Browse content similar to Hermits of Borroloola. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
BBC Four Collections, | 0:00:02 | 0:00:04 | |
specially chosen programmes from the BBC archive. | 0:00:04 | 0:00:07 | |
For this collection, Sir David Attenborough | 0:00:07 | 0:00:09 | |
has chosen documentaries from the start of his career. | 0:00:09 | 0:00:13 | |
More programmes on this theme | 0:00:13 | 0:00:14 | |
and other BBC Four Collections are available on BBC iPlayer. | 0:00:14 | 0:00:18 | |
DIDGERIDOO PLAYS | 0:00:56 | 0:00:59 | |
PERCUSSIVE STICKS | 0:00:59 | 0:01:04 | |
ABORIGINAL SINGING | 0:01:04 | 0:01:07 | |
If you like the wide open spaces, | 0:01:25 | 0:01:27 | |
if you want to get away from it all, well, this is the place to be - | 0:01:27 | 0:01:30 | |
in the middle of the Northern Territory of Australia. | 0:01:30 | 0:01:33 | |
This highway here - the bitumen, as they call it - | 0:01:33 | 0:01:36 | |
links Alice Springs in the centre of Australia 600 miles that way | 0:01:36 | 0:01:41 | |
with Darwin on the north coast, which is 400 miles that way. | 0:01:41 | 0:01:45 | |
And in the entire 1,000 miles of highway, | 0:01:45 | 0:01:48 | |
which is longer than the length of the entire British Isles, | 0:01:48 | 0:01:52 | |
there are perhaps three or four settlements | 0:01:52 | 0:01:55 | |
that can compare in size with a large English village. | 0:01:55 | 0:01:58 | |
In-between, a few hamlets | 0:01:58 | 0:02:00 | |
consisting of no more than a petrol pump, a store and a place to sleep. | 0:02:00 | 0:02:05 | |
That's lonely enough, but if you REALLY want to be lonely | 0:02:05 | 0:02:08 | |
then turn off the bitumen, down a road like this. | 0:02:08 | 0:02:11 | |
Down here, you travel for 250 miles and you see nothing. | 0:02:11 | 0:02:16 | |
No settlement, no store, no house, no human being, | 0:02:16 | 0:02:21 | |
not even a source of fresh water. | 0:02:21 | 0:02:23 | |
If you break down, you don't go and walk for help | 0:02:23 | 0:02:26 | |
because there's nowhere to walk to and you would die of thirst. | 0:02:26 | 0:02:29 | |
No, you just settle down beside your car and prepare for a long wait | 0:02:29 | 0:02:34 | |
until a car may come by, perhaps a week, | 0:02:34 | 0:02:36 | |
and you prepare too to drink the water of your radiator. | 0:02:36 | 0:02:39 | |
We set off down this road a fortnight ago | 0:02:42 | 0:02:45 | |
and we took with us an extra five gallons of oil, | 0:02:45 | 0:02:48 | |
20 gallons of petrol, 25 gallons of water and food for a week. | 0:02:48 | 0:02:54 | |
The road is flat and straight. | 0:02:54 | 0:02:56 | |
You can drive for 20 miles | 0:02:56 | 0:02:57 | |
without having to move the wheel more than a few inches. | 0:02:57 | 0:03:00 | |
The worst hazard is dust. | 0:03:00 | 0:03:03 | |
A fine talc-like powder lies over the road in drifts so deep | 0:03:08 | 0:03:12 | |
that it conceals boulders and potholes big enough to break an axle. | 0:03:12 | 0:03:17 | |
It swirls behind you and filters into the car, covering everything. | 0:03:17 | 0:03:21 | |
It sticks in your hair and clogs your eyes and your mouth. | 0:03:21 | 0:03:24 | |
It was unpleasant, but not as unpleasant as the thought | 0:03:24 | 0:03:27 | |
that if the car broke down and we couldn't repair it, | 0:03:27 | 0:03:30 | |
we would be marooned in this wilderness for days | 0:03:30 | 0:03:32 | |
and maybe weeks until a passing car could take a message for help. | 0:03:32 | 0:03:36 | |
After 250 miles of emptiness, this was the first building we saw. | 0:03:38 | 0:03:43 | |
This is Borroloola Hotel. | 0:03:43 | 0:03:45 | |
HARSH BIRD CALL | 0:03:51 | 0:03:54 | |
Once, there was enough room here for 20 guests. | 0:04:05 | 0:04:09 | |
Perhaps the accommodation, even at its best, was never very comfortable. | 0:04:09 | 0:04:13 | |
But at least they would have got shade from the sun | 0:04:13 | 0:04:16 | |
and shelter from the dust storms. | 0:04:16 | 0:04:18 | |
A horseman reaching Borroloola might have travelled for days | 0:04:18 | 0:04:21 | |
with little to moisten his mouth but tepid water from a water hole | 0:04:21 | 0:04:24 | |
green with scum. | 0:04:24 | 0:04:26 | |
Here, he could've got a decent drink. | 0:04:26 | 0:04:29 | |
Here, once, he would have found company | 0:04:30 | 0:04:33 | |
after days without seeing another human face. | 0:04:33 | 0:04:37 | |
Now the only sound is the wind creaking in the corrugated iron roof. | 0:04:37 | 0:04:43 | |
A wind that has already blown down much of the place. | 0:04:43 | 0:04:48 | |
From the look of it, another gale will be sufficient | 0:04:48 | 0:04:51 | |
to demolish the whole rickety construction. | 0:04:51 | 0:04:53 | |
50 years ago, Borroloola was quite a large settlement. | 0:04:55 | 0:04:59 | |
A base from which prospectors and cattlemen | 0:04:59 | 0:05:01 | |
set off into the largely unexplored Northern Territory. | 0:05:01 | 0:05:05 | |
It stood on the banks of the McArthur River, | 0:05:05 | 0:05:07 | |
up which sailed ships laden with stores | 0:05:07 | 0:05:09 | |
having made the thousand-mile voyage round the coast from Darwin. | 0:05:09 | 0:05:13 | |
Pioneering cattlemen bringing up herds | 0:05:16 | 0:05:18 | |
to establish new stations in the territory came through Borroloola | 0:05:18 | 0:05:22 | |
because there was good fresh water by the river. | 0:05:22 | 0:05:25 | |
Here, the drovers stopped and drank the hotel dry. | 0:05:25 | 0:05:29 | |
If there was a white flag flying above the pub | 0:05:29 | 0:05:32 | |
then all the drinks were free, | 0:05:32 | 0:05:33 | |
for it meant that one of Borroloola's citizens had become a father. | 0:05:33 | 0:05:36 | |
At the turn of the century, Borroloola had two hotels, | 0:05:36 | 0:05:40 | |
five stores and a permanent population of over 50 Europeans. | 0:05:40 | 0:05:44 | |
Even more remarkable, there was a library here of nearly 3,000 books. | 0:05:44 | 0:05:49 | |
The government sent up surveyors to lay out squares and terraces, | 0:05:49 | 0:05:52 | |
and divide the desert into building plots. | 0:05:52 | 0:05:55 | |
Borroloola seemed certain to grow into a big and prosperous town. | 0:05:55 | 0:05:59 | |
But somehow, for some reason, it never happened. | 0:05:59 | 0:06:04 | |
Out in the desert, boreholes were drilled for water | 0:06:04 | 0:06:07 | |
and it was no longer essential | 0:06:07 | 0:06:09 | |
for the cattle to come by way of Borroloola. | 0:06:09 | 0:06:12 | |
New roads were driven through the parched bush | 0:06:12 | 0:06:15 | |
and traffic up the river dwindled. | 0:06:15 | 0:06:18 | |
The ox wagons, waiting at Borroloola to take the ships' cargoes | 0:06:18 | 0:06:22 | |
and haul them out to the cattle stations, waited in vain. | 0:06:22 | 0:06:26 | |
One by one, they rotted | 0:06:26 | 0:06:28 | |
until nothing remained of them but the iron hoops of their wheels. | 0:06:28 | 0:06:32 | |
In the 1920s and '30s, | 0:06:34 | 0:06:36 | |
a few cars came roaring and rattling across the desert, | 0:06:36 | 0:06:39 | |
driven by enterprising prospectors. | 0:06:39 | 0:06:41 | |
Some managed to return to civilisation, | 0:06:41 | 0:06:44 | |
but others coughed their way as far as Borroloola | 0:06:44 | 0:06:47 | |
and then stopped for good. | 0:06:47 | 0:06:50 | |
There was no-one here to tackle a major repair. | 0:06:50 | 0:06:53 | |
Already, business at the hotel had shrivelled to almost nothing. | 0:06:53 | 0:06:57 | |
White ants chewed their way through the entire library. | 0:06:59 | 0:07:03 | |
Only one volume survives. | 0:07:03 | 0:07:05 | |
The Imitation Of Christ by Thomas Akempis. | 0:07:05 | 0:07:10 | |
Its title page is still easily legible. | 0:07:10 | 0:07:12 | |
But, inside, the termites have eaten most of the holy man's words. | 0:07:12 | 0:07:17 | |
Although gold had been found close by, the claim petered out | 0:07:19 | 0:07:23 | |
and the machinery, brought in with enormous labour to sort the ore, | 0:07:23 | 0:07:27 | |
was abandoned to rust. | 0:07:27 | 0:07:30 | |
Up in the hot hills, the last of the full-time prospectors | 0:07:30 | 0:07:33 | |
sitting alone, shot himself. | 0:07:33 | 0:07:37 | |
Life ebbed away from Borroloola. But it never entirely left it. | 0:07:37 | 0:07:42 | |
For some, the town was more attractive as a dead shell | 0:07:42 | 0:07:46 | |
than it would have been had it grown and flourished. | 0:07:46 | 0:07:49 | |
The last keeper of the hotel never left it. | 0:07:49 | 0:07:52 | |
He's an Irishman and his name is Jack Mulholland. | 0:07:52 | 0:07:55 | |
Jack, what brought you first to Borroloola? | 0:07:57 | 0:08:00 | |
I heard it was a good place, nice country. | 0:08:00 | 0:08:03 | |
Plenty of water holes and springs and ducks and geese... Nice climate. | 0:08:03 | 0:08:09 | |
And did you settle down in the place then? | 0:08:09 | 0:08:11 | |
No, no. I stopped one night here, joined the library up here | 0:08:11 | 0:08:15 | |
and put in about three or four months' reading. | 0:08:15 | 0:08:18 | |
Did you? What did you read? | 0:08:18 | 0:08:20 | |
All those books in the lib... Not them all, but quite a few of them. | 0:08:20 | 0:08:23 | |
- What sort of thing? - Oh, well, | 0:08:23 | 0:08:25 | |
it had almost a complete set of WW Jacobs, and I like Jacobs. | 0:08:25 | 0:08:29 | |
- Oh, yeah? - And I read all those. | 0:08:29 | 0:08:32 | |
What else? | 0:08:32 | 0:08:34 | |
And also various other books. I've forgotten them now. | 0:08:34 | 0:08:36 | |
I remember reading one medical book. | 0:08:36 | 0:08:38 | |
- Did you? - After I'd read the medical book, | 0:08:38 | 0:08:40 | |
I reckoned I suffered with every disease known to man. | 0:08:40 | 0:08:42 | |
HE LAUGHS | 0:08:42 | 0:08:44 | |
I liked the place while I was here. | 0:08:44 | 0:08:47 | |
Then I had this offer to manage this public house here, which I did. | 0:08:47 | 0:08:52 | |
I took it up and came over this way. | 0:08:52 | 0:08:54 | |
Was that a full-time job? | 0:08:54 | 0:08:57 | |
Well, yes. You had to be here all the time. | 0:08:57 | 0:08:59 | |
- Yeah. I mean, was it a busy job? - Definitely no, no. No. | 0:08:59 | 0:09:02 | |
You got plenty of time to sleep, plenty of time to read, | 0:09:02 | 0:09:05 | |
plenty of time to eat. | 0:09:05 | 0:09:07 | |
How many guests do you reckon you would get at any one time? | 0:09:07 | 0:09:10 | |
At one time, oh, never more than one, and I don't think there'd be more | 0:09:12 | 0:09:15 | |
than about four or five all the time I've been here while it was a hotel. | 0:09:15 | 0:09:21 | |
What? Do you mean at any one time? | 0:09:21 | 0:09:23 | |
Or four or five guests at all? | 0:09:23 | 0:09:25 | |
- At all. - What, total? | 0:09:25 | 0:09:27 | |
- Total. - No wonder it closed. | 0:09:27 | 0:09:29 | |
Jack, what do you reckon keeps a man in this country? | 0:09:29 | 0:09:32 | |
It must be a pretty lonely sort of life. | 0:09:32 | 0:09:35 | |
Oh, no. That all depends. | 0:09:35 | 0:09:38 | |
I've never been lonely in my life. | 0:09:39 | 0:09:41 | |
There's always been so much in life, | 0:09:41 | 0:09:44 | |
I could never honestly say I was lonely. | 0:09:44 | 0:09:47 | |
I've lived for years on my own in the desert, | 0:09:47 | 0:09:50 | |
haven't seen anyone for months, but I've never been lonely. | 0:09:50 | 0:09:54 | |
The trees are company and the birds and all the rest of it. | 0:09:54 | 0:09:58 | |
You've made a lot of sacrifices to live here. | 0:09:58 | 0:10:01 | |
Which one would you like to take back, as it were? | 0:10:01 | 0:10:04 | |
Well, I can't honestly think of any sacrifice that I regret...making. | 0:10:07 | 0:10:13 | |
Hmm. | 0:10:13 | 0:10:14 | |
No, I honestly can't think... | 0:10:16 | 0:10:18 | |
You must miss... You must miss people? | 0:10:18 | 0:10:20 | |
Oh, no, no. I don't miss people. | 0:10:20 | 0:10:22 | |
Oh, no. | 0:10:24 | 0:10:26 | |
Or the company of drinking companions or beautiful women? | 0:10:26 | 0:10:30 | |
No, I don't miss beautiful women. | 0:10:30 | 0:10:33 | |
Women never made much impression on me. | 0:10:33 | 0:10:35 | |
- No? - No. | 0:10:37 | 0:10:39 | |
What's wrong with them? | 0:10:39 | 0:10:40 | |
Oh, I consider they're very deceitful, they're liars | 0:10:40 | 0:10:44 | |
and they're totally without principle whatsoever. | 0:10:44 | 0:10:46 | |
But they're lovely to look at. | 0:10:46 | 0:10:48 | |
I admire them and I like looking at them. | 0:10:48 | 0:10:50 | |
It sounds as though you might have come out here | 0:10:50 | 0:10:53 | |
for the classical reason | 0:10:53 | 0:10:54 | |
of an unhappy encounter with a beautiful woman, Jack. | 0:10:54 | 0:10:57 | |
Oh, no. No. Definitely no. | 0:10:57 | 0:10:59 | |
You just never had any use for them? | 0:10:59 | 0:11:01 | |
Oh, I wouldn't say I wouldn't have any use for them. | 0:11:02 | 0:11:05 | |
Oh, no. I like them...very much. | 0:11:05 | 0:11:08 | |
But, er, as far as... | 0:11:08 | 0:11:11 | |
as, er, devoting my life to any particular woman, | 0:11:11 | 0:11:16 | |
no, definitely no. | 0:11:16 | 0:11:18 | |
Jack, how do you fill your days? | 0:11:18 | 0:11:21 | |
Well, most of the time I'm in the bush. | 0:11:21 | 0:11:23 | |
Got an old truck there, | 0:11:25 | 0:11:27 | |
I make periodic visits out into the scrub, prospecting and... | 0:11:27 | 0:11:31 | |
Prospecting? What are you looking for? | 0:11:31 | 0:11:34 | |
Well, I'm supposed to be looking for copper or gold, silver and lead, | 0:11:34 | 0:11:38 | |
something like that, but I'm looking for contentment mostly. | 0:11:38 | 0:11:42 | |
- For contentment? - Yeah. | 0:11:42 | 0:11:45 | |
Of course, the prospector wouldn't admit that. | 0:11:45 | 0:11:47 | |
But most of them are doing just that very thing, looking for contentment. | 0:11:47 | 0:11:51 | |
- Do they find it? - I think they do. | 0:11:53 | 0:11:56 | |
- Do you find it? - I find it, yes. | 0:11:56 | 0:11:58 | |
I'm still the same as I was when I was 25, | 0:11:59 | 0:12:02 | |
I like to see what's over the next hill. | 0:12:02 | 0:12:04 | |
Yeah. And that's a reward for life in itself? | 0:12:04 | 0:12:09 | |
- I consider it is, yes. - Yes. | 0:12:09 | 0:12:12 | |
Have you ever found any diamonds or gold or...? | 0:12:12 | 0:12:15 | |
Oh, yes. I've found a little bit. | 0:12:15 | 0:12:17 | |
I've found a little bit of opal, a little bit of gold. | 0:12:17 | 0:12:20 | |
I've found copper. | 0:12:20 | 0:12:22 | |
Have you ever exploited it? | 0:12:22 | 0:12:24 | |
No. I've sent samples away, parcels away, but never did any good. | 0:12:24 | 0:12:29 | |
Which is typical of most prospectors. | 0:12:29 | 0:12:32 | |
DAVID LAUGHS | 0:12:32 | 0:12:34 | |
Well, isn't that pretty disappointing? | 0:12:34 | 0:12:36 | |
Oh, no. No, it would break a man's heart if he DID discover anything. | 0:12:36 | 0:12:39 | |
What would there be to live for? Nothing. | 0:12:39 | 0:12:43 | |
- Truly? - Well, there's nothing in life. | 0:12:43 | 0:12:46 | |
If you've a lot of money, what good's money to you? | 0:12:46 | 0:12:49 | |
Well, it can make life comfortable, easy. | 0:12:49 | 0:12:51 | |
Yes, well, what are you going to do, drink it? | 0:12:51 | 0:12:53 | |
Give it away to women, something like that? | 0:12:53 | 0:12:56 | |
Buy a few motorcars? A yacht or two? Something like that? | 0:12:56 | 0:13:01 | |
No. I can see nothing in that. | 0:13:01 | 0:13:03 | |
You must have a need for SOME money? | 0:13:03 | 0:13:05 | |
- What do you do? - Yes, you have to. | 0:13:05 | 0:13:07 | |
This life makes it necessary to have a few pound. | 0:13:07 | 0:13:10 | |
Well, I, er, get it where I can. | 0:13:11 | 0:13:13 | |
Scalping dogs and crocodile hides and... | 0:13:15 | 0:13:19 | |
DAVID LAUGHS | 0:13:19 | 0:13:20 | |
But...that way you get enough pounds to sort of buy, what, flour? | 0:13:20 | 0:13:26 | |
Flour and tobacco is the main things. | 0:13:26 | 0:13:28 | |
Flour, tea, sugar, tobacco - that's the main things. | 0:13:28 | 0:13:30 | |
Ammunition, of course. | 0:13:30 | 0:13:32 | |
You don't work over-hard at it? | 0:13:33 | 0:13:35 | |
Oh, you work... I work MORE the way I'm living now, I work harder | 0:13:35 | 0:13:41 | |
than the present day fella in this country works | 0:13:41 | 0:13:45 | |
to get his £25 and £30 a week. | 0:13:45 | 0:13:47 | |
You spend a fair amount of time | 0:13:49 | 0:13:50 | |
sitting and thinking, don't you, Jack? | 0:13:50 | 0:13:52 | |
Oh, I do a lot of thinking at times, | 0:13:52 | 0:13:54 | |
but when you've got to walk 20 miles a day prospecting, that's work. | 0:13:54 | 0:14:01 | |
Would you describe yourself as a happy, contented man? | 0:14:01 | 0:14:04 | |
I should say so. | 0:14:04 | 0:14:05 | |
- The gods have been very good to me. - Yeah. | 0:14:05 | 0:14:08 | |
I consider myself a remarkable fella. | 0:14:08 | 0:14:10 | |
Why remarkable? | 0:14:10 | 0:14:12 | |
Well, I'm reasonably happy and contented. | 0:14:12 | 0:14:15 | |
Yeah? | 0:14:15 | 0:14:16 | |
Well, there are not many people | 0:14:16 | 0:14:18 | |
who can sit down and say that they're happy and contented. | 0:14:18 | 0:14:21 | |
Oh, yes, well, of course, there's a screw loose somewhere. | 0:14:21 | 0:14:24 | |
- Yeah. - Definitely a screw loose. | 0:14:24 | 0:14:26 | |
'Jack's old truck is a 1928 model. | 0:14:27 | 0:14:31 | |
'When we first saw it, | 0:14:31 | 0:14:32 | |
'there was a large nest of white ants in the middle of the engine, | 0:14:32 | 0:14:36 | |
'but Jack assured us that it was only a moment's work | 0:14:36 | 0:14:39 | |
'to get it into running order. | 0:14:39 | 0:14:41 | |
'It had no electric starter, nor even a crank handle, | 0:14:41 | 0:14:44 | |
'but Jack had his own method of starting it. | 0:14:44 | 0:14:47 | |
'The rear axle has been jacked up and the engine is in gear. | 0:14:47 | 0:14:50 | |
'To have suggested to Jack that it might not go | 0:14:53 | 0:14:56 | |
'would have been extremely tactless and have offended him deeply. | 0:14:56 | 0:15:00 | |
'But I must admit I had my doubts.' | 0:15:00 | 0:15:02 | |
- Nearly. - Nearly, but not quite. | 0:15:02 | 0:15:04 | |
ENGINE SPLUTTERS | 0:15:10 | 0:15:13 | |
ENGINE ROARS | 0:15:16 | 0:15:19 | |
Jack rather prides himself on making his own roads. | 0:15:38 | 0:15:42 | |
And when the engine is going sweetly, | 0:15:42 | 0:15:44 | |
he never misses an opportunity | 0:15:44 | 0:15:46 | |
of knocking down a few trees to improve one of his tracks. | 0:15:46 | 0:15:50 | |
CLUNKING | 0:16:05 | 0:16:07 | |
People in the territory say that Jack and his like are mad. | 0:16:12 | 0:16:16 | |
They call them hatters or no-hopers. | 0:16:16 | 0:16:19 | |
But he's not the only one in Borroloola. | 0:16:19 | 0:16:22 | |
Two others live around the decaying remains of the town. | 0:16:22 | 0:16:25 | |
One of them has built himself a cabin | 0:16:25 | 0:16:28 | |
some five miles away from Jack's hotel | 0:16:28 | 0:16:31 | |
by the side of a small lagoon. | 0:16:31 | 0:16:33 | |
He's known as the Mad Fiddler. | 0:16:33 | 0:16:35 | |
VIOLIN MUSIC | 0:16:35 | 0:16:38 | |
He sits for weeks on end without leaving his tiny cabin, | 0:16:42 | 0:16:46 | |
playing his violin. He refuses to be photographed. | 0:16:46 | 0:16:49 | |
He's even been known to threaten unexpected visitors with a shotgun. | 0:16:49 | 0:16:53 | |
Every few months, he drives out to a store in an ancient car | 0:16:53 | 0:16:57 | |
to collect flour and tea and tobacco. | 0:16:57 | 0:17:00 | |
But his visits are as short and as infrequent as he can make them. | 0:17:00 | 0:17:03 | |
VIOLIN MUSIC CONTINUES | 0:17:03 | 0:17:06 | |
There's a story in the territory | 0:17:15 | 0:17:17 | |
that he is the titled son of an English aristocratic family. | 0:17:17 | 0:17:21 | |
40 years ago, he told us, | 0:17:21 | 0:17:22 | |
he had been an actor in the theatres of the north of England. | 0:17:22 | 0:17:26 | |
And when I asked him why he had left, he replied, | 0:17:26 | 0:17:29 | |
"I got out of England for England's good." | 0:17:29 | 0:17:31 | |
Now he seeks no company except the birds that haunt his lagoon. | 0:17:31 | 0:17:36 | |
VIOLIN MUSIC CONTINUES | 0:17:36 | 0:17:39 | |
"A man's riches," he said to us, "are the fewness of his wants. | 0:17:41 | 0:17:45 | |
"I find all I want in the country around me." | 0:17:45 | 0:17:49 | |
VIOLIN MUSIC CONTINUES | 0:17:49 | 0:17:51 | |
The last of the hermits of Borroloola is its oldest inhabitant, Roger Jose. | 0:17:58 | 0:18:03 | |
No-one knows how old he is, | 0:18:03 | 0:18:05 | |
and Roger himself has been claiming that he's 68 | 0:18:05 | 0:18:08 | |
for at least the last five years. | 0:18:08 | 0:18:11 | |
With him lives Biddy, his wife, | 0:18:15 | 0:18:19 | |
who catches fish for him in the river and cooks his meals. | 0:18:19 | 0:18:23 | |
Every morning, he fetches water and chops wood | 0:18:29 | 0:18:32 | |
so that he can have a fire to keep himself warm during the cold nights. | 0:18:32 | 0:18:37 | |
His hat was made for him to his own design by Biddy | 0:18:37 | 0:18:40 | |
out of the leaves of the pandanus trees that grow nearby. | 0:18:40 | 0:18:44 | |
His house is extremely odd - | 0:18:47 | 0:18:50 | |
a circular construction of corrugated iron with no windows | 0:18:50 | 0:18:54 | |
and only a small opening cut in its side to serve as a door. | 0:18:54 | 0:18:58 | |
It must be suffocatingly hot during the heat of the day, | 0:18:58 | 0:19:01 | |
but then Roger spends most of his time outside, | 0:19:01 | 0:19:04 | |
sitting down by the wall of his extraordinary house, thinking. | 0:19:04 | 0:19:08 | |
Roger, this is a rather curious house. What exactly is it? | 0:19:10 | 0:19:15 | |
It's a tank, a conservation of rainwater. | 0:19:15 | 0:19:19 | |
How many gallons did it hold? | 0:19:19 | 0:19:21 | |
5,000, I think. | 0:19:21 | 0:19:23 | |
Where was this tank originally? | 0:19:23 | 0:19:26 | |
Up there. You can see the base of it now. | 0:19:26 | 0:19:28 | |
- What, by the hotel? - Yeah. Under that mango tree. | 0:19:28 | 0:19:31 | |
What made you shift it? | 0:19:31 | 0:19:33 | |
Well, it was crippled. It got badly crippled. | 0:19:33 | 0:19:35 | |
And it was no longer any use. You can see where it's been patched. | 0:19:35 | 0:19:40 | |
You can see patches stuck onto it in all sorts of cruel manner. | 0:19:40 | 0:19:43 | |
I don't... | 0:19:43 | 0:19:45 | |
And I thought it would make a good dwelling. | 0:19:46 | 0:19:49 | |
So, I got it off and brought it down here. | 0:19:50 | 0:19:53 | |
When did you first come to Borroloola? | 0:19:53 | 0:19:56 | |
About... A little later than this, about this time in the storm time. | 0:19:56 | 0:20:02 | |
- But which year? - 1916. | 0:20:02 | 0:20:05 | |
A long time ago. | 0:20:05 | 0:20:07 | |
46 years, I think. | 0:20:07 | 0:20:10 | |
You're a man who likes solitude, I imagine. | 0:20:10 | 0:20:13 | |
Oh, indeed I do. | 0:20:13 | 0:20:15 | |
I don't know whether it's vanity, I'm very fond of my own company. | 0:20:15 | 0:20:18 | |
- I never feel lonely. - Never? | 0:20:18 | 0:20:21 | |
No. Well, hardly, to be honest. | 0:20:21 | 0:20:24 | |
I've mostly always had a mate, a female, like a... | 0:20:24 | 0:20:29 | |
And prior to that, I lived in civilisation. | 0:20:29 | 0:20:31 | |
I got married about 30. | 0:20:31 | 0:20:34 | |
Well, I hadn't developed this superiority complex, you know. | 0:20:34 | 0:20:38 | |
I found out | 0:20:38 | 0:20:40 | |
I couldn't get any better company than my own by then, you know! | 0:20:40 | 0:20:43 | |
And I'd already learned enough off my fellows, savvy? | 0:20:43 | 0:20:46 | |
Oh, goodness, yes. | 0:20:46 | 0:20:48 | |
So, you came out for the wilderness? | 0:20:48 | 0:20:50 | |
In a sense, but I'm at bay in a sense. | 0:20:50 | 0:20:55 | |
I'm here. This is as far as I can travel! | 0:20:55 | 0:20:59 | |
A lot of people, I suppose, would find this loneliness unendurable, | 0:20:59 | 0:21:03 | |
Roger, for a long period of time. | 0:21:03 | 0:21:04 | |
True enough! Oh, that's obvious. | 0:21:04 | 0:21:07 | |
- Oh. It would overpower some men. - It would overpower them. | 0:21:07 | 0:21:12 | |
It is overpowering, but I doubt it would ever overpower me. | 0:21:12 | 0:21:16 | |
But like I said, I'm not an example of complete loneliness, see? | 0:21:16 | 0:21:21 | |
Old Biddy, although she's primitive and all that, she's company, yes. | 0:21:21 | 0:21:26 | |
And the sort I like - she won't argue the point with me! | 0:21:26 | 0:21:29 | |
And moreover is not a bit interested in what I've got to say! | 0:21:29 | 0:21:33 | |
THEY CHUCKLE | 0:21:33 | 0:21:34 | |
Are you seeking loneliness? | 0:21:34 | 0:21:37 | |
No, not loneliness. I want you to understand, I'm not a bit lonely. | 0:21:38 | 0:21:42 | |
- You're not? - No. Oh, goodness, no. | 0:21:42 | 0:21:44 | |
If you said isolation, well, that would be slightly different. | 0:21:44 | 0:21:47 | |
Yeah, I could say yes, I am fond of isolation. | 0:21:47 | 0:21:51 | |
But I couldn't really talk of loneliness | 0:21:51 | 0:21:53 | |
because I don't know what it is. | 0:21:53 | 0:21:56 | |
But I gather that, for some men, it's overpowering, yes. | 0:21:56 | 0:21:59 | |
Talk to a stump or anything. Well, I suppose I would, in a way. | 0:21:59 | 0:22:03 | |
- In fact... - Do you talk...? | 0:22:05 | 0:22:07 | |
Do you talk to the birds? | 0:22:07 | 0:22:09 | |
Oh, yes, and talk to myself too. | 0:22:09 | 0:22:11 | |
- Do you? - Yes. Quite often. | 0:22:11 | 0:22:13 | |
You get the best answers that way? | 0:22:13 | 0:22:15 | |
Yes, it improves my mental state too, talking to an intelligent man! Yes. | 0:22:15 | 0:22:19 | |
DAVID CHUCKLES Oh, yes. | 0:22:19 | 0:22:22 | |
There was a library here at Borroloola, wasn't there? | 0:22:22 | 0:22:24 | |
What sort of things did you read? | 0:22:24 | 0:22:26 | |
Oh, nearly anything. I'd read the labels on jam tins. Yes, really. | 0:22:26 | 0:22:32 | |
- I'm a good reader once I start. - Yeah. | 0:22:32 | 0:22:35 | |
But it's rather an odd place to have a library at Borroloola, isn't it? | 0:22:35 | 0:22:38 | |
Beg yours? | 0:22:38 | 0:22:39 | |
Borroloola's not the first place you'd think of as having a library. | 0:22:39 | 0:22:43 | |
- Indeed no. - Was it a big library? | 0:22:43 | 0:22:45 | |
Like I told you the other day, there was at least 2,900 books in it. | 0:22:45 | 0:22:48 | |
There may have been more. | 0:22:48 | 0:22:50 | |
I got a job rearranging them once and I distinctly remember 2,900. | 0:22:50 | 0:22:54 | |
Who are your favourite authors, Roger? | 0:22:54 | 0:22:57 | |
First and foremost, I would put Gray. | 0:22:57 | 0:22:59 | |
Thomas Gray? | 0:22:59 | 0:23:01 | |
- Was that his name? - What? Gray's Elegy, you mean? | 0:23:01 | 0:23:03 | |
Yes, well, that'll just tell you how much I know. What was his name? | 0:23:03 | 0:23:08 | |
I mean Gray, the author of Gray's Elegy, or the Lincolnshire poet. | 0:23:08 | 0:23:15 | |
- I forget when he died... - And who else? | 0:23:15 | 0:23:18 | |
Oh, well, I would put him first and foremost. | 0:23:18 | 0:23:22 | |
You must understand I can only read English, like. Yes, that's all. | 0:23:22 | 0:23:26 | |
But I don't want to read anything else, in a way. | 0:23:26 | 0:23:29 | |
I would like to read | 0:23:29 | 0:23:31 | |
anything that was better than Gray's Elegy, I would. | 0:23:31 | 0:23:34 | |
And...and...and Shakespeare, of course. | 0:23:35 | 0:23:38 | |
You sound particularly fond of poetry. | 0:23:38 | 0:23:40 | |
- Me? - Yeah. | 0:23:40 | 0:23:42 | |
Oh, indeed I am. | 0:23:42 | 0:23:43 | |
Have you written much yourself? | 0:23:43 | 0:23:45 | |
Oh, a good bit, but you know what I mean... | 0:23:45 | 0:23:47 | |
Strange to say poetry was never in favour, was it? | 0:23:49 | 0:23:54 | |
People bought it, | 0:23:54 | 0:23:55 | |
but I don't think any poets ever made a fortune out of it. | 0:23:55 | 0:23:58 | |
Can you recite any of your own poetry? | 0:23:58 | 0:24:00 | |
Come to think of it, yes. One is not unconventionally long. Mm-hm. | 0:24:01 | 0:24:05 | |
Strange to say it's got no title! THEY CHUCKLE | 0:24:07 | 0:24:10 | |
But, er, would you like to hear it? | 0:24:10 | 0:24:13 | |
- I would. - Wouldn't bore you? | 0:24:13 | 0:24:14 | |
- No. - Well, I'll tell you about it. | 0:24:14 | 0:24:17 | |
You can get a bit of a sideline on how I came to write such weird poem. | 0:24:17 | 0:24:21 | |
There was one of the old-timers about here called Gaunt, Charlie Gaunt. | 0:24:21 | 0:24:25 | |
And he was well up in the... must have been towards 70. | 0:24:25 | 0:24:28 | |
He got a bug to write about the early days. | 0:24:28 | 0:24:32 | |
Raiding the blacks, you know, and shooting them up. | 0:24:32 | 0:24:35 | |
Well... | 0:24:35 | 0:24:38 | |
I wrote once... I remember writing something. | 0:24:38 | 0:24:42 | |
Here doddering in senile decay My memory harks blithely away | 0:24:42 | 0:24:48 | |
To pink dawns when I'd creep on blacks fast asleep | 0:24:48 | 0:24:52 | |
And knock 'em hell-west in all of a heap | 0:24:52 | 0:24:55 | |
A bravo just hired to slay | 0:24:55 | 0:24:58 | |
That their weapons could scarcely compare | 0:25:02 | 0:25:05 | |
Didn't cause me much care | 0:25:05 | 0:25:07 | |
Nor the fact that they slept while sheer murder crept | 0:25:07 | 0:25:13 | |
By red embers guided And no sentinel kept them apprised | 0:25:13 | 0:25:18 | |
Of the sinister shapes lurking there | 0:25:18 | 0:25:22 | |
And any who are prone to declare This one-sided fight wasn't fair | 0:25:22 | 0:25:27 | |
Should have seen the bold bids made by women and kids | 0:25:27 | 0:25:31 | |
Whom we slew for the benefit of opulent yids | 0:25:31 | 0:25:35 | |
Reclining in far Belgrave Square. | 0:25:35 | 0:25:37 | |
That'd be a joke if I haven't got that wrong. | 0:25:37 | 0:25:39 | |
- Is that a residential area? Posh? - Yes, that's all right. | 0:25:39 | 0:25:42 | |
Belgrave Square is a residential area. | 0:25:42 | 0:25:44 | |
I couldn't afford to stop, you know. | 0:25:44 | 0:25:47 | |
Reclining in fair Belgrave Square... | 0:25:47 | 0:25:49 | |
Mm-hm. Don't know where I am now. | 0:25:49 | 0:25:52 | |
Roger, it would seem that living out here, | 0:25:52 | 0:25:56 | |
your life really couldn't be more simple. | 0:25:56 | 0:26:00 | |
What do you live on, for example? What do you eat? | 0:26:00 | 0:26:02 | |
Well, I live on the simplest kinds of food perforce. | 0:26:02 | 0:26:07 | |
I would fain eat a bit more of the master's oxen, but I can't get 'em! | 0:26:07 | 0:26:12 | |
I live mainly on tinned beef, damper - oh, not so bad. | 0:26:12 | 0:26:17 | |
Damper is flour and water? | 0:26:17 | 0:26:20 | |
Yeah, and baking powder. Might as well be without the baking powder. | 0:26:20 | 0:26:23 | |
And I could go out and slay a marsupial or one of master's... | 0:26:23 | 0:26:27 | |
Slay a marsupial? You mean, knock off a roo? | 0:26:27 | 0:26:30 | |
Beg yours? Knock off a roo? | 0:26:30 | 0:26:32 | |
Yes, that's to put it in your best Australian... | 0:26:32 | 0:26:34 | |
HE MUTTERS | 0:26:34 | 0:26:37 | |
Would you regard yourself as a philosophic man? | 0:26:37 | 0:26:39 | |
Oh, yes. | 0:26:39 | 0:26:41 | |
Like, er... I would interpret it this way for my convenience. | 0:26:41 | 0:26:46 | |
I surely love wisdom and learning, goodness me, above all things. | 0:26:46 | 0:26:50 | |
What do you regard as the greatest reward | 0:26:52 | 0:26:55 | |
that comes from living this rather harsh life? | 0:26:55 | 0:26:57 | |
Harsh and lonely out here in Borroloola? | 0:26:57 | 0:27:00 | |
People wouldn't understand. | 0:27:02 | 0:27:04 | |
I think one of the great advantages about living here... | 0:27:04 | 0:27:07 | |
I've been accused of thinking too much, like, | 0:27:08 | 0:27:11 | |
if you could think too much. | 0:27:11 | 0:27:12 | |
What is a man frightened of? | 0:27:12 | 0:27:14 | |
Did he uncover things in his thought or what? But, um, | 0:27:14 | 0:27:17 | |
a keen sense of values of what really matters. | 0:27:17 | 0:27:21 | |
And what does matter? | 0:27:21 | 0:27:23 | |
Peace. | 0:27:23 | 0:27:24 | |
And... Yeah, peace, I suppose. | 0:27:24 | 0:27:28 | |
And, er... | 0:27:28 | 0:27:29 | |
And you mightn't believe this, might think I'm piling it on, | 0:27:29 | 0:27:34 | |
but I'm a very religious man, you know. | 0:27:34 | 0:27:37 | |
And... | 0:27:37 | 0:27:39 | |
You say, "Do I feel lonely?" | 0:27:39 | 0:27:42 | |
Why should I feel lonely with God | 0:27:42 | 0:27:46 | |
and men that ought to be immortal - Bill and Gray and old Omar, eh? | 0:27:46 | 0:27:51 | |
Why should I feel lonely?! | 0:27:51 | 0:27:54 | |
VIOLIN MUSIC | 0:27:54 | 0:27:57 | |
ORCHESTRA JOINS IN | 0:28:39 | 0:28:42 | |
MUSIC CRESCENDOS | 0:29:00 | 0:29:02 | |
MUSIC DIMINUENDOS | 0:29:20 | 0:29:27 |