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Hello again. Day five of the World Championship in Sheffield and it has | :00:32. | :00:38. | |
been a long wait for the six remaining players who were last to | :00:39. | :00:42. | |
get their campaigns underway on Wednesday. One of them is Neil | :00:43. | :00:47. | |
Robertson, the 2010 world champion, itching to get his campaign | :00:48. | :00:52. | |
underway. And he is officially the most successful player ever to | :00:53. | :00:56. | |
emerge from beyond Britain's shores. He is a triple Crown winner and | :00:57. | :01:00. | |
would love to be a multiple world champion. Standing in his way is the | :01:01. | :01:10. | |
24-year-old player who becomes only the fourth ever player from Thailand | :01:11. | :01:15. | |
to feature at the Crucible. He and Neal got ready to step out for the | :01:16. | :01:20. | |
first nine frames of their first match watched by Peter Ebdon and | :01:21. | :01:29. | |
John Virgo. Thank you ladies and gentlemen, the first frame. Neil | :01:30. | :01:30. | |
Robertson to break. COMMENTATOR: Neil Robertson breaks | :01:31. | :01:41. | |
off in this first round match. First time here and this was his | :01:42. | :02:09. | |
entrance. He went back up the steps but he is pleased to be here. He | :02:10. | :02:13. | |
certainly is. Let's hope he can perform to his potential because he | :02:14. | :02:18. | |
has a match on here against Neil Robertson. | :02:19. | :02:25. | |
He has hit the pink, has he? Misjudged that badly. Maybe there is | :02:26. | :02:39. | |
a read on, maybe not. Having it replaced. I am interested to see how | :02:40. | :02:48. | |
Neil Robertson performs in this match. He has underachieved this | :02:49. | :02:54. | |
season? He has taken time out in preparation for this great event and | :02:55. | :02:59. | |
decided not to play in the China open. It'll be interesting to see | :03:00. | :03:03. | |
what sort of form he brings to the World Championships. Obviously a | :03:04. | :03:09. | |
strong favourite in this match, but I have practised with this young man | :03:10. | :03:12. | |
from Thailand at the Academy in Sheffield. He is a very talented | :03:13. | :03:19. | |
player. Not afraid to go for his shots. We'll be really interesting. | :03:20. | :03:27. | |
As we have seen, on quite a few occasions so far in this | :03:28. | :03:32. | |
championship, there is certainly pressure on the scene. | :03:33. | :03:46. | |
He is just looking to see if he can stun through the gap. It is a very | :03:47. | :04:32. | |
narrow gap. He is playing more power. DME! -- dear me. That is | :04:33. | :04:45. | |
where the cue ball finished. Just checking the cue. Sometimes when you | :04:46. | :04:51. | |
play a shot like that, you can just chip it. Trying to put so much power | :04:52. | :05:02. | |
in it. Didn't do that well. And as immediate, when you play a shot like | :05:03. | :05:06. | |
that, you look at the tip. But it looks OK. | :05:07. | :05:22. | |
Where is this red ball going? Over the middle. Neil Robertson, at the | :05:23. | :05:40. | |
table. Just repairing his Devidts. -- divot. There it is, where he | :05:41. | :05:47. | |
miscued. I am glad that wasn't in 3-D. Would have been hiding behind | :05:48. | :05:58. | |
the sofa. I don't know if he can get to the red closest to the middle | :05:59. | :06:02. | |
pocket? He can certainly... I think the other one goes. But the one | :06:03. | :06:10. | |
closest to the middle pocket, would be unmissable. | :06:11. | :06:24. | |
He could get through to it, but he didn't judge it well. Just about on | :06:25. | :06:28. | |
the green. If he can, he would love to get on | :06:29. | :06:42. | |
the red. Below the black, to the left of the black into the | :06:43. | :06:47. | |
right-hand corner pocket. That would free the black up for both pockets. | :06:48. | :06:57. | |
He missed the green by quite some way. Certainly not the start he is | :06:58. | :07:07. | |
looking for. That won't instil him with a great deal of confidence. | :07:08. | :07:15. | |
Missing the green and then of course his previous visit to the table, | :07:16. | :07:17. | |
miss cueing. A chance here. There's nothing like | :07:18. | :07:36. | |
getting your hands on the table, first frame and getting a sizeable | :07:37. | :07:42. | |
break. That will settle view. -- you. | :07:43. | :07:52. | |
That's a horrible cake. That's an absolutely horrible cake. That | :07:53. | :08:02. | |
wasn't his fault at all, there was absolutely nothing he could do about | :08:03. | :08:08. | |
that. Look at the contact. The blue jumps, the cue ball jumps. It has | :08:09. | :08:12. | |
thrown the blue thick, unfortunately. So an unexpected | :08:13. | :08:14. | |
chance here for Neil Robertson. He does have the angle to screw into | :08:15. | :08:42. | |
the reds, if he chooses to do so. He has played for the loose red, which | :08:43. | :08:49. | |
would free the black into both corner pockets. But he's not played | :08:50. | :08:55. | |
that very well at all. Because this is really tricky and this is most | :08:56. | :09:01. | |
definitely unmissable. Played it well. Good recovery. | :09:02. | :09:22. | |
Neal is just checking that if he plays the blue with pace and sends | :09:23. | :09:29. | |
the cue ball into the pink, he's just checking there is not a plant | :09:30. | :09:38. | |
of the two reds to the right at the top of the pack, glancing off | :09:39. | :09:42. | |
another red and possibly going into the right corner. Well worked out. | :09:43. | :09:56. | |
Always worth having a cheque in case there is a the corner. Beautiful | :09:57. | :10:00. | |
split. Couldn't have worked out better. I | :10:01. | :10:17. | |
don't know if the black is available in the boat corners. -- both | :10:18. | :10:27. | |
corners. One of those plays, Neil Robertson, once he gets a nice | :10:28. | :10:31. | |
rhythm going and he is playing quickly, I think he is a lot better | :10:32. | :10:35. | |
player. Sometimes he has looked for problems. | :10:36. | :10:42. | |
It is easier for me to say that sat here in the commentary box. 41 | :10:43. | :10:53. | |
points required from this situation to get to the snookers required | :10:54. | :10:57. | |
stage. He would expect him to get it with no problem, but it is the first | :10:58. | :11:05. | |
frame. And the first player, a couple of seasons ago, who made 100 | :11:06. | :11:10. | |
centuries in a season. What an incredible achievement. It really | :11:11. | :11:17. | |
is. I suppose with all of the tournaments, it is possible it could | :11:18. | :11:22. | |
be done again, but it will be some achievement. | :11:23. | :11:47. | |
So now the black available into both corner pockets. | :11:48. | :12:05. | |
That wasn't the best of contact. We were saying this morning at | :12:06. | :12:11. | |
breakfast how the tables have been saying. But on the other match this | :12:12. | :12:17. | |
morning, quite a few bad contacts. I don't know why it is. I think more | :12:18. | :12:30. | |
often than not, it is atmospherics. Different temperatures, different | :12:31. | :12:36. | |
humidities. Even in an auditorium whereby the atmosphere is largely | :12:37. | :12:41. | |
controlled, you still do get variables and it does make a huge | :12:42. | :12:44. | |
difference to the playing conditions. Of course, when you are | :12:45. | :12:53. | |
