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Childhood holidays? Oh, the anticipation seemed endless. | 0:00:02 | 0:00:05 | |
The holiday itself? Well, it was over too quickly. | 0:00:05 | 0:00:08 | |
So in this series, I'm going to be | 0:00:08 | 0:00:10 | |
reliving those wonderful times with some much-loved famous faces. | 0:00:10 | 0:00:14 | |
BOTH SCREAM | 0:00:14 | 0:00:17 | |
Every day, I'll be arranging a few surprises | 0:00:17 | 0:00:20 | |
to transport them back in time. | 0:00:20 | 0:00:23 | |
Oh, look! It's just as I remember! SHE LAUGHS | 0:00:23 | 0:00:26 | |
We'll relive the fun... | 0:00:26 | 0:00:29 | |
BOTH LAUGH | 0:00:29 | 0:00:31 | |
..the games... | 0:00:31 | 0:00:32 | |
Yes! We got 'em! | 0:00:32 | 0:00:34 | |
..and the food of years gone by... | 0:00:34 | 0:00:37 | |
-Yummy! -Welcome to 1959! | 0:00:37 | 0:00:40 | |
-Total happiness. -Yes, perfect. | 0:00:40 | 0:00:44 | |
..to find out how those holidays around the UK helped shape | 0:00:44 | 0:00:47 | |
the people we know so well today. | 0:00:47 | 0:00:50 | |
-Bruce Forsyth? -Yes, marvellous, Len, you're still my favourite! | 0:00:50 | 0:00:54 | |
So buckle up for Holiday Of My Lifetime. | 0:00:54 | 0:00:57 | |
You know, Len, I'm quite enjoying being on me holidays with you. | 0:00:57 | 0:01:00 | |
On today's journey through time, | 0:01:04 | 0:01:06 | |
I'm picking up our mystery holiday-maker | 0:01:06 | 0:01:09 | |
in a fabulous '73 Mercedes E-Class Saloon. | 0:01:09 | 0:01:13 | |
They don't make 'em like this any more. | 0:01:13 | 0:01:15 | |
When I think of the guest I'm going to meet today, | 0:01:17 | 0:01:19 | |
I can't help but smile. | 0:01:19 | 0:01:21 | |
I'll tell you why, because he's always smiling. | 0:01:21 | 0:01:25 | |
Look at him here as a young pup. | 0:01:25 | 0:01:28 | |
He was born in Wandsworth, London, in 1957. | 0:01:28 | 0:01:33 | |
Look at that cute little face! | 0:01:33 | 0:01:36 | |
Want more clues? | 0:01:36 | 0:01:38 | |
Well, how's this for starters? | 0:01:38 | 0:01:40 | |
His first appearance on TV was as an actor | 0:01:40 | 0:01:43 | |
in that iconic programme Red Dwarf. | 0:01:43 | 0:01:46 | |
Get ready, get steady, his career really started cooking on gas | 0:01:46 | 0:01:52 | |
when he stared in a new food programme in 1994. | 0:01:52 | 0:01:57 | |
And that show became a hit around the world. | 0:01:57 | 0:02:02 | |
Over the decades, he's had his fingers in many pies | 0:02:03 | 0:02:07 | |
and he's won many awards, including TV Chef of the Year. | 0:02:07 | 0:02:12 | |
Yeah, you got it, | 0:02:12 | 0:02:15 | |
it's that super friendly chef, | 0:02:15 | 0:02:18 | |
the man with the biggest smile on TV, Ainsley Harriott. | 0:02:18 | 0:02:22 | |
LEN LAUGHS | 0:02:22 | 0:02:24 | |
And I'm going to be picking him up in a car his dad used to drive. | 0:02:24 | 0:02:27 | |
I tell you what, I can't wait to see his face. | 0:02:27 | 0:02:30 | |
Oh-ho, Ainsley, I'm on my way! | 0:02:30 | 0:02:32 | |
Len...he's always late, ain't he, eh? | 0:02:32 | 0:02:36 | |
It's now 11! | 0:02:36 | 0:02:38 | |
Ainsley grew up with his brother and sister | 0:02:41 | 0:02:43 | |
in Wandsworth, south-west London. | 0:02:43 | 0:02:45 | |
His mum, Peppy, was a nurse | 0:02:45 | 0:02:47 | |
and his dad, Chester, was a renowned pianist | 0:02:47 | 0:02:50 | |
who played jazz clubs up and down the country. | 0:02:50 | 0:02:53 | |
His parents split up when Ainsley was eight | 0:02:53 | 0:02:56 | |
and he stayed in the south with his mum and siblings. | 0:02:56 | 0:02:59 | |
Like his dad, he's no stranger to an audience. | 0:02:59 | 0:03:03 | |
He's had small roles on stage and screen, | 0:03:03 | 0:03:05 | |
including a 2010 tour of The Rocky Horror Show. | 0:03:05 | 0:03:10 | |
But of course, we know him for his kudos in the kitchen. | 0:03:10 | 0:03:13 | |
Ainsley has served up top-class tucker | 0:03:13 | 0:03:16 | |
at exclusive hotels like the London Hilton, | 0:03:16 | 0:03:19 | |
not to mention Lord's Cricket Ground, | 0:03:19 | 0:03:22 | |
and he's even cooked for royalty. | 0:03:22 | 0:03:24 | |
I want Ainsley to share some of his recipe for success with me today. | 0:03:24 | 0:03:29 | |
LEN WHISTLES AINSLEY LAUGHS | 0:03:31 | 0:03:34 | |
You always have such style, don't you, mate? | 0:03:39 | 0:03:42 | |
You really are just... Come here, let me give you a cuddle. | 0:03:42 | 0:03:46 | |
BOTH LAUGH | 0:03:46 | 0:03:48 | |
-Fantastic! -Now, do you recognise the car? | 0:03:48 | 0:03:51 | |
Well, my dad had something very, very similar to this. | 0:03:51 | 0:03:54 | |
This really takes me back. | 0:03:54 | 0:03:55 | |
-This is just full of history for me, you know? -Yeah. | 0:03:55 | 0:03:57 | |
-Well, where we going? -We're going to Blackpool. | 0:03:57 | 0:04:00 | |
-What's the year? -1974. | 0:04:00 | 0:04:03 | |
1974! | 0:04:03 | 0:04:06 | |
Len, I've got to say, it's a very, very special time. | 0:04:06 | 0:04:08 | |
-It's the one time that I saw my dad perform. -Oh, really? | 0:04:08 | 0:04:12 | |
Yeah. So I want to go back there, back to the Winter Gardens. | 0:04:12 | 0:04:15 | |
-I've been hundreds of times, ballroom dancing. -Have you really? | 0:04:15 | 0:04:18 | |
-Let's go, then. -Come on! | 0:04:18 | 0:04:20 | |
LEN LAUGHS | 0:04:20 | 0:04:22 | |
-Blackpool! -This is lovely! | 0:04:22 | 0:04:24 | |
-Look at it! -Thank you. | 0:04:24 | 0:04:26 | |
Blackpool, the nation's favourite seaside town. | 0:04:28 | 0:04:32 | |
50 miles from Manchester in England's north-west | 0:04:32 | 0:04:35 | |
and sitting between two fabulous old resorts, | 0:04:35 | 0:04:38 | |
Morecambe and Lytham St Annes, | 0:04:38 | 0:04:41 | |
it's been attracting visitors since the 18th century. | 0:04:41 | 0:04:45 | |
Its seven-mile sandy beach is as much a draw now as it was then, | 0:04:45 | 0:04:50 | |
but there's much more to the town these days. | 0:04:50 | 0:04:53 | |
It has three fabulous Victorian piers, | 0:04:53 | 0:04:56 | |
a world-famous amusement park and, of course, the iconic Tower. | 0:04:56 | 0:05:01 | |
Blackpool has a worldwide reputation as the place for a good time | 0:05:01 | 0:05:06 | |
and over ten million people come every year. | 0:05:06 | 0:05:10 | |
Today, I'm taking Ainsley back to relive those glorious days | 0:05:12 | 0:05:16 | |
when he first took a train and headed north to see his dad, | 0:05:16 | 0:05:20 | |
enjoying the thrills and spills | 0:05:20 | 0:05:23 | |
of the nation's greatest seaside resort. | 0:05:23 | 0:05:26 | |
BOTH SCREAM | 0:05:26 | 0:05:28 | |
And I'll find out how Ainsley felt | 0:05:28 | 0:05:30 | |
watching his father perform to enraptured audiences. | 0:05:30 | 0:05:34 | |
'The cool man himself - Chester Harriott.' | 0:05:34 | 0:05:37 | |
And to see how much the holiday in Blackpool | 0:05:38 | 0:05:41 | |
helped shape him into the TV personality that we know today. | 0:05:41 | 0:05:45 | |
Before any holiday truly begins, | 0:05:48 | 0:05:51 | |
first, you must set out on a journey. | 0:05:51 | 0:05:54 | |
Whether by plane, train or automobile, | 0:05:54 | 0:05:56 | |
