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good evening and welcome to snooker extra, extended highlights of Day | :00:33. | :00:41. | |
four of the 20 17th that Fred worlds in the championship. Our feature | :00:42. | :00:45. | |
titan I'd is the second session of the match between John Higgins and | :00:46. | :00:50. | |
Martin Gould. Higgins opened up the 7-2 lead overnight and was three | :00:51. | :00:57. | |
frames away from bugging his place in the last 16. Your commentators, | :00:58. | :00:58. | |
John Parrott and John Virgo. COMMENTATOR: Martin Gould gets this | :00:59. | :01:18. | |
second session underway. Five frame deficit against someone like John | :01:19. | :01:25. | |
Higgins, is going to be hard to pull back, JP? Yes. You would think so, | :01:26. | :01:32. | |
John. One of the best match players, the game has ever seen. And he is | :01:33. | :01:38. | |
approaching 42 years of age. All his sniggering faculties are still | :01:39. | :01:45. | |
there, great break-builder. His long game has got better. He has found | :01:46. | :01:55. | |
something. And he never gives you anything easy, John Higgins. You | :01:56. | :02:05. | |
have got to earn your corn. There has only been one century break in | :02:06. | :02:09. | |
this match. The average shot time, 23 seconds. 28 for Martin, but when | :02:10. | :02:15. | |
you are behind you have to do a lot of thinking time. One century, that | :02:16. | :02:22. | |
was made by Martin. He could do with a couple of them early on this | :02:23. | :02:30. | |
morning. To try and get some kind of foothold in the match. He is playing | :02:31. | :02:37. | |
somebody who has been there, got the T-shirt for times. Recognised by all | :02:38. | :02:43. | |
as the best match player we have ever seen. | :02:44. | :02:57. | |
He mentioned about the time it has taken Martin, 28 seconds, but you do | :02:58. | :03:04. | |
tend to think a lot more when you are stuck in the baulk area. It is | :03:05. | :03:09. | |
certainly not straightforward. This is an example. | :03:10. | :04:05. | |
Clever. Normally, a player would try and... Little shake of the head. | :04:06. | :04:22. | |
Just an inch short. As I looked over at John Higgins, I saw a slight | :04:23. | :04:29. | |
grimace. So even 7-2 in front, he still disappointed if he doesn't get | :04:30. | :04:36. | |
it inch perfect. Yes, he will be concentrating like mad in this first | :04:37. | :04:41. | |
frame, just to dampen any fire Martin Gould has left in him to go | :04:42. | :04:47. | |
AT two. It starts to look totally forlorn for Martin. This is a | :04:48. | :04:50. | |
massive frame, John Higgins knows that. All that experience of being a | :04:51. | :04:57. | |
matchplay. Don't give your opponent any encouragement. | :04:58. | :05:15. | |
Whilst there is a safety exchange going on, congratulations, you told | :05:16. | :05:24. | |
me the Grand National winner, eight months ago. Well done to you. Well | :05:25. | :05:38. | |
done to One For Arthur. Second Scottish winner of the National. And | :05:39. | :05:46. | |
didn't he win? Could be a Scottish double. John Higgins for the World | :05:47. | :05:47. | |
Championship. Yes. Towards the corner. Now he needs the | :05:48. | :06:09. | |
green to come to his rescue. It hasn't. The only thing you would | :06:10. | :06:12. | |
say, he has a pretty good length of the cue ball. If you play this at | :06:13. | :06:25. | |
pace, chance of potting it. John just puts a damper cloth on the cue, | :06:26. | :06:33. | |
to get rid of any stickiness. This is a horrible shot he has been left | :06:34. | :06:38. | |
with. The angle is all wrong for what he needs. Can't see how he can | :06:39. | :06:44. | |
avoid a cannon here, if he knocks this in. He will do well to avoid | :06:45. | :06:55. | |
one. Wow! That is amazing. Where did that gap come from? Good pot. | :06:56. | :07:02. | |
Amazing, this game. How did he get through there. And it swerved twice. | :07:03. | :07:14. | |
He is just going to try and nestle behind the green. Making sure he | :07:15. | :07:24. | |
gets a good cue ball. Just overhit it slightly. He should have stopped | :07:25. | :07:31. | |
this escape route down the left-hand side of the table, as we look. | :07:32. | :07:57. | |
That is a better safety shot from John. Just shows you the standard of | :07:58. | :08:08. | |
his safety play. No shots wasted with John Higgins. You get some | :08:09. | :08:13. | |
players and they are still playing on the circuit thinking putting the | :08:14. | :08:16. | |
cue ball in the baulk area is enough. He is always trying to put | :08:17. | :08:21. | |
you in a position to force a mistake. There is a difference in | :08:22. | :08:23. | |
that. And there is the mistake. Yes, | :08:24. | :08:40. | |
kissing the blue. Left the cue ball this side of the baulk line. | :08:41. | :09:26. | |
He can play the yellow, but I think he would like the blue back on its | :09:27. | :09:34. | |
spot. Bit more work to do with the cue ball. Couldn't avoid the green. | :09:35. | :09:45. | |
I don't think he will be getting many more. | :09:46. | :09:53. | |
OK, it could be made. But his main concern will be getting that cue | :09:54. | :10:01. | |
ball back to the baulk at end. This is a difficult plant. | :10:02. | :10:46. | |
Excellent. Perfect length. Well played. | :10:47. | :11:23. | |
Looks like he is playing the push up and down, trying to lead the cue | :11:24. | :11:28. | |
ball behind the red on the top cushion. Tried to get it tight, but | :11:29. | :11:40. | |
there may be a me the pink that goes. But that would top-class | :11:41. | :11:47. | |
cueing. I suppose at 7-2 down, you might be tempted? There is one thing | :11:48. | :11:53. | |
clear in your mind when you are this far behind, you have got to come out | :11:54. | :12:04. | |
and play well. Close. I think sometimes you have got to give | :12:05. | :12:09. | |
yourself a chance to play well. Just by refusing things and playing | :12:10. | :12:14. | |
negative, I don't think you can get back into a match with such a | :12:15. | :12:19. | |
deficit. He knows what he's got to do, Martin. That was a tough pot, | :12:20. | :12:26. | |
but he took it on. He didn't leave anything. There will be read over | :12:27. | :12:32. | |
the corner here, can he get through to it? The brown may have covered | :12:33. | :12:38. | |
it, but a little swerve, the cushion first would pot it. The only thing | :12:39. | :12:43. | |
is, he won't be certain where the cue ball is going to finish. He will | :12:44. | :12:54. | |
need a bit of luck for position. Quite a decent swerve. Nearly three | :12:55. | :13:00. | |
quarters of the ball covered. Got to get it right. The main priority, as | :13:01. | :13:05. | |
ever, pot the ball. Don't get position, just play a good safety. | :13:06. | :13:16. | |
But, knock it in. Well done. And I'd tell you what, he will settle for | :13:17. | :13:24. | |
that. That is a bonus. Little help from his opponent to reduce this | :13:25. | :13:34. | |
deficit. He has got a good chance to build up a useful lead. | :13:35. | :13:40. | |
Frame-winning opportunity. Tough call, but just concentrate and try | :13:41. | :13:44. | |
and get as many points in front as you can. | :13:45. | :14:06. | |
Good, clean pot but I don't think if he has got enough out of the cue | :14:07. | :14:12. | |
ball to get the right side of the blue. There we go. Just likely. Just | :14:13. | :14:20. | |
a run through for the red on the right-hand side now. If the pink | :14:21. | :14:25. | |
parts in the left-hand pocket as we are looking at the screen, that | :14:26. | :14:26. | |
would be ideal. -- pots. It obviously does with that | :14:27. | :14:47. | |
positional shots. Nice chance. Good signs. Struck that one beautifully | :14:48. | :14:55. | |
right in the heart of the pocket. Didn't look like touching the sides. | :14:56. | :15:06. | |
We were commentating together on the Gary Wilson much. He is another one | :15:07. | :15:17. | |
who is predominantly left side. I know he has had one that is stronger | :15:18. | :15:25. | |
than the other. Always amazes me there with his glasses. It is as | :15:26. | :15:30. | |
though he looks over the top of them. When you look at the troubled | :15:31. | :15:34. | |
Dennis Taylor had getting the correct pair of glasses he could | :15:35. | :15:42. | |
play in. Martin wears glasses and looks like he is looking over the | :15:43. | :15:44. | |
top of them. Don't tell me he's looking through | :15:45. | :16:03. | |
the glass there. But it works for him and he has become one of the | :16:04. | :16:07. | |
most dangerous players on the circuit. Vastly underrated. If those | :16:08. | :16:16. | |
glasses are working, John, get me a pair. | :16:17. | :16:32. | |
He has decided to play for the black. Not sure where the black will | :16:33. | :16:40. | |
go after it is parted. The green spot is available. It is one of | :16:41. | :16:44. | |
those situations, OK, you would love to win the frame at this visit, but | :16:45. | :16:48. | |
don't miss anything easy and get what you can. Well, he has played | :16:49. | :16:58. | |
that absolutely superb. I don't think the black will be available | :16:59. | :17:00. | |
when it goes on its spot, but he couldn't have hit that any better. | :17:01. | :17:05. | |
Look at the top spin. Shot of the morning that one. Hasn't been many | :17:06. | :17:10. | |
shots this morning, but that's the best one. Can't wait for the next | :17:11. | :17:13. | |
one. I said when he first came to the | :17:14. | :17:27. | |
table, it was going to be a tough call for him to win the frame at | :17:28. | :17:32. | |
this visit. It is looking likely now, just the start he was looking | :17:33. | :17:42. | |
for. Couldn't agree with you more. This has been a fabulous break. Like | :17:43. | :17:47. | |
