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This programme contains scenes which some viewers may find upsetting | 0:00:02 | 0:00:05 | |
Three British workers, a ferryman a miner and a nurse. | 0:00:05 | 0:00:08 | |
They've all accepted the challenge to do their job | 0:00:08 | 0:00:11 | |
under the most stressful and dangerous conditions on the planet. | 0:00:11 | 0:00:15 | |
They must be a really hard, hard people here | 0:00:16 | 0:00:18 | |
to be able to cope with this. | 0:00:18 | 0:00:20 | |
At home, we'd shut the department, you know. | 0:00:21 | 0:00:24 | |
People wouldn't come back to work. | 0:00:24 | 0:00:26 | |
This is gun-down mining, this is. | 0:00:26 | 0:00:27 | |
It's really dangerous. REALLY dangerous. | 0:00:27 | 0:00:30 | |
Emergency nurse Maria Connolly is leaving | 0:00:35 | 0:00:37 | |
her job at the Royal Hospital, Preston, | 0:00:37 | 0:00:39 | |
to work in Ciudad Juarez, Mexico. | 0:00:39 | 0:00:41 | |
She'll find a city engulfed in a brutal gang war... | 0:00:44 | 0:00:47 | |
Do we know if it's a gun or a knife? | 0:00:49 | 0:00:51 | |
Where doctors and nurses are targets | 0:00:51 | 0:00:53 | |
and have to be protected by armed guards. | 0:00:53 | 0:00:56 | |
I have never seen so many guns. Never ever. | 0:00:57 | 0:00:59 | |
And she'll witness first-hand what it's like to live and work | 0:01:01 | 0:01:04 | |
in a city with one of the highest murder rates in the world. | 0:01:04 | 0:01:07 | |
He's dead. There's nothing they can do. | 0:01:07 | 0:01:11 | |
41-year-old Maria Connolly | 0:01:30 | 0:01:32 | |
is a sister at the Royal Hospital in Preston. | 0:01:32 | 0:01:36 | |
Did you remember what happened this morning, Lawson? | 0:01:37 | 0:01:39 | |
You haven't got a clue? No? | 0:01:42 | 0:01:44 | |
'I love nursing. I love looking after people. You're sharing quite a...' | 0:01:45 | 0:01:48 | |
a sort of private and often difficult time with people, | 0:01:48 | 0:01:52 | |
and it's just quite a privilege to share that. | 0:01:52 | 0:01:56 | |
Right. Just straighten your arm again for me. | 0:01:56 | 0:01:59 | |
Just do what you got to do, dear. | 0:01:59 | 0:02:02 | |
-You're a perfect patient. -Yeah? | 0:02:02 | 0:02:05 | |
The nurses here treat an average of 200 people a day, | 0:02:06 | 0:02:10 | |
most of them for minor complaints. | 0:02:10 | 0:02:12 | |
One, two, three. | 0:02:13 | 0:02:15 | |
There we go. | 0:02:16 | 0:02:17 | |
But for life-threatening conditions, | 0:02:17 | 0:02:19 | |
Maria and her experienced team swing into action. | 0:02:19 | 0:02:23 | |
Say, for example, if it was a cardiac arrest, | 0:02:23 | 0:02:25 | |
I would say, "Right. Somebody in charge of airway, | 0:02:25 | 0:02:28 | |
"let's have somebody in charge of the defib, | 0:02:28 | 0:02:30 | |
"let's have somebody who's going to be in charge | 0:02:30 | 0:02:33 | |
"of doing compressions." | 0:02:33 | 0:02:34 | |
You start on one job and we work as a team. | 0:02:34 | 0:02:38 | |
Preston A&E department is a Level 1 Trauma Centre | 0:02:39 | 0:02:42 | |
with four high-tech resus bays. | 0:02:42 | 0:02:45 | |
'Nursing without all the equipment that we have, I think I'd be lost.' | 0:02:45 | 0:02:49 | |
You can just see, at a glance, that all their observations are OK. | 0:02:49 | 0:02:53 | |
You can see the heart rate, | 0:02:53 | 0:02:55 | |
you can check, you know, they're getting plenty of oxygen | 0:02:55 | 0:02:57 | |
and that they're well. | 0:02:57 | 0:02:58 | |
'Obviously, we get people that die. | 0:02:59 | 0:03:02 | |
'If you can't deal with death and dying,' | 0:03:02 | 0:03:05 | |
you shouldn't really be in a health profession, really. | 0:03:05 | 0:03:09 | |
It does happen. It's a fact of life. | 0:03:09 | 0:03:13 | |
In a few days, Maria's heading for Ciudad Juarez in Mexico, | 0:03:13 | 0:03:16 | |
a city where death is very much a fact of life. | 0:03:16 | 0:03:20 | |
The murder rate there is up to 100 times higher | 0:03:20 | 0:03:23 | |
than in Maria's home town of Manchester. | 0:03:23 | 0:03:25 | |
'Living on my own in the city, I never feel' | 0:03:25 | 0:03:28 | |
scared or frightened for my sort of safety. | 0:03:28 | 0:03:30 | |
'I run. I do a lot of running round Manchester. | 0:03:34 | 0:03:37 | |
'The areas that I run round, they're not picturesque. | 0:03:39 | 0:03:42 | |
'They're quite sort of cityscape runs, but I feel' | 0:03:42 | 0:03:45 | |
really safe and I can, you know, jog at night. | 0:03:45 | 0:03:48 | |
'I feel confident to do anything, anything I want to do.' | 0:03:50 | 0:03:54 | |
I enjoy city living. | 0:03:56 | 0:03:59 | |
I think it suits my kind of lifestyle | 0:03:59 | 0:04:01 | |
because I'm single, got friends who live in Manchester | 0:04:01 | 0:04:05 | |
and everything's on my doorstep, really. | 0:04:05 | 0:04:08 | |
'I'm quite laid-back, | 0:04:11 | 0:04:13 | |
'quite a relaxed person, quite happy person.' | 0:04:13 | 0:04:17 | |
-ALL: -Cheers! | 0:04:17 | 0:04:18 | |
'I like being around people | 0:04:20 | 0:04:22 | |
'and like spending time with friends, my family, | 0:04:22 | 0:04:25 | |
'and just generally quite sociable, I think.' | 0:04:25 | 0:04:28 | |
LAUGHTER | 0:04:31 | 0:04:32 | |
Does that sound OK? | 0:04:32 | 0:04:34 | |
Out of all of us at work, | 0:04:35 | 0:04:36 | |
if we have to say who was going to go, it would be Maria. | 0:04:36 | 0:04:39 | |
She's got an adventurous spirit. | 0:04:39 | 0:04:41 | |
Any stories that I've heard | 0:04:43 | 0:04:45 | |
since I found out where I'm going, it's all been about people | 0:04:45 | 0:04:48 | |
being killed, basically. | 0:04:48 | 0:04:50 | |
When I read about it, | 0:04:50 | 0:04:52 | |
I was quite shocked about the murder statistics | 0:04:52 | 0:04:56 | |
and the drugs and the crime levels. | 0:04:56 | 0:04:58 | |
I thought, "Oh my God! You can't go there!" | 0:04:58 | 0:05:01 | |
