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This iconic landmark behind me shares some remarkable similarities | 0:00:02 | 0:00:04 | |
to one off the Cornish coast of Penzance. | 0:00:04 | 0:00:07 | |
But I'm not in Cornwall. In fact, I'm not in any part of the UK. | 0:00:07 | 0:00:11 | |
So where am I? Why don't you join me in just a few moments to find out? | 0:00:11 | 0:00:16 | |
Today's house-hunters want something grand and we aim to please. | 0:00:35 | 0:00:40 | |
I feel as if I've sort of arrived in some grand dame's boudoir. | 0:00:40 | 0:00:45 | |
LAUGHTER | 0:00:45 | 0:00:46 | |
Some things fulfil their lofty ambitions... | 0:00:46 | 0:00:49 | |
Oh, wow. I like this. This is lovely... | 0:00:49 | 0:00:53 | |
in every way. | 0:00:53 | 0:00:55 | |
..but others don't quite make the grade. | 0:00:55 | 0:00:58 | |
Oh, God. | 0:00:58 | 0:01:00 | |
Welcome to Escape To The Continent | 0:01:01 | 0:01:04 | |
and the historic region of Normandy in northern France. | 0:01:04 | 0:01:07 | |
St Michael has been celebrated across the centuries | 0:01:07 | 0:01:10 | |
as defender of the church and this majestic monastery, | 0:01:10 | 0:01:14 | |
Mont Saint-Michel, was dedicated to his name by Benedictine monks | 0:01:14 | 0:01:18 | |
over 1,000 years ago. | 0:01:18 | 0:01:21 | |
And just a couple of hundred miles across the water | 0:01:21 | 0:01:23 | |
lies its British counterpart, St Michael's Mount, which was gifted | 0:01:23 | 0:01:28 | |
to the monks of Normandy by Edward the Confessor in the 11th century, | 0:01:28 | 0:01:32 | |
providing a striking mirror image across both sides of the Channel. | 0:01:32 | 0:01:37 | |
Mont Saint-Michel stands proudly as THE most iconic setting | 0:01:37 | 0:01:41 | |
to this stunning region. | 0:01:41 | 0:01:43 | |
Just a hop over the Channel, France is our nearest neighbour | 0:01:44 | 0:01:48 | |
and Normandy one of the closest regions. | 0:01:48 | 0:01:50 | |
Lying on the northern coast, it's made up of Upper Normandy | 0:01:50 | 0:01:53 | |
and Lower Normandy, | 0:01:53 | 0:01:55 | |
which together form a region roughly the size of Belgium. | 0:01:55 | 0:01:58 | |
With extensive lush pasture, apple orchards and cattle herds, | 0:01:58 | 0:02:02 | |
Normandy is substantially agricultural | 0:02:02 | 0:02:05 | |
and known for its production of cider, Calvados and camembert. | 0:02:05 | 0:02:09 | |
This region has a rich military history, | 0:02:09 | 0:02:11 | |
from the Norman Conquest of Britain in 1066, | 0:02:11 | 0:02:14 | |
which set off from what is today the charming fishing port of Barfleur, | 0:02:14 | 0:02:19 | |
to the 1944 D-Day landings, | 0:02:19 | 0:02:20 | |
which are marked by remnants of defences | 0:02:20 | 0:02:23 | |
and memorials all along the coast. | 0:02:23 | 0:02:25 | |
Another poignant reminder of this past is the American cemetery, | 0:02:27 | 0:02:31 | |
which brings in visitors from all around the world. | 0:02:31 | 0:02:34 | |
With some stunning coastline a little further off the beaten track, | 0:02:34 | 0:02:38 | |
the Cotentin Peninsula provides unspoiled sandy beaches. | 0:02:38 | 0:02:41 | |
It's no wonder thousands of Brits take their holidays here | 0:02:43 | 0:02:46 | |
and thousands more have made it their home. | 0:02:46 | 0:02:49 | |
Last year, the average cost of detached properties back home | 0:02:51 | 0:02:54 | |
increased by over 6% to an eye-watering figure | 0:02:54 | 0:02:59 | |
of just under £275,000. | 0:02:59 | 0:03:03 | |
However, during the same period, the average cost of a similar property | 0:03:03 | 0:03:07 | |
in Lower Normandy, to the west of the region, | 0:03:07 | 0:03:10 | |
dropped to around £110,000. | 0:03:10 | 0:03:13 | |
And there are some incredible bargains still to be had here. | 0:03:13 | 0:03:18 | |
For example, if you pick a detached cottage in the more remote areas | 0:03:18 | 0:03:21 | |
of the region, you could pay as little as £62,000. | 0:03:21 | 0:03:27 | |
Although if you want to live by the coast, expect to pay a premium. | 0:03:27 | 0:03:30 | |
But whatever your budget, there are hundreds of stunning properties | 0:03:30 | 0:03:34 | |
on offer and let's hope one or two of them can tempt today's buyers. | 0:03:34 | 0:03:38 | |
Keith and Elaine currently live in Norfolk. | 0:03:39 | 0:03:42 | |
They first met 30 years ago at a friend's dinner party. | 0:03:42 | 0:03:46 | |
Some years later, three or four years later, | 0:03:46 | 0:03:49 | |
is when Keith joined the Civil Aviation Authority, | 0:03:49 | 0:03:51 | |
which is where I worked. | 0:03:51 | 0:03:53 | |
And popped his head round my office door and said, "Hey, guess who's here?" | 0:03:53 | 0:03:57 | |
And we became firm friends. | 0:03:57 | 0:04:00 | |
But it wasn't for many years that we turned that | 0:04:00 | 0:04:04 | |
friendship into something more. | 0:04:04 | 0:04:06 | |
Four years ago, they both retired, | 0:04:06 | 0:04:08 | |
Keith from his career in electronic engineering | 0:04:08 | 0:04:11 | |
and Elaine from human resources. | 0:04:11 | 0:04:13 | |
We've come at a time in our lives | 0:04:13 | 0:04:15 | |
where we feel we've got an awful lot more life to live yet. It's a chance. | 0:04:15 | 0:04:19 | |
There's no reason why we have to stay here. | 0:04:19 | 0:04:21 | |
It's an opportunity to go and live that life somewhere else. | 0:04:21 | 0:04:25 | |
And living in France is set to be the next chapter. | 0:04:25 | 0:04:28 | |
It all kind of started about three years ago, | 0:04:28 | 0:04:31 | |
when we had a holiday in Normandy and... | 0:04:31 | 0:04:35 | |
when we were there, we felt this tremendous sense of feeling at home. | 0:04:35 | 0:04:41 | |
It was that particular holiday that I can remember, | 0:04:41 | 0:04:44 | |
when we were sort of cycling around the areas of France, | 0:04:44 | 0:04:47 | |
and thinking, "Wouldn't it be nice to stay here and not to go home?" | 0:04:47 | 0:04:53 | |
So the plans to relocate began, but it's proved a little complicated | 0:04:53 | 0:04:58 | |
because there's not just the two of them making the move. | 0:04:58 | 0:05:01 | |
I have two horses. | 0:05:01 | 0:05:03 | |
I've been very lucky cos Keith has really embraced my... | 0:05:03 | 0:05:06 | |
-passion for horses. -I'll go out on a bike with Elaine the a horse. | 0:05:06 | 0:05:10 | |
Gives me some exercise and gives the horse some exercise. | 0:05:11 | 0:05:14 | |
I don't know what Elaine does. | 0:05:14 | 0:05:16 | |
Whilst Elaine's passion is for horses, | 0:05:20 | 0:05:23 | |
Keith has a more melodic pastime. | 0:05:23 | 0:05:26 | |
Play the piano a bit. | 0:05:26 | 0:05:28 | |
Lots of high notes, lots of low notes and lots of duff notes. | 0:05:28 | 0:05:31 | |
Keith also tends his 645 square feet of vegetable plots - | 0:05:31 | 0:05:36 | |
something he hopes to continue in their new home. | 0:05:36 | 0:05:39 | |
And this move is all about slowing down, taking things easy | 0:05:39 | 0:05:43 | |
and enjoying life. | 0:05:43 | 0:05:45 | |
One of the motivations for moving to France is a more relaxed, | 0:05:45 | 0:05:52 | |
stress-free lifestyle. | 0:05:52 | 0:05:54 | |
I concur. | 0:05:57 | 0:05:58 | |
Our search will take place in Lower Normandy, the area they know best. | 0:06:02 | 0:06:06 | |
In particular, the departments of Calvados and Manche. | 0:06:06 | 0:06:10 | |
I'm the meeting them in France to dig a little deeper into what | 0:06:10 | 0:06:13 | |
they're looking for in this continental relocation. | 0:06:13 | 0:06:16 | |
Well, Keith and Elaine, welcome to Normandy. | 0:06:16 | 0:06:18 | |
I'm looking forward to the next few days, I hope you are. | 0:06:18 | 0:06:21 | |
-BOTH: -Absolutely! -Yeah, well, that's good. | 0:06:21 | 0:06:23 | |
See, you're in unison straight away - that's a good sign. | 0:06:23 | 0:06:26 | |
-Been looking forward to it for ages. -Let's hope this carries on. | 0:06:26 | 0:06:29 | |
Why Normandy, though? What is it that appeals so much? | 0:06:29 | 0:06:32 | |
I mean, I personally have been coming to Normandy for 20 years, | 0:06:32 | 0:06:36 | |
and I've always been impressed by the spaciousness of it | 0:06:36 | 0:06:41 | |
and the quiet. | 0:06:41 | 0:06:43 | |
So, what's the situation with your current property back in Norfolk? | 0:06:43 | 0:06:47 | |
Well, we've spent the last year preparing it. | 0:06:47 | 0:06:51 | |
We've had the stables reroofed, we've put in a new bathroom, | 0:06:51 | 0:06:56 | |
just to sort of get it ready to sell. | 0:06:56 | 0:06:58 | |
We've just touched on the horses there | 0:06:58 | 0:06:59 | |
-cos that's a real passion for you, Elaine, isn't it? -Yes, yes. | 0:06:59 | 0:07:02 | |
I ride for pleasure, I don't compete, and... | 0:07:02 | 0:07:07 | |
mostly I just like being around them. | 0:07:07 | 0:07:09 | |
So, let's talk about this perfect property. | 0:07:09 | 0:07:12 | |
-What exactly are you looking for? -It's old. -Yes. Very French. | 0:07:12 | 0:07:17 | |
Very French. | 0:07:17 | 0:07:19 | |
In terms of size, four bedrooms, ideally, | 0:07:19 | 0:07:22 | |
three reception rooms, ideally. | 0:07:22 | 0:07:24 | |
Downstairs bedroom would be wonderful for aged mother | 0:07:24 | 0:07:27 | |
to come and stay. And importantly, obviously, land and... | 0:07:27 | 0:07:33 | |
-facilities for the horses. -How much land ideally would you like? | 0:07:33 | 0:07:38 | |
Well, we have three acres at the moment, which is fine for two horses. | 0:07:38 | 0:07:41 | |
More would be nice, but at least three. | 0:07:43 | 0:07:45 | |
-So any definite no-nos for this move? -No barn conversions. | 0:07:45 | 0:07:51 | |
Through gritted teeth. You've thought about that, haven't you? | 0:07:51 | 0:07:54 | |
