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Oh, this is amazing. | 0:00:02 | 0:00:03 | |
Families from across Britain are about to try home swapping. | 0:00:03 | 0:00:07 | |
-That's great. We can leave them with that. -Who's going to drive? | 0:00:09 | 0:00:12 | |
They don't know each other and have no idea yet where they'll be | 0:00:12 | 0:00:15 | |
calling home for the next three days. | 0:00:15 | 0:00:18 | |
-This looks a nice village, doesn't it? -Very quaint. | 0:00:18 | 0:00:21 | |
It's a home away from home. | 0:00:21 | 0:00:23 | |
Oh, are we really on here? | 0:00:24 | 0:00:26 | |
Each family will have to suggest local places for their home | 0:00:26 | 0:00:30 | |
swappers to visit, as well as a favourite restaurant. | 0:00:30 | 0:00:34 | |
This is divine. | 0:00:34 | 0:00:35 | |
-Cheers to the home swap. -Cheers to home swapping. | 0:00:35 | 0:00:38 | |
And they'll be scoring each other on the location, | 0:00:38 | 0:00:41 | |
day out and their temporary home. | 0:00:41 | 0:00:45 | |
Very good. | 0:00:45 | 0:00:47 | |
Only on their return will they get to see who has been | 0:00:47 | 0:00:50 | |
living in their house. | 0:00:50 | 0:00:52 | |
The wife's written that. | 0:00:52 | 0:00:54 | |
"Girl's writing"! | 0:00:54 | 0:00:56 | |
And find out who's provided the best home-swapping experience. | 0:00:56 | 0:01:01 | |
I just... I'm so happy. | 0:01:01 | 0:01:03 | |
Today, we're starting in Tatterford Village in Norfolk... | 0:01:10 | 0:01:13 | |
All right, let's go and have a boat ride. | 0:01:13 | 0:01:16 | |
..with our first home swappers, husband and wife team, | 0:01:16 | 0:01:19 | |
Henry and Oxana. | 0:01:19 | 0:01:20 | |
Oh, a seal. Look, seals! | 0:01:22 | 0:01:25 | |
Norfolk-born Henry, met Russian-born Oxana, | 0:01:26 | 0:01:29 | |
on home turf nine years ago and they have three children. | 0:01:29 | 0:01:33 | |
So, where do they call home? | 0:01:33 | 0:01:35 | |
You'd think it could still be an agricultural barn | 0:01:35 | 0:01:37 | |
when you drive by and inside, you know, it's light | 0:01:37 | 0:01:40 | |
and it's modern and actually could be a warehouse or a flat in London. | 0:01:40 | 0:01:43 | |
I like that it's renovated, | 0:01:43 | 0:01:45 | |
it's new-build but it blends in with nature, | 0:01:45 | 0:01:48 | |
so I didn't like, too much, this is us, we're building here. | 0:01:48 | 0:01:52 | |
Nestled in the Norfolk countryside, they took an 18th century | 0:01:54 | 0:01:58 | |
dilapidated barn and transformed it in to a luxurious | 0:01:58 | 0:02:02 | |
spacious family home. | 0:02:02 | 0:02:04 | |
So, this is our main room. | 0:02:05 | 0:02:06 | |
We wanted just a nice large room where most of the family can spend | 0:02:06 | 0:02:10 | |
time together, reading, eating, whatever it may be. | 0:02:10 | 0:02:12 | |
If you look, all these books here, most of those are in Russian, | 0:02:12 | 0:02:16 | |
so this is Oxana's corner cos I won't understand any of them. | 0:02:16 | 0:02:19 | |
-You would. -Some of them, cos she's teaching me Russian but... | 0:02:19 | 0:02:22 | |
-Children ones, you could. -Yeah. | 0:02:22 | 0:02:24 | |
With Oxana being a Russian tutor, he's in safe hands. | 0:02:24 | 0:02:28 | |
As an ex-Marine and consultant, Henry's jobs have taken him | 0:02:30 | 0:02:33 | |
around the world. | 0:02:33 | 0:02:35 | |
I think it does reflect who we are, especially for myself, because | 0:02:35 | 0:02:38 | |
I travel a lot and I bring back all these bizarre items from abroad. | 0:02:38 | 0:02:42 | |
This table's made from teak in South Sudan. | 0:02:42 | 0:02:46 | |
I bought that in Pakistan and then it came up, | 0:02:46 | 0:02:48 | |
and then I shipped it up through the Kyber Pass to Kabul. | 0:02:48 | 0:02:51 | |
That's a wooden teapot I bought in, erm, | 0:02:51 | 0:02:53 | |
in Afghanistan, made in Nuristan. | 0:02:53 | 0:02:56 | |
This is another one of my favourites. | 0:02:56 | 0:02:58 | |
It's a camel's saddle that I bought in Darfur. | 0:02:58 | 0:03:00 | |
We've turned it into a little coffee table. | 0:03:00 | 0:03:03 | |
The extended barn boasts five bedrooms, four bathrooms, | 0:03:03 | 0:03:07 | |
a rotating wood burner and underfloor heating | 0:03:07 | 0:03:11 | |
and tucked away is Oxana's special native touch. | 0:03:11 | 0:03:14 | |
This is a sauna. | 0:03:16 | 0:03:18 | |
It's good, it's really... I like it, especially in the winter here, | 0:03:18 | 0:03:22 | |
Norfolk, you need it. | 0:03:22 | 0:03:24 | |
In here, you have to wear these hats. | 0:03:24 | 0:03:26 | |
Yes, you have to wear these hats. | 0:03:26 | 0:03:28 | |
Funnily enough, a wool hat keeps you cool. | 0:03:28 | 0:03:30 | |
In hot countries, you drink green tea, which is hot, | 0:03:30 | 0:03:34 | |
and wear woollen hats, because they know how to keep the heat away. | 0:03:34 | 0:03:38 | |
I'll take your word for it. | 0:03:38 | 0:03:40 | |
For every ornament of Henry's inside, | 0:03:40 | 0:03:43 | |
Oxana has matched with her plants outside. | 0:03:43 | 0:03:47 | |
This is one of Oxana's dreams, to have a kitchen garden. | 0:03:47 | 0:03:50 | |
So strawberries are good because children always eat them. | 0:03:50 | 0:03:53 | |
Onions, garlic, there are some carrots there | 0:03:53 | 0:03:56 | |
but marigolds have taken the space. | 0:03:56 | 0:03:58 | |
It's called complementary planting, by the way. | 0:03:58 | 0:04:01 | |
-This is good, I give you one, as well. -Thank you. This is our catch. | 0:04:01 | 0:04:05 | |
Open-minded about where they stay, | 0:04:05 | 0:04:07 | |
they have only one stipulation for their home swap. | 0:04:07 | 0:04:11 | |
I don't like dark, stuffy rooms with a lot of collections. | 0:04:11 | 0:04:16 | |
To me, it's a bit dated. | 0:04:16 | 0:04:17 | |
Well, you'll find out where you're heading shortly. | 0:04:17 | 0:04:21 | |
Our next home swapper is author and sci-fi project manager, John, | 0:04:23 | 0:04:27 | |
who lives in Great Dunmow in Essex with his husband, Marcus. | 0:04:27 | 0:04:31 | |
When Marcus and I travel, we're always keen to go self-catering | 0:04:32 | 0:04:37 | |
so it forces you to go out | 0:04:37 | 0:04:39 | |
and I think that this is a, sort of, natural progression. | 0:04:39 | 0:04:43 | |
Marcus has work commitments, | 0:04:43 | 0:04:45 | |
so John's writer friend, Sarah, is joining him instead. | 0:04:45 | 0:04:49 | |
I was looking for a writing group to join | 0:04:49 | 0:04:52 | |
and then I saw the one that John had literally just set up. | 0:04:52 | 0:04:56 | |
I sort of turned up on day one of the writing groups and erm... | 0:04:56 | 0:05:01 | |
-Never left since. -Never left, yeah. | 0:05:01 | 0:05:04 | |
Not literally, but Sarah does visit often, | 0:05:05 | 0:05:08 | |
so what kind of place does this creative call home? | 0:05:08 | 0:05:13 | |
25 years ago, John bought this ordinary three-bedroomed | 0:05:13 | 0:05:17 | |
ex-council house, and with the help of friends, | 0:05:17 | 0:05:20 | |
transformed it into the extraordinary. | 0:05:20 | 0:05:22 | |
As I was growing up, being a writer and being creative, I realised | 0:05:22 | 0:05:26 | |