we've all experienced those hours of anticipation, | 0:05:56 | 0:06:01 | |
just waiting to get to the promised destination | 0:06:01 | 0:06:04 | |
you've been dreaming about all year. | 0:06:04 | 0:06:07 | |
And for Ainsley in 1974, it must have been especially exciting, | 0:06:07 | 0:06:12 | |
as he was on his way to see his dad at work, | 0:06:12 | 0:06:15 | |
performing on a Blackpool stage. | 0:06:15 | 0:06:18 | |
He took the three-hour train from London to Manchester, | 0:06:18 | 0:06:21 | |
where his dad met him in his fancy car. | 0:06:21 | 0:06:24 | |
So when you got off the train, | 0:06:24 | 0:06:26 | |
there was your dad to pick you up, was he? | 0:06:26 | 0:06:28 | |
Yeah, in one of these. | 0:06:28 | 0:06:30 | |
-And it was very posh in those days, Len. -Of course it was. | 0:06:30 | 0:06:33 | |
You know, driving a Mercedes then was... | 0:06:33 | 0:06:36 | |
It really was a statement. | 0:06:36 | 0:06:38 | |
-Just all the lovely wood and panels and everything around. -Yeah. | 0:06:38 | 0:06:41 | |
-It was really lovely. -Did you stay in a hotel or in a guest house? | 0:06:41 | 0:06:45 | |
Oh, no, my dad rented a house for the duration of the summer season. | 0:06:45 | 0:06:49 | |
It was slightly out of town, | 0:06:49 | 0:06:51 | |
because if you were a performer and in the middle of town, | 0:06:51 | 0:06:53 | |
people would come and want your signature, | 0:06:53 | 0:06:55 | |
-which slowed you down even more. -That's right. | 0:06:55 | 0:06:57 | |
A quick picture's all right, | 0:06:57 | 0:06:59 | |
but, you know, he was a big star at the time here in Blackpool. | 0:06:59 | 0:07:02 | |
Did you come up for a couple of weeks or a day or two? | 0:07:02 | 0:07:05 | |
No, couple of days. | 0:07:05 | 0:07:06 | |
People say to me, "Where did you go on holiday?" | 0:07:06 | 0:07:09 | |
We actually didn't have that many holidays, | 0:07:09 | 0:07:12 | |
-because that's when my dad worked. -Yeah. | 0:07:12 | 0:07:14 | |
Most of our holidays were spent on the park, | 0:07:14 | 0:07:17 | |
-playing football or tennis with your mates. -Yeah. | 0:07:17 | 0:07:20 | |
So it was very different, you know - | 0:07:20 | 0:07:22 | |
-to have a summer holiday was something quite special. -Yeah. | 0:07:22 | 0:07:24 | |
So you came up for a couple days, | 0:07:24 | 0:07:27 | |
and I guess in the evenings, when your dad was performing, | 0:07:27 | 0:07:30 | |
-you were sitting there watching him, eh? -Oh, yes. | 0:07:30 | 0:07:32 | |
He'd open up the floor, Len. He'd say, "What do you want to hear?" | 0:07:32 | 0:07:36 | |
And people would shout stuff out | 0:07:36 | 0:07:37 | |
and he'd just go straight into his repertoire. | 0:07:37 | 0:07:40 | |
-Isn't that a wonderful talent? -I felt so proud, you know. | 0:07:40 | 0:07:44 | |
-Even now, it's... -"That's my dad up there." | 0:07:44 | 0:07:47 | |
-That's my old man. -Yeah. | 0:07:47 | 0:07:49 | |
Well, now, look, we're coming in now to Blackpool itself, | 0:07:49 | 0:07:52 | |
-Blackpool proper. -Yeah. | 0:07:52 | 0:07:54 | |
You know, whenever I've visited Blackpool, | 0:07:54 | 0:07:56 | |
whether it's on a train or car, | 0:07:56 | 0:07:57 | |
-I was always looking out for the Tower. -Yeah. | 0:07:57 | 0:08:00 | |
-You know, cos you know... -Look at that. | 0:08:00 | 0:08:03 | |
-There is over there. -There it is. -Yeah. | 0:08:03 | 0:08:05 | |
Oh, wow! | 0:08:05 | 0:08:06 | |
It's getting really nostalgic now. | 0:08:06 | 0:08:09 | |
Blackpool. Here we are, then. | 0:08:09 | 0:08:11 | |
When Ainsley came to Blackpool in 1974, | 0:08:12 | 0:08:15 | |
the world was a very different place. | 0:08:15 | 0:08:18 | |
The nation was in turmoil, as miners went on strike | 0:08:18 | 0:08:21 | |
in protest at the government imposing a three-day working week | 0:08:21 | 0:08:26 | |
and then President of the United States, Richard Nixon, | 0:08:26 | 0:08:30 | |
was forced to resign after the famous Watergate scandal. | 0:08:30 | 0:08:34 | |
..whether or not their President's a crook. | 0:08:34 | 0:08:36 | |
Well, I'm not a crook. | 0:08:36 | 0:08:37 | |
MUSIC: Tiger Feet by Mud | 0:08:37 | 0:08:39 | |
And the soundtrack to all this was glam rock. | 0:08:39 | 0:08:44 | |
Mud with the unforgettable Tiger Feet. | 0:08:44 | 0:08:47 | |
# That's Right, that's right, that's right, that's right, | 0:08:47 | 0:08:50 | |
# I really love your tiger light | 0:08:50 | 0:08:53 | |
# That's neat, that's neat, that's neat, that's neat | 0:08:53 | 0:08:55 | |
# I really love your tiger feet | 0:08:55 | 0:08:58 | |
# I really love your tiger feet. # | 0:08:58 | 0:09:01 | |
It was the best selling single of the year | 0:09:01 | 0:09:03 | |
and sold over a million copies around the world. | 0:09:03 | 0:09:07 | |
This is the start of Ainsley's Holiday Of His Lifetime, | 0:09:15 | 0:09:18 | |
Blackpool's famous golden shores, | 0:09:18 | 0:09:21 | |
stretching from Fleetwood in the north | 0:09:21 | 0:09:23 | |
to Lytham St Annes in the south, | 0:09:23 | 0:09:26 | |
and overlooked by the historic Tower. | 0:09:26 | 0:09:28 | |
It's absolutely breathtaking and completely unmistakable. | 0:09:28 | 0:09:33 | |
Coming here for the first time at the age of 17, | 0:09:33 | 0:09:36 | |
Ainsley must have been bursting with excitement! | 0:09:36 | 0:09:39 | |
Oh, the sea air! | 0:09:39 | 0:09:41 | |
It just kind of hits you, that fresh air and... | 0:09:41 | 0:09:44 | |
One morning you're in south London | 0:09:44 | 0:09:46 | |
-and then you're here, Blackpool! -I know. | 0:09:46 | 0:09:48 | |
One side, you've got the marvellous Blackpool Tower. | 0:09:48 | 0:09:51 | |
Up there, you've got the Big Dipper. You couldn't wait to get there. | 0:09:51 | 0:09:53 | |
-You almost quickened your step. -You didn't know where to go first. -BOTH LAUGH | 0:09:53 | 0:09:58 | |
-Cos that Blackpool Tower, I mean, that's iconic. -Yeah. | 0:09:58 | 0:10:01 | |
-People really identify, Blackpool signified holiday. -Yeah. | 0:10:01 | 0:10:05 | |
And when you came here, people really were on holiday - | 0:10:05 | 0:10:07 | |
the beach was packed, you got the bracing sea air. | 0:10:07 | 0:10:10 | |
-I just remember deckchairs, donkey rides. -Yeah, of course. | 0:10:10 | 0:10:13 | |
-And I do remember lots of handkerchiefs. -On the heads? -Yeah. | 0:10:13 | 0:10:17 | |
-With little knots in the side. -Yeah. | 0:10:17 | 0:10:19 | |
Well, you know what was funny? | 0:10:19 | 0:10:20 | |
People used to plop up on the beach in a deckchair, | 0:10:20 | 0:10:23 | |
-but very rarely would they take their shirts off. -I know. | 0:10:23 | 0:10:26 | |
And they'd have their sandals on with lots of socks. | 0:10:26 | 0:10:28 | |
Yeah, that's right, in case they burnt. Oh, yeah. | 0:10:28 | 0:10:31 | |
-Love it! -I love it. You're taking me back here, now. | 0:10:31 | 0:10:34 | |
You're taking me back. | 0:10:34 | 0:10:36 | |
Blackpool is world famous as an entertainment resort, | 0:10:36 | 0:10:40 | |
but it hasn't always been that way. | 0:10:40 | 0:10:42 | |
In the early 18th century, Blackpool was a small coastal hamlet | 0:10:42 | 0:10:46 | |
