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ahead of elections. | 0:00:00 | 0:00:03 | |
Brian Hungwe reporting. | 0:00:03 | 0:00:07 | |
Time | 0:00:07 | 0:00:07 | |
Time for | 0:00:07 | 0:00:08 | |
Time for the | 0:00:08 | 0:00:08 | |
Time for the Travel Show. | 0:00:08 | 0:00:10 | |
You have got about 20 good metres to climb and if you run out | 0:00:10 | 0:00:14 | |
of strength halfway, it is not going to be pretty. | 0:00:14 | 0:00:22 | |
Hello and welcome to The Travel Show coming to you this week from Kerala | 0:00:44 | 0:00:47 | |
in India with me, Henry Golding. | 0:00:47 | 0:00:49 | |
One of the things that this part of the country is famous | 0:00:49 | 0:00:52 | |
for is its houseboats. | 0:00:52 | 0:00:55 | |
They've plied the backwaters of towns like this one, | 0:00:55 | 0:00:57 | |
offering a unique view of rural Indian life but what effect | 0:00:57 | 0:01:00 | |
will all that tourism have in the long run? | 0:01:00 | 0:01:06 | |
One, two, three, go! | 0:01:06 | 0:01:07 | |
And later on, I will also be discovering which is faster. | 0:01:07 | 0:01:10 | |
Careful. | 0:01:10 | 0:01:11 | |
Man or a machine in the battle of the coconut tree climbers. | 0:01:11 | 0:01:14 | |
But first off, Kerala 's calling card is its unique backwaters. | 0:01:14 | 0:01:28 | |
A labyrinth of canals, rivers and lakes running 900 | 0:01:28 | 0:01:31 | |
kilometres through the state. | 0:01:31 | 0:01:37 | |
I have been told that the best way to experience the true flavours | 0:01:37 | 0:01:40 | |
of the backwaters is on one of these things, a houseboat, | 0:01:40 | 0:01:46 | |
so why don't we jump aboard? | 0:01:46 | 0:01:52 | |
25 years ago, the houseboat industry did not exist but in 1991, | 0:01:52 | 0:01:55 | |
the tour operators saw the potential in modifying defunct | 0:01:55 | 0:01:57 | |
boats for tourists. | 0:01:57 | 0:02:02 | |
It was an instant hit and revolutionised tourism here. | 0:02:02 | 0:02:09 | |
From humble beginnings, many now have state-of-the-art | 0:02:09 | 0:02:11 | |
fixtures and fittings. | 0:02:11 | 0:02:16 | |
Look at this. | 0:02:16 | 0:02:18 | |
When you hear you're coming onto a houseboat, | 0:02:18 | 0:02:20 | |
you're not really sure what to expect but this level | 0:02:20 | 0:02:22 | |
of luxury is pretty mind blowing. | 0:02:22 | 0:02:27 | |
You have all the mod cons, television, satellite television, | 0:02:27 | 0:02:30 | |
air con to keep you cool in that Indian heat, | 0:02:30 | 0:02:33 | |
but what is really surprising, have a look at this bathroom. | 0:02:33 | 0:02:39 | |
Massive. | 0:02:39 | 0:02:44 | |
From just a handful of boats in the 90s there are now more | 0:02:44 | 0:02:48 | |
than 1000, offering people a unique insight into village life | 0:02:48 | 0:02:50 | |
along the waterways. | 0:02:50 | 0:03:00 | |
There has been a very fast, dramatic change in the region | 0:03:00 | 0:03:02 | |
due to tourism. | 0:03:02 | 0:03:03 | |
It has become big business for tour operators like Biju George. | 0:03:03 | 0:03:06 | |
What is the actual draw for a lot of tourists to come | 0:03:06 | 0:03:09 | |
here and experience the backwaters? | 0:03:09 | 0:03:12 | |
This region is called the Venice of the East and the natural beauty | 0:03:12 | 0:03:16 | |
of the region is one of the main attractions and it is why | 0:03:16 | 0:03:19 | |
people come here. | 0:03:19 | 0:03:23 | |
To see and enjoy this region. | 0:03:23 | 0:03:24 | |
I have noticed that we have opened up to this huge lake here, | 0:03:24 | 0:03:28 | |
