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Childhood holidays? Oh, the anticipation seemed endless. | 0:00:02 | 0:00:05 | |
The holiday itself, well, it was over too quickly. | 0:00:05 | 0:00:09 | |
So, in this series, I'm going to be | 0:00:09 | 0:00:10 | |
reliving those wonderful times with some much-loved famous faces. | 0:00:10 | 0:00:15 | |
This is a memorable treasure. | 0:00:15 | 0:00:18 | |
Every day, I will be arranging a few surprises | 0:00:18 | 0:00:20 | |
to transport them back in time. | 0:00:20 | 0:00:23 | |
I feel as though we are about to go over the edge. | 0:00:23 | 0:00:25 | |
Don't say that! | 0:00:25 | 0:00:27 | |
We will relive the fun... | 0:00:27 | 0:00:30 | |
Whoa! | 0:00:30 | 0:00:31 | |
Oh! No! | 0:00:31 | 0:00:32 | |
..the games... | 0:00:32 | 0:00:33 | |
Oh! | 0:00:33 | 0:00:35 | |
..and the food of years gone by... | 0:00:35 | 0:00:37 | |
Oh, I'm so excited. | 0:00:37 | 0:00:38 | |
Oh, the taste, the taste of your childhood. | 0:00:38 | 0:00:41 | |
..to find out how those holidays around the UK helped shape | 0:00:43 | 0:00:46 | |
the people we know so well today. | 0:00:46 | 0:00:49 | |
Ah! | 0:00:51 | 0:00:53 | |
So, buckle up for Holiday Of My Lifetime. | 0:00:53 | 0:00:55 | |
Oh, yes. We're going to get the water skis out in a moment. | 0:00:55 | 0:00:59 | |
All aboard! No kissing in the back seats. | 0:01:04 | 0:01:07 | |
Today, Goodman's Tours are taking a trip down memory lane | 0:01:07 | 0:01:10 | |
in a classic Leyland Leopard. | 0:01:10 | 0:01:13 | |
Tickets, please! | 0:01:13 | 0:01:15 | |
I'm on my way to meet a bloke who has a lot in common with myself. | 0:01:15 | 0:01:19 | |
You could say he's a bit footloose. | 0:01:19 | 0:01:21 | |
He's a bit of a mover and he got into dancing at the age of 14 | 0:01:22 | 0:01:26 | |
and made a career of it. | 0:01:26 | 0:01:28 | |
Since then, he's gone from strength to strength as a dancer, | 0:01:28 | 0:01:32 | |
TV presenter and a celebrity. | 0:01:32 | 0:01:34 | |
His physique must have impressed somebody, | 0:01:35 | 0:01:38 | |
because in 2011, he won Rear of the Year - | 0:01:38 | 0:01:42 | |
not that I'd be a judge of that. | 0:01:42 | 0:01:44 | |
But I've had to judge him | 0:01:44 | 0:01:46 | |
and his many partners on Strictly Come Dancing. | 0:01:46 | 0:01:49 | |
He's been on all 12 series and famously threw my old mate | 0:01:49 | 0:01:54 | |
Ann Widdecombe around like an umbrella on a windy day. | 0:01:54 | 0:01:58 | |
You know who this is! | 0:01:58 | 0:02:00 | |
It's a great friend and accomplished dancer. | 0:02:00 | 0:02:05 | |
Oh, yeah, Anton du Beke. | 0:02:05 | 0:02:07 | |
I'll tell you what, I can't wait. | 0:02:07 | 0:02:09 | |
And I'm on my way to pick him up in this vintage coach, | 0:02:10 | 0:02:14 | |
much like the one he would've travelled in on his hols. | 0:02:14 | 0:02:18 | |
I'll tell you what, they don't make them like this any more. | 0:02:18 | 0:02:21 | |
Anton du Beke was born in 1966, in Sevenoaks in Kent. | 0:02:23 | 0:02:28 | |
He left school at just 16 to follow a career in amateur dancing. | 0:02:28 | 0:02:33 | |
He met his dance partner Erin in 1997 | 0:02:33 | 0:02:36 | |
and the pair have been sweeping the boards at international | 0:02:36 | 0:02:39 | |
competitions ever since, some of which were judged by yours truly. | 0:02:39 | 0:02:44 | |
But his big break came in 2004, when he was catapulted | 0:02:44 | 0:02:49 | |
from the dance circuit directly into the nation's living rooms | 0:02:49 | 0:02:53 | |
with the launch of a little show called Strictly Come Dancing. | 0:02:53 | 0:02:57 | |
I wonder what happened to that? | 0:02:57 | 0:02:58 | |
Since then, he's become a much-loved TV personality | 0:02:58 | 0:03:02 | |
on Hole In The Wall and food show Step Up To The Plate, | 0:03:02 | 0:03:06 | |
where he appeared alongside Loyd Grossman. | 0:03:06 | 0:03:10 | |
Today, I'm taking him back to an early dance holiday | 0:03:10 | 0:03:13 | |
he went on, starting with a surprise coach trip. | 0:03:13 | 0:03:17 | |
Ha-ha! Oh, what a beauty! | 0:03:17 | 0:03:21 | |
ANTON LAUGHS | 0:03:22 | 0:03:24 | |
Oh... | 0:03:28 | 0:03:30 | |
Tickets, please. | 0:03:30 | 0:03:31 | |
Come on, my old son! | 0:03:33 | 0:03:35 | |
-Lord of Lendon. -What do you reckon? -That's a beauty. | 0:03:36 | 0:03:39 | |
Look at it - this must be similar to what you came up in. | 0:03:39 | 0:03:42 | |
-It would've been. -And where are we heading for? | 0:03:42 | 0:03:44 | |
We're heading for the ballroom in Blackpool. | 0:03:44 | 0:03:48 | |
Oh, the Mecca. | 0:03:48 | 0:03:50 | |
-The Mecca of ballroom dancing. -Is there anywhere else? | 0:03:50 | 0:03:52 | |
So, what is the year? | 0:03:52 | 0:03:54 | |
Well, it's about... I think it's 1981. | 0:03:54 | 0:03:57 | |
-Now, '81... -Yeah. | 0:03:57 | 0:03:58 | |
Little fact for you, was the year Bucks Fizz won | 0:03:58 | 0:04:03 | |
the Eurovision Song contest. | 0:04:03 | 0:04:06 | |
-Skirt off moment. -Make Your Mind Up. -Making Your Mind Up. | 0:04:06 | 0:04:09 | |
And talking of making your mind up, shall we get on and get off? | 0:04:09 | 0:04:12 | |
-Shall we go? -Yeah, come on! | 0:04:12 | 0:04:14 | |
-That is brilliant! -Lead on. -Ha-hey! | 0:04:14 | 0:04:17 | |
-Oh, it has got that smell of old coach about it. -Yeah. | 0:04:17 | 0:04:22 | |
Well, I think that might be the driver. | 0:04:22 | 0:04:24 | |
'Only joking, Mike! Drive on, sir.' | 0:04:24 | 0:04:28 | |
Blackpool is one of Britain's most loved seaside resorts, | 0:04:28 | 0:04:32 | |
just 15 miles west of Preston | 0:04:32 | 0:04:34 | |
and between the smaller towns of Morecambe and Lytham St Annes. | 0:04:34 | 0:04:38 | |
It's here Anton came, back in 1981, to compete in one of his first | 0:04:38 | 0:04:44 | |
big dance competitions. | 0:04:44 | 0:04:45 | |
With its stunning coastline, piers and iconic tower, | 0:04:45 | 0:04:49 | |
it's no wonder 13 million people flock here every year. | 0:04:49 | 0:04:54 | |
Oh, now! | 0:04:54 | 0:04:55 | |
I'm taking Anton back to relive those early ballroom delights... | 0:04:55 | 0:05:00 | |
-How am I going to get down there? -Repeat, repeat, repeat. | 0:05:00 | 0:05:03 | |
So we go like that... | 0:05:03 | 0:05:06 | |
..to enjoy the dizzy heights... | 0:05:06 | 0:05:08 | |
Tap dance, Len. | 0:05:08 | 0:05:10 | |
No, I can't do it. Me corn. | 0:05:10 | 0:05:13 | |
..and bright lights of this glorious town. | 0:05:13 | 0:05:16 | |
Whoa! | 0:05:16 | 0:05:18 | |
-Over there! -There! Ha-hey! | 0:05:18 | 0:05:20 | |
But before any holiday truly begins, | 0:05:24 | 0:05:27 | |
first you must set out on a journey. | 0:05:27 | 0:05:29 | |
For Anton and his fellow dance school competitors in 1981, | 0:05:29 | 0:05:34 | |
that meant travelling to Blackpool in a coach | 0:05:34 | 0:05:37 | |
and it's not long before the memories of that come flooding back. | 0:05:37 | 0:05:41 | |
