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'My name is Francesco da Mosto, | 0:00:18 | 0:00:22 | |
'and I am about to go on a long journey.' | 0:00:22 | 0:00:25 | |
Si! | 0:00:29 | 0:00:30 | |
'For us Italians, family is everything.' | 0:00:36 | 0:00:40 | |
Ciao, Papa. | 0:00:40 | 0:00:41 | |
'Leaving mine behind is like leaving a part of myself.' | 0:00:41 | 0:00:45 | |
'I have spent most of my life on these canals, | 0:01:09 | 0:01:13 | |
'but I'm something more than just a Venetian. | 0:01:13 | 0:01:18 | |
'My mother is Sicilian, and I have family in almost every part of the country. | 0:01:18 | 0:01:24 | |
'So I have decided to leave home | 0:01:24 | 0:01:28 | |
'and see Italy from top to toe. | 0:01:28 | 0:01:31 | |
'Once, my Alfa Romeo Duetto Spider | 0:01:40 | 0:01:44 | |
'was the most important thing in my life. | 0:01:44 | 0:01:48 | |
'But then I was a carefree bachelor, before I had a family!' | 0:01:48 | 0:01:52 | |
This is a moment most Italian drivers fear, | 0:02:08 | 0:02:12 | |
a Venetian getting into a car. | 0:02:12 | 0:02:15 | |
But I always say, once you've navigated down the Grand Canal, | 0:02:15 | 0:02:20 | |
you can do anything. | 0:02:20 | 0:02:22 | |
'Some of the things I'm going to see will be familiar to you, | 0:02:31 | 0:02:35 | |
'but others will be more surprising, | 0:02:35 | 0:02:38 | |
'little secrets that, for me, are the essence of Italy.' | 0:02:38 | 0:02:43 | |
This is always a strange moment. | 0:03:46 | 0:03:48 | |
As soon as a Venetian arrives on the mainland, he feels like un pesce fuor d'acqua, | 0:03:48 | 0:03:55 | |
a fish out of water, a little intimidated. | 0:03:55 | 0:04:00 | |
'So it's nice to remember that for century after century, all this was part of Venice too. | 0:04:02 | 0:04:10 | |
'Venice was just the heart of a vast empire that stretched through northern Italy. | 0:04:13 | 0:04:20 | |
'Here, away from the confines of the lagoon, we could build | 0:04:20 | 0:04:25 | |
'spectacular country houses to escape the bustle of the city.' | 0:04:25 | 0:04:31 | |
But it is a little too early to relax, don't you think so? | 0:04:42 | 0:04:46 | |
I want to show you first something very special, | 0:04:46 | 0:04:51 | |
something that is behind so much of our modern world. | 0:04:51 | 0:04:56 | |
It lies in the town of Padua. | 0:05:02 | 0:05:05 | |
Most tourists don't come here. | 0:05:22 | 0:05:25 | |
They get too taken by Venice. | 0:05:25 | 0:05:27 | |
But this town can claim something over Venice. | 0:05:27 | 0:05:32 | |
This is the birthplace of Western art. | 0:05:32 | 0:05:37 | |
This is the Capella degli Scrovegni. | 0:05:50 | 0:05:53 | |
It was built around 1305 by Enrico Scrovegni. | 0:05:53 | 0:05:59 | |
He built it to ask God's forgiveness | 0:06:00 | 0:06:04 | |
for the wicked life of his father, a villainous moneylender. | 0:06:04 | 0:06:08 | |
To decorate the chapel, Enrico commissioned the painter Giotto. | 0:06:10 | 0:06:16 | |
He would change the face of religious art. | 0:06:16 | 0:06:20 | |
Giotto was disperato - desperate. | 0:06:25 | 0:06:28 | |
Christ was always shown as a distant figure. | 0:06:28 | 0:06:33 | |
Think of those strange, cold images on church icons. | 0:06:33 | 0:06:38 | |
But Giotto wanted to show Christ as a real person, who feels pain and love. | 0:06:38 | 0:06:45 | |
He wanted to show Christ in a way that the people could understand. | 0:06:45 | 0:06:50 | |
