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This programme contains some strong language | 0:00:02 | 0:00:05 | |
Three British workers - a fireman, a farmer and a taxi driver - | 0:00:05 | 0:00:08 | |
have all accepted the challenge to do their job | 0:00:08 | 0:00:10 | |
under the most stressful and dangerous conditions on the planet. | 0:00:10 | 0:00:14 | |
These guys are tough, as tough as they come. | 0:00:18 | 0:00:21 | |
If you did this in our country, | 0:00:23 | 0:00:25 | |
they'd probably give you about a month off. | 0:00:25 | 0:00:28 | |
Jesus! | 0:00:28 | 0:00:30 | |
The fumes, the heat, this is unbearable. Welcome to hell. | 0:00:30 | 0:00:36 | |
Mason McQueen is leaving his home and his job as a London taxi driver | 0:00:39 | 0:00:43 | |
to join the taxi wallahs in the Indian megacity of Mumbai. | 0:00:43 | 0:00:48 | |
Whoa, whoa, whoa, whoa, whoa. Big bus, big bus, big bus. | 0:00:48 | 0:00:51 | |
What have I got myself into here, eh? | 0:00:51 | 0:00:54 | |
He'll have to get to grips with some unusual driving conditions... | 0:00:54 | 0:00:59 | |
Jesus. | 0:00:59 | 0:01:00 | |
Too much problem if you are going to hit the cow. | 0:01:00 | 0:01:04 | |
He'll meet migrant workers struggling to survive | 0:01:04 | 0:01:07 | |
in India's city of dreams... | 0:01:07 | 0:01:08 | |
You can't make a living. There's no money to live there, no? | 0:01:08 | 0:01:13 | |
...before hitting the streets as a fully fledged Mumbai cabbie. | 0:01:13 | 0:01:18 | |
Feel really stressed. I don't think I can do it, mate. | 0:01:18 | 0:01:21 | |
I don't think I can do it, cos I don't know where I'm going. | 0:01:21 | 0:01:25 | |
East Ender Mason McQueen has been driving a London taxi for six years. | 0:01:42 | 0:01:46 | |
I love this job. | 0:01:48 | 0:01:51 | |
It's a great city to work in every day. What you're looking at | 0:01:51 | 0:01:53 | |
in this windscreen, you know, some of the buildings, open spaces. | 0:01:53 | 0:01:58 | |
I just think London's the best city in the world. | 0:01:58 | 0:02:01 | |
-Where you off to, madam? -Tate Modern. -Tate Modern, certainly. | 0:02:01 | 0:02:06 | |
You can meet some lovely people, | 0:02:06 | 0:02:08 | |
but that's one part I do like about the job, cos I do like talking. | 0:02:08 | 0:02:12 | |
-How's my day been? -Yeah. -Oh, mate, you got an hour? | 0:02:12 | 0:02:15 | |
You got to know where you're going. | 0:02:15 | 0:02:17 | |
People get in, they expect you to, you know, take them straight there. | 0:02:17 | 0:02:21 | |
London's black cabs are strictly licensed. | 0:02:21 | 0:02:25 | |
Mason spent three years studying for the Knowledge - | 0:02:25 | 0:02:28 | |
a test all cabbies must pass. | 0:02:28 | 0:02:31 | |
I'm proud of what I do. | 0:02:31 | 0:02:33 | |
You know, it was a tough road, getting that badge. | 0:02:33 | 0:02:36 | |
You do take thousands of streets in your head. You know? | 0:02:36 | 0:02:39 | |
You're just a ball of knowledge hurtling down the road | 0:02:39 | 0:02:42 | |
looking for your next fare. | 0:02:42 | 0:02:44 | |
Mason drives a top of the range taxi costing around £30,000. | 0:02:44 | 0:02:49 | |
I've got credit card facilities, I've got air-con in there, | 0:02:49 | 0:02:52 | |
