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The highly decorative stonework on this historic building is celebrated | 0:00:02 | 0:00:05 | |
as some of the most beautiful Romanesque carvings in the world. | 0:00:05 | 0:00:07 | |
But where could I be? | 0:00:07 | 0:00:09 | |
Join me in a moment to find out. | 0:00:09 | 0:00:11 | |
Today, we're helping a couple from Gloucestershire, | 0:00:30 | 0:00:32 | |
who are seeking a new life on the Continent, | 0:00:32 | 0:00:34 | |
though not everything goes to plan. | 0:00:34 | 0:00:36 | |
This hasn't got an old farmhouse feel. | 0:00:36 | 0:00:38 | |
And it hasn't really got a cottagey feel. | 0:00:38 | 0:00:40 | |
-You're just not feeling it. -No. | 0:00:40 | 0:00:42 | |
But the vibes elsewhere are trying to win them over. | 0:00:42 | 0:00:45 | |
-I can't not see myself in here. -Yeah. -I'm thinking... | 0:00:45 | 0:00:48 | |
Welcome to Escape To The Continent. | 0:00:52 | 0:00:54 | |
I'm in Poitou-Charentes | 0:00:54 | 0:00:55 | |
in the southwest of France | 0:00:55 | 0:00:57 | |
and that wonderful building is the Notre-Dame la Grande, | 0:00:57 | 0:00:59 | |
here in Poitiers. | 0:00:59 | 0:01:01 | |
Now, it's been a place of pilgrimage for centuries | 0:01:01 | 0:01:04 | |
and the carvings first began at the beginning of the 12th century, | 0:01:04 | 0:01:08 | |
and they can still be read like a picture book of biblical stories, | 0:01:08 | 0:01:11 | |
including Adam and Eve in the Garden of Eden and the Nativity. | 0:01:11 | 0:01:15 | |
An extensive restoration project began in the 1990s, | 0:01:15 | 0:01:19 | |
so Notre-Dame la Grande | 0:01:19 | 0:01:20 | |
can still take pride of place in the capital of this captivating region. | 0:01:20 | 0:01:25 | |
A 90-minute flight from British shores, the Poitou-Charentes region | 0:01:27 | 0:01:30 | |
in south-west France stretches out | 0:01:30 | 0:01:32 | |
across 10,000 square miles of countryside. | 0:01:32 | 0:01:36 | |
As the second sunniest French departement, | 0:01:36 | 0:01:39 | |
it offers some of the country's most impressive topography. | 0:01:39 | 0:01:42 | |
Head west and you'll find 280 miles of sparse, sandy beaches | 0:01:42 | 0:01:47 | |
leading up to La Rochelle, the historic port city. | 0:01:47 | 0:01:50 | |
Look east and you uncover swatches | 0:01:50 | 0:01:52 | |
of undulating countryside that continue all the way | 0:01:52 | 0:01:56 | |
over to the foothills of the Massif Central, | 0:01:56 | 0:01:58 | |
taking in a patchwork of grain fields and fruit laden vineyards. | 0:01:58 | 0:02:03 | |
The vistas draw attention to the intense seclusion here. | 0:02:03 | 0:02:06 | |
On average, there are 160 inhabitants per square mile, | 0:02:06 | 0:02:10 | |
placing the Poitou-Charentes | 0:02:10 | 0:02:12 | |
amongst France's most sparsely populated regions. | 0:02:12 | 0:02:15 | |
And there's the cognac, the brandy appellation of choice | 0:02:15 | 0:02:18 | |
for over 400 years. | 0:02:18 | 0:02:21 | |
Traits of this area are reflected in this complex beverage, | 0:02:21 | 0:02:24 | |
with subtle and intense flavours, | 0:02:24 | 0:02:27 | |
discernible from a single grape variety. | 0:02:27 | 0:02:30 | |
And it's the perfect blend of coast, country and calm | 0:02:30 | 0:02:33 | |
that attracts 10% of all Britons making the permanent move to France, | 0:02:33 | 0:02:36 | |
to this appealing corner of the country. | 0:02:36 | 0:02:39 | |
So how much would a slice of this beautiful region set you back? | 0:02:41 | 0:02:44 | |
Well, the average price of a property here in France | 0:02:44 | 0:02:47 | |
is currently just over £126,000, | 0:02:47 | 0:02:50 | |
which is £51,000 less than in the UK. | 0:02:50 | 0:02:53 | |
And when you consider that here, in Poitou-Charentes, | 0:02:53 | 0:02:55 | |
it's even cheaper at £110,000, | 0:02:55 | 0:02:58 | |
you can get a whole lot of house for your pound. | 0:02:58 | 0:03:00 | |
But will any of them tempt today's buyers? | 0:03:00 | 0:03:03 | |
Because there are plenty on the market. | 0:03:03 | 0:03:05 | |
Pursuing a new life abroad are duo Bill and his wife Sarah | 0:03:05 | 0:03:09 | |
from Gloucestershire. | 0:03:09 | 0:03:11 | |
Bonjour. Je m'appelle Guillaume | 0:03:11 | 0:03:16 | |
et ma femme, Sarah. | 0:03:16 | 0:03:18 | |
Between them, they share four boys, | 0:03:18 | 0:03:21 | |
three Labradors and 21 years together. | 0:03:21 | 0:03:23 | |
They currently live in an old cottage in the village of Frocester | 0:03:23 | 0:03:27 | |
that they restored and are constantly maintaining. | 0:03:27 | 0:03:30 | |
The property was first built, we believe, in 1492 | 0:03:30 | 0:03:33 | |
and was going to be our final property, but now we feel that we | 0:03:33 | 0:03:36 | |
would like to retire somewhere smaller | 0:03:36 | 0:03:40 | |
and easier to keep up together. | 0:03:40 | 0:03:43 | |
And after dedicating years to building up a successful | 0:03:43 | 0:03:46 | |
removals business, amongst others, the couple are ready for a change. | 0:03:46 | 0:03:50 | |
If we stay here, we will always be involved with | 0:03:50 | 0:03:52 | |
the remnants of our businesses. | 0:03:52 | 0:03:55 | |
We are carrying a huge burden around with us at the moment. | 0:03:55 | 0:03:58 | |
I want to take the backpack off. | 0:03:58 | 0:04:00 | |
Hoping for time to try out new things. | 0:04:00 | 0:04:02 | |
We've got three Labradors and we don't have as much time | 0:04:02 | 0:04:05 | |
as we would like to spend, | 0:04:05 | 0:04:07 | |
maybe an hour or two hours a day, out walking with the dogs. | 0:04:07 | 0:04:10 | |
That would be a lovely thing to be able to do in France. | 0:04:10 | 0:04:13 | |
We also enjoy bird-watching and we would be able to do that. | 0:04:13 | 0:04:17 | |
I play the guitar in a very amateur way and I would like to have more | 0:04:17 | 0:04:21 | |
time to try and learn to play, you know, a little bit more. | 0:04:21 | 0:04:25 | |
I am not a great guitar player, by any stretch. | 0:04:25 | 0:04:27 | |
I work on the principle that the more guitars I have | 0:04:27 | 0:04:30 | |
the better guitarist I will be. | 0:04:30 | 0:04:32 | |
I think, if I stick at it, | 0:04:32 | 0:04:33 | |
I might well be able to prove that hypothesis. | 0:04:33 | 0:04:35 | |
But there's one aspect of French culture that does | 0:04:35 | 0:04:38 | |
worry them a little. | 0:04:38 | 0:04:40 | |
I could see a slight problem in that we're both vegetarian | 0:04:40 | 0:04:43 | |
and eating vegetarian meals in France, | 0:04:43 | 0:04:48 | |
if you want go out to eat, is not always easy, | 0:04:48 | 0:04:50 | |
-so it may mean me doing more cooking at home. -Yes! | 0:04:50 | 0:04:54 | |
And when it comes to their future property, | 0:04:54 | 0:04:56 | |
it's as much a case of knowing what they don't want | 0:04:56 | 0:04:59 | |
as it is of having a precise sense of what they do. | 0:04:59 | 0:05:02 | |
We would really like somewhere that is a complete contrast | 0:05:02 | 0:05:05 | |
to our cottage that we live in at the moment, | 0:05:05 | 0:05:07 | |
just something simple and modern. | 0:05:07 | 0:05:09 | |
I wouldn't mind how much land or garden there was, | 0:05:09 | 0:05:12 | |
provided that was low-maintenance as well. | 0:05:12 | 0:05:14 | |
If I can sit on a ride-on mower and cut some grass, | 0:05:14 | 0:05:17 | |
round the small orchard, down by the little stream | 0:05:17 | 0:05:19 | |
and the pond that the dogs can swim in, that's absolutely fine. | 0:05:19 | 0:05:23 | |
And they fully appreciate how big a step it is they're about to take. | 0:05:23 | 0:05:26 | |
I would consider this a big risk. | 0:05:26 | 0:05:28 | |
All the time you're growing up, you always think, | 0:05:28 | 0:05:31 | |
"Oh, one day I'm going to do such and such." | 0:05:31 | 0:05:33 | |
Well, I think that now our "one day" has come. | 0:05:33 | 0:05:37 | |
Sarah and Bill have targeted the Poitou-Charentes | 0:05:43 | 0:05:45 | |
as the place to rectify their work-life balance. | 0:05:45 | 0:05:49 | |
They'd like to focus their search in the triangle between the three | 0:05:49 | 0:05:52 | |
major towns to the east - Limoges, Angouleme and Poitiers - | 0:05:52 | 0:05:55 | |
although they're not adverse to venturing further towards the coast, | 0:05:55 | 0:05:59 | |
should the right property crop up. | 0:05:59 | 0:06:01 | |
I'm meeting them at the Chateau de Verteuil | 0:06:01 | 0:06:03 | |
to learn more about their proposed move. | 0:06:03 | 0:06:05 | |
Bill and Sarah, here we are. | 0:06:05 | 0:06:07 | |
-Welcome to Poitou-Charente. -Thank you. -Thank you very much. | 0:06:07 | 0:06:09 | |
And welcome to my home. | 0:06:09 | 0:06:12 | |
-Beautiful. -Yes. -You're lucky girl. | 0:06:12 | 0:06:14 | |
So, tell me, why do you want to move to this particular region? | 0:06:14 | 0:06:17 | |
There's some lovely inland waterways, the canal system is nearby here, | 0:06:17 | 0:06:20 | |
there are some lovely cities, | 0:06:20 | 0:06:23 | |
so we thought it would be quite suitable here. | 0:06:23 | 0:06:25 | |
-And it's beautiful. -Why now? | 0:06:25 | 0:06:27 | |
Because we've been working really, really hard for the last 20-odd years | 0:06:27 | 0:06:31 | |
and we feel that now is the time | 0:06:31 | 0:06:33 | |
to make a move so that there's still some time left | 0:06:33 | 0:06:36 | |
for us to enjoy our retirement, | 0:06:36 | 0:06:38 | |
rather than waiting until the very last minute, | 0:06:38 | 0:06:41 | |
when we're too old to get anything out of it. | 0:06:41 | 0:06:43 | |
Are you really the sort of people who are ready to kick back | 0:06:43 | 0:06:45 | |
and put your slippers on? | 0:06:45 | 0:06:47 | |
For a while, it would be really lovely to do nothing, | 0:06:47 | 0:06:49 | |
but then we know that we would probably get a little bit bored. | 0:06:49 | 0:06:52 | |
So we wanted something... Just a small activity or project to keep us | 0:06:52 | 0:06:56 | |
occupied for some of the year, but not the whole time. | 0:06:56 | 0:06:59 | |
So what are you thinking? | 0:06:59 | 0:07:00 | |
We thought maybe a campsite, caravan site. | 0:07:00 | 0:07:02 | |
There are a lot of mobile homes travelling up and down through France. | 0:07:02 | 0:07:06 | |
A very small campsite, possibly. | 0:07:06 | 0:07:07 | |
A small music festival would be nice. | 0:07:07 | 0:07:09 | |
-Yeah, wouldn't that be great? I'll come. For free? -We'll... | 0:07:09 | 0:07:13 | |
Are you a bit of an old hippy there, Bill? | 0:07:13 | 0:07:15 | |
He had very long hair when we got married. | 0:07:15 | 0:07:17 | |
SHE COOS | 0:07:17 | 0:07:18 | |
And how's your French? | 0:07:18 | 0:07:20 | |
-OK. -Pas mal. -I would be fully aware that | 0:07:20 | 0:07:22 | |
