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Now on BBC News it's the Travel Show. | 0:00:00 | 0:00:02 | |
This time, I do recommend ducking! | 0:00:03 | 0:00:06 | |
Hello and welcome to the Travel Show. | 0:00:07 | 0:00:10 | |
This week, we're meeting the predators taking to the skies | 0:00:10 | 0:00:13 | |
above the west coast of Ireland. | 0:00:13 | 0:00:15 | |
Also coming up: We're in South Africa on the trail of one | 0:00:15 | 0:00:22 | |
artist who's helping to change the face of Pretoria's | 0:00:22 | 0:00:25 | |
repressed past. | 0:00:25 | 0:00:27 | |
Our thirsty explorer is on the hunt for a special | 0:00:27 | 0:00:30 | |
masala tea in north India. | 0:00:30 | 0:00:35 | |
And we're climbing the world's highest peaks with our Global Guide. | 0:00:35 | 0:00:37 | |
Near the west coast of Ireland, just to the south of Galway, | 0:01:17 | 0:01:20 | |
is an area known as the Burren. | 0:01:20 | 0:01:23 | |
A striking expanse of rugged cast hills that makes up Ireland's | 0:01:23 | 0:01:26 | |
smallest national park. | 0:01:26 | 0:01:29 | |
It's a landscape that remained largely unchanged for the past | 0:01:29 | 0:01:32 | |
3000 years, but there is a key difference. | 0:01:32 | 0:01:37 | |
If you look up, you will see there are far fewer big, | 0:01:37 | 0:01:40 | |
beautiful birds of prey in the sky. | 0:01:40 | 0:01:45 | |
And while Ireland is perhaps not the first place people think | 0:01:48 | 0:01:51 | |
of when it comes to international bird hotspots, it does | 0:01:51 | 0:01:54 | |
have a lot to offer. | 0:01:54 | 0:01:59 | |
It was once the native habitat of several birds of | 0:01:59 | 0:02:01 | |
prey known as raptors, including the golden eagle | 0:02:01 | 0:02:04 | |
and the white-tailed sea eagle. | 0:02:04 | 0:02:08 | |
But hundreds of years of hunting and habitat loss devastated | 0:02:09 | 0:02:12 | |
the raptors' numbers, and around the turn of the 20th | 0:02:12 | 0:02:15 | |
century, these birds of prey were completely | 0:02:15 | 0:02:16 | |
eradicated from Ireland. | 0:02:16 | 0:02:22 | |
Originally it would have been the latter-day aristocracy | 0:02:23 | 0:02:26 | |
in Ireland would have killed them because they believed | 0:02:26 | 0:02:28 | |
they were taking their game fowl and their rabbits, | 0:02:28 | 0:02:31 | |
and they were persecuted to extinction. | 0:02:31 | 0:02:39 | |
It is only now we are slowly starting to reintroduce them. | 0:02:39 | 0:02:44 | |
Shane O'Neill is part of the Golden Eagle Trust, | 0:02:49 | 0:02:53 | |
a conservation body that in 2007 started a project to bring some | 0:02:53 | 0:02:56 | |
of these lost birds back to Ireland. | 0:02:56 | 0:03:00 | |
The programmes have seen mixed results so far, | 0:03:00 | 0:03:02 | |
but it seems the white-tailed sea eagles have made | 0:03:02 | 0:03:05 | |
a particularly triumphant return to their traditional patch. | 0:03:05 | 0:03:09 | |
The white-tails haven't stayed in Kerry. | 0:03:09 | 0:03:10 | |
They've spread throughout the country from north | 0:03:10 | 0:03:12 | |
to south, east to west. | 0:03:12 | 0:03:15 | |
I guess they are doing what they are supposed to do? | 0:03:15 | 0:03:18 | |
Yes, exactly. | 0:03:18 | 0:03:19 | |
They have seemed to have taken it quite well, to be honest. | 0:03:19 | 0:03:22 | |
The white-tailed sea eagle is the largest bird of prey | 0:03:22 | 0:03:25 | |
in the British Isles, with a wingspan up to | 0:03:25 | 0:03:28 | |
