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This year marks the 100th anniversary of the start | 0:00:02 | 0:00:04 | |
of the First World War. But with no veterans still living, | 0:00:04 | 0:00:07 | |
is it now OK to call places like THIS a tourist attraction? | 0:00:07 | 0:00:11 | |
Coming up on the show - | 0:00:36 | 0:00:37 | |
we visit the battlefields of Belgium to ask | 0:00:37 | 0:00:40 | |
if there's a fine line between commemoration and cashing in. | 0:00:40 | 0:00:43 | |
We visit a mysterious underwater world off the coast of Mexico. | 0:00:46 | 0:00:50 | |
We head to Rome, to find out why any time is espresso time in Italy. | 0:00:51 | 0:00:56 | |
This is really special. | 0:00:56 | 0:00:58 | |
And we go backstage at the first-ever German production | 0:00:58 | 0:01:03 | |
of box-office smash War Horse in Berlin. | 0:01:03 | 0:01:06 | |
Looking at the grand cathedral spires | 0:01:15 | 0:01:17 | |
and Renaissance-style squares of Ypres in Belgium, | 0:01:17 | 0:01:20 | |
you would never know that this town was razed to the ground | 0:01:20 | 0:01:24 | |
during the First World War. | 0:01:24 | 0:01:26 | |
Today it has become a major centre for war tourism. | 0:01:31 | 0:01:34 | |
In July this year, the world will commemorate | 0:01:36 | 0:01:38 | |
the 100th anniversary of the beginning of the war. | 0:01:38 | 0:01:42 | |
And this place is busy preparing for its time in the spotlight. | 0:01:42 | 0:01:46 | |
Ypres will be a hive of activity throughout this commemorative year. | 0:01:47 | 0:01:52 | |
They are expecting to receive around half a million visitors. | 0:01:52 | 0:01:55 | |
With an influx of tourists THAT big, | 0:01:55 | 0:01:57 | |
for local businesses that means a huge opportunity. | 0:01:57 | 0:02:00 | |
The First World War raged across Europe and the world | 0:02:07 | 0:02:11 | |
from 1914 to 1918. | 0:02:11 | 0:02:13 | |
Both the German and Allied forces dug in | 0:02:16 | 0:02:18 | |
and fought a slow-moving, brutal war from frontline trenches. | 0:02:18 | 0:02:22 | |
Flanders saw some of the heaviest fighting during the war. | 0:02:24 | 0:02:28 | |
And millions lost their lives here. | 0:02:28 | 0:02:31 | |
This is part of a trench system that stretched all the way | 0:02:31 | 0:02:34 | |
from here in Belgium, down to the Swiss border. | 0:02:34 | 0:02:38 | |
So this is a German trench built in 1917. | 0:02:39 | 0:02:42 | |
It's German because, for instance, the wattle-work. | 0:02:43 | 0:02:47 | |
'Archaeologist Marc De Wilde has been involved in the excavation | 0:02:47 | 0:02:51 | |
'of trenches in the region, some of which are now open to tourists.' | 0:02:51 | 0:02:55 | |
Archaeology brings daily life in the trenches much more than, | 0:02:55 | 0:03:00 | |
for instance, in the written material... | 0:03:00 | 0:03:03 | |
So, with all the finds we have, | 0:03:03 | 0:03:05 | |
we really can imagine how they lived. | 0:03:05 | 0:03:09 | |
-A pretty grim reality, I imagine. -Yes. | 0:03:09 | 0:03:12 | |
If you see the damage done to the trenches by shelling, | 0:03:12 | 0:03:17 | |
and if you imagine that there's soldiers standing over there, | 0:03:17 | 0:03:22 | |
so you almost experience how life was in these trenches. | 0:03:22 | 0:03:27 | |
Is there a danger, do you think, | 0:03:27 | 0:03:29 | |
that it could become over-commercialised, this event? | 0:03:29 | 0:03:33 | |
There is always a danger, I think, but it's all about remembrance | 0:03:33 | 0:03:37 | |
and respect for the soldiers who died. | 0:03:37 | 0:03:41 | |
This should be the focus of this centennial. | 0:03:41 | 0:03:45 | |
Most tourists coming to this region are looking to the past, | 0:03:50 | 0:03:54 | |
