball slightly. He has to get on but you cannot go | :51:07. | :51:11. | |
through all of the other reds. I did not think he can generate | :51:11. | :51:21. | |
:51:21. | :51:25. | ||
enough power on that cue ball to He has decided against it. There is | :51:25. | :51:35. | |
:51:35. | :51:35. | ||
no point in playing at shot if you cannot get on to a colour. -- that | :51:35. | :51:45. | |
:51:45. | :51:45. | ||
Apology for the loss of subtitles for 52 seconds | :51:45. | :52:44. | |
When you are in good form you get a kiss on the yellow and finish in to | :52:44. | :52:47. | |
the brown in the corner but when you are struggling, it is not easy | :52:48. | :52:55. | |
to roll up to be alive. He played it nicely. Things are not quite | :52:55. | :53:05. | |
:53:05. | :53:05. | ||
Apology for the loss of subtitles for 52 seconds | :53:05. | :54:21. | |
He has got on to the top side of the blue which is key for that shot. | :54:21. | :54:27. | |
When you are behind you are trying to win the frame in one visit. A | :54:27. | :54:35. | |
lot of players would have gone into the reds there. Still not perfect | :54:35. | :54:45. | |
:54:45. | :54:53. | ||
on this red. He might have to come He has deliberately left an ankle | :54:53. | :55:03. | |
:55:03. | :55:03. | ||
late to get back into them and he has got an angle on the black. If | :55:03. | :55:10. | |
he can hit that with stun... He has screwed it. And you get that kind | :55:10. | :55:17. | |
of reaction. If he had played the stun it would have gone into that | :55:17. | :55:24. | |
corner and it is a much easier shot. You cannot afford to miss that at | :55:24. | :55:32. | |
this level. He has taken his eye of the pot a few times. That blue has | :55:32. | :55:42. | |
:55:42. | :55:49. | ||
And again we saw that he missed the black. He used a lot of false and | :55:49. | :55:59. | |
:55:59. | :56:14. | ||
took his eye of the pot again. -- He is having a look to see if he | :56:14. | :56:20. | |
can get on the black but he can drop that red, certainly. He is | :56:20. | :56:30. | |
:56:30. | :56:33. | ||
He might take the opportunity... He might hit the blue but he has got | :56:33. | :56:41. | |
the opportunity and angle to go into the reds. He does not have to | :56:41. | :56:51. | |
:56:51. | :57:03. | ||
Unlucky with that. He played exactly the shot you suggested and | :57:03. | :57:10. | |
he looks certain to bring four reds into play. How has he moved just | :57:10. | :57:17. | |
one from there? Amazing! Unless you play that is perfectly, you are not | :57:17. | :57:27. | |
:57:27. | :57:27. | ||
Apology for the loss of subtitles for 52 seconds | :57:27. | :59:21. | |
guaranteed to get on to it nicely. This is possibly his last chance in | :59:21. | :59:31. | |
:59:31. | :59:41. | ||
the frame. Ricky possess macro lead is 30. -- Ricky's. This is a chance | :59:41. | :59:51. | |
:59:51. | :59:59. | ||
That's not the best, he overrun that. He doesn't want the pink to | :59:59. | :00:09. | |
:00:09. | :00:43. | ||
He has played the cannon, he played That was an excellent shot. | :00:43. | :00:53. | |
:00:53. | :00:55. | ||
Slightly two inches harder than he Red, colour, and one more red, will | :00:55. | :01:02. | |
be enough. What angle has he got on the blue? Too hard. Not guaranteed | :01:02. | :01:12. | |
:01:12. | :01:44. | ||
I suppose the straight forward shot is the black but you don't want to | :01:44. | :01:50. | |
bring the black back down to the other end of the table. That is | :01:50. | :01:54. | |
what he has done, tried to put the black out of commission, I don't | :01:54. | :02:04. | |
:02:04. | :02:29. | ||