And I thought of texting you to say, "You have to pull out!" | 0:05:01 | 0:05:04 | |
'Don't know what to expect, really,' | 0:05:04 | 0:05:08 | |
so I think that makes me more fearful, really. | 0:05:08 | 0:05:12 | |
I know when I get there, | 0:05:12 | 0:05:14 | |
I'll either be more relaxed or I'll turn around and go home. | 0:05:14 | 0:05:18 | |
LAUGHS | 0:05:18 | 0:05:20 | |
Ciudad Juarez, | 0:05:25 | 0:05:27 | |
a city of one million people on the Mexican-US Border. | 0:05:27 | 0:05:31 | |
It's a battleground for powerful Mexican drug cartels | 0:05:33 | 0:05:35 | |
that traffic cocaine and cannabis to America. | 0:05:35 | 0:05:39 | |
These ultra violent gangs | 0:05:42 | 0:05:43 | |
are fighting to control a trade worth billions of dollars. | 0:05:43 | 0:05:47 | |
Hundreds of police officers have been murdered. | 0:05:53 | 0:05:55 | |
It's a world where multiple executions, | 0:05:58 | 0:06:00 | |
torture and kidnapping have become a fact of everyday life. | 0:06:00 | 0:06:05 | |
Since 2008, Juarez has been a far more | 0:06:07 | 0:06:10 | |
dangerous city than even Baghdad, | 0:06:10 | 0:06:13 | |
with 10,000 people murdered on the streets. | 0:06:13 | 0:06:16 | |
SHE SCREAMS | 0:06:16 | 0:06:18 | |
Just thought | 0:06:23 | 0:06:24 | |
the streets'd be empty and you'd have this sense of...' | 0:06:24 | 0:06:26 | |
..of kind of danger or fear. | 0:06:27 | 0:06:29 | |
In that sense, it just feels like a sort of normal city. | 0:06:29 | 0:06:34 | |
Juarez General is the only public hospital in the city. | 0:06:38 | 0:06:41 | |
It treats thousands of people caught up in the violence. | 0:06:41 | 0:06:45 | |
For the next two weeks, | 0:06:47 | 0:06:49 | |
Maria will be working in the A&E department, | 0:06:49 | 0:06:51 | |
joining the nurses on the front line of the drugs war. | 0:06:51 | 0:06:54 | |
-Pablo? -Hola! | 0:07:04 | 0:07:06 | |
-Hola! -Que tal? -Buenas noches. | 0:07:06 | 0:07:09 | |
-Buenas noches. -Mucho gusto. -Como estas? | 0:07:09 | 0:07:11 | |
Buen, buen... | 0:07:11 | 0:07:13 | |
Maria's host is auxiliary nurse Pablo Vasquez. | 0:07:13 | 0:07:15 | |
He's been working the night shift in A&E for six years. | 0:07:15 | 0:07:19 | |
On the surface, Juarez General is a hospital like any other. | 0:07:23 | 0:07:28 | |
Do you do this? Do you put the casts on? | 0:07:38 | 0:07:40 | |
But there are stark differences from Britain's NHS. | 0:07:45 | 0:07:49 | |
For a start, the emergency care budget in Preston | 0:07:49 | 0:07:51 | |
is 12 times bigger than at Juarez General. | 0:07:51 | 0:07:54 | |
What's this lady's name? | 0:08:00 | 0:08:02 | |
-Evitte. -Evitte? | 0:08:02 | 0:08:04 | |
Here, even taking a patient's blood pressure | 0:08:04 | 0:08:06 | |
means getting back to basics. | 0:08:06 | 0:08:08 | |
We do use manual BPs at home, but... | 0:08:09 | 0:08:12 | |
..I haven't.. Gosh, yeah! | 0:08:13 | 0:08:15 | |
Hardly ever used them, so I'll give it a go. | 0:08:15 | 0:08:19 | |
Nurses here can't rely on state-of-the-art technology. | 0:08:22 | 0:08:25 | |
Compared to Britain, | 0:08:25 | 0:08:27 | |
the treatment is basic. | 0:08:27 | 0:08:29 | |
Juarez General has no CT scanner, | 0:08:29 | 0:08:33 | |
no MRI and just one resus bed for life-threatening conditions. | 0:08:33 | 0:08:37 | |
'My first impressions, walking in, | 0:08:38 | 0:08:40 | |
'it just doesn't feel very clinical. It feels just so... | 0:08:40 | 0:08:44 | |
'kind of just basic, really.' | 0:08:44 | 0:08:46 | |
'Just, like, you know, metal beds with sort of really | 0:08:50 | 0:08:53 | |
'thin mattresses and... | 0:08:53 | 0:08:55 | |
'and no equipment.' | 0:08:55 | 0:08:58 | |
Yeah, it's just very different. | 0:08:58 | 0:09:00 | |
It's not long before the first emergency arrives. | 0:09:04 | 0:09:07 | |
It isn't clear what's happened to him, but the man isn't breathing. | 0:09:10 | 0:09:14 | |
-Do you want me to take over in a second? -OK. | 0:09:25 | 0:09:27 | |
It's a race against time to try and resuscitate him. | 0:09:29 | 0:09:32 | |
Despite their efforts, the patient is not responding. | 0:09:50 | 0:09:53 | |
When would you decide that you'd call it? | 0:09:53 | 0:09:56 | |
-15 to 20 minutes. -You'd always do 15 to 20 minutes? | 0:09:57 | 0:09:59 | |
Yeah. Yeah, mostly. 15, 20. | 0:09:59 | 0:10:02 | |
The man has died. | 0:10:05 | 0:10:07 | |
But in Juarez General, there is little time to stand on ceremony. | 0:10:07 | 0:10:10 | |
With another emergency arriving, | 0:10:13 | 0:10:15 | |
the dead man will have to be moved out of resus. | 0:10:15 | 0:10:17 | |
As usual, the hospital morgue is full. | 0:10:17 | 0:10:20 | |
'When they needed to make room,' | 0:10:20 | 0:10:22 | |
they just sort of moved him into a bay | 0:10:22 | 0:10:26 | |
with other patients just sitting in there. | 0:10:26 | 0:10:29 | |
So, that's just really... yeah, really weird. | 0:10:29 | 0:10:32 | |
'He's been wheeled around quite a few places. | 0:10:32 | 0:10:35 | |
They do care, you know. They're doing everything they can. | 0:10:40 | 0:10:44 | |
All the equipment, all the drugs that they have, you know, they're using. | 0:10:44 | 0:10:48 | |
But yeah, I think that must just come... | 0:10:48 | 0:10:53 | |
That attitude must just come with | 0:10:53 | 0:10:56 | |
a kind of daily occurrence of lots of death. | 0:10:56 | 0:11:00 | |
It's almost kind of, "Right, OK. Package up and OK!" | 0:11:03 | 0:11:06 | |
Not even a mention of what's happened. | 0:11:06 | 0:11:11 | |
The man was found on the street and has no ID. | 0:11:14 | 0:11:16 | |
What happens now with this gentleman? | 0:11:29 | 0:11:31 | |
Sad. | 0:11:34 | 0:11:35 | |
So far, it's been a quiet night | 0:11:42 | 0:11:45 | |
and now Pablo has some time to show Maria the department's records. | 0:11:45 | 0:11:50 | |
