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You're up to date with the latest headlines. | 0:00:00 | 0:00:02 | |
Now on BBC News it's time for The Travel Show. | 0:00:02 | 0:00:05 | |
Hello and welcome to the travel show, with me Christa Larwood, | 0:00:05 | 0:00:08 | |
coming this week from from New York City. | 0:00:08 | 0:00:10 | |
Beneath my feet is one of the world's most famous concert | 0:00:10 | 0:00:13 | |
venues - Carnegie Hall. | 0:00:13 | 0:00:19 | |
I'll be getting a taste of an orchestra and trying to | 0:00:19 | 0:00:22 | |
whistle my way on stage. | 0:00:22 | 0:00:30 | |
And we'll be asking what's more fun - virtual | 0:00:30 | 0:00:32 | |
reality roller coasters, or bumper cars. | 0:00:32 | 0:00:34 | |
And where in the world was | 0:00:34 | 0:00:38 | |
this hit online video filmed? | 0:00:38 | 0:00:42 | |
Find out in Trend In Travel. | 0:00:42 | 0:00:44 | |
The theme park - high speed thrills, big | 0:01:14 | 0:01:16 | |
drops, loops and wobbly knees. | 0:01:16 | 0:01:23 | |
But this year there's a new kind of ride | 0:01:23 | 0:01:25 | |
opening up. | 0:01:25 | 0:01:26 | |
One that uses virtual reality to deliver its thrills. | 0:01:26 | 0:01:28 | |
With sent Lindsey Woods to Thorpe Park | 0:01:28 | 0:01:30 | |
near London to find out what's new. | 0:01:30 | 0:01:39 | |
Better hold on. | 0:01:39 | 0:01:39 | |
This is one of Britain's top places for | 0:01:39 | 0:01:41 | |
thrill-seekers. | 0:01:41 | 0:01:50 | |
The thing is I'm not a thrill-seeker. | 0:01:50 | 0:01:52 | |
And this is not my idea of a good time. | 0:01:52 | 0:01:57 | |
I'll be honest, I'm kind of nervous right now. | 0:01:57 | 0:01:59 | |
I do not like roller costers at all, but this is the epitome of an | 0:01:59 | 0:02:03 | |
old school rollercoaster ride. | 0:02:03 | 0:02:05 | |
It's the world's first ten leaping rollercoaster. | 0:02:05 | 0:02:09 | |
I can literally feel my heartbeating right now! | 0:02:09 | 0:02:11 | |
These rides might only last a minute or so... | 0:02:11 | 0:02:18 | |
For me though that's more than enough. | 0:02:18 | 0:02:26 | |
That was terrifying! | 0:02:34 | 0:02:41 | |
But there are new rides that are blurring the line between what's | 0:02:41 | 0:02:44 | |
real and what is not. | 0:02:44 | 0:02:47 | |
Instead of building another roller costar, | 0:02:47 | 0:02:48 | |
Thorpe Park will soon be opening this. | 0:02:48 | 0:02:53 | |
It is a ghost train designed by Derren Brown - | 0:02:53 | 0:02:56 | |
an illusionist specialising in mind control. | 0:02:56 | 0:03:02 | |
He's using virtual reality to deliver the | 0:03:02 | 0:03:04 | |
ride's thrills. | 0:03:04 | 0:03:08 | |
It is many-layered, so there is VR, virtual reality, on | 0:03:08 | 0:03:11 | |
one level to it. | 0:03:11 | 0:03:16 | |
There's also a lot of physical involvement and all | 0:03:16 | 0:03:19 | |
sorts of other things. | 0:03:19 | 0:03:23 | |
At its heart this is a scary, thrilling, exciting | 0:03:23 | 0:03:25 | |
re-envisioning of the ghost train. | 0:03:25 | 0:03:33 | |
That is what it it is. | 0:03:33 | 0:03:35 | |
I would love people to come off and be trying to get their heads | 0:03:35 | 0:03:38 | |
around exactly what happened. | 0:03:38 | 0:03:39 | |
Now, because I grew up in California, I | 0:03:39 | 0:03:41 | |
had no idea what a ghost train was. | 0:03:42 | 0:03:43 | |
But here in the UK they're a fixture at almost every fairground. | 0:03:43 | 0:03:46 | |