Other than that, I think we're pretty open-minded, aren't we, | 0:07:54 | 0:07:57 | |
in terms of style and structure? | 0:07:57 | 0:07:59 | |
Do you think you're both quite sort of unified with this search, | 0:07:59 | 0:08:02 | |
looking for the same thing in the property? | 0:08:02 | 0:08:05 | |
By and large, I think we are. | 0:08:05 | 0:08:06 | |
I've probably got more grandiose tastes in terms of houses. | 0:08:06 | 0:08:10 | |
-This is true. -Go on, make me scared. What are you after? | 0:08:10 | 0:08:13 | |
-Chateaux. -LAUGHTER | 0:08:15 | 0:08:17 | |
So, let's discuss the finances with this big move. | 0:08:17 | 0:08:20 | |
Remind us of the budget. | 0:08:20 | 0:08:22 | |
-£400,000 is the maximum. -But for that... | 0:08:22 | 0:08:26 | |
..400,000 I'd want everything, sort of stables and everything in place. | 0:08:27 | 0:08:32 | |
Well, we do have some splendid properties to show you. | 0:08:32 | 0:08:35 | |
-So, shall we get started? -Yes, please. -Oh, yes, please. -Lovely. | 0:08:35 | 0:08:38 | |
For a top budget of £400,000, | 0:08:42 | 0:08:44 | |
they're seeking an old and typically French house with four bedrooms, | 0:08:44 | 0:08:49 | |
three reception rooms and somewhere to accommodate Elaine's | 0:08:49 | 0:08:52 | |
elderly mother comfortably when she visits. | 0:08:52 | 0:08:55 | |
Keith would like some land for his vegetable plots, | 0:08:55 | 0:08:57 | |
but it's land for the horses which is crucial in this search - | 0:08:57 | 0:09:00 | |
at least three acres of good pasture land. | 0:09:00 | 0:09:03 | |
And the final piece of the jigsaw is a stable block to house the horses. | 0:09:03 | 0:09:08 | |
And we've got four fantastic options, which could deliver | 0:09:08 | 0:09:11 | |
their dream of rural French living in some lovely settings. | 0:09:11 | 0:09:15 | |
During the search, our house-hunters will be staying in a typical | 0:09:15 | 0:09:18 | |
French house in order to immerse themselves in day-to-day life here. | 0:09:18 | 0:09:23 | |
Our final offering is the Mystery House, a property that might | 0:09:23 | 0:09:27 | |
challenge their ideas but really is rather extraordinary. | 0:09:27 | 0:09:31 | |
To give them the pastoral setting they're after, we're looking | 0:09:35 | 0:09:38 | |
at country villages and small towns and our first is Champ-du-Boult. | 0:09:38 | 0:09:43 | |
With a population of less than 500, it's a quiet rural village, | 0:09:43 | 0:09:48 | |
but like many in France it does have its own shop, | 0:09:48 | 0:09:51 | |
tabac, bar and restaurant. | 0:09:51 | 0:09:53 | |
It's surrounded by an agricultural landscape and is just minutes | 0:09:53 | 0:09:57 | |
from the St Sever Forest and the Lac du Gast, | 0:09:57 | 0:10:00 | |
where there are miles of bridle pathways | 0:10:00 | 0:10:02 | |
designated for horse riding. | 0:10:02 | 0:10:04 | |
Set in its own land away from close neighbours | 0:10:04 | 0:10:07 | |
is house number one. | 0:10:07 | 0:10:09 | |
I think it's always very exciting, the very first property in Normandy. | 0:10:09 | 0:10:14 | |
-Wow. Quite large, I'd say. -It does... -It's bigger than I expected. | 0:10:14 | 0:10:18 | |
-Love the stonework. -Right, shall we get started? -Yes, please. -Yes. | 0:10:18 | 0:10:21 | |
Please follow me. | 0:10:21 | 0:10:23 | |
This 19th-century stone farmhouse is made up of three sections. | 0:10:24 | 0:10:28 | |
The central part was gutted and renovated seven years ago | 0:10:28 | 0:10:31 | |
and forms the main house. | 0:10:31 | 0:10:33 | |
-So, why don't we start off with the...our kitchen? -Oh! | 0:10:35 | 0:10:40 | |
I wasn't expecting this room to be the kitchen, I don't know why, | 0:10:40 | 0:10:43 | |
-but it's very nice. -And it is a good size, isn't it? | 0:10:43 | 0:10:47 | |
-It is a good size. This is a huge table. -Yeah. | 0:10:47 | 0:10:51 | |
But this isn't all because there is a utility room, as well. | 0:10:51 | 0:10:54 | |
Oh, I was going to ask that cos I can't see any washing machine or anything. | 0:10:54 | 0:10:57 | |
-Yes, it's nice. -Let's continue. -Great. | 0:10:57 | 0:11:00 | |
-To a rather...rather warm drawing-room. -It is warm, isn't it? | 0:11:04 | 0:11:08 | |
-Because just check out that fire. -Ah, I see. -Yes. | 0:11:08 | 0:11:13 | |
-Oh, a wood burner. -So, what do we think of the actual room? | 0:11:13 | 0:11:17 | |
It's really nice. Nice size. Nice shape, actually. | 0:11:17 | 0:11:20 | |
-I like the exposed brickwork around the fireplace. -It's quite cosy, though. | 0:11:20 | 0:11:24 | |
Even though it's a big size, it's quite cosy. | 0:11:24 | 0:11:28 | |
The way the house is set up at the moment, | 0:11:28 | 0:11:30 | |
-this is the main reception room. -Right. | 0:11:30 | 0:11:32 | |
However, there is more to this property. | 0:11:32 | 0:11:35 | |
Behind that wall is a large garage with storage and potential on top. | 0:11:35 | 0:11:41 | |
But if that wasn't enough, | 0:11:41 | 0:11:43 | |
the other side of the kitchen there's gite potential, | 0:11:43 | 0:11:46 | |
but you could actually extend out or make that a separate annexe. | 0:11:46 | 0:11:51 | |
'Extending into the sections either side would more than double | 0:11:51 | 0:11:54 | |
'the downstairs floor area and add more reception space. | 0:11:54 | 0:11:58 | |
'Ordinarily, renovation of the inside of a property doesn't require | 0:11:58 | 0:12:02 | |
'authorisation, but change of use does. | 0:12:02 | 0:12:04 | |
'You should check the planning rules with the local mayor's office before starting work.' | 0:12:04 | 0:12:09 | |
-Working so far? -Yes. | 0:12:09 | 0:12:10 | |
Right, well, I'm going to take you two upstairs. | 0:12:10 | 0:12:13 | |
Upstairs there are two double bedrooms with oak flooring | 0:12:16 | 0:12:19 | |
and classic rural views. | 0:12:19 | 0:12:22 | |
There's also a small office and a family bathroom... | 0:12:22 | 0:12:25 | |
..which just leaves the master suite. | 0:12:26 | 0:12:29 | |
This is the master because, not only does it have this wonderful | 0:12:30 | 0:12:36 | |
-fireplace, granite, but you've also got an en suite, as well. -Lovely. | 0:12:36 | 0:12:40 | |
It's nice. | 0:12:40 | 0:12:42 | |
It's perfectly big enough because all you do in the room is sleep, isn't it? | 0:12:42 | 0:12:45 | |
I will say one thing - | 0:12:45 | 0:12:46 | |
there's a really nice view out of the window. It's a nice view. | 0:12:46 | 0:12:49 | |
-Yeah. -I like that. | 0:12:49 | 0:12:51 | |
Now, Keith, in a way, the house is your domain, isn't it? | 0:12:51 | 0:12:54 | |
And, Elaine, I bet | 0:12:54 | 0:12:56 | |
-the first question you wanted to ask was, "What's for the horses?" -Yes. | 0:12:56 | 0:12:59 | |
But you've been very good. You've held back. | 0:12:59 | 0:13:01 | |
-Keith, do you think it's time that we showed her? -Yeah, OK. -All right. | 0:13:01 | 0:13:05 | |
If you wouldn't mind leading the way, let's head outside. | 0:13:05 | 0:13:08 | |
They both seem to like the classic French style of the interior, | 0:13:11 | 0:13:14 | |
but it's outside that things really come into their own. | 0:13:14 | 0:13:18 | |
What's on offer for the horses is pretty special. | 0:13:19 | 0:13:22 | |
-Elaine, I think you might like this stable block. -Yes, very much. Yes. | 0:13:24 | 0:13:29 | |
American barn, just my sort of dream stabling. | 0:13:30 | 0:13:33 | |
Yes, it's absolutely lovely. | 0:13:33 | 0:13:34 | |
All these have been made actually in the UK and brought out here. | 0:13:34 | 0:13:38 | |
-Oh, I wondered. Oh, you've even got this feed. -Even got your feed. | 0:13:38 | 0:13:41 | |
-Yeah, yeah, the spinning feed troughs. -And you've got six. | 0:13:41 | 0:13:45 | |
Automatic waterers. | 0:13:45 | 0:13:47 | |
Now, you didn't want to retire, you wanted an exciting new chapter, | 0:13:47 | 0:13:51 | |
I think you might be getting some more horses and ponies. | 0:13:51 | 0:13:53 | |
-I quite like the idea of running a livery, actually. -Do you? -I do. | 0:13:53 | 0:13:57 | |
-Yeah. -Well, the question is, is there enough land? | 0:13:57 | 0:14:00 | |
-That's a good question. -To do that here? | 0:14:00 | 0:14:02 | |
That is a good question. | 0:14:02 | 0:14:03 | |
So, let's go outside, into the sunshine, | 0:14:03 | 0:14:05 | |
and see what we have. | 0:14:05 | 0:14:06 | |
As well as the extensive stable block, | 0:14:08 | 0:14:11 | |
there are hay store, outbuildings, | 0:14:11 | 0:14:13 | |
and an open-sided barn, | 0:14:13 | 0:14:14 | |
which provides field shelter for the horses. | 0:14:14 | 0:14:17 | |
And the land on which all this sits | 0:14:17 | 0:14:19 | |
is pretty spectacular too. | 0:14:19 | 0:14:21 | |
-You've got a paddock behind us... -Mm-hmm. | 0:14:23 | 0:14:25 | |
..all the way around. | 0:14:25 | 0:14:27 | |
You've got these paddocks here. | 0:14:27 | 0:14:29 | |
But then, in addition to that, | 0:14:29 | 0:14:32 | |
-you've got paddocks across the road. -Oh, gosh. | 0:14:32 | 0:14:35 | |
You've got this huge field here | 0:14:35 | 0:14:37 | |
and then you've got the field going up the hill - | 0:14:37 | 0:14:39 | |
-that's probably the largest of them all. -Mm-hmm. | 0:14:39 | 0:14:42 | |
-They have a deal with their local French farmer. -Uh-huh. | 0:14:42 | 0:14:46 | |
He cuts the grass for them and they go 50-50. | 0:14:46 | 0:14:49 | |
-They keep half the hay. -Yeah. -He keeps half. -Oh, right. -Perfect. | 0:14:49 | 0:14:52 | |
The total, the acreage, for this house | 0:14:52 | 0:14:55 | |
is 25. | 0:14:55 | 0:14:56 | |
Oh! Goodness. OK. | 0:14:56 | 0:14:58 | |
So, 25 acres, that doesn't scare you? | 0:14:58 | 0:15:01 | |
Erm...erm... | 0:15:01 | 0:15:02 | |
In association with a local farmer, | 0:15:02 | 0:15:04 | |
-I think it's fine! -No! | 0:15:04 | 0:15:06 | |
An awful lot of land, | 0:15:06 | 0:15:07 | |