I can't even tell you, this makes me feel exactly like I was there, | 0:05:43 | 0:05:48 | |
the sun beating through the window on a coach with velour seats. | 0:05:48 | 0:05:53 | |
So, where are you coming from on this mammoth trip to Blackpool? | 0:05:53 | 0:05:57 | |
Our school of dancing was in Sevenoaks in Kent. | 0:05:57 | 0:06:00 | |
So you could've only been a bit of a lad when you came up there. | 0:06:00 | 0:06:04 | |
I must have been about 15, I think. | 0:06:04 | 0:06:06 | |
And, of course, it was the first time | 0:06:06 | 0:06:10 | |
I'd ever gone anywhere without my parents. | 0:06:10 | 0:06:13 | |
-Right. -First time also I'd ever stayed in a hotel. | 0:06:13 | 0:06:17 | |
Because both my parents are foreign - my mum is Spanish, | 0:06:17 | 0:06:19 | |
my dad is Hungarian, as you know - during the summer holidays, we would | 0:06:19 | 0:06:22 | |
go away to see their families, so my aunts, my uncles, | 0:06:22 | 0:06:26 | |
-my grandmother, grandfather. -Yeah. | 0:06:26 | 0:06:28 | |
-So we would stay in their houses, so we never stayed in hotels. -No. | 0:06:28 | 0:06:31 | |
So this was a bit of a double whammy. | 0:06:31 | 0:06:33 | |
One, I was going away without my parents | 0:06:33 | 0:06:35 | |
and I was staying in a hotel? | 0:06:35 | 0:06:38 | |
-Oh, like Millionaires' Row! -Of course it is, yeah. | 0:06:38 | 0:06:42 | |
You know, you go up for these competitions as a school, | 0:06:42 | 0:06:45 | |
back in those days. These were the finals, | 0:06:45 | 0:06:48 | |
so you would've had to have qualified somewhere. | 0:06:48 | 0:06:50 | |
And I remember I qualified at an old ballroom called the Rivoli | 0:06:50 | 0:06:54 | |
and you were judging. You were actually judging it. | 0:06:54 | 0:06:57 | |
And it's because of you that I got on this bleeding coach. | 0:06:57 | 0:07:01 | |
So that journey from Sevenoaks in Kent to Blackpool, | 0:07:02 | 0:07:06 | |
that was a few hours. | 0:07:06 | 0:07:08 | |
In one of these, it took about six... It was half a day. | 0:07:08 | 0:07:12 | |
So how did you pass the time on this six or seven-hour...? | 0:07:12 | 0:07:15 | |
Oh, well, you know, you try and read, so you might have a book, | 0:07:15 | 0:07:20 | |
or something like that, or do some sort of crossword-type affair. | 0:07:20 | 0:07:24 | |
Of course, then you get travel sick. | 0:07:24 | 0:07:27 | |
We didn't have, like, Walkmans. | 0:07:28 | 0:07:30 | |
-We didn't have iPods and stuff like that. -Of course not. | 0:07:30 | 0:07:32 | |
We didn't have phones, all the things now. | 0:07:32 | 0:07:34 | |
So you literally had to do it old-school. | 0:07:34 | 0:07:36 | |
-You had to talk to people. -Yeah. | 0:07:36 | 0:07:38 | |
Imagine! | 0:07:39 | 0:07:41 | |
Nowadays, people are usually nose down in their electronic devices, | 0:07:41 | 0:07:45 | |
but back in 1981, the TV was still king. | 0:07:45 | 0:07:50 | |
And making its debut this year, a wonderful show, | 0:07:50 | 0:07:53 | |
The Hitchhiker's Guide To The Galaxy. | 0:07:53 | 0:07:56 | |
Arthur Dent, a perfectly ordinary Earth man, | 0:07:57 | 0:08:00 | |
was rather surprised when his friend Ford Prefect | 0:08:00 | 0:08:04 | |
suddenly revealed himself to be from a small planet | 0:08:04 | 0:08:07 | |
somewhere in the vicinity of Betelgeuse | 0:08:07 | 0:08:09 | |
and not from Guildford after all. | 0:08:09 | 0:08:11 | |
He was even more surprised when a few minutes later, the Earth | 0:08:13 | 0:08:16 | |
was unexpectedly demolished to make way for a new hyperspace bypass. | 0:08:16 | 0:08:21 | |
The nation was gripped by the royal wedding fever as millions | 0:08:21 | 0:08:26 | |
watched Prince Charles marry Lady Diana Spencer. | 0:08:26 | 0:08:29 | |
And what an extraordinary moment for the new Princess of Wales, | 0:08:30 | 0:08:34 | |
to look out at this sea of human beings... | 0:08:34 | 0:08:37 | |
..who now feel that they, in some way, own her. | 0:08:39 | 0:08:42 | |
What a marvellous moment. | 0:08:42 | 0:08:44 | |
More than 7,000 runners signed up to run the first ever London Marathon. | 0:08:46 | 0:08:51 | |
Oh, nice weather! | 0:08:51 | 0:08:54 | |
And who could forget this belter from The Human League? | 0:08:54 | 0:08:57 | |
Don't You Want Me. Ho-ho! | 0:08:57 | 0:08:59 | |
It went on to be one of the biggest hits of the decade. | 0:08:59 | 0:09:02 | |
-# Don't you want me, baby? -LEN SINGS ALONG | 0:09:02 | 0:09:06 | |
# Don't you want me? Oh | 0:09:06 | 0:09:11 | |
# Don't you want me, baby? | 0:09:11 | 0:09:14 | |
# Don't you want me? Oh. # | 0:09:15 | 0:09:19 | |
But it's time to turn the music down as the familiar | 0:09:19 | 0:09:22 | |
sights of Blackpool are beginning to come into view, | 0:09:22 | 0:09:26 | |
which for young Anton meant the mammoth journey was almost over. | 0:09:26 | 0:09:30 | |
So, I suppose, once you got to somewhere like this on the coach, | 0:09:32 | 0:09:35 | |
you know, the excitement is at fever pitch. | 0:09:35 | 0:09:38 | |
Oh, we are... | 0:09:38 | 0:09:39 | |
You've got the tower, look, the... | 0:09:39 | 0:09:41 | |
Do you know, the biggest excitement for me, | 0:09:41 | 0:09:44 | |
-the biggest excitement for me was always the amusements. -Yeah. | 0:09:44 | 0:09:49 | |
-I love the arcades. -Oh, do you? | 0:09:49 | 0:09:52 | |
Oh, because, of course, I'm from a time when it was... | 0:09:52 | 0:09:55 | |
I remember the first Atari home... | 0:09:55 | 0:09:59 | |
-Yeah, the ping-pong thing. -The ping-pong. | 0:09:59 | 0:10:01 | |
Well, now, there's the pier. | 0:10:01 | 0:10:04 | |
I don't know what it is about Blackpool... | 0:10:04 | 0:10:07 | |
I guess it's because it holds so many wonderful memories | 0:10:07 | 0:10:10 | |
-for me and I guess for you. -Yeah, you're right. -You know, and... | 0:10:10 | 0:10:14 | |
It changes but doesn't really change. | 0:10:14 | 0:10:16 | |
At last we've made it and where better to make our first stop | 0:10:16 | 0:10:20 | |
than right on Blackpool's world-famous promenade? | 0:10:20 | 0:10:23 | |
I know it won't be long before we're feeling like | 0:10:23 | 0:10:25 | |
two teenage boys in 1981. | 0:10:25 | 0:10:27 | |
Wa-hey, bring it on! | 0:10:27 | 0:10:29 | |
TOGETHER: Thank you, driver. | 0:10:29 | 0:10:31 | |
THEY LAUGH | 0:10:31 | 0:10:32 | |
Oh! | 0:10:32 | 0:10:33 | |
-Oh, yes. -A little bit of heaven right there. | 0:10:33 | 0:10:37 | |
Look, eh? | 0:10:37 | 0:10:39 | |
-What do you reckon? -Calm sea. | 0:10:39 | 0:10:41 | |
Calm sea, sandy beach. | 0:10:41 | 0:10:43 | |
This is perfection, isn't it? | 0:10:43 | 0:10:46 | |
Do you know what I think about these tramlines? | 0:10:46 | 0:10:49 | |
Yeah. | 0:10:49 | 0:10:51 | |
-Never seen a tram. -You've never seen a tram? | 0:10:51 | 0:10:53 | |
-Never seen one. -There's one coming now. | 0:10:53 | 0:10:55 | |
-Shut up! -So there. -You are an... | 0:10:55 | 0:10:58 | |
-Look what you've done. -I'd organised this. | 0:10:58 | 0:11:00 | |
-You'd organised it special. -Yeah. | 0:11:00 | 0:11:02 | |