a massive eight feet. | 0:03:28 | 0:03:29 | |
It's also a firm crowd favourite here at the Aillwee Caves, | 0:03:29 | 0:03:33 | |
a tourism and education centre situated in the middle | 0:03:33 | 0:03:37 | |
of the Burren's rocky landscape. | 0:03:37 | 0:03:40 | |
In captivity, hopefully she will live into | 0:03:40 | 0:03:42 | |
her late teens, 20s. | 0:03:42 | 0:03:43 | |
Here, tourists can have a close look at many different species | 0:03:43 | 0:03:46 | |
of raptors, both those native to Ireland and those | 0:03:46 | 0:03:49 | |
from across the world. | 0:03:49 | 0:03:55 | |
She's hunting now effectively. | 0:03:55 | 0:03:56 | |
She knows she can beat me. | 0:03:56 | 0:04:12 | |
Seeker weighs five kilos. | 0:04:12 | 0:04:16 | |
Not surprisingly, Seeker, the white-tailed sea eagle, | 0:04:16 | 0:04:19 | |
is the show's biggest hit. | 0:04:19 | 0:04:22 | |
She's going to fly this time really, really low over your head. | 0:04:22 | 0:04:27 | |
This time I do recommend ducking. | 0:04:27 | 0:04:33 | |
She does appear quite fearsome when she is coming | 0:04:36 | 0:04:39 | |
at you over the crowd. | 0:04:39 | 0:04:40 | |
Could she do you some damage if she really wanted to? | 0:04:40 | 0:04:43 | |
She definitely could do you some damage. | 0:04:43 | 0:04:45 | |
She can fly into you. | 0:04:45 | 0:04:48 | |
If she comes down with a bit of speed, she can definitely | 0:04:48 | 0:04:51 | |
knock you over. | 0:04:51 | 0:04:52 | |
If she beats out her wings, she can probably break your nose. | 0:04:52 | 0:04:55 | |
She can do a little bit of damage, but it's usually your own fault. | 0:04:55 | 0:04:57 | |
So who do we have here? | 0:05:00 | 0:05:02 | |
This is Juan. | 0:05:02 | 0:05:03 | |
He's a Harris hawk, a species found in the southern US states | 0:05:03 | 0:05:06 | |
all the way through Central America into Peru, Chile | 0:05:06 | 0:05:09 | |
and Argentina. | 0:05:09 | 0:05:10 | |
Hola, Juan. | 0:05:10 | 0:05:13 | |
He's got a fierce beak, doesn't he? | 0:05:13 | 0:05:15 | |
Your elbow comes tucked into to your hip, and then your | 0:05:15 | 0:05:24 | |
wrist slightly higher. | 0:05:24 | 0:05:25 | |
You will always walk to the highest point that is safe. | 0:05:25 | 0:05:28 | |
I would like to say you are going to bond, but you are | 0:05:28 | 0:05:31 | |
somewhere for him to sit. | 0:05:31 | 0:05:33 | |
And as long as you are a good perch, he is going to be quite content. | 0:05:33 | 0:05:37 | |
I am going to pop him on. | 0:05:37 | 0:05:39 | |
Are you ready? | 0:05:39 | 0:05:40 | |
Be gentle with me. | 0:05:40 | 0:05:41 | |
Just like this. | 0:05:41 | 0:05:42 | |
Hello! | 0:05:42 | 0:05:42 | |
Please don't peck my eyes out! | 0:05:42 | 0:05:45 | |
The centre conducts guided hawk walks, where tourists can explore | 0:05:45 | 0:05:48 | |
the surrounding woodlands in the company of a feathered friend. | 0:05:48 | 0:05:51 | |
What we will do is walk on a little further, and then we | 0:05:51 | 0:05:54 | |
will let him off to fly and get him to fly to you. | 0:05:54 | 0:05:58 | |
How do we make sure that he comes back to us | 0:05:58 | 0:06:01 | |
and doesn't go flying off? | 0:06:01 | 0:06:02 | |
He is trained, so that helps, but there is no guarantee. | 0:06:02 | 0:06:05 | |
He could hunt up here, there are furry things running | 0:06:05 | 0:06:08 | |
around and distractions. | 0:06:08 | 0:06:10 | |