So he turned the Bible into a romance. | 0:06:50 | 0:06:54 | |
In telling the story of Christ, Giotto looks for drama and emotion. | 0:06:56 | 0:07:02 | |
The tears of the distraught mothers at the Massacre of the Innocents | 0:07:09 | 0:07:15 | |
are the first tears in Western art. | 0:07:15 | 0:07:19 | |
We see Christ in a full range of emotions - | 0:07:23 | 0:07:27 | |
anger, | 0:07:27 | 0:07:29 | |
humiliation, | 0:07:29 | 0:07:31 | |
betrayal, suffering. | 0:07:31 | 0:07:35 | |
His death is marked by anguish. | 0:07:36 | 0:07:40 | |
Giotto was the first painter to show us life as we see and feel it. | 0:07:53 | 0:07:59 | |
It seems obvious, but it had never been done before. | 0:07:59 | 0:08:03 | |
From this room comes every painting we see today. | 0:08:03 | 0:08:08 | |
At one end, Giotto shows Enrico Scrovegni offering this chapel | 0:08:13 | 0:08:20 | |
to the Virgin Mary, begging her to forgive his family for their sins. | 0:08:20 | 0:08:26 | |
It's strange to think that the moving force | 0:08:29 | 0:08:32 | |
behind the birth of Western art | 0:08:32 | 0:08:34 | |
was not the quest for beauty or knowledge, | 0:08:34 | 0:08:39 | |
but the most Italian of emotions, "mea culpa" - | 0:08:39 | 0:08:43 | |
guilt! | 0:08:43 | 0:08:45 | |
Let me tell you something about Italy. We are a young country. | 0:09:13 | 0:09:18 | |
We only came together 150 years ago. | 0:09:18 | 0:09:22 | |
Before that we were a collection of cities and states ruled by different people. | 0:09:22 | 0:09:29 | |
Every town is like a capital city of a tiny country... | 0:09:33 | 0:09:39 | |
..each with its own great buildings, | 0:09:41 | 0:09:45 | |
each with its own history and traditions. | 0:09:45 | 0:09:49 | |
This is Vicenza. | 0:10:15 | 0:10:17 | |
There's money here. | 0:10:17 | 0:10:19 | |
Look at these streets, so clean and ordered. | 0:10:19 | 0:10:23 | |
And all these marvellous palaces. It's nice here. | 0:10:23 | 0:10:27 | |
Nearly everything in this town owes its look to one man, | 0:10:37 | 0:10:42 | |
the architect Andrea Palladio. | 0:10:42 | 0:10:46 | |
In the 16th century, he built the great palaces which | 0:10:46 | 0:10:50 | |
would show Italy that Vicenza had become a rich and powerful city. | 0:10:50 | 0:10:56 | |
Palladio came from a poor family. | 0:11:02 | 0:11:05 | |
He was apprenticed to a stonemason at the age of 13. | 0:11:05 | 0:11:10 | |
But his natural genius was noticed very quickly. | 0:11:10 | 0:11:15 | |
He was able to take what was magnificent | 0:11:15 | 0:11:20 | |
from the architecture of ancient Rome, | 0:11:20 | 0:11:24 | |
and apply it tastefully and playfully to his clients' new homes. | 0:11:24 | 0:11:29 | |
BELL RINGS | 0:11:36 | 0:11:38 | |
-Buon giorno. -Buon giorno. | 0:11:41 | 0:11:43 | |
-Grazie. -Prego. | 0:11:44 | 0:11:46 | |
'This is the Villa Rotonda, Palladio's most famous creation. | 0:11:51 | 0:11:57 | |
'It was begun around 1556 for a retired Vatican priest, Paolo Almerico.' | 0:11:58 | 0:12:05 | |
You may feel that you've seen this before. | 0:12:10 | 0:12:13 | |
And you have. | 0:12:13 | 0:12:15 | |
This building inspired the houses of Britain's rich for centuries. | 0:12:15 | 0:12:20 | |
This is where the English country house was born. | 0:12:20 | 0:12:24 | |
'It's been so influential that it's easy to forget how radical it was. | 0:12:30 | 0:12:36 | |
