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This imposing building behind me can house nearly 2,000 people, | 0:00:02 | 0:00:06 | |
stock over 40 million bags of sugar | 0:00:06 | 0:00:09 | |
and hold hundreds of thousands of litres of water. | 0:00:09 | 0:00:12 | |
So find out why it was built | 0:00:12 | 0:00:14 | |
and which country I'm in in just a moment. | 0:00:14 | 0:00:17 | |
Today's potential migrant is an entrepreneur itching to create | 0:00:37 | 0:00:41 | |
a healthier new life to complement her thriving business. | 0:00:41 | 0:00:44 | |
-Quick! Can we go and look? -Yeah, keen, keen! | 0:00:44 | 0:00:47 | |
So, with some support from a close friend, she's banking on finding | 0:00:47 | 0:00:50 | |
her dream home and a Continental branch to her enterprise. | 0:00:50 | 0:00:55 | |
-It's exceeded expectations, put it that way. -So pleased! | 0:00:55 | 0:00:58 | |
All my expectations. It really has, honestly. | 0:00:58 | 0:01:01 | |
Welcome to Escape To The Continent. | 0:01:03 | 0:01:06 | |
Today, I'm in Le Marche region in central Italy | 0:01:06 | 0:01:09 | |
and this is Lazzaretto, | 0:01:09 | 0:01:11 | |
a stunning building that overlooks the sea and port | 0:01:11 | 0:01:14 | |
of the capital, Ancona. Commissioned by the Pope, | 0:01:14 | 0:01:18 | |
it was built nearly 300 years ago as a totally self-sufficient island. | 0:01:18 | 0:01:23 | |
Its purpose was to provide a quarantined area to protect | 0:01:23 | 0:01:26 | |
the city from goods and travellers | 0:01:26 | 0:01:29 | |
that may have been carrying infectious diseases. | 0:01:29 | 0:01:32 | |
It operated like this for nearly 100 years but since then it's been | 0:01:32 | 0:01:37 | |
used as a military barracks, a sugar refinery, even a tobacco factory. | 0:01:37 | 0:01:42 | |
Today, it houses many cultural exhibitions | 0:01:42 | 0:01:45 | |
hosted by this stunning region. | 0:01:45 | 0:01:48 | |
Le Marche, or the Marches, lies in the calf of Italy's elegant boot | 0:01:50 | 0:01:55 | |
with its head in the Apennines and its toes in the Adriatic Sea. | 0:01:55 | 0:01:59 | |
This lesser-known region of central Italy is made up of coastal | 0:02:00 | 0:02:03 | |
and mountainous terrain as well as enchanting ancient towns | 0:02:03 | 0:02:07 | |
and villages that seem to crown every sunny hilltop. | 0:02:07 | 0:02:12 | |
Right in the heart of the region, the town of Cingoli | 0:02:12 | 0:02:16 | |
dates back to the third century BC | 0:02:16 | 0:02:18 | |
and is called the balcony of the Marches | 0:02:18 | 0:02:21 | |
for its "pinch me" lake views. | 0:02:21 | 0:02:24 | |
Down in the far southern portion, | 0:02:24 | 0:02:26 | |
the handsome Ascoli Piceno is known as the city of travertine on account | 0:02:26 | 0:02:31 | |
of its ancient architecture built of pale limestone. | 0:02:31 | 0:02:35 | |
With pristine beaches, wild national parks and farm vineyards, | 0:02:36 | 0:02:40 | |
the rich variety and vivid natural colours of Le Marche | 0:02:40 | 0:02:44 | |
present themselves like a wonderful landscape painting. | 0:02:44 | 0:02:47 | |
So how is all this reflected in the property prices? | 0:02:51 | 0:02:55 | |
Well, the region as a whole offers tremendous value for money. | 0:02:55 | 0:02:59 | |
If you head north towards Corinaldo, you can find a property there | 0:02:59 | 0:03:03 | |
for just over £100,000. | 0:03:03 | 0:03:06 | |
Now, that's less than half the national average back home. | 0:03:06 | 0:03:10 | |
The most expensive areas are coastal, | 0:03:10 | 0:03:12 | |
particularly in and around Ancona, | 0:03:12 | 0:03:15 | |
where house prices there start just below £300,000. | 0:03:15 | 0:03:19 | |
Let's find out where today's buyer wants to escape to. | 0:03:19 | 0:03:23 | |
With a prosperous career that has taken her throughout Europe, | 0:03:23 | 0:03:26 | |
businesswoman Janice is temporarily based at her parents' | 0:03:26 | 0:03:29 | |
Tyne and Wear home whilst caring for her elderly mother. | 0:03:29 | 0:03:33 | |
But, with the help of her friend, neighbour and one-time | 0:03:33 | 0:03:36 | |
English teacher Dorothy, plans are afoot to move back to the Continent. | 0:03:36 | 0:03:42 | |
Janice was one of my pupils in grammar school. | 0:03:42 | 0:03:45 | |
After she left school at 18 to go to university, | 0:03:45 | 0:03:48 | |
we lost touch for a while. | 0:03:48 | 0:03:50 | |
And I was in the supermarket one day, I bumped into Dorothy | 0:03:50 | 0:03:54 | |
and it was great to see her and, of course, | 0:03:54 | 0:03:57 | |
living close by we've forged our friendship since then. | 0:03:57 | 0:04:01 | |
We do think very much alike on many issues and it's quite amazing | 0:04:01 | 0:04:06 | |
because there is quite an age gap as well | 0:04:06 | 0:04:09 | |
and yet we still have this rapport. | 0:04:09 | 0:04:13 | |
I think maybe she's become a little bogged down in her | 0:04:13 | 0:04:17 | |
responsibilities to parents and I think now is the time for her | 0:04:17 | 0:04:21 | |
to have life and to have what she wants in life. | 0:04:21 | 0:04:25 | |
And what Janice wants is an unspoilt slice of Italy's organic countryside | 0:04:25 | 0:04:29 | |
that offers a comfortable property with | 0:04:29 | 0:04:32 | |
commercial appeal. | 0:04:32 | 0:04:33 | |
After leaving university, | 0:04:33 | 0:04:35 | |
I joined the pharmaceutical industry in research and development | 0:04:35 | 0:04:37 | |
and then after a few years moved into | 0:04:37 | 0:04:39 | |
production and quality assurance roles | 0:04:39 | 0:04:42 | |
but all the time, you know, underneath was bubbling | 0:04:42 | 0:04:45 | |
this desire to create my own little business, | 0:04:45 | 0:04:47 | |
particularly moving into the natural health field. | 0:04:47 | 0:04:50 | |
The Italians are very much into natural health. | 0:04:50 | 0:04:53 | |
They have pharmacy shops but they also have herboristerias. | 0:04:53 | 0:04:56 | |
An Italian person does not go to the doctor, | 0:04:56 | 0:04:58 | |
they go to the herboristeria first, then they go to the pharmacy | 0:04:58 | 0:05:01 | |
and THEN they go to the doctor. | 0:05:01 | 0:05:02 | |
After basing herself in Milan for four years during | 0:05:02 | 0:05:05 | |
the early noughties doing the ground work, | 0:05:05 | 0:05:08 | |
Janice made her business dream a reality | 0:05:08 | 0:05:10 | |
and she now runs a company that offers consumers | 0:05:10 | 0:05:13 | |
natural alternatives to medicine and healing. | 0:05:13 | 0:05:16 | |
She'd like to grow her very own raw ingredients | 0:05:16 | 0:05:19 | |
and has chosen Le Marche region | 0:05:19 | 0:05:21 | |
because of its high concentration of organic farms, | 0:05:21 | 0:05:24 | |
but, with limited language skills, | 0:05:24 | 0:05:26 | |
decided it was easier to start the ball rolling on home soil. | 0:05:26 | 0:05:30 | |
My customer base currently is mainly from the UK. | 0:05:30 | 0:05:34 | |
It's an internet-based company at the moment but I certainly | 0:05:34 | 0:05:37 | |
plan on expansion when I move to Italy, not contraction. | 0:05:37 | 0:05:40 | |
I would like to think I can create a little business empire. | 0:05:40 | 0:05:42 | |
Obviously I would need good internet connection | 0:05:42 | 0:05:45 | |
and I'd also need quite a bit of land to grow the vines and the fruits. | 0:05:45 | 0:05:50 | |
I would like a big orchard really and, in terms of the house, | 0:05:50 | 0:05:55 | |
I would like a very large kitchen, a nice efficient kitchen. | 0:05:55 | 0:05:58 | |
I'd really be looking for something which has got the old character | 0:05:58 | 0:06:01 | |
but has been refurbished to a nice standard. | 0:06:01 | 0:06:04 | |
-I'm thinking marble and granite and things. -Oh, yes! | 0:06:04 | 0:06:07 | |
And also I might need some outbuildings, you know, | 0:06:07 | 0:06:10 | |
in terms of preparing the products. | 0:06:10 | 0:06:11 | |
Ideally I'd love to have a terrace, I have this vision of me sitting on | 0:06:11 | 0:06:14 | |
my terrace, running the global business with my glass of red wine. | 0:06:14 | 0:06:20 | |
Janice is also hoping her back-to-nature venture will be | 0:06:20 | 0:06:24 | |
the perfect tonic for her 90-year-old mother. | 0:06:24 | 0:06:27 | |
So I'd be taking my mum with me to Italy | 0:06:27 | 0:06:29 | |
and she's got some health issues, some cognitive decline, | 0:06:29 | 0:06:33 | |
so I need to look after her much of my time really when she's awake | 0:06:33 | 0:06:37 | |
but she does spend more and more time actually sleeping | 0:06:37 | 0:06:41 | |
but I do know that fresh air, oxygen is necessary for this condition | 0:06:41 | 0:06:44 | |
and I would hope because of the nicer weather I can get her outside more. | 0:06:44 | 0:06:49 | |
Her wholesome entrepreneurial skills are clearly paying off already | 0:06:49 | 0:06:53 | |
as Janice has an equally healthy budget for this upcoming move. | 0:06:53 | 0:06:57 | |
My absolute limit really is about £700,000 | 0:06:57 | 0:07:02 | |
but ideally I would like it to be less than that. | 0:07:02 | 0:07:05 | |
We'll be taking Janice and her dear friend Dorothy to see a variety of | 0:07:08 | 0:07:13 | |
delightful Le Marche homes in the southern portion of the region | 0:07:13 | 0:07:17 | |
between the Sibillini Mountains National Park and the sea. | 0:07:17 | 0:07:21 | |
We're starting off inland just outside the town of Caldarola | 0:07:21 | 0:07:25 | |
to discuss the finer details | 0:07:25 | 0:07:27 | |
of Janice's prospective continental move. | 0:07:27 | 0:07:30 | |