playing and you do get one or two of these bad contacts, it does slightly | :12:54. | :12:59. | |
put it you are. An example, a shot like this, you are just rolling it | :13:00. | :13:02. | |
through, the last thing you want is a heavy contact. | :13:03. | :13:20. | |
75 remaining. Red, colour, red would be sufficient to clinch this first | :13:21. | :13:29. | |
frame. There is a milestone, not saying in | :13:30. | :13:49. | |
this frame, but it could come up during this session. At the moment, | :13:50. | :13:57. | |
Neil Robertson has made 499 competitive centuries. Could get to | :13:58. | :14:07. | |
500 today. I can only think of two people who have done better than | :14:08. | :14:12. | |
that. That is Ronnie O'Sullivan and the now retired Stephen Hendry. That | :14:13. | :14:21. | |
would be a milestone. This frame is well and truly over. | :14:22. | :14:37. | |
I am sure Neil Robertson will be well aware of that fact and will be | :14:38. | :14:44. | |
looking to make his 500th competitive century break as a | :14:45. | :14:48. | |
professional and get that out the way as soon as he possibly can. | :14:49. | :14:56. | |
It is going to the jaw. It is not there. He thought it was in. He was | :14:57. | :15:08. | |
walking round to play the pink. Barring snookers, he has got the | :15:09. | :15:10. | |
first frame in the bag. I don't blame Saengkham for play on, | :15:11. | :15:29. | |
getting his cueing ongoing. He was unlucky on a similar blue to this, | :15:30. | :15:31. | |
he got bad contact. Didn't play that very well. Doesn't | :15:32. | :15:57. | |
really matter but needed to hit it just slightly below centre. And then | :15:58. | :16:02. | |
that back spin, when it comes after pushing, get some top spin, reverses | :16:03. | :16:11. | |
itself. The frame has been conceded. So Neil Robertson, convincing start? | :16:12. | :16:19. | |
Well, he did well when he got in. Nice split and he is 1-0 in front. | :16:20. | :16:32. | |
He caught that much too thick. You play that break-off shot using | :16:33. | :16:41. | |
right-hand side. But if you don't play it well, the right-hand side | :16:42. | :16:45. | |
pushes right into the end red. Became the table with the cue ball, | :16:46. | :16:51. | |
but fortunately for him, Neil can't get to it. He is coming off the push | :16:52. | :16:55. | |
and trying to hit this sort of half ball and knock it up the table. | :16:56. | :16:59. | |
Where is the cue ball going? OK. The kiss on the green has helped. If | :17:00. | :17:35. | |
it had just missed the green, it always looked like it would be a | :17:36. | :17:36. | |
good safety. Decent opportunity here for Neil | :17:37. | :18:29. | |
Robertson to get the cue ball on the ball concussion behind the brown and | :18:30. | :18:30. | |
green. -- ball concussion. He didn't expect the red to come out | :18:31. | :18:46. | |
from the pack and go towards the right-hand pocket as we look down | :18:47. | :18:49. | |
the table from the black spot end. Test of cueing, this one. He | :18:50. | :19:01. | |
couldn't have got much closer. Yes, you would think he would have | :19:02. | :19:25. | |
potted that. Just the pace kept it out. | :19:26. | :19:43. | |
Could you check the volume keys in your ear pieces. | :19:44. | :20:05. | |
That's one wiped its feet, it wasn't a clean pot. From this hugely | :20:06. | :20:12. | |
talented Australian. There is a distracting noise in the | :20:13. | :20:52. | |
auditorium at the moment. Neil Robertson has picked up on. Don't | :20:53. | :20:55. | |
know where it is coming from. Can we try and identify where that | :20:56. | :21:16. | |
is coming from, that sound? We may have a short delay. Is it from a | :21:17. | :21:19. | |
speaker. Buzzing and then it stops. We | :21:20. | :21:33. | |
thought it was the ear pieces, but I don't think it is. It has been | :21:34. | :21:40. | |
happening since the first day. If it has been happening, I haven't | :21:41. | :21:45. | |
noticed it before now. As quiet as possible please. Do you want to | :21:46. | :21:52. | |
speak to a member of staff and see if they can look at the speaker | :21:53. | :22:01. | |
system. One of the Dorman has said it has been happening all the time, | :22:02. | :22:06. | |
so someone should have sorted it out before now. What is going on here? | :22:07. | :22:13. | |
Anyway, that is what you do, seasoned professional. Don't play | :22:14. | :22:21. | |
the shot until you are comfortable and at ease in your mind. He played | :22:22. | :22:28. | |
the blue lovely. This red, a little bit tricky. Wide. It is so easy to | :22:29. | :22:47. | |
do, Peter. You just decelerate a fraction and you hit them too thin. | :22:48. | :22:53. | |
Yes. Probably played that with a trace of left-hand side. Just pulled | :22:54. | :23:07. | |
the red thin. Hasn't left anything. You would think Saengkham could find | :23:08. | :23:13. | |
a cover here, not only with the blue, but the collection of reds on | :23:14. | :23:17. | |
the left-hand side of the table. As long as he gets the cue ball | :23:18. | :23:23. | |
somewhere along the far corner pocket. It. | :23:24. | :23:29. | |
Trying to get in behind the green. The reds will cover the one over the | :23:30. | :23:36. | |
corner. Could have done with a better lens of the cue ball, tight | :23:37. | :23:44. | |
onto the cushion. Would be a bit more difficult for Neil to play the | :23:45. | :23:48. | |
safety. Once again, trying to get in behind the green and brown. But just | :23:49. | :23:53. | |
caught the green that time. I think he may have left the red? Yes. Think | :23:54. | :24:02. | |
there is a path through to this red. Might have to play it with a trace | :24:03. | :24:08. | |
of right-hand side. But it looks on. I think this is really tight. The | :24:09. | :24:15. | |
way the clots have been playing so far during this tournament, they | :24:16. | :24:16. | |
have been very slippy. What a shot Axel absolutely | :24:17. | :24:35. | |
brilliant. Much appreciated by this crowd. That was wonderful. Look at | :24:36. | :24:43. | |
the back spin he got on that from almost 11 feet away. Good shot. | :24:44. | :25:01. | |
Played the blue nicely. Now he has this red to the left corner and he | :25:02. | :25:10. | |
can play for pink or possibly the black. You think the pink is the | :25:11. | :25:15. | |
easy ball to get on. Once again, if you just don't get | :25:16. | :25:33. | |
the cue through the cue ball accelerating as you hit the white, | :25:34. | :25:38. | |
it just drifts off and that is why he hit it slightly thinner than | :25:39. | :25:42. | |
needed. It could be a costly mistake. His expression says it all. | :25:43. | :26:39. | |
Now where Wilbur black go? Is he still on this red to the opposite | :26:40. | :26:51. | |
corner? Just about. That was confident from Neil. Took the risk | :26:52. | :26:57. | |
and now may reap the rewards. There are not many players that push | :26:58. | :27:51. | |
the cue through a straight as Neil Robertson. | :27:52. | :27:56. | |
No, he is superb with his cueing. It always goes through very straight. | :27:57. | :28:06. | |
That is not always the case with players who are so dominant with one | :28:07. | :28:11. | |
eye. He is very dominant with his right eye when he lines up and puts | :28:12. | :28:17. | |