He needs to make contact with this because, where the black is, he | :02:29. | :02:35. | |
would have to say he needs a snooker. This is the angle he is | :02:35. | :02:45. | |
:02:45. | :02:49. | ||
trying to negotiate, just below the REFEREE: Foul. | :02:49. | :02:59. | |
:02:59. | :03:11. | ||
There should have been a miss called? You can't call a miss | :03:11. | :03:18. | |
when... It if you can tie, then you can call a miss. That is why it | :03:18. | :03:28. | |
:03:28. | :03:29. | ||
He must play the safety shot now. He is in a commanding position now | :03:29. | :03:36. | |
with the black in the baulk area. Michael Holt would need three reds, | :03:36. | :03:44. | |
three colours, all the colours, to tie. | :03:44. | :03:49. | |
There is a chance he can take this on. As long as he misses a kiss on | :03:49. | :03:59. | |
:03:59. | :04:03. | ||
the blue. He can stun it around He played it two cushions. Not | :04:03. | :04:08. | |
guaranteed to get on to black. When things are going against you, it is | :04:08. | :04:18. | |
:04:18. | :04:28. | ||
You heard a sigh from Michael Holt saying, that is enough. Another | :04:28. | :04:35. | |
frame on the board for Michael Walden. The Michael Holt, it is | :04:35. | :04:45. | |
Three more frames to go, can Michael Holt win all three? That is | :04:45. | :04:50. | |
possibly the equation he has to have any chance in this match. We | :04:50. | :05:00. | |
:05:00. | :05:00. | ||
Apology for the loss of subtitles for 52 seconds | :05:00. | :06:26. | |
couldn't see him coming 7-2 behind. When you are playing well, these | :06:26. | :06:34. | |
are Eddie. When you are 6-0 behind, it is not. This is probably the | :06:34. | :06:38. | |
loneliest place in snooker. When you are playing bad at the Crucible, | :06:38. | :06:44. | |
for some reason, you just disappear. Yes. It can be the greatest place | :06:44. | :06:49. | |
to play but when you are sitting in that chair, as Michael Holt is now, | :06:49. | :06:55. | |
he can't believe how far he has missed it. The pressure just bills. | :06:55. | :07:03. | |
It is a venue like no other. The Crucible nerves get to everybody at | :07:03. | :07:13. | |
:07:13. | :07:14. | ||
some stage. Two tables. A packed audience here, the first day. It's | :07:15. | :07:23. | |
a very true saying. Here, in commentary, until you get that | :07:23. | :07:28. | |
first frame on the board, you never really settled down into a match, | :07:28. | :07:38. | |
:07:38. | :07:50. | ||
and Michael Holt is feeling that at A little unlucky there, he played | :07:50. | :07:58. | |
the screw around the black -- back of the red and just flicked the red. | :07:58. | :08:08. | |
:08:08. | :08:12. | ||
Just looking at the safest place to try to cover the red up in the | :08:12. | :08:22. | |
:08:22. | :08:26. | ||
baulk area. He can do that from the I can only presume that has run off. | :08:26. | :08:32. | |
Michael Holt... As you can see he is amazed by that has finished. Can | :08:32. | :08:37. | |
you believe that? He completely mishit it and covered the pocket | :08:38. | :08:47. | |
:08:48. | :08:48. | ||
Apology for the loss of subtitles for 52 seconds | :08:48. | :09:47. | |
with the yellow. That is very He just lost a bit of concentration. | :09:47. | :09:53. | |
Michael is bemoaning his ill- fortune at the previous shot. | :09:53. | :09:58. | |
Difficult to stay competitive. An easy safety shot for tricky, the | :09:58. | :10:08. | |
:10:08. | :10:08. | ||
Apology for the loss of subtitles for 52 seconds | :10:08. | :11:21. | |
fact he has left his hand on the A great pot. Perilously close to | :11:21. | :11:31. | |
:11:31. | :12:00. | ||
