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Hmm. | 0:00:03 | 0:00:05 | |
At last, a taste of the world's third longest river. | 0:00:50 | 0:00:54 | |
There we are, real Yangtze water. | 0:00:55 | 0:00:57 | |
So, the gorge, we're entering the gorge - Tiger Leaping Gorge. | 0:00:59 | 0:01:02 | |
The combination of swollen rivers and towering mountains | 0:01:08 | 0:01:12 | |
makes the Himalayan gorges the deepest in the world. | 0:01:12 | 0:01:16 | |
Tiger Leaping Gorge took its name from the legend that a hunted tiger escaped by leaping across it. | 0:01:21 | 0:01:27 | |
The gorge rises nearly two and a half miles from the river bed to the mountain summits above. | 0:01:27 | 0:01:33 | |
My journey through the Eastern Himalaya will take me to Lugu Lake, Lijiang and the city of Kunming | 0:01:42 | 0:01:49 | |
before crossing into Nagaland and Assam to link up with another great mountain river - | 0:01:49 | 0:01:54 | |
the Brahmaputra. | 0:01:54 | 0:01:56 | |
Though it looks remote, our path is well-trodden. | 0:01:56 | 0:02:00 | |
It was once part of the tea-horse route | 0:02:00 | 0:02:02 | |
along which tea from Yunnan in China was traded for horses from Tibet. | 0:02:02 | 0:02:07 | |
My guide, Li Yuan is from the Nahi people. | 0:02:08 | 0:02:11 | |
The Nahi, one of many ethnic minorities in Yunnan Province, have a long history, | 0:02:22 | 0:02:27 | |
a hieroglyphic language going back a thousand years | 0:02:27 | 0:02:30 | |
and are very good at running guest houses. | 0:02:30 | 0:02:32 | |
COW BELLS RING | 0:02:38 | 0:02:40 | |
While they rest the horses, I head for the rest-room. | 0:02:43 | 0:02:47 | |
Going to the lavatory tends to be one of the experiences you dread in places like this, | 0:02:49 | 0:02:53 | |
but this is rather special, the sign says "Number One Toilet on Heaven and Earth". | 0:02:53 | 0:03:00 | |
What a claim, must be investigated. | 0:03:00 | 0:03:02 | |
Can it live up to that? | 0:03:02 | 0:03:04 | |
Here it is... | 0:03:04 | 0:03:06 | |
"Women... | 0:03:06 | 0:03:08 | |
"Men." | 0:03:08 | 0:03:10 | |
Oh, it's a fairly normal kind of Chinese toilet, a little trench down here, | 0:03:10 | 0:03:15 | |
beautifully tiled though and, er, you sort of squat down and that's what makes it special! | 0:03:15 | 0:03:22 | |
Look at the view! | 0:03:22 | 0:03:23 | |
There's Jade Snow Mountain ranged above you! | 0:03:23 | 0:03:28 | |
I'd happily be here for hours. | 0:03:29 | 0:03:31 | |
Might have to be! | 0:03:33 | 0:03:35 | |
MOBILE PHONE RINGS | 0:03:35 | 0:03:37 | |
Uh-oh, it's the hotel switchboard again. | 0:03:37 | 0:03:40 | |
You can't escape progress, even up here. | 0:03:40 | 0:03:43 | |
Apparently that's the only place they can get reception. | 0:03:43 | 0:03:46 | |
I think I'll go back to Number One toilet. | 0:03:50 | 0:03:53 | |
Ah, look at that! | 0:03:55 | 0:03:57 | |
We're still only halfway along the gorge. | 0:04:10 | 0:04:12 | |
There's another hard day's trekking ahead of us. | 0:04:12 | 0:04:15 | |
Our excellent hosts, Mr and Mrs Feng de Fang bid us a personal farewell. | 0:04:17 | 0:04:22 | |
Oh! | 0:04:32 | 0:04:34 | |
It's amazing. We're about half way along Tiger Leaping Gorge now and that's the... | 0:04:34 | 0:04:39 | |
the Yangtze River, the great broad Yangtze squeezed into that white water, pounding away down there. | 0:04:39 | 0:04:46 | |
It really is extraordinary. | 0:04:46 | 0:04:48 | |
I keep thinking we've seen all the mountain scenery we'll ever see, but here, | 0:04:48 | 0:04:52 | |
right at the eastern end of the...the Himalaya, it just, um... it just gets more spectacular. | 0:04:52 | 0:04:58 | |
A tiger may be able to leap this lot, but for us a long trek is the only way | 0:04:58 | 0:05:03 | |
to get to our next destination on the other side of these mountains. | 0:05:03 | 0:05:07 | |
Well, I've reached the easternmost point of my journey. | 0:05:10 | 0:05:14 | |
This is Lugu Lake on the borders of Yunnan and Sichuan. | 0:05:14 | 0:05:18 | |
And the people who live around this lake are a matriarchal tribe called the Mosuo. | 0:05:18 | 0:05:23 | |
To find out more about them, I'm going to meet their local hero, | 0:05:23 | 0:05:27 | |
a showbiz superstar in China, called Namu. | 0:05:27 | 0:05:33 | |
Namu's sunny smile is in marked contrast with the out of season chill in this lakeside resort. | 0:05:33 | 0:05:38 | |
But at last I find someone who's prepared to row me across the lake to Namu's village. | 0:05:42 | 0:05:47 | |
-Hey, hey! -Hello, Namu. | 0:06:30 | 0:06:33 | |
I'd recognise you, of course, because you're extremely lovely and famous. I'm Michael. | 0:06:33 | 0:06:38 | |
-Michael. -Thank you. | 0:06:38 | 0:06:39 | |
Welcome. Welcome. | 0:06:39 | 0:06:41 | |
-Welcome. -Thank you. | 0:06:41 | 0:06:43 | |
Buddhist welcomes and showbiz kisses over, Namu whisks me off to see the house where she was brought up. | 0:06:44 | 0:06:51 | |
Her people, the Mosuo, are renowned in China | 0:07:00 | 0:07:03 | |
for their unusually open attitudes to sex, typified by what's known as the "walking marriage". | 0:07:03 | 0:07:10 | |
Namu, can you describe, um... | 0:07:10 | 0:07:13 | |
what you mean by a "walking marriage"? | 0:07:13 | 0:07:15 | |
It sort of means that we don't get married, we don't have really a father... | 0:07:15 | 0:07:20 | |
-So you don't have a marriage ceremony and you don't have a marriage contract. -No, no. | 0:07:20 | 0:07:27 | |
And no wedding rings, you know. | 0:07:27 | 0:07:29 | |
-No rings! -No rings, no rings, yeah. And, um... | 0:07:29 | 0:07:33 | |
-How does that work? So it just, um... -Oh, it works fine, you know. I think it's very healthy. | 0:07:33 | 0:07:37 | |
I never really see how the couple fight on the street, fight in the...coffee shops. | 0:07:37 | 0:07:42 | |
So, like a couple is never living together. | 0:07:42 | 0:07:45 | |
For example, you and me, you walk to me, I have your baby and my brother, | 0:07:45 | 0:07:49 | |
will take care, my uncle will help me | 0:07:49 | 0:07:52 | |
take care of my babies and then if we, your sister, | 0:07:52 | 0:07:55 | |
walking out with another man, she have the kids and you have to help your sister take care of the kids. | 0:07:55 | 0:08:00 | |
Uncles take the father's responsibility. | 0:08:00 | 0:08:03 | |
A woman wants to have you, or don't wants to have you, it's their wish. | 0:08:03 | 0:08:07 | |
She opens the flower chamber door for you if she wants to do. If she doesn't, she closes it. | 0:08:07 | 0:08:12 | |
-So it's the woman who takes the initiative? -Yeah, yeah. | 0:08:12 | 0:08:15 | |