down the cue on his chin. Very dominant with his right eye. Very | :28:18. | :28:22. | |
often when somebody is that dominant that the right side they will cue to | :28:23. | :28:27. | |
the right centre of the cue ball when they feel themselves there are | :28:28. | :28:32. | |
hitting centre, then come across to the left is to actually hit the | :28:33. | :28:38. | |
centre. Temp two doesn't do that. He hits exactly where he is meaning to. | :28:39. | :28:44. | |
The cue goes through ramrod straight, particularly on these | :28:45. | :28:57. | |
cloth cloths. Just 25 points away from winning this frame. Easier said | :28:58. | :29:15. | |
than done with those five reds on the left-hand cushion. An | :29:16. | :29:20. | |
opportunity here to bring a few reds interplay, but as Eddie Charlton | :29:21. | :29:26. | |
always said never bring out our red when you are trying to pot a red, | :29:27. | :29:37. | |
because you may not guarantee that colour. And Eddie was right! He is | :29:38. | :29:46. | |
on the colour, but not good on it. Eddie was Australian as well. I | :29:47. | :29:50. | |
remember watching Eddie Charlton and number of years ago and Eddie played | :29:51. | :29:57. | |
absolutely fantastic snooker. He just kept rolling long balls in. And | :29:58. | :30:07. | |
what a sportsman he was! Eddie Charlton, a legend in the game. | :30:08. | :30:13. | |
Meanwhile, what a tremendous pot on the black that was. These kind of | :30:14. | :30:24. | |
tables where it can be a bit scary using side would have suited Eddie | :30:25. | :30:37. | |
down to the ground. You use side at your peril. He has taken these well, | :30:38. | :30:46. | |
Neil. Colour and one more red required. | :30:47. | :30:53. | |
He has to avoid the kiss on the green here. He did that. 59 ahead, | :30:54. | :31:04. | |
67 remaining at the moment but once he gets this red there will be only | :31:05. | :31:11. | |
59 remaining and he will be 60 points in front. Still a chance of | :31:12. | :31:17. | |
that 500th century! He timed that one well with the | :31:18. | :31:34. | |
rest. Got some action going there. Sometimes our early on in the match | :31:35. | :31:39. | |
when you saw him not cueing well, you worried that you will do that | :31:40. | :31:44. | |
again, but he has put that well out of his mind. That is not a bad case, | :31:45. | :31:54. | |
brought an awkward red interplay. -- into play. | :31:55. | :32:02. | |
This is a bit awkward. Because he is left-handed he will be able to play | :32:03. | :32:09. | |
the pink. A little in between here. He could | :32:10. | :32:27. | |
play the red into the middle then tried to disturb the one that is | :32:28. | :32:32. | |
nearest the middle, but looks like he is just concentrating on the pot. | :32:33. | :32:54. | |
It meant he could get a little bit closer. This will test his cueing. | :32:55. | :33:05. | |
You would not want to decelerate on this. Push the cue strip and firm. | :33:06. | :33:19. | |
Just overcompensated. Neil Robertson has a 2-0 lead. | :33:20. | :33:37. | |
Well, if he can avoid the cannon on the back, he could take this long | :33:38. | :33:47. | |
red into the black pocket and play it as a shock to nothing. He will be | :33:48. | :33:52. | |
playing this with left-hand side, so it is all about timing, if he gets | :33:53. | :33:58. | |
through the ball too quick, it will go thick. That was a complete | :33:59. | :34:03. | |
misjudgement. He may well have left free ball here. Waiting for the | :34:04. | :34:13. | |
referee to have a look to tell us if it is a free ball or not. Free ball. | :34:14. | :34:21. | |
This is where you can get more than 147. This yellow will count as a | :34:22. | :34:28. | |
red. For example, if he got 15 reds, 15 | :34:29. | :34:58. | |
blacks and all the colours, it would be a potential 153. I wonder how | :34:59. | :35:07. | |
they do that for the maximum break. If the took a couple of loose and | :35:08. | :35:16. | |
browns, and got 147, what would happen? With that count as a | :35:17. | :35:20. | |
maximum. I don't think it would, but it would count as a high brick, for | :35:21. | :35:23. | |
sure! -- break, for sure! I like the idea of playing the one | :35:24. | :35:54. | |
closest to the bunch, but he is just a bit concerned that he might have | :35:55. | :36:01. | |
to run out of position. He can play at next time around. He can leave | :36:02. | :36:08. | |
himself low on the red immediately above the black, then those reds | :36:09. | :36:18. | |
will open. No harm done, I don't suppose. He will get a little kiss | :36:19. | :36:26. | |
of the main bunch to stay on the black. It won't open up anything | :36:27. | :36:27. | |
else. It is amazing, Neil was worried | :36:28. | :37:24. | |
before about the slight noise, but now you can hear all the hubbub | :37:25. | :37:29. | |
coming from the other table between frames and it is not affecting him | :37:30. | :37:36. | |
in the least. Just shows how you can block things out with your | :37:37. | :37:44. | |
concentrating and fully focused. -- when you are concentrating and fully | :37:45. | :37:48. | |
focused. He will have to go up to this red. I think he will go for an | :37:49. | :37:57. | |
angle on the blues and he can't played the cannon -- so he can play | :37:58. | :38:11. | |
the cannon. Nice angle on the blue. He might make his 500th consecutive | :38:12. | :38:20. | |
century and make the highest ever break at the Crucible Theatre. That | :38:21. | :38:29. | |
would be something! It is OK. I think he is on it! Still a chance, | :38:30. | :38:32. | |
still a possibility! We can say we were there! Have very | :38:33. | :38:46. | |
interesting shock that he played, normally you would expect a player | :38:47. | :38:51. | |
at to play with more speed than that going into the reds. If he had done, | :38:52. | :38:55. | |
this red would've gone into right-hand corner, so just as well | :38:56. | :39:01. | |
he didn't. Maybe he spotted that. Absolutely. | :39:02. | :39:16. | |
The 338 macro after this black to get this frame, then we will all be | :39:17. | :39:22. | |
rooting for him. He will go on to 151 if he plays for | :39:23. | :39:29. | |
the blue again. 149, sorry. Well, he decided to open | :39:30. | :40:13. | |
up the other reds. All of our hopes and dreams have disappeared. If he | :40:14. | :40:27. | |
had been more straight on the red he would've had no hesitation the | :40:28. | :40:32. | |
black. I'm not saying it is the right shop, but they wouldn't be | :40:33. | :40:38. | |
surprised if he took on the screen. -- this green. | :40:39. | :40:42. | |
APPLAUSE. Nice break, but he will be | :40:43. | :40:57. | |
disappointed. Noppon Saengkham still has a chance, 83 remaining. | :40:58. | :41:32. | |
Good shot, bats. If it had been going in, I would have said, where | :41:33. | :41:43. | |
is the cue ball going? That was an excellent shot. | :41:44. | :41:56. | |
APPLAUSE. Add a little tap on the table | :41:57. | :42:18. | |
thereby Noppon Saengkham. I wouldn't be tapping the table because he | :42:19. | :42:23. | |
flicked the brown. There may be a gap, but they don't think he will be | :42:24. | :42:29. | |
able to get safe of that one. He is in a spot of bother here. He knows | :42:30. | :42:36. | |
that if he leaves Neil one more chance, it will be frame over. | :42:37. | :42:49. | |
Just about OK, I think. He may have left the red to the far left corner, | :42:50. | :42:59. | |
