Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Childhood holidays! We all love them, don't we? | 0:00:02 | 0:00:04 | |
Fun in the sun, sandcastles, swimming in the sea. | 0:00:04 | 0:00:07 | |
Can't beat them. | 0:00:07 | 0:00:08 | |
'So, in this series, I'm going to be reliving | 0:00:09 | 0:00:12 | |
'those wonderful times with some much-loved famous faces.' | 0:00:12 | 0:00:16 | |
Everyone a winner! Come on! | 0:00:16 | 0:00:19 | |
Hook a duck! | 0:00:19 | 0:00:20 | |
And some of the most surprising guests | 0:00:20 | 0:00:22 | |
have the most fascinating holidays. | 0:00:22 | 0:00:25 | |
THEY LAUGH | 0:00:25 | 0:00:27 | |
Hey! | 0:00:27 | 0:00:28 | |
It's a tug-of-war! | 0:00:28 | 0:00:29 | |
Wahey! | 0:00:29 | 0:00:30 | |
LEN LAUGHS | 0:00:30 | 0:00:32 | |
'We'll relive the fun...' | 0:00:32 | 0:00:33 | |
HORN BLARES | 0:00:33 | 0:00:34 | |
Oh, no, no! '..the games...' | 0:00:34 | 0:00:36 | |
Ah! | 0:00:36 | 0:00:38 | |
'..and the food of years gone by...' | 0:00:38 | 0:00:41 | |
That is a little taste of childhood right there. | 0:00:41 | 0:00:43 | |
'..to find out how those holidays around the UK | 0:00:43 | 0:00:46 | |
'helped shape the people we know so well today.' | 0:00:46 | 0:00:50 | |
I'm giving you a standing ovation. | 0:00:51 | 0:00:53 | |
'So, buckle up for Holiday Of My Lifetime.' | 0:00:53 | 0:00:56 | |
Can you come on all my holidays? | 0:00:56 | 0:00:58 | |
Hey, here we go! | 0:01:04 | 0:01:05 | |
I'm off to meet a lady who's brought all kinds of drama | 0:01:05 | 0:01:09 | |
into our living rooms. | 0:01:09 | 0:01:11 | |
She was born in Harrow on the Hill in north-west London in 1942. | 0:01:11 | 0:01:17 | |
Oh, look at that face! | 0:01:17 | 0:01:20 | |
She started her working life as a drama teacher | 0:01:20 | 0:01:23 | |
before getting the call of the stage. | 0:01:23 | 0:01:25 | |
And in the '80s she was gracing our screens on Emmerdale Farm | 0:01:27 | 0:01:32 | |
and Minder. | 0:01:32 | 0:01:34 | |
And it was in the '80s she took on her most famous role - | 0:01:34 | 0:01:38 | |
a Butcher. | 0:01:38 | 0:01:39 | |
Oh, I do love a bit of unsmoked back. | 0:01:39 | 0:01:41 | |
For 26 years, we followed the tears | 0:01:42 | 0:01:45 | |
and the laughter that she brought to a certain square | 0:01:45 | 0:01:49 | |
in east London. | 0:01:49 | 0:01:51 | |
There was marriages, murders | 0:01:51 | 0:01:54 | |
and how can we forget those earrings? | 0:01:54 | 0:01:57 | |
You must have got it by now. | 0:01:57 | 0:01:59 | |
Of course you have! | 0:01:59 | 0:02:00 | |
It's the one and only Pam St Clement! | 0:02:00 | 0:02:03 | |
Oh, ho, ho! | 0:02:03 | 0:02:05 | |
So, I'm on my way to pick her up in this vintage Morris, | 0:02:05 | 0:02:08 | |
almost the same as the one she would have been in all those years ago. | 0:02:08 | 0:02:13 | |
Pamela! Hoo, hoo, hoo! | 0:02:13 | 0:02:15 | |
Lenny Boy's on his way! | 0:02:15 | 0:02:16 | |
Pam St Clement was born in 1942 to Irene-Ann and Reginald Clement, | 0:02:18 | 0:02:24 | |
but sadly her mum passed away while she was still a very young girl. | 0:02:24 | 0:02:28 | |
Her screen acting career began with a minor role in the TV drama | 0:02:28 | 0:02:33 | |
Onedin Line. | 0:02:33 | 0:02:34 | |
But her first big break came when she was cast in prison drama | 0:02:34 | 0:02:39 | |
Within These Walls. | 0:02:39 | 0:02:40 | |
She then appeared in Play For Today | 0:02:40 | 0:02:43 | |
as a nude model! | 0:02:43 | 0:02:44 | |
Oh, naughty! | 0:02:44 | 0:02:46 | |
But it was when she joined EastEnders in 1986 | 0:02:46 | 0:02:50 | |
that she became a true household name | 0:02:50 | 0:02:53 | |
as the tough-talking troublemaker Pat. | 0:02:53 | 0:02:55 | |
Her on-screen marriage to wheeler-dealer Frank Butcher | 0:02:55 | 0:02:58 | |
made them one of the most iconic soap couples of all time. | 0:02:58 | 0:03:03 | |
Over the years, her character has survived a heart attack, | 0:03:03 | 0:03:06 | |
faced time in prison and become the landlady of The Queen Vic. | 0:03:06 | 0:03:10 | |
In 2012, she left the square for the last time | 0:03:10 | 0:03:13 | |
'and after all that drama, I'm not surprised! | 0:03:13 | 0:03:16 | |
'Our Pam definitely deserves a break,' | 0:03:16 | 0:03:19 | |
'so I'm taking her back to a special holiday of her lifetime' | 0:03:19 | 0:03:22 | |
HORN TOOTS '..in a very special car.' | 0:03:22 | 0:03:25 | |
Pam! | 0:03:28 | 0:03:29 | |
THEY LAUGH | 0:03:29 | 0:03:31 | |
Oh, my favourite hoofer! | 0:03:31 | 0:03:33 | |
-How lovely to meet you. -Oh, it's lovely to see you. | 0:03:33 | 0:03:37 | |
Hello, my dear. | 0:03:37 | 0:03:38 | |
Oh! | 0:03:38 | 0:03:39 | |
Where have you been? Did you do a dance on the way? | 0:03:39 | 0:03:41 | |
Well, it's just... You know, it's not the fastest of vehicles. | 0:03:41 | 0:03:44 | |
-No, this is very true. -So, do you recognise the car? | 0:03:44 | 0:03:47 | |
-Absolutely, yep. -Yep. | 0:03:47 | 0:03:49 | |
-That's the one. -That's the one, eh? | 0:03:49 | 0:03:50 | |
-Mm-hm. -Morris Eight. | 0:03:50 | 0:03:52 | |
-Beauty. -Lovely, isn't it? | 0:03:52 | 0:03:53 | |
Where we off to? | 0:03:53 | 0:03:54 | |
We're off to the beautiful moors. | 0:03:56 | 0:03:58 | |
-Dartmoor? -Dartmoor! | 0:03:58 | 0:04:00 | |
-Not the prison though. No, no, no. -No, no, I don't think... | 0:04:00 | 0:04:02 | |
Not today. | 0:04:02 | 0:04:04 | |
And what's the year? | 0:04:04 | 0:04:06 | |
1953. | 0:04:06 | 0:04:07 | |
Queen's coronation. | 0:04:07 | 0:04:09 | |
-Yeah. -Was it the coronation? -Yeah, I remember watching it on the telly. | 0:04:09 | 0:04:12 | |
Course it was, yes, yes. | 0:04:12 | 0:04:14 | |
And I tell you what the number one was. | 0:04:14 | 0:04:16 | |
-Frankie Laine... -Yeah? | 0:04:16 | 0:04:18 | |
..I Believe. | 0:04:18 | 0:04:20 | |
-BOTH: -# I believe for every drop of rain that falls | 0:04:20 | 0:04:25 | |
# A flower grows. # | 0:04:25 | 0:04:27 | |
This is going to be a great holiday! | 0:04:28 | 0:04:31 | |
-Now, let me warn you. -What? | 0:04:31 | 0:04:32 | |
No seatbelts. | 0:04:32 | 0:04:34 | |
-Oh, are we allowed? -Yeah, this vehicle is exempt... -OK. | 0:04:34 | 0:04:37 | |
-..cos it's over, whatever, 70 years old. -Fine, fine. | 0:04:37 | 0:04:40 | |
So, do you trust me? | 0:04:40 | 0:04:42 | |
Oh, implicitly, with my life. | 0:04:42 | 0:04:45 | |
-But will I get into it? -Yes, it's a bit of a struggle, | 0:04:45 | 0:04:48 | |
but we'll get in. | 0:04:48 | 0:04:49 | |
So, here we go! Off we go! | 0:04:49 | 0:04:51 | |
-All right, my dear. -Dartmoor awaits! -Yep! | 0:04:51 | 0:04:53 | |
LEN LAUGHS | 0:04:57 | 0:04:59 | |
Situated in the south-west of England | 0:05:01 | 0:05:03 | |
between Exeter and Plymouth, | 0:05:03 | 0:05:05 | |
Dartmoor National Park is | 0:05:05 | 0:05:07 | |
right at the very heart of Devon. | 0:05:07 | 0:05:09 | |
With 368 square miles of dramatic landscapes | 0:05:09 | 0:05:13 | |