I've got wheelchair facilities, | 0:02:52 | 0:02:54 | |
flat-screen media screen in the back. | 0:02:54 | 0:02:56 | |
Yeah, it's a nice cab. | 0:02:56 | 0:03:00 | |
Got a saying, you know, "Be lucky," | 0:03:00 | 0:03:02 | |
to other drivers and it really is true, that. | 0:03:02 | 0:03:06 | |
You know, you could go left and you get a great job, you go right | 0:03:06 | 0:03:09 | |
and you don't get a great job, but that's like life, you know? | 0:03:09 | 0:03:12 | |
You want to be lucky in life as well. | 0:03:12 | 0:03:14 | |
Oh, first time. | 0:03:14 | 0:03:17 | |
-Mace, you want a cup of tea? -Yeah, tea please. | 0:03:17 | 0:03:21 | |
Mason lives in Epping with his partner, Nancy, | 0:03:21 | 0:03:23 | |
and his youngest daughter, Isabella. | 0:03:23 | 0:03:25 | |
Being a dad, you're a born worrier, I think, and a wallet. | 0:03:25 | 0:03:30 | |
In just a few weeks' time, he'll be travelling 6,000 miles, to Mumbai. | 0:03:30 | 0:03:35 | |
-Ah! -Mumbai? -Oh, my God, Dad! | 0:03:35 | 0:03:39 | |
-Oh! I'd better get me A to Z out. -Will you be all right? | 0:03:39 | 0:03:43 | |
Of course I'll be all right! I'm a London cab driver. | 0:03:43 | 0:03:46 | |
-We survive. We're survivors. -Yeah! | 0:03:46 | 0:03:48 | |
It's time for Mason's last dinner with his fellow drivers. | 0:03:50 | 0:03:53 | |
-Where you going, Mase? -Mumbai, chaps. | 0:03:53 | 0:03:56 | |
-So it's Mumbai. -Mumbai, mate, yeah. | 0:03:56 | 0:03:58 | |
Who's taking you to the airport? | 0:03:58 | 0:04:00 | |
Having curry, Mase? | 0:04:03 | 0:04:04 | |
No, thanks, Bill, I'll have... | 0:04:04 | 0:04:07 | |
They're all behind me, they said they'd be behind me. | 0:04:08 | 0:04:11 | |
Safer than being in front. | 0:04:11 | 0:04:13 | |
Oh, I love it in here, it's great. Nice. See the abuse I get in here? | 0:04:17 | 0:04:21 | |
Yeah, see? See you later then, yeah? | 0:04:21 | 0:04:22 | |
-See you later, Mase. -Ta-ta, Mase. -Go on you irons! See you later. | 0:04:22 | 0:04:26 | |
Ta-ta. | 0:04:26 | 0:04:28 | |
Mumbai... | 0:04:34 | 0:04:36 | |
..home to big business, Bollywood and billionaires, | 0:04:37 | 0:04:41 | |
it's the financial hub of India's economic boom. | 0:04:41 | 0:04:45 | |
Real estate here is some of the most expensive in the world, | 0:04:45 | 0:04:48 | |
but with more than 30 million people crammed into a space | 0:04:48 | 0:04:52 | |
less than half the size of London, | 0:04:52 | 0:04:54 | |
it's one of the most densely populated cities on Earth. | 0:04:54 | 0:04:57 | |
In just ten years, a growing middle class has doubled car ownership. | 0:04:57 | 0:05:02 | |
Mumbai's roads are now jammed with traffic. | 0:05:02 | 0:05:05 | |
Serving the millions of commuters who cross the city every day, | 0:05:05 | 0:05:09 | |
taxi drivers battle the chaos and gridlock on Mumbai's mean streets. | 0:05:09 | 0:05:14 | |
Mental here, mate, I'm telling you. | 0:05:16 | 0:05:18 | |
There's people bibbing you constantly. | 0:05:18 | 0:05:20 | |
It's like landing on another planet. You got to go, you got to go, babe. | 0:05:20 | 0:05:24 | |
You got to bob and weave, get with it, | 0:05:24 | 0:05:26 | |
get with the flow of the traffic. | 0:05:26 | 0:05:28 | |
In less than two weeks, | 0:05:28 | 0:05:29 | |
