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'A time ago when Rory McGrath and Dara O'Briain knew less about boats than they do now, | 0:00:02 | 0:00:06 | |
'everything started with a short jaunt up the Thames in a skiff. | 0:00:06 | 0:00:10 | |
'Since then we have journeyed around the south coast where | 0:00:10 | 0:00:13 | |
-'we took part in a race in Griff's yacht.' -Get the pole in. | 0:00:13 | 0:00:16 | |
The pole went in the sea, which I don't think is a good thing. | 0:00:16 | 0:00:20 | |
'And lost badly. To Cornwall where Rory nearly killed us in his boat. | 0:00:20 | 0:00:25 | |
'Twice. | 0:00:26 | 0:00:28 | |
'To Ireland where Dara ended up in a paddy.' | 0:00:28 | 0:00:30 | |
-Top of the morning to you! -THEY LAUGH | 0:00:30 | 0:00:33 | |
'To Scotland where we nearly drowned. | 0:00:33 | 0:00:35 | |
'And to the Balkans and Venice where we blended in with the locals.' | 0:00:37 | 0:00:41 | |
-Seven! -I can only give you five. -Oh! | 0:00:41 | 0:00:44 | |
'We've been under sail, motor and the whip. | 0:00:44 | 0:00:48 | |
'Through storms, fog and conditions that would test even the most resilient sailor.' | 0:00:48 | 0:00:54 | |
We are locked in a battle with them at one mile an hour. | 0:00:54 | 0:00:59 | |
'We've sailed around some of the most breath-taking scenery in the British Isles, Ireland and further afield. | 0:01:00 | 0:01:06 | |
'Here are some of our favourite moments.' | 0:01:06 | 0:01:08 | |
'In 1889, Jerome K Jerome, | 0:01:12 | 0:01:15 | |
'wrote up the exploits he and two of his friends had had on the Thames. | 0:01:15 | 0:01:19 | |
'Three Men In A Boat became a bestseller.' | 0:01:19 | 0:01:23 | |
'I'm not quite sure how we've been persuaded to repeat the exercise, | 0:01:25 | 0:01:29 | |
'but anyway, like them we begin in Kingston.' | 0:01:29 | 0:01:31 | |
-Just keep the dog away from me. -Like them, we take a dog. | 0:01:32 | 0:01:36 | |
My God, it's a very small boat, isn't it? | 0:01:36 | 0:01:39 | |
'Like them, we have a wooden skiff. And, like them, we're three grown men who should know better.' | 0:01:39 | 0:01:45 | |
Exactly how are we going to get enough gear for a week into that? | 0:01:45 | 0:01:49 | |
We've discovered that Griff has extremely strong opinions on how to load a boat. | 0:01:49 | 0:01:54 | |
-He's in charge of packing. -OK. | 0:01:54 | 0:01:57 | |
-We have to do everything he says. -Has already become exasperated with us and decided to do it himself? | 0:01:57 | 0:02:03 | |
-No, we're being really lazy. -That didn't have to be laid that heavily down. -No. | 0:02:03 | 0:02:07 | |
-For a start, we're not taking the water. -I thought we'd decided... | 0:02:07 | 0:02:10 | |
-No. -You're in charge. | 0:02:10 | 0:02:13 | |
I can't remember what we agreed. | 0:02:13 | 0:02:15 | |
-Actually, that's not looking bad. -It's not looking bad at all. | 0:02:15 | 0:02:19 | |
-What's he doing? -I don't know but he's loving it. | 0:02:19 | 0:02:24 | |
You know, genetically, Griff is very close to the human being. | 0:02:25 | 0:02:29 | |
His DNA is only slightly different. | 0:02:29 | 0:02:31 | |
-99.8%. -He can reason, he can use tools. | 0:02:31 | 0:02:35 | |
He uses a rudimentary language. | 0:02:35 | 0:02:38 | |
THEY LAUGH | 0:02:38 | 0:02:41 | |
Dara, as you may have noticed already, is the Long John Silver of this trip. | 0:02:41 | 0:02:46 | |
He's on a crutch. | 0:02:46 | 0:02:47 | |
Rory is just fat and incapable. | 0:02:47 | 0:02:51 | |
So, one way or another, there's going to be some sort of argument about who rows this boat. | 0:02:51 | 0:02:56 | |
He can't be worried that we're talking behind his back | 0:02:56 | 0:02:58 | |
and I'm sitting in HIS seat. | 0:02:58 | 0:03:00 | |
Cast off, bosun. This is it, boys. Good luck. | 0:03:03 | 0:03:06 | |
I can't row with the dog here. | 0:03:06 | 0:03:09 | |
OK, Lolly... Lol. | 0:03:09 | 0:03:12 | |
Get the scruff of the neck and push it up there. | 0:03:12 | 0:03:14 | |
It's going to jump in. | 0:03:14 | 0:03:16 | |
Lol, come up here. Lol. | 0:03:16 | 0:03:18 | |
Apparently the river becomes very beautiful for a while. | 0:03:21 | 0:03:25 | |
-Can I say, Dara and I are rowing very well, Griff. -You are, I'm impressed. | 0:03:25 | 0:03:29 | |
You've caught a crab. | 0:03:31 | 0:03:32 | |
-I find it easier to row if I'm rowing on my own. -OK. | 0:03:32 | 0:03:35 | |
Boys! Stop this. It's a team effort. | 0:03:35 | 0:03:39 | |
Every time the rowing starts, you start saying, | 0:03:39 | 0:03:42 | |
"You stop rowing, I want to row on my own." | 0:03:42 | 0:03:44 | |
If you're going to do it on your own... | 0:03:44 | 0:03:46 | |
Dara and I want to say you have to row faster and better than you're doing at the moment. | 0:03:46 | 0:03:50 | |
-Exactly! -It's pathetic. -I'm practising. | 0:03:50 | 0:03:54 | |
Can you put a camera, just for a second, on this rowing. | 0:03:55 | 0:03:58 | |
Rory, it sort of goes... | 0:03:58 | 0:03:59 | |
Make up your mind, Rory, in or out. | 0:03:59 | 0:04:01 | |
You row in fits and starts. | 0:04:01 | 0:04:03 | |
Sometimes I row slowly, sometimes I row fast. | 0:04:03 | 0:04:07 | |
What is wrong with you, get a life! | 0:04:07 | 0:04:09 | |
'Having mastered the skiff and the art of bickering, | 0:04:11 | 0:04:14 | |
'it's time to graduate to a larger boat. | 0:04:14 | 0:04:17 | |
'My boat... | 0:04:17 | 0:04:19 | |
'a classic sailing yacht. | 0:04:19 | 0:04:20 | |
'Mistakenly, I put Rory at the helm. | 0:04:20 | 0:04:23 | |
'The Swale is a bit narrow for Griff's yacht.' | 0:04:24 | 0:04:27 | |
You're heading towards other boats! | 0:04:29 | 0:04:32 | |
Keep going... Slow down. | 0:04:32 | 0:04:34 | |
'With everyone concentrating on not hitting other boats | 0:04:34 | 0:04:37 | |
'and putting the mainsail up for the first time, I was not paying attention to the depth meter.' | 0:04:37 | 0:04:42 | |
CRUNCHING AND GRATING | 0:04:46 | 0:04:49 | |
Take the power off. | 0:04:49 | 0:04:51 | |
Take the power off, take the power off. We've gone aground. | 0:04:51 | 0:04:55 | |
'We've ploughed into a sandbank.' | 0:04:55 | 0:04:57 | |
It was either that or hit that boat, Dara. | 0:05:00 | 0:05:03 | |
There's no-one on the boat. What's your problem? Do you know the people in the boat? | 0:05:03 | 0:05:07 | |
No... Hit the boat. | 0:05:07 | 0:05:10 | |
We've gone aground, but pull our centreboard up and I hope we'll come off. I hope... | 0:05:10 | 0:05:14 | |
'Luckily, Undina was built with a raising keel, or centreboard | 0:05:14 | 0:05:19 | |
'which, once wound up, should free us. | 0:05:19 | 0:05:21 | |
'Unless we'd hit a really big sandbank. | 0:05:21 | 0:05:24 | |
'As we had.' | 0:05:25 | 0:05:27 | |
We're now completely static! | 0:05:28 | 0:05:30 | |
You've actually stopped the boat! | 0:05:30 | 0:05:32 | |
You can't teach that, some people just have that. | 0:05:32 | 0:05:36 | |
-It's almost evolutionary, you just wanted to be... -On dry land. | 0:05:36 | 0:05:41 | |
It's amazing. | 0:05:41 | 0:05:42 | |
Not too powerfully round. That's it, ease off now. | 0:05:45 | 0:05:48 | |
Take her into the wind... | 0:05:48 | 0:05:50 | |
'With the keel up, and the tide rising, Griff calmed down and we were free.' | 0:05:50 | 0:05:54 | |
Can you take her into the wind a bit more, Rory? | 0:05:54 | 0:05:57 | |
Yeah, I'm trying. I'm trying. | 0:05:57 | 0:05:58 | |
Keep going. | 0:05:58 | 0:06:00 | |
Give yourself a bit more power until it turns. | 0:06:00 | 0:06:03 | |
That's all the power we get. | 0:06:04 | 0:06:07 | |
-Hello! -Yeah, we're going. -We're moving. | 0:06:07 | 0:06:10 | |
Go into the deep water and stay in the light blue. | 0:06:10 | 0:06:13 | |