and breathtaking views set against high open moorland, | 0:05:13 | 0:05:17 | |
it's easy to see why 2.4 million visitors flock here each year. | 0:05:17 | 0:05:23 | |
But it's not all moorland, it's also home to around 34,000 people. | 0:05:23 | 0:05:28 | |
'So, join us as we have some farming fun...' | 0:05:28 | 0:05:31 | |
Away! Away, laddie! | 0:05:31 | 0:05:33 | |
PAM GIGGLES | 0:05:33 | 0:05:34 | |
'..dance some fancy moves...' | 0:05:34 | 0:05:37 | |
# She wears red feathers and a hooly-hooly skirt. # | 0:05:37 | 0:05:41 | |
'..and make a lot of noise...' | 0:05:41 | 0:05:43 | |
Three, two, one, fire. | 0:05:43 | 0:05:46 | |
'..all in the wonderful Dartmoor National Park.' | 0:05:46 | 0:05:50 | |
As I always say, before any holiday begins, | 0:05:56 | 0:05:59 | |
you must start with a journey | 0:05:59 | 0:06:01 | |
and for Pam, it was one she'd be taking all on her own. | 0:06:01 | 0:06:06 | |
After losing her mum so soon in life, her dad sent her | 0:06:06 | 0:06:09 | |
to boarding school during termtime | 0:06:09 | 0:06:11 | |
and out to the country during the holidays. | 0:06:11 | 0:06:14 | |
'And for an 11-year-old Pam, this was the holiday that would | 0:06:14 | 0:06:18 | |
'change her life for ever.' | 0:06:18 | 0:06:20 | |
Where were you coming from on your journey? | 0:06:20 | 0:06:23 | |
I was coming from Paddington station... | 0:06:23 | 0:06:27 | |
-Oh, so you came on the train? -Yes, down to Newton Abbott. -Yeah. | 0:06:28 | 0:06:33 | |
It was a point at which my life changed, Len. | 0:06:33 | 0:06:37 | |
It had been... | 0:06:37 | 0:06:39 | |
I had been... | 0:06:39 | 0:06:41 | |
knocked from pillar to post for absolutely years | 0:06:41 | 0:06:46 | |
staying with all sorts of people. | 0:06:46 | 0:06:48 | |
-Oh, really? -Oh, yes. Father married many times. | 0:06:49 | 0:06:52 | |
Wasn't really the sort of man who should have been a parent. | 0:06:53 | 0:06:57 | |
Right. | 0:06:57 | 0:06:59 | |
He couldn't take that sort of responsibility | 0:06:59 | 0:07:02 | |
and, so, I didn't really have any stability at all. | 0:07:02 | 0:07:07 | |
Right, so, you came down on your own? | 0:07:07 | 0:07:09 | |
I came down on my own. I was put onto the train | 0:07:09 | 0:07:12 | |
at Paddington station in the care of the guard in those days! | 0:07:12 | 0:07:16 | |
That's right! SHE LAUGHS | 0:07:16 | 0:07:17 | |
And then you got picked up? | 0:07:17 | 0:07:19 | |
-Then I got picked up. -In a car like this. | 0:07:19 | 0:07:22 | |
-In a car exactly like this. -And who did the picking up? | 0:07:22 | 0:07:25 | |
Oh, it was what I thought was an elderly lady, | 0:07:25 | 0:07:27 | |
-but she wouldn't have been an elderly lady... -Yeah. | 0:07:27 | 0:07:30 | |
-..but to me she was... -Yeah. | 0:07:30 | 0:07:32 | |
..as I'd just gone 11. | 0:07:32 | 0:07:35 | |
And she was one of the women | 0:07:35 | 0:07:39 | |
who eventually became | 0:07:39 | 0:07:41 | |
an adopted aunt. | 0:07:41 | 0:07:43 | |
-Aunt Sylvia. -Oh, how lovely. | 0:07:43 | 0:07:46 | |
Sylvia took Pam to her home - | 0:07:46 | 0:07:48 | |
a place that would live with her for ever. | 0:07:48 | 0:07:51 | |
It was a farm, wasn't it? | 0:07:51 | 0:07:53 | |
A farm, yes. | 0:07:53 | 0:07:54 | |
It was two women - one who ran the farm | 0:07:54 | 0:07:57 | |
and one who ran the household, | 0:07:57 | 0:08:00 | |
-in other words... -Right. -..for PGs, for paying guests. -Yeah. | 0:08:00 | 0:08:04 | |
Of which I was, obviously... Started out as one of them. | 0:08:04 | 0:08:07 | |
So, these two lovely ladies really became | 0:08:07 | 0:08:12 | |
almost like surrogate mothers. | 0:08:12 | 0:08:14 | |
-They were, they were my parents to all intents and purposes. -Yeah. | 0:08:14 | 0:08:17 | |
-And I owe them so much for that... -Yeah. | 0:08:17 | 0:08:20 | |
..because they invested so much affection and trust | 0:08:20 | 0:08:25 | |
-and faith in me as a person. -Yeah. | 0:08:25 | 0:08:27 | |
-This was the first taste I had... -Of a proper family. | 0:08:28 | 0:08:31 | |
-..of anything like a family, yes. -Yeah. | 0:08:31 | 0:08:33 | |
So, eventually, you must have come down here, you know... | 0:08:33 | 0:08:37 | |
-Every holiday. -Yeah. -And then when I wasn't on holiday any more... | 0:08:37 | 0:08:42 | |
-You know, I... -And did you used to...? | 0:08:42 | 0:08:44 | |
Obviously, my lifestyle changed slightly, but I... | 0:08:44 | 0:08:46 | |
-Even as an adult, did you... -Oh, yes. | 0:08:46 | 0:08:48 | |
-..you used to come down as a... -Oh, yes. Yes, yes. | 0:08:48 | 0:08:50 | |
-And escape from... -Because it was home. -Yes. | 0:08:50 | 0:08:52 | |
You know, people who took me into their home as their own... | 0:08:54 | 0:08:59 | |
-I mean, it was just mind-blowing for me. -Yeah. | 0:08:59 | 0:09:02 | |
And so, my holiday became my lifetime. | 0:09:02 | 0:09:06 | |
'It sounds like today will be extra-special for Pam.' | 0:09:07 | 0:09:11 | |
1953 was an eventful year | 0:09:15 | 0:09:18 | |
and there was big news for children across the land. | 0:09:18 | 0:09:21 | |
Kids like the then 11-year-old Pam | 0:09:21 | 0:09:24 | |
rejoiced as Second World War rationing on sweets | 0:09:24 | 0:09:28 | |
finally came to an end. Ho, ho! | 0:09:28 | 0:09:31 | |
Also in that year, I'm sure all those sweet-filled kids | 0:09:31 | 0:09:35 | |
were looking towards the skies | 0:09:35 | 0:09:37 | |
as RAF pilots spotted a white ball-shaped UFO | 0:09:37 | 0:09:41 | |
hovering over Kent. Whoa! | 0:09:41 | 0:09:43 | |
What did it look like and what were your final conclusions? | 0:09:43 | 0:09:46 | |
Well, it actually looked a completely circular | 0:09:46 | 0:09:49 | |
white object, very similar to a ping pong ball. | 0:09:49 | 0:09:52 | |
It was moving, bobbing about, was it? | 0:09:52 | 0:09:54 | |
No, it was absolutely motionless for the first 15 minutes, | 0:09:54 | 0:09:57 | |
but it moved off very, very slowly afterwards. | 0:09:57 | 0:09:59 | |
Left no trail? | 0:09:59 | 0:10:00 | |
No trail. No, no, no trail at all. | 0:10:00 | 0:10:02 | |
That wasn't the only alien invasion that year | 0:10:02 | 0:10:05 | |
as sci-fi drama The Quatermass Experiment | 0:10:05 | 0:10:09 | |
about a manned space flight boarded by extraterrestrials | 0:10:09 | 0:10:13 | |
had us all hiding behind our sofas! | 0:10:13 | 0:10:17 | |
And the world of country music | 0:10:17 | 0:10:19 | |
marked the passing of the legendary Hank Williams | 0:10:19 | 0:10:23 | |
with the posthumous release of his classic hit, | 0:10:23 | 0:10:25 | |
Your Cheatin' Heart. | 0:10:25 | 0:10:27 | |
# The time will come | 0:10:27 | 0:10:29 | |
# When you'll be blue | 0:10:30 | 0:10:34 | |
# Your cheating heart | 0:10:34 | 0:10:38 | |
# Will tell on you. # | 0:10:38 | 0:10:40 | |
'But for Pam, that summer was all about her solo trip to Dartmoor | 0:10:41 | 0:10:46 | |
'and we're about to rekindle those memories as she hasn't been back | 0:10:46 | 0:10:51 | |