-So, every patient? -Todo. Everybody. Todo. -Everybody? -Mm-hmm. -OK. | 0:12:01 | 0:12:04 | |
There's lots of gunshot wounds and stabbings on every page. | 0:12:21 | 0:12:26 | |
And is this just this month? | 0:12:31 | 0:12:34 | |
-They came in here? Through there? -Si. | 0:12:50 | 0:12:53 | |
-And they come in with guns? -Mm-hmm. | 0:12:55 | 0:12:57 | |
Did anyone stop them? What happened? | 0:13:02 | 0:13:05 | |
HE LAUGHS | 0:13:11 | 0:13:13 | |
You just laugh about it! | 0:13:13 | 0:13:15 | |
With the threat of gangsters roaming the hospital, | 0:13:18 | 0:13:21 | |
it is now patrolled 24 hours a day by heavily armed guards. | 0:13:21 | 0:13:25 | |
'Think we'd be offered counselling if somebody kind of shouted' | 0:13:25 | 0:13:29 | |
really loudly in our face, you know. You'd kind of... | 0:13:29 | 0:13:32 | |
You'd be allowed a few days off, and possibly more. | 0:13:32 | 0:13:35 | |
But that?! | 0:13:35 | 0:13:37 | |
We'd shut the department, you know. People wouldn't come back to work. | 0:13:38 | 0:13:41 | |
It's just before midnight | 0:13:47 | 0:13:48 | |
and Maria is about to get her first experience of violence in Juarez. | 0:13:48 | 0:13:52 | |
GIRL WAILS | 0:13:52 | 0:13:54 | |
A teenage girl has been shot through the neck. | 0:13:55 | 0:13:58 | |
The doctors are worried she's paralysed. | 0:14:03 | 0:14:06 | |
Can she move her feet? | 0:14:06 | 0:14:07 | |
The bullet passed straight through her neck, just missing an artery. | 0:14:21 | 0:14:25 | |
Does she know why? | 0:14:41 | 0:14:42 | |
The girl faces a long road to recovery. | 0:15:03 | 0:15:07 | |
Her friend was not so lucky, shot dead in the street | 0:15:07 | 0:15:10 | |
for not joining a gang. | 0:15:10 | 0:15:11 | |
Not everyone who comes to the hospital is an innocent victim. | 0:15:14 | 0:15:18 | |
A man arrives at A&E in an agitated state. | 0:15:18 | 0:15:21 | |
He's been stabbed three times in the back. | 0:15:21 | 0:15:24 | |
Shall I check his sats? Maybe he's OK? | 0:15:41 | 0:15:43 | |
-Oxygen. -Oxygen? -Si, si. | 0:15:43 | 0:15:45 | |
Shall we put something on the...? | 0:15:49 | 0:15:51 | |
Do you have, like, a dressing for...? | 0:15:51 | 0:15:53 | |
These? | 0:15:56 | 0:15:57 | |
Just having a look at the wounds. | 0:16:07 | 0:16:09 | |
They look quite superficial. | 0:16:09 | 0:16:11 | |
Doesn't look like he's had lots of blood loss, | 0:16:11 | 0:16:13 | |
but they're just checking his blood pressure and his pulse. | 0:16:13 | 0:16:16 | |
They've taken all his clothes off so they can just see if there's any more | 0:16:18 | 0:16:21 | |
stab wounds that, you know, we've missed. | 0:16:21 | 0:16:22 | |
But I think they're just quite superficial. | 0:16:22 | 0:16:24 | |
But I think he's obviously really anxious and worked up | 0:16:24 | 0:16:27 | |
cos he's just come from something horrible. | 0:16:27 | 0:16:29 | |
The man gives his name as Alfredo. | 0:16:33 | 0:16:36 | |
His tattoos show membership of a notorious street gang | 0:16:36 | 0:16:39 | |
called the Aztecas, the foot soldiers | 0:16:39 | 0:16:42 | |
of the Juarez drug cartel. | 0:16:42 | 0:16:44 | |
What's happened to you tonight? What happened? | 0:16:46 | 0:16:48 | |
Has this happened before? | 0:17:01 | 0:17:02 | |
These are gunshots? | 0:17:11 | 0:17:12 | |
And how old were you when this happened? | 0:17:14 | 0:17:16 | |
Have you got any family? | 0:17:22 | 0:17:24 | |
Juarez wasn't always like this. | 0:17:43 | 0:17:46 | |
Ten years ago, it was just another border town, with factories making | 0:17:46 | 0:17:50 | |
cheap goods for America, | 0:17:50 | 0:17:51 | |
and bars and clubs catering for the tourist trade. | 0:17:51 | 0:17:54 | |
The drug traffickers controlled their own territories | 0:17:54 | 0:17:57 | |
and paid off the local police. | 0:17:57 | 0:18:00 | |
But in 2006, | 0:18:03 | 0:18:04 | |
the Mexican Government launched a war on drugs, | 0:18:04 | 0:18:07 | |
trying to crush the cartels with thousands of troops | 0:18:07 | 0:18:10 | |
and federal police. | 0:18:10 | 0:18:11 | |
It didn't work. | 0:18:17 | 0:18:19 | |
Violence erupted along the border. | 0:18:21 | 0:18:23 | |
In Juarez, the chaos led to a vicious three-way war | 0:18:25 | 0:18:28 | |
between rival cartels and the authorities. | 0:18:28 | 0:18:32 | |
The bloodshed has left no-one untouched. | 0:18:33 | 0:18:36 | |
For her first few nights in Juarez, | 0:18:49 | 0:18:52 | |
Maria will be staying with Pablo and his family at his house | 0:18:52 | 0:18:55 | |
in one of the huge ramshackle suburbs of the city. | 0:18:55 | 0:18:58 | |
Wow! | 0:19:02 | 0:19:04 | |
Ah, it's beautiful! | 0:19:06 | 0:19:07 | |
SHE LAUGHS | 0:19:08 | 0:19:10 | |
-You're all inside! Hola! -Hola! -Hola! | 0:19:10 | 0:19:12 | |
Hola. | 0:19:16 | 0:19:17 | |
Hola. | 0:19:20 | 0:19:21 | |
-Como esta? -Buen. Buen. | 0:19:25 | 0:19:27 | |
Hi. Nice to meet you. | 0:19:30 | 0:19:32 | |
-Hi. -Hi. Pablo. -Mucho gusto. -Mucho gusto. -Mucho gusto. | 0:19:33 | 0:19:37 | |
LAUGHTER | 0:19:39 | 0:19:41 | |
Pablo and Elvira met as teenagers, | 0:19:45 | 0:19:48 | |
and they've been married for 21 years. | 0:19:48 | 0:19:50 | |
HE RECITES GRACE | 0:19:52 | 0:19:54 | |
-It's salsa. -Ah! I've got some. Ah, OK! | 0:20:12 | 0:20:15 | |
-I can see the chillies. -It's hot! -I can see chillies in here, yeah! | 0:20:17 | 0:20:20 | |
Maria has been up for over 24 hours, | 0:20:22 | 0:20:24 | |
and it's time for bed. | 0:20:24 | 0:20:26 | |
Pablo, who I've been working with, has been amazing. | 0:20:26 | 0:20:30 | |
He's just really funny and laughs at everything. | 0:20:31 | 0:20:35 | |
I think he felt that... | 0:20:35 | 0:20:37 | |
He worried I thought he wasn't sensitive, | 0:20:37 | 0:20:40 | |
but he's sensitive. He is. He's lovely. | 0:20:40 | 0:20:44 | |
He is really caring, but as he said, it's just his way of coping. | 0:20:44 | 0:20:48 | |
