Browse content similar to Best of 2016. Check below for episodes and series from the same categories and more!
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Now on BBC News, Christa Larwood presents the Travel Show | 0:00:01 | 0:00:04 | |
from Australia and looks back at the year so far. | 0:00:04 | 0:00:06 | |
There's only one problem, right? | 0:00:06 | 0:00:08 | |
What's that? | 0:00:08 | 0:00:08 | |
We're on this thing and there's no one to turn it off. | 0:00:08 | 0:00:12 | |
Does that mean we're on here forever? | 0:00:12 | 0:00:13 | |
In a theory that could happen. | 0:00:13 | 0:00:18 | |
Hello and welcome to our special look back | 0:00:42 | 0:00:44 | |
at the past couple of months here on the travel show with me, Christa | 0:00:44 | 0:00:48 | |
Larwood. | 0:00:48 | 0:00:48 | |
We're incredibly lucky to get to see and do such wonderful | 0:00:48 | 0:00:51 | |
things around the world, so it's always difficult to choose our | 0:00:51 | 0:00:54 | |
favourite things to show you again. | 0:00:54 | 0:00:56 | |
But I do hope that you enjoy them. | 0:00:56 | 0:01:00 | |
That was incredible, this guy's a real expert. | 0:01:03 | 0:01:07 | |
Like so many buildings here in Belchite, this church was | 0:01:13 | 0:01:15 | |
completely destroyed during the fighting. | 0:01:15 | 0:01:17 | |
It's a daunting project that will cost at least another 30 | 0:01:17 | 0:01:20 | |
million euros to complete. | 0:01:20 | 0:01:21 | |
We can imagine all the walls covered by | 0:01:21 | 0:01:24 | |
frescoes. | 0:01:24 | 0:01:28 | |
This ride is getting bumpier and bumpier, | 0:01:36 | 0:01:40 | |
it's almost like trying to stay on a bucking Bronco. | 0:01:40 | 0:01:42 | |
On the these four acres of land Kenny has used 1000 | 0:01:42 | 0:01:45 | |
tonnes of recycled stuff to create 350 works of art. | 0:01:45 | 0:01:50 | |
It's made out of refrigerators. | 0:01:50 | 0:01:52 | |
Made out of refrigerators? | 0:01:52 | 0:01:55 | |
Yeah. | 0:01:55 | 0:01:57 | |
This year marks the 80th anniversary of the Spanish | 0:02:00 | 0:02:03 | |
civil war, a conflict that tore the country in two and led to the | 0:02:03 | 0:02:07 | |
autocratic rule of General Franco until well into the 1970s. | 0:02:07 | 0:02:11 | |
The war is still a difficult topic in Spain | 0:02:11 | 0:02:14 | |
and back in June I visited a village that has become a symbol of how | 0:02:14 | 0:02:18 | |
painful it can be to deal with the past. | 0:02:18 | 0:02:25 | |
One place where the scars of the Spanish Civil War are all too | 0:02:25 | 0:02:29 | |
visible is the old village of Belchite in north-eastern Spain. | 0:02:29 | 0:02:34 | |
It's a ruin. | 0:02:40 | 0:02:42 | |
Streets are filled with the remains of buildings that were | 0:02:42 | 0:02:45 | |
blasted to pieces during the war, which started 80 years ago | 0:02:45 | 0:02:48 | |
this month. | 0:02:48 | 0:02:49 | |
Today, Spanish-language tours of the site cater to thousands of | 0:02:49 | 0:02:51 | |
visitors from this country and across the world. | 0:02:51 | 0:02:56 | |
This may be a very popular site for tourists but for | 0:02:56 | 0:02:59 | |
local Spanish people the question of how to memorialise the country's | 0:02:59 | 0:03:02 | |
civil war and fascist past is the subject of fierce debate. | 0:03:02 | 0:03:07 | |
After the death of Franco and his dictatorship | 0:03:12 | 0:03:14 | |