absolutely stunning, what is this place? | 0:03:28 | 0:03:29 | |
This is the largest lake in Southern India, it is almost 35 | 0:03:29 | 0:03:32 | |
kilometres at a stretch, it is a huge lake. | 0:03:32 | 0:03:36 | |
It almost looks like a sea, it is so big. | 0:03:36 | 0:03:41 | |
Time for me to take the helm. | 0:03:41 | 0:03:47 | |
Do you want me to be in charge of this thing? | 0:03:47 | 0:03:49 | |
Sure, it is on you, though! | 0:03:49 | 0:03:52 | |
All right. | 0:03:52 | 0:03:54 | |
OK. | 0:03:54 | 0:03:55 | |
Give me the tips. | 0:03:55 | 0:03:58 | |
A lot of steering. | 0:03:58 | 0:03:58 | |
It is quite loose. | 0:03:58 | 0:04:06 | |
Which way are they going? | 0:04:06 | 0:04:12 | |
Usually it is very relaxed, apart from trying to dodge these boats! | 0:04:12 | 0:04:21 | |
The houseboat industry has created incredible wealth for the region | 0:04:23 | 0:04:25 | |
and benefited lots of locals from boat builders and owners | 0:04:25 | 0:04:28 | |
to hoteliers and tour operators. | 0:04:28 | 0:04:35 | |
But what has been the cost to the environment? | 0:04:35 | 0:04:38 | |
Now it looks like we have had a bit of congestion, | 0:04:38 | 0:04:41 | |
the problem being that most of these houseboats actually leave | 0:04:41 | 0:04:44 | |
at the same time so these riverways get packed up and pretty much act | 0:04:44 | 0:04:48 | |
like superhighways for these things. | 0:04:48 | 0:04:59 | |
Where there is a high boom of tourism, in the limited period | 0:04:59 | 0:05:02 | |
of time, there is always this issue. | 0:05:02 | 0:05:05 | |
So none of the systems were prepared or aware what we could do and how | 0:05:05 | 0:05:09 | |
we can manage this. | 0:05:09 | 0:05:25 | |
Everyone thought about the business side of it, nobody thought | 0:05:25 | 0:05:27 | |
about the sustainability side of the business. | 0:05:27 | 0:05:29 | |
Some say there has been an increase in pollution and that has affected | 0:05:29 | 0:05:32 | |
the locals who depend on the backwaters. | 0:05:32 | 0:05:34 | |
Early the next morning, I went to see for myself what impact | 0:05:34 | 0:05:37 | |
environmental groups claim tourism is having on the community. | 0:05:37 | 0:05:41 | |
These guys have obviously come out very early in the morning, | 0:05:41 | 0:05:44 | |
the sun is still coming up, isn't it? | 0:05:44 | 0:05:46 | |
What are they doing? | 0:05:46 | 0:05:48 | |
They are pulling out the clams from the bottom of the lake. | 0:05:48 | 0:06:00 | |
They come out early in the morning, around 4:00am, and they go back | 0:06:00 | 0:06:08 | |
around 10:00pm, 10:30pm. | 0:06:08 | 0:06:08 | |
Sudha Soni is a campaigner who grew up around the lake. | 0:06:08 | 0:06:11 | |
They rely on the lake. | 0:06:11 | 0:06:15 | |
Yes, and this has been going on for generations. | 0:06:15 | 0:06:18 | |
So how does the pollution of the water affect | 0:06:18 | 0:06:21 | |
the industry here? | 0:06:21 | 0:06:21 | |
Two ways. | 0:06:21 | 0:06:23 | |
One, the pollution of the water stunts the growth of the clams. | 0:06:23 | 0:06:31 | |
The second thing, the rake which they put into the water | 0:06:31 | 0:06:38 | |
to collect the clam, the net that is attached | 0:06:38 | 0:06:40 | |
to it sometimes brings up the waste | 0:06:40 | 0:06:42 | |
that is thrown into the lake. | 0:06:42 | 0:06:44 | |
Sudha is working in conjunction with the environmental group | 0:06:44 | 0:06:46 | |
Tourism Concern on a new system of enforced regulations | 0:06:46 | 0:06:48 | |
and certification for houseboats. | 0:06:48 | 0:06:49 | |
She believes they cause much of the damage. | 0:06:49 | 0:06:58 | |