with a population less than 1,000. | 0:10:46 | 0:10:49 | |
But the expansion of Britain's railways | 0:10:49 | 0:10:52 | |
and the opening of a new road in 1781, | 0:10:52 | 0:10:56 | |
brought visitors in search of the fresh sea air. | 0:10:56 | 0:10:59 | |
And they kept on coming. | 0:10:59 | 0:11:02 | |
In the 19th century, the Victorians built the three grand piers | 0:11:02 | 0:11:07 | |
that sweep into the sea from the promenade. | 0:11:07 | 0:11:10 | |
The Tower soon followed. | 0:11:10 | 0:11:12 | |
And in 1896, Alderman William George Bean | 0:11:12 | 0:11:16 | |
founded a new attraction - the Pleasure Beach. | 0:11:16 | 0:11:20 | |
The early rides brought visitors in their thousands | 0:11:20 | 0:11:23 | |
and the amusement park continued to grow throughout the 20th century. | 0:11:23 | 0:11:27 | |
FAIRGROUND MUSIC | 0:11:27 | 0:11:30 | |
Today, it's the most popular tourist attraction in the country. | 0:11:32 | 0:11:36 | |
Spanning over 40 acres, it's home to over 40 different rides, | 0:11:36 | 0:11:41 | |
including ten roller coasters, | 0:11:41 | 0:11:44 | |
the oldest of which is The Big Dipper. | 0:11:44 | 0:11:47 | |
And when Ainsley came to Blackpool in 1974, | 0:11:47 | 0:11:50 | |
he couldn't wait to ride it. | 0:11:50 | 0:11:53 | |
I remember being genuinely excited. You did in those days. | 0:11:53 | 0:11:56 | |
-Of course you did. -As a kid, you'd go to the funfair | 0:11:56 | 0:11:58 | |
and it was like, "Argh!" | 0:11:58 | 0:12:00 | |
Now, look, I've got to be honest, I am a brave person. | 0:12:00 | 0:12:03 | |
Now, I don't know if you are. You up for having one go on it? | 0:12:03 | 0:12:06 | |
-Just the one. -One lap. -Just the one. | 0:12:06 | 0:12:09 | |
You just want to see my dinner, don't ya? | 0:12:09 | 0:12:11 | |
-BOTH LAUGH -Come on, let's do it! | 0:12:11 | 0:12:13 | |
When the Big Dipper was built in 1923, | 0:12:13 | 0:12:16 | |
the country had never seen anything like it. | 0:12:16 | 0:12:18 | |
Thrill-seekers reached speeds of 40mph, | 0:12:18 | 0:12:22 | |
and the main 50ft drop was the biggest of its kind in Europe. | 0:12:22 | 0:12:26 | |
Now, does this take you back to when you came as a kid? | 0:12:26 | 0:12:29 | |
Oh, absolutely. It was the great ride, yeah. | 0:12:29 | 0:12:32 | |
I remember coming on this one, I used to love that mouse one. | 0:12:32 | 0:12:35 | |
-Oh, the wild mouse or whatever. -Yeah. | 0:12:35 | 0:12:37 | |
-Yeah. -I used to love that, too. -Yeah. | 0:12:37 | 0:12:39 | |
-"Do not stand up." We can't move! -We can't! | 0:12:39 | 0:12:43 | |
We're wedged in like sardines! | 0:12:43 | 0:12:45 | |
-BOTH LAUGH -I can't even breathe out! | 0:12:45 | 0:12:48 | |
BOTH LAUGH | 0:12:48 | 0:12:49 | |
It's been lovely to have met you. | 0:12:49 | 0:12:51 | |
Yeah. I think we'll have a high-five there. | 0:12:51 | 0:12:54 | |
-BOTH LAUGH -Good luck! | 0:12:54 | 0:12:56 | |
-Oh. -Oh. | 0:12:56 | 0:12:58 | |
Let's just admire the view. | 0:12:58 | 0:13:00 | |
-It's very nice. -This will be... | 0:13:00 | 0:13:02 | |
-I don't want to look down. Just calm. This is nice. -Yeah. | 0:13:02 | 0:13:06 | |
I think it's all building up to this little bit now. | 0:13:06 | 0:13:09 | |
-I'm not looking. -What little bit? | 0:13:09 | 0:13:11 | |
-No! -BOTH SCREAM | 0:13:11 | 0:13:13 | |
BOTH LAUGH | 0:13:18 | 0:13:19 | |
When Ainsley was here in 1974, | 0:13:21 | 0:13:23 | |
the Big Dipper was the biggest and the best. | 0:13:23 | 0:13:27 | |
Nowadays, it's all about the Big One, | 0:13:27 | 0:13:29 | |
which, at over 200ft, | 0:13:29 | 0:13:31 | |
stands taller than everything apart from the Tower. | 0:13:31 | 0:13:34 | |
But there's no chance of getting me on that - | 0:13:34 | 0:13:37 | |
it's three times as high as this! | 0:13:37 | 0:13:40 | |
I'm not doing that again! You can have another go. | 0:13:40 | 0:13:43 | |
I feel like a teenager. | 0:13:43 | 0:13:45 | |
BOTH LAUGH | 0:13:45 | 0:13:47 | |
The way you were screaming. | 0:13:47 | 0:13:49 | |
-I need a Valium. -BOTH LAUGH | 0:13:49 | 0:13:52 | |
Release us! | 0:13:52 | 0:13:53 | |
Ainsley, I don't have to worry about yours, but how's my hair? | 0:13:53 | 0:13:56 | |
BOTH LAUGH | 0:13:56 | 0:13:58 | |
Oh! What are you like?! | 0:13:58 | 0:14:00 | |
-How brave? -That was fantastic! | 0:14:00 | 0:14:03 | |
-Thanks for that. Wonderful memories. Beautiful. -Oh! | 0:14:03 | 0:14:06 | |
OK, now let's go on that really big one now. Come on, we're warmed up. | 0:14:06 | 0:14:09 | |
APPLAUSE | 0:14:09 | 0:14:11 | |
And the chefs today are Ainsley Harriott and Brian Turner! | 0:14:13 | 0:14:17 | |
In 1994, Ainsley was catapulted into the public's consciousness | 0:14:17 | 0:14:21 | |
when he first appeared on the hit BBC TV show Ready Steady Cook. | 0:14:21 | 0:14:27 | |
Can you smell hair burning, Fern? | 0:14:27 | 0:14:29 | |
I went to get the pepper and I nearly lost... Look! Singed! | 0:14:29 | 0:14:32 | |
He started out as a guest chef, | 0:14:32 | 0:14:34 | |
on hand to turn £5-worth of ingredients into a delicious meal, | 0:14:34 | 0:14:39 | |
but in the year 2000, he took over as the host of the show himself. | 0:14:39 | 0:14:45 | |
Good afternoon, everybody. Welcome to Ready Steady Cook. | 0:14:45 | 0:14:47 | |
Great food coming your way courtesy of our chefs. | 0:14:47 | 0:14:50 | |
The programme came to an end after 16 years in 2010, | 0:14:50 | 0:14:54 | |
but it's still what Ainsley is best known for today. | 0:14:54 | 0:14:57 | |
OK, you've got one-and-a-half minutes to go. | 0:14:57 | 0:15:01 | |
Blackpool has the highest concentration | 0:15:03 | 0:15:05 | |
of roller coasters and fairground rides in the UK. | 0:15:05 | 0:15:08 | |
So its reputation as a noisy seaside town is well earned. | 0:15:08 | 0:15:13 | |
But there's much more to discover | 0:15:13 | 0:15:15 | |
and I've picked out ten attractions to ensure a good time. | 0:15:15 | 0:15:20 | |
Blackpool's iconic Grade-1 listed tower | 0:15:20 | 0:15:22 | |
has been standing proud since 1894. | 0:15:22 | 0:15:25 | |
The 69-second lift ride travels 315ft to the top, | 0:15:25 | 0:15:30 | |
with views as far as North Wales and the Lake District on a clear day. | 0:15:30 | 0:15:35 | |
The Tower underwent a £20 million refurbishment, | 0:15:35 | 0:15:39 | |
reopening in 2011, and now boasts a Skywalk attraction | 0:15:39 | 0:15:44 | |
with glass five centimetres thick, | 0:15:44 | 0:15:47 | |
giving visitors a floor-to-ceiling panorama. | 0:15:47 | 0:15:51 | |
From great heights to small sights - | 0:15:51 | 0:15:55 | |
the Blackpool Model Village is built to perfection. | 0:15:55 | 0:15:59 | |
Established in 1972, this award-winning attraction | 0:15:59 | 0:16:02 | |
is to be found in two and a half acres, | 0:16:02 | 0:16:05 | |
making it the biggest little village in Lancashire. | 0:16:05 | 0:16:08 | |
One inch is equal to one foot, which means | 0:16:08 | 0:16:11 | |
if they were to build Blackpool Tower, | 0:16:11 | 0:16:13 | |
it would have to stand 43ft high. | 0:16:13 | 0:16:17 | |
No trip to Blackpool is complete | 0:16:17 | 0:16:19 | |