'to Southcott Farm in decades. | 0:10:51 | 0:10:54 | |
'But how much has it changed over the years?' | 0:10:54 | 0:10:56 | |
Hey, hey! | 0:10:56 | 0:10:58 | |
Wow. | 0:10:58 | 0:10:59 | |
Wow, wow, wow! | 0:10:59 | 0:11:01 | |
That's it. | 0:11:05 | 0:11:07 | |
-Gosh. -Pam, does this bring back a few memories? -Oh, yes. | 0:11:07 | 0:11:10 | |
-Oh, yes. -Yeah? | 0:11:10 | 0:11:12 | |
-That hasn't changed much. -Really? | 0:11:12 | 0:11:14 | |
Nothing about the yard. Nope, nothing's changed. | 0:11:14 | 0:11:17 | |
It's exactly the same. | 0:11:17 | 0:11:19 | |
So, how long is it since you've been here? | 0:11:19 | 0:11:21 | |
Well, we moved from here | 0:11:21 | 0:11:24 | |
in about '54, | 0:11:24 | 0:11:26 | |
-so I only had a couple of years in this house... -Right. | 0:11:26 | 0:11:29 | |
-..and then we moved to another farm, a larger farm... -Oh, right. | 0:11:29 | 0:11:32 | |
..further towards Widecombe. | 0:11:32 | 0:11:34 | |
But this was the first impression. | 0:11:34 | 0:11:36 | |
Yeah. | 0:11:36 | 0:11:37 | |
Well, shall we have a little look in? | 0:11:37 | 0:11:40 | |
Are we allowed to? | 0:11:40 | 0:11:41 | |
-Don't know. Take my arm. -Go on. You'll protect me, won't you, Len? | 0:11:41 | 0:11:44 | |
We'll make out we're lost. | 0:11:44 | 0:11:46 | |
This is going to take Pam right back to 1953. | 0:11:46 | 0:11:49 | |
Gosh. | 0:11:51 | 0:11:52 | |
Well. | 0:11:53 | 0:11:54 | |
Oh, this is... | 0:11:56 | 0:11:58 | |
-Do you remember this? -I'm remembering this very differently. | 0:11:58 | 0:12:01 | |
-Oh, yeah? -I don't remember these doors off the hall. | 0:12:01 | 0:12:04 | |
Oh, here we are. | 0:12:07 | 0:12:08 | |
-Can you smell burning? -No, no. -Good. | 0:12:09 | 0:12:13 | |
-Look at the old fireplace. -Mmm. | 0:12:13 | 0:12:16 | |
Was the fire like that, Pam? Was that the sort of thing? | 0:12:17 | 0:12:20 | |
No, there wasn't a wood burner. | 0:12:20 | 0:12:22 | |
That was an open fire. | 0:12:22 | 0:12:24 | |
They were big in those days because you used to | 0:12:24 | 0:12:28 | |
not just have the wood there, but you'd have a seat there. | 0:12:28 | 0:12:30 | |
-Yeah. -People would sit round and also you could have | 0:12:30 | 0:12:33 | |
-a hot water facility as well. -Yeah. | 0:12:33 | 0:12:35 | |
Tell me, you know, the two ladies that you... | 0:12:35 | 0:12:38 | |
-Mmm. It was Molly... -Yeah. | 0:12:38 | 0:12:40 | |
-..who I knew as Cortie. -Right. | 0:12:40 | 0:12:42 | |
-And Sylvia who became Aunt Sylvia. -Yeah. | 0:12:42 | 0:12:46 | |
-Sylvia did all the farming. She was a good livestock woman. -Yeah. | 0:12:46 | 0:12:49 | |
And Molly, she did everything inside. | 0:12:49 | 0:12:52 | |
-She looked after all the guests, paying guests... -Yeah. | 0:12:52 | 0:12:55 | |
-..and the house in general. -Right. | 0:12:55 | 0:12:57 | |
-They sound like a really, you know, smashing couple. -Oh, they were. | 0:12:57 | 0:13:00 | |
As we've said, they were like parents. | 0:13:00 | 0:13:03 | |
Do you have any recollections of your mum? | 0:13:03 | 0:13:06 | |
I know she died when you were really young. | 0:13:06 | 0:13:08 | |
Do you have any memories of her, really? | 0:13:08 | 0:13:11 | |
No, no, I don't, Len. I don't. | 0:13:11 | 0:13:13 | |
I had... | 0:13:13 | 0:13:14 | |
a photograph of her | 0:13:14 | 0:13:16 | |
which unfortunately got lost in a flood | 0:13:16 | 0:13:20 | |
and that was the only part of her that I had. | 0:13:20 | 0:13:23 | |
-That was a pity. -Yeah. | 0:13:23 | 0:13:24 | |
-But I could see the similarity though, between us. -Yeah, yeah. | 0:13:24 | 0:13:28 | |
-And she had Irish green eyes and... -Yeah. -..brunette. | 0:13:28 | 0:13:32 | |
-Which I was when I was younger! -Yeah, yeah. | 0:13:32 | 0:13:35 | |
And, yeah, but no memories. Nothing in the heart. | 0:13:35 | 0:13:39 | |
No. | 0:13:39 | 0:13:40 | |
-That's a shame, isn't it? -Yes. | 0:13:40 | 0:13:42 | |
'I want to explore more of Pam's holiday farmhouse | 0:13:42 | 0:13:45 | |
'and find the room she stayed in all those years ago.' | 0:13:45 | 0:13:49 | |
Yeah, come in. | 0:13:49 | 0:13:50 | |
-Oh, well. -This is my wee cubbyhole. | 0:13:52 | 0:13:54 | |
-So, this is where you slept? -Yeah, yeah, | 0:13:54 | 0:13:56 | |
and that window looked out over the meadow and that's where | 0:13:56 | 0:14:01 | |
-I had my first glimpse of the cows the next morning... -Right. | 0:14:01 | 0:14:06 | |
..with the mist rising and their warm breath on the... | 0:14:06 | 0:14:09 | |
-Aww. -Oh, it was absolutely beautiful. -Yeah. | 0:14:09 | 0:14:12 | |
-You can see the cows. -Yes, yes. -Yeah. | 0:14:12 | 0:14:16 | |
There they are, the Red Devons. | 0:14:16 | 0:14:18 | |
-Yeah. -Beautiful Red Devon cows. Hmm. | 0:14:18 | 0:14:20 | |
What have we got over here on this old dresser? | 0:14:20 | 0:14:23 | |
Oh, well of course, | 0:14:23 | 0:14:24 | |
we didn't have electricity. | 0:14:24 | 0:14:26 | |
-Oh, so it was... -Oh, yeah, it was... | 0:14:26 | 0:14:29 | |
-Oh, it was the... -Candle and matches. | 0:14:29 | 0:14:31 | |
-Really? -Didn't even have oil lamps | 0:14:31 | 0:14:33 | |
-at this juncture. -It was a candle? | 0:14:33 | 0:14:34 | |
It was a candle, yeah. | 0:14:34 | 0:14:36 | |
Can you imagine coming up those stairs with a candle? | 0:14:36 | 0:14:39 | |
No! Little girl... | 0:14:39 | 0:14:40 | |
-There. -There we are. | 0:14:45 | 0:14:46 | |
So, we've got a... | 0:14:46 | 0:14:48 | |
Do you know anything? | 0:14:49 | 0:14:51 | |
Yes, that's a Widecombe Fair jug. | 0:14:51 | 0:14:56 | |
-I had no history of the area... -Yeah. -..so I didn't know | 0:14:56 | 0:14:58 | |
-what this jug meant when I... -Yeah. | 0:14:58 | 0:15:00 | |
..saw it sitting on | 0:15:00 | 0:15:01 | |
-my dressing table. -Yeah. | 0:15:01 | 0:15:03 | |
But that's what it is. | 0:15:03 | 0:15:04 | |
HE CHUCKLES | 0:15:06 | 0:15:07 | |
So, what's it like being back in your old bedroom? | 0:15:07 | 0:15:10 | |
-Strange. -Yeah? | 0:15:10 | 0:15:11 | |
-Yes, it is. -Yeah. -It's very strange. | 0:15:11 | 0:15:13 | |
It's funny, I get the same feeling that I had | 0:15:14 | 0:15:17 | |
of the warmth and the welcome and everything else. | 0:15:17 | 0:15:21 | |
-Happy memories, really. -Oh, gosh, yes. -Just happy? | 0:15:21 | 0:15:23 | |
-Oh, I should say. -Yeah. -Absolutely happy. | 0:15:23 | 0:15:26 | |
-Yeah. -Completely. | 0:15:26 | 0:15:27 | |
It evokes a moment of... | 0:15:28 | 0:15:31 | |
..revelation, of change, | 0:15:32 | 0:15:34 | |
of something very significant in my life. | 0:15:34 | 0:15:38 | |
-A new turning in the path. -Yeah. | 0:15:38 | 0:15:41 | |
-A crossroads, yeah. -Yeah. | 0:15:41 | 0:15:43 | |
What luck you had that they were such lovely ladies. | 0:15:43 | 0:15:46 | |
Yes, yes, it was... | 0:15:46 | 0:15:48 | |
Well, it was the saving of my life, to be quite honest with you. | 0:15:48 | 0:15:51 | |
-Yeah. -It really was. | 0:15:51 | 0:15:53 | |