or maybe the one closest to the cue ball will cut back. But the fact | :43:00. | :43:10. | |
that Neil is going to the baulk end, makes me think he is thinking of | :43:11. | :43:16. | |
safety rather than pot. That red to the left corner looks straight | :43:17. | :43:21. | |
enough. It will be amazing if he doesn't take it on. He couldn't | :43:22. | :43:31. | |
refuse that. If he knocks it in, he will win the frame. | :43:32. | :43:41. | |
He wins the frame! APPLAUSE. Good pot. This black will | :43:42. | :43:56. | |
put him 76 points in front with 75 remaining. | :43:57. | :44:25. | |
That was not the best contact. You can hear the sound, it is not a nice | :44:26. | :44:31. | |
sound, it is a thud. Doesn't matter, frame over. | :44:32. | :44:54. | |
That has gone wrong, so that is end of break. I don't think the young | :44:55. | :45:03. | |
man from Thailand will come back to the table. He gives the nod of | :45:04. | :45:11. | |
concession. Well played by Neil Robertson. He now leads 3-0. | :45:12. | :45:26. | |
So, Noppon Saengkham with the break-off. Mid-session interval | :45:27. | :45:37. | |
after this frame. He would love to get a frame on the scoreboard before | :45:38. | :45:41. | |
he goes back to his dressing room. He has left a pot on for Neil here. | :45:42. | :45:52. | |
There is a gap round the back of the black. He is potentially looking at | :45:53. | :46:02. | |
a plant as well, maybe playing that as a shock to nothing. He just needs | :46:03. | :46:10. | |
to be very careful of making sure he gets a good cue ball. He has decided | :46:11. | :46:20. | |
to play the plant. Played it as a shock to nothing. That is a very | :46:21. | :46:29. | |
fortunate as Flick on the brown. It could have been worse for Noppon | :46:30. | :46:33. | |
Saengkham. He could have been snookered behind the yellow. | :46:34. | :46:53. | |
Just a little bit fast, and the fact that the cue ball is not tied to the | :46:54. | :47:02. | |
baulk cushion may tempt Neil to go forward the pot here. I think it | :47:03. | :47:06. | |
would have had no hesitation in the black was available. | :47:07. | :47:20. | |
Neil Robertson showing his experience here. He has got the | :47:21. | :47:40. | |
young player from Thailand under pressure. This is a tough safety | :47:41. | :47:43. | |
shop, very thin. -- safety shot. That was very tough. Neil | :47:44. | :48:03. | |
Robertson's decision to play a good quality safety shop has given him a | :48:04. | :48:14. | |
chance. But it will not be easy to get onto the black, or possibly the | :48:15. | :48:21. | |
pink. He is also looking at a plant. If the plant is on, he may well take | :48:22. | :48:28. | |
that instead. He could play the deep screenshot and play that is shot to | :48:29. | :48:31. | |
nothing. He will be hampered by the brown if | :48:32. | :48:43. | |
he plays a straightforward pot to the right corner. I think this | :48:44. | :48:50. | |
straightforward red that we looked that is maybe just covering a bit of | :48:51. | :48:55. | |
the pocket for the plant. It seems that way to me. Not all of the | :48:56. | :49:07. | |
pocket is available. You get a better look at it when you are right | :49:08. | :49:12. | |
behind the shot, obviously. I think this is on. | :49:13. | :49:28. | |
Almost a minute and a half deciding what shot to play. | :49:29. | :49:38. | |
Well... Keeping the pressure on. Yes, not taking any undue risks. I | :49:39. | :49:51. | |
suppose you can't blame him, he has the young man exactly where he | :49:52. | :49:52. | |
wanted him. He needs to cover this potential | :49:53. | :50:20. | |
plant with the brown, if he hasn't, Neil may take this on. Now that the | :50:21. | :50:29. | |
red has gone, he can get past the brown to play the plant. There is no | :50:30. | :50:31. | |
easy safety. Was Neil Robertson setting a little | :50:32. | :50:46. | |
trap for the young man? APPLAUSE. | :50:47. | :50:54. | |
I suppose he is a bit unlucky but when you hit the ball that hard you | :50:55. | :51:00. | |
are trusting to luck a little bit the position on the colour. I don't | :51:01. | :51:06. | |
think I would have fallen for that, would you? You did try to cover it | :51:07. | :51:14. | |
with the brown, in all honesty. I'm a little bit surprised that Neil | :51:15. | :51:19. | |
didn't play that as a screenshot. Just playing safe of the green. | :51:20. | :51:37. | |
Another tester here for Noppon Saengkham to get their say. Normally | :51:38. | :51:47. | |
he would say, of the side cushion and nestle on the red just beside | :51:48. | :51:56. | |
the pink. It is not straightforward, this safety. | :51:57. | :52:08. | |
He has left the red to the left centre. Now, whether Neil will be | :52:09. | :52:16. | |
tempted, it depends how he feels. That is where experience comes in, | :52:17. | :52:54. | |
of course. He has the young man, he has not settled yet because he | :52:55. | :52:57. | |
doesn't have a frame on the scoreboard, and he will not give him | :52:58. | :53:02. | |
an easy chance to settle himself. This needs to be a good shot. He | :53:03. | :53:09. | |
needs to hit this perfectly. He has hit it too thin. The cue ball will | :53:10. | :53:17. | |
come back down to this end of the table. The red is on to the right | :53:18. | :53:23. | |
middle. I wouldn't be certain about the colour. | :53:24. | :53:45. | |
That is OK. Just like getting that far up the table he knew that he | :53:46. | :53:54. | |
would be on the green at least. Not a bad little kiss, that. He can | :53:55. | :54:21. | |
play the red to the far right, or to the corner. In an ideal world you | :54:22. | :54:27. | |
would like to get the pink on that spot as possible, but there is no | :54:28. | :54:30. | |
rush to do that. There is the red immediately above | :54:31. | :54:50. | |
the pink that he could play. Just having a look at that possibility | :54:51. | :54:51. | |
now. Or, if he has the right angle on the | :54:52. | :55:05. | |
blue, which he appears to have, he could play for one of the reds in | :55:06. | :55:09. | |
the middle of the table. Yes, he does have an angle. | :55:10. | :55:18. | |
This is the red I would have had in mind, so I could play for the pink. | :55:19. | :55:37. | |
Once this pink is on its spots, it is an excellent opportunity to go | :55:38. | :55:46. | |
into the mid-session interval with zero lead. -- with a 4-0 lead. | :55:47. | :56:18. | |
I may have been playing that a little bit more firmly. He will have | :56:19. | :56:30. | |
to go above the blue now. Just underhit it slightly. He will have | :56:31. | :56:35. | |
to play for yellow or green. He needs another 41 points to clinch | :56:36. | :56:41. | |
the frame at this visit. It is not beyond him, obviously, but it is not | :56:42. | :56:48. | |
as easy as it sounds. Noppon Saengkham hasn't had a real chance | :56:49. | :56:54. | |
to score. I think back to the horrible kick that he got on the | :56:55. | :56:58. | |
blue earlier in the match. He has not really been in it since then. | :56:59. | :57:04. | |
Neil Robertson has showed good discipline in the last couple of | :57:05. | :57:11. | |
frames. Doing his best to keep the young player from Thailand under as | :57:12. | :57:18. | |
much pressure as possible. It can be a very lonely place out there when | :57:19. | :57:22. | |