but in Ypres, the focus is very much on the present | 0:03:54 | 0:03:57 | |
and the commercial opportunities | 0:03:57 | 0:03:59 | |
that the 100th anniversary will bring. | 0:03:59 | 0:04:01 | |
The In Flanders Fields Museum has been refurbished, | 0:04:01 | 0:04:04 | |
increasing its exhibition space by 50%. | 0:04:04 | 0:04:07 | |
Local hotels are expanding, 20 new B&Bs have opened... | 0:04:07 | 0:04:11 | |
Good morning! | 0:04:11 | 0:04:12 | |
-Hello! -How are you today? -Very well, thank you. Gloves off. | 0:04:12 | 0:04:16 | |
'And tour operators like Carl Ooghe are anticipating a major boost. | 0:04:17 | 0:04:22 | |
What we have seen over the last year is a steady increase of visitors. | 0:04:22 | 0:04:26 | |
For a long time it was World War II | 0:04:26 | 0:04:28 | |
that overshadowed the First World War, | 0:04:28 | 0:04:30 | |
and now it is getting the attention that it really deserves. | 0:04:30 | 0:04:34 | |
Here is a typical souvenir shop. | 0:04:35 | 0:04:38 | |
We can see all the cups, | 0:04:38 | 0:04:41 | |
the cats, ashtrays with poppies, gin. | 0:04:41 | 0:04:46 | |
For some, however, the idea of making a commercial enterprise | 0:04:47 | 0:04:51 | |
based on such a tragic event is disrespectful. | 0:04:51 | 0:04:55 | |
It's amazing what people come up with. | 0:04:55 | 0:04:57 | |
Suddenly we see an overload of poppy products | 0:04:57 | 0:05:01 | |
and souvenir products that, to me, is a little bit over the top. | 0:05:01 | 0:05:05 | |
But some local shopkeepers believe selling these products can be | 0:05:06 | 0:05:10 | |
an act of charity. | 0:05:10 | 0:05:11 | |
We sell the poppies because... it's a soft filling of caramel | 0:05:11 | 0:05:15 | |
and chocolate and we do it specially | 0:05:15 | 0:05:18 | |
because it's... part of this goes to charity | 0:05:18 | 0:05:22 | |
so that's a strong symbol | 0:05:22 | 0:05:24 | |
and we like to keep it very respectful. | 0:05:24 | 0:05:27 | |
The question is, | 0:05:29 | 0:05:30 | |
can this town capitalise on the opportunities the anniversary brings | 0:05:30 | 0:05:34 | |
without selling out its important commemorative role? | 0:05:34 | 0:05:37 | |
One group believes they have struck this delicate balance. | 0:05:43 | 0:05:46 | |
Dressing in First World War uniforms, | 0:05:50 | 0:05:53 | |
Jan Verdoodt and his group guide tourists | 0:05:53 | 0:05:55 | |
around sites of key battles in the area. | 0:05:55 | 0:05:58 | |
People nowadays do not know how | 0:05:58 | 0:06:01 | |
a soldier was dressed in that way. | 0:06:01 | 0:06:03 | |
There are a lot of myths about soldiers, | 0:06:03 | 0:06:05 | |
especially young kids come here and want to play Rambo. | 0:06:05 | 0:06:08 | |
We can show them, "No, it was not like that. | 0:06:08 | 0:06:10 | |
"This is his backpack, this is the way he had to cook here, | 0:06:10 | 0:06:13 | |
"to clean his rifle." | 0:06:13 | 0:06:15 | |
The centenary offers a great chance for education, | 0:06:18 | 0:06:21 | |
but the line between remembering and exploiting remains blurred. | 0:06:21 | 0:06:25 | |
Still, it turns out this is nothing new. | 0:06:25 | 0:06:28 | |
In 1917, Michelin already printed a guide of the battlefields, | 0:06:29 | 0:06:36 | |
so it's existing as long as the war is existing. | 0:06:36 | 0:06:39 | |
Well, if you're thinking of coming to Belgium or France | 0:06:44 | 0:06:46 | |
to mark the anniversary, here are some travel tips. | 0:06:46 | 0:06:49 | |
Tip one, if you're hoping to trace a relative who took part | 0:06:51 | 0:06:54 | |
in the Great War, then do some homework before you go. | 0:06:54 | 0:06:58 | |
A good starting place is the Commonwealth War Graves Commission, | 0:06:58 | 0:07:01 | |