-Gosh, every day of my life I thank them for it. -Yeah. | 0:15:54 | 0:15:57 | |
It's clear that Pam's holiday on the farm proved to be | 0:15:57 | 0:16:00 | |
a pivotal moment in her life | 0:16:00 | 0:16:02 | |
and with its lush green scenery and great views, | 0:16:02 | 0:16:05 | |
it's easy to see why. | 0:16:05 | 0:16:06 | |
Dartmoor is clearly a magical place, | 0:16:10 | 0:16:13 | |
so I've conjured up seven wonders to while away the hours. | 0:16:13 | 0:16:17 | |
No visit to Devon would be complete without a trip to Dartmoor's famous | 0:16:17 | 0:16:21 | |
Becky Falls Woodland Park. | 0:16:21 | 0:16:24 | |
Enjoy a stunning walk in this spectacular ancient valley | 0:16:24 | 0:16:28 | |
or enjoy a show in the indoor children's craft or reptile centre. | 0:16:28 | 0:16:33 | |
You might even meet this little fellow and his meerkat mates. | 0:16:33 | 0:16:38 | |
He looks trouble. | 0:16:38 | 0:16:39 | |
But if you want to get even closer to nature, | 0:16:39 | 0:16:42 | |
why not enjoy some farmyard frolics at Pennywell Farm? | 0:16:42 | 0:16:47 | |
They've got all sorts of furry-faced friends here, | 0:16:47 | 0:16:49 | |
including the Pennywell miniature pig! | 0:16:49 | 0:16:52 | |
Chris Murray has been mucking about here since the '80s. | 0:16:52 | 0:16:56 | |
We started Pennywell Farm in 1989. | 0:16:56 | 0:16:58 | |
It's education and entertainment at the same time, | 0:16:58 | 0:17:01 | |
so every half-hour we run a different activity. | 0:17:01 | 0:17:03 | |
One of the popular activities we do now is pig racing. | 0:17:03 | 0:17:05 | |
We introduced that because it's part of the animal enrichment. | 0:17:05 | 0:17:08 | |
Animals actually like to be entertained as well as humans | 0:17:08 | 0:17:10 | |
and, depending on their attitude, they'll take between | 0:17:10 | 0:17:13 | |
one week and three weeks to train to race. | 0:17:13 | 0:17:15 | |
Once they get the hang of it, they absolutely go for it. | 0:17:15 | 0:17:18 | |
They love it, they squeal with delight. | 0:17:18 | 0:17:20 | |
Pigs really are bright animals. | 0:17:20 | 0:17:22 | |
They're third brightest of all the mammals, | 0:17:22 | 0:17:25 | |
so they need entertainment. | 0:17:25 | 0:17:26 | |
THEY GRUNT AND SQUEAL | 0:17:28 | 0:17:30 | |
No holiday is complete without sampling the local food | 0:17:31 | 0:17:35 | |
and when a young Pam St Clement came here back in 1953, | 0:17:35 | 0:17:39 | |
Cortie always had something good for her to eat. | 0:17:39 | 0:17:42 | |
Can you remember the first meal you had when you came here? | 0:17:44 | 0:17:48 | |
Oh, yes. | 0:17:48 | 0:17:50 | |
-Yes, I got here at tea-time. -Right. | 0:17:50 | 0:17:54 | |
And so it was a typical Devon tea | 0:17:54 | 0:17:58 | |
with scones and jam and cream and flapjacks. | 0:17:58 | 0:18:02 | |
That was Cortie's big thing - flapjacks. | 0:18:02 | 0:18:06 | |
Cortie was a... Was she a good cook? | 0:18:06 | 0:18:08 | |
A fantastic cook. | 0:18:08 | 0:18:09 | |
So, what we're going to do, I'm going to try and | 0:18:09 | 0:18:11 | |
knock up some flapjacks. | 0:18:11 | 0:18:13 | |
SHE GASPS | 0:18:13 | 0:18:14 | |
Right, let's have a... | 0:18:14 | 0:18:15 | |
120... Oh, I'm no good on grams. | 0:18:15 | 0:18:17 | |
-Oh, no, I don't do grams. -No. | 0:18:17 | 0:18:19 | |
-See, we're the same generation, really! -Yeah. | 0:18:19 | 0:18:22 | |
125g of butter. | 0:18:22 | 0:18:25 | |
'Jamie Oliver's got nothing on me! | 0:18:25 | 0:18:28 | |
'Now the ingredients just need a mix. Oh, pukka!' | 0:18:28 | 0:18:32 | |
So, you know, as a little girl, 11 years old and so on, | 0:18:32 | 0:18:35 | |
were you naughty or were you a very well-behaved and demure...? | 0:18:35 | 0:18:40 | |
Funnily enough, I was quite demure at this juncture. | 0:18:40 | 0:18:44 | |
Not at school. | 0:18:44 | 0:18:45 | |
Oh, it was at school that I was a... | 0:18:45 | 0:18:46 | |
Oh, I was wicked. | 0:18:46 | 0:18:48 | |
-Was you? -I was really naughty, yes. | 0:18:48 | 0:18:50 | |
-Cos I used to get encouraged by other kids. -Others, yeah. | 0:18:50 | 0:18:53 | |
Was it a mixed boarding school, or just...? | 0:18:53 | 0:18:56 | |
-No, no, no. -All girls? -It was girls. -Right. | 0:18:56 | 0:18:59 | |
The only contact we had with boys is when we broke bounds to meet them. | 0:18:59 | 0:19:02 | |
-Oh, yeah. -Which we did. -Course. | 0:19:02 | 0:19:04 | |
And also when we went dancing. | 0:19:04 | 0:19:06 | |
Was it ballroomy sort of dancing or was it country dancing? | 0:19:06 | 0:19:09 | |
No, darling, it was ballroom. | 0:19:09 | 0:19:11 | |
-It was... -Oh! -Oh, yes, absolutely. | 0:19:11 | 0:19:14 | |
-Oh! -Yep. | 0:19:14 | 0:19:15 | |
So I was having all sorts of different dance influences | 0:19:15 | 0:19:18 | |
in those days because rock and roll was the big thing. | 0:19:18 | 0:19:21 | |
-Course it was! -Oh, I loved it! | 0:19:21 | 0:19:24 | |
-Absolutely loved it. -Yeah, and me. | 0:19:24 | 0:19:27 | |
Did you have any favourites? | 0:19:27 | 0:19:29 | |
-Well, Tommy Steele, Elvis... -Yeah. | 0:19:29 | 0:19:32 | |
..Little Richard. But that was the sort of music I liked at school. | 0:19:32 | 0:19:37 | |
-Yeah. -Loved it. | 0:19:37 | 0:19:38 | |
It's a shame Cortie didn't have a food mixer. | 0:19:38 | 0:19:41 | |
'This looks lovely and it will be even better | 0:19:44 | 0:19:47 | |
'when it comes out the oven.' | 0:19:47 | 0:19:49 | |
Now, you're allowed to lick the spoon if you want to, young man. | 0:19:49 | 0:19:52 | |
OK. | 0:19:52 | 0:19:53 | |
THEY LAUGH | 0:19:59 | 0:20:01 | |
Yes, I think it's cracking. | 0:20:01 | 0:20:04 | |
'If it tastes half as good as the spoon, we'll be quids in. | 0:20:04 | 0:20:08 | |
'I can't wait until this is ready, come on! | 0:20:08 | 0:20:11 | |
'The scenery in Dartmoor is breathtaking | 0:20:19 | 0:20:22 | |
'and on a day like today is best explored on foot. | 0:20:22 | 0:20:26 | |
'Few know these parts better than Simon Bell, | 0:20:26 | 0:20:28 | |
'who's been hiking these moors for nearly 50 years.' | 0:20:28 | 0:20:33 | |
I was a schoolboy when I first fell in love | 0:20:33 | 0:20:35 | |
with this fantastic environment. | 0:20:35 | 0:20:37 | |
And even a day like today, it has its own intrigues | 0:20:37 | 0:20:41 | |
and its own pleasures. | 0:20:41 | 0:20:42 | |
I suppose, if you asked me what Dartmoor is really famous for | 0:20:42 | 0:20:45 | |
in 2015, it's actually not so different to the 1950s. | 0:20:45 | 0:20:52 | |
The tours, the volcanic remains of what were going to be | 0:20:52 | 0:20:57 | |
great volcanoes which never did come about. | 0:20:57 | 0:21:00 | |
And the mist, | 0:21:00 | 0:21:02 | |
the rugged landscape, | 0:21:02 | 0:21:04 | |
the Dartmoor ponies, of course. | 0:21:04 | 0:21:06 | |
The Dartmoor pony was used for many, many years | 0:21:06 | 0:21:10 | |
down in the coal mines as a small working horse, | 0:21:10 | 0:21:13 | |
so the Dartmoor pony has been here forever, but is certainly | 0:21:13 | 0:21:18 | |
in danger and is no longer a viable financial proposition to farmers. | 0:21:18 | 0:21:23 | |
They will look after them because they love them. | 0:21:23 | 0:21:26 | |
They're part of the Dartmoor landscape, part of the heritage of Dartmoor. | 0:21:26 | 0:21:29 | |
'It's too sunny to be cooped up indoors, | 0:21:32 | 0:21:35 | |
'so I've set a little spread alfresco, oh, yes! | 0:21:35 | 0:21:39 | |
'And it's the perfect place to find out more about Pam's eating habits | 0:21:39 | 0:21:43 | |
'all those years ago.' | 0:21:43 | 0:21:45 | |
What was mealtime like? | 0:21:45 | 0:21:47 | |
You know, were there other people staying and so on? Did you all sit together? | 0:21:47 | 0:21:51 | |
No, actually, because most of the people that stayed here | 0:21:51 | 0:21:54 | |
were bird-watchers, | 0:21:54 | 0:21:57 | |
moorland enthusiasts who were walking the moors for the day | 0:21:57 | 0:22:02 | |
-and they would tend to take their lunches with them. -Yeah. | 0:22:02 | 0:22:06 | |
At... They'd probably come back at about suppertime, | 0:22:06 | 0:22:09 | |
so they'd have an early supper. | 0:22:09 | 0:22:11 | |
We would have supper when it suited the work schedule, really. | 0:22:11 | 0:22:15 | |
Now... | 0:22:15 | 0:22:16 | |
I've left this for a bit, because I don't want you getting over-excited | 0:22:17 | 0:22:20 | |
and running off to the toilet. | 0:22:20 | 0:22:22 | |
-I'm already overexcited being with you, so... -Just wait a second. | 0:22:22 | 0:22:25 | |
-You know, the heart rate is...pumping. -I've left this on the lower level. | 0:22:25 | 0:22:28 | |
PAM LAUGHS | 0:22:28 | 0:22:30 | |
-It worked. -Didn't we do well? | 0:22:31 | 0:22:32 | |
-Thank you, my dear. -You're welcome. | 0:22:34 | 0:22:36 | |
-Do I have to be a lady and eat it with my pastry fork? -No, just... | 0:22:36 | 0:22:40 | |
-I'm going to pick mine up and have a go at it. -Oh, good, I'm glad about that. | 0:22:40 | 0:22:44 | |
Here's to the cook. | 0:22:47 | 0:22:48 | |
-Yes. -The current cook, Len. -Yes. | 0:22:48 | 0:22:51 | |
-Here's to the past cook, Molly. -Yeah, Molly. | 0:22:51 | 0:22:54 | |
Oh, that's outrageous. | 0:22:58 | 0:23:00 | |
-That's brilliant. -That is so sweet. | 0:23:00 | 0:23:02 | |
That's county standard, really. | 0:23:02 | 0:23:04 | |
-I'm going to top you up. -Thank you, my dear. | 0:23:04 | 0:23:07 | |
Go everywhere. | 0:23:07 | 0:23:08 | |
I'm very disappointed you didn't recognise the teapot. | 0:23:09 | 0:23:13 | |
-Is that the Queen Vic? -Yes. It's the Queen Vic. | 0:23:13 | 0:23:16 | |
I wondered when I saw that... But I didn't see that bit of it, did I? | 0:23:16 | 0:23:20 | |
-No, well I was... -Were you doing this on purpose? -I was teasing you. | 0:23:20 | 0:23:23 | |
-I appreciate the thought. -The thought was there, wasn't it? | 0:23:23 | 0:23:26 | |
Yeah, absolutely right. | 0:23:26 | 0:23:28 | |
'With our bellies full, it's time to get out and explore. | 0:23:28 | 0:23:31 | |
'Towards the north-east of Dartmoor, you'll find the exquisite Bovey Castle. | 0:23:31 | 0:23:36 | |
'It was built in 1907 for the Second Viscount Hambledon. | 0:23:36 | 0:23:40 | |
'In the 1930s, it became the Great Western railway hotel | 0:23:40 | 0:23:44 | |
'and is home to a championship golf course. | 0:23:44 | 0:23:47 | |
'We're here to try something that Pam will remember from her | 0:23:47 | 0:23:51 | |
'days on the farm - target practice. | 0:23:51 | 0:23:54 | |
'Though today it's clay pigeons we're after.' | 0:23:54 | 0:23:57 | |
GUNSHOT | 0:23:57 | 0:23:58 | |
-Hi. -Pam, this is Ian. -Hi, Ian, nice to meet you. -How are you? | 0:23:58 | 0:24:02 | |
-Are you all right? -Yeah. -Len, all right? -Good, yeah. -Good. | 0:24:02 | 0:24:05 | |
I've got two guns with us. | 0:24:05 | 0:24:07 | |
-I've got a 12-guage for you, Len, and I got a 20-gauge for you, a bit of a smaller... -Right. | 0:24:07 | 0:24:11 | |
I've got a trap set up, all the electronics, | 0:24:11 | 0:24:13 | |
so I'll press the button and we'll go through the motions and I'll show you how to shoot. | 0:24:13 | 0:24:16 | |
-Shall we give it a go, then? -Yeah. | 0:24:16 | 0:24:18 | |
'As soon as Ian gives us a quick lesson, we'll be good to go. | 0:24:18 | 0:24:21 | |
'I'm excited about this.' | 0:24:21 | 0:24:23 | |
-OK. Say "pull." -Pull! -There's the clay, point at it. | 0:24:24 | 0:24:27 | |
Three, two, one - squeeze the trigger. | 0:24:27 | 0:24:29 | |
-Pull. -There's the clay. | 0:24:29 | 0:24:31 | |
Point directly at it, lock on, three, two, one, squeeze. | 0:24:31 | 0:24:34 | |
'Pam has more experience of this kind of thing than me, | 0:24:34 | 0:24:37 | |
'but I'm feeling competitive. | 0:24:37 | 0:24:39 | |
'Focus, Len.' | 0:24:39 | 0:24:40 | |
-Gun's loaded. -Right. | 0:24:40 | 0:24:42 | |
Safety's off, ready to fire. | 0:24:43 | 0:24:45 | |
-Happy? -Yeah. -Say "pull" when you're ready. | 0:24:45 | 0:24:47 | |
-Pull! -And three, two, one. | 0:24:47 | 0:24:50 | |
GUNSHOT | 0:24:50 | 0:24:51 | |
-Nice shot. -I got it! You did get it! | 0:24:51 | 0:24:53 | |
-Wow. -I got it! I got it! LAUGHTER | 0:24:53 | 0:24:57 | |
-I'm not doing it any more, I got it! -Brilliant! -It's the best of one. | 0:24:57 | 0:25:01 | |
THEY LAUGH I got it! | 0:25:01 | 0:25:04 | |
-Brilliant. -You can't win with him. | 0:25:04 | 0:25:06 | |
Oh! Oh, slap my bum and call me Donald. | 0:25:06 | 0:25:09 | |
THEY LAUGH | 0:25:09 | 0:25:11 | |
-That was it. -Brilliant. | 0:25:12 | 0:25:14 | |
-Well, Pam, you ready? -Yeah. -My work is done. | 0:25:14 | 0:25:16 | |
-Beat that. -Beat that, indeed. | 0:25:16 | 0:25:17 | |
LEN LAUGHS | 0:25:17 | 0:25:19 | |
Just lift it away. | 0:25:22 | 0:25:23 | |
Now, don't forget, it's your dominant eye and pull slowly. | 0:25:23 | 0:25:27 | |
Just pull slowly and don't get panic... | 0:25:28 | 0:25:30 | |
I know you've only got one chance, but don't panic. | 0:25:30 | 0:25:33 | |
-He's master of the sport already. -Very impressed, I am. | 0:25:33 | 0:25:36 | |
So, say "pull" when you're ready. | 0:25:36 | 0:25:38 | |
Pull! | 0:25:38 | 0:25:39 | |
-In three, two, one, fire. -GUNSHOT | 0:25:39 | 0:25:42 | |
-That was close. -Miles away. | 0:25:43 | 0:25:45 | |
-No, it wasn't miles away, it was just down the left. -Oh, that was a pity. -It was unfortunate. | 0:25:45 | 0:25:49 | |
-Does that mean I'm the winner? -Yes. -Yes, it does. Congratulations. | 0:25:49 | 0:25:52 | |
'Well, I'm thoroughly chuffed with myself after that, | 0:25:52 | 0:25:55 | |
'but Pam shouldn't feel too downhearted. | 0:25:55 | 0:25:58 | |
'After all, she's been involved with some explosive scenes of her own in EastEnders, | 0:25:58 | 0:26:03 | |
'but I want to find out what she did before moving into Albert Square.' | 0:26:03 | 0:26:08 | |
When did you make the decision to go into acting? | 0:26:08 | 0:26:11 | |
When I was a kid, when I was a youngster, you didn't... | 0:26:12 | 0:26:16 | |
I don't know, you didn't take it seriously, being an... | 0:26:16 | 0:26:20 | |
Being an actor was not an option. | 0:26:20 | 0:26:22 | |
Did you start off in sort of repertory companies and stuff? | 0:26:22 | 0:26:26 | |
Yeah, I started off in children's theatre, rep, a lot of theatre, | 0:26:26 | 0:26:30 | |
because that's where most of the work was in those days. | 0:26:30 | 0:26:33 | |
And then I started to get little bits in television | 0:26:33 | 0:26:37 | |
and it went from there. | 0:26:37 | 0:26:39 | |
-And how did EastEnders come along? -Yeah, well, I was... | 0:26:39 | 0:26:44 | |
I was sitting at home one day and the phone went | 0:26:44 | 0:26:48 | |
and a friend of mine was on the other end who was the director. | 0:26:48 | 0:26:51 | |
And he said, "Do you ever watch EastEnders? | 0:26:51 | 0:26:54 | |
And I said, "Yeah, I think it's great, you know, it's good, I like it, it's gritty." | 0:26:54 | 0:26:58 | |
And this was in the early days, when it very first started and he said, "Oh, thank goodness for that, | 0:26:58 | 0:27:02 | |
"because I've been directing quite a bit and I just want to send | 0:27:02 | 0:27:05 | |
"you a script to have a look at for a particular part." | 0:27:05 | 0:27:08 | |
And I said, "Great." | 0:27:08 | 0:27:10 | |
And that was just three weeks try-out | 0:27:10 | 0:27:13 | |
and then thereafter they wanted me to go back as a regular. | 0:27:13 | 0:27:15 | |
Now, look, 26 years EastEnders, what was your favourite moment? | 0:27:17 | 0:27:20 | |
Well... It'd be hard to beat the bowtie, wouldn't it, really? | 0:27:23 | 0:27:28 | |
KNOCKS AT DOOR | 0:27:28 | 0:27:30 | |
HE LAUGHS | 0:27:47 | 0:27:49 | |
SHE LAUGHS | 0:27:50 | 0:27:52 | |
Most of the stories around Mike, our marriage, | 0:27:52 | 0:27:58 | |
our affair when he was married to Peggy and later on, | 0:27:58 | 0:28:02 | |
the stuff I had with Barbara when Pat and Peggy | 0:28:02 | 0:28:06 | |
sort of put Frank aside once he'd gone | 0:28:06 | 0:28:10 | |
and started to become mates, then, you know, all that stuff... | 0:28:10 | 0:28:14 | |
-Yeah, it was all good. -Terrific. | 0:28:14 | 0:28:16 | |
'Pam is a true soap legend and there are still more memories | 0:28:16 | 0:28:19 | |
'and surprises to come. | 0:28:19 | 0:28:21 | |
'But first, pens at the ready, because here's the next instalment | 0:28:24 | 0:28:28 | |
'of my seven tips for your Dartmoor bucket list. | 0:28:28 | 0:28:32 | |
'The House of Marbles explores the 4,000-year history of glass. | 0:28:32 | 0:28:37 | |
'See how molten glass is shaped, blown and moulded into marbles | 0:28:37 | 0:28:42 | |
'and watch some make their way into this giant marble run. Wahey! | 0:28:42 | 0:28:47 | |
'The Buckfast Butterfly and Dartmoor Otter Sanctuary | 0:28:47 | 0:28:51 | |
'is a haven for nature lovers and it's home to these little critters. | 0:28:51 | 0:28:56 | |
'Tim Cox is flowing with facts about these four-legged friends.' | 0:28:56 | 0:29:00 | |
The sanctuary has been going about... Over 30 years. | 0:29:00 | 0:29:04 | |
It's been a conservation area | 0:29:04 | 0:29:05 | |
and a place of educating people in schools into wildlife. | 0:29:05 | 0:29:11 | |
This lovely little otter here is Jasmine. | 0:29:11 | 0:29:13 | |
You can see she's very affectionate | 0:29:13 | 0:29:16 | |
and making her bed is what she's about to do. | 0:29:16 | 0:29:20 | |
They eat mainly fish. | 0:29:20 | 0:29:21 | |
Their favourite food is eels | 0:29:21 | 0:29:24 | |
and portions of meat which is kind of like a protein for an otter. | 0:29:24 | 0:29:28 | |
'We've headed along to Broadaford Farm in Dartmoor, | 0:29:34 | 0:29:37 | |
'a place that also holds some fond and important memories for Pam. | 0:29:37 | 0:29:41 | |
So, Pam, you know this farm? | 0:29:41 | 0:29:44 | |
-Oh, yes. -Yeah. | 0:29:44 | 0:29:46 | |
This is the farm that we moved to. | 0:29:46 | 0:29:49 | |
This was a move that was essential in terms of size, | 0:29:49 | 0:29:53 | |
cos the other one was... It was very difficult to work, | 0:29:53 | 0:29:55 | |
very rocky, very small. | 0:29:55 | 0:29:59 | |
And Aunt Sylvia came to see this place and in fact | 0:29:59 | 0:30:03 | |
took me by surprise one holiday and said, | 0:30:03 | 0:30:07 | |
"We've seen a farm, we'd like you to come and look at it | 0:30:07 | 0:30:09 | |
"and see what you think." | 0:30:09 | 0:30:11 | |
And I completely and utterly fell in love with it | 0:30:11 | 0:30:14 | |
and it's a beautiful, beautiful place. | 0:30:14 | 0:30:16 | |
So, the most of your time coming down here was actually here? | 0:30:16 | 0:30:21 | |
Yes, absolutely. | 0:30:21 | 0:30:23 | |
Whereas I could say the first farm was my first home, | 0:30:23 | 0:30:27 | |
this one was my heart's home. | 0:30:27 | 0:30:29 | |
-And is it here that your love of animals began? -Oh, absolutely. -Yeah? | 0:30:29 | 0:30:34 | |
-And... Of course I wanted to be a vet. -Really? -Yeah. Absolutely. Yeah. | 0:30:34 | 0:30:40 | |
-Yeah. -Oh. | 0:30:40 | 0:30:42 | |
And I would have been if I'd... | 0:30:42 | 0:30:44 | |
If I'd have got my Latin, but I couldn't get my Latin. | 0:30:44 | 0:30:46 | |
-In those days you needed Latin to be a vet. -Oh, right. | 0:30:46 | 0:30:50 | |
'Young Will here tends the sheep at the farm today. | 0:30:50 | 0:30:54 | |
'He and the lightning-fast Ben can move these bad boys around | 0:30:54 | 0:30:58 | |
'and he's going to show us how it's done.' | 0:30:58 | 0:31:00 | |
'WEST COUNTRY ACCENT: Come by! Come by!' | 0:31:00 | 0:31:02 | |
Pam, this is Will. | 0:31:02 | 0:31:04 | |
-He's got Ben lurking behind. -Yeah? | 0:31:04 | 0:31:07 | |
-I've watched it on the TV and I've always fancied having a go, Will. -Yeah? | 0:31:07 | 0:31:12 | |
So, yeah, I've bought my farmer's hat with me, | 0:31:12 | 0:31:14 | |
cos I'm surprised you haven't got one of these on. | 0:31:14 | 0:31:17 | |
-But anyway, not to worry. You do it. -Yeah? -And then... We'll have a go. | 0:31:17 | 0:31:22 | |
-Shall we? -All right, why not? -We'll see who's best and you can score us. | 0:31:22 | 0:31:26 | |
-Yeah. Brilliant. -OK. | 0:31:26 | 0:31:27 | |
Well, Ben's like a coiled spring there. | 0:31:27 | 0:31:29 | |
Yeah, he's ready and raring to go. | 0:31:29 | 0:31:31 | |
So, we'll just get Ben to go round them and bring the sheep up to us | 0:31:31 | 0:31:36 | |
and that'll be roughly what I want you to do | 0:31:36 | 0:31:38 | |
-and then we'll just have a go at balancing them and... -OK. | 0:31:38 | 0:31:40 | |
So, Ben, away! | 0:31:40 | 0:31:42 | |
Look at him go. | 0:31:42 | 0:31:43 | |
Steady. Come! | 0:31:44 | 0:31:45 | |
-Pam, do you want to have a go? -Yeah. | 0:31:47 | 0:31:49 | |
Ben, come! | 0:31:49 | 0:31:50 | |
Ben, come! | 0:31:50 | 0:31:52 | |
Pam, I've got to say, look at that. | 0:31:52 | 0:31:54 | |
Look, they're all just sitting looking at him. Look at it. | 0:31:56 | 0:31:59 | |
It's like being at the London Palladium looking down from the stage! | 0:31:59 | 0:32:03 | |
SHEEP BLEAT 'Pam's a dab hand at this. | 0:32:03 | 0:32:05 | |
'Now, the pressure's on, but I do love a challenge.' | 0:32:05 | 0:32:08 | |
Now, Will, get them away, a long way, | 0:32:09 | 0:32:11 | |
cos I'm going to be good at this now. | 0:32:11 | 0:32:13 | |
-So, get them, you know... Up the street. -Ben. Come. | 0:32:13 | 0:32:17 | |
-You're so competitive, Len! -THEY LAUGH | 0:32:17 | 0:32:20 | |
-There we go. -Oh, no, no, don't... -They're off down... | 0:32:21 | 0:32:24 | |
Away! Away! | 0:32:24 | 0:32:25 | |
Away! Away, laddie! | 0:32:27 | 0:32:28 | |
-Away! -Steady. -Steady! | 0:32:30 | 0:32:33 | |
Come! | 0:32:33 | 0:32:34 | |
Away! Away... | 0:32:34 | 0:32:36 | |
Say something, Will. | 0:32:36 | 0:32:38 | |
-Well, you've managed to retrieve half of them there, Len. -Yeah! | 0:32:38 | 0:32:40 | |
-Now I'm going to... -Yeah, the others are off to market. | 0:32:40 | 0:32:43 | |
'Liberty! What woolly troublemakers.' | 0:32:43 | 0:32:46 | |
What score would you give Pam for her sheep-gathering skills? | 0:32:46 | 0:32:51 | |
-I'd give her eight out of ten. -What score are you giving me, will? | 0:32:51 | 0:32:55 | |
Looking at those few over there, | 0:32:55 | 0:32:57 | |
I think I'm going to have to go for a five for you. | 0:32:57 | 0:32:59 | |
-WHISPERED: -That's upset him. | 0:33:03 | 0:33:05 | |
You're rotten, you are, you're really rotten. | 0:33:05 | 0:33:07 | |
I could up it a little bit if you want. | 0:33:07 | 0:33:09 | |
Couldn't you have given me a sev-EN? | 0:33:09 | 0:33:11 | |
Oh! I could... As you've said it... | 0:33:11 | 0:33:14 | |
-Yeah. -I'll give you a sev-EN out of ten. | 0:33:14 | 0:33:16 | |
Aw, thank you very much! | 0:33:16 | 0:33:18 | |
'And a ten from Len for Ben and Pam. | 0:33:19 | 0:33:22 | |
'Farming has always been an important part of life on Dartmoor. | 0:33:30 | 0:33:34 | |
'But it was very different back in the '50s. | 0:33:34 | 0:33:37 | |
'Local farmer Tony Beard is from Widecombe-in-the-Moor | 0:33:37 | 0:33:41 | |
'and remembers those post-war years.' | 0:33:41 | 0:33:44 | |
I finished my schooling in 1952 and came here | 0:33:44 | 0:33:46 | |
and worked on the farm with my father and mother. | 0:33:46 | 0:33:49 | |
And it was... | 0:33:49 | 0:33:51 | |
It was a mixed farm in those days. | 0:33:51 | 0:33:53 | |
We had two or three sows, we had several fowls, we had sheep, | 0:33:53 | 0:33:57 | |
we had cattle and of course we were milking cows in those days. | 0:33:57 | 0:34:03 | |
It was labour-intensive work, you know, | 0:34:03 | 0:34:06 | |
I mean, even to the point that we were hand-milking, | 0:34:06 | 0:34:10 | |
because we didn't have electricity, | 0:34:10 | 0:34:12 | |
didn't come to Widecombe till 1962, '63, something like that. | 0:34:12 | 0:34:16 | |
People say, you know, "Dartmoor's so beautiful," | 0:34:16 | 0:34:19 | |
of course it's beautiful, but it's beautiful | 0:34:19 | 0:34:20 | |
because man manages Dartmoor | 0:34:20 | 0:34:23 | |
and has done for hundreds of generations. | 0:34:23 | 0:34:27 | |
'I'm with Pam St Clement in the wonderful Dartmoor. | 0:34:33 | 0:34:37 | |
'We've popped along to the Widecombe Village Hall, | 0:34:37 | 0:34:40 | |
'which was a very special place when she first came here back in 1953.' | 0:34:40 | 0:34:45 | |
Eh? PAM LAUGHS | 0:34:45 | 0:34:47 | |
Does this bring back a few memories? | 0:34:47 | 0:34:50 | |
Well, do you know, it brings back two very different memories. | 0:34:50 | 0:34:54 | |
The first is my Aunt Sylvia's 80th birthday party, which was full of | 0:34:54 | 0:34:59 | |
people in here and lots of food and eats and lots of people downstairs. | 0:34:59 | 0:35:05 | |
But as far as my youth's concerned, | 0:35:05 | 0:35:07 | |
-this is where we used to have the dances. -Oh, my. | 0:35:07 | 0:35:10 | |
-The village dance, the hop. -Yes. With the farmer boys. | 0:35:10 | 0:35:14 | |
Yes, I'm afraid so, yeah. | 0:35:14 | 0:35:16 | |
Come over here. | 0:35:16 | 0:35:17 | |
The village record player in working order. | 0:35:20 | 0:35:22 | |
Got a fabulous record here. | 0:35:24 | 0:35:26 | |
One of my favourites. | 0:35:26 | 0:35:28 | |
Now, so, Pam, I was wondering if you could just pin my bowtie in. | 0:35:28 | 0:35:34 | |
-Surely, sure. -Can you do that? -Yeah. | 0:35:34 | 0:35:37 | |
It's quite tricky. | 0:35:37 | 0:35:38 | |
TIE MOTOR RUNS | 0:35:39 | 0:35:41 | |
PAM LAUGHS | 0:35:41 | 0:35:42 | |
-Do you recall anything? -You naughty man! | 0:35:42 | 0:35:45 | |
Except you've got your clothes on. | 0:35:45 | 0:35:47 | |
Well, I was going to take my shirt off, but I couldn't be bothered. | 0:35:47 | 0:35:50 | |
'But if I'm to be Frank Butcher, we must bring Pat back | 0:35:50 | 0:35:54 | |
'and that means some special earrings.' | 0:35:54 | 0:35:56 | |
NEEDLE DROPS | 0:35:59 | 0:36:00 | |
MUSIC: She Wears Red Feathers by Guy Mitchell | 0:36:02 | 0:36:06 | |
# She wears red feathers and a hooly-hooly skirt... # | 0:36:06 | 0:36:10 | |
PAM LAUGHS | 0:36:11 | 0:36:13 | |
Me dickie going. | 0:36:13 | 0:36:15 | |
# She lives on just coconuts and fish from the sea... # | 0:36:15 | 0:36:19 | |
# A rose in her hair A gleam in her eyes And love in her heart for me... # | 0:36:19 | 0:36:24 | |
-Wasn't this silly music? -Weren't it great? | 0:36:29 | 0:36:31 | |
Now, I must ask you this, because I loved Mike Reid. | 0:36:31 | 0:36:34 | |
I thought he was... | 0:36:34 | 0:36:36 | |
-I saw him once at Pontin's Camber Sands. -Yeah. -I...laughed. | 0:36:36 | 0:36:41 | |
-Was he like that on set, you know, or was he...? -Oh, yeah, absolutely. | 0:36:41 | 0:36:44 | |
Cos you hear a lot of times about comedians that they're miserable blighters. | 0:36:44 | 0:36:48 | |
Oh, no, no, no. No, no, he wasn't at all. | 0:36:48 | 0:36:52 | |
He was always, always bubbling with jokes and actually it's a | 0:36:52 | 0:36:57 | |
good opportunity to try out new material, when you think about it. | 0:36:57 | 0:37:01 | |
No, he was great. | 0:37:01 | 0:37:03 | |
LEN LAUGHS | 0:37:04 | 0:37:05 | |
Well, do you know what? I think it's time for pastures green. | 0:37:05 | 0:37:09 | |
-Oh, and there's more to do. -Oh, is there? -Oh, yes! | 0:37:10 | 0:37:13 | |
I'm not going out with you dressed like that. | 0:37:13 | 0:37:15 | |
-I'm going to keep my dickie on as long as I can. -All right, all right. | 0:37:15 | 0:37:19 | |
'Actually, I think my batteries have run out! | 0:37:19 | 0:37:22 | |
'While I slip into something less fun, | 0:37:24 | 0:37:26 | |
'here's the final instalment of my seven Dartmoor must-dos. | 0:37:26 | 0:37:30 | |
'Of course, the bowtie's optional, but preferred. | 0:37:30 | 0:37:33 | |
'If you were impressed by my sharp shooting earlier, | 0:37:33 | 0:37:37 | |
'why not try a different sort of target practice? | 0:37:37 | 0:37:40 | |
'Dragon Archery is the perfect place to learn the ancient | 0:37:40 | 0:37:44 | |
'skills of archery, whilst taking in some of those stunning views. | 0:37:44 | 0:37:48 | |
'Bull's-eye! | 0:37:48 | 0:37:50 | |
'And if you want to soar higher, the Virtual Jet Centre puts you | 0:37:50 | 0:37:54 | |
'right in the flying seat with their impressive flight simulator. | 0:37:54 | 0:37:59 | |
'Learn what it's like to fly a Boeing 737 on a full motion platform | 0:37:59 | 0:38:04 | |
'and 220-degree wraparound screen. | 0:38:04 | 0:38:07 | |
'If you're looking to pick up a memento of this time in Devon, | 0:38:09 | 0:38:12 | |
'then check out the historic Tavistock Pannier Market. | 0:38:12 | 0:38:16 | |
'It's packed with countless goodies and knick-knacks from the local | 0:38:16 | 0:38:20 | |
'traders, such as antiques and mixed crafts. | 0:38:20 | 0:38:23 | |
'Duane Carruthers is the Market Reeve, which means he's in charge.' | 0:38:23 | 0:38:27 | |
In 1105, Tavistock's abbey was granted a charter market | 0:38:27 | 0:38:32 | |
which ran a market on a Friday | 0:38:32 | 0:38:35 | |
and that market has survived without a break for over 900 years | 0:38:35 | 0:38:39 | |
and we still at Tavistock Pannier Market honour the charter. | 0:38:39 | 0:38:43 | |
It's a beautiful area. | 0:38:43 | 0:38:44 | |
You've got all the archways from all the streets that lead in. | 0:38:44 | 0:38:47 | |
They often call Tavistock's market the hidden gem. | 0:38:47 | 0:38:50 | |
Round the outside is all the permanent five-day traders | 0:38:50 | 0:38:53 | |
who trade every single day, | 0:38:53 | 0:38:55 | |
but inside the middle of the market is where it changes over | 0:38:55 | 0:38:58 | |
every day, so that's what keeps it one of the best markets | 0:38:58 | 0:39:00 | |
in the south-west, the variety that's on offer. | 0:39:00 | 0:39:04 | |
'I'm having a sit-down with Pam to find out what it | 0:39:08 | 0:39:11 | |
'was like playing one of EastEnders' most formidable characters.' | 0:39:11 | 0:39:15 | |
You must feel sorry for old... | 0:39:16 | 0:39:18 | |
..Pat, really. She went through a few ups and downs and... | 0:39:19 | 0:39:22 | |
-She did, didn't she? -..traumas during her... -She was... | 0:39:22 | 0:39:25 | |
A useful tool in terms of being able to take the story out | 0:39:25 | 0:39:30 | |
and wheel it round, even if she wasn't carrying the story herself. | 0:39:30 | 0:39:34 | |
And the fun days of course with Mike and then when | 0:39:34 | 0:39:38 | |
Mike and Barbara, you know, had the Peggy and Frank marriage | 0:39:38 | 0:39:43 | |
-and then the affair with Pat and all those days, I loved all that. -Yeah. | 0:39:43 | 0:39:49 | |
So, did you know what was coming up or did you, you know, | 0:39:49 | 0:39:52 | |
did you suddenly find, "This is what's going to happen?" | 0:39:52 | 0:39:55 | |
Well, to be honest, Len, you could've known. | 0:39:55 | 0:39:57 | |
I could've gone up to the office at any time and said to them, | 0:39:57 | 0:40:00 | |
"What's going to happen to my character?" | 0:40:00 | 0:40:01 | |
Just occasionally I wanted to have an idea of a direction. | 0:40:01 | 0:40:04 | |
But by and large I found it easier... | 0:40:04 | 0:40:08 | |
To do what you do in life, which is you don't | 0:40:08 | 0:40:10 | |
-know what's around the next corner. -Yeah. | 0:40:10 | 0:40:13 | |
-PEGGY: -So, don't you think my Frank knows he's better off out of it? | 0:40:13 | 0:40:15 | |
-No, I don't. -Well, he is. -I know my Frank. | 0:40:15 | 0:40:18 | |
He's not your Frank, he's mine! | 0:40:18 | 0:40:20 | |
Only cos I don't want him. | 0:40:20 | 0:40:21 | |
Oh, yeah? | 0:40:21 | 0:40:23 | |
Is there anything that you really wish you'd done | 0:40:23 | 0:40:26 | |
and you didn't get round to it? | 0:40:26 | 0:40:28 | |
-What, in the acting field, what parts? -Yes. | 0:40:28 | 0:40:31 | |
No, I don't have a hankering to, you know, I don't think, | 0:40:31 | 0:40:34 | |
"Oh, my! I should have played Lady Macbeth!" | 0:40:34 | 0:40:36 | |
LEN LAUGHS | 0:40:36 | 0:40:38 | |
-But I'd like to come back in my next life as a vet. -Yeah? -Yeah. | 0:40:38 | 0:40:43 | |
You've got to learn some Latin. | 0:40:43 | 0:40:45 | |
THEY LAUGH | 0:40:45 | 0:40:47 | |
Do you feel that coming down here was a holiday of your lifetime? | 0:40:48 | 0:40:52 | |
Well, I think it's quite important to actually point out | 0:40:54 | 0:40:58 | |
the fact that this wasn't just a holiday of a lifetime, | 0:40:58 | 0:41:02 | |
but it's a holiday which became my lifetime. | 0:41:02 | 0:41:07 | |
Yeah. Yeah. | 0:41:07 | 0:41:08 | |
This has been a wonderful, wonderful day for me. I've enjoyed it so much. | 0:41:08 | 0:41:14 | |
We've laughed and it's a little tinged with a little sadness, | 0:41:14 | 0:41:18 | |
but it has been fantastic. | 0:41:18 | 0:41:19 | |
It's been great, Len. | 0:41:19 | 0:41:21 | |
-I really, really am so thrilled to meet you. -Well... | 0:41:21 | 0:41:26 | |
And, you know, it's been wonderful. | 0:41:26 | 0:41:28 | |
-Thank you so much. -Well, likewise, thank you. | 0:41:28 | 0:41:30 | |
'It's been lovely to spend the day with Pam | 0:41:31 | 0:41:33 | |
'and learn about her time here in Dartmoor.' | 0:41:33 | 0:41:36 | |
'We boogied on the dance floor...' | 0:41:36 | 0:41:39 | |
MUSIC: She Wears Red Feathers by Guy Mitchell | 0:41:40 | 0:41:42 | |
'Had fun on the farm...' | 0:41:44 | 0:41:45 | |
Away! Away, laddie! | 0:41:45 | 0:41:47 | |
Pull! '..and went out with a bang.' | 0:41:48 | 0:41:51 | |
GUNSHOT | 0:41:51 | 0:41:52 | |
-Nice shot. -I got it! -You did get it! | 0:41:52 | 0:41:54 | |
Wow. | 0:41:54 | 0:41:56 | |
I got it! | 0:41:56 | 0:41:57 | |
I got it! HE LAUGHS | 0:41:57 | 0:41:59 | |
I have with me a complete record of our day together. | 0:42:02 | 0:42:07 | |
-Really? -Yes, in the form...of this little scrapbook, | 0:42:07 | 0:42:10 | |
Holiday Of My Lifetime. | 0:42:10 | 0:42:14 | |
Look! You on the front. | 0:42:14 | 0:42:16 | |
-Isn't that beautiful? -Look at that. | 0:42:17 | 0:42:20 | |
'A scrapbook of memories of our time in the delightful Dartmoor | 0:42:21 | 0:42:25 | |
'that will help Pam remember our rural adventure, | 0:42:25 | 0:42:28 | |
'but still, I've got one final surprise that will surely | 0:42:28 | 0:42:32 | |
'bring back those memories.' | 0:42:32 | 0:42:34 | |
So, here it is, a little Widecombe Fair jug. | 0:42:34 | 0:42:38 | |
-No, of course, because that's the whole memory, isn't it? -Course it is. There it is. | 0:42:38 | 0:42:42 | |
-Oh, lovely. Thank you. -It's been great. | 0:42:42 | 0:42:46 | |
-Thank you very much, Len. -No... -It's been super. -It's been my joy. | 0:42:46 | 0:42:50 | |
'It's goodbye from Dartmoor and the summer of 1953, | 0:42:52 | 0:42:56 | |
'when two generous ladies took Pam under their wing | 0:42:56 | 0:43:00 | |
'and helped shape a true acting legend.' | 0:43:00 | 0:43:02 |