So ladies, here we are in Le Marche, a beautiful part of central Italy. | 0:07:30 | 0:07:34 | |
Welcome to you both, Janice and Dorothy. | 0:07:34 | 0:07:37 | |
So Janice, why have you picked this part? | 0:07:37 | 0:07:39 | |
Well, I think Le Marche has everything that's lovely about Italy. | 0:07:39 | 0:07:43 | |
Beautiful countryside, it has medieval castles and churches, | 0:07:43 | 0:07:47 | |
beautiful produce as well, the people are very much in touch with nature. | 0:07:47 | 0:07:50 | |
-It's just beautiful. -So do you know this region well? | 0:07:50 | 0:07:53 | |
Because you're the one that's going to be hopefully moving here. | 0:07:53 | 0:07:56 | |
Yes, I've been here to Urbino and Pesaro in the past | 0:07:56 | 0:08:00 | |
but that's it really, I haven't managed to explore the countryside. | 0:08:00 | 0:08:03 | |
So Dorothy, are you going to be keeping us all in check? | 0:08:03 | 0:08:06 | |
Looking after her welfare? | 0:08:06 | 0:08:07 | |
Well, yes, I've known Janice since she was a child | 0:08:07 | 0:08:10 | |
and I looked after her then and my role here is to be her mentor here. | 0:08:10 | 0:08:15 | |
And you've got a successful business, hasn't she, in the UK? | 0:08:15 | 0:08:19 | |
-Is that something you're hoping to bring... -Absolutely. | 0:08:19 | 0:08:21 | |
-..to Italy as well? -And I'm hoping that the property we find might | 0:08:21 | 0:08:25 | |
have products that grow there, you know, the vines, an orchard, | 0:08:25 | 0:08:29 | |
because I use things like grape extract in my products. | 0:08:29 | 0:08:32 | |
I'm thinking a little bit of a retreat here, Dorothy. | 0:08:32 | 0:08:35 | |
Well, I'm hoping that she finds a property here | 0:08:35 | 0:08:38 | |
because then, I mean, we are very close friends | 0:08:38 | 0:08:42 | |
that perhaps I'll be invited for a holiday. | 0:08:42 | 0:08:45 | |
So Janice, tell us about this property. | 0:08:45 | 0:08:47 | |
Dorothy and I are thinking suitable place to come on holiday, | 0:08:47 | 0:08:50 | |
possible retreat, but in all seriousness, | 0:08:50 | 0:08:53 | |
what are you looking for you and your mum? | 0:08:53 | 0:08:55 | |
I'm looking for a main house which would be on fairly level ground. | 0:08:55 | 0:08:58 | |
Obviously a lovely house and a lovely garden, | 0:08:58 | 0:09:01 | |
flat land around the house hopefully and perhaps a swimming pool. | 0:09:01 | 0:09:05 | |
How many bedrooms are we after? | 0:09:05 | 0:09:06 | |
I think we need three to four in the main house | 0:09:06 | 0:09:09 | |
but I would hope there might be some outbuildings that I could convert. | 0:09:09 | 0:09:12 | |
-So we're looking at possibilities? -Yes, yes. -We can expand. | 0:09:12 | 0:09:15 | |
And, Dorothy, what do you think Janice needs in this new house? | 0:09:15 | 0:09:18 | |
Because it's not just about a property, is it? | 0:09:18 | 0:09:21 | |
It's about changing the way we live our lives. | 0:09:21 | 0:09:23 | |
Well, I think as she said, she needs sufficient bedroom space | 0:09:23 | 0:09:28 | |
so that she can accommodate friends because I think she needs to relate | 0:09:28 | 0:09:33 | |
back to her roots in the UK as well as exploring new ones in Italy. | 0:09:33 | 0:09:39 | |
-That's a very valid point, isn't it? -It is very good, yes. -Very good, yes, | 0:09:39 | 0:09:42 | |
friends and family, it's so important when you're out here, | 0:09:42 | 0:09:44 | |
-isn't it? -Yeah. | 0:09:44 | 0:09:45 | |
-CHURCH BELLS RING -Well, there are the bells, | 0:09:45 | 0:09:47 | |
that's calling us to start our search. | 0:09:47 | 0:09:49 | |
-I've got the first house lined up so shall we start, ladies? -Great. | 0:09:49 | 0:09:52 | |
Thank you. | 0:09:52 | 0:09:55 | |
For a maximum budget of £700,000, | 0:09:55 | 0:09:57 | |
Janice is hoping to find a traditional property with at least | 0:09:57 | 0:10:01 | |
three bedrooms, a large kitchen | 0:10:01 | 0:10:04 | |
and outbuildings with business potential for her holistic company. | 0:10:04 | 0:10:09 | |
She's after a substantial plot of level land, | 0:10:09 | 0:10:12 | |
ideally with orchards and vines as well as a swimming pool. | 0:10:12 | 0:10:15 | |
And we've got four first-rate Italian houses up for offer | 0:10:17 | 0:10:20 | |
with land aplenty, but I won't be revealing their price tags | 0:10:20 | 0:10:24 | |
until the end of each tour. | 0:10:24 | 0:10:26 | |
Our Le Marche expedition will uncover new properties, | 0:10:26 | 0:10:29 | |
places and people, then we'll be unveiling a spectacularly | 0:10:29 | 0:10:33 | |
rural setting with a less than traditional home | 0:10:33 | 0:10:36 | |
in the form of the mystery house. | 0:10:36 | 0:10:38 | |
We're starting our property-seeking journey | 0:10:43 | 0:10:46 | |
in the fortified hilltop town of San Ginesio. | 0:10:46 | 0:10:49 | |
Some 700m high in the hills, the sweeping views from San Ginesio | 0:10:49 | 0:10:54 | |
out across lush valleys and mountains are sublime. | 0:10:54 | 0:10:58 | |
This delightful small town has a strong medieval heritage | 0:10:58 | 0:11:01 | |
protected by heavy-duty 14th-century walls, with buildings that | 0:11:01 | 0:11:06 | |
date even further back in time. | 0:11:06 | 0:11:08 | |
There's a great selection of shops off the main piazza, | 0:11:08 | 0:11:12 | |
including a grocer's and a butcher, and, just ten minutes' drive, | 0:11:12 | 0:11:17 | |
our first property is tucked away in rolling patchwork fields, | 0:11:17 | 0:11:20 | |
approached by a sweeping gravel driveway, | 0:11:20 | 0:11:23 | |
featuring a large garage block. | 0:11:23 | 0:11:25 | |
So we've just driven you through San Ginesio, which is your | 0:11:28 | 0:11:31 | |
local town, to bring you to our first property. | 0:11:31 | 0:11:37 | |
It's fantastic! | 0:11:37 | 0:11:39 | |
-Has it taken your breath away a little bit? -Yeah, I like it. -Yes? | 0:11:39 | 0:11:43 | |
-Yes. -And I'm truly hoping this house is going to reignite your | 0:11:43 | 0:11:48 | |
-love affair with Italy. -I think it might. | 0:11:48 | 0:11:51 | |
-Yeah? -Quick, can we go and look? -Yeah, keen, keen. Dorothy? -Yes. | 0:11:51 | 0:11:54 | |
Come on then, girls. | 0:11:54 | 0:11:55 | |
Converted in the 1930s, this grand three-storey former farmhouse | 0:11:57 | 0:12:01 | |
is built of honey-coloured stone, | 0:12:01 | 0:12:03 | |
with contrasting deep-green shutter doors and windows | 0:12:03 | 0:12:06 | |
that perfectly complement its natural surroundings. | 0:12:06 | 0:12:10 | |
The hallway welcomes us inside and | 0:12:10 | 0:12:13 | |
leads straight into the heart of the house. | 0:12:13 | 0:12:16 | |
-That's your kitchen. -Great. | 0:12:16 | 0:12:18 | |
With granite work surfaces, huge sink, so you've got a dining area | 0:12:18 | 0:12:22 | |
here, informal seating, with a wood burner there. | 0:12:22 | 0:12:26 | |
-So this is the fireplace for the kitchen? -It is for the kitchen area. | 0:12:26 | 0:12:30 | |
-Leading onto the terrace. -Yes, a bit of al fresco dining outside. | 0:12:30 | 0:12:34 | |
-Yes, lovely. -Patio doors leading out. You've got this very high ceiling. | 0:12:34 | 0:12:39 | |
-Yeah. -And beams. -Yeah. -Beautiful beams. -I think it's very Italian. | 0:12:39 | 0:12:44 | |
-Yes, it is. -I spend most of my time in the kitchen really | 0:12:44 | 0:12:48 | |
and the fact that we could eat at the table there is excellent, yeah, | 0:12:48 | 0:12:51 | |
and the views, they're great. | 0:12:51 | 0:12:53 | |
Do you think we could have a pound or a euro for every time | 0:12:53 | 0:12:56 | |
we say great view? We're going to be rich by the end of this, aren't we? | 0:12:56 | 0:13:00 | |
-Well, would you like me to show you a bit more? -Please. -OK. | 0:13:00 | 0:13:02 | |
We don't have to go too far because here is our sitting room. | 0:13:04 | 0:13:09 | |
-This is lovely. -Oh, it's beautiful. -It's great, it's really great. | 0:13:09 | 0:13:13 | |
I love the windows, the doors, the fireplace and the elegance. | 0:13:13 | 0:13:17 | |
I love the elegance. Some houses in the country are a little bit rustic | 0:13:17 | 0:13:20 | |
and I couldn't really live like that. | 0:13:20 | 0:13:22 | |
I have to live with elegance, you know, it clears the mind. | 0:13:22 | 0:13:25 | |
Look at the ceiling. | 0:13:25 | 0:13:27 | |
So unusual. As you can see it's vaulted and you can probably see | 0:13:27 | 0:13:31 | |
the line running across it, because guess who used to live in here. | 0:13:31 | 0:13:35 | |
Believe it or not, the animals. | 0:13:35 | 0:13:37 | |
When this house was built around the 1930s, livestock was in this part | 0:13:37 | 0:13:41 | |
of the house, so things would've been hanging from that pole. | 0:13:41 | 0:13:45 | |
It's very different but it really works. | 0:13:45 | 0:13:47 | |
The animals would be very happy with it. | 0:13:47 | 0:13:50 | |
I'll tell you what, Dorothy, this animal would be very happy in here | 0:13:50 | 0:13:54 | |
because it is a tremendous property. | 0:13:54 | 0:13:57 | |
You've got patio doors on either side, so the dual aspect. | 0:13:57 | 0:14:00 | |
Now, it's a large space, and primarily | 0:14:00 | 0:14:04 | |
there's only going to be two of you living here. | 0:14:04 | 0:14:06 | |
-Do you think you can cope with that? -Oh, yes, I can cope. -Yeah? | 0:14:06 | 0:14:10 | |
I can cope with bigger really. | 0:14:10 | 0:14:12 | |
But I can imagine my table here, unless there's another room? | 0:14:12 | 0:14:16 | |
-A dining room? -Well, it would be a shame not to show you... | 0:14:16 | 0:14:18 | |