you, I look at the table and thought, OK, there is a few reds | :17:48. | :17:51. | |
available but that shot on the black was excellent. There is a crispness | :17:52. | :17:56. | |
about the strike this morning from Martin Gould. Hitting the ball very | :17:57. | :18:01. | |
well. Lots of authority. Certainly better than yesterday. He got off to | :18:02. | :18:07. | |
a poor start, 5-0 down. He was a little bit at sea. But already this | :18:08. | :18:11. | |
morning, the cueing looks a lot more assured. | :18:12. | :18:39. | |
Red and colour, as soon as he plots this thread, there will be the red. | :18:40. | :18:48. | |
There will only be 51 remaining. This thread, he will be 59 points in | :18:49. | :18:56. | |
front. We'll be into the two snooker required stage. If he was to make | :18:57. | :19:04. | |
this, it would be special. Terrific break, this. And just the start he | :19:05. | :19:12. | |
was looking for. We could see his second century of | :19:13. | :19:41. | |
the match. Little bit of a gap. Maybe able to drop it in. | :19:42. | :19:51. | |
He couldn't do much with the positional side of the shot. | :19:52. | :20:09. | |
Good pot. Nice kiss on the brown. It's not a bad one. Thing is, | :20:10. | :20:19. | |
everything has gone right in the middle of the pocket, nothing sloppy | :20:20. | :20:24. | |
about it. As a player, you always feel good when you find the middle | :20:25. | :20:32. | |
of the pocket. And even as mentioning it, cannot stop them. He | :20:33. | :20:37. | |
is in fine Vettel. Overrun a little bit. Little bit of work to do with | :20:38. | :20:41. | |
the cue ball here. -- fine Vettel. We've already had 18 century breaks | :20:42. | :21:11. | |
in the championship so far. This brown for 19, John and is not been | :21:12. | :21:18. | |
any better than this. I haven't seen many centuries better than this. | :21:19. | :21:22. | |
When he came to the table, it didn't look like he was going to clear up. | :21:23. | :21:30. | |
Excellent. Well played, Martin Gould. Very well played. | :21:31. | :21:51. | |
He just lost his concentration, probably thinking about the next | :21:52. | :21:59. | |
frame. John Higgins, didn't do a lot wrong. Martin Gould, sensational | :22:00. | :22:07. | |
century break, has reduced his arrears now the four. | :22:08. | :22:37. | |
That looks to fix. Always a danger. Leave one of these mid-range pots. | :22:38. | :22:47. | |
Players of this class with a hand on the table. | :22:48. | :23:06. | |
Had an excellent start to the season, John. Won three events at | :23:07. | :23:38. | |
the beginning of it and was in superb form. Still been playing | :23:39. | :23:45. | |
well, obviously. You can lose the final frame deciders, anyone can | :23:46. | :23:48. | |
lose those. His game has still been all right. When he has time to have | :23:49. | :23:56. | |
good preparation, but the hours in in Scotland. Turns appear with these | :23:57. | :24:00. | |
long matches, that is what suits him best. He can win those tournaments | :24:01. | :24:05. | |
that are best of seven, best of night, but John Higgins' game is | :24:06. | :24:11. | |
suited to the longer format. When he came in, there was a couple of | :24:12. | :24:16. | |
quotes saying how well he has been playing, which is unusual, he | :24:17. | :24:20. | |
normally keeps it to himself. So when John says he is playing well, | :24:21. | :24:21. | |
you have to take notice. Got into that. I thought he would | :24:22. | :24:37. | |
have stunned of the cushion. I am certain that was the idea. Got into | :24:38. | :24:40. | |
it too much and didn't bounce it off the cushion. Tricky blue, this. He | :24:41. | :24:49. | |
is playing it pretty quick, but it is difficult, this. I was amazed he | :24:50. | :24:58. | |
got down and played it so quickly. You were right, it was very acute, | :24:59. | :25:02. | |
that angle. Always horrible, chewing across. You have to make sure you | :25:03. | :25:07. | |
are in the middle of the white. He has overcooked it. But it was the | :25:08. | :25:13. | |
shot before. Maybe he wanted to play the screw shot onto the cushion but | :25:14. | :25:15. | |
got into the white too much. Another example of excellent cueing | :25:16. | :25:41. | |
and to pot that is tough enough and to flick the red out as well, very | :25:42. | :25:46. | |
good. I think he might be struggling for another read. There is one goes | :25:47. | :25:51. | |
there, you can see but he has two pot this and screw back off the | :25:52. | :25:55. | |
cushion and this requires excellent cueing, to find the gap. | :25:56. | :26:07. | |
That was a classical example of not hitting the centre of the cue ball. | :26:08. | :26:14. | |
Mishap some unintentional side. Particularly when you are striking | :26:15. | :26:19. | |
now and it has pushed the cue ball into the black, hitting it much too | :26:20. | :26:23. | |
thick. He was a little unlucky to come that close to the cushion. | :26:24. | :26:40. | |
This will be testing his eyesight, we mentioned before, John. If he has | :26:41. | :26:49. | |
the right hand side of this pack to clip off, you have got to get these | :26:50. | :26:54. | |
mighty thin. Anything thick he is going to contact the jaws of the | :26:55. | :26:55. | |
pocket. He will settle for that. Not quite | :26:56. | :27:13. | |
how he played it. But where it has finished is not too bad. In fact, | :27:14. | :27:17. | |
where it has finished, the blue is blocking the left-hand side of the | :27:18. | :27:18. | |
table of John Higgins. Can he get through to this red? He | :27:19. | :27:57. | |
may be able to bend it with a trace of right-hand side. Another role, we | :27:58. | :28:03. | |
say it is all about fractions, another role and he could have | :28:04. | :28:04. | |
plotted this red comfortably. Well! What that was. -- pot. | :28:05. | :28:30. | |
Absolutely stunning. I thought he was taking that read on, because he | :28:31. | :28:35. | |
obviously looked at the safety shot and thought, whatever I play safe | :28:36. | :28:39. | |
here, I might be sticking a read up, so decided to attack. The way he is | :28:40. | :28:45. | |
hitting this morning, why not? Once again, beautifully cued. | :28:46. | :29:04. | |
You just concentrate on the blue. He would love the black back on its | :29:05. | :29:32. | |
spot, but I wouldn't sacrifice your position for that. Just overscrewed | :29:33. | :29:37. | |
that slightly. He can still cut the blue in and play a little cannon. I | :29:38. | :29:42. | |
wonder if he will do that? If he takes the chance, he could bring the | :29:43. | :29:46. | |
pink into play and maybe promote the reds. Where he's finished, he may | :29:47. | :29:51. | |
have to play the cannon now anyway. Just needs a little bit of luck | :29:52. | :29:53. | |
here. He didn't bring the pink into play. | :29:54. | :30:13. | |
That would have been a bonus. He is on a red so the break will keep | :30:14. | :30:17. | |
going. He knocked a couple of read out into better positions. As long | :30:18. | :30:22. | |
as he can keep getting the right side of the blue, which he hasn't on | :30:23. | :30:28. | |
that one. He should be able to score a few. They always say if you are | :30:29. | :30:34. | |
going to be the wrong side of the blue, be the well wrong side of the | :30:35. | :30:41. | |
blue, which he is. No problem there. Didn't have the yellow to avoid. | :30:42. | :30:43. | |
Made it a little bit easier. Just a 17 point lead. It's not a | :30:44. | :30:59. | |
straightforward run to the line but we saw in the last frame how well | :31:00. | :31:08. | |
he's potting. Needs to be right side of the blue this time. Just got | :31:09. | :31:16. | |
there. Just got there. The right side of the blue, in this case, is | :31:17. | :31:21. | |
the left side of the blue line. There is the side bar. 60 points the | :31:22. | :31:44. | |
target. Basically, he's looking for another 29 points from this | :31:45. | :31:48. | |
situation. Only two reds available at the moment. Not an easy 29 points | :31:49. | :31:52. | |
to get. Not the right side of the blue this | :31:53. | :32:02. | |
time. Will stun in between the green and | :32:03. | :32:25. | |
brown here. He's striking the ball well this morning, John. Yes. | :32:26. | :32:31. | |
There's a sound to it. You can tell when someone is hitting the ball | :32:32. | :32:35. | |
with great authority, because the back of the pockets make a sound. | :32:36. | :32:39. | |
He's not hitting any jaws, everything is pretty clean. This has | :32:40. | :32:44. | |
been a tough break so far. Got to keep that consideration level up. | :32:45. | :32:50. | |
Which can be difficult when there is more travel in the cue ball. That's | :32:51. | :32:56. | |
another terrific shot. Hmmm, well, that's unlikely. Worst | :32:57. | :33:12. | |
way, you would think he would be on yellow. I think he could pot this | :33:13. | :33:19. | |
black. Or it is an easy snooker. Go for the easy snooker. He got a 30 | :33:20. | :33:27. | |
point lead and John Higgins will be doing well to hit a red here and not | :33:28. | :33:29. | |
leave anything on. REFEREE: Foul and a miss, Martin | :33:30. | :34:07. | |
Gould four. Decision time here, John. Would you take the miss? No, I | :34:08. | :34:14. | |
would play the pot. I tell you why. You can play it claim ball. Well, | :34:15. | :34:18. | |
I'm surprised at that. He's got a yellow over the corner pocket. If | :34:19. | :34:25. | |
John Higgins plays this properly, and there's every chance he will, | :34:26. | :34:28. | |
there's every chance he will be getting nothing. I would have been | :34:29. | :34:32. | |
taking that one. That's what he's attempting to do, get that side. | :34:33. | :34:38. | |
Well, this looks nice, this looks nice! Well, he didn't hit it off the | :34:39. | :34:46. | |
back addition, but he hit it. As John said, probably now the wrong | :34:47. | :34:51. | |