Tour operators sitting abroad don't know what kind of boat it is. | 0:06:58 | 0:07:01 | |
So when this particular certification is there, | 0:07:01 | 0:07:05 | |
they are confident, yes, and that will make it more | 0:07:05 | 0:07:08 | |
credible and authentic. | 0:07:08 | 0:07:10 | |
One of the benefits of travelling by river is whatever | 0:07:10 | 0:07:12 | |
tickles your fancy along the banks, you can stop, get off and explore. | 0:07:12 | 0:07:18 | |
I have decided that this church looks pretty beautiful so I am | 0:07:18 | 0:07:21 | |
going to take some photographs of it. | 0:07:21 | 0:07:27 | |
Kerala has some of the oldest Catholic churches in India. | 0:07:31 | 0:07:36 | |
This hidden gem was founded in the fifth century. | 0:07:36 | 0:07:46 | |
But ultimately it is the houseboats that have given | 0:07:46 | 0:07:49 | |
Kerala global recognition. | 0:07:49 | 0:07:56 | |
We have people from all over the world, but to be precise, | 0:07:56 | 0:08:03 | |
maybe from Europe, from Australia, the US, even from the Middle East, | 0:08:03 | 0:08:13 | |
because that's the new market that we've developed. | 0:08:13 | 0:08:15 | |
Jobin Akkarakkalam runs some of the largest and most palatial | 0:08:15 | 0:08:18 | |
boats on the waterways. | 0:08:18 | 0:08:18 | |
His vessels are registered on the government scheme | 0:08:18 | 0:08:23 | |
which awards classification certificates for quality | 0:08:23 | 0:08:25 | |
and sustainability. | 0:08:25 | 0:08:28 | |
The government has got a gold star, green star classification given | 0:08:28 | 0:08:31 | |
to the houseboats. | 0:08:31 | 0:08:33 | |
They have regular inspections from the government authorities. | 0:08:33 | 0:08:41 | |
They have the pollution control board inspecting our boats, | 0:08:41 | 0:08:43 | |
they renew the licence every year. | 0:08:43 | 0:08:48 | |
But not all boat owners are currently signed up | 0:08:48 | 0:08:52 | |
to the scheme, and environmentalists are calling for all boats | 0:08:52 | 0:08:54 | |
to have compulsory checks to protect | 0:08:54 | 0:08:56 | |
the people and wildlife that live here. | 0:08:56 | 0:09:02 | |
This could really be one of the most sustainable tourism products | 0:09:02 | 0:09:04 | |
in the world. | 0:09:04 | 0:09:13 | |
This could be an example for a lot of other destinations in different | 0:09:13 | 0:09:17 | |
parts of the world. | 0:09:17 | 0:09:18 | |
If we can use the system to maintain the entire region, | 0:09:18 | 0:09:20 | |
this could be great. | 0:09:20 | 0:09:25 | |
Coming up later on in the programme: I find out what it takes to become | 0:09:32 | 0:09:36 | |
one of Kerala's top tree climbers. | 0:09:36 | 0:09:42 | |
I think I'm going to rip my pants! | 0:09:42 | 0:09:45 | |
The Travel Show, your essential guide wherever you're heading. | 0:09:45 | 0:09:52 | |
Next up, Kerala is the home of Kathakali, an intricate form | 0:09:52 | 0:09:55 | |
of classical dance that has been performed here for centuries | 0:09:55 | 0:09:58 | |
and is now high on the list of things many tourists come | 0:09:58 | 0:10:01 | |
here to see. | 0:10:01 | 0:10:09 | |
To learn more about Kathakali, I have come here to meet a man whose | 0:10:12 | 0:10:15 | |
family have been performing the dance for the past 100 years. | 0:10:15 | 0:10:19 | |
How are you? | 0:10:19 | 0:10:21 | |
Good to see you. | 0:10:21 | 0:10:22 | |
Thank you very much. | 0:10:22 | 0:10:24 | |
This is your theatre? | 0:10:24 | 0:10:25 | |
Amazing. | 0:10:25 | 0:10:28 | |