-Yes, it would. -..what else there is, wouldn't it? Let's have a look. | 0:14:18 | 0:14:22 | |
-My goodness! -How's this for a dining room? -Oh, wow. -This is unbelievable. | 0:14:24 | 0:14:29 | |
It's a little bit of a treasure, I think, at the end of the property. | 0:14:29 | 0:14:32 | |
I wasn't expecting this to be here and then you walk through. | 0:14:32 | 0:14:36 | |
-Not at all. -Dorothy? -Hope she buys it. | 0:14:36 | 0:14:38 | |
And it's only our first property. | 0:14:38 | 0:14:40 | |
Let's head upstairs, look at the bedrooms | 0:14:40 | 0:14:43 | |
-and hopefully that love affair will continue. -OK. | 0:14:43 | 0:14:46 | |
So we have to start off upstairs with the master bedroom | 0:14:52 | 0:14:56 | |
for the most important lady in the house. | 0:14:56 | 0:14:59 | |
-Beautiful en-suite. -The bathroom looks quite big. | 0:14:59 | 0:15:02 | |
Yeah, the bathroom is really spacious with a sunken bath. | 0:15:02 | 0:15:06 | |
Quite ornate, actually. | 0:15:06 | 0:15:07 | |
On this floor, you have four bedrooms in total. | 0:15:07 | 0:15:12 | |
-Oh, right. -Good, good. | 0:15:12 | 0:15:13 | |
So you have another three bedrooms with two family bathrooms attached. | 0:15:13 | 0:15:18 | |
-Great. -If that wasn't enough, up the stairs, two more bedrooms. | 0:15:18 | 0:15:23 | |
-No, no! -With a huge study area as well. -Really? | 0:15:23 | 0:15:28 | |
And being mindful of your mother, plenty of bedrooms with | 0:15:28 | 0:15:32 | |
-her own bathroom if she can cope with the stairs. -Yes. | 0:15:32 | 0:15:37 | |
-Are you pleasantly surprised? -Yes, very pleasantly surprised. | 0:15:37 | 0:15:41 | |
-It's exceeded expectations, put it that way. -So pleased. | 0:15:41 | 0:15:43 | |
All my expectations. It really has, honestly. | 0:15:43 | 0:15:46 | |
I think I would've been disappointed if you'd said anything different. | 0:15:46 | 0:15:49 | |
Well, it's an amazing house. | 0:15:49 | 0:15:50 | |
So let's head outside, let's talk about the land, | 0:15:50 | 0:15:53 | |
because I know that's equally as important as the property, | 0:15:53 | 0:15:56 | |
and get your thoughts on that. | 0:15:56 | 0:15:57 | |
The grounds that come with the property are really rather special | 0:15:59 | 0:16:02 | |
and cover just over seven acres of woodland | 0:16:02 | 0:16:05 | |
and gently undulating fields. | 0:16:05 | 0:16:08 | |
Closer to the house, the landscaped garden features fruit trees, | 0:16:08 | 0:16:12 | |
a sunny terrace and 100 square metres of garage space that could be | 0:16:12 | 0:16:16 | |
developed for Janice's business needs. | 0:16:16 | 0:16:19 | |
And directly to the rear of the property, | 0:16:19 | 0:16:22 | |
a pretty vine-covered portico | 0:16:22 | 0:16:24 | |
where the terracotta tiled pathway leads straight up to a pool. | 0:16:24 | 0:16:28 | |
-Gosh. -Isn't it beautiful? -Yes, crikey. | 0:16:28 | 0:16:30 | |
There is a shallow end but it's been lined with black | 0:16:30 | 0:16:34 | |
-so it has a real impact, don't you think? -Yes, it does. -I love it. | 0:16:34 | 0:16:38 | |
-Do you? -Yes, I do. -Are you excited? -I'm very excited. | 0:16:38 | 0:16:40 | |
Scale of one to ten, how happy does this house make you? | 0:16:40 | 0:16:44 | |
-Eight out of ten. -Oh, that's not bad! I was hoping for nine. | 0:16:44 | 0:16:48 | |
Let's see if the price can make a difference. | 0:16:48 | 0:16:51 | |
How much do you think the property | 0:16:51 | 0:16:54 | |
is on the market for in this idyllic setting? | 0:16:54 | 0:16:58 | |
-650. -Dorothy? | 0:16:58 | 0:17:00 | |
I think it would be a little over 700,000, | 0:17:00 | 0:17:03 | |
I think there's an awful lot here. | 0:17:03 | 0:17:06 | |
It's halfway between the two of you. | 0:17:06 | 0:17:08 | |
The asking price is £675,000. | 0:17:08 | 0:17:13 | |
-Oh, that's right. Right, OK. -I'm very surprised. | 0:17:13 | 0:17:17 | |
-Very surprised, I thought it would be more expensive. -So... | 0:17:17 | 0:17:21 | |
-Yeah. -..why don't you have a little time on your own? | 0:17:21 | 0:17:24 | |
Go back into that property, check out those extra bedrooms, | 0:17:24 | 0:17:28 | |
have a think of how you would use it for your business, | 0:17:28 | 0:17:31 | |
also for your mum, which is so important, | 0:17:31 | 0:17:34 | |
and then I'll come and find you in a little while. | 0:17:34 | 0:17:36 | |
-OK. -Off you go. -All right, thank you. -Thank you. | 0:17:36 | 0:17:38 | |
Just under the top budget of £700,000, | 0:17:40 | 0:17:44 | |
our first property is a beautiful... | 0:17:44 | 0:17:46 | |
Outside, a separate garage could be suitable for Janice's business, | 0:17:55 | 0:17:59 | |
and it all stands within a plot of some seven acres. | 0:17:59 | 0:18:03 | |
Well, I think the property is...it's stunning from the outside | 0:18:03 | 0:18:08 | |
and it's stunning from the inside actually as well. | 0:18:08 | 0:18:11 | |
It has very beautiful features | 0:18:11 | 0:18:15 | |
and I think whoever renovated this farmhouse did an absolutely | 0:18:15 | 0:18:21 | |
fantastic job because everything is done to an extremely high standard. | 0:18:21 | 0:18:26 | |
-How we doing, ladies? Have you seen enough? -Yes. | 0:18:28 | 0:18:31 | |
-Yes, I think we've seen everything. -Yeah? Are you sad to leave? | 0:18:31 | 0:18:34 | |
-I think that's always a good test with a property. -Yes, very sad. | 0:18:34 | 0:18:37 | |
-Yeah, what about you, Dorothy? -Oh, very sad to leave, yes, very. | 0:18:37 | 0:18:41 | |
-Good, I'm taking that as a good sign. Right, let's go. -OK. | 0:18:41 | 0:18:44 | |
Well, what a great start to our house hunt here in Le Marche. | 0:18:49 | 0:18:52 | |
Dorothy and Janice loved our first property so I must admit | 0:18:52 | 0:18:56 | |
I was a little perplexed when Janice only gave it eight out of ten | 0:18:56 | 0:19:01 | |
but I'm not one to be put off | 0:19:01 | 0:19:03 | |
and today I'm feeling quietly confident with our next viewing. | 0:19:03 | 0:19:07 | |
Not only is it a superb house, | 0:19:07 | 0:19:09 | |
it also has the potential for a vineyard. | 0:19:09 | 0:19:12 | |
Our next destination is in the hillside town of Sarnano, | 0:19:13 | 0:19:17 | |
which lies at the foot of the Sibillini Mountains | 0:19:17 | 0:19:20 | |
and so has extensive verdant views across the elevated terrain. | 0:19:20 | 0:19:25 | |
Sarnano's cobbled streets have a good selection of shops that | 0:19:25 | 0:19:28 | |
include a general store and bakery | 0:19:28 | 0:19:30 | |
as well as street markets selling local produce. | 0:19:30 | 0:19:34 | |
And within walking distance of the town, | 0:19:35 | 0:19:37 | |
we come to the gates of our next house, | 0:19:37 | 0:19:40 | |
a country villa with 150-year-old pedigree that offers | 0:19:40 | 0:19:43 | |
a serious amount of bricks and mortar. | 0:19:43 | 0:19:46 | |
So on to our next property. | 0:19:48 | 0:19:50 | |
-Very nice. -Now you're probably wondering... -Yes. -..which one is it? | 0:19:52 | 0:19:57 | |
-Yes. -Oh, yes. -This is the property. -Yes. | 0:19:57 | 0:20:00 | |
-But these two buildings either side come with the property. -Really? | 0:20:00 | 0:20:04 | |
-Oh, great. -So what do you think of the actual house itself? | 0:20:04 | 0:20:07 | |
-It looks fantastic. It looks beautiful. -I love the brickwork. | 0:20:07 | 0:20:11 | |
Really? | 0:20:11 | 0:20:12 | |
-You like the idea of... -I like it. I like the idea of having the three. | 0:20:12 | 0:20:15 | |
-Yes. -Yes, I think you could have that house and I'll have that one. | 0:20:15 | 0:20:20 | |
Dorothy, I'm loving your work already. | 0:20:20 | 0:20:22 | |
You might not need me, she's already sold it. | 0:20:22 | 0:20:24 | |
And the symmetry's very nice. | 0:20:24 | 0:20:26 | |
I like houses to be symmetrical like this with the door in the middle, | 0:20:26 | 0:20:30 | |
-that's great. -It's a handsome looking property, isn't it? -Yes. | 0:20:30 | 0:20:33 | |
-Shall we step inside? -Yes, please. | 0:20:33 | 0:20:36 | |
Located at the edge of the national park, | 0:20:36 | 0:20:39 | |
this second option is an extensive property with | 0:20:39 | 0:20:42 | |
a wide range of options and we're starting the tour in the main house. | 0:20:42 | 0:20:47 | |
So the first room when you come into the property is a | 0:20:47 | 0:20:50 | |
very Italian dining room. | 0:20:50 | 0:20:53 | |
-It's lovely. -Yeah? -Yes, beautiful, beautiful ceilings. -All the beams. | 0:20:53 | 0:20:57 | |
But you've also got...cotta, they call it, with the terracotta tiles | 0:20:57 | 0:21:00 | |
-on the floor, they've got a varnish on them. -Really nice. -Yeah. | 0:21:00 | 0:21:04 | |
-Yes. -Do you like it, Dorothy? -I like it. | 0:21:04 | 0:21:06 | |
-Yes, it's not intimidating in its size, it's cosy, isn't it? -Yes. | 0:21:06 | 0:21:11 | |
-You're keen to see some more? -Yes, please. | 0:21:11 | 0:21:13 | |
-Now how's this for a kitchen? -This is lovely, Nicki. -Yes. | 0:21:15 | 0:21:18 | |
-It's a great shape, a great size. -Yeah. -Very homely. | 0:21:18 | 0:21:22 | |
I like the granite work surfaces and the tiles | 0:21:22 | 0:21:25 | |
and the log burning stove would be great in the winter, nice and cosy. | 0:21:25 | 0:21:29 | |
It's just absolutely exquisite. | 0:21:29 | 0:21:31 | |
You've also got a utility room next door with additional storage, | 0:21:31 | 0:21:35 | |
which I think is always handy. | 0:21:35 | 0:21:37 | |
But let's keep going, I've got more to show you through here. | 0:21:37 | 0:21:41 | |
The main reception room on this floor | 0:21:41 | 0:21:44 | |