He has an angle on the blue which I don't blame him, it pours a tough | :12:00. | :12:10. | |
:12:10. | :12:10. | ||
Apology for the loss of subtitles for 52 seconds | :12:10. | :12:56. | |
One of those bandanas would suit you, Kent! -- Ken! Let us have | :12:56. | :13:00. | |
another look that those ladies in the front row. Look quite nice, | :13:01. | :13:07. | |
actually. Explaining to her daughter but they are on television | :13:08. | :13:17. | |
:13:18. | :13:19. | ||
That was the first relatively easy shot that reiki has missed. They | :13:19. | :13:24. | |
you are. When you are struggling and things are not going well, | :13:24. | :13:34. | |
:13:34. | :13:36. | ||
anything goes wrong. You would Why me? We have all said that a few | :13:36. | :13:46. | |
:13:46. | :13:53. | ||
Amazingly enough, will already been to frame seven, that is the first | :13:54. | :14:02. | |
long red that Ricky Walden has missed. He has been superb so far. | :14:02. | :14:06. | |
He would like to get the cue ball into the jaws of the baulk pocket, | :14:06. | :14:16. | |
:14:16. | :14:16. | ||
Apology for the loss of subtitles for 52 seconds | :14:16. | :16:04. | |
but how does he get there? There's This looks to be a half chance. | :16:04. | :16:14. | |
:16:14. | :16:17. | ||
Just enough room to slide by the There wasn't an awful lot of room. | :16:17. | :16:24. | |
No problem getting on took a red. But black and pink? He needs a big | :16:24. | :16:30. | |
break here, he hasn't made a break above 49 since the second frame. | :16:30. | :16:40. | |
:16:40. | :17:01. | ||
Since then, he hasn't made any That is no good. Just a little bit | :17:01. | :17:07. | |
straight. He will have to go in and out of baulk, a lot of top spin. He | :17:07. | :17:17. | |
:17:17. | :17:25. | ||
could drop it in. Coming around the When you are 6-0 down, this will | :17:25. | :17:35. | |
:17:35. | :17:44. | ||
Yes, look where the red has gone. Everything he is missing, he is | :17:45. | :17:49. | |
knocking over one pocket, leaving an easy opening for Ricky Walden. | :17:49. | :17:54. | |
He never got in position during that break. He was struggling with | :17:54. | :18:04. | |
:18:04. | :18:06. | ||
It is his turn out to bring the blue and pink into play. When you | :18:06. | :18:10. | |
are playing well, you seem to get there. In saying that, he can't | :18:10. | :18:20. | |
:18:20. | :18:20. | ||
Apology for the loss of subtitles for 52 seconds | :18:20. | :19:05. | |
play the cannon unless he plays The key shot. He needs a half ball | :19:05. | :19:14. | |
to play the cannon into the red and Just a gap between those reds way | :19:14. | :19:24. | |
:19:24. | :19:30. | ||
he can play that cannon. Having a A perfect angle. If he catches the | :19:30. | :19:36. | |
red half ball, he will bring pink and black into play. He played the | :19:36. | :19:41. | |
cannon but unfortunately hit the wrong ball. He didn't get into the | :19:41. | :19:51. | |
:19:51. | :19:52. | ||
He actually hit the first red which he wanted to miss. Still brought | :19:52. | :20:02. | |
:20:02. | :20:02. | ||
Apology for the loss of subtitles for 52 seconds | :20:02. | :21:28. | |
A clever shot from a Ricky Walden - - from Ricky Walden, he has covered | :21:28. | :21:35. | |
all of the reds here. Pretty straightforward, the side cushion, | :21:35. | :21:45. | |
:21:45. | :22:01. | ||
But, the problem is, he may find Back in behind the black. A bit too | :22:01. | :22:11. | |
:22:11. | :22:25. | ||
It is not too bad. He didn't get the desired snooker behind the | :22:25. | :22:28. | |
black. It came off the cushion quickly, the cue ball. He's | :22:29. | :22:35. | |
certainly got the cue ball tight enough to the cushion that it makes | :22:35. | :22:38. | |