without a good old-fashioned stick of rock. | 0:16:19 | 0:16:22 | |
These sugary sticky sweets were sold at fairgrounds | 0:16:22 | 0:16:26 | |
in the 19th century, | 0:16:26 | 0:16:27 | |
but back then, it wasn't lettered or as flamboyantly coloured, | 0:16:27 | 0:16:31 | |
like the seaside rock we know and love today. | 0:16:31 | 0:16:34 | |
Craftsmen of candy cooking are known as sugar boilers, | 0:16:34 | 0:16:38 | |
and local manufacturers give demonstrations to the public | 0:16:38 | 0:16:41 | |
all year round. | 0:16:41 | 0:16:42 | |
Ainsley came to Blackpool in 1974, | 0:16:49 | 0:16:52 | |
when his dad was a big star on the local entertainment circuit. | 0:16:52 | 0:16:56 | |
He played in the vast Winter Gardens complex, | 0:16:56 | 0:17:00 | |
which houses a ballroom, theatre and music hall. | 0:17:00 | 0:17:04 | |
It's played host to the biggest names in music and entertainment | 0:17:04 | 0:17:08 | |
for over a century, and in the '70s, Chester Harriott owned the stage. | 0:17:08 | 0:17:14 | |
Local historian Barry Band knows the story of this place inside out. | 0:17:14 | 0:17:20 | |
In the late '40s, some shows expanded. | 0:17:20 | 0:17:23 | |
There were superstar concerts. | 0:17:23 | 0:17:26 | |
Names like Frank Sinatra, Judy Garland, | 0:17:26 | 0:17:29 | |
Frankie Laine, Nat King Cole. | 0:17:29 | 0:17:31 | |
In 1953, when Frank Sinatra made his second visit to the Opera House, | 0:17:31 | 0:17:36 | |
the main supporting act was Chester Harriott | 0:17:36 | 0:17:40 | |
and his name appears on several programmes in the 1950s, | 0:17:40 | 0:17:45 | |
supporting big international acts. | 0:17:45 | 0:17:48 | |
Now I'm bringing Ainsley back to the Winter Gardens | 0:17:48 | 0:17:51 | |
to relive the moment when he saw his dad on stage | 0:17:51 | 0:17:55 | |
for the very first time. | 0:17:55 | 0:17:58 | |
Well, the Winter Gardens. | 0:17:58 | 0:18:00 | |
This hasn't changed much, but this is such a wonderful building, | 0:18:00 | 0:18:03 | |
-it really is. -So where was the Planet Room? | 0:18:03 | 0:18:05 | |
I'm going to show you now, because it's now called the Arena. | 0:18:05 | 0:18:09 | |
But that was the Planet Room, | 0:18:09 | 0:18:11 | |
where your dad used to perform nightly. | 0:18:11 | 0:18:13 | |
-Yeah, yeah. -And you went to see him... -Seasonally. | 0:18:13 | 0:18:16 | |
-And for the season. -I know. | 0:18:16 | 0:18:18 | |
In the summer of 1974, Ainsley's dad was the principal performer | 0:18:18 | 0:18:23 | |
in this room, playing to packed crowds night after night. | 0:18:23 | 0:18:27 | |
This was Chester Harriott's empire. | 0:18:30 | 0:18:33 | |
-Oh, it echoes. -Yeah. -Haunting. | 0:18:33 | 0:18:36 | |
-Get a little tingle standing here. -Yeah. -This is unbelievable. | 0:18:37 | 0:18:41 | |
I'd never seen my dad perform before. This was his job. | 0:18:43 | 0:18:46 | |
-Suddenly, to see him there... -Yeah. Must have been so proud. | 0:18:46 | 0:18:50 | |
I tell you what, it's making me feel a bit emotional now, | 0:18:50 | 0:18:53 | |
because, you know, I lost him last year | 0:18:53 | 0:18:56 | |
and to think that I saw Dad up on here... | 0:18:56 | 0:18:58 | |
He came out here and he commanded the room and people... | 0:18:58 | 0:19:01 | |
HE CHEERS | 0:19:01 | 0:19:02 | |
Chester Harriott suddenly was on stage. | 0:19:02 | 0:19:05 | |
He had all the gold rings, all the chains. | 0:19:05 | 0:19:08 | |
He just looked the business. | 0:19:08 | 0:19:10 | |
Standing there, "Hello, ladies and gentlemen." | 0:19:10 | 0:19:12 | |
-And the hands would go up and down. -Giving it all that. | 0:19:12 | 0:19:16 | |
-And a little one over the top. -I know, exactly. | 0:19:16 | 0:19:18 | |
HE IMITATES A PIANO | 0:19:18 | 0:19:20 | |
People sometimes say to me, "How come you're like this? | 0:19:20 | 0:19:22 | |
-"How come you've got all this flair and everything?" -And the old... | 0:19:22 | 0:19:25 | |
Exactly. That was me dad. | 0:19:25 | 0:19:27 | |
And my mum was always a bit of a Nina Simone girl, | 0:19:27 | 0:19:29 | |
with her big bum in the kitchen, shaking it, | 0:19:29 | 0:19:31 | |
cooking and stuff like that. | 0:19:31 | 0:19:33 | |
And then me dad - the combination, | 0:19:33 | 0:19:34 | |
I've got the shake and the...you know. | 0:19:34 | 0:19:36 | |
-Yeah. -Everyone says putting salt was like my dad playing the keys. | 0:19:36 | 0:19:40 | |
Ainsley's dad Chester was born in Jamaica | 0:19:40 | 0:19:43 | |
and came to the UK at the age of 17. | 0:19:43 | 0:19:46 | |
He studied music at Trinity College, | 0:19:46 | 0:19:48 | |
before embarking in a lifetime on stage | 0:19:48 | 0:19:51 | |
and he met and performed with thousands over a 40-year career. | 0:19:51 | 0:19:56 | |
In the 1970s, | 0:19:56 | 0:19:57 | |
Renee Devereaux was a singer working at the Winter Gardens. | 0:19:57 | 0:20:01 | |
She performed during the evenings and matinees, earning £20 a show. | 0:20:01 | 0:20:05 | |
-Hello, Renee. -Nice to see you, darling. Nice to see you. | 0:20:07 | 0:20:11 | |
She remembers Chester all too well. | 0:20:11 | 0:20:14 | |
-You used to like my dad, didn't you? -I thought he was wonderful. | 0:20:14 | 0:20:18 | |
-Marvellous. -Oh, dear. -I saw him... | 0:20:18 | 0:20:20 | |
The first time I saw him, I was only a teenager, | 0:20:20 | 0:20:23 | |
and then I ended up working with him. | 0:20:23 | 0:20:25 | |
Renee would join Chester on the stage | 0:20:27 | 0:20:29 | |
during his flamboyant shows, | 0:20:29 | 0:20:31 | |
playing to a full house night after night. | 0:20:31 | 0:20:34 | |
I remember all the tables being here, | 0:20:34 | 0:20:37 | |
people sat down and Dad was up on stage. | 0:20:37 | 0:20:40 | |
And of course it was absolutely packed, thriving. | 0:20:40 | 0:20:44 | |
Really packed to the hilt. Not an empty seat, really. | 0:20:44 | 0:20:47 | |
-They all wanted to see him, didn't they? -Oh, yes, yes. Brilliant. | 0:20:47 | 0:20:51 | |
Well, the proof of the pudding is the fact | 0:20:51 | 0:20:53 | |
that he was here for ten years and if it didn't work, | 0:20:53 | 0:20:56 | |
-he'd have done one season and been gone. -And off, yeah. | 0:20:56 | 0:21:00 | |
I can imagine it. I know I wasn't privy to it, | 0:21:00 | 0:21:04 | |
but I can imagine the tables round, the place is packed, | 0:21:04 | 0:21:07 | |
people are coming back from the bar, getting drinks, | 0:21:07 | 0:21:10 | |
there's your dad up there. | 0:21:10 | 0:21:12 | |
-He shone on the stage. He was good. He was marvellous. -Just wonderful. | 0:21:12 | 0:21:16 | |
Plenty of charisma. | 0:21:16 | 0:21:17 | |
I've been saying to Len about opening up the room, saying, | 0:21:17 | 0:21:20 | |
"What do you want to hear?" | 0:21:20 | 0:21:21 | |
And literally, people would just throw a song back at him | 0:21:21 | 0:21:24 | |
and he'd just play it and sometimes songs that I'd never heard of before, | 0:21:24 | 0:21:27 | |
but he just had that in his locker and he would just come out with it. | 0:21:27 | 0:21:31 | |
And of course the women would come up, they'd be crying, | 0:21:31 | 0:21:33 | |