an awful lot of outbuildings | 0:15:07 | 0:15:09 | |
-and a substantial farmhouse. -Yes. -Yes. | 0:15:09 | 0:15:12 | |
My goodness, what's it worth? | 0:15:12 | 0:15:14 | |
You've got to guess the price. | 0:15:14 | 0:15:15 | |
I'm going to say... | 0:15:16 | 0:15:20 | |
360,000. | 0:15:20 | 0:15:22 | |
OK. | 0:15:22 | 0:15:24 | |
I'm going to be really cheeky | 0:15:24 | 0:15:27 | |
and hope it's a little bit less than that! | 0:15:27 | 0:15:29 | |
I'm going to say 350. | 0:15:29 | 0:15:31 | |
You're both jolly close, actually. | 0:15:31 | 0:15:32 | |
The asking price is just over £356,000. | 0:15:32 | 0:15:36 | |
-Oh, good! -Ah. | 0:15:36 | 0:15:37 | |
-Keith, you're the closest. -Yeah. | 0:15:37 | 0:15:39 | |
-That's a good price. -It is. -Yeah, I mean... -I think it's realistic. | 0:15:39 | 0:15:42 | |
-Why don't you take some more time? -Uh-huh. | 0:15:42 | 0:15:44 | |
There's two boys in that back field I'm sure you want to say hello to. | 0:15:44 | 0:15:47 | |
Why don't you start off with the horses? | 0:15:47 | 0:15:49 | |
Take a good look around | 0:15:49 | 0:15:50 | |
and I'll try and find you when you're ready. | 0:15:50 | 0:15:52 | |
-OK, lovely. -Fine, good. OK. -Thank you very much. | 0:15:52 | 0:15:54 | |
Priced at £44,000 under budget, | 0:15:55 | 0:15:58 | |
this package offers a stone farmhouse | 0:15:58 | 0:16:00 | |
with four bedrooms, | 0:16:00 | 0:16:02 | |
plus room to create an annexe for Elaine's mother | 0:16:02 | 0:16:04 | |
and the extra reception rooms they need. | 0:16:04 | 0:16:07 | |
There's space for Keith's vegetable plot | 0:16:07 | 0:16:09 | |
because there are 25 acres of land, | 0:16:09 | 0:16:12 | |
but the crowning glory of this option | 0:16:12 | 0:16:14 | |
is the top notch stable block | 0:16:14 | 0:16:16 | |
already in place for the horses. | 0:16:16 | 0:16:18 | |
Well, these look like very happy, healthy horses. | 0:16:19 | 0:16:22 | |
-They must be getting good nourishment from their pasture. -Yeah. | 0:16:22 | 0:16:26 | |
Oh, gosh! | 0:16:30 | 0:16:32 | |
Space! | 0:16:32 | 0:16:33 | |
-A lovely big, empty space... -Yeah. | 0:16:33 | 0:16:36 | |
..that you could do whatever you want with. | 0:16:36 | 0:16:38 | |
We could put your mother in here! | 0:16:38 | 0:16:40 | |
SHE LAUGHS My mother would love it in here! | 0:16:40 | 0:16:41 | |
It would need a bit of work! THEY LAUGH | 0:16:41 | 0:16:44 | |
The upstairs of the house is really nice. | 0:16:44 | 0:16:47 | |
We like the bedrooms very much. | 0:16:47 | 0:16:48 | |
The downstairs... | 0:16:48 | 0:16:50 | |
beautiful sitting-room, loved that. | 0:16:50 | 0:16:54 | |
But, for us, | 0:16:54 | 0:16:56 | |
maybe not enough rooms downstairs. | 0:16:56 | 0:16:58 | |
We could think about using | 0:16:58 | 0:17:00 | |
some of the undeveloped space, | 0:17:00 | 0:17:02 | |
but we'd need to think seriously about | 0:17:02 | 0:17:05 | |
whether we're up to that kind of project. | 0:17:05 | 0:17:09 | |
To be honest, I didn't expect to see such wonderful facilities. | 0:17:09 | 0:17:13 | |
The stabling is great. | 0:17:13 | 0:17:15 | |
It's just the sort of thing I'd design myself. | 0:17:15 | 0:17:18 | |
The paddocks are lovely. | 0:17:18 | 0:17:20 | |
I'd say this is definitely on the shortlist. | 0:17:20 | 0:17:22 | |
I know we've only seen one, | 0:17:22 | 0:17:24 | |
but, yes, this is definitely one to think about. | 0:17:24 | 0:17:27 | |
-Ah, I thought I might find you in here! -THEY LAUGH | 0:17:27 | 0:17:30 | |
-I'm going to have to drag you away, I'm afraid. -OK. -OK. | 0:17:30 | 0:17:33 | |
This has set the bar pretty high, hasn't it? | 0:17:33 | 0:17:35 | |
-It has, yes. The stables are wonderful. -Yeah. -Yeah. | 0:17:35 | 0:17:38 | |
Good. Right, shall we hit the road? | 0:17:38 | 0:17:40 | |
-Absolutely, yes. -Let's do that. -Fine. | 0:17:40 | 0:17:41 | |
For our next property, | 0:17:54 | 0:17:55 | |
we're travelling ten minutes north | 0:17:55 | 0:17:57 | |
to the town of Saint-Sever-Calvados. | 0:17:57 | 0:17:59 | |
It's a small town, which centres on the Notre Dame church, | 0:18:00 | 0:18:03 | |
with its distinctive separate bell tower. | 0:18:03 | 0:18:05 | |
There are bakeries, banks, a post office | 0:18:07 | 0:18:09 | |
and other shops and services, | 0:18:09 | 0:18:11 | |
making it a great place for day-to-day needs. | 0:18:11 | 0:18:13 | |
Our next house is less than a five-minute drive away, | 0:18:15 | 0:18:17 | |
yet still has a wonderful rural setting. | 0:18:17 | 0:18:20 | |
-I'm lost for words. -NICKI LAUGHS | 0:18:23 | 0:18:26 | |
Standing here, I feel very proud | 0:18:26 | 0:18:27 | |
showing you this property. | 0:18:27 | 0:18:29 | |
It's absolutely lovely. | 0:18:29 | 0:18:31 | |
It looks so beautifully maintained everywhere. | 0:18:31 | 0:18:34 | |
Is it brand-new? | 0:18:34 | 0:18:35 | |
This actually dates back to the 16th century, can you believe? | 0:18:35 | 0:18:39 | |
-It's amazing, isn't it? -It's lovely. | 0:18:39 | 0:18:41 | |
It's a lovely position as well. | 0:18:41 | 0:18:43 | |
-That's taken your breath away, Keith, hasn't it? -Yes, I'm speechless. | 0:18:43 | 0:18:46 | |
As we came round the corner, | 0:18:46 | 0:18:47 | |
it kind of got longer and longer! | 0:18:47 | 0:18:49 | |
-I thought, "Is it ever going to stop?" -Yeah. | 0:18:49 | 0:18:52 | |
Very good. | 0:18:52 | 0:18:53 | |
-Yes. -Yes, it's definitely got the wow factor, hasn't it? | 0:18:53 | 0:18:56 | |
-It has got the wow factor. -Yeah. | 0:18:56 | 0:18:58 | |
-Shall we step inside? -Love to. -Yes, please. | 0:18:58 | 0:18:59 | |
-I'm looking forward to showing you two around this property. -Good. | 0:18:59 | 0:19:03 | |
The building has been renovated over the last ten years, | 0:19:05 | 0:19:08 | |
including new slates on its huge roof. | 0:19:08 | 0:19:10 | |
And, inside, local French artisans have done a great job too. | 0:19:12 | 0:19:16 | |
-Step into your kitchen! -THEY LAUGH | 0:19:16 | 0:19:19 | |
-Come on in! -Oh, wow! | 0:19:19 | 0:19:21 | |
SHE LAUGHS | 0:19:21 | 0:19:23 | |
-Yes. -Yes. I like this. | 0:19:23 | 0:19:25 | |
This is lovely... | 0:19:25 | 0:19:27 | |
in every way. | 0:19:27 | 0:19:29 | |
I love these double height rooms, they're fantastic. | 0:19:29 | 0:19:32 | |
-Especially in the kitchen. -Yeah. -It's great, isn't it? -Yeah. | 0:19:32 | 0:19:34 | |
It's really lovely. | 0:19:34 | 0:19:35 | |
And it's been divided up, so you've got your dining area here, | 0:19:35 | 0:19:39 | |
-but still an open plan kitchen. -Mmm. | 0:19:39 | 0:19:42 | |
Lovely. Right, well, big thumbs up? | 0:19:42 | 0:19:44 | |
-Absolutely. -Yes, I like that! | 0:19:44 | 0:19:47 | |
Right, keep going. | 0:19:47 | 0:19:48 | |
So, here is your drawing-room... | 0:19:54 | 0:19:57 | |
complete with wood burner. | 0:19:57 | 0:20:00 | |
-Oh, yes. -This is very nice. | 0:20:00 | 0:20:01 | |
It kind of has two halves to it. | 0:20:02 | 0:20:05 | |
Yes, it's actually quite a warm-feeling room, isn't it? | 0:20:05 | 0:20:08 | |
-So do you like it? -Yeah, I like it, I like it. | 0:20:08 | 0:20:10 | |
Yes, this area particularly is really, | 0:20:10 | 0:20:12 | |
-kind of, cosy and snug, isn't it? -Yeah, yeah. | 0:20:12 | 0:20:15 | |
I mean, you couldn't fault it. It's beautifully done. | 0:20:15 | 0:20:18 | |
Yes, it is, it's lovely. | 0:20:18 | 0:20:19 | |
I've got loads more to show you. | 0:20:19 | 0:20:20 | |
-Let's try upstairs, shall we? -OK. -Good idea. | 0:20:20 | 0:20:23 | |
'This house is on three levels. | 0:20:23 | 0:20:25 | |
'The remainder of the ground floor is an unconverted storage space. | 0:20:25 | 0:20:31 | |
'Up on the first floor are two of this property's four bedrooms, | 0:20:31 | 0:20:34 | |
'including a double and the master, | 0:20:34 | 0:20:36 | |
'which has a large en suite bathroom and a dressing room. | 0:20:36 | 0:20:41 | |
'There's a further bathroom on this floor, as well as a summer kitchen. | 0:20:41 | 0:20:45 | |
'As the land at this end of the house is higher, | 0:20:45 | 0:20:47 | |
'there's a door out onto a decked area, | 0:20:47 | 0:20:49 | |
'offering perfect accessible accommodation for Elaine's mother. | 0:20:49 | 0:20:53 | |
'But we're going across the first floor study area, | 0:20:53 | 0:20:56 | |
'all the way up to the second floor.' | 0:20:56 | 0:20:59 | |
Come on up... | 0:20:59 | 0:21:03 | |
-because this is the big reveal. -Oh, lovely. -Oh, right! | 0:21:03 | 0:21:08 | |
Oh, look at that! | 0:21:08 | 0:21:10 | |
-There we are, this is an old mill house. -Yes. | 0:21:10 | 0:21:14 | |
-Ah... -Right. -OK... | 0:21:14 | 0:21:17 | |
-Now it makes sense. -It does make sense. | 0:21:17 | 0:21:19 | |
16th century, run by the monks, there used to be four waterwheels, | 0:21:19 | 0:21:24 | |
-there's still one in existence. -Oh, right. | 0:21:24 | 0:21:27 | |
You may just about hear it. | 0:21:27 | 0:21:29 | |
Now you mention it... | 0:21:29 | 0:21:31 | |
I've kept you away from all the windows | 0:21:31 | 0:21:33 | |
because I'm going to go outside in a minute and show it to you. | 0:21:33 | 0:21:37 | |
I'm intrigued by the mechanics of it. | 0:21:37 | 0:21:40 | |
I want to find out what is still working and what isn't. | 0:21:40 | 0:21:44 | |
-The good news is, quite a lot of it is working. -Mm. | 0:21:44 | 0:21:47 | |
They try to be as self-sufficient as possible | 0:21:47 | 0:21:50 | |
here in this property, the current owners. | 0:21:50 | 0:21:52 | |
It produces so much electricity, it runs the house | 0:21:52 | 0:21:56 | |
-and they sell the rest back to the grid. -Oh, goodness! | 0:21:56 | 0:21:59 | |
-I like it. -It's actually a proper working watermill. -Yes, I like that. | 0:21:59 | 0:22:02 | |
A working watermill. | 0:22:02 | 0:22:04 | |