decision from Martin to have it put back. Well, definitely the wrong | :34:52. | :34:55. | |
decision. Any time you are given a free shot to nothing like that, and | :34:56. | :34:59. | |
the way he has ported this morning, you would fancy him to knock in that | :35:00. | :35:04. | |
red five times -- nine times out of ten will stop the yellow was over | :35:05. | :35:08. | |
the pocket, no position required, you are guaranteed to be on a ball. | :35:09. | :35:14. | |
Of course, we'd played in an era where the miss rule wasn't as | :35:15. | :35:17. | |
prevalent as it is now, and I think some players think, I've got him in | :35:18. | :35:24. | |
a snooker now, I could get 20 points out of this snooker. The wrong way | :35:25. | :35:28. | |
to think. I see that a lot now, particularly when there are a couple | :35:29. | :35:32. | |
of reds left on the table. They think, they can get a tough snooker, | :35:33. | :35:36. | |
they can get past the winning line just by getting foul points. In that | :35:37. | :35:41. | |
instance as well, if you were playing against someone who didn't | :35:42. | :35:45. | |
know his way around the table all was totally attack minded, then | :35:46. | :35:49. | |
maybe yes, but you know this fellow knows his way around the table as | :35:50. | :35:50. | |
well as anybody. You make your decisions and you | :35:51. | :36:06. | |
stand and fall by them. That will all be forgotten if Martin Gould can | :36:07. | :36:12. | |
win this frame. Is he taking this on? | :36:13. | :36:22. | |
He did. Now, the red is running loose. Where is it going to finish? | :36:23. | :36:29. | |
Well, he's left it. John just checking there. All he's | :36:30. | :36:54. | |
got to do here with the cue ball is stunted, leave the cue ball | :36:55. | :36:57. | |
basically where the red is, because the yellow will go through the gap | :36:58. | :37:04. | |
between brown and green. Just concentrate totally on the pot. No! | :37:05. | :37:14. | |
That was a surprise. Sometimes when you're that close to a ball, once | :37:15. | :37:19. | |
again, he's just not found the middle of the cue ball, there are, | :37:20. | :37:24. | |
or he sighted it wrong, didn't get of the shot. -- didn't get in the | :37:25. | :37:29. | |
line of the shot. In it went. And this blue, I assume he's going | :37:30. | :37:46. | |
to play the blue... Would put Martin 40 points in front with a possible | :37:47. | :37:50. | |
59 left, so he is still looking for two reds in two colours after this | :37:51. | :37:57. | |
point. Yeah, the positional side of this is not straightforward. He's | :37:58. | :38:03. | |
got to try to play this with a little bit of screw and side, get | :38:04. | :38:07. | |
between the two reds and the pink if he can. Or maybe flick one of those | :38:08. | :38:14. | |
out. Hmmm. It was always a little tricky, that. Couldn't quite get | :38:15. | :38:18. | |
into the cue ball enough to get through the gap, and if you played | :38:19. | :38:22. | |
it like that, the position could go astray. It's one of those, after the | :38:23. | :38:27. | |
event you think I could have done with hitting it a bit harder, but | :38:28. | :38:30. | |
that's after the event and we are all wise after that. | :38:31. | :38:35. | |
40 point lead, not a bad one. Yeah, I think if he can play a safety, he | :38:36. | :38:43. | |
can put a red on the side cushion as well, it might be worthwhile just | :38:44. | :38:46. | |
chipping off the one above. If he can just see the edge of that, push | :38:47. | :38:51. | |
it on the side cushion maybe... Yeah, because the other two reds | :38:52. | :39:02. | |
won't pass the pink. He obviously can't see enough of that. Is he | :39:03. | :39:06. | |
playing this red to the middle? I think he is! | :39:07. | :39:16. | |
And got it! Wonderful shot. Wonderful. | :39:17. | :39:23. | |
APPLAUSE Wow. He has ported some balls this | :39:24. | :39:28. | |
morning. That was an absolute cracker. | :39:29. | :39:40. | |
He's only going for anything that's round, John, this morning! Well, I | :39:41. | :39:51. | |
admire him. He could have left the one that was tight on the top | :39:52. | :39:55. | |
cushion, but he has given himself a chance to see how he's playing this | :39:56. | :39:58. | |
morning and so far he's playing well, and he must be very pleased. | :39:59. | :40:05. | |
But take nothing for granted. And that's it. Snooker is needed -- | :40:06. | :40:12. | |
snookers needed. John Higgins had a chance when he had a red to this | :40:13. | :40:16. | |
corner pocket and missed it. Didn't have much chance in the first frame | :40:17. | :40:21. | |
this morning. APPLAUSE | :40:22. | :40:50. | |
Nice little shop here, play this with a bit of running side to try to | :40:51. | :40:59. | |
make it hard with the cushion. There you go. Every shot you like this | :41:00. | :41:04. | |
morning from Martin Gould. In very good form. | :41:05. | :41:21. | |
The frame is over. He can't make a century break. He doesn't want to | :41:22. | :41:35. | |
play this, really. John said to him, don't bother, that will do! You've | :41:36. | :41:40. | |
done enough! Nice to see a smile, but what a start this morning from | :41:41. | :41:46. | |
Martin Gould. Absolutely superb. He's played great snooker, he is | :41:47. | :41:50. | |
still three behind, but you could say match on. | :41:51. | :42:03. | |
Of course, there's a possible ten frames in this session. We will play | :42:04. | :42:11. | |
four before we get to a mid-session interval. Two very important frames, | :42:12. | :42:13. | |
these. Missed it on the way up. A little | :42:14. | :42:37. | |
scratch of the head, there, from John. He could have left an easier | :42:38. | :42:43. | |
chance. He was playing with lots of left-hand side to try to swerve it | :42:44. | :42:47. | |
that end, and he missed it. He pushed the cue ball out and it | :42:48. | :42:51. | |
hasn't come back. That's what has happened there. All these little | :42:52. | :42:56. | |
things will just give Martin Gould a little more encouragement. | :42:57. | :43:00. | |
Especially when you see someone like John Higgins making a mistake on | :43:01. | :43:01. | |
that safety shot. Well, if he can get through to the | :43:02. | :43:17. | |
blue, he will settle for it, but obviously he can't. A little | :43:18. | :43:22. | |
unlucky, there. I have to say that John was a bit fortunate to leave | :43:23. | :43:26. | |
the cue ball near the side cushion, there you see him on the blue, that | :43:27. | :43:32. | |
meant that he couldn't do much with the cue ball, he had to trust quite | :43:33. | :43:37. | |
a bit to luck. That was massive there. If you just flicks out and he | :43:38. | :43:41. | |
is on the blue, what a difference that makes. Because he's got | :43:42. | :43:44. | |
momentum at the minute and he is scoring well. So he's going to take | :43:45. | :43:49. | |
the brown on. A little bit tricky because he is also slightly hampered | :43:50. | :43:52. | |
by a red that is under his arm there, when he's playing. This is | :43:53. | :43:58. | |
one of those instances, even though you've been attacking all morning, | :43:59. | :44:02. | |
do you just take this on or do you be a bit more prudent and play a | :44:03. | :44:07. | |
safety shot? I think he's playing safe. | :44:08. | :44:18. | |
Well, that's the balance you were talking about. I wouldn't disagree | :44:19. | :44:23. | |
with that. He was a little unlucky, there. I'm quite impressed with | :44:24. | :44:33. | |
that, actually. Sometimes it's really difficult to reel yourself | :44:34. | :44:37. | |
in. You can be playing really well, knocking everything in, and you feel | :44:38. | :44:40. | |
you should be making more of an opportunity, but he has been very | :44:41. | :44:44. | |
professional there, just played the right shot, until there. This is the | :44:45. | :44:50. | |
right shot for the instance, I'm going to play it. | :44:51. | :45:04. | |
Close. It's over 20 minutes now since John Higgins has ported a ball | :45:05. | :45:15. | |
-- has potted a ball, and I think he may have left this red just do the | :45:16. | :45:19. | |
right of the black. Maybe not. It's close, that. Well, he wouldn't have | :45:20. | :45:26. | |
been on a colour but he was just trying to contain the situation. | :45:27. | :45:32. | |
Obviously Martin can't get through to the potting angle of the red that | :45:33. | :45:36. | |
is immediately to the right of the black. Otherwise he would have | :45:37. | :45:43. | |
played it by now. Well, is he playing the pot here? Well, he | :45:44. | :45:52. | |
played the safety, off that. It always looked a bit risky to me. He | :45:53. | :45:57. | |
just had to cover the one on the left. Initially he was going to | :45:58. | :46:02. | |
play-off that one on the left and cover the cushion but he knew the | :46:03. | :46:06. | |
only place he could play the cue ball was at the right-hand side, so | :46:07. | :46:11. | |
is what he decided to do. He could have done with better length with | :46:12. | :46:12. | |
the cue ball. That was a very aggressive safety | :46:13. | :46:27. | |
shot, and look at the length of the cue ball. OK, an inch short, but a | :46:28. | :46:40. | |
good one, a telling one. Yeah. He's got a bit more to think about here. | :46:41. | :46:44. | |
I'm just wondering if he can play off the red that is near to the | :46:45. | :46:52. | |
blue. The two reds near the left-hand pocket, that is the | :46:53. | :46:56. | |
problem he's got. There is a safety off that read near the blue, but | :46:57. | :47:01. | |
unless you get a really good cue ball, you could be leaving yourself | :47:02. | :47:07. | |
open. Yeah, that is the shot that John is referring to. But you need a | :47:08. | :47:16. | |
good cue ball to find that baulk cushion. Also, don't hit it too thin | :47:17. | :47:23. | |