they wouldn't let him go. | 0:21:33 | 0:21:35 | |
-They'd squeeze him like this, "Oh, Chester." -Kisses, kisses. | 0:21:35 | 0:21:38 | |
-Can you imagine that? -He developed a very big following. | 0:21:38 | 0:21:41 | |
Did he really? All right, then. I'll believe you. | 0:21:41 | 0:21:43 | |
-Better not talk about... -Better not talk...! | 0:21:43 | 0:21:47 | |
In the '70s, Blackpool's entertainment industry | 0:21:48 | 0:21:51 | |
was at its peak. | 0:21:51 | 0:21:52 | |
Tourism was the town's main source of income, | 0:21:52 | 0:21:55 | |
and the reputation for fun-filled evenings | 0:21:55 | 0:21:58 | |
brought visitors in their droves. | 0:21:58 | 0:22:01 | |
As a result, the industry was a major employer, | 0:22:01 | 0:22:04 | |
as the venues put on bigger and more extravagant shows. | 0:22:04 | 0:22:09 | |
The star turns needed support in the form of session musicians, | 0:22:09 | 0:22:12 | |
and of course dancers. | 0:22:12 | 0:22:14 | |
Local girl Sandy Griffiths worked the stages of Blackpool | 0:22:14 | 0:22:18 | |
in the '70s, and remembers those days vividly. | 0:22:18 | 0:22:21 | |
I worked in the Stardust Gardens, that was in the Winter Gardens. | 0:22:21 | 0:22:24 | |
There was about...22 girls, | 0:22:24 | 0:22:26 | |
there was a lot of girls, gorgeous costumes. | 0:22:26 | 0:22:28 | |
We used to dance on these pasarelas and there were speciality acts | 0:22:28 | 0:22:32 | |
and we used to have great audiences. | 0:22:32 | 0:22:34 | |
Oh, it's always been the entertainment capital of the North, | 0:22:34 | 0:22:37 | |
we've had such a variety of shows here. | 0:22:37 | 0:22:39 | |
Something that suits everybody. | 0:22:39 | 0:22:41 | |
Great stars came to Blackpool, even the up-and-coming stars | 0:22:41 | 0:22:45 | |
made it here and then they went on to be bigger stars. | 0:22:45 | 0:22:48 | |
Blackpool was buzzing. It was a place where... | 0:22:48 | 0:22:50 | |
Everybody loves to feel the atmosphere of Blackpool, as they do today. | 0:22:50 | 0:22:53 | |
Chester Harriott left an indelible mark on Blackpool | 0:22:55 | 0:22:59 | |
in his ten-season stay here. | 0:22:59 | 0:23:01 | |
Ann Lightbown is a local archivist, | 0:23:01 | 0:23:03 | |
and has some very special memorabilia from that time. | 0:23:03 | 0:23:07 | |
Look, that is absolutely bang-on there. You can see... | 0:23:07 | 0:23:11 | |
-Because the stage is at the top there now, isn't it? -Yes. | 0:23:11 | 0:23:14 | |
But it used to be on the side. Wow. Just look at that. | 0:23:14 | 0:23:18 | |
And this with all the people. | 0:23:18 | 0:23:19 | |
And all of them seats were taken. | 0:23:21 | 0:23:23 | |
Well, there, you can see it's absolutely jam-packed. | 0:23:23 | 0:23:26 | |
-Is that my father there on stage? I don't know. -Let me have a look. | 0:23:26 | 0:23:30 | |
-You can't tell, can you? -I've got a good feeling... | 0:23:30 | 0:23:34 | |
-Cos there's two pianists here. -Yeah. | 0:23:34 | 0:23:36 | |
And I've got a good feeling that this one facing us | 0:23:36 | 0:23:39 | |
could well be your dad. | 0:23:39 | 0:23:42 | |
The one thing I have got here... | 0:23:42 | 0:23:45 | |
-Top of the bill. -Look at that! | 0:23:45 | 0:23:47 | |
-A Smile, A Song, A Piano. -I know. | 0:23:49 | 0:23:53 | |
-Now, this is really interesting - he married her. -Did he really? | 0:23:53 | 0:23:58 | |
-Well, it's all there. -He married The Magical Claudine. | 0:23:58 | 0:24:02 | |
I now have a half-sister called Donna. | 0:24:02 | 0:24:04 | |
The Magical Claudine. | 0:24:04 | 0:24:06 | |
She's going to be so thrilled to see that. Look at that. | 0:24:06 | 0:24:10 | |
-You can see the ring on here. -Yeah. | 0:24:10 | 0:24:11 | |
And look, all the lovely gold and stuff like that. | 0:24:11 | 0:24:14 | |
They called him the Black Liberace there, he was very striking. | 0:24:14 | 0:24:18 | |
Look at this. Oh, Dad. | 0:24:18 | 0:24:19 | |
Well, I've got one last little surprise for you. | 0:24:21 | 0:24:24 | |
-Oh, yeah? -Well, it's not as... | 0:24:24 | 0:24:25 | |
-it's not as big a surprise, but I think you will like it. -OK. | 0:24:25 | 0:24:29 | |
All right, then. What's this going to be this time? | 0:24:29 | 0:24:32 | |
Let's just imagine there's your dad up on the old bandstand there | 0:24:32 | 0:24:35 | |
and this is what would have happened. | 0:24:35 | 0:24:38 | |
-RECORDING: -It is the cool man himself, Chester Harriott. | 0:24:38 | 0:24:41 | |
-APPLAUSE -Thank you very much. | 0:24:41 | 0:24:43 | |
PIANO INTRO | 0:24:43 | 0:24:45 | |
Remember this, girls? | 0:24:45 | 0:24:47 | |
# Give me your smile | 0:24:47 | 0:24:49 | |
# The love light in your eyes... # | 0:24:49 | 0:24:52 | |
-I love it. -It's great, isn't it? | 0:24:52 | 0:24:55 | |
# Give me your smile | 0:25:01 | 0:25:04 | |
# The love light in your eyes | 0:25:04 | 0:25:08 | |
# My world for ever The sunshine of your smile. # | 0:25:08 | 0:25:13 | |
Oh, fantastic. | 0:25:13 | 0:25:15 | |
# Give me your smile... # | 0:25:16 | 0:25:19 | |
-Eh? Isn't it lovely? -You made me smile, Len. | 0:25:19 | 0:25:22 | |
-That is lovely. -Now... | 0:25:22 | 0:25:24 | |
-That is so, so nice. -It's lovely, eh? | 0:25:24 | 0:25:26 | |
# Oh, yeah! # | 0:25:28 | 0:25:30 | |
APPLAUSE | 0:25:30 | 0:25:32 | |
With 16 theatres and over 50 music venues, | 0:25:34 | 0:25:38 | |
Blackpool's reputation for live entertainment is unparalleled, | 0:25:38 | 0:25:43 | |
but there's much more to this tremendous town | 0:25:43 | 0:25:46 | |
than the bright lights. | 0:25:46 | 0:25:48 | |
Away from all the razzle-dazzle of the promenade | 0:25:48 | 0:25:50 | |
is the Grade-II listed and award-winning Stanley Park. | 0:25:50 | 0:25:54 | |
Built in 1926, the park boasts 250 acres of wonderful gardens, | 0:25:54 | 0:26:00 | |
enchanting lakes and some magnificent architecture, | 0:26:00 | 0:26:04 | |
influenced by the Art Deco movement. | 0:26:04 | 0:26:06 | |
The multimillion-pound regeneration of Blackpool's seafront | 0:26:08 | 0:26:12 | |
has reinvigorated the town's historic attractions. | 0:26:12 | 0:26:15 | |
In 2011, the 20,000 square foot Comedy Carpet was unveiled | 0:26:17 | 0:26:22 | |
in front of the Tower | 0:26:22 | 0:26:24 | |
and features lines from more than 1,000 comedians | 0:26:24 | 0:26:27 | |
and comedy writers, | 0:26:27 | 0:26:29 | |
a fantastic homage to those who have made the nation laugh. | 0:26:29 | 0:26:33 | |
The North Pier was opened in 1863. | 0:26:37 | 0:26:41 | |
A fishing jetty was added in 1866 and extended three years later, | 0:26:41 | 0:26:47 | |
bringing the pier's length to nearly 1,500ft. | 0:26:47 | 0:26:51 | |
Fantastic vistas of Blackpool unfold with a walk to the end, | 0:26:51 | 0:26:56 | |
and the Sun Lounge offers a perfect view | 0:26:56 | 0:26:58 | |
of the sun setting over the sea. | 0:26:58 | 0:27:01 | |
No holiday experience is complete without sampling the local food - | 0:27:05 | 0:27:10 | |
those new tastes and textures, so different to home, | 0:27:10 | 0:27:13 | |
transform our palate for ever. | 0:27:13 | 0:27:16 | |