it a little more difficult. He can't get the cue ball back behind | :22:38. | :22:48. | |
:22:48. | :23:00. | ||
the black again. Will he be tempted No, straight forward safety shot. | :23:00. | :23:04. | |
It's one of those where he wasn't gaining an advantage from playing | :23:04. | :23:11. | |
the safety shot, it was like a containing shot. Faced with a | :23:11. | :23:16. | |
difficult safety shot. As long as he covers the red with the brown in | :23:16. | :23:23. | |
the baulk area which I think he has done. 8 1/2 she safety shot now for | :23:23. | :23:33. | |
:23:33. | :24:05. | ||
You can see that was a really tough safety shot. He wasn't gaining the | :24:05. | :24:09. | |
advantage, he'd just had to play a containing shot. The fact buckle | :24:09. | :24:16. | |
covered the red with the brown and found the baulk cushion -- the fact | :24:17. | :24:26. | |
:24:27. | :24:37. | ||
It is one of those times when you want to get out of the auditorium. | :24:37. | :24:47. | |
:24:47. | :24:47. | ||
Apology for the loss of subtitles for 52 seconds | :24:47. | :25:46. | |
APPLAUSE well done, having missed a relatively straightforward red in | :25:46. | :25:51. | |
his previous visit, he has found one there. | :25:51. | :26:01. | |
:26:01. | :26:14. | ||
Come on, Michael, let us have a 60 Trying to get on to the pink. He | :26:14. | :26:21. | |
has been struggling with the cue ball. Getting into an ideal | :26:21. | :26:31. | |
:26:31. | :26:31. | ||
Apology for the loss of subtitles for 52 seconds | :26:31. | :27:25. | |
A nice frame winning break here His best break has been 49, in the | :27:25. | :27:35. | |
:27:35. | :27:58. | ||
A little bit straight on the black. I'm not sure whether he has the | :27:58. | :28:08. | |
:28:08. | :28:14. | ||
angle. He just managed to do it, he 35 points in front. One red, and a | :28:14. | :28:21. | |
high value colour. And I am sure he will get a warm round of applause. | :28:21. | :28:25. | |
It's not been a match where Ricky Walden has deserved to be 6-0 in | :28:25. | :28:29. | |
front. Michie has played exceptionally well but you can't | :28:29. | :28:36. | |
expect to beat a top player to 0. A big frame. That looks like it is | :28:36. | :28:46. | |
:28:46. | :28:53. | ||
frame over. As long as he makes APPLAUSE he thinks he has won the | :28:53. | :28:58. | |
frame but, please do not miss the red. Otherwise Ricky will carry on. | :28:58. | :29:04. | |
He is a lovely chap, buckle, I have got a lot of time for him, he is a | :29:04. | :29:14. | |
:29:14. | :29:16. | ||
good kid. The -- Michael. He needs to concentrate on winning the next | :29:16. | :29:26. | |
:29:26. | :29:35. | ||
two, to have a chance of winning He has got a frame on the board and | :29:36. | :29:43. | |
he is now trailing 6-1. REFEREE: Frame eight. Ricky Walden | :29:43. | :29:53. | |
:29:53. | :29:58. | ||
to break. Well, there you go. What a good referee she is, Willie was | :29:58. | :30:08. | |
:30:08. | :30:11. | ||
saying, and she forgets to put the But she had the foresight to see | :30:11. | :30:16. | |
that it was not on the spot, just in time. I am not sure if that is a | :30:16. | :30:24. | |
foul any more. It was if it was put on the wrong spot and now it is a | :30:24. | :30:34. | |
:30:34. | :30:35. | ||
referee error, which is a good will. -- regulation. Does not need to | :30:35. | :30:45. | |
:30:45. | :30:45. | ||
Apology for the loss of subtitles for 52 seconds | :30:45. | :31:33. | |
kiss the blue, otherwise it will The bottom red will pot but this is | :31:33. | :31:39. | |
a wonderful pack to get into. It looks like he is clear enough to | :31:39. | :31:46. | |