things aren't going for you and you are not getting clear cut chances. | :57:23. | :57:27. | |
It is a stiff and stern examination for the young man, this. It doesn't | :57:28. | :57:33. | |
seem that long ago when he came into the arena and almost kissed the | :57:34. | :57:40. | |
hallowed turf here at the Crucible, just glad to be here, but it is a | :57:41. | :57:46. | |
lonely seat and a bad position to be in. He has not have the chance to | :57:47. | :57:51. | |
show this packed audience how good he is. That in the way is another | :57:52. | :57:58. | |
thing, you want to get in early and show people buy you are here. You | :57:59. | :58:06. | |
just want to show it on the bigger stage of all. Absolutely. To be | :58:07. | :58:15. | |
perfectly honest, even though all of the qualifiers that have come | :58:16. | :58:20. | |
through have quite rightly deserve their place here at the Crucible, | :58:21. | :58:24. | |
this really is a step up in class again, isn't it? Not only the class | :58:25. | :58:33. | |
of opposition, but the fact that you're playing, you are in the | :58:34. | :58:40. | |
headlights, so to speak, every mistake is greeted by a noise from | :58:41. | :58:42. | |
the crowd. I think it was John Parrott who said | :58:43. | :58:57. | |
it is the best place to play, and the worst place to play. I think he | :58:58. | :59:08. | |
has got the angle to get this in and maybe play for the pink in the same | :59:09. | :59:09. | |
pocket. So, 50 ahead, 75 remaining. Two | :59:10. | :59:52. | |
reds, two high value colours. I think he can avoid the kiss on the | :59:53. | :59:55. | |
second red to get nicely on the black. Well! Why did he play it like | :59:56. | :00:05. | |
that. Was it the noise from the other side of the wall? Possibly. | :00:06. | :00:11. | |
Maybe he should have taken a deep breath and waited for it to quieten | :00:12. | :00:13. | |
down a little bit. Well, that's a top drawer safety | :00:14. | :01:04. | |
shot. Not for the first time from Neil. Snookered on Allred 's. No, | :01:05. | :01:14. | |
there is a gap. There is always a gap. | :01:15. | :01:23. | |
Played that nicely, but of course kissing the yellow full in the face | :01:24. | :01:31. | |
is not a good safety shot now. Good chance to get the cue ball behind | :01:32. | :01:35. | |
the brown now. I think he will settle for that. Almost behind the | :01:36. | :01:43. | |
green. Nice shot, even with the flick on | :01:44. | :02:09. | |
the brown. It was always going to have a good land. The one thing that | :02:10. | :02:16. | |
has impressed me with so far, because that's all he has been able | :02:17. | :02:22. | |
to play so far, safety. Hit that far too thick. | :02:23. | :02:35. | |
This is a chance. Almost 54 minutes since his last pot. Big pressure on | :02:36. | :02:52. | |
this. Well played. Well played. APPLAUSE | :02:53. | :03:01. | |
This is the first real good chance he's had. | :03:02. | :03:12. | |
There was that one chance when he got the horrendous kick on the blue | :03:13. | :03:21. | |
in the first frame. But he's not been in and around the black spot | :03:22. | :03:25. | |
area with his hand on the table. Little bit of work to do with the | :03:26. | :03:39. | |
cue ball here. Couldn't have struck it better. Beautiful shot. The | :03:40. | :03:44. | |
reason he played for the black, he is in the ideal position to bring | :03:45. | :03:48. | |
the other three reds into play. Well played. | :03:49. | :04:08. | |
I have had a tendency to just hit it a little bit firmer than that. But | :04:09. | :04:16. | |
he has got this red along the top cushion. Difficult. Not had many | :04:17. | :04:24. | |
opportunities. Make certain he can be on the pink to the middle. Well | :04:25. | :04:34. | |
done. Well done. This would give him a boost if he could win the frame at | :04:35. | :04:44. | |
this visit, after what has gone before. Absolutely. Real test of | :04:45. | :04:45. | |
character for the young man now. Now, can he roll this red in and | :04:46. | :05:10. | |
avoid the kiss on the second red? If he can, he is perfect. | :05:11. | :05:22. | |
Well, he just made certain of it. Needed a little trace of side, but | :05:23. | :05:31. | |
I'm not going to knock him for not doing that. | :05:32. | :05:52. | |
19 points behind now. 43 remaining. So, any colour with these remaining | :05:53. | :05:59. | |
two reds. He took the chance to bring the red | :06:00. | :06:22. | |
into play. It's not bad. He's on the pink. | :06:23. | :06:34. | |
The safest way to play this is to just roll the pink into the middle. | :06:35. | :06:47. | |
So, this could be the key to the frame. How would you play this, | :06:48. | :07:00. | |
Peter? Would you play the screw to try and bring it up the right-hand | :07:01. | :07:05. | |
side of the table or run round the two cushions? I think I would | :07:06. | :07:07. | |
probably played the screw shot. Just on the black, I think. If the | :07:08. | :07:21. | |
cue ball travelled another inch or two inches, he wouldn't have been. | :07:22. | :07:29. | |
He is going to have to play this with a bit of pace with the rest. He | :07:30. | :07:38. | |
has played this really well. How is this for a shot? How is this for a | :07:39. | :07:48. | |
shot? How is this for a shot Axel absolutely inch perfect. Wonderful. | :07:49. | :07:52. | |
Considering his highest break had only been seven before he got this | :07:53. | :07:56. | |
opportunity and he had been almost 54 minutes without potting a ball, | :07:57. | :08:04. | |
what a clearance this could be. Needs up to and including the pink. | :08:05. | :08:11. | |
Bit short of pace. I thought you might play that inside. Yes, just to | :08:12. | :08:22. | |
speed the cue ball up. Just played it with top spin. | :08:23. | :08:31. | |
Overcut it. What a shame. What a shame. Great effort up until then. | :08:32. | :08:48. | |
Unlucky. But this isn't a formality, Peter, with the cue ball being tight | :08:49. | :08:54. | |
to the cushion. No, it's going to be difficult for Neil to get on the | :08:55. | :09:05. | |
brown, actually. I think he is playing this with lots and lots of | :09:06. | :09:06. | |
top spin. Very difficult. It was a very good | :09:07. | :09:23. | |
effort. But he's not on the brown. So this frame is still very much | :09:24. | :09:24. | |
alive. Just a bit short of pace. Hasn't | :09:25. | :09:46. | |
quite got the snooker. It is going to be a tough one for Saengkham to | :09:47. | :09:53. | |
get safe. Yes, very tough safety shot here. The problem with trying | :09:54. | :09:58. | |
to clip the brown thing and getting the cue ball behind the black is | :09:59. | :10:03. | |
that he could be pushing the brown towards the green pocket. I wouldn't | :10:04. | :10:07. | |
be surprised if he doubled the brown here. | :10:08. | :10:18. | |
I think that was his intention, but you would want to hit the top | :10:19. | :10:25. | |
cushion first, rather than the side cushion. Absolutely. This is a | :10:26. | :10:31. | |
chance but it's not easy. No, he will need a good pot. | :10:32. | :10:42. | |
The best players always have all the luck. This time, Noppon Saengkham | :10:43. | :10:53. | |
has a good chance of getting the cue ball behind the black. We'll be | :10:54. | :10:57. | |
pushing the brown over onto the green side cushion. | :10:58. | :11:04. | |