has been divided into two sitting areas. | 0:21:44 | 0:21:46 | |
One part is more of a cosy snug, | 0:21:46 | 0:21:48 | |
and the other side a sunroom with views out across the pool | 0:21:48 | 0:21:52 | |
that I hope will be to Janice's exacting taste. | 0:21:52 | 0:21:55 | |
It has a bit more of a modern feel actually. | 0:21:55 | 0:21:57 | |
Even though I know it's an old house, older perhaps house. | 0:21:57 | 0:22:00 | |
-It is older, yes. -But it feels a little bit more modern, yeah. | 0:22:00 | 0:22:04 | |
-And it's very light, isn't it? -It's still traditional, | 0:22:04 | 0:22:06 | |
-if you see what I mean. -Yes, and again it's important because | 0:22:06 | 0:22:09 | |
your mother's going to be part of this big move. Would she be happy? | 0:22:09 | 0:22:12 | |
I think it would be great from the point of view that she's got | 0:22:12 | 0:22:14 | |
a lot to see outside. She can look at the trees. | 0:22:14 | 0:22:17 | |
We don't do that at the moment so that's a real plus. | 0:22:17 | 0:22:21 | |
So are we liking this house? Does it feel like a home? | 0:22:21 | 0:22:25 | |
-Well, I think it's pretty good. -Yes. -You like it, Dorothy, don't you? | 0:22:25 | 0:22:28 | |
-Yes, yes. -Janice, what do you think? -Yes, I think it's great. | 0:22:28 | 0:22:31 | |
-I want to see the rest. -Yeah? -Yes. | 0:22:31 | 0:22:33 | |
-OK, well, there's one more thing to show you... -OK. | 0:22:33 | 0:22:35 | |
-..on the ground floor. -OK. | 0:22:35 | 0:22:36 | |
Have a little look at this room | 0:22:39 | 0:22:40 | |
but guess what this room used to be used for? | 0:22:40 | 0:22:44 | |
There's an oven there. The washing? | 0:22:45 | 0:22:49 | |
No, grapes. | 0:22:49 | 0:22:51 | |
-Oh! -They used to harvest grapes here. Where the hot tub is... -Yes. | 0:22:51 | 0:22:55 | |
..that's where they used to put the grapes. | 0:22:55 | 0:22:57 | |
The family used to roll up their trousers... | 0:22:57 | 0:23:00 | |
-Fantastic. -..use their feet. | 0:23:00 | 0:23:02 | |
The juice would come through into here, you can see there's a hole. | 0:23:02 | 0:23:05 | |
-Yes, yes. -Drain into there | 0:23:05 | 0:23:07 | |
and then it would be transferred from there into the cauldron. | 0:23:07 | 0:23:10 | |
-Stoking the fire, they'd produce their own wine. -Amazing. | 0:23:10 | 0:23:16 | |
So this house has a history of vine growing. | 0:23:16 | 0:23:20 | |
We'll come back to the vine possibilities later | 0:23:20 | 0:23:24 | |
but for now we're going to head to the three bedrooms upstairs. | 0:23:24 | 0:23:27 | |
A fully tiled family bedroom serves two large double rooms | 0:23:27 | 0:23:31 | |
and we're going to take a peek at the largest bedroom. | 0:23:31 | 0:23:34 | |
-So the end of the hallway is your master bedroom. -Very nice. | 0:23:35 | 0:23:41 | |
-With a good sized en-suite as well. -Oh, OK, great. | 0:23:41 | 0:23:46 | |
This is a very feminine room without being too ornate. | 0:23:46 | 0:23:50 | |
A very subtle palette that's been used. | 0:23:50 | 0:23:53 | |
-And I just love the beams everywhere. -Yeah. -They're beautiful. | 0:23:53 | 0:23:56 | |
That wraps up the principal accommodation in the main house, | 0:23:57 | 0:24:01 | |
which stands in just under ten acres of land, | 0:24:01 | 0:24:04 | |
that includes formal lawned gardens, terraced seating areas, | 0:24:04 | 0:24:09 | |
the swimming pool we saw earlier | 0:24:09 | 0:24:11 | |
and sheltered sloped acreage with suitable soil for vine growing. | 0:24:11 | 0:24:15 | |
Then there's even more potential for guests, | 0:24:15 | 0:24:18 | |
and business, in the two remaining buildings. | 0:24:18 | 0:24:20 | |
Got a coach house to our left, | 0:24:22 | 0:24:24 | |
built around the same time as the main house, | 0:24:24 | 0:24:27 | |
that's been converted into an artist's studio. | 0:24:27 | 0:24:30 | |
It's huge, the downstairs is very much open-plan, | 0:24:30 | 0:24:33 | |
there's still the troughs, they've left them where the animals | 0:24:33 | 0:24:36 | |
used to eat, but that could be a great conference room | 0:24:36 | 0:24:39 | |
or if you wanted to do lectures to talk about your business. | 0:24:39 | 0:24:42 | |
You've got a little kitchenette, | 0:24:42 | 0:24:43 | |
there's also a pull-down bed in there. | 0:24:43 | 0:24:46 | |
Potential to rent that out. | 0:24:46 | 0:24:48 | |
If that wasn't enough, the other side of the property | 0:24:48 | 0:24:52 | |
there's two huge garages, but, above that, a self-contained flat. | 0:24:52 | 0:24:57 | |
Oh, great. | 0:24:57 | 0:24:58 | |
-Dorothy, are you with me on this one? -Very good. | 0:24:58 | 0:25:00 | |
-We like that, don't we? -Yeah, that's great. | 0:25:00 | 0:25:02 | |
-Friends, family, but again you could rent that out. -Oh, it sounds good. | 0:25:02 | 0:25:05 | |
So with all of this going for it, | 0:25:05 | 0:25:07 | |
right on the edge of the national park, | 0:25:07 | 0:25:09 | |
we are unfortunately going to have to put a price on it. | 0:25:09 | 0:25:12 | |
Well, it's always difficult. I think it's going to be at the top end. | 0:25:12 | 0:25:16 | |
I think 700 or above even, yeah. | 0:25:16 | 0:25:19 | |
Right. Dorothy? | 0:25:19 | 0:25:21 | |
690. | 0:25:21 | 0:25:23 | |
-It's actually under your budget. -Oh! | 0:25:23 | 0:25:26 | |
Yeah, asking price is £658,000. | 0:25:26 | 0:25:28 | |
-Really? -Oh, yes. -Oh, right, OK. | 0:25:30 | 0:25:32 | |
-Yeah, that's good. -Gives you some flexibility. | 0:25:32 | 0:25:35 | |
-I like it, it's a very... it's neat and... -Is it you? | 0:25:35 | 0:25:39 | |
It could be me, yes. | 0:25:39 | 0:25:40 | |
So why don't you take this opportunity to go off on your own | 0:25:40 | 0:25:43 | |
-and I'll come and find you? -Thanks. -Thank you. | 0:25:43 | 0:25:46 | |
Very comfortably under budget, | 0:25:46 | 0:25:49 | |
the second property is a handsome three-bedroom country villa... | 0:25:49 | 0:25:52 | |
And the whole lot lies in nearly ten acres of | 0:26:01 | 0:26:04 | |
Le Marche's prime countryside. | 0:26:04 | 0:26:07 | |
Oh, look at this. | 0:26:09 | 0:26:10 | |
This is huge. | 0:26:12 | 0:26:14 | |
-Yes, it's an unusually shaped room. -Yeah, with a fireplace at the end. | 0:26:14 | 0:26:19 | |
Ooh, could do lots of things with this. | 0:26:19 | 0:26:21 | |
-And again the beams and the terracotta tiles. -Yeah, it's lovely. | 0:26:21 | 0:26:25 | |
I think the first impressions of this property | 0:26:26 | 0:26:29 | |
are that it's really Italian, | 0:26:29 | 0:26:30 | |
it's really smart actually, smart looking, and the garden, | 0:26:30 | 0:26:34 | |
that landscaping is beautiful. | 0:26:34 | 0:26:36 | |
The slope is a little...might be a little bit hard work, you know, | 0:26:36 | 0:26:39 | |
to farm that land and I would've liked the vines to be established now | 0:26:39 | 0:26:44 | |
rather than having to wait perhaps ten years if I planted some. | 0:26:44 | 0:26:47 | |
It's given me a lot to think about. | 0:26:47 | 0:26:50 | |
-Hello. -Hello. -Have you seen enough? -Yes, it's great. | 0:26:50 | 0:26:53 | |
There's a lot to see with this property, isn't there? | 0:26:53 | 0:26:56 | |
-Yes, there is. -Yeah? -Yeah, there's a lot of potential here. -Good! | 0:26:56 | 0:26:59 | |
-Because I wasn't sure, you're quite reserved. -Yeah. No, I'm thinking. | 0:26:59 | 0:27:02 | |
-Are you holding back from me? -When I'm reserved I'm thinking. | 0:27:02 | 0:27:05 | |
That's good. Keep thinking because it's positive. | 0:27:05 | 0:27:08 | |
-Right, let's hit the road. -OK. | 0:27:08 | 0:27:10 | |
Janice has chosen to relocate to the Le Marche region | 0:27:14 | 0:27:17 | |
to reap the benefits of its rich, fertile soil | 0:27:17 | 0:27:21 | |
but the small village of Acqualagna has already cultivated | 0:27:21 | 0:27:24 | |
a multi-million-pound industry, as its world renowned | 0:27:24 | 0:27:28 | |
for the most valuable truffles on the market. | 0:27:28 | 0:27:30 | |
The chief truffle hunters are Giorgio Remedia and his pet dog, | 0:27:32 | 0:27:36 | |
who's trained to detect the scent | 0:27:36 | 0:27:38 | |
of the rare fungi buried deep underground. | 0:27:38 | 0:27:40 | |
So we've arranged for Janice and Dorothy to join this expert duo | 0:27:40 | 0:27:44 | |
along with his fellow English speaking aficionado Paola Marini | 0:27:44 | 0:27:48 | |
to explain the process. | 0:27:48 | 0:27:50 | |
This place is one of the very few places in the world | 0:27:50 | 0:27:54 | |
where all the three major truffles do grow. | 0:27:54 | 0:27:58 | |
The white truffles, which are the most precious ones, | 0:27:58 | 0:28:02 | |
black winter truffles and summer truffles. | 0:28:02 | 0:28:06 | |
Can you explain a little more about the role of the dog? | 0:28:06 | 0:28:09 | |
Basically the job of the dog is to find the small area where | 0:28:09 | 0:28:12 | |
the truffle grows and he can do this by having a much better nose | 0:28:12 | 0:28:17 | |
than human beings have. | 0:28:17 | 0:28:19 | |
And how long have you been doing this kind of work? | 0:28:19 | 0:28:22 | |
HE SPEAKS IN ITALIAN | 0:28:22 | 0:28:23 | |
Oh, all his life! | 0:28:23 | 0:28:25 | |
Reliant on tree roots for nutrients, truffles are almost always found | 0:28:26 | 0:28:30 | |
in heavily forested areas, | 0:28:30 | 0:28:32 | |
more commonly those with oak and hazelnut trees. | 0:28:32 | 0:28:35 | |
-We've found a truffle by... -Oh, really? | 0:28:35 | 0:28:39 | |
The dog has dredged the surface and as soon as Giorgio has | 0:28:39 | 0:28:44 | |
seen the truffle, he has stopped the dog and giving him his reward. | 0:28:44 | 0:28:49 | |