play it. He played it in such a way that he knew that he would slide by | :31:46. | :31:52. | |
the pack. He played that really well. Still sliding by the reds. | :31:52. | :31:57. | |
Excellent position and unfortunate not to have brought more than two | :31:57. | :32:07. | |
:32:07. | :32:21. | ||
What kind of angle does he have all this blew? Not great by the look of | :32:21. | :32:28. | |
how he is holding his cue. We can see from that angle that it looks | :32:28. | :32:38. | |
:32:38. | :33:02. | ||
A good pot needed to keep the break A good recovery. And the pink is in | :33:02. | :33:07. | |
the middle. He could play the stun below the pink and bring a couple | :33:07. | :33:17. | |
:33:17. | :33:34. | ||
He played the cannon. He does not appear to have got on anything. | :33:34. | :33:44. | |
:33:44. | :33:44. | ||
Apology for the loss of subtitles for 52 seconds | :33:44. | :35:33. | |
Just did not quite get enough I think that second Test -- second | :35:33. | :35:43. | |
:35:43. | :35:58. | ||
-- second kiss. That angle is very thin. He managed to get at the back | :35:58. | :36:05. | |
of the pack. Is anything available from this blue? I am not sure if | :36:05. | :36:15. | |
:36:15. | :36:25. | ||
The way that he has played that it obviously does. He played it well. | :36:25. | :36:29. | |
Just enough pace for the blue route to reach the pocket and hold for at | :36:29. | :36:39. | |
:36:39. | :37:01. | ||
He wants to get that black back on I think it will get past the red it | :37:01. | :37:07. | |
into the back corner pocket. He will take that red close to the top | :37:07. | :37:12. | |
cushion and then tried to create an angle for the black on the next one | :37:12. | :37:22. | |
:37:22. | :37:31. | ||
after this. But he must be low on Somewhere in this position on that | :37:31. | :37:41. | |
:37:41. | :37:47. | ||
He has got to hit the red above the black with plenty of power. Lost | :37:47. | :37:57. | |
:37:57. | :38:05. | ||
the cue ball a little bit. Just a quarter ball on bat red. -- that | :38:05. | :38:15. | |
:38:15. | :38:17. | ||
And that was a good pot but he got a very quick bounce. That is the | :38:17. | :38:24. | |
first sign of bad contact we have had. Usually it will come off at | :38:24. | :38:30. | |
the same speed that it goes on but it has come off a lot quicker. You | :38:30. | :38:34. | |
would think that he would still take on the black. But he is | :38:34. | :38:41. | |
looking at the pink in the middle. And now looking at the safety. The | :38:41. | :38:47. | |
fact that he is 60 in front, he might think it is too risky. Is he | :38:47. | :38:57. | |
:38:57. | :39:00. | ||
I think that he will put the green on the side cushion and wait for | :39:00. | :39:10. | |
:39:10. | :39:19. | ||
He is playing a different shot. Putting the blues safe. He might | :39:19. | :39:25. | |
have got it safe but I would not say it is his best shot. He is | :39:25. | :39:35. | |
:39:35. | :39:44. | ||
leaving a heart on the red. Just above the black. -- heart. -- cut. | :39:44. | :39:50. | |
He needs that green to come to his rescue and I did not think that it | :39:50. | :40:00. | |
:40:00. | :40:02. | ||
has done. If he gets on to a colour this will be frame seven for Ricky | :40:02. | :40:12. | |
:40:12. | :40:14. | ||
Walden and he could not have played it better. Perhaps that will | :40:14. | :40:19. | |
fortunate... Perhaps a bit fortunate that it played on to that | :40:19. | :40:29. | |
:40:29. | :40:54. | ||
There was a slight chance Michael would have carried on if he had | :40:54. | :41:04. | |
:41:04. | :41:18. | ||