Central to Kathakali is the complex ritual make-up which turns | 0:10:32 | 0:10:34 | |
the performers into supernatural beings, gods and demons. | 0:10:34 | 0:10:41 | |
The process of applying the make-up can take many hours and here, | 0:10:41 | 0:10:51 | |
it is applied directly in front of the audience, | 0:10:51 | 0:10:53 | |
and forms part of the performance. | 0:10:53 | 0:10:59 | |
There's a singer, who sings the stories. | 0:10:59 | 0:11:09 | |
Then there is a drummer. | 0:11:09 | 0:11:10 | |
He supports. | 0:11:10 | 0:11:16 | |
The dancer translates the songs through movement of eyebrows, | 0:11:16 | 0:11:18 | |
eyes, fingers, footwork. | 0:11:18 | 0:11:25 | |
And all these stories come from the Hindu books. | 0:11:25 | 0:11:35 | |
Originally developed as a way of teaching religious scripture | 0:11:35 | 0:11:37 | |
to rural audiences, Kathakali is also now a big draw for tourists | 0:11:37 | 0:11:40 | |
coming here to Kerala. | 0:11:40 | 0:11:44 | |
I am very curious to know, how do you tell a story | 0:11:44 | 0:11:49 | |
with your eyebrows, your cheeks, your lips and your fingers? | 0:11:49 | 0:11:56 | |
Can you teach me? | 0:11:56 | 0:12:01 | |
To start with, there are 24 alphabets in the language. | 0:12:01 | 0:12:03 | |
Each alphabet forms a position of the hand. | 0:12:03 | 0:12:06 | |
Show me a segment of how you would use the alphabet | 0:12:06 | 0:12:08 | |
to tell the story? | 0:12:08 | 0:12:12 | |
Come. | 0:12:12 | 0:12:15 | |
And so with the eye movements, what different types of eye | 0:12:15 | 0:12:18 | |
movements do you have? | 0:12:18 | 0:12:23 | |
With the eyes, you can see he is getting excited. | 0:12:23 | 0:12:29 | |
And then? | 0:12:29 | 0:12:32 | |
Up and sideways. | 0:12:32 | 0:12:37 | |
I think it is me being an amateur but when I tried to do it, | 0:12:37 | 0:12:40 | |
my vision blurs, but your vision does not blur. | 0:12:40 | 0:12:43 | |
OK. | 0:12:43 | 0:12:47 | |
You focus in the distance. | 0:12:47 | 0:12:50 | |
I am focusing up here, that is why I am cross-eyed! | 0:12:50 | 0:12:53 | |
That is the secret. | 0:12:53 | 0:12:57 | |
The flower opening. | 0:12:57 | 0:12:59 | |
Once you combine the facial expressions with hand gestures, | 0:12:59 | 0:13:02 | |
then you have a classic Kathakali sentence, but something tells me, | 0:13:02 | 0:13:05 | |
I have got some way to go before I could ever be understood. | 0:13:05 | 0:13:13 | |
Bees coming to the flower. | 0:13:20 | 0:13:22 | |
Bees. | 0:13:22 | 0:13:25 | |
Team those moves with some fancy footwork and you have a performance, | 0:13:35 | 0:13:40 | |
in theory at least. | 0:13:40 | 0:13:50 | |
That is very good. | 0:13:55 | 0:13:57 | |
Very impressive. | 0:13:57 | 0:13:58 | |
I am not very good at all, am I? | 0:13:58 | 0:14:05 | |
Imagine with all the make-up on, the full regalia, probably about 100 | 0:14:05 | 0:14:08 | |
people looking at you and that Indian heat to challenge you, | 0:14:08 | 0:14:12 | |
the scrutiny of every single step and tiny movement, | 0:14:12 | 0:14:14 | |
I will crack under pressure. | 0:14:14 | 0:14:26 | |
Traditionally, a classic Kathakali performance, | 0:14:26 | 0:14:28 | |
will run for many hours, sometimes a whole night, | 0:14:28 | 0:14:33 | |
but some modern audiences have shorter attention spans | 0:14:33 | 0:14:35 | |
so the artform has had to adapt. | 0:14:35 | 0:14:39 | |
You know, the original one goes throughout the night. | 0:14:39 | 0:14:41 | |
Everything is detailed, everything is intricate, | 0:14:41 | 0:14:46 | |
and nowadays, we are adapting it for a one and a half | 0:14:46 | 0:14:49 | |