-we would need to integrate, certainly. -Yes. | 0:07:22 | 0:07:25 | |
Describe your dream property in France. | 0:07:25 | 0:07:27 | |
I actually haven't dreamt of a house in France. | 0:07:27 | 0:07:30 | |
We don't know until we've seen it. | 0:07:30 | 0:07:31 | |
We live in a very old house at the moment. | 0:07:31 | 0:07:33 | |
We're looking for something completely different, | 0:07:33 | 0:07:35 | |
something modern, maintenance-free, two bedrooms would be adequate. | 0:07:35 | 0:07:40 | |
-And you have three dogs? -Yes, we do. | 0:07:40 | 0:07:41 | |
-So you'll need space for the dogs? -Yes. | 0:07:41 | 0:07:44 | |
A little bit of land but not a huge amount. | 0:07:44 | 0:07:46 | |
We don't want to have do a lot of work on it. | 0:07:46 | 0:07:48 | |
And I'd like some space of my own. | 0:07:48 | 0:07:49 | |
I wouldn't mind an older property, particularly if it had an | 0:07:49 | 0:07:53 | |
adjoining barn or some extra kind of free space. | 0:07:53 | 0:07:56 | |
But you're also thinking about running a campsite | 0:07:56 | 0:07:58 | |
because that's going to be work. | 0:07:58 | 0:07:59 | |
Yeah, but that's only for sometime during the summer. | 0:07:59 | 0:08:02 | |
That wouldn't be year-round. | 0:08:02 | 0:08:03 | |
-Any big no-nos? -A restoration project that somebody's done badly. | 0:08:03 | 0:08:07 | |
So let's talk budget. | 0:08:07 | 0:08:09 | |
-If you set a maximum of 200. -£200,000? -Yes. -OK. | 0:08:09 | 0:08:13 | |
-All right, well, let's go and see the first property. -OK. | 0:08:13 | 0:08:16 | |
Follow me. | 0:08:16 | 0:08:17 | |
Cash buyers Sarah and Bill have up to £200,000 to invest | 0:08:19 | 0:08:24 | |
in a whole new way of life. | 0:08:24 | 0:08:26 | |
There is one overriding property pre-requisite - | 0:08:26 | 0:08:29 | |
anything but what they have in England. | 0:08:29 | 0:08:31 | |
That translates into an easily maintainable, | 0:08:31 | 0:08:34 | |
recently renovated or new property. | 0:08:34 | 0:08:36 | |
With no idyllic home in mind, their desires are simple - | 0:08:36 | 0:08:39 | |
a couple of rooms, space for the dogs | 0:08:39 | 0:08:42 | |
and some kind of business potential. | 0:08:42 | 0:08:44 | |
Over the next couple of days, I'll be taking Sarah and Bill to | 0:08:44 | 0:08:47 | |
view a selection of four diverse French properties, | 0:08:47 | 0:08:50 | |
but I won't be revealing the price until the end of each tour. | 0:08:50 | 0:08:54 | |
Our final offering will be the mystery property, | 0:08:54 | 0:08:57 | |
with the one single aim of surprising our couple with an option | 0:08:57 | 0:09:00 | |
they might never have chosen themselves. | 0:09:00 | 0:09:03 | |
Our first house is a stones throw away from Melle, | 0:09:09 | 0:09:13 | |
a former mining town just 30 miles southwest of Poitiers. | 0:09:13 | 0:09:17 | |
The decree major airports of the region are all | 0:09:17 | 0:09:20 | |
within a 90-minute drive and yet Melle's ancient town centre | 0:09:20 | 0:09:24 | |
is just a walk away. | 0:09:24 | 0:09:25 | |
And this melange of modern practicality and French charm | 0:09:25 | 0:09:28 | |
reflects the story of the property. | 0:09:28 | 0:09:32 | |
Melle itself is home to France's | 0:09:32 | 0:09:34 | |
oldest publicly accessible silver mine | 0:09:34 | 0:09:37 | |
and it's smattering of houses and churches pay testimony to | 0:09:37 | 0:09:40 | |
its heyday in the Middle Ages. | 0:09:40 | 0:09:42 | |
The surrounding farmlands now evoke a serenity barely impacted | 0:09:42 | 0:09:46 | |
by a handful of useful amenities | 0:09:46 | 0:09:48 | |
and even a language school that sits nearby. | 0:09:48 | 0:09:51 | |
Hopefully, this first offering could be the ready-made slice | 0:09:52 | 0:09:55 | |
of rural modernity that Sarah and Bill have been looking for, | 0:09:55 | 0:09:59 | |
but they'd also have to put up with some stunning views | 0:09:59 | 0:10:01 | |
right from their doorstep. | 0:10:01 | 0:10:03 | |
OK, have a look. | 0:10:03 | 0:10:06 | |
There it is. | 0:10:06 | 0:10:08 | |
-That looks gorgeous. -It's beautiful, isn't it? It's very, very, very pretty. | 0:10:08 | 0:10:11 | |
The other thing is it looks, externally, in good condition. | 0:10:11 | 0:10:14 | |
-What's that? -Is that part of it? | 0:10:14 | 0:10:16 | |
No, that is a barn that belongs to the farm, | 0:10:16 | 0:10:19 | |
but it's only got tractors in it. | 0:10:19 | 0:10:22 | |
There are no animals that will be bleating through the night, | 0:10:22 | 0:10:24 | |
-or mooing, or whatever. -OK! | 0:10:24 | 0:10:27 | |
Now, when you were describing the house that you wanted, | 0:10:27 | 0:10:30 | |
you said modern but something French. | 0:10:30 | 0:10:33 | |
It's not what I had pictured in my mind. I'm not adverse to it, but... | 0:10:33 | 0:10:36 | |
Not what you'd been dreaming of. | 0:10:36 | 0:10:38 | |
-What were you dreaming of? -Yes. -What is it? | 0:10:38 | 0:10:41 | |
Quick, this is what I want to know. What is it? What did you imagine? | 0:10:41 | 0:10:44 | |
Well, something more modern and single-storey. | 0:10:44 | 0:10:47 | |
-However, we're happy to look. -Let's do it. | 0:10:47 | 0:10:49 | |
That could have gone better and pretty, though it may be, | 0:10:49 | 0:10:52 | |
the cottage is going to have its work cut out wooing Sarah and Bill. | 0:10:52 | 0:10:57 | |
In spite of that barn, there's plenty on offer outside... | 0:10:57 | 0:11:01 | |
with half an acre of land, vistas, | 0:11:01 | 0:11:03 | |
a neatly decked out veranda and a stunning extension | 0:11:03 | 0:11:06 | |
to the rear, which we'll get to a little bit later. | 0:11:06 | 0:11:09 | |
First, I hope the interior will put them back on side. | 0:11:09 | 0:11:12 | |
-This is really lovely. -Lots of light, that's nice. | 0:11:14 | 0:11:17 | |
And the fire, that's gorgeous. | 0:11:17 | 0:11:19 | |
-Good taste. -Yeah. I love the tiled floor. -Yeah, very pretty, isn't it? | 0:11:19 | 0:11:23 | |
-And it's got a high ceiling. -Yeah. | 0:11:23 | 0:11:24 | |
-It's a very comfortable room. -Yes, excellent. | 0:11:24 | 0:11:26 | |
-Excellent. Shall we see the kitchen? -Yes, please. | 0:11:26 | 0:11:30 | |
The property fights back. | 0:11:30 | 0:11:32 | |
Maybe this isn't so far from Sarah's dreams after all. | 0:11:32 | 0:11:36 | |
Fingers crossed the sizeable kitchen comes up to scratch. | 0:11:36 | 0:11:39 | |
I'm really taken aback by that. | 0:11:39 | 0:11:41 | |
It's so different, it's not a colour scheme or anything that | 0:11:41 | 0:11:44 | |
-I would ever have considered, but it works really well. -Brilliant. | 0:11:44 | 0:11:47 | |
-Yeah? Who does most of the cooking? -Sarah. -I do all of the cooking. | 0:11:47 | 0:11:50 | |
-Yeah. -Now, picture Christmas. | 0:11:50 | 0:11:52 | |
Yes, with the fire and the dining table. Yeah, it's... | 0:11:52 | 0:11:56 | |
-With all the boys here. -It's more of the living room. -Yeah. | 0:11:56 | 0:11:59 | |
It's retained a certain amount of farmhouse charm | 0:11:59 | 0:12:02 | |
and yet it's been brought up-to-date so well. | 0:12:02 | 0:12:05 | |
Yeah, it's so attractive that I wouldn't change anything. | 0:12:05 | 0:12:08 | |
All right, well, let's show you the bedroom. This way. | 0:12:08 | 0:12:10 | |
A-mazing! | 0:12:10 | 0:12:11 | |
Downstairs has now got Sarah and Bill imagining a future | 0:12:11 | 0:12:14 | |
in this sprawling, four-bedroom property. | 0:12:14 | 0:12:16 | |
The cottage was saved from ruin by a Dutch artisan | 0:12:16 | 0:12:19 | |
and again further modernised six years ago by the present owners. | 0:12:19 | 0:12:24 | |
Master bedroom. | 0:12:24 | 0:12:26 | |
-Very nice. -It's nice to see a bedroom that's big enough | 0:12:26 | 0:12:28 | |
-to actually get a bed and some furniture in it as well. -Yeah. | 0:12:28 | 0:12:31 | |
-I love these. -Yeah, aren't they gorgeous? | 0:12:31 | 0:12:33 | |
Importantly, they're high enough | 0:12:33 | 0:12:35 | |
that you don't crack your head on them, unlike at home. | 0:12:35 | 0:12:38 | |
-It's beautiful. -And you have an en-suite. | 0:12:38 | 0:12:40 | |
-Oh, that's nice. -There is another bedroom up here. -OK. | 0:12:40 | 0:12:43 | |
You actually have four bedrooms in total with this property. | 0:12:43 | 0:12:46 | |
Could you potentially run a little B&B? | 0:12:46 | 0:12:50 | |
I suppose it is a possibility but it's not on our, kind of, list | 0:12:50 | 0:12:52 | |
-of things that we are aiming to do. -It's not what we intended to, no. | 0:12:52 | 0:12:56 | |
Fine. It's a whole lot of house. | 0:12:56 | 0:12:58 | |
So far, what I've seen inside of this house is perfect. | 0:12:58 | 0:13:01 | |
I actually haven't found anything to pick at yet. | 0:13:01 | 0:13:05 | |
Yet. | 0:13:05 | 0:13:06 | |
-Shall we go and discuss the price somewhere? -OK. | 0:13:06 | 0:13:10 | |
And the transformation is complete, but the best is still to come. | 0:13:10 | 0:13:14 | |
Annexed to the 18th-century property | 0:13:14 | 0:13:17 | |
is barn extension housing two of the rooms | 0:13:17 | 0:13:20 | |
and ample storage to the rear. | 0:13:20 | 0:13:23 | |
-Wow! -Yes, wow. | 0:13:24 | 0:13:25 | |
Oh, isn't this lovely? | 0:13:25 | 0:13:27 | |
-This is the barn extension. -Yes, yes. | 0:13:27 | 0:13:29 | |
The sun comes in here, you can open these doors right out. | 0:13:29 | 0:13:33 | |
Yep, it is really, really, really lovely. | 0:13:33 | 0:13:36 | |
-It's nice, isn't it? -Yeah. | 0:13:36 | 0:13:38 | |
And that could be a brilliant man cave. Go and have a look. | 0:13:38 | 0:13:40 | |
-Can I have a look? -Yeah, yeah, off you go. -OK, excuse me. | 0:13:40 | 0:13:44 | |
Oh, it's enormous. Enormous space. | 0:13:44 | 0:13:48 | |
-Brilliant. -It's good, isn't it? | 0:13:48 | 0:13:49 | |
It's a stunning space. | 0:13:49 | 0:13:51 | |
So how much do you think this house is on the market for? | 0:13:51 | 0:13:54 | |
I would estimate that | 0:13:54 | 0:13:56 | |
it's for sale at £195,000. | 0:13:56 | 0:14:00 | |
Sarah? | 0:14:00 | 0:14:01 | |
I would go for £175,000. | 0:14:01 | 0:14:04 | |
It's actually on for | 0:14:04 | 0:14:06 | |
£152,000. | 0:14:06 | 0:14:10 | |
-Really? -That's incredible, isn't it? That really is incredible. -Goodness. | 0:14:10 | 0:14:14 | |
-Pleasant surprise. -Yeah, yeah. -I'm pleasantly surprised, certainly. | 0:14:14 | 0:14:17 | |
-Value for money for it being in such good order... -There's so much of it. | 0:14:17 | 0:14:20 | |
..and so nicely done. | 0:14:20 | 0:14:21 | |
-You wouldn't have to do anything here, would you? -No, not a thing. | 0:14:21 | 0:14:24 | |
I wouldn't even have to redecorate. | 0:14:24 | 0:14:26 | |
The colour scheme's perfect, everything. | 0:14:26 | 0:14:28 | |