And some of the stories he's told me about already, you know, | 0:20:48 | 0:20:52 | |
people coming into the department and shooting people. | 0:20:52 | 0:20:55 | |
You'd have to have a coping strategy to keep working there. | 0:20:57 | 0:21:01 | |
I'm glad I've kind of done the shift already and I'm a bit prepared. | 0:21:01 | 0:21:05 | |
I think I'll be... | 0:21:05 | 0:21:07 | |
I won't find it as difficult cos I'll know what to expect. | 0:21:07 | 0:21:10 | |
Yeah. Try and get stuck in. | 0:21:12 | 0:21:14 | |
So, I'm going to go to bed. Good night. | 0:21:14 | 0:21:16 | |
It's 8pm, time for the next nightshift. | 0:21:26 | 0:21:29 | |
Working nights means leaving the house in darkness, | 0:21:31 | 0:21:34 | |
the most dangerous time in the city. | 0:21:34 | 0:21:36 | |
Precautions are essential. | 0:21:41 | 0:21:43 | |
Does that happen? Have nurses been kidnapped on the way to work? | 0:21:59 | 0:22:03 | |
Gosh. | 0:22:13 | 0:22:14 | |
And is it dangerous when you actually get to work? | 0:22:14 | 0:22:17 | |
I can't imagine having to think about all of that. | 0:22:26 | 0:22:29 | |
I'm just straight down the motorway, don't have to think of anything, | 0:22:29 | 0:22:33 | |
just, "Have I got enough petrol?" That's about it. | 0:22:33 | 0:22:36 | |
And, "Can I get a space to park at work?" And then I'm in. | 0:22:36 | 0:22:39 | |
It's the easiest part of my day. | 0:22:40 | 0:22:43 | |
It's Maria's second shift | 0:22:48 | 0:22:50 | |
and two severely-injured teenagers have arrived in A&E. | 0:22:50 | 0:22:53 | |
OK, so it's his pelvis. Si? | 0:23:01 | 0:23:04 | |
Can you straighten your arm? | 0:23:04 | 0:23:06 | |
MAN SPEAKS IN SPANISH | 0:23:06 | 0:23:09 | |
There's been a really bad train crash. | 0:23:09 | 0:23:11 | |
These two guys have just been brought in to us. | 0:23:11 | 0:23:13 | |
They were on the top of the train | 0:23:13 | 0:23:15 | |
and trying to smuggle themselves into America. | 0:23:15 | 0:23:18 | |
Back home, these blokes would have come into resus | 0:23:18 | 0:23:22 | |
and there just isn't the room here. | 0:23:22 | 0:23:25 | |
They'd have had all the equipment that we've got to use. | 0:23:25 | 0:23:28 | |
You know, we'd have got X-rays done in resus. | 0:23:28 | 0:23:32 | |
They'd have probably had ultrasound scans | 0:23:32 | 0:23:34 | |
to make sure there's no internal bleeding as well, | 0:23:34 | 0:23:37 | |
so we've just got access to so much more. | 0:23:37 | 0:23:39 | |
It's not long before the violence of the streets | 0:23:42 | 0:23:45 | |
begins to fetch up in the hospital ward. | 0:23:45 | 0:23:48 | |
OK, a bit of a stab. | 0:23:48 | 0:23:51 | |
Sorry. | 0:23:51 | 0:23:52 | |
Brilliant. OK? | 0:23:52 | 0:23:55 | |
Sorry, was that sore? | 0:23:55 | 0:23:57 | |
Was that worse then the...? | 0:23:57 | 0:23:59 | |
These men have all been brutally beaten. | 0:23:59 | 0:24:02 | |
Police officers armed with assault rifles | 0:24:08 | 0:24:11 | |
keep watch over the more dangerous patients. | 0:24:11 | 0:24:14 | |
I've never seen so many guns, never ever | 0:24:26 | 0:24:30 | |
and they're big guns, they're not just pistolas, | 0:24:30 | 0:24:33 | |
they're massive great big...guns. | 0:24:33 | 0:24:35 | |
OK, bit of a scratch. | 0:24:35 | 0:24:38 | |
All patients receive equal treatment, | 0:24:38 | 0:24:40 | |
no matter which side of the law they're on. | 0:24:40 | 0:24:42 | |
-Done. -Yeah? -Perfecto. | 0:24:42 | 0:24:45 | |
SIREN WAILS | 0:24:45 | 0:24:47 | |
The ambulance crews provide a steady flow of victims. | 0:24:56 | 0:24:59 | |
Do we know if it's a gun or a knife? | 0:25:07 | 0:25:09 | |
I've been shocked by what I've seen. | 0:25:17 | 0:25:20 | |
I think it's the numbers of people coming in | 0:25:20 | 0:25:23 | |
who have been involved in violent attacks. | 0:25:23 | 0:25:25 | |
There are so many that don't obviously get to A&E as well. | 0:25:25 | 0:25:29 | |
That's kind of in the background. | 0:25:29 | 0:25:31 | |
You hear about the people that are killed every night. | 0:25:31 | 0:25:36 | |
The violence has dropped from its absolute peak in 2010, | 0:25:36 | 0:25:40 | |
but the daily slaughter goes on. | 0:25:40 | 0:25:43 | |
OK. So this is the local paper today. | 0:25:48 | 0:25:51 | |
This is in Juarez, in the centre? | 0:25:54 | 0:25:58 | |
Did this happen...did this happen on the street? | 0:26:20 | 0:26:23 | |
And this all happened today? | 0:26:41 | 0:26:44 | |
You're telling me this is like, every day, this would be the same? | 0:26:47 | 0:26:51 | |
I'm really shocked. | 0:26:55 | 0:26:57 | |
But there's another hidden tragedy in Juarez | 0:27:03 | 0:27:05 | |
that rarely makes the papers. | 0:27:05 | 0:27:07 | |
After their shift, | 0:27:07 | 0:27:09 | |
Pablo takes Maria to one of the most notorious roads in the city. | 0:27:09 | 0:27:13 | |
Hundreds of women have gone missing in Juarez in recent years. | 0:27:27 | 0:27:30 | |
Many have never been found. | 0:27:30 | 0:27:32 | |
The bodies of others have been discovered dumped by the roadside, | 0:27:32 | 0:27:35 | |
with signs of horrific violence. | 0:27:35 | 0:27:39 | |
Who are these women that are going missing? Where they from? | 0:27:39 | 0:27:42 | |
Do they know what happens to them? | 0:27:55 | 0:27:57 | |
How does this make you feel with your daughters? | 0:28:06 | 0:28:09 | |
Luz Elena Luis is one of Pablo's neighbours. | 0:28:40 | 0:28:44 | |
I'm so sad, I'm so sorry for you. | 0:29:25 | 0:29:28 | |
In England, if this happened just to one person, | 0:29:28 | 0:29:33 | |
there would be a lot done by the authorities. | 0:29:33 | 0:29:37 | |
It's just so wrong that this happens even to one person, | 0:29:37 | 0:29:41 | |
but its happened to so many women. | 0:29:41 | 0:29:45 | |
As a woman it does make me feel angry, | 0:30:05 | 0:30:07 | |
because you should be free to walk round, | 0:30:07 | 0:30:10 | |
you shouldn't go into town for a job interview | 0:30:10 | 0:30:12 | |
and then disappear off the face of the earth | 0:30:12 | 0:30:15 | |
and have nobody care apart from your family. | 0:30:15 | 0:30:18 | |
It's estimated that 96 % of all murders in Juarez go unsolved. | 0:30:18 | 0:30:23 | |
The police seem powerless, | 0:30:23 | 0:30:25 | |
and have been accused of widespread corruption. | 0:30:25 | 0:30:28 | |
In the face of the chaos and violence, the people of Juarez | 0:30:35 | 0:30:39 | |
have to get on with their everyday lives as best they can. | 0:30:39 | 0:30:43 | |
After the other night, Pablo, when the girl came in, | 0:30:55 | 0:30:58 | |
the young girl that was shot in the neck, | 0:30:58 | 0:31:01 | |
you were talking about how worried you are for your children. | 0:31:01 | 0:31:04 | |
It just made me... I can't stop thinking about it, how you cope. | 0:31:04 | 0:31:07 | |
You must live in this constant worry. I mean, is it safe here? | 0:31:20 | 0:31:24 | |
Does anything ever happen here? | 0:31:24 | 0:31:25 | |
Pablo keeps a close eye on his kids. They're not allowed out at night. | 0:31:35 | 0:31:39 | |
Does it make you very angry that this has all been happening | 0:31:41 | 0:31:44 | |
while you've been trying to grow up? | 0:31:44 | 0:31:46 | |
I think it's amazing how you've ended up with such a wonderful family. | 0:32:13 | 0:32:17 | |
You should be really proud of them, | 0:32:17 | 0:32:19 | |
and proud of what you've achieved and what you've done. | 0:32:19 | 0:32:23 | |
It'd be a tough act to follow. | 0:32:27 | 0:32:31 | |
It's been a really nice day to get to know the family more. | 0:32:45 | 0:32:50 | |
They've got huge worries about their children dying and being killed | 0:32:50 | 0:32:55 | |
and it's very real, so it's very moving listening to him, | 0:32:55 | 0:33:03 | |
and his children talking about how they cope. | 0:33:03 | 0:33:09 | |
(SIGHS) It just makes me think how lucky I am. | 0:33:09 | 0:33:15 | |
Maria's back at Juarez General. | 0:33:25 | 0:33:28 | |
She's come to work the day shift with Head Sister Trine De La Cruz. | 0:33:31 | 0:33:36 | |
Trine looks after the most critically ill patients in the hospital. | 0:33:36 | 0:33:41 | |
But Trine also has to deal with another group of patients, | 0:33:41 | 0:33:45 | |
because up here on the first floor is the prison ward, | 0:33:45 | 0:33:49 | |
constantly locked and guarded by armed police. | 0:33:49 | 0:33:54 | |
What kind of criminals are in there? What have they done? | 0:33:54 | 0:33:58 | |
With patients like these, the nurses have to take precautions. | 0:34:12 | 0:34:17 | |
So what's wrong with this patient? | 0:34:37 | 0:34:40 | |
With this... This one, we're going to wash this, yeah. | 0:34:51 | 0:34:55 | |
This one, put here. | 0:34:56 | 0:34:58 | |
-Just the saline in here? -Mm-hmm. | 0:35:00 | 0:35:02 | |
And do you aspirate as I do that? | 0:35:04 | 0:35:07 | |
Is the bullet still in his head? | 0:35:07 | 0:35:09 | |
Did he have surgery to try and remove it? | 0:35:09 | 0:35:11 | |
-So it's an exit wound at the... -Mm-hmm, yeah. In this side. | 0:35:15 | 0:35:19 | |
Do you get many patients like this | 0:35:22 | 0:35:24 | |
who you don't know who they are and they've been shot? | 0:35:24 | 0:35:28 | |
It's just mad that they've got a jail on the ward. | 0:35:47 | 0:35:50 | |
Really bizarre, having to cover your name and your face at work. | 0:35:50 | 0:35:56 | |
I would... I'd just say, "That's not in my job description, not at all." | 0:35:56 | 0:36:01 | |
Doctors and nurses are seen as wealthy | 0:36:04 | 0:36:07 | |
and are a prime target for kidnappers. | 0:36:07 | 0:36:10 | |
Many have been held for ransom and even murdered. | 0:36:10 | 0:36:14 | |
Hundreds of medical staff have fled the city, | 0:36:14 | 0:36:16 | |
leaving more than a third of the clinics and hospitals abandoned. | 0:36:16 | 0:36:20 | |
It's part of an exodus that has seen a quarter of a million people | 0:36:22 | 0:36:26 | |
flee Juarez since the violence began. | 0:36:26 | 0:36:29 | |
I can't imagine being threatened. You're not involved, | 0:36:39 | 0:36:42 | |
you're just looking after people. | 0:36:42 | 0:36:44 | |
Four years ago, Trine used her life savings to buy her dream home | 0:37:30 | 0:37:33 | |
in an upmarket family estate. | 0:37:33 | 0:37:36 | |
But within months, the drug gangs took over the area. | 0:37:39 | 0:37:41 | |
This is what it looks like now. | 0:37:41 | 0:37:44 | |
When the family were caught in a gunfight, | 0:37:47 | 0:37:49 | |
they fled the house with nothing. | 0:37:49 | 0:37:52 | |
This is the first time Trine's been back. | 0:37:52 | 0:37:56 | |
Ah...it's my home. | 0:37:56 | 0:37:57 | |
This was my room. | 0:37:59 | 0:38:02 | |
-This is your bedroom? -Yeah. | 0:38:02 | 0:38:04 | |
Here is the closet and everything. | 0:38:06 | 0:38:12 | |
It's only little, but it was mine. | 0:38:15 | 0:38:18 | |
Why did you have to leave, what was happening? | 0:38:38 | 0:38:40 | |
It's lot of sadness inside that you must carry round all the time. | 0:39:01 | 0:39:06 | |
Yeah. | 0:39:06 | 0:39:08 | |
It's just derelict, isn't it? | 0:39:24 | 0:39:25 | |
Whole rows of houses that people have just up and left. | 0:39:25 | 0:39:30 | |
To me, that happens in a war, | 0:39:30 | 0:39:32 | |
when bombs are being dropped on houses. | 0:39:32 | 0:39:36 | |
My life is so, so different | 0:39:40 | 0:39:42 | |
and they are doing the same job as me, they're working, | 0:39:42 | 0:39:46 | |
they've got families, | 0:39:46 | 0:39:48 | |
and they seem to be so strong and positive and happy | 0:39:48 | 0:39:54 | |
and then you find out what really goes on in their lives. | 0:39:54 | 0:39:59 | |
Yeah, it's just really depressing | 0:39:59 | 0:40:02 | |
because it's just so unfair, isn't it? | 0:40:02 | 0:40:06 | |