On this level you've got another bathroom, two further bedrooms and | 0:22:04 | 0:22:09 | |
the one at the end is a really good size with that beautiful A-frame. | 0:22:09 | 0:22:14 | |
So we've still got more to explore | 0:22:14 | 0:22:16 | |
and we've got to discuss what's outside as well, haven't we? | 0:22:16 | 0:22:19 | |
-Yes, I'm looking forward to that. -Oh, yes, absolutely. | 0:22:19 | 0:22:22 | |
So inside the house, the layout is a little bit unusual | 0:22:24 | 0:22:27 | |
and outside it's the same. | 0:22:27 | 0:22:29 | |
There are lots of different sections in the 4.9 acres | 0:22:30 | 0:22:34 | |
this property offers. | 0:22:34 | 0:22:36 | |
-Who loves growing vegetables? -Me, me! | 0:22:38 | 0:22:41 | |
You've got a vegetable patch all along here. | 0:22:41 | 0:22:43 | |
The current owners are organic. | 0:22:43 | 0:22:45 | |
You've got your greenhouse here, you've got a building here, | 0:22:45 | 0:22:48 | |
a little outbuilding, it's got a tractor in it at the moment. | 0:22:48 | 0:22:51 | |
-For about £3,000, you could turn that into a stable block... -OK. | 0:22:51 | 0:22:56 | |
-..if you wanted to. -Right. -Yeah. | 0:22:56 | 0:22:58 | |
Because standing here, you might have gathered, | 0:22:58 | 0:23:01 | |
-there isn't, at the moment, a stable block. -No, OK. | 0:23:01 | 0:23:04 | |
-The land carries on behind those trees... -Yeah. | 0:23:04 | 0:23:07 | |
There's a parcel of it on the other side of the stream | 0:23:07 | 0:23:10 | |
-and, just across the road, there's a paddock as well. -Right. -Right. | 0:23:10 | 0:23:14 | |
So you wanted the grandiose house. | 0:23:14 | 0:23:17 | |
-We've got quite close, haven't we, Keith? -We have, yes. | 0:23:17 | 0:23:20 | |
The compromise would be a little bit of work for the horses. | 0:23:20 | 0:23:24 | |
So, in a way, we've got to find out | 0:23:24 | 0:23:26 | |
whether this property is under, on or over your budget. | 0:23:26 | 0:23:30 | |
It's a difficult one. | 0:23:30 | 0:23:32 | |
I'd say pretty well on our budget, so 400,000. | 0:23:32 | 0:23:37 | |
So I'm going to go for 415. | 0:23:37 | 0:23:41 | |
Well, the asking price is... | 0:23:41 | 0:23:44 | |
offers in the region of £345,000. | 0:23:44 | 0:23:47 | |
-Oh, wow! -Oh, God. | 0:23:47 | 0:23:50 | |
-Oh! -Yes... | 0:23:50 | 0:23:53 | |
-That really is food for thought, now. -Yes. | 0:23:53 | 0:23:55 | |
So would you like another look around? | 0:23:55 | 0:23:57 | |
-Yes, we would. -Yes. -Please do. -With fresh eyes. -Good. | 0:23:57 | 0:24:01 | |
I'm pleased. I love this property. | 0:24:01 | 0:24:04 | |
At £60,000 under budget, | 0:24:09 | 0:24:11 | |
this converted mill is a unique property, giving the four bedrooms | 0:24:11 | 0:24:15 | |
and the opportunity for an accessible annexe that they wanted. | 0:24:15 | 0:24:19 | |
Plus, there are three reception rooms, including a dining room. | 0:24:19 | 0:24:22 | |
Outside, the 4.9 acres contains an up and running vegetable plot | 0:24:22 | 0:24:27 | |
and pasture land for the horses, but there's work to be done | 0:24:27 | 0:24:30 | |
to create a stable block and fence-in the land. | 0:24:30 | 0:24:33 | |
Gosh, that's a feature and a half | 0:24:38 | 0:24:39 | |
to have on the back of the house, isn't it? | 0:24:39 | 0:24:42 | |
It is, isn't it? That's what you call a water feature. | 0:24:42 | 0:24:46 | |
Well, our first impressions of the house were just amazing | 0:24:48 | 0:24:51 | |
because it just seemed to go on and on and on forever | 0:24:51 | 0:24:54 | |
as we approached it. | 0:24:54 | 0:24:56 | |
It is an amazing, truly amazing house. | 0:24:56 | 0:24:59 | |
It's been wonderfully and very thoughtfully renovated. | 0:24:59 | 0:25:03 | |
And, of course, then you've got the added bonus of all the | 0:25:03 | 0:25:07 | |
original heritage features of the watermill, | 0:25:07 | 0:25:10 | |
which makes it a very special and spectacular property. | 0:25:10 | 0:25:15 | |
As far as the grounds are concerned, | 0:25:15 | 0:25:17 | |
it's got everything that I would want in terms of my hobby | 0:25:17 | 0:25:21 | |
of growing vegetables and fruit and all of that. | 0:25:21 | 0:25:24 | |
It's probably got more than I would need, to be honest. | 0:25:24 | 0:25:27 | |
The horses are another matter. | 0:25:27 | 0:25:31 | |
I must admit, I was disappointed there are no stables. | 0:25:31 | 0:25:34 | |
The land is in small pockets and not many of them, quite honestly, | 0:25:34 | 0:25:38 | |
are suitable for grazing for horses. | 0:25:38 | 0:25:42 | |
If it wasn't for the horses, the house on its own would be | 0:25:42 | 0:25:45 | |
fantastic but, as you know, the horses are quite high on my list. | 0:25:45 | 0:25:51 | |
-So have you both seen enough? -For now, certainly. | 0:25:51 | 0:25:54 | |
Some very interesting houses here in Normandy. | 0:25:54 | 0:25:57 | |
It's been a good day, hasn't it? | 0:25:57 | 0:25:59 | |
-Really good. -It's been a very good day. -Very interesting. | 0:25:59 | 0:26:01 | |
-Excellent. Let's hit the road. -OK. | 0:26:01 | 0:26:03 | |
To offer our buyers a feel of how it might be to live in France, | 0:26:12 | 0:26:16 | |
we're ending the day in the village of Landes-sur-Ajon. | 0:26:16 | 0:26:20 | |
We thought that rather than, perhaps, you staying at a hotel, | 0:26:20 | 0:26:23 | |
that you might like some time on your own to reflect, | 0:26:23 | 0:26:26 | |
-perhaps go out, explore, a little bit of shopping... -Mhm. | 0:26:26 | 0:26:29 | |
-..so we've organised a cottage for you... -Oh, lovely. -Oh, very nice. | 0:26:29 | 0:26:33 | |
..in a very pretty hamlet next to the church. | 0:26:33 | 0:26:35 | |
So enjoy, have a lovely restful evening. | 0:26:35 | 0:26:38 | |
-Thank you, Nicki. -Thank you, Nicki, bye-bye. | 0:26:38 | 0:26:42 | |
Oh, that's nice. Cook up a storm here for a few days. | 0:26:42 | 0:26:44 | |
Yes. | 0:26:44 | 0:26:46 | |
Having seen two good options today, | 0:26:46 | 0:26:48 | |
Elaine and Keith now have a chance to reflect | 0:26:48 | 0:26:51 | |
on the huge decision they're making. | 0:26:51 | 0:26:53 | |
I know there's a danger of, you know, just because you really love | 0:26:53 | 0:26:57 | |
somewhere when you've come on holiday, | 0:26:57 | 0:27:00 | |
doesn't mean that you can make a life there. | 0:27:00 | 0:27:03 | |
I do genuinely feel that this is somewhere that | 0:27:03 | 0:27:05 | |
-I'd really like to live. -I'm glad you feel that way. | 0:27:05 | 0:27:09 | |
In the past, I have felt, sometimes, that I've been driving it. | 0:27:09 | 0:27:12 | |
I got the feeling I was the one who was, "Let's do it, let's do it." | 0:27:12 | 0:27:16 | |
And now we're both, kind of, back up in the "Let's do it" mood. | 0:27:16 | 0:27:20 | |
-I think this is about ready. -We need to cook pasta, don't we? | 0:27:20 | 0:27:23 | |
It's the second day of our house-hunt in the French | 0:27:34 | 0:27:36 | |
region of Normandy, helping Keith and Elaine relocate from Norfolk | 0:27:36 | 0:27:40 | |
with a budget of £400,000. | 0:27:40 | 0:27:43 | |
Whilst we're here, they're staying in their own cottage to get | 0:27:43 | 0:27:46 | |
a taste of authentic French life. | 0:27:46 | 0:27:48 | |
By choosing Normandy, Keith and Elaine have selected a region | 0:27:52 | 0:27:56 | |
with fine equestrian credentials. | 0:27:56 | 0:27:58 | |
Normandy is horse country and the area of Orne | 0:27:58 | 0:28:02 | |
boasts more horse residents than people. | 0:28:02 | 0:28:04 | |
It's also home to over 2,500 stud farms, | 0:28:04 | 0:28:08 | |
including the most famous of France's national studs, | 0:28:08 | 0:28:11 | |
the Haras du Pin. | 0:28:11 | 0:28:13 | |
As horses here are Elaine's passion, | 0:28:13 | 0:28:15 | |
I'm taking her to meet horse owner and expat Helen, | 0:28:15 | 0:28:18 | |
who moved out here eight years ago | 0:28:18 | 0:28:20 | |
and occasionally guides tours here of the National Stud. | 0:28:20 | 0:28:23 | |
-Helen, lovely to meet you. -Hi, nice to meet you, Nicki. | 0:28:23 | 0:28:26 | |
-Can I introduce you to Elaine? -Hi, Elaine. -Hi, good to meet you. | 0:28:26 | 0:28:29 | |
Now, when he suggested that we met you at the National Stud, | 0:28:29 | 0:28:32 | |
I didn't expect it to look like this. | 0:28:32 | 0:28:34 | |
Well, no. This is... The Haras du Pin, the National Stud of Le Pin, | 0:28:34 | 0:28:38 | |
the little village up the road. | 0:28:38 | 0:28:40 | |
It's the oldest and largest of the 22 that we have in France. | 0:28:40 | 0:28:45 | |
-It looks very grand, doesn't it? -It's magnificent. -It looks regal. | 0:28:45 | 0:28:48 | |
Yes, well, it's funny should say that because it was commissioned | 0:28:48 | 0:28:51 | |
by Louis XIV, 1715 was when it was finished and he used | 0:28:51 | 0:28:54 | |
the same architect as was used on the Palace of Versailles. | 0:28:54 | 0:28:58 | |
It has, actually, become known as the "Versailles for Horses". | 0:28:58 | 0:29:01 | |
Elaine is passionate about horses | 0:29:01 | 0:29:03 | |
-and so am I, so we're really looking forward to it. -Great. | 0:29:03 | 0:29:06 | |
Well, you're going to be in for a treat. | 0:29:06 | 0:29:08 | |
The national studs were created to breed horses | 0:29:08 | 0:29:11 | |
for military campaigns. | 0:29:11 | 0:29:13 | |
Later they bred for farming and industry and, finally, | 0:29:13 | 0:29:16 | |
for sport and leisure. Here in Le Pin, | 0:29:16 | 0:29:18 | |
there are around 30 stallions | 0:29:18 | 0:29:20 | |
used for stud across ten different breeds. | 0:29:20 | 0:29:24 | |
Every Thursday, the courtyard is transformed into an | 0:29:24 | 0:29:28 | |
outdoor theatre, showcasing some of the 230 horses kept here. | 0:29:28 | 0:29:32 | |
The performances also include carriage driving, | 0:29:36 | 0:29:39 | |