Mason will have to drive a taxi here on his own. | 0:05:29 | 0:05:33 | |
His host will be 30-year-old Pradeep Sharma. | 0:05:33 | 0:05:37 | |
He's been driving a Mumbai taxi for 12 years... | 0:05:37 | 0:05:40 | |
How are you, mate? Nice to meet you. | 0:05:40 | 0:05:41 | |
-..and it's his job to teach Mason the Knowledge... -Nice to meet you. | 0:05:41 | 0:05:44 | |
...Mumbai style. | 0:05:44 | 0:05:47 | |
-You are welcome to Mumbai, sir. -Sukriya. Sukriya. | 0:05:47 | 0:05:50 | |
The journey to Pradeep's house | 0:05:50 | 0:05:52 | |
is Mason's first taste of driving in an Indian megacity. | 0:05:52 | 0:05:56 | |
CAR HORNS BEEP | 0:05:56 | 0:05:58 | |
Whoa, whoa, whoa. Whoa! | 0:05:59 | 0:06:01 | |
Oh, my God, there's a little baby in the middle of the road. | 0:06:01 | 0:06:05 | |
Big bus, big bus, big bus! Whoa, whoa. | 0:06:05 | 0:06:08 | |
HORNS BEEP | 0:06:08 | 0:06:10 | |
You were just getting out of there, weren't you? | 0:06:12 | 0:06:15 | |
Whoa, whoa, whoa, whoa, whoa. | 0:06:15 | 0:06:17 | |
What's the top speed you go in this, Pradeep? | 0:06:22 | 0:06:25 | |
-120. -120, in this? Oh, my God. | 0:06:25 | 0:06:30 | |
Look at that. | 0:06:30 | 0:06:31 | |
Pradeep lives in Borivali, | 0:06:34 | 0:06:36 | |
a northern suburb 15 miles from the busy streets of the city centre. | 0:06:36 | 0:06:40 | |
Whoa. | 0:06:40 | 0:06:42 | |
-This is relaxing? -Yeah. | 0:06:50 | 0:06:51 | |
It's chaos. It's like Mad Max meets the Kumars or something. | 0:06:55 | 0:06:58 | |
Hairy and scary. | 0:06:58 | 0:06:59 | |
I feel drained and I was only a passenger. | 0:07:01 | 0:07:04 | |
That's what I'm worried about. | 0:07:04 | 0:07:05 | |
-ALL: -Hello! | 0:07:05 | 0:07:08 | |
Wow, this is unreal, mate. Hey! All right, guys? | 0:07:08 | 0:07:11 | |
Wow. It's like a royal visit. | 0:07:13 | 0:07:17 | |
Pradeep lives with his family | 0:07:18 | 0:07:19 | |
in this warren of tightly-packed, two-room houses. | 0:07:19 | 0:07:23 | |
-This is my house. -Ah. Lovely. | 0:07:24 | 0:07:28 | |
Hello. Namaste. Nice to meet you. | 0:07:28 | 0:07:30 | |
That's your boy, yeah? Hello. | 0:07:30 | 0:07:32 | |
-This is my mother. -Hello. Namaste. | 0:07:32 | 0:07:35 | |
-Have a please sit down, sir. -OK, thank you. Thank you very much. | 0:07:35 | 0:07:39 | |
-La familia! -Yeah. I have a big family. -Big family. -Yeah. | 0:07:39 | 0:07:43 | |
His family are probably a bit apprehensive about me, | 0:07:43 | 0:07:46 | |
but I'll win them round with me Cockney charm, hopefully. | 0:07:46 | 0:07:51 | |
She works part-time in her friend's beauty salon. | 0:07:55 | 0:07:59 | |
She does all the housework as well, yeah. | 0:08:02 | 0:08:04 | |
Do I press her feet every day? She should... | 0:08:11 | 0:08:15 | |
She should press my feet! | 0:08:15 | 0:08:18 | |
Yes. | 0:08:18 | 0:08:19 | |
Pradeep, where does everyone sleep? | 0:08:19 | 0:08:22 | |
Wow. | 0:08:31 | 0:08:33 | |
-This is my kitchen. -Ah, the kitchen, huh? | 0:08:33 | 0:08:35 | |
-Oh, that's where...your bathroom? -Ah, yeah. | 0:08:40 | 0:08:43 | |
When she had that curtain closed, | 0:08:43 | 0:08:45 | |
I thought it went right the way round, but it don't. | 0:08:45 | 0:08:47 | |
It's here. This is it. This is the end of it here. | 0:08:47 | 0:08:50 | |
God. | 0:08:51 | 0:08:52 | |