But Trine is luckier than some. | 0:40:12 | 0:40:15 | |
Her family have dual nationality | 0:40:15 | 0:40:18 | |
and now live just across the American border in Texas. | 0:40:18 | 0:40:21 | |
She goes to visit them whenever she can. | 0:40:22 | 0:40:25 | |
How come it takes so long to get through? | 0:40:39 | 0:40:42 | |
Is where a lot of the drugs leave Juarez and get into America? | 0:40:47 | 0:40:53 | |
This is what the drug war in Juarez is all about. | 0:40:57 | 0:41:01 | |
Two major cartels are fighting for control | 0:41:01 | 0:41:04 | |
of the smuggling route to America. | 0:41:04 | 0:41:06 | |
Mexico is the world's largest exporter of marijuana. | 0:41:08 | 0:41:11 | |
And almost all of it is smuggled across the border | 0:41:11 | 0:41:14 | |
to supply the 17.5 million Americans who use it. | 0:41:14 | 0:41:19 | |
The bridge is also a conduit for millions of dollars | 0:41:20 | 0:41:23 | |
of Colombian cocaine. | 0:41:23 | 0:41:25 | |
OK. Thank you. | 0:41:42 | 0:41:43 | |
Just a stone's throw from Ciudad Juarez, | 0:41:47 | 0:41:50 | |
the Texan city of El Paso might as well be on a different planet. | 0:41:50 | 0:41:54 | |
It's one of the safest places to live in America. | 0:41:54 | 0:41:56 | |
It just feels really weird having been in Juarez | 0:41:59 | 0:42:02 | |
and not being able to go out on the street at all, | 0:42:02 | 0:42:06 | |
it just feels amazing to be back to normal. | 0:42:06 | 0:42:09 | |
Yes, I feel free here. | 0:42:09 | 0:42:13 | |
Yeah. | 0:42:13 | 0:42:14 | |
We go to the store or we go to a restaurant or to the park | 0:42:14 | 0:42:21 | |
we can go to everywhere you want and you feel free. | 0:42:21 | 0:42:28 | |
It's safe here. | 0:42:28 | 0:42:30 | |
Yeah, it just feels so different. | 0:42:30 | 0:42:32 | |
Trine's husband and children live with relatives | 0:42:37 | 0:42:40 | |
on the outskirts of El Paso. | 0:42:40 | 0:42:42 | |
Her son, Ricardo, is 17. | 0:42:42 | 0:42:46 | |
I get very worried when she goes to work | 0:42:46 | 0:42:48 | |
because Juarez is very dangerous | 0:42:48 | 0:42:52 | |
and sometimes I get worried | 0:42:52 | 0:42:54 | |
because I don't know if she's coming back, to see her again. | 0:42:54 | 0:42:59 | |
You'd rather she stayed here and didn't go back to Juarez? | 0:42:59 | 0:43:03 | |
Yes, yes, I would prefer for her to stay here, | 0:43:03 | 0:43:08 | |
but it's her passion and it's her life. | 0:43:08 | 0:43:12 | |
Do you feel guilty? How do you feel about it? | 0:43:12 | 0:43:14 | |
Of course! | 0:43:14 | 0:43:15 | |
She is guilty of me having a good life and I just have to say thanks. | 0:43:18 | 0:43:24 | |
But I know she loves what she does so what can I do? | 0:43:24 | 0:43:30 | |
I'm proud of my son. | 0:43:30 | 0:43:32 | |
Yeah, you should be. | 0:43:32 | 0:43:33 | |
-And I'm proud of my mum too. -Aw. | 0:43:33 | 0:43:35 | |
THEY LAUGH | 0:43:35 | 0:43:37 | |
In 2010, there were five murders in El Paso. | 0:43:45 | 0:43:51 | |
In the same year in Juarez, there were 3,075. | 0:43:51 | 0:43:56 | |
Unlike in Mexico, guns are openly and legally on sale in Texas. | 0:43:58 | 0:44:03 | |
I've never seen so many guns. | 0:44:09 | 0:44:10 | |
Yes. | 0:44:10 | 0:44:12 | |
This is for hunting or fishing or whatever. | 0:44:12 | 0:44:15 | |
-Hello. -Hi. -Hi. | 0:44:15 | 0:44:18 | |
-This is Maria. -Hello. | 0:44:18 | 0:44:19 | |
How are you? I'm Shane. I'm the manager, welcome. | 0:44:19 | 0:44:22 | |
Hi, Shane, hi. | 0:44:22 | 0:44:23 | |
I'm just having a look at all your guns. | 0:44:23 | 0:44:26 | |
What are some of these? | 0:44:26 | 0:44:27 | |
These are your semi-automatic pistols. | 0:44:27 | 0:44:29 | |
Flipping heck! | 0:44:29 | 0:44:31 | |
These are...they range anywhere from 380 calibre | 0:44:31 | 0:44:34 | |
all the way up to 45 calibre. | 0:44:34 | 0:44:36 | |
And what are some of these? | 0:44:36 | 0:44:38 | |
These are shotguns as well. | 0:44:38 | 0:44:40 | |
These are more personal defence shotguns. | 0:44:40 | 0:44:42 | |
12 gauge. The barrel is too short to do any damage to a bird | 0:44:42 | 0:44:46 | |
that's flying far away. | 0:44:46 | 0:44:47 | |
But for self-defence in your home. | 0:44:47 | 0:44:50 | |
Do people come in and buy these? | 0:44:50 | 0:44:52 | |
Absolutely. | 0:44:52 | 0:44:54 | |
-How often? How many people would buy? -Every day. | 0:44:54 | 0:44:56 | |
How many hand guns would you sell every day? | 0:44:56 | 0:44:59 | |
I would say on an average day, five to six. | 0:44:59 | 0:45:02 | |
It's estimated that 90% of the guns used in the drug violence | 0:45:02 | 0:45:05 | |
over the border, originate in the US. | 0:45:05 | 0:45:07 | |
Many are bought here perfectly legally and smuggled into Mexico. | 0:45:07 | 0:45:13 | |
If somebody comes in and they look at bit dodgy, | 0:45:13 | 0:45:15 | |
you're worried, what do you do? | 0:45:15 | 0:45:18 | |
We do reserve the right to refuse service, | 0:45:18 | 0:45:21 | |
to anyone we feel is suspicious | 0:45:21 | 0:45:23 | |
or we have any reason not to want to sell them the weapon, we can. | 0:45:23 | 0:45:26 | |
So it hasn't happened often, but if it does, we will refuse service. | 0:45:26 | 0:45:31 | |
God, I've never seen so many guns. | 0:45:31 | 0:45:34 | |
I got quite sort of giddy, almost, when I walked in. | 0:45:35 | 0:45:39 | |
I was laughing because it's just so different, it's so... | 0:45:39 | 0:45:42 | |
I've never been in a gun shop. | 0:45:42 | 0:45:45 | |
I didn't really realise how easy it was to buy guns. | 0:45:45 | 0:45:48 | |
And the way...the guy was lovely, | 0:45:48 | 0:45:50 | |
but he was talking about buying guns | 0:45:50 | 0:45:54 | |
as if I was in buying a pair of shoes. | 0:45:54 | 0:45:56 | |
Made me a bit sad because you see all these guns and he's saying, | 0:45:56 | 0:46:00 | |