in 1975, Spanish political parties agreed to an informal pact of | 0:03:14 | 0:03:17 | |
forgetting, which meant the country's nationalist past was | 0:03:17 | 0:03:19 | |
widely ignored. | 0:03:19 | 0:03:23 | |
But that's changed in the last decade or so. | 0:03:23 | 0:03:26 | |
In 2007, a law was passed to condemn General | 0:03:26 | 0:03:29 | |
Franco's regime, and honour the victims of the war. | 0:03:29 | 0:03:33 | |
Many have called for a truth and reconciliation | 0:03:33 | 0:03:36 | |
process, like in South Africa, after the end of apartheid. | 0:03:36 | 0:03:42 | |
Still, many believe the past should simply be forgotten, | 0:03:42 | 0:03:45 | |
including powerful symbols, like the ruins of Belchite. | 0:03:45 | 0:03:55 | |
The tourists I met here also believe the site should continue to | 0:04:24 | 0:04:27 | |
be preserved. | 0:04:27 | 0:04:30 | |
As the anniversary of the Civil War approaches, Spain will doubtless | 0:04:52 | 0:04:55 | |
continue to debate how it will remember its past, and perhaps | 0:04:55 | 0:04:59 | |
80 years is still not enough time to bring about a full and frank | 0:04:59 | 0:05:02 | |
national conversation. | 0:05:02 | 0:05:04 | |
But whatever happens, old Belchite will continue | 0:05:04 | 0:05:07 | |
to stand as a striking monument and harsh reminder of what happens | 0:05:07 | 0:05:10 | |
when national arguments turn to violence. | 0:05:10 | 0:05:16 | |
Aiming to heal old wounds in Spain back in June. | 0:05:22 | 0:05:25 | |
In a minute, Raja will be tackling huge sand dunes in China | 0:05:26 | 0:05:30 | |
in a buggy. | 0:05:30 | 0:05:31 | |
But before that, a month ago we delved even further back into | 0:05:31 | 0:05:36 | |
European history when Ade went to Rome to discover how crowdfunding | 0:05:36 | 0:05:41 | |
is coming to the aid of a palace owned by the Emperor Nero | 0:05:41 | 0:05:44 | |
almost 2000 years ago. | 0:05:44 | 0:05:47 | |
Few cities in the world can rival Roma's wealth of artistic heritage. | 0:05:48 | 0:05:56 | |
When you hear, without even trying, you can spot so much history. | 0:05:56 | 0:06:02 | |
But the building I'm most interested in seeing is Nero's Domus Aurea. | 0:06:02 | 0:06:08 | |
Nero's Golden house is so beautiful and it provided the inspiration | 0:06:11 | 0:06:15 | |
for a lot of the architecture here in Rome. | 0:06:15 | 0:06:21 | |
Even some of the paintings and frescoes in the Vatican | 0:06:21 | 0:06:24 | |
copy to Nero's style. | 0:06:24 | 0:06:27 | |
If they can't find the funding to restore Nero's golden house, | 0:06:27 | 0:06:30 | |
a really important part of Rome's history could be lost for ever. | 0:06:30 | 0:06:36 | |
Nero was the fifth Roman Emperor, and the last of the Julio-Claudian | 0:06:36 | 0:06:39 | |
dynasty. | 0:06:39 | 0:06:40 | |
His palace was built between 64 and 68 A.D., | 0:06:40 | 0:06:43 | |
and it was definitely meant to get the neighbours jealous. | 0:06:43 | 0:06:50 | |
After Nero's death, his palace fell into disrepair | 0:06:50 | 0:06:53 | |
and eventually became buried under eight centuries | 0:06:53 | 0:06:55 | |
of urban development. | 0:06:55 | 0:06:57 | |
That was until 1930 when the sections you can see | 0:06:57 | 0:06:59 | |
today were first excavated. | 0:06:59 | 0:07:03 | |
And it's a daunting project that will cost at | 0:07:03 | 0:07:05 | |