or two hour programme. | 0:14:49 | 0:14:53 | |
In a way, we lose our originality, what has been done throughout | 0:14:53 | 0:14:56 | |
the night, that is not being shown now. | 0:14:56 | 0:15:03 | |
The fire god. | 0:15:03 | 0:15:06 | |
But whether the performance is a marathon length all night | 0:15:06 | 0:15:08 | |
or something more contained, the highlight of the show is always | 0:15:08 | 0:15:11 | |
the appearance onstage of Pacca, wearing his traditional | 0:15:11 | 0:15:13 | |
green make up. | 0:15:13 | 0:15:15 | |
And using steps originally choreographed hundreds | 0:15:15 | 0:15:20 | |
of years ago to entertain and captivate audiences of today. | 0:15:20 | 0:15:38 | |
To end this week, Kerala is the coconut capital of India, | 0:15:38 | 0:15:41 | |
because more are harvested here than any other state. | 0:15:41 | 0:15:43 | |
I have come to find out what it takes to become | 0:15:43 | 0:15:48 | |
a champion coconut picker. | 0:15:48 | 0:15:57 | |
In Kerala there are coconut trees almost everywhere. | 0:15:57 | 0:16:01 | |
The state produces 6 billion coconuts annually, that is nearly | 0:16:01 | 0:16:03 | |
one for every man, woman and child in the entire world. | 0:16:03 | 0:16:13 | |
And incredibly, most of them are still picked by hand. | 0:16:13 | 0:16:21 | |
He is one of Kerala's premier coconut pickers. | 0:16:21 | 0:16:28 | |
It takes him just seconds to shimmy all the way up the slender trunk. | 0:16:28 | 0:16:35 | |
That was unbelievable. | 0:16:35 | 0:16:39 | |
You are so strong, that was so good. | 0:16:39 | 0:16:41 | |
How high is this? | 0:16:41 | 0:16:43 | |
30 metres. | 0:16:43 | 0:16:45 | |
And you did it like it was a Sunday stroll. | 0:16:45 | 0:16:48 | |
He is 52 years old. | 0:16:48 | 0:16:49 | |
52 years old. | 0:16:49 | 0:16:52 | |
You are pretty much half my age added on, I should be able to do | 0:16:52 | 0:16:56 | |
that quicker than you. | 0:16:56 | 0:16:57 | |
I do not know whether that will be the case. | 0:16:57 | 0:16:59 | |
How many coconuts does he collect a day? | 0:16:59 | 0:17:01 | |
40 coconuts per day. | 0:17:01 | 0:17:02 | |
Some places in Kerala are now teaching tourists the art of coconut | 0:17:02 | 0:17:08 | |
tree climbing so let us see if I am up | 0:17:08 | 0:17:10 | |
to the challenge. | 0:17:10 | 0:17:16 | |
LAUGHTER. | 0:17:16 | 0:17:18 | |
I want to hoist myself up but my arms, they just will not obey. | 0:17:18 | 0:17:25 | |
I think I'm going to rip my pants! | 0:17:25 | 0:17:34 | |
This is tough! | 0:17:34 | 0:17:37 | |
The numbers of climbers have fallen dramatically as the younger | 0:17:37 | 0:17:40 | |
generation have gradually moved away from manual jobs. | 0:17:40 | 0:17:45 | |
I think it is a bit of a marathon, you have to think of it | 0:17:46 | 0:17:50 | |
as a marathon, you have 20 good metres to climb and if you run out | 0:17:50 | 0:17:53 | |
of strength halfway, it is not going to be pretty. | 0:17:53 | 0:17:56 | |
I think that is it for me. | 0:17:56 | 0:18:03 | |
How does he do it? | 0:18:03 | 0:18:06 | |
My feet, I think it is because I have got soft everything, | 0:18:06 | 0:18:09 | |
I am a wimp. | 0:18:09 | 0:18:11 | |
You're much stronger than I am. | 0:18:11 | 0:18:16 | |
The coconut industry is worth billions of dollars, | 0:18:16 | 0:18:19 | |
so the decline of manual climbers has called | 0:18:19 | 0:18:22 | |
for modernisation of sorts. | 0:18:22 | 0:18:33 | |
That looks so much easier. | 0:18:33 | 0:18:37 | |
The state government has tried everything from competitions | 0:18:37 | 0:18:40 | |