We have... We like dancing and we like singing, | 0:08:15 | 0:08:17 | |
so we have like a... We have like a circle dancing, we have 71 different circle dances. | 0:08:17 | 0:08:23 | |
And then if we were dancing, if I was interested in you, I were dancing with you, | 0:08:23 | 0:08:27 | |
and then I would do this to your hand, do this to your hand, that means I'm very much interested. | 0:08:27 | 0:08:33 | |
TRADITIONAL FLUTE MUSIC, SINGING | 0:08:33 | 0:08:37 | |
Despite my deft footwork, I feel a distinct lack of pressure on the palms. | 0:08:50 | 0:08:55 | |
But Namu hasn't given up on me. | 0:08:55 | 0:08:58 | |
So, what happens? This is what you call the...the flower room? | 0:08:58 | 0:09:03 | |
-This is our flower chamber. -Yes. -Flower room for girls. | 0:09:03 | 0:09:07 | |
The girl would be, what, thirteen upwards? | 0:09:07 | 0:09:09 | |
At thirteen, usually they have flower chamber, but they don't immediately go with men. | 0:09:09 | 0:09:14 | |
The mother have to training her, how do you serve a man, how do you serve a man, you know, | 0:09:14 | 0:09:19 | |
receive man, sexually, you know, not like the Han Chinese - very secret - we're open in this. | 0:09:19 | 0:09:23 | |
Ah, so is that what your, your mother told you? | 0:09:23 | 0:09:26 | |
-My mother told me, good sex is very good for the skin. -Yeah. Very good for the skin! | 0:09:26 | 0:09:30 | |
I'm being sort of buttered up here by a... | 0:09:35 | 0:09:38 | |
potato and by a mandarin orange, I'm getting a bit over excited. | 0:09:38 | 0:09:42 | |
Have we run out of film, Mike? I think we've just run out of film, haven't we? Oh, dear! | 0:09:42 | 0:09:47 | |
-You're lucky to be in my room - my flower chamber! -I'm very privileged! | 0:09:47 | 0:09:51 | |
If you have a long, long relationship with this woman, you have to come to the girl's flower chamber. | 0:09:51 | 0:09:57 | |
After, when the mama sleep, that's why there are so many songs about, | 0:09:57 | 0:10:02 | |
"Come on, Mother, you go to sleep, the mosquito bites me so much". You know, they... | 0:10:02 | 0:10:07 | |
NAMU SINGS TRADITIONAL SONG | 0:10:07 | 0:10:09 | |
So there are so many songs about this joke. | 0:10:17 | 0:10:21 | |
-Tell me about your flower chamber that you set up, I mean, did you have... -I, myself, I'd no... | 0:10:21 | 0:10:26 | |
-You must have had lots of men queuing round the block, I'd imagine. -Actually, I never had a... | 0:10:26 | 0:10:30 | |
-I never... My flower room, this room is still virgin! -Really? | 0:10:30 | 0:10:35 | |
Because, um, I've, um... Right after I had my flower chamber I went to city. | 0:10:36 | 0:10:42 | |
Namu calls herself "a five-star gypsy". | 0:10:44 | 0:10:47 | |
The reason she deserted Lugu Lake for the wider world lies deep in her childhood. | 0:10:48 | 0:10:53 | |
She tells me about it over cups of butter tea and crispy pork fat cooked by her aunt. | 0:10:54 | 0:11:01 | |
My mother to me is... | 0:11:01 | 0:11:03 | |
in and out like a wind. | 0:11:03 | 0:11:05 | |
I only remember her is her skirt. | 0:11:05 | 0:11:08 | |
-I don't remember her. -Why did she send you away, do you think? | 0:11:08 | 0:11:11 | |
I was a third daughter and my mother wanted to have boys, so she tried to give me away, three times, but... | 0:11:11 | 0:11:18 | |
because I was a crying baby, they returned me. So she sent me to live in the mountain with my uncle. | 0:11:18 | 0:11:24 | |
My uncles never speak and, um, yaks doesn't speak, | 0:11:24 | 0:11:29 | |
so I was in mountain for many years by myself, just, you know, wonder, thinking, um, that's why... | 0:11:29 | 0:11:36 | |
I can't imagine you without someone to talk to. | 0:11:36 | 0:11:39 | |
No, I talk too much, that's why nobody talk to me before! | 0:11:39 | 0:11:42 | |
And why did you decide to leave? | 0:11:42 | 0:11:45 | |
I wanted to go to Beijing, wear high heeled shoes and pink lipstick, you know, that's how I thinking. | 0:11:45 | 0:11:51 | |
But she doesn't want to be forgotten. | 0:11:51 | 0:11:53 | |
So what's this going to be, Namu, this huge palace? | 0:11:53 | 0:11:57 | |
-Castle! -Castle on the hill, yeah. | 0:11:57 | 0:11:59 | |
-Actually, this is a museum. -It's a museum of... -It's a museum for my... | 0:11:59 | 0:12:03 | |
-personal museum. -Oh, I see. | 0:12:03 | 0:12:06 | |
Because this is such a wonderful view. It's the best place to see Lugu Lake. | 0:12:06 | 0:12:11 | |
It's a beautiful place, but it's only been discovered in the last ten years, right, Lugu Lake, really? | 0:12:11 | 0:12:17 | |
-When you were growing up here, there were no tourists. -No. | 0:12:17 | 0:12:21 | |
No, tourists and no cars, no mobile phones, and no... | 0:12:21 | 0:12:25 | |
electricity, you know. | 0:12:25 | 0:12:27 | |
But 60,000 tourists came last year. | 0:12:27 | 0:12:31 | |
In the beginning they... The idea... The idea for them to come over here, it's just one of... | 0:12:31 | 0:12:37 | |
looking for free sex... They don't get it! | 0:12:37 | 0:12:40 | |
Did they ask for their money back? | 0:12:40 | 0:12:42 | |
No, they get some other things, like the views, good air, | 0:12:42 | 0:12:47 | |
and also... | 0:12:47 | 0:12:49 | |
they sort of like come here and they'd like, they'd wash their heart. | 0:12:49 | 0:12:54 | |
Having washed, or at least lightly sponged my heart in the powerful atmosphere of Lugu Lake, | 0:12:54 | 0:13:00 | |
I feel it's perhaps time to take a check on the rest of my body. | 0:13:00 | 0:13:04 | |
The fertile Himalayan foothills provide ideal ingredients for traditional Chinese medicine. | 0:13:04 | 0:13:10 | |
Near the old city of Lijiang lives one of its most famous practitioners, Dr Ho. | 0:13:15 | 0:13:21 | |
Branded a bourgeois and banned from medicine | 0:13:23 | 0:13:26 | |
in the days of Chairman Mao, he's now built up a worldwide reputation. | 0:13:26 | 0:13:30 | |
I've been recommended to him by a Monty Python friend of mine. | 0:13:30 | 0:13:33 | |
Hello, Doctor Ho? | 0:13:35 | 0:13:37 | |
My name's Michael Palin, I'm from London. | 0:13:37 | 0:13:41 | |
I'm a friend of Terry Jones, who I think came here some time ago. | 0:13:41 | 0:13:45 | |
-I remember you, you... -You remember me, was I here? | 0:13:45 | 0:13:48 | |
I don't think I was. | 0:13:48 | 0:13:50 | |
Nice to meet you again. Thank you very much for visiting me again. | 0:13:50 | 0:13:55 | |
You're welcome. Please. | 0:13:55 | 0:13:57 | |
-Your chi seems weak. -My chi is weak. -You know chi? | 0:13:57 | 0:14:01 | |