When Ainsley came to Blackpool in 1974, | 0:27:16 | 0:27:19 | |
there could be only one thing at the top of the menu - | 0:27:19 | 0:27:22 | |
a traditional seaside fish and chips. | 0:27:22 | 0:27:25 | |
And his dad used to take him to his favourite place. | 0:27:25 | 0:27:28 | |
This is the famous fish and chip shop. | 0:27:30 | 0:27:32 | |
Now do you think this could have been the one that your dad | 0:27:32 | 0:27:35 | |
-used to bring you to? -It could have been. | 0:27:35 | 0:27:37 | |
You know, I don't think it was as flashy as this outside. | 0:27:37 | 0:27:40 | |
Well, let's go in and see what's... | 0:27:40 | 0:27:42 | |
-and see what's cooking! -What are you like? What are you like? | 0:27:42 | 0:27:46 | |
-It's one a minute. -Oh, lovely. | 0:27:46 | 0:27:50 | |
Come on. Look. | 0:27:50 | 0:27:52 | |
-Now this could have been the place. -So your mum did a bit of cooking? | 0:27:53 | 0:27:56 | |
Oh, she did more than a bit of cooking, | 0:27:56 | 0:27:58 | |
because showbiz friends would come round, so she wanted to show off. | 0:27:58 | 0:28:01 | |
And that's where I developed my skill from, because she put | 0:28:01 | 0:28:04 | |
everything on it and decorate it a little bit and cut the... | 0:28:04 | 0:28:07 | |
-Remember the tomatoes, you cut into a crown. -Oh, yeah. | 0:28:07 | 0:28:10 | |
And you'd open them, put a little bit of an olive or something | 0:28:10 | 0:28:14 | |
-on top of it. -Bit of parsley. | 0:28:14 | 0:28:15 | |
Yeah, a bit of parsley. Do you know? Just little simple things. | 0:28:15 | 0:28:18 | |
And it kind of gave us a joy, | 0:28:18 | 0:28:20 | |
gave us a bit of appreciation of cooking. | 0:28:20 | 0:28:22 | |
Well, now, talking of cooking, | 0:28:22 | 0:28:25 | |
I would imagine that you must be a dab hand at the old fish and chips. | 0:28:25 | 0:28:30 | |
-Oh, I don't mind. -You... -Oh, yeah. | 0:28:30 | 0:28:33 | |
Kim? Kim? Could Ainsley give it a go? | 0:28:33 | 0:28:37 | |
Are you going to have a go at it? | 0:28:37 | 0:28:38 | |
I think I am going to have a go at it, Kim, that would be lovely. | 0:28:38 | 0:28:41 | |
-Do you mind? -No, not at all. | 0:28:41 | 0:28:43 | |
On today's menu, fresh plaice, | 0:28:43 | 0:28:45 | |
caught this morning in nearby Fleetwood. | 0:28:45 | 0:28:48 | |
-You don't flour it here, do you, girls? -No. | 0:28:48 | 0:28:51 | |
-Just straight into the old batter. -Yeah. | 0:28:51 | 0:28:53 | |
There it is, straight in there. | 0:28:53 | 0:28:55 | |
That's it. Make sure it's well covered there. | 0:28:55 | 0:28:57 | |
Then straight in there. | 0:28:57 | 0:28:59 | |
-That's it. -I guess one of the tricks must be the lovely hot fat. | 0:29:03 | 0:29:07 | |
Yeah, you've got to get the temperature right. | 0:29:07 | 0:29:09 | |
You want it hot enough so it actually creates a crisp, | 0:29:09 | 0:29:12 | |
because the idea of frying, it creates a barrier around it. | 0:29:12 | 0:29:16 | |
Even like chips, it doesn't soak up the oil, you don't want to suck up | 0:29:16 | 0:29:18 | |
-the oil. -No. -You just want to put it in there, nice, crispy batter, | 0:29:18 | 0:29:21 | |
bang, it goes in that oil there and you're going to give that | 0:29:21 | 0:29:24 | |
four or five minutes, depending on the thickness of the fish. | 0:29:24 | 0:29:27 | |
But this is a bit of plaice, four or five minutes and that'll be out. | 0:29:27 | 0:29:30 | |
Fabulous. | 0:29:30 | 0:29:31 | |
Fish and chips is the classic seaside snack. | 0:29:31 | 0:29:34 | |
There are more than 10,000 different chippies in the UK, | 0:29:34 | 0:29:38 | |
selling almost 400 million portions a year. | 0:29:38 | 0:29:41 | |
That's about six each. | 0:29:41 | 0:29:43 | |
So after Ainsley's done here, | 0:29:43 | 0:29:45 | |
I'll only be allowed another five all year! | 0:29:45 | 0:29:47 | |
How did you get into cooking? | 0:29:49 | 0:29:50 | |
You've left school, you'd look at you, you'd think, | 0:29:50 | 0:29:53 | |
"Well, he's going to be a welder." | 0:29:53 | 0:29:55 | |
Or a boxer! Yeah! | 0:29:56 | 0:29:58 | |
I had this love, I had this passion, my mum was always cooking, | 0:29:58 | 0:30:01 | |
my sister's gone into it, my brother was the main cook at home | 0:30:01 | 0:30:04 | |
and so we all just felt comfortable in the kitchen. | 0:30:04 | 0:30:06 | |
And that's why I always say to people, | 0:30:06 | 0:30:08 | |
"Don't force your kids out of the kitchen. | 0:30:08 | 0:30:10 | |
"I know it's hot water and hot fat and everything, | 0:30:10 | 0:30:13 | |
"and it's a bit dangerous, sharp knives. Encourage them." | 0:30:13 | 0:30:16 | |
Now, I'm going to speak to Kim before we finish. | 0:30:16 | 0:30:19 | |
I want to know what she's going to give it out of ten. | 0:30:19 | 0:30:21 | |
Well, I know she's going to tell me it's curled. | 0:30:21 | 0:30:23 | |
Kim, come forward, please. | 0:30:23 | 0:30:25 | |
-Kim... -Now have a look at what he's done there. What do you reckon? | 0:30:25 | 0:30:29 | |
Mark it out of ten. | 0:30:29 | 0:30:30 | |
It's unravelling now, Kim, come back in five minutes and tell me. | 0:30:30 | 0:30:34 | |
-Seven. -Seven! | 0:30:34 | 0:30:36 | |
THEY CHEER | 0:30:36 | 0:30:38 | |
Well, the taste might get a ten from Len, who knows? | 0:30:38 | 0:30:41 | |
I know. Well, we're about to find out there. | 0:30:41 | 0:30:43 | |
-With chips or without chips, sir? -A few chips. -There we are. | 0:30:43 | 0:30:48 | |
A few officer's pips. | 0:30:48 | 0:30:50 | |
I think that's adequate for me. | 0:30:50 | 0:30:52 | |
-How about that? Is that enough? -More than enough. -Yeah? | 0:30:54 | 0:30:57 | |
'Fresh fish and chips made by my old mucker Ainsley - | 0:30:57 | 0:31:00 | |
'there's nothing better.' | 0:31:00 | 0:31:02 | |
Give it a bit of... | 0:31:02 | 0:31:04 | |
I'm telling you what, this is superb! | 0:31:14 | 0:31:17 | |
Absolutely gorgeous. | 0:31:17 | 0:31:20 | |
-It's great. -Did you hear that, darling? It's great! | 0:31:20 | 0:31:23 | |
I've got a job here, so I'll keep this on. Look, "Trainee." | 0:31:23 | 0:31:27 | |
I'm all yours. | 0:31:28 | 0:31:29 | |
-Bye! -Bye! -Take care. Bye! -Bye-bye! Thanks for the fish and chips. | 0:31:31 | 0:31:35 | |
Oh, you cooked that up beautiful. I know it was curly, but I loved it. | 0:31:37 | 0:31:40 | |
AINSLEY LAUGHS | 0:31:40 | 0:31:42 | |
Blackpool is world famous for its 500ft Tower, | 0:31:47 | 0:31:51 | |
but back in the 1860s | 0:31:51 | 0:31:53 | |
the main attraction wasn't on land, but over the water. | 0:31:53 | 0:31:56 | |
Blackpool's three piers | 0:31:56 | 0:31:58 | |
were the first major manmade tourist attraction, | 0:31:58 | 0:32:01 | |
and they brought visitors in the hundreds of thousands, | 0:32:01 | 0:32:05 | |
helping cement the town's reputation | 0:32:05 | 0:32:08 | |
as a first-class holiday destination. | 0:32:08 | 0:32:10 | |
But each pier had to carve out a reputation for itself, | 0:32:10 | 0:32:15 | |
attracting a different type of customer, | 0:32:15 | 0:32:17 | |
as Blackpool's brainbox Barry Band explains. | 0:32:17 | 0:32:21 | |
Blackpool's always had big ideas. | 0:32:21 | 0:32:23 | |