Michael said yes to Michaela Tabb. He has conceded the frame. Ricky | :41:18. | :41:28. | |
:41:28. | :41:32. | ||
Walden moves into a 7-1 lead. This is the last frame. He must win, | :41:32. | :41:42. | |
:41:42. | :41:47. | ||
Michael Holt. Just checking the Michael Holt getting the final | :41:47. | :41:57. | |
:41:57. | :42:06. | ||
He might be forced into playing a pot. The black is what he is going | :42:06. | :42:16. | |
:42:16. | :42:26. | ||
for, or the one in the middle. It It was a good shot. He had to hit | :42:26. | :42:36. | |
:42:36. | :42:36. | ||
Apology for the loss of subtitles for 52 seconds | :42:36. | :43:56. | |
Looking at that angle, it looks possible. He is definitely on this | :43:56. | :44:03. | |
red. He could have a go for the pot. It is almost like a shot two | :44:03. | :44:09. | |
nothing here. Sometimes it can be quite difficult passing a ball on | :44:09. | :44:19. | |
:44:19. | :44:24. | ||
the way. It can Arnside is likely but he has refused it. -- distract | :44:24. | :44:34. | |
:44:34. | :44:47. | ||
A very clever safety shot. He actually made sure that he played | :44:47. | :44:51. | |
around the back of the black. And he has played it very well and | :44:51. | :44:59. | |
covered the right hand side of the table. This is a very good safety | :44:59. | :45:09. | |
:45:09. | :45:09. | ||
Apology for the loss of subtitles for 52 seconds | :45:09. | :46:23. | |
The fact that... When he gets rid of the red above the black, that | :46:23. | :46:33. | |
:46:33. | :46:36. | ||
Regardless of what happens in this frame, it has been a fantastic | :46:36. | :46:42. | |
session for Ricky Walden. He pinched the second frame and made a | :46:42. | :46:52. | |
:46:52. | :46:53. | ||
break of 140 and put himself in line for the Golden cue prize. And | :46:53. | :46:59. | |
this is the man that is suffering, Michael Holt. It is a lonely place | :47:00. | :47:09. | |
:47:10. | :47:10. | ||
when the one losing. It looks like these two can plant into the bottom | :47:10. | :47:16. | |
corner pocket. If he can take it arm. He could go into them and | :47:16. | :47:20. | |
bring more into play. He could get back on the blue but for some | :47:20. | :47:30. | |
:47:30. | :47:39. | ||
He could not have played that any better. Not only was it delicate | :47:39. | :47:44. | |
but he got on to the top side of the blue and he could not have | :47:44. | :47:50. | |
picked it up and put it better by hand. He decided to play for the | :47:50. | :48:00. | |
:48:00. | :48:14. | ||
Perfect position again on the blue. He can use the reds and bring it | :48:14. | :48:24. | |
more into play from that shot. I think the red above the black will | :48:24. | :48:29. | |
pot as well. He could go into them if he wanted but I do not think he | :48:29. | :48:39. | |
:48:39. | :48:58. | ||
I think it is important, if you are going to get to the latter stages, | :48:58. | :49:02. | |
to try and give yourself a chance and do that because close matches, | :49:02. | :49:12. | |
:49:12. | :49:13. | ||
it can be tiring. And if you can get it down early, it will do you | :49:13. | :49:23. | |
:49:23. | :49:26. | ||
He looks a bit disappointed with his position. He is not on anything | :49:26. | :49:36. | |
:49:36. | :49:36. | ||
easy. He has not got a lot of room to go in between the black and red. | :49:36. | :49:45. | |
So much so that he has missed. Surely he has not got away with | :49:45. | :49:52. | |
that. Yes, he can see that red quite easily. From our position | :49:52. | :49:59. | |
sometimes it does not look like that. Plenty of room. Well, Michael, | :49:59. | :50:04. | |
this is probably the last chance in this match. This is a frame that | :50:04. | :50:14. | |