Chi means...your energy. | 0:14:01 | 0:14:04 | |
-Say, "Ah". -Ahhhh! | 0:14:04 | 0:14:07 | |
Your digestion seems weak. | 0:14:07 | 0:14:10 | |
What should I eat or not eat? | 0:14:12 | 0:14:14 | |
Um, simple food. | 0:14:14 | 0:14:16 | |
Simple food. I've been having... | 0:14:16 | 0:14:19 | |
here in Lijiang the pork is very good. Is that good or not good? | 0:14:19 | 0:14:22 | |
I don't think so, pork not so good. | 0:14:22 | 0:14:24 | |
You mean the food in China... The good news comes when he compares me to other foreigners. | 0:14:24 | 0:14:29 | |
-Compare foreigners, you are excellent. -Oh, right! | 0:14:29 | 0:14:34 | |
-Yes. -Thank you. | 0:14:34 | 0:14:36 | |
You listen to me. You are good - your pulse, no high blood pressure, no high cholesterol, no liver fat... | 0:14:36 | 0:14:44 | |
no kidney stone, no gall stone... | 0:14:44 | 0:14:46 | |
Everything's OK, only... | 0:14:46 | 0:14:49 | |
Your stomach's weak. Your stomach - a little chi, a little weak. | 0:14:49 | 0:14:55 | |
-Yes. -So, don't worry, be happy. | 0:14:55 | 0:14:57 | |
Happiness, it seems, is the best medicine, second only to the cooking of Dr Ho's handsome wife, | 0:14:57 | 0:15:03 | |
sporting full Nahi costume. | 0:15:03 | 0:15:05 | |
Simple food that you were talking about? | 0:15:05 | 0:15:07 | |
Not really simple, not really simple. | 0:15:07 | 0:15:11 | |
She conjures up a gorgeous meal from hyacinth, water lily, anchovy, | 0:15:11 | 0:15:16 | |
baby pig, Yunnan ham and everything her husband says I shouldn't touch. | 0:15:16 | 0:15:21 | |
I think I'll settle for her prescription. | 0:15:23 | 0:15:25 | |
The old town of Lijiang is a winning combination of cobbled streets and sparkling canals. | 0:15:38 | 0:15:45 | |
Its strong, squat buildings show little sign of the 50 major earthquakes | 0:15:45 | 0:15:49 | |
that have shaken it in the space of 130 years. | 0:15:49 | 0:15:52 | |
Today it faces a different kind of seismic threat - | 0:15:56 | 0:15:59 | |
three million tourists a year. | 0:15:59 | 0:16:02 | |
Many of them head for one of the biggest draws in Yunnan - the Nahi Classical Music Orchestra. | 0:16:10 | 0:16:16 | |
The case for the old music is defiantly made by their leader, Shuan Ker. | 0:16:16 | 0:16:21 | |
They destroy the Chinese traditional music. | 0:16:21 | 0:16:24 | |
The music, it is disappearing. | 0:16:24 | 0:16:27 | |
It is disappearing in the shadow of the Himalaya. | 0:16:28 | 0:16:32 | |
ORCHESTRA BEGINS PLAYING | 0:16:32 | 0:16:34 | |
During the Cultural Revolution, | 0:17:04 | 0:17:06 | |
many instruments had to be hidden away as the Red Guards set about destroying the past. | 0:17:06 | 0:17:11 | |
Shuan Ker himself was seen as a dangerous intellectual | 0:17:31 | 0:17:34 | |
and spent the prime of his life doing 20 years forced labour in a tin mine. | 0:17:34 | 0:17:40 | |
Now, he's a local hero. | 0:17:40 | 0:17:42 | |
-How are you? -Fine. -How are you? | 0:17:43 | 0:17:46 | |
Very well indeed, thank you, very pleased to meet you. | 0:17:46 | 0:17:49 | |
I'm with this famous man, isn't he, a very famous man? | 0:17:49 | 0:17:53 | |
-Have you been here before? -No. | 0:17:53 | 0:17:56 | |
He's not one of your orchestra, is he? | 0:17:56 | 0:17:58 | |
-Yeah, yeah. Yeah. -He is one of your team? | 0:17:58 | 0:18:00 | |
But now he retired from the orchestra. | 0:18:00 | 0:18:04 | |
-Coffee? -Coffee here? | 0:18:04 | 0:18:06 | |
-Why not? -I've been a bit starved of coffee for a while, so proper espresso or something... | 0:18:06 | 0:18:11 | |
-Two cappuccinos. -Thank you. -Yeah. Two, lovely. | 0:18:11 | 0:18:13 | |
How do you see the future? Do you think you will tour more, travel more? | 0:18:16 | 0:18:21 | |
I think the future, no choice, it's, um, China in two ways. | 0:18:21 | 0:18:26 | |
One, it's according to the Confucian-ism and... | 0:18:26 | 0:18:30 | |
then added with Western capitalism, mixed together like Singapore... | 0:18:30 | 0:18:36 | |
Now what we were doing here, this orchestra, no coin from the government. | 0:18:36 | 0:18:42 | |
We made ourselves, selling tickets. | 0:18:42 | 0:18:46 | |
Now, see, lots of audience. Full of the concert hall. | 0:18:46 | 0:18:50 | |
So it is said, my pocket full. | 0:18:50 | 0:18:54 | |
The old musicians, their pockets full. That's the capitalism make. | 0:18:54 | 0:19:00 | |
If all dancing and singing groups in the China depend on the government, | 0:19:00 | 0:19:06 | |
they gave money - no good. | 0:19:06 | 0:19:09 | |
-The people living a better... a better life. -Yes. -That's... | 0:19:09 | 0:19:14 | |
-Higher standard of living... -Yeah. But culture lost. | 0:19:14 | 0:19:18 | |
-Yeah? -Culture lost. Even lost their language. | 0:19:18 | 0:19:22 | |
-Now they're speaking in Mandarin. -Right. -The local old ladies, "Ni hau." | 0:19:22 | 0:19:27 | |
That's not our language. | 0:19:27 | 0:19:29 | |
So they're not interested so much in the Nahi languages, as such. They want... | 0:19:29 | 0:19:34 | |
The local government is trying to do something for preserving the culture, but I think too late. | 0:19:34 | 0:19:42 | |
-Too late. I've been working hard for preserving the music... -Yes. | 0:19:42 | 0:19:47 | |
Even that, change...the face. | 0:19:47 | 0:19:51 | |
A little bit I catch, | 0:19:51 | 0:19:54 | |
-otherwise everything gone. -You feel it's slipping away. | 0:19:54 | 0:19:58 | |
The new China appears bright, glossy and unsentimental. | 0:20:26 | 0:20:31 | |
Her cities seem only concerned with the future. | 0:20:34 | 0:20:37 | |
In trying to compete with corporate America, China is growing increasingly to look like it. | 0:20:37 | 0:20:44 | |
This is Kunming, the capital of Yunnan. | 0:20:44 | 0:20:46 | |
It's one end of what used to be called the Burma Road - | 0:20:46 | 0:20:49 | |
a supply line for the Allies in World War Two that connected China with India. | 0:20:49 | 0:20:54 | |
The Hump was the name given to the 500-mile wide, 20,000ft mass of the Himalaya | 0:20:54 | 0:20:59 | |
over which, until the Burma Road was completed, lay the only supply route behind Japanese lines. | 0:20:59 | 0:21:06 | |
Planes were pushed to their limit. | 0:21:06 | 0:21:08 | |
Over 600 were lost, many plunging into the jungle | 0:21:08 | 0:21:12 | |
on the Indo-Burmese border, an area known to this day as Nagaland. | 0:21:12 | 0:21:17 | |
THEY CHANT | 0:21:17 | 0:21:21 | |
The Naga comprise a dozen different tribes of which these, the Konyak Nagas, | 0:21:21 | 0:21:26 | |
were the last to give up the proud tradition of head-hunting. | 0:21:26 | 0:21:30 | |