For example, by having three piers, two were obviously not enough. | 0:32:23 | 0:32:28 | |
The first one, the North Pier, opened in 1863. | 0:32:28 | 0:32:32 | |
But it wasn't an entertainment venue - | 0:32:32 | 0:32:34 | |
it was a place for people to walk over the ocean. | 0:32:34 | 0:32:38 | |
The Central Pier quickly became known as the People's Pier. | 0:32:39 | 0:32:44 | |
Would you believe that public dancing on the pier would happen | 0:32:44 | 0:32:47 | |
at seven o'clock in the morning? | 0:32:47 | 0:32:49 | |
What a novelty, eh?! | 0:32:49 | 0:32:50 | |
Dancing at seven o'clock in the morning. | 0:32:50 | 0:32:53 | |
The South Pier had a wonderful orchestra | 0:32:53 | 0:32:55 | |
and two lovely halls on that pier. | 0:32:55 | 0:32:59 | |
It became a place that people went to | 0:32:59 | 0:33:02 | |
for classical and quaint entertainment. | 0:33:02 | 0:33:05 | |
The individual reputations of the piers remain intact today, | 0:33:12 | 0:33:16 | |
and many of the delights on offer haven't changed much | 0:33:16 | 0:33:19 | |
since Ainsley visited all those years ago. | 0:33:19 | 0:33:22 | |
I've got to get a stick of rock. I'll treat you. | 0:33:23 | 0:33:27 | |
I don't know why, I always go for the pink ones. That's pineapple. | 0:33:27 | 0:33:32 | |
I'm going to have a stripy one. | 0:33:32 | 0:33:34 | |
One of them, a big one, and a thin one. | 0:33:34 | 0:33:38 | |
You've got to go on the pier if you come to Blackpool. | 0:33:38 | 0:33:40 | |
Well, I haven't done this for 30-odd years. | 0:33:40 | 0:33:43 | |
The Central Pier has always been the liveliest of the three | 0:33:43 | 0:33:47 | |
and it's here you'll find classic fairground rides. | 0:33:47 | 0:33:51 | |
THEY WHOOP | 0:33:51 | 0:33:55 | |
I'm coming to get you. | 0:33:55 | 0:33:56 | |
Where are you?! | 0:33:59 | 0:34:01 | |
Dodgems have been going for nearly 100 years. | 0:34:01 | 0:34:04 | |
The first ones were built in America in 1919, | 0:34:04 | 0:34:08 | |
and Blackpool brought them to the UK two years later. | 0:34:08 | 0:34:12 | |
Don't worry, though, they're a lot safer these days, | 0:34:12 | 0:34:15 | |
no matter how bad Ainsley's driving is! | 0:34:15 | 0:34:18 | |
-That Len Goodman. -I'm 70 years old, you know? | 0:34:23 | 0:34:26 | |
There's so much to see and do in brilliant Blackpool, | 0:34:31 | 0:34:35 | |
but it's not all about thrills and spills. | 0:34:35 | 0:34:38 | |
The town has a thriving arts scene to discover, | 0:34:38 | 0:34:41 | |
and the Grundy Art Gallery has been at the heart of it since 1911 - | 0:34:41 | 0:34:46 | |
cutting-edge work by Gilbert and George, Martin Creed | 0:34:46 | 0:34:49 | |
and other provocateurs of recent British art | 0:34:49 | 0:34:52 | |
are just as likely to be found here as the more traditional works. | 0:34:52 | 0:34:56 | |
It's art for everyone and it's free to all. | 0:34:56 | 0:35:00 | |
Blackpool Circus first opened to the public in 1894 | 0:35:02 | 0:35:06 | |
and has never missed a season. | 0:35:06 | 0:35:09 | |
Positioned at the base of Blackpool Tower, | 0:35:09 | 0:35:11 | |
the circus is considered to be the best in the country | 0:35:11 | 0:35:15 | |
and features acts from all around the world. | 0:35:15 | 0:35:19 | |
The seafront is famous for the fantastic illuminations | 0:35:19 | 0:35:23 | |
that run from August to November. | 0:35:23 | 0:35:26 | |
Over one million bulbs are used to deliver this spectacular sight, | 0:35:26 | 0:35:31 | |
which has grown from its humble beginnings in 1879, | 0:35:31 | 0:35:35 | |
when just eight lamps were used. | 0:35:35 | 0:35:37 | |
Over 3.5 million visitors | 0:35:37 | 0:35:39 | |
flock to enjoy the illuminations every year. | 0:35:39 | 0:35:43 | |
And there's only one place that can be at the top of my Ten From Len. | 0:35:43 | 0:35:48 | |
Think sequins and sparkle, think glitz and glamour - | 0:35:48 | 0:35:52 | |
yes, it's the Tower Ballroom. | 0:35:52 | 0:35:54 | |
It opened back in 1894, | 0:35:54 | 0:35:56 | |
when dancing was forbidden on a Sunday! | 0:35:56 | 0:35:59 | |
But over 120 years, the rules have been relaxed a little. | 0:35:59 | 0:36:03 | |
The Ballroom has over 120ft of wooden floor, | 0:36:03 | 0:36:07 | |
so there's plenty of room to trip the light fantastic. | 0:36:07 | 0:36:11 | |
And with each magnificent chandelier containing over 80 bulbs, | 0:36:11 | 0:36:16 | |
you can always remain in the spotlight | 0:36:16 | 0:36:20 | |
as the 1935 Wurlitzer brings music to your ears. | 0:36:20 | 0:36:25 | |
Ainsley Harriott has had a wonderful career - | 0:36:25 | 0:36:28 | |
as a chef in exclusive London restaurants | 0:36:28 | 0:36:31 | |
and as a popular television personality. | 0:36:31 | 0:36:34 | |
But I want to know how Ainsley's time here in Blackpool | 0:36:34 | 0:36:38 | |
helped transform that wide-eyed 17-year-old | 0:36:38 | 0:36:41 | |
into the nation's favourite TV chef. | 0:36:41 | 0:36:44 | |
Prior to making it, if you like, | 0:36:46 | 0:36:49 | |
there must be a lot of hard work - working in kitchens, grumpy chefs. | 0:36:49 | 0:36:54 | |
Grumpy chefs, not much money, you know? Started on £15 a week. | 0:36:54 | 0:37:00 | |
My mates were earning double bubble, 30-odd quid a week and...yeah, | 0:37:00 | 0:37:05 | |
it was, it was tough, it was hard. | 0:37:05 | 0:37:07 | |
The reward was when someone turned round and said, | 0:37:07 | 0:37:10 | |
-"Fantastic food, chef." -Yeah, that... -I mean, it's like you. | 0:37:10 | 0:37:13 | |
Even if you're making beans on toast for your missus and you put it down | 0:37:13 | 0:37:16 | |
-and she says, "Oh, I really enjoyed that." -And it makes you feel good. | 0:37:16 | 0:37:19 | |
It makes you feel good. | 0:37:19 | 0:37:21 | |
Ainsley's hard graft as a young chef paid off - | 0:37:21 | 0:37:24 | |
he went on to cook in some of the nation's most prestigious kitchens, | 0:37:24 | 0:37:28 | |
including London's Dorchester Hotel. | 0:37:28 | 0:37:31 | |
But his first big break on the small screen came in 1993. | 0:37:31 | 0:37:36 | |
He wasn't cooking up a storm in the kitchen, though - | 0:37:36 | 0:37:39 | |
he on spaceship three million years in the future, | 0:37:39 | 0:37:43 | |
playing a character called the Chief GELF. | 0:37:43 | 0:37:47 | |
Now, as I understand it, | 0:37:47 | 0:37:49 | |
-the first time you were on TV was as actor on Red Dwarf. -Oh, wow. | 0:37:49 | 0:37:55 | |
That is fantastic, isn't it? | 0:37:55 | 0:37:57 | |
I loved doing Red Dwarf, because the great thing about it, Len, | 0:37:57 | 0:38:00 | |
is that when you arrive on a programme that is established, | 0:38:00 | 0:38:04 | |
all the actors are established, they know their part so well, | 0:38:04 | 0:38:07 | |
you just fit in, and again, it was great, | 0:38:07 | 0:38:09 | |
it was one of those sci-fi programmes that... | 0:38:09 | 0:38:11 | |
I still get stuff now and I still get invited to the sci-fi conventions. | 0:38:11 | 0:38:15 | |
-Oh, do you? -Yeah! -Oh, lovely. | 0:38:15 | 0:38:17 | |
They want to see me as the Chief GELF. | 0:38:17 | 0:38:19 | |