these are just for self-defence | 0:46:00 | 0:46:01 | |
or they're for taking to the firing range, | 0:46:01 | 0:46:03 | |
but...they're not. | 0:46:03 | 0:46:05 | |
These guns end up in Juarez. | 0:46:05 | 0:46:08 | |
One in eight gun shops in America are situated on the border. | 0:46:11 | 0:46:15 | |
It's thought that the Mexican cartels | 0:46:19 | 0:46:21 | |
employ people with no criminal record to buy guns in the US. | 0:46:21 | 0:46:26 | |
It's a shocking irony that a brutal war to smuggle drugs to America | 0:46:29 | 0:46:32 | |
is being fought with military grade weapons smuggled the other way. | 0:46:32 | 0:46:37 | |
The Mexican government complains bitterly about the flow of weapons, | 0:46:54 | 0:46:58 | |
but it seems to do little to check what's actually crossing the border. | 0:46:58 | 0:47:03 | |
You don't have to show your ID? | 0:47:03 | 0:47:04 | |
No. I don't need nothing to come here. | 0:47:04 | 0:47:08 | |
It's Maria's last night in Juarez. | 0:47:13 | 0:47:15 | |
Tonight she's going to experience | 0:47:17 | 0:47:19 | |
one of the city's most dangerous jobs for medics, | 0:47:19 | 0:47:22 | |
working in the ambulance service. | 0:47:22 | 0:47:25 | |
Red Cross ambulances attend everything | 0:47:25 | 0:47:27 | |
from car accidents to multiple shootings. | 0:47:27 | 0:47:30 | |
Not surprisingly, they work under police protection. | 0:47:30 | 0:47:34 | |
I'm excited but I'm kind of anxious now a little bit | 0:47:34 | 0:47:38 | |
because I've seen what comes in to A&E so I have this sense | 0:47:38 | 0:47:42 | |
of what's happening out there but I've not witnessed any of it. | 0:47:42 | 0:47:46 | |
I know they're used to being out there and they've got their safety | 0:47:46 | 0:47:50 | |
precautions and procedures in place, but I don't think you can ever | 0:47:50 | 0:47:54 | |
eliminate all risks, so I'll be a bit scared that first time we get out. | 0:47:54 | 0:48:00 | |
She's going to be working with volunteer Dr Jesus Weckmann. | 0:48:00 | 0:48:04 | |
Tonight we're mostly going to be seeing motor vehicle accidents | 0:48:04 | 0:48:08 | |
involving people that have been drinking, | 0:48:08 | 0:48:11 | |
some victims from aggressions | 0:48:11 | 0:48:15 | |
and possibly gunshot victims. | 0:48:15 | 0:48:17 | |
They've just sprayed out the ambulance that came back | 0:48:17 | 0:48:20 | |
covered in blood, where had it been? | 0:48:20 | 0:48:22 | |
Actually, they went to a crime scene that involved a shooting. | 0:48:22 | 0:48:30 | |
They transported a victim with six gunshot wounds. | 0:48:30 | 0:48:33 | |
They were having a bit of trouble | 0:48:33 | 0:48:35 | |
controlling the haemorrhages from the patient. | 0:48:35 | 0:48:38 | |
It was a bystander. | 0:48:38 | 0:48:40 | |
Just passing by when they started shooting at each other | 0:48:40 | 0:48:43 | |
and he got six shots. | 0:48:43 | 0:48:46 | |
SIREN WAILS | 0:48:46 | 0:48:47 | |
The first call is to one of the city's major roads. | 0:48:51 | 0:48:54 | |
So they arrested this guy? | 0:49:00 | 0:49:02 | |
Yeah, he's the driver. | 0:49:02 | 0:49:04 | |
Three cars have been involved in a collision. | 0:49:04 | 0:49:06 | |
-So, has he been drinking? -Yeah. | 0:49:08 | 0:49:10 | |
I can smell alcohol on him, yeah. | 0:49:10 | 0:49:12 | |
You going to take him back to one of the hospitals? | 0:49:12 | 0:49:14 | |
We'll take him to one of the hospitals, | 0:49:14 | 0:49:16 | |
but he's going to go under police custody. | 0:49:16 | 0:49:18 | |
-So he'll go with the police, in their van? -No. | 0:49:18 | 0:49:21 | |
He'll come with us? | 0:49:21 | 0:49:22 | |
Yeah, one of them will come with us to the hospital. | 0:49:22 | 0:49:25 | |
The team are racing to another call. | 0:49:36 | 0:49:39 | |
They're heading into one of the most dangerous parts of the city. | 0:49:39 | 0:49:43 | |
They can't go in without police protection. | 0:49:45 | 0:49:48 | |
Is it OK to get out straightaway? | 0:49:50 | 0:49:52 | |
Armed police squads have locked down the area. | 0:49:54 | 0:49:57 | |
So what's he called? | 0:50:00 | 0:50:02 | |
Where's this guy stabbed? | 0:50:02 | 0:50:03 | |
Is he dead? | 0:50:03 | 0:50:05 | |
Seems dead. He has a stab wound to the chest. | 0:50:05 | 0:50:08 | |
OK. It just looks like such a small wound, doesn't it? But it's... | 0:50:08 | 0:50:12 | |
-Really long. -..Yeah. | 0:50:12 | 0:50:14 | |
Probably hit his heart or a main artery. | 0:50:14 | 0:50:16 | |
It's a young guy, looks like in his 20s, | 0:50:17 | 0:50:20 | |
and he's been stabbed in the chest. | 0:50:20 | 0:50:22 | |
Um, he's dead, there's nothing they can do. | 0:50:22 | 0:50:25 | |
I think he been here 20 minutes, some guys up there reported it. | 0:50:27 | 0:50:33 | |
He just looks really young. Yeah, it's really sad. | 0:50:35 | 0:50:39 | |
They're cordoning off a few blocks around | 0:50:47 | 0:50:50 | |
so that they can collect any evidence. | 0:50:50 | 0:50:52 | |
-The yellow, plastic side down? -Yeah. | 0:50:55 | 0:50:59 | |
But, no, I've never seen anyone murdered before. So... | 0:50:59 | 0:51:05 | |
Yeah, it's just a waste. | 0:51:07 | 0:51:09 | |
Kind of think, that's probably | 0:51:09 | 0:51:11 | |
what's been heading his way all his life, you know? | 0:51:11 | 0:51:14 | |
Living here there's probably nothing else, | 0:51:14 | 0:51:17 | |
nothing he could have done about it. | 0:51:17 | 0:51:19 | |
It's just this inevitable tragedy that so many people | 0:51:19 | 0:51:22 | |
are going to have happen to them just because they live here | 0:51:22 | 0:51:27 | |
and because of what's going on in Juarez. | 0:51:27 | 0:51:30 | |
Yeah, it's, um... | 0:51:30 | 0:51:31 | |
..really sad. | 0:51:32 | 0:51:34 | |
SIREN AND HORN | 0:51:38 | 0:51:40 | |
It's Saturday night. | 0:51:53 | 0:51:55 | |
The busiest night of the week for the emergency services. | 0:51:55 | 0:51:58 | |