So, I suppose, as soon as you got off the coach, you're at the hotel. | 0:11:02 | 0:11:08 | |
Straight to the hotel. | 0:11:08 | 0:11:09 | |
-Chuck all your stuff in... -Down to the amusements. | 0:11:09 | 0:11:12 | |
Straight down to the amusements! | 0:11:12 | 0:11:14 | |
Go on! | 0:11:14 | 0:11:15 | |
-Straight in! -Even in the Winter Gardens there's... | 0:11:17 | 0:11:19 | |
-Amusements. -They're everywhere. -Everywhere you go. -Come on. | 0:11:19 | 0:11:23 | |
-Look at that! -Look at that, nothing. What a load of... | 0:11:24 | 0:11:27 | |
Isn't that lovely? That's the first one I've ever seen. | 0:11:27 | 0:11:30 | |
That's the new posh ones. | 0:11:30 | 0:11:31 | |
-Shall we have a little look at the beach? -Come on, let's go down. | 0:11:31 | 0:11:35 | |
# Underneath the arches. # | 0:11:35 | 0:11:39 | |
ANTON LAUGHS | 0:11:39 | 0:11:41 | |
There is so much more to Blackpool than the promenade and tower. | 0:11:43 | 0:11:47 | |
In fact, it's hard to know where to begin. | 0:11:47 | 0:11:49 | |
That's why I've picked "seven!" of the best to tell you about. | 0:11:49 | 0:11:54 | |
Animal Magic's Johnny Morris opened the Blackpool Zoo in 1972. | 0:11:54 | 0:12:00 | |
With lots of activities and monkeying around, | 0:12:00 | 0:12:02 | |
it is im-PAWS-sible to miss. | 0:12:02 | 0:12:05 | |
And if you're feeling really brave, | 0:12:05 | 0:12:07 | |
get up close to some of the biggest cats in the world. | 0:12:07 | 0:12:10 | |
Look at them! Whoa! I wouldn't mess with them, would you? | 0:12:10 | 0:12:15 | |
If that's not scary enough, | 0:12:15 | 0:12:16 | |
why not try a guided tour through the town's most haunted locations, | 0:12:16 | 0:12:21 | |
hearing terrifying tales of murder and mystery | 0:12:21 | 0:12:24 | |
on the Blackpool Ghost Walks? | 0:12:24 | 0:12:27 | |
Spooky story man Stephen Mercer knows all about | 0:12:27 | 0:12:30 | |
Blackpool's grisly past. | 0:12:30 | 0:12:32 | |
We start outside the front of North Pier | 0:12:32 | 0:12:35 | |
and we make our way along in front of the tower. | 0:12:35 | 0:12:37 | |
The tower has a rich history, it's Blackpool's iconic image. | 0:12:37 | 0:12:41 | |
But there are things that do go bump in the night. | 0:12:41 | 0:12:45 | |
Most people don't expect Blackpool to have a haunted heritage | 0:12:45 | 0:12:48 | |
or a haunted history. | 0:12:48 | 0:12:49 | |
With so many people coming to Blackpool, | 0:12:49 | 0:12:52 | |
many people have experienced many strange things. | 0:12:52 | 0:12:56 | |
There is a Victorian lady who is often seen sitting towards | 0:12:56 | 0:13:00 | |
the land end on one of the benches and she'll get up | 0:13:00 | 0:13:03 | |
and she will walk just past us here | 0:13:03 | 0:13:06 | |
and she will actually disappear pretty much just behind me. | 0:13:06 | 0:13:09 | |
Whoo! Here, ghosty, ghosty! | 0:13:09 | 0:13:12 | |
It has been 34 years since Anton came to Blackpool to take part | 0:13:15 | 0:13:19 | |
in one of his first dancing competitions and I've got him back | 0:13:19 | 0:13:23 | |
on the bus to find out what he got up to inside his digs for the trip. | 0:13:23 | 0:13:28 | |
-Oh, there you go, the Metropole! -Oh, look at it! | 0:13:28 | 0:13:33 | |
It's great because it's the only hotel on that side of the road. | 0:13:33 | 0:13:37 | |
Oh, yes, you're right, yeah. | 0:13:37 | 0:13:40 | |
Oh, I remember that! Look at it. | 0:13:40 | 0:13:43 | |
-Looks quite grand, doesn't it, from the outside? -It is beautiful. | 0:13:43 | 0:13:47 | |
It is a beautiful building. So there you were. | 0:13:47 | 0:13:50 | |
There we were, at the Metropole. | 0:13:50 | 0:13:52 | |
-Running up and down the corridors. -Of course, yeah. | 0:13:52 | 0:13:54 | |
Knocking on the girls' doors. "Let us in, let us in!" | 0:13:54 | 0:13:57 | |
-Did you share a room? -"I've got a stick of rock." | 0:13:57 | 0:14:00 | |
Of course you have. | 0:14:00 | 0:14:02 | |
Well, I'll tell you what, there's plenty to see | 0:14:02 | 0:14:05 | |
and there's plenty to do, | 0:14:05 | 0:14:07 | |
so, Mike, time to park up. | 0:14:07 | 0:14:09 | |
Back in 1981, the bright lights of Blackpool's seaside entertainment | 0:14:12 | 0:14:17 | |
were huge attractions to the young Anton. | 0:14:17 | 0:14:19 | |
You know what amazed me is you said as much as you enjoyed coming | 0:14:21 | 0:14:25 | |
here for the dancing, it was the arcade games... | 0:14:25 | 0:14:28 | |
Oh, I loved the arcades! | 0:14:28 | 0:14:30 | |
Fabulous. Do your money in the first half hour. | 0:14:30 | 0:14:33 | |
-Well, it just so happens, here we go. -Get in! | 0:14:34 | 0:14:37 | |
-The arcade is waiting! -Have you got any pound coins on you? | 0:14:37 | 0:14:40 | |
We'll get them. | 0:14:40 | 0:14:41 | |
-Oi, oi. -Oh, hello. | 0:14:44 | 0:14:45 | |
That's a bit of you. | 0:14:45 | 0:14:47 | |
-Go on. -Shall I have a go? -Yeah, you're an excellent driver. | 0:14:48 | 0:14:52 | |
Start. Lenny, we're in. | 0:14:53 | 0:14:55 | |
-Start your engines. -Start your engine. | 0:14:55 | 0:14:57 | |
Here we go. | 0:14:57 | 0:15:00 | |
-Here we go. -Look at you go now. Go on, then. | 0:15:00 | 0:15:02 | |
-Come on, you've got to get past someone, surely. -There we go. | 0:15:04 | 0:15:07 | |
-Give him a nudge. -Go on! | 0:15:07 | 0:15:09 | |
Yay! Go on, my son. | 0:15:09 | 0:15:11 | |
-Do a bit of that. -Get in. | 0:15:11 | 0:15:12 | |
Oh, no! | 0:15:12 | 0:15:14 | |
Yes, you're getting there. | 0:15:14 | 0:15:16 | |
Straight between the two, watch this. | 0:15:16 | 0:15:18 | |
No, no, no! Oh! | 0:15:18 | 0:15:20 | |
Go on, Anton, you're a natural. | 0:15:20 | 0:15:23 | |
191mph, you're doing. | 0:15:26 | 0:15:27 | |
-Oh, it's slightly after six on a Friday night. -You wish! | 0:15:27 | 0:15:32 | |
-Come on. -Go! | 0:15:32 | 0:15:35 | |
Go on, then, just pass these three. | 0:15:35 | 0:15:37 | |
Love it. Love it, love it, love it. | 0:15:37 | 0:15:39 | |
-Seventh. -Seventh. | 0:15:39 | 0:15:40 | |
It was a gallant effort. | 0:15:42 | 0:15:44 | |
What's his name, Lionel Hampton? No. | 0:15:44 | 0:15:47 | |
What's his name? Lewis Hamilton! | 0:15:47 | 0:15:49 | |
Not Lionel Hampton. Lewis Hamilton has nothing on you! | 0:15:50 | 0:15:54 | |
'Oh, he does love his arcade games, doesn't he? | 0:15:56 | 0:15:59 | |
'I prefer the old-fashioned ones where | 0:15:59 | 0:16:01 | |
'I can give Anton a run for his money.' | 0:16:01 | 0:16:04 | |
Get in! Three, number three. | 0:16:07 | 0:16:09 | |
-Oh! One was there! -It was there! | 0:16:09 | 0:16:12 | |
I like this. | 0:16:15 | 0:16:17 | |
This is my sort of game. | 0:16:17 | 0:16:18 | |
I'll tell you what, I can tell what sort of a child you were - | 0:16:18 | 0:16:21 | |
you were competitive. | 0:16:21 | 0:16:23 | |
-No! -Not much! Screaming and jumping, "I won, I won!" | 0:16:23 | 0:16:27 | |
But I think that's the nature of, you know, being a dancer. | 0:16:27 | 0:16:30 | |
We all want to get into the final, we all want to win. Of course we do. | 0:16:30 | 0:16:33 | |