-Course they do! -Yeah. | 0:38:19 | 0:38:21 | |
Once Ainsley had tasted the glamour of TV, he wanted more. | 0:38:21 | 0:38:26 | |
I think we all go through a period in our life, | 0:38:26 | 0:38:28 | |
when you're in your 20s, when you're juggling, | 0:38:28 | 0:38:30 | |
you don't quite know where you're going to land, | 0:38:30 | 0:38:32 | |
what you're going to be doing. | 0:38:32 | 0:38:34 | |
Food was always a passion, I'd always had that in me, | 0:38:34 | 0:38:36 | |
and then the opportunity, Len, to be able to do it on TV, | 0:38:36 | 0:38:39 | |
to share all the skills that I've trained to do - | 0:38:39 | 0:38:42 | |
I went to Westminster Catering College and all that - | 0:38:42 | 0:38:45 | |
-to share it with people in a fun way. -Yeah. | 0:38:45 | 0:38:47 | |
You know, add a little bit of Percy Pepper and Susie Salt, | 0:38:47 | 0:38:50 | |
this was what, you know, propelled me into their life. | 0:38:50 | 0:38:54 | |
People say, "Ains, why are you all a bit...?" | 0:38:54 | 0:38:56 | |
That was my dad. That's what I grew up with. | 0:38:56 | 0:38:59 | |
-Even though he wasn't there, it's in the genes. -Yeah. | 0:38:59 | 0:39:02 | |
You can't replace that, you know? If it's there, it's there. | 0:39:02 | 0:39:05 | |
Did your dad get an opportunity to see you make it? | 0:39:05 | 0:39:07 | |
-Get on TV? Ready Steady Cook? -He certainly did. | 0:39:07 | 0:39:10 | |
-Say, "That's my boy." -He certainly did | 0:39:10 | 0:39:12 | |
and he came onto Ready Steady Cook with Brian Turner's dad. | 0:39:12 | 0:39:15 | |
Both of them have gone now, God bless their souls. | 0:39:15 | 0:39:18 | |
But it kind of re-sparked it for him. | 0:39:18 | 0:39:21 | |
He's my boy. | 0:39:21 | 0:39:23 | |
'People would suddenly be in contact with him,' | 0:39:24 | 0:39:27 | |
saying, "Is that your boy, Chester?" | 0:39:27 | 0:39:29 | |
Do you know? It kind of really... | 0:39:29 | 0:39:32 | |
kind of gave him a little bit of a buzz. And he loved that. | 0:39:32 | 0:39:37 | |
Even when he went into a shop, | 0:39:37 | 0:39:38 | |
I'd go up there and we'd go into a supermarket to get a box of tissues. | 0:39:38 | 0:39:42 | |
It would take us two bleeding hours to walk around! | 0:39:42 | 0:39:44 | |
"Oh, yes, hello!" He'd raise his voice. | 0:39:44 | 0:39:47 | |
-I'd be there. -"Do you know my son?" -Yeah! | 0:39:47 | 0:39:50 | |
My dad says, "Embrace everything in life." | 0:39:50 | 0:39:52 | |
So I embraced entertainment, I embraced cooking, | 0:39:52 | 0:39:55 | |
-a bit of acting work - weren't very good at it, it doesn't matter. -No. | 0:39:55 | 0:39:58 | |
When you work with the pros, they make you feel good, you know? | 0:39:58 | 0:40:01 | |
-They just heighten your ability. Loved it. -Yeah. | 0:40:01 | 0:40:04 | |
So, leaving that aside, | 0:40:04 | 0:40:05 | |
I want to now talk about your experience coming to Blackpool. | 0:40:05 | 0:40:09 | |
-Did it bring back all those memories of... -I think it was... | 0:40:09 | 0:40:12 | |
-..a teenager? -Yeah, it was nostalgic. | 0:40:12 | 0:40:16 | |
You've made me kind of reconnect with my dad | 0:40:16 | 0:40:19 | |
and how wonderful he was as a performer. | 0:40:19 | 0:40:22 | |
Going back to the Winter Gardens and just looking... | 0:40:22 | 0:40:26 | |
Especially at that ceiling, that original ceiling | 0:40:26 | 0:40:29 | |
and looking down and thinking, "You know what, | 0:40:29 | 0:40:31 | |
"my dad performed here, he filled this room. | 0:40:31 | 0:40:35 | |
"He made people feel really special." | 0:40:35 | 0:40:37 | |
He gave them something that, you know, | 0:40:37 | 0:40:40 | |
they carried through their lives and there's that lovely... | 0:40:40 | 0:40:44 | |
There's that lovely saying that, you know, | 0:40:44 | 0:40:46 | |
people forget what you did, people forget what you said, | 0:40:46 | 0:40:50 | |
but people never forget the way you made them feel. | 0:40:50 | 0:40:54 | |
-Yeah. -You know? And I think my dad made them feel really special. | 0:40:54 | 0:40:58 | |
When they left his show, you know... | 0:40:58 | 0:41:00 | |
Yeah, there might have been one or two songs you might be humming | 0:41:00 | 0:41:03 | |
or there might have been a funny gesture that he might have said, | 0:41:03 | 0:41:06 | |
but they went away feeling good, | 0:41:06 | 0:41:08 | |
they went away thinking, "I want to come back some more." | 0:41:08 | 0:41:11 | |
It's been a privilege to relive such personal family memories | 0:41:11 | 0:41:15 | |
with Ainsley here in Blackpool. | 0:41:15 | 0:41:17 | |
HE LAUGHS | 0:41:17 | 0:41:20 | |
His driving may not be up to much... | 0:41:20 | 0:41:22 | |
..and he may not be as brave as he looks... | 0:41:24 | 0:41:26 | |
THEY SCREAM | 0:41:26 | 0:41:27 | |
Shut up! | 0:41:27 | 0:41:29 | |
..but it's clear how much he cherishes the memories | 0:41:29 | 0:41:33 | |
of watching his father perform on stage for the very first time. | 0:41:33 | 0:41:37 | |
# Give me your smile | 0:41:37 | 0:41:40 | |
# The love light in your eyes... # | 0:41:40 | 0:41:43 | |
-Isn't it lovely? -You've made me smile, Len. That's lovely, mate. | 0:41:45 | 0:41:49 | |
After spending the day with Ainsley, | 0:41:49 | 0:41:51 | |
it's easy to see just how much Blackpool means to him. | 0:41:51 | 0:41:54 | |
Listen, it's been such a joy and I want you to remember this | 0:41:54 | 0:41:59 | |
and so I've got a little keepsake for you. | 0:41:59 | 0:42:02 | |
This is Holiday Of My Lifetime, | 0:42:02 | 0:42:05 | |
a little scrapbook of different things that we've done | 0:42:05 | 0:42:09 | |
during the course of the day. | 0:42:09 | 0:42:11 | |
Oh, thank you very much. Thank you. That's lovely. | 0:42:11 | 0:42:14 | |
A picture book of memories | 0:42:15 | 0:42:17 | |
from Ainsley's time in Blackpool. | 0:42:17 | 0:42:19 | |
And keeping in mind how much this place | 0:42:19 | 0:42:22 | |
harbours memories of his dad, | 0:42:22 | 0:42:24 | |
I've got an extra-special surprise for him. | 0:42:24 | 0:42:27 | |
This is your dad's contract from Harold Fielding Ltd, | 0:42:27 | 0:42:32 | |
from August 1965. | 0:42:32 | 0:42:34 | |
Oh, this is just brilliant. | 0:42:34 | 0:42:36 | |
"Two concerts at the Opera House, Blackpool, on Sunday..." | 0:42:36 | 0:42:38 | |
Oh, that's just great. That is great. | 0:42:38 | 0:42:42 | |
That is fantastic, you know? | 0:42:42 | 0:42:46 | |
He's gone now. | 0:42:46 | 0:42:47 | |
This means so much. This is just brilliant. | 0:42:47 | 0:42:49 | |
-This proves that he was on the top of his game. -Yeah. -Oh, thank you, man. | 0:42:49 | 0:42:54 | |
Thank you so much. | 0:42:54 | 0:42:55 | |
Let me tell you, I've had so much fun. | 0:42:55 | 0:42:58 | |
-Thank you, Len, thank you. Eh? -Eh? | 0:42:58 | 0:43:00 | |
Thank you. I'm happy. | 0:43:00 | 0:43:02 | |
Thank you, Blackpool! | 0:43:02 | 0:43:04 | |
THEY CHUCKLE | 0:43:04 | 0:43:06 | |
So, farewell to the queen of all our seaside towns. | 0:43:06 | 0:43:10 | |
For Ainsley Harriott, | 0:43:10 | 0:43:11 | |
Blackpool will always be the home of some very special memories. | 0:43:11 | 0:43:16 |