This is a traditional ghost train. | 0:03:46 | 0:03:48 | |
A rickety ride through Hallowe'en - tricks | 0:03:48 | 0:03:50 | |
without the treats. | 0:03:50 | 0:03:50 | |
I think ghost trains just such a missed | 0:03:50 | 0:03:52 | |
opportunity. | 0:03:52 | 0:03:54 | |
They're always hokey and old-fashioned and creaky and | 0:03:54 | 0:03:57 | |
sort of hilarious and never scary. | 0:03:57 | 0:04:02 | |
So the idea of just totally starting from scratch, it felt like an | 0:04:02 | 0:04:11 | |
absolute no-brainer to take that and do something with it. | 0:04:11 | 0:04:14 | |
Hoping that people like me would still have the | 0:04:14 | 0:04:16 | |
same delight in the idea of a ghost train and the idea of one that was | 0:04:16 | 0:04:20 | |
something different and wasn't just what ghost trains embarrassingly | 0:04:20 | 0:04:22 | |
tend to be. | 0:04:22 | 0:04:24 | |
The ride is not yet open to the public, but we are able to | 0:04:24 | 0:04:27 | |
get in for a sneak peak of the ghost train, though I did have to sign | 0:04:27 | 0:04:31 | |
this to promise to keep everything behind this curtain hush-hush. | 0:04:31 | 0:04:34 | |
This is all we are allowed to show you - | 0:04:38 | 0:04:42 | |
the outside of a Victorian railway carriage, apparently | 0:04:42 | 0:04:45 | |
hanging in the air. | 0:04:45 | 0:04:46 | |
But what awaits on the other side of the door is something | 0:04:46 | 0:04:49 | |
different. | 0:04:49 | 0:04:57 | |
This is part of reason we can't show you behind that door - | 0:04:58 | 0:05:02 | |
the three years of work and the millions | 0:05:02 | 0:05:04 | |
of pounds spents developing what's inside. | 0:05:04 | 0:05:09 | |
When you're on board, you wear virtual reality goggles, | 0:05:09 | 0:05:12 | |
which take you into a dark re-imaging of the world. | 0:05:12 | 0:05:15 | |
This ride takes 13 minutes and you have to be 13 to go on. | 0:05:15 | 0:05:19 | |
So if you're younger than 13 or easily scared, | 0:05:19 | 0:05:24 | |
close your eyes now! | 0:05:24 | 0:05:25 | |
Without giving away the secrets, once you're on board, characters | 0:05:25 | 0:05:27 | |
talk to you. | 0:05:27 | 0:05:30 | |
The danger comes not from the heavens... | 0:05:30 | 0:05:32 | |
Real people shout at you. | 0:05:32 | 0:05:36 | |
They're coming. They're coming. | 0:05:36 | 0:05:38 | |
Creatures from nightmares creep up on you. | 0:05:38 | 0:05:41 | |
It comes from bowels of the earth. | 0:05:41 | 0:05:46 | |
Some of it's real, some of it isn't. | 0:05:46 | 0:05:48 | |
Meet the man in charge in making all the | 0:05:48 | 0:05:50 | |
mysteries come alive. | 0:05:50 | 0:05:51 | |
He's found it hard going. | 0:05:51 | 0:05:58 | |
Derren Brown really wanted to have realistic characters | 0:05:58 | 0:06:00 | |
that can engage with and they need to be really believable. | 0:06:00 | 0:06:03 | |
So we went through several different phases of | 0:06:03 | 0:06:05 | |
how we were going to pull that off and the truth is the technology | 0:06:05 | 0:06:08 | |
isn't quite there yet. | 0:06:08 | 0:06:09 | |
There is lots of people trying to do | 0:06:09 | 0:06:11 | |
different things to make this work and to solve this | 0:06:11 | 0:06:14 | |
problem, but I think there's a lot still to do with | 0:06:14 | 0:06:16 | |
the future of VR to really free up people like us to deliver | 0:06:16 | 0:06:20 | |
the creative vision we want to deliver. | 0:06:20 | 0:06:23 | |