-That would be nice. -Let's stroll down the pier. | 0:16:33 | 0:16:36 | |
-The final. -Yeah. -What's that like? | 0:16:36 | 0:16:38 | |
-You want to do the freestyle, don't you? -Free dance. -Yes. | 0:16:38 | 0:16:40 | |
It's time to go back to the final Anton faced in 1981 | 0:16:42 | 0:16:45 | |
when he took part in one of his earliest big dance competitions | 0:16:45 | 0:16:50 | |
at the wonderful Winter Gardens Empress Ballroom. | 0:16:50 | 0:16:53 | |
And the sight of this place would've surely | 0:16:53 | 0:16:56 | |
taken his breath away. | 0:16:56 | 0:16:58 | |
Here it is. | 0:16:59 | 0:17:01 | |
Isn't it lovely? It's such a lovely... | 0:17:01 | 0:17:04 | |
Look at that. Look up. | 0:17:04 | 0:17:05 | |
-As soon as I get to here... -Yeah. | 0:17:06 | 0:17:08 | |
-..it's like coming home a bit, you know? -Yeah. -Here we go. | 0:17:09 | 0:17:13 | |
And, of course, when the dancing's on, | 0:17:13 | 0:17:16 | |
there's dancers everywhere, people sitting having coffee. | 0:17:16 | 0:17:20 | |
It's just the atmosphere of the place. | 0:17:20 | 0:17:22 | |
It must be the same if you're a tennis player | 0:17:22 | 0:17:24 | |
and you walk through the gates of Wimbledon, | 0:17:24 | 0:17:26 | |
or you're a soccer player and you walk into Wembley. | 0:17:26 | 0:17:30 | |
-Wembley, yeah. -And for dancers, I think this... | 0:17:30 | 0:17:34 | |
As soon as you get in, you start seeing all the band... | 0:17:34 | 0:17:36 | |
And do you know what? I'm twitchy to move on and get in there. | 0:17:36 | 0:17:40 | |
Come on, then, let's do it. Come on. | 0:17:40 | 0:17:42 | |
It was in the Empress Ballroom that Anton competed | 0:17:44 | 0:17:47 | |
with his school from Sevenoaks. | 0:17:47 | 0:17:49 | |
He was just a young boy hoping for a medal. | 0:17:49 | 0:17:53 | |
But then, so were hundreds of others. | 0:17:53 | 0:17:56 | |
-This is the stair, this is the moment. -This is the stairs. | 0:17:57 | 0:18:00 | |
This is the moment I used to go, "Oh..." | 0:18:00 | 0:18:02 | |
And you're standing here and you can hear the band, right? | 0:18:02 | 0:18:05 | |
And there's people all milling about and there's some competition | 0:18:05 | 0:18:09 | |
going on and you... | 0:18:09 | 0:18:11 | |
And then, on the microphone, | 0:18:11 | 0:18:13 | |
"We will continue now with heat two | 0:18:13 | 0:18:16 | |
"of the Professional Ballroom Championships," | 0:18:16 | 0:18:19 | |
and it just gives you a tingle. | 0:18:19 | 0:18:21 | |
-"Stand by your partners, please." -Yeah. -"Stand together, please." | 0:18:21 | 0:18:24 | |
-Oh... -Oh, hold my hand because I've gone weak at the knees. | 0:18:24 | 0:18:29 | |
-This is the place. -Isn't it a beauty? Look at it. | 0:18:29 | 0:18:31 | |
Look at it. And when you look at the size of the ballroom | 0:18:31 | 0:18:34 | |
and you're dancing a quickstep or whatever, or a waltz, | 0:18:34 | 0:18:37 | |
-you think, "I'll never get around." -"I'm never going to get down there. | 0:18:37 | 0:18:40 | |
"I've never learnt enough choreography in my life to | 0:18:40 | 0:18:42 | |
-"get down the floor." -Yeah. | 0:18:42 | 0:18:44 | |
What was it that made you decide you wanted | 0:18:44 | 0:18:46 | |
to take up ballroom dancing? | 0:18:46 | 0:18:48 | |
Well, the first time, I wandered into an old church hall | 0:18:48 | 0:18:52 | |
in Sevenoaks, really, and it was just a room full of girls. | 0:18:52 | 0:18:55 | |
And, of course, when I was growing up, I was really sporty and it was | 0:18:55 | 0:18:59 | |
all about sport, but we used to play football | 0:18:59 | 0:19:02 | |
-and we used to play cricket and... -Yeah. | 0:19:02 | 0:19:04 | |
So, it was all about sport, always out. | 0:19:04 | 0:19:05 | |
And the thing I loved about ballroom dancing, | 0:19:05 | 0:19:08 | |
after I gathered myself in the roomful of girls, | 0:19:08 | 0:19:11 | |
was the fact it was competitive and I loved the competition. | 0:19:11 | 0:19:15 | |
-It just... -I was the same. I didn't take it up till I was 21. | 0:19:15 | 0:19:19 | |
There you are, you see. | 0:19:19 | 0:19:21 | |
And, you know, there was four boys and 40 girls in a dance class | 0:19:21 | 0:19:24 | |
-and you're 21 - what else do you want to do? -Exactly! | 0:19:24 | 0:19:27 | |
But I used to get the mickey taken out of me, | 0:19:27 | 0:19:29 | |
cos I was working on the docks, right? So I've got all these dock... | 0:19:29 | 0:19:33 | |
-"Ballroom dance?!" I said, "Yes!" I said, "It's fantastic." -Fantastic. | 0:19:33 | 0:19:37 | |
And you were important in my, | 0:19:37 | 0:19:40 | |
sort of, early life as well, | 0:19:40 | 0:19:42 | |
because you were there judging and I'd see you there | 0:19:42 | 0:19:46 | |
and, you know, you were already legendary within the industry | 0:19:46 | 0:19:50 | |
and I thought, "Fabulous Len. I'd love to be like Len one day." | 0:19:50 | 0:19:53 | |
And so, so much about life I learnt through the dancing world. | 0:19:53 | 0:19:58 | |
Yeah, you do. So, there you are, it's 1981 or whatever, | 0:19:58 | 0:20:02 | |
you're coming up here, you're excited, you've walked in - ah! | 0:20:02 | 0:20:07 | |
-How did you do in the...? -Terrible. | 0:20:07 | 0:20:09 | |
No! No, don't say that! | 0:20:11 | 0:20:13 | |
'Thankfully, he's got a lot better since then. | 0:20:13 | 0:20:16 | |
'And since we've got this ballroom to ourselves, | 0:20:16 | 0:20:19 | |
'I think we should enjoy it.' | 0:20:19 | 0:20:21 | |
And off we go. | 0:20:21 | 0:20:23 | |
Hey? | 0:20:23 | 0:20:24 | |
Reverse turn. Now we're going to do a three-step into the corner. | 0:20:24 | 0:20:28 | |
-Oh, come on. -I have it. -There you are. -Look at that. | 0:20:28 | 0:20:30 | |
-You're moving well, Len. -Round we go. | 0:20:30 | 0:20:32 | |
THEY LAUGH | 0:20:32 | 0:20:34 | |
-Oh! -Hello, Len. -And then you think... | 0:20:34 | 0:20:36 | |
I don't know any more! | 0:20:36 | 0:20:39 | |
How am I going to get down there? | 0:20:39 | 0:20:41 | |
Repeat, repeat, repeat! So off we go. | 0:20:41 | 0:20:43 | |
The ballroom dance scene in Blackpool is a tradition that | 0:20:52 | 0:20:55 | |
goes back more than 100 years. | 0:20:55 | 0:20:59 | |
The biggest competitions took place in the glorious Tower Ballroom | 0:20:59 | 0:21:03 | |
and, of course, the Empress Ballroom in the Winter Gardens. | 0:21:03 | 0:21:07 | |
But why did the town need more than one ballroom? | 0:21:07 | 0:21:10 | |
The man with the answers is Blackpool's ballroom boffin | 0:21:10 | 0:21:14 | |
Barry Band. | 0:21:14 | 0:21:16 | |
It's very popular with visitors. | 0:21:16 | 0:21:18 | |
Now, the Empress Ballroom was always favoured by the locals. | 0:21:19 | 0:21:24 | |
I'm afraid it was because we wanted to get away from the visitors. | 0:21:24 | 0:21:29 | |
Now, my memories of going into the Empress Ballroom | 0:21:30 | 0:21:33 | |
are 1950s memories when the place was thronged several times a week | 0:21:33 | 0:21:38 | |