which is a tradition kept alive by officers at the stud. | 0:29:39 | 0:29:42 | |
APPLAUSE | 0:29:44 | 0:29:46 | |
-Helen, that was amazing! -I know. Every time I see it, | 0:29:46 | 0:29:49 | |
it's just staggering, absolutely. | 0:29:49 | 0:29:51 | |
Shall we go back to your stables? | 0:29:53 | 0:29:55 | |
-Yes, absolutely. -Oh, wonderful. | 0:29:55 | 0:29:58 | |
We're heading a few miles down the road to Helen and her | 0:29:58 | 0:30:01 | |
husband Jules' home, | 0:30:01 | 0:30:02 | |
which they bought and renovated when they moved here. | 0:30:02 | 0:30:05 | |
Elaine knows about living and looking after horses in the UK, | 0:30:05 | 0:30:08 | |
but wants to know more about the realities of doing it in France. | 0:30:08 | 0:30:12 | |
So, Helen, who have we got here? You're handsome. | 0:30:12 | 0:30:15 | |
-Well, this is Solomon. -And then the other little one next-door? | 0:30:15 | 0:30:18 | |
This is our old lady, and she's Hattie and we reckon | 0:30:18 | 0:30:21 | |
-she's probably about 20/24, something like that. -Is she? -Yeah. | 0:30:21 | 0:30:24 | |
Do you know many people that have actually brought their horses | 0:30:24 | 0:30:27 | |
over with them from the UK? | 0:30:27 | 0:30:29 | |
Yeah, there are quite a few people that have brought them over. | 0:30:29 | 0:30:32 | |
Some people have experienced difficulties with their passports | 0:30:32 | 0:30:35 | |
and things, but generally I've heard, you know, good things. | 0:30:35 | 0:30:38 | |
Is it quite mild here then in the winter? | 0:30:38 | 0:30:41 | |
-Erm... No. -Right. | 0:30:41 | 0:30:43 | |
Last winter was exceptional in that it was mild, | 0:30:43 | 0:30:46 | |
but we have been here and I think it's been -17 and | 0:30:46 | 0:30:51 | |
we have very hot summers. When it is hot, it's very hot | 0:30:51 | 0:30:53 | |
and sometimes it'll be 35, something like that. | 0:30:53 | 0:30:55 | |
Because you always hear Normandy having very mild temperatures, | 0:30:55 | 0:30:58 | |
but they're quite extreme. | 0:30:58 | 0:31:00 | |
Yeah, that's extreme in midwinter, but it is wet. | 0:31:00 | 0:31:03 | |
-It's wetter than England. -Yes. -Is it? -Yes. -There you go... | 0:31:03 | 0:31:07 | |
Actually, Norfolk, East Anglia, is the driest part of England, | 0:31:07 | 0:31:10 | |
so it would be going from one extreme to the other, wouldn't it? | 0:31:10 | 0:31:13 | |
Yes, you'll notice a big change then. | 0:31:13 | 0:31:15 | |
Helen, this has been so, so helpful, but if you don't mind, | 0:31:15 | 0:31:18 | |
we'd like to pick your brains just that little bit more | 0:31:18 | 0:31:21 | |
about what it takes to make the move | 0:31:21 | 0:31:23 | |
and what life in Normandy is really like, if that's all right with you. | 0:31:23 | 0:31:26 | |
-That's absolutely fine. Let's get these back to the field, shall we? -I'll leave you two to it. | 0:31:26 | 0:31:30 | |
Moving to Normandy is not all about the horses. | 0:31:30 | 0:31:33 | |
Elaine and Keith will be transferring their lives here | 0:31:33 | 0:31:36 | |
lock, stock, and barrel, a process that's quite daunting. | 0:31:36 | 0:31:40 | |
With eight years' experience, we're hoping Helen and her husband Jules | 0:31:40 | 0:31:43 | |
-can offer them some useful tips. -Hi. -Hi. | 0:31:43 | 0:31:46 | |
-It's Jules, isn't it? -It is, indeed, hello. -Lovely to meet you | 0:31:46 | 0:31:49 | |
-and what a fine spread. -Nice to meet you too, hello. | 0:31:49 | 0:31:51 | |
-Hi, Jules, I'm Elaine. -Hello, Elaine, hi. | 0:31:51 | 0:31:54 | |
-Goodness, we've been spoiled here. -Gosh, this looks nice. -Yeah. | 0:31:54 | 0:31:56 | |
You're most welcome. | 0:31:56 | 0:31:58 | |
I was going to ask, what was it that made you choose here, Normandy? | 0:31:58 | 0:32:01 | |
I suppose, in a way, we weren't brave enough to take a step | 0:32:01 | 0:32:05 | |
far south, we wanted to stay within a reasonable commuting distance, | 0:32:05 | 0:32:09 | |
and for the last seven years | 0:32:09 | 0:32:11 | |
I have been commuting back and forth to England, working. | 0:32:11 | 0:32:13 | |
-How do you do that? Do you fly, do you use the ferry? -No, no, I ferry, I drive and ferry. | 0:32:13 | 0:32:17 | |
Can I ask, I hope it's not being too personal, | 0:32:17 | 0:32:19 | |
but do you get paid in the UK or do you get paid in France? | 0:32:19 | 0:32:21 | |
-No, I work and I'm paid in the UK... -Right. | 0:32:21 | 0:32:24 | |
..and I'm a UK taxpayer. | 0:32:24 | 0:32:26 | |
It's one of those quirks of the system, that you can continue | 0:32:26 | 0:32:31 | |
to work and pay national insurance and tax in the UK | 0:32:31 | 0:32:34 | |
and the French will accept that. | 0:32:34 | 0:32:36 | |
Once you start to work over here, then it becomes a different | 0:32:36 | 0:32:40 | |
situation and then you have to come within the French tax system. | 0:32:40 | 0:32:43 | |
They now tax pension lump sums, for example, | 0:32:43 | 0:32:46 | |
which, again, was something that | 0:32:46 | 0:32:47 | |
wasn't the situation even five years ago. | 0:32:47 | 0:32:51 | |
So I think it's important to get the right advice on tax matters | 0:32:51 | 0:32:56 | |
-because you can make some fairly desperate mistakes, financially. -Yes. | 0:32:56 | 0:33:00 | |
What about the property, are there any tax implications with that? | 0:33:00 | 0:33:03 | |
Very much so. | 0:33:03 | 0:33:05 | |
They do levy council tax, or the equivalent of council tax, | 0:33:05 | 0:33:08 | |
on all the outbuildings. | 0:33:08 | 0:33:10 | |
So if you innocently build barns or sheds, | 0:33:10 | 0:33:14 | |
you will suddenly find you're paying what's called a taxe fonciere | 0:33:14 | 0:33:17 | |
-on those buildings. -Yes. | 0:33:17 | 0:33:18 | |
It's not an enormous tax, but it's something, again, | 0:33:18 | 0:33:21 | |
you need to be aware of. | 0:33:21 | 0:33:22 | |
-I didn't know that. -So how much do you love that stable block now? | 0:33:22 | 0:33:25 | |
I still love it but, obviously, I'm going to have to pay for it. | 0:33:25 | 0:33:28 | |
Coming to France, culturally it's different, different heritage, | 0:33:28 | 0:33:31 | |
different history, the language... | 0:33:31 | 0:33:33 | |
What difference has it made to the lives that you lead | 0:33:33 | 0:33:36 | |
and your lifestyle, your well-being, coming here? | 0:33:36 | 0:33:40 | |
The pace is much slower over here. | 0:33:40 | 0:33:42 | |
We often joke that sometimes it's like Britain was | 0:33:42 | 0:33:45 | |
-in the '50s and '60s. -Yeah. | 0:33:45 | 0:33:47 | |
Shops don't open on a Sunday and sometimes not on a Monday, | 0:33:47 | 0:33:49 | |
and sometimes not on a Wednesday afternoon. | 0:33:49 | 0:33:51 | |
Whilst that can be incredibly frustrating, | 0:33:51 | 0:33:53 | |
if you need something on a Sunday or Monday, | 0:33:53 | 0:33:56 | |
ultimately it infuses into you that sense of calm. | 0:33:56 | 0:34:00 | |
It's really lovely to hear mine and Keith's thoughts, kind of, | 0:34:00 | 0:34:04 | |
reinforced by yourselves, really. | 0:34:04 | 0:34:07 | |
-And you've actually confirmed the way we feel about it... -Thank you. | 0:34:07 | 0:34:10 | |
..which is really lovely, so thank you. | 0:34:10 | 0:34:12 | |
-It's the best news for us, isn't it? -It is. | 0:34:12 | 0:34:14 | |
And that's such great advice, so thank you so much. | 0:34:14 | 0:34:17 | |
I think before we go, because you've gone to such a great effort, | 0:34:17 | 0:34:20 | |
we should, perhaps, have a cake or three. | 0:34:20 | 0:34:23 | |
Thank you. | 0:34:23 | 0:34:26 | |
And when our buyers join over 250,000 British expats | 0:34:26 | 0:34:31 | |
in France, there are a few details they'll need to consider. | 0:34:31 | 0:34:35 | |
Buying a property here incurs fees and taxes of around 8% | 0:34:35 | 0:34:39 | |
plus agents fees, which vary from 4% to a hefty 12%. | 0:34:39 | 0:34:44 | |
As many as 50% of French houses are sold privately to avoid these | 0:34:44 | 0:34:48 | |
fees, so keep your eyes peeled for "For Sale" signs. | 0:34:48 | 0:34:53 | |
Healthcare is also a consideration, particularly for retirees, | 0:34:53 | 0:34:58 | |
as the French system involves some private top-up insurance. | 0:34:58 | 0:35:01 | |
Making sure you have provision for this is essential. | 0:35:01 | 0:35:04 | |
For our next offering, I'm taking Elaine and Keith to the town of | 0:35:10 | 0:35:14 | |
Gavray, which is the closest of all of the locations to the coast. | 0:35:14 | 0:35:18 | |
It's a delightful and well-used agricultural town with weekly | 0:35:18 | 0:35:21 | |
livestock markets, as well as farmers' produce markets. | 0:35:21 | 0:35:25 | |
There are a variety of shops and services, such as bakeries, | 0:35:25 | 0:35:29 | |
hairdressers and banks, serving a population of less than 1,500. | 0:35:29 | 0:35:34 | |
LAUGHTER | 0:35:34 | 0:35:35 | |
We have some friends. | 0:35:35 | 0:35:38 | |
Five minutes up a hill, to a spectacular elevated position, | 0:35:38 | 0:35:42 | |
is our next property. | 0:35:42 | 0:35:44 | |
What you make of the actual house itself? | 0:35:44 | 0:35:47 | |
-First impressions are it looks a little small... -Yes. | 0:35:47 | 0:35:50 | |
..but that could be deceptive. | 0:35:50 | 0:35:52 | |
We'll, you know, keep our countenance until we see the inside. | 0:35:52 | 0:35:55 | |
Well, let's step inside and see what you make of the interior. | 0:35:55 | 0:35:58 | |
-OK. -OK. | 0:35:58 | 0:36:01 | |
Made from local stone and slate, this single-storey house is modest | 0:36:01 | 0:36:05 | |
but, with a little reconfiguring, it could give them everything | 0:36:05 | 0:36:09 | |
they need, and inside the rooms are surprisingly spacious. | 0:36:09 | 0:36:13 | |
Right, so you walk through a tack/boot room | 0:36:13 | 0:36:17 | |
into your French country kitchen. | 0:36:17 | 0:36:21 | |