Once the dog marks a truffle, the hunter carefully digs it up. | 0:28:50 | 0:28:54 | |
Weight for weight, | 0:28:54 | 0:28:56 | |
truffles are one of the most expensive foods on the planet | 0:28:56 | 0:28:59 | |
and it's the white ones that have the highest price tag. | 0:28:59 | 0:29:02 | |
-This is the king of...mushrooms. -OK, yes. | 0:29:03 | 0:29:06 | |
In terms of value, in terms of rarity, uniqueness, so there's only | 0:29:06 | 0:29:11 | |
one better thing to do than truffle hunting and that's truffle eating. | 0:29:11 | 0:29:16 | |
Truffles are best eaten as fresh as possible | 0:29:16 | 0:29:19 | |
so Giorgio is taking our ladies to a nearby restaurant to sample | 0:29:19 | 0:29:23 | |
the morning's harvest, and on the menu is a simple pasta dish | 0:29:23 | 0:29:27 | |
finished with some raw, freshly grated white and black truffle. | 0:29:27 | 0:29:31 | |
Ooh! | 0:29:31 | 0:29:33 | |
-It's just like nothing else really. -My goodness, this is delicious. | 0:29:33 | 0:29:36 | |
-What do you think? -Don't take all the truffle, leave some for me! | 0:29:36 | 0:29:40 | |
I'll try not to. | 0:29:40 | 0:29:41 | |
I can see how you can get addicted to this. | 0:29:41 | 0:29:44 | |
The last port of call today is another house and this one | 0:29:48 | 0:29:52 | |
is right down on the southern border of the region, | 0:29:52 | 0:29:54 | |
near the village of Venarotta. | 0:29:54 | 0:29:56 | |
Surrounded by mountainous escarpments, | 0:29:56 | 0:29:59 | |
Venarotta's streets are lined with heavy stone architecture | 0:29:59 | 0:30:02 | |
housing all the essential amenities | 0:30:02 | 0:30:04 | |
and bordered by attractive patterned paved stones. | 0:30:04 | 0:30:08 | |
And on the outskirts of the village, | 0:30:08 | 0:30:10 | |
down a long driveway, we find our next house. | 0:30:10 | 0:30:13 | |
So, you two, we've had some very favourable comments | 0:30:15 | 0:30:18 | |
on our Italian property and here is our next offering. | 0:30:18 | 0:30:23 | |
-It looks fantastic. -Yes? -Yes. -What grabs you when you look at it? | 0:30:23 | 0:30:28 | |
-Looks very solid. -Yes, a substantial property. -Yeah. | 0:30:28 | 0:30:31 | |
-It has a lot of warm colours in the stonework... -Yes. -..doesn't it? | 0:30:31 | 0:30:36 | |
-I love those windowsills. -You itching to get inside? -Itching, yes. | 0:30:36 | 0:30:40 | |
Dating back about 100 years, | 0:30:41 | 0:30:43 | |
this property is an interesting proposition, being that behind | 0:30:43 | 0:30:47 | |
the traditional looking facade it has a rather unexpected layout. | 0:30:47 | 0:30:52 | |
Recently renovated by the current occupants, | 0:30:52 | 0:30:54 | |
the house has been divided into two completely independent zones | 0:30:54 | 0:30:59 | |
and we're starting the tour up on the first floor | 0:30:59 | 0:31:01 | |
in the parts Janice would probably want to call home. | 0:31:01 | 0:31:04 | |
So... | 0:31:06 | 0:31:07 | |
you've sort of got a separate house upstairs. | 0:31:07 | 0:31:12 | |
It's got its own front door, which leads you | 0:31:12 | 0:31:14 | |
straight into the drawing room. | 0:31:14 | 0:31:16 | |
Massive window right in front of you. | 0:31:16 | 0:31:19 | |
It's very nice, yeah, very elegant. | 0:31:19 | 0:31:21 | |
And it's getting your head around a very different layout... | 0:31:21 | 0:31:25 | |
-It's lovely. -..and you've got a fire, | 0:31:25 | 0:31:26 | |
you'll also have central heating with this property. | 0:31:26 | 0:31:29 | |
-And around the corner, Nicki? -It's semi open-plan. | 0:31:29 | 0:31:32 | |
The next room I think is very impressive. | 0:31:32 | 0:31:36 | |
You have here your dining area and also a fabulous kitchen. | 0:31:37 | 0:31:43 | |
Oh, that's lovely. Really nice. | 0:31:43 | 0:31:45 | |
-Fantastic. -I love that cooker. -Yes. -Isn't it gorgeous? -Yes. -Yes. | 0:31:46 | 0:31:51 | |
Oh, it's very nice, very sleek and modern. | 0:31:51 | 0:31:54 | |
I love the decor and the units are great. The granite is beautiful. | 0:31:54 | 0:31:58 | |
-I like the island in the middle. -Yeah, I do love those. | 0:31:58 | 0:32:02 | |
I love the colours and the tiles on the floor are really nice. | 0:32:02 | 0:32:06 | |
So we're doing well so far. | 0:32:06 | 0:32:09 | |
-I want to show you the master bedroom on the upstairs. -OK. | 0:32:09 | 0:32:13 | |
Now, we've just walked through one bedroom/office. | 0:32:16 | 0:32:22 | |
You've got an en-suite there, which in actual fact both bedrooms share. | 0:32:22 | 0:32:26 | |
-OK. -And then this is the master bedroom. | 0:32:26 | 0:32:30 | |
-Wow, look at it. Look at this bed. -What a bed! | 0:32:30 | 0:32:34 | |
-It's very inviting, isn't it, girls? -Oh, yes. -Yes. | 0:32:34 | 0:32:37 | |
Your mother actually could be in the bedroom next door to you. | 0:32:37 | 0:32:40 | |
If that's a little bit too claustrophobic for you, | 0:32:40 | 0:32:43 | |
perhaps your mum's area could be underneath | 0:32:43 | 0:32:47 | |
-because there's so much space down there as well. -Very nice, very nice. | 0:32:47 | 0:32:52 | |
Now everything has been very nice. | 0:32:52 | 0:32:54 | |
Yes, I know everything's been very nice. | 0:32:54 | 0:32:56 | |
Show me something I don't like and I can pull a face at and say, | 0:32:56 | 0:32:59 | |
-"This is horrible. I couldn't live here." -Well, that's good. | 0:32:59 | 0:33:02 | |
Could you live here? Could you live up here? | 0:33:02 | 0:33:04 | |
-Oh, I could live here tomorrow. -Yes. | 0:33:04 | 0:33:06 | |
-Now, that's the first time you've said that to me. -I know, yeah. | 0:33:06 | 0:33:10 | |
Down on the ground floor, | 0:33:10 | 0:33:11 | |
there are a further two large interconnecting en-suite bedrooms, | 0:33:11 | 0:33:15 | |
one with double doors out to the front. | 0:33:15 | 0:33:18 | |
Then to the other side of the hallway is a steam room, sauna | 0:33:18 | 0:33:21 | |
and utility with a small kitchenette. | 0:33:21 | 0:33:24 | |
These ground-floor rooms are currently used for | 0:33:24 | 0:33:26 | |
rental accommodation and are served by another quite compact kitchen, | 0:33:26 | 0:33:30 | |
breakfast and living room that benefit from a large | 0:33:30 | 0:33:33 | |
sunny balcony with views over the garden. | 0:33:33 | 0:33:36 | |
This property has a lot of flexibility, | 0:33:36 | 0:33:39 | |
giving plenty of options for Janice, her mother and the business. | 0:33:39 | 0:33:43 | |
The house stands in some ten acres of mostly flat land, | 0:33:43 | 0:33:47 | |
featuring olive groves, a tennis court | 0:33:47 | 0:33:49 | |
and that all-important swimming pool. | 0:33:49 | 0:33:52 | |
I mean, just standing here, what springs to mind? | 0:33:52 | 0:33:56 | |
-I'm thinking figs and olives and swimming. -Healthy lifestyle, yeah. | 0:33:56 | 0:34:03 | |
It's a beautiful swimming area. | 0:34:03 | 0:34:06 | |
I mean, this is not the North of England, is it? | 0:34:06 | 0:34:09 | |
No, it most certainly is not. | 0:34:09 | 0:34:11 | |
-This isn't a conventional house, let's see... -No. | 0:34:11 | 0:34:15 | |
..if that's reflected in the price. | 0:34:15 | 0:34:17 | |
You go first. | 0:34:17 | 0:34:19 | |
I think 65? | 0:34:19 | 0:34:21 | |
-OK, £650,000? -Yes. -OK. | 0:34:21 | 0:34:25 | |
I think it might be over budget in fact. | 0:34:25 | 0:34:27 | |
Maybe 725? | 0:34:27 | 0:34:29 | |
Well, how do you fancy £594,000? | 0:34:29 | 0:34:34 | |
-Really? -Yes. -Oh, wow! -OK. -That is a lot of difference. | 0:34:34 | 0:34:39 | |
-That's interesting. -Yeah. -There must be something wrong with it. -No! | 0:34:39 | 0:34:44 | |
You can't say that to me. It needs the right buyer. | 0:34:44 | 0:34:48 | |
This house only works for certain people the way | 0:34:48 | 0:34:51 | |
-it's currently laid out. -OK. | 0:34:51 | 0:34:54 | |
So wander around imagining this could be your future home, | 0:34:54 | 0:34:58 | |
what would it be like to live here? | 0:34:58 | 0:35:00 | |
-All right. -See you later. -OK. -Thank you. | 0:35:00 | 0:35:03 | |
Over £100,000 under budget, this stone-built country house | 0:35:03 | 0:35:08 | |
practically offers two complete homes for the price of one. | 0:35:08 | 0:35:11 | |
Well, upstairs in this house it's very elegant, | 0:35:22 | 0:35:25 | |
very special I would say. | 0:35:25 | 0:35:28 | |
Downstairs I think does have a feel of a holiday home, which I'm not sure | 0:35:28 | 0:35:33 | |
is right for me really, but I can see its potential for renting. | 0:35:33 | 0:35:37 | |
I love the outside of the house and I think I would be a little bit | 0:35:37 | 0:35:40 | |
greedy in fact and I think I would like the whole house for myself. | 0:35:40 | 0:35:43 | |
So that the elegant hallway should lead into elegant...drawing room | 0:35:43 | 0:35:47 | |
and an elegant kitchen and it doesn't do that. Those things are upstairs. | 0:35:47 | 0:35:52 | |
There's a lot to think about with this house. | 0:35:52 | 0:35:55 | |
I think you have to go away and think. | 0:35:55 | 0:35:57 | |
Ah, ladies, I wondered whether I'd lost you forever. | 0:35:57 | 0:36:00 | |
-Have you lost your heart to this home? -Maybe. | 0:36:00 | 0:36:03 | |
Ooh, look, she's playing hard to get now. | 0:36:03 | 0:36:05 | |
-She's not giving too much away, is she, Dorothy? -No. | 0:36:05 | 0:36:08 | |
Cards close to the chest. | 0:36:08 | 0:36:10 | |
-Well, got to make a move now, let's hit the road. -OK. | 0:36:10 | 0:36:12 | |
Janice's long-distance move is about a complete change of lifestyle | 0:36:15 | 0:36:19 | |
as much as a new house | 0:36:19 | 0:36:20 | |