My Konyak friend, Shingwong, is a local official | 0:21:34 | 0:21:37 | |
who's brought me here to the border of India and Myanmar, formerly Burma. | 0:21:37 | 0:21:41 | |
And you know in the Second World War when they... | 0:21:41 | 0:21:45 | |
A lot of the RAF pilots, the people who had fallen behind the lines, | 0:21:45 | 0:21:50 | |
-as it were, were rescued, would it have been by people like these? -Yes. | 0:21:50 | 0:21:54 | |
My father has given word to, information to all of the villages to see that no white man is harmed. | 0:21:54 | 0:22:01 | |
We still have a pilot's seat in the chief's house. | 0:22:01 | 0:22:05 | |
-A pilot's seat? -Yes. -Do they? That's great, yeah. | 0:22:05 | 0:22:08 | |
So there are some pilots around who, who owe their lives to...to the head hunters? | 0:22:08 | 0:22:14 | |
-Nine of them. -Nine of them. | 0:22:14 | 0:22:16 | |
So these were head hunters with hearts of gold. | 0:22:16 | 0:22:20 | |
This weekend there's a big cross-border market. | 0:22:20 | 0:22:23 | |
One of the events is this re-enactment of a headhunting raid. | 0:22:23 | 0:22:27 | |
GUNFIRE, SHOUTING | 0:22:27 | 0:22:29 | |
It's a war dance. | 0:22:29 | 0:22:31 | |
You're telling me! | 0:22:31 | 0:22:33 | |
On these necklaces, each brass face means a head taken. | 0:22:46 | 0:22:51 | |
And I see quite a lot of heads. | 0:23:21 | 0:23:24 | |
The...the skull, is that a trophy from the head hunting days? | 0:23:24 | 0:23:28 | |
-Well, what's that, the... -The porcupine. | 0:23:28 | 0:23:31 | |
Porcupine? Has it got a buyer? Right. | 0:23:32 | 0:23:35 | |
-Is it quite a delicacy, porcupine? -Yes. | 0:23:35 | 0:23:39 | |
-It's quite nice... -Is it? -Like venison. | 0:23:39 | 0:23:42 | |
Like venison. Ah, yes, yes. Quite strong, quite gamey, yeah. | 0:23:42 | 0:23:47 | |
This gentleman here, is he a very distinguished man? | 0:23:47 | 0:23:50 | |
He looks it, with a head dress like that, rather important. | 0:23:50 | 0:23:53 | |
-He might have been...a warrior once. -Yeah. | 0:23:53 | 0:23:57 | |
-You can see by the tattoo on the face. -Yeah. | 0:23:57 | 0:24:00 | |
What's the largest number of heads that anyone's ever taken? | 0:24:00 | 0:24:04 | |
-One I know from... -Yeah. -..who had got 66 heads. -Ah! | 0:24:04 | 0:24:10 | |
He's no more. | 0:24:10 | 0:24:12 | |
Another ex-head hunter, I think. | 0:24:15 | 0:24:18 | |
So, one, two, three, four, five - five heads he's taken. | 0:24:18 | 0:24:22 | |
Does he remember the British at all here? Did they seem strange? | 0:24:22 | 0:24:27 | |
SHINGWONG SPEAKS IN LOCAL TONGUE | 0:24:27 | 0:24:29 | |
He was afraid. | 0:24:36 | 0:24:38 | |
-Afraid to go near and he thought, "The white man doesn't have any blood." -Yes. Good! | 0:24:38 | 0:24:43 | |
-A tattoo? Yes. -A tattoo on his chest. | 0:24:51 | 0:24:53 | |
Yes, what does that mean? | 0:24:55 | 0:24:56 | |
Does that mean...? Oh, it goes all the way down?! | 0:24:56 | 0:24:59 | |
There's a lot of history in there! | 0:25:04 | 0:25:07 | |
My stomach's very boring. Look at that - very boring. | 0:25:07 | 0:25:10 | |
-Bloodless. -Yes, not very nice at all. | 0:25:10 | 0:25:14 | |
Ooh, yes, there we are. Ooh! | 0:25:14 | 0:25:17 | |
I think you win! You win on the decorative stakes! | 0:25:18 | 0:25:23 | |
Other traditional activities go on away from the market. | 0:25:23 | 0:25:28 | |
Opium smoking still goes on, does it? | 0:25:28 | 0:25:31 | |
-This is clandestine, illegal. -Yeah. Do the authorities turn a blind eye? | 0:25:31 | 0:25:36 | |
No, they're strict. | 0:25:36 | 0:25:38 | |
So there's a restriction. | 0:25:38 | 0:25:39 | |
So what happens to these guys if they're caught? | 0:25:41 | 0:25:44 | |
They may be imprisoned. | 0:25:44 | 0:25:45 | |
-Cultivation is also stopped, but they...clandestinely get it from Myanmar. -Right. | 0:25:45 | 0:25:52 | |
So how many times a day do they smoke? | 0:26:02 | 0:26:04 | |
Three to four times daily. | 0:26:04 | 0:26:07 | |
Inside a long-house I find a pilot's seat from the Second World War | 0:26:37 | 0:26:42 | |
and an old book offering clues as to why anthropologists liked it here. | 0:26:42 | 0:26:47 | |
Perfect bedtime reading. | 0:26:53 | 0:26:55 | |
Next morning I'm invited to visit the Ang, | 0:26:57 | 0:27:00 | |
the local headman, in a huge house made entirely of vegetation. | 0:27:00 | 0:27:04 | |
I've come to see the chief. Hello, girls. | 0:27:04 | 0:27:07 | |
Ah, there he is. Watching television again. | 0:27:07 | 0:27:11 | |
EastEnders? | 0:27:11 | 0:27:12 | |
I ask Shingwong if the chief could tell me how a village like this had changed over the years. | 0:27:14 | 0:27:20 | |
SHINGWONG TRANSLATES People coming from enemy... Different villages, attacking them. | 0:27:24 | 0:27:29 | |
The moment the church was built, the moment religion came in, | 0:27:29 | 0:27:34 | |
this has all been stopped. | 0:27:34 | 0:27:36 | |
And they have only one fear - that is fear of God. | 0:27:36 | 0:27:40 | |
How many children does he have? | 0:27:40 | 0:27:42 | |
-Five from the actual queen... -Yes. | 0:27:47 | 0:27:51 | |
-..And two from the concubines, so seven. And he has ten concubines. -Ten concubines! | 0:27:51 | 0:27:57 | |
-I was going to ask, do the concubines all live here with...with the king? -They all live together. | 0:27:58 | 0:28:04 | |
-In this... -In separate compartments. | 0:28:04 | 0:28:07 | |
Is that still sort of permitted to have ten concubines in this... | 0:28:07 | 0:28:10 | |
-Christian time? -Still with the chiefs, yes. | 0:28:10 | 0:28:14 | |
It's not allowed, but this carries on. | 0:28:14 | 0:28:17 | |
Oh, what other powers does he have? | 0:28:17 | 0:28:21 | |
Giving out capital punishment, | 0:28:21 | 0:28:23 | |
or imprisoning. | 0:28:23 | 0:28:26 | |
Everything will depend on him. | 0:28:26 | 0:28:28 | |
So he could... He could decide on whether someone was executed or not. | 0:28:28 | 0:28:34 | |
Capital punishment was given to a person | 0:28:38 | 0:28:42 | |
-who has spied against a village. -Spied against the village. | 0:28:42 | 0:28:46 | |
And he has got... Passed some secret information to... villages. | 0:28:46 | 0:28:52 | |
-So, they were bounded and thrown over a cliff. -Wow! | 0:28:52 | 0:28:57 | |
One of the great problems on this whole Himalayan journey | 0:29:02 | 0:29:05 | |
has been when we come to international frontiers. It's always so difficult to get across. | 0:29:05 | 0:29:10 | |
That's why it's lovely to be here, in Myanmar and to know | 0:29:10 | 0:29:14 | |
that if I want to get into India, I just have to do...that, | 0:29:14 | 0:29:17 | |