and catch the bump of the middle pocket. Oh! He's missed the bump. | :47:24. | :47:40. | |
Played it well. Very good shot. Excellent, that was. He's in a spot | :47:41. | :47:41. | |
of bother. He did get very close to that middle | :47:42. | :47:50. | |
pocket, that has made a huge difference, not hitting that bump. | :47:51. | :47:54. | |
It would have been unlucky, but it does happen. Well, as he left | :47:55. | :48:10. | |
anything? Yeah, it looks like that was a fortuitous kiss on the green. | :48:11. | :48:19. | |
If he had just run past the green, he would have left maybe a choice of | :48:20. | :48:27. | |
two reds that were to bowl -- that were possible. His long game and | :48:28. | :48:32. | |
medium game has been excellent but there is a lot more pressure on this | :48:33. | :48:36. | |
one when you could be leaving something. That's the first one he | :48:37. | :48:44. | |
is cued across. But has he been fortunate? | :48:45. | :48:56. | |
Well, he has certainly covered the one down the left-hand side. Those | :48:57. | :49:02. | |
of those have been covered. John is already playing the red down the | :49:03. | :49:06. | |
right-hand side of the table, taking that pot on. All the hours of | :49:07. | :49:14. | |
practice in your club, this is what it's for, shots like this. | :49:15. | :49:27. | |
Beautifully struck. He has missed a couple this morning, John Higgins. | :49:28. | :49:32. | |
But that will give him a bit more confidence. That was a beauty. And | :49:33. | :49:43. | |
it's time for John to score, now. He has seen Martin playing very well | :49:44. | :49:46. | |
this morning, winning two quick frames. He needs to restart his | :49:47. | :49:50. | |
authority back on this match. Just a little overhit, but one of | :49:51. | :50:42. | |
those shots that John has just played their where you're frightened | :50:43. | :50:47. | |
of not getting up far enough on the blue. He has just overhit it, but | :50:48. | :50:54. | |
the brown is available. Actually, the green is, so he can see both of | :50:55. | :51:02. | |
those. Oh! And that is not the worst kiss. | :51:03. | :51:05. | |
It's not what he played, but it's an opportunity now in potting this red | :51:06. | :51:18. | |
to play for the black and get it back on its spot. When the black | :51:19. | :51:26. | |
does go on its spot, it won't be available in either corner pocket. | :51:27. | :51:31. | |
So he would like to get on one of the reds that would stop the black | :51:32. | :51:33. | |
going in the corners. I don't think he'll be able to get | :51:34. | :52:02. | |
through to the red immediately to the right of the black. But in | :52:03. | :52:08. | |
moving this red, the black will become available into this corner | :52:09. | :52:13. | |
pocket. He can't play for the black off this, but that is when you're | :52:14. | :52:17. | |
thinking a few shots ahead. Once again, I think he went up for the | :52:18. | :52:25. | |
blue, but would rather be too hard than soft. I think he's got a good | :52:26. | :52:28. | |
angle as well. The green looks perfect to me, top spin, for the red | :52:29. | :52:36. | |
to the side of the black. There are three that go but the one just above | :52:37. | :52:39. | |
the black to the left-hand side would be perfect. And if he is on | :52:40. | :52:52. | |
the bottom one, well, that is just perfect. Yeah, that's a bonus. As | :52:53. | :53:03. | |
long as he pots it. He won't be taking it for granted, but getting | :53:04. | :53:07. | |
this red out of the way makes the black available into both corners. | :53:08. | :53:16. | |
Yes, it was quite a clever shot off the green. He played it full-blooded | :53:17. | :53:20. | |
and he knew full well if he wasn't on one he would be on the other. He | :53:21. | :53:33. | |
has got on the perfect red. He has had a nice couple of little kisses | :53:34. | :53:38. | |
and nudges in this break. It has been really well construct it. He | :53:39. | :53:45. | |
will want to win the frame in this visit, John Higgins, just to stem | :53:46. | :53:52. | |
the tide. He needs another 32 points. To get to the | :53:53. | :53:58. | |
snookersnookers the snookers required stage. There | :53:59. | :54:12. | |
is a red on the left-hand side of the table available. | :54:13. | :55:01. | |
Hmmm. Over done that. There you see it, 53 ahead, 75 remaining. He has | :55:02. | :55:15. | |
given himself a little bit of work to do here. May be about a foot too | :55:16. | :55:21. | |
far with the cue ball there. You still expect him to pot this, but a | :55:22. | :55:27. | |
bit more on it will stop he has recovered the situation beautifully, | :55:28. | :55:33. | |
there. Good pot, good position. This black would put him 61 points in | :55:34. | :55:39. | |
front with 67 remaining. So this black, one more red and a colour and | :55:40. | :55:44. | |
he will have his first frame on the scoreboard this morning. Yes, and it | :55:45. | :55:51. | |
all started off with that excellent mid-range red, really crisp pot into | :55:52. | :55:54. | |
the top right-hand corner from John Higgins. Lovely when they go in. | :55:55. | :56:01. | |
Players spend hours playing these shots. And that is what it's for, | :56:02. | :56:07. | |
when you're in the heat of battle, you need to lock them in. -- you | :56:08. | :56:10. | |
need to knock them in. The pink spot not available. It goes | :56:11. | :56:27. | |
on the highest available one, and that is the yellow spot. Just a red | :56:28. | :56:35. | |
and a colour needed. Good thinking, that. He is tuned in there. Not many | :56:36. | :56:40. | |
people would have noticed that the pink wasn't going to go back on its | :56:41. | :56:44. | |
spot there, so decided that was the way to go about it. Yes, he has | :56:45. | :56:50. | |
taken these well, considering he has not had much table time so far this | :56:51. | :56:54. | |
morning. But that is what all the great players can do, of course. | :56:55. | :56:59. | |
They can be frozen out. It was over 20 minutes since he potted a ball | :57:00. | :57:03. | |
and then the first chance he gets, he wins the frame. He's a class act | :57:04. | :57:18. | |
and he always has been. I'm a big fan as well off his cue action, | :57:19. | :57:22. | |
John. I've always said I like watching John play. He lets the cue | :57:23. | :57:29. | |
do the work. A modern phenomena, people have gone more compact and | :57:30. | :57:34. | |
tighter into the cue ball, but John lets the cue ball do the work. I've | :57:35. | :57:41. | |
never seen him be separate. If I were teaching someone starting off, | :57:42. | :57:46. | |
I would prefer this cue action. He nearly comes -- it nearly comes off | :57:47. | :57:54. | |
his bridge hand, he takes it that far back. But he always hit it | :57:55. | :58:01. | |
straight and it's always smooth. I know you worked a with Frank Allen, | :58:02. | :58:11. | |
was he the one that started this off? John worked with him and he has | :58:12. | :58:16. | |
picked that up practising with Stephen watching Anne Frank was very | :58:17. | :58:18. | |
much advocate of letting the -- letting the cue do the work. | :58:19. | :58:33. | |
Worked with Steve Davis and Ken Doherty and yourself. He worked with | :58:34. | :58:37. | |
several world champions, Frank. Sadly passed away last year. Great | :58:38. | :58:40. | |
character, loved his snooker. So, the 20th century so far. Last | :58:41. | :58:58. | |
year, the record number of centuries was equalled, and I think it's going | :58:59. | :59:03. | |
to be bettered this year. Yeah, it's a good shout. I hope so, John. It's | :59:04. | :59:09. | |
better to watch, people making hundreds breaks. As long as they're | :59:10. | :59:14. | |
not every frame! You like to see the close frames. But this has been an | :59:15. | :59:19. | |
excellent contribution. I think he has just played one poor positional | :59:20. | :59:29. | |
shot. This has been top draw. That's why he's the champion that he is. | :59:30. | :59:41. | |
Good shot trying to come round. Where's the cue ball going? | :59:42. | :59:43. | |
Perfectly on the black! Wonderful. We have been treated to | :59:44. | :59:56. | |
three marvellous frames so far this morning. It seems to be all Martin | :59:57. | :00:02. | |
Gould. John Higgins, showing what a competitor he is. | :00:03. | :01:21. | |
Mid-session interval, after this frame. Three marvellous frames we | :01:22. | :01:29. | |
have seen this morning. There is nothing worse than doing that. You | :01:30. | :01:34. | |
have played a great frame, made yourself a century then all of a | :01:35. | :01:38. | |
sudden you make a break of like that and stick the red close to the | :01:39. | :01:43. | |
centre pocket. You can see it in John's face. He is annoyed with | :01:44. | :01:50. | |
that. Yes, he's going to finish close to the cushion, so he needs a | :01:51. | :01:55. | |
nice angle on the blue. That's not bad. Not bad. Doesn't have to do | :01:56. | :02:02. | |
much with the cue ball, just roll the blue in. I think he will | :02:03. | :02:06. | |
probably play for the red that is at the back near the black. Seems like | :02:07. | :02:11. | |
he has enough angle to just come off the side and be on that one. | :02:12. | :02:24. | |
That's a good shot. Tight onto the cushion. John, JP here was known as | :02:25. | :02:31. | |
one of the best players of the cushion. I would have been content | :02:32. | :02:36. | |
to drop that in dead weight. But he achieved that beautifully. -- Kuyt | :02:37. | :02:44. | |
that. It is amazing how your mind thinks because he would have played | :02:45. | :02:50. | |
that shot exactly as Martin did. I was fortunate enough to be able to | :02:51. | :03:01. | |
play of cushions. It is one of those things, never had any problem with | :03:02. | :03:04. | |
it. He struck that lovely. Played that OK. He would like to | :03:05. | :03:31. | |