-Actually, it's a very nice kitchen. -It is very nice, yeah. | 0:36:21 | 0:36:24 | |
It's larger than I expected, from the impression of the outside | 0:36:24 | 0:36:28 | |
of the property, but it's a lovely kitchen. | 0:36:28 | 0:36:30 | |
It's a nice, solid-looking kitchen. | 0:36:30 | 0:36:32 | |
It is more French than English, as well. | 0:36:32 | 0:36:35 | |
It is, yes. How old is the house? | 0:36:35 | 0:36:37 | |
-Well, use the word house... -Ah... | 0:36:37 | 0:36:39 | |
This is the point where I tell you that it used to be a barn. | 0:36:39 | 0:36:44 | |
-We're in a barn conversion. -Oh! | 0:36:44 | 0:36:47 | |
And I thought, "I won't say that outside because | 0:36:47 | 0:36:50 | |
"it might put Keith off." | 0:36:50 | 0:36:52 | |
But it was actually a barn and it dates to around the 1700s. | 0:36:52 | 0:36:56 | |
-I see. -But, as you can see, it's been converted really well. | 0:36:56 | 0:36:59 | |
Is there another formal dining space? | 0:36:59 | 0:37:02 | |
So you've got a dining area in here but, you're right, | 0:37:02 | 0:37:05 | |
just through this door, a little bit more. | 0:37:05 | 0:37:07 | |
It's got wooden floorboards throughout here and, in a way, | 0:37:12 | 0:37:15 | |
this room... This drawing room has been divided into two, | 0:37:15 | 0:37:19 | |
dominated by that huge fireplace. | 0:37:19 | 0:37:22 | |
-Yes, yeah. -How do you feel, though? Because this isn't a grand house. | 0:37:22 | 0:37:28 | |
This is a large room. I mean, it is, but I think it... | 0:37:28 | 0:37:32 | |
For me, the overpowering feeling is that it's cramped. | 0:37:32 | 0:37:37 | |
As the property, the cottage, stands at the moment, | 0:37:37 | 0:37:40 | |
there's two large double bedrooms, a utility room | 0:37:40 | 0:37:44 | |
-and a family bathroom, literally on the other side of that wall. -OK. | 0:37:44 | 0:37:48 | |
-Oh, right. -Right. -OK. | 0:37:48 | 0:37:50 | |
You know what? We'd have to live differently if we bought this house. | 0:37:50 | 0:37:54 | |
Well, in a way, we were thinking that this is your property | 0:37:54 | 0:37:59 | |
-because we've got something up our sleeve for your guests. -Ah! | 0:37:59 | 0:38:05 | |
Back through the door. | 0:38:05 | 0:38:07 | |
The downstairs bedrooms could become reception rooms | 0:38:07 | 0:38:09 | |
as there's sufficient space in the roof to create a master bedroom | 0:38:09 | 0:38:13 | |
up there, but I'm sensing this place just isn't grand enough for Keith. | 0:38:13 | 0:38:17 | |
If they did carry out renovations, though, there is somewhere | 0:38:17 | 0:38:20 | |
handy they could stay during the works. | 0:38:20 | 0:38:22 | |
So an added surprise at the rear of your property, | 0:38:22 | 0:38:25 | |
-you have your own gite. -So we do. -Yeah. | 0:38:25 | 0:38:28 | |
Again, deceiving on the outside. | 0:38:28 | 0:38:31 | |
-It's actually got three double bedrooms. -Good Lord, has it really? | 0:38:31 | 0:38:34 | |
Yes. | 0:38:34 | 0:38:36 | |
It's surprising. They are obviously very adept at making buildings | 0:38:36 | 0:38:40 | |
that look quite small actually have a lot inside. | 0:38:40 | 0:38:43 | |
-There's the added bonus of a small pool as well. -Oh, OK. | 0:38:43 | 0:38:48 | |
So if you did have friends with young children... | 0:38:48 | 0:38:50 | |
Oh, yes, yes, I do have friends with young children. | 0:38:50 | 0:38:52 | |
..it could be perfect, couldn't it? | 0:38:52 | 0:38:54 | |
'The separate guest gite would be useful for longer staying guests, | 0:38:54 | 0:38:58 | |
'like Elaine's mother. | 0:38:58 | 0:39:00 | |
'For outside entertaining, there's a decked area | 0:39:00 | 0:39:02 | |
'to the side of the main house. | 0:39:02 | 0:39:04 | |
'That leaves us with the equestrian facilities that are on offer.' | 0:39:04 | 0:39:08 | |
So we finally get round to the equestrian side, | 0:39:08 | 0:39:12 | |
-a stable block, of sorts, in front of us. -OK. | 0:39:12 | 0:39:15 | |
At the moment, the one on the right is for storage - | 0:39:15 | 0:39:18 | |
I think there's a tractor and a mower in there. | 0:39:18 | 0:39:20 | |
You've got additional storage here, it's all very dry. | 0:39:20 | 0:39:23 | |
And then, just on the left, you've got four stables, | 0:39:23 | 0:39:27 | |
two are larger than the other, but with access to the back fields. | 0:39:27 | 0:39:30 | |
-Oh, right. -I see. -So you can leave it open and then the horse can | 0:39:30 | 0:39:33 | |
-come in during the night. -That's really nice, that's really nice. | 0:39:33 | 0:39:36 | |
And, of course, land. Now, ideally, you wanted three acres | 0:39:36 | 0:39:39 | |
-for your two horses. -At least, yeah. -This is 4.9 acres. | 0:39:39 | 0:39:42 | |
Right, OK. | 0:39:42 | 0:39:44 | |
So the way it's set up is, you've got a paddock in front of us, | 0:39:44 | 0:39:47 | |
goes all the way down to the road. | 0:39:47 | 0:39:49 | |
It's quite well fenced actually. | 0:39:49 | 0:39:51 | |
It goes along, it goes behind us. | 0:39:51 | 0:39:52 | |
You've got another separate paddock at the back of the property | 0:39:52 | 0:39:55 | |
and then an additional one, | 0:39:55 | 0:39:57 | |
and I think the owners have, it must be at least four horses here. | 0:39:57 | 0:40:01 | |
-Yeah. -Yes. | 0:40:01 | 0:40:02 | |
-We've got to try and put a price on this property with the gite... -Yeah. | 0:40:02 | 0:40:05 | |
..the land and the stable blocks. | 0:40:05 | 0:40:07 | |
I'm going to say its way under budget - | 0:40:07 | 0:40:10 | |
I'm going to say 275,000. | 0:40:10 | 0:40:13 | |
I was thinking of the low threes, maybe 310. | 0:40:13 | 0:40:17 | |
My word, here we go. | 0:40:17 | 0:40:19 | |
The asking price is... | 0:40:19 | 0:40:22 | |
just under £208,000. | 0:40:22 | 0:40:25 | |
-Oh, goodness. -Hmm. -Right, so it's way down. | 0:40:25 | 0:40:27 | |
Way down. | 0:40:27 | 0:40:29 | |
It does mean there's ample funds to develop the top of the | 0:40:29 | 0:40:33 | |
-main house then, doesn't it? -Yeah. | 0:40:33 | 0:40:34 | |
Why don't you have another look and explore the gite, | 0:40:34 | 0:40:37 | |
start off with the gite? Because it does need a little bit work, | 0:40:37 | 0:40:40 | |
-but wonderful accommodation for friends and family coming to stay. -Yes, it is, yeah. | 0:40:40 | 0:40:44 | |
-Thank you, guys. -Thank you. -Cheers. | 0:40:44 | 0:40:47 | |
For roughly half their budget, | 0:40:47 | 0:40:48 | |
this barn conversion currently offers two bedrooms, | 0:40:48 | 0:40:52 | |
but could be extended upwards to create a master suite | 0:40:52 | 0:40:55 | |
and more downstairs reception space, | 0:40:55 | 0:40:58 | |
which would provide them with everything they're after. | 0:40:58 | 0:41:01 | |
There's also a three-bedroom gite with a bonus swimming pool. | 0:41:01 | 0:41:05 | |
For the horses, there's a stable block | 0:41:05 | 0:41:08 | |
and 4.9 acres of paddocks and fields. | 0:41:08 | 0:41:10 | |
So, this is the stable block. | 0:41:10 | 0:41:13 | |
-Oh, it would be easily modified, to be honest. -Yeah. | 0:41:13 | 0:41:17 | |
I mean, if you wanted to go the whole hog, you could easily | 0:41:17 | 0:41:21 | |
-just turn it into a small American barn type. -Yeah. | 0:41:21 | 0:41:25 | |
-You could, actually, make this really nice. -Yeah. | 0:41:25 | 0:41:28 | |
Well, we had high hopes when we walked up the drive that we | 0:41:28 | 0:41:32 | |
would find something really spectacular at the end of it. | 0:41:32 | 0:41:35 | |
Sadly, that was not to be, | 0:41:35 | 0:41:37 | |
except for the view, which is absolutely stunning. | 0:41:37 | 0:41:40 | |
I mean, all of this is fantastic. | 0:41:40 | 0:41:43 | |
It's a nice house and the rooms inside are good - | 0:41:43 | 0:41:47 | |
there's perhaps not enough of them for us. | 0:41:47 | 0:41:49 | |
One positive I did pick up from it is the idea of a separate | 0:41:49 | 0:41:53 | |
annexe for our guests is a good one because they can get on | 0:41:53 | 0:41:56 | |
and do their own thing, we can do the same. | 0:41:56 | 0:41:58 | |
So that definitely has a lot going for it, having a separate gite. | 0:41:58 | 0:42:03 | |
Ah, now, I wonder if that second | 0:42:05 | 0:42:07 | |
viewing on your own has made all the difference. | 0:42:07 | 0:42:11 | |
-I'm afraid it hasn't. -No? -No. -Sorry. | 0:42:11 | 0:42:13 | |
-Shall I whisk you away? -Yes, please. -Please do. | 0:42:13 | 0:42:15 | |
Central to this French relocation is | 0:42:21 | 0:42:24 | |
making sure facilities are right for the horses. | 0:42:24 | 0:42:27 | |
To find out how easily they can access affordable supplies, | 0:42:27 | 0:42:30 | |
Keith and Elaine are visiting a local equine store. | 0:42:30 | 0:42:34 | |
I think the feed's over here. | 0:42:34 | 0:42:36 | |
Pardon, monsieur. | 0:42:36 | 0:42:38 | |
Je cherche...pour les chevaux. | 0:42:38 | 0:42:40 | |
-Oui. -Pour chevaux ne pas travaille. | 0:42:40 | 0:42:45 | |
Oui. | 0:42:45 | 0:42:47 | |
-Le prix, s'il vous plait? -14 euros. | 0:42:47 | 0:42:49 | |
-Oui, merci beaucoup. -Un sac. | 0:42:49 | 0:42:52 | |
I'm trying to work it out, | 0:42:52 | 0:42:54 | |
so it's 15 euros and I think I'm paying about £12 a bag | 0:42:54 | 0:42:58 | |
at the moment for that sort of everyday feed. | 0:42:58 | 0:43:01 | |
-Well, that's about the same price. -It's about the same, isn't it? -Yeah. | 0:43:01 | 0:43:04 | |
It's actually really reassuring to know there are places like this. | 0:43:04 | 0:43:08 | |
OK, it was worth coming here then. | 0:43:08 | 0:43:10 | |
Yeah, it was definitely worth coming here. And to find, you know, | 0:43:10 | 0:43:12 | |
friendly people to answer your questions and put up | 0:43:12 | 0:43:15 | |
with your awful French. | 0:43:15 | 0:43:18 | |