because the apex of the chief's hut here goes along the border. | 0:29:17 | 0:29:20 | |
So, this leg is in Myanmar, this leg is in India. | 0:29:20 | 0:29:23 | |
A truly international body. | 0:29:23 | 0:29:25 | |
There we are in India, I can hop into Myanmar, I can do my exercises... | 0:29:25 | 0:29:30 | |
Ho! Chest in India, bottom in Myanmar. | 0:29:30 | 0:29:35 | |
I can do international exercises without any problem at all! | 0:29:35 | 0:29:39 | |
Oh, if only all world's frontiers were like this! | 0:29:39 | 0:29:42 | |
Oh!! | 0:29:42 | 0:29:43 | |
COCK CROWS | 0:29:48 | 0:29:50 | |
We leave just in time. | 0:29:50 | 0:29:52 | |
The rains are coming and they can turn tracks into quagmires | 0:29:52 | 0:29:56 | |
and completely cut off these remote hill villages. | 0:29:56 | 0:29:59 | |
And is this road, are they going to... Will they make this a hard top road? | 0:29:59 | 0:30:03 | |
-Yes, there's a plan, a six year plan. -Six year plan. | 0:30:03 | 0:30:07 | |
It's pretty rough and ready at the moment. | 0:30:09 | 0:30:12 | |
How strong is Christianity here now? | 0:30:12 | 0:30:16 | |
99% of the population is now Christian. | 0:30:16 | 0:30:19 | |
-99% are Christian? -Yes. -Wow. Why have so many become Christian? | 0:30:19 | 0:30:24 | |
It's because of education. | 0:30:24 | 0:30:26 | |
They've come in contact with outside world. | 0:30:28 | 0:30:30 | |
-Right. So, does the Christian religion provide the education? -Yes. | 0:30:30 | 0:30:35 | |
At the Baptist Cathedral in Mon, 2,500 Naga voices are raised. | 0:30:37 | 0:30:42 | |
CONGREGATION SING: "Onward Christian Soldiers" | 0:30:45 | 0:30:48 | |
Memories of home have a habit of ambushing you in the least likely places. | 0:31:18 | 0:31:22 | |
The church hymns at Mon were one thing, but something even more poignant is awaiting me in Assam. | 0:31:22 | 0:31:29 | |
Two powerful images from my northern boyhood - | 0:31:29 | 0:31:32 | |
a steam engine... | 0:31:32 | 0:31:34 | |
..and a coal mine. | 0:31:35 | 0:31:37 | |
Tipong Mine has been in existence since the 1920s. | 0:31:40 | 0:31:44 | |
As has this engine. | 0:31:44 | 0:31:46 | |
Neither seems altogether real. | 0:31:46 | 0:31:49 | |
It may look like a cross between Apocalypse Now and Thomas the Tank Engine, | 0:32:17 | 0:32:22 | |
but Tipong is one of the mines that makes India the third biggest coal producer in the world. | 0:32:22 | 0:32:27 | |
They even have priests on hand to bless the morning shift. | 0:32:27 | 0:32:31 | |
I think I'm beginning to realise now what being given the tika by the priest is all about, | 0:32:38 | 0:32:45 | |
because behind me is a temple. | 0:32:45 | 0:32:48 | |
It's built over the entrance to the mine shaft. | 0:32:48 | 0:32:50 | |
It's a temple to the goddess Kali who was the great destroyer. | 0:32:50 | 0:32:55 | |
So I assume it's there, and the blessings go on to appreciate the goddess Kali, the destroyer | 0:32:55 | 0:33:02 | |
on behalf of the people who are going to go under the earth | 0:33:02 | 0:33:05 | |
and they do go down a long way. I'm told they go... | 0:33:05 | 0:33:07 | |
It extends down about 1,000 feet below the temple there, the mine shaft. | 0:33:07 | 0:33:12 | |
Assam is very, very prone to earthquakes. | 0:33:15 | 0:33:17 | |
A very, very strong earthquake area, | 0:33:17 | 0:33:20 | |
so I should think that a destroyer is quite, um... Needs a bit of propitiating. | 0:33:20 | 0:33:25 | |
As the miners head underground, I have an appointment with Mr Das - Tipong's chief engineer. | 0:33:28 | 0:33:34 | |
Security patrols keep an eye on us. | 0:33:34 | 0:33:37 | |
Security, like safety, is one of the buzzwords here. | 0:33:37 | 0:33:40 | |
Mr Das is keen that I should hear one of their latest safety songs. | 0:33:42 | 0:33:46 | |
THEY SING IN LOCAL DIALECT | 0:33:46 | 0:33:49 | |
-They're just... -Yeah, that's great! | 0:34:30 | 0:34:32 | |
The best safety song I've heard! | 0:34:32 | 0:34:34 | |
-They sang a safety song. -Yes, it's about safety in the mines? | 0:34:34 | 0:34:37 | |
Safety, about the safety in the mines and they are just going to say to everybody, | 0:34:37 | 0:34:41 | |
in true music, only one single message - that's safety first. Safety not at the cost of production. | 0:34:41 | 0:34:47 | |
Well, I think that could be a big hit. It could win Eurovision, let's face it! | 0:34:47 | 0:34:51 | |
SAFETY SONG ECHOES IN BACKGROUND | 0:34:51 | 0:34:53 | |
What they were singing is, "Safety first, safety first. | 0:34:55 | 0:34:58 | |
"In every step of work, heed the rules. | 0:34:58 | 0:35:00 | |
"It's for us to remain awake all the time. | 0:35:00 | 0:35:02 | |
"There is danger in every move. | 0:35:02 | 0:35:04 | |
"If you obey all the rules, there will be no sorrow for us, | 0:35:04 | 0:35:07 | |
"Safety first, safety first." | 0:35:07 | 0:35:10 | |
And what's the economic viability of keeping open a mine like this? | 0:35:13 | 0:35:16 | |
Does it make a profit? | 0:35:16 | 0:35:18 | |
Private industry, they are mostly profit oriented | 0:35:18 | 0:35:23 | |
and we have some other duties also regarding coal conservation, | 0:35:23 | 0:35:28 | |
service to the community, service to the welfare of the community, | 0:35:28 | 0:35:32 | |
so I do not think with the way we are running here, the same way would have one private company run this mine. | 0:35:32 | 0:35:39 | |
They'd have looked for a profit and once the profit stops coming | 0:35:39 | 0:35:43 | |
they'd have left, leaving the people here in the dark. | 0:35:43 | 0:35:46 | |
There's oil as well as coal up here. | 0:35:51 | 0:35:54 | |
Digboi not only produces oil, it has a museum dedicated to it. | 0:35:54 | 0:35:59 | |
This is the first oil well in Asia. | 0:36:01 | 0:36:04 | |
This was drilled in 1889 | 0:36:04 | 0:36:06 | |
around the same time... This derrick came up around the same time as the Eiffel Tower. | 0:36:06 | 0:36:12 | |
So this was, | 0:36:12 | 0:36:14 | |
this area here was one of the first oil fields to be discovered anywhere in the world. | 0:36:14 | 0:36:19 | |
Yes. Coal had been discovered in Margarita just ahead | 0:36:19 | 0:36:22 | |
and they were building the railway tracks. | 0:36:22 | 0:36:24 | |
They used to use elephants for the railway work, | 0:36:24 | 0:36:27 | |
so one evening one of the elephants came back | 0:36:27 | 0:36:30 | |
with oil markings on its feet | 0:36:30 | 0:36:32 | |
and so that's how they discovered that there was oil here. | 0:36:32 | 0:36:36 | |
-And once... -Yes. It figures. -..And once the drilling started, | 0:36:36 | 0:36:40 | |