-It's too easy almost. -It is too easy. | 0:14:28 | 0:14:30 | |
-There's lots more of this property to see. -OK. | 0:14:30 | 0:14:33 | |
-Off you go and I'll find you in a bit. -Let's go and have a look. | 0:14:33 | 0:14:36 | |
-Go and explore. -Yep, thanks. | 0:14:36 | 0:14:38 | |
(They love it.) | 0:14:38 | 0:14:40 | |
I'm so happy, but it is property number one. | 0:14:40 | 0:14:43 | |
Where do we go from here? | 0:14:43 | 0:14:45 | |
Nearly £50,000 under budget, | 0:14:46 | 0:14:48 | |
the price has clearly caught their attention, | 0:14:48 | 0:14:50 | |
as we go from one barn threatening to ruin the property | 0:14:50 | 0:14:54 | |
to another one saving it. | 0:14:54 | 0:14:55 | |
With four double bedrooms, three bathrooms | 0:14:55 | 0:14:57 | |
and a handy location within a calm, rural setting, | 0:14:57 | 0:15:01 | |
our first property has given Sarah | 0:15:01 | 0:15:03 | |
and Bill a lot to think about. | 0:15:03 | 0:15:05 | |
From the outside I thought, "This isn't really what I specified." | 0:15:05 | 0:15:09 | |
The big steel barn is a little bit of an eyesore, | 0:15:09 | 0:15:13 | |
but you don't notice that quite so much outside. | 0:15:13 | 0:15:16 | |
You could easily sit and look at the view with your back to the barn. | 0:15:16 | 0:15:20 | |
Watch your head. | 0:15:20 | 0:15:23 | |
-Another bathroom there and shower. -Yeah, shower. -Yeah. | 0:15:23 | 0:15:26 | |
And another really good-sized room. | 0:15:28 | 0:15:31 | |
With a headache-beam. | 0:15:31 | 0:15:32 | |
-This is like a family room. -Yes. | 0:15:32 | 0:15:34 | |
So I can see where Anita was coming from when she was saying about | 0:15:34 | 0:15:37 | |
having this as guest rooms or... | 0:15:37 | 0:15:39 | |
-Because it is kind of separate. -It is separate. | 0:15:39 | 0:15:42 | |
Yeah, that's something well worth thinking about. | 0:15:42 | 0:15:44 | |
The way that it has been renovated and decorated, | 0:15:44 | 0:15:48 | |
to such a high standard, in such good taste, | 0:15:48 | 0:15:51 | |
it really has surprised both of us. | 0:15:51 | 0:15:53 | |
This is the kind of house we could move straight into. | 0:15:53 | 0:15:55 | |
-Imagine that field when it's full of sunflowers. -Yeah. | 0:15:55 | 0:15:58 | |
I mean, there are properties next door, but the house is still | 0:15:58 | 0:16:02 | |
lovely and the price is so good. That's a real possibility. | 0:16:02 | 0:16:05 | |
I heard "Price is good, house is lovely, a real possibility." | 0:16:05 | 0:16:08 | |
-Yeah, yeah. -Oh, fantastic. | 0:16:08 | 0:16:11 | |
But we're not quite done for the day. | 0:16:11 | 0:16:13 | |
-There is one last place I'd like you to explore. -OK. | 0:16:13 | 0:16:16 | |
-Come on, this way. -OK, let's go. | 0:16:16 | 0:16:18 | |
Sarah and Bill are keen to unload, de-stress | 0:16:18 | 0:16:21 | |
and move to a calmer way of life. | 0:16:21 | 0:16:23 | |
With all this in mind, I'm bringing them to the village of Poursac | 0:16:23 | 0:16:27 | |
for them to experience a snippet of what life could be like here | 0:16:27 | 0:16:30 | |
with their own rented cottage. | 0:16:30 | 0:16:33 | |
Now, a little surprise for the two of you. | 0:16:35 | 0:16:38 | |
We thought we'd do away with hotels and, for the rest of your time, | 0:16:38 | 0:16:42 | |
you'll be staying in this rather sweet little gite. | 0:16:42 | 0:16:44 | |
-Oh, it's fantastic. It's a real treat. -Yes. -Really lovely. | 0:16:44 | 0:16:47 | |
And, to be honest, it's better than staying at a hotel. | 0:16:47 | 0:16:50 | |
-I'm going to give you the key then. -Thank you very much. -OK, enjoy. | 0:16:50 | 0:16:53 | |
-Thank you. -Thank you. | 0:16:53 | 0:16:55 | |
-This is lovely, isn't it? Look at that. -Isn't that nice? | 0:16:58 | 0:17:02 | |
-Brilliant, let's go and have a look. -Let's have a look. -Yeah. | 0:17:02 | 0:17:04 | |
The two-tier home is simple, yet functional, | 0:17:04 | 0:17:06 | |
with the kitchen-diner downstairs | 0:17:06 | 0:17:09 | |
and a bedroom with en suite on the top floor. | 0:17:09 | 0:17:11 | |
-This is cosy, isn't it? -Yes, what a nice cosy bedroom. -Yep. | 0:17:11 | 0:17:15 | |
Oh, we'll sleep well tonight. | 0:17:15 | 0:17:17 | |
Sounds like this will do nicely, | 0:17:17 | 0:17:19 | |
but one chore lies between Bill and a relaxing first evening in France. | 0:17:19 | 0:17:22 | |
What on earth have you got in here, Sarah? | 0:17:22 | 0:17:25 | |
No wonder it was overweight on the plane. | 0:17:25 | 0:17:29 | |
Once decamped and with the evening to themselves, Sarah and Bill | 0:17:29 | 0:17:32 | |
take the opportunity to research an absolutely vital part of the | 0:17:32 | 0:17:36 | |
French way of life - their local cave au vin - | 0:17:36 | 0:17:39 | |
or wine bar to you and me. | 0:17:39 | 0:17:41 | |
-Bonjour. -Bonjour. -Bonjour. | 0:17:42 | 0:17:45 | |
And the French required in this establishment | 0:17:45 | 0:17:47 | |
isn't too taxing either. | 0:17:47 | 0:17:48 | |
Je veux proposer un vin de Loire, ou un cote de blaye. | 0:17:48 | 0:17:52 | |
C'est un Bordeaux. | 0:17:52 | 0:17:53 | |
-Bordeaux. -Oui, oui, yes. C'est bon. | 0:17:53 | 0:17:57 | |
I can't believe we're here. I can't believe we're doing it. | 0:17:57 | 0:18:00 | |
It still feels a little bit strange, but... | 0:18:00 | 0:18:02 | |
At least we've started the process now. | 0:18:02 | 0:18:05 | |
Yes, we have and now we're actually looking seriously. | 0:18:05 | 0:18:07 | |
Yeah, who knows what will happen. | 0:18:07 | 0:18:09 | |
Yes. | 0:18:09 | 0:18:11 | |
-S'il vous plait. -Merci, monsieur. -Merci. | 0:18:11 | 0:18:15 | |
This is not a holiday now. This is quite serious. | 0:18:15 | 0:18:19 | |
It's on the verge of actually happening, isn't it? | 0:18:19 | 0:18:21 | |
Yeah, making a decision. | 0:18:21 | 0:18:23 | |
This could be the catalyst to a complete change of lifestyle, | 0:18:23 | 0:18:26 | |
which is long overdue. | 0:18:26 | 0:18:28 | |
-Long overdue. -Yes. | 0:18:28 | 0:18:30 | |
-We'll drink to that, shall we? -Yes. | 0:18:30 | 0:18:32 | |
Sarah and Bill from Gloucestershire have £200,000 to spend in a popular | 0:18:45 | 0:18:50 | |
corner of southwest France. | 0:18:50 | 0:18:52 | |
We've been tasked with distilling their rather broad wish list | 0:18:52 | 0:18:55 | |
into four realistic properties. | 0:18:55 | 0:18:57 | |
Over breakfast, our couples soon find themselves chatting over | 0:18:57 | 0:19:01 | |
the possibilities of everyday life here. | 0:19:01 | 0:19:03 | |
It would be lovely to go out for a walk with the dogs now, wouldn't it? | 0:19:03 | 0:19:06 | |
I do know how much of a challenge it's going to be for the dogs. | 0:19:06 | 0:19:09 | |
It's easy at home because we have a routine | 0:19:09 | 0:19:11 | |
and they know where they are, they are at home. | 0:19:11 | 0:19:14 | |
-They'll soon get used to having all these new places. -They will. | 0:19:14 | 0:19:16 | |
We have to make sure the house and the garden... | 0:19:16 | 0:19:20 | |
That the garden is adaptable. | 0:19:20 | 0:19:23 | |
Well, that place yesterday was perfect. | 0:19:23 | 0:19:25 | |
And inside the house was brilliant. | 0:19:25 | 0:19:27 | |
And the tiled floors makes it so much easier to keep clean | 0:19:27 | 0:19:29 | |
-with their paw marks. -Yeah. | 0:19:29 | 0:19:31 | |
But lots and lots of lovely walks and that'll help us to explore the area. | 0:19:31 | 0:19:35 | |
Going out walking with the dogs will help us to explore. | 0:19:35 | 0:19:37 | |
And hopefully meet people and get into that whole social thing as well. | 0:19:37 | 0:19:41 | |
But the boys might come from time-to-time. | 0:19:41 | 0:19:43 | |
We'd have more real-time with them if they came to see us, | 0:19:43 | 0:19:46 | |
-rather than just cruising past when they want something... -Yeah. | 0:19:46 | 0:19:50 | |
..and going away again. | 0:19:50 | 0:19:51 | |
Yeah, they would come and see us. That would be nice. | 0:19:51 | 0:19:55 | |
The first property I showed Bill and Sarah, they absolutely loved, | 0:19:55 | 0:19:58 | |
which is brilliant, it set the bar very high, but these two are a bit | 0:19:58 | 0:20:01 | |
unsure about what it is they're looking for. | 0:20:01 | 0:20:04 | |
However, they're open to ideas and I, for one, can't wait to show them | 0:20:04 | 0:20:07 | |
what I've got lined up today. | 0:20:07 | 0:20:09 | |
-Morning. -Good morning. -Morning. -Come on out. | 0:20:11 | 0:20:14 | |
-It's that time. -Oh, what a beautiful morning. -Beautiful day. -How was your evening? | 0:20:14 | 0:20:18 | |
-It was good. -We had a lovely evening, yes, thank you. -Good. | 0:20:18 | 0:20:21 | |
-Are you ready to see some more properties? -Yeah. | 0:20:21 | 0:20:23 | |
-Feeling open minded? -Yes. | 0:20:23 | 0:20:25 | |
-Yes, very much so. -Good, best way to be. Follow me. | 0:20:25 | 0:20:28 | |
This morning, we're heading towards the town of Romagne, | 0:20:29 | 0:20:32 | |
as we narrow our search to properties within Sarah and Bill's | 0:20:32 | 0:20:35 | |
preferred Poitiers-Limoges-Angouleme triangle. | 0:20:35 | 0:20:39 | |
Here offers the classic French country escape, | 0:20:39 | 0:20:42 | |
with the lush countryside disturbed only by the occasional farmer. | 0:20:42 | 0:20:47 | |
In the village, the national flag adorns the shops | 0:20:47 | 0:20:49 | |
and businesses in true Gallic style. | 0:20:49 | 0:20:52 | |
Less than half a mile from this quaint town, | 0:20:52 | 0:20:54 | |
our next property offers the calm of life set against stone cottages, | 0:20:54 | 0:20:58 | |
the odd farm and patchwork fields. | 0:20:58 | 0:21:01 | |
And it's this access to the outdoors that will surely attract | 0:21:01 | 0:21:04 | |
Sarah and Bill to our next property. | 0:21:04 | 0:21:06 | |
Take in the view. | 0:21:08 | 0:21:10 | |
-Oh, it's lovely, very French. -Very nice. -Very pretty. Tres jolie. | 0:21:10 | 0:21:14 | |
It's an old farmhouse, but has been modernised quite recently. | 0:21:14 | 0:21:17 | |
The barn behind us, which is huge, | 0:21:17 | 0:21:20 | |
-is also part of the property. -Wow, OK. -Right, OK. | 0:21:20 | 0:21:23 | |
And the current owners have two Labradors | 0:21:23 | 0:21:26 | |
and the whole place is fenced off to keep the dogs in. | 0:21:26 | 0:21:29 | |
-Fantastic. -Are the Labradors included? | 0:21:29 | 0:21:31 | |
Do you want more labs? | 0:21:31 | 0:21:33 | |
-Yeah, yeah, yeah, yeah. -I don't know, maybe they're negotiable. | 0:21:33 | 0:21:36 | |
That's really good, really good. | 0:21:36 | 0:21:37 | |
-All right, well, let me show you what's going on inside. -OK. | 0:21:37 | 0:21:40 | |
The facade certainly impressed Sarah and Bill and, with any luck, | 0:21:40 | 0:21:44 | |