have been another six inches away. I prefer playing the screw shot on the | :03:32. | :03:35. | |
type of shot. You just feel like you have more control. He has opened up | :03:36. | :03:41. | |
the reds. It is about potting the black and getting a nice position on | :03:42. | :03:46. | |
the next red. Just wondering if he will play a little storm into the | :03:47. | :03:52. | |
three reds, little cannon? I don't know if he can drop this in and get | :03:53. | :03:54. | |
on one. Could have done with catching it | :03:55. | :04:10. | |
slightly via the way. He has read to the left middle and want to the | :04:11. | :04:16. | |
right middle. But just a little bit. Particularly the one to the left | :04:17. | :04:21. | |
middle. Almost hitting the ball too well this morning. He got into that | :04:22. | :04:25. | |
beautifully, a good, solid strike again. Just to the other side 's | :04:26. | :04:31. | |
likely would have been perfect for the bottom read. Now this is tricky. | :04:32. | :04:41. | |
I just think he cannot get the right side of the blue. If he plays this | :04:42. | :04:46. | |
one, he would naturally be on the black. But this is a trickier red. | :04:47. | :04:52. | |
Slightly blind pocket. It is there, no problem. Nicely in position and | :04:53. | :05:00. | |
this is, as I say, the frame before the mid-session interval. It is a | :05:01. | :05:04. | |
big one. As long as he can keep John Higgins two frames away from | :05:05. | :05:09. | |
history, he has a little bit of room to manoeuvre. | :05:10. | :05:14. | |
I don't think that is entirely how he played it, but he will take it. | :05:15. | :05:31. | |
This has been a fabulous little mini-session this morning, it has to | :05:32. | :05:38. | |
be said. Standard is superb. Are they paying us for watching this, | :05:39. | :05:43. | |
John? It has been absolutely marvellous. Proof of what we were | :05:44. | :05:53. | |
saying, 94% pot success for Martin Gould this morning. 91% for John | :05:54. | :06:02. | |
Higgins. Wonderful stuff. And, take your hat off to Martin Gould, | :06:03. | :06:06. | |
playing one of the best players who has ever picked up the cue. Coming | :06:07. | :06:11. | |
into this 7-2 behind. He has had such a good approach to the match. | :06:12. | :06:17. | |
That takes a bit of doing. Just let the cue ball will loose there. Once | :06:18. | :06:24. | |
again, he will be relying on a little cannon. Can't really | :06:25. | :06:33. | |
guarantee his position. Pot the black, main priority and keep | :06:34. | :06:39. | |
yourself on the table. Just hope you can get a little cannon that keeps | :06:40. | :06:43. | |
you in position. But it is not straightforward. Well played. One in | :06:44. | :06:58. | |
the middle. And one in the corner. If he can just win this frame in one | :06:59. | :07:04. | |
visit, which is a distinct possibility he can, it will make him | :07:05. | :07:10. | |
feel good at the mid-session interval. Not like winning at one | :07:11. | :07:22. | |
visit, John? He will settle for the blue in the far corner. That is OK. | :07:23. | :07:32. | |
He has not done a lot wrong this morning. It just shows you, has made | :07:33. | :07:36. | |
a wonderful century and he plays the break off and caught the end read a | :07:37. | :07:42. | |
little bit too thick. But sometimes you think, maybe the reds will not | :07:43. | :07:49. | |
set up right for the red to appear. But it looked, when we saw it then, | :07:50. | :07:53. | |
he had hit it too thick. Perfect. I think that break of | :07:54. | :08:08. | |
thing, it happens quite a bit after you have done something really good. | :08:09. | :08:12. | |
Little dip in your concentration, just made a century, stand your | :08:13. | :08:16. | |
authority in the match, and you don't concentrate at the break. Then | :08:17. | :08:21. | |
you sit in the chair and think, why did I do that? We have all done it. | :08:22. | :08:28. | |
But the worst thing is, you have to do sit down and suffer. This has | :08:29. | :08:35. | |
been excellent stuff from Martin Gould. Excellent stuff from both | :08:36. | :08:40. | |
players. He really is a cracking session. I am impressed with the | :08:41. | :08:45. | |
belief he has shown this morning. Yes. I was impressed with the safety | :08:46. | :08:56. | |
shot he played. I thought it was one of the best things I had seen this | :08:57. | :09:01. | |
morning, because he was playing so well. He pulled his homes in and | :09:02. | :09:06. | |
said, this is the right shot. I remember him refusing the shot on | :09:07. | :09:11. | |
the brown. That show somebody thinking clearly. | :09:12. | :09:27. | |
When they started this morning, obviously he would have loved to | :09:28. | :09:39. | |
have won the four frames they played. He has played a poor | :09:40. | :09:47. | |
positional shot. If he gets out of this 3-1, he has done some damage. | :09:48. | :09:53. | |
He was a little bit too far, not sure. If he just plays up, the | :09:54. | :09:58. | |
higher he goes up the table, the more he will be on the red in the | :09:59. | :10:02. | |
corner. One thing you couldn't be was short. This is a tricky pot. | :10:03. | :10:11. | |
Might not look it on your screens, but it is quite acute. Might have to | :10:12. | :10:16. | |
flick a bit of side on this, so has to be careful. That flick on the | :10:17. | :10:31. | |
second red has worked out perfectly. Scare over. John Higgins looks | :10:32. | :10:37. | |
now... He started the morning session with a five frame lead, it | :10:38. | :10:39. | |
is going to be cut to three. Another good example. To get ideal | :10:40. | :10:58. | |
positioning, you might have had to put aside on it, but he said no, I | :10:59. | :11:06. | |
will make sure I just pot the ball. Good thinking again. Very | :11:07. | :11:17. | |
impressive. Yes, very good. I don't think John Higgins will bother | :11:18. | :11:19. | |
coming back to the table if this black goes in. | :11:20. | :11:33. | |
We have already had two centuries. Out of the first three frames this | :11:34. | :11:43. | |
morning. Will we see a third one? It is not beyond the realms of | :11:44. | :11:44. | |
possibility. Just choosing to play this one, | :11:45. | :12:21. | |
little cannon. What a pity we didn't see a century, but it was more than | :12:22. | :12:25. | |
enough. Martin Gould should be very proud of our performance. He came | :12:26. | :12:31. | |
out, no negative thoughts, he trailed 7-2, it is now 8-5. This | :12:32. | :12:38. | |
match will now be played to a finish. No more intervals. John | :12:39. | :12:44. | |
Higgins, needs two frames. Martin Gould needs five. Every credit, the | :12:45. | :12:52. | |
way he has come out and fought this morning, Martin Gould. | :12:53. | :13:07. | |
Decent safety shot from John. No easy path back to the ball, unless | :13:08. | :13:13. | |
he can get past the blue. He has had a few looks. Must only be | :13:14. | :13:26. | |
the edge of the red. He probably didn't think he could | :13:27. | :13:48. | |
hit it that thick. Catching the blue was dangerous, but that yellow has | :13:49. | :13:55. | |
come to his rescue somewhat. This pot is on to the right corner, but | :13:56. | :14:00. | |
John will be hampered by the yellow. Might just put him of playing the | :14:01. | :14:05. | |
pot. If the yellow was in there, you would play it, no doubt. -- was not | :14:06. | :14:08. | |
there. Looks like he has decided he is. | :14:09. | :14:26. | |
Maybe his thinking is, if he just runs through a little bit on it, the | :14:27. | :14:30. | |
only one he could leave is the one he's taking. Brilliant. It is a | :14:31. | :14:39. | |
great pot, but just lost the cue ball. | :14:40. | :14:47. | |
Tough enough pot, that was. As John rightly said, being hampered. All | :14:48. | :14:57. | |
friends here at the Crucible are big, but this one is massive. 9-5, | :14:58. | :15:03. | |
John Higgins will be thinking, he is more or less home and hosed. Martin | :15:04. | :15:07. | |
Gould will be extremely disappointed. At 8-6, it is looking | :15:08. | :15:11. | |
a little precarious. A better shot if Martin hadn't have | :15:12. | :15:51. | |
flicked the yellow. Easy if John, with his hand on the table. | :15:52. | :16:12. | |
Who is going to get the first chance? Always interesting piece | :16:13. | :16:19. | |
tactical battles at the start of the frame. The way both players have | :16:20. | :16:23. | |
performed this morning, even though Martin Gould has won three of the | :16:24. | :16:27. | |
first four, John Higgins has played his part. Made a marvellous 127 in | :16:28. | :16:39. | |
the 12 frame. This is a good shot. This is excellent. Couldn't have | :16:40. | :16:43. | |
played that much better and a little tap on the table from John Higgins | :16:44. | :16:45. | |
in appreciation. Couldn't risk trying to get back to | :16:46. | :17:28. | |
the baulk and, so just containing safety. | :17:29. | :18:05. | |
John, just checking. Not looking for a planned so much, just making sure | :18:06. | :18:20. | |
he doesn't knock one over towards the left corner. It is a strange | :18:21. | :18:25. | |
frame when the brown is off its spot. Not many places you can hide | :18:26. | :18:33. | |
the cue ball. It is a very good shot as well. Nearly got the pot. But | :18:34. | :18:42. | |
that wasn't what it was about. It was about getting the cue ball up | :18:43. | :18:47. | |
behind the yellow. This has got to be thin, which ever way you hit it. | :18:48. | :18:52. | |
If he hits it thin enough, he could pot it. And he has done. Is that a | :18:53. | :19:00. | |
good flick on the blue? It's not a bad one. It's not a bad one. You | :19:01. | :19:07. | |
better is. Wow! Great pot. I didn't thing he cut that in. Excellent. But | :19:08. | :19:17. | |
the flicked on the blue, what a bonus that is. Absolute natural | :19:18. | :19:23. | |