there were these Canadian engineers, they used to be so excited they'd say, "Dig, boy, dig," | 0:36:40 | 0:36:45 | |
-because the wells were hand-dug and that's how the name "Digboi" came into being. -I see. | 0:36:45 | 0:36:50 | |
-Is that true, or is that just a, a well-established legend! -It's a well-established legend! | 0:36:50 | 0:36:55 | |
-I love all this. I think these are great. -Yes, this is a BOC petrol pump, you know. | 0:36:55 | 0:37:00 | |
-BOC? -Yeah, Burma Oil Company. | 0:37:00 | 0:37:03 | |
A hot and heavy morning at Digboi station. | 0:37:03 | 0:37:06 | |
Thanks to the coal and oil | 0:37:06 | 0:37:08 | |
there's been a railway line here for over 100 years. | 0:37:08 | 0:37:11 | |
Good morning. | 0:37:11 | 0:37:12 | |
Can I have a single ticket to Dibrugah, please? | 0:37:12 | 0:37:15 | |
Thank you. | 0:37:18 | 0:37:19 | |
18 rupees, that's very cheap. | 0:37:19 | 0:37:22 | |
Eighteen rupees, that's about... 25 pence. | 0:37:23 | 0:37:27 | |
The next big town is Dibrugah, on the fertile river plains | 0:37:48 | 0:37:51 | |
where, in 1823, wild tea plants were discovered by Scotsman Robert Bruce. | 0:37:51 | 0:37:57 | |
Now half of India's tea is produced in the carefully husbanded tea gardens of Assam. | 0:37:57 | 0:38:02 | |
This was the first place in the world where elephants were trained to work, | 0:38:08 | 0:38:12 | |
now there's much less for them to do. | 0:38:12 | 0:38:14 | |
The elephant minders, called mahouts, face a serious loss of livelihood | 0:38:18 | 0:38:22 | |
and the elephants an uncertain future. | 0:38:22 | 0:38:25 | |
Manosh Jalan is a plantation owner who loves elephants | 0:38:37 | 0:38:41 | |
and insists they're the best way to see his property. | 0:38:41 | 0:38:44 | |
And what's happening to them now that there's less logging | 0:38:47 | 0:38:51 | |
and the elephants are not much in demand? | 0:38:51 | 0:38:53 | |
Can they get other jobs, or are they just out of work? | 0:38:53 | 0:38:56 | |
There are fewer people taking up and elephants are doing a different type of work. | 0:38:56 | 0:39:01 | |
Like, they are pulling bamboo. They are not necessarily doing timber work. | 0:39:01 | 0:39:06 | |
Do elephants like working? Do they adapt to a discipline or...? | 0:39:06 | 0:39:11 | |
Yeah. You see, they are very obedient. | 0:39:11 | 0:39:13 | |
-Obedient? -Very, very obedient. | 0:39:13 | 0:39:16 | |
MAHOUT SHOUTS AT ELEPHANT | 0:39:17 | 0:39:19 | |
Sometimes it doesn't sound like it, it looks as though they're being very disobedient! | 0:39:19 | 0:39:25 | |
You see, like with all wild animals... | 0:39:25 | 0:39:27 | |
-..there's always an element of uncertainty. -Yeah. | 0:39:29 | 0:39:32 | |
Is there anything at all you can do, | 0:39:32 | 0:39:35 | |
I mean of the 20 words that you use to sort of control an elephant, | 0:39:35 | 0:39:38 | |
is any of them any good when it's bolting? | 0:39:38 | 0:39:41 | |
No, not, nothing, nothing, you just have to... You just have to say your prayers | 0:39:41 | 0:39:46 | |
and hope that you will get... You'll survive this and the elephant stops on its own. | 0:39:46 | 0:39:51 | |
Once I get used to it, I almost forget I'm on an elephant. | 0:39:53 | 0:39:57 | |
It feels more like being on board ship in a gentle swell. | 0:39:57 | 0:40:00 | |
Tea is more of a way of life in Assam now. | 0:40:03 | 0:40:07 | |
This is absolutely traditional. | 0:40:07 | 0:40:10 | |
The casual employment also comes out of the same family, | 0:40:10 | 0:40:13 | |
so it's generally the husband and the wife working and if one retires, | 0:40:13 | 0:40:18 | |
the child gets the job, and so the tradition carries on. | 0:40:18 | 0:40:22 | |
Do you expect your son or your daughter to go into this business? | 0:40:22 | 0:40:26 | |
-I think that they cannot escape from it! -Oh! | 0:40:26 | 0:40:29 | |
THEY LAUGH | 0:40:29 | 0:40:30 | |
Ah, very nice, OK. | 0:40:32 | 0:40:35 | |
After two hours doing the splits, I'm quite glad when the time comes to dismount. | 0:40:38 | 0:40:43 | |
There's no graceful way of doing it, is there? | 0:40:43 | 0:40:45 | |
And clearly it's a relief for the elephant too. | 0:40:49 | 0:40:52 | |
It strikes me, Manosh, we're still terribly close to the Himalayas. | 0:40:58 | 0:41:02 | |
Does that make Assam very different from the rest of India? | 0:41:02 | 0:41:07 | |
No, if you look at the north-east India as a whole, | 0:41:07 | 0:41:10 | |
98% of our borders | 0:41:10 | 0:41:14 | |
is with international countries. | 0:41:14 | 0:41:16 | |
Only 2% are connected... are connected to India. | 0:41:16 | 0:41:20 | |
-Yes, because you've got a very narrow link with them. -So the entire bordering, | 0:41:20 | 0:41:27 | |
immediate bordering areas of the north-east region are international. | 0:41:27 | 0:41:30 | |
You have Bhutan, Myanmar, Bangladesh, Tibet, and so on. | 0:41:30 | 0:41:36 | |
You've got these two enormous countries | 0:41:36 | 0:41:39 | |
separated by the Himalayas - China and India - do you think there can be a meeting of minds between them? | 0:41:39 | 0:41:45 | |
It's not the mountains which are the barriers, I think it's the mind-set. | 0:41:45 | 0:41:49 | |
It's a mind-set which looks a bit different from here in Assam - | 0:41:50 | 0:41:54 | |
where Hong Kong is closer than Delhi and China is seen less of a threat and more of a trading opportunity. | 0:41:54 | 0:42:01 | |
The Brahmaputra, rising a thousand miles away in Tibet, | 0:42:04 | 0:42:08 | |
pours out of the Himalaya creating a fertile corridor that splits Assam in half. | 0:42:08 | 0:42:14 | |
Makeshift ferries, packed tight, leave from makeshift jetties. Nothing is permanent. | 0:42:14 | 0:42:21 | |
The Brahmaputra is a mighty river, isn't it? | 0:42:21 | 0:42:24 | |
Yes, it's just one little channel of the Brahmaputra. | 0:42:24 | 0:42:27 | |
-What, this is? -Yes. -Really? -Yeah, yeah, several channels. | 0:42:27 | 0:42:30 | |
-A little channel? -Yes, one little channel. -It must be half a mile wide! | 0:42:30 | 0:42:34 | |
-Yes, several channels like this. In some places, four kilometres, five kilometres wide. -Really. | 0:42:34 | 0:42:39 | |
-Where does the name Brahmaputra come from? -Brahmaputra means "son of Brahma". | 0:42:39 | 0:42:44 | |
Brahma is the three, the trilogy of gods and it's the only male river in India. | 0:42:44 | 0:42:49 | |
It just looks very calm and serene now, but in the monsoon it's a different mood altogether. | 0:42:49 | 0:42:54 | |