the warm feelings will flow on as we head indoors. | 0:21:44 | 0:21:47 | |
Come in to this rather toasty kitchen. | 0:21:47 | 0:21:49 | |
Ah, yes. | 0:21:49 | 0:21:51 | |
It's lovely and cosy in here. | 0:21:51 | 0:21:53 | |
-Yep, is it to your liking? -There's just... | 0:21:53 | 0:21:57 | |
It's a little bit... | 0:21:57 | 0:21:58 | |
-I don't really like that across there. -No. | 0:21:58 | 0:22:03 | |
-But I understand that's... -Very important. | 0:22:03 | 0:22:05 | |
Yes, it's not, perhaps, the same kind of units | 0:22:05 | 0:22:09 | |
that I would have chosen, | 0:22:09 | 0:22:11 | |
but they're perfectly OK. | 0:22:11 | 0:22:13 | |
Seeing beyond the furniture, it's a good-sized room. | 0:22:13 | 0:22:16 | |
-So it's more cosmetic? -We're not expecting to find something | 0:22:16 | 0:22:18 | |
-which is absolutely to our taste. -Which is perfect. | 0:22:18 | 0:22:21 | |
-There's lots more of this house to see. This is only the first room. Follow me. -OK. | 0:22:21 | 0:22:24 | |
-Oh, this is nice. -Yeah? -Lovely space. -Yes. | 0:22:27 | 0:22:30 | |
Nice light. | 0:22:30 | 0:22:31 | |
Unspoilt, some original features that haven't been, | 0:22:31 | 0:22:34 | |
-kind of, butchered. -Hmm. | 0:22:34 | 0:22:35 | |
It hasn't got that cottagey feel, | 0:22:35 | 0:22:37 | |
which maybe we're trying to avoid, | 0:22:37 | 0:22:39 | |
and plenty of natural light and it's lovely. | 0:22:39 | 0:22:41 | |
Though we've heard some positive mutterings so far, I'm still | 0:22:41 | 0:22:44 | |
waiting for that certain something to stir Sarah and Bill's excitement. | 0:22:44 | 0:22:49 | |
Elsewhere on this floor, there's a vast utility area | 0:22:49 | 0:22:52 | |
and storage space leading onto a downstairs bathroom. | 0:22:52 | 0:22:55 | |
And we're heading into... | 0:22:55 | 0:22:57 | |
This huge dining room. | 0:22:57 | 0:23:00 | |
Em... | 0:23:00 | 0:23:02 | |
-Well, our big sofa would fit in here, wouldn't it? -Yes, it would. | 0:23:02 | 0:23:05 | |
Furnishing it isn't a problem. | 0:23:05 | 0:23:07 | |
It's... Can I be really honest? | 0:23:07 | 0:23:10 | |
Please, please, Sarah. | 0:23:10 | 0:23:11 | |
-It looks a little bit tired. -Yes. | 0:23:11 | 0:23:14 | |
The maintenance might be an issue, I think. | 0:23:14 | 0:23:16 | |
Yeah, I think there would be little things to do quite often. | 0:23:16 | 0:23:20 | |
And it's a concern for you? | 0:23:20 | 0:23:21 | |
We live in an old property now and we know what it's like. | 0:23:21 | 0:23:24 | |
Having something that hasn't been completely gutted and started | 0:23:24 | 0:23:27 | |
-from scratch is not really what we were looking for. -No. | 0:23:27 | 0:23:32 | |
Well, we've said this, there are compromises all the way through. | 0:23:32 | 0:23:35 | |
So let's... Show us some more. | 0:23:35 | 0:23:37 | |
-I will. Follow me upstairs. -OK. | 0:23:37 | 0:23:40 | |
The house simply isn't up to scratch for either Sarah or Bill, | 0:23:40 | 0:23:43 | |
who seem to be hoping for a more modern twist. | 0:23:43 | 0:23:47 | |
With two double rooms, a fair-sized single, an ultra modern wet room | 0:23:47 | 0:23:51 | |
and an enormous walk-in storage space upstairs, | 0:23:51 | 0:23:54 | |
and that glimmer of compromise offered up by Bill, | 0:23:54 | 0:23:57 | |
I'm still hopeful as we head on up. | 0:23:57 | 0:23:59 | |
-Oh, this is lovely. -Yeah. | 0:24:00 | 0:24:02 | |
Yes, I love this. I like the window, the beams are beautiful. | 0:24:02 | 0:24:07 | |
So what has this room got that downstairs hasn't? | 0:24:07 | 0:24:11 | |
-Downstairs seemed a little bit dark and oppressive somehow. -Yeah. | 0:24:11 | 0:24:14 | |
Could it be that downstairs just needs a lick of paint? | 0:24:14 | 0:24:17 | |
-Could it be something as simple as that? -No, I think it's a little bit more than that. | 0:24:17 | 0:24:20 | |
There's some old plaster, and that kind of thing, that you'd have to, | 0:24:20 | 0:24:23 | |
possibly, have redone one day. | 0:24:23 | 0:24:25 | |
Those are the kind of issues we want to avoid. | 0:24:25 | 0:24:27 | |
-And you're speaking from experience of your old cottage? -Yes. -Yeah. | 0:24:27 | 0:24:30 | |
So I think we should go and find somewhere and talk about money. | 0:24:30 | 0:24:33 | |
-OK. -OK. | 0:24:33 | 0:24:35 | |
All-in-all a mixed response, | 0:24:35 | 0:24:36 | |
but there's still the vastness of outdoors left to throw into the pot. | 0:24:36 | 0:24:41 | |
As we head out through the property's three flower-filled acres, | 0:24:41 | 0:24:44 | |
and beyond the outbuildings, | 0:24:44 | 0:24:46 | |
there remains one other consideration | 0:24:46 | 0:24:48 | |
for Sarah and Bill to keep in mind. | 0:24:48 | 0:24:51 | |
So, have a look at this. | 0:24:51 | 0:24:52 | |
Now, I know you've got this idea, somewhere in the back of your minds, | 0:24:52 | 0:24:55 | |
-about potentially doing a campsite for half of the year. -Yep. | 0:24:55 | 0:24:59 | |
This would be your garden. | 0:24:59 | 0:25:02 | |
However, have a look behind you. | 0:25:02 | 0:25:05 | |
That comes with the property. | 0:25:05 | 0:25:06 | |
-Really?. -Do you like it, Bill? -Yeah. -All that? -Yes. | 0:25:06 | 0:25:09 | |
-You also have this outhouse here. -Yes. -Oh, the log store. -Yes. | 0:25:09 | 0:25:12 | |
Which you could turn it into | 0:25:12 | 0:25:13 | |
-something for your campers, something very basic. -Yes. | 0:25:13 | 0:25:16 | |
-Let's see if we can guess the price. -OK. | 0:25:16 | 0:25:19 | |
Sarah, what do you think it's on the market for? | 0:25:19 | 0:25:23 | |
Em, I would say £175,000. | 0:25:23 | 0:25:25 | |
-£175,000. -Bill? -I think this would be nearer £185,000. | 0:25:27 | 0:25:32 | |
It's actually on the market for £184,000. | 0:25:32 | 0:25:36 | |
BOTH: OK. | 0:25:36 | 0:25:38 | |
It's a lot of house and a lot of land for that money. | 0:25:38 | 0:25:41 | |
-Yes. -You can't fault the place really. | 0:25:41 | 0:25:44 | |
We're just being picky. | 0:25:44 | 0:25:47 | |
Picky or not, Sarah and Bill deserve to be wowed and it's over to us | 0:25:47 | 0:25:51 | |
to help them find what they want. | 0:25:51 | 0:25:53 | |
But it looks unlikely that this 19th-century property will | 0:25:53 | 0:25:56 | |
fulfil those hopes. | 0:25:56 | 0:25:58 | |
And as we learn more on what's on offer locally, | 0:25:58 | 0:26:01 | |
I'm wondering - can any property fit the bill? | 0:26:01 | 0:26:04 | |
There are parts of the house that our fantastic. | 0:26:04 | 0:26:06 | |
Parts of the house are not really to our taste. | 0:26:06 | 0:26:10 | |
The overall impression is mixed. | 0:26:10 | 0:26:12 | |
-Ooh, ooh. -Dog land. | 0:26:13 | 0:26:15 | |
Laundry and dogs. | 0:26:15 | 0:26:18 | |
They can come in, wet from the garden, and they can stay in here | 0:26:18 | 0:26:20 | |
and not get muddy paws all over the house. Yeah, nice room. | 0:26:20 | 0:26:23 | |
-Oh, what a good, useful space. -Yeah, yep. -Very, very good. | 0:26:23 | 0:26:26 | |
We realise that all our criteria are not going to be met. | 0:26:26 | 0:26:30 | |
We are not going to find the perfect house, | 0:26:30 | 0:26:32 | |
even if our budget was ten times what it is. | 0:26:32 | 0:26:35 | |
Had a good explore? | 0:26:35 | 0:26:36 | |
-Yes, thank you. -Yes, we have, yes. | 0:26:36 | 0:26:38 | |
How do you feel about it now, having seen all of it? | 0:26:38 | 0:26:40 | |
There are some really good points, | 0:26:40 | 0:26:42 | |
but there's also some not-so-good points. | 0:26:42 | 0:26:44 | |
So still not the house for you? | 0:26:44 | 0:26:46 | |
I concur with Sarah on that. | 0:26:46 | 0:26:48 | |
It's not quite there. | 0:26:48 | 0:26:50 | |
-All right, in that case, let's depart. -BOTH: OK. | 0:26:50 | 0:26:52 | |
After toiling for nearly 30 years to set up | 0:26:59 | 0:27:01 | |
a successful removals business, | 0:27:01 | 0:27:03 | |
Sarah and Bill are looking forward to a slower pace of life | 0:27:03 | 0:27:06 | |
in southwest France. | 0:27:06 | 0:27:08 | |
But their joie de vivre could be | 0:27:08 | 0:27:11 | |
derailed by several key factors, not least their vegetarian diet, | 0:27:11 | 0:27:15 | |
which could challenge the occasional local chef. | 0:27:15 | 0:27:18 | |
So, to help them out, | 0:27:18 | 0:27:19 | |
we're travelling to the remote village of Fontfaix | 0:27:19 | 0:27:22 | |
to meet expats Nikki and Sean, | 0:27:22 | 0:27:24 | |
who've been living the eco life for 15 years now | 0:27:24 | 0:27:27 | |
and run a spa B&B that stands out from the crowd, | 0:27:27 | 0:27:30 | |
with a focus on vegetarian and vegan catering. | 0:27:30 | 0:27:34 | |
Now I know that in the back of your mind somewhere you have this | 0:27:34 | 0:27:36 | |
idea of possibly running a campsite when you're here, | 0:27:36 | 0:27:39 | |
so I thought that these two could maybe talk to you about that. | 0:27:39 | 0:27:43 | |
I know, Sean, you've got something special lined up. | 0:27:43 | 0:27:45 | |
Yes, I have. It's down in the woods. Let's go and have a look, shall we? | 0:27:45 | 0:27:48 | |
-Off you go. -Great. -Thank you. | 0:27:48 | 0:27:50 | |
But with 25 acres of land across this sizeable estate, | 0:27:52 | 0:27:55 | |
the group will need to hitch a ride in Nikki's tractor to get there. | 0:27:55 | 0:27:59 | |
Nikki and Sean's party piece hails from the | 0:28:01 | 0:28:04 | |
nomadic tribes of the Plains of North America and is | 0:28:04 | 0:28:07 | |
great for a powwow. | 0:28:07 | 0:28:09 | |
It also brings in a handy bit of extra business | 0:28:10 | 0:28:13 | |
and adds to the four variously themed B&B rooms that they offer. | 0:28:13 | 0:28:17 | |
-Here we are. -Oh, here we are. -A tepee! -That's right, yeah. | 0:28:20 | 0:28:23 | |
Oh, wonderful. Nice one. | 0:28:23 | 0:28:24 | |
How old is the tepee? | 0:28:24 | 0:28:27 | |
-The tepee is actually five years old. -Why a tepee? | 0:28:27 | 0:28:29 | |
Well, if you're thinking of having a campsite or running anything really, | 0:28:29 | 0:28:33 | |
you need a unique selling point. | 0:28:33 | 0:28:35 | |
Make sure you've got something a little bit interesting that people | 0:28:35 | 0:28:39 | |
are going to come to your campsite, your B&B, | 0:28:39 | 0:28:41 | |
or a little mixture of the both. | 0:28:41 | 0:28:43 | |
There is a lot to competition in France. | 0:28:43 | 0:28:45 | |
And do you need planning permission or any kind of licence? | 0:28:45 | 0:28:47 | |
If you would like to run a campsite, | 0:28:47 | 0:28:49 | |
the best thing is to go to the maire, your local maire. | 0:28:49 | 0:28:51 | |
Yes, we understand he is all powerful. | 0:28:51 | 0:28:53 | |
That's right. Well, they are actually. | 0:28:53 | 0:28:56 | |
-They're also going to be very helpful. -They are very civil and they will look after you. | 0:28:56 | 0:29:00 | |