So far the gates of the ghost train have stayed closed. | 0:06:23 | 0:06:25 | |
Inside the illusions are still being worked on. | 0:06:25 | 0:06:27 | |
The park says these queues won't fill with | 0:06:27 | 0:06:30 | |
visitors until the ride is 100% ready. | 0:06:30 | 0:06:34 | |
But if you can't wait to strap on the goggles | 0:06:34 | 0:06:36 | |
for a virtual reality thrill, you do have options. | 0:06:36 | 0:06:42 | |
At Alton Towers in England's Midlands, an old rollercoaster has | 0:06:42 | 0:06:45 | |
been reinvented with VR goggles. | 0:06:45 | 0:06:51 | |
It takes you for a spin into space, then through an alien world | 0:06:51 | 0:06:54 | |
on earth. | 0:06:54 | 0:06:59 | |
And at Six Flags in Los Angeles, another renovated | 0:06:59 | 0:07:01 | |
coaster puts you in the cockpit of a fighter jet. | 0:07:01 | 0:07:06 | |
But to get a thrill from virtual reality do you have to | 0:07:06 | 0:07:09 | |
spend on this scale? | 0:07:09 | 0:07:15 | |
This man thinks not. | 0:07:15 | 0:07:16 | |
Brendan Walker designs thrills for a living and from his workship | 0:07:16 | 0:07:19 | |
in East London devised a VR experience with a pair of goggles | 0:07:19 | 0:07:22 | |
and a child's swing. | 0:07:22 | 0:07:30 | |
When you think you're swinging only a metre in the | 0:07:30 | 0:07:32 | |
real world, you're actually swinging 1.2 metres | 0:07:32 | 0:07:34 | |
in the virtual world and | 0:07:34 | 0:07:35 | |
I keep amplifying that. | 0:07:35 | 0:07:39 | |
But there is a tipping point, where they're suddenly | 0:07:39 | 0:07:41 | |
looking down and realise they're swinging far too high. | 0:07:41 | 0:07:46 | |
So actually turning from what was quite a | 0:07:46 | 0:07:48 | |
pleasant ride and something that was kind of a little bit scary | 0:07:48 | 0:07:51 | |
and it is that point that their expressions | 0:07:51 | 0:07:53 | |
change from pleasure and joy to kind of fear. | 0:07:53 | 0:07:55 | |
Do you think VR attractions could ever replace traditional | 0:07:55 | 0:07:57 | |
rides? | 0:07:57 | 0:07:58 | |
VR will never replace rides like rollercoasters, anything that | 0:07:58 | 0:08:00 | |
moves our body physically in space. | 0:08:00 | 0:08:09 | |
We are animals, we are built to respond to physical stimulation. | 0:08:09 | 0:08:11 | |
VR can add a veneer of storytelling, a | 0:08:11 | 0:08:13 | |
veneer of different types of visual input, but very quickly we | 0:08:13 | 0:08:16 | |
become bored. | 0:08:16 | 0:08:20 | |
But that could actually be something that makes virtual reality a | 0:08:20 | 0:08:22 | |
better idea for theme parks. | 0:08:22 | 0:08:24 | |
The story doesn't always have to stay | 0:08:24 | 0:08:26 | |
the same. | 0:08:26 | 0:08:28 | |
The advantage of this is we can change up that storyline, | 0:08:28 | 0:08:31 | |
mix it up, add something extra, add new elements to it. | 0:08:31 | 0:08:34 | |
When you have got a traditional rollercoaster made | 0:08:34 | 0:08:36 | |
of your metal, very difficult to change that theme | 0:08:36 | 0:08:38 | |
or change the experience. | 0:08:38 | 0:08:44 | |
This one we can change that quite easily with the content we | 0:08:44 | 0:08:47 | |
have got. | 0:08:47 | 0:08:54 | |
So virtual reality might be the next big thing, but if you | 0:08:55 | 0:08:58 | |
ask me there's only one way to end the day at the fun fair! | 0:08:58 | 0:09:01 | |
Oh, look how much fun it is just to slam into | 0:09:01 | 0:09:04 | |