which holds the most comprehensive record of war dead. | 0:07:01 | 0:07:03 | |
As well as helping you locate the grave, | 0:07:03 | 0:07:06 | |
sites like this can sometimes reveal new details about the individual. | 0:07:06 | 0:07:10 | |
Tip two, if you are in Belgium in July, | 0:07:13 | 0:07:15 | |
and you are a sporting fan, then head to Ypres. | 0:07:15 | 0:07:18 | |
Stage five of the Tour de France will start in the city | 0:07:18 | 0:07:21 | |
for the first time, to commemorate the centenary, | 0:07:21 | 0:07:23 | |
before finishing back in France. | 0:07:23 | 0:07:25 | |
Tip three, before making the trip to France or Belgium, | 0:07:27 | 0:07:30 | |
see if there are any events happening closer to home. | 0:07:30 | 0:07:33 | |
If you are based in the UK, for example, | 0:07:33 | 0:07:35 | |
check out the Imperial War Museum in London, which reopens in July | 0:07:35 | 0:07:38 | |
after six months of renovations, with new First World War galleries. | 0:07:38 | 0:07:43 | |
Another bonus, entrance is free. | 0:07:43 | 0:07:45 | |
Still to come... | 0:07:50 | 0:07:51 | |
It's got to be one of the natural wonders of the world. | 0:07:51 | 0:07:54 | |
To see those stalagmites and stalactites | 0:07:54 | 0:07:56 | |
that have been there millions of years. | 0:07:56 | 0:07:58 | |
We explore this eerie, cavernous world off the coast of Mexico. | 0:07:58 | 0:08:04 | |
But first, this week's travel update. | 0:08:04 | 0:08:07 | |
Greece is anticipating a record arrival of tourists | 0:08:07 | 0:08:10 | |
for the second year running, | 0:08:10 | 0:08:12 | |
with revenues expecting to reach 13 billion euros. | 0:08:12 | 0:08:16 | |
Income from visitors in 2013 helped the country, which has been ravaged | 0:08:16 | 0:08:19 | |
by recession, post its first surplus since it began keeping data in 1948. | 0:08:19 | 0:08:26 | |
Tourism, Greece's biggest earner, rose 15% last year. | 0:08:26 | 0:08:30 | |
The Altamira cave complex in Spain's Cantabria region | 0:08:30 | 0:08:34 | |
has opened to visitors for the first time in 12 years. | 0:08:34 | 0:08:37 | |
Small groups will be given a tour of the cave, | 0:08:37 | 0:08:40 | |
kitted out in special clothing and masks. | 0:08:40 | 0:08:43 | |
The cave, which is covered in paintings | 0:08:43 | 0:08:46 | |
dated between 14,000 and 20,000 years ago, | 0:08:46 | 0:08:48 | |
was made a UNESCO World Heritage site in 1985. | 0:08:48 | 0:08:52 | |
Brazilian authorities have asked sports giant Adidas | 0:08:54 | 0:08:57 | |
to stop selling controversial T-shirts | 0:08:57 | 0:08:59 | |
ahead of this year's World Cup, | 0:08:59 | 0:09:01 | |
for fears they promote sexual tourism. | 0:09:01 | 0:09:04 | |
One of the shirts read, "Looking to score?" | 0:09:04 | 0:09:07 | |
next to a scantily clad woman. | 0:09:07 | 0:09:08 | |
Brazil has said it is trying to distance itself from the sexual | 0:09:08 | 0:09:12 | |
stereotypes that have marked the country for decades. | 0:09:12 | 0:09:15 | |
The Burmese government has announced plans to repair | 0:09:15 | 0:09:18 | |
the country's longest teakwood bridge. | 0:09:18 | 0:09:20 | |
Mandalay's U Bein Bridge, which is over 100 years old, | 0:09:20 | 0:09:23 | |
sees heavy foot traffic daily, | 0:09:23 | 0:09:25 | |
and the government believes replacing the rotting wooden pillars | 0:09:25 | 0:09:28 | |
with concrete ones would give the bridge more longevity. | 0:09:28 | 0:09:32 | |
Archaeologist and historians have said the teak bridge is | 0:09:32 | 0:09:34 | |
a major part of the country's heritage. | 0:09:34 | 0:09:37 | |
After weeks on the road, we finally made it to Rome. | 0:09:45 | 0:09:48 | |