They will make sure that you've got all the information that you need to do what you want to do. | 0:29:00 | 0:29:03 | |
And things are regulated. | 0:29:03 | 0:29:05 | |
It sounds like your business is very well-established. | 0:29:05 | 0:29:07 | |
Presumably, there's quite a lot to do most of the time. You're kept very busy. | 0:29:07 | 0:29:10 | |
Well, it's a year-round business for sure. | 0:29:10 | 0:29:13 | |
When people aren't here there's always things to, | 0:29:13 | 0:29:15 | |
there's repairs, hence my handyman. | 0:29:15 | 0:29:17 | |
-You have to keep on top of it. -I'm sure it's hard work. -It's hard work. | 0:29:17 | 0:29:21 | |
You've run a business too. | 0:29:21 | 0:29:22 | |
You know, there's a lot of behind-the-scenes stuff. | 0:29:22 | 0:29:25 | |
And that hard graft starts now. | 0:29:25 | 0:29:27 | |
Nikki and Sean take their tepee down for the winter, | 0:29:27 | 0:29:30 | |
so they're taking advantage of the extra numbers | 0:29:30 | 0:29:32 | |
to get the job done a bit quicker. | 0:29:32 | 0:29:34 | |
Bill and Sarah, if you could undo all the tie ropes | 0:29:34 | 0:29:37 | |
-around the base of the tepee. -OK. | 0:29:37 | 0:29:40 | |
Nikki and Sean's tepee was handcrafted with wood | 0:29:40 | 0:29:42 | |
taken from the Midi-Pyrenees | 0:29:42 | 0:29:44 | |
and provides a warm and dry hideaway | 0:29:44 | 0:29:46 | |
for campers looking for an alternative experience. | 0:29:46 | 0:29:49 | |
-Nikki? -What's that? -Taking these skirt ones off as well? Yeah? | 0:29:49 | 0:29:52 | |
Yes, please. | 0:29:52 | 0:29:54 | |
Fiddly bits out of the way, it's onto the next stage. | 0:29:54 | 0:29:58 | |
-Now what we're going to do is roll this up... -OK. | 0:29:58 | 0:30:01 | |
-..like this. -Yep. | 0:30:01 | 0:30:03 | |
Camping can be big business here. | 0:30:03 | 0:30:05 | |
France is the world's second most popular camping destination, | 0:30:05 | 0:30:08 | |
with six million campers and a | 0:30:08 | 0:30:10 | |
further two million visiting from abroad. | 0:30:10 | 0:30:13 | |
Having almost mastered the art of tepee deconstruction, | 0:30:13 | 0:30:17 | |
it's time to load up the canvas. | 0:30:17 | 0:30:19 | |
-The tractor's is full. -The tractor is full, you say. | 0:30:20 | 0:30:23 | |
Sarah, I think you're going to have to walk | 0:30:23 | 0:30:25 | |
because that box is in your space. | 0:30:25 | 0:30:27 | |
So as Nikki heads back in the tractor... | 0:30:27 | 0:30:29 | |
That was fun, I enjoyed that. | 0:30:29 | 0:30:30 | |
..the others are left to amble back by foot. | 0:30:30 | 0:30:34 | |
So time for Sarah and Bill to tap into that local knowledge. | 0:30:34 | 0:30:37 | |
We meet up for an aperitif back outside the main building. | 0:30:37 | 0:30:40 | |
So, do you fancy opening a campsite of tepees? | 0:30:40 | 0:30:43 | |
-It would need some thinking about, yes. -Do you think they could do it? | 0:30:43 | 0:30:46 | |
They could do it and I'm going to share some wine with them | 0:30:46 | 0:30:49 | |
-for their great thanks. Thank you very much. -Oh, look at that. | 0:30:49 | 0:30:52 | |
So, Sean, what, I mean, really important advice would | 0:30:52 | 0:30:55 | |
you give Bill and Sarah? | 0:30:55 | 0:30:57 | |
When you're coming to France, | 0:30:57 | 0:30:59 | |
you need to think about integrating yourself. | 0:30:59 | 0:31:01 | |
It's introducing yourself to your neighbours and your local mayor, | 0:31:01 | 0:31:04 | |
and putting yourself out there because, as soon as you do that, | 0:31:04 | 0:31:07 | |
you integrate into your community. | 0:31:07 | 0:31:09 | |
Once you integrate into your community, | 0:31:09 | 0:31:10 | |
then you open doors, doors open naturally. | 0:31:10 | 0:31:12 | |
Oh, that's interesting, yes. So generally you have felt welcomed? | 0:31:12 | 0:31:16 | |
-We did. -Absolutely. -Yep. | 0:31:16 | 0:31:18 | |
-Good, that's encouraging. -How important is the language? | 0:31:18 | 0:31:21 | |
It's fundamental to your integration into French life. | 0:31:21 | 0:31:23 | |
You need to be able to speak some French. | 0:31:23 | 0:31:25 | |
-We understand that it is essential. -You're already there then really. | 0:31:25 | 0:31:29 | |
What surprised you the most? | 0:31:29 | 0:31:30 | |
What you find the most difficult when you got here? | 0:31:30 | 0:31:33 | |
What surprised me most was actually finding vegetarian products | 0:31:33 | 0:31:36 | |
in the local supermarket. | 0:31:36 | 0:31:37 | |
That is something that I had thought about | 0:31:37 | 0:31:39 | |
and whether the products would be available over here. | 0:31:39 | 0:31:41 | |
You get, in a lot of towns, British shops. | 0:31:41 | 0:31:44 | |
So, if it is a favourite, then you can get it. | 0:31:44 | 0:31:46 | |
But what about eating out? | 0:31:46 | 0:31:47 | |
-We go out. Sean takes me out. -Yes. | 0:31:47 | 0:31:50 | |
But we've got to go to a bigger town for that and our wonderful | 0:31:50 | 0:31:53 | |
-choice is pasta and pizza. -Yes. | 0:31:53 | 0:31:56 | |
And that's, that's really it. | 0:31:56 | 0:31:58 | |
One of the most serious, or difficult, | 0:31:58 | 0:32:00 | |
things to deal with is having no takeaways. | 0:32:00 | 0:32:02 | |
And that's not just because we live | 0:32:02 | 0:32:04 | |
remotely in the French rural countryside. | 0:32:04 | 0:32:06 | |
They just don't have takeaways in the way that you had that choice... | 0:32:06 | 0:32:09 | |
-Apart from pizza. -Apart from pizzas. | 0:32:09 | 0:32:11 | |
Most of us cater for ourselves. | 0:32:11 | 0:32:13 | |
We have our home entertainment, we throw parties for one another, | 0:32:13 | 0:32:17 | |
-you know, we get round it that way. -Much nicer. | 0:32:17 | 0:32:19 | |
Any regrets, making that big move? | 0:32:19 | 0:32:21 | |
For me? Not at all. | 0:32:21 | 0:32:22 | |
There must be things you miss about living in England. | 0:32:22 | 0:32:25 | |
Do you know, off the top of my head, I can't think of anything. | 0:32:25 | 0:32:28 | |
I mean, there's a wonderful buzz about the UK, but it is really busy. | 0:32:28 | 0:32:32 | |
And I don't miss products. | 0:32:32 | 0:32:34 | |
I get whatever I can here. | 0:32:34 | 0:32:36 | |
I like the idea that it's a slower pace of life. | 0:32:36 | 0:32:39 | |
It does feel, you know, sometimes 15-to-20 years behind the UK. | 0:32:39 | 0:32:43 | |
-So, you're still ready for this move? -Yeah. | 0:32:43 | 0:32:46 | |
You haven't been put off? | 0:32:46 | 0:32:47 | |
-No, no, no. -It's been a good learning curve. Thank you very much. | 0:32:47 | 0:32:51 | |
-Yes, thank you for your help. -And thank you for this. | 0:32:51 | 0:32:54 | |
-Yes, Cheers. -ALL: -Cheers. -Bon courage! | 0:32:54 | 0:32:57 | |
Having gained useful intel from their hosts, | 0:32:57 | 0:32:59 | |
Sarah and Bill are all the more prepared for their move. | 0:32:59 | 0:33:03 | |
Once in France, they'll need to set aside 10% of their purchase price | 0:33:03 | 0:33:07 | |
for legal fees and other costs. | 0:33:07 | 0:33:10 | |
Buyers are well-protected here, with a seven-day cooling-off period. | 0:33:10 | 0:33:14 | |
But, do note, relocating Britains should make enquiries as to the most | 0:33:14 | 0:33:19 | |
up-to-date tax regulations. | 0:33:19 | 0:33:21 | |
French tax authorities have broadened their rules | 0:33:21 | 0:33:24 | |
and, under the wealth tax, can even bypass the tax-free | 0:33:24 | 0:33:27 | |
status of ISAs, or other savings in the UK, | 0:33:27 | 0:33:30 | |
and impose tax on them. | 0:33:30 | 0:33:31 | |
Any failure to disclose investments or income can | 0:33:31 | 0:33:34 | |
even incur tax penalties of almost two thirds of the total value. | 0:33:34 | 0:33:39 | |
We're driving to the village of Sommieres-du-Clain | 0:33:44 | 0:33:47 | |
for a house sitting within the most beautiful of beautiful gardens | 0:33:47 | 0:33:51 | |
and still within a 45-minute drive of Poitiers. | 0:33:51 | 0:33:55 | |
Agriculture covers 84% of this land | 0:33:55 | 0:33:58 | |
and the rest is a mosaic of peaceful rivers, classic French architecture, | 0:33:58 | 0:34:02 | |
old churches and even an historic chateau above. | 0:34:02 | 0:34:07 | |
The imposing structure was supposedly built by order | 0:34:07 | 0:34:10 | |
of Louis XIV to house the exiled marquise de Montespan, | 0:34:10 | 0:34:14 | |
the unofficial queen with whom | 0:34:14 | 0:34:16 | |
he fathered seven illegitimate children. | 0:34:16 | 0:34:19 | |
But before they get to survey the countryside nearby, | 0:34:19 | 0:34:21 | |
there's the small matter of a 19th-century cottage to examine first. | 0:34:21 | 0:34:27 | |
And here's the next property. What do you think? | 0:34:27 | 0:34:30 | |
-This looks really nice. -Yeah? | 0:34:30 | 0:34:31 | |
-It's very tidy. -Yeah, but that's what I want is... -Tidiness. | 0:34:31 | 0:34:34 | |
Neat and tidy, yes, I like this. | 0:34:34 | 0:34:37 | |
It's similar to the picture that I had in my mind, so...yeah, | 0:34:37 | 0:34:40 | |
it looks very promising. | 0:34:40 | 0:34:42 | |
-Now the house was built about 130 years ago... -Really? | 0:34:42 | 0:34:45 | |
..and it's three cottages that have been knocked into one. | 0:34:45 | 0:34:48 | |
That's OK, so long as it's nicely modernised inside, | 0:34:48 | 0:34:52 | |
then that's fine. | 0:34:52 | 0:34:54 | |
-Shall we go in? -Yes, please. | 0:34:54 | 0:34:57 | |
Sarah's preference for a tidy and easy property has now | 0:34:57 | 0:35:00 | |
overtaken any previous sympathy for charm and character. | 0:35:00 | 0:35:03 | |
And whilst the frontage seems to fit the bill, | 0:35:03 | 0:35:06 | |
a clear line has been drawn. | 0:35:06 | 0:35:09 | |
Does it match expectations? | 0:35:09 | 0:35:11 | |
It's not... It's not modern. | 0:35:11 | 0:35:14 | |
I mean, it's lovely, but it's just, kind of... | 0:35:14 | 0:35:17 | |
It's back to the old cottage-y feel I was trying to get away from. | 0:35:19 | 0:35:23 | |
I was looking forward to tiled floors and, you know, | 0:35:23 | 0:35:27 | |
simple elegant lines. No, sorry. | 0:35:27 | 0:35:30 | |
-I don't like it. -Oh, Sarah, are you upset? | 0:35:30 | 0:35:32 | |
-Are you a little bit disappointed? -I'm a bit disappointed, yeah. | 0:35:32 | 0:35:35 | |
Well, look, there is more. | 0:35:35 | 0:35:36 | |
-Let's take you through into this room. -OK. -OK. | 0:35:36 | 0:35:39 | |
It's just not giving me anything, I'm afraid. | 0:35:41 | 0:35:45 | |
This hasn't got an old farmhouse feel to it. | 0:35:45 | 0:35:48 | |
And it hasn't really got a cottage-y feel. | 0:35:48 | 0:35:50 | |
And it hasn't got a modern feel either. | 0:35:50 | 0:35:52 | |
-You're just not feeling it. -No. -No. -OK. | 0:35:52 | 0:35:54 | |