to watch the big bands of that era. | 0:21:38 | 0:21:42 | |
They were so popular in the 1950s that we could go in at 7.30 | 0:21:42 | 0:21:47 | |
and pay to go dancing and then, they'd empty the building | 0:21:47 | 0:21:52 | |
and we'd have to pay to go in again for a late dance three times a week. | 0:21:52 | 0:21:58 | |
That's how popular ballroom dancing was with the general public. | 0:21:58 | 0:22:03 | |
You're bringing a tear to my eye, Barry. | 0:22:03 | 0:22:06 | |
Now, we can't come to the Empress | 0:22:06 | 0:22:07 | |
and not have a proper ballroom dance, no way! | 0:22:07 | 0:22:12 | |
Anton, look, here we are, the home of ballroom dancing... | 0:22:12 | 0:22:15 | |
I feel good, emotional. | 0:22:15 | 0:22:17 | |
..and it would be remiss of us not to dance. | 0:22:17 | 0:22:22 | |
-What, am I being a girl, then? -No, no, no, we couldn't do that. | 0:22:22 | 0:22:25 | |
Ladies, would you like to come along? | 0:22:25 | 0:22:28 | |
-Oh, hello, girls! -This is Enid. | 0:22:30 | 0:22:33 | |
I'm Len, and Anton. Janet. | 0:22:33 | 0:22:36 | |
Janet, nice to see you. Lovely to see you, Enid. | 0:22:36 | 0:22:39 | |
-I have first choice. -Naturally, of course. | 0:22:39 | 0:22:41 | |
-I'm the oldest, right? -Of course. | 0:22:41 | 0:22:43 | |
Come on. Janet is yours. | 0:22:43 | 0:22:46 | |
Janet is mine, Janet. | 0:22:46 | 0:22:48 | |
So, Janet, did you compete here? | 0:22:48 | 0:22:51 | |
I have done competitions at a low level here as a child, yes. | 0:22:51 | 0:22:55 | |
Anton, she could've been dancing against... | 0:22:55 | 0:22:58 | |
She could've been the winner of the first time... | 0:22:58 | 0:23:01 | |
It definitely wasn't me, so it could've been you. | 0:23:01 | 0:23:03 | |
-I don't think it was me. -We're about the same age, aren't we? | 0:23:03 | 0:23:06 | |
-Yeah. -29. -Yeah. Of course. | 0:23:06 | 0:23:08 | |
Could we have the music, please? Thank you. | 0:23:08 | 0:23:10 | |
GENTLE JAZZ PLAYS | 0:23:10 | 0:23:13 | |
Oh! Now, you can come as close as you want. | 0:23:13 | 0:23:15 | |
Now, then, we'll have a moment together. That's lovely. | 0:23:15 | 0:23:17 | |
Oh, Len, you're getting all, sort of, intimate there, I can see. | 0:23:17 | 0:23:21 | |
We are. | 0:23:21 | 0:23:22 | |
Oh, Janet, you're a natural. | 0:23:22 | 0:23:24 | |
My word! What are you doing in October, November? | 0:23:34 | 0:23:38 | |
Could you get yourself famous, by any chance? | 0:23:38 | 0:23:40 | |
Little hesitation. Whoa! Round we go. | 0:23:40 | 0:23:42 | |
How about that? Oh, look at us go. | 0:23:48 | 0:23:50 | |
And I think a little spin under the arm. | 0:23:50 | 0:23:53 | |
And thank you very much. | 0:23:55 | 0:23:57 | |
Under she goes, and I thank you. | 0:23:57 | 0:24:00 | |
-Well done. -Beautiful! | 0:24:00 | 0:24:02 | |
-What a natural. -Eh? | 0:24:02 | 0:24:03 | |
What score are you going to give me? | 0:24:05 | 0:24:07 | |
-I think you need... -A ten. | 0:24:07 | 0:24:09 | |
..a ten. | 0:24:09 | 0:24:10 | |
-What, a ten for Len? -A ten for Len! | 0:24:10 | 0:24:13 | |
Oh, yes, thank you! | 0:24:13 | 0:24:16 | |
-Janet. -I can't really go any lower. | 0:24:16 | 0:24:18 | |
Come on, I've never had one. Could you be my first? | 0:24:18 | 0:24:21 | |
-Can't really go any lower, so it'll have to be a ten. -Hey! | 0:24:21 | 0:24:25 | |
No trip away is complete without sampling the local tucker. | 0:24:28 | 0:24:32 | |
Those new tastes and textures | 0:24:32 | 0:24:34 | |
so different to home can transform your palate forever. | 0:24:34 | 0:24:38 | |
And no doubt after putting on a show in 1981, Anton | 0:24:38 | 0:24:42 | |
and his chums would've gone straight down the promenade | 0:24:42 | 0:24:45 | |
to find something good to eat. | 0:24:45 | 0:24:48 | |
What did you think when you came here for the first time, | 0:24:48 | 0:24:50 | |
and the food? | 0:24:50 | 0:24:52 | |
Do you know, it was... It was different. | 0:24:52 | 0:24:55 | |
The thing you must have here... | 0:24:55 | 0:24:57 | |
There's two things you must have staple in your diet. | 0:24:57 | 0:24:59 | |
-One is chips, naturally. -I like a chip. -The other one, gravy. | 0:24:59 | 0:25:02 | |
But I have it with everything. | 0:25:02 | 0:25:04 | |
Ham, egg and chips - gravy. Scampi and chips - gravy. | 0:25:04 | 0:25:07 | |
-Talking of gravy... -Yes. -..there's a cafe here | 0:25:07 | 0:25:11 | |
and we're going to go in, and we'll just see what happens. | 0:25:11 | 0:25:15 | |
What shall we have? | 0:25:15 | 0:25:16 | |
-Guess what? -Gravy? -Gravy! | 0:25:16 | 0:25:19 | |
Come on! | 0:25:19 | 0:25:21 | |
-I think I'll have gravy and chips. -Yeah, why not? | 0:25:21 | 0:25:23 | |
-This is the stuff. -Oh! -Oh-ho-ho! | 0:25:26 | 0:25:29 | |
-Go on, give it a bit of a... -Come on, shall we have a whizz? | 0:25:29 | 0:25:32 | |
-Yeah, now, I think... -Now, you've got to add... | 0:25:32 | 0:25:34 | |
I know, got to add a bit of plain flour. | 0:25:34 | 0:25:36 | |
-Bit of plain flour. -Little bit of thickening. -That's it, yeah. | 0:25:36 | 0:25:39 | |
-Go on, whizz it in. -You were on that Step Up To The Plate. | 0:25:39 | 0:25:42 | |
I tell you, best cookery show they've ever made! | 0:25:42 | 0:25:44 | |
You should know all about this. | 0:25:44 | 0:25:47 | |
That's not bad. A little pinch of the gravy salt. | 0:25:47 | 0:25:50 | |
It looks like it's been around a while, doesn't it? | 0:25:50 | 0:25:52 | |
Well, it probably has, it's from '81! | 0:25:52 | 0:25:55 | |
You need gravy thick. You can't have runny gravy, otherwise, it's a jus. | 0:25:55 | 0:26:00 | |
-To be honest with you... -We don't have jus in Blackpool. | 0:26:00 | 0:26:03 | |
-No, of course not. -No! | 0:26:03 | 0:26:04 | |
Let's get the expert over. Come and have a look. Are you Mark? | 0:26:04 | 0:26:08 | |
-No, I'm Len. -Len? -You're Len?! -Oh-ho-ho, Len! | 0:26:08 | 0:26:12 | |
-Have a look, Len. What do you reckon? -What do you reckon, Len? | 0:26:12 | 0:26:14 | |
-Definitely needs a bit more thickening. -Thickening up? -Yeah. | 0:26:14 | 0:26:17 | |
-Bit more Homepride? -Yeah, plenty of that. | 0:26:17 | 0:26:19 | |
-That's it. -Plenty of that. Whack it in. -Yeah, whack it in. | 0:26:19 | 0:26:22 | |
Oh, now, now you're getting thick! | 0:26:22 | 0:26:24 | |
-Look at me, I'm like a chef. -I wouldn't go that far. | 0:26:24 | 0:26:26 | |
I wouldn't charge anyone for it, I've got to be honest with you. | 0:26:26 | 0:26:29 | |
-I'll give it one more... Just a bit. -Just a... | 0:26:29 | 0:26:33 | |
-That's... Right, OK. -Now... | 0:26:33 | 0:26:36 | |
-That's good, innit? -Yeah. | 0:26:36 | 0:26:38 | |
-Look at that, Len, I've got a lovely wrist action. -He has, yeah. | 0:26:38 | 0:26:42 | |
-Are we going to pour it into the bowl? -Go on. -There you are, you see. | 0:26:42 | 0:26:46 | |
-Look at that, eh? -Oh, look at that! | 0:26:46 | 0:26:48 | |
-It looks like a volcanic eruption in a lava flow. -Isn't that a beauty? | 0:26:48 | 0:26:53 | |