Stay deep! For once in your career, out of the shallows. | 0:06:13 | 0:06:16 | |
'Captain Rory's boat handling skills continued on his own boat in Cornwall. | 0:06:19 | 0:06:23 | |
'All he had to do was get us across Plymouth harbour. Safely...' | 0:06:23 | 0:06:27 | |
Whoa! No! | 0:06:29 | 0:06:31 | |
Christ! | 0:06:31 | 0:06:33 | |
THEY LAUGH | 0:06:35 | 0:06:37 | |
Turn her round. | 0:06:39 | 0:06:41 | |
Turn her round... Hard... | 0:06:41 | 0:06:43 | |
That's it. Hard to port. | 0:06:45 | 0:06:47 | |
Hard to port... No! | 0:06:47 | 0:06:49 | |
Not so fast! No... | 0:06:49 | 0:06:53 | |
-No, Rory... -What's he saying? | 0:06:53 | 0:06:56 | |
Not so fast. | 0:07:00 | 0:07:02 | |
'Five minutes later, and Rory had the difficult task | 0:07:02 | 0:07:06 | |
'of getting a six-foot vessel through a 50-foot wide lock.' | 0:07:06 | 0:07:09 | |
This is very nerve-racking. | 0:07:09 | 0:07:12 | |
Difficult to see with Dara's bum in my face. | 0:07:12 | 0:07:15 | |
It's not great when you're trying to get in a dark, narrow... | 0:07:15 | 0:07:19 | |
We've stuck every single fender we have out, Rory. OK? | 0:07:23 | 0:07:26 | |
-Which side, just in case? -Both sides. -That's fantastic. | 0:07:26 | 0:07:29 | |
It's quite difficult to navigate a boat... | 0:07:29 | 0:07:33 | |
He's going in the other side. | 0:07:33 | 0:07:35 | |
OK, you're going in that side? | 0:07:35 | 0:07:38 | |
Rory, pull yourself round. | 0:07:39 | 0:07:40 | |
Whoa, whoa, whoa! | 0:07:40 | 0:07:42 | |
Whoa! Whoa! You're going to hit the side. | 0:07:42 | 0:07:45 | |
CRUNCH! | 0:07:45 | 0:07:46 | |
-OK, so far so good. -Are we? | 0:07:46 | 0:07:49 | |
'But even an expert sailor, like Griff, has an off day. | 0:07:49 | 0:07:53 | |
'In Scotland on the pilot cutter, Mascotte, he had a little run in with a lobster pot. | 0:07:53 | 0:07:59 | |
'It takes years to learn how to sail her properly.' Pull harder. | 0:07:59 | 0:08:04 | |
'But, luckily, we're just motoring out of the harbour. | 0:08:04 | 0:08:07 | |
'And skipper, Richard, has left me in charge. | 0:08:09 | 0:08:12 | |
'Nothing too difficult here.' | 0:08:12 | 0:08:14 | |
That's good. | 0:08:14 | 0:08:15 | |
Take another gear, you've run over a buoy. | 0:08:17 | 0:08:19 | |
Yeah, we've... | 0:08:23 | 0:08:25 | |
Griff ran into some sort of marine thing. | 0:08:30 | 0:08:33 | |
I think it's too early to blame Griff 100%. | 0:08:33 | 0:08:35 | |
-It's never too early to blame Griff. -OK, fair enough. | 0:08:35 | 0:08:38 | |
It's caught around the prop. | 0:08:38 | 0:08:40 | |
Did you get the shot of Griff leaning over with his arse in the air? | 0:08:40 | 0:08:44 | |
He ran over something. | 0:08:44 | 0:08:46 | |
'That something is a lobster pot, attached to a buoy. | 0:08:46 | 0:08:51 | |
'And, all of that, is now attached to our propeller.' | 0:08:51 | 0:08:54 | |
Yeah, well this is just a standard day in a boat, to be honest. | 0:08:57 | 0:09:00 | |
OK, if you can pull from here, please. | 0:09:00 | 0:09:02 | |
If we let him go, we own the boat. | 0:09:02 | 0:09:04 | |
That's the rules... | 0:09:04 | 0:09:06 | |
If you can manage to pull slightly forward. | 0:09:06 | 0:09:09 | |
'But there were times when even our expert handling couldn't have saved us. | 0:09:11 | 0:09:15 | |
'Off the Scottish coast, lies a very dangerous body of water.' | 0:09:15 | 0:09:18 | |
'This is the stretch of water, | 0:09:22 | 0:09:24 | |
'described by the Royal Navy as the most violent and dangerous in the UK. | 0:09:24 | 0:09:28 | |
'George Orwell, who wrote 1984, whilst staying on Jura | 0:09:30 | 0:09:34 | |
'nearly drowned by rowing too close.' | 0:09:34 | 0:09:36 | |
Is that it there? | 0:09:41 | 0:09:43 | |
That's a whirlpool! | 0:09:43 | 0:09:45 | |
-That's whirling around. It doesn't look as if it's going to suck us under, does it? -No, it doesn't. | 0:09:45 | 0:09:50 | |
Do you know what, I don't think it's a whirlpool. I think he's just driving around in a circle. | 0:09:50 | 0:09:55 | |
I think we should drive around until it stops. | 0:09:55 | 0:09:58 | |
'Perhaps the legendary Corryvreckan was having an off day. | 0:09:59 | 0:10:04 | |
'It was quiet.' | 0:10:04 | 0:10:05 | |
Look at this up ahead. | 0:10:05 | 0:10:07 | |
'Too quiet! | 0:10:07 | 0:10:09 | |
'Griff, I'm not sure that's the best thing to say near a dangerous sea anomaly.' | 0:10:09 | 0:10:13 | |
The whirlpool is angry with us! | 0:10:13 | 0:10:16 | |
We've insulted the whirlpool! | 0:10:16 | 0:10:19 | |
-ALL: -Argh! | 0:10:22 | 0:10:24 | |
Ho! Ho! Ho! | 0:10:32 | 0:10:35 | |
Oh, land! | 0:10:37 | 0:10:39 | |
That'll teach you to slag off the whirlpool! | 0:10:39 | 0:10:43 | |
-The Gods were angry. We were just saying... -So childish... | 0:10:43 | 0:10:46 | |
-What kind of whirlpool is this? -Just because he didn't get a whirlpool, you had to drown us. | 0:10:46 | 0:10:50 | |
'With not one, but two, gung-ho, real pot-bellied He-men aboard | 0:10:50 | 0:10:55 | |
'it naturally falls to me to do everything. | 0:10:55 | 0:10:59 | |
'One time was in Montenegro, aboard the sail training ship, Jadran. | 0:10:59 | 0:11:03 | |
'The fundamental part of cadet training is climbing the 100-foot mast. | 0:11:03 | 0:11:08 | |
'No... Really. | 0:11:08 | 0:11:10 | |
'Thanks!' | 0:11:10 | 0:11:11 | |
The others don't want to do this | 0:11:11 | 0:11:16 | |
because they don't like heights. | 0:11:16 | 0:11:18 | |
How is his technique, is that right? | 0:11:20 | 0:11:22 | |
No, his technique is not right. | 0:11:22 | 0:11:25 | |
Your technique's not good, Griff. | 0:11:25 | 0:11:27 | |
Yeah... | 0:11:29 | 0:11:30 | |
I wonder... | 0:11:32 | 0:11:34 | |
..if you can hear the slight tremor... | 0:11:35 | 0:11:39 | |
in...my...voice? | 0:11:41 | 0:11:45 | |
-Because... -HE LAUGHS | 0:11:45 | 0:11:48 | |
Do you see the hard wood? | 0:11:48 | 0:11:50 | |
OK, understood. | 0:11:50 | 0:11:52 | |
This is called a lover's hole | 0:11:54 | 0:11:57 | |
because on other boats they used to go outside | 0:11:57 | 0:12:01 | |
and there was a little stretch of ratlines | 0:12:01 | 0:12:04 | |
which goes outside and then you hang upside-down. | 0:12:04 | 0:12:08 | |
This is quite easy by comparison | 0:12:08 | 0:12:11 | |
with some boats. | 0:12:11 | 0:12:13 | |
It's now... It's now blowing about 40 knots up here. | 0:12:18 | 0:12:23 | |
I haven't got enough hair to blow in the wind to show you how blowy it is. | 0:12:23 | 0:12:29 | |
We're setting off into the teeth of a howling gale. | 0:12:29 | 0:12:32 | |
'And, as we head out of port, the weather doesn't get any better. | 0:12:40 | 0:12:44 | |
'In fact, it gets a lot worse.' | 0:12:44 | 0:12:45 | |
We're going down now. It's wet and I'm cold | 0:12:45 | 0:12:48 | |
and I'm not wearing waterproof trousers. | 0:12:48 | 0:12:50 | |
SAILOR SPEAKS MONTENEGRIN | 0:12:50 | 0:12:52 | |
OK... Everybody's saying I've got to go down, so I'm going down. | 0:12:52 | 0:12:55 | |
Not before time! | 0:12:56 | 0:12:58 | |
-Griff is still up there with him. -I bet he's frozen. | 0:12:58 | 0:13:02 | |
He's actually appealed for waterproof trousers. | 0:13:02 | 0:13:04 | |
Griff could be frozen to the rigging. | 0:13:04 | 0:13:07 | |
MUSIC: from Pirates Of The Caribbean | 0:13:07 | 0:13:10 | |
Argh! | 0:13:34 | 0:13:35 | |
Sorry! | 0:13:37 | 0:13:38 | |
Forgive me. | 0:13:38 | 0:13:40 | |
I'm just going as low as I can possibly go. | 0:13:40 | 0:13:42 | |
Ah, that feels secure, that feels safe now. | 0:13:42 | 0:13:45 | |
That's good. | 0:13:45 | 0:13:46 | |
That's where I want to be from now on. I'm not getting up from here. | 0:13:46 | 0:13:51 | |