angle. Now, what shot does he play? Does he try and go into the reds | :19:24. | :19:27. | |
odessey come round and play on a loose one? | :19:28. | :19:36. | |
You can't miss the blue, Martin. Very surprising. How many times do | :19:37. | :19:47. | |
we say, when you look at the shot it looks easy, but quite an acute | :19:48. | :19:54. | |
angle. It wasn't that accused, to be honest. He will be disappointing to | :19:55. | :19:58. | |
miss that after the excellent opening red. The way the balls are | :19:59. | :20:03. | |
situated, it might not be that costly. It's not an easy table, by | :20:04. | :20:05. | |
any means. I would settle for the last kiss. | :20:06. | :20:25. | |
Looked like he could have been nothing. A coming of the other one | :20:26. | :20:29. | |
has put him on the black. But as you say, it is not an nice table at the | :20:30. | :20:34. | |
moment. The blue is off its spot, which always makes a difference. | :20:35. | :20:40. | |
Brown is on the side cushion. I don't think John will be on anything | :20:41. | :20:45. | |
after that when the black gets spotted. It could be the end of | :20:46. | :20:46. | |
break. Just needed that cue ball to run up | :20:47. | :21:09. | |
a fraction further. That situation when the referee spots the black, | :21:10. | :21:18. | |
you want to say, thanks, rest. It's like the referee takes great | :21:19. | :21:22. | |
pressure in slowly putting the black on its spot. I'm sure he doesn't, | :21:23. | :21:33. | |
but as a player you feel that. So that missed blue only cost him a few | :21:34. | :21:36. | |
points. Court that a little bit too thick | :21:37. | :21:56. | |
and that's why he's not quite reaching the baulk line. John coming | :21:57. | :22:05. | |
out to have a look what's available. If the blue passes the red to the | :22:06. | :22:10. | |
right corner, he will take this red on. It does. Not much margin of | :22:11. | :22:20. | |
error, but he will feel the only red he could leave in playing this is | :22:21. | :22:28. | |
the one he is playing. Good, solid pot. An perfect on the blue. That | :22:29. | :22:36. | |
was always looking like the shot. Beautifully cued. But where is his | :22:37. | :22:42. | |
position coming from here? Is he going to go up the table and round? | :22:43. | :22:48. | |
I think that is what he will have to do. But with the yellow not being on | :22:49. | :22:52. | |
its spot and the brown not on its spot, not too many obstacles to | :22:53. | :22:53. | |
avoid. Judged this nicely. Very good. Good cueing yet again. | :22:54. | :23:28. | |
And from looking like an unpromising position, John Higgins pots this | :23:29. | :23:35. | |
black, easy red on the right, leaves himself an angle and into the pack. | :23:36. | :23:39. | |
Then, who knows? It might be enough points to win this frame. Has left | :23:40. | :23:48. | |
himself a nice half bowl angle to stun into the pack or screw into the | :23:49. | :23:55. | |
pack, however he sees it. Little stunned, up there I would suggest | :23:56. | :24:01. | |
here. If the split goes right, good chance to win the frame. | :24:02. | :24:13. | |
Where is the Red Bull going? Can he get past the blue? | :24:14. | :24:28. | |
Didn't get into the cue ball. Just a tiny fraction of. He feels he can | :24:29. | :24:36. | |
swerve around the blue to pot this bread. So close to going in. He | :24:37. | :24:43. | |
thought he could swerve round, but in the end he was very lucky to pot | :24:44. | :24:52. | |
it. Very lucky. Lucky not to go in. Fractions. They favoured him then. | :24:53. | :25:00. | |
Looks like the blue, we'll just go past the yellow. | :25:01. | :25:17. | |
If he is on that red and found the gap, that is an excellent shot. He | :25:18. | :25:27. | |
will be so pleased with himself with that shot. To find back. Will | :25:28. | :25:37. | |
he got lucky with the one over the middle pocket. He will take it. That | :25:38. | :25:43. | |
blue was lovely. This is the last of the open reds. | :25:44. | :26:07. | |
Got a 43 point lead. Still a possible 83 remaining. So still | :26:08. | :26:12. | |
going to need three more reds, you would have thought to clinch the | :26:13. | :26:18. | |
frame at this visit. He needs a good angle on the colour of this red to | :26:19. | :26:21. | |
try and bring the three reds just below the pink into play. Looking to | :26:22. | :26:25. | |
see if one of them goes to the middle. | :26:26. | :26:40. | |
I don't think he's got the best angle on the black, but he may have | :26:41. | :26:45. | |
a good angle on the pink. Although he's looking once again to see if | :26:46. | :26:52. | |
the end red goes to the middle. It must be tight. If he plays the pink, | :26:53. | :26:56. | |
he can open them up. It looks like he has a nice angle on the pink. But | :26:57. | :27:01. | |
he would rather play this one, because the black is still missable. | :27:02. | :27:07. | |
Because it is virtually touching the other one or close to it, he has got | :27:08. | :27:11. | |
to get in the right position. It's not straightforward. Got to get that | :27:12. | :27:18. | |
position in the right place, so the red is possible. Had a look at it a | :27:19. | :27:21. | |
couple of times and I think that is perfect. If he pots this, he | :27:22. | :27:28. | |
releases the other two reds into good positions. That will be | :27:29. | :27:32. | |
sufficient, these three reds with colours. He will be past the point | :27:33. | :27:43. | |
of snookers required. This really has been a break of the highest | :27:44. | :27:48. | |
quality. OK, the red over the middle pocket, he was lucky with the | :27:49. | :27:51. | |
double-kiss but the shot on the blue, to find the gap. And the rest | :27:52. | :27:56. | |
of it, the way it has been constructed has been pure John | :27:57. | :28:01. | |
Higgins. Wonderful control of the cue ball. I have to be honest with | :28:02. | :28:05. | |
you, when he came to the table I didn't think he would be winning the | :28:06. | :28:09. | |
frame from there. No, but it was a poor safety shot from Martin. It | :28:10. | :28:14. | |
shows you, at this level, if you don't find the baulk cushion, you | :28:15. | :28:18. | |
are in trouble. This, to win the frame. | :28:19. | :29:07. | |
Just rolling the black in. He will do well to pot the next red. Plans, | :29:08. | :29:14. | |
that is what he's at. -- a plant. Well, that was asking a | :29:15. | :29:32. | |
lot, but it didn't matter. And Martin Gould says that's enough. | :29:33. | :29:36. | |
That was an excellent contribution. You can see a puff of the cheeks | :29:37. | :29:42. | |
from John Higgins, but he is now one place away from a place in the | :29:43. | :29:45. | |
second round. -- here's now one frame away. He leads 9-5. Tea and a | :29:46. | :29:54. | |
cigarette would be one of the biggest things I like to do in the | :29:55. | :29:59. | |
morning. That would be one of the guilty pleasures. Someone like Adam | :30:00. | :30:08. | |
Sam Love may be. I'm probably easy-going, very laid back. It's a | :30:09. | :30:14. | |
bit of a strange one because I do have a short fuse as well when | :30:15. | :30:18. | |
somebody wines near. I'm a big fan of steak so it would have to be | :30:19. | :30:23. | |
something like a rib eye steak or a fellow steak. Doing a roast for | :30:24. | :30:27. | |
myself on the week which normally turns out to be a roast dinner that | :30:28. | :30:31. | |
is supposed to be for one but it could feed about five. I was sat | :30:32. | :30:36. | |
next to Frankie Dettori and I couldn't believe it was him! I had | :30:37. | :30:39. | |
to look at him to three times to be convinced it was him, and I still | :30:40. | :30:42. | |
didn't bring myself forward to just speak to him. Have like 75 of them! | :30:43. | :30:53. | |
You just put them all in one room and I would be like, next, next. I | :30:54. | :30:59. | |
would go back to 1966 and the World Cup final, see for myself if that | :31:00. | :31:03. | |
ball actually did cross the line or not. | :31:04. | :31:17. | |
Well, John Higgins would love to win this frame because Martin Gould has | :31:18. | :31:23. | |
certainly put himself under a little bit of pressure this morning. But | :31:24. | :31:29. | |
now Martin in the situation where you can't afford to make a mistake | :31:30. | :31:38. | |
are basically. You've got to play "Don't miss snooker". He's taking | :31:39. | :31:42. | |
this on. He needs to get it. Oh! Solid. | :31:43. | :31:50. | |
APPLAUSE It begs the question, how did he | :31:51. | :31:58. | |
start this session 7-2 down? I tell you why, because he lost the first | :31:59. | :32:03. | |
five frames. And we always say, you don't settle until you get your | :32:04. | :32:07. | |
first frame on the scoreboard, it took him a long time. 70% long pot | :32:08. | :32:13. | |
success, that's good. That's not bad from John Higgins. The reason I | :32:14. | :32:17. | |
don't look for 90% on long pot success is because some of them are | :32:18. | :32:20. | |
half played as a shock to nothing. Pot success isn't bad either. Could | :32:21. | :32:26. | |
win any match, anything at 90% or above is good. | :32:27. | :32:51. | |
Well, he didn't play that cannon but he has done well there. Good little | :32:52. | :33:00. | |
shot. He will take where that has finished. Just trying to get through | :33:01. | :33:09. | |
the gap. There is an expression we use and we say sometimes when people | :33:10. | :33:14. | |
are in this position, he's got to pay" no miss snooker". -- to play. | :33:15. | :33:22. | |
When the judges come, they got to go in the pockets. Otherwise he'll be | :33:23. | :33:28. | |
going home. -- when the chances come. He's playing the run-through, | :33:29. | :33:34. | |
which surprises me because the black doesn't go in the opposite corner. | :33:35. | :33:41. | |