With no space at home, | 0:08:56 | 0:08:57 | |
Pradeep has arranged a room for Mason just round the corner. | 0:08:57 | 0:09:01 | |
Yes. And your house. | 0:09:01 | 0:09:04 | |
Oooh, lovely. | 0:09:04 | 0:09:07 | |
-So big. Yeah. -Few pin-ups. Bollywood. | 0:09:07 | 0:09:11 | |
-Yeah. -Bollywood, huh? -Bollywood, yeah. | 0:09:11 | 0:09:13 | |
This is nice. This should do, mate. | 0:09:13 | 0:09:15 | |
Thank you very much. | 0:09:21 | 0:09:22 | |
Double skinny, mate. Nothing, he ain't got nothing. | 0:09:27 | 0:09:30 | |
Living in the front room with his mum staying there | 0:09:32 | 0:09:34 | |
and his kids and his missus. Grim, mate. Double grim. | 0:09:34 | 0:09:39 | |
DOGS BARK | 0:09:39 | 0:09:43 | |
All sharing a toilet here in the street. | 0:09:43 | 0:09:46 | |
The whole neighbourhood sharing a toilet. | 0:09:46 | 0:09:49 | |
My God, the smell in there is outrageous. | 0:09:49 | 0:09:53 | |
Outrageous. | 0:09:53 | 0:09:55 | |
But early days and, uh... | 0:09:55 | 0:10:00 | |
going to get into it. Got to absorb it. | 0:10:00 | 0:10:03 | |
Got to get into the way of life here. | 0:10:03 | 0:10:05 | |
It's Mason's first day of training as a Mumbai taxi driver. | 0:10:17 | 0:10:22 | |
Lesson one - keep the gods on side. | 0:10:22 | 0:10:26 | |
Who is Ganesh? | 0:10:30 | 0:10:31 | |
Pradeep won't start driving before he's made an offering | 0:10:41 | 0:10:44 | |
to the elephant-headed Hindu god of success. | 0:10:44 | 0:10:46 | |
Wow. | 0:10:49 | 0:10:50 | |
We got a flower stall in here! | 0:10:51 | 0:10:53 | |
-God bless Ganesh. -Yeah. | 0:11:01 | 0:11:04 | |
Where's all the punters? I hope I'm not scaring them away! | 0:11:04 | 0:11:09 | |
Hello, sir. | 0:11:14 | 0:11:16 | |
Before he takes the wheel, | 0:11:16 | 0:11:17 | |
Mason's spending the day watching Pradeep work. | 0:11:17 | 0:11:20 | |
Your cash. | 0:11:20 | 0:11:23 | |
Hello, mate. Where are you going to? Where are you off to? | 0:11:27 | 0:11:30 | |
I'm going to pick up my kid from school. | 0:11:30 | 0:11:32 | |
Pick up your kid from school? | 0:11:32 | 0:11:34 | |
We like the regulars, eh? Keeps us going. | 0:11:37 | 0:11:40 | |
Yeah. Oh, here's all the kids now coming out, eh? | 0:11:44 | 0:11:47 | |
In Mumbai, the fare doesn't always match what it says on the meter. | 0:11:48 | 0:11:52 | |
-In your hands... -20. -Yeah. | 0:11:52 | 0:11:56 | |
The meter says 26 rupees, | 0:11:58 | 0:12:00 | |
but Pradeep's regular customer has given him just 20. | 0:12:00 | 0:12:05 | |
So, he ain't tipped you, he's give you less. | 0:12:05 | 0:12:09 | |
That don't work where I'm from. | 0:12:09 | 0:12:12 | |
20 rupees is just 25 pence. | 0:12:12 | 0:12:16 | |
In a day, Pradeep is lucky to make £10. | 0:12:16 | 0:12:20 | |
Over half of this goes on petrol, insurance and loan repayments | 0:12:20 | 0:12:24 | |
for his cab. Only then can he buy food and pay the bills. | 0:12:24 | 0:12:30 | |
That's doesn't leave you with much, mate, does it? | 0:12:30 | 0:12:32 | |
Wow, it's very tough for you and your family, huh? | 0:12:36 | 0:12:40 | |
Yeah, yeah, yeah. Yeah. | 0:12:40 | 0:12:42 | |
HORNS BEEP | 0:12:42 | 0:12:45 | |
Competition is fierce. | 0:12:45 | 0:12:48 | |
Pradeep is just one of 60,000 taxi drivers and more than 200,000 | 0:12:48 | 0:12:52 | |