A place where food, drink and taking it easy are top priorities. | 0:09:51 | 0:09:54 | |
The Italians seem to have life all figured out. | 0:09:56 | 0:09:58 | |
Ciao! | 0:09:58 | 0:10:00 | |
Ciao! | 0:10:10 | 0:10:12 | |
Pizza bianco, per favore. | 0:10:23 | 0:10:25 | |
Ah, grazie! | 0:10:31 | 0:10:32 | |
Ciao! | 0:10:45 | 0:10:46 | |
Ciao! | 0:11:16 | 0:11:18 | |
My new favourite after-dinner drink. | 0:11:32 | 0:11:34 | |
Come on, come on, please. | 0:11:49 | 0:11:51 | |
Still to come on The Travel Show... | 0:12:02 | 0:12:05 | |
Find out how the award-winning War Horse | 0:12:07 | 0:12:10 | |
was adapted for the German stage. | 0:12:10 | 0:12:12 | |
The Travel Show - your essential guide, wherever you're heading. | 0:12:18 | 0:12:21 | |
They're called Cenotes. | 0:12:33 | 0:12:35 | |
Once living coral reefs, | 0:12:35 | 0:12:37 | |
now underground labyrinths of limestone, | 0:12:37 | 0:12:40 | |
eroded over millions of years, | 0:12:40 | 0:12:43 | |
creating a stunning subterranean wonder | 0:12:43 | 0:12:45 | |
of stalactites and stalagmites. | 0:12:45 | 0:12:48 | |
Mexico's is the largest underwater cave system anywhere in the world. | 0:12:51 | 0:12:55 | |
These Cenotes form part of the very fabric of the Yucatan Peninsula, | 0:12:58 | 0:13:02 | |
extraordinary water-filled caverns | 0:13:02 | 0:13:04 | |
that continue to give up the secrets of Mexico's ancient history, | 0:13:04 | 0:13:09 | |
as well as providing an exciting and growing form of tourism. | 0:13:09 | 0:13:13 | |
'Divers kit up a short distance from the Cenotes.' | 0:13:15 | 0:13:18 | |
Carefully walking down this way, OK? | 0:13:19 | 0:13:22 | |
Don't put the things on here because it's more effort... | 0:13:22 | 0:13:26 | |
'For safety reasons, | 0:13:26 | 0:13:28 | |
'guides are required to have full cave-diving qualifications, | 0:13:28 | 0:13:32 | |
'even though we'll only be diving the larger, less-restricted caverns.' | 0:13:32 | 0:13:36 | |
Dive guides lead the way through a series of openings, | 0:13:40 | 0:13:44 | |
gradually dropping deeper into the Cenotes, | 0:13:44 | 0:13:47 | |
always following the orange guide ropes to avoid getting lost. | 0:13:47 | 0:13:52 | |
In some areas the crystal-clear fresh water | 0:13:54 | 0:13:57 | |
meets the more dense saltwater, | 0:13:57 | 0:13:59 | |
penetrating from the sea, | 0:13:59 | 0:14:01 | |
creating a blurry halocline, | 0:14:01 | 0:14:03 | |
making everything look eerily out of focus. | 0:14:03 | 0:14:06 | |
This is as far as recreational divers are allowed to go. | 0:14:12 | 0:14:16 | |
Beyond this point, the cave systems, which can go on for miles, | 0:14:16 | 0:14:20 | |
are far too dangerous. | 0:14:20 | 0:14:22 | |
Returning through the wider openings, | 0:14:25 | 0:14:27 | |
the stalactites and stalagmites, | 0:14:27 | 0:14:30 | |
some of the largest submerged formations in the world, | 0:14:30 | 0:14:33 | |
give the Cenotes a cathedral-like quality. | 0:14:33 | 0:14:36 | |
Not surprisingly, visitors are left with a sense of wonderment. | 0:14:53 | 0:14:57 | |
It's got to be one of the natural wonders of the world | 0:15:00 | 0:15:03 | |
to see those stalagmites and stalactites, | 0:15:03 | 0:15:06 | |
they've been there millions of years and they're just frozen in time. | 0:15:06 | 0:15:10 | |
It's beautiful, it's gorgeous. I've never seen anything like it, ever. | 0:15:10 | 0:15:14 | |
In recent years the Cenotes have become a major draw for tourists, | 0:15:18 | 0:15:22 | |
as well as cave-divers and scientists. | 0:15:22 | 0:15:26 | |
This in turn has led to more and more discoveries | 0:15:28 | 0:15:31 | |
about the unique history of the peninsula and its people. | 0:15:31 | 0:15:35 | |