Maria is spending the rest of the night in the hospital | 0:52:03 | 0:52:06 | |
for her final shift with Pablo. | 0:52:06 | 0:52:08 | |
Her first job is to help treat a 21-year-old man. | 0:52:12 | 0:52:15 | |
He's got a head wound that was bleeding when he came in. | 0:52:15 | 0:52:19 | |
It's an arterial bleed, so it's quite a pulsing bleed. | 0:52:19 | 0:52:24 | |
So that's why the doctor has kind of come in to tie that artery off, | 0:52:24 | 0:52:27 | |
or they can lose quite a lot of blood. | 0:52:27 | 0:52:30 | |
He and his friends were subjected to a mock execution and badly beaten. | 0:52:30 | 0:52:34 | |
They're lucky to be alive. | 0:52:36 | 0:52:38 | |
The hospital begins to fill with case after case of violent crime. | 0:52:43 | 0:52:48 | |
How did that happen? Can we say how that happened? | 0:52:54 | 0:52:58 | |
A hammer? | 0:53:00 | 0:53:01 | |
I'll just get some clean gloves on. | 0:53:03 | 0:53:05 | |
They've stamped on his shoulder or his scapula. | 0:53:09 | 0:53:13 | |
So it's certainly... The shoulder's deformed. | 0:53:13 | 0:53:15 | |
They need to get an X-ray, | 0:53:15 | 0:53:16 | |
because he has dislocated it and it's incredibly painful. | 0:53:16 | 0:53:19 | |
He's got grazes and cuts all over him. | 0:53:19 | 0:53:23 | |
He's been sort of stamped on and hit | 0:53:23 | 0:53:26 | |
all over his back and his legs and his arms. | 0:53:26 | 0:53:30 | |
I can see a big graze across his shoulder. | 0:53:32 | 0:53:34 | |
There's one man, tucked away in the corner of the ward, | 0:53:37 | 0:53:42 | |
whose story epitomises the cruelty of Mexico's drug war. | 0:53:42 | 0:53:45 | |
What's happened? Yeah? PATIENTS CHATTER IN BACKGROUND | 0:53:48 | 0:53:51 | |
Yeah. | 0:53:57 | 0:53:58 | |
-And set you on fire? -Yeah. | 0:54:11 | 0:54:13 | |
Luis and his son were kidnapped and tortured. | 0:54:13 | 0:54:16 | |
An armed gang poured petrol on him, then set him alight. | 0:54:16 | 0:54:20 | |
-Cos you've got open burns, haven't you? -Yeah. -They must be sore. | 0:54:20 | 0:54:24 | |
This is... This is... | 0:54:25 | 0:54:27 | |
-OK. -Yeah. | 0:54:29 | 0:54:30 | |
-OK. But that's worse. -Yeah. | 0:54:32 | 0:54:36 | |
It's terrible. It must have been absolutely terrifying. | 0:54:36 | 0:54:39 | |
How long were you held for? | 0:54:39 | 0:54:42 | |
Two days. | 0:54:42 | 0:54:44 | |
You're lucky to be alive, I guess. | 0:54:45 | 0:54:48 | |
-Yeah. -Terrible. | 0:54:48 | 0:54:50 | |
It was a case of mistaken identity. | 0:54:50 | 0:54:53 | |
When the gang realised, they released him. | 0:54:53 | 0:54:56 | |
If that had happened in our department, | 0:54:56 | 0:54:59 | |
it would've been news. You know, somebody would've... | 0:54:59 | 0:55:01 | |
It would've been the first thing somebody would've said, | 0:55:01 | 0:55:03 | |
that this had happened to one of the patients. And it's... | 0:55:03 | 0:55:06 | |
You just kind of walk around | 0:55:06 | 0:55:08 | |
and have a little look at what patients have come in with, | 0:55:08 | 0:55:11 | |
and you just... This is sort of, yeah, normal I guess. | 0:55:11 | 0:55:15 | |
It's...just...crazy. | 0:55:15 | 0:55:18 | |
For the night shift at Juarez General, life goes on. | 0:55:21 | 0:55:26 | |
Pablo and the team have bought Maria a treat to say goodbye. | 0:55:35 | 0:55:39 | |
Wow! Both for me? | 0:55:39 | 0:55:41 | |
-This is! -THEY LAUGH | 0:55:41 | 0:55:44 | |
Aww, thank you very much! | 0:55:44 | 0:55:46 | |
Thank you for having me and letting me work here with you. | 0:55:46 | 0:55:49 | |
I've had a brilliant time. You've all been great. Thank you. | 0:55:49 | 0:55:53 | |
I'd describe the Juarez people as warm, friendly, | 0:56:09 | 0:56:14 | |
incredibly welcoming, happy, brave, | 0:56:14 | 0:56:18 | |
positive people who have this amazing kind of spirit. | 0:56:18 | 0:56:23 | |
SHE LAUGHS I want to hug everyone! | 0:56:28 | 0:56:31 | |
'When you actually come to a place and you talk to people, | 0:56:34 | 0:56:36 | |
'it just drives it home really that it's individuals | 0:56:36 | 0:56:39 | |
'it's happening to and it's families' | 0:56:39 | 0:56:43 | |
and they're living under such terrible circumstances. | 0:56:43 | 0:56:47 | |
Pablo, thank you so much. Yeah... | 0:56:48 | 0:56:51 | |
Yeah, I'll see you soon. Thank you for everything. | 0:56:56 | 0:57:00 | |
OK. | 0:57:00 | 0:57:01 | |
'I've come now to Juarez, I've spent a couple of weeks here, | 0:57:01 | 0:57:05 | |
'and I could stay another couple of months | 0:57:05 | 0:57:07 | |
'and still not really understand what's happening.' | 0:57:07 | 0:57:11 | |
It just made me think a lot about, I guess, | 0:57:11 | 0:57:13 | |
the world and everybody living in it and how lucky I am. | 0:57:13 | 0:57:17 | |
Maria has been back at the Royal Preston for a month. | 0:57:27 | 0:57:30 | |
Right, Alan, are you all right if I take some blood? | 0:57:34 | 0:57:37 | |
-Yeah. -I'm Maria... | 0:57:37 | 0:57:39 | |
'I felt really different when I came back. | 0:57:39 | 0:57:41 | |
'I'd done something and it was a real challenge. | 0:57:41 | 0:57:45 | |
'It's made me more grateful for what I have,' | 0:57:45 | 0:57:47 | |
and it's made me vow to stop moaning about the petty things in my life. | 0:57:47 | 0:57:53 | |
When I was in Juarez, if somebody had said, | 0:57:58 | 0:58:00 | |
"Would you stay or would you want to move out?" | 0:58:00 | 0:58:03 | |
I remember just thinking, "There's no way. No way I'd stay." | 0:58:03 | 0:58:07 | |
And then I think since I've come home, | 0:58:07 | 0:58:10 | |
just reflecting on how dedicated they are. | 0:58:10 | 0:58:13 | |
It renewed my belief in nursing and how important it is. | 0:58:13 | 0:58:18 | |
It made me just think maybe I've forgotten a bit of that, really. | 0:58:19 | 0:58:24 | |
Subtitles by Red Bee Media Ltd | 0:58:47 | 0:58:50 |