Well, maybe it does. Maybe it does. Yes, it does. I know what you mean, | :33:42. | :33:52. | |
it's quite tight. It's tighter than it looks there. When it gets close | :33:53. | :33:58. | |
to the red there won't be much margin of error. You've got to cue | :33:59. | :34:02. | |
this well. APPLAUSE | :34:03. | :34:09. | |
Did well. Now, I'm going to say that the black doesn't go in the same | :34:10. | :34:13. | |
pocket as this red he's going to play, so he's got a bit of work to | :34:14. | :34:17. | |
do with the cue ball. I think you're right with that one! My | :34:18. | :34:25. | |
commentator's eye is back! Now, it would be easy if the pink would go | :34:26. | :34:28. | |
to the left middle. I'm not certain that it does. If it doesn't, he | :34:29. | :34:33. | |
could screw twice across for the black in the opposite corner. Well, | :34:34. | :34:39. | |
the pink obviously goes. So it's a decent chance. And when we say don't | :34:40. | :34:46. | |
miss snooker, don't miss anything easy. If you run out of position, | :34:47. | :34:51. | |
you can always play safe. But don't miss a pot that you're committing | :34:52. | :34:52. | |
to. The way these two have been playing | :34:53. | :35:46. | |
this morning and scoring, you would probably think this is frame over, | :35:47. | :35:51. | |
such has been the standard. John Higgins didn't miss much this | :35:52. | :35:55. | |
morning to be losing that first mini-session 3-1, Martin Gould was | :35:56. | :35:59. | |
excellent. Made a brilliant break in the last frame, John Higgins. And | :36:00. | :36:04. | |
Martin Gould looks like he's in stroke here as well. Very high | :36:05. | :36:07. | |
quality. Good stuff. A little bit bid to extend between, | :36:08. | :36:49. | |
here. Straight on the black would have been ideal. Straight on the | :36:50. | :36:53. | |
pink... Just got a little bit of work to do with the cue ball here. I | :36:54. | :36:58. | |
don't know why he played the shot he played, John. I thought it was | :36:59. | :37:03. | |
perfect to drop it in plain ball. Because he stunned it, he got a bit | :37:04. | :37:12. | |
too close to the black, there. And all shots are coming alike at the | :37:13. | :37:17. | |
minute to Martin. Yeah, he played that well. He has won a major | :37:18. | :37:22. | |
ranking event, won the German Masters in 2016. I saw young Yan | :37:23. | :37:36. | |
Bingtao, 17-year-old, playing yesterday. Martin now at the ripe | :37:37. | :37:42. | |
old age of 36. But it seems to be not a barrier to winning | :37:43. | :37:45. | |
tournaments. We've had Anthony Hamilton this year winning a | :37:46. | :37:51. | |
tournament in his 40s. Mark King. Yes. I haven't had a chance to see | :37:52. | :37:56. | |
Anthony since he has won, so if you're watching, well done, really | :37:57. | :38:02. | |
pleased for you. Too good a player never to win a tournament. I spoke | :38:03. | :38:07. | |
to Mark King after he won and he was still in the Illyria makeable of | :38:08. | :38:11. | |
weeks afterwards. Yeah, and it was great for his father, Bill, as well. | :38:12. | :38:15. | |
Because you know what it's like, the family follow you, they suffer all | :38:16. | :38:21. | |
the heartbreak. And to get that victory and seek Bill's reaction was | :38:22. | :38:30. | |
wonderful. Yeah. Just this red and a colour required. And he's keeping | :38:31. | :38:34. | |
his hopes alive. You could say slim hopes, but as John has just alluded | :38:35. | :38:39. | |
to, when he's getting his chances, Martin, he's making sure he scores. | :38:40. | :38:44. | |
He will keep John Higgins on his toes, that is for sure. I've been | :38:45. | :38:47. | |
very impressed with Martin Gould this morning. His attitude, his | :38:48. | :38:55. | |
commitment and his play. Yes, very good. I suppose similarities in some | :38:56. | :38:59. | |
ways with the Marco Fu match yesterday. Marco just didn't have | :39:00. | :39:03. | |
his game than night before. 7-1 down at one point. Humming back to win | :39:04. | :39:09. | |
10-9, incredible result. Played so much better. I bet Martin wishes he | :39:10. | :39:16. | |
had started this match is a bit different. Different kettle of fish | :39:17. | :39:19. | |
coming back against John Higgins rather than Luca Brecel, who is a | :39:20. | :39:23. | |
very attack minded player, you tend to get a few more chances against | :39:24. | :39:26. | |
him than you would with John Higgins. But in a way, a similar | :39:27. | :39:30. | |
story. I think Marco lost the first five frames. All of a sudden you are | :39:31. | :39:35. | |
playing catch up. You've done all the practice, you think you're | :39:36. | :39:38. | |
playing well, you lose the first five frames and then start to | :39:39. | :39:40. | |
question everything you've done. Well, it's not going to go in, but | :39:41. | :39:51. | |
it won't matter. John will stay in his seat. So, a very good | :39:52. | :39:56. | |
contribution there from Martin Gould. A break of 80. He is still up | :39:57. | :40:03. | |
against it but still three behind, and one away from winning -- three | :40:04. | :40:09. | |
behind John Higgins, who is one away from winning the match. | :40:10. | :40:18. | |
Another couple of rolls and it would have been an excellent break-off | :40:19. | :40:24. | |
shot. But John can just get past the yellow. No pot, just a safety. | :40:25. | :41:06. | |
A bit pacey, this. Is it going to run up behind the yellow? Well, it | :41:07. | :41:17. | |
has given John a problem here. He can't see a path back to baulk. Yes, | :41:18. | :41:25. | |
I'm right down the line of it, John, and that is the only thing John has | :41:26. | :41:26. | |
got, which isn't too advertising. REFEREE: Foul and a miss, Martin | :41:27. | :42:11. | |
Gould six. Hmmm. I think you will have it replaced. There's no value | :42:12. | :42:16. | |
in it from there. He wasn't far away from the two-cushion escape. I think | :42:17. | :42:23. | |
if he makes a minor adjustment I fancy him getting it, but sometimes | :42:24. | :42:27. | |
you can over adjust. He was trying to catch the red just below the | :42:28. | :42:34. | |
pink. Only just missed it. John was doing the old lean back there. There | :42:35. | :42:40. | |
was a bit of limbo going on there, wasn't it? | :42:41. | :42:45. | |
CHUCKLES You see that in the club with some | :42:46. | :42:50. | |
of the club players, he kept thinking that if he moved he was | :42:51. | :42:56. | |
going to make the ball move! I know. It can get you like that, sometimes. | :42:57. | :43:03. | |
I've seen people in snooker clubs, they play a thin cut and they are | :43:04. | :43:07. | |
like running down the table, seeing if it's going to go in! Body | :43:08. | :43:12. | |
movement after the shot. The same shot. This time, can he hit the red | :43:13. | :43:18. | |
just below the pink. If he over adjust, he can hit it too thick. But | :43:19. | :43:25. | |
this time... Well, he just caught it a little bit too thick and called | :43:26. | :43:28. | |
the blue. But he's not left anything that a simple pot. Those two reds to | :43:29. | :43:35. | |
the right of the pink, the right-hand one won't go and it's | :43:36. | :43:42. | |
only the left one that will. I'm not sure that is the best potting angle | :43:43. | :43:44. | |
to get position on pink or black. Hmmm... Well! Well, well, well. I | :43:45. | :44:09. | |
thought that had stopped in the jaws for a second. Thank goodness for | :44:10. | :44:10. | |
gravity. Well, I bet you his heart skipped a | :44:11. | :44:27. | |
beat that, because for all the world it looked like that was going to | :44:28. | :44:30. | |
stay on the jaws. Maybe just the pace and the fact that the clocks | :44:31. | :44:34. | |
are still so new, just let that slide in. I know it struggled in, | :44:35. | :44:48. | |
but fair play to him for playing it that way. It was the only way he | :44:49. | :44:52. | |
could get position on a colour, by rolling it in dead weight. Not the | :44:53. | :44:56. | |
easiest thing to do, particularly using the rest, and the scoreline as | :44:57. | :45:02. | |
it was... A brave shot. But I still don't know how it went in, but it | :45:03. | :45:04. | |
did. Even on the replay! Martin could do with getting an | :45:05. | :45:25. | |
angle on a baulk colour here and then coming down and trying to | :45:26. | :45:29. | |
cannoning to the pink and black. Because he isn't going to score much | :45:30. | :45:36. | |
on colours up there. The problem funny thing is the blue is actually | :45:37. | :45:41. | |
a problem there, where it is. He wants about a half ball on the green | :45:42. | :45:46. | |
or something, pot the green. Although this will help, get the | :45:47. | :45:50. | |
blue back on spot, that will be something. And then he can pot the | :45:51. | :45:57. | |
red, up to the blue, and then play a cannon into the pink and black. But | :45:58. | :46:00. | |
he's certainly going to have to move them. And, John, I suppose if you | :46:01. | :46:05. | |
play that cannon, the black is going to go into the reds, if you get into | :46:06. | :46:09. | |
the pink the black will move the reds about, so a chance here. He | :46:10. | :46:17. | |
just needs to get good position. Hmmm, just overscrewed it a touch. | :46:18. | :46:22. | |
You see the shake of the head, a bit disappointed. He could still cut | :46:23. | :46:26. | |
this blew in, but when it's been like this, you can't inject a lot of | :46:27. | :46:35. | |
pace in the shot. The green is unmissable but off the green, he's | :46:36. | :46:40. | |
going to have to play a good positional shot for the next red. | :46:41. | :46:54. | |
Once again, he struck that beautifully. He really did hit that | :46:55. | :47:04. | |
nicely. So he has got a shot with the rest now. Just looking to see | :47:05. | :47:10. | |