Carmen Rojas is an underwater archaeologist | 0:15:38 | 0:15:41 | |
who specialises in the Cenotes. | 0:15:41 | 0:15:45 | |
Among her discoveries in the caves around Tulum | 0:15:46 | 0:15:49 | |
are a human skull, | 0:15:49 | 0:15:50 | |
one of many from the ancient Mayan civilisation, | 0:15:50 | 0:15:54 | |
a people who regarded the Cenotes as a sacred underworld. | 0:15:54 | 0:15:58 | |
Other extraordinary finds | 0:16:00 | 0:16:02 | |
include the skeleton of a boy | 0:16:02 | 0:16:04 | |
believed to be more than 10,000 years old, | 0:16:04 | 0:16:07 | |
one of the oldest found in the Americas - | 0:16:07 | 0:16:10 | |
artefacts which make the cave systems an important national treasure. | 0:16:10 | 0:16:15 | |
We are trying to tell to the rest of the world | 0:16:17 | 0:16:20 | |
why we should protect this. | 0:16:20 | 0:16:22 | |
Not only because it's beautiful and we love it, | 0:16:22 | 0:16:26 | |
but because it contains a lot of history | 0:16:26 | 0:16:29 | |
and, moreover, modern history. | 0:16:29 | 0:16:31 | |
We are like a lab in the present in this area. | 0:16:31 | 0:16:34 | |
It's reckoned there could be | 0:16:36 | 0:16:38 | |
between 5,000 and 7,000 of these cave systems. | 0:16:38 | 0:16:41 | |
No-one knows for sure. | 0:16:41 | 0:16:43 | |
New ones are being discovered all the time, | 0:16:44 | 0:16:47 | |
but there does now seem to be a stronger desire | 0:16:47 | 0:16:50 | |
to put in place better protection for these archaeological jewels | 0:16:50 | 0:16:54 | |
of the Yucatan Peninsula. | 0:16:54 | 0:16:56 | |
# If you gave me a chance I would take it... # | 0:17:10 | 0:17:12 | |
Next up, let's head to Berlin | 0:17:12 | 0:17:14 | |
which, in the past 20 years, | 0:17:14 | 0:17:16 | |
has gone from being a divided city to a reunited capital, | 0:17:16 | 0:17:20 | |
home to a vibrant contemporary arts scene, | 0:17:20 | 0:17:23 | |
and one of Europe's most prestigious film festivals. | 0:17:23 | 0:17:27 | |
But it's a ground-breaking theatrical event | 0:17:29 | 0:17:32 | |
focusing on the First World War | 0:17:32 | 0:17:34 | |
that's been making headlines recently. | 0:17:34 | 0:17:37 | |
The Travel Show had an exclusive backstage pass. | 0:17:37 | 0:17:40 | |
I'm Silke, I'm playing in this theatre right next to us, | 0:17:49 | 0:17:53 | |
in the Theatre des Westens, | 0:17:53 | 0:17:54 | |
the German version of War Horse - | 0:17:54 | 0:17:57 | |
and, as we call it, Gefahrten. | 0:17:57 | 0:18:00 | |
Kavallerist Albert Narracott, Sergeant. | 0:18:05 | 0:18:07 | |
'It's a story in the First World War, | 0:18:07 | 0:18:10 | |
'so you can see the German and English soldiers | 0:18:10 | 0:18:14 | |
'fighting against each other. | 0:18:14 | 0:18:17 | |
'And with this horse | 0:18:17 | 0:18:19 | |
'as an innocent creature | 0:18:19 | 0:18:21 | |
'going through this war.' | 0:18:21 | 0:18:23 | |
This is really special and to make theatre like that - | 0:18:23 | 0:18:27 | |
'we call it event theatre - | 0:18:27 | 0:18:29 | |
'with this subject, this has never happened before.' | 0:18:29 | 0:18:33 | |
'When I saw it in London, I didn't really get | 0:18:37 | 0:18:41 | |
'what this means for Germans. | 0:18:41 | 0:18:44 | |
'Now, as I'm here in Berlin playing this play, | 0:18:44 | 0:18:47 | |
'every day it's really | 0:18:47 | 0:18:49 | |
'something very, very special to me.' | 0:18:49 | 0:18:52 | |
'It is time now, after 100 years,' | 0:18:54 | 0:18:57 | |
that we go back in history | 0:18:57 | 0:18:59 | |
and look at where the wars began | 0:18:59 | 0:19:01 | |
and where this industrially... | 0:19:01 | 0:19:04 | |
Machines started in the war | 0:19:04 | 0:19:08 | |