This house is failing to connect, | 0:35:54 | 0:35:57 | |
but there is plenty more to see here. | 0:35:57 | 0:36:00 | |
This ground-floor alone has a double bedroom, | 0:36:00 | 0:36:02 | |
bathroom and a full-size snooker room, | 0:36:02 | 0:36:06 | |
but it's over to the kitchen for round three. | 0:36:06 | 0:36:09 | |
It's been quite nicely done. | 0:36:09 | 0:36:11 | |
I guess, I don't cook, but there's worktops and things and | 0:36:11 | 0:36:14 | |
a cooker and stuff to cook with. | 0:36:14 | 0:36:16 | |
-Yes. -It's a kitchen, it does what it's supposed to do. -Yes, yes. | 0:36:16 | 0:36:20 | |
-It would produce a meal for you. -Correct. -Yeah, yeah. | 0:36:20 | 0:36:22 | |
It's got plenty of cupboard space and it's nice and light, | 0:36:22 | 0:36:26 | |
but it's small. | 0:36:26 | 0:36:27 | |
What would you do to this kitchen? | 0:36:27 | 0:36:29 | |
If you knocked this wall down and turned all this into a | 0:36:29 | 0:36:32 | |
kitchen-living area, then you have a nice big open space, | 0:36:32 | 0:36:37 | |
but we don't want to do that. | 0:36:37 | 0:36:38 | |
-No, because we want to get involved in all that. -No, no, I'm too old. | 0:36:38 | 0:36:42 | |
-I want comfort and my food prepared and brought to me. -Yeah. | 0:36:42 | 0:36:45 | |
OK. All right. | 0:36:45 | 0:36:48 | |
Are you ready for this? | 0:36:48 | 0:36:50 | |
-You know. -I'm used to it. -You're used to it. -I'm used to it, yeah. | 0:36:50 | 0:36:52 | |
He must give you something. What do you get in return? | 0:36:52 | 0:36:55 | |
-Cup of tea in bed every morning. -Oh, come on, that's good. | 0:36:55 | 0:36:57 | |
-That's quite nice. -Yes, that's most important. | 0:36:57 | 0:37:00 | |
-Come on, let me show you upstairs. -OK. | 0:37:00 | 0:37:03 | |
It's time to head upstairs | 0:37:03 | 0:37:04 | |
to view three more recently updated bedrooms, | 0:37:04 | 0:37:07 | |
two doubles and a single used as a study, | 0:37:07 | 0:37:10 | |
all accessible via the cosy, wooden corridors. | 0:37:10 | 0:37:14 | |
-The master bedroom. -Yes, this is pretty. | 0:37:14 | 0:37:17 | |
-Is this an improvement on downstairs? -Yes, very much so. | 0:37:17 | 0:37:20 | |
-Yeah. -It's lighter. | 0:37:20 | 0:37:22 | |
And the beams are nice | 0:37:22 | 0:37:23 | |
because they're not painted or messed about with. | 0:37:23 | 0:37:25 | |
So it's retaining something historic about it | 0:37:25 | 0:37:28 | |
in a way that downstairs isn't | 0:37:28 | 0:37:29 | |
because downstairs has been messed about with. | 0:37:29 | 0:37:32 | |
But this hasn't, this has retained it, and yet it's made into a | 0:37:32 | 0:37:34 | |
-nice, clean, modern room and some good natural light. -Yes, this pretty. | 0:37:34 | 0:37:38 | |
-I do want to show you a bit more of the house and the outside. -OK. | 0:37:38 | 0:37:41 | |
-Shall we do that? -Yes. -Come on. | 0:37:41 | 0:37:44 | |
Was that approval or indifference? | 0:37:44 | 0:37:46 | |
I'm not sure. But this property has an ace up its sleeve... | 0:37:46 | 0:37:50 | |
a four-acre, bird-filled tree-lined ace, to be precise. | 0:37:50 | 0:37:55 | |
Handily situated on the edge of the village, | 0:37:55 | 0:37:57 | |
neighbours are hidden from view, | 0:37:57 | 0:37:59 | |
and there's a bar and a small shop just a short walk away. | 0:37:59 | 0:38:02 | |
-Do you feel better? -Yes. -Instantly, right? | 0:38:04 | 0:38:08 | |
Yes, yes. This is glorious. | 0:38:08 | 0:38:11 | |
It gets better. This plot is actually just under four acres. | 0:38:11 | 0:38:15 | |
-OK. -Really? -It's huge. | 0:38:15 | 0:38:17 | |
-You've got a fantastic barn. -OK. | 0:38:17 | 0:38:19 | |
-This is currently being used as an artist's studio. -Oh, it's gorgeous. | 0:38:19 | 0:38:23 | |
And then that is your very own pond. | 0:38:23 | 0:38:26 | |
I was going to say, that looks like there's water over there. | 0:38:26 | 0:38:28 | |
There is water here. | 0:38:28 | 0:38:29 | |
-You saved the best till last, didn't you? -I did! | 0:38:29 | 0:38:33 | |
Labradors in the water. | 0:38:33 | 0:38:35 | |
-Labradors in the water. -Yeah. | 0:38:35 | 0:38:36 | |
-I don't want the house. Can we just have this? -Yeah. | 0:38:36 | 0:38:38 | |
-This is delightful, isn't it? -Yes, spot on. -It's gorgeous. -It's by the land. -Yeah, all these trees. | 0:38:38 | 0:38:43 | |
I wouldn't mind this kind of work, garden work like this. | 0:38:43 | 0:38:45 | |
-Riding round on your mower. -Well, yes. | 0:38:45 | 0:38:47 | |
-And picking up the leaves. -Yeah, maybe put a pool in or something. | 0:38:47 | 0:38:51 | |
OK, let's talk about price. How much do you think it's on the market for? | 0:38:51 | 0:38:54 | |
I think it's probably on the market for £155,000. | 0:38:54 | 0:38:59 | |
-Sarah? -I would say about £140,000. | 0:38:59 | 0:39:03 | |
It's on for £188,000. | 0:39:03 | 0:39:07 | |
-OK. -OK. -I think it's too high. | 0:39:07 | 0:39:09 | |
It would be too high for us. | 0:39:09 | 0:39:11 | |
OK, the land outside is beautiful, | 0:39:11 | 0:39:12 | |
but you'd actually need to have the house. | 0:39:12 | 0:39:15 | |
-We live in the house. -You live in the house. -You have to get the fundamentals right. | 0:39:15 | 0:39:18 | |
Well, enjoy the garden. | 0:39:18 | 0:39:20 | |
Go and cheer yourselves up, have a run-around, | 0:39:20 | 0:39:22 | |
-and I'll come find you. -OK. -Thank you. -Off you go. | 0:39:22 | 0:39:25 | |
It may be £12,000 under budget, but this property has failed to | 0:39:25 | 0:39:29 | |
live up to its external promise for our house-hunting duo. | 0:39:29 | 0:39:32 | |
As perfect as the four-acre exterior may be, the cottage effect is | 0:39:32 | 0:39:37 | |
simply too similar to the house they're leaving behind, | 0:39:37 | 0:39:39 | |
with a classic interior that falls short of the | 0:39:39 | 0:39:42 | |
sleek modern finish Sarah's after. | 0:39:42 | 0:39:44 | |
From the outside, I thought, "Yes, this may well be something that we | 0:39:44 | 0:39:48 | |
"could take seriously", but it hasn't been modernised. | 0:39:48 | 0:39:51 | |
If we came to live here, we would have to do quite a lot of work. | 0:39:51 | 0:39:54 | |
-Oh, wow! -Look at this. -Oh, and there's fields there. | 0:39:54 | 0:39:58 | |
-How peaceful, just to sit there in the evening and watch the stars. -Yep. | 0:39:58 | 0:40:03 | |
Hmm, that's lovely. | 0:40:03 | 0:40:05 | |
-That is really nice. -And the dogs would love it. -Yeah. | 0:40:05 | 0:40:09 | |
What a shame about the house. | 0:40:09 | 0:40:10 | |
The real treasure of this property is the outside - | 0:40:10 | 0:40:14 | |
the garden and the land. | 0:40:14 | 0:40:15 | |
It's really the property's saving grace. | 0:40:15 | 0:40:18 | |
If we were just playing a piece of land, yes, I'd bite your hand off. | 0:40:18 | 0:40:24 | |
-It's pretty special, isn't it? -It is. | 0:40:24 | 0:40:26 | |
-Has it changed your mind at all about the house? -Sadly, no. | 0:40:26 | 0:40:29 | |
-OK, in that case then, we need to leave. -OK. | 0:40:29 | 0:40:32 | |
Come on, let's do it. | 0:40:32 | 0:40:33 | |
With the house-hunting put to bed for the night, | 0:40:41 | 0:40:43 | |
Sarah and Bill squeeze in one final candlelit dinner. | 0:40:43 | 0:40:47 | |
"..legumes oublies au Tofu?" | 0:40:47 | 0:40:51 | |
-What are they called? -I can't remember. -No, nor can I. | 0:40:51 | 0:40:54 | |
I'm sure we can get over this language thing. | 0:40:54 | 0:40:57 | |
I'm sure we'll do very well. | 0:40:57 | 0:40:59 | |
Est-ce que vous avez fait votre choix? | 0:40:59 | 0:41:01 | |
Ah, oui. Erm, Sarah? | 0:41:01 | 0:41:03 | |
-Erm, omelette. -Omelette au fromage, merci. | 0:41:03 | 0:41:08 | |
We understand more than we think we do. | 0:41:08 | 0:41:10 | |
-You'll be much quicker at picking it up than me. -But, erm... | 0:41:10 | 0:41:14 | |
But you're more inclined to actually attempt. | 0:41:14 | 0:41:17 | |
If we move here and don't make the effort...to integrate...then, | 0:41:17 | 0:41:22 | |
however much we like to be on our own, | 0:41:22 | 0:41:25 | |
it would be a very, very lonely life out here. | 0:41:25 | 0:41:28 | |
-It's got to be good fun as well. -Yes. -It's an adventure. | 0:41:28 | 0:41:32 | |
-There are lots of things to think about. -At the moment, I can't... | 0:41:32 | 0:41:34 | |
It's not just falling in love with a house, | 0:41:34 | 0:41:36 | |
but it's thinking about all the things | 0:41:36 | 0:41:38 | |
that we'd leave behind and making it reality. | 0:41:38 | 0:41:41 | |
-Alors omelette avec champignons. -Merci. | 0:41:43 | 0:41:45 | |
Et avec fromage... | 0:41:47 | 0:41:49 | |
-Merci. -..pour Monsieur. | 0:41:49 | 0:41:50 | |
-Je vous souhaite un tres bon appetit. -Oh, merci. | 0:41:50 | 0:41:54 | |
-Really lovely. -I'm sure we'd be able to do more than omelettes. | 0:41:54 | 0:41:59 | |
Oh, I'm sure we will. | 0:41:59 | 0:42:00 | |
I'm looking forward to you having more time to prepare food for me. | 0:42:00 | 0:42:04 | |
-SARAH GIGGLES -It's spot on. | 0:42:04 | 0:42:07 | |
Morning has broken and here, in France's Poitou-Charentes region, | 0:42:17 | 0:42:21 | |
we're helping Sarah and Bill from Gloucestershire, | 0:42:21 | 0:42:25 | |
as they look to invest £200,000 in a new home. | 0:42:25 | 0:42:29 | |
We've had them stay in a quiet cottage, in the village of Poursac, | 0:42:29 | 0:42:33 | |
as they seek to get away from the burdens of life back in the UK. | 0:42:33 | 0:42:36 | |
Now Bill and Sarah, they said they wanted old French charm, | 0:42:39 | 0:42:42 | |
they said they wanted something modern and, as it transpires, | 0:42:42 | 0:42:45 | |
the modern is dominating the old French bit. | 0:42:45 | 0:42:48 | |
Now, today is mystery property day. | 0:42:48 | 0:42:50 | |
Let's just say we're leaving the 19th century behind, | 0:42:50 | 0:42:53 | |
we're moving into the 20th century | 0:42:53 | 0:42:55 | |
and, in my opinion, this is the creme de la creme. | 0:42:55 | 0:43:00 | |
We continue our journey east across the region for our mystery house, | 0:43:01 | 0:43:05 | |
located on the outskirts of Moussac-sur-Vienne. | 0:43:05 | 0:43:09 | |
Perched above the Vienne river, | 0:43:09 | 0:43:11 | |
this is one of Charente's most sparsely populated areas. | 0:43:11 | 0:43:14 | |
That translates into uncompromised views of the fortified chateaux | 0:43:15 | 0:43:19 | |
and walks along the river that are seldom disturbed. | 0:43:19 | 0:43:23 | |
The shops and the markets of L'Isle-Jourdain | 0:43:23 | 0:43:26 | |
are a short drive away and the area is popular with campers | 0:43:26 | 0:43:30 | |
and canoeists alike, a steady source of income for the town, | 0:43:30 | 0:43:34 | |
but we're here for more than business potential. | 0:43:34 | 0:43:36 | |