'For a start, it didn't look like somebody's home at all, but more like a Roman temple. | 0:12:36 | 0:12:43 | |
'Then there is the way it has no front or back like most houses, | 0:12:43 | 0:12:50 | |
'but is exactly the same on all four sides. | 0:12:50 | 0:12:55 | |
'This was because it was on a hill, | 0:12:55 | 0:12:58 | |
'and Palladio wanted it to look beautiful from every vantage point. | 0:12:58 | 0:13:03 | |
'It is difficult to film inside, | 0:13:07 | 0:13:09 | |
'but luckily, the Villa Rotonda belongs to a friend of my father's.' | 0:13:09 | 0:13:15 | |
Ciao. | 0:14:19 | 0:14:20 | |
MUSIC: "Una Rotonda sul Mare" by Fred Bongusto | 0:14:34 | 0:14:39 | |
The day is coming to an end. | 0:15:01 | 0:15:03 | |
I'm going to spend the night in romantica Verona. | 0:15:06 | 0:15:10 | |
When I was a teenager, a friend a few years older brought me here for crazy parties. | 0:15:17 | 0:15:25 | |
It was here in Verona that I discovered wine, cigarettes and girls. | 0:15:25 | 0:15:31 | |
So I felt a little similar to the hero of Shakespeare's great play, | 0:15:31 | 0:15:38 | |
Romeo and Juliet. | 0:15:38 | 0:15:40 | |
Shakespeare's tale of star-crossed lovers | 0:15:46 | 0:15:49 | |
who find their love destroyed by the hatred between their families | 0:15:49 | 0:15:54 | |
is the greatest tragedy about young love ever written. | 0:15:54 | 0:15:59 | |
Thousands of people come each year to this, | 0:16:09 | 0:16:15 | |
the house that Juliet is supposed to have lived in. | 0:16:15 | 0:16:19 | |
On the walls of the entrance, | 0:16:21 | 0:16:23 | |
people record their own experiences in love. | 0:16:23 | 0:16:27 | |
"I need love". | 0:16:35 | 0:16:37 | |
"Dino loves Steffi". | 0:16:39 | 0:16:42 | |
'We are asked to imagine that this balcony, built in 1935, | 0:16:56 | 0:17:02 | |
'was the setting for the famous love scene | 0:17:02 | 0:17:06 | |
'where Romeo serenades his beloved Juliet. | 0:17:06 | 0:17:10 | |
'But if you close your eyes and let your imagination play, | 0:17:12 | 0:17:17 | |
'anything is possible.' | 0:17:17 | 0:17:19 | |
Shakespeare never came to Verona, | 0:19:05 | 0:19:08 | |
and yet he set his greatest love story here. | 0:19:08 | 0:19:13 | |
It is because Italy was, and is, the country of love. | 0:19:13 | 0:19:19 | |
MUSIC: "That's Amore" by Dean Martin | 0:19:19 | 0:19:22 | |
# When the moon hits your eye | 0:19:22 | 0:19:25 | |
# Like a big pizza pie That's amore... # | 0:19:25 | 0:19:29 | |
'Here in Italy, we suffer none of your English shyness about our passione d'amore. | 0:19:29 | 0:19:35 | |
'We express what we feel.' | 0:19:35 | 0:19:38 | |
-Ciao. -Ciao! | 0:19:38 | 0:19:40 | |
'We even have a daily ritual devoted to love. | 0:19:40 | 0:19:44 | |
'Around eight o'clock, we dress in our finest clothes and walk up and down the main street for an hour. | 0:19:47 | 0:19:55 | |
'It is called the passeggiata.' | 0:19:55 | 0:19:58 | |
# When the stars make you drool Just like pasta fazool | 0:19:58 | 0:20:02 | |
# That's amore... # | 0:20:02 | 0:20:05 | |
We are out to show ourselves, and most of all, to look. | 0:20:05 | 0:20:10 | |
We are a nation of voyeurs. | 0:20:10 | 0:20:14 | |
And when we see something we like, we say so. | 0:20:14 | 0:20:18 | |
-Ciao. -Ciao. | 0:20:18 | 0:20:20 | |
And if doesn't work, pazienza. No matter, | 0:20:21 | 0:20:25 | |
we try again. | 0:20:25 | 0:20:27 | |