'that really make it so cruel. | 0:19:08 | 0:19:09 | |
'Because before the First World War it never had so much soldiers dead.' | 0:19:09 | 0:19:14 | |
So these are my costumes, | 0:19:23 | 0:19:25 | |
because I'm not only playing Rose, | 0:19:25 | 0:19:28 | |
I'm also playing three different soldiers - | 0:19:28 | 0:19:31 | |
a German soldier | 0:19:31 | 0:19:34 | |
and two British soldiers. | 0:19:34 | 0:19:35 | |
This is also me. This is... | 0:19:38 | 0:19:41 | |
We call it the Burned Wounded. | 0:19:41 | 0:19:44 | |
'A lot of thought has gone into how people would react, | 0:19:48 | 0:19:53 | |
'how people would see things, | 0:19:53 | 0:19:55 | |
'and trying to be very, very mindful | 0:19:55 | 0:19:59 | |
'of what it means' | 0:19:59 | 0:20:02 | |
to bring an anti-war story into... | 0:20:02 | 0:20:06 | |
a country that has... | 0:20:06 | 0:20:09 | |
a particular history. | 0:20:09 | 0:20:11 | |
To me, it's also about... there are no winners in war. | 0:20:12 | 0:20:16 | |
You don't see the good...English and the bad Germans, | 0:20:16 | 0:20:22 | |
on every side, there are people good and bad. | 0:20:22 | 0:20:26 | |
The interesting thing about this part for me | 0:20:29 | 0:20:32 | |
is that usually in the TV, in the cinema, | 0:20:32 | 0:20:35 | |
we Germans are used to seeing a German guy related to the war | 0:20:35 | 0:20:39 | |
as a really bad guy. | 0:20:39 | 0:20:41 | |
And it was very clever that they changed my part | 0:20:41 | 0:20:45 | |
so that he polarises the public. | 0:20:45 | 0:20:48 | |
He has two faces, he has the bad face, really, | 0:20:48 | 0:20:51 | |
but he also helps other guys in the war. | 0:20:51 | 0:20:55 | |
It surprises to see it in another way. | 0:20:55 | 0:20:58 | |
OK, it's now about five minutes before the show | 0:21:07 | 0:21:10 | |
and I have to get backstage. | 0:21:10 | 0:21:12 | |
Bye. | 0:21:12 | 0:21:14 | |
'People watching this show | 0:21:25 | 0:21:27 | |
'seem to be very moved.' | 0:21:27 | 0:21:30 | |
I've seen a man sitting in the first row and he was about 80, | 0:21:31 | 0:21:35 | |
so he has the experience of a world war | 0:21:35 | 0:21:39 | |
and he was... | 0:21:39 | 0:21:41 | |
He was crying... | 0:21:41 | 0:21:43 | |
Even to me this is... | 0:21:44 | 0:21:46 | |
This is... My father's about 83 now and... | 0:21:55 | 0:22:00 | |
this drama of this... | 0:22:00 | 0:22:03 | |
This trauma of these world wars | 0:22:03 | 0:22:07 | |
is so with us. | 0:22:07 | 0:22:10 | |
With me. | 0:22:10 | 0:22:11 | |
And people can feel that. | 0:22:11 | 0:22:14 | |
That was behind the scenes at the German production of War Horse, | 0:22:28 | 0:22:31 | |
which is booking between now and September in Berlin. | 0:22:31 | 0:22:34 | |
Well, that's it from us in Belgium. | 0:22:34 | 0:22:36 | |
Thanks so much for joining us, and here's where we're off to next week. | 0:22:36 | 0:22:40 | |
Join us next week, when Henry meets a survival expert in Thailand | 0:22:43 | 0:22:46 | |
to get tips on how to get through a night alone and lost in the jungle. | 0:22:46 | 0:22:50 | |
You just have to psych yourself into thinking, "This is OK. | 0:22:53 | 0:22:55 | |
"I'm just camping with not a lot of kit." | 0:22:55 | 0:22:58 | |
THEY LAUGH | 0:22:58 | 0:23:00 | |
So, do join us if you can. And in the meantime, | 0:23:05 | 0:23:07 | |
don't forget you can keep up with us while we're on the road in real time | 0:23:07 | 0:23:11 | |
if you follow us on Twitter and Facebook. | 0:23:11 | 0:23:13 | |
For now, from me, Christa Larwood, | 0:23:13 | 0:23:15 | |
and all of the team here, in Belgium, | 0:23:15 | 0:23:17 | |
including my broken brolly, it's goodbye. | 0:23:17 | 0:23:19 |