Immersing themselves in local life and culture is also very important, | 0:43:20 | 0:43:25 | |
so they're heading into town to explore. | 0:43:25 | 0:43:27 | |
Shall we go in? Will we be brave? | 0:43:27 | 0:43:30 | |
In France, food and the general cost of living is comparable with the UK. | 0:43:30 | 0:43:35 | |
Some items, such as wine and beer, are less expensive and others, | 0:43:35 | 0:43:39 | |
such as domestic appliances, can be considerably more, | 0:43:39 | 0:43:43 | |
so it might be worth bringing them out with you. | 0:43:43 | 0:43:46 | |
For Elaine and Keith, a move to France | 0:43:46 | 0:43:48 | |
is not about making cost savings - | 0:43:48 | 0:43:50 | |
it's about starting a new exciting life. | 0:43:50 | 0:43:53 | |
To actually adopt a new culture, to actually live in a | 0:43:53 | 0:43:57 | |
-different place is intensely stimulating. -Mhm. | 0:43:57 | 0:44:01 | |
It's almost like starting over, it's almost like being 18 again, | 0:44:01 | 0:44:04 | |
you know, we've got a different life ahead of us. | 0:44:04 | 0:44:08 | |
You know, a different culture, different surroundings - | 0:44:08 | 0:44:11 | |
it's all quite exciting. | 0:44:11 | 0:44:13 | |
It's our final day, here in Normandy, | 0:44:21 | 0:44:23 | |
looking for a house with land that's | 0:44:23 | 0:44:25 | |
right for a Keith, Elaine and their horses | 0:44:25 | 0:44:27 | |
and within their £400,000 budget. | 0:44:27 | 0:44:30 | |
During our time here, they've been staying in a rented house, | 0:44:30 | 0:44:33 | |
but we need to find them a more permanent property | 0:44:33 | 0:44:36 | |
and we've got one last offering to show them. | 0:44:36 | 0:44:39 | |
I have no idea what they might throw at us for the Mystery House. | 0:44:42 | 0:44:46 | |
Maybe the mystery is just being somewhere we've never been before... | 0:44:46 | 0:44:50 | |
-Could be, yeah. -..like a magical mystery tour. | 0:44:50 | 0:44:53 | |
-Well, good morning to the two of you. -Ah, bonjour. -Bonjour, Nicki. | 0:44:53 | 0:44:57 | |
-How are we? -We're fine. | 0:44:57 | 0:45:00 | |
I bet you dreamt of houses last night. | 0:45:00 | 0:45:02 | |
Well, I've got one more to show you. | 0:45:02 | 0:45:04 | |
-Shall we hit the road? -Yes. -Come on, then. -Cheers. | 0:45:04 | 0:45:07 | |
For our Mystery House, we've travelled east to the town of Trun, | 0:45:13 | 0:45:16 | |
away from the part of Normandy Keith and Elaine know well. | 0:45:16 | 0:45:19 | |
Trun itself is a very pretty | 0:45:19 | 0:45:22 | |
and well-kept town, with an active community. | 0:45:22 | 0:45:24 | |
There are plenty of shops and services, from butcher and bakers | 0:45:24 | 0:45:28 | |
to pharmacies and cafes. | 0:45:28 | 0:45:30 | |
We're pushing Keith and Elaine as the location is out | 0:45:30 | 0:45:33 | |
of their preferred area and the horse facilities need some attention. | 0:45:33 | 0:45:37 | |
But if they want grand, our Mystery House deliverers. | 0:45:37 | 0:45:41 | |
Here is... | 0:45:42 | 0:45:44 | |
-your Mystery House. -It's lovely. | 0:45:44 | 0:45:47 | |
-Now, that's old. -Yes, it looks very old, doesn't it? -Yes. | 0:45:47 | 0:45:51 | |
It dates back to the 14th century, | 0:45:51 | 0:45:54 | |
-a very traditional timber-framed house. -It's stunning, isn't it? | 0:45:54 | 0:45:58 | |
-Shall we take a look at the house? -Yes, please. -Yes, great. | 0:45:58 | 0:46:02 | |
'This is a unique property, which I'm hoping will give Keith | 0:46:02 | 0:46:05 | |
'that touch of grandeur he's fond of.' | 0:46:05 | 0:46:08 | |
So, the front door leads straight | 0:46:09 | 0:46:13 | |
into the main body of the property. | 0:46:13 | 0:46:17 | |
-You're dominated by that stone fireplace. -Yes, yes. | 0:46:17 | 0:46:21 | |
-That is magnificent. -That's a proper fireplace, that is. -Yes. -Yes. | 0:46:21 | 0:46:24 | |
You really do feel the age as you walk through the door, don't you? | 0:46:24 | 0:46:27 | |
-Yeah. -Yeah. But it's lovely tall rooms, though. | 0:46:27 | 0:46:30 | |
Although it's very old, 14th/15th century, the way it's been | 0:46:30 | 0:46:35 | |
done is actually quite open-plan | 0:46:35 | 0:46:36 | |
-because you have your dining area behind us. -Yes. | 0:46:36 | 0:46:40 | |
-That's nice, isn't it? -Yeah. -Yeah, it's a good size. | 0:46:40 | 0:46:44 | |
It is a manor house, but it's not enormous. | 0:46:44 | 0:46:47 | |
Right, a small manor. | 0:46:47 | 0:46:49 | |
-And, Keith, you teased me right at the beginning... -Did I? | 0:46:49 | 0:46:52 | |
..and you said, "If you could find me a chateau." | 0:46:52 | 0:46:54 | |
-How have I done with the manor house? -Eh... Close. -Yeah? -Yeah. | 0:46:54 | 0:46:57 | |
-Let's see what you make of the French kitchen. -OK. | 0:46:57 | 0:47:01 | |
Ah, it's bijou. | 0:47:04 | 0:47:06 | |
LAUGHTER | 0:47:06 | 0:47:07 | |
-Small but perfectly formed. -Oh! And the best view. | 0:47:07 | 0:47:10 | |
-Oh, wow, yes, it is, isn't it? -Yeah, yeah, splendid. | 0:47:10 | 0:47:13 | |
Would it be fair to say it's a functioning kitchen? | 0:47:13 | 0:47:17 | |
It is a very functional kitchen, yes, | 0:47:17 | 0:47:19 | |
and with the dining room right next-door... | 0:47:19 | 0:47:23 | |
-Yes, you'd have to use that all the time, wouldn't you? -Yes. | 0:47:23 | 0:47:28 | |
It's nicely fitted, though. I actually do rather like it. | 0:47:28 | 0:47:31 | |
-Excellent, right, we're going to head upstairs now. -OK. | 0:47:31 | 0:47:34 | |
The ground floor has impressed with its large baronial living space | 0:47:36 | 0:47:39 | |
and upstairs the stately feel continues. | 0:47:39 | 0:47:43 | |
Of course, being our Mystery House, | 0:47:43 | 0:47:45 | |
nothing is what it seems. | 0:47:45 | 0:47:47 | |
I feel as if I've, sort of, arrived in some grand dame's boudoir. | 0:47:49 | 0:47:55 | |
LAUGHTER | 0:47:55 | 0:47:57 | |
Yes, it could be... I'm a grand dame and it can be my boudoir. | 0:47:57 | 0:48:00 | |
That will continue, actually, because you've got the boudoir here | 0:48:00 | 0:48:03 | |
-and you've got the dressing room next-door. -Ah, I see. -Oh, wow. | 0:48:03 | 0:48:06 | |
It's quite large. | 0:48:06 | 0:48:08 | |
And then you've got your own bathroom with storage. | 0:48:08 | 0:48:12 | |
And then, to the left of that, there's actually a staircase leading | 0:48:12 | 0:48:16 | |
-up to the third floor... -OK. | 0:48:16 | 0:48:18 | |
..where you've got a further two bedrooms, | 0:48:18 | 0:48:21 | |
large generous size and a shower room, as well. | 0:48:21 | 0:48:25 | |
-Oh, I see. -Right, OK. -Good. | 0:48:25 | 0:48:27 | |
Well, I think this property, this house, is just for the two of you | 0:48:27 | 0:48:32 | |
because, for guests and family, we've got something else to show you. | 0:48:32 | 0:48:35 | |
-Oh, right. -There is more?! | 0:48:35 | 0:48:39 | |
'I think the house is big enough for Keith and Elaine... | 0:48:39 | 0:48:42 | |
'..and the guesthouse is also generous.' | 0:48:46 | 0:48:48 | |
-So we've sorted out your property... -Yeah. -..the grand manor house, | 0:48:52 | 0:48:57 | |
and then friends and family can stay at this converted gite. | 0:48:57 | 0:49:00 | |
-Uh-huh. -I see. -Right. -What was it converted from? | 0:49:00 | 0:49:03 | |
-It used to be an apple press for cider...a cider press. -Right. | 0:49:03 | 0:49:08 | |
-You've actually got three bedrooms upstairs... -Gosh. | 0:49:08 | 0:49:11 | |
..and quite a good-sized downstairs. | 0:49:11 | 0:49:15 | |
It would be fair to say...it needs a little bit of love and attention. | 0:49:15 | 0:49:18 | |
-Ah, right, OK. -You've got your own pool, just over there. | 0:49:18 | 0:49:22 | |
Yes, and there's plenty of space | 0:49:22 | 0:49:23 | |
-for a vegetable bed somewhere. -Yes, yeah. | 0:49:23 | 0:49:26 | |
-We've got to discuss the famous horses, haven't we? -Yes. -Yeah. | 0:49:26 | 0:49:30 | |
-Let's look at the land and see what you think. -OK. -Right. | 0:49:30 | 0:49:33 | |
As well as the fantastic swimming pool, the grounds contain | 0:49:36 | 0:49:40 | |
parkland, an orchard and a paddock for the horses. | 0:49:40 | 0:49:45 | |
Just around the corner, there's somewhere for the horses to go, | 0:49:45 | 0:49:48 | |
the current owners have horses. | 0:49:48 | 0:49:50 | |
-And there's an outside stable, but it is very, very basic. -OK. -I see. | 0:49:50 | 0:49:54 | |
So, looking at our property, | 0:49:54 | 0:49:55 | |
it looks like a proper Tudor home, doesn't it? | 0:49:55 | 0:49:58 | |
We've got to try and put a price on this, the gite, | 0:49:58 | 0:50:01 | |
-with all that land. -Yes. | 0:50:01 | 0:50:04 | |
Quick think, erm, 395. | 0:50:04 | 0:50:08 | |
I'm going to go a little bit lower and say 375. | 0:50:08 | 0:50:14 | |
Well, you're the closest, Keith, £356,000. | 0:50:14 | 0:50:18 | |
356, gosh! | 0:50:18 | 0:50:19 | |
-I think that's a pretty fair price, actually. -It's a very good price. | 0:50:19 | 0:50:22 | |
-Do you fancy a wander on your own? -Yes, please. -Yeah. | 0:50:22 | 0:50:25 | |
And then you've got quite a lot of a acreage to explore, haven't you? | 0:50:25 | 0:50:29 | |
-I'll try and find you when you're ready. -OK. -Thank you. | 0:50:29 | 0:50:32 | |
All right, thanks, Nicki. | 0:50:32 | 0:50:35 | |
Priced at £44,000 under their top budget, | 0:50:37 | 0:50:41 | |
this handsome timber-framed manor house offers grand living | 0:50:41 | 0:50:44 | |
space with an impressive reception room and generous master suite. | 0:50:44 | 0:50:49 | |
There are six bedrooms, with three in a separate guest gite. | 0:50:49 | 0:50:52 | |
The property offers 7.5 acres of land, | 0:50:52 | 0:50:55 | |
including an orchard and space for vegetables. | 0:50:55 | 0:50:58 | |
And for the horses, there's a large paddock and a field shelter, | 0:50:58 | 0:51:02 | |