# Amore, that's amore... # | 0:20:27 | 0:20:32 | |
Ciao! | 0:20:32 | 0:20:33 | |
RADIO CRACKLES | 0:20:38 | 0:20:40 | |
# Dimmi quando tu verrai... # | 0:20:49 | 0:20:56 | |
# Dimmi quando, quando, quando | 0:20:58 | 0:21:02 | |
# E baciandomi dirai | 0:21:03 | 0:21:06 | |
# Non ci lasceremo mai! # | 0:21:08 | 0:21:11 | |
MUSIC CONTINUES | 0:21:11 | 0:21:14 | |
Here there is a ferry. | 0:21:27 | 0:21:29 | |
Let's try to see if with this ferry, we can arrive to Ferrara. | 0:21:29 | 0:21:33 | |
Could be useful. | 0:21:33 | 0:21:36 | |
# ..Non ci lasceremo mai! | 0:21:46 | 0:21:48 | |
# Non ci lasceremo mai! | 0:21:50 | 0:21:54 | |
# Non ci lasceremo mai! # | 0:21:56 | 0:22:00 | |
'Ferrara is a town famous for its bicycles and grey weather, just like your England. | 0:22:18 | 0:22:24 | |
'I've come here in pursuit | 0:22:27 | 0:22:30 | |
'of one of the most beautiful but infamous women who ever lived, | 0:22:30 | 0:22:36 | |
'Lucrezia Borgia. | 0:22:36 | 0:22:38 | |
'Lucrezia was the daughter of Pope Alexander VI. | 0:22:41 | 0:22:45 | |
'It was rumoured she was the lover of both her father and her brother. | 0:22:45 | 0:22:52 | |
'She became known as "the greatest whore in Rome". | 0:22:52 | 0:22:56 | |
'But her story would inspire painters, composers and writers through the ages.' | 0:22:56 | 0:23:04 | |
DOOR BUZZES | 0:23:22 | 0:23:24 | |
'After marrying the Duke of Ferrara in 1501, Lucrezia changed. | 0:23:35 | 0:23:41 | |
'She became a loyal wife and a caring mother. | 0:23:41 | 0:23:46 | |
'She came here to pray and find salvation. | 0:23:46 | 0:23:50 | |
'Today, the closed order of Clarissa nuns | 0:23:52 | 0:23:56 | |
'live in the convent as they have done for 600 years.' | 0:23:56 | 0:24:02 | |
Buon giorno, madre. | 0:24:02 | 0:24:04 | |
Grazie. | 0:24:04 | 0:24:05 | |
Grazie. | 0:24:15 | 0:24:16 | |
'Lucrezia Borgia asked to be buried here modestly, with the rest of her family. | 0:24:19 | 0:24:27 | |
'To Alfonso, duke of Ferrara. | 0:24:42 | 0:24:45 | |
'To Lucrezia Borgia, his wife. | 0:24:45 | 0:24:47 | |
'To Alexandro and Isabelle, their children.' | 0:24:47 | 0:24:51 | |
'Bologna is a city of ochre brick, quarried from nearby. | 0:26:42 | 0:26:48 | |
'It gives the place a warmth, even in rainy weather. | 0:26:48 | 0:26:52 | |
'This is one of Italy's most vibrant cities. | 0:26:53 | 0:26:58 | |
'It is because of the university at the heart of it. | 0:26:58 | 0:27:02 | |
'Bologna University was founded in 1088. | 0:27:07 | 0:27:11 | |
'It is the oldest university in the world. | 0:27:11 | 0:27:16 | |
'And yes, it is much older than your Oxford and Cambridge!' | 0:27:16 | 0:27:22 | |
This was the first university to practise human dissection. | 0:27:30 | 0:27:35 | |
They were trying to reveal the secrets of life. | 0:27:35 | 0:27:39 | |
It was a journey of discovery as great as putting man on the moon. | 0:27:39 | 0:27:45 | |
'This dissection theatre was built in 1637. | 0:27:54 | 0:27:59 | |
'It is made entirely from wood. | 0:27:59 | 0:28:02 | |
'Built next door to a hospital, the students were never short of bodies. | 0:28:04 | 0:28:10 | |
'Here, corpses were cut open and analysed, | 0:28:10 | 0:28:16 | |
'divine mysteries revealed.' | 0:28:16 | 0:28:19 | |
The church worried that these doctors were trying to play God. | 0:28:21 | 0:28:26 | |
From behind those doors, the Inquisition watched, | 0:28:26 | 0:28:30 | |