that I was going and visiting houses and I'd love to own those houses | 0:05:26 | 0:05:31 | |
but I never could and then I thought, well, | 0:05:31 | 0:05:33 | |
why can't I create that? | 0:05:33 | 0:05:35 | |
And his vision? Talliston House | 0:05:35 | 0:05:38 | |
comprises 13 remarkable rooms | 0:05:38 | 0:05:40 | |
inspired by buildings from all around the world | 0:05:40 | 0:05:44 | |
set across more than 6,000 years of history. | 0:05:44 | 0:05:48 | |
So, this room is the Watch Tower, it's the living room | 0:05:48 | 0:05:51 | |
and dining room of the house and it's, erm, | 0:05:51 | 0:05:53 | |
13th-century tower taken over by the Victorians. | 0:05:53 | 0:05:57 | |
I wish we could be here when we see the people actually walk | 0:05:57 | 0:06:00 | |
through the door, because their faces are going to be a picture. | 0:06:00 | 0:06:04 | |
Hopefully, not like the one behind you. | 0:06:04 | 0:06:06 | |
With meticulous detail, each room is dressed authentically to its time. | 0:06:08 | 0:06:13 | |
This is my favourite room. | 0:06:13 | 0:06:15 | |
The kitchen was inspired by 1954 New Orleans, | 0:06:15 | 0:06:19 | |
having all of the 1950s gadgetry, as well. | 0:06:19 | 0:06:23 | |
This is where we hide the microwave. | 0:06:23 | 0:06:26 | |
Let's see if they find that. | 0:06:26 | 0:06:28 | |
Filled with stories and secrets, | 0:06:30 | 0:06:33 | |
this magical wonderland has a Norwegian boathouse bathroom, | 0:06:33 | 0:06:38 | |
a 1920s Manhattan office, a Cambodian attic treehouse | 0:06:38 | 0:06:43 | |
and something no house should be without. | 0:06:43 | 0:06:47 | |
This is, erm, known as the haunted bedroom. | 0:06:47 | 0:06:50 | |
It's an Edwardian room, it's 1911 and what isn't obvious, | 0:06:50 | 0:06:55 | |
is, actually, it's a child's bedroom. | 0:06:55 | 0:06:58 | |
The child's no longer with us. | 0:06:58 | 0:07:00 | |
You write sort of creep stories and stuff. | 0:07:00 | 0:07:03 | |
I mean, there's nothing more creepy than a dead child, is there? | 0:07:03 | 0:07:06 | |
Exactly. | 0:07:06 | 0:07:07 | |
These global travellers have clear thoughts | 0:07:09 | 0:07:12 | |
on their ideal home swap destination. | 0:07:12 | 0:07:14 | |
Tacky seaside towns just don't do it for me. | 0:07:14 | 0:07:17 | |
For me, I love history, so, anything ultra-modern, I think, | 0:07:17 | 0:07:22 | |
-will be terrible. -No, no. -No. | 0:07:22 | 0:07:25 | |
Well, you'll find out where you're heading soon enough. | 0:07:25 | 0:07:28 | |
True to form, our home swappers have trusted us | 0:07:30 | 0:07:33 | |
to decide where they're going. | 0:07:33 | 0:07:35 | |
Is the bathroom clean? | 0:07:35 | 0:07:37 | |
Of course it is, the entire house is clean. | 0:07:37 | 0:07:40 | |
So, with a final flourish of flowers and a plump of the cushions, | 0:07:40 | 0:07:44 | |
let's tell them where they're heading. | 0:07:44 | 0:07:47 | |
First up, Henry and Oxana are going to Essex. | 0:07:47 | 0:07:51 | |
-Essex. -Essex. | 0:07:51 | 0:07:53 | |
OK, very good. It's a county we don't know particularly well. | 0:07:53 | 0:07:56 | |
-I don't know it well. -Well, there you go. -That's good. | 0:07:56 | 0:08:01 | |
And best buds, John and Sarah, are going to Norfolk. | 0:08:01 | 0:08:06 | |
-Norfolk? -Norfolk? -Do you know much about Norfolk? | 0:08:06 | 0:08:09 | |
I do. It's very flat. | 0:08:09 | 0:08:11 | |
Both our households are keen to leave their guests with a clean | 0:08:14 | 0:08:17 | |
and tidy home. | 0:08:17 | 0:08:18 | |
We hope you have an enjoyable lovely stay at our house. | 0:08:20 | 0:08:23 | |
-Don't mess it up. -No. We can't put that. | 0:08:23 | 0:08:27 | |
Doors locked, it's time to hand over their keys and hit the road. | 0:08:27 | 0:08:31 | |
Henry and Oxana are making their way 89 miles south to | 0:08:33 | 0:08:37 | |
Great Dunmow in Essex. | 0:08:37 | 0:08:39 | |
This varied county is a mix of expansive farmland, | 0:08:40 | 0:08:44 | |
stunning coastal marshes and dramatic seascapes. | 0:08:44 | 0:08:47 | |
It's surprisingly rural with green spaces such as the ancient | 0:08:49 | 0:08:53 | |
woodland of Epping Forest holding back the sprawl of London. | 0:08:53 | 0:08:57 | |
With the exception of its major commuter towns, Colchester | 0:08:59 | 0:09:02 | |
and Chelmsford, this unexpected county is home to pretty | 0:09:02 | 0:09:06 | |
market towns and villages. | 0:09:06 | 0:09:09 | |
OK, so this must be it here. | 0:09:09 | 0:09:11 | |
Not quite what I expected, I must admit. | 0:09:11 | 0:09:13 | |
Arriving in Great Dunmow, Henry and Oxana set eyes | 0:09:13 | 0:09:17 | |
on their home away from home. | 0:09:17 | 0:09:19 | |
-OK. -A semi. -Yeah. -Is it semi? | 0:09:19 | 0:09:21 | |
It's smaller than I thought. | 0:09:21 | 0:09:23 | |
The black on the windows, that would concern me a little bit. | 0:09:23 | 0:09:26 | |
Perhaps it's dark and sinister in there. | 0:09:26 | 0:09:28 | |
-Do you think? -Ghosts! -Well. | 0:09:28 | 0:09:30 | |
Meanwhile, friends, John and Sarah, are heading 89 miles north | 0:09:33 | 0:09:37 | |
to Tatterford in Norfolk. | 0:09:37 | 0:09:39 | |
This county is home to many Areas of Outstanding Natural Beauty with | 0:09:40 | 0:09:44 | |
big skies, tranquil countryside, even the odd windmill. | 0:09:44 | 0:09:49 | |
With an abundance of historic towns and villages, its capital, | 0:09:50 | 0:09:54 | |
Norwich, is famous for its 12th-century medieval cathedral. | 0:09:54 | 0:09:57 | |
For those seeking to dip their toe in the North Sea, it's a county with | 0:09:59 | 0:10:03 | |
a diverse coastline from sweeping shingle beaches to sandy dunes. | 0:10:03 | 0:10:08 | |
Inland, 30 miles north of Norwich, is the small village of Tatterford. | 0:10:10 | 0:10:15 | |
Oh, look at all this open space. | 0:10:15 | 0:10:19 | |
In Norfolk, no-one can hear you scream. | 0:10:19 | 0:10:22 | |
Now, John and Sarah can set eyes on their hidden rural escape. | 0:10:25 | 0:10:29 | |
-Oh. -This looks very nice. | 0:10:29 | 0:10:31 | |
Is it a barn or a...? | 0:10:31 | 0:10:33 | |
Converted barn? | 0:10:33 | 0:10:34 | |
Wow, look at that view. | 0:10:36 | 0:10:37 | |
-This is wonderful. -Wow. | 0:10:39 | 0:10:42 | |
-This is nice. -Is this all theirs? | 0:10:42 | 0:10:45 | |
Look at that view. Wow. | 0:10:45 | 0:10:47 | |
You could sit here and look at it for hours. | 0:10:47 | 0:10:50 | |
As John and Sarah take in their new location... | 0:10:51 | 0:10:54 | |
..over in Essex, Henry and Oxana are bravely stepping over the threshold. | 0:10:55 | 0:11:00 | |
Crikey, this is going to be an unusual one, isn't it? | 0:11:03 | 0:11:06 | |
Listen to that creak! | 0:11:06 | 0:11:09 | |
Crikey. | 0:11:10 | 0:11:12 | |
Look straight ahead. | 0:11:12 | 0:11:14 | |
Mama! I'm really nervous. | 0:11:14 | 0:11:17 | |
It's so different. | 0:11:17 | 0:11:19 | |
You wonder what the people are like that live here. | 0:11:19 | 0:11:22 | |
-I don't know what they do, but they do something crazy. -Yeah. | 0:11:22 | 0:11:26 | |
While Henry and Oxana absorb their eerie surroundings, in | 0:11:28 | 0:11:33 | |
Norfolk, Sarah and John are keen to see what treasures are held indoors. | 0:11:33 | 0:11:38 | |
Oh, I do like those chairs. | 0:11:38 | 0:11:40 | |