Just a little bit thin. He needs the pink to come to his rescue. It | :11:05. | :11:19. | |
hasn't. You can see it. So Neil Robertson needs brown and the blue. | :11:20. | :11:29. | |
He will be 14 points in front with 13 remaining. Nice, clean pot. | :11:30. | :11:40. | |
Absolutely inch perfect on the blue. And this blue will put in 14 points | :11:41. | :11:44. | |
in France with 13 remaining. Looks like the young man from Thailand is | :11:45. | :11:48. | |
going to get nothing out of these first four frames. Came in | :11:49. | :11:56. | |
celebrating the fact he had made it to the Crucible. But he's nothing to | :11:57. | :12:02. | |
show for his efforts at the moment. And it is Neil Robertson, is The | :12:03. | :12:12. | |
Thunder From Down Under is beating the young man from Thailand 5-0 at | :12:13. | :12:21. | |
the mid-session interval. That was a poor break off shot. Caught the end | :12:22. | :12:27. | |
read much too thin and that is why he collided with the blue and the | :12:28. | :12:35. | |
brown. When you are breaking off, what ever you do, don't hit the | :12:36. | :12:37. | |
blue. Nice opener. Fully committed to | :12:38. | :12:56. | |
that. Didn't hold back. Played the right shot and nicely on the black. | :12:57. | :13:01. | |
One of the few times he's gone in first in a frame. | :13:02. | :13:16. | |
After the mid-session interval there is five frames to play. So, this | :13:17. | :13:26. | |
will be a good start for the young man, if he can make the most of this | :13:27. | :13:28. | |
opportunity. Because the blue is not on its spot, | :13:29. | :14:20. | |
eventually when he tries to break the reds open, he will have to do it | :14:21. | :14:22. | |
of the black. Maybe thinking that way now, leave | :14:23. | :14:35. | |
himself low on the black. It is not the best cluster to go in. As my | :14:36. | :14:45. | |
friend and colleague Willie Thorne said, it is a bit of a flat pack. | :14:46. | :14:52. | |
But he has the angle. When you are playing this type of shot, you have | :14:53. | :14:56. | |
got to hit the end of the reds, that's way it releases the white. If | :14:57. | :15:00. | |
you go right into the middle, the white could stick and be on nothing. | :15:01. | :15:06. | |
I remember Matthew Stevens used to play this as a deep screw with | :15:07. | :15:09. | |
reverse side to take the white back up towards the pink spot. He struck | :15:10. | :15:16. | |
it nicely enough. Was unfortunate not to finish on a read. But as you | :15:17. | :15:24. | |
say, it wasn't easy. Just caught the wrong read first. If he had stunned | :15:25. | :15:30. | |
it, he would have gone through the reds more. But when it came off the | :15:31. | :15:35. | |
second red, it just screwed away. On nothing. And that is careless. The | :15:36. | :15:45. | |
yellow has come to his rescue. No harm done. | :15:46. | :16:05. | |
I said no harm done, there was half a chance at that pot. | :16:06. | :16:33. | |
Caught it a little bit too thick. Needs the green to help him here. It | :16:34. | :16:40. | |
hasn't. The reason I was saying the green to help him, because he has | :16:41. | :16:48. | |
this straight red to the corner. And if the cue ball had run on a little | :16:49. | :16:52. | |
bit further, he would have been badly hampered by the green. Can see | :16:53. | :17:03. | |
the distance. This would give you an example of how straight Neil | :17:04. | :17:08. | |
Robertson pushes the cue through. Just watch this June. -- cue. There | :17:09. | :17:18. | |
you go. Snapped it right in the middle of the pocket. Very rarely | :17:19. | :17:22. | |
misses back type of shot. That was a nice pot. Presumably he | :17:23. | :18:03. | |
is on this red when the black is re-spotted. He's not, he must have | :18:04. | :18:06. | |
played for the red to the right middle. I have just spotted it. | :18:07. | :18:15. | |
It is high. Not playing flawless snooker. No, and there was a little | :18:16. | :18:28. | |
bit of pressure on that red into the middle because he knew he would be | :18:29. | :18:31. | |
leaving one into the left corner pocket, should he miss it. | :18:32. | :18:50. | |
Played the delicate cannon and played it very well. | :18:51. | :19:23. | |
I think that is the shot on. He will be bringing that cluster of reds in | :19:24. | :19:32. | |
between bringing the black into play. | :19:33. | :19:38. | |
He needed an inch more pace, a little bit more top spin rather than | :19:39. | :19:50. | |
pace. Yes, it is so easy on those type of shots to almost quit and not | :19:51. | :19:57. | |
get enough spin on the cue ball. He didn't exactly do that there, but as | :19:58. | :20:03. | |
John quite rightly alluded to, he would have liked to have seen the | :20:04. | :20:06. | |
cue ball travel just a little bit further. | :20:07. | :20:16. | |
Played it well. Yes, he is on the red to the left middle. Doesn't have | :20:17. | :20:22. | |
to do much with the cue ball. The blue is adjacent to the far corner | :20:23. | :20:28. | |
pocket. Then you would think he would be on to be yellow. Another 25 | :20:29. | :20:33. | |
points needed to get to snookers required stage his first frame on | :20:34. | :20:34. | |
the scoreboard. -- get his first. He'd like to be on the yellow. I | :20:35. | :20:45. | |
think he is. Yes, just about get through to if. | :20:46. | :21:03. | |
Would have liked to have had a little bit of an angle. Just a | :21:04. | :21:09. | |
fraction of one to bring him down amongst the reds just below the | :21:10. | :21:14. | |
pink. He will be disappointed if he doesn't win the frame now. | :21:15. | :21:45. | |
He is OK. Look for a moment as though he could have been hampered, | :21:46. | :21:54. | |
but he can get to the middle of the cue ball. Always a little bit wary | :21:55. | :21:59. | |
in this shot. You have got to push the tube through straight. If you | :22:00. | :22:05. | |
just deviate slightly to the right, he could file the red. It is | :22:06. | :22:10. | |
slightly disconcerting because not everybody would be able to play this | :22:11. | :22:13. | |
ball. Some players have naturally play this with a touch of right-hand | :22:14. | :22:22. | |
side. Which is unnecessary. But some players just prefer to do that. As | :22:23. | :22:31. | |
John always says with these superfine clots, it is a massive | :22:32. | :22:34. | |
advantage if you can play the playing ball. Sometimes with the | :22:35. | :22:48. | |
player's dominant eye, the natural tendency is for the brain to self | :22:49. | :22:51. | |
correct and they could come across the ball. It does make cueing | :22:52. | :22:59. | |
straight very difficult. Neil Robertson is one of the best in the | :23:00. | :23:04. | |
game for that. But other players like Judd Trump, cross the ball | :23:05. | :23:11. | |
considerably. That's because he is so dominant with his right eye. | :23:12. | :23:26. | |
Saengkham is going quite nicely. He had a quick glance at the | :23:27. | :23:35. | |
scoreboard. Just needs another red and a colour to get to the snookers | :23:36. | :23:37. | |
required stage. This blue will put in 63 points in | :23:38. | :23:48. | |
front with just 59 remaining. That will make him feel an awful lot | :23:49. | :24:09. | |
better. Taking it well. OK, he got in because Neil Robertson missed, | :24:10. | :24:15. | |
for him, straightforward read to the middle. But he has taken them well. | :24:16. | :24:24. | |