Our mystery property, a ten-minute walk from the town centre, | 0:43:36 | 0:43:39 | |
is one of contrast, | 0:43:39 | 0:43:41 | |
where a busy industrial past has given way to a serene home | 0:43:41 | 0:43:45 | |
within an irregular conversion | 0:43:45 | 0:43:47 | |
that I just can't wait to show off to our buyers. | 0:43:47 | 0:43:49 | |
SHE SIGHS | 0:43:49 | 0:43:51 | |
Welcome to this dairy. | 0:43:51 | 0:43:53 | |
-Well, it looks very interesting. -Yeah, it does. | 0:43:53 | 0:43:56 | |
-Interesting is the right word. -Certainly very different. | 0:43:56 | 0:43:58 | |
-Lovely setting. -I know that you like nature. -Yep, yes, yes. -Yep. | 0:43:58 | 0:44:03 | |
And without giving too much away, | 0:44:03 | 0:44:05 | |
I think you'll be quite pleased in this setting. | 0:44:05 | 0:44:07 | |
-OK. -First impressions are really good. It's very relaxing. | 0:44:07 | 0:44:11 | |
-Yeah. -A lovely spot. -Yes. -Can we see more? -So far so good. | 0:44:11 | 0:44:14 | |
Yes, of course you can see more. Let's go in. This way. | 0:44:14 | 0:44:18 | |
Whilst the last two properties managed to establish | 0:44:18 | 0:44:21 | |
what Sarah and Bill don't want, | 0:44:21 | 0:44:23 | |
this mystery house is a whole new kettle of fish. | 0:44:23 | 0:44:26 | |
1.5 acres of land wraps itself around this old dairy co-op, | 0:44:26 | 0:44:30 | |
complete with veg patches, woodland | 0:44:30 | 0:44:33 | |
and even a freshwater lake with a stream flowing through the property. | 0:44:33 | 0:44:38 | |
But for all that external pizzazz, we're taking a real punt | 0:44:38 | 0:44:40 | |
showing them an early 20th-century, former industrial property | 0:44:40 | 0:44:44 | |
and I'm almost convinced that it'll be worth it. | 0:44:44 | 0:44:48 | |
-I like it. It's open and... -Spacious. | 0:44:49 | 0:44:53 | |
It has character, I'm not quite sure what the character is, | 0:44:53 | 0:44:56 | |
but it has something about it which has got a good feel to it. | 0:44:56 | 0:44:59 | |
I love the window seat over there. | 0:44:59 | 0:45:00 | |
You can you see yourself lounging around here? | 0:45:00 | 0:45:02 | |
-I can't not see myself in here. -Yeah, yeah. | 0:45:02 | 0:45:04 | |
There's nothing immediately that's coming out that I'm thinking... | 0:45:04 | 0:45:08 | |
Deciphering the double negatives, | 0:45:08 | 0:45:10 | |
I think Bill's quietly taken with the house so far. | 0:45:10 | 0:45:13 | |
Time to ramp it up a notch with a descent into the kitchen | 0:45:13 | 0:45:17 | |
Wow, this is incredible! | 0:45:17 | 0:45:20 | |
-What a space. -Yeah, quite. -It is huge. | 0:45:20 | 0:45:23 | |
Well, there's certainly room in here. I mean, this makes a | 0:45:23 | 0:45:25 | |
-family room, doesn't it? I mean... -It does, it does. | 0:45:25 | 0:45:28 | |
-It would make a lovely family room, yes. -And the dogs. -And the dogs. | 0:45:28 | 0:45:31 | |
-The dogs would love it in here. -Hmm. | 0:45:31 | 0:45:32 | |
They would park themselves by the range over there. | 0:45:32 | 0:45:35 | |
It's quirky, it's bizarre. | 0:45:35 | 0:45:37 | |
The whole place is a tad industrial. | 0:45:37 | 0:45:39 | |
Is this working for you, Sarah? | 0:45:39 | 0:45:41 | |
Yes. Really nice units, gas cooker. | 0:45:41 | 0:45:44 | |
-I'm a bit, sort of, amazed I suppose, but... Yeah. -Overwhelmed. | 0:45:44 | 0:45:48 | |
-I'm considering my responses. -Yeah, no. | 0:45:48 | 0:45:52 | |
-Shall we try a bedroom? -Yes, lovely. -Yep. | 0:45:52 | 0:45:55 | |
The uniqueness of what was the creamery, | 0:45:55 | 0:45:58 | |
with its four-metre high ceilings, almost tongue-tied Sarah, | 0:45:58 | 0:46:01 | |
but it has undoubtedly impressed. | 0:46:01 | 0:46:04 | |
Time to carry on through the property's maze-like lower level. | 0:46:04 | 0:46:07 | |
Come on through. | 0:46:07 | 0:46:10 | |
Big master bathroom there. | 0:46:10 | 0:46:12 | |
You've got a huge store-room on that side... | 0:46:12 | 0:46:14 | |
bedroom here and a big study. | 0:46:14 | 0:46:17 | |
But we're going upstairs. | 0:46:17 | 0:46:19 | |
There is plenty of room for Sarah and Bill on the top floor, | 0:46:19 | 0:46:22 | |
with three more double bedrooms, | 0:46:22 | 0:46:24 | |
all with amble storage, unmissable original windows and 1930s style. | 0:46:24 | 0:46:29 | |
And we're heading into the master bedroom. | 0:46:29 | 0:46:32 | |
-So what do you think of this room? -I love the wallpaper. | 0:46:32 | 0:46:35 | |
-That's really nice. -It's cool, isn't it? | 0:46:35 | 0:46:37 | |
It is lovely and the fireplace as well. | 0:46:37 | 0:46:39 | |
It's one of the few rooms I've been into that's actually taller | 0:46:39 | 0:46:42 | |
than it's wide. | 0:46:42 | 0:46:44 | |
There is another bedroom over the way, which is bigger than this, | 0:46:44 | 0:46:47 | |
-but this is the one with -the en-suite. OK. | 0:46:47 | 0:46:50 | |
-Do you want to have a look? -Can we have a look? | 0:46:50 | 0:46:53 | |
Go on, off you go. Pop your head in there. | 0:46:53 | 0:46:55 | |
-Oh, this is lovely. -It's sweet, isn't it? -This is really nice. -Yeah. | 0:46:55 | 0:46:58 | |
-And I like this. -Yeah. -Yeah, it's lovely. | 0:46:58 | 0:47:01 | |
-It's really been designed well, hasn't it? -Yes. -Yeah, spot on. | 0:47:01 | 0:47:05 | |
And the compliments flow on. | 0:47:05 | 0:47:07 | |
Might Sarah and Bill be taking this mix of homely and quirky to heart? | 0:47:07 | 0:47:12 | |
That remains to be seen. | 0:47:12 | 0:47:13 | |
Welcome to the back garden. | 0:47:13 | 0:47:15 | |
Oh, look at this! | 0:47:15 | 0:47:17 | |
For now, it's time to introduce them to the space outside. | 0:47:17 | 0:47:21 | |
Love the water. | 0:47:21 | 0:47:23 | |
And the stream actually runs around the entire property, | 0:47:23 | 0:47:26 | |
and you can swim in this. And I know you like bird watching. | 0:47:26 | 0:47:30 | |
-Well, you get kingfisher, heron... -Really? -Oh, yes. | 0:47:30 | 0:47:33 | |
Oh, that would be gorgeous. | 0:47:33 | 0:47:35 | |
Not only that, but sometimes the odd deer | 0:47:35 | 0:47:38 | |
-wanders down into the back garden. -OK. -OK. | 0:47:38 | 0:47:41 | |
-Do you like it? -Personally, I love it. It's a real one-off. | 0:47:41 | 0:47:44 | |
It's certainly gives us something to think about. | 0:47:44 | 0:47:46 | |
So let's guess the price. I'm going to start with you, Sarah. | 0:47:46 | 0:47:49 | |
I really have no idea. A complete wild guess, I'd say 190,000. | 0:47:49 | 0:47:54 | |
-Bill, what do you think? -Well, I think it's over budget. | 0:47:54 | 0:47:57 | |
I would think it would be nearer £220,000. | 0:47:57 | 0:48:00 | |
It's actually on for | 0:48:00 | 0:48:03 | |
£193,000. | 0:48:03 | 0:48:06 | |
Goodness. Sacre bleu. | 0:48:06 | 0:48:09 | |
-It's an overwhelming property. -Yeah. | 0:48:09 | 0:48:11 | |
Look, I want you to go back in there... | 0:48:11 | 0:48:14 | |
-Yep, get lost... -Get lost in there. | 0:48:14 | 0:48:16 | |
-Yeah, basically, get lost in there and I'll try and find you. -Thanks. | 0:48:16 | 0:48:20 | |
So it was definitely worth the gamble. | 0:48:20 | 0:48:22 | |
The old dairy may not be what they claim they needed, | 0:48:22 | 0:48:25 | |
but coming in £7,000 under budget, | 0:48:25 | 0:48:28 | |
this property has clearly bamboozled our buyers. | 0:48:28 | 0:48:31 | |
Renovated just four years ago, | 0:48:31 | 0:48:33 | |
there's an elegance born of its 1930s styling, | 0:48:33 | 0:48:36 | |
plus a unique kitchen, five bedrooms offering business potential and, | 0:48:36 | 0:48:41 | |
of course, it all comes with a lake. | 0:48:41 | 0:48:43 | |
The lake is fantastic. | 0:48:43 | 0:48:45 | |
It's out of this world. Really, really lovely. | 0:48:45 | 0:48:48 | |
It is larger than we were thinking of, | 0:48:48 | 0:48:50 | |
but that wouldn't write out this property. | 0:48:50 | 0:48:52 | |
SHE LAUGHS | 0:48:52 | 0:48:54 | |
-Gosh! -Mon Dieu! | 0:48:54 | 0:48:55 | |
-What a huge space. -It's enormous. | 0:48:55 | 0:48:58 | |
-I don't know what we'd put in it. -No, I don't know, but we don't | 0:48:58 | 0:49:01 | |
-have to decide now, do we? -No. -The possibilities are endless. | 0:49:01 | 0:49:04 | |
Having said that we didn't want to do any work at all on a property, | 0:49:04 | 0:49:07 | |
I think what needs doing here would be allowable. | 0:49:07 | 0:49:11 | |
The fact that we're thinking of practicalities in this detail | 0:49:11 | 0:49:15 | |
shows that we may well be showing an interest in it. | 0:49:15 | 0:49:19 | |
-Have you seen enough? -I think so. -Yeah, I think so. -Thank you. | 0:49:19 | 0:49:22 | |
-In that case, we are done, done. -Right. | 0:49:22 | 0:49:24 | |
-So we should go and find somewhere where we can chat. -OK. | 0:49:24 | 0:49:27 | |
Yeah, let's do that. | 0:49:27 | 0:49:29 | |
To the south of the Poitou-Charentes region | 0:49:35 | 0:49:38 | |
lies the cathedral city of Angouleme, | 0:49:38 | 0:49:41 | |
once the 16th-century power house of paper manufacturing in France. | 0:49:41 | 0:49:44 | |
But as that industry waned, another emerged in its place, | 0:49:44 | 0:49:48 | |
as paper and printing gave way to illustrations, animation and comics. | 0:49:48 | 0:49:53 | |
Now home to Europe's most important comic festival, | 0:49:54 | 0:49:57 | |
artists are invited to replicate their works throughout this | 0:49:57 | 0:50:00 | |
historical-artistic hybrid of a city. | 0:50:00 | 0:50:03 | |
Today, I've come to the town's museum of comics | 0:50:03 | 0:50:05 | |
to talk to Jean-Pierre Mercier, | 0:50:05 | 0:50:08 | |
a comic strip veteran of 35 years. | 0:50:08 | 0:50:11 | |
-So, this is it. -Yes. | 0:50:11 | 0:50:12 | |
Why is this the destination if you're a mad comic fan? | 0:50:12 | 0:50:16 | |
Because of the festival, to begin with, | 0:50:16 | 0:50:18 | |
it's the most important comic festival in Europe. | 0:50:18 | 0:50:21 | |
And when the people come in Angouleme, | 0:50:21 | 0:50:23 | |
they are in the comics capital. | 0:50:23 | 0:50:24 | |
I mean, the city all decided that we would put comic | 0:50:24 | 0:50:28 | |
images on the walls and some of them are Lucky Luke, | 0:50:28 | 0:50:31 | |
but sometimes we would commission comic artists | 0:50:31 | 0:50:34 | |
to do specific painted walls. | 0:50:34 | 0:50:35 | |
If you're a fan of comics, you have to come. | 0:50:35 | 0:50:38 | |
-How important is comic culture in France? -It's called a ninth art. | 0:50:38 | 0:50:42 | |
It's studied in university, it's used in school in French lessons | 0:50:42 | 0:50:47 | |
and all kind of things like that. | 0:50:47 | 0:50:49 | |
Why are they given so much respect? | 0:50:49 | 0:50:51 | |
It's part of your culture. It's still something really popular. | 0:50:51 | 0:50:55 | |