Just sail on and I'll stay here. | 0:13:51 | 0:13:53 | |
'In Ireland, on the way to Limerick we had to pass through Ardnacrusha, | 0:13:56 | 0:13:59 | |
'the country's largest and rather imposing hydro-electric power station. | 0:13:59 | 0:14:04 | |
'It's a 100-foot drop with a wall of water behind it. | 0:14:04 | 0:14:07 | |
'If we'd been in a rented boat, we'd have to turn around at this point. | 0:14:07 | 0:14:12 | |
'The power station drop is considered too dangerous for most vessels. | 0:14:12 | 0:14:16 | |
'Quite why we're being allowed through, remains a mystery.' | 0:14:16 | 0:14:20 | |
They may press the magic button. | 0:14:20 | 0:14:24 | |
I'm disappointed with the architecture. | 0:14:26 | 0:14:29 | |
-Did you want more horns and lights and wa, wa, wa? -Yeah. | 0:14:29 | 0:14:33 | |
I wanted more Rococo decoration on the... | 0:14:33 | 0:14:37 | |
Rococo decoration on the Ardnacrusha... | 0:14:37 | 0:14:39 | |
-ALARM BEEPS -There's your horns and lights. | 0:14:39 | 0:14:42 | |
'It supplied the electricity for 95% of the entire country. | 0:14:42 | 0:14:46 | |
'Although, today, that figure is more like 5%. | 0:14:46 | 0:14:49 | |
'At 100-foot it's Europe's deepest lock.' | 0:14:49 | 0:14:51 | |
This is like descending into hell. | 0:14:51 | 0:14:55 | |
Or, as far as I can remember, it's a bit like this. | 0:14:55 | 0:14:59 | |
It's going back a few years. | 0:14:59 | 0:15:01 | |
Are we all getting the stench, the all-enveloping smell of stagnant water? | 0:15:03 | 0:15:08 | |
-What is alarming is what is behind you now, Dara? -Yeah. | 0:15:08 | 0:15:11 | |
I'm glad we didn't sit on that. | 0:15:11 | 0:15:13 | |
No, I was talking about your career. | 0:15:13 | 0:15:15 | |
THEY LAUGH | 0:15:15 | 0:15:16 | |
-This is quite spooky, isn't it? -It's spooky, isn't it? | 0:15:16 | 0:15:20 | |
It is very unnatural. | 0:15:20 | 0:15:22 | |
It's like being in a concrete grave, isn't it? | 0:15:22 | 0:15:24 | |
A concrete grave, geez, what a horrendous notion. | 0:15:24 | 0:15:28 | |
Apparently, they do have a traditional of asking women to get off the boat | 0:15:29 | 0:15:32 | |
-because they get so freaked out by it. -Really? | 0:15:32 | 0:15:35 | |
-Is that a tiny bit sexist in this day and age? -A little bit. | 0:15:35 | 0:15:38 | |
'The lock has two chambers. | 0:15:41 | 0:15:43 | |
'The first is 60 foot...' | 0:15:43 | 0:15:45 | |
It would be nice to be back in sunlight for a couple of minutes, at least. | 0:15:45 | 0:15:49 | |
'And that's followed by another of 40 foot. | 0:15:49 | 0:15:51 | |
'Essentially it's like a big, watery, mossy lift.' | 0:15:51 | 0:15:56 | |
-MIMICS DAVID ATTENBOROUGH: -Interesting plant life. Even here, 40 feet down, | 0:15:56 | 0:16:02 | |
in what is essentially a cave, | 0:16:02 | 0:16:05 | |
forms of fern find a way of living. | 0:16:05 | 0:16:08 | |
'After nearly an hour in the dank, dripping gloom, | 0:16:08 | 0:16:12 | |
'we finally rejoin the original River Shannon.' | 0:16:12 | 0:16:14 | |
That's it. | 0:16:14 | 0:16:17 | |
There it goes, look at that. Fantastic! | 0:16:17 | 0:16:20 | |
'Where we're in a 100-foot deep lock | 0:16:23 | 0:16:26 | |
'or a howling gale, | 0:16:26 | 0:16:28 | |
'there's nothing I like better than a cup of tea.' | 0:16:28 | 0:16:32 | |
-AUSTRALIAN ACCENT: -Hello... Hello and welcome to Cooking In A Force 9 Gale. | 0:16:34 | 0:16:38 | |
Today, I'd like, I'd like to show you how to make an infusion | 0:16:38 | 0:16:42 | |
of tea leaf and boiling water. | 0:16:42 | 0:16:45 | |
For this you'll need a kettle full of water... | 0:16:45 | 0:16:48 | |
It's slightly more complicated than I thought! | 0:16:55 | 0:16:58 | |
Now, while your water is coming to the boil, | 0:16:59 | 0:17:02 | |
why not save a bit of time by taking...! | 0:17:02 | 0:17:06 | |
By burning your elbow on the kettle. | 0:17:06 | 0:17:08 | |
Pour the boiling water onto the teabag... | 0:17:10 | 0:17:13 | |
-NORMAL ACCENT: -..and the result, a warm, comforting mug of Earl Grey... | 0:17:13 | 0:17:17 | |
Earl Grey tea. | 0:17:20 | 0:17:22 | |
'In Penzance, Cornwall, with bad weather preventing us from leaving harbour, | 0:17:25 | 0:17:29 | |
'we found some entertainment. | 0:17:29 | 0:17:32 | |
'In fact, we became the entertainment!' | 0:17:32 | 0:17:35 | |
CHEERING AND APPLAUSE | 0:17:35 | 0:17:36 | |
Ladies and gentlemen, welcome to our very special co-production | 0:17:38 | 0:17:42 | |
between the Penzance Amateur Operatic Society | 0:17:42 | 0:17:45 | |
and the Three Men In A Boat. | 0:17:45 | 0:17:47 | |
Today we'll be performing segments of the Pirates Of Penzance. | 0:17:47 | 0:17:51 | |
-AUDIENCE: -Oo-arrr! | 0:17:51 | 0:17:52 | |
Very good with the "oo-arrr". Congratulations. | 0:17:52 | 0:17:55 | |
With the song that's about the most famous one in this musical, | 0:17:55 | 0:17:59 | |
please, ladies and gentlemen, Griff Rhys Jones. | 0:17:59 | 0:18:01 | |
CHEERING AND APPLAUSE | 0:18:01 | 0:18:04 | |
# I am the very model of a modern Major-General | 0:18:12 | 0:18:16 | |
# I've information vegetable, animal and mineral | 0:18:16 | 0:18:19 | |
# I know the kings of England and I quote the fights historical | 0:18:19 | 0:18:23 | |
# From Marathon to Waterloo in order categorical... # | 0:18:23 | 0:18:26 | |
The lad's doing well. | 0:18:26 | 0:18:28 | |
Going all right... Unfortunately. | 0:18:28 | 0:18:30 | |
# ..Has only been brought down to the beginning of the century | 0:18:30 | 0:18:33 | |
# But still in matters vegetable, animal and mineral | 0:18:33 | 0:18:38 | |
# I am the very model of a modern Major-General | 0:18:38 | 0:18:41 | |
# But still in matters vegetable, animal and mineral | 0:18:41 | 0:18:44 | |
# He is the very model of a modern Major-General. # | 0:18:44 | 0:18:48 | |
Thank you very much. | 0:18:48 | 0:18:49 | |
CHEERING AND APPLAUSE | 0:18:49 | 0:18:51 | |
Ladies and gentlemen, carry on! | 0:18:51 | 0:18:53 | |
# When a felon's not engaged in his employment | 0:19:04 | 0:19:07 | |
# His employment... # | 0:19:07 | 0:19:09 | |
Oh, I've just remembered something. Sorry. Hang on. | 0:19:09 | 0:19:12 | |
LAUGHTER | 0:19:12 | 0:19:14 | |
Sorry about this, one more time. One more time. | 0:19:17 | 0:19:20 | |
Wait till... Wait, wait, wait... | 0:19:20 | 0:19:23 | |
LAUGHTER | 0:19:23 | 0:19:25 | |
Otherwise, you'll know what will happen. | 0:19:25 | 0:19:28 | |
You liked it before. | 0:19:30 | 0:19:31 | |
Don't tell everybody. | 0:19:33 | 0:19:35 | |
I like the way you're stood like this, going... | 0:19:35 | 0:19:37 | |
# When the enterprising burglar's not a-burgling | 0:19:42 | 0:19:45 | |
# Not a-burgling... # | 0:19:45 | 0:19:48 | |
He's milking this. | 0:19:50 | 0:19:51 | |
# When constabulary's duty's to be done | 0:19:54 | 0:19:59 | |
# To be done | 0:19:59 | 0:20:00 | |
# A policeman's lot is not a happy one | 0:20:00 | 0:20:05 | |
# Happy one. # | 0:20:05 | 0:20:06 | |
CHEERING AND APPLAUSE | 0:20:06 | 0:20:09 | |
Thank you very much, indeed. | 0:20:09 | 0:20:12 | |
'In Croatia, it was Dara's turn to get into character. | 0:20:17 | 0:20:21 | |
'We've motored through the night to arrive at Korcula. | 0:20:21 | 0:20:25 | |
'It's famous today, as the birthplace of Marco Polo - | 0:20:28 | 0:20:31 | |
'although that's contested by the Venetians - and for its sword dance, the Moreska.' | 0:20:31 | 0:20:36 | |
'Today they're practising under the watchful eye of master dancer, Tony. | 0:20:39 | 0:20:45 | |
'The solid steel swords are designed to spark when struck hard | 0:20:47 | 0:20:51 | |
'and produce the distinctive sound and rhythm of the dance.' | 0:20:51 | 0:20:54 | |