people! | 0:09:04 | 0:09:08 | |
Something you might not be able to do with a VR ride. | 0:09:10 | 0:09:12 | |
Lindsey Woods reporting there from Thorpe Park. | 0:09:20 | 0:09:23 | |
Next, it is time to visit one of London's grandest | 0:09:24 | 0:09:27 | |
hotels to taste one of Britain's grandest dishes in this week's | 0:09:27 | 0:09:29 | |
Global Gourmet. | 0:09:29 | 0:09:31 | |
My name's Oliver Boon and today I'm going to make you | 0:09:34 | 0:09:37 | |
one of the most famous British dishes - the Beef Wellington. | 0:09:37 | 0:09:40 | |
There's lots of different stories behind the Beef Wellington. | 0:09:40 | 0:09:42 | |
One of the stories is it is from the Duke | 0:09:42 | 0:09:45 | |
of Wellington, that it was made for the Duke of Wellington. | 0:09:45 | 0:09:47 | |
That is not true. | 0:09:47 | 0:09:48 | |
It is also popular in France and it has also foie gras in the | 0:09:48 | 0:09:53 | |
middle and it also they do it in the USA as tenderloin of beef | 0:09:53 | 0:09:57 | |
and pastry. | 0:09:57 | 0:10:00 | |
Here is Gordon, my pastry chef, who I like to think is the | 0:10:00 | 0:10:04 | |
best in London. | 0:10:04 | 0:10:04 | |
And so the first thing he is doing he has made a | 0:10:04 | 0:10:07 | |
standard dough and now he is going to roll it out nice and long. | 0:10:07 | 0:10:12 | |
What we are going to do next is just season the beef up. | 0:10:12 | 0:10:15 | |
Plenty of salt. | 0:10:15 | 0:10:16 | |
Probably more than you're used to seeing at home. | 0:10:16 | 0:10:20 | |
And we just put some garlic and thyme in, just because | 0:10:21 | 0:10:23 | |
it's delicious. | 0:10:23 | 0:10:24 | |
And it smells amazing. | 0:10:24 | 0:10:28 | |
There is all seared nicely all over. | 0:10:28 | 0:10:30 | |
The butter helps give it a nice even colour. | 0:10:30 | 0:10:32 | |
So this is the blast chiller. | 0:10:32 | 0:10:34 | |
The beef's going straight in, but we are just going | 0:10:34 | 0:10:36 | |
to leave them for ten minutes in order to stop | 0:10:36 | 0:10:39 | |
the cooking completely and keep the middle raw still. | 0:10:39 | 0:10:42 | |
Now the next stage is we are just wrap | 0:10:42 | 0:10:44 | |
it in cling film. | 0:10:44 | 0:10:45 | |
This gets wrapped nice and tightly. | 0:10:45 | 0:10:46 | |
What we are doing here is creating a nice shape for | 0:10:46 | 0:10:49 | |
the inside of Wellingtons. | 0:10:49 | 0:10:50 | |
So this is mushroom duxelle, which is | 0:10:50 | 0:10:52 | |
basically some field mushrooms sliced down, | 0:10:52 | 0:10:53 | |
cooked very quickly in some butter. | 0:10:54 | 0:10:55 | |
You want to get a nice layer. | 0:10:55 | 0:10:58 | |
You want it basically all the way around the beef is the aim. | 0:10:58 | 0:11:01 | |
Then we have got this nice set cylinder | 0:11:01 | 0:11:03 | |
of beef, which goes in the middle. | 0:11:03 | 0:11:05 | |
We take the cling-film to pick up all the layers and that will roll | 0:11:05 | 0:11:08 | |
the entire fillet within the mushroom and the pancake. | 0:11:08 | 0:11:10 | |
The first stage is just to wrap it in the | 0:11:10 | 0:11:13 | |
first layer of pastry. | 0:11:13 | 0:11:15 | |
What is very important the whole time that you're | 0:11:15 | 0:11:17 | |
making it that you never have too much overlapping pastry. | 0:11:17 | 0:11:21 | |
You will see he is always trimming the ends | 0:11:21 | 0:11:23 | |
and taking as much excess pastry off it as you can. | 0:11:23 | 0:11:26 | |
So now he has got the | 0:11:26 | 0:11:28 | |
lattice, it is all cut and you cover the gaps using the pastry and just | 0:11:28 | 0:11:31 | |
laying it on top of there beautifully. | 0:11:31 | 0:11:34 | |
And we are glazing it again. | 0:11:34 | 0:11:35 | |
That is about getting a nice shiny finish when it comes out | 0:11:35 | 0:11:38 | |
the oven, you want it to look beautiful, right? | 0:11:38 | 0:11:40 | |
Now it goes into the oven at 210 degrees. | 0:11:40 | 0:11:43 | |
For about 25 minutes. | 0:11:43 | 0:11:49 | |
That is the finished product now. | 0:11:49 | 0:11:50 | |
It's come out of the oven. | 0:11:50 | 0:11:52 | |
It's had a 10 minute rest. | 0:11:52 | 0:11:55 | |
As you can see the middle is nice and pink. | 0:11:55 | 0:11:57 | |
And you have got a nice line of mushrooms, pancake and | 0:11:57 | 0:12:00 | |
the pastry. | 0:12:00 | 0:12:03 | |
Time for a taste. | 0:12:03 | 0:12:07 | |
That's great. | 0:12:13 | 0:12:14 | |
The beef's beautiful, mushrooms tasty. | 0:12:14 | 0:12:15 | |
Pastry's nice and crisp. | 0:12:15 | 0:12:16 | |
Perfect food for somebody like the Duke | 0:12:16 | 0:12:18 | |
of Wellington and his men I would say. | 0:12:18 | 0:12:20 | |
Still to come on The Travel Show. | 0:12:22 | 0:12:23 | |
Carmen's clicking on the best new travel shots online and I'll be | 0:12:23 | 0:12:27 | |
walking in the footsteps of the greats at Carnegie Hall. | 0:12:27 | 0:12:32 | |
Duke Ellington, Billie Holiday. | 0:12:32 | 0:12:34 | |
Not a bad line up. | 0:12:34 | 0:12:36 | |
I'd probably pay $4 to see that! | 0:12:36 | 0:12:40 | |
The Travel Show, your essential guide wherever you're heading. | 0:12:43 | 0:12:48 | |
Hello, and welcome to Trending Travel, where we explore | 0:12:52 | 0:12:58 | |
what's hot online in the world of travel. | 0:12:58 | 0:13:01 | |
I'll be bringing you through those essential apps, videos and blogs | 0:13:01 | 0:13:04 | |
to take with you when you leave home. | 0:13:04 | 0:13:06 | |
How many countries do you think you could visit in just one day? | 0:13:06 | 0:13:09 | |
Well, pending official confirmation, the world record of eleven appears | 0:13:09 | 0:13:11 | |
to have just been braeten. | 0:13:11 | 0:13:13 | |
British traveller Adam Leyton made a dizzying trip around 12 European | 0:13:13 | 0:13:16 | |
countries in 24 hours in aid of stillbirth charity, Sands, | 0:13:16 | 0:13:18 | |
marking his journey on social media. | 0:13:18 | 0:13:24 | |
The current record at eleven has stood since 1993. | 0:13:24 | 0:13:28 | |
I think 13's doable. | 0:13:28 | 0:13:33 | |
But this was really hard to do 12. | 0:13:33 | 0:13:35 | |
Everything had to work on the day. | 0:13:35 | 0:13:38 | |
If a train or a bus was late, there wasn't a plan B. | 0:13:38 | 0:13:41 | |
That was just it - game over. | 0:13:41 | 0:13:43 | |
So I don't know, somebody could do 13 immediately or it could hopefully | 0:13:43 | 0:13:46 | |
be another 23 years until somebody beats it. | 0:13:46 | 0:13:51 | |
You can still donate to Adam's charity via his web-site. | 0:13:51 | 0:13:54 | |
We love staying connected with you all online and don't forget | 0:13:54 | 0:13:57 | |
we are on Facebook, Twitter and e-mail. | 0:13:57 | 0:14:00 | |
And you have been sending us some great stuff this month. | 0:14:00 | 0:14:03 | |
Join us every Tuesday on Twitter, where we share some of the best | 0:14:03 | 0:14:06 | |
photos that you have sent in using the hashtag travel Tuesday. | 0:14:06 | 0:14:11 | |
From Keith Jenkins' Rio sunset to downtown Shanghai. | 0:14:11 | 0:14:16 | |
Check out our Twitter and Facebook pages for loads of exclusive | 0:14:16 | 0:14:21 | |
Travel Show content and top travel news stories to deep you up-to-date | 0:14:21 | 0:14:24 | |
and inspired for your next world class adventure. | 0:14:24 | 0:14:26 | |
Now let's look at the viral videos that have been clocking up | 0:14:27 | 0:14:30 | |
the views this month. | 0:14:30 | 0:14:36 | |
When three childhood friends set out to the far western corner | 0:14:36 | 0:14:39 | |
of Mongolia for a 12-day adventure into the wilderness, | 0:14:39 | 0:14:41 | |
they captured their journey in this spectacular film. | 0:14:41 | 0:14:45 | |
Joey explained that 12 days in the wilderness riding over high | 0:14:45 | 0:14:54 | |
passes loaded with gear, surviving raging white water, | 0:14:54 | 0:15:00 | |
drinking fermented mare's milk and battling the elements was not | 0:15:00 | 0:15:02 | |
an adventure they would soon forget. | 0:15:02 | 0:15:10 | |
And finally this month, in this drone film, Christian Grew | 0:15:10 | 0:15:12 | |
captured sprawling vistas of 12 countries over the course | 0:15:12 | 0:15:14 | |
of seven months. | 0:15:14 | 0:15:15 | |
These stunning images give a fresh perspective on some of the world's | 0:15:15 | 0:15:18 | |
most picturesque locations. | 0:15:18 | 0:15:22 | |
And don't forget to check out our website for all the ways | 0:15:29 | 0:15:32 | |
you can get in touch, or if you have seen anything online | 0:15:32 | 0:15:35 | |
that you think we should be looking at. | 0:15:35 | 0:15:37 | |
See you next time. | 0:15:37 | 0:15:38 | |
Just a couple of blocks south of Central Park in the heart | 0:15:52 | 0:15:55 | |
of Manhattan is one of the world's most famous concert | 0:15:55 | 0:15:57 | |
venues - Carnegie Hall. | 0:15:57 | 0:16:00 | |
Its list of former headliners is a who's who of musical legends. | 0:16:00 | 0:16:04 | |
From Louis Armstrong and Miles Davis to the Beatles and David Bowie, | 0:16:04 | 0:16:08 | |
among thousands of other world class performers. | 0:16:08 | 0:16:13 | |
And this year, the venue is celebrating its 125th anniversary. | 0:16:13 | 0:16:21 | |
There is an old joke that goes something like this, | 0:16:21 | 0:16:24 | |
how you get to Carnegie Hall? | 0:16:24 | 0:16:25 | |
Practice, practice, practice. | 0:16:25 | 0:16:26 | |
And there is some practice going on in there right now. | 0:16:26 | 0:16:29 | |
A rehearsal for tonight's performance. | 0:16:29 | 0:16:30 | |
And I have been granted a sneak preview. | 0:16:30 | 0:16:33 | |
This place is considered a kind of Mecca for musicians. | 0:16:38 | 0:16:42 | |
Partly because of acoustics, which allow for perfect sound | 0:16:42 | 0:16:45 | |
regardless of which of 2,804 seats you sit in. | 0:16:45 | 0:16:51 | |
Its pedigree as a concert hall was established with the opening | 0:16:51 | 0:16:56 | |
performance on 5th May 1891, when an evening of Tchaikovsky | 0:16:56 | 0:16:58 | |
was conducted by the composer himself. | 0:16:58 | 0:17:04 | |
Toshiyuki Shimada is the musical director | 0:17:07 | 0:17:09 | |
of the Yale Symphony Orchestra, whose students are rehearsing | 0:17:09 | 0:17:11 | |
on the stage today. | 0:17:11 | 0:17:13 | |
He has conducted many times at Carnegie Hall. | 0:17:13 | 0:17:19 | |
Just before I feel the room jitter and this is a big huge | 0:17:19 | 0:17:22 | |
temple and sacred place. | 0:17:22 | 0:17:25 | |
But once you start, you forget about it and just dive | 0:17:25 | 0:17:28 | |
into the music and really not thinking. | 0:17:28 | 0:17:32 | |
And Shimada is always conscious of the great conductors who have | 0:17:32 | 0:17:34 | |
come before him. | 0:17:35 | 0:17:37 | |
I think those spirits are all collected in this hall. | 0:17:37 | 0:17:40 | |
That's how I feel. | 0:17:41 | 0:17:42 | |
When I first stood on the podium, when I was here first time, | 0:17:42 | 0:17:46 | |
I kind of had a vibration, and feel like somebody | 0:17:46 | 0:17:48 | |
was really watching me! | 0:17:48 | 0:17:51 | |
Maybe it was Mahler or somebody. | 0:17:51 | 0:17:55 | |
You have this feeling. | 0:17:55 | 0:17:56 | |
And I think that is why it is a very special hall. | 0:17:56 | 0:18:01 | |
There are chairs from 1891. | 0:18:01 | 0:18:07 | |
Perhaps the man who knows most about Carnegie Hall's history | 0:18:07 | 0:18:10 | |
is Gino Francesconi. | 0:18:10 | 0:18:11 | |
He has worked at Carnegie Hall for 42 years, making his way up | 0:18:11 | 0:18:14 | |
from backstage attendant to being the director | 0:18:14 | 0:18:15 | |
of the venue's museum today. | 0:18:15 | 0:18:17 | |
Along the way he has met many of the biggest stars to have | 0:18:17 | 0:18:20 | |
had their name on the Carnegie Hall marquee. | 0:18:20 | 0:18:25 | |
I worked backstage, I think, about 3,500 events and there | 0:18:25 | 0:18:28 | |
were some people that I knew from a distance. | 0:18:28 | 0:18:30 | |
Sinatra. | 0:18:30 | 0:18:33 | |
There were some that were becoming new to me, like Ella | 0:18:33 | 0:18:35 | |
Fitzgerald, jazz. | 0:18:35 | 0:18:38 | |
And it was right there by that stage door that sometimes you could feel | 0:18:38 | 0:18:41 | |
the audience was right and the artist was just right | 0:18:41 | 0:18:47 | |
and you hadn't heard a thing yet, and yet you knew that that night | 0:18:47 | 0:18:51 | |
was going to be magic. | 0:18:51 | 0:18:53 | |
Gino, has responsibility for Carnegie Hall's vast archive, | 0:18:54 | 0:18:58 | |
which documents over 50,000 performances and he has brought out | 0:18:58 | 0:19:01 | |
some of the most prized items in his collection, including | 0:19:01 | 0:19:04 | |
the glasses of the first lady of song, Ella Fitzgerald. | 0:19:04 | 0:19:09 | |
It's wonderful, the Ella Fitzgerald Foundation called us and said, | 0:19:09 | 0:19:12 | |
do you want anything? | 0:19:12 | 0:19:13 | |
And I said... | 0:19:13 | 0:19:14 | |
Yes. | 0:19:14 | 0:19:16 | |
Yes. | 0:19:16 | 0:19:18 | |
And a special item bequeathed by the family of | 0:19:18 | 0:19:20 | |
another jazz legend. | 0:19:20 | 0:19:23 | |
Here we have one of the finest clarinets ever made. | 0:19:23 | 0:19:27 | |
It belonged to Benny Goodman. | 0:19:27 | 0:19:30 | |
And it was given us to by his family. | 0:19:30 | 0:19:34 | |
And it was the first donation for our future museum. | 0:19:34 | 0:19:42 | |
The good news for decidedly unmusical people like me is that | 0:19:47 | 0:19:57 | |
you don't have be a world class performer or belong to an Ivy League | 0:19:57 | 0:20:00 | |
orchestra to join in the fun. | 0:20:00 | 0:20:02 | |
The Carnegie Institute runs a number of events in its education wing | 0:20:02 | 0:20:05 | |
throughout the year, including workshops and family | 0:20:05 | 0:20:06 | |
concerts like this one. | 0:20:06 | 0:20:11 | |
Emily Egan is a musician and songwriter, but also has | 0:20:11 | 0:20:16 | |
the distinction of being a two-time international whistling champion. | 0:20:16 | 0:20:23 | |
Whistling is of course part of Emily's show, | 0:20:25 | 0:20:27 | |
as is crowd participation. | 0:20:27 | 0:20:29 | |
You just make a little tweet like... | 0:20:29 | 0:20:32 | |
Don't even think it as being whistling, but being like a bird. | 0:20:32 | 0:20:35 | |
There you can blow a little bit and it still sounds good. | 0:20:35 | 0:20:39 | |
I can't go up against the word champion. | 0:20:39 | 0:20:46 | |
But thankfully when the time came there was a large group to help | 0:20:46 | 0:20:49 | |
drown me out. | 0:20:49 | 0:20:50 | |
THEY ALL WHISTLE | 0:20:50 | 0:20:58 | |
There are nerves both backstage and in the audience tonight as proud | 0:21:00 | 0:21:03 | |
families file into the famous theatre to watch the young musicians | 0:21:03 | 0:21:06 | |
perform. | 0:21:06 | 0:21:10 | |
This is super exciting, because when all is said and done, | 0:21:10 | 0:21:13 | |
Carnegie Hall is all about the performance. | 0:21:13 | 0:21:15 | |
Tonight the orchestra's playing a number of modern compositions | 0:21:17 | 0:21:20 | |
and finishes up with a more traditional crowd favourite. | 0:21:20 | 0:21:24 | |
MUSIC: Land of Hope and Glory. | 0:21:24 | 0:21:27 | |
By running community programmes, Carnegie Hall has become | 0:21:30 | 0:21:32 | |
more than just a venue. | 0:21:32 | 0:21:35 | |
It is teaching a new generation to appreciate performance, | 0:21:35 | 0:21:37 | |
which might just help this much-loved institution last | 0:21:37 | 0:21:39 | |
another 125 years. | 0:21:39 | 0:21:43 | |
Who would have thought my whistling would be heard at Carnegie Hall? | 0:21:51 | 0:21:55 | |
Well, that's all we have got time for on this week's programme. | 0:21:55 | 0:21:59 | |
Coming up next week: We have got the first of two special | 0:21:59 | 0:22:02 | |
programmes from China. | 0:22:02 | 0:22:04 | |
We explore some of the country's little-known natural treasures. | 0:22:04 | 0:22:10 | |
When it comes down to it, all I can say is this | 0:22:10 | 0:22:13 | |
a mind-boggling extravaganza of geological history and formation | 0:22:13 | 0:22:15 | |
and life all put together and it's just incredible to believe that no | 0:22:15 | 0:22:19 | |
one really knew about it. | 0:22:19 | 0:22:25 | |
So do join us if you can, and in the meantime don't forget | 0:22:25 | 0:22:33 | |
you can keep up with us while you're on the road - | 0:22:33 | 0:22:36 | |
all you need to do | 0:22:36 | 0:22:37 | |
is sign up to our social media feeds, the details of | 0:22:37 | 0:22:40 | |
which are on the screen now. | 0:22:40 | 0:22:42 | |
But for now from me, Christa Larwood, and the rest | 0:22:42 | 0:22:44 | |
of the Travel Show team here in New York City, it's goodbye. | 0:22:44 | 0:22:46 | |
Hello. | 0:23:11 | 0:23:12 | |
Yet again on Friday some of us were dealing | 0:23:12 | 0:23:14 | |
with intense, thundery downpours. | 0:23:14 | 0:23:15 | |
Here are couple of pictures taken by our weather watchers on Friday. | 0:23:15 | 0:23:18 | |
Through this weekend there will be further heavy showers. | 0:23:18 | 0:23:21 | |
Wet at times this weekend. | 0:23:21 | 0:23:22 | |
Not all the time - there'll be drier moments, | 0:23:22 | 0:23:24 |