He is opportunistic, he will take any | 0:06:10 | 0:06:12 | |
opportunity he can of food. | 0:06:12 | 0:06:14 | |
So if it's us, he'll return, but if he can find his own, | 0:06:14 | 0:06:18 | |
he'll do that, so there's no guarantee, really. | 0:06:18 | 0:06:21 | |
In addition to providing a rather thrilling chance to see | 0:06:21 | 0:06:24 | |
these birds up close, the walk is one of the activities | 0:06:24 | 0:06:27 | |
designed to augment bird conservation efforts. | 0:06:27 | 0:06:31 | |
Our goals really are absolutely to raise awareness. | 0:06:31 | 0:06:33 | |
I think it is critical. | 0:06:33 | 0:06:35 | |
We also help with monitoring birds of prey here in Ireland | 0:06:35 | 0:06:38 | |
and raising awareness about the reintroduction programmes. | 0:06:38 | 0:06:45 | |
And just the fact that you can have this so close | 0:06:45 | 0:06:48 | |
to a member of the public, whether it is a schoolchild | 0:06:48 | 0:06:51 | |
or yourselves during your visit here, it inspires, I think, | 0:06:51 | 0:06:54 | |
and it raises awareness about what they are. | 0:06:54 | 0:06:56 | |
So do I get to send him off? | 0:06:56 | 0:06:58 | |
I'm going to pop him onto your fist right now. | 0:06:58 | 0:07:04 | |
Hold him just as you were before, so your elbow down. | 0:07:04 | 0:07:07 | |
He's ready to go now whenever. | 0:07:07 | 0:07:08 | |
While it will take considerable time and effort before | 0:07:08 | 0:07:11 | |
Ireland's raptors return in strong numbers... | 0:07:11 | 0:07:12 | |
It's so cool. | 0:07:12 | 0:07:13 | |
I never get bored of seeing him do this stuff. | 0:07:13 | 0:07:16 | |
Nice and straight. | 0:07:16 | 0:07:17 | |
Are you ready? | 0:07:17 | 0:07:20 | |
He's watching you, so he's going to return. | 0:07:20 | 0:07:22 | |
..hopefully, with conservation and awareness campaigns taking place | 0:07:22 | 0:07:24 | |
in regions like this, these skies will one | 0:07:24 | 0:07:26 | |
day be full of graceful birds of prey once again. | 0:07:26 | 0:07:29 | |
And it's not just here in Ireland where conservationists are making | 0:07:29 | 0:07:33 | |
strides to keep birds of prey from disappearing forever. | 0:07:33 | 0:07:38 | |
And it's not just here in Ireland where conservationists are making | 0:07:49 | 0:07:52 | |
strides to keep birds of prey from disappearing forever. | 0:07:52 | 0:07:54 | |
Some species globally are starting to make a comeback | 0:07:54 | 0:07:57 | |
from near extinction. | 0:07:58 | 0:08:00 | |
Here is the Travel Show's pick of some of them. | 0:08:00 | 0:08:02 | |
The national bird of America, the bald eagle, was almost wiped out | 0:08:06 | 0:08:09 | |
back in the 1950s when only 400 nesting pairs were recorded | 0:08:09 | 0:08:12 | |
across the whole of the country. | 0:08:12 | 0:08:16 | |
Things thankfully changed with the introduction of the bald | 0:08:16 | 0:08:18 | |
eagle protection act, which banned trapping | 0:08:18 | 0:08:20 | |
and killing the birds. | 0:08:20 | 0:08:23 | |
Now there are an estimated 70,000 bald eagles in | 0:08:23 | 0:08:25 | |
the whole of North America. | 0:08:25 | 0:08:28 | |
The peregrine falcon was removed from the endangered | 0:08:31 | 0:08:33 | |
species list back in 1989. | 0:08:33 | 0:08:41 | |
Peregrines have suffered illegal killing from gamekeepers | 0:08:41 | 0:08:43 | |
and landowners, and have been a target for egg collectors. | 0:08:43 | 0:08:46 | |