Oh, to our guests. | 0:11:43 | 0:11:44 | |
The guide. | 0:11:44 | 0:11:46 | |
Both households have left a manual packed with all | 0:11:46 | 0:11:49 | |
they need to know during their stay. | 0:11:49 | 0:11:51 | |
"Dear home swappers, we hope you will love staying in our home in Norfolk. | 0:11:52 | 0:11:56 | |
-"Explore, enjoy." -"Endeavour." -Endeavour. -Endeavour. -Endeavour! | 0:11:56 | 0:12:00 | |
I like that as a word. | 0:12:00 | 0:12:02 | |
In a spirit of endeavour, manuals in hand, | 0:12:03 | 0:12:05 | |
our swappers set out to explore their new dwellings. | 0:12:05 | 0:12:09 | |
Oh, my God. Oh, God, look at all that space. | 0:12:09 | 0:12:13 | |
"Open-plan sitting and dining room, generous and comfortable," | 0:12:13 | 0:12:16 | |
it certainly is. | 0:12:16 | 0:12:17 | |
-And the zebra skin. I think they are going to get Talliston. -THEY LAUGH | 0:12:19 | 0:12:24 | |
With a keen eye, John doesn't waste any time seeking out clues | 0:12:26 | 0:12:30 | |
on their hosts' identities. | 0:12:30 | 0:12:32 | |
They're definitely travellers, aren't they? | 0:12:32 | 0:12:34 | |
Because it says here, "matching armchairs which were | 0:12:34 | 0:12:36 | |
"acquired in Afghanistan" and you've got Russian dolls. | 0:12:36 | 0:12:39 | |
Let's have a look at the books. Africa, Central Asia, Turkey. | 0:12:39 | 0:12:43 | |
And on the door, you've got the children, look. | 0:12:43 | 0:12:46 | |
Boris, Vera, Sergei, Oxana and Henry. | 0:12:46 | 0:12:52 | |
Five, five children? | 0:12:52 | 0:12:54 | |
Ten points for effort, John, but I don't know many kids that tall! | 0:12:54 | 0:12:58 | |
Over in Essex, Henry and Oxana's nerves | 0:12:59 | 0:13:02 | |
are being tested at every turn. | 0:13:02 | 0:13:05 | |
So, this is the chapel, I guess. | 0:13:05 | 0:13:07 | |
What's that in the corner? Is that a raven? | 0:13:07 | 0:13:10 | |
-He's watching us. -God, how many things are there? | 0:13:10 | 0:13:13 | |
Not quite what I expected. | 0:13:18 | 0:13:20 | |
Here we go the, "The voodoo altar, | 0:13:21 | 0:13:23 | |
"upon this candle covered ledge are such items as messenger dolls, | 0:13:23 | 0:13:27 | |
"hoodoo bottles and a black Madonna doll's head." | 0:13:27 | 0:13:30 | |
Yeah, that's... that's slightly unusual. | 0:13:32 | 0:13:34 | |
And it doesn't end there. | 0:13:34 | 0:13:36 | |
It's a library. No? | 0:13:38 | 0:13:40 | |
There you go. | 0:13:42 | 0:13:44 | |
So, do the spine-chilling surroundings offer any clues | 0:13:44 | 0:13:48 | |
to their host's identity? | 0:13:48 | 0:13:50 | |
There's a sorcerer living in here, | 0:13:50 | 0:13:52 | |
there's a horror movie about butterflies everywhere. | 0:13:52 | 0:13:56 | |
Well, you're in it now. | 0:13:56 | 0:13:57 | |
Comforting words, Henry. | 0:13:59 | 0:14:00 | |
Back in Norfolk, Sarah and John | 0:14:02 | 0:14:04 | |
are steadily making their way through the converted barn. | 0:14:04 | 0:14:07 | |
Are these all the bedrooms? | 0:14:07 | 0:14:09 | |
Cos I'm just thinking, don't say they turned up at Talliston | 0:14:09 | 0:14:13 | |
with five children. | 0:14:13 | 0:14:14 | |
Keen to see where they'll sleep tonight, | 0:14:17 | 0:14:19 | |
they check out the many bedrooms. | 0:14:19 | 0:14:21 | |
Oh, more animal skins. Bunk beds. | 0:14:22 | 0:14:26 | |
Two kids. Going to go top or bottom? | 0:14:26 | 0:14:29 | |
Is this our room? Look, artillery. | 0:14:29 | 0:14:31 | |
Definite military links. Hairdryer, not quite military. | 0:14:31 | 0:14:36 | |
Not quite military issue, is it? | 0:14:36 | 0:14:38 | |
Also on the search for sanctuary, over in Essex... | 0:14:38 | 0:14:42 | |
-Crikey, you wouldn't expect this in a semidetached, would you? -No. | 0:14:42 | 0:14:47 | |
Henry and Oxana brave the stairs. | 0:14:47 | 0:14:49 | |
We're going into another world, aren't we? The haunted bedroom. | 0:14:49 | 0:14:53 | |
DOOR CREAKS | 0:14:53 | 0:14:56 | |
Oh, it squeaks. | 0:14:56 | 0:14:57 | |
It would have to be a squeaking door, wouldn't it? | 0:14:57 | 0:15:00 | |
It's not the only bedroom in the house, is it? | 0:15:00 | 0:15:02 | |
And what story has John conjured up for his guests? | 0:15:02 | 0:15:06 | |
"Jack, poor thing, always complained of noises, ah, in the night, but | 0:15:06 | 0:15:11 | |
"it was only after the boy's death that the first true hauntings began. | 0:15:11 | 0:15:16 | |
"If you're a naughty boy tonight, you sleeping here. Definitely." | 0:15:18 | 0:15:21 | |
Back in the seemingly endless Norfolk barn, | 0:15:24 | 0:15:27 | |
there's one door John and Sarah have yet to open. | 0:15:27 | 0:15:31 | |
What's through this door? Well, it says a "sauna". | 0:15:31 | 0:15:35 | |
It is a sauna. | 0:15:37 | 0:15:39 | |
Oh, what are these. | 0:15:39 | 0:15:41 | |
They're sauna hats. Are you supposed to wear them in a sauna? | 0:15:41 | 0:15:43 | |
I don't know. | 0:15:43 | 0:15:46 | |
Meanwhile, in Essex, Henry is dragging Oxana to new | 0:15:46 | 0:15:50 | |
terrifying heights. | 0:15:50 | 0:15:52 | |
Go on, take another step and then a hand up here, now put a knee there. | 0:15:52 | 0:15:56 | |
Well done, you're up. | 0:15:58 | 0:15:59 | |
We're in a treehouse, can you believe? | 0:15:59 | 0:16:01 | |
Well, I feel as if I've travelled around the world | 0:16:01 | 0:16:03 | |
-and not just around the world in time, as well. -Time travel. -Yep. | 0:16:03 | 0:16:07 | |
How do we get downstairs? | 0:16:07 | 0:16:09 | |
Now we can worry about that. That's it almost there. | 0:16:09 | 0:16:13 | |
Put your left hand there. | 0:16:13 | 0:16:15 | |
While Henry navigates Oxana to safety. | 0:16:17 | 0:16:20 | |
-You OK? -No. I want to be OK when I'm on the floor. | 0:16:20 | 0:16:24 | |
Over in Norfolk, John and Sarah waste no time | 0:16:24 | 0:16:27 | |
getting relaxed in their new temporary home. | 0:16:27 | 0:16:30 | |
What a day. | 0:16:31 | 0:16:33 | |
Who'd have thought we'd end up in a sauna in Norfolk. | 0:16:33 | 0:16:37 | |
Indeed. And I think I've got an idea for another room at Talliston. | 0:16:37 | 0:16:42 | |
-Cheers. -Cheers. | 0:16:43 | 0:16:44 | |
Not sure you should be drinking wine in a sauna, you two! | 0:16:44 | 0:16:49 | |
Back in Essex, Henry and Oxana have returned to the relative safety | 0:16:49 | 0:16:52 | |
of the kitchen. | 0:16:52 | 0:16:54 | |
-It's the most outrageous house. -It's not outrageous. | 0:16:54 | 0:16:57 | |
-I've ever visited. -It's a wonder box. | 0:16:57 | 0:16:59 | |
-It's overwhelming, isn't it? -I am scared, but I'm with you. | 0:16:59 | 0:17:03 | |
Well, here's to a good night's sleep. | 0:17:03 | 0:17:05 | |
In Norfolk, refreshed from their first night's sleep, | 0:17:10 | 0:17:13 | |
Sarah and John are enjoying a taste of the good life | 0:17:13 | 0:17:16 | |
in their host's kitchen garden. | 0:17:16 | 0:17:18 | |
There's raspberries here. | 0:17:19 | 0:17:21 | |
Meanwhile, in Essex, Oxana reflects on a spooky late-night visitor. | 0:17:21 | 0:17:26 | |
You had a dream last night? What happened? | 0:17:26 | 0:17:28 | |
In my dreams, there was a boy walking in the bedroom | 0:17:28 | 0:17:31 | |
in white pyjamas, white Edwardian, | 0:17:31 | 0:17:33 | |