It's my good fortune to be riding the Brahmaputra with Maan Baruja, | 0:42:54 | 0:42:58 | |
a 20-year-old walking encyclopaedia. | 0:42:58 | 0:43:01 | |
Can you tell me a little bit about Majuli, the island where we're going? | 0:43:01 | 0:43:06 | |
The main thing about the island is that it has lots of these Vaishnav monasteries. | 0:43:06 | 0:43:10 | |
What we call satras. | 0:43:10 | 0:43:12 | |
These create institutions now for Assam, because they're about 400 years old | 0:43:12 | 0:43:16 | |
and they create institutions of art, culture, dance. | 0:43:16 | 0:43:20 | |
These are celibate monks who live there. | 0:43:20 | 0:43:23 | |
Majuli is the world's largest river island - | 0:43:25 | 0:43:28 | |
250 square miles of flat fertile mud. | 0:43:28 | 0:43:33 | |
The arrival of a 16th-century saint, Sankardeva, left substantial religious deposits as well. | 0:43:33 | 0:43:40 | |
This monastery, dedicated to Vishnu, the Preserver of Life, is renowned for its music and dance. | 0:43:40 | 0:43:46 | |
TRADITIONAL DRUM PLAYING | 0:43:46 | 0:43:49 | |
Extraordinary intricate fluid movements. | 0:43:58 | 0:44:01 | |
How long does it take to learn something like that? | 0:44:01 | 0:44:04 | |
It takes about five years. | 0:44:04 | 0:44:05 | |
-At least five years. -At least five years, from the first time from when you come here? | 0:44:05 | 0:44:10 | |
TEACHER INSTRUCTS CLASS | 0:44:40 | 0:44:43 | |
From the age of five or six, boys begin the painstaking | 0:44:43 | 0:44:46 | |
and sometimes painful process of learning | 0:44:46 | 0:44:49 | |
the 64 positions of classical dance. | 0:44:49 | 0:44:52 | |
I have about five minutes to master the classical Assamese drum, the khol. | 0:45:00 | 0:45:04 | |
My teacher Dulal is 41. | 0:45:04 | 0:45:07 | |
He's been here for 35 years. | 0:45:07 | 0:45:09 | |
This is called...means left side. | 0:45:10 | 0:45:14 | |
Then there is three sounds at first. | 0:45:14 | 0:45:18 | |
First is khol... | 0:45:18 | 0:45:21 | |
down, down there is two different sounds, you see... | 0:45:21 | 0:45:25 | |
-This is ta. -Yes. -T-A - ta. | 0:45:26 | 0:45:29 | |
And you will slowly give breath here and this will be tha, OK? | 0:45:31 | 0:45:37 | |
HE HITS DRUM SOFTLY | 0:45:37 | 0:45:39 | |
-I can't even get mine to resound. -And this is than, OK? | 0:45:39 | 0:45:45 | |
-HIGHER-PITCHED BANG -Yeah, like this. | 0:45:46 | 0:45:49 | |
TEACHER KEEPS RHYTHM | 0:46:06 | 0:46:08 | |
-So, you play. -Is this my concert? Am I ready? -Yes. | 0:46:15 | 0:46:18 | |
It's getting that resonance. | 0:46:21 | 0:46:24 | |
-So, you see... -NOTES RING OUT | 0:46:30 | 0:46:33 | |
Oh, it's, just... I just haven't got the co-ordination. | 0:46:47 | 0:46:51 | |
And what do they give when you're a six or seven year old? | 0:46:51 | 0:46:54 | |
-Do you give a small one of these? -No, this is the same one. -Really? The same size? -Yes. | 0:46:54 | 0:46:58 | |
FRANTIC DISCONNECTED DRUM BEATS | 0:46:58 | 0:47:01 | |
That's my entire repertoire, thank you very much. | 0:47:04 | 0:47:07 | |
There's no electricity or running water at the satra. | 0:47:08 | 0:47:11 | |
The vegetarian diet is prepared by tried and trusted methods. | 0:47:11 | 0:47:15 | |
Every day life here is resolutely pre-industrial. | 0:47:18 | 0:47:22 | |
The monks have taken strict vows of purity | 0:47:32 | 0:47:34 | |
and even the simplest tasks are accompanied by thorough ablutions. | 0:47:34 | 0:47:39 | |
Now, you're washing your hands and the floor. | 0:48:00 | 0:48:03 | |
This is very, very important, is it? | 0:48:03 | 0:48:05 | |
-The...the thing about purity? -Yes. | 0:48:05 | 0:48:08 | |
Because you're... I'm impure and you're washed. | 0:48:08 | 0:48:12 | |
-Yeah... -So, you can't touch me and you can't touch anything that isn't pure. | 0:48:12 | 0:48:18 | |
-And if you do touch me now... -Not now. No touch. -..you have to wash again, do you? | 0:48:18 | 0:48:22 | |
-I wash again, yes. -Yeah. | 0:48:22 | 0:48:24 | |
So, Dilip, how long have you lived in the monastery? | 0:48:25 | 0:48:29 | |
-Nine years I live in this monastery. -Nine years. | 0:48:29 | 0:48:32 | |
-And Lilaram? -16, 17 years. -16, 17 years. -Sixteen. Ah, right. | 0:48:32 | 0:48:36 | |
-So he's been your guide? He's kind of helped you. -Yeah. | 0:48:36 | 0:48:40 | |
I'm very happy and other monks I meet. | 0:48:40 | 0:48:43 | |
Other monks, we love kisses. | 0:48:43 | 0:48:47 | |
-Love. -Love? -Love, yeah. -Kisses? -Kisses, yeah. | 0:48:47 | 0:48:52 | |
-Do you think that you will stay here for the rest of your life? -Yeah. -You do? | 0:48:52 | 0:48:58 | |
-Yeah, I do, yeah. -How old are you now? | 0:48:58 | 0:49:00 | |
-Now, 17 years. -Seventeen! So you think you will stay here? | 0:49:00 | 0:49:04 | |
Yeah, I think I will stay here. | 0:49:04 | 0:49:07 | |
-Really? -Really, I think. | 0:49:07 | 0:49:09 | |
Would you be allowed to marry and stay in the monastery? | 0:49:09 | 0:49:12 | |
-I'll marry I'll go outside. -Oh, I see. -No marry in the monastery. | 0:49:12 | 0:49:18 | |
No, no, so you have to be celibate? | 0:49:18 | 0:49:19 | |
-No sex, really. -No sex. -No sex when monks, yeah. | 0:49:19 | 0:49:24 | |
There are women on Majuli Island, | 0:49:26 | 0:49:28 | |
some of them engaged in quite bizarre practices. | 0:49:28 | 0:49:32 | |
These ladies of the Mishing tribe are fishing, but not with conventional methods. | 0:49:32 | 0:49:37 | |
Having trapped the fish with their wide wicker frames, they slip them down their cleavage. | 0:49:37 | 0:49:43 | |
Well, I've always said you see more on a bicycle! | 0:49:51 | 0:49:55 | |
Next day at the satra, preparations are going on for a rare treat. | 0:50:02 | 0:50:07 | |
The monks have agreed to show us an extract from the Rasa Lila, | 0:50:07 | 0:50:10 | |
a story they normally perform only once a year. | 0:50:10 | 0:50:13 | |
The details of make-up and costume must be as precise as the performance. | 0:50:14 | 0:50:19 | |
Most of the monks will be playing milkmaids. | 0:50:25 | 0:50:28 | |
These two are clearly not regular transvestites. | 0:50:32 | 0:50:35 | |
One of my hosts at tea yesterday will play the god Krishna. | 0:50:54 | 0:50:59 | |
Krishna is Vishnu incarnated as a bit of a ladies' man. | 0:51:02 | 0:51:06 | |
When he appears in the fields all the milkmaids fall hopelessly in love with him. | 0:51:06 | 0:51:10 | |
CHANTING | 0:51:10 | 0:51:13 | |
This monastery on Majuli Island really is a very special place. | 0:52:02 | 0:52:05 | |
Partly because in this sort of overgrown Oxbridge college atmosphere, | 0:52:06 | 0:52:10 | |