and often they stopped the dissections. | 0:28:30 | 0:28:34 | |
'It became difficult for medical students | 0:28:35 | 0:28:39 | |
'to get first-hand experience of the human body. | 0:28:39 | 0:28:43 | |
'But an artist called Ercole Lelli came up with a solution.' | 0:28:44 | 0:28:49 | |
Ercole Lelli made these two statues, | 0:28:54 | 0:28:57 | |
gli spellati, "the skinned ones", out of wood. | 0:28:57 | 0:29:01 | |
He liked them a lot and wondered if such models could be more than decorative. | 0:29:01 | 0:29:08 | |
'In the 1740s, | 0:29:17 | 0:29:20 | |
'Lelli created eight life-size anatomical models out of wax. | 0:29:20 | 0:29:26 | |
'He even designed the beautiful cabinets they are in.' | 0:29:26 | 0:29:32 | |
The method is a little disturbing. | 0:29:40 | 0:29:43 | |
Although the models are made of wax, | 0:29:43 | 0:29:46 | |
it is wax shaped around real human skeletons. | 0:29:46 | 0:29:50 | |
'For the next 100 years, the Bolognese school of wax modelling | 0:30:01 | 0:30:06 | |
'continued to preserve the afflictions of common people. | 0:30:06 | 0:30:12 | |
'Yes, these are medical tools, | 0:30:19 | 0:30:22 | |
'but they are also portraits of the forgotten.' | 0:30:22 | 0:30:27 | |
BELL CHIMES | 0:30:39 | 0:30:42 | |
MUSIC: "Cuore Matto" by Little Tony | 0:30:42 | 0:30:46 | |
In the province of Lombardy is a beautiful land of lakes and rivers. | 0:31:25 | 0:31:30 | |
'From the waters rises a fairytale city | 0:31:30 | 0:31:35 | |
'that was the domain of a great family of princes, the Gonzaga.' | 0:31:35 | 0:31:40 | |
I feel at home in Mantua, because it is built on a lagoon like Venice. | 0:31:42 | 0:31:47 | |
But it's not to everyone's taste. | 0:31:47 | 0:31:51 | |
When the Pope came here in 1459, | 0:31:51 | 0:31:54 | |
he complained that the town was marshy and malarial. | 0:31:54 | 0:31:58 | |
The Gonzagas never forgot the insult. | 0:31:58 | 0:32:03 | |
'From that time, the Gonzagas called upon Italy's greatest artists | 0:32:09 | 0:32:15 | |
'to make their city as magnificent as Roma. | 0:32:15 | 0:32:20 | |
'It's a great town to drive around, especially as I seem to be the only one on the roads!' | 0:32:31 | 0:32:39 | |
SIREN WAILS | 0:32:39 | 0:32:41 | |
Buon giorno. | 0:32:41 | 0:32:43 | |
'On foot, I make my way to the Palazzo del Te. | 0:32:56 | 0:32:59 | |
'It was begun around 1526 on the orders of Federigo Gonzaga, | 0:32:59 | 0:33:06 | |
'who wanted a pleasure palace to take his mistress.' | 0:33:06 | 0:33:10 | |
The Palazzo del Te | 0:33:17 | 0:33:19 | |
is a building devoted to the senses. | 0:33:19 | 0:33:23 | |
This is un palazzo afrodisiaco. | 0:33:23 | 0:33:27 | |
Ah, look, | 0:33:39 | 0:33:41 | |
up here is written "Honesto ocio post labores", | 0:33:41 | 0:33:47 | |
"Honest fun after hard work". | 0:33:47 | 0:33:51 | |
'The artist was Giulio Romano, a young genius who'd had to leave Rome | 0:33:53 | 0:33:58 | |
'after upsetting the authorities because of his love of erotico. | 0:33:58 | 0:34:05 | |
'He and Federigo were a perfect match. | 0:34:05 | 0:34:09 | |
'But the highlight of the palace is the Room of the Giants.' | 0:34:14 | 0:34:20 | |
It's impossible to describe what I feel being in this room. | 0:34:29 | 0:34:34 | |
I'm in the centre of a terrible disaster. | 0:34:34 | 0:34:38 | |
The giants have tried to go to heaven to defeat the gods, | 0:34:47 | 0:34:53 | |