Now, that... | 0:26:53 | 0:26:55 | |
-..is gravy. -That's beautiful. | 0:26:56 | 0:26:58 | |
I wouldn't say it's three Michelin stars, | 0:26:58 | 0:27:00 | |
but it could be three Michelin tyres. | 0:27:00 | 0:27:03 | |
LAUGHTER | 0:27:03 | 0:27:05 | |
You know, what I loved was your action, your movement. | 0:27:06 | 0:27:10 | |
You know, it had a rhythm, like a samba. | 0:27:10 | 0:27:12 | |
# Doo-bah-bah Da-da, ba-da | 0:27:12 | 0:27:14 | |
-# Here we go... # -Get the shoulders going... | 0:27:14 | 0:27:16 | |
A little bit of... | 0:27:16 | 0:27:18 | |
-A bit of shoulder, just to go for extras. -Yeah, yeah! | 0:27:18 | 0:27:20 | |
Nice. Beautiful. | 0:27:20 | 0:27:22 | |
'Of course, it's not proper '80s Anton tucker | 0:27:22 | 0:27:25 | |
'until it's served with chips... and lasagne. | 0:27:25 | 0:27:28 | |
'I hope he likes it!' | 0:27:28 | 0:27:29 | |
-Dip away and let's have a look. -Are you going to have a go? | 0:27:29 | 0:27:32 | |
Really? | 0:27:36 | 0:27:37 | |
-I've not seen you pull that face since... -I had to lift... | 0:27:37 | 0:27:41 | |
..since you had to lift up Ann Widdecombe! | 0:27:41 | 0:27:43 | |
That's joyous. | 0:27:46 | 0:27:47 | |
And while we let that digest, here's the next instalment | 0:27:52 | 0:27:55 | |
of my seven top tips | 0:27:55 | 0:27:57 | |
that are guaranteed to light up any trip to Blackpool. | 0:27:57 | 0:28:00 | |
Lytham Windmill was built in 1805. | 0:28:02 | 0:28:05 | |
Farmers from far and wide trundled their pony and carts | 0:28:05 | 0:28:09 | |
of wheat and oats here for generations. | 0:28:09 | 0:28:12 | |
The building is Grade II listed and is now a museum, where you can | 0:28:12 | 0:28:15 | |
find out all about the history of mills and milling in the area. | 0:28:15 | 0:28:20 | |
If you see any exotic birds in the sky, | 0:28:20 | 0:28:23 | |
they're probably on their way to the Ribble Discovery Centre. | 0:28:23 | 0:28:27 | |
It's the gateway to the north side of the Ribble Estuary. | 0:28:27 | 0:28:30 | |
Keeping her eye on the sky is RSPB bird-watcher Julie Vale. | 0:28:30 | 0:28:35 | |
It's an amazing habitat, and an amazing home for nature | 0:28:35 | 0:28:39 | |
in that we are one of the top estuaries in the UK | 0:28:39 | 0:28:42 | |
for wintering birds. | 0:28:42 | 0:28:43 | |
We attract over a quarter of a million every year that come to us. | 0:28:43 | 0:28:47 | |
Most of them like to come in the winter rather than the summer, | 0:28:47 | 0:28:51 | |
so they're our opposite tourists. | 0:28:51 | 0:28:53 | |
And they come because we have really rich mud that is absolutely | 0:28:53 | 0:28:57 | |
full to the brim of food for them. | 0:28:57 | 0:29:00 | |
All aboard for the next leg of our journey. | 0:29:05 | 0:29:08 | |
I'm rekindling Anton's memories of when he first came to Blackpool in 1981. | 0:29:08 | 0:29:13 | |
But there was one thing he completely missed back then. | 0:29:13 | 0:29:17 | |
Now, I couldn't believe it, that you said you had never seen a tram | 0:29:17 | 0:29:22 | |
-and never been on a tram. -Never seen a tram, never been on a tram. | 0:29:22 | 0:29:25 | |
I couldn't believe... | 0:29:25 | 0:29:27 | |
All the years when I came up here, with the tracks here, | 0:29:27 | 0:29:30 | |
I've never seen one go by. I thought they were sort of extinct! | 0:29:30 | 0:29:32 | |
Well, I've got a special treat. | 0:29:32 | 0:29:34 | |
-Look at this beauty! -Beauty! | 0:29:34 | 0:29:36 | |
-81 years old... -Really? -Yes. | 0:29:36 | 0:29:40 | |
My next partner for Strictly Come Dancing! | 0:29:40 | 0:29:42 | |
And we're going to join it and have a little trip along the promenade. | 0:29:42 | 0:29:47 | |
-Oh, Len, you spoil me. -I know. | 0:29:47 | 0:29:49 | |
-Captain. -Thank you. | 0:29:50 | 0:29:52 | |
In 1885, Blackpool unveiled the first electric trams | 0:29:54 | 0:29:57 | |
in Great Britain, and when other parts of the country | 0:29:57 | 0:30:00 | |
were abandoning their trams, Blackpool was buying more. | 0:30:00 | 0:30:04 | |
And I'm glad they did. This is one of the original iconic trams. | 0:30:04 | 0:30:09 | |
And while we take in the glorious scenery, | 0:30:11 | 0:30:13 | |
I'm going to get Anton to dish the dirt on his Strictly partners. | 0:30:13 | 0:30:18 | |
Bye! Cheerio, fans! | 0:30:19 | 0:30:22 | |
-Look at this. -Eh? What do you reckon? | 0:30:22 | 0:30:24 | |
-I've never seen it looking so lovely. -It's gorgeous! | 0:30:24 | 0:30:26 | |
-There's a sign there somewhere. -Yeah. | 0:30:26 | 0:30:28 | |
Listen, I know what you're going to... | 0:30:28 | 0:30:30 | |
You're going to try and skirt round this a little bit. | 0:30:30 | 0:30:32 | |
You've been on every series of Strictly. | 0:30:32 | 0:30:35 | |
You've had 12 different partners. | 0:30:35 | 0:30:38 | |
Was there any one of them that you would say, "Well, you know what? | 0:30:38 | 0:30:41 | |
"Bit more coaching, a bit longer, she could become a bit of a dancer"? | 0:30:41 | 0:30:46 | |
Well, do you know, | 0:30:46 | 0:30:48 | |
it's always been the thing about Strictly Come Dancing. | 0:30:48 | 0:30:50 | |
It's never the fact that they can or can't dance, it's always the time. | 0:30:50 | 0:30:54 | |
-Yeah. -I think they could all have done with a bit more time. | 0:30:54 | 0:30:56 | |
Maybe, I don't know, four or five years. | 0:30:56 | 0:30:59 | |
And I think they'd have been all right. I think they'd be quite good. | 0:30:59 | 0:31:02 | |
But I've had a great time with all of them, really. | 0:31:02 | 0:31:05 | |
I mean, take, for example, Judy, from the last series. | 0:31:05 | 0:31:07 | |
The wonderful thing about her was her personality. | 0:31:07 | 0:31:09 | |
She came out of herself and we got to see her in a new light. | 0:31:09 | 0:31:13 | |
-Ann Widdecombe was a classic example. -Yes! | 0:31:13 | 0:31:15 | |
Ann just wanted to perform. She was hilarious. | 0:31:15 | 0:31:18 | |
-She wanted to go out and be crowd-pleasing. -And she was. | 0:31:18 | 0:31:21 | |
And she was. She pleased me no end. | 0:31:21 | 0:31:22 | |
But you eventually, after a few series, | 0:31:22 | 0:31:27 | |
got to know the technique - | 0:31:27 | 0:31:29 | |
get 'em up in the air! | 0:31:29 | 0:31:31 | |
-LAUGHING: -Get 'em up early! | 0:31:31 | 0:31:33 | |
Get 'em up, either spin them on the floor or lift them up! | 0:31:33 | 0:31:36 | |
-The chuck and slide. -Chuck and... -Grab 'em, slide 'em. | 0:31:36 | 0:31:39 | |
When you're a celebrity on Strictly, you're not thinking about the step | 0:31:40 | 0:31:44 | |
you're doing now, you're thinking, "What's coming next?" | 0:31:44 | 0:31:47 | |
"What's coming next?" | 0:31:47 | 0:31:49 | |
For everybody on the show, certainly everyone I've danced with, | 0:31:49 | 0:31:52 | |
the biggest anxiety about the whole process is trying not to forget the routine. | 0:31:52 | 0:31:58 | |
-Of course! -That's the thing that kills them every time. | 0:31:58 | 0:32:00 | |