:50:14. | :50:14. | ||
Apology for the loss of subtitles for 52 seconds | :50:14. | :51:57. | |
What an excellent shot this was. One good cannon is all he needs | :51:57. | :52:05. | |
here. Anything but a full ball. Half either side is all right. He | :52:05. | :52:11. | |
should definitely be pushing the red towards the middle. He should | :52:11. | :52:17. | |
definitely stun. If it is screwed back, he could get back towards the | :52:17. | :52:26. | |
black spot. Played it nicely. Well done. He should win the frame now. | :52:26. | :52:32. | |
Just watch that you bowl. It hits the pack and goes again. Lovely. | :52:32. | :52:41. | |
Very well controlled. -- just watch the cue ball. That was careless, | :52:41. | :52:51. | |
:52:51. | :53:04. | ||
wasn't it? You should guarantee He needed a nice kiss on the red | :53:04. | :53:14. | |
:53:14. | :53:34. | ||
and he has got it. He can get on to He needs that to travel a little | :53:34. | :53:42. | |
bit and I think it has done. If he can cannoned into these, he will be | :53:42. | :53:51. | |
in a perfect position. Four reds and four colours and he will have | :53:51. | :54:01. | |
:54:01. | :54:02. | ||
won the last frame in this session. And he can open up the bottom of | :54:02. | :54:07. | |
these three reds as well. He has just got to keep control of that | :54:07. | :54:14. | |
cue ball. It is a big frame for Michael Cole. And he is still going | :54:14. | :54:24. | |
:54:24. | :54:24. | ||
Apology for the loss of subtitles for 52 seconds | :54:24. | :55:04. | |
to be 7-2 down if he wins this. -- Would you believe it? He has missed | :55:04. | :55:11. | |
a few relatively easy pots in this match but that has cost him. Now we | :55:11. | :55:21. | |
:55:21. | :55:22. | ||
are looking at possibly being even further behind. A chance that it | :55:22. | :55:31. | |
could go 8-1. My goodness me, that was a bad miss. He has got a chance, | :55:31. | :55:41. | |
:55:41. | :55:45. | ||
Ricky Walden. Trailing by 24. Look at that miss from Michael cold. -- | :55:45. | :55:54. | |
Michael Holt. We have all been there, haven't we? If he can make | :55:54. | :56:04. | |
the cannon on the yellow... He has not kissed the red? Goodness me. | :56:04. | :56:12. | |
What a result. This is going nowhere. There was no way he was on | :56:12. | :56:22. | |
:56:22. | :56:44. | ||
12 behind. Two including the pink will suffice for Ricky Walden. With | :56:44. | :56:50. | |
this angle, he does not want to be straight on this green. That is not | :56:50. | :56:56. | |
the angle that he desired. It will be more difficult to get close to | :56:56. | :57:06. | |
:57:06. | :57:13. | ||
this brown. He has got cue power. And this brown is not easy with a | :57:13. | :57:23. | |
:57:23. | :57:26. | ||
long rest. Would you screw this in, Ken? I think he can certainly screw | :57:26. | :57:32. | |
it in. And he does not have to get right up close to the blue. The | :57:32. | :57:37. | |
most important thing is to pot the brown and leave yourself some sort | :57:37. | :57:45. | |
of shot. He can get into this very easily. He is blessed with cue | :57:46. | :57:55. | |
:57:56. | :58:00. | ||
And there you see it. War to a shot. -- what a shot. Excellent. In fact | :58:00. | :58:10. | |
:58:10. | :58:18. | ||
it was overscrewed. One good shot This will be a bitter pill for | :58:18. | :58:28. | |
:58:28. | :58:34. | ||
Michael Holt to swallow. He adds And they use it. -- and there it is | :58:34. | :58:42. | |
and what a marvellous session on the opening day at the Crucible. He | :58:42. | :58:47. | |
the opening day at the Crucible. He is leading 8-1. A pretty impressive | :58:47. | :58:53. |