least another 30 million euros to complete. | 0:07:05 | 0:07:10 | |
What was it like, you know, when this was first built? | 0:07:10 | 0:07:13 | |
How did it feel, the sound? | 0:07:13 | 0:07:17 | |
The sound, the entering of the light. | 0:07:17 | 0:07:21 | |
There was light coming in as well? Yes. | 0:07:21 | 0:07:29 | |
And these, these are fantastic. Yes. | 0:07:29 | 0:07:33 | |
We can imagine all the walls covered by frescoes or marble slabs. | 0:07:33 | 0:07:38 | |
What is obvious to me is excavating and preserving | 0:07:38 | 0:07:41 | |
the Palace is a massive task, and it's a real race against time. | 0:07:41 | 0:07:45 | |
So far only 21,000 euros have been raised by a crowdfunding. | 0:08:03 | 0:08:11 | |
Most of that has come from tourists rather than | 0:08:11 | 0:08:14 | |
Romans themselves. | 0:08:14 | 0:08:16 | |
What the project has done is raise awareness of | 0:08:16 | 0:08:19 | |
the urgent need to find new funding models when it comes to excavation | 0:08:19 | 0:08:22 | |
and preservation. | 0:08:22 | 0:08:23 | |
While crowdfunding might not be the total answer to the problem, | 0:08:23 | 0:08:26 | |
it could certainly prove tobe part of the solution. | 0:08:26 | 0:08:30 | |
20% of China's landmass is desert. | 0:08:42 | 0:08:45 | |
And right now we're in one of the world's most | 0:08:45 | 0:08:48 | |
famous, the Gobi. | 0:08:48 | 0:08:50 | |
Up until now there wasn't much use for this land, | 0:08:50 | 0:08:53 | |
then tourism came along with some other ideas. | 0:08:53 | 0:08:57 | |
The desert is 27 square kilometres of soft sand | 0:09:01 | 0:09:05 | |
and hilly dunes, and this is a taste of the fun and games | 0:09:05 | 0:09:09 | |
they are planning here. | 0:09:09 | 0:09:12 | |
A 31 seater wave surfing desert galleon. | 0:09:12 | 0:09:16 | |
If you want something more edgy, there is always this... | 0:09:16 | 0:09:20 | |
Right on the end of this sand dune, I can't believe it! | 0:09:22 | 0:09:26 | |
Very steep hill! | 0:09:26 | 0:09:27 | |
Whoa! | 0:09:27 | 0:09:31 | |
That was incredible, this guy's a real expert, | 0:09:46 | 0:09:48 | |
and we're going right by the side, to the tops of inclines, | 0:09:48 | 0:09:52 | |
I think we're going to fall and we don't. | 0:09:52 | 0:09:56 | |
It's very scary, but I'm in the hands of a good driver, | 0:09:56 | 0:10:00 | |
and that's the best I can hope for. | 0:10:00 | 0:10:02 | |
It's frightening. | 0:10:02 | 0:10:05 | |
Daniel Pu is a local investor who has big plans for the area. | 0:10:05 | 0:10:09 | |
This place was always unique, but now it has been a centre for | 0:10:09 | 0:10:14 | |
the entertainment for the local people. | 0:10:14 | 0:10:19 | |
People meet in sunny days, then enjoy the barbecue, | 0:10:19 | 0:10:21 | |
and do some family activities. | 0:10:21 | 0:10:26 | |
A tourist will come into the gates here, what | 0:10:26 | 0:10:29 | |
will happen? | 0:10:29 | 0:10:29 | |
What will they experience? | 0:10:29 | 0:10:31 | |
At the very beginning this is just empty sand. | 0:10:31 | 0:10:35 | |
It's just that. | 0:10:35 | 0:10:37 | |
This place is nothing. | 0:10:37 | 0:10:40 | |
But with these cars you can enjoy the fun to drive | 0:10:40 | 0:10:43 | |
in the cars, and try different activities to be closer with nature. | 0:10:43 | 0:10:46 | |
The nature doesn't mean just forest and water. | 0:10:46 | 0:10:48 | |