but Jupiter, the king of the gods, | 0:34:53 | 0:34:56 | |
has sent them crashing back to earth. | 0:34:56 | 0:35:01 | |
In this room, Giulio Romano created a total experience. | 0:35:25 | 0:35:30 | |
Even the sound is epic. | 0:35:30 | 0:35:33 | |
It's like being in a Hollywood disaster movie. | 0:35:35 | 0:35:38 | |
'In his time, Giulio Romano was the most famous artist in Italy, | 0:35:49 | 0:35:55 | |
'the only artist Shakespeare ever praised by name, | 0:35:55 | 0:36:00 | |
'calling him a "rare Italian master". | 0:36:00 | 0:36:04 | |
'I'm driving past Lake Garda, | 0:36:25 | 0:36:29 | |
'the largest of Lombardy's great lakes. | 0:36:29 | 0:36:33 | |
'Its beauty has inspired poets and musicians. | 0:36:33 | 0:36:38 | |
'It's hard to guess from these ugly suburbs that I'm entering a city known for money and glamour. | 0:37:07 | 0:37:14 | |
'Since the economic miracle of Milan in the 1950s, | 0:37:22 | 0:37:26 | |
'this city has been the powerhouse of Italy.' | 0:37:26 | 0:37:30 | |
For me, coming to Milan is like going to New York. | 0:37:34 | 0:37:39 | |
These people are not normal Italians, | 0:37:39 | 0:37:42 | |
and especially not like us laid-back Venetians. | 0:37:42 | 0:37:48 | |
Here everyone is going somewhere. | 0:37:48 | 0:37:51 | |
Everyone seems to be busy. | 0:37:51 | 0:37:53 | |
'Today, Milan is the capital of the fashion world. | 0:38:17 | 0:38:22 | |
'Designer labels are as important to the Milanese as food and water. | 0:38:22 | 0:38:27 | |
'Here, even the policewomen wear high heels! | 0:38:32 | 0:38:37 | |
'Many of Milan's fashion houses have sprung to international fame, | 0:38:47 | 0:38:52 | |
'none more so than Giorgio Armani, renowned for his "Gigolo" style. | 0:38:52 | 0:38:59 | |
'Today, he has 346 stores around the world.' | 0:39:00 | 0:39:06 | |
'Maybe Armani is too smart for me. | 0:41:25 | 0:41:27 | |
'I'm more at home with my old jacket.' | 0:41:27 | 0:41:31 | |
I like the tram. | 0:41:52 | 0:41:54 | |
It's like a little train for kids. | 0:41:54 | 0:41:56 | |
'Milan is not as beautiful as many Italian towns. | 0:42:00 | 0:42:04 | |
'Most of the city was devastated during the Second World War. | 0:42:04 | 0:42:09 | |
'But at its heart, Milan preserves its most precious treasure. | 0:42:10 | 0:42:16 | |
'It is buried inside the church of Santa Maria delle Grazie.' | 0:42:18 | 0:42:23 | |
Time has not been kind. | 0:42:35 | 0:42:37 | |
It is only kept alive through many operations and cosmetic surgery. | 0:42:37 | 0:42:43 | |
I have to pass through these air cleaning chambers to see it, | 0:42:46 | 0:42:51 | |
so I don't contaminate it in any way. | 0:42:51 | 0:42:55 | |
This is one of the jewels of Western civilization, | 0:43:13 | 0:43:19 | |
a painting so perfect that from the moment it was completed | 0:43:19 | 0:43:24 | |
it was considered a masterpiece. | 0:43:24 | 0:43:27 | |
Truly, the "miracle of Milan" | 0:43:27 | 0:43:29 | |
is not the fashion industry or the economy, but this painting. | 0:43:29 | 0:43:34 | |
'Leonardo completed it in 1498. | 0:43:39 | 0:43:43 | |
'But within years, due to his mistaken experiment | 0:43:43 | 0:43:47 | |
'with a new process of painting, it had begun to disintegrate. | 0:43:47 | 0:43:53 | |
'We almost lost it for ever. | 0:43:53 | 0:43:56 | |
'In the Second World War, a bomb destroyed most of the room | 0:43:58 | 0:44:04 | |