I think it was lacey things. | 0:17:33 | 0:17:35 | |
-No. -As soon as I see freaky children wearing white, I'm done. | 0:17:35 | 0:17:39 | |
But Norfolk isn't entirely safe from John's sinister imagination. | 0:17:41 | 0:17:45 | |
Hopefully, there's nothing poisonous. | 0:17:45 | 0:17:48 | |
I'm sure it won't be. | 0:17:48 | 0:17:49 | |
Deadly nightshade. | 0:17:51 | 0:17:52 | |
Let's imagine, you're driving in Norfolk, 11 o'clock at night, | 0:17:54 | 0:17:58 | |
and there are two little girls in pristine white dresses | 0:17:58 | 0:18:00 | |
standing by the road holding hands with each other. | 0:18:00 | 0:18:03 | |
May have just come back from a fancy dress party and they're lost. | 0:18:03 | 0:18:06 | |
At 11 o'clock at night? Well, I think you'll freak out. | 0:18:06 | 0:18:09 | |
-May do, but I would at least stop. -You'd never stop. | 0:18:09 | 0:18:11 | |
-No, I would stop. -No, you wouldn't! | 0:18:11 | 0:18:14 | |
Keen to get to know their local areas, | 0:18:16 | 0:18:18 | |
both sets of swappers head out to explore. | 0:18:18 | 0:18:21 | |
-Look at the bell tower there. -It's beautiful. It's nice. | 0:18:22 | 0:18:25 | |
That is a very, very old wisteria. | 0:18:25 | 0:18:27 | |
Henry and Oxana are staying in the market town of Great Dunmow | 0:18:30 | 0:18:34 | |
in North West Essex. | 0:18:34 | 0:18:35 | |
It's great to live in Dunmow. | 0:18:36 | 0:18:38 | |
My family have been here for many years. | 0:18:38 | 0:18:40 | |
It's really accessible to get into town, into London or Cambridge | 0:18:40 | 0:18:43 | |
with the M11 and Stansted Airport | 0:18:43 | 0:18:45 | |
is just round the corner, which is fab. | 0:18:45 | 0:18:47 | |
Just an hour's drive from the capital, | 0:18:47 | 0:18:50 | |
Great Dunmow is a mix of rural charm and medieval history, | 0:18:50 | 0:18:54 | |
with superb transport links. | 0:18:54 | 0:18:57 | |
From riverside to pond-side, | 0:18:57 | 0:19:00 | |
within easy reach of the bustling high street, | 0:19:00 | 0:19:03 | |
you can take your pick of some truly wonderful sightseeing spots. | 0:19:03 | 0:19:07 | |
Rich in heritage and local traditions, the town's close | 0:19:09 | 0:19:13 | |
community is proud to welcome visitors from near and far. | 0:19:13 | 0:19:16 | |
Everyone seems to know each other, the restaurants are great, | 0:19:17 | 0:19:21 | |
the hotels are lovely. | 0:19:21 | 0:19:22 | |
If I was to say for somebody to come and visit, | 0:19:22 | 0:19:26 | |
I would say come and see Dunmow. | 0:19:26 | 0:19:28 | |
Bring more people in. | 0:19:28 | 0:19:29 | |
Just off the high street, Henry and Oxana discover the Maltings Museum | 0:19:31 | 0:19:36 | |
where owner Steve Scorer is keen to explain a famous local custom. | 0:19:36 | 0:19:42 | |
Have you heard we're known as the flitch town? | 0:19:42 | 0:19:44 | |
I've read it, but I don't know what it means. | 0:19:44 | 0:19:46 | |
We keep asking each other, what is it? What is it? It's a big secret. | 0:19:46 | 0:19:49 | |
Well, we have a 900 year old custom in the town, | 0:19:49 | 0:19:53 | |
where couples that have been married for at least a year and a day | 0:19:53 | 0:19:56 | |
and never had an argument, can apply for the flitch. | 0:19:56 | 0:20:01 | |
In this four-yearly ritual, | 0:20:01 | 0:20:03 | |
a jury of 12 local bachelors and maidens need to be convinced | 0:20:03 | 0:20:08 | |
by the couple that they've never wished themselves unwed. | 0:20:08 | 0:20:12 | |
Pat and I were fortunate that in the last flitch trials in 2012, | 0:20:12 | 0:20:18 | |
we actually won the flitch. | 0:20:18 | 0:20:20 | |
We have a photograph on the wall... | 0:20:20 | 0:20:23 | |
-Ah... -..where Pat and I are being carried. -Right. -Right. | 0:20:23 | 0:20:27 | |
The victorious, happily married couple | 0:20:27 | 0:20:29 | |
is paraded along the high street | 0:20:29 | 0:20:31 | |
and receive a flitch, or side of bacon. | 0:20:31 | 0:20:35 | |
And the couples that have failed it, how did they manage to fail? | 0:20:35 | 0:20:38 | |
One chap couldn't remember their wedding date. | 0:20:38 | 0:20:41 | |
-Oh! -And that was it. -Yes. -Right. | 0:20:41 | 0:20:43 | |
That happens to somebody standing next to me. | 0:20:43 | 0:20:45 | |
LAUGHTER | 0:20:45 | 0:20:47 | |
While Henry fails the flitch at the first hurdle, | 0:20:47 | 0:20:51 | |
John and Sarah are exploring the barn's surrounding area. | 0:20:51 | 0:20:56 | |
Here in Norfolk, nestled in open countryside and rolling fields | 0:20:57 | 0:21:01 | |
is the small, picturesque village of Tatterford. | 0:21:01 | 0:21:04 | |
Mainly residential, with few nearby amenities, | 0:21:05 | 0:21:08 | |
Tatterford's rural setting is its main attraction to locals, | 0:21:08 | 0:21:12 | |
or those seeking an escape from the hustle and bustle. | 0:21:12 | 0:21:16 | |
There's always something to do and, erm, when the weather's nice, | 0:21:16 | 0:21:21 | |
you couldn't beat it, and I'm a Londoner. | 0:21:21 | 0:21:23 | |
If you fancy exploring the coastline and waterways, | 0:21:25 | 0:21:28 | |
you might consider taking a ride in a traditional Norfolk crab boat. | 0:21:28 | 0:21:32 | |
If you're going to come to Norfolk, | 0:21:32 | 0:21:34 | |
one of the places you simply must go is up to the coast. | 0:21:34 | 0:21:37 | |
There are wonderful beaches | 0:21:37 | 0:21:38 | |
and huge great salt marshes to wander around, brilliant wildlife. | 0:21:38 | 0:21:42 | |
Tatterford's nearest town is Fakenham, | 0:21:44 | 0:21:47 | |
just five miles away, | 0:21:47 | 0:21:48 | |
where artefact enthusiast John, and Sarah, | 0:21:48 | 0:21:51 | |
are checking out a museum housed in its former gasworks. | 0:21:51 | 0:21:56 | |
In this protected, ancient monument, | 0:21:56 | 0:21:59 | |
gas was produced from heating coal for 120 years | 0:21:59 | 0:22:03 | |
before its closure in 1965. | 0:22:03 | 0:22:07 | |
They've got gas meters over here. I'm going to find it | 0:22:07 | 0:22:10 | |
really difficult to get excited looking at gas meters. | 0:22:10 | 0:22:13 | |
-No. Gas, gas meters aren't doing it for me. -Really? | 0:22:15 | 0:22:19 | |
THEY LAUGH | 0:22:19 | 0:22:21 | |
-Don't you want to create a new room for the gas meters? -To put the gas meters in. Yeah. | 0:22:21 | 0:22:25 | |
This being the only surviving | 0:22:25 | 0:22:27 | |
complete collection of gasworks in the UK, | 0:22:27 | 0:22:30 | |
it doesn't take long to pique antique enthusiast John's interest. | 0:22:30 | 0:22:35 | |
I do love the fact that even the most... | 0:22:36 | 0:22:39 | |
ordinary things... | 0:22:39 | 0:22:41 | |
-All beautiful. -..were all embellished and all beautiful. | 0:22:41 | 0:22:45 | |
-It's more like a piece of art... -Yeah. -..rather than a fire | 0:22:45 | 0:22:49 | |
and I think that's the thing that I really love about the past, | 0:22:49 | 0:22:53 | |
is everything has a story and it has a beauty, | 0:22:53 | 0:22:56 | |
like William Morris said about everything in your house | 0:22:56 | 0:22:59 | |
-should be either beautiful or functional. -Mm. | 0:22:59 | 0:23:03 | |
Yeah, that's how I choose my friends, as well. | 0:23:03 | 0:23:05 | |
JOHN LAUGHS | 0:23:05 | 0:23:06 | |
-Mm! -Now, what does that make me? | 0:23:06 | 0:23:08 | |
THEY LAUGH | 0:23:08 | 0:23:10 | |
Now, to add some fire to the proceedings, | 0:23:11 | 0:23:14 | |
our home swappers are going to score each other's areas. | 0:23:14 | 0:23:18 | |
Has this morning in Great Dunmow | 0:23:18 | 0:23:20 | |
been a marriage made in heaven for Henry and Oxana? | 0:23:20 | 0:23:23 | |
I like the area, it's traditional, | 0:23:23 | 0:23:25 | |
it's got some nice historical buildings, | 0:23:25 | 0:23:27 | |
but most importantly, it's got this heart to it on the main road, | 0:23:27 | 0:23:30 | |
it's got this soul because people come in, | 0:23:30 | 0:23:32 | |
it's got the nice tea rooms, there's a pub, which is the hotel, | 0:23:32 | 0:23:35 | |
-so, I think it's great. -I really, really like it. | 0:23:35 | 0:23:38 | |
So, I think for those reasons, we're going to give it an eight. | 0:23:38 | 0:23:42 | |
And how do John and Sarah rate their time in Tatterford? | 0:23:42 | 0:23:46 | |
'The gas museum, | 0:23:46 | 0:23:48 | |
'that was unique and it was to the area.' | 0:23:48 | 0:23:51 | |
'And then, charming-looking town, but... | 0:23:51 | 0:23:54 | |
-'Once you've seen it... -Once you've seen it, you've seen it. -Yeah.' | 0:23:54 | 0:23:57 | |
So, um, overall... | 0:23:57 | 0:23:59 | |
-give it a seven. -Seven. | 0:23:59 | 0:24:01 | |
So, Great Dunmow takes the lead. | 0:24:01 | 0:24:04 | |
To help boost our swappers' experiences of what's on offer | 0:24:05 | 0:24:08 | |
in each location, they're both given an afternoon activity to try. | 0:24:08 | 0:24:12 | |
So, what's in store for John and Sarah in Norfolk? | 0:24:14 | 0:24:18 | |
"We'd love you to say, tanks, tanks... | 0:24:18 | 0:24:21 | |
-Tanks. -"..for the memory." Tanks. -Oh, tanks! | 0:24:21 | 0:24:25 | |
"So, this afternoon, you'll be learning to drive | 0:24:25 | 0:24:27 | |
-"an armoured vehicle... -Yes! -"..at a local military museum." | 0:24:27 | 0:24:31 | |
-Oh, my God, you... -Brilliant. | 0:24:31 | 0:24:32 | |
-You in a tank? -Oh... | 0:24:32 | 0:24:35 | |
My God. Look out, Norfolk! | 0:24:35 | 0:24:37 | |
And what will Henry and Oxana be doing in Essex? | 0:24:39 | 0:24:43 | |
"With an international airport on your doorstep, | 0:24:43 | 0:24:45 | |
"the sky's the limit, so, today, it's chocks away, | 0:24:45 | 0:24:48 | |
"as you take off on your own private flying lesson." | 0:24:48 | 0:24:51 | |
-OXANA LAUGHS -That's fantastic, that's good. | 0:24:51 | 0:24:53 | |
-This is cool. -Yeah. -This is really cool. | 0:24:53 | 0:24:56 | |
MUSIC: Millennium by Robbie Williams | 0:24:56 | 0:24:58 | |
Just half an hour from the house, | 0:24:58 | 0:25:00 | |
Henry and Oxana are joining instructor Matt Chapel | 0:25:00 | 0:25:03 | |
at an airfield in the heart of the Essex countryside. | 0:25:03 | 0:25:06 | |
After a quick safety briefing, they're preparing for takeoff. | 0:25:08 | 0:25:12 | |
-Ah, big ears. Do I look like an idiot? -You look like a pilot, | 0:25:12 | 0:25:15 | |
a professional pilot, that's not going to make a mistake or crash. | 0:25:15 | 0:25:19 | |
During this one-hour flight, | 0:25:19 | 0:25:21 | |
pilot Matt will eventually let Oxana take control of the plane. | 0:25:21 | 0:25:27 | |
-Oxana's not involved in any of this, Matt, is she? -No, I'm... | 0:25:27 | 0:25:29 | |
-No, no! -MATT LAUGHS | 0:25:29 | 0:25:31 | |
Golf, Yankee, Kilo, ready for departure, runway 24. | 0:25:31 | 0:25:33 | |
-RADIO: -'Golf, Yankee, Kilo, Roger. | 0:25:33 | 0:25:35 | |
'So, between two, four, zero, one, zero.' | 0:25:35 | 0:25:37 | |
OK, is everybody ready to go? Ready? OK. | 0:25:37 | 0:25:40 | |
This light aircraft reaches an altitude of 3,000 feet... | 0:25:42 | 0:25:46 | |
..giving an unbeatable view of the Essex landscape. | 0:25:47 | 0:25:51 | |
It feels amazing. | 0:25:51 | 0:25:53 | |
So much better than on a big plane, | 0:25:53 | 0:25:55 | |
-you're just suddenly up in the air straightaway. -That's it. | 0:25:55 | 0:25:58 | |
Oh... | 0:25:58 | 0:26:00 | |
What a treat. So beautiful. | 0:26:00 | 0:26:02 | |
-Fantastic. -I'm feeling a bit nervous when you take control. | 0:26:03 | 0:26:07 | |
-OK... -My hands are sweating. -Are they? -They are. | 0:26:07 | 0:26:10 | |
They normally don't sweat, never. | 0:26:10 | 0:26:12 | |
Over in Norfolk, | 0:26:17 | 0:26:18 | |
John and Sarah | 0:26:18 | 0:26:19 | |
are at the UK's largest privately owned military museum, | 0:26:19 | 0:26:23 | |
where local enthusiasts Victor Farrow and Sir Michael Savoury | 0:26:23 | 0:26:27 | |
are keen to show them the ropes. | 0:26:27 | 0:26:30 | |
Very shortly, you'll be driving a... | 0:26:30 | 0:26:31 | |
fighting vehicle 432 armoured personnel carrier. | 0:26:31 | 0:26:34 | |
-Oh, looking forward to this. -It requires a bit of muscle, but I'm sure you can cope. -Oh, yes. | 0:26:34 | 0:26:38 | |
And, er, before we get on to driving it... | 0:26:38 | 0:26:41 | |
-Yes. -..we've got to get you kitted up in uniform | 0:26:41 | 0:26:43 | |
-and we'll go in and get you changed. Go straight in. -Thank you... | 0:26:43 | 0:26:46 | |
The museum hosts an extensive collection of real uniforms | 0:26:46 | 0:26:50 | |
and headwear from before World War I to the present day. | 0:26:50 | 0:26:54 | |
There's bound to be one that fits. | 0:26:54 | 0:26:56 | |
Oh, that's very small. | 0:26:56 | 0:26:58 | |
-Oh, is it? -You've got a big head. | 0:26:58 | 0:27:00 | |
Thank you. | 0:27:00 | 0:27:02 | |
Don't tell him your name, Pike. | 0:27:02 | 0:27:04 | |
THEY LAUGH | 0:27:04 | 0:27:06 | |
-Try that. -What, is it a bigger one? | 0:27:06 | 0:27:08 | |
Yeah, he's got a big head. | 0:27:08 | 0:27:10 | |
I've got a really big head and it looks really silly. | 0:27:10 | 0:27:12 | |
-That's even smaller. -Oh, that's even smaller. | 0:27:12 | 0:27:15 | |
Oh, oh, look at that one. | 0:27:15 | 0:27:17 | |
That's a serious helmet. | 0:27:17 | 0:27:19 | |
Is that on back to front? | 0:27:19 | 0:27:21 | |
That all right? | 0:27:21 | 0:27:23 | |
It looks too small for you. | 0:27:23 | 0:27:24 | |
-That's it. -That's got to be big enough. -Yeah. | 0:27:26 | 0:27:29 | |
-Yeah? -This will be yours. | 0:27:29 | 0:27:31 | |
-SARAH LAUGHS -Exactly! | 0:27:31 | 0:27:33 | |
Back among the Essex clouds, | 0:27:33 | 0:27:35 | |
control of the flight is soon to be placed in Oxana's hands. | 0:27:35 | 0:27:39 | |
All right? Now, can you see where the horizon is in the windscreen? | 0:27:39 | 0:27:42 | |
-Where the sky meets the ground or the sea in this case? -Yeah. -OK? | 0:27:42 | 0:27:46 | |
So, what you want to do is try and keep that picture out the window. | 0:27:46 | 0:27:49 | |
If Oxana wishes, today's experience could be counted | 0:27:49 | 0:27:52 | |
towards gaining her own private pilot's licence. | 0:27:52 | 0:27:56 | |
-OK. -I'm so nervous. -So, when I give the controls to you... -Oh, no. | 0:27:57 | 0:28:00 | |
OK? Put your hands, put your hands on the control wheel. | 0:28:00 | 0:28:03 | |
-Ah! What am I doing? -So, you can see it's starting to go to the right. | 0:28:03 | 0:28:08 | |
Just put a little bit of the control column to the left. | 0:28:08 | 0:28:10 | |
-How does it feel, Oxana? -I feel so scared. | 0:28:10 | 0:28:13 | |
-I feel... -You are flying me now, are you? -Da. -Yes. -Yes. | 0:28:13 | 0:28:17 | |
THEY LAUGH | 0:28:17 | 0:28:19 | |
Now, guided by Matt, some aerobatic turns. | 0:28:19 | 0:28:23 | |
-See the nose going above the horizon? -Oh, yes. | 0:28:23 | 0:28:25 | |
So, just push the control column forward just a little bit. | 0:28:25 | 0:28:28 | |
-OXANA GASPS -That's it. | 0:28:28 | 0:28:30 | |
-And then... -Oi! | 0:28:30 | 0:28:32 | |
Oh... | 0:28:32 | 0:28:33 | |
Oh, don't take...don't, look, please, don't do it. | 0:28:33 | 0:28:37 | |
Put this better way, please. | 0:28:37 | 0:28:39 | |
-Just push me while I'm doing this. -I'm going to do a scoring system... | 0:28:39 | 0:28:42 | |
What I'm doing now?! | 0:28:42 | 0:28:44 | |
How long this torture is for? | 0:28:44 | 0:28:46 | |
-Are you OK in the back? -I'm OK. | 0:28:46 | 0:28:48 | |
OXANA HYPERVENTILATES | 0:28:48 | 0:28:49 | |
I'm forgetting what I'm doing. | 0:28:49 | 0:28:51 | |
So, if you just steer to the right for me. | 0:28:51 | 0:28:53 | |
I'll tell you when to level the wings. | 0:28:53 | 0:28:56 | |
-Oh... -That's it, right, level the wings there. | 0:28:56 | 0:28:59 | |
That's it, get the wings nice and straight again. | 0:28:59 | 0:29:02 | |
OK, I'm going to take control, | 0:29:02 | 0:29:03 | |
but if you want to hold on to the control paddle, as well, you're welcome to, OK? | 0:29:03 | 0:29:07 | |
So, you're back in control, Matt? | 0:29:07 | 0:29:09 | |
-I'm back in control. -OK. -Oh, what a pressure. It was such pressure. | 0:29:09 | 0:29:13 | |
-INDISTINCT RADIO VOICE: -'On runway, two, four.' | 0:29:13 | 0:29:15 | |
-You should be very pleased with what you managed to do. -I'm very pleased. | 0:29:15 | 0:29:18 | |
Oh, I'm pleased to be up in the air. | 0:29:18 | 0:29:20 | |
Very smooth. | 0:29:22 | 0:29:23 | |
I've been practising. | 0:29:23 | 0:29:25 | |
THEY LAUGH | 0:29:25 | 0:29:26 | |
Back on the army camp in Norfolk, | 0:29:29 | 0:29:31 | |
John's learning how to control a multi-tonne military tank. | 0:29:31 | 0:29:35 | |
All you've got to worry about is your throttle on the right, | 0:29:35 | 0:29:38 | |
and the two sticks in front, | 0:29:38 | 0:29:40 | |
which are your brake and steering stick, all right? | 0:29:40 | 0:29:42 | |
Guided by Victor Farrow, John makes a move. | 0:29:42 | 0:29:46 | |
That's your driving position there, all right? | 0:29:46 | 0:29:48 | |
ENGINE WHINES | 0:29:48 | 0:29:50 | |
Going on the right when you can, slowly, all right? | 0:29:50 | 0:29:53 | |
'It was very noisy and uncomfortable. | 0:29:53 | 0:29:57 | |
It really was tough to pull all those things | 0:29:57 | 0:30:00 | |
'and try to remember and not to stall it and everything.' | 0:30:00 | 0:30:03 | |
I used to have the reputation of being a really bad driver, | 0:30:03 | 0:30:06 | |
'so I drove a Volkswagen Beetle' | 0:30:06 | 0:30:08 | |
'and they used to call it the "Death Watch Beetle".' | 0:30:08 | 0:30:10 | |
JOHN LAUGHS | 0:30:10 | 0:30:12 | |
Clear the roads, Norfolk! | 0:30:13 | 0:30:15 | |
Next, it's Sarah's turn at the controls. | 0:30:16 | 0:30:19 | |
MUSIC: Tank by The Stranglers | 0:30:19 | 0:30:21 | |
I really enjoyed it. Maybe I'm a tank person. | 0:30:23 | 0:30:26 | |
I mean, on that stretch, | 0:30:26 | 0:30:27 | |
you, all of sudden, you seemed to say, right, | 0:30:27 | 0:30:29 | |
I know what I'm doing and we went...vroom! | 0:30:29 | 0:30:32 | |
-Yes. -INDISTINCT | 0:30:32 | 0:30:33 | |
I prefer driving to being in the back. | 0:30:33 | 0:30:36 | |
My inner control freak is coming out. | 0:30:36 | 0:30:40 | |
THEY LAUGH | 0:30:40 | 0:30:41 | |
-So... -Yes... -Finishing their activities, on the way back, | 0:30:43 | 0:30:47 | |
both sets of swappers can't resist taking a little peak | 0:30:47 | 0:30:50 | |
at how property prices here compare to those back at home. | 0:30:50 | 0:30:55 | |
That's a beautiful house. I guess that would probably be... | 0:30:55 | 0:30:58 | |
a million, two million? | 0:30:58 | 0:30:59 | |
Houses are dearer here, isn't it? | 0:30:59 | 0:31:01 | |
-I would've thought a bit more than Norfolk. -One hour from London. | 0:31:01 | 0:31:05 | |
-One hour from London, 20 minutes from Stansted. -Yeah. | 0:31:05 | 0:31:07 | |
To buy in Essex, a classic terrace goes for around £177,000. | 0:31:07 | 0:31:13 | |
You can buy a semi for around £218,000, | 0:31:13 | 0:31:18 | |
but for a detached, you're looking at around £348,000. | 0:31:18 | 0:31:23 | |
Here in Norfolk, the average house price is lower. | 0:31:24 | 0:31:27 | |
That looks like a very run down semidetached barn that needs... | 0:31:28 | 0:31:32 | |
-£70,000, so... -Yeah, that needs a lot of work. | 0:31:32 | 0:31:36 | |
In Norfolk, a classic terrace costs around £121,000. | 0:31:36 | 0:31:42 | |
A semi goes for about £152,000, | 0:31:42 | 0:31:45 | |
and for a detached property, you're looking at around £238,000. | 0:31:45 | 0:31:51 | |
After an adrenaline-packed day, | 0:31:54 | 0:31:56 | |
our swappers need to refuel. | 0:31:56 | 0:31:59 | |
Both our hosts have suggested | 0:31:59 | 0:32:01 | |
a favourite restaurant for this evening. | 0:32:01 | 0:32:04 | |
Sarah and John's hosts | 0:32:04 | 0:32:05 | |
have recommended a charming pub just 15 minutes from the barn. | 0:32:05 | 0:32:10 | |
-The Dabbling Duck. -Oh, they are dabbling. -Yes, yes. | 0:32:10 | 0:32:12 | |
-There you go, they're dabbling. -I said that's how you dabble. | 0:32:12 | 0:32:15 | |
-THEY LAUGH -After you. | 0:32:15 | 0:32:17 | |
Reopened in 2006, | 0:32:17 | 0:32:19 | |
this historic pub was resurrected by eight local farmers | 0:32:19 | 0:32:23 | |
to prevent it being turned into housing. | 0:32:23 | 0:32:25 | |
We've got a couple of bits on the special boards this evening. | 0:32:25 | 0:32:28 | |
It's a local Cromer crab salad, with heritage potatoes and samphire. | 0:32:28 | 0:32:34 | |
I'll go for the crab. | 0:32:34 | 0:32:35 | |
-And the crab. -And the samphire. | 0:32:35 | 0:32:37 | |
I'm going to have the chicken Caesar. | 0:32:37 | 0:32:40 | |
Are you not a crab person? | 0:32:43 | 0:32:45 | |
No, not fond of shellfish. | 0:32:45 | 0:32:47 | |
-But it's when in Rome. -Hate to break it to you, we're in Norfolk. | 0:32:47 | 0:32:52 | |
THEY LAUGH | 0:32:52 | 0:32:54 | |
Henry and Oxana's hosts have also suggested a nearby pub, | 0:32:56 | 0:33:00 | |
set in a Grade II listed building. | 0:33:00 | 0:33:03 | |
-Looks inviting, doesn't it? -It does. I feel really hungry. -Come on, then. | 0:33:03 | 0:33:07 | |
This family-run business has a focus on regional ingredients, | 0:33:07 | 0:33:11 | |
direct-from-source, and their own dry-hung steaks. | 0:33:11 | 0:33:14 | |
And if we went for the two of the 7oz fillet steaks, | 0:33:14 | 0:33:17 | |
would that be a good choice? | 0:33:17 | 0:33:18 | |
-Good choice. -Guess you can't go wrong here, can you? -No, exactly. | 0:33:18 | 0:33:22 | |
There we are, mushroom sauce, yeah. | 0:33:22 | 0:33:24 | |
-Thank you very much. -There we go. | 0:33:24 | 0:33:26 | |
Looks nice. | 0:33:26 | 0:33:27 | |
Tell you what, I'm surprised the home swappers, | 0:33:27 | 0:33:30 | |
-they recommended this place. -I think it's a clue, | 0:33:30 | 0:33:33 | |
because it's very different from their house, it's modern, | 0:33:33 | 0:33:36 | |
it just goes in contrast with what their home is, | 0:33:36 | 0:33:39 | |
which is a magical retreat. | 0:33:39 | 0:33:40 | |
-Another side to their character, perhaps. -Mm. | 0:33:40 | 0:33:43 | |
-Cheers. -Cheers. | 0:33:43 | 0:33:45 | |
With satisfied tummies, | 0:33:48 | 0:33:49 | |
scoring is back on the agenda for both our swappers. | 0:33:49 | 0:33:53 | |
I really enjoyed the day with the tanks. | 0:33:53 | 0:33:56 | |
Yeah, I think I got more out of it than you did, somehow. | 0:33:56 | 0:33:59 | |
Yes, I did, but the restaurant, for me, | 0:33:59 | 0:34:01 | |
was the best thing out of the day. | 0:34:01 | 0:34:03 | |
We'll score it an eight. | 0:34:03 | 0:34:05 | |
And what about their guests in Great Dunmow? | 0:34:06 | 0:34:09 | |
Flying a plane was the most amazing and best ever experience I had. | 0:34:09 | 0:34:14 | |
And the food, I thought, was really good | 0:34:14 | 0:34:16 | |
and what I particularly liked was that | 0:34:16 | 0:34:18 | |
although we're in a fairly quiet town, the pub was really vibrant. | 0:34:18 | 0:34:21 | |
Oh, we'll definitely give 10 out of 10. | 0:34:21 | 0:34:23 | |
It's the best day out I have ever had. | 0:34:23 | 0:34:25 | |
Exactly. 10 out of 10. | 0:34:25 | 0:34:27 | |
With Great Dunmow in Essex taking the lead by three points, | 0:34:28 | 0:34:31 | |
it's still all to play for. | 0:34:31 | 0:34:33 | |
It's the final morning of the home-swap adventure | 0:34:36 | 0:34:39 | |
and both households are enjoying their last moments | 0:34:39 | 0:34:41 | |
in their temporary homes. | 0:34:41 | 0:34:44 | |
Right, let's get these open. | 0:34:44 | 0:34:46 | |
Whoa! | 0:34:48 | 0:34:49 | |
Let the outside in. | 0:34:49 | 0:34:50 | |
-Wish we'd discovered this yesterday. -THEY LAUGH | 0:34:50 | 0:34:54 | |
The view, being out, the birds, | 0:34:54 | 0:34:57 | |
the space, it's been wonderful. | 0:34:57 | 0:34:59 | |
Really, really lovely. | 0:34:59 | 0:35:01 | |
Meanwhile, in Great Dunmow, Henry and Oxana are on a last-minute hunt | 0:35:01 | 0:35:06 | |
for a final room mentioned in their host's manual. | 0:35:06 | 0:35:09 | |
-You know what one thing we haven't done? -No. | 0:35:09 | 0:35:12 | |
I realised we haven't found that mouse hole yet. | 0:35:12 | 0:35:14 | |
I'd imagine it might be behind the curtain. | 0:35:14 | 0:35:16 | |
Oh, God. | 0:35:16 | 0:35:18 | |
-There's nothing there. -Oh. | 0:35:18 | 0:35:20 | |
Ah! | 0:35:24 | 0:35:25 | |
What? | 0:35:25 | 0:35:27 | |
-Found it. -Is it? | 0:35:27 | 0:35:28 | |
It's a proper door with a door knocker and a handle. | 0:35:28 | 0:35:31 | |
There's a beautiful wooden bed... | 0:35:31 | 0:35:34 | |
-That is nice. -..there's a rocking chair. | 0:35:34 | 0:35:36 | |
-Isn't that incredible? -It is incredible. | 0:35:36 | 0:35:39 | |
That's a very nice touch, isn't it? | 0:35:39 | 0:35:41 | |
With the exchange now over, | 0:35:42 | 0:35:44 | |
our couples pack up and hand back their keys. | 0:35:44 | 0:35:47 | |
Thank you for a magical stay | 0:35:47 | 0:35:49 | |
-in your not-so-ordinary house. -Mm-hm. | 0:35:49 | 0:35:52 | |
-Time to go home. -Yes. | 0:35:52 | 0:35:54 | |
If you're seeking a holiday that's gentle on the pocket, | 0:35:54 | 0:35:58 | |
consider a home swap as a cheaper way to get away. | 0:35:58 | 0:36:02 | |
A decent B&B in this part of Essex | 0:36:02 | 0:36:05 | |
can cost about £150 for two nights, | 0:36:05 | 0:36:08 | |
whereas in Norfolk, it's about £210. | 0:36:08 | 0:36:10 | |
Our swappers have reached their home sweet homes. | 0:36:13 | 0:36:16 | |
Oh, good to be back. | 0:36:18 | 0:36:19 | |
After you. | 0:36:19 | 0:36:21 | |
Thank you very much. Ah, that means I'll have to take it in. | 0:36:21 | 0:36:23 | |
-Yes, you can carry the bag, that's great. -Thank you very much! | 0:36:23 | 0:36:26 | |
THEY LAUGH | 0:36:26 | 0:36:27 | |
And they can finally find out who's been staying | 0:36:27 | 0:36:30 | |
and what they made of their home. | 0:36:30 | 0:36:33 | |
First up, Henry and Oxana. | 0:36:33 | 0:36:35 | |
-Shall we start? -Come on, then. -Oh, God. | 0:36:37 | 0:36:39 | |
It's all right. | 0:36:39 | 0:36:40 | |
-Hi, I'm John. -And I'm Sarah. | 0:36:40 | 0:36:43 | |
And I celebrated my half century earlier this year. | 0:36:43 | 0:36:47 | |
Sarah and I are great friends and we're both writers. | 0:36:47 | 0:36:50 | |
Ah, very good. Interesting. | 0:36:50 | 0:36:52 | |
We really hope you've enjoyed your stay at Talliston | 0:36:52 | 0:36:55 | |
as much as we've enjoyed being here and enjoying your wonderful view. | 0:36:55 | 0:37:00 | |
That's fantastic. | 0:37:00 | 0:37:01 | |
-Wow. -Yeah, this is nice. -Is this all theirs? | 0:37:01 | 0:37:04 | |
THEY LAUGH | 0:37:04 | 0:37:07 | |
Look at that view. Wow. | 0:37:09 | 0:37:11 | |
You could sit here and look at it for hours. | 0:37:11 | 0:37:13 | |
It's fascinating seeing somebody else drive up your own drive | 0:37:13 | 0:37:16 | |
and look at your house for the first time. | 0:37:16 | 0:37:18 | |
Oh, my God. | 0:37:18 | 0:37:20 | |
Oh, God, look at all that space. | 0:37:20 | 0:37:22 | |
And on the door back here, you've got their children, look. | 0:37:22 | 0:37:27 | |
Boris, | 0:37:27 | 0:37:28 | |
Vera, Sergei, Oxana | 0:37:28 | 0:37:31 | |
-and Henry. -Henry. Five kids. -Five, five children. | 0:37:31 | 0:37:34 | |
-Five children! What a funny comment. -Yes. | 0:37:34 | 0:37:37 | |
Because we do measure ourselves, | 0:37:37 | 0:37:39 | |
I'm a bit vain, and we like to measure ourselves to it! | 0:37:39 | 0:37:42 | |
-Who'd have thought we'd end up in a sauna in Norfolk. -Indeed. | 0:37:42 | 0:37:47 | |
I was pleased that they actually made their way to sauna, | 0:37:47 | 0:37:49 | |
because I know it's not a very English thing, | 0:37:49 | 0:37:52 | |
but, yeah, it's cool to see, I like that. | 0:37:52 | 0:37:54 | |
Now, in Great Dunmow, it's John and Sarah's turn. | 0:37:54 | 0:37:59 | |
Hi, I'm Oxana, I'm 40 years old and this is my lovely husband. | 0:37:59 | 0:38:03 | |
Hi, my name is Henry, I'm 45 years old | 0:38:03 | 0:38:05 | |
and I've been married to Oxana for just over seven years. | 0:38:05 | 0:38:09 | |
I'm a humanitarian and I love exploring the North Norfolk coast | 0:38:09 | 0:38:12 | |
in my traditional wooden sailing boats. | 0:38:12 | 0:38:14 | |
We would like to thank you | 0:38:14 | 0:38:16 | |
for letting us stay in your fascinating home. | 0:38:16 | 0:38:19 | |
I hope that you won't find our house too dull in contrast. | 0:38:19 | 0:38:23 | |
-Aw... -Oh, God, no! | 0:38:23 | 0:38:25 | |
-Their house wasn't dull at all. -No, we had a wonderful time. -Yeah. | 0:38:25 | 0:38:29 | |
The black on the windows, that would concern me a little bit. | 0:38:29 | 0:38:32 | |
Perhaps it's dark and sinister in there. | 0:38:32 | 0:38:34 | |
-OXANA GASPS -Do you think? -Ah, ghosts. | 0:38:34 | 0:38:36 | |
And that's just looking from outside. | 0:38:36 | 0:38:38 | |
-SARAH LAUGHS -Crikey. | 0:38:38 | 0:38:40 | |
Look straight ahead. | 0:38:40 | 0:38:42 | |
Mama. | 0:38:42 | 0:38:44 | |
'I'm really nervous.' | 0:38:44 | 0:38:45 | |
You wonder what the people are like that live here. | 0:38:45 | 0:38:47 | |
-I don't know what they do, but they do something crazy. -Yeah. | 0:38:47 | 0:38:52 | |
-That's true! -THEY LAUGH | 0:38:52 | 0:38:54 | |
You've traumatised her. | 0:38:56 | 0:38:58 | |
What's that in the corner? Is that a raven? | 0:38:58 | 0:39:00 | |
-OXANA GASPS -It's watching us. | 0:39:00 | 0:39:02 | |
-OXANA: -How many things are there? | 0:39:02 | 0:39:04 | |
-I bet they left the house in an ambulance. -Yeah! | 0:39:04 | 0:39:08 | |
Taken away to a psychiatry ward! | 0:39:08 | 0:39:11 | |
'The haunted bedroom.' | 0:39:11 | 0:39:12 | |
-DOOR CREAKS -Oh, it squeaks! | 0:39:12 | 0:39:16 | |
It would have to be a squeaking door, wouldn't it? | 0:39:16 | 0:39:18 | |
It's not the only bedroom in the house, is it? | 0:39:18 | 0:39:21 | |
THEY LAUGH | 0:39:21 | 0:39:22 | |
-Oh, dear. Poor things. -Oh, my God, that door creak. | 0:39:23 | 0:39:27 | |
And that is deliberate. | 0:39:27 | 0:39:29 | |
Oh, God, yeah. We sprayed, um, | 0:39:29 | 0:39:32 | |
we sprayed salt water on that for weeks to get that creak! | 0:39:32 | 0:39:35 | |
Having watched what their guests | 0:39:35 | 0:39:38 | |
having a good nose around their homes, | 0:39:38 | 0:39:40 | |
which house will be this week's winner? | 0:39:40 | 0:39:43 | |
First up, how did John and Sarah rate the village of Tatterford in Norfolk? | 0:39:43 | 0:39:48 | |
The gas museum, | 0:39:49 | 0:39:50 | |
'that was unique.' | 0:39:50 | 0:39:52 | |
And then, charming-looking town, but... | 0:39:52 | 0:39:55 | |
-Once you've seen... -Once you've seen it, you've seen it. | 0:39:55 | 0:39:57 | |
So, um, overall... | 0:39:57 | 0:39:59 | |
-..give it a seven. -Seven. | 0:39:59 | 0:40:01 | |
I think that's, that's fair enough, isn't it? | 0:40:01 | 0:40:03 | |
To give seven to Fakenham is good, yes. | 0:40:03 | 0:40:06 | |
And the score for their day out? | 0:40:06 | 0:40:09 | |
'I really enjoyed the day with the tanks.' | 0:40:09 | 0:40:12 | |
Yeah, I think I got more out of it than you did, somehow. | 0:40:12 | 0:40:15 | |
Yes, I did, but the restaurant, for me, was | 0:40:15 | 0:40:18 | |
the best thing out of the day. | 0:40:18 | 0:40:20 | |
We'll score it an eight. | 0:40:20 | 0:40:21 | |
If we knew what sort of character was coming to stay, | 0:40:21 | 0:40:24 | |
yes, you'd say go to Holkham Hall, | 0:40:24 | 0:40:26 | |
go to Houghton Hall and if he saw those, | 0:40:26 | 0:40:29 | |
I think he'd score it very differently, so, um, that's OK. | 0:40:29 | 0:40:31 | |
But it's a good first score. | 0:40:31 | 0:40:33 | |
And the ultimate score for the converted barn. | 0:40:34 | 0:40:37 | |
-We both love the house and our stay here. -Absolutely. | 0:40:37 | 0:40:41 | |
We both said how much we'd like to spend more time here | 0:40:41 | 0:40:44 | |
in order to write. | 0:40:44 | 0:40:45 | |
Write, definitely. It's a great place for writing. | 0:40:45 | 0:40:48 | |
We will score the house an eight. | 0:40:48 | 0:40:50 | |
I like that comment about, um, great place to write. | 0:40:50 | 0:40:54 | |
It's good to be in their place | 0:40:54 | 0:40:56 | |
and come here to write, because it's a blank canvas. | 0:40:56 | 0:41:00 | |
Henry and Oxana have scored a respectable 23 out of 30. | 0:41:00 | 0:41:05 | |
Now, it's the moment of truth for John and Sarah. | 0:41:05 | 0:41:09 | |
How did their guests rate the town of Great Dunmow? | 0:41:09 | 0:41:12 | |
I like the area, it's traditional, | 0:41:13 | 0:41:15 | |
it's got some nice historical buildings, | 0:41:15 | 0:41:17 | |
but most importantly, it's got this heart to it on the main road, | 0:41:17 | 0:41:20 | |
it's got this soul because people come in, | 0:41:20 | 0:41:22 | |
it's got the nice tea rooms. | 0:41:22 | 0:41:24 | |
I really, really like it. | 0:41:24 | 0:41:25 | |
So, I think for those reasons, we're going to give it an eight. | 0:41:25 | 0:41:28 | |
-Mm. -Mm. -Oh, yeah. -That's good. | 0:41:28 | 0:41:30 | |
-I was a bit worried after... -JOHN LAUGHS | 0:41:30 | 0:41:33 | |
-..the initial comments on the house. -Yes. Yes. | 0:41:33 | 0:41:36 | |
Yeah, the fact that down the road they're living in the psycho house! | 0:41:36 | 0:41:40 | |
And now for their day out? | 0:41:40 | 0:41:43 | |
Flying a plane was the most amazing and best ever experience I've had. | 0:41:43 | 0:41:48 | |
And the food, I thought, was really good. | 0:41:48 | 0:41:50 | |
Oh, we'll definitely give 10 out of 10. | 0:41:50 | 0:41:52 | |
It's the best day out I've ever had. | 0:41:52 | 0:41:54 | |
Exactly, 10 out of 10. | 0:41:54 | 0:41:56 | |
So, we've both had action experiences. | 0:41:56 | 0:41:58 | |
Yes, yes, very much so. | 0:41:58 | 0:42:00 | |
Absolutely brilliant. I'm so glad they liked it. | 0:42:00 | 0:42:03 | |
John and Sarah | 0:42:03 | 0:42:04 | |
have received a score of 18 for their area and day out, | 0:42:04 | 0:42:08 | |
but will the final score for their spooky wonderland | 0:42:08 | 0:42:12 | |
secure them the crown, or take them to Losersville? | 0:42:12 | 0:42:15 | |
We love Talliston. We think it's a fascinating house. | 0:42:15 | 0:42:18 | |
The one thing we would say though is that practically | 0:42:18 | 0:42:21 | |
-I think it would be quite hard to live in. -Mm. | 0:42:21 | 0:42:23 | |
Um, it's quite dark, requires dusting on a regular basis, | 0:42:23 | 0:42:27 | |
because there's so many things in the house. | 0:42:27 | 0:42:29 | |
However, because of the intensity and the richness of the experience, | 0:42:29 | 0:42:33 | |
I think it justly deserves a 10. | 0:42:33 | 0:42:35 | |
THEY GASP | 0:42:35 | 0:42:36 | |
A 10. | 0:42:38 | 0:42:39 | |
I was expecting, like, a one, | 0:42:39 | 0:42:41 | |
-after all that reaction. -Yes, after the first reaction. | 0:42:41 | 0:42:44 | |
With a stunning score of 28 out of 30, | 0:42:44 | 0:42:48 | |
they've pushed ahead of Henry and Oxana by five points. | 0:42:48 | 0:42:53 | |
Which means that time- and globe-travelling house | 0:42:53 | 0:42:55 | |
in Great Dunmow, Essex, is today's Home Away From Home winner. | 0:42:55 | 0:43:01 | |
No, I'm totally stunned. | 0:43:01 | 0:43:03 | |
Well, I think high-five. | 0:43:03 | 0:43:05 | |
-Hey. -Yes! -SARAH LAUGHS | 0:43:05 | 0:43:06 | |
-Job well done. -Yes. | 0:43:06 | 0:43:08 | |
And would they home swap again? | 0:43:08 | 0:43:11 | |
We thoroughly enjoyed home swapping. | 0:43:11 | 0:43:12 | |
If we could do it again, any time, please, yes. | 0:43:12 | 0:43:16 | |
-I think both of us... -Oh, yeah. -..had such a great time. -Yeah. | 0:43:16 | 0:43:20 | |
MUSIC: The Addams Family by Vic Mizzy | 0:43:20 | 0:43:24 | |
# They're creepy and they're kooky | 0:43:33 | 0:43:35 | |
# Mysterious and spooky | 0:43:35 | 0:43:37 | |
# They're all together ooky | 0:43:37 | 0:43:39 | |
# The Addams family | 0:43:39 | 0:43:40 | |
# Their house is a museum | 0:43:40 | 0:43:43 | |
# When people come to see 'em | 0:43:43 | 0:43:45 | |
# They really are a scream | 0:43:45 | 0:43:47 | |
# The Addams family. # | 0:43:47 | 0:43:49 |