It also means this desert. | 0:10:48 | 0:10:59 | |
Daniel's confident that the growing Chinese middle class will look | 0:10:59 | 0:11:01 | |
to escape the cities and explore the country's nature more. | 0:11:01 | 0:11:06 | |
What kind of tourists can you imagine coming here? | 0:11:06 | 0:11:13 | |
All tourists, actually. | 0:11:13 | 0:11:15 | |
Everyone, when you get here, you will | 0:11:15 | 0:11:17 | |
enjoy a different life. | 0:11:17 | 0:11:18 | |
I think it brings a kind of enlightenment to your own life. | 0:11:18 | 0:11:27 | |
Do stay with us on The Travel Show, because coming up... | 0:11:27 | 0:11:30 | |
That is astonishing! | 0:11:31 | 0:11:31 | |
...We meet an artist living his own version | 0:11:31 | 0:11:33 | |
of the American dream. | 0:11:33 | 0:11:36 | |
How we get men on Mars, people on Mars, isn't | 0:11:36 | 0:11:39 | |
going to happen by how things fit in with other things. | 0:11:39 | 0:11:54 | |
Next up in our look back at the past couple of months here | 0:11:54 | 0:11:57 | |
on The Travel Show we have a couple of conservation stories for you. | 0:11:57 | 0:12:01 | |
In a moment, Carmen finds out how the bears that were once | 0:12:01 | 0:12:04 | |
the inspiration for the Paddington series of books are now | 0:12:04 | 0:12:06 | |
being protected in Peru. | 0:12:07 | 0:12:08 | |
It's incredible to be so close to a bear, which is just there, | 0:12:08 | 0:12:11 | |
a few metres away. | 0:12:11 | 0:12:12 | |
And in Cambodia, Henry joined a patrol that takes on poachers | 0:12:12 | 0:12:15 | |
who prey on local wildlife. | 0:12:15 | 0:12:18 | |
Koh Kong province, a quiet area in the south-west of Cambodia, | 0:12:18 | 0:12:21 | |
an area made up of a vast coastline, partially inaccessible rainforest, | 0:12:21 | 0:12:25 | |
and barely a tourist in sight. | 0:12:25 | 0:12:29 | |
But from this summer travellers will be given the opportunity to pay | 0:12:29 | 0:12:32 | |
to experience what the Rangers on the front line of trafficking | 0:12:32 | 0:12:35 | |
and logging here are dealing with. | 0:12:35 | 0:12:39 | |
That is shocking to say the least. | 0:12:39 | 0:12:44 | |
Look how many chainsaws they've actually commandeered | 0:12:44 | 0:12:46 | |
from these illegal loggers. | 0:12:46 | 0:12:50 | |
How many would you say there are? | 0:12:50 | 0:12:51 | |
Over 500. | 0:12:51 | 0:12:54 | |
But these pieces of wood you see here, this is the Rosewood, | 0:12:54 | 0:12:57 | |
the famous rosewood that's more expensive. | 0:12:57 | 0:12:59 | |
In China it costs $20,000. | 0:12:59 | 0:13:01 | |
$20,000? | 0:13:01 | 0:13:07 | |
Per cubic metre. | 0:13:07 | 0:13:07 | |
These would just be looped around a tree? | 0:13:07 | 0:13:10 | |
Waiting for something to come along. | 0:13:10 | 0:13:11 | |
Put its foot in. | 0:13:11 | 0:13:13 | |
Yes. | 0:13:13 | 0:13:16 | |
Time for me to take on the criminals. | 0:13:16 | 0:13:20 | |
Kind of. | 0:13:20 | 0:13:26 | |
All right, let's go. | 0:13:26 | 0:13:33 | |
# Can't wait til you see... | 0:13:33 | 0:13:42 | |
# How you like me now?! # How you like me now?! | 0:13:42 | 0:13:45 | |
It's pretty scary, we were stopping for a water break. | 0:13:45 | 0:13:48 | |
In the distance there were two guys on a motorbike who literally just | 0:13:48 | 0:13:52 | |
looked on their bike and ran off. | 0:13:52 | 0:13:54 | |
Luckily one of the guys saw that, started chasing. | 0:13:54 | 0:13:56 | |
What's happened is they've dropped whatever they were carrying | 0:13:56 | 0:13:59 | |
and this was it. | 0:13:59 | 0:14:00 | |
Rosewood. | 0:14:00 | 0:14:00 | |
The perpetrators are too quick to get away this time. | 0:14:00 | 0:14:07 | |
It's clearly a tough job for these rangers. | 0:14:07 | 0:14:10 | |
Just making our way through the forest is hard enough. | 0:14:10 | 0:14:24 | |
This ride is getting bumpier and bumpier, | 0:14:24 | 0:14:29 | |
it's almost like trying to stay on a bucking bronco. | 0:14:29 | 0:14:32 | |
Whoa! | 0:14:32 | 0:14:35 | |
This deforestation is destroying animals habitats. | 0:14:35 | 0:14:39 | |
That's not the only man-made danger they face here. | 0:14:39 | 0:14:42 | |
The remains of snares can be found all around. | 0:14:42 | 0:14:45 | |
It's a strong piece of stick, OK? | 0:14:45 | 0:14:53 | |
When he's coming he is getting this piece of fruit | 0:14:53 | 0:14:57 | |
and he's getting caught. | 0:14:57 | 0:14:58 | |
There is a bit missing here. | 0:14:58 | 0:14:59 | |
Yes, it's missing. | 0:14:59 | 0:15:00 | |
I believe something else is missing. | 0:15:00 | 0:15:02 | |
A lot of these traps are designed to maim rather than kill, | 0:15:02 | 0:15:05 | |
so they can collect them alive? | 0:15:05 | 0:15:07 | |
Yes. | 0:15:07 | 0:15:07 | |
Having seen the indiscriminate damage that snares like this do | 0:15:07 | 0:15:10 | |
to even much larger animals than their intended targets, | 0:15:10 | 0:15:12 | |
it's quite shocking to see them up close. | 0:15:12 | 0:15:14 | |
But witnessing it myself helps me come face-to-face with the brutal | 0:15:14 | 0:15:17 | |
impact this can have. | 0:15:17 | 0:15:26 | |
The Andean bear is the only native bear species to South America. | 0:15:34 | 0:15:39 | |
It's on the endangered list because of hunting and habitat loss. | 0:15:39 | 0:15:47 | |
But here in the Chaparri area, they're doing something about it. | 0:15:47 | 0:15:51 | |
This is Peru's first private conservation area, set up jointly | 0:15:51 | 0:15:54 | |
with the local community in 2000. | 0:15:54 | 0:15:56 | |
It tries to rehabilitate rescued bears that have been captured | 0:15:56 | 0:16:00 | |
illegally and mistreated as exotic pets or circus attractions. | 0:16:00 | 0:16:09 | |
We have them here in these enclosures so they get used | 0:16:09 | 0:16:12 | |
to the fruit and dangers. | 0:16:12 | 0:16:17 | |
Most animals kept in captivity are unlikely to survive in the wild, | 0:16:17 | 0:16:22 | |
but here they're doing all they can to change that. | 0:16:22 | 0:16:25 | |
When bears are born here, they learn the things | 0:16:25 | 0:16:28 | |
they can eat and can't eat. | 0:16:28 | 0:16:35 | |
These bears are candidates to be released. | 0:16:35 | 0:16:37 | |
Four-year-old Elisa was born in this reserve. | 0:16:37 | 0:16:39 | |
This is Elisa's mother next door. | 0:16:39 | 0:16:40 | |
Yes. | 0:16:41 | 0:16:50 | |
Her mother, Angelina, was rescued from captivity | 0:16:50 | 0:16:52 | |
where she had been kept as a house pet. | 0:16:53 | 0:16:55 | |
Sadly, she would never survive in the outside world. | 0:16:55 | 0:16:57 | |
We're going to sedate Elisa, and we're going to set up | 0:16:57 | 0:17:00 | |
a GPS column on her. | 0:17:00 | 0:17:02 | |
The GPS collar will allow Juan to track Elisa when she is released. | 0:17:02 | 0:17:05 | |
OK, so is that the job done? | 0:17:05 | 0:17:07 | |
Wait until tomorrow, and tomorrow we're | 0:17:07 | 0:17:09 | |
going to release her. | 0:17:09 | 0:17:10 | |
OK. | 0:17:10 | 0:17:23 | |
So it's a beautiful morning and today's the day we're | 0:17:23 | 0:17:26 | |
going to release Elisa into the wild. | 0:17:26 | 0:17:27 | |
I'm super excited. | 0:17:28 | 0:17:33 | |
Here she comes from here she comes. | 0:17:33 | 0:17:33 | |
Juan and his team enticed Elisa out of the cage with some food, | 0:17:37 | 0:17:43 | |
and she takes her first steps towards freedom. | 0:17:43 | 0:17:45 | |
It's incredible to be so close to a bear. | 0:17:45 | 0:17:48 | |
There's no gate, there's no fence separating us. | 0:17:48 | 0:17:50 | |
She's just there, a few metres away. | 0:17:50 | 0:17:53 | |
Looks like she's enjoying her first wild fruit. | 0:17:53 | 0:17:58 | |
I think she's just realised she's in the wild. | 0:17:58 | 0:18:03 | |
From here on, Elisa faces an uncertain future, | 0:18:03 | 0:18:05 | |
but the GPS collar will track her whereabouts, | 0:18:05 | 0:18:09 | |
so Juan and his team can see how she adapts to life in the wild. | 0:18:09 | 0:18:13 | |
I'm very happy for her. | 0:18:13 | 0:18:15 | |
Since she was born, we were waiting for this moment. | 0:18:15 | 0:18:21 | |
To finish up this week, it's a bit of a travel cliche to say | 0:18:21 | 0:18:27 | |
it's the people who make a place, but Raja certainly found that out | 0:18:27 | 0:18:35 | |
when he went to Palm Springs and met an artist who is living his very | 0:18:35 | 0:18:39 | |
own particular version of the American dream. | 0:18:39 | 0:18:46 | |
Wow. | 0:18:46 | 0:18:46 | |
Look at that, that is astonishing. | 0:18:46 | 0:18:51 | |
Welcome to the wacky world of Kenny Ingram Junior. | 0:18:51 | 0:18:59 | |
An artist whose work is now leering sightseers away from Frank Sinatra's | 0:19:04 | 0:19:07 | |
old house around the corner to see this fantastical creation instead. | 0:19:07 | 0:19:22 | |
I've been working on my art for I would say at least | 0:19:22 | 0:19:26 | |
the last four decades, since I've been | 0:19:26 | 0:19:28 | |
living and breathing. | 0:19:28 | 0:19:28 | |
Really? | 0:19:28 | 0:19:29 | |
Yeah, I was born an artist. | 0:19:29 | 0:19:31 | |
On these four acres of land, Kenny has used 1000 tonnes | 0:19:31 | 0:19:34 | |
of recycled stuff to create 350 works of art. | 0:19:34 | 0:19:36 | |
So far. | 0:19:36 | 0:19:43 | |
There s the hockey bot. | 0:19:43 | 0:19:44 | |
What's that? | 0:19:44 | 0:19:49 | |
It's made out of refrigerators. | 0:19:49 | 0:19:50 | |
Made out of refrigerators? | 0:19:50 | 0:19:51 | |
Yeah. | 0:19:51 | 0:19:56 | |
Right there is the robo bear, made out of an air | 0:19:56 | 0:19:59 | |
conditioning compressor. | 0:19:59 | 0:20:00 | |
There's Santa's barrel wagon up there. | 0:20:00 | 0:20:02 | |
That is astonishing. | 0:20:02 | 0:20:02 | |
What are the reindeer made of? | 0:20:02 | 0:20:04 | |
Everything. | 0:20:04 | 0:20:04 | |
Basically, everything is made of everything. | 0:20:04 | 0:20:06 | |
Yeah. | 0:20:06 | 0:20:06 | |
That is the what bunny? | 0:20:06 | 0:20:08 | |
The Mongolian Easter Bunny's mobile throne. | 0:20:08 | 0:20:11 | |
I'm just reading this, this is one of the world's only | 0:20:11 | 0:20:14 | |
two-microwaved microwaves. | 0:20:14 | 0:20:14 | |
That is correct. | 0:20:14 | 0:20:17 | |
This is a genuine microwaved microwave. | 0:20:17 | 0:20:19 | |
I literally microwaved a microwave. | 0:20:19 | 0:20:26 | |
While it was microwaving. | 0:20:26 | 0:20:27 | |
I'm the only one in human history has ever successfully pulled off | 0:20:27 | 0:20:30 | |
this accomplishment. | 0:20:30 | 0:20:32 | |
People come from Germany, Japan, the United Arab Emirates, | 0:20:32 | 0:20:35 | |
France, India - all different places. | 0:20:35 | 0:20:37 | |
They told me they came here just to see this. | 0:20:37 | 0:20:43 | |
Where do you think this fits in, where you fit in, | 0:20:43 | 0:20:46 | |
into contemporary America? | 0:20:46 | 0:20:47 | |
I don't know where it could fit in, I don't think it fits in anywhere, | 0:20:47 | 0:20:51 | |
really, to speak of. | 0:20:51 | 0:20:52 | |
How we got men on the moon and how we'll get men on Mars, | 0:20:52 | 0:20:56 | |
or people on Mars, isn't going to happen by how things fit | 0:20:56 | 0:20:59 | |
in with other things, it's going to happen by how | 0:20:59 | 0:21:02 | |
things that have been... | 0:21:02 | 0:21:03 | |
Never been done before, it's how it's going to happen. | 0:21:03 | 0:21:06 | |
I don't think I'll fit in it. | 0:21:06 | 0:21:10 | |
Of course you'll fit in there, you're not that big. | 0:21:10 | 0:21:12 | |
Not that big at all. | 0:21:12 | 0:21:14 | |
Do you think we should be riding around in these? | 0:21:14 | 0:21:16 | |
Absolutely, there is no excuse not to. | 0:21:16 | 0:21:18 | |
Kenny, there's only one problem, right? | 0:21:18 | 0:21:20 | |
What's that? | 0:21:20 | 0:21:21 | |
We're on this thing and there's no one to turn it off. | 0:21:21 | 0:21:24 | |
Does that mean we're on here for ever? | 0:21:24 | 0:21:26 | |
In theory that could happen. | 0:21:26 | 0:21:30 | |
LAUGHTER | 0:21:30 | 0:21:34 | |
And it goes without saying if you're thinking about microwaving your | 0:21:36 | 0:21:39 | |
microwave at home, please don't. | 0:21:39 | 0:21:43 | |
That's all we've got time for on this weeks show. | 0:21:43 | 0:21:48 | |
-- That's all we've got time for on this week's show. | 0:21:48 | 0:21:51 | |
Coming up next week... | 0:21:51 | 0:21:56 | |
That's just astonishing. | 0:21:56 | 0:21:56 | |
Ade's in the ancient city of Petra in Jordan. | 0:21:56 | 0:21:59 | |
Searching for treasure. | 0:21:59 | 0:22:00 | |
Part of a jar or huge plate, something like this. | 0:22:00 | 0:22:02 | |
I've never seen such an unobstructed 360 degrees view. | 0:22:02 | 0:22:05 | |
And Ben's up high in Serbia, using your tips to get a better | 0:22:05 | 0:22:08 | |
view of Belgrade. | 0:22:08 | 0:22:09 | |
Hopefully you can join us then. | 0:22:09 | 0:22:11 | |
In the meantime, you can catch up with us on social media. | 0:22:11 | 0:22:14 | |
All the details you need are on screen now. | 0:22:14 | 0:22:17 | |
For now, from me, Christa Larwood, and the rest of the Travel Show | 0:22:17 | 0:22:20 | |
team, it's goodbye. | 0:22:20 | 0:22:31 | |
Hello. | 0:22:49 | 0:22:49 | |
Contrasting weather conditions to look out for this weekend. | 0:22:49 | 0:22:51 | |
Wet for some, hot for others, particularly on Saturday. | 0:22:51 | 0:22:54 | |
The reason is this area of low pressure that has been bombarding | 0:22:54 | 0:22:57 |