'but miraculously left The Last Supper standing. | 0:44:04 | 0:44:09 | |
'The scene shows the Last Supper of Christ with his disciples | 0:44:10 | 0:44:16 | |
'before his betrayal and crucifixion.' | 0:44:16 | 0:44:19 | |
Christ has revealed to the disciples that there is a traitor amongst them. | 0:44:22 | 0:44:28 | |
"Who is it?" they are thinking. | 0:44:28 | 0:44:30 | |
"Is it him there? Or is it him next to me? | 0:44:30 | 0:44:34 | |
"Or, God forbid, have I done something to betray my lord?" | 0:44:34 | 0:44:39 | |
'Recently, thanks to The Da Vinci Code, | 0:44:42 | 0:44:46 | |
'people have started to believe | 0:44:46 | 0:44:49 | |
'the disciple to the left of Christ is not John, but Mary Magdalene. | 0:44:49 | 0:44:55 | |
'They say that Christ married Mary before his death, and she bore his son.' | 0:44:55 | 0:45:01 | |
My mother would kill me if she ever heard me talking about such things. | 0:45:04 | 0:45:10 | |
Of course, it's not true. | 0:45:10 | 0:45:12 | |
Yes, the face of John is feminine. | 0:45:12 | 0:45:15 | |
But a woman at the Last Supper? | 0:45:15 | 0:45:18 | |
Blasfemia! | 0:45:18 | 0:45:20 | |
'Before I leave Milan, I have some family duties to attend to. | 0:45:30 | 0:45:34 | |
'My brother is taking his boy to watch the football, | 0:45:34 | 0:45:39 | |
'and my eldest son has come from Venice to go with them.' | 0:45:39 | 0:45:43 | |
Hey! Ciao! | 0:45:46 | 0:45:49 | |
'My brother doesn't like football so much, | 0:46:03 | 0:46:06 | |
'but no cultural tour of Italy would be complete without it.' | 0:46:06 | 0:46:11 | |
Noooo! | 0:46:21 | 0:46:23 | |
'All Italians love football - | 0:46:24 | 0:46:27 | |
'well, almost everybody. | 0:46:27 | 0:46:29 | |
'And yes, Italian football is as much about acting as skill. | 0:46:38 | 0:46:44 | |
'I'm on my way to Turin, | 0:47:39 | 0:47:42 | |
'a city famous for its mountains and winter sports. | 0:47:42 | 0:47:48 | |
'But above all else, it owes its size and wealth to one thing...' | 0:47:48 | 0:47:54 | |
HORNS BEEP | 0:47:54 | 0:47:56 | |
Cars. | 0:47:56 | 0:47:59 | |
Italian men are romantic. | 0:48:07 | 0:48:10 | |
But it's difficult to tell what they like best, | 0:48:10 | 0:48:13 | |
their women, or their cars. | 0:48:13 | 0:48:16 | |
MUSIC: "Vieni Su" by Dean Martin | 0:48:17 | 0:48:23 | |
'The man who introduced the car to Italy was Giovanni Agnelli. | 0:48:25 | 0:48:30 | |
'He started the Fiat company in Turin in 1899. | 0:48:33 | 0:48:38 | |
'It quickly became Italy's prime producer of automobiles. | 0:48:44 | 0:48:49 | |
'Fiat came to mean style and wealth.' | 0:48:49 | 0:48:54 | |
'Everybody wanted one.' | 0:48:59 | 0:49:01 | |
'I've come to the factory that made Fiat famous.' | 0:49:21 | 0:49:25 | |
This is the Lingotto factory. | 0:49:39 | 0:49:41 | |
When it started production in 1919, it was immediately recognized | 0:49:41 | 0:49:48 | |
as one of the iconic buildings of the modern age. | 0:49:48 | 0:49:52 | |
'The Lingotto factory is half a kilometre long. | 0:49:55 | 0:50:00 | |
'It accommodated 20,000 workers in 43,000 square metres of floor space. | 0:50:00 | 0:50:09 | |
'But what impressed people most was the racetrack on the roof, where new cars were tested. | 0:50:12 | 0:50:20 | |
'The daring design of this factory made it admired all over the world. | 0:50:34 | 0:50:39 | |
'Italy, it seemed to say, was much more than a museum. | 0:50:41 | 0:50:46 | |