"I'm going to forget the routine." | 0:32:00 | 0:32:02 | |
-Just to change the subject... -Go on. -Isn't this lovely? -Beautiful. | 0:32:02 | 0:32:06 | |
Sitting on the top deck of a tram | 0:32:08 | 0:32:10 | |
really is the nicest way to see Blackpool. | 0:32:10 | 0:32:13 | |
4 million people climb aboard the trams each year these days, | 0:32:20 | 0:32:24 | |
but what I want to know is why did Blackpool become so attached | 0:32:24 | 0:32:28 | |
to its trams when other towns and cities were ripping theirs out? | 0:32:28 | 0:32:32 | |
Tram man Bryan has the inside track. | 0:32:32 | 0:32:35 | |
I think from day one, | 0:32:36 | 0:32:38 | |
Blackpool developed a love affair with its tramway. | 0:32:38 | 0:32:40 | |
There was something quite special and magic about them. | 0:32:40 | 0:32:43 | |
Because we were one of the very first in the country to actually use | 0:32:43 | 0:32:46 | |
electric traction, I think people particularly valued | 0:32:46 | 0:32:49 | |
the importance of that historical link. | 0:32:49 | 0:32:51 | |
But not only that, the tramway actually helped the town to | 0:32:51 | 0:32:54 | |
develop and grow, so from the very earliest days, they started to | 0:32:54 | 0:32:57 | |
put inland routes in all over the place, in areas that hadn't at that time been developed, | 0:32:57 | 0:33:01 | |
and the town basically grew up around the tramway. | 0:33:01 | 0:33:04 | |
Tramways around the country gradually closed down in favour of motor buses. | 0:33:04 | 0:33:08 | |
Blackpool's love affair with the tramway continued, | 0:33:08 | 0:33:11 | |
because we had this wonderful seafront tramway which still | 0:33:11 | 0:33:14 | |
carried thousands of passengers across the coast, | 0:33:14 | 0:33:17 | |
particularly during the Illuminations period. | 0:33:17 | 0:33:20 | |
So when the traffic was stationary on the promenade, the best way | 0:33:20 | 0:33:23 | |
to see the Illuminations and enjoy the seafront was actually by tram. | 0:33:23 | 0:33:26 | |
So it became an attraction in its own right. | 0:33:26 | 0:33:29 | |
In order to meet rail vehicle accessibility regulations, | 0:33:29 | 0:33:32 | |
so that tram cars have to be accessible for everyone, | 0:33:32 | 0:33:35 | |
then we had to completely renew our entire infrastructure | 0:33:35 | 0:33:39 | |
and replace our ageing fleet of vintage tram cars with new, | 0:33:39 | 0:33:42 | |
all-singing, all-dancing vehicles that can do everything. | 0:33:42 | 0:33:46 | |
Now, obviously, the history of the town and the tramway is | 0:33:46 | 0:33:50 | |
extremely important to Blackpool as an attraction in its own right, | 0:33:50 | 0:33:54 | |
and so we have our own Act of Parliament which enables us | 0:33:54 | 0:33:57 | |
to continue to operate the historic vehicles intertwined amongst | 0:33:57 | 0:34:00 | |
the brand-new ones. | 0:34:00 | 0:34:02 | |
I've got a special treat lined up for Anton at our final location, | 0:34:09 | 0:34:14 | |
and he certainly won't forget it. | 0:34:14 | 0:34:16 | |
While we head here, | 0:34:16 | 0:34:18 | |
there's just time for the final instalment of my SEVEN! | 0:34:18 | 0:34:21 | |
We tee off with the 18-hole Stanley Park Golf Course. | 0:34:23 | 0:34:27 | |
It was designed by Alister MacKenzie, famed for creating | 0:34:27 | 0:34:31 | |
the Augusta National, home of the Masters tournament. | 0:34:31 | 0:34:35 | |
Adrenaline junkies will love the Blackpool Wake Park, | 0:34:35 | 0:34:39 | |
which boasts an obstacle course that would test the best of wakeboarders. | 0:34:39 | 0:34:45 | |
Try kayaking, paddle boarding | 0:34:45 | 0:34:47 | |
or an open swim in the ten-acre lake created from a natural spring. | 0:34:47 | 0:34:51 | |
Wahey-hey-hey-hey! | 0:34:51 | 0:34:54 | |
A regular on the touring circuit, | 0:34:54 | 0:34:56 | |
Blackpool's Grand Theatre has played host to a galaxy of stars, | 0:34:56 | 0:35:01 | |
from Shakespearean actors like Donald Wolfit to modern comics | 0:35:01 | 0:35:05 | |
like Michael McIntyre. | 0:35:05 | 0:35:07 | |
Theatre buff Linda Tolson has the lowdown. | 0:35:07 | 0:35:10 | |
The theatre was built in 1894 | 0:35:10 | 0:35:13 | |
by the very prolific Victorian architect Frank Matcham. | 0:35:13 | 0:35:18 | |
And, for a long, long time, | 0:35:18 | 0:35:20 | |
it became known as Matcham's Masterpiece. | 0:35:20 | 0:35:24 | |
Frank Matcham, of course, was the man who designed 150 theatres in his lifetime. | 0:35:24 | 0:35:29 | |
The London Palladium is one of his, | 0:35:29 | 0:35:31 | |
the Coliseum is one of his, | 0:35:31 | 0:35:33 | |
but I have to say that very few of those theatres remain. | 0:35:33 | 0:35:36 | |
In the 1970s, it was close to demolition, | 0:35:36 | 0:35:39 | |
until local residents clubbed together | 0:35:39 | 0:35:42 | |
and formed a trust to save it. | 0:35:42 | 0:35:44 | |
The Grand is a great survivor. | 0:35:45 | 0:35:48 | |
A beautiful Victorian theatre at the heart of iconic Blackpool. | 0:35:48 | 0:35:54 | |
No trip to Blackpool would be complete without visiting | 0:36:00 | 0:36:04 | |
the world-famous tower. | 0:36:04 | 0:36:06 | |
It was opened in 1894, was inspired by the Eiffel Tower | 0:36:06 | 0:36:11 | |
and offers breathtaking views of the Irish Sea and all of Blackpool. | 0:36:11 | 0:36:15 | |
'I'm taking Anton on a trip 380 feet into the sky, | 0:36:15 | 0:36:19 | |
'through a unique view of the town. | 0:36:19 | 0:36:21 | |
'It's not for the faint-hearted. Hey-hey, oh, no!' | 0:36:21 | 0:36:25 | |
Hold my hand. ANTON GIGGLES | 0:36:26 | 0:36:28 | |
-Have a look at that. -Oh, no, don't! | 0:36:28 | 0:36:30 | |
THEY LAUGH | 0:36:30 | 0:36:32 | |
-Shut up! -Ho-ho-ho! | 0:36:32 | 0:36:33 | |
Oh, my God! | 0:36:33 | 0:36:35 | |
Ain't it a beauty? Look at that! | 0:36:35 | 0:36:37 | |
This glass skywalk is just five centimetres thick | 0:36:39 | 0:36:43 | |
and can apparently hold the weight of two elephants. | 0:36:43 | 0:36:46 | |
And hopefully two dancers! | 0:36:46 | 0:36:47 | |
Tap dance, Len? | 0:36:47 | 0:36:49 | |
No, I can't. It hurts me corns! | 0:36:49 | 0:36:52 | |
The sea is beautiful. | 0:36:52 | 0:36:54 | |
Public access to the very top is restricted, | 0:36:56 | 0:36:59 | |
'but I've managed to pull a few strings to get Anton up there.' | 0:36:59 | 0:37:03 | |
Three flights of stairs, | 0:37:03 | 0:37:06 | |
15 on each flight, 45 stairs up... | 0:37:06 | 0:37:10 | |
-To the top. -..to the very top. | 0:37:10 | 0:37:13 | |
-I've never been to the top. -We're doing it now. | 0:37:13 | 0:37:16 | |
Would you like me to lead on, or would you like to...? | 0:37:17 | 0:37:20 | |
No, I'll let you lead. You've always been my leader, Len. | 0:37:20 | 0:37:23 | |
I know that. Come on. | 0:37:23 | 0:37:25 | |
We're about to get an open-air view of Blackpool few get to enjoy. | 0:37:26 | 0:37:32 | |
-Ooh! -Anton, you still there? | 0:37:32 | 0:37:34 | |
We should've roped ourselves together. | 0:37:34 | 0:37:36 | |