which could be upgraded to a stable block with the remaining money. | 0:51:02 | 0:51:05 | |
-This is rather nice. -Amazing, isn't it? It's quite a nice little... | 0:51:12 | 0:51:17 | |
This is a nice room. It actually looks like a formal dining room. | 0:51:17 | 0:51:21 | |
This is a nice house on its own, actually, isn't it? | 0:51:21 | 0:51:24 | |
It's quite an imposing building and the rooms are quite imposing, | 0:51:24 | 0:51:28 | |
quite luxurious. | 0:51:28 | 0:51:30 | |
It's all beautiful and then there's the advantage of having the gite, | 0:51:30 | 0:51:34 | |
perfectly OK as it is. | 0:51:34 | 0:51:37 | |
There's certainly lots of potential | 0:51:37 | 0:51:39 | |
and enough land for the horses. | 0:51:39 | 0:51:43 | |
A little bit of stabling required, | 0:51:43 | 0:51:46 | |
but look at the scenery, it's just gorgeous. | 0:51:46 | 0:51:50 | |
Everywhere is just gorgeous. | 0:51:50 | 0:51:53 | |
We've shown our buyers all the houses. | 0:51:53 | 0:51:55 | |
They now need to mull over what they've seen. | 0:51:55 | 0:51:58 | |
In the far west of Normandy is the town of Saint Jean. | 0:52:05 | 0:52:08 | |
Founded by William the Conqueror in the 11th century, | 0:52:08 | 0:52:12 | |
it became a centre for weaving and draping. | 0:52:12 | 0:52:15 | |
In the 19th century, the woollen yarns produced here were | 0:52:15 | 0:52:19 | |
used by the wives of Breton fishermen to create | 0:52:19 | 0:52:22 | |
incredible wind and waterproof garments | 0:52:22 | 0:52:24 | |
for their husbands' long days and nights at sea. | 0:52:24 | 0:52:28 | |
The Breton sweaters they knitted have since become | 0:52:28 | 0:52:30 | |
an iconic Gallic emblem. | 0:52:30 | 0:52:34 | |
I'm meeting Luc le Senecal, director of the Saint Jean clothing company, | 0:52:34 | 0:52:38 | |
which has been making them for over 150 years. | 0:52:38 | 0:52:41 | |
Ah, Bonjour, Luc. | 0:52:41 | 0:52:42 | |
Bonjour, Nikki. Welcome in Normandy. | 0:52:42 | 0:52:44 | |
Thank you very much. Pleased to meet you. | 0:52:44 | 0:52:47 | |
I thought the Breton sweater would have come from Brittany | 0:52:47 | 0:52:50 | |
and I've obviously got that wrong. | 0:52:50 | 0:52:51 | |
It actually originates here in Normandy, but why is that? | 0:52:51 | 0:52:54 | |
Mostly in Normandy due to sheep and the wool. | 0:52:54 | 0:52:57 | |
I'm a big fan of stripes. I would love to see how the | 0:52:57 | 0:53:01 | |
traditional Breton jumper is actually made. | 0:53:01 | 0:53:04 | |
Please, follow the guide. | 0:53:04 | 0:53:07 | |
The locally sourced wool is woven into jumpers | 0:53:07 | 0:53:09 | |
by over 300 workers in this factory. | 0:53:09 | 0:53:13 | |
Now, I hope you don't mind me mentioning this, Luc, but when you | 0:53:13 | 0:53:16 | |
think of an iconic Frenchman, or woman, you always envisage them | 0:53:16 | 0:53:21 | |
with the Breton jumper, don't you? | 0:53:21 | 0:53:23 | |
-Absolutely. -Why is that though? | 0:53:23 | 0:53:26 | |
Oh, it comes from the past... | 0:53:26 | 0:53:28 | |
when people from Brittany or Normandy used | 0:53:28 | 0:53:31 | |
to sell garlic and they used to | 0:53:31 | 0:53:35 | |
go on boats, mainly to Britain, | 0:53:35 | 0:53:38 | |
-so that's why you have this image. -It's not a stereotype - it's true! | 0:53:38 | 0:53:42 | |
It's true. | 0:53:42 | 0:53:44 | |
The classic Breton top is still made according to certain rules. | 0:53:44 | 0:53:49 | |
You have an eight-inch T-shirt, 21 stripes - | 0:53:49 | 0:53:54 | |
it was the official regulation for the French Navy. | 0:53:54 | 0:53:58 | |
And why did they pick 21? | 0:53:58 | 0:54:00 | |
-There are two stories. -Go on. -Yeah? | 0:54:00 | 0:54:02 | |
So the first one is that, when a sailor used to fall over | 0:54:02 | 0:54:08 | |
the boat, it was easier to see him in the sea. | 0:54:08 | 0:54:12 | |
The second story is linked with Napoleon | 0:54:12 | 0:54:16 | |
and Napoleon's 21 victories over Britain. | 0:54:16 | 0:54:21 | |
I like, very much, this version. | 0:54:21 | 0:54:23 | |
I'm going to go for the first version, | 0:54:23 | 0:54:25 | |
the safety of the sailors, not Napoleon. | 0:54:25 | 0:54:28 | |
The jumpers were first knitted using a closely guarded | 0:54:28 | 0:54:31 | |
stitching technique passed down from mother to daughter. | 0:54:31 | 0:54:34 | |
It was this that give them their reputation for warmth | 0:54:34 | 0:54:37 | |
and water resistance. | 0:54:37 | 0:54:39 | |
Today, the knit is still very tight and, as such, uses a substantial | 0:54:39 | 0:54:43 | |
amount of wool - over ten miles per jumper. | 0:54:43 | 0:54:48 | |
They are letting me have a try at putting one together. | 0:54:48 | 0:54:50 | |
What happens if it goes wrong? Will you unpick it for me? | 0:54:50 | 0:54:53 | |
-Don't worry. -OK. | 0:54:53 | 0:54:55 | |
Shall I take this one? | 0:54:55 | 0:54:57 | |
So you just push that slightly and then go. | 0:54:57 | 0:55:01 | |
That's very good. | 0:55:01 | 0:55:02 | |
I think you're being kind, I've buckled it. | 0:55:02 | 0:55:04 | |
Now, if I turn it the right way round... | 0:55:04 | 0:55:07 | |
From there it looks really good, but I don't think it's going to | 0:55:07 | 0:55:12 | |
quite make the grade, somehow. Look at that shocker. | 0:55:12 | 0:55:16 | |
Now exported to more than 35 countries, this sweater has | 0:55:16 | 0:55:20 | |
gone from practical fisherman's garment to a style classic. | 0:55:20 | 0:55:24 | |
Chief designer Jacqueline works | 0:55:24 | 0:55:26 | |
on keeping this heritage item relevant. | 0:55:26 | 0:55:29 | |
So, Jacqueline, when did go from being a functional garment | 0:55:29 | 0:55:31 | |
to fashionable? | 0:55:31 | 0:55:34 | |
Yeah, it's all about Coco Chanel. | 0:55:34 | 0:55:36 | |
She just saw this worker wearing their knit jumper | 0:55:36 | 0:55:39 | |
and an inspiration for the striped fashion just came from that moment. | 0:55:39 | 0:55:46 | |
Legendary fashion designer Coco Chanel used the Breton stripe | 0:55:46 | 0:55:49 | |
in her 1917 collection | 0:55:49 | 0:55:52 | |
and, since then, it's been a symbol of style that has endured. | 0:55:52 | 0:55:56 | |
What is it about stripes? | 0:55:56 | 0:55:59 | |
It's classical chic. | 0:55:59 | 0:56:02 | |
-Chic. -Chic. -Chic. -That's the chic. | 0:56:02 | 0:56:04 | |
Do you think I could be chic? | 0:56:04 | 0:56:05 | |
-Could I try on a few Breton different tops? -Of course. -Yeah. | 0:56:05 | 0:56:09 | |
Perhaps I'll achieve chic while I'm here in Normandy. | 0:56:09 | 0:56:12 | |
We've shown Keith and Elaine all our properties here in Normandy, | 0:56:20 | 0:56:24 | |
but have we got close with any of them? | 0:56:24 | 0:56:26 | |
It's time to find out. | 0:56:26 | 0:56:29 | |
Well, Keith and Elaine, | 0:56:29 | 0:56:31 | |
we've had a few days here now in Normandy. | 0:56:31 | 0:56:33 | |
-I think we've driven around quite a large part of the region, haven't we? -Yes. | 0:56:33 | 0:56:38 | |
-Certainly shown you parts that you hadn't visited before. -That's right. | 0:56:38 | 0:56:41 | |
Yes, you've brought as much further south | 0:56:41 | 0:56:43 | |
and east then we've ever been to before. | 0:56:43 | 0:56:45 | |
So, Keith, out of all the properties that showed you and, | 0:56:45 | 0:56:48 | |
my goodness, we showed you grand ones, | 0:56:48 | 0:56:50 | |
we showed you smaller ones with land, did any of them come close? | 0:56:50 | 0:56:54 | |
Well, I suppose, you know, taking into consideration the important | 0:56:54 | 0:56:58 | |
horse factor, the first property that we saw was probably the | 0:56:58 | 0:57:02 | |
only one that came close because it had such good equestrian facilities. | 0:57:02 | 0:57:07 | |
We would have to do an awful lot of work on the house in order to | 0:57:07 | 0:57:10 | |
get it to what we would like. | 0:57:10 | 0:57:11 | |
What about flipping it on its head | 0:57:11 | 0:57:13 | |
and that very, sort of, long...converted mill house? | 0:57:13 | 0:57:17 | |
That seemed to give everything you wanted in a house. | 0:57:17 | 0:57:20 | |
I think, yes. I mean, from a house point of view, | 0:57:20 | 0:57:23 | |
that was our favourite, you know, definitely. | 0:57:23 | 0:57:27 | |
There would have been work to do for the horses, | 0:57:27 | 0:57:30 | |
but it comes down to the location. | 0:57:30 | 0:57:32 | |
-Right. Oh, that's interesting. -Definitely. | 0:57:32 | 0:57:34 | |
-It was just a little bit too far south for you. -Yeah, yeah. | 0:57:34 | 0:57:37 | |
If we could combine, say, the mill house with | 0:57:37 | 0:57:40 | |
the land from the first property, then that would be ideal. | 0:57:40 | 0:57:44 | |
-Elaine, more determined than ever to move out here? -Yes. | 0:57:44 | 0:57:46 | |
I mean, this has definitely motivated us this week | 0:57:46 | 0:57:48 | |
and I can't wait to come back. | 0:57:48 | 0:57:50 | |
-Well, that's the best news, isn't it? -Definitely. | 0:57:50 | 0:57:52 | |
That is the best news. I know, in the past, you haven't found your property. | 0:57:52 | 0:57:56 | |
Sadly, we didn't either. We got close, but not quite close enough. | 0:57:56 | 0:57:59 | |
Let's hope it's out there in the future for you. Thank you very much. | 0:57:59 | 0:58:02 | |
-No, thank you very much. -Thank you for your help. -Yes, thank you. | 0:58:02 | 0:58:05 | |
So that's it with Keith and Elaine. | 0:58:07 | 0:58:09 | |
And having explored this stunning region, well, | 0:58:09 | 0:58:12 | |
we know their budget is realistic, | 0:58:12 | 0:58:14 | |
but finding the perfect home with the stable block, the land | 0:58:14 | 0:58:18 | |
and everything they want has proved hard to find. | 0:58:18 | 0:58:21 | |
I hope they have better luck in the future. | 0:58:21 | 0:58:24 | |
I'll see you again on Escape To The Continent | 0:58:24 | 0:58:27 |