But better protection and control of pesticides which indirectly | 0:08:46 | 0:08:48 | |
poisoned birds have helped the population to recover. | 0:08:48 | 0:08:50 | |
The strongholds of the breeding birds in the UK are the uplands | 0:08:50 | 0:08:54 | |
of the north and west, and rocky sea coasts. | 0:08:54 | 0:09:01 | |
The California condor is a new world vulture, the largest | 0:09:01 | 0:09:04 | |
North American land bird. | 0:09:04 | 0:09:08 | |
They almost became extinct in the wild in 1987, | 0:09:08 | 0:09:10 | |
but the species has been reintroduced to northern | 0:09:10 | 0:09:13 | |
Arizona and southern Utah. | 0:09:13 | 0:09:15 | |
The species is still listed as critically endangered, | 0:09:15 | 0:09:17 | |
but thanks to conservation, the numbers are slowly on the rise. | 0:09:17 | 0:09:31 | |
Next, we catch up with our thirsty explorer. | 0:09:32 | 0:09:34 | |
This week, he visits northern India in search of the best chai, | 0:09:34 | 0:09:38 | |
which is a special masala tea that locals just can't do without. | 0:09:38 | 0:09:43 | |
During the British Raj, tea plantations are India supplied | 0:09:43 | 0:09:53 | |
supplied the leaves needed for for UK's classic afternoon ritual. | 0:09:53 | 0:09:55 | |
But it wasn't long before Indians made tea their own, | 0:09:55 | 0:09:58 | |
adding extra milk, more sugar and often spices, | 0:09:58 | 0:10:00 | |
creating what is now known the world over as chai. | 0:10:00 | 0:10:03 | |
Proper chai may have started in British-founded plantations, | 0:10:03 | 0:10:05 | |
but it takes work to turn the leaves into the drink that is the centre | 0:10:05 | 0:10:09 | |
of virtually any social activity and important discussion. | 0:10:09 | 0:10:11 | |
For an authentic cup, I took the train to Varanasi, | 0:10:11 | 0:10:14 | |
one of the oldest cities on earth, and the holiest for Hindus, | 0:10:14 | 0:10:17 | |
where virtually every aspect of making chai is done | 0:10:17 | 0:10:20 | |
in the traditional way. | 0:10:20 | 0:10:21 | |
I am more scared of them than they are of me. | 0:10:38 | 0:10:41 | |
That feels like real milk. | 0:10:56 | 0:10:58 | |
Ginger. | 0:11:19 | 0:11:28 | |
Gritty. | 0:11:46 | 0:11:46 | |
Good one. | 0:12:13 | 0:12:14 | |
Good one, no? | 0:12:14 | 0:12:15 | |
Yes. | 0:12:15 | 0:12:16 | |
Still to come on the Travel Show: We're in South Africa, | 0:12:26 | 0:12:32 | |
where art is being used to dress the streets of Pretoria as it | 0:12:32 | 0:12:36 | |
becomes fast known as the capital of sculptures. | 0:12:36 | 0:12:39 | |
And we're checking out retro modes of transport in our Global Guide. | 0:12:39 | 0:12:44 | |
The Travel Show, your essential guide wherever you're heading. | 0:12:50 | 0:12:52 | |
Hello. | 0:13:03 | 0:13:05 | |
I'm Michelle Jana Chan, your Global Guide with top tips | 0:13:05 | 0:13:07 | |
on the world's best events in the coming months. | 0:13:07 | 0:13:12 | |
The London to Brighton veteran car run happens November 6th, | 0:13:12 | 0:13:15 | |
beginning in Hyde Park. | 0:13:15 | 0:13:17 | |
This 60-mile journey is about properly old autos | 0:13:17 | 0:13:19 | |
built before 1905. | 0:13:19 | 0:13:22 | |
Astonishingly, 500 cars take part, revving their engines at sunrise | 0:13:22 | 0:13:26 | |
before travelling down to Brighton on the south coast. | 0:13:26 | 0:13:31 | |
They will hope to arrive late morning, but there may be | 0:13:31 | 0:13:34 | |