they really produce work of great skill and beauty. | 0:52:10 | 0:52:14 | |
Also the people here are very friendly. | 0:52:14 | 0:52:16 | |
They seem to be as curious about us as we are about them | 0:52:16 | 0:52:19 | |
and also it's just such an oasis of serenity on a helter-skelter journey. | 0:52:19 | 0:52:23 | |
It really brings the pace of life right down. | 0:52:23 | 0:52:26 | |
I think I'll surrender to that for a minute. | 0:52:26 | 0:52:30 | |
MONKS SING IN THE DISTANCE | 0:52:30 | 0:52:33 | |
Next day Maan offers to take me to Kaziranga National Park | 0:52:45 | 0:52:50 | |
where he grew up and where he still lives with his father. | 0:52:50 | 0:52:54 | |
Majuli certainly... | 0:52:54 | 0:52:56 | |
-had quite an effect. It sort of calmed... -It's very tranquil. | 0:52:56 | 0:53:00 | |
..calmed us all down, very tranquil, kind of unrushed | 0:53:00 | 0:53:03 | |
and now we're going to Kaziranga, is that right? Is that very different, or...? | 0:53:03 | 0:53:08 | |
It's formed by the deposits of the Brahmaputra alluvial deposits. | 0:53:08 | 0:53:12 | |
About a hundred years of conservation has led to a lot of regeneration of grassland | 0:53:12 | 0:53:17 | |
and we now have the world's highest population of one-horned rhino, wild water buffalo and swamp deer. | 0:53:17 | 0:53:24 | |
So how was it that you came to be brought up in Kaziranga? | 0:53:24 | 0:53:29 | |
Well, my father's always been interested in conservation, | 0:53:29 | 0:53:32 | |
so he decided to set up a small project in Kaziranga. | 0:53:32 | 0:53:36 | |
And he's very unconventional in his thinking, | 0:53:36 | 0:53:38 | |
so he thought he may give me a better education there than in the school. | 0:53:38 | 0:53:43 | |
Yeah, it worked. | 0:53:43 | 0:53:45 | |
-Oh, I don't know. -Is there anything you don't know? | 0:53:45 | 0:53:47 | |
You must have a weakness somewhere. Probably... Petula Clark's middle period! | 0:53:47 | 0:53:53 | |
Got him, you see, straight away! # Downtown! # | 0:53:54 | 0:53:58 | |
On arrival at Kaziranga, we strike gold on our first safari. | 0:53:58 | 0:54:03 | |
A long horned rhino, which this park saved from extinction. | 0:54:03 | 0:54:08 | |
First close encounter with a rhino. | 0:54:08 | 0:54:12 | |
Manju, your son has been a fount of learning and knowledge | 0:54:15 | 0:54:21 | |
for us on this, on this trip so far. | 0:54:21 | 0:54:23 | |
What sort of education did he have? | 0:54:23 | 0:54:26 | |
If he went to school, he waste a lot of time. | 0:54:26 | 0:54:29 | |
In school you have about two hours of study which you can do at home, | 0:54:29 | 0:54:34 | |
but to do that two hours of study, takes over six hours to go to the school and come back... | 0:54:34 | 0:54:39 | |
Maan's father, Manju, runs Kaziranga's best hotel. | 0:54:39 | 0:54:44 | |
But in the 1960s, he was a radical Marxist. | 0:54:44 | 0:54:47 | |
You see, when you're young you start off thinking, "Change the world." | 0:54:47 | 0:54:52 | |
Every young man...change the world. We'll do this, we'll do that... Revolution, we'll change the world. | 0:54:52 | 0:54:57 | |
After a little while, they get married and they say, "Let me change my wife, first." | 0:54:57 | 0:55:03 | |
Then you start thinking, "Let me change my son." Ultimately you think, "Let me change myself," | 0:55:03 | 0:55:08 | |
because your wife doesn't listen to you, your son doesn't listen to you, so you may as well change yourself! | 0:55:08 | 0:55:13 | |
Manju has changed from communist to conservationist, | 0:55:14 | 0:55:18 | |
organising an elephant festival, now in its second year. | 0:55:18 | 0:55:21 | |
The organisers hope it will dispel local prejudice against elephants, | 0:55:25 | 0:55:28 | |
who many see as a destructive threat to their livelihood. | 0:55:28 | 0:55:31 | |
The message being pounded out is that people should see elephants | 0:55:47 | 0:55:51 | |
not as an enemy, but as fellow creatures we should look after. | 0:55:51 | 0:55:55 | |
I mean, who could possibly hate an animal that plays football. | 0:55:55 | 0:55:59 | |
They're not natural footballers, are they, elephants? | 0:56:14 | 0:56:18 | |
It's more like a rugby scrum. | 0:56:20 | 0:56:23 | |
Just in case there were any lingering doubts as to who is the stronger, a long-suffering elephant | 0:56:39 | 0:56:45 | |
takes on a team of tourists, trainers, local politicians and the entire organising committee. | 0:56:45 | 0:56:52 | |
To great applause, and a roar of irritation from the elephant, | 0:56:52 | 0:56:56 | |
he effortlessly pulls the lot of us out of the arena. | 0:56:56 | 0:56:59 | |
He's weakening, I think he's weakening, Maan. | 0:57:01 | 0:57:04 | |
At the end of the day, when all the stunts are over, | 0:57:09 | 0:57:13 | |
I have a rare chance to get close to the elephants... | 0:57:13 | 0:57:17 | |
on their terms, rather than ours. | 0:57:17 | 0:57:20 | |
They have very few sweat glands, so they need to cool off. | 0:57:20 | 0:57:23 | |
-It's very important. -So how often a day would they really need to get into the water? -At least once a day. | 0:57:23 | 0:57:30 | |
At least once a day. I'm not sure about this... | 0:57:30 | 0:57:33 | |
Underwater tusks...fine, fine tusks. | 0:57:35 | 0:57:38 | |
They don't need soap then, or anything like that? Just a bit of... | 0:57:38 | 0:57:43 | |
It takes a lot of washing, doesn't it? | 0:57:47 | 0:57:51 | |
-There. -55 years old, this one. | 0:57:51 | 0:57:53 | |
-How much? -55. -55? Oh, younger than me then. | 0:57:53 | 0:57:58 | |
I must say, it's a rare and wonderful privilege to be able to make an elephant happy. | 0:57:59 | 0:58:06 | |
Who knows, he might be a television presenter in his next life. | 0:58:06 | 0:58:10 | |
It's been nice washing you. | 0:58:10 | 0:58:12 | |
Feel better? | 0:58:13 | 0:58:15 | |
SNORTING | 0:58:17 | 0:58:19 | |
I think we'll take that as a yes. | 0:58:19 | 0:58:22 | |
Next time on Himalaya... | 0:58:22 | 0:58:24 | |
I'm in the Kingdom of Bhutan, trekking up hidden valleys, meeting a high-altitude poet, | 0:58:24 | 0:58:31 | |
sending prayers for safety, | 0:58:31 | 0:58:34 | |
and watching dancing like I've never seen it before. | 0:58:34 | 0:58:37 | |
Seeing paintings the size of houses, and archery, Bhutanese-style. | 0:58:37 | 0:58:42 | |
I cross the Bangladesh border, | 0:58:42 | 0:58:45 | |
take on the traffic in Dhaka, | 0:58:45 | 0:58:48 | |
meet friends on the ferry | 0:58:48 | 0:58:51 | |
and follow the rivers till they reach the sea. | 0:58:51 | 0:58:55 | |
Himalaya...the best way to get high! | 0:58:55 | 0:58:57 |