That is an excellent pot. There will be no coming back to the table for | :24:25. | :24:34. | |
the Australia now. The red has not gone in, but that | :24:35. | :25:11. | |
doesn't matter. He finished first on the scoreboard. Maybe now, the young | :25:12. | :25:19. | |
man from Thailand, Noppon Saengkham can relax. He is still three behind, | :25:20. | :25:23. | |
but that will settle him. Just a sign that Neil is not 100%, | :25:24. | :26:11. | |
in the last frame when he missed that red in the middle. He is not in | :26:12. | :26:20. | |
don't miss mood. 90% success which is good the Neil. 84%, bit low but | :26:21. | :26:30. | |
Saengkham. Long pot success, who would have thought it. Five out of | :26:31. | :26:39. | |
11 for Neil Robertson. That is why he is at 45%. Seven out of nine for | :26:40. | :26:42. | |
the young man from Thailand. He took that on. Needed to screw | :26:43. | :27:00. | |
back. Couldn't have hit it much better. Where is the red running to? | :27:01. | :27:07. | |
He is hoping it won't run past the middle. He has left it. He played | :27:08. | :27:13. | |
the deep screw hoping the red wouldn't come back down the table | :27:14. | :27:17. | |
with the cue ball. Unfortunately, it did. | :27:18. | :27:34. | |
The reds are nicely spread, but at the moment, the black is slightly | :27:35. | :27:43. | |
awkward. I think the pink, it may be available into the right corner. The | :27:44. | :27:54. | |
first couple of positional shots at this visit will determine whether he | :27:55. | :27:57. | |
can make a frame-winning contribution. That is why he's | :27:58. | :28:00. | |
giving it an extra bit of thought. It is not straightforward. | :28:01. | :28:17. | |
A possibility here he could get on the black, get the black back onto | :28:18. | :28:22. | |
its spot. He knew he was going to be hampered, | :28:23. | :28:45. | |
but just hoping that he wasn't going to be full ball hampered, which is | :28:46. | :28:47. | |
what he appears to be. He made play the cup on the red to | :28:48. | :29:51. | |
the left corner. -- cut. I don't know what he can just drop this in | :29:52. | :29:56. | |
and go for the black. If he can't, he is checking to see if the pink | :29:57. | :30:02. | |
will go to the right corner, the opposite corner to this red. It | :30:03. | :30:12. | |
would help if it did. He got the caman, which he expected, but does | :30:13. | :30:20. | |
the pink go? If not, he has a nice angle on the blue if he thinks the | :30:21. | :30:26. | |
pink is too tight. But you can see there that the pink does go. | :30:27. | :30:40. | |
This is an excellent opportunity for Neil Robertson to re-establish his | :30:41. | :30:45. | |
dominance in this match. It is always the worst time to have | :30:46. | :30:59. | |
a chance, isn't it, in between frames on the other side and you | :31:00. | :31:05. | |
hear the noise. The referee just setting up the balls on the other | :31:06. | :31:10. | |
side, which is why Neil has just stepped back, waiting for things to | :31:11. | :31:18. | |
settle. We know that the pink goes. The reason he is not taking it is | :31:19. | :31:23. | |
that he isn't sure where it will go when it is a respot. He is OK. He | :31:24. | :31:34. | |
has the red to the left middle. He needs another 43 points. To get | :31:35. | :32:31. | |
to the snookers required stage. This is a great chance, the black goes | :32:32. | :32:38. | |
into both corners. Isn't it great, John, the CR evaporates, Leo | :32:39. | :32:43. | |
Scullion, back at the Crucible? Absolutely. He has gone through a | :32:44. | :32:47. | |
few health problems, but nice to have him back. That lovely little | :32:48. | :33:00. | |
Scottish brew. A nice man off the table, as well. | :33:01. | :34:19. | |
A little bit straighter than he would have liked. So, he just had to | :34:20. | :34:29. | |
slot the pink paint and it leaves this red a bit more difficult. You | :34:30. | :34:35. | |
wouldn't expect him to miss it, but he will be looking to go back up to | :34:36. | :34:39. | |
the blue and get a nice angle on the blue. | :34:40. | :34:47. | |
Nice pot. Just about got the angle he was looking for. | :34:48. | :35:00. | |
Hoping to be on the pink where he could run the pink through and | :35:01. | :35:56. | |
dislodge these 338 macro just below the pink. -- these three reds. That | :35:57. | :36:09. | |
couldn't have worked out any better! Could this be his 500th century of | :36:10. | :36:17. | |
his professional career? What a great milestone that would be in the | :36:18. | :36:18. | |
career of Neil Robertson. Perfect. | :36:19. | :36:33. | |
APPLAUSE. Red and a black for his 500th career | :36:34. | :36:58. | |
century. Wonderful! Well played, Neil | :36:59. | :37:22. | |
Robertson. APPLAUSE. | :37:23. | :37:29. | |
He has become a scoring machine over the last four or five years. | :37:30. | :37:38. | |
Trillion, brilliant player. Lovely guy, as well, and a great ambassador | :37:39. | :37:40. | |
for snooker. That century was the 27th of the | :37:41. | :37:59. | |
tournament and we are into day five of 17. What are pot that was on the | :38:00. | :38:10. | |
green! Well, that is a pity. His 500th | :38:11. | :38:27. | |
century night puts him with only two people I had a pen, Ronnie | :38:28. | :38:33. | |
O'Sullivan and Steven Hendrie. What a moment. He is now 5-1 in front. -- | :38:34. | :38:46. | |
Ronnie O'Sullivan and Stephen Hendry are the only people in front of him. | :38:47. | :39:00. | |
That was a good pot. He is looking at the yellow, but it is hard to | :39:01. | :39:16. | |
inject a lot of pace when you are close to the object ball like this, | :39:17. | :39:21. | |
but he is obviously comfortable with it. | :39:22. | :39:47. | |
This is going to require very good cueing. Very good shot. | :39:48. | :39:52. | |
APPLAUSE. 11 out of 11 with the rest. Neil | :39:53. | :40:08. | |
Robertson, seven out of seven. When the black is potted, or has a | :40:09. | :40:18. | |
respot, will these two reds be available? Lets see what he is on. | :40:19. | :40:30. | |
The one immediately to the right of the black you would like to be on. | :40:31. | :40:44. | |
It looks like he can play a run through and just cannon into the red | :40:45. | :40:49. | |
and maintain position on the black. There is a list red at the top of | :40:50. | :40:53. | |
the cluster. It could even go in off with this | :40:54. | :41:11. | |
screenshot! It could even go in off with the cue shot! Where has the cue | :41:12. | :41:19. | |
ball gone? It is hard to tell when you are right behind it, but it | :41:20. | :41:23. | |
looks like he could have run through and played the caman, but rather | :41:24. | :41:30. | |
that than that, even if he was going to be a bit low on it. | :41:31. | :41:37. | |
The cue ball? It is OK. That is the difference, fractions. Now it is a | :41:38. | :41:45. | |
good safety. APPLAUSE. | :41:46. | :42:40. | |
That is a bonus. I'm sure that water tastes sweet. | :42:41. | :42:56. | |
It should do, it has travelled all the way from China! | :42:57. | :43:12. | |
I don't think the first red that he hit was the one he intended. | :43:13. | :43:22. | |
If Neil Robertson can win this frame, you would say that this match | :43:23. | :43:30. | |
is virtually in the bag. He won't shy away from that. He is a | :43:31. | :43:32. | |