to prize-money to find a machine that can entice | 0:18:40 | 0:18:43 | |
people back into the job. | 0:18:43 | 0:18:45 | |
This one invented by a local farmer has proved | 0:18:45 | 0:18:47 | |
relatively simple to operate. | 0:18:47 | 0:18:50 | |
Just right there? | 0:18:50 | 0:18:52 | |
OK. | 0:18:52 | 0:18:53 | |
Lift there, and there. | 0:18:53 | 0:18:54 | |
Great. | 0:18:54 | 0:18:57 | |
All the way up. | 0:18:57 | 0:19:00 | |
It is definitely a lot easier. | 0:19:00 | 0:19:05 | |
I may have spoken too soon. | 0:19:05 | 0:19:08 | |
It is a lot tougher than it looks. | 0:19:08 | 0:19:11 | |
Lift one, relax. | 0:19:11 | 0:19:19 | |
You have got a lot less stress on your toes and your hands | 0:19:19 | 0:19:23 | |
themselves, but getting this motion right is making me a little | 0:19:23 | 0:19:26 | |
bit nervous. | 0:19:26 | 0:19:34 | |
Nearly there. | 0:19:34 | 0:19:44 | |
Wow! | 0:19:44 | 0:19:46 | |
It does make it a little bit easier, I have to say, but I would | 0:19:46 | 0:19:50 | |
like to put it to the test, the old method versus the new one, | 0:19:50 | 0:19:54 | |
what do you think? | 0:19:54 | 0:19:55 | |
Will we try it? | 0:19:55 | 0:19:56 | |
All right. | 0:19:56 | 0:20:02 | |
Over here, we have the traditional coconut tree climbers who will be | 0:20:02 | 0:20:08 | |
using the ropes around their legs and whatnot and over on this side, | 0:20:08 | 0:20:12 | |
we have the mechanically assisted one and we will find | 0:20:12 | 0:20:14 | |
out who is the fastest. | 0:20:14 | 0:20:16 | |
Three, two, one, go! | 0:20:16 | 0:20:22 | |
They are pretty much neck and neck at the moment. | 0:20:22 | 0:20:22 | |
The mechanically assisted ones are going a little bit faster. | 0:20:25 | 0:20:34 | |
He has called the time, he has called the time. | 0:20:34 | 0:20:37 | |
There you go. | 0:20:37 | 0:20:41 | |
They are switching and the turnover is, go, go, go, go, go. | 0:20:41 | 0:20:55 | |
The traditional climbers are doing very well indeed. | 0:20:55 | 0:20:57 | |
Careful! | 0:20:57 | 0:20:58 | |
We have found a chink in the armour. | 0:20:58 | 0:21:00 | |
The mechanical one has a little bit of | 0:21:00 | 0:21:03 | |
a problem coming down. | 0:21:03 | 0:21:06 | |
LAUGHTER. | 0:21:06 | 0:21:08 | |
Up, up, up, up. | 0:21:08 | 0:21:14 | |
Take your time. | 0:21:14 | 0:21:16 | |
He is doing well though. | 0:21:16 | 0:21:21 | |
Yay! | 0:21:21 | 0:21:27 | |
To the winners go the spoils. | 0:21:27 | 0:21:32 | |
Oh, well! | 0:21:32 | 0:21:40 | |
How does victory taste boys? | 0:21:40 | 0:21:42 | |
Sweet. | 0:21:42 | 0:21:48 | |
Sadly, that is all the time we have this week but join us next | 0:21:48 | 0:21:51 | |
week if you can when... | 0:21:51 | 0:21:55 | |
Carmen is in northern Peru at the Chaparri nature reserve. | 0:21:55 | 0:22:00 | |
Where you will be meeting these guys, the Andean | 0:22:00 | 0:22:03 | |
or Spectacled Bears. | 0:22:03 | 0:22:05 | |
It is incredible to be so close to the bears. | 0:22:05 | 0:22:11 | |
There is no gate, there is no fence separating us, | 0:22:11 | 0:22:14 | |
she is just there, a few metres away. | 0:22:14 | 0:22:16 | |
That is all coming up next week, but do not forget, you can join us | 0:22:16 | 0:22:19 | |
in all of our travels wherever we are in the world | 0:22:19 | 0:22:22 | |
by following our social media feeds. | 0:22:22 | 0:22:23 | |
All the details should be on screen. | 0:22:23 | 0:22:25 | |
From me, Henry Golding and the rest of the team here in | 0:22:25 | 0:22:28 | |
Kerala, it is goodbye! | 0:22:28 | 0:22:30 |