Every time an Asterix goes out, a new album goes out, | 0:50:55 | 0:51:00 | |
people go crazy and buy, you know, millions of copies of it. | 0:51:00 | 0:51:04 | |
With upwards of 40 million comic albums being sold | 0:51:04 | 0:51:07 | |
in France every year, | 0:51:07 | 0:51:09 | |
it's little wonder that the art form has spilled out beyond the page | 0:51:09 | 0:51:12 | |
and into the national psyche. | 0:51:12 | 0:51:14 | |
The city's museum holds over 12,000 comics | 0:51:14 | 0:51:17 | |
and hundreds of thousands of prints. | 0:51:17 | 0:51:19 | |
It's the first point of reference for the Louvre | 0:51:19 | 0:51:22 | |
and the national museums for all comic strip queries. | 0:51:22 | 0:51:25 | |
Comic inspiration can be found throughout the city in public | 0:51:25 | 0:51:28 | |
art installations that cover anything from hotels to phone boxes. | 0:51:28 | 0:51:32 | |
And Jean-Pierre's agreed to give me a tour | 0:51:32 | 0:51:35 | |
of some of these modern emblems of the city. | 0:51:35 | 0:51:38 | |
Oh, wow, Jean-Pierre! | 0:51:38 | 0:51:39 | |
-Hey. -That's fantastic. | 0:51:39 | 0:51:41 | |
That's one of the best painted walls in Angouleme. | 0:51:41 | 0:51:44 | |
It's by Max Cabanes. | 0:51:44 | 0:51:46 | |
For him, it's a memory of when he was a teenager during the '50s | 0:51:46 | 0:51:50 | |
and he was longing for the romantic girl. | 0:51:50 | 0:51:53 | |
HE LAUGHS | 0:51:53 | 0:51:54 | |
-And there she is. -And there she is. | 0:51:54 | 0:51:56 | |
I love that the council commissioned it. | 0:51:56 | 0:51:58 | |
That was the idea. You're trying to get the people coming to Angouleme | 0:51:58 | 0:52:02 | |
to get the flavour of... You know you are in the comic city. | 0:52:02 | 0:52:05 | |
The artworks define the city and love defines its art, | 0:52:05 | 0:52:09 | |
and the perennial theme seems to permeate | 0:52:09 | 0:52:11 | |
much of the iconic artworks. | 0:52:11 | 0:52:13 | |
Oh, wow! | 0:52:13 | 0:52:15 | |
It's a big, romantic, dramatic love story, you know. | 0:52:15 | 0:52:18 | |
And this passionate scene that's going on down here, | 0:52:18 | 0:52:20 | |
-although he looks terrified. -He is. | 0:52:20 | 0:52:23 | |
He is fascinated and he's obviously seduced, | 0:52:23 | 0:52:26 | |
but there's, sort of, danger | 0:52:26 | 0:52:28 | |
and it goes back to the literature of the 19th century, | 0:52:28 | 0:52:31 | |
with these impossible love stories | 0:52:31 | 0:52:33 | |
between the rich guy and the poor girl. | 0:52:33 | 0:52:36 | |
You know, it's a mixing of all this. | 0:52:36 | 0:52:38 | |
Angouleme's artistic revolution continues at pace | 0:52:38 | 0:52:40 | |
and the artwork that punctuates the city has now inspired a new | 0:52:40 | 0:52:44 | |
generation of artists to pick up the baton. | 0:52:44 | 0:52:47 | |
I've arranged to meet an artist who decorates buildings all over | 0:52:47 | 0:52:51 | |
France in his own unique style using no paint. | 0:52:51 | 0:52:54 | |
More than 3,000 of Fred Le Chevalier's artworks | 0:52:54 | 0:52:57 | |
can be found over the stone walls of | 0:52:57 | 0:53:00 | |
Montmartre and Belleville in Paris, as well as here in his home town. | 0:53:00 | 0:53:04 | |
Fred draws his pieces on paper and simply pastes them | 0:53:04 | 0:53:07 | |
onto buildings for all to see. | 0:53:07 | 0:53:10 | |
So, tell me what we're doing. | 0:53:10 | 0:53:12 | |
-We're going to do a little story with this boy escaping from a scene. -Yep. | 0:53:12 | 0:53:16 | |
-Maybe, can we, put a barrier together? -Absolutely, let's do it. | 0:53:16 | 0:53:20 | |
-So... -So give me... Wallpapering is not easy. | 0:53:20 | 0:53:24 | |
-So it's a barrier and he's going to jump off of the barrier. -OK. | 0:53:24 | 0:53:28 | |
-I put the glue first and then you can help me. -All right. | 0:53:28 | 0:53:31 | |
And as I harness my wallpapering skills, it's a good opportunity to | 0:53:31 | 0:53:35 | |
find out more about Fred's mode of expression. | 0:53:35 | 0:53:38 | |
Is being an artist in your blood, growing up in Angouleme? | 0:53:39 | 0:53:43 | |
When you grow up in Angouleme, you had to see the festival. | 0:53:43 | 0:53:46 | |
It was like a big party in the city. | 0:53:46 | 0:53:49 | |
-So that must be amazing when you're a small child. -Yes, yes. | 0:53:49 | 0:53:53 | |
I think it's looking good already. What's next? Let's do some more. | 0:53:53 | 0:53:56 | |
We're going to put some other characters all around. | 0:53:56 | 0:53:59 | |
SHE LAUGHS | 0:54:02 | 0:54:04 | |
They've got bowler hats on! | 0:54:04 | 0:54:06 | |
-Those characters represent society or a kind of nightmare. -Yes. | 0:54:06 | 0:54:11 | |
My little boy, little character, is escaping from that. | 0:54:11 | 0:54:15 | |
He wants to fly away. | 0:54:15 | 0:54:16 | |
Well, you don't need a language to communicate this. | 0:54:16 | 0:54:18 | |
You just need a wall, don't you? | 0:54:18 | 0:54:20 | |
Yes, this is what I like and people can relate. | 0:54:20 | 0:54:22 | |
-How long will this stay on the wall? -I really don't know. | 0:54:22 | 0:54:25 | |
Sometimes it stays just five minutes, sometimes it can stay two years, | 0:54:25 | 0:54:30 | |
-so there is no rule. -OK, let's get another one up. | 0:54:30 | 0:54:33 | |
At the beginning, I was working during the night | 0:54:33 | 0:54:36 | |
because I thought I had to hide me. | 0:54:36 | 0:54:38 | |
But then I met a police man, who knew what I did, | 0:54:38 | 0:54:41 | |
and just asked me not to put it on the public buildings. | 0:54:41 | 0:54:44 | |
Perfect. | 0:54:44 | 0:54:46 | |
Angouleme is fated throughout France as the giant canvas | 0:54:46 | 0:54:49 | |
upon which history and modern art co-exist. | 0:54:49 | 0:54:52 | |
Its bold artistic heritage first inspired Fred to showcase | 0:54:52 | 0:54:56 | |
his artwork online and he's come home to fully develop his style. | 0:54:56 | 0:55:00 | |
And as the wall fills with images from Fred's imagination, | 0:55:00 | 0:55:04 | |
his work enlivens the shell of this disused building. | 0:55:04 | 0:55:09 | |
-Is it all done? -Yes, that's OK now. | 0:55:09 | 0:55:12 | |
It looks great and really dramatic. | 0:55:12 | 0:55:14 | |
It really makes you stop and think. | 0:55:14 | 0:55:16 | |
It's dramatic and positive at the same time because he goes away | 0:55:16 | 0:55:20 | |
-and that's OK. -A little Fred, running away. | 0:55:20 | 0:55:22 | |
-Yes, it's a little Fred, of course. -Of course it's a little Fred. | 0:55:22 | 0:55:25 | |
You're always talking about yourself. | 0:55:25 | 0:55:27 | |
Well, Fred, it's been a pleasure. Until the next time. | 0:55:27 | 0:55:29 | |
-Thanks very much. -Au revoir, goodbye. -Bonne journee! | 0:55:29 | 0:55:32 | |
I have to admit, Bill and Sarah have got me baffled. | 0:55:36 | 0:55:39 | |
I still have no idea what it is they're actually looking for. | 0:55:39 | 0:55:43 | |
Time to pin 'em down and find out. | 0:55:43 | 0:55:45 | |
-Right, we've come to the end of our time together. -Hmm. | 0:55:52 | 0:55:55 | |
So let's talk about this property that you are looking for. | 0:55:55 | 0:55:58 | |
Do you think that what you're looking for is even here? | 0:55:58 | 0:56:02 | |
Nothing has met all our criteria, but we couldn't expect it to. | 0:56:02 | 0:56:07 | |
I think each property had its points. | 0:56:07 | 0:56:09 | |
Whether the ultimate property that we're looking for | 0:56:09 | 0:56:13 | |
is attainable within our budget, then I think that's a lesson that | 0:56:13 | 0:56:16 | |
I've learned that it isn't. | 0:56:16 | 0:56:18 | |
Has it been disappointing? | 0:56:18 | 0:56:20 | |
You know, we got very excited about the mystery house | 0:56:20 | 0:56:23 | |
because it's a fabulous building, and I'm so glad that we saw it. | 0:56:23 | 0:56:25 | |
But in the cool light of day, it would be too much work for us. | 0:56:25 | 0:56:29 | |
Has there been one property that's stood out for you this week? | 0:56:29 | 0:56:32 | |
Yes, the first one. | 0:56:32 | 0:56:34 | |
It was immaculate inside. It was beautifully done. | 0:56:34 | 0:56:36 | |
We liked the colour schemes. We wouldn't have to do anything at all. | 0:56:36 | 0:56:40 | |
It doesn't have the beautiful outside space that we've | 0:56:40 | 0:56:43 | |
seen on the other properties. | 0:56:43 | 0:56:45 | |
And the fact that it was adjoined to the steel barn, | 0:56:45 | 0:56:48 | |
that would be a compromise. | 0:56:48 | 0:56:50 | |
We have, since we've seen it, thought, | 0:56:50 | 0:56:52 | |
"What can we do to cover it?" | 0:56:52 | 0:56:53 | |
So that actually suggests that, if we could overcome what was | 0:56:53 | 0:56:56 | |
-next door to it, then that is quite a serious contender. -Yes. | 0:56:56 | 0:56:59 | |
So what's the next step for you? | 0:56:59 | 0:57:01 | |
I think we'll come back. | 0:57:01 | 0:57:03 | |
We'll probably have another look at the first house | 0:57:03 | 0:57:06 | |
and explore that little area a little bit more, | 0:57:06 | 0:57:08 | |
so that we've familiarised ourselves with what is around the property. | 0:57:08 | 0:57:12 | |
-Well, that's very positive. -Yeah. | 0:57:12 | 0:57:14 | |
So if I were to contact you in six months? | 0:57:14 | 0:57:16 | |
We'll be packing our bags if we're not already here. | 0:57:16 | 0:57:19 | |
-You'll be doing one last removal and it'll be your own. -Yeah. -Yes. | 0:57:19 | 0:57:22 | |
-Let's just drink to that. -Let's just drink to that, yeah. -Cheers. | 0:57:22 | 0:57:26 | |
Well, I was a little confused as to what Bill and Sarah | 0:57:30 | 0:57:34 | |
were looking for and, as it transpires, so were they. | 0:57:34 | 0:57:37 | |
But their hunt for their dream property is just beginning | 0:57:37 | 0:57:39 | |
and I am sure, with a bit of searching, | 0:57:39 | 0:57:41 | |
they will find their perfect balance between old French charm | 0:57:41 | 0:57:45 | |
and British modernity. | 0:57:45 | 0:57:46 | |
And then, they'll be making their one-way trip to France | 0:57:46 | 0:57:49 | |
with their own furniture in the back of a van. | 0:57:49 | 0:57:51 | |
Join me next time for another Escape To The Continent. | 0:57:51 | 0:57:54 | |
And I'm delighted to report that they will be making that | 0:57:55 | 0:57:59 | |
one-way journey as they've, in fact, decided to purchase the gite | 0:57:59 | 0:58:03 | |
we arranged for them to stay in. | 0:58:03 | 0:58:05 | |
Their Gloucestershire home is now on the market | 0:58:05 | 0:58:07 | |
and they hope to be enjoying a new life in the in Poitou-Charentes | 0:58:07 | 0:58:10 | |
within the next six months. | 0:58:10 | 0:58:11 | |
We wish them both all the very best. | 0:58:11 | 0:58:14 |