'We were speeding into the future.' | 0:50:46 | 0:50:49 | |
'By the end of the 20th century, Turin had become known as Fiatville, | 0:51:06 | 0:51:12 | |
'and the Agnelli were the royal family. | 0:51:12 | 0:51:16 | |
'I'm about to meet the new king.' | 0:51:18 | 0:51:21 | |
'John's story is full of sorrow. | 0:51:39 | 0:51:42 | |
'Now he's one of the richest men in Italy, but it wasn't how it was meant to be. | 0:51:42 | 0:51:47 | |
'Nine years ago, he was only fifth in line to the Agnelli throne, and growing up in America. | 0:51:48 | 0:51:56 | |
'But a series of unexpected deaths threw him into the seat of power.' | 0:51:56 | 0:52:01 | |
'Even when it's stormy and out of season, my last destination has a special mood, | 0:53:42 | 0:53:50 | |
'a drama of its own. | 0:53:50 | 0:53:52 | |
'It's everyone's favourite summer place | 0:53:52 | 0:53:56 | |
'and one of the most romantic coastlines in the world. | 0:53:56 | 0:54:01 | |
'Portofino has long been a romantic retreat for the stars - | 0:54:21 | 0:54:26 | |
'Humphrey Bogart and Lauren Bacall, Richard Burton and Elizabeth Taylor. | 0:54:26 | 0:54:32 | |
'Even today, this place is a paparazzi's paradise.' | 0:54:33 | 0:54:39 | |
My family has a house nearby, | 0:54:43 | 0:54:45 | |
and every year when I was a boy, we would spend the summer here. | 0:54:45 | 0:54:50 | |
And I remember arriving here | 0:54:50 | 0:54:53 | |
and diving from the rocks into the water. | 0:54:53 | 0:54:56 | |
But you couldn't just dive. | 0:54:56 | 0:54:59 | |
You had to wait until there were a lot of girls looking, then dive! | 0:54:59 | 0:55:04 | |
Una bella giornata oggi! Andiamo. | 0:55:05 | 0:55:08 | |
SPEECH DROWNED OUT BY MUSIC | 0:55:08 | 0:55:12 | |
You see, the people of northern Italy come here for pleasure. | 0:55:42 | 0:55:47 | |
They have sailing boats, villas. | 0:55:47 | 0:55:50 | |
This one is that of Dolce Gabbana. | 0:55:50 | 0:55:52 | |
They have an entire garden here, with four villas. | 0:55:52 | 0:55:57 | |
Nice place. | 0:55:57 | 0:55:59 | |
'There is a final thing I want to show you. | 0:56:05 | 0:56:08 | |
'For me, it is a chance to make a childhood dream come true, | 0:56:08 | 0:56:13 | |
'a secret place I have only heard about.' | 0:56:13 | 0:56:18 | |
I was only eight when I heard that Christ lived under the water off the coast here. | 0:56:38 | 0:56:44 | |
Of course, I was astonished. | 0:56:44 | 0:56:47 | |
Christ, under the water? | 0:56:47 | 0:56:49 | |
How strange! | 0:56:49 | 0:56:52 | |
I learned to dive in the hope that one day I might go see him, | 0:56:52 | 0:56:57 | |
but up until now, I have never done so. | 0:56:57 | 0:57:00 | |
'This is the Cristo degli Abissi, | 0:57:39 | 0:57:43 | |
'the Christ of the Abyss, placed here under the water 50 years ago. | 0:57:43 | 0:57:49 | |
'It may not be the oldest or most beautiful Christ, | 0:57:55 | 0:58:00 | |
'but it is for me the most romantic and heroic in all Italy.' | 0:58:00 | 0:58:06 | |
'In the next leg of my journey, | 0:58:30 | 0:58:34 | |
'I travel through Tuscany, a magical region, | 0:58:34 | 0:58:37 | |
'a land so filled with artistic treasures and natural beauty | 0:58:37 | 0:58:43 | |
'that it has become the envy of you British.' | 0:58:43 | 0:58:46 | |
Fabuloso. | 0:58:49 | 0:58:51 | |
Subtitles by Suzanne Macdonald Red Bee Media Ltd 2006 | 0:58:51 | 0:58:56 |