ANTON LAUGHS Honestly, this is... | 0:37:36 | 0:37:38 | |
'Ere, there's no bloomin' safety nets and... | 0:37:38 | 0:37:41 | |
Ooh, Mummy! | 0:37:41 | 0:37:43 | |
-One more? -No. | 0:37:43 | 0:37:45 | |
I'm not going up that as well, thank you! This'll do me. | 0:37:45 | 0:37:48 | |
Look what we've got this side - the Winter Gardens. | 0:37:48 | 0:37:52 | |
-Look at that, the perfect turn. The Winter Gardens. -Yeah, there we are. | 0:37:52 | 0:37:56 | |
I do love that place, you know. It is... | 0:37:56 | 0:37:58 | |
HE SIGHS | 0:37:58 | 0:38:00 | |
It just makes me sort of have a big sigh and think... Yeah. | 0:38:00 | 0:38:05 | |
You go through those doors, | 0:38:05 | 0:38:07 | |
then through those double doors at the top of the stairs and you... | 0:38:07 | 0:38:10 | |
you are, literally, walking through to another world. | 0:38:10 | 0:38:14 | |
It is another world. | 0:38:14 | 0:38:15 | |
-And it is... -Yes. -And it's quite a world. -Yeah. | 0:38:15 | 0:38:19 | |
-There will come a time... -Yes. | 0:38:19 | 0:38:22 | |
..when, you know, you won't be able to perform to the level that you | 0:38:22 | 0:38:26 | |
-would wish to. -Really? -I promise you, that will happen. | 0:38:26 | 0:38:30 | |
-Now, you've got 30 years to go, if you like... -Thank you. | 0:38:30 | 0:38:33 | |
..but that's going to happen. | 0:38:33 | 0:38:35 | |
Now, where would you like your career to go? | 0:38:35 | 0:38:39 | |
From dancing, performing, | 0:38:39 | 0:38:41 | |
would you prefer to go into more presenting shows? | 0:38:41 | 0:38:45 | |
Would you like to be one of the... take over from me as a judge? | 0:38:45 | 0:38:50 | |
Presenting is a form of performing, as you know. | 0:38:50 | 0:38:54 | |
-So, I really enjoy that enormously. -Yeah. | 0:38:54 | 0:38:57 | |
I know it's a bit old-school, it's a bit like Brucie, really. | 0:38:57 | 0:38:59 | |
That's the sort of thing I really love. | 0:38:59 | 0:39:01 | |
That old feel of variety and stuff. I love that. | 0:39:01 | 0:39:05 | |
You're a product of your life, really. | 0:39:05 | 0:39:08 | |
And, you know, coming here in 1981 and subsequently, | 0:39:08 | 0:39:13 | |
-did that help to shape who you've become? -Oh, completely and utterly. | 0:39:13 | 0:39:18 | |
It's given me everything in life... | 0:39:18 | 0:39:21 | |
that's carried me forward, really. | 0:39:21 | 0:39:23 | |
Through direction and, as I said before, role models | 0:39:23 | 0:39:30 | |
and a commitment to something | 0:39:30 | 0:39:33 | |
and a determination to try and succeed in whatever I'm doing, | 0:39:33 | 0:39:37 | |
and those things are invaluable in life. | 0:39:37 | 0:39:39 | |
-And to be able to accept disappointment. -Yeah. | 0:39:39 | 0:39:42 | |
-Because you know what it's like as a dancer, you lose more often than you win. -Course you do. | 0:39:42 | 0:39:46 | |
So...and how to deal with that and how to move forward from it. | 0:39:46 | 0:39:49 | |
So, really, it's been the biggest life lesson ever and it's sort of shaped me as a person, really. | 0:39:49 | 0:39:55 | |
Yeah, yeah. | 0:39:55 | 0:39:56 | |
If there came a time, for whatever reason, you weren't | 0:39:56 | 0:39:59 | |
part of Strictly, I don't think Strictly would be the same. | 0:39:59 | 0:40:02 | |
-Aww! -I really don't, because what I love with you, | 0:40:02 | 0:40:05 | |
you have a naturalness about you. | 0:40:05 | 0:40:07 | |
You know? And that's wonderful. | 0:40:07 | 0:40:09 | |
My favourite thing still is dancing with somebody you don't | 0:40:09 | 0:40:12 | |
normally dance with or you haven't danced with before, | 0:40:12 | 0:40:14 | |
and the music goes on and you dance together, perfectly. | 0:40:14 | 0:40:17 | |
-Yeah. -In perfect harmony. -Yeah. | 0:40:17 | 0:40:19 | |
-That's still my favourite thing. -Great. | 0:40:19 | 0:40:22 | |
You know, you probably told me this years ago. | 0:40:22 | 0:40:24 | |
If you're having a nice time, then your audience is having a nice time. | 0:40:24 | 0:40:27 | |
That's right. | 0:40:27 | 0:40:29 | |
I don't care who the celebrity is, | 0:40:29 | 0:40:31 | |
I look forward to seeing you dance the most. | 0:40:31 | 0:40:34 | |
And that's all I can tell you. And you're great. I mean it. | 0:40:34 | 0:40:37 | |
-Lenny... -Great. -..you're my hero. | 0:40:37 | 0:40:40 | |
'It's been wonderful to spend the day with Anton | 0:40:42 | 0:40:45 | |
'and learn more about how his early love for dance at a young age | 0:40:45 | 0:40:49 | |
'allowed him to compete at the highest level here in Blackpool. | 0:40:49 | 0:40:53 | |
'We've tripped the light fantastic...' | 0:40:53 | 0:40:57 | |
Under she goes, and I thank you. | 0:40:57 | 0:40:59 | |
'..relived some fast-paced excitement...' | 0:40:59 | 0:41:02 | |
-191mph... -Oh, it's like the M6 on a Friday night. | 0:41:02 | 0:41:06 | |
'..and taken a tram trip down memory lane.' | 0:41:06 | 0:41:09 | |
-Isn't this lovely? -Beautiful. | 0:41:09 | 0:41:12 | |
Let me tell you, I've known you, I don't know, | 0:41:16 | 0:41:20 | |
-since probably you were 14, you know? -Yeah. | 0:41:20 | 0:41:23 | |
I've judged you in competition, and right back then when you did those, | 0:41:23 | 0:41:26 | |
you know, pre-champ and that, at the Rivoli, | 0:41:26 | 0:41:29 | |
I knew you were destined to be a terrific dancer. | 0:41:29 | 0:41:32 | |
And so you proved! | 0:41:32 | 0:41:34 | |
So, I've got this little scrapbook - Holiday Of My Lifetime. | 0:41:34 | 0:41:38 | |
Little photographs and things of your day with me. | 0:41:38 | 0:41:41 | |
For Anton, a scrapbook of memories of our time in sunny Blackpool | 0:41:43 | 0:41:47 | |
that will help him remember our seaside adventure. | 0:41:47 | 0:41:50 | |
But, knowing how much of a gaming fan he is, | 0:41:50 | 0:41:53 | |
I have one final surprise for him. | 0:41:53 | 0:41:56 | |
It's a digital tennis game, | 0:41:56 | 0:41:58 | |
which Anton would only have dreamed of back in 1981. | 0:41:58 | 0:42:03 | |
No TV set needed. | 0:42:03 | 0:42:05 | |
It's yours to play with. | 0:42:05 | 0:42:08 | |
-In those moments of... -That is...just...wonderful. | 0:42:09 | 0:42:13 | |
Look at that! | 0:42:13 | 0:42:15 | |
This is possibly... | 0:42:15 | 0:42:18 | |
the most bestest day of my whole life. | 0:42:18 | 0:42:24 | |
-It's actually better than the original 1981. -Really? | 0:42:24 | 0:42:28 | |
This is like 1981 all over again. Only better! | 0:42:28 | 0:42:32 | |
Just put that... I'm just going to put it down. | 0:42:32 | 0:42:35 | |
And I think we should finish in the traditional way of... | 0:42:35 | 0:42:40 | |
BOTH: Keep dancing! | 0:42:40 | 0:42:43 | |
-Am I the girl in this again? -You are the girl. -Thanks(!) | 0:42:43 | 0:42:46 | |
So, it's goodbye from Blackpool. | 0:42:48 | 0:42:50 | |
It was here Anton found his sparkle and began his journey | 0:42:50 | 0:42:54 | |
from a young amateur dancer to one of the nation's favourite all-round entertainers. | 0:42:54 | 0:43:00 |