stragglers, given the age of these beasts. | 0:13:34 | 0:13:36 | |
The event marks a change in the law at the end of the 19th century, | 0:13:36 | 0:13:40 | |
increasing the speed limit from four miles per hour to 14 mph. | 0:13:40 | 0:13:44 | |
It will be a different pace in Queensland, Australia, | 0:13:45 | 0:13:48 | |
for the world's biggest triathlon on October the 30th. | 0:13:48 | 0:13:52 | |
The Noosa Triathlon begins with a 1500m swim at Laguna Bay off | 0:13:52 | 0:13:55 | |
Noosa Main Beach, followed by a 40km bike ride along | 0:13:55 | 0:13:59 | |
the Noosa Cooroy Road, and then it's the final gruelling | 0:13:59 | 0:14:02 | |
10km run through Noosa Sound to the finish line party. | 0:14:02 | 0:14:10 | |
It's in fact a five-day event, the Multi-sport Festival, | 0:14:10 | 0:14:13 | |
which begins on October the 26th with a mix of fun runs | 0:14:13 | 0:14:16 | |
and charity events. | 0:14:16 | 0:14:17 | |
In the USA, the Festival of the Dead plays in Salem, | 0:14:18 | 0:14:21 | |
Massachusetts, through October. | 0:14:21 | 0:14:24 | |
There will be seances, a dinner with the dead held in total | 0:14:24 | 0:14:27 | |
silence, and a Witch's Halloween Ball. | 0:14:27 | 0:14:30 | |
In New York City, the Village Halloween Parade happens | 0:14:30 | 0:14:37 | |
in Manhattan, kicking off at 7.00pm on October the 31st. | 0:14:37 | 0:14:39 | |
Tens of thousands join the costumed parade through Greenwich Village, | 0:14:39 | 0:14:42 | |
starting at 6th Avenue by Canal Street and leading up | 0:14:42 | 0:14:45 | |
to 16th Street. | 0:14:45 | 0:14:46 | |
And down in Louisiana, the Voodoo Music + Arts Experience | 0:14:46 | 0:14:49 | |
takes place in City Park in New Orleans over | 0:14:49 | 0:14:52 | |
the Halloween weekend. | 0:14:52 | 0:14:52 | |
October the 28th through 30th. | 0:14:52 | 0:14:56 | |
Music ranges from R to electronic dance to rock, and the line-up | 0:14:56 | 0:14:59 | |
this year includes Tool, Arcade Fire and the Weekend. | 0:14:59 | 0:15:05 | |
Between concerts, there will also be Creole food and carnival rides. | 0:15:05 | 0:15:08 | |
The red carpet will be rolled out in the Italian capital. | 0:15:09 | 0:15:14 | |
From October the 13th to the 23rd it's the Rome Film Fest, | 0:15:14 | 0:15:17 | |
with screenings, master classes, tributes and retrospectives. | 0:15:17 | 0:15:19 | |
Sneak previews include American Pastoral by Ewan McGregor, | 0:15:19 | 0:15:25 | |
7 Minuti by Michele Placido, Tom Hanks and Meryl Streep | 0:15:25 | 0:15:34 | |
in Audience, and Oliver Stone discussing US politics. | 0:15:34 | 0:15:36 | |
It happens in the Auditorium Parco Della Musica just north | 0:15:36 | 0:15:39 | |
of the Centro Historico, as well as other venues | 0:15:39 | 0:15:41 | |
across the city. | 0:15:41 | 0:15:46 | |
From bright lights to night skies, in Canada, | 0:15:46 | 0:15:49 | |
the Jasper Dark Sky Festival lasts through October the 23rd. | 0:15:49 | 0:15:53 | |
Offering stargazing experiences on the shores of Lake Annette. | 0:15:53 | 0:15:59 | |
Watch out for the mobile planetarium and rocket launchers. | 0:15:59 | 0:16:01 | |
Back in Australia, Sydney's Bondi is not only about the boho | 0:16:04 | 0:16:10 | |
lifestyle, there is another reason to come here. | 0:16:10 | 0:16:12 | |
Sculpture by the Sea, an outdoor art exhibition on the two | 0:16:12 | 0:16:15 | |
kilometres trail from Bondi to Tamarama Beach, sweeping around | 0:16:15 | 0:16:17 | |
the stunning sandstone cliffs. | 0:16:17 | 0:16:22 | |
It will be live from October the 20th to November the 6th, | 0:16:22 | 0:16:25 | |
with over 100 sculptures by artists from Australia and beyond. | 0:16:25 | 0:16:26 | |
Finally, back in the UK, from November the 17th to 20th, | 0:16:28 | 0:16:31 | |
the Kendal Mountain Festival in the Lake District is | 0:16:31 | 0:16:34 | |
a celebration of outdoor adventure. | 0:16:34 | 0:16:38 | |
There will be international screenings, film-makers' talks, | 0:16:38 | 0:16:40 | |
literary events as well as climbers and adventurers on the podium. | 0:16:40 | 0:16:44 | |
Plus a forum for young film-makers to share their wildest adventures. | 0:16:44 | 0:16:49 | |
That's my Global Guide this month. | 0:16:49 | 0:16:51 | |
Let me know what's happening in the place where you live | 0:16:51 | 0:16:54 | |
or where you love. | 0:16:54 | 0:16:55 | |
We're on e-mail and across social media. | 0:16:55 | 0:16:57 | |
Until next time, happy travelling. | 0:16:57 | 0:16:59 | |
And to end this week, we're in South Africa to meet | 0:17:08 | 0:17:11 | |
an artist who's aiming to change the face of Pretoria | 0:17:11 | 0:17:14 | |
with his decorative and eye-catching sculptures. | 0:17:14 | 0:17:16 | |
There is even room for locals to join in. | 0:17:16 | 0:17:20 | |
I sort of find myself in an interesting situation | 0:17:26 | 0:17:28 | |
as a third-generation sculptor. | 0:17:28 | 0:17:32 | |
I knew how to mix plaster of Paris by the time I was three. | 0:17:32 | 0:17:36 | |
Some of my early childhood memories are art galleries and art | 0:17:36 | 0:17:39 | |
exhibition openings. | 0:17:39 | 0:17:41 | |
Studying sculpture was just the logical thing for me to do. | 0:17:41 | 0:17:47 | |
A lot of my work ends up being something that was a style | 0:17:47 | 0:17:53 | |
of work that was very popular in the '70s, | 0:17:53 | 0:17:55 | |
direct metal sculpture. | 0:17:55 | 0:17:57 | |
We literally just work directly in the steel and you are guided | 0:17:57 | 0:18:00 | |
by the steel as you're working, by the process. | 0:18:00 | 0:18:05 | |
It gives the work a lovely sort of spontaneity and immediateness. | 0:18:05 | 0:18:11 | |
This is my PPC Cool Capital public bench project. | 0:18:18 | 0:18:25 | |
And being a public sculpture, it has taken a little bit of a knock | 0:18:25 | 0:18:28 | |
in the last two years. | 0:18:28 | 0:18:30 | |
Its leg has come under. | 0:18:30 | 0:18:33 | |
So I need to get it fixed up and get it back to town. | 0:18:33 | 0:18:36 | |
I took my inspiration from Snor Stad or Moustache City, | 0:18:40 | 0:18:43 | |
which is sort of a derogatory nickname for Pretoria from years | 0:18:43 | 0:18:47 | |
past, where government workers had moustaches, | 0:18:47 | 0:18:51 | |
and the more senior you were, the bigger your moustache was, | 0:18:51 | 0:18:56 | |
so there was this whole stereotype of the Snor City. | 0:18:56 | 0:19:00 | |
In 2010 at the Venice biennale, a friend of ours, or a friend | 0:19:00 | 0:19:07 | |
of Pretoria we should probably say at this stage, | 0:19:07 | 0:19:11 | |
Peter Matthews, an architect, drew at the American Pavilion | 0:19:11 | 0:19:14 | |
the poster that said that one should claim your spaces, | 0:19:14 | 0:19:18 | |
and the American Pavilion was all about that. | 0:19:18 | 0:19:25 | |
It was all about small interventions, it was all | 0:19:25 | 0:19:27 | |
about the idea of people owning their space. | 0:19:27 | 0:19:29 | |
And he decided to put a biennale together in Pretoria, | 0:19:29 | 0:19:33 | |
and then ran straight into the bureaucracy. | 0:19:33 | 0:19:38 | |
And then a bunch of people came up with the idea of why, | 0:19:38 | 0:19:42 | |
why do you need the permission? | 0:19:42 | 0:19:45 | |
The whole concept was for people to own their own spaces. | 0:19:45 | 0:19:48 | |
And that was the birth of the Cool Capital biennale, | 0:19:48 | 0:19:51 | |
the first DIY guerilla biennale in the world. | 0:19:51 | 0:19:56 | |
I remember the original meetings, the first meetings, people | 0:19:56 | 0:19:59 | |
would come to the meeting and say, but what can I do? | 0:19:59 | 0:20:02 | |
What must I do? | 0:20:02 | 0:20:03 | |
And every time, the answer would just be, you can | 0:20:03 | 0:20:06 | |
do whatever you want. | 0:20:06 | 0:20:09 | |
Try not to break the law, try to be reasonable within health | 0:20:09 | 0:20:12 | |
and safety parameters. | 0:20:12 | 0:20:14 | |
There ended up being so many activities and events and film | 0:20:14 | 0:20:20 | |
festivals and music showings on the top of buildings and film | 0:20:20 | 0:20:23 | |
festivals in the basements of derelict mid-city buildings. | 0:20:23 | 0:20:27 | |
Slowly but surely, there is a new phenomenon that has stepped | 0:20:27 | 0:20:31 | |
in where Pretoria has always had a lot of nationalist sculpture, | 0:20:31 | 0:20:35 | |
as all countries that were under some form of a fascist | 0:20:35 | 0:20:42 | |
or nationalist government, and I think what the Cool Capital | 0:20:42 | 0:20:46 | |
project also did, it with us claiming Pretoria as a sculpture | 0:20:46 | 0:20:51 | |
city, and to show that you could have public sculpture | 0:20:51 | 0:20:57 | |
that is not necessarily ideological, but that is aspirational. | 0:20:57 | 0:21:03 | |
Aspirational public sculpture, and public sculpture coming back | 0:21:03 | 0:21:05 | |
into the fore again, and people are willing to put money | 0:21:05 | 0:21:08 | |
into it, and I think that is a very exciting era that Pretoria | 0:21:08 | 0:21:12 | |
specifically is moving into. | 0:21:12 | 0:21:15 | |
Pretoria is becoming in itself a really beautiful, vibrant, | 0:21:15 | 0:21:18 | |
artistic, creative destination for people to stay and to visit | 0:21:18 | 0:21:21 | |
and to see and experience. | 0:21:21 | 0:21:31 | |
It kind of makes me proud to be in Pretoria | 0:21:31 | 0:21:33 | |
and as a sculptor in Pretoria. | 0:21:33 | 0:21:35 | |
That's it for this week's show. | 0:21:41 | 0:21:43 | |
Coming up next week: Henry's in Singapore trying out top-notch | 0:21:43 | 0:21:47 | |
food at market store prices, and discovering why its famous | 0:21:47 | 0:21:50 | |
hawker centres are once again thriving following a | 0:21:50 | 0:21:52 | |
shortage of young chefs. | 0:21:52 | 0:21:58 | |
We're a well-oiled machine here, but I'm feeling the pressure. | 0:21:58 | 0:22:05 | |
So, do join us then if you can, and let us know about your travels, | 0:22:05 | 0:22:10 | |
and keep up with what we're doing on our social media feeds. | 0:22:10 | 0:22:13 | |
Details are on the screen now. | 0:22:13 | 0:22:14 | |
But for now from me, Christa Larwood, and the rest | 0:22:14 | 0:22:17 | |
of the Travel Show team here in Ireland, it's goodbye. | 0:22:17 | 0:22:19 |