so I'm taking her and Dorothy to this old stone farmhouse | 0:36:20 | 0:36:25 | |
just outside Amandola | 0:36:25 | 0:36:27 | |
that's currently being converted into a home by two British expats | 0:36:27 | 0:36:31 | |
who swapped rural Northumberland for rural Italian two years ago. | 0:36:31 | 0:36:36 | |
David and Jane both feel passionately about organic | 0:36:36 | 0:36:39 | |
and self-sufficient living | 0:36:39 | 0:36:41 | |
so their first-hand expertise of the local soil | 0:36:41 | 0:36:44 | |
and soul of Le Marche should be invaluable to Janice | 0:36:44 | 0:36:48 | |
and her vision for a healthier life out here. | 0:36:48 | 0:36:51 | |
David and Jane, thank you for inviting us to your wonderful home. | 0:36:51 | 0:36:53 | |
-You're welcome. -You're more than welcome. | 0:36:53 | 0:36:55 | |
Very hospitable of you, and can I introduce you to Janice and Dorothy? | 0:36:55 | 0:36:59 | |
And Janice here is hoping to move to the region. | 0:36:59 | 0:37:01 | |
You've chosen a lovely region of Italy, Le Marche is wonderful. | 0:37:01 | 0:37:04 | |
I think you three are kindred spirits. | 0:37:04 | 0:37:06 | |
You've got a lot in common and perhaps this | 0:37:06 | 0:37:09 | |
is your opportunity to find out a little bit more about the area. | 0:37:09 | 0:37:12 | |
-Absolutely. -Dorothy, do you fancy a cup of tea? | 0:37:12 | 0:37:15 | |
-I do, we should leave them. -Come on, then. Lovely, thank you. -OK, bye. | 0:37:15 | 0:37:20 | |
Back in the UK, David worked for a non-profit organisation | 0:37:20 | 0:37:24 | |
giving advice to farmers and rural communities. | 0:37:24 | 0:37:27 | |
He and Jane spent eight months touring Italy | 0:37:27 | 0:37:30 | |
before deciding on their farmhouse in Le Marche, | 0:37:30 | 0:37:33 | |
complete with 13 acres of land where they've planted | 0:37:33 | 0:37:36 | |
an organic vegetable garden with pumpkins ready to be picked. | 0:37:36 | 0:37:40 | |
This one's probably good enough for some soup. | 0:37:41 | 0:37:44 | |
And what are the green ones, then, Jane? | 0:37:44 | 0:37:46 | |
They are an Italian variety of pumpkin. | 0:37:46 | 0:37:49 | |
Everything we grow we want to grow organically | 0:37:49 | 0:37:52 | |
because I'm a great believer in your food is your medicine. | 0:37:52 | 0:37:55 | |
-Absolutely... -It's your health. -..yes, that's how I think, too. | 0:37:55 | 0:37:58 | |
One of the key things we've learnt this year is you need to | 0:37:58 | 0:38:01 | |
avoid July and August, because if the plant's not big enough | 0:38:01 | 0:38:04 | |
-it just burns off completely... -It will burn. -..under the sunshine | 0:38:04 | 0:38:07 | |
so you've got to get your plants in the ground in the spring | 0:38:07 | 0:38:10 | |
so that they're established enough to see themselves through | 0:38:10 | 0:38:12 | |
the summer because it's pretty... you know, 35-plus is a good summer. | 0:38:12 | 0:38:16 | |
Because we've never grown in this type of climate before | 0:38:16 | 0:38:19 | |
and we've got to cope with the mountains, the wind, | 0:38:19 | 0:38:22 | |
the cold, cold winters but then the hot, hot summers. | 0:38:22 | 0:38:26 | |
-And the pests will be different here as well. -Yes, absolutely. | 0:38:26 | 0:38:29 | |
Yes, the bugs are bigger. | 0:38:29 | 0:38:30 | |
So what we'll do now, Janice, we'll go up to the house | 0:38:30 | 0:38:32 | |
and we'll have a go at cooking some pumpkin soup with this pumpkin. | 0:38:32 | 0:38:36 | |
In Italian, this is a "zucca" | 0:38:36 | 0:38:39 | |
-and so we're going to cook "zuppa di zucca". -OK. | 0:38:39 | 0:38:42 | |
-OK? -OK, great. | 0:38:42 | 0:38:44 | |
Leaving Dorothy and I to get lost in the scenic surroundings, the green-fingered trio | 0:38:45 | 0:38:50 | |
are peeling and chopping the freshly picked pumpkin. | 0:38:50 | 0:38:53 | |
Obviously we like to grow lots of vegetables but we like to try | 0:38:53 | 0:38:56 | |
and buy other grains and flour | 0:38:56 | 0:38:59 | |
and all sorts of things which are organic and | 0:38:59 | 0:39:03 | |
we've actually been very fortunate to meet up with a group of people. | 0:39:03 | 0:39:06 | |
-It's a sustainable buying group. -OK, like a cooperative or...? | 0:39:06 | 0:39:11 | |
Yes, it's a set of like-minded people who want to buy... | 0:39:11 | 0:39:14 | |
who want to source their product, we're talking rice, pasta, cheese. | 0:39:14 | 0:39:19 | |
I mean, so far we're the only non-Italians in the group... | 0:39:19 | 0:39:21 | |
-Oh, OK. -..which makes the meetings challenging. | 0:39:21 | 0:39:25 | |
The chopped pumpkin is sauteed with onion, ginger, garlic, | 0:39:25 | 0:39:29 | |
carrot and celery and cooked in an organic stock | 0:39:29 | 0:39:32 | |
for about 45 minutes before it's ready to be served. | 0:39:32 | 0:39:35 | |
Oh, looking forward to this! | 0:39:38 | 0:39:41 | |
"Zuppa di zucca." | 0:39:41 | 0:39:43 | |
-The fruits of our labour. -Oh, wow. | 0:39:43 | 0:39:45 | |
-That looks delicious. -Bellissimo. -How often can you eat outside? | 0:39:45 | 0:39:48 | |
Well, I think from about May to October. | 0:39:48 | 0:39:52 | |
Then how cold does it get in the winter here? | 0:39:52 | 0:39:54 | |
We had snow last year in the first week of December | 0:39:54 | 0:39:57 | |
to the end of March. | 0:39:57 | 0:39:59 | |
At this height you don't see so many vines and so many olives. | 0:39:59 | 0:40:03 | |
-Uh-huh, OK. -So you have to think about those things, | 0:40:03 | 0:40:05 | |
the height of your land. | 0:40:05 | 0:40:07 | |
But, once you'd picked the house, how easy has it been to integrate? | 0:40:07 | 0:40:11 | |
We always knew that that would be quite a big challenge. | 0:40:11 | 0:40:14 | |
It's not easy because we don't speak fluent Italian | 0:40:14 | 0:40:17 | |
-and I don't know how your Italian is. -Not so good. | 0:40:17 | 0:40:21 | |
And of course, you have to cope with the dialects as well. | 0:40:21 | 0:40:24 | |
-It's not only the Italian, it's the dialects. -Yes. | 0:40:24 | 0:40:26 | |
At the moment for example, you're doing your house up. | 0:40:26 | 0:40:29 | |
Do you have to make an adjustment? You know, the way that people | 0:40:29 | 0:40:32 | |
do things in different countries, certainly in Italy. | 0:40:32 | 0:40:34 | |
Paperwork perhaps takes a little longer, having said that, | 0:40:34 | 0:40:37 | |
-our permission only took two weeks... -Oh! -..from submission | 0:40:37 | 0:40:41 | |
to approval, which I think would probably be difficult to be beaten. | 0:40:41 | 0:40:44 | |
We then selected the builders, that took a bit of time. | 0:40:44 | 0:40:47 | |
I think you just have to realise that | 0:40:47 | 0:40:49 | |
you're in this for the long term. | 0:40:49 | 0:40:51 | |
Janice might have mentioned she wants to run a business out here | 0:40:51 | 0:40:54 | |
which is successful in the UK but transferring it to Italy | 0:40:54 | 0:40:57 | |
-is another thing, isn't it? -Yes, it is. | 0:40:57 | 0:40:59 | |
-And also you're going to need staff. -Yes, I'll eventually need some staff. | 0:40:59 | 0:41:02 | |
Oh, right. Well, I think anything that gives somebody a local job that | 0:41:02 | 0:41:05 | |
isn't really agricultural-based would be most welcome. | 0:41:05 | 0:41:07 | |
-Right, oh, good. -Has the country given you what you were looking for? | 0:41:07 | 0:41:12 | |
Well, one of the wonderful things it gave me is, when we were | 0:41:12 | 0:41:15 | |
touring around for eight months, I actually lost 20 kilos, which is... | 0:41:15 | 0:41:19 | |
A good waistline! | 0:41:19 | 0:41:20 | |
A good waistline, so it's already given me better health. | 0:41:20 | 0:41:24 | |
I mean, the food and the quality of life is for me so much better. | 0:41:24 | 0:41:28 | |
Well, listen, thank you so much for the time, for the meal | 0:41:28 | 0:41:30 | |
and for all the great advice. | 0:41:30 | 0:41:32 | |
All the best with the house and we're waiting for the invite back, | 0:41:32 | 0:41:36 | |
-aren't we? To see when it's finished. -Yes, see it finished. | 0:41:36 | 0:41:39 | |
'As well as Jane and David's crucial advice, | 0:41:39 | 0:41:41 | |
'hopefully Janice has also found some organic suppliers for her | 0:41:41 | 0:41:44 | |
'business but she just has to find the right Le Marche house.' | 0:41:44 | 0:41:49 | |
And before committing to any property purchase, | 0:41:49 | 0:41:52 | |
there are a few things to remember. | 0:41:52 | 0:41:55 | |
It's important to bear in mind that in Italy you need to put about | 0:41:55 | 0:41:58 | |
8% of the property price to one side for solicitors' costs, | 0:41:58 | 0:42:02 | |
stamp duty and agents' fees. | 0:42:02 | 0:42:05 | |
On top of the figure, you're paying for the house. | 0:42:05 | 0:42:08 | |
When it comes to business, | 0:42:08 | 0:42:09 | |
be aware that the country's complicated bureaucracy | 0:42:09 | 0:42:12 | |
means there's likely to be piles of official documents to comprehend | 0:42:12 | 0:42:16 | |
and even taxes to pay before starting up. | 0:42:16 | 0:42:20 | |
Finally, as with any legal transaction, | 0:42:20 | 0:42:23 | |
be sure to seek sound professional advice. | 0:42:23 | 0:42:27 | |
It's the final day of our house hunting mission in Le Marche, Italy, | 0:42:34 | 0:42:39 | |
but before we get back to house business | 0:42:39 | 0:42:41 | |
our ladies are taking a little time out to hit the boutiques | 0:42:41 | 0:42:44 | |
in the village of Ripatransone. | 0:42:44 | 0:42:47 | |
-Buongiorno. -Buongiorno. | 0:42:48 | 0:42:50 | |
-Look at this. The knitwear's always so lovely. -Oh, this is you, Janice. | 0:42:53 | 0:42:57 | |
Don't temp me, I can't afford it. I'm buying houses. | 0:42:57 | 0:43:02 | |
Oh, I love this bag. | 0:43:02 | 0:43:04 | |
SHE SPEAKS IN ITALIAN | 0:43:05 | 0:43:11 | |
Ah, OK. | 0:43:12 | 0:43:14 | |
Ah, crochet! This is clever, really, really nice. | 0:43:18 | 0:43:24 | |
OK, I think we'll come back. | 0:43:24 | 0:43:26 | |
SHE SPEAKS IN ITALIAN | 0:43:26 | 0:43:30 | |
-Thank you. -Arrivederci. -Arrivederci! | 0:43:30 | 0:43:33 | |
-I'll be coming back here, Dorothy. -Oh, I'm sure. | 0:43:33 | 0:43:36 | |
-If the house we see today is in this area. -Wow, yes. -Fantastic. | 0:43:36 | 0:43:41 | |
After near temptation from some stylish handmade accessories, | 0:43:41 | 0:43:45 | |
it's time to find out if the final property | 0:43:45 | 0:43:47 | |
will clinch that elusive sale. | 0:43:47 | 0:43:50 | |
With this house hunt here in Italy, | 0:43:54 | 0:43:56 | |
we've certainly heard plenty of plaudits for our properties from | 0:43:56 | 0:43:59 | |
Janice and Dorothy but my question is, are they just being polite? | 0:43:59 | 0:44:04 | |
So let's see how we get on with our mystery house today, | 0:44:04 | 0:44:08 | |
because hopefully this could be Janice's perfect Italian retreat. | 0:44:08 | 0:44:12 | |
And for the mystery house we're staying in | 0:44:15 | 0:44:17 | |
the village of Ripatransone, | 0:44:17 | 0:44:19 | |
which is our closest location to the coast. | 0:44:19 | 0:44:22 | |
Boasting almost unreal views of the surrounding landscape | 0:44:22 | 0:44:25 | |
with colours that contrast ploughed farmland against lush vineyards, | 0:44:25 | 0:44:29 | |
the village of Ripatransone clings to the hillside. | 0:44:29 | 0:44:33 | |
Facilities include restaurants and shops as well as | 0:44:33 | 0:44:36 | |
the narrowest alleyway in all of Italy, just 43cm wide. | 0:44:36 | 0:44:43 | |
A short walk down a hill from the village, | 0:44:43 | 0:44:45 | |
our final property is a former farmhouse which has been remodelled | 0:44:45 | 0:44:48 | |
into something a little less conventional that is certainly not | 0:44:48 | 0:44:52 | |
the traditional property Janice asked for. | 0:44:52 | 0:44:55 | |
Just take a look at the property itself | 0:44:55 | 0:44:58 | |
and then just move your eyes to the right. What can you see? | 0:44:58 | 0:45:02 | |
-The views, fantastic. -A spectacular view! -Fantastic. | 0:45:02 | 0:45:06 | |
-It's the best view we've seen so far. -Absolutely. -It's incredible. | 0:45:06 | 0:45:11 | |
So are you wondering why we brought you here for our mystery house? | 0:45:11 | 0:45:15 | |
-Are you intrigued? -Mm-hm. -Absolutely, yes. | 0:45:15 | 0:45:17 | |
Well, it's not on one level, although it looks like it could be, | 0:45:17 | 0:45:22 | |
-and I would say the inside, the layout is quite eccentric. -OK. | 0:45:22 | 0:45:26 | |
You can see there's a front door there, we're not going to go through | 0:45:26 | 0:45:29 | |
there, we're going to go to the other side of the property and enter | 0:45:29 | 0:45:32 | |
it that way. Just before we do, how do you both fancy dining outside? | 0:45:32 | 0:45:36 | |
You've got a wonderful pizza oven, sit outside, enjoy the views. | 0:45:36 | 0:45:41 | |
You could probably eat there, I would say, nine months of the year. | 0:45:41 | 0:45:46 | |
-Right, very good. -So for the last time, shall we get started? -Yes. | 0:45:46 | 0:45:51 | |
So... | 0:45:55 | 0:45:57 | |
this entrance we enter straight into the living area. | 0:45:57 | 0:46:01 | |
-Oh, this is completely different. -Isn't it? -Completely, yeah. | 0:46:01 | 0:46:06 | |
-It's quite modern, isn't it? -Yes. -And so clean-cut. | 0:46:06 | 0:46:11 | |
It's hard to believe this used to be an old farmhouse. | 0:46:11 | 0:46:13 | |
Built around the 1900s and 20 years ago a Chilean architect | 0:46:13 | 0:46:17 | |
-completely transformed it to make it into a home. -Uh-huh. | 0:46:17 | 0:46:20 | |
Janice, you haven't said an awful lot. | 0:46:20 | 0:46:23 | |
-I'm reserving my judgment so far. -It's not quite hitting it for you? | 0:46:23 | 0:46:27 | |
-Yeah, it's different. It's just so different from what we've seen. -Yeah. | 0:46:27 | 0:46:31 | |
So it's a bit of a shock. | 0:46:31 | 0:46:33 | |
And just through here is our kitchen. | 0:46:33 | 0:46:36 | |
I think the kitchen's got quite a rural feel to it. Country? | 0:46:37 | 0:46:43 | |
Think the wood is great, the original, you know, | 0:46:43 | 0:46:45 | |
where the architect's put the beams across here. | 0:46:45 | 0:46:48 | |
This is fantastic, but the tiles, I really don't like those tiles. | 0:46:48 | 0:46:52 | |
I think it's got its own appeal | 0:46:52 | 0:46:54 | |
-but I think it could also be ready for a make-over. -Absolutely. -Yeah. | 0:46:54 | 0:46:58 | |
-Yes. -Big enough space to work with? -I think so, yes. Space-wise it's OK. | 0:46:58 | 0:47:04 | |
And just look at the size of that table. | 0:47:04 | 0:47:06 | |
-Dorothy, can you imagine Christmas here? -Yes. | 0:47:06 | 0:47:09 | |
I particularly like the door with the access out onto that terrace. | 0:47:09 | 0:47:13 | |
That's nice, yeah, that's nice. | 0:47:13 | 0:47:15 | |
Is it beginning to win you over or are you still nonplussed? | 0:47:15 | 0:47:17 | |
I'm still... | 0:47:17 | 0:47:19 | |
-in two minds really. -OK, all right. | 0:47:19 | 0:47:21 | |
Despite the proportions, | 0:47:21 | 0:47:23 | |
sadly Janice is clearly struggling with her enthusiasm for this house. | 0:47:23 | 0:47:28 | |
Upstairs there's a large fully tiled bathroom and three bedrooms, | 0:47:28 | 0:47:33 | |
one a single room, there's also a twin, | 0:47:33 | 0:47:35 | |
leaving the last one just for Janice. | 0:47:35 | 0:47:38 | |
So, Janice, let's see if the upstairs can change your mind. | 0:47:38 | 0:47:42 | |
This would be the master, it has a balcony, sensational views. | 0:47:42 | 0:47:47 | |
The views are fantastic but I don't feel it's the house for me. | 0:47:47 | 0:47:51 | |
Do you think it might be, just a thought, the decor? | 0:47:51 | 0:47:54 | |
No, I think it's the inherent style the house has been designed with, | 0:47:54 | 0:47:59 | |
I think that's what's doing it for me really, or not doing it for me. | 0:47:59 | 0:48:03 | |
What you probably haven't noticed is that it's actually three storeys. | 0:48:03 | 0:48:06 | |
In actual fact there's a third floor underneath. | 0:48:06 | 0:48:09 | |
The very basement is an additional bedroom with another single. | 0:48:09 | 0:48:14 | |
You've also got an open-plan work space and another bathroom. | 0:48:14 | 0:48:19 | |
Ah, OK, so there's a lot of space here. | 0:48:19 | 0:48:22 | |
Loads of space, lots of bedrooms. | 0:48:22 | 0:48:24 | |
-Still hasn't done it for you, has it? -No. -I'm trying, Janice! | 0:48:24 | 0:48:27 | |
I'm so trying. | 0:48:27 | 0:48:28 | |
Let's go outside, because if anything is going to win you over | 0:48:28 | 0:48:32 | |
with our mystery house, it is that view. | 0:48:32 | 0:48:34 | |
Outside, the grounds are on sloped land across various levels | 0:48:35 | 0:48:39 | |
that cover just under five acres of mature woodland and olive groves. | 0:48:39 | 0:48:44 | |
See, I thought I'd bring you out here to tease you with the Jacuzzi | 0:48:46 | 0:48:49 | |
but also, in more seriousness, that you can actually take in | 0:48:49 | 0:48:53 | |
-that spectacular view. -Absolutely fantastic. | 0:48:53 | 0:48:56 | |
Yes, it has the farmland rolling up towards the mountains. | 0:48:56 | 0:49:00 | |
-It's something that is quite unique. -Yeah, it is, very. | 0:49:00 | 0:49:06 | |
-So the location works? -The location is fantastic, | 0:49:06 | 0:49:08 | |
I just need to find a house which suits me inside. | 0:49:08 | 0:49:12 | |
Yeah. Well, let's see if our price makes any difference. | 0:49:12 | 0:49:16 | |
I think about 65? | 0:49:16 | 0:49:18 | |
-650,000? -Yes. -OK. | 0:49:18 | 0:49:21 | |
-OK, I think maybe higher. Probably 700. -OK. | 0:49:21 | 0:49:25 | |
You are... | 0:49:25 | 0:49:27 | |
Janice... | 0:49:27 | 0:49:28 | |
£148,000 out. | 0:49:28 | 0:49:31 | |
The asking price is £552,000. | 0:49:31 | 0:49:36 | |
I'm hopeless. | 0:49:36 | 0:49:39 | |
OK, OK. | 0:49:39 | 0:49:40 | |
Now, I know your estimate was out | 0:49:40 | 0:49:42 | |
but how do you feel about that as a figure for this house? | 0:49:42 | 0:49:45 | |
Well, it's much better, of course, yes. | 0:49:45 | 0:49:48 | |
It's way under your budget. | 0:49:49 | 0:49:51 | |
Way under anything else that we've shown you, so | 0:49:51 | 0:49:54 | |
go and take another look around, have a think, look at the land, | 0:49:54 | 0:49:58 | |
the possibilities there for your business and, well, | 0:49:58 | 0:50:01 | |
you'll find me enjoying this view, that's for sure. | 0:50:01 | 0:50:04 | |
OK. | 0:50:04 | 0:50:05 | |
She wasn't taken, Janice, with this property the moment we arrived | 0:50:06 | 0:50:10 | |
but I think this house has so much going for it. | 0:50:10 | 0:50:13 | |
I said at the beginning it's quite eccentric but with that much | 0:50:13 | 0:50:17 | |
money left in the bank you could make this the most | 0:50:17 | 0:50:20 | |
tremendous home in the most wonderful location. | 0:50:20 | 0:50:24 | |
Our lowest-priced house of the lot, the contemporary mystery house | 0:50:26 | 0:50:30 | |
is significantly under Janice's budget of £700,000. | 0:50:30 | 0:50:34 | |
Oh, the outside is incredible. | 0:50:48 | 0:50:52 | |
That view, it's like Eden, isn't it? | 0:50:52 | 0:50:56 | |
The Garden of Eden out there. You couldn't have chosen a better place. | 0:50:56 | 0:51:00 | |
It's just that the house does not fit Janice's needs. | 0:51:00 | 0:51:05 | |
It's interesting to have this extra level | 0:51:07 | 0:51:09 | |
and I prefer that fireplace to the one upstairs. | 0:51:09 | 0:51:12 | |
-There's a lot of space, isn't there? -Yes. -But I'm not sure what you | 0:51:12 | 0:51:15 | |
-would use it for. It's not making me change my mind. -No? -No. | 0:51:15 | 0:51:19 | |
The village is lovely, I really like the village, and the property, | 0:51:19 | 0:51:24 | |
it's great that it's so close to the village | 0:51:24 | 0:51:26 | |
but from the beginning I didn't have a good feel about the property. | 0:51:26 | 0:51:30 | |
It's too modern. I prefer the traditional Italian properties. | 0:51:30 | 0:51:36 | |
This, I'm sure, will suit someone but it's not the house for me. | 0:51:36 | 0:51:40 | |
Mmm, sunshine on your face, it just lifts your spirits. | 0:51:40 | 0:51:43 | |
Right, ladies, how you feeling? | 0:51:43 | 0:51:46 | |
-Because that's all our properties done. -Yeah, good, good. | 0:51:46 | 0:51:49 | |
-Lots of information to take in. -Lots of information, yes. Dorothy? | 0:51:49 | 0:51:52 | |
-Yeah, I think we're quite stunned. -Stunned in a good way? | 0:51:52 | 0:51:56 | |
Oh, yes, because you have provided food for thought. | 0:51:56 | 0:52:01 | |
Well, do you fancy going somewhere quiet where you can have | 0:52:01 | 0:52:04 | |
a proper chat about everything that you've seen | 0:52:04 | 0:52:07 | |
and then I'll catch up with you, how about that? | 0:52:07 | 0:52:09 | |
Yes, OK. | 0:52:09 | 0:52:11 | |
It could be said that the legacy of Le Marche's medieval towns | 0:52:15 | 0:52:19 | |
was signed and sealed in Fabriano, as this area has been producing | 0:52:19 | 0:52:23 | |
the finest leaves of paper in the world for more than seven centuries. | 0:52:23 | 0:52:28 | |
So during the week I went to meet curator Claudia Grochetti | 0:52:28 | 0:52:32 | |
at Fabriano's Museo della Carta to find out more. | 0:52:32 | 0:52:36 | |
The production of paper started at the beginning of the 13th century | 0:52:36 | 0:52:40 | |
and the Fabriano papermakers invented | 0:52:40 | 0:52:43 | |
wonderful inventions. The first one is the hydraulic hammer mill, | 0:52:43 | 0:52:47 | |
the first automatic machine in the history of paper. | 0:52:47 | 0:52:51 | |
The second one is the watermark. | 0:52:51 | 0:52:53 | |
So producing this high quality paper, | 0:52:53 | 0:52:56 | |
-did it bring huge wealth to the town? -Yes, of course. | 0:52:56 | 0:52:59 | |
We had 40 paper mills during the Middle Ages. | 0:52:59 | 0:53:03 | |
It was very important for the economy of the town. | 0:53:03 | 0:53:06 | |
Claudia, I must admit, I don't know how it's actually produced. | 0:53:06 | 0:53:09 | |
Are you able to show me here at the museum? | 0:53:09 | 0:53:11 | |
-Yes, of course I can show you. -I'd love to see it, thank you. -OK. | 0:53:11 | 0:53:14 | |
Today's mass-produced paper is made from wood | 0:53:16 | 0:53:18 | |
but up until the mid-19th century | 0:53:18 | 0:53:20 | |
it was actually made from scraps of linen. | 0:53:20 | 0:53:23 | |
The museum still employs this ancient method to create | 0:53:24 | 0:53:27 | |
high-end, handmade paper, using an electric replica | 0:53:27 | 0:53:31 | |
of a wooden multi-hammer mill that mashes the rags into a pulp. | 0:53:31 | 0:53:35 | |
The hammers were moved by the camshaft, | 0:53:36 | 0:53:40 | |
the camshaft by the wheel and the wheel by the water of the river. | 0:53:40 | 0:53:43 | |
It was like a mill. | 0:53:43 | 0:53:46 | |
The macerated rag pulp is transported into a large vat | 0:53:46 | 0:53:50 | |
which is continually stirred to stop the liquid separating. | 0:53:50 | 0:53:53 | |
We have 99% of water and only 1% of fibre and they move the fibres | 0:53:53 | 0:54:01 | |
and the water to have always the fibres on the surface. | 0:54:01 | 0:54:06 | |
So, Claudia, what's the next step? | 0:54:06 | 0:54:08 | |
Yes, and now we have the paper maker, who is making | 0:54:08 | 0:54:11 | |
the sheet by hand like the ancient tradition. | 0:54:11 | 0:54:14 | |
Now, I also notice there's some emblems, | 0:54:14 | 0:54:17 | |
some symbols on it as well. | 0:54:17 | 0:54:19 | |
Yes, this is the watermark, | 0:54:19 | 0:54:21 | |
the second invention made by the Fabriano paper makers. | 0:54:21 | 0:54:24 | |
Standing here just looking at this watermark, every single bank note | 0:54:24 | 0:54:28 | |
-throughout the world carries one... -Yes. -..and it all started here | 0:54:28 | 0:54:32 | |
-in Fabriano. -Today it's a very important security element. | 0:54:32 | 0:54:36 | |
-Would you like to try? -I would love to. | 0:54:36 | 0:54:38 | |
Here we go. | 0:54:38 | 0:54:40 | |
-It's a little bit difficult to move. -Oh, yeah. | 0:54:41 | 0:54:43 | |
The real secret of the production of paper | 0:54:43 | 0:54:46 | |
is the hand of the paper maker, the movements. | 0:54:46 | 0:54:49 | |
You'll have to lay the sheet on the woollen felt. | 0:54:49 | 0:54:53 | |
-OK, it's very beautiful. -It is. | 0:54:53 | 0:54:56 | |
And then after the pressing we put the sheet to dry by here. | 0:54:56 | 0:55:01 | |
And how long would this take to dry, this one sheet of paper? | 0:55:04 | 0:55:07 | |
It depends on the thickness of the sheet. | 0:55:07 | 0:55:10 | |
The paper that we see today, do we still use the same raw ingredients? | 0:55:10 | 0:55:14 | |
Today for the handmade production we use cotton from the plant. | 0:55:14 | 0:55:18 | |
For the industrial production we use the wooden pulp. | 0:55:18 | 0:55:23 | |
-Well, such history, such tradition. -Yes. | 0:55:23 | 0:55:26 | |
-Amazing, thank you for explaining... -You're welcome. | 0:55:26 | 0:55:28 | |
-..the whole process to me. -It has been a pleasure. -Thank you. | 0:55:28 | 0:55:32 | |
Now the tour is complete, I'm joining Janice and Dorothy | 0:55:36 | 0:55:39 | |
for a drink to find out | 0:55:39 | 0:55:40 | |
if any of our houses will make the Le Marche dream a reality. | 0:55:40 | 0:55:45 | |
-So, Janice, Italy still the country you want to move to? -Oh, yes. | 0:55:45 | 0:55:49 | |
We've really explored it further so I've got a good idea of what | 0:55:49 | 0:55:52 | |
I can achieve here. | 0:55:52 | 0:55:54 | |
So let's talk a little bit about the properties that we saw, | 0:55:54 | 0:55:57 | |
the three of us. | 0:55:57 | 0:55:59 | |
Have we got close, do we think, with any of them? | 0:55:59 | 0:56:03 | |
Yes, the majority of the houses had the elegance | 0:56:03 | 0:56:05 | |
and the style I'm looking for. | 0:56:05 | 0:56:07 | |
Is there one property that we've got close to you wanting to live in? | 0:56:07 | 0:56:11 | |
Yes and no, really. | 0:56:11 | 0:56:13 | |
I mean, I keep on thinking about property number one | 0:56:13 | 0:56:17 | |
because it had the flat land with the doors opening onto | 0:56:17 | 0:56:20 | |
the flat terraces around the house. | 0:56:20 | 0:56:21 | |
It was just beautifully elegant inside | 0:56:21 | 0:56:24 | |
but property two was a little bit more polished inside | 0:56:24 | 0:56:27 | |
so something between the two would be perfect really. | 0:56:27 | 0:56:30 | |
You see, the second property, you would have to establish | 0:56:30 | 0:56:35 | |
your identity on it in the garden and the land around. | 0:56:35 | 0:56:39 | |
The first property, you didn't have to do that. | 0:56:39 | 0:56:43 | |
So do you think our first house is worth another viewing? | 0:56:43 | 0:56:46 | |
Yes, I would like to go back to look at the first house. | 0:56:46 | 0:56:49 | |
I think I might have to rethink my plan a little because maybe, | 0:56:49 | 0:56:53 | |
you know, with my business doing well, I could maybe extend the budget | 0:56:53 | 0:56:57 | |
to pass that million mark if I was to wait a little bit. | 0:56:57 | 0:57:01 | |
Yeah, it is a healthy budget but in this part of the world | 0:57:01 | 0:57:04 | |
-vineyards are at a premium, aren't they? -Yes. -You know, | 0:57:04 | 0:57:06 | |
boutique vineyards have a very high price. | 0:57:06 | 0:57:09 | |
Is there anything you've both taken from this experience? | 0:57:09 | 0:57:13 | |
Well, I think probably Janice has learned what she doesn't want | 0:57:13 | 0:57:17 | |
as well as what she does want and I think that's always very useful. | 0:57:17 | 0:57:21 | |
-Yes. Well, thank you both very much. We wish you all the best. -Thank you. | 0:57:21 | 0:57:26 | |
I know it will work out for you | 0:57:26 | 0:57:27 | |
-and, Dorothy, I know you've really helped Janice. -I hope so. | 0:57:27 | 0:57:31 | |
At least we know where we're going to come on holiday next time, | 0:57:31 | 0:57:34 | |
-don't we? -Exactly, yes. | 0:57:34 | 0:57:36 | |
So that's the end of our journey here in Le Marche | 0:57:38 | 0:57:41 | |
and, although we didn't manage to secure a house sale for Janice, | 0:57:41 | 0:57:45 | |
what we have discovered over the last few days is you can buy | 0:57:45 | 0:57:48 | |
a magnificent home here on her budget | 0:57:48 | 0:57:52 | |
and, if Janice still harbours that dream and desire | 0:57:52 | 0:57:55 | |
to own her own vineyard and orchard, | 0:57:55 | 0:57:58 | |
it will require a major rethink of her investment. | 0:57:58 | 0:58:02 | |
So, from a very sunny and glorious Italy, ciao. | 0:58:02 | 0:58:06 | |
If you would like to escape to the Continent and need our help, | 0:58:09 | 0:58:12 | |
please apply online at... | 0:58:12 | 0:58:14 |