auto rickshaws vying for business in the city's sweltering streets. | 0:12:52 | 0:12:57 | |
I'm melting in this cab, mate. | 0:12:57 | 0:13:00 | |
Are you allowed to drive in your pants here? That's what I want to do. | 0:13:00 | 0:13:03 | |
Right. | 0:13:03 | 0:13:04 | |
Taxi! Taxi! | 0:13:06 | 0:13:08 | |
But the toughest thing for a cabbie in Mumbai is the sheer weight | 0:13:10 | 0:13:14 | |
of traffic. Every day, the city is crippled by gridlock. | 0:13:14 | 0:13:18 | |
During rush house, it grinds to a halt. | 0:13:18 | 0:13:22 | |
Look at these cars. It's like a sandwich. | 0:13:22 | 0:13:26 | |
Oh my God. | 0:13:26 | 0:13:29 | |
In this kind of traffic, | 0:13:29 | 0:13:31 | |
drivers can spend hours in the cab without a passenger. | 0:13:31 | 0:13:35 | |
No sign of a fare. No-one getting in the cab, mate. | 0:13:35 | 0:13:39 | |
Basically, it's like the North Circular and it's about 100 degrees. | 0:13:44 | 0:13:49 | |
In these jammed roads, | 0:13:49 | 0:13:51 | |
it can take more than an hour to crawl just one mile. | 0:13:51 | 0:13:54 | |
The fumes, the heat... intolerable cruelty, this is. | 0:13:56 | 0:14:01 | |
It's like torture, that's what it is. It's like torture. | 0:14:01 | 0:14:04 | |
What have I got myself into here, eh? | 0:14:04 | 0:14:07 | |
Oh. Welcome to hell. | 0:14:08 | 0:14:11 | |
Oh, I am melting in here. | 0:14:14 | 0:14:16 | |
Mate, you got to get some air-con. You need some air-con. | 0:14:16 | 0:14:20 | |
Only the blue and white cool cabs | 0:14:20 | 0:14:23 | |
have the luxury of air conditioning - | 0:14:23 | 0:14:26 | |
a dream for most cabbies. | 0:14:26 | 0:14:27 | |
Ganesh on the dashboard, help us in the traffic. | 0:14:39 | 0:14:42 | |
Please help us. | 0:14:43 | 0:14:46 | |
Mate, how do you do this, mate? I tell you what. | 0:14:49 | 0:14:52 | |
-Yes. -I don't know how you do it. | 0:14:52 | 0:14:54 | |
I will never moan about traffic in London again. | 0:14:59 | 0:15:02 | |
Oh, we're moving. Thank God. | 0:15:04 | 0:15:07 | |
It's the end of the shift. | 0:15:09 | 0:15:11 | |
Time to return home with the last passengers of the day. | 0:15:11 | 0:15:15 | |
So you're getting a first-hand experience of traffic in Mumbai. | 0:15:15 | 0:15:19 | |
-Yes. -How do you find it? Crazy? | 0:15:19 | 0:15:21 | |
Yeah, crazy, depressing. I'm not finished yet, hold on. | 0:15:21 | 0:15:25 | |
Have you got 20 minutes? | 0:15:25 | 0:15:26 | |
Pradeep regularly works a 15-hour day, finishing well past midnight. | 0:15:28 | 0:15:33 | |
Mason, I love Mumbai. | 0:15:36 | 0:15:38 | |
Yeah, good. Yeah. I'm glad you do. | 0:15:38 | 0:15:41 | |
Traffic. Just... it's nuts. | 0:15:43 | 0:15:46 | |
Proper gridlock. | 0:15:46 | 0:15:49 | |
Baking hot in that cab and all, mate, sweating, dripping off me. | 0:15:49 | 0:15:55 | |
I ain't even driven a taxi yet. | 0:15:55 | 0:15:57 | |
The mean streets of Mumbai... | 0:15:57 | 0:16:00 | |
and they certainly are that, I tell ya. | 0:16:00 | 0:16:02 | |
I'm an East Ender, I'm cleaning me doorstep | 0:16:14 | 0:16:17 | |
like they used to in the old days. | 0:16:17 | 0:16:19 | |
I'm cleaning that crap away for starters. I suppose it's dog crap. | 0:16:19 | 0:16:26 | |
Thank you. | 0:16:26 | 0:16:28 | |