whether he has got the angle. Well, he had a good look at pink and black | :47:11. | :47:16. | |
but surely they don't pot. Eight out of eight with the rest, Martin. So | :47:17. | :47:20. | |
he would like to keep that going. Just looking at this angle, John, I | :47:21. | :47:24. | |
don't know whether he can... It looks like it is too much and he | :47:25. | :47:28. | |
would go too close to the blue, I think, to leave that angle back to | :47:29. | :47:35. | |
pink and black. So he has played for the baulk colour. Now, here's his | :47:36. | :47:40. | |
chance. Yellow, five cushion, into the pink and black and the pack. | :47:41. | :47:45. | |
Absolutely. That's what you suggested before he could not be | :47:46. | :47:50. | |
better situated now. This is an ideal opportunity. In an ideal | :47:51. | :47:53. | |
world, he would like to just hit the black half ball and then run into | :47:54. | :47:59. | |
the reds. But if the shot that John is referring to. As I say, you would | :48:00. | :48:03. | |
love to just nudged the black before hitting the reds. Well, that doesn't | :48:04. | :48:10. | |
surprise me. That doesn't surprise me. The only thing I can think of, | :48:11. | :48:15. | |
is maybe he's going to play it the other way, off the blue. Well, it | :48:16. | :48:20. | |
did look like he had a good chance to do it there. Act up for the blue | :48:21. | :48:24. | |
and then playing a similar shot into the pink and black off the blue, | :48:25. | :48:29. | |
again. You've got to go now. If he doesn't go now, I will never believe | :48:30. | :48:34. | |
it. He will go now. Their play to him, I think you mentioned it | :48:35. | :48:39. | |
earlier this morning's session, when he refused a shot, he is still | :48:40. | :48:42. | |
thinking clearly and playing the shots that he thinks is the right | :48:43. | :48:52. | |
one. Well. I'll never believe it. You've got to go into the pink and | :48:53. | :48:57. | |
black, there. Yes, wrong choice. You can chip away as much as you like, | :48:58. | :49:01. | |
but he needed those reds in the open. And it was a chance to bring | :49:02. | :49:06. | |
the reds into the open and the pink and black. I mean, I know you're | :49:07. | :49:11. | |
trusting to luck a little bit, John, but you're not going to win the | :49:12. | :49:14. | |
frame from the way the Bulls are situated. No. The first decision | :49:15. | :49:19. | |
that I would question from him this morning. Just got a little bit | :49:20. | :49:24. | |
negative, there. Didn't think positively enough. He's been | :49:25. | :49:30. | |
thinking positive all morning. Now he's taking this red on, it's risky. | :49:31. | :49:39. | |
Well, he's potted it. Is he on a colour? Pressure brown. That's what | :49:40. | :49:42. | |
he's left with. Straight into the top. You always | :49:43. | :49:56. | |
feel with these as though you would rather play them into middle. Into | :49:57. | :49:57. | |
the middle. No. Well... A disappointing end, | :49:58. | :50:32. | |
there, from Martin. I think he made the wrong shot choice. And it caught | :50:33. | :50:40. | |
up with him in the end. Yeah, it's a strange one as well, because he's | :50:41. | :50:43. | |
been so positive this morning. That's the thing that got me, every | :50:44. | :50:49. | |
shot he has fancied, he has taken it on, but it was just so obvious to go | :50:50. | :50:53. | |
into that pink and black. The funny thing is, the last shot he played | :50:54. | :50:58. | |
has made the pink and black possible for John Higgins now, as he comes to | :50:59. | :51:04. | |
the table. Yeah, there you go. So all in all, the last couple of | :51:05. | :51:07. | |
minutes has been a bit of a shocker for him. | :51:08. | :51:24. | |
We said that he had to play no miss snooker, and missing that brown | :51:25. | :51:36. | |
could be so, so costly. It is his challenge for the Betfred World | :51:37. | :51:42. | |
Championship ending there? It could well do. | :51:43. | :52:02. | |
He's always had a wonderful way of finishing off matches, John Higgins. | :52:03. | :52:09. | |
He knows where the winning line is and he knows how to get over it. | :52:10. | :52:14. | |
He's done this hundreds of times before. Can he do it again? | :52:15. | :52:27. | |
Looks to have the perfect angle on the pink just to stun it in and play | :52:28. | :52:38. | |
for the red in the same pocket. Still got a little bit of work to | :52:39. | :52:46. | |
do. It's not a formality he can win the frame at this visit. Yeah, | :52:47. | :52:58. | |
initially played in the other red there, but when he finished at that | :52:59. | :53:03. | |
angle, he knew full well that with a little cannon he could flick the | :53:04. | :53:08. | |
reds into possible positions. OK he has gone slightly awry because of | :53:09. | :53:11. | |
it. But his intention was just to get them out in the open as soon as | :53:12. | :53:15. | |
possible. But there's a bit more to do because of it. Yeah, just the | :53:16. | :53:26. | |
wrong angle. If he were slightly the other side of the pink, it would be | :53:27. | :53:30. | |
a formality. Let's see how he plays this, trying to develop a red with a | :53:31. | :53:37. | |
cannon. He'll settle for that. He will settle for that! Hmmm, just a | :53:38. | :53:41. | |
bit! Obviously the brown, slight problem | :53:42. | :54:02. | |
with this break, you just have do not a view in before then, but he | :54:03. | :54:05. | |
will want to move that brown so that the red will be pottable in the top | :54:06. | :54:11. | |
corner. He's played that nicely. Had to | :54:12. | :54:40. | |
screw up with a bit to get the correct side of the pink. So now | :54:41. | :54:44. | |
when he stands down he can get the red above the black. If he can come | :54:45. | :54:49. | |
and he may just play on the brown here. Yeah, I think he will have to | :54:50. | :54:59. | |
play on the brown. Just got to be careful here when he plays this | :55:00. | :55:03. | |
cannon. He doesn't want to leave himself too thin on the brown, but | :55:04. | :55:08. | |
he doesn't want the black to block the red from going into this pocket | :55:09. | :55:15. | |
he's playing into now. Yeah. That was about the best he could play | :55:16. | :55:23. | |
that, John. May just be able to play a double screw back here and take | :55:24. | :55:26. | |
the red into the same pocket. They ate cannon onto the brown. Yeah. So, | :55:27. | :55:35. | |
it worked out well. Yeah, the only downside is that he is slightly | :55:36. | :55:44. | |
hampered by the brown here. The other thing of course is that he | :55:45. | :55:48. | |
would like to have got the brown up onto its own spot. That would have | :55:49. | :55:52. | |
made the rest of the clearance a bit easier. Although he is is probably | :55:53. | :55:59. | |
past the winning post by then, I would think. Taken these well, John, | :56:00. | :56:06. | |
hasn't he? Rulli well. Martin Gould had a chance. Just question his shot | :56:07. | :56:18. | |
selection at a vital time. Well, he's going to need good cueing for | :56:19. | :56:23. | |
this. These can be missed. Red and a colour required. | :56:24. | :56:37. | |
In it goes. Flicked the yellow, but that will do nicely. This yellow | :56:38. | :56:47. | |
will put him 28 points in front with just 27 remaining. Martin Gould's | :56:48. | :56:54. | |
race looks to have been run. And I have to say, John, if Martin Gould | :56:55. | :56:58. | |
had been playing one or two of the other players this week, he would | :56:59. | :57:01. | |
have been knocking some of them out, the way he has played this morning. | :57:02. | :57:05. | |
He has played superb this morning and I give him every credit for it. | :57:06. | :57:11. | |
OK we questioned one of two of the shots and he could have been more | :57:12. | :57:14. | |
aggressive in this frame, but he has given John Higgins a little bit of a | :57:15. | :57:17. | |
fright, and John Higgins will be very relieved now to just add the | :57:18. | :57:23. | |
finishing touches to this match. And he has had to work hard today, make | :57:24. | :57:30. | |
no mistake. He has had two absolutely outstanding breaks in | :57:31. | :57:38. | |
this match. The one a couple of frames ago was brilliant and this | :57:39. | :57:41. | |
one to win the match has been better. He's still got it, John. Yes | :57:42. | :57:47. | |
he has. He started off and had a bit of a lull but he certainly proved | :57:48. | :57:50. | |
early on in the season that he can still produce the goods, and he has | :57:51. | :57:54. | |
produced it here and gone all the way four times before. Who's to say | :57:55. | :58:00. | |
he can't make it five? In goes the pink, handshake, and Martin Gould | :58:01. | :58:04. | |
will be saying well played and best of luck for the rest of the | :58:05. | :58:08. | |
tournament. Every credit Martin Gould, did really well there, showed | :58:09. | :58:12. | |
a really good attitude. He will be back for more, that is for certain. | :58:13. | :58:16. | |
But John Higgins is now safely through to the second round. He wins | :58:17. | :58:20. | |
by ten frames to six. STUDIO | :58:21. | :58:24. | |
So, a very good fightback by Martin but not enough. John Higgins will | :58:25. | :58:28. | |
now face Northern Ireland's Mark Allen in that last extreme tie which | :58:29. | :58:32. | |
begins on Friday. That is it for now but we are back with more live | :58:33. | :58:35. | |
coverage from the Crucible at ten o'clock. Get some sleep, goodbye to | :58:36. | :58:37. | |
now. Once again your champion, Mark | :58:38. | :58:40. | |
Selby! Spring is arriving - | :58:41. | :59:01. | |
in a whirlwind of pink. We're in Japan to celebrate | :59:02. | :59:04. | |
the sakura. So join us on Friday, | :59:05. | :59:06. | |
21 April at 8.30 on BBC TWO. You are the cream | :59:07. | :59:10. | |
of the French aristocracy. | :59:11. | :59:17. |