'This, by the way, is an antecedent of Morris dancing.' | 0:20:54 | 0:21:00 | |
'Swords, fighting... It'd be rude not to give it a go.' | 0:21:08 | 0:21:11 | |
Thank you, thank you. | 0:21:20 | 0:21:21 | |
Who will fight me? | 0:21:23 | 0:21:26 | |
Oh, them. Yeah, them, probably. Are you marking this? | 0:21:26 | 0:21:28 | |
Yeah... I like the Arsenal strip. | 0:21:28 | 0:21:31 | |
Yeah. | 0:21:31 | 0:21:32 | |
OK, orchestra! | 0:21:32 | 0:21:33 | |
I'm trying to find a way out of this now. | 0:21:51 | 0:21:54 | |
Hurray! | 0:21:57 | 0:21:59 | |
Come to the judges. | 0:22:03 | 0:22:04 | |
To be honest... | 0:22:08 | 0:22:10 | |
I was kind of toying with him a bit there. | 0:22:10 | 0:22:12 | |
-AS LEN GOODMAN: -Dara, first of all, well done, son. When you come on the floor, I thought, | 0:22:12 | 0:22:17 | |
"He's not going to be a Moreska dancer." | 0:22:17 | 0:22:19 | |
But when you got into the dance, the brief there, you done a passable impression of a Moreska dance. | 0:22:19 | 0:22:25 | |
You did a few stumbles, you weren't pointing your toes. | 0:22:25 | 0:22:29 | |
But, you did a cracking good performance. Well done, sir. | 0:22:29 | 0:22:32 | |
Bruno... | 0:22:32 | 0:22:35 | |
-AS BRUNO: -Well, I... | 0:22:35 | 0:22:36 | |
I liked it, but he was all over the place. | 0:22:36 | 0:22:39 | |
There was no passion from the Moreska. | 0:22:39 | 0:22:42 | |
You have to dance the Moreska with passion and precision. | 0:22:42 | 0:22:45 | |
-It was just a mess. -He's a beginner, Bruno. | 0:22:45 | 0:22:48 | |
-I think he's done all right. -No. -He's a beginner! | 0:22:48 | 0:22:51 | |
Give the boy a break. Anyway, let's score him. | 0:22:51 | 0:22:55 | |
-Seven! -I can only give you five. | 0:22:55 | 0:22:57 | |
Oh... Boo, boo. | 0:22:57 | 0:22:59 | |
Boo, boo. | 0:22:59 | 0:23:01 | |
Boo, boo. | 0:23:01 | 0:23:03 | |
More! | 0:23:04 | 0:23:05 | |
That's why I think of you and your marks. | 0:23:07 | 0:23:09 | |
We didn't get marked when we were fighting the Moors, | 0:23:09 | 0:23:12 | |
slashed the Turks, can't remember which. Didn't get marked back then! | 0:23:12 | 0:23:16 | |
'With costumes like that, sometimes less is more.' | 0:23:17 | 0:23:20 | |
Where do you stand on nudism? | 0:23:22 | 0:23:24 | |
-I don't. Have you ever been one? -No. | 0:23:24 | 0:23:26 | |
Come on, let's go! There's supposed to be dozens of them. | 0:23:26 | 0:23:30 | |
-Up here is Europe's largest nudist colony called Koversada. -Yeah. | 0:23:30 | 0:23:35 | |
Apparently there's room for 15,000 | 0:23:35 | 0:23:39 | |
fat, rich, naked Germans with big bellies and tiny willies. | 0:23:39 | 0:23:43 | |
So it says in the tourist guide. | 0:23:43 | 0:23:45 | |
We're sitting, as it happens, on the old boat. | 0:23:45 | 0:23:48 | |
There's nothing else around, it's our boat. And we're passing a tourist bit. | 0:23:48 | 0:23:51 | |
What we can do is just sit here, completely naked. Right? | 0:23:51 | 0:23:56 | |
Just the two of us and see what it feels like. | 0:23:56 | 0:24:00 | |
-Quite honestly... -Join us after this break. | 0:24:00 | 0:24:03 | |
Oh, my God! | 0:24:05 | 0:24:07 | |
We've got some hungry seagulls looking for that chip. | 0:24:09 | 0:24:12 | |
THEY LAUGH | 0:24:12 | 0:24:14 | |
No, you see. We are mad, that's the trouble with us. | 0:24:14 | 0:24:18 | |
Repressed Englanders, we just associate nudity with sex. | 0:24:18 | 0:24:22 | |
If you're a normal German or Austrian, | 0:24:22 | 0:24:24 | |
or even a Czechoslovak or Croatian, you sit on the beach with no kit on | 0:24:24 | 0:24:28 | |
and you think this is as nature intended me to be. | 0:24:28 | 0:24:32 | |
Pass me that fig leaf, would you? | 0:24:33 | 0:24:35 | |
You don't need a fig leaf, you want a caper. | 0:24:35 | 0:24:38 | |
-Thank you. -That should do it. | 0:24:38 | 0:24:40 | |
That should cover it. | 0:24:40 | 0:24:42 | |
Nut? No fear! | 0:24:45 | 0:24:47 | |
HE LAUGHS | 0:24:47 | 0:24:48 | |
BAGPIPES PLAY | 0:24:52 | 0:24:54 | |
'At a Scottish Highland Games, Dara was challenging the hammer against a female champion.' | 0:24:56 | 0:25:01 | |
-What are we going to have on this wager? -A fiver. | 0:25:01 | 0:25:05 | |
Fiver, fiver it is. | 0:25:05 | 0:25:06 | |
It's as if he was born to this, he looks so authentic. | 0:25:09 | 0:25:12 | |
Not bad, Dara. | 0:25:12 | 0:25:15 | |
That's really, really bad. | 0:25:15 | 0:25:17 | |
Short of practice, that's the first one. | 0:25:17 | 0:25:20 | |
-That was rubbish. That was really bad. -That was great. | 0:25:20 | 0:25:23 | |
Let the Games commence. | 0:25:23 | 0:25:25 | |
Hold a bit back, D, hold a bit back. | 0:25:25 | 0:25:27 | |
Good luck, Dara. | 0:25:27 | 0:25:29 | |
20 quid, Dara. | 0:25:36 | 0:25:38 | |
This is for Ireland. | 0:25:42 | 0:25:44 | |
-Yes! -Very good. | 0:25:56 | 0:26:00 | |
Oh, now, that was good. | 0:26:00 | 0:26:02 | |
It's all to play for. | 0:26:02 | 0:26:04 | |
Where does he get the strength in his wrists from? | 0:26:04 | 0:26:08 | |
No, it doesn't get me any further. That's shattering. The last one wasn't good at all. | 0:26:08 | 0:26:12 | |
I've given her a window of opportunity. It's that tight. | 0:26:12 | 0:26:15 | |
Well, maybe... | 0:26:24 | 0:26:25 | |
Ho, ho! | 0:26:25 | 0:26:28 | |
'Dara has only thrown half the distance a professional could achieve | 0:26:28 | 0:26:31 | |
'but nonetheless the final is too close to call | 0:26:31 | 0:26:34 | |
'and the measure is out.' | 0:26:34 | 0:26:36 | |
Dara, it's yours. You've won! | 0:26:37 | 0:26:41 | |
There's my competitor. | 0:26:41 | 0:26:43 | |
It's never been seen on television before - Griff handing over money. | 0:26:45 | 0:26:50 | |
They've got this the wrong way round. | 0:26:50 | 0:26:52 | |
I was... | 0:26:52 | 0:26:53 | |
I was only taking bets on D. | 0:26:53 | 0:26:55 | |
-There's your original stake... -Plus the 20. -The 20, OK. | 0:26:57 | 0:27:01 | |
You see. | 0:27:01 | 0:27:03 | |
'On the island of Vis, in Croatia, a cricket match. Three men, versus the Germans. | 0:27:03 | 0:27:08 | |
'A strange place to play cricket but not as strange as the kit.' | 0:27:08 | 0:27:13 | |
Oh, I'm not wearing that one! | 0:27:13 | 0:27:15 | |
-Where does that come from? -This has had a lot of runs. | 0:27:15 | 0:27:19 | |
-YORKSHIRE ACCENT: -It's had a lot of runs, that one. Aye, that box has seen some trouble, that box. | 0:27:19 | 0:27:25 | |
Forward to new victories. | 0:27:25 | 0:27:27 | |
Are you ready? This is the tradition here. | 0:27:27 | 0:27:29 | |
-Argh! -There you go. -It's come out the back. | 0:27:29 | 0:27:32 | |
Here we go. | 0:27:32 | 0:27:33 | |
Thank you. | 0:27:35 | 0:27:37 | |
'So, here off the coast of Dalmatia, | 0:27:37 | 0:27:40 | |
'where the ancient Greeks and Romans first left traces of their civilisation. | 0:27:40 | 0:27:44 | |
'Where the galleys of Venice plied their trade, where the Ottoman Empire came knocking at the door, | 0:27:44 | 0:27:49 | |
'where Serbs, Montenegrins, Bosnians and Croatians struggled for their identity, | 0:27:49 | 0:27:53 | |
'the British have left a perfect way of wasting a sunny afternoon. | 0:27:53 | 0:27:59 | |
'And Dara's first to bat. | 0:28:00 | 0:28:03 | |
'Let's see what he can do against the German attack. | 0:28:03 | 0:28:06 | |
'Oh, that's a good first ball. | 0:28:07 | 0:28:10 | |
'He needs to find his line and length.' | 0:28:10 | 0:28:12 | |
Just toying with them. Good. | 0:28:12 | 0:28:14 | |
'And Dara just needs to find where the wicket is.' | 0:28:14 | 0:28:18 | |
'It's not there.' | 0:28:19 | 0:28:21 | |
-Don't let them suck you in, Dara, you know what they're doing. -Yeah, I can see what he's doing. | 0:28:21 | 0:28:25 | |
'Ooh! Bugger me. | 0:28:26 | 0:28:29 | |
'And a little cheeky hook goes for the four.' | 0:28:29 | 0:28:32 | |
'He's got his eye and this one goes sky high | 0:28:32 | 0:28:37 | |
'over the boundary for a six. Who'd have thought it?' | 0:28:37 | 0:28:41 | |
We're going nowhere, Dara, today. | 0:28:44 | 0:28:47 | |
Get some sandwiches, folks, we're bedding in. | 0:28:47 | 0:28:50 | |
'The bowler changes ends and McGrath faces his first ball. | 0:28:50 | 0:28:53 | |
'And, his second... | 0:28:53 | 0:28:55 | |
'his third... | 0:28:55 | 0:28:56 | |
'and his fourth.' | 0:28:56 | 0:28:58 | |
Lunch? | 0:28:59 | 0:29:01 | |
'Well, no score there but the first ball does the damage!' | 0:29:02 | 0:29:06 | |
'Out for ten.' | 0:29:06 | 0:29:08 | |
Lovely! | 0:29:08 | 0:29:10 | |
'So Rhys Jones at the crease to face his first ball. | 0:29:10 | 0:29:14 | |
'Look at the authority! | 0:29:14 | 0:29:16 | |
'Show 'em who's boss. | 0:29:16 | 0:29:18 | |
'Down to McGrath, he makes contact! | 0:29:18 | 0:29:21 | |
'Oh, the Germans have caught him! Wunderbar! | 0:29:21 | 0:29:24 | |
'Das war wunderbar. McGrath ist kaput!' | 0:29:24 | 0:29:27 | |
'But Rhys Jones is making a stand, he's putting runs on the board.' | 0:29:29 | 0:29:34 | |
'How long can he last in the midday sun? | 0:29:35 | 0:29:39 | |
'That's how long! He's out, he's out. | 0:29:39 | 0:29:41 | |
'He's gone. One of the great innings is over.' | 0:29:41 | 0:29:43 | |
Thank you. | 0:29:43 | 0:29:45 | |
'Meanwhile, Rory displays a liking for sport of a different kind.' | 0:29:46 | 0:29:50 | |
Excuse me, my friend was wondering whether your boat | 0:29:50 | 0:29:53 | |
was named after the Italian referee, Pierre Luigi Collina? No? | 0:29:53 | 0:29:58 | |
I didn't know it was called, Pierre Luigi Collina. | 0:29:58 | 0:30:01 | |
Oh, you didn't buy it off a strange looking bald Italian, with bulging eyes? No. | 0:30:01 | 0:30:04 | |
It's always embarrassing to listen to Rory | 0:30:04 | 0:30:07 | |
with his red face and huge pot belly chatting up girls along the way. | 0:30:07 | 0:30:13 | |
Well, I mean, it's an embarrassment for the girls, amusing for the rest of us! | 0:30:13 | 0:30:18 | |
'Well, in my experience it's much more fun on a boat with some female crew.' | 0:30:18 | 0:30:23 | |
We actually would love to have some expert crew on board, | 0:30:23 | 0:30:27 | |
especially if they're pretty girls. | 0:30:27 | 0:30:29 | |
-Would you be up for joining us? -Yeah, that's OK. | 0:30:29 | 0:30:32 | |
The bad news is, you have to share a berth with me. | 0:30:32 | 0:30:34 | |
How big's the berth? | 0:30:36 | 0:30:38 | |
-Well, we'd have to lie on top of each other, obviously. -OK. | 0:30:38 | 0:30:42 | |
And Dara's in it as well. Did I tell you that? | 0:30:42 | 0:30:44 | |
-It'll be cosy. -It'll be very cosy. | 0:30:44 | 0:30:47 | |
-Sounds a lot of fun. -We can give him a fiver and send him to the cinema. | 0:30:47 | 0:30:51 | |
'Time to get comfy.' | 0:30:51 | 0:30:53 | |
-Look at this, this is fabulous. Can you believe this bed? -Come and have a sit? | 0:30:53 | 0:30:57 | |
I hope no animals died making this acrylic fur. | 0:30:57 | 0:31:01 | |
-Have a lie down. -I will. Can you get a good night's sleep on here? -Pretty good. | 0:31:01 | 0:31:05 | |
Let's try it. It is comfy. Lie next to me. | 0:31:05 | 0:31:08 | |
Oh, look, there's a door as well. Let's just... | 0:31:08 | 0:31:12 | |
KISSING AND LAUGHTER | 0:31:12 | 0:31:14 | |
'At a Croatian boat show, what's the best way to get a boat? | 0:31:14 | 0:31:17 | |
'Get the PR girl.' | 0:31:17 | 0:31:19 | |
I'm looking for... Ah... | 0:31:19 | 0:31:21 | |
-Excuse me? -Yes. -You are the organiser? -Yes. | 0:31:21 | 0:31:24 | |
-Ah. -Nice to meet you. -I'm with the BBC. -Ah-ha. | 0:31:24 | 0:31:29 | |
I was wondering if somebody could show me around the show. | 0:31:29 | 0:31:32 | |
Around the fair? Of course, why not. | 0:31:32 | 0:31:33 | |
So we need a boat to take us... | 0:31:36 | 0:31:39 | |
-Do you think I'd be able to find a boat here that would take me to Venice? -Of course. | 0:31:39 | 0:31:44 | |
-I've got ten Kuna on me. -You have ten Kuna? -Yes. | 0:31:44 | 0:31:48 | |
-Enough. -Are you sure? | 0:31:48 | 0:31:49 | |
-OK. -We'll find something for you. -You can do the haggling. | 0:31:49 | 0:31:52 | |
'The lovely Dea has a contact she thinks could help me.' | 0:31:55 | 0:32:00 | |
SPEAKS IN NATIVE LANGUAGE | 0:32:00 | 0:32:04 | |
"Is this boat going to Venice?" she's saying. | 0:32:04 | 0:32:06 | |
She might be ordering a pizza for all I know. | 0:32:06 | 0:32:09 | |
'That's thin crust, extra pepperoni, no anchovies.' | 0:32:11 | 0:32:15 | |
You're very good at this, have you been on television? | 0:32:16 | 0:32:20 | |
-Maybe on a set... -You should be on television. | 0:32:20 | 0:32:22 | |
You'd be good, you could read the news. You could present a quiz show. | 0:32:22 | 0:32:26 | |
'Rory seems to believe that the best way to a woman's heart | 0:32:35 | 0:32:39 | |
'is through his stomach.' | 0:32:39 | 0:32:40 | |
Bacon? | 0:32:42 | 0:32:44 | |
-It wasn't a bad night's repose, really. -No. | 0:32:49 | 0:32:51 | |
-That's probably enough bacon for one. -I'm thinking of Rory, who eats a lot of bacon. -Does he? | 0:32:53 | 0:32:57 | |
-Is he not up yet? -No, he's in the tent, I think. | 0:32:57 | 0:33:01 | |
Argh! Argh! | 0:33:01 | 0:33:03 | |
-Did you burn yourself? -No. | 0:33:03 | 0:33:05 | |
No, but... Argh! Just a second... | 0:33:05 | 0:33:09 | |
We need, erm... | 0:33:09 | 0:33:10 | |
It's not burning, it's charcoal blackened bacon. | 0:33:11 | 0:33:14 | |
-Cajun bacon? -It is, yeah. | 0:33:14 | 0:33:17 | |
I'm just going to put the Cajun bacon on there. | 0:33:17 | 0:33:20 | |
Lovely, look at that. | 0:33:20 | 0:33:22 | |
That's not bad at all. | 0:33:22 | 0:33:23 | |
TENT UNZIPPING | 0:33:23 | 0:33:25 | |
Good morning, Rory, how are you? | 0:33:27 | 0:33:29 | |
We can't do this any more, we can't have another night, I've had a terrible night's sleep. | 0:33:31 | 0:33:36 | |
-Did you want some eggs? -No. | 0:33:36 | 0:33:38 | |
There was something flying around the tent keeping me awake. I think it was a swan. | 0:33:38 | 0:33:42 | |
DARA LAUGHS | 0:33:42 | 0:33:44 | |
-Erm... -What? | 0:33:44 | 0:33:45 | |
-You're now rubbing the bacon things off into... -Yeah. | 0:33:45 | 0:33:49 | |
-What exactly? -I'm making blackened eggs with bacon scrapings. | 0:33:49 | 0:33:53 | |
Christ, it's my signature dish. | 0:33:55 | 0:33:57 | |
-I'm OK. -Badly cooked breakfast. | 0:33:57 | 0:33:59 | |
-I'm really... I'm OK. -You haven't tasted it yet, honestly. | 0:33:59 | 0:34:02 | |
It's perfectly delicious, it just looks nasty. | 0:34:02 | 0:34:05 | |
-What's this? -It's Cajun eggs. | 0:34:08 | 0:34:10 | |
Good girl, Lol, you've used your shit. | 0:34:10 | 0:34:13 | |
-What is that? -It's scrambled egg. | 0:34:13 | 0:34:17 | |
'Some of us will go the extra mile to make sure the ingredients are fresh.' | 0:34:33 | 0:34:37 | |
-Wow! -Dara O'Briain... Look at this. | 0:34:37 | 0:34:41 | |
Scallops in their own shells with bacon and black pudding. | 0:34:41 | 0:34:47 | |
Even better than that, I think the term is hand-dived scallops. | 0:34:47 | 0:34:52 | |
I've dived these myself. These are the ones I went down for. | 0:34:52 | 0:34:55 | |
-Let's see, shall we? -Do, please. -The taste test. | 0:34:55 | 0:34:58 | |
If I've ruined them in the way I've cooked them, I'd be really... | 0:34:58 | 0:35:02 | |
-Mmm. -Mmm. Mmm. | 0:35:02 | 0:35:04 | |
-That's a plateful of flavour. -Nicely seasoned. -Thank you very much. | 0:35:05 | 0:35:09 | |
-I like those. -The presentation is beautiful. -They're cooked very beautifully. | 0:35:09 | 0:35:13 | |
-In their own shell. -Mmm. | 0:35:13 | 0:35:15 | |
The physical I had to do in order to get health and safety clearance to do the dive, | 0:35:15 | 0:35:19 | |
took an hour and a half. | 0:35:19 | 0:35:22 | |
I am now cleared to dive on an oil rig. | 0:35:22 | 0:35:25 | |
Was there any health and safety involved going to the distillery? | 0:35:25 | 0:35:28 | |
-No. -They didn't take your blood pressure, check whether you could drink it? | 0:35:28 | 0:35:32 | |
No hard hats, no steel toecaps... | 0:35:32 | 0:35:35 | |
-Did you have to wear any luminous gear? -Only my face. | 0:35:35 | 0:35:38 | |
'Rory's face got even redder when Griff cooked crayfish from the Thames.' | 0:35:40 | 0:35:44 | |
-Griff, we're going to be on an Environment Agency poster. -Ah! | 0:35:44 | 0:35:49 | |
-All of us dead by the riverbank. -You've burned yourself! | 0:35:49 | 0:35:52 | |
Griff... | 0:35:52 | 0:35:53 | |
We're going to end up on an Environment Agency poster... | 0:35:53 | 0:35:57 | |
-Do you... -For -BLEEP -sake! | 0:35:57 | 0:36:00 | |
-That's the first thing I've -BLEEP -said all week. Shut up! | 0:36:00 | 0:36:03 | |
-First thing(?) -You haven't shut-up all week! -Just a minute... The first?! -Shut up, Griff! | 0:36:03 | 0:36:08 | |
-I'm fed up of your -BLEEP -voice! | 0:36:08 | 0:36:10 | |
We've nearly wrapped. | 0:36:10 | 0:36:11 | |
We're going to be on an Environment Agency poster, Griff. | 0:36:13 | 0:36:16 | |
Three of us dead after eating crayfish out of the Thames. | 0:36:16 | 0:36:18 | |
It's a great line. I'm glad you could deliver it four times. | 0:36:18 | 0:36:23 | |
-I'll do it again with pauses, for the interruptions. -The first thing he said... | 0:36:23 | 0:36:27 | |
I like that, you've been mute. It's a miracle! Helen Keller, the rower, has finally spoken! | 0:36:27 | 0:36:32 | |
You can tell Griff doesn't drink, can't you? | 0:36:34 | 0:36:37 | |
It's done! It's finished. | 0:36:37 | 0:36:39 | |
Griff, I'll be the first. | 0:36:41 | 0:36:44 | |
DARA LAUGHS | 0:36:44 | 0:36:45 | |
Yeah... Yummy! Yum, yum, yum! | 0:36:47 | 0:36:49 | |
Euch, give me some of that brandy. | 0:36:55 | 0:36:57 | |
-Oh, Griff. -No, I'm just trying to protect myself. | 0:37:04 | 0:37:07 | |
-It's like being out with you at university. -Anybody that might be | 0:37:07 | 0:37:10 | |
tempted to follow my recipe. | 0:37:10 | 0:37:13 | |
Cook the crayfish until they're properly cooked. | 0:37:13 | 0:37:17 | |
Reduce the sauce until it's properly reduced. | 0:37:17 | 0:37:21 | |
-Don't throw the purges out of the crayfish in... -Into the sauce! | 0:37:21 | 0:37:25 | |
Into your sauce. Otherwise, it's a little bit self-defeating. | 0:37:25 | 0:37:29 | |
And, enjoy! | 0:37:29 | 0:37:31 | |
'And now, to more harmonious times.' | 0:37:37 | 0:37:40 | |
THEY MIMIC DRUMS AND BAGPIPES PLAYING: "Scotland the Brave" | 0:37:41 | 0:37:46 | |
'Occasionally we did try to aim a little higher, musically.' | 0:37:59 | 0:38:03 | |
BANJO PLAYS: "Sirtaki" from Zorba the Greek | 0:38:03 | 0:38:09 | |
We'll write a song, OK? | 0:38:09 | 0:38:11 | |
# Here I am on a rowing skiff | 0:38:11 | 0:38:13 | |
# With Irish Dara, Welshman Griff | 0:38:13 | 0:38:18 | |
-# And Rory... # -No, that was... | 0:38:18 | 0:38:23 | |
# Here I am on a rowing skiff | 0:38:23 | 0:38:24 | |
# With Irish Dara, English Griff And our little dog, Lol... # | 0:38:24 | 0:38:28 | |
It's an accumulation song. | 0:38:30 | 0:38:34 | |
-Shall I do...? -It'll give us time to think what they could be. | 0:38:34 | 0:38:37 | |
So, here I am on a rowing skiff with Irish Dara and Welshman Griff. | 0:38:37 | 0:38:41 | |
We've got a fireplace to make the dog scared stiff. | 0:38:41 | 0:38:44 | |
And Rory! | 0:38:44 | 0:38:46 | |
And now the English entry in the Eurovision Song Contest, it's the Three Men In A Boat. | 0:38:46 | 0:38:51 | |
-ALL: -# We're doing a trip with Jerome K Jerome | 0:38:51 | 0:38:54 | |
# It's going to take us far from home | 0:38:54 | 0:38:57 | |
# That won't stop us complaining and moaning about Rory. # | 0:38:57 | 0:39:02 | |
Thank you! | 0:39:10 | 0:39:11 | |
'Time to get the professionals in.' | 0:39:11 | 0:39:13 | |
CROATIAN FOLK SONG | 0:39:13 | 0:39:18 | |
'In Croatia, some onboard entertainment in the form of local folk singers.' | 0:39:21 | 0:39:26 | |
Bravo! | 0:39:38 | 0:39:39 | |
Beautiful... Can we offer you a glass of wine? | 0:39:39 | 0:39:43 | |
You sing another song and I'll get some glasses. | 0:39:43 | 0:39:46 | |
I'll get some glasses. | 0:39:46 | 0:39:48 | |
# We all live in a yellow submarine | 0:40:08 | 0:40:10 | |
# A yellow submarine | 0:40:10 | 0:40:12 | |
# A yellow submarine | 0:40:12 | 0:40:14 | |
# And the band begins to play | 0:40:14 | 0:40:17 | |
Band... Ba, ba, ba, ba, ba, ba... | 0:40:17 | 0:40:23 | |
# We all live in a yellow... # | 0:40:23 | 0:40:26 | |
'What we lack in vocal skills, we make up for in practicality.' | 0:40:26 | 0:40:29 | |
That is the tent bit, I think. | 0:40:30 | 0:40:33 | |
I recognise that. I think this is a porch for entry. | 0:40:33 | 0:40:35 | |
Hm, hm... Argh! | 0:40:41 | 0:40:44 | |
It's like the Chinese carnival, it's the dragon parade. | 0:40:51 | 0:40:55 | |
What's that there, that poley bit of thing? | 0:40:58 | 0:41:01 | |
I've never camped! | 0:41:01 | 0:41:03 | |
-A few drawings wouldn't go amiss. -We had a huge intention that this wouldn't turn | 0:41:03 | 0:41:07 | |
into comedians who can't put up a tent. | 0:41:07 | 0:41:10 | |
I've just put the tent on, upside-down. | 0:41:18 | 0:41:21 | |
Which is a complete and utter pain in the arse, because the whole thing has to come off and be turned round. | 0:41:21 | 0:41:26 | |
I don't even know how important that is because it's just whether you tie it up a bit. | 0:41:26 | 0:41:31 | |
That's the fly-sheet... What the hell's that? | 0:41:31 | 0:41:33 | |
What I can't help noticing is that the director is helping Rory put his tent up. | 0:41:33 | 0:41:39 | |
-Are we doing it wrong? -I don't want to be here all night. -I've never camped! | 0:41:39 | 0:41:43 | |
'In Ireland, Griff's epic battle to get a barge engine started | 0:41:46 | 0:41:49 | |
'was almost as historic as the barge itself.' | 0:41:49 | 0:41:52 | |
How is it going, Griff? | 0:41:52 | 0:41:54 | |
Have you started the engine yet? | 0:41:54 | 0:41:56 | |
No! It's just heating up. | 0:41:56 | 0:42:00 | |
Nothing about this, Griff, inspires me with any confidence whatsoever. | 0:42:00 | 0:42:05 | |
-A very old, rusty machine. -Yeah. -A gas torch aimed at it. | 0:42:05 | 0:42:10 | |
-I've got my hand on a fuel valve. -Yeah. -And you're playing with that wheel. -Yeah. | 0:42:10 | 0:42:15 | |
This could be the last Three Men, ever. | 0:42:17 | 0:42:20 | |
A one...a two. | 0:42:20 | 0:42:22 | |
A one, two, | 0:42:22 | 0:42:23 | |
three, four, | 0:42:23 | 0:42:26 | |
five... | 0:42:26 | 0:42:28 | |
GRIFF GRUNTS | 0:42:28 | 0:42:34 | |
I can't get it going. | 0:42:38 | 0:42:40 | |
'At least the barge had entertainment in the form of Griff losing his temper.' | 0:42:40 | 0:42:45 | |
ENGINE STARTS | 0:42:53 | 0:42:55 | |
ENGINE STOPS | 0:42:59 | 0:43:01 | |
GRIFF SIGHS | 0:43:05 | 0:43:06 | |
That...is enough...of that. | 0:43:29 | 0:43:33 | |
'I'm a man of more sophisticated tastes. | 0:43:37 | 0:43:39 | |
'THIS is more my style.' | 0:43:39 | 0:43:42 | |
Whoo! | 0:43:51 | 0:43:52 | |
I've driven bigger, by the way. | 0:43:55 | 0:43:57 | |
HE LAUGHS | 0:43:57 | 0:43:59 | |
We're turning. | 0:44:08 | 0:44:09 | |
And, I haven't hit anything yet. | 0:44:09 | 0:44:11 | |
But, you know, it's early days. | 0:44:11 | 0:44:14 | |
'Now all I have to do is persuade Griff to buy one.' | 0:44:17 | 0:44:20 | |
-Hello... -Dara, this Mike. -Mike, how are you? | 0:44:20 | 0:44:24 | |
My wife and I are interested in buying a boat. | 0:44:24 | 0:44:27 | |
-I wonder if you could show us any of your boats. -Absolutely! | 0:44:27 | 0:44:30 | |
'First on Mike, the boat agent's list, was a French built Beneteau. | 0:44:32 | 0:44:36 | |
'Eau, meaning water and benet, a large, plastic shower cabinet with a metal stick attached.' | 0:44:39 | 0:44:45 | |
OK, this is nice. | 0:44:46 | 0:44:48 | |
Plenty of space, isn't it? | 0:44:48 | 0:44:50 | |
Yeah, in comparison, we could do laps of this. | 0:44:50 | 0:44:53 | |
-You could hold a dance on your aft deck, can't you? -Yeah. | 0:44:53 | 0:44:56 | |
This is nicer than Griff's, it's clean and bright, | 0:44:57 | 0:45:00 | |
and airy and spacious. | 0:45:00 | 0:45:03 | |
Why aren't we on this boat? | 0:45:03 | 0:45:05 | |
Why didn't Griff buy this boat? | 0:45:05 | 0:45:08 | |
His fetish for old things. | 0:45:08 | 0:45:10 | |
Look at this, this is fantastic! | 0:45:10 | 0:45:12 | |
There's a drinks cabinet. | 0:45:14 | 0:45:16 | |
This is so much nicer than your boat. | 0:45:16 | 0:45:19 | |
Your boat doesn't do this! | 0:45:19 | 0:45:22 | |
I know, it's all thought out, it's what production does for you. | 0:45:22 | 0:45:26 | |
It's not... Dara, is it NOT nicer than my boat. | 0:45:26 | 0:45:31 | |
You just think it is. Anyway, coming up here, look here. | 0:45:31 | 0:45:35 | |
-You see... -A walk-through kitchen. -Look at this! | 0:45:35 | 0:45:38 | |
-You see, my God! -Lovely fridge. Look at that! | 0:45:38 | 0:45:43 | |
Look at that! | 0:45:43 | 0:45:46 | |
That's magic! Oh! Oh! | 0:45:46 | 0:45:49 | |
There's a proper bathroom! | 0:45:49 | 0:45:52 | |
-With a shower! -I can't believe it, can you? | 0:45:52 | 0:45:54 | |
I can roll from side to side. | 0:45:54 | 0:45:57 | |
Oh, I'm tired of sleeping on my left, I'll try sleeping on my other side. | 0:45:57 | 0:46:02 | |
That's nice. Oh, hello, back over here again. | 0:46:02 | 0:46:05 | |
I can sleep diagonally! | 0:46:05 | 0:46:07 | |
I can sleep like Superman! It's great. | 0:46:07 | 0:46:12 | |
-I should never have brought... -Star jumps in bed in the middle of the night! | 0:46:12 | 0:46:16 | |
-I can't do that in your boat. -I should never have brought you aboard this. | 0:46:16 | 0:46:20 | |
In Montenegro, we got a glimpse of the lifestyles of the rich and dictatorial. | 0:46:21 | 0:46:26 | |
Jadranka was the personal yacht of Tito, President of Yugoslavia. | 0:46:26 | 0:46:31 | |
Look, people with serious uniforms on this boat. | 0:46:31 | 0:46:35 | |
THEY GREET IN MONTENEGRIN | 0:46:35 | 0:46:37 | |
Rory, go ahead, because you speak the language and do the introductions, please. | 0:46:37 | 0:46:41 | |
-Commandant. -Welcome aboard. My name is Goran. | 0:46:41 | 0:46:45 | |
-Goran? -Goran. | 0:46:45 | 0:46:47 | |
'Comrade Tito had a yacht built 40 years ago for the entertainment | 0:46:48 | 0:46:52 | |
'of foreign dignitaries to show off his socialist utopia. | 0:46:52 | 0:46:55 | |
'Nowadays, they use it to show off the new Montenegro. | 0:46:55 | 0:46:59 | |
'Say what you like about the strict socialist, ex-partisan womaniser | 0:46:59 | 0:47:04 | |
'and leader of the non-aligned nations of the world, | 0:47:04 | 0:47:07 | |
'Tito certainly knew how to spend it.' | 0:47:07 | 0:47:09 | |
-Go and look around and see if we can find any hints of Tito still on the boat. -Like Sophia Loren? | 0:47:12 | 0:47:18 | |
-Hello, Captain, how are you? -Fine, you? -I'm very well, this is our first boat. | 0:47:28 | 0:47:32 | |
-How are you feeling? -I haven't got this back yet. | 0:47:32 | 0:47:35 | |
-You don't have a problem with sea sick? -No, I don't get sea sick. | 0:47:35 | 0:47:39 | |
Who's been here from our part of the world. Who's been here from Britain? | 0:47:39 | 0:47:43 | |
-Prince Andrew was here. -And, who else? | 0:47:43 | 0:47:46 | |
-Gaddafi. -Gaddafi? Very topical at the moment. | 0:47:46 | 0:47:50 | |
Very hot right now, Gaddafi. | 0:47:50 | 0:47:52 | |
-Who else? -Haile Selassie. | 0:47:52 | 0:47:55 | |
-Really? -Yeah. | 0:47:55 | 0:47:56 | |
Elizabeth Taylor. | 0:47:56 | 0:47:58 | |
Hang on, what is Elizabeth Taylor's military or governmental role? | 0:47:58 | 0:48:03 | |
-I believe that Tito loves... -Beautiful ladies. -Yes. | 0:48:03 | 0:48:06 | |
He did love the beautiful ladies, didn't he? | 0:48:06 | 0:48:09 | |
And where would President Tito make love to all those famous actresses like Sophia Loren? | 0:48:09 | 0:48:15 | |
It would be here in the lounge. | 0:48:15 | 0:48:17 | |
If you're a Communist leader what you want most of is, let's face it, fridges. | 0:48:17 | 0:48:23 | |
Look at this. | 0:48:23 | 0:48:25 | |
And these peculiar... | 0:48:25 | 0:48:27 | |
They're shot glasses. | 0:48:27 | 0:48:29 | |
Everywhere you go on this boat, there are shot glasses. | 0:48:29 | 0:48:32 | |
Shot glasses... You imagine how much raki you can get in those. | 0:48:34 | 0:48:37 | |
Shot glasses, everywhere you look on this boat. | 0:48:39 | 0:48:42 | |
This drawer is actually a shot glass in itself. | 0:48:44 | 0:48:48 | |
You pour the brandy into that and put your head in here, like this. | 0:48:48 | 0:48:52 | |
'Back to reality, and one way or another we always end up in a boat race.' | 0:48:57 | 0:49:03 | |
I can't believe this. We row innocently into the middle of Wallingford Regatta. | 0:49:04 | 0:49:08 | |
We get off the boat we're rowing, averagely as we do, me and Dara. | 0:49:08 | 0:49:12 | |
We get off and some bloke says, "Good rowing, boys. Nice timing, in sync, superb, very smooth, | 0:49:12 | 0:49:17 | |
"better than some of our crews." | 0:49:17 | 0:49:20 | |
I think, "That's fantastic. We can now go to our graves thinking we once rowed very well." | 0:49:20 | 0:49:24 | |
Dara says, "Great, we'll enter the race, we'll beat you. Come on." | 0:49:24 | 0:49:28 | |
The fighting Irish takes over and he's got us into a race at three o'clock. | 0:49:28 | 0:49:32 | |
Racing I don't know... I hope it's the Wallingford, one-armed, elderly women's society. | 0:49:32 | 0:49:36 | |
So, you know, there's money on it, as well. I've just been shouting my mouth off. | 0:49:36 | 0:49:40 | |
We're racing a team they're putting up against us. | 0:49:40 | 0:49:43 | |
I thought we were lucky to have just managed to row there. | 0:49:43 | 0:49:46 | |
We got under the bridge and, "Thank God we got away from that." | 0:49:46 | 0:49:49 | |
But, no, no, no, no, let's come back and really humiliate ourselves. | 0:49:49 | 0:49:53 | |
-TANNOY: -This is novice ladies, select four. | 0:49:53 | 0:49:57 | |
Have a good one, 59. | 0:49:57 | 0:49:59 | |
Good luck, 59. | 0:49:59 | 0:50:02 | |
Don't pretend you can't see us. | 0:50:02 | 0:50:03 | |
-TANNOY: -OK, both teams ready? | 0:50:03 | 0:50:06 | |
Attention... | 0:50:06 | 0:50:08 | |
Go! | 0:50:08 | 0:50:10 | |
Together! Follow Rory. | 0:50:14 | 0:50:18 | |
That's it, we're going well. | 0:50:18 | 0:50:19 | |
Keep that pace! | 0:50:19 | 0:50:21 | |
Back and row. | 0:50:21 | 0:50:22 | |
-And row! -Shit! | 0:50:22 | 0:50:24 | |
And in! | 0:50:24 | 0:50:25 | |
In! | 0:50:25 | 0:50:27 | |
In! | 0:50:27 | 0:50:28 | |
In! | 0:50:28 | 0:50:30 | |
In! Row together... | 0:50:30 | 0:50:34 | |
Backs into it! | 0:50:34 | 0:50:35 | |
Put your backs into it and row like crazy. | 0:50:35 | 0:50:38 | |
In! Let's have it forward. In! Come on! | 0:50:38 | 0:50:43 | |
Row it hard! Follow through! | 0:50:43 | 0:50:46 | |
Pull! | 0:50:46 | 0:50:47 | |
They've beaten you, mate. | 0:50:50 | 0:50:51 | |
Yeah, we noticed that. | 0:50:51 | 0:50:54 | |
Thanks very much(!) | 0:50:54 | 0:50:55 | |
Hurray! | 0:50:57 | 0:51:00 | |
Three cheers for the ladies! | 0:51:00 | 0:51:01 | |
-Hip hip... -ALL: -Hurray! | 0:51:01 | 0:51:03 | |
-Hip hip... -ALL: -Hurray! | 0:51:03 | 0:51:05 | |
-Hip hip... -ALL: -Hurray! | 0:51:05 | 0:51:07 | |
We can't even get the cheering in time. | 0:51:07 | 0:51:10 | |
Not a bead of sweat on the four of you. | 0:51:10 | 0:51:13 | |
LAUGHTER | 0:51:13 | 0:51:14 | |
I think next time we need to change our cox. | 0:51:14 | 0:51:17 | |
I don't want to blame the manager, but after such a humiliating defeat, | 0:51:17 | 0:51:21 | |
it's customary to sack the manager. | 0:51:21 | 0:51:24 | |
'In Venice, for a gondola race up the Grand Canal, | 0:51:24 | 0:51:27 | |
'Dara and I did indeed ditch Griff in an attempt to win | 0:51:27 | 0:51:30 | |
'and left him rowing with the ladies. | 0:51:30 | 0:51:33 | |
'The course is simple, right down the straightest bit of the Grand Canal | 0:51:33 | 0:51:38 | |
'and under the Rialto Bridge to finish.' | 0:51:38 | 0:51:41 | |
'Since we're novices, it's going to be a rolling start. | 0:51:46 | 0:51:50 | |
'When both boats are neck and neck, we're off.' | 0:51:50 | 0:51:53 | |
Avanti... | 0:51:53 | 0:51:55 | |
Uno, due, tre! | 0:51:55 | 0:51:57 | |
Avanti! Go, go, go! | 0:51:57 | 0:51:58 | |
-Come on! -Come on! | 0:52:00 | 0:52:02 | |
-It's a long... -Hey, Giuseppe, due. Uno, due. | 0:52:02 | 0:52:07 | |
'While Griff's boat gets into a rhythm, our boat gets into an argument.' | 0:52:07 | 0:52:11 | |
-They're all over the place. -They are not fast enough. | 0:52:11 | 0:52:14 | |
-They're not fast enough to keep up with us? -No. | 0:52:14 | 0:52:16 | |
I'm not hearing any uno, due, Rory. | 0:52:16 | 0:52:19 | |
Uno, due... You start, then. | 0:52:19 | 0:52:22 | |
Avanti! Avanti! | 0:52:22 | 0:52:25 | |
We are miles behind. We're not within spitting distance. | 0:52:25 | 0:52:28 | |
-We're second, Dara, don't lose the inner game. -You're right. | 0:52:28 | 0:52:31 | |
We'll still qualify for next year's event. | 0:52:31 | 0:52:33 | |
'Rory and Dara have now mastered the technique or air rowing | 0:52:33 | 0:52:38 | |
'which doesn't involve getting the oars wet.' | 0:52:38 | 0:52:42 | |
-Un... -Uno, due... -Why do you have to make that noise, Rory? | 0:52:43 | 0:52:47 | |
I'm cutting out the uno, I'm just doing the "un". | 0:52:47 | 0:52:50 | |
I've spent every uno looking forward to due. | 0:52:50 | 0:52:53 | |
Uno, due... | 0:52:53 | 0:52:55 | |
Uno, due... | 0:52:55 | 0:52:57 | |
'Griff's boat have found their rhythm. | 0:53:03 | 0:53:06 | |
'There's less internal debate going on and the Rialto Bridge looms overhead. | 0:53:06 | 0:53:10 | |
'Rightfully and easily, they win and take the acclaim of the tourists looking on.' | 0:53:11 | 0:53:17 | |
Hurray! | 0:53:17 | 0:53:18 | |
Hurray! | 0:53:18 | 0:53:20 | |
-OK? -Better than "OK" I think. | 0:53:22 | 0:53:25 | |
-Bellissima! -Bellissimo. | 0:53:25 | 0:53:28 | |
Bellissimo. Si! | 0:53:28 | 0:53:30 | |
'Griff won that one, but when the three men come together | 0:53:32 | 0:53:35 | |
'we're a force to be reckoned with on the waves. | 0:53:35 | 0:53:37 | |
'It's all in the preparation.' | 0:53:37 | 0:53:39 | |
-Shall we practise tacking? -Practise tacking. | 0:53:40 | 0:53:43 | |
-Are you releasing? -I'm releasing. | 0:53:43 | 0:53:45 | |
-And I'm looking into the wind... -And release. -I've released. | 0:53:45 | 0:53:48 | |
I've released. I've released. | 0:53:48 | 0:53:51 | |
-Good tack. -Excellent tack. | 0:53:52 | 0:53:54 | |
-We look like a theatre group from 1970. -Not a very good theatre group. | 0:53:56 | 0:54:00 | |
And more of a physical thing... Oh, I'm trapped in the box. | 0:54:00 | 0:54:03 | |
Oh, let's do our tacking mime again. | 0:54:03 | 0:54:06 | |
We cracked that one. | 0:54:07 | 0:54:09 | |
Four, three, two, one... | 0:54:13 | 0:54:16 | |
HOOTER BLARES | 0:54:16 | 0:54:18 | |
'We're off and we all pull together. | 0:54:20 | 0:54:23 | |
'As talk turns to action, it appears that Rory and Dara do want to win as much as me | 0:54:23 | 0:54:27 | |
'but perhaps not as dementedly.' | 0:54:27 | 0:54:30 | |
Set the cursor to the position timer. Ease off, ease off, ease off! | 0:54:30 | 0:54:34 | |
Ease a bit, ease a bit, ease a bit, ease a bit. | 0:54:34 | 0:54:36 | |
Ease that main, ease that main, ease that main. | 0:54:36 | 0:54:39 | |
Ease it, please. Ease it, please. | 0:54:39 | 0:54:42 | |
-Are you ready back there? -Are you ready? | 0:54:42 | 0:54:44 | |
Yes, please. Hoist the spinnaker! | 0:54:44 | 0:54:46 | |
'Our secret weapon was out, the spinnaker!' | 0:54:51 | 0:54:53 | |
Furl, furl, furl, furl that main. | 0:54:53 | 0:54:57 | |
It's a big sail. | 0:54:57 | 0:54:59 | |
'This is a winning streak. | 0:54:59 | 0:55:02 | |
'It's massive, it's dangerous and it needs utter concentration.' | 0:55:02 | 0:55:06 | |
Oh, my sheet. What is it? OK. | 0:55:06 | 0:55:09 | |
-THUD -Oh, Christ! | 0:55:09 | 0:55:13 | |
-What's happened? -I don't know. The uphaul has come off. | 0:55:13 | 0:55:17 | |
The uphaul has come off? | 0:55:17 | 0:55:19 | |
Darling, it's over there. | 0:55:19 | 0:55:21 | |
What happened then? | 0:55:25 | 0:55:26 | |
Something happened, the pole went in the sea. | 0:55:26 | 0:55:29 | |
Which, I don't think is a good thing. | 0:55:30 | 0:55:32 | |
This is just utterly infuriating. | 0:55:36 | 0:55:39 | |
'Sometimes old boat bits just give up the ghost.' | 0:55:39 | 0:55:42 | |
Why not? It's gone up the mast. | 0:55:42 | 0:55:43 | |
'It looks like Griff's had enough, too.' | 0:55:43 | 0:55:46 | |
'Onward and upwards, time to get the gennaker out. | 0:55:46 | 0:55:49 | |
'We're still behind.' | 0:55:49 | 0:55:52 | |
We can use our gennaker and we'll overhaul them on the next tack. | 0:55:52 | 0:55:55 | |
-If we can get that gennaker ready. -That should do the trick. | 0:55:55 | 0:55:58 | |
Stand by... Yeah. Don't haul it any further! | 0:56:01 | 0:56:04 | |
'No! We can only use it after we've turned the next buoy.' | 0:56:04 | 0:56:07 | |
And, now haul, please. | 0:56:07 | 0:56:10 | |
'Fortunately this is a sail we've actually practised with.' | 0:56:12 | 0:56:16 | |
Are we ready for the gennaker? Stand by to furl that. That's it. | 0:56:16 | 0:56:19 | |
It's working, it's working. Furl that jib, furl that jib. | 0:56:19 | 0:56:23 | |
Furl that jib. | 0:56:23 | 0:56:25 | |
She's gaining on us! | 0:56:30 | 0:56:31 | |
We can still win this race. | 0:56:34 | 0:56:36 | |
'Josephine turns the final buoy.' | 0:56:36 | 0:56:39 | |
Get that mainsail in. Get it in! | 0:56:39 | 0:56:41 | |
'The wind picks up which helps us some more.' | 0:56:41 | 0:56:45 | |
Let's chase this boat. We can do it. | 0:56:45 | 0:56:48 | |
HOOTER BLARES | 0:56:59 | 0:57:02 | |
-ALL: -Hurray! | 0:57:02 | 0:57:05 | |
'You know, I've never won a race on this show. | 0:57:10 | 0:57:13 | |
'Luckily, I've other memories.' | 0:57:13 | 0:57:15 | |
-Am I eating this? -No. | 0:57:22 | 0:57:24 | |
That's incredible! | 0:57:26 | 0:57:28 | |
You look like you're a children's television presenter. Let's go to Rory for a song. | 0:57:28 | 0:57:33 | |
Hi, kids. | 0:57:33 | 0:57:35 | |
That's the native look. | 0:57:35 | 0:57:37 | |
We don't want to go there. | 0:57:37 | 0:57:40 | |
UTTERS THEATRICALLY | 0:57:40 | 0:57:43 | |
-Boo! -Boo! | 0:57:43 | 0:57:44 | |
-Is it open mic night? -Yeah, it is. -Next! | 0:57:44 | 0:57:49 | |
Subtitles by Red Bee Media Ltd | 0:58:12 | 0:58:14 |