champion. But he won't be too pleased with | :43:33. | :43:45. | |
where the cue ball has finished. Neil Robertson has not been anywhere | :43:46. | :44:28. | |
near his fantastic test in this match so far. He conceived the pot | :44:29. | :44:38. | |
success rate, 90% Neil Robertson. That is very unfortunate. Neil has | :44:39. | :44:44. | |
not had to be anywhere near his best today. Noppon Saengkham's and | :44:45. | :44:51. | |
experience of playing at the big venue like the Crucible has been | :44:52. | :44:56. | |
very evident. Lovely lad. Very, very good player. They practised with him | :44:57. | :45:06. | |
at the Academy. He pots a lot of good balls, but he just hasn't taken | :45:07. | :45:13. | |
his chances. That is the one thing that you have to do here, and the | :45:14. | :45:18. | |
one thing that you always have to do, especially against the best | :45:19. | :45:23. | |
players in the world. Of which Neil Robertson is one of those. Yeah and | :45:24. | :45:29. | |
he certainly had opportunities, Noppon Saengkham, to put more | :45:30. | :45:35. | |
pressure on Neil. But he has made too many unenforced mistakes. | :45:36. | :45:43. | |
A baptism of fire, his first time here at the Crucible. | :45:44. | :45:48. | |
Understandable. Just coming round to have a look. I | :45:49. | :46:01. | |
think the black may be available into the left corner. There, you see | :46:02. | :46:14. | |
it. Not guaranteed to be good on it off this red, though. He couldn't | :46:15. | :46:18. | |
have played that much better. Inch perfect. | :46:19. | :46:48. | |
That was a wonderful example of just how straight Neil Robertson queues. | :46:49. | :47:00. | |
No deviation in his cueing there whatsoever. Ramrod straight. And by | :47:01. | :47:11. | |
taking that red he has cleared a path to the black to the left | :47:12. | :47:13. | |
corner. This is not a good line. He may be | :47:14. | :47:38. | |
on the red to the middle, but he cut into the cue ball too much there. | :47:39. | :47:46. | |
Touching ball, says the referee. He will try to nestle up behind the | :47:47. | :47:47. | |
yellow. I thought he would have played it | :47:48. | :47:56. | |
with more pace than that. This is not an easy shot because | :47:57. | :48:36. | |
Neil is bridging over the blue. If he can avoid the caman, there is a | :48:37. | :48:45. | |
chance of getting behind the yellow. Unfortunately, he has pushed it | :48:46. | :48:48. | |
towards the left corner and hasn't got a good cue ball. This is not | :48:49. | :48:54. | |
easy, especially with the red over the corner pocket. There is half a | :48:55. | :49:04. | |
chance. That is very good cueing. Very well played. | :49:05. | :49:14. | |
This frame could make the difference between being five behind 47 behind. | :49:15. | :49:34. | |
Good shot needed here. There is only really the black to play for. He | :49:35. | :49:46. | |
just has to screw this back a few inches. Well played. | :49:47. | :50:18. | |
That takes him to points the lead. If the kids take care of the reds | :50:19. | :50:30. | |
still on the table that would be more than enough to take the frame. | :50:31. | :50:40. | |
Has he gone far enough? Disappointing. It has not gone far | :50:41. | :50:45. | |
enough. That was a bad mistake. Unique to | :50:46. | :50:54. | |
make sure you are high, if anything. Another opportunity that he did not | :50:55. | :51:20. | |
capitalise on, I'm afraid. It has been the story of this match this | :51:21. | :51:23. | |
afternoon. He has had his chances. If Neil Robertson can avoid the Inn | :51:24. | :51:36. | |
of here he could play at a shop to nothing and played the double. What | :51:37. | :51:44. | |
a shot! What a bonus! APPLAUSE. | :51:45. | :51:51. | |
He knew he would be running into the red over the corner. What a good | :51:52. | :51:58. | |
pot. He could not have finished better on the black. That was a | :51:59. | :52:01. | |
bonus. He now has a 5-point lead. It will | :52:02. | :52:15. | |
not be easy to get past the winning line. He needs these remaining reds. | :52:16. | :52:27. | |
That is a decent start, a nice angle on the black. It is never easy to | :52:28. | :52:36. | |
develop reds when they are in this position, you need a bit of luck. I | :52:37. | :52:47. | |
suppose the way the balls are situated you feel you will not lose | :52:48. | :52:54. | |
it if you do make a mistake. I don't think you would have played that | :52:55. | :53:01. | |
normally, but the scoreline made him think it was a chance to have 8-1 | :53:02. | :53:08. | |
advantage, and the way the balls are there was not much chance for his | :53:09. | :53:13. | |
opponent to win the frame in one visit. | :53:14. | :53:59. | |
In patches youth. -- impetuous youth. He will learn. The black was | :54:00. | :54:12. | |
hard enough without hitting it that hard. His first time here, it is all | :54:13. | :54:19. | |
a learning experience. He has qualities. | :54:20. | :54:30. | |
That is a good safety from Neil. This is not a straightforward | :54:31. | :54:53. | |
safety. Well, he wants to hit it. Foul and the mess. He can have it | :54:54. | :55:02. | |
replaced or play from the D. Neil has decided to play this red. | :55:03. | :55:40. | |
Super shot. As you said earlier, Peter, on that straight shot he is | :55:41. | :55:46. | |
so reliable because of the way he delivers the cue, gun barrel | :55:47. | :55:56. | |
straight. Now 24 points in the lead. He is not on this red that you think | :55:57. | :56:02. | |
he will take it on. He will play this safety, get the cue ball back | :56:03. | :56:07. | |
to the baulk end. The only other player I can think of that you would | :56:08. | :56:14. | |
consistently expect to pot long straight balls like that would be | :56:15. | :56:22. | |
Shaun Murphy. This is a very good safety shot. Very well played. | :56:23. | :56:30. | |
APPLAUSE. Yes, you could put Shaun Murphy in that category. | :56:31. | :56:38. | |
He was looking at the side cushion. With a bit of swerve he could hit | :56:39. | :56:47. | |
this red, but could he get it safe? He didn't fancy the swerve. Doesn't | :56:48. | :56:57. | |
want to run past, which is exactly what has done. The mess is called. | :56:58. | :57:08. | |
Neil only needs the red. Surely it is worth going for. If he pots this | :57:09. | :57:22. | |
he goes 29 in front with 27 remaining. That surely will be 8-1. | :57:23. | :57:30. | |
We have seen a lot of the seeds in this tournament, and every year at | :57:31. | :57:33. | |
the Crucible, find the pressure of playing a qualifier it is a tough | :57:34. | :57:42. | |
match. But surely Neil Robertson has broken the back of this one in the | :57:43. | :57:44. | |
first session. He is going to shake his hand. He | :57:45. | :58:07. | |
will walk out a little bit disappointed, but Neil Robertson has | :58:08. | :58:12. | |
done his business, he has taken advantage of the mistakes and this | :58:13. | :58:17. | |
now two frames away from a place in the last 16. He leads 8-1. | :58:18. | :58:24. | |
So, they return for their second session of be returned at one | :58:25. | :58:28. | |
o'clock this afternoon for coverage of basics. I hope you can join us | :58:29. | :58:32. | |
for that, but meanwhile get some sleep! Good night. | :58:33. | :58:59. | |
You are the cream of the French aristocracy. | :59:00. | :59:05. |