The streets may be tough, | 0:16:28 | 0:16:29 | |
but Mason's beginning to feel at home in Pradeep's neighbourhood. | 0:16:29 | 0:16:33 | |
Logistically, I'm really on... I'm right on the water tap, | 0:16:33 | 0:16:36 | |
so this is a prime location. | 0:16:36 | 0:16:39 | |
I'm feeling better than what I did. | 0:16:39 | 0:16:41 | |
I was really drained yesterday, really drained, you know, | 0:16:41 | 0:16:44 | |
no air-con and that, it was just unbearable. | 0:16:44 | 0:16:47 | |
Before letting him loose on his cab, | 0:16:52 | 0:16:54 | |
Pradeep is taking Mason to a local driving school. | 0:16:54 | 0:16:57 | |
And you are going to drive the taxi in Mumbai, OK? | 0:17:01 | 0:17:04 | |
-OK. Yeah. -Fine? -Yeah, that's good. | 0:17:04 | 0:17:06 | |
-And you're ready for that? -Yeah, yeah. | 0:17:06 | 0:17:09 | |
Yeah. It's very difficult to drive in Mumbai. Really very difficult. | 0:17:09 | 0:17:13 | |
"Lane driving is sane driving." | 0:17:13 | 0:17:16 | |
-I ain't seen any sane driving here yet. -Insane. | 0:17:16 | 0:17:19 | |
Mason may be a licensed London taxi driver, but this is India | 0:17:19 | 0:17:22 | |
and there's a whole new set of rules. | 0:17:22 | 0:17:26 | |
You should take care whenever you're driving here. | 0:17:26 | 0:17:28 | |
Not only the human being should be take care of here - animals and all. | 0:17:28 | 0:17:33 | |
Too much problem if you're going to hit... | 0:17:33 | 0:17:35 | |
the cow. The cow is like a god in India. | 0:17:35 | 0:17:39 | |
-Right. -Understood? -Yeah, yeah, yeah. | 0:17:39 | 0:17:41 | |
If you're hitting the man, it's not a problem, you can say sorry | 0:17:41 | 0:17:44 | |
-and everything... -I can run. -..it will be OK. | 0:17:44 | 0:17:46 | |
You're going to hit the god, it's very problem for us. | 0:17:46 | 0:17:49 | |
-OK. -Understood? -Yeah, yeah. | 0:17:49 | 0:17:50 | |
-You should...take care. -I can run over any men. | 0:17:50 | 0:17:52 | |
Of course. You should take care about that. | 0:17:52 | 0:17:54 | |
-But the cow, I must miss. -Yeah. | 0:17:54 | 0:17:56 | |
Let's come this way. | 0:17:58 | 0:17:59 | |
For his lesson, Mason's going to be driving a vintage Fiat Padmini - | 0:17:59 | 0:18:03 | |
the traditional Mumbai taxi. | 0:18:03 | 0:18:06 | |
Please. There it is. | 0:18:06 | 0:18:08 | |
Wow. It's old, innit? | 0:18:08 | 0:18:12 | |
I told you, it's not so easy. | 0:18:12 | 0:18:15 | |
Oh, mate. This is going to be fun. | 0:18:15 | 0:18:18 | |
Very, uh, compact. | 0:18:18 | 0:18:20 | |
-In there? -Good car? -Yeah, fantastic. Ain't there a handbrake? | 0:18:23 | 0:18:27 | |
-There is no handbrake. -There's no handbrake? -Yeah. | 0:18:27 | 0:18:30 | |
-Jesus. -There is no handbrake. -Indicators? -Indicator... -Yeah. | 0:18:30 | 0:18:35 | |
..you have to show your hand when you want to go the left. | 0:18:35 | 0:18:38 | |
-You what? -If you want to go to the left... -Yeah. | 0:18:38 | 0:18:41 | |
-..you have to go like this. -Like that? -Yeah. -Yeah? | 0:18:41 | 0:18:46 | |
OK? If you want to stop your car, you should do that. | 0:18:46 | 0:18:51 | |
Like this. | 0:18:51 | 0:18:53 | |
If I want to turn left, I've got to go like that out the window? | 0:18:53 | 0:18:55 | |
-Yeah, like this. -You're having a laugh, aren't you? | 0:18:55 | 0:18:58 | |
Yeah, you're going left. | 0:18:58 | 0:19:00 | |
That's the least of me problems, innit, indicating? | 0:19:00 | 0:19:03 | |
Maybe sometimes, because I'm an instructor, this is my job, | 0:19:03 | 0:19:06 | |
sometimes getting angry and this and that, you have to understand. | 0:19:06 | 0:19:10 | |
-Getting angry? -Maybe. | 0:19:10 | 0:19:11 | |
-Very good. -OK? -Yeah, please go. | 0:19:13 | 0:19:16 | |
And be careful. The dogs are there. | 0:19:20 | 0:19:22 | |
-Yeah. -OK? -Mind the dogs. | 0:19:22 | 0:19:24 | |
I check me mirrors, there ain't none. Where's the wing mirrors? | 0:19:24 | 0:19:29 | |
Stop. Stop. Brake, brake, brake. Brake, brake... | 0:19:32 | 0:19:35 | |
-Oh, the brakes don't... -Brake, brake here. | 0:19:35 | 0:19:37 | |
Oh, the brakes, they don't work. | 0:19:37 | 0:19:41 | |
-And now we are going left. -Left? -Yeah. -Oh, left. | 0:19:41 | 0:19:45 | |
Yes. OK? | 0:19:45 | 0:19:48 | |
-Oh. -Take a left. | 0:19:48 | 0:19:50 | |
HORNS BEEP | 0:19:50 | 0:19:52 | |
Now, I'll get in trouble if I touch one of these cows, mate. | 0:19:52 | 0:19:56 | |
That'd be the end of me. | 0:19:56 | 0:19:57 | |
Nice. | 0:19:57 | 0:19:59 | |
The old Padmini may be short on mod cons, but it does have the | 0:19:59 | 0:20:03 | |
essential feature of any car in Mumbai. | 0:20:03 | 0:20:07 | |
Horn, horn, horn, horn. | 0:20:07 | 0:20:09 | |
Give them a bib? Give them a bib? | 0:20:09 | 0:20:11 | |
-Yeah. -That's OK? -Yeah. | 0:20:11 | 0:20:13 | |
-It's not rude to do that? -Yeah, you should do that. -Yeah. Do that. | 0:20:13 | 0:20:17 | |
When you are doing the horn, they can understand he's moving. | 0:20:17 | 0:20:20 | |
-Right. -Now stop. -Stop? Right, yeah, yeah. | 0:20:20 | 0:20:23 | |
-Ready? -Gotcha, yeah. | 0:20:23 | 0:20:24 | |
Where's he going? He's gone through a red light. | 0:20:24 | 0:20:27 | |
No, actually, we are following the rules. | 0:20:27 | 0:20:29 | |
Like Wacky Races. | 0:20:29 | 0:20:31 | |
Shall I stop for these people? | 0:20:33 | 0:20:35 | |
-No, no, go through. -They're on a crossing. | 0:20:35 | 0:20:37 | |
-If you stop the car, a lot of people are coming. -Oh, right. | 0:20:37 | 0:20:39 | |
You can go. It's a human jungle. | 0:20:39 | 0:20:42 | |
It's a human jungle. You're not shouting yet. | 0:20:42 | 0:20:44 | |
When are you going to shout? | 0:20:44 | 0:20:48 | |
"Horn OK please." What does this mean? As in... | 0:20:48 | 0:20:51 | |
Horn please, OK? All correct. | 0:20:51 | 0:20:54 | |
-I don't understand. -Horn, please. | 0:20:56 | 0:20:58 | |
-Please give me the horn? -Yeah. -Give me the horn so I know... | 0:20:58 | 0:21:01 | |
Any time, please give me the horn. | 0:21:01 | 0:21:02 | |
Please give me the horn. I'll have to rephrase that. | 0:21:02 | 0:21:05 | |
Whoo! Living the dream, baby. I'm in Mumbai. | 0:21:05 | 0:21:08 | |
-Yeah. -Whoo! | 0:21:08 | 0:21:09 | |
So is Mason ready to go solo? | 0:21:11 | 0:21:14 | |
Very well done. | 0:21:16 | 0:21:18 | |
You did a good job and you can drive properly in Mumbai. | 0:21:18 | 0:21:22 | |
-Inshallah. -Watch out, Mumbai, eh? -Yeah. | 0:21:22 | 0:21:26 | |
Yeah, it was good, it was exciting. Exciting. | 0:21:30 | 0:21:33 | |
Yeah, the whole thing's a problem. | 0:21:34 | 0:21:36 | |
You know, you got to be very alert at every junction. | 0:21:36 | 0:21:40 | |
The signals? I ain't seen no-one else do the signals. | 0:21:42 | 0:21:45 | |
Pradeep, I ain't seen you do a signal once. | 0:21:49 | 0:21:52 | |
The only signal I've seen is on your mobile phone | 0:21:52 | 0:21:54 | |
when you're talking on that. | 0:21:54 | 0:21:55 | |
Oh, oh, oh, oh, very good, very good! | 0:21:55 | 0:21:58 | |
Dinner back home is a chance for Mason to find to more | 0:22:05 | 0:22:08 | |
about Pradeep's family. | 0:22:08 | 0:22:11 | |
How many people do you support? | 0:22:17 | 0:22:20 | |
Pradeep took on the responsibility of four extra children | 0:22:28 | 0:22:32 | |
when his brother died four years ago. | 0:22:32 | 0:22:34 | |
So you took your sister-in-law and her children under your wing? | 0:22:43 | 0:22:46 | |
Now Pradeep has to pay for six children's education. | 0:22:59 | 0:23:03 | |
I take my hat off to you, how you keep going and keep doing it. | 0:23:03 | 0:23:07 | |
You're a strong man. | 0:23:07 | 0:23:09 | |
You need just a little bit of luck, mate, like we all do | 0:23:21 | 0:23:24 | |
and you'll be fine. | 0:23:24 | 0:23:26 | |
Now, that's the question, that's the question. | 0:23:33 | 0:23:36 | |
I'd be saving up for one of them cool cabs, I know that, if I could. | 0:23:36 | 0:23:39 | |
You need a cool cab, that's what you need, eh? | 0:23:39 | 0:23:42 | |
That's what you need, son. | 0:23:42 | 0:23:44 | |
Pradeep, good night, mate. | 0:23:44 | 0:23:47 | |
'He's got it harder than I thought. | 0:23:47 | 0:23:48 | |
'He's looking after his sister-in-law and her four kids as well.' | 0:23:48 | 0:23:52 | |
To go out every day with a smile on his face is just a testament | 0:23:52 | 0:23:56 | |
to the geezer, you know? | 0:23:56 | 0:23:58 | |
Today, mason will take the wheel of the taxi. | 0:24:04 | 0:24:07 | |
-Oh, Mason, how are you? -Hello, mate. | 0:24:09 | 0:24:11 | |
Although the roads may be chaotic, | 0:24:11 | 0:24:13 | |
Mumbai cabbies are still governed by strict rules. | 0:24:13 | 0:24:17 | |
By law, Mason has to look the part. | 0:24:17 | 0:24:19 | |
How comes you ain't wearing a uniform? | 0:24:23 | 0:24:25 | |
Oh, all right. Renters wear the uniform, nice. | 0:24:32 | 0:24:35 | |
-The uniform. -Top and trousers. | 0:24:35 | 0:24:38 | |
Guys and girls, what do you think? | 0:24:50 | 0:24:53 | |
-Very nice. -Oh. Yes, yes. | 0:24:54 | 0:24:59 | |
Before they head out in the cab, Mason needs to get his bearings. | 0:24:59 | 0:25:03 | |
Central and South Mumbai are Pradeep's main hunting grounds | 0:25:10 | 0:25:13 | |
and the first job is to learn how to get there. | 0:25:13 | 0:25:16 | |
So, yeah, we're hitting the streets. Going to be a challenge. | 0:25:19 | 0:25:23 | |
HORNS BEEP | 0:25:23 | 0:25:25 | |
Pradeep starts his day round the bustling northern railway stations | 0:25:28 | 0:25:32 | |
to find a passenger to take into the city. | 0:25:32 | 0:25:35 | |
But being too eager to get a fare can have dire consequences. | 0:25:37 | 0:25:41 | |
So what, they'll attack me if I run someone over, Pradeep? | 0:25:55 | 0:25:59 | |
If I run someone over, get in the driver's seat. | 0:26:09 | 0:26:12 | |
Where we going? