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Hello and welcome to Snooker Extra. Extended highlights of the 2016 | :00:35. | :00:41. | |
Betfred World Championship. Our featured match tonight sees Ali | :00:42. | :00:51. | |
Carter, twice a runner-up taking on McManus who knocked out Steven | :00:52. | :00:52. | |
Maguire. Alan McManus gets the first frame of | :00:53. | :01:08. | |
the session. Just to remind you, there's three sessions in the best | :01:09. | :01:12. | |
of 25. First two sessions, eight frames. And then the remaining nine, | :01:13. | :01:21. | |
if that's needed to make up the 25. It's a very interesting opening | :01:22. | :01:27. | |
session and I wouldn't dispute Ali Carter at the table now having that | :01:28. | :01:30. | |
2-frame advantage. So it will be very interesting to | :01:31. | :01:42. | |
see how this second session pans out. He was 3-1 in front, Ali, and | :01:43. | :01:48. | |
looked almost certain to go 4-1 in front and the simplest of pinks into | :01:49. | :01:52. | |
the middle and Alan McManus, who looked to be struggling, really | :01:53. | :02:07. | |
found a bit of confidence. He got a 40 and a 65 in the eighth frame. So | :02:08. | :02:22. | |
all to play for in this. That was a poor safety shot. Caught | :02:23. | :02:27. | |
it much too thick. That was the problem with it last evening. Both | :02:28. | :02:33. | |
these players had tough opening first round matches. Ali Carter | :02:34. | :02:40. | |
getting over the line in a brilliant match against Stuart Bingham 10-9. | :02:41. | :02:50. | |
Fantastic shot. And Alan McManus, a great win over Steven Maguire 10-7. | :02:51. | :02:54. | |
So both have been looking for a good performance here. | :02:55. | :03:08. | |
And one person was enamored with that, more than the rest. It was | :03:09. | :03:19. | |
noticeable in the first session that Ali Carter, particularly in the | :03:20. | :03:23. | |
opening frames, didn't want to take on anything too risky. I wanted to | :03:24. | :03:29. | |
keep it tight. And that was his plan and well, he got a 2-frame advantage | :03:30. | :03:33. | |
out of the first session. It could have been more. | :03:34. | :03:45. | |
Yeah, John, there is the possibility that players play different styles | :03:46. | :03:50. | |
against different people. You can only play the balls but let's, for | :03:51. | :04:01. | |
instance, say that Ali Carter thinks that Alan McManus is not a great | :04:02. | :04:08. | |
tunist to get in amongst the balls -- opportunist to get in amongst the | :04:09. | :04:13. | |
balls and think that if I'm getting him easy chances, I could have the | :04:14. | :04:16. | |
upper hand. But that could mean that you fall into the trap of playing | :04:17. | :04:22. | |
the game that your owe ponent plays. Yeah, it's a fine balancing act | :04:23. | :04:24. | |
sometimes. But I agree with what you say. I think that he thought - well, | :04:25. | :04:29. | |
if I don't take any liberties here, I'm a big favourite to win the | :04:30. | :04:38. | |
match. I thought Alan McManus was superb | :04:39. | :04:44. | |
against Maguire. So scoring pretty well himself in the first round. | :04:45. | :04:53. | |
This isn't a nice opening for Ali Carter. He had the pots on, but with | :04:54. | :04:57. | |
the cue so close to the bottom cushion, he can't really dig down on | :04:58. | :05:01. | |
it. No real guarantee of any type of position, so he's on offer really if | :05:02. | :05:10. | |
he misses it. And of course, unless he gets the cue ball into a very | :05:11. | :05:16. | |
good safety area himself, Alan McManus will go for that red. | :05:17. | :05:21. | |
There's a few players would commit to this. Yeah, and I think if he's | :05:22. | :05:25. | |
going to play it, he's going to have to commit to it. I wouldn't try to | :05:26. | :05:30. | |
find a path back to the ball, because as Steve said, it's on. If | :05:31. | :05:33. | |
he tries to play the safety back to the ball, he has to be so accurate | :05:34. | :05:43. | |
and get such a good cue ball. No, he'll be now thinking - why | :05:44. | :05:51. | |
didn't I attempt the pot? Yes. And increasingly so in the game of | :05:52. | :05:56. | |
snooker, the modern day ethic is if you're in a position where you could | :05:57. | :05:59. | |
possibly mills the safety shot up, even if there's a risky pot, go for | :06:00. | :06:05. | |
it. Forget the consequences. Be first. | :06:06. | :06:23. | |
Short of pace there but he's still got the blue there. You would think | :06:24. | :06:28. | |
that that would be the choice. And here's the shot that Ali decided he | :06:29. | :06:33. | |
didn't want to risk the pot. But by the looks of that, hit the wrong red | :06:34. | :06:42. | |
first. You'd expect Alan McManus to pot this blue, although he's getting | :06:43. | :06:45. | |
the extension on, so perhaps he's trying to cut it in the middle as | :06:46. | :06:50. | |
opposed to into the yellow pocket. So a bit of run on the cue ball. It | :06:51. | :07:05. | |
changed the extension of the cue. Even though you can reach it more, | :07:06. | :07:08. | |
it does change the cue. It gives the cue more weight and if you're | :07:09. | :07:14. | |
putting any type of side spin on, it changes the aiming point. | :07:15. | :07:23. | |
S The opening red of Ali Carter played with back spin to slow the | :07:24. | :08:15. | |
cue ball down. Always a risky shot these days that you don't get some | :08:16. | :08:20. | |
unwanted side spin on, and that ball just got into the pocket to give him | :08:21. | :08:23. | |
this opportunity. Funny enough, years ago before we | :08:24. | :08:37. | |
got to the superfine cloth, you played it with a trace of side, just | :08:38. | :08:41. | |
to move the cue ball over. But you're playing with side on these | :08:42. | :08:53. | |
clothes and it's at your peril. S This is a real good opportunity | :08:54. | :08:58. | |
for Ali to stretch his lead. He was certainly the better of the two in | :08:59. | :09:04. | |
the opening session. Made a century break in the third frame. And the | :09:05. | :09:15. | |
reds he needs to clinch the frame in this visit, are all in the open. He | :09:16. | :09:20. | |
doesn't need the two reds near the side cushion. | :09:21. | :09:54. | |
I think the pink at the moment looks to be occupied. And if he's got the | :09:55. | :10:01. | |
right angle, he could nudge the red away and make room for the pink. But | :10:02. | :10:06. | |
if he hasn't, it won't be any great harm for the pink to go on the blue | :10:07. | :10:13. | |
spot. Depends how he sees it down at the table. Oh, would you believe it! | :10:14. | :10:23. | |
He missed a pink in the opposite middle. Last evening, it's | :10:24. | :10:30. | |
unbelievable! He's just thinking about the cannon. Took his eye off | :10:31. | :10:40. | |
the pot. Lightning struck twice. Yeah, I think that the last thing | :10:41. | :10:43. | |
that Alan McManus was thinking was that he was going to get back to the | :10:44. | :10:54. | |
table. Just a bit short of pace. That's made the situation a little | :10:55. | :10:58. | |
bit more difficult. I think he's probably just about OK. In line with | :10:59. | :11:03. | |
the pink, could have done with a little bit more. Shows you what I | :11:04. | :11:06. | |
know! Correct side. I leave the commentator's eyes up to | :11:07. | :11:31. | |
you, John! A couple of difficult reds that Ali Carter is pleased to | :11:32. | :11:34. | |
see on the side cushion now. He could have controlled the cue | :11:35. | :12:10. | |
ball slightly better. If he had the expension there. He would be wary of | :12:11. | :12:15. | |
the red next to the cushion when he's reaching over here. | :12:16. | :12:19. | |
As I was mentioning earlier, he was 3-1 down. Ali Carter looked certain | :12:20. | :12:32. | |
to go 4-1 in front. Roll in a red to funnily enough, the opposite middle | :12:33. | :12:36. | |
to where he just missed that last pink. And he missed the pink and all | :12:37. | :12:45. | |
of a sudden, it was as though Alan McManus got inspiration from that | :12:46. | :12:48. | |
mistake, but he's got it to do here with the two reds on the side | :12:49. | :12:52. | |
cushion as Steve mentioned. Ali Carter could have won the frame | :12:53. | :12:54. | |
without those, but Alan can't. Chance to move one of them. And | :12:55. | :13:09. | |
retain position on the pink. It's always a risk if you do decide to do | :13:10. | :13:12. | |
this. Very short of pace there. There | :13:13. | :13:23. | |
would have been players would have tried to have moved that red. I'm | :13:24. | :13:27. | |
not saying that it was right shot to do, but at some stage, you have to | :13:28. | :13:29. | |
get them off the cushions as well. This is a tough pot and position. | :13:30. | :13:44. | |
Tweaked it off to the left. And also wasn't on the red either. Playing | :13:45. | :13:52. | |
for the double. Don't know what was not committing anyway. I'm not sure | :13:53. | :13:58. | |
if that was... Might be me talking to a more positive frame of mind | :13:59. | :14:01. | |
there about knocking that red off the cushion, but I think it was on. | :14:02. | :14:06. | |
Yeah, and I think that it was a trick that he missed. Because there | :14:07. | :14:12. | |
was no way that he could win the frame the way that the reds were | :14:13. | :14:15. | |
situated. And when he's played that pink, as you say, he didn't play for | :14:16. | :14:22. | |
the red near the top cushion, which you would normally expect a player | :14:23. | :14:23. | |
to do. Nicely judged from Ali Carter. Not | :14:24. | :15:23. | |
going to get any advantage from it, but it do have gone wrong. Possible | :15:24. | :15:27. | |
double. There is the possibility that Alan | :15:28. | :16:12. | |
McManus could pot the red in such a way as to leave himself in a | :16:13. | :16:15. | |
position on the black in which to disturb the two reds, but that's | :16:16. | :16:22. | |
very aggressive. And forward thinking. As it was, missed the red | :16:23. | :16:32. | |
by some distance. That trade mark lifting up of Alan McManus towards | :16:33. | :16:38. | |
the end of the back swing and then just before the hit, a fraction of | :16:39. | :16:42. | |
head and body movement. That's been with him all the time. Not saying | :16:43. | :16:45. | |
that it's the reason why he missed it at all, it's just part of his | :16:46. | :16:47. | |
game. I think Alan McManus, depending if | :16:48. | :17:16. | |
the red goes past the pink, for mak, if it doesn't go past the pink, he | :17:17. | :17:25. | |
can play a very slow roll to keep the cue ball down there. Very nicely | :17:26. | :17:27. | |
played. Don't know if there's enough room to | :17:28. | :17:41. | |
get the cue ball behind the pink. There's your answer. Down the other | :17:42. | :17:44. | |
side! Amazingly, that red stayed in the | :17:45. | :18:37. | |
bottom half of the table and it's a very thin cut and one that Ali | :18:38. | :18:42. | |
Carter couldn't really have expected Alan McManus would have had. Very | :18:43. | :18:48. | |
thin. Cue ball is going to go off the top cushion down into the | :18:49. | :18:55. | |
girlfriend pocket area. -- green pocket area. | :18:56. | :19:04. | |
Well, that was an excellent pot and a nice kiss on the green because | :19:05. | :19:11. | |
it's left him a perfect angle on the pink. | :19:12. | :19:46. | |
In an ideal world, you'd like to leave the cue ball close to the | :19:47. | :19:51. | |
right-hand side cushion to leave yourself an angle over the black | :19:52. | :19:55. | |
corner and then pot the black and stun across and disturb the red over | :19:56. | :19:58. | |
the top cushion. I don't know whether he's got the angle to do | :19:59. | :20:01. | |
that off this red now. Well, that's what he's going for. He | :20:02. | :20:15. | |
needs to get closer to the cushion. He's maybe just got the angle. So, | :20:16. | :20:19. | |
will he play the cannon? You'd think he would. Otherwise the red along | :20:20. | :20:27. | |
the top cushion will be tricky. Played it well. Played it very well. | :20:28. | :20:39. | |
Yes, I would have been delighted to see the path of the cue ball which | :20:40. | :20:44. | |
more or less guaranteed position on the red. Just got to be careful with | :20:45. | :20:47. | |
this one. Would have liked to have been lower | :20:48. | :21:03. | |
on the pink. So now, some more work to do. A screw back off the side | :21:04. | :21:10. | |
cushion just before the middle pocket. He's caught that very well. | :21:11. | :21:20. | |
Neerl too well. -- nearly too well. 19 points the lead. Yellow and green | :21:21. | :21:23. | |
required. So Ali Carter missing that straight | :21:24. | :21:35. | |
forward pink to the left middle. Eventually it's cost him the frame. | :21:36. | :22:21. | |
And that's it for Ali Carter. He'll be very disappointed. Had a great | :22:22. | :22:27. | |
chance to extend the lead to three. It's reduced to one. He still leads | :22:28. | :22:35. | |
5-4. Ali Carter starts off the ninth | :22:36. | :22:44. | |
frame. With a decent break off. I don't know if he's covered the red | :22:45. | :22:54. | |
to the left-hand side of the table. Ali Carter can't really have asked | :22:55. | :22:57. | |
for any better a break off than that. Alan McManus can't play to the | :22:58. | :23:04. | |
top cushion because of the red behind the black so this is a bit of | :23:05. | :23:09. | |
a shot from Alan McManus without being snookered. He's playing the | :23:10. | :23:16. | |
two-cushion escape. He obviously had a big area. It wasn't just... | :23:17. | :23:20. | |
Because there was a line of four reds, perhaps he felt there was a | :23:21. | :23:29. | |
big area for error. I'd like to have that one again. S Well, you've got | :23:30. | :23:37. | |
to see... See what shot he would have played or would he play that | :23:38. | :23:42. | |
again? Because it could go wrong this one. Nearly went wrong. He's | :23:43. | :23:51. | |
introduced as Alan 'Angles' McManus, so the clue is in the introduction | :23:52. | :23:56. | |
that he's pretty good at this type of shot. No, that pink was close to | :23:57. | :24:04. | |
the reds. Do you think it's a bit like combing your hair in a mirror | :24:05. | :24:08. | |
or the other way around. No, combing your hair... In a camera. You mean | :24:09. | :24:13. | |
when you're looking at something and it's reversed on the table? Yeah. | :24:14. | :24:16. | |
Well, let's have a look at what it was? That's where it was. And where | :24:17. | :24:22. | |
is it now? Almost perfect. If you're looking at a TV screen and the | :24:23. | :24:25. | |
camera is on you and you try to comb your hair, you would go the wrong | :24:26. | :24:28. | |
way because it is different to looking at it in a mirror. A bit of | :24:29. | :24:32. | |
information for you! How very interesting! Shut up! OK, so he's | :24:33. | :24:42. | |
playing the same shot and that pink is in the way a bit. Yeah, great | :24:43. | :24:54. | |
shot. He does it again. Yeah, he didn't like the containing safety. | :24:55. | :24:59. | |
He didn't feel as though it was a return to there, getting straight | :25:00. | :25:02. | |
off the red. So played it like that. He has left a chance for Ali. | :25:03. | :25:07. | |
Straightish red. He's usually very good at these but this is the type | :25:08. | :25:12. | |
of shot he's been turning down in favour of safety. And there you see, | :25:13. | :25:18. | |
he's doing it again. Big target behind green and brown here. And | :25:19. | :25:25. | |
also, he's spotted that it was there. Does he get a good kiss on | :25:26. | :25:34. | |
the brown? No. So no prizes for guessing what comes next. | :25:35. | :25:41. | |
More angles required. Well, John, we're in the studio here in the | :25:42. | :25:51. | |
commentary box. You're in front of the telly straighter. Dennis is | :25:52. | :25:56. | |
recovering from appendicitis, so over to you. And in the blink of an | :25:57. | :26:08. | |
eye, that's my solution. The mark of Zoro! Zoro. And the reason I've put | :26:09. | :26:18. | |
him well away from that red to the left of the pink is that it is going | :26:19. | :26:22. | |
to slide off the second cushion. He's got to have it where I've hit. | :26:23. | :26:27. | |
If he doesn't hit there, he might miss the red. He slides. | :26:28. | :26:37. | |
REFEREE: Foul and a miss. That's from the angles. Angles has let us | :26:38. | :26:42. | |
down there. Now, will Ali be tempted? I would be. Well, wow, | :26:43. | :26:50. | |
yeah! When you're looking at that shot on our TV screen, you think - | :26:51. | :26:53. | |
well, why don't you try it along the cushion, but it is a little bit more | :26:54. | :26:57. | |
of an angle on the pot than it looks. I thought he might have taken | :26:58. | :27:03. | |
that on, but as you say, if he's got a game plan. He has a plan. Those | :27:04. | :27:08. | |
angles weren't on by the way I think is the answer to that connundrum | :27:09. | :27:15. | |
that while your lines are lovely, I don't think that angles decides that | :27:16. | :27:23. | |
that is feasible with the slide. So now he's looking at God knows what | :27:24. | :27:26. | |
now. I was thinking to the line, I think he's got to get a little bit | :27:27. | :27:34. | |
closer to the blue. OK, he's found another alternative. I don't know | :27:35. | :27:37. | |
how he can get it safely in this way. I think that this slides as | :27:38. | :27:46. | |
well. Well, there's a line. Oh, it was of the perfect line. But not | :27:47. | :27:53. | |
hard enough. He gets put back you have again. But whether he can | :27:54. | :27:58. | |
replicate the exact release off the cushions of the cue ball. With a bit | :27:59. | :28:04. | |
more pace. Yes, with a bit more pace is... Is arguable. So not guaranteed | :28:05. | :28:10. | |
to get the line right even though he knows it's available. | :28:11. | :28:24. | |
A bit more pace this time. Does it affect the line of the cue ball? | :28:25. | :28:37. | |
Played it beautifully. He didn't let us down that time. That's why he's | :28:38. | :28:48. | |
called 'Angles'. He's back. Ali Carter has got a pretty easy path | :28:49. | :28:53. | |
back down to bulk behind the green. Could put Alan back in trouble. A | :28:54. | :28:56. | |
bit shallow on that. No trul at all. Just looking at the possible outcome | :28:57. | :29:37. | |
of the reds hitting other reds and plants that are on into the | :29:38. | :29:40. | |
left-hand corner. For a second, I thought he'd spotted a plant. He's | :29:41. | :29:46. | |
caught this far too thin. Didn't want to be hitting the far side | :29:47. | :29:48. | |
cushion. An attempt for Ali Carter. Not even considering it, I don't | :29:49. | :30:05. | |
think. Though, there's a bit of an angle on the shot. Quite a tactical | :30:06. | :30:14. | |
match, as you say, John. Ali keeping it tight. That's Alan's preferred | :30:15. | :30:24. | |
method, anyway. Good safety. He's got him in a bit of trouble, I | :30:25. | :30:31. | |
think. Yeah, on the first bit, and this is what we were discussing last | :30:32. | :30:35. | |
evening is that you'd think if it came to a tactical affair, that Alan | :30:36. | :30:38. | |
McManus might have the advantage. But I think now he as working on the | :30:39. | :30:44. | |
principle that if he gets in, he'll score heavier than Alan so keep it | :30:45. | :30:48. | |
tight and don't open the reds as much as he would normally. It's a | :30:49. | :30:53. | |
plan. It's working so far. If he's cut out those easy pots he's missed, | :30:54. | :31:01. | |
Ali. Alan McManus could just get through to that red, bent it with a | :31:02. | :31:07. | |
bit of left-hand side. And swung the right, the cue ball around off | :31:08. | :31:13. | |
three, four cushions into what is an excellent safety area himself and a | :31:14. | :31:17. | |
little tap on the table there from Ali Carter. A little less pressure | :31:18. | :31:28. | |
on the safety aspect. With the black out of commission, but the pink is | :31:29. | :31:31. | |
still in open play. He was more or less forced into | :31:32. | :31:51. | |
playing that pot. Sometimes the positions of the balls dictate what | :31:52. | :31:56. | |
shot you play and that of the case in question. But he didn't get the | :31:57. | :32:01. | |
double kiss so he's not left anything. Nothing easy. | :32:02. | :32:33. | |
I mean a lot of times in snooker, you play the balls this they dictate | :32:34. | :32:40. | |
the pattern of play. I don't think that Ali Carter really needs to | :32:41. | :32:48. | |
change his game at all. Perhaps he's had a thought coming into this World | :32:49. | :32:58. | |
Championship to just readjust the balance of attack and defend. | :32:59. | :33:02. | |
I don't know many players that have a game plan for each round, do you? | :33:03. | :33:06. | |
I mean, I don't remember that was the case, not strongly. No, no. But | :33:07. | :33:11. | |
he had to go through the three qualifying matches so maybe he | :33:12. | :33:14. | |
decided that he felt more comfortable playing this type of | :33:15. | :33:19. | |
game and not pushing the bolt out too much. Takes a little bit of | :33:20. | :33:25. | |
pressure off if you're not going for everything. | :33:26. | :33:33. | |
That was close to Mario Bernie who will be a name that not a lot of | :33:34. | :33:39. | |
people will have heard of but he was a great amateur player from Wales, | :33:40. | :33:43. | |
and he always used to say, "You've got to be fair to your ability." | :33:44. | :33:51. | |
Playing outrageous shots, sometimes you're not. This doesn't look bad. | :33:52. | :33:58. | |
Just a touch too hard, I think. I think Alan can just get to the edge | :33:59. | :34:04. | |
of the red. That's tight. That is tight. | :34:05. | :34:11. | |
Well, one thing is for certain, Ali Carter knows his way around a | :34:12. | :34:16. | |
snooker table in the tactical department. | :34:17. | :35:01. | |
Well, he's cut off escape routes down the right-hand side of the | :35:02. | :35:12. | |
table as we look on our screens. And a pretty low return on risk for | :35:13. | :35:17. | |
going for a pot for Alan McManus. What can he get on? The red is | :35:18. | :35:23. | |
relatively straight. Hard to see how he can get out into open play. There | :35:24. | :35:33. | |
is a gap. Not much of one. And effectively, a defensive pot really | :35:34. | :35:37. | |
just to contain the situation. You do no damage if you miss. You can | :35:38. | :35:42. | |
only leave that ball up and still hit it very nicely, though, so he's | :35:43. | :35:47. | |
controlling the tactical play by potting that red. Needs to get this | :35:48. | :35:53. | |
cue ball across to the left-hand side of the table sufficiently that | :35:54. | :35:57. | |
he cuts off the route back down the table, which he's done. Advantage | :35:58. | :36:08. | |
Alan McManus. Yeah, that containing pot there has given the edge here. | :36:09. | :36:22. | |
You don't want to get dragged into a tctical battle unless you can help | :36:23. | :36:27. | |
it -- tactical battle unless you can help it, I would have thought. | :36:28. | :36:31. | |
Especially if you're Ali Carter. He's got all of the shots in the | :36:32. | :36:33. | |
book. Well, he's hit that, but I think | :36:34. | :36:42. | |
that well, Ali has come around to have a look. There may be a red | :36:43. | :36:46. | |
available to the right middle. I don't know where the colour comes | :36:47. | :36:56. | |
from, that's anybody's guess. A tough one into the right corner, | :36:57. | :36:59. | |
which would give him position into the pink. The right-hand one of the | :37:00. | :37:02. | |
two we can see are available. But he's playing this one to the middle. | :37:03. | :37:08. | |
Well, maybe he can... Oh, just a safety. But there's not many players | :37:09. | :37:16. | |
of the new breed of players who would refuse that red into the roith | :37:17. | :37:22. | |
corner. That's old school -- right corn e. That's old school tactics | :37:23. | :37:27. | |
off the side cushion there. 25 years he's been coming here, Alan McManus. | :37:28. | :37:38. | |
Not criticising. He's old school. Not criticising the choice off the | :37:39. | :37:42. | |
cushion. That was so much of a choice that could have gone wrong | :37:43. | :37:46. | |
and presenting your opponent with an easy choice and Alan McManus makes | :37:47. | :37:51. | |
sure that he makes it hard for his opponent. He's not a slow player in | :37:52. | :37:56. | |
as much as the amount of time that he takes over the shots. It's not | :37:57. | :38:00. | |
that. He makes up his mind pretty quickly. But as you say, John, he's | :38:01. | :38:09. | |
old school. Won't be happy with that, though. He's left the red on. | :38:10. | :38:15. | |
But the way that the colours are situated, black out of commission, | :38:16. | :38:19. | |
pink tied up. He's going to have to pot this and just try to hope that | :38:20. | :38:24. | |
he finishes up on a colour. But don't miss the pot. | :38:25. | :38:33. | |
Well, you can hope and you can do what you like. He could have wished | :38:34. | :38:39. | |
for something better than that. The only upside is that that he can get | :38:40. | :38:42. | |
through to play safe off the pink. Much too thin. And this time if he | :38:43. | :39:39. | |
pots the red, you would think that he would be on a colour. He's got | :39:40. | :39:48. | |
the blue to play for. Such a good cuist normally, is Ali. | :39:49. | :39:54. | |
He is solid. The only thing is that we could see the line of the cue | :39:55. | :39:57. | |
ball when it was going straight back. Always looked as though he was | :39:58. | :40:02. | |
going to run into the blue. And was probably hoping for a kiss on the | :40:03. | :40:11. | |
blue, but not a full one. Such a superb cue-ist. Absolutely no head | :40:12. | :40:16. | |
movement at all when Ali Carter plays power screw backs. | :40:17. | :40:24. | |
Didn't really have to do a great deal with that yellow as far as | :40:25. | :40:31. | |
getting up the table with that red over the corner pocket. A bit of | :40:32. | :40:37. | |
left-hand spin, straighten the cue ball up off the cushion. Not enough | :40:38. | :40:45. | |
slnd spin. I thought that that was -- left-hand spin. I thought that | :40:46. | :40:52. | |
that was avoidable. And if he continues in his tactical play, he | :40:53. | :40:59. | |
won't go for a pot here. I think even if he was playing attacking, he | :41:00. | :41:02. | |
wouldn't be necessarily going for one. So trying to get in behind that | :41:03. | :41:06. | |
brown perhaps. It was his intention to get in | :41:07. | :41:21. | |
behind the brown, but he'll be pleased where the cue ball has | :41:22. | :41:25. | |
finished. Tight into the cushion. It doesn't make this an easy return, | :41:26. | :41:29. | |
particularly as there's quite a few reds could get in the way. Caught it | :41:30. | :41:42. | |
much too thick. Much too thick. Well, I've got a feeling that Alan | :41:43. | :41:49. | |
McManus had other options apart from that shot. I'll have to see it all | :41:50. | :41:57. | |
again. But too late now regardless. He's left a lovely position for Ali | :41:58. | :42:01. | |
Carter. But there was a bit of a ris yk that safety shot. Perhaps could | :42:02. | :42:05. | |
have played for the top cushion somehow. Might be doing Ali a | :42:06. | :42:13. | |
disservice there, but the last thing that you wanted to do was open all | :42:14. | :42:20. | |
the balls up in a situation that he was in. | :42:21. | :42:45. | |
Had to play for the pink in the middle pocket there. He's missed a | :42:46. | :42:52. | |
couple in the middles, whether it is on his mind or not is another | :42:53. | :42:54. | |
matter. Frame-winning chance. Without doing | :42:55. | :43:15. | |
a great deal of work. Poor shot. Very poor shot. | :43:16. | :43:23. | |
Yeah, just look at that. Surprised in a way that he didn't play for the | :43:24. | :43:30. | |
pink in the middle. Maybe the fact that he's missed a couple of them. | :43:31. | :43:41. | |
Anyway, he's potted the pink. Hasn't recovered the positional side of it. | :43:42. | :43:48. | |
Still got a pot on, but it's a tough one. Yeah, I think he chose not to | :43:49. | :43:54. | |
play the pink in the centre pocket because the position for pink in the | :43:55. | :43:59. | |
corner was easy in his own mind. It was guaranteed. He just got into the | :44:00. | :44:05. | |
cue ball too much. This is a tough shot. | :44:06. | :44:15. | |
Is he playing safe here? Oh, playing safe. Trying to get in behind the | :44:16. | :44:19. | |
brown. Well, he didn't get in behind the | :44:20. | :44:27. | |
brown but once again, an excellent cue ball. | :44:28. | :44:56. | |
Inchlths don't believe that. I don't think I've ever seen a cushion | :44:57. | :45:03. | |
bounce as badly as that. That's laughable. It must be some chalk on | :45:04. | :45:10. | |
the cue ball that's just got in the way of it. Just ridiculous bounce. | :45:11. | :45:16. | |
Like six foot bounced further than it was going to. Yeah, that | :45:17. | :45:25. | |
definitely came off a lot quicker than it went on. A springer. Gee | :45:26. | :45:35. | |
whizz! Do you think that was what he wanted? I think that the cushions | :45:36. | :45:38. | |
are playing very fast and bordering on too fast. I think we have tried | :45:39. | :45:44. | |
different cloth on the cushions. I think that it is different cloth to | :45:45. | :45:48. | |
the bed now, but it still doesn't slow them up enough and I think over | :45:49. | :45:54. | |
the years, players have wanted faster and faster conditions and | :45:55. | :45:58. | |
faster cushions rather than sluggish ones. We're now at the situation | :45:59. | :46:04. | |
where the cloth is seemingly so thin that the rubber tends to play more | :46:05. | :46:09. | |
of a part. There's no cushioning effect. And I know for one that | :46:10. | :46:15. | |
Jimmy White is an advocate of thicker cloth on bed and cushion to | :46:16. | :46:19. | |
try to stop kicks and bad bounces, but then of course, you have slower | :46:20. | :46:22. | |
tables. And of course, if you have a slower | :46:23. | :46:32. | |
table, then you have to hit the balls a little bit harder, as we | :46:33. | :46:37. | |
watch this excellent safety shot from Alan McManus. But just to | :46:38. | :46:40. | |
finish the point, slower table, you have to hit the balls a little bit | :46:41. | :46:45. | |
harder. Makes the pots more difficult. | :46:46. | :46:53. | |
You've retired now anyway. So you don't mind them being a bit tighter | :46:54. | :46:58. | |
or bouncier, do you? Don't care now! (LAUGHTER) | :46:59. | :47:06. | |
. I mean, the modern day players can play an amazing range of shots, and | :47:07. | :47:11. | |
it wasn't that the older mayors weren't capable of that, but I don't | :47:12. | :47:17. | |
think that the clothes were as responsive back in the 70s and 80s. | :47:18. | :47:27. | |
Well, didn't necessarily want to make contact with that red you | :47:28. | :47:32. | |
wouldn't have thought. But, it might cut back into the corner. Well, if | :47:33. | :47:38. | |
it does, he can do some damage to these six balls on the top cushion. | :47:39. | :47:43. | |
He's playing the pots. Ali Carter would be concerned here, | :47:44. | :47:56. | |
although he's got some insurance policy with the green on the side | :47:57. | :47:57. | |
cushion. Is this red going to spoil things? | :47:58. | :48:14. | |
No. That was the only thing that Alan could hope for then. So it was | :48:15. | :48:20. | |
a thin one. I've got to be honest with you, I expected him to get it. | :48:21. | :48:25. | |
Maybe he had a bit more of an eye on the cannon and trying to bring the | :48:26. | :48:30. | |
other balls into play, but Ali with a 41-point lead, chance to clinch | :48:31. | :48:32. | |
the frame now. Yeah, I commentated on the session | :48:33. | :49:06. | |
this morning on this table between ... Mark Williams and Martin... Yes. | :49:07. | :49:13. | |
Sorry, I was looking at the positional play there. And there was | :49:14. | :49:19. | |
so many bowed boups there. So many. So much so that Mark Williams was | :49:20. | :49:27. | |
trying to calm down the cushion covers with his towel to try to | :49:28. | :49:31. | |
re-align that and get all of the chalk off the cushions. Yeah, it's a | :49:32. | :49:39. | |
funny thing. Since day one, this table has been having plenty of | :49:40. | :49:43. | |
complaints. In fact, after day two, they recovered the cushions. Scus | :49:44. | :49:48. | |
this red needed here. And they recovered the cushions and yet, the | :49:49. | :49:52. | |
feedback from table 2 is that it's playing as good as any table that | :49:53. | :49:56. | |
they've played on here at The Crucible. You know the table on the | :49:57. | :50:01. | |
other side of the wall. So I don't know why they can't replicate it on | :50:02. | :50:10. | |
this side. So 62 ahead and just 51 remaining. If he gets this double, | :50:11. | :50:23. | |
no way back to the table for Alan. Well, this is the table that Stephen | :50:24. | :50:30. | |
Hendry said should be burned. Was it this one? I would think so because | :50:31. | :50:34. | |
this one is playing really well. That's the thing about Stephen, you | :50:35. | :50:38. | |
ask him a question - he certainly doesn't hold back with his opinion, | :50:39. | :50:42. | |
does he? Anyway, we're watching that and Ali Carter has finished the | :50:43. | :50:46. | |
break and Alan McManus stays in his seat. He's now two behind as we | :50:47. | :50:52. | |
started this session. Ali Carter now leads by six frames to four. | :50:53. | :50:59. | |
Two frames played and two more before the mid-session interval. | :51:00. | :51:11. | |
And it's Alan McManus getting frame 11 under way. | :51:12. | :51:20. | |
Very important session, isn't it, the middle one of the three? Did you | :51:21. | :51:25. | |
not always feel that? It was a chance to take that lead into the | :51:26. | :51:27. | |
final session? Nice pot, althoughs more of a | :51:28. | :51:42. | |
containing pot than anything else. No colour on. Yes, I think that the | :51:43. | :51:46. | |
second session is where perhaps the player feels that he's got a chance | :51:47. | :51:51. | |
to establish his dominance in the match. Fibs session perhaps is the | :51:52. | :52:00. | |
player sparring for position. A bit loose with the cue ball. Yes, | :52:01. | :52:07. | |
surprised that he just didn't concentrate there just to move the | :52:08. | :52:11. | |
cue ball tight against the cushion. Off the red for Alan. Ohhing well, | :52:12. | :52:15. | |
the black is not available and the pink is tied up. Have to go back up | :52:16. | :52:24. | |
for blue. Good clean pot. Going along nicely there. You feel like | :52:25. | :52:32. | |
he's got to go into the pink here at speed. | :52:33. | :52:47. | |
He hit the pink but he didn't get the back spin that holds the cue | :52:48. | :52:52. | |
ball after it hits the pink but he may be on the red to the left | :52:53. | :52:54. | |
corner. He was. OK. Just short of ideal | :52:55. | :53:12. | |
position on the blue there. So just going to have to drop the blue in | :53:13. | :53:17. | |
and play for the red to the left corner. | :53:18. | :53:22. | |
Temptation is to go in and out of baulk. As you say, just the wrong | :53:23. | :53:29. | |
side of the blue line. A lot more players favouring just | :53:30. | :53:41. | |
dropping the baulk, the blue in there and leaving themselves a | :53:42. | :53:45. | |
middle distance pot. That's not a terrible situation to be in. If you | :53:46. | :53:51. | |
go in and out of baulk, a lot of things can go wrong. That's the | :53:52. | :53:59. | |
problem isn't it on the superfine clothes. Once you start to add some | :54:00. | :54:03. | |
pace into it, unless you find the middle of the cue ball, you're going | :54:04. | :54:07. | |
to miss pots, aren't you? You see a fair bit of body movement when Alan | :54:08. | :54:10. | |
has to put any effort into the shot. He's always done it. Yeah, that as | :54:11. | :54:17. | |
well. I don't think that he's by any means the best power player in the | :54:18. | :54:22. | |
game. He'll admit that myself. Yeah, and as you mentioned earlier, he's | :54:23. | :54:25. | |
one of those people, when he brings the cue back and he's ready to | :54:26. | :54:29. | |
deliver it, he just lifts his head up slightly off the cue. It's been | :54:30. | :54:38. | |
something he's always done. Nice to see him back playing well, though. | :54:39. | :54:43. | |
That was 25 years when he made his debut here. Where has the time gone? | :54:44. | :55:01. | |
That's opened up the frame a little bit now that the black is in the | :55:02. | :55:06. | |
open. The red that Ali Carter is more or less forced to play does | :55:07. | :55:11. | |
push a third red samingly towards the right-hand corner pocket. | :55:12. | :55:17. | |
Arguably, even a plant of some port, a 3-ball plant. But probably | :55:18. | :55:22. | |
won't... It will probably go to the top cushion a bit. Didn't want that | :55:23. | :55:30. | |
red to the left of the table going anywhere near that pocket. Well, | :55:31. | :55:34. | |
Alan McManus had a shot very similar to this in the last frame where | :55:35. | :55:40. | |
after he hit the red, the cue ball was whizzing around like a ping | :55:41. | :55:44. | |
uponing ball. So that will probably be on his mind a bit on this shot. | :55:45. | :56:00. | |
Yeah, good pot. Pot. Well, not the best kiss on the yellow but I think | :56:01. | :56:05. | |
that the green is just off the spot so the green not too difficult. | :56:06. | :56:10. | |
Ideally, you would like to get on the red that is blocking the black | :56:11. | :56:14. | |
spot. If he doesn't get on that red, he | :56:15. | :56:37. | |
doesn't want to pot the black. Oh, just collided with the blue. | :56:38. | :56:42. | |
Looks like he's going to have to play that red by the black spot. It | :56:43. | :56:53. | |
you have spot. Yeah, he'll be a bit disappointed to have made contact | :56:54. | :56:55. | |
with the blue. He knew that the blue was there. He should have tried to | :56:56. | :57:04. | |
avoid it in some way. So good pot needed. He could possibly have | :57:05. | :57:07. | |
played the one to the right of the black spot and all for the black. | :57:08. | :57:11. | |
That's what he decided to do and he tell you what, he could not have | :57:12. | :57:14. | |
played it any better. Good shot. And because of the situation he was | :57:15. | :57:36. | |
in, he's opened up the black spot. OK, not ideal yet positional wise, | :57:37. | :57:47. | |
but he's got a chance to drop this red on the right in, just float | :57:48. | :57:50. | |
across the face of the other red for the black in the middle into the | :57:51. | :57:55. | |
opposite corner. But he could decide to play it firmer. Yeah, he didn't | :57:56. | :58:03. | |
trust playing it softly. They're not easy to control without the cue ball | :58:04. | :58:10. | |
going to the far cushion. Chance to open the reds up. Or are there | :58:11. | :58:13. | |
enough reds open anyway? I think in this situation, he's got | :58:14. | :58:30. | |
enough reds to play with that he'll get a chance to open the pack up | :58:31. | :58:33. | |
again with another date. Yes, he's going to have to disturb | :58:34. | :58:45. | |
that little cluster of five around the pink if he's going to win the | :58:46. | :58:53. | |
frame in this visit. That is now putting him 37 points in front. So | :58:54. | :59:01. | |
37, 24. 61 with five reds, there's still 67 on. So yeah. He's going to | :59:02. | :59:04. | |
need one of those reds. Yeah, there was a case to be made for opening | :59:05. | :59:12. | |
them up. I think that he had a nice enough angle on the black. And I | :59:13. | :59:18. | |
think he would have guaranteed to have been on a red as well. | :59:19. | :59:24. | |
You done really want to leave... Oh, it's got a kick and it's gone | :59:25. | :59:29. | |
straight. You don't really want to leave opening the pack of reds up to | :59:30. | :59:36. | |
the last. Because it can always go wrong. Yeah, so you would think. And | :59:37. | :59:41. | |
I think he's just got a slight angle. Play for the red close to the | :59:42. | :59:45. | |
top cushion and then in potting that, leave an angle on the black | :59:46. | :59:49. | |
and leave that red that's available to the right corner. But maybe | :59:50. | :59:52. | |
hasn't got the angle to play that. He didn't. He was dead straight. | :59:53. | :59:59. | |
Yeah, maybe running out of balls to get a good angle on this pack. Wrong | :00:00. | :00:17. | |
side of the black for the red on the top cushion, so looks like he's a | :00:18. | :00:22. | |
little bit... Well, perhaps he's OK for the pack here. Yeah, I think | :00:23. | :00:26. | |
he's got a screw in to the pack. He needed to anyway. Not guaranteed to | :00:27. | :00:38. | |
be on a red. OK, well, therein lies the case to be made for the | :00:39. | :00:41. | |
opposition on opening the pack early. I think he's got one into the | :00:42. | :00:47. | |
middle pocket but it's not ideal. He'll be just glad to have a chance | :00:48. | :00:50. | |
there for the frame. I thought for a minute he was on nothing. But he's | :00:51. | :00:58. | |
just about got one. Being ultra critical by discussing things in | :00:59. | :01:09. | |
this way, but he's get ago bit frustrated with himself out there | :01:10. | :01:13. | |
today, Alan. As you say, maybe he should have gone and opened the reds | :01:14. | :01:17. | |
a little bit earlier and left it to the last minute. A shake of the head | :01:18. | :01:27. | |
there. Anyway, chance now for Ali Carter to really hurt Alan McManus | :01:28. | :01:37. | |
here. The big problem, of course, is the red on the right-hand side of | :01:38. | :01:42. | |
the table. Not to say that if it was on that side for a right-hander, not | :01:43. | :01:46. | |
too much of a problem, but he's not close to the pocket. But time enough | :01:47. | :01:55. | |
to think about that. A few reds and colours to pot before. You'd love to | :01:56. | :02:00. | |
know what Alan was saying there, what was going through his mind. | :02:01. | :02:20. | |
I think the red up in the baulk will pass the brown so there's no need to | :02:21. | :02:28. | |
worry about that. It's just the reds at this end. I'm surprised that he | :02:29. | :02:39. | |
played for the pink there. Well, he might have to... Well, it looks like | :02:40. | :02:44. | |
he's going up for that red into the baulk there. Oh, he wants to slow | :02:45. | :02:53. | |
down a bit. He's overhit that a little bit. I'd be leaving this one | :02:54. | :03:01. | |
until last, I think, myself. Yeah, I think he was forced to play for this | :03:02. | :03:07. | |
one. Yeah, because of the angle he got on the pink. How can he play the | :03:08. | :03:14. | |
pot here and play the cannon to try to disturb the red from the | :03:15. | :03:19. | |
right-hand cushion. Obviously he couldn't. But he's missed the red. | :03:20. | :03:26. | |
And I think he's just missed the red really because he was so disapointed | :03:27. | :03:29. | |
with his position on the pink and then his position from the pink on | :03:30. | :03:35. | |
that red. And I know it shouldn't let you affect the shot, but it just | :03:36. | :03:40. | |
took him out of the comfort zone. And I think Alan can get through to | :03:41. | :03:47. | |
this red. He's got a 29-point lead. He needs to with the swerve. Yeah, | :03:48. | :03:52. | |
wasn't too of a problem. But he's not on the colour. He's got a | :03:53. | :04:00. | |
30-point advantage but there's 43 remaining. | :04:01. | :04:10. | |
REFEREE: Alan McManus one. Ideally, he would have liked to have got on | :04:11. | :04:22. | |
the colour safe there. But the snooker was very tempting. Obviously | :04:23. | :04:27. | |
if Ali Carter were to get out of this snooker and get the ball safe, | :04:28. | :04:31. | |
then effectively, all balls are still out in the open. Ali Carter | :04:32. | :04:38. | |
having to try to judge this in between yellow and blue. Not easy. | :04:39. | :04:50. | |
Well, 35 behind. If he doesn't have the balls replaced. Well, it's not | :04:51. | :04:56. | |
missed now. Is it, it's not a miss. No, he can't miss. About you I think | :04:57. | :05:00. | |
now with the scores, there's only 35 points on, it's not a miss. I think. | :05:01. | :05:04. | |
Oh, I don't know. That's a weird one. Oh! We changed the rules on a | :05:05. | :05:09. | |
misrule. Because he wouldn't have it put back because the red gets put | :05:10. | :05:14. | |
back on the table anyway. Yeah, but now he's 35 points in front. And | :05:15. | :05:21. | |
there's 35 remaining. You don't see that often. | :05:22. | :05:34. | |
But in the end -- but in the end, decided to play the safety. Gets in | :05:35. | :05:40. | |
there in the end if Ali is going to get anything there. Well, he can see | :05:41. | :05:43. | |
the red but if he's going to pot the red, he needs to be on the black to | :05:44. | :05:48. | |
be able to tie. Can he squeeze this in? Doesn't look like it. | :05:49. | :05:56. | |
Yeah, I forgot, you told me the rules had changed. When you can tie, | :05:57. | :06:06. | |
you can't be called for a miss. I've got to say, an | :06:07. | :06:21. | |
understandable... If I am correct in that, it's an understandable | :06:22. | :06:24. | |
misjudgment by the referee. It's a weird scenario that happened here. | :06:25. | :06:27. | |
Well, yeah, I think he called miss before the red had had gone in. | :06:28. | :06:30. | |
Before the red had gone in. Well, that's enough anyway. Alan McManus | :06:31. | :06:35. | |
has won that frame. So it's still nip and tuck now and Alan McManus | :06:36. | :06:40. | |
hanging on in there. One frame behind now. Still Ali Carter leads | :06:41. | :06:44. | |
6-5. REFEREE: Ali Carter to break. | :06:45. | :06:52. | |
So there's one more frame. This is it before the mid-session interval. | :06:53. | :07:00. | |
And it's Ali Carter who gets it under way. And the question is - is | :07:01. | :07:05. | |
he going to have a 2-frame advantage that he started the session with, or | :07:06. | :07:07. | |
are we going to be all square? Yeah, tough session of snooker in | :07:08. | :07:17. | |
many ways in that the opening break off shots seem to have tied the | :07:18. | :07:24. | |
black up on a number of occasions. Certainly that that's how it's felt | :07:25. | :07:28. | |
to me. I've not been doing the stats on it. The full-blooded attempt | :07:29. | :07:34. | |
there. He knew it was going into the side of the pack. | :07:35. | :07:54. | |
Yeah, good pot. Wouldn't necessarily be pleased with | :07:55. | :07:59. | |
the way that the cue ball has finished, but I think he's got a | :08:00. | :08:02. | |
nice angle on the blue and he can just drop it in and be on the next | :08:03. | :08:06. | |
red. Didn't have to do much with the cue ball here. Just don't miss the | :08:07. | :08:13. | |
pot. Yeah, played it confidently enough. | :08:14. | :08:22. | |
He'd like to be on one of the two reds above the black as we look at | :08:23. | :08:29. | |
our screens, above the black. And then be able to roll through and get | :08:30. | :08:35. | |
on to the black into the right corner. He'll be screwing back for | :08:36. | :08:40. | |
the blue here. He's got to try to concentrate on the pace. Further | :08:41. | :08:48. | |
back is better than short. Terrible contact on the short. | :08:49. | :09:16. | |
Is there a 3-ball plant in the middle of the pack into the left | :09:17. | :09:26. | |
corner? Hmm. I'll tell you what, it wouldn't be far off. Ali has not | :09:27. | :09:31. | |
spotted it. He's not even looked at it. I wonder if he knew that that | :09:32. | :09:34. | |
was very close. The 3 #-ball plant is gone. It's | :09:35. | :09:41. | |
gone. It's gone now. It's history. But a long pot. It was a tough one. | :09:42. | :09:55. | |
Don't get me wrong. Just trying to force the cue ball right back up for | :09:56. | :10:01. | |
the blue. And having missed it, doesn't look like there's anything | :10:02. | :10:16. | |
left easy for Alan. Good line-up using the green as a snookering ball | :10:17. | :10:21. | |
there. Puts a bit of pressure on safety shot for Ali Carter because | :10:22. | :10:25. | |
he's got to cover that red up. Part of the game. The most important | :10:26. | :10:59. | |
part of the game isn't necessarily the fluke because they happen all | :11:00. | :11:03. | |
the time. It's making the most of it. | :11:04. | :11:16. | |
This black is even more tied up now into both pockets. | :11:17. | :11:26. | |
If he pots the pink, it won't be in a desirable position on its spot | :11:27. | :11:34. | |
into corner pockets I think. Might go into a corner. Yeah, I | :11:35. | :11:52. | |
suppose the red that's to the left of the pink spot, if he plays on | :11:53. | :11:56. | |
that, he can play for the pink to the same pocket he's going to pot | :11:57. | :11:59. | |
the pink now and it will clear it to a corner. I think that's what he'll | :12:00. | :12:02. | |
be thinking of. Black completely out of commission | :12:03. | :12:11. | |
at the moment. Nah. Is it straight forward to play | :12:12. | :12:31. | |
for the pink in in the middle? Well, he might just have to run it through | :12:32. | :12:41. | |
slightly. And off the top cushion. He decided not to risk it and the | :12:42. | :12:45. | |
fact that it is alongside the blue, normally he would be criticising | :12:46. | :12:50. | |
that, but there is a red on that end of the table, so no problem there. | :12:51. | :12:56. | |
It's a bit wide. A too much of an angle on the blue to be comfortable | :12:57. | :13:03. | |
on that red in the bottom half of the table. I suppose he could play | :13:04. | :13:17. | |
for the red above the black. As we look on our screens above the black. | :13:18. | :13:22. | |
I'm sure that he can hold for the red somehow, in and out of baulk, | :13:23. | :13:28. | |
but it's not certain, so perhaps he is playing for that red just above | :13:29. | :13:29. | |
the black. Well, I'm sure that he didn't play | :13:30. | :13:50. | |
that. If he was going to play it, why didn't he play it between the | :13:51. | :13:53. | |
yellow and the brown? He's only got to drop it in there. Well, he made | :13:54. | :13:58. | |
that look a lot easier than it was. He over hit the shot or he... He | :13:59. | :14:05. | |
deliberately left himself there. But it looked like a misjudgment to | :14:06. | :14:09. | |
start with. Now a deep screw back for that red that I talked about | :14:10. | :14:23. | |
earlier. This looks absolutely inch-perfect. Well, not quite. Might | :14:24. | :14:27. | |
just have needed another roll or two. Straight on the red would have | :14:28. | :14:34. | |
been a lot better. Where does the colour come from, for certain. Not | :14:35. | :14:38. | |
sure that he can power screw this red in and use the black to get out | :14:39. | :14:46. | |
into open play. He might be able to just clip enough of it and get the | :14:47. | :14:52. | |
back spin on. Or use the red I stead! | :14:53. | :14:57. | |
Fe played it like that, it was very advanced. | :14:58. | :15:23. | |
He never really had pin point positional play at any time in | :15:24. | :15:28. | |
there. Maybe once and then he quickly post control of the cue | :15:29. | :15:33. | |
ball. That's why he didn't make the most of that opportunity. | :15:34. | :15:50. | |
A little bit thick on the safety, only just reaching that ball rather | :15:51. | :15:56. | |
than the baulk cushion. But no harm done. | :15:57. | :16:09. | |
Green is an ideal ball to try to get behind, but not from this shot. | :16:10. | :16:24. | |
But he did very well to get even close to it, but I don't think that | :16:25. | :16:32. | |
it would have been necessarily wide enough to get behind there. Although | :16:33. | :16:38. | |
if the cushions are squaring up a bit, sometimes you can get some | :16:39. | :16:48. | |
strange angles. That's a swerve there. Over-swerved and got away | :16:49. | :16:57. | |
with it. Trying to play the 3-cushion safety. | :16:58. | :17:24. | |
Hampered slightly by the brown. And he's a little bit reluctant to play | :17:25. | :17:31. | |
the cross double safety off the reds on the left-hand side of the table. | :17:32. | :17:37. | |
And the reason that is is because there's ever chance of the cue ball | :17:38. | :17:40. | |
back to the end could have got a double kiss, but you could not play | :17:41. | :17:44. | |
a better safety shot than that. Hampered as he was. That was superb. | :17:45. | :18:29. | |
So the miss called and accepted. REFEREE: Was it far from the | :18:30. | :18:39. | |
cushion? Alan showing the referee where the | :18:40. | :18:52. | |
line was. You would think that this type of shot, if you missed it on | :18:53. | :18:56. | |
the way up, you'd catch it on the way back. He's missed it again. | :18:57. | :19:05. | |
He'll get a warning now. He'll be warned. Two misses at this time. He | :19:06. | :19:11. | |
will lose the frame. Under pressure now. He thinks that the table has | :19:12. | :19:19. | |
rolled off. Never nice. He's got to hit it thin to avoid collision with | :19:20. | :19:24. | |
those two reds. He's hit it pretty firm and he thinks that the table | :19:25. | :19:32. | |
rolled off. It's a brave player that will play the same shot again. Or a | :19:33. | :19:37. | |
stupid one! Yeah, who was the first one... Oh, it was me. Don't, don't. | :19:38. | :19:43. | |
Oh, who got the missed three? It was you, wasn't it? Yeah, table rolled | :19:44. | :19:47. | |
off a mile! Lost a match! I wondered who it was! Change the shot. Still | :19:48. | :19:53. | |
got to hit a red, though. Don't want to miscue. I always feared that that | :19:54. | :20:00. | |
could happen one day. Change of shot. But that will surely cost him | :20:01. | :20:08. | |
the frame. And he'll go into the mid-session interval as he started | :20:09. | :20:17. | |
this session two frames behind. It's not taken off this match today. | :20:18. | :20:23. | |
But it's a long hard road to The Crucible final. You can't play | :20:24. | :20:48. | |
brilliant all the time. A bit of grafting required. | :20:49. | :21:40. | |
Oh, perfect. Kiss on the black. Now 56 ahead. Two reds, two blacks. Two | :21:41. | :21:51. | |
reds, two pinks would be enough. But the two reds that he needs are out | :21:52. | :21:57. | |
in the open. He needs to slow up. It's OK. | :21:58. | :22:22. | |
Under different circumstances, Ali Carter could have tried to develop | :22:23. | :22:32. | |
those two reds, but with him only needing this red, it's pretty | :22:33. | :22:37. | |
obvious on the shot selection. Can come off a side cushion and get | :22:38. | :22:42. | |
nasty on the red. Red. -- nicely on the red in the forefront of our | :22:43. | :22:49. | |
screens. Or just play safe now. Anyway, there you see, 71 ahead. 59 | :22:50. | :22:56. | |
remaining. That equates to three stooges and Alan McManus said - | :22:57. | :22:58. | |
don't bother playing the safety. I've had enough. So they go to the | :22:59. | :23:04. | |
mid-session interval and as they started the match, Ali Carter with a | :23:05. | :23:08. | |
2-frame advantage over Alan McManus. Now, it's 7-5. | :23:09. | :23:22. | |
Midsession interval over. Four more frames to be played. In the second | :23:23. | :23:36. | |
session, best of 25. First to 13 for a place in the quarterfinal. Ali | :23:37. | :23:48. | |
Carter has been to the final. Made a maximum break here one year. I was | :23:49. | :23:52. | |
lucky enough to be in the commentary box in 2008 when he made it. | :23:53. | :24:04. | |
So close. Oh, where is the red going? Where is the red ball going? | :24:05. | :24:16. | |
He's on the black if it drops. He played that shot thinking... The | :24:17. | :24:19. | |
only one that he could leave was the one he was playing and that's the | :24:20. | :24:24. | |
red had a somehow has gone up and over the corner pocket. So a nice | :24:25. | :24:36. | |
easy starter for Alan. It's OK, he's on a baulk colour. | :24:37. | :24:44. | |
Big four frames this. In the context of the match. | :24:45. | :24:58. | |
Or will it be at closely contested contest? That sounds funny doesn't | :24:59. | :25:18. | |
it? Closely contested contest. I am sure there would be people that | :25:19. | :25:23. | |
would pick you up on that. Obviously, you have picked yourself | :25:24. | :25:27. | |
up on it. I thought you would have done that. That is why I got in | :25:28. | :25:39. | |
first. IM using words that aren't really words like gettable. If you | :25:40. | :25:54. | |
use it enough, it will be a word. It will be in the dictionary. That red | :25:55. | :26:04. | |
going next to the blue. He has options and positional shots. Well, | :26:05. | :26:16. | |
he made that angle using lots of left-hand side. In the ideal world | :26:17. | :26:22. | |
he would like to be a little bit more straight on the black. He could | :26:23. | :26:32. | |
play a little bit of a cabin. Just leave the red right next to the | :26:33. | :26:37. | |
black in the centre pocket. He wouldn't go wrong. He wouldn't have | :26:38. | :26:50. | |
thought that. 18. Yes, he wasn't low enough on the black. It is never | :26:51. | :26:57. | |
easy enough to judge the cannon off of a cushion. So, there is a little | :26:58. | :27:04. | |
bit of work to do here. Wow, not even close. It looks quite safe | :27:05. | :27:14. | |
though. Yes, it was one of those where he played it really quick. | :27:15. | :27:19. | |
When the red is next to the cueball you are aware that you must push the | :27:20. | :27:33. | |
Q3 Strait. -- two Strait. -- cue straight. When he is an easy starter | :27:34. | :27:41. | |
I would expect him to get more than 18 points there. A bit more pressure | :27:42. | :27:59. | |
on the safety shot here. 18 points there. A bit more pressure | :28:00. | :28:08. | |
on the safety shot here. A decent target green and brown. He has found | :28:09. | :28:21. | |
the gap, I feel. Soon, without the availability of the black or the | :28:22. | :28:27. | |
pink. There is some good cueing needed. Not quite. Decent chance. | :28:28. | :28:56. | |
Decent half chance. I think Ali Carter has the same problem. He may | :28:57. | :29:07. | |
be able to. Well, he could. He could have done without the four ball hits | :29:08. | :29:19. | |
on the red. It was not as straight as he would have liked. | :29:20. | :29:40. | |
Well, he did not play the pot. He did not play the pot. He really | :29:41. | :29:47. | |
didn't. It is not about safety but there is | :29:48. | :30:04. | |
a gap between green ground especially between the red and the | :30:05. | :30:12. | |
Greens. It is all about is that middle one is pottable. I wonder if | :30:13. | :30:17. | |
the top one is and he could swing out of that one? The idea is to get | :30:18. | :30:23. | |
the cueball back to the baulk cushion. He could have really tried | :30:24. | :30:32. | |
and potted that middle one. He just missed the green. He just select it | :30:33. | :30:51. | |
back flicked it. -- flicked it. He tries to get it kind. -- behind. | :30:52. | :31:08. | |
That is cutting in. I think that would have been a good option. I | :31:09. | :31:15. | |
think, it did cut in but it would not have controlled the cueball as | :31:16. | :31:23. | |
well. And Ali Carter is just trying to see if he has enough room to | :31:24. | :31:26. | |
manufacture a safety shot. Especially between the two reds and | :31:27. | :31:36. | |
the black. He will have to put a bit of right-hand side on this which | :31:37. | :31:40. | |
will send it towards the black ball. Now look. Yes, look at that | :31:41. | :31:50. | |
one. They're trying to get that cueball back to baulk. He has good | :31:51. | :32:12. | |
cueing power. That was a fantastic shot! Did you see how he launched | :32:13. | :32:19. | |
himself into that shot? Most shot seeking control with keeping his | :32:20. | :32:22. | |
head as still as possible. However, that one was put to wards the floor | :32:23. | :32:32. | |
kind of stuff. Yes, pedal to the metal as they say. This looks good. | :32:33. | :32:42. | |
This looks good. This looks very, very good! | :32:43. | :32:55. | |
Can he get out of that and keep it safe? Well, John, it is Lines | :32:56. | :33:13. | |
aplenty. You can always stuck out by saying this is the red he wants to | :33:14. | :33:24. | |
make contact with. How he gets to it, I do not know? Do you know? | :33:25. | :33:40. | |
Well, the rest I will leave to him. You have more chance of solving a | :33:41. | :33:45. | |
Rubik 's cube, then getting good on that one, I think. I mean, every now | :33:46. | :33:54. | |
and again you think it is worthwhile. When you whack them as | :33:55. | :34:05. | |
hard as possible. But, you can't even see getting lucky enough to get | :34:06. | :34:10. | |
out of it. I think he is going for the heat and roll. Wow where has the | :34:11. | :34:25. | |
cueball gone? Well, he would do well to do that again. Imagine the old | :34:26. | :34:31. | |
days, it would not have been called a mess. I would like to play this | :34:32. | :34:39. | |
with back spin. If he hits it with stun on bottom, he might get a bit | :34:40. | :34:47. | |
more speed on the cue. Wow, what a result. What a result. Nothing easy | :34:48. | :34:55. | |
with that cueball being in the side cushion. There is a lot of skill in | :34:56. | :35:00. | |
this game, but sometimes you just have to trust the luck. Alan McManus | :35:01. | :35:06. | |
is distraught with where that white wall would have ended up. Now he has | :35:07. | :35:15. | |
a lot of pressure put on him. APPLAUSE Well, he must leave his | :35:16. | :35:27. | |
disappointment behind him. He just floated it in with complete | :35:28. | :35:38. | |
nonchalance. That was a great shot. A great shot from Alan McManus. He | :35:39. | :35:45. | |
did so well to qualify for the Crucible winning three qualifying | :35:46. | :35:49. | |
matches. It takes some kind of player to be able to do that. It | :35:50. | :35:54. | |
would be nice to get the black on the spot. The pink is definitely out | :35:55. | :36:04. | |
of commission, to some degree. You can see that trademark slight lift | :36:05. | :36:13. | |
of the head here. Just as he starts to deliver the cue. | :36:14. | :36:33. | |
Well, I wonder if the black is available in that right corner. If | :36:34. | :36:44. | |
it is he could roll that one in. He could just hit it on the blue. That | :36:45. | :36:51. | |
does not necessarily mean that the black will go towards the right | :36:52. | :36:56. | |
corner. He didn't have the best angle to play towards the black. | :36:57. | :37:05. | |
He will be playing on the black from this one though. He hits it nicely. | :37:06. | :37:14. | |
It is a confident shot to play for that single red. Especially, if you | :37:15. | :37:19. | |
know that it is the right one to play. You could play that is done at | :37:20. | :37:26. | |
the lion of the spots colliding with the second red. -- at the line. | :37:27. | :37:40. | |
Well, from where he was on the side cushion he has given himself a | :37:41. | :37:47. | |
chance to produce their deficit to only one frame. 26. This is without | :37:48. | :38:04. | |
putting the heat on it. Well, you certainly wouldn't bet against it, | :38:05. | :38:11. | |
which you? He has 54 points in front now. 75 to win. So, red black red | :38:12. | :38:41. | |
would be just enough. So if he pots this red he goes 63 ahead. This is | :38:42. | :38:46. | |
with only 59 remaining. Yes, he played a good safety shot | :38:47. | :38:57. | |
and got the cueball tightly behind the green. Therefore, Ali Carter has | :38:58. | :39:05. | |
no option but to play the hit and halt. He has taken this well, Alan | :39:06. | :39:15. | |
McManus. Let us to see if this red goes in. There is no way that Ali | :39:16. | :39:22. | |
Carter will come back to the table. It is really just a question as to | :39:23. | :39:26. | |
whether we are going to see the second century break in this match. | :39:27. | :39:36. | |
57. As long as you have 73 points | :39:37. | :39:59. | |
carrying on towards the yellow you can make that century. He has been a | :40:00. | :40:06. | |
little bit ragged today been the first half of this second session, | :40:07. | :40:11. | |
that this would do a lot for his confidence. Though what a tilt. 77. | :40:12. | :41:18. | |
Well, that is a pity. No century, at 77 is pretty enough. He has got no | :41:19. | :41:33. | |
luck and Alan McManus reduces it to just one. There are still seven | :41:34. | :41:36. | |
trails. I think the story of those first | :41:37. | :42:45. | |
four breaks is pretty disk jointed. -- disjointed. Ali Carter was | :42:46. | :42:53. | |
playing not that defensively, but he really wasn't taking many risks. | :42:54. | :42:58. | |
Nothing really happened. That break by Alan McManus, the most | :42:59. | :43:02. | |
significant one. He would be feeling quite that after that break. He was | :43:03. | :43:07. | |
starting to beat himself up out there, and he has hung on in there. | :43:08. | :43:14. | |
So, I think it will set up quite nicely now. Just two more in the | :43:15. | :43:28. | |
second session. Will anyone have the lead in the final session, tomorrow? | :43:29. | :43:34. | |
The first to 13 will be the one who will play in the quarter-final. | :43:35. | :43:41. | |
Those who are not watching this match last night, John, you | :43:42. | :43:48. | |
commentated and you said you felt that Ali Carter had a game plan to | :43:49. | :43:53. | |
take no risks and perhaps get Alan McManus to do less scoring than him. | :43:54. | :44:00. | |
In open play he would feel that he could outscore Alan McManus. Of | :44:01. | :44:08. | |
course, we do not know that. Yes, I think he just didn't want to get | :44:09. | :44:17. | |
chances to Alan McManus. Wow that is a horrific pot! What an excellent | :44:18. | :44:31. | |
red. It is very difficult to get Thai behind the green with this type | :44:32. | :44:38. | |
of shot. At least he has covered his path to all the reds. The fact that | :44:39. | :44:49. | |
there is less nap on the cloth is then they used to be it means that | :44:50. | :44:52. | |
when the ball is hit each other they are separated more. It is hard to | :44:53. | :44:58. | |
get a tight roll out on those walks colours. -- baulk colours. One of | :44:59. | :45:10. | |
the reasons many people save the game is easier these days. The | :45:11. | :45:16. | |
reason really is because the pack of reds looks like it can open up a | :45:17. | :45:26. | |
little bit more. He seems a little bit more comfortable. Unless he can | :45:27. | :45:33. | |
cue past the blue and those two reds together. It is a massive shot of | :45:34. | :45:41. | |
the spiders to take on. He is using the spider in a very unconventional | :45:42. | :45:46. | |
way. Obviously, the spider company will not happy with this. What is he | :45:47. | :45:52. | |
doing there? I don't think we quite know. This is tricky. Marvellous | :45:53. | :46:12. | |
shot! Well played. Well played indeed. I can only assume the spider | :46:13. | :46:24. | |
he uses in his club has a year there you can use side on, which is not as | :46:25. | :46:30. | |
high. I think that Alan McManus was checking to see if he could play it | :46:31. | :46:35. | |
with his club spider. I can think of no other reason why you would do | :46:36. | :46:44. | |
that strange thing, just beforehand. Yes, of course we went through at | :46:45. | :46:48. | |
period where the grooves on the spider was round. When you push the | :46:49. | :46:55. | |
cues through it would get stuck in and that is why it went towards that | :46:56. | :47:00. | |
the shape. Not much more accurate with the V. You don't want a | :47:01. | :47:14. | |
U-shaped bottom at the best of the rest. Maybe he has a different | :47:15. | :47:21. | |
spider he practices with in his club? Good practice now. Yes, just | :47:22. | :47:32. | |
coming back from the 77 break. He is just in touch. Earlier on in this | :47:33. | :47:41. | |
match, in this particular session after three frames he lasted bit, | :47:42. | :47:44. | |
Alan McManus. He started muttering in the chair, talking to himself. He | :47:45. | :47:50. | |
would be getting himself under pressure. However, he has really | :47:51. | :48:13. | |
rectified that. Well, we have some particular pinks in this that could | :48:14. | :48:18. | |
spark a few that Ali Carter has missed in this match. I think it is | :48:19. | :48:25. | |
a couple for Alan McManus, especially when he looks like it had | :48:26. | :48:38. | |
to frame to his mercy. It is hard when he comes to the slate, doesn't | :48:39. | :48:45. | |
give it a chance. That pink that he missed came in time for the black. | :48:46. | :48:52. | |
If he is going to miss that Ali Carter is going to concentrate on | :48:53. | :48:58. | |
blue and other baulk colours. It will be difficult to make a mistake | :48:59. | :48:59. | |
with only those four balls to go at. It is quite tempting to try and open | :49:00. | :49:44. | |
that. That, pink and black with a positional shot off of the blue. You | :49:45. | :49:49. | |
could always do wrong going that way. It is not always easy to see | :49:50. | :49:56. | |
how he can guarantee getting a frame winning contribution without | :49:57. | :50:05. | |
resolving that particular situation. APPLAUSE | :50:06. | :50:16. | |
Well, just Lancing that is the right next to that black? -- just gland -- | :50:17. | :50:51. | |
glancing. You just have to think, where would he like to be? I just | :50:52. | :51:04. | |
don't know why he played for that one instead of the red near the | :51:05. | :51:15. | |
black. It would be a fantastic shot in that fractional angle. I think | :51:16. | :51:21. | |
what he's trying to do, is play a positional play near that side | :51:22. | :51:27. | |
cushion. There are a few reds on the right-hand side of the table now, | :51:28. | :51:32. | |
depending on the right-hand side of the blue that he can actually try | :51:33. | :51:38. | |
for. Let us look at the blue line. He might be able to create a bit of | :51:39. | :51:45. | |
an angle here and just bounce it in. Superb. That is just superb. He has | :51:46. | :51:56. | |
the ideal position on the right to just be able to get in those massive | :51:57. | :52:03. | |
colours. You see that line that we have on the table looked more or | :52:04. | :52:09. | |
less dead straight. I think it had more of an angle than it was | :52:10. | :52:12. | |
simulated in the screen. Either way, you can just pot the blue in the | :52:13. | :52:18. | |
right-hand part of the pocket and create that angle. Yes, I think it | :52:19. | :52:26. | |
was an excellent shot. Yes, he had the right angle to pot the one and | :52:27. | :52:37. | |
gets the blue. He still refuses to play for the red above the green and | :52:38. | :52:45. | |
black. The red above the middle pocket will be his target year to | :52:46. | :52:48. | |
fit that into open play. It is not so easy with that except Shanshan | :52:49. | :53:03. | |
one. -- extension on. But, then his group that red into play. He missed | :53:04. | :53:07. | |
it. He just missed it. -- but can he get that read into | :53:08. | :53:16. | |
play? -- red. He might just have a slight angle on | :53:17. | :53:36. | |
the blue. I think he is trying to play the runthrough, play the | :53:37. | :53:42. | |
cannon. He has got the blue. Has he got the cannon? Wow we will | :53:43. | :53:49. | |
certainly find out. He just didn't stick to that top cushion a little | :53:50. | :53:54. | |
more than we would have liked, but it was a great shot. Yes, that is | :53:55. | :54:00. | |
exactly how he would have played it as well. Tricky with the red near | :54:01. | :54:08. | |
that top cushion. 19 points to the lead. APPLAUSE He just made light of | :54:09. | :54:17. | |
it and that is why he is not on the colour. A little bit surprised he | :54:18. | :54:22. | |
didn't fully commit there. Particularly with those two reds on | :54:23. | :54:31. | |
the right-hand side of the table. I mean, you play for the brown in the | :54:32. | :54:35. | |
middle pocket, it seemed like that is how he wanted to play it. I don't | :54:36. | :54:39. | |
know if he underhit it, he certainly didn't overheat it. -- overhit it. | :54:40. | :54:53. | |
Bad contact. Took a bit of pace out of the queue ball. | :54:54. | :54:58. | |
Bad contact. Took a bit of pace out of the queue ball. The cue ball. -- | :54:59. | :55:16. | |
pace out of the cue ball. He has a few options of safety shots here | :55:17. | :55:22. | |
with a 24-point lead. He needs to force the pace still rather than | :55:23. | :55:24. | |
contain the situation. APPLAUSE | :55:25. | :55:33. | |
He did well there. Good 41, particularly where the balls were | :55:34. | :55:34. | |
situated. CROWD: Awwww! | :55:35. | :55:42. | |
APPLAUSE Yeah, I was going to say I've heard | :55:43. | :56:26. | |
of ways of getting the cue ball near the top position but you can't leave | :56:27. | :56:29. | |
the rest there, Of course, if Ali Carter, who's got | :56:30. | :56:57. | |
a 24-point advantage, was to win this frame, he couldn't be behind | :56:58. | :57:06. | |
going into the final session. So Alan McManus has to be very careful | :57:07. | :57:12. | |
here. If he catches this red too thin, he could run into the red | :57:13. | :57:15. | |
that's on the right-hand side of the table. It is not straightforward. | :57:16. | :57:23. | |
And if he catches it too thick, could knock one over the left corner | :57:24. | :57:24. | |
pocket. So he's got to Well, decided to leave Ali a tester | :57:25. | :57:34. | |
along the top cushion. And if the black goes into the left | :57:35. | :57:50. | |
corner, he's sort of got an element of insurance, should he try it along | :57:51. | :57:54. | |
the top cushion. He can use those three balls to block the red, if it | :57:55. | :58:01. | |
stays over the pocket, but he's loath to play it. It looks like it's | :58:02. | :58:10. | |
a natural, really, isn't it? : -- isn't it? Yeah, that's the shot the | :58:11. | :58:21. | |
play, whichever way you look at it. He won't miss anything should he | :58:22. | :58:25. | |
miss it. If he gets it, he'll hit the black. But it's not part of the | :58:26. | :58:30. | |
plan. I'm not too sure what I'm missing here. I don't really | :58:31. | :58:36. | |
know...I'll bow to his judgment on this, why he doesn't want the play | :58:37. | :58:39. | |
this along the top cushion and get on that black. | :58:40. | :58:48. | |
I assume it wept, the black. We had a look at it, didn't we? Yeah, I | :58:49. | :58:57. | |
think the black went but he just didn't fancy the pot. I'm a bit | :58:58. | :59:00. | |
worried I can't work that one out. There must be a reason. Well, the | :59:01. | :59:07. | |
thing is, I mean, and don't get me wrong - I'm not making light of it - | :59:08. | :59:16. | |
but if Alan McManus can get this cue ball back to where it is now, then, | :59:17. | :59:21. | |
to me, he'll become the favourite for the frame. There is a red pot to | :59:22. | :59:27. | |
be potted over the middle pocket. That's why a clever little | :59:28. | :59:36. | |
containing shot has been played. Now, Ali Carter could industry -- | :59:37. | :59:42. | |
could try and screw in behind pink and black, but it is fraught with | :59:43. | :59:50. | |
danger. As someone once described to me, snooker is chess with balls - I | :59:51. | :59:54. | |
think this is a classic example, isn't it? A couple of positive shots | :59:55. | :00:02. | |
have been played. Only to risk it. I think Alan could play it now though. | :00:03. | :00:08. | |
Yes. A mathematician once said to me that if that was true, that it's | :00:09. | :00:14. | |
chess with balls, then that means that chess is snooker without balls, | :00:15. | :00:20. | |
which was disrespectful to chess, if you understand. OK. Which is a | :00:21. | :00:27. | |
chance to get behind pink and black. A bit of pressure on it, though. | :00:28. | :00:31. | |
Perhaps a better shot is just to play into this left corner of the | :00:32. | :00:33. | |
table. Well, surely, this red doesn't pass | :00:34. | :00:51. | |
the black, does it? Doesn't cut back into the right corner. | :00:52. | :00:56. | |
It's a big shot to take on. Is there a risk of an in-off in the middle | :00:57. | :01:07. | |
pocket? Surely this is a better option he's playing now? He | :01:08. | :01:13. | |
certainly doesn't want to present an easy opportunity for Alan McManus to | :01:14. | :01:17. | |
get back into the frame. He struck that well. Yes. Perfect. | :01:18. | :01:21. | |
The deign we are that shot was either the red or the cue ball to | :01:22. | :01:30. | |
run into the brown, but hit it just as intended. This is not easy. If he | :01:31. | :01:37. | |
plays thin off the red, there's a...might be a double-kiss. Don't | :01:38. | :01:42. | |
know. Perhaps not. Perhaps the red escapes. | :01:43. | :01:51. | |
But perhaps it doesn't. Did the red go? I don't think so, because Alan | :01:52. | :02:01. | |
put his hand up and apologised and if the red goes... It flies in. Alan | :02:02. | :02:13. | |
has apologised for... : -- Alan has apologised for... For nothing. He's | :02:14. | :02:18. | |
left himself a nice angle on the black, is Ali. When the black goes | :02:19. | :02:24. | |
in, you go 32 points in front, 51 remaining. He is only looking for a | :02:25. | :02:31. | |
cover red. So back to two frames in front. I don't think Alan thought | :02:32. | :02:33. | |
that red went. Well, that was just about as awkward | :02:34. | :02:46. | |
as it could. The red closest to the cue ball is available to the left | :02:47. | :02:50. | |
middle but it is not the perfect putting angle. Got to take it on | :02:51. | :02:54. | |
though. It is a frame-winning opportunity. | :02:55. | :03:01. | |
Neat position as well, so makes it a bit more difficult. A bit wide. | :03:02. | :03:17. | |
Well, for all of the swings in this match, Alan McManus has a pretty | :03:18. | :03:20. | |
decent chance to level the scores. The last time he was level, it was | :03:21. | :03:22. | |
3-3. Came to the table 32 points behind. | :03:23. | :03:44. | |
51 remaining. So, basically, he doesn't need particularly high value | :03:45. | :03:52. | |
colours, but these three remaining reds. But he'll need all the balls, | :03:53. | :03:58. | |
the red colours and the six remaining colours, to win this | :03:59. | :03:59. | |
visit. APPLAUSE | :04:00. | :04:12. | |
Played that nice. His heart would have been in his mouth for a moment. | :04:13. | :04:16. | |
Looked like he was going to kiss the red but got past it. This red on the | :04:17. | :04:21. | |
side cushion is far enough away from the cushion that it's quite nice to | :04:22. | :04:25. | |
get in behind it for the red into the left centre. | :04:26. | :04:32. | |
I think that's a really bad decision of Alan McManus' to try and shift | :04:33. | :04:42. | |
that red. Oh, amazing. I mean, as you say, I mean, you had the nice | :04:43. | :04:47. | |
hand to go up for the blue. To try and bring it into play... I mean, it | :04:48. | :04:51. | |
wasn't out of play, totally. No. It was sign of perhaps a player lacking | :04:52. | :04:56. | |
in a little bit of confidence. Arguably, a little bit of | :04:57. | :04:57. | |
confidence. Well, he is not on the red now. And | :04:58. | :05:10. | |
he's still 23 points behind. It's a thin cut into the left corner as we | :05:11. | :05:16. | |
look on our screens. An element of safety, playing it that way, into | :05:17. | :05:17. | |
the right corner. It is braver. In other respects, | :05:18. | :05:35. | |
it's betwixt and between and he's lined up for both and he's playing | :05:36. | :05:44. | |
it safe. Not going to argue with that, not going to argue with that | :05:45. | :05:48. | |
at all. Plaus... -- APPLAUSE | :05:49. | :05:54. | |
Yes, but he'll be very disappointed he didn't clinch the frame at that | :05:55. | :06:01. | |
visit. I think Ali can get in behind this red. With a little bit of | :06:02. | :06:04. | |
swerve, right-hand side. Though, the danger of this, to try and get right | :06:05. | :06:09. | |
in behind it, if you misjudge it, you don't want to hit the red on the | :06:10. | :06:14. | |
way up. You want to hit it on the way back. He could hit the black as | :06:15. | :06:17. | |
well with the red. No, he's got right | :06:18. | :06:23. | |
behind it But he's left the chance of a pot. And I think Alan McManus | :06:24. | :06:32. | |
can put this and get round the back of the green, perhaps for the black. | :06:33. | :06:38. | |
If anything, he's going to miss this to the left cushion, play a white | :06:39. | :06:41. | |
wider to guarantee missing the green. He's played it slow. That's | :06:42. | :06:48. | |
brave. What a great shot! APPLAUSE | :06:49. | :06:58. | |
Well, that's fully commitment, that was. Does it past the brown? It | :06:59. | :07:08. | |
does. Still needs this green and the six remaining colours to steal this | :07:09. | :07:15. | |
frame. And what a big frame it is in the context of the match. This to | :07:16. | :07:20. | |
draw level. Looks certain to go 2 behind. Ali Carter looks at the | :07:21. | :07:27. | |
scoreboard. It's fractionally shorter a space on that screwback | :07:28. | :07:31. | |
and he's left himself a little bit more work to do with this yellow | :07:32. | :07:36. | |
than he would have wanted rnd pressure. May play it twice across | :07:37. | :07:44. | |
if he didn't fancy rolling it in. Decides to roll it in. Stupid bounce | :07:45. | :07:49. | |
off the cushion again, has ruined the position. Absolutely destroyed | :07:50. | :07:55. | |
things. Potted that perfectly, the pace of this shot was perfect until | :07:56. | :08:02. | |
it bounced off the cushion. Alan was stopped in his tracks by the bigger | :08:03. | :08:07. | |
bounce than he should have. He now has an extension on his cue, that | :08:08. | :08:09. | |
makes this missable. Trying to dolly the red in off one | :08:10. | :08:22. | |
cushion. Just playing top spin. Nothing wrong with that. | :08:23. | :08:22. | |
APPLAUSE APPLAUSE | :08:23. | :08:32. | |
I always say that the key to a clearance like this is the position | :08:33. | :08:40. | |
from brown to blue, particularly as the pink is not on its spot and | :08:41. | :08:46. | |
close to top cushion. A good angle on this blue now off the brown. It's | :08:47. | :08:59. | |
not bad. He's showing great character here, Alan McNanus. This | :09:00. | :09:02. | |
would be a marvellous frame to win and really boost up his chances. It | :09:03. | :09:07. | |
is all about this pink. It looks to have a nice angle. Doesn't have to | :09:08. | :09:24. | |
do too much with the cue ball. CROWD: Awwww! They're never easy, | :09:25. | :09:32. | |
those, believe we. Giving the cushion a gentle rub. But it has | :09:33. | :09:34. | |
nothing to do with the cushions. You've got to be so accurate. When | :09:35. | :09:44. | |
you're down actually playing it, you know how accurate you've got to be | :09:45. | :09:48. | |
and it just puts that little bit of fear in you. | :09:49. | :09:57. | |
He's had two good chances, Steve, and not taken them. Yes. | :09:58. | :10:05. | |
Unfortunately, you've got to say that was just tension. You don't aim | :10:06. | :10:13. | |
for the near jaw. You aim for the far jaw on these tables, and they | :10:14. | :10:14. | |
gulp the ball in. Pink onto the black. Leave the pink | :10:15. | :10:17. | |
where the black is, Obviously, the black does go safe to | :10:18. | :10:38. | |
the side cushion. It's all about pink ball safety. | :10:39. | :10:44. | |
APPLAUSE Ali Carter with the tang, five | :10:45. | :10:50. | |
points -- with the advantage, five points in front. He only has to get | :10:51. | :10:56. | |
the pink. Yes, but that was an excellent safety shot from Alan | :10:57. | :10:59. | |
McManus, playing the up and down, not to leave it in the corner and | :11:00. | :11:03. | |
halfway down the side cushion. Made a pretty good fist of that. Alan | :11:04. | :11:11. | |
McManus still putting his finger along the cushions just disgustd | :11:12. | :11:14. | |
with the bounce he -- disgusted with the bounce he got. He's tempted to | :11:15. | :11:20. | |
get this in behind the black but he doesn't know where the pink is going | :11:21. | :11:25. | |
to go playing it like that. So he just, once against, concentrated on | :11:26. | :11:26. | |
pink ball safety. APPLAUSE | :11:27. | :11:32. | |
Now, this is one you've got to be very, very careful with because when | :11:33. | :11:39. | |
the object ball is so close to the cushion line, this, if you hit it | :11:40. | :11:44. | |
just slightly thicker than you intend, that pink will come down the | :11:45. | :11:50. | |
table with the cue ball. You can send it up off two cushions towards | :11:51. | :11:55. | |
the black, the side cushion on the left-hand side on the table, or he | :11:56. | :12:02. | |
can play what he's done, which is the full-ball double kiss, which | :12:03. | :12:05. | |
is... He couldn't have played it any better. He couldn't have had a | :12:06. | :12:09. | |
better cue ball than that. Yes, seems to be a much-favoured shot, | :12:10. | :12:14. | |
these days. Yeah, it was always a shot that was on a lot of people | :12:15. | :12:20. | |
were very reluctant to play it. Got to say, of all of the times that | :12:21. | :12:27. | |
players are playering that, these days, it seems to come out | :12:28. | :12:31. | |
advantageous on most occasions. Ali Carter has got a chance to get in | :12:32. | :12:37. | |
behind the black. Of the... : Having a look at the potter. Yes, he only | :12:38. | :12:44. | |
needs the pink. Yes. May be worth the risk. | :12:45. | :12:49. | |
APPLAUSE And he's got it! He played well, | :12:50. | :12:58. | |
Alan McManus will be ruing those mistakes. He's having a look at the | :12:59. | :13:03. | |
cushions again. He's not happy with the table. But that won't matter to | :13:04. | :13:07. | |
Ali Carter. He has a 2-frame advantage and cannot be behind at | :13:08. | :13:11. | |
the end of this session now. He leads 8-6. | :13:12. | :13:27. | |
Alan McManus can choose a couple of safety shots. A cue ball to the | :13:28. | :13:50. | |
black cushion is probably the one with less danger. | :13:51. | :14:14. | |
Ali Carter has got a red to the left middle, similar to Alan McManus'. | :14:15. | :14:21. | |
A bit thin. Couldn't control the cue ball, so keeping it tite again, | :14:22. | :14:34. | |
John? .. ... So keeping it tight again, John? Yes, very important | :14:35. | :14:38. | |
frames now. Ali Carter will be thinking if he can win the next two | :14:39. | :14:44. | |
with a 4-frame advantage going into the final session tomorrow. | :14:45. | :14:53. | |
Break-off shot by Alan McManus. Reds over both corners. Got a good cue | :14:54. | :14:57. | |
ball though, which helps slightly. Yes, he had to risk not knowing | :14:58. | :15:00. | |
where the reds were going. He's blocked off the easier of the | :15:01. | :15:14. | |
two from a positional perspective. So Ali Carter, even if he does pot | :15:15. | :15:20. | |
this, can't guarantee going on a colour. | :15:21. | :15:28. | |
That's all he could do. The most important part of that shot, of | :15:29. | :15:39. | |
course, was to pot the red. And tucked under the bulk cushion as he | :15:40. | :15:44. | |
was, had to get the pot due care and attention. Any colour he could pot | :15:45. | :15:48. | |
would be the yellow. And if he could his hand on the table, not be | :15:49. | :15:52. | |
hampered, he may consider taking it on but he can't, so just a safety | :15:53. | :15:57. | |
shot. (APPLAUSE) Delicate path to the red over the | :15:58. | :16:03. | |
right corner. There is a couple of gaps here as well but he is playing | :16:04. | :16:07. | |
into this corner which is lined up with the blue. Has he hit it hard | :16:08. | :16:14. | |
enough? It is short of pace. I've watched his body language, Steve. I | :16:15. | :16:18. | |
think he's left it. Well, Alan McManus, if he can pot this properly | :16:19. | :16:23. | |
in the right part of the pocket, can get out for the pink at the very | :16:24. | :16:26. | |
least. APPLAUSE | :16:27. | :16:35. | |
Yeah, when you said 'the pink at the very least', I agree with you. With | :16:36. | :16:44. | |
the blue OK, not the right angle, but shouldn't be a problem to get in | :16:45. | :16:49. | |
between the, well, yellow and Brown you would have thought --brown you | :16:50. | :16:56. | |
would have thought. Coming in a straight line down, needs to slow | :16:57. | :17:00. | |
up. It's OK. Red to the right corner. | :17:01. | :17:21. | |
Missed a few good opportunities in the last frame, did Alan. He needs | :17:22. | :17:25. | |
to make the most of this one. This keeps him in close contact with | :17:26. | :17:36. | |
Ali Carter. A good chance here to reduce his | :17:37. | :17:44. | |
arrears to just one frame again. He obviously doesn't like it. The | :17:45. | :18:13. | |
face of it doesn't look too bad. I mean, OK, if you don't want to be so | :18:14. | :18:19. | |
precise to play screwback for the pink then screw back for the blue. I | :18:20. | :18:25. | |
think he's got to play the screwback. Just get it out to open | :18:26. | :18:31. | |
play. He was looking at a run-through, which could have gone | :18:32. | :18:36. | |
wrong. He took a long time to work out what looked like a relatively | :18:37. | :18:41. | |
certain shot. But these are big moments for Alan McManus. He just | :18:42. | :18:46. | |
has to steady himself. He has a great chance for 7-8. If he could | :18:47. | :18:53. | |
get out of jail in this session and go 8-8, that would be amazing, | :18:54. | :18:58. | |
wouldn't it? He hasn't looked the better player, that's for certain. | :18:59. | :19:01. | |
No, it would be a real boost. Of course, once he gets to that final | :19:02. | :19:06. | |
session and the pressure's really on, anything can happen - as we see | :19:07. | :19:08. | |
so many times. It's fair to say that Ali Carter has | :19:09. | :19:29. | |
not been scintillating himself. It's been a tough session for both | :19:30. | :19:30. | |
players. Considering the way they played in | :19:31. | :19:48. | |
their opening matches in this event, Ali Carter a brilliant match against | :19:49. | :20:02. | |
Stuart Bingham to knock out the defendering -- defending champion. | :20:03. | :20:06. | |
But neither player has got motoring in this match. Certainly not in this | :20:07. | :20:12. | |
session. No, there have been chances gone begging for both players, a few | :20:13. | :20:17. | |
steals. This match will be played to a finish, starting at 10 o'clock in | :20:18. | :20:18. | |
the morning. He has just overrun that slightly. I | :20:19. | :20:47. | |
don't see how he can guarantee position on a particular red. If he | :20:48. | :20:57. | |
plays a cannon, you think he'd be unlucky to land on one. I think he | :20:58. | :21:04. | |
can just about void. Yeah, just about. Back in prime position | :21:05. | :21:12. | |
though. I say 'prime position', it would have been nicer to have played | :21:13. | :21:16. | |
for the pink, perhaps, but he's going to make sure he get it is | :21:17. | :21:21. | |
screw back on, get on the right side of the blue, which is very nicely | :21:22. | :21:24. | |
done. Screwback for the red into the left corner. | :21:25. | :21:33. | |
Opens up the two reds into the right corner. So, getting ever closer to | :21:34. | :21:43. | |
the finishing line. Leaves three reds in open play. | :21:44. | :21:49. | |
Got to kick, make the red along the top cushion a little bit more | :21:50. | :22:10. | |
difficult. Ideally, he could have, perhaps, left that for a bit later, | :22:11. | :22:15. | |
but he couldn't have counted for the kick. So, a bit of care. In it goes. | :22:16. | :22:18. | |
APPLAUSE He certainly didn't want to be | :22:19. | :22:30. | |
straight on this. This pink will put him 57 points in front. Still 67 | :22:31. | :22:35. | |
remaining. So he needs a red and a colour after this. Trying to force | :22:36. | :22:40. | |
it in. Now he's got the red to the middle. 57 ahead, 67 remaining. As | :22:41. | :22:48. | |
soon as he pots the red, it will only be 59 remaining, so just a red | :22:49. | :22:51. | |
and a colour required. APPLAUSE | :22:52. | :22:54. | |
He's hanging on in there! APPLAUSE | :22:55. | :23:09. | |
This contribution made possible by the careless, you'd have to say, | :23:10. | :23:13. | |
safety shot from Ali Carter when he needed to get the cue ball in the | :23:14. | :23:20. | |
jaws of the pocket to cover the red on the opposite corner. Just under | :23:21. | :23:27. | |
hit it. And at this level, just an inch or two short and it can be your | :23:28. | :23:29. | |
last shot. Here's an example. CROWD: Awwww! Pity. Thought we might | :23:30. | :23:54. | |
have seen a century, but that'll be enough. Ali Carter will concede. So | :23:55. | :24:00. | |
Alan McManus hanging on in there. There'll be another frame in this | :24:01. | :24:13. | |
second session. Will it be a 2-2 -- 2-0 advantage or will it be all | :24:14. | :24:18. | |
square? The next frame will tell us. Good break-off shot it is. I think | :24:19. | :24:29. | |
of the two players, if it did finish up 8 apiece, Ali Carter will be the | :24:30. | :24:33. | |
most disappointed. He played well last night in the first session. | :24:34. | :24:36. | |
He's not reached those heights today. | :24:37. | :25:36. | |
This red is on for Ali to the left middle. It looks, just looking at | :25:37. | :25:54. | |
the potting angle, it may just be colliding with the main bunch of | :25:55. | :26:01. | |
reds. But that might not be a harm, as long as he catches them a | :26:02. | :26:03. | |
glancing blow. He's on the pink, I think, just. | :26:04. | :26:18. | |
APPLAUSE Oooh, he keeps missing those pinks | :26:19. | :26:50. | |
in the middle. OFFICIAL: Ali Carter, 1. He missed | :26:51. | :26:56. | |
one last night when he was certain to be going in front. One this | :26:57. | :26:58. | |
afternoon. APPLAUSE | :26:59. | :27:08. | |
Easier than that, actually. CROWD: Oooh! | :27:09. | :27:08. | |
APPLAUSE A little bit of noise coming from | :27:09. | :27:33. | |
the other side of the arena. So Alan, being the experienced | :27:34. | :27:36. | |
competitor he is, just getting up and giving time for it to settle | :27:37. | :27:38. | |
down. The advantage of playing this red, | :27:39. | :28:52. | |
you bring the other reds into play, a few other reds. He's just | :28:53. | :28:57. | |
over-stretching slightly. That's why he's refused it. Well, want it is | :28:58. | :29:08. | |
middle pocket here. OFFICIAL: 12. OK. Well, he didn't | :29:09. | :29:15. | |
like it but, perhaps, if he had have got his extension out and played | :29:16. | :29:19. | |
that shot, he would have opened up the reds up, which is, to be quite | :29:20. | :29:25. | |
honest, pretty important. He may not get a better chance to get the reds | :29:26. | :29:35. | |
open. Now he's got to play an excellent shot to get back on the | :29:36. | :29:37. | |
blue. OK, he's still going but if he'd | :29:38. | :29:54. | |
have played that shot on the red, as you said, John, I know it was | :29:55. | :29:59. | |
stretching a bit but he could have done some damage to the reds and | :30:00. | :30:05. | |
that would have been far more assured from a positional | :30:06. | :30:10. | |
perspective. Now, this blue in and out of baulk to get on a pretty | :30:11. | :30:16. | |
tight red into the left corner is not easy, whichever one he goes for. | :30:17. | :30:20. | |
I'm just thinking whether he could play it firm and come off two | :30:21. | :30:26. | |
cushions and try and open up that cluster of reds. There's a big | :30:27. | :30:28. | |
target. Well, he's tried it but he didn't | :30:29. | :30:40. | |
have enough side on the cue ball. Official 23. -- | :30:41. | :30:52. | |
OFFICIAL: 23. Well, that pink going over the pocket, is a bit of a | :30:53. | :31:03. | |
nightmare scenario. OFFICIAL: Alan McManus, 23. | :31:04. | :31:04. | |
APPLAUSE All things considered, that was a | :31:05. | :31:37. | |
pretty good safety shot. Not got the best length but he was in a spot of | :31:38. | :31:40. | |
bother there. If Alan decides to play this red to | :31:41. | :31:52. | |
the right of the black, that will bring the black into play but he's | :31:53. | :31:59. | |
hit it too thick. Now, is the black going to help him in but, there | :32:00. | :32:04. | |
another red available to the left corner. A big shot. A big moment in | :32:05. | :32:13. | |
the match, this, for me. A big misjudgment by Alan McManus. | :32:14. | :32:21. | |
You can see him in his chair there, steaming. | :32:22. | :32:26. | |
Doesn't want to look. Doesn't have to do anything with the cue ball. If | :32:27. | :32:36. | |
he pots it, he'll be on the pink. APPLAUSE | :32:37. | :32:46. | |
Well played! That's a fully commit, and that's exactly what he did. Now, | :32:47. | :32:51. | |
he's been given a chance here, Ali Carter, to take a 2-frame advantage | :32:52. | :32:54. | |
into the final session tomorrow morning. | :32:55. | :33:05. | |
I'm little bit surprised he's left this much potting angle on the red. | :33:06. | :33:53. | |
I would have thought you'd play that red to hold for the blue. Yes, | :33:54. | :34:01. | |
obviously he's got both colours and he has a nice screw across the face | :34:02. | :34:05. | |
of the red for the blue into the right corner. Judged very nicely. | :34:06. | :34:11. | |
It's all about opening the pack up, it would appear. | :34:12. | :34:15. | |
OFFICIAL: 18. Yeah, you'd like to do it off the next black. Yes, and | :34:16. | :34:21. | |
screw walk -- screw back across the face of the reds. So, low on the | :34:22. | :34:26. | |
back. Kick, and he's also gone high on the black. | :34:27. | :34:31. | |
OFFICIAL: 19. Yes, for me now, he'll just have to play for the red that's | :34:32. | :34:34. | |
next to the black. He could run into the red but he's not certain to be | :34:35. | :34:40. | |
on anything. Certainly, won't be on the one loose red. No, he's decided | :34:41. | :34:45. | |
to play the pink. This way he'll guarantee being in a nice position | :34:46. | :34:50. | |
on the red. But imperative now, he gets a good angle on the colour, to | :34:51. | :34:54. | |
disturb that cluster of five. OFFICIAL: 25. Surely he habit got | :34:55. | :34:59. | |
the angle -- surely, he hasn't got the angle to pot the red and screw | :35:00. | :35:02. | |
across the face of the reds for the black on this one? This would be a | :35:03. | :35:07. | |
very advanced shot, should he play this. A great way of opening the | :35:08. | :35:12. | |
pack up. Oh, and he didn't hit it right. Oh, the anger! | :35:13. | :35:18. | |
OFFICIAL: 26. Oh... Well, as you said at the time, it was an advanced | :35:19. | :35:24. | |
way to play. For me, I wouldn't...I couldn't dream of playing it like | :35:25. | :35:29. | |
that. Not unless I was absolutely certain. I think I he was. He just | :35:30. | :35:32. | |
didn't hit it right. He got a bit too much angle on the | :35:33. | :35:40. | |
pot. Perhaps if he could have potted it into the right-hand side of the | :35:41. | :35:46. | |
pocket a bit more and he could have afforded a bit of leeway, he would | :35:47. | :35:51. | |
have straightened the cue ball up, got more screw back on, screwed | :35:52. | :35:55. | |
across the face of the pack. But it is a lifeline for Alan McManus. He | :35:56. | :36:06. | |
must have been fearing the worst. What's the colour? He said, "Hang on | :36:07. | :36:13. | |
a minute." He's not decided. Green. Green he's nominated. Is it a | :36:14. | :36:18. | |
one-cushion escape. Needs to hit it. Nope. Guess it will be called a | :36:19. | :36:24. | |
miss. OFFICIAL: Foul and a miss. Ali | :36:25. | :36:34. | |
Carter 26, Alan McManus 4. I'm not digging our referee Terry out there | :36:35. | :36:38. | |
- I suppose I am... Go on, dig him out. I'm not too sure he should ask | :36:39. | :36:45. | |
whether what colour he is playing. If Ali Carter wants to nominate a | :36:46. | :36:52. | |
shot without nominating a colour, it's a fall, 7 points away. No | :36:53. | :36:57. | |
comment but I think they've always said if they're not certain, please | :36:58. | :37:01. | |
nominate. Perhaps I'm speaking out of turn here but it is up to Ali to | :37:02. | :37:08. | |
nominate, surely. Yes, but Ali would have nominated if he'd given a | :37:09. | :37:12. | |
chance to. I don't know the rules, and I should, because I'll on the | :37:13. | :37:16. | |
rules committee I was going to say, I thought you made the | :37:17. | :37:19. | |
rules LAUGHS No, no. Green again. Nope. The | :37:20. | :37:25. | |
problem is, because he's striking down, it's difficult to get the | :37:26. | :37:27. | |
amount of side-on he needs. It would be easiest to hit the black | :37:28. | :37:41. | |
but he knows, if he hits the black, there's every likelihood he'll use | :37:42. | :37:45. | |
the right to the left middle. I think the referee is the sole | :37:46. | :37:49. | |
arbiter of play and if he wants to find out, it's down to him to ask. | :37:50. | :37:57. | |
So it's not a problem, I think on reflection. Great shot! | :37:58. | :38:00. | |
APPLAUSE Yes, hit it this time. Ali, who got | :38:01. | :38:11. | |
himself into a bit of a lead, giving those foul shots away, is now 4 | :38:12. | :38:16. | |
points behind in a very vital frame for both players. This is the type | :38:17. | :38:27. | |
of safety shot that Alan has not been hitting | :38:28. | :38:32. | |
He's either hit them too thin or too thick. So he's playing this one, | :38:33. | :38:38. | |
just playing the containing safety, it appears. Didn't want to risk | :38:39. | :38:46. | |
trying to play the orthodox back to box safety. He could have played the | :38:47. | :38:52. | |
long, deep, screwback but it is not necessarily a shot that Alan McManus | :38:53. | :38:58. | |
favours. I think a Judd Trump would have not thought twice about that. I | :38:59. | :39:01. | |
think Ali Carter would have considered it as well. No slouch in | :39:02. | :39:05. | |
that department. Didn't want to collide with the brown. Free shot, | :39:06. | :39:12. | |
perhaps, for Alan McManus, free try, a red in the middle pocket with an | :39:13. | :39:14. | |
element of safety. Or Does he just play the committed | :39:15. | :39:29. | |
safety shot? Well, to me, he's got to play the pot. The only one he can | :39:30. | :39:33. | |
really leave is the one he's maying. If he's striking down like this, | :39:34. | :39:36. | |
he's not playing the pot. He's playing the safety. | :39:37. | :39:50. | |
Was it worth a try in the middle? Don't know, it's hard to see the | :39:51. | :40:00. | |
angle from here. It might have been a bit dts -- bit...I don't know. | :40:01. | :40:05. | |
We've said once or twice this afternoon, Steve, there's been one | :40:06. | :40:13. | |
or two strange shot selections. Yes, but the shot selections could have | :40:14. | :40:19. | |
been traing -- strange from the commentary box, as well. You never | :40:20. | :40:22. | |
know. But the thing is when you're actually down on the table behind | :40:23. | :40:26. | |
the shot... Yes, you can see it. Only really you really know. Yeah. | :40:27. | :40:35. | |
But there have been few... Yes, a few positional shots refused. That's | :40:36. | :40:40. | |
what we're here for though. Alan McManus has a little problem in as | :40:41. | :40:46. | |
much as when he does play this red onto the black, he's not absolutely | :40:47. | :40:49. | |
sure where that second red is going to end up. But he's got a very nice | :40:50. | :40:52. | |
line behind yellow, brown and blue. APPLAUSE | :40:53. | :41:11. | |
Well, terrific length to the cue ball. | :41:12. | :41:16. | |
The only thing, and as good a safety shot as that was, I don't see a | :41:17. | :41:23. | |
safety shot for Ali Carter. So he may decide to take this pot on. And | :41:24. | :41:30. | |
if it goes in, it could set-up a frame-winning chance. I don't see a | :41:31. | :41:34. | |
safety. So if you don't see a safety, you may as well go for the | :41:35. | :41:36. | |
pot. No, it was tough, but there was no | :41:37. | :41:53. | |
return to baulk, so the opportunity now for Alan McManus. This red will | :41:54. | :41:57. | |
pass the black. Don't play Ali for taking that on. | :41:58. | :42:11. | |
Yes, such a tough shot. But as I was saying, no other shot that was on. | :42:12. | :42:23. | |
Ooh, well, and is it...well, is it covered in I'm looking to see if | :42:24. | :42:30. | |
Alan is going to think of apologising to Ali. He shook his | :42:31. | :42:37. | |
head a few times. Well, Alan gave it a good look. Ali Carter, not even | :42:38. | :42:40. | |
bothered. Well, not the most telling safety | :42:41. | :44:18. | |
shot from Ali, but he's not left the pot on and that was his main | :44:19. | :44:19. | |
concern. Super shot. | :44:20. | :45:12. | |
APPLAUSE It looked tight, didn't it? Played | :45:13. | :45:14. | |
it well. A chance to take a 2-frame advantage | :45:15. | :45:24. | |
into the final session tomorrow now. He's got the angle. Might be tempted | :45:25. | :45:31. | |
to go into the reds here. APPLAUSE | :45:32. | :45:40. | |
He'd want to be on the red that's jest to the left of the pink. Is he? | :45:41. | :45:48. | |
Does it past the pink? Just. Tite. -- tight. | :45:49. | :45:55. | |
So now that pink's gone in, he's got an 11-point lead. The three | :45:56. | :46:27. | |
remaining reds with colours more than enough to have an overnight | :46:28. | :46:29. | |
lead of two frames. Every chance if that being the case, | :46:30. | :46:46. | |
hasn't got to really do too much with the cue ball. | :46:47. | :47:08. | |
It looks for all money now that Alan is going to be two frames behind at | :47:09. | :47:31. | |
the end of this second session. He'd be thinking it could have been | :47:32. | :47:37. | |
all-square. He certainly had chances, Steve? | :47:38. | :47:43. | |
REFEREE: 27. Yeah, I think he's ruing a few things there. I think, | :47:44. | :47:48. | |
on reflection, on the day I don't think he's played well enough to | :47:49. | :47:53. | |
have won the session 5-3, which would have been the case if he had | :47:54. | :47:56. | |
drawn level. REFEREE: 28. Looks like 4-4 for the | :47:57. | :48:05. | |
session and nobody has really dominated, is a fair reflection. | :48:06. | :48:08. | |
Playing for the blue, but the brown will do. I mean, the brown will put | :48:09. | :48:14. | |
him 28 points in front with 27 left. And off the brown, he can bet | :48:15. | :48:18. | |
position on the yellow. He is not guaranteed position on the yellow | :48:19. | :48:22. | |
off the blue, but he thinks the blue is unmisable. Arghhh! Oh! He got a | :48:23. | :48:31. | |
kick and missed the blue. Mind you, it was dead-straight, more or less. | :48:32. | :48:35. | |
Wow! REFEREE: Ali Carter 28. I mean, it | :48:36. | :48:40. | |
wasn't dead, dead-straight. But a big gasp from Ali Carter. How on | :48:41. | :48:47. | |
earth could that...from the more or less dead-straight shot, kick that | :48:48. | :48:55. | |
much to go to that far jaw? Amazing. Usually, it's on more of an angled | :48:56. | :48:59. | |
pot. I think it wasn't quite straight. No, no, it wasn't | :49:00. | :49:05. | |
dead-straight, no, but obviously where the cue ball was widened the | :49:06. | :49:09. | |
angle. Can Alan McManus get past? He's had to play the safety shot... | :49:10. | :49:14. | |
He could but he'd have the play safe. I tell you what, he'd just be | :49:15. | :49:21. | |
pleased he's still in this frame. 27 points behind. 24 remaining. This | :49:22. | :49:26. | |
would be a body blow to Ali Carter. He has regroup, Ali Carter. There is | :49:27. | :49:31. | |
a possibility of a sneaky blue to blue side-to-side shot. | :49:32. | :49:45. | |
Sent the cue ball towards the blue and the yellow up the side cushion. | :49:46. | :49:49. | |
Perhaps a better choice. Alan McManus should be able to get | :49:50. | :50:02. | |
round the back of the black here, get this yellow ball nailed on the | :50:03. | :50:08. | |
bottom cushion. A bit close to the yellow pocket but far enough away to | :50:09. | :50:11. | |
be no problem. And Ali Carter has just got to try and send this yellow | :50:12. | :50:13. | |
up towards the black area. A bit wide. Is it going to bounce | :50:14. | :50:24. | |
off this cushion enough that it gaves Alan McManus a chance? Ooh. | :50:25. | :50:36. | |
He's coming round to have a look at the potting angle. It's very thin. | :50:37. | :50:48. | |
If he played it with right-hand spin, he could widen the line and | :50:49. | :50:50. | |
guarantee to be on the green. That's too thin. Funnily enough, he | :50:51. | :51:11. | |
overcut it by so far he got it safe. Yeah. Advantage Ali Carter in the | :51:12. | :51:16. | |
tactical department now. He's got first crack at a good safety shot. | :51:17. | :51:21. | |
The only thing that Ali will be concerned, though, I think, if he's | :51:22. | :51:25. | |
stun the yellow up and down the table, he doesn't want that yellow | :51:26. | :51:29. | |
to run into the blue and bring the blue away from the cushion. I think | :51:30. | :51:36. | |
it's worthwhile trying to play the perfect, thin cut in behind yellow | :51:37. | :51:41. | |
and...in behind pink and black here. It is not the type of shots the | :51:42. | :51:46. | |
players like to. When he's not playing it, he's going to somehow | :51:47. | :51:51. | |
get it in behind thek black, although that's going to be | :51:52. | :51:56. | |
difficult, I feel. Has to be care wfl the -- careful with the pace of | :51:57. | :52:02. | |
the yellow here. Not over the middle. Oh, no. It's just gone far | :52:03. | :52:06. | |
enough as it's nowhere near as easy as it looks on our screen. But you | :52:07. | :52:11. | |
can see it. It was straight enough that he can't pot the yellow and get | :52:12. | :52:17. | |
position on the green. He held the cue ball perfectly. But he did have | :52:18. | :52:22. | |
to hit the yellow a bit too hard. The safety shot from behind the blue | :52:23. | :52:30. | |
from Alan McManus here, I think. No. Quite a way out. Of course, now that | :52:31. | :52:40. | |
he's nudged the blue, he has knocked the blue into a more favourable | :52:41. | :52:44. | |
position, but Ali just needs the yellow. Oh, not a great shot from | :52:45. | :52:49. | |
Ali Carter there. Jabbed a bit at because of awkward bridging. | :52:50. | :52:54. | |
I think Alan McManus felt as if he played that yellow in and it rolled | :52:55. | :52:57. | |
off a bit. APPLAUSE | :52:58. | :53:01. | |
Perhaps a few fingermarks on the cloth at this late stage of the | :53:02. | :53:05. | |
session. Now, we were talking about this | :53:06. | :53:09. | |
shot, the double-kiss, John, it's arguably the shot to play, but not | :53:10. | :53:13. | |
if the cue ball is jammed up against the top cushion. Mmm. Because you've | :53:14. | :53:19. | |
got to guarantee hitting it very straight. Yes, you've got to hit the | :53:20. | :53:22. | |
yellow full in the face. Otherwise, you get nothing. When you're tight, | :53:23. | :53:26. | |
as you say, against the cushion, it is very hard to be that accurate. If | :53:27. | :53:30. | |
he had his hand on the tail, I would agree -- table, I would agree. This | :53:31. | :53:32. | |
is a horrible shot. He could get a bit fortunate and get | :53:33. | :53:48. | |
a safety shot but I'd say it's 50-50 whether he can guarantee safety | :53:49. | :53:53. | |
here. He's played the double-kiss...no, he didn't | :53:54. | :53:57. | |
actually. He's played a great shot. He's played an excellent shot. What | :53:58. | :54:01. | |
a fantastic shot that was. I think he's just left the edge of the | :54:02. | :54:05. | |
yellow sticking out but considering the trouble he was in, a good | :54:06. | :54:07. | |
safety. Oh, great try. | :54:08. | :54:18. | |
APPLAUSE . I think he'll feel relieved he hit | :54:19. | :54:26. | |
it. LAUGHS | :54:27. | :54:31. | |
He wasn't far enough getting the perfect safety shot there. Not an | :54:32. | :54:39. | |
easy one for Alan McManus to guarantee getting safe as well. I'd | :54:40. | :54:47. | |
say it's nigh impossible to get a snooker from here. He might be | :54:48. | :54:56. | |
forced to drive the yellow to the left side cushion, but looks like | :54:57. | :55:02. | |
he's playing to the right-side cushion. Could get behind the blue, | :55:03. | :55:07. | |
I suppose. He's hit it well. He's hit it very well. And that green is | :55:08. | :55:15. | |
going to make it slightly awkward cueing for Ali. | :55:16. | :55:22. | |
APPLAUSE A big frame and a big moment in the | :55:23. | :55:30. | |
match. A big difference between 9-7 and 8-8. Ali Carter's favourite in | :55:31. | :55:42. | |
as much as blue to pink is not easy. So whilst the blue is pottable, it | :55:43. | :55:51. | |
might take Alan McManus two goes to get all the balls down. | :55:52. | :56:00. | |
It's not exactly a yellow ball game because of that blue. He is 24 | :56:01. | :56:07. | |
points in front, is Ali. He needs the yellow. He's having a good look | :56:08. | :56:11. | |
at this. Do you think he's considering playing the pot? He's | :56:12. | :56:16. | |
gone against the type of shots he's been playing again. But does he | :56:17. | :56:20. | |
think it's more tough to play the safety? I think he can go round the | :56:21. | :56:27. | |
back of the black. That's what he's doing, going round the black of the | :56:28. | :56:32. | |
black. Could be tempted, I suppose, to play the yellow. He'd be | :56:33. | :56:38. | |
delighted with the outcome. APPLAUSE | :56:39. | :56:45. | |
A little tap on the table from Alan McManus there. He's still very much | :56:46. | :56:51. | |
in this frame. Trying to get down behind the blue has its own danger. | :56:52. | :56:56. | |
There's a pocket down there as well. Yeah, and if it goes in, he'll go 28 | :56:57. | :57:03. | |
points behind with 27 remaining. Got to be wary of that. Called it thick. | :57:04. | :57:13. | |
Got a bit of a kick, but he did catch it thick, and here's the | :57:14. | :57:18. | |
chance for Ali Carter. A shot to nothing as well. | :57:19. | :57:28. | |
It's there! APPLAUSE | :57:29. | :57:36. | |
It's there! And Ali Carter will be mightily relieved. So when he potted | :57:37. | :57:42. | |
the final red and was nicely on the blue or just to roll the blue in to | :57:43. | :57:46. | |
clinch the frame and missed it, you thought, "What's going to happen | :57:47. | :57:50. | |
next?" But after a decent bout of safety, it looks like Ali Carter is | :57:51. | :57:56. | |
going to retain that two-frame advantage that he came into this | :57:57. | :57:59. | |
session with for the final session tomorrow. Definitely now! | :58:00. | :58:06. | |
APPLAUSE Alan McManus is not going to bother | :58:07. | :58:11. | |
playing the blue. Well, it wasn't high quality but as we always get at | :58:12. | :58:17. | |
the Crucible Theatre, it was high drama. Both players don't look happy | :58:18. | :58:21. | |
but Ali Carter should be the happier of the two. He leads at the end of | :58:22. | :58:28. | |
the second session 9 frames to 7. So it is advantage Ali Carter going | :58:29. | :58:31. | |
into the third and final session. That is it from us but we're back at | :58:32. | :58:43. | |
10 o'clock with more live coverage of the Snooker Championship. We | :58:44. | :58:46. | |
shall see you then. Good night. Captions by | :58:47. | :58:47. | |
Ericsson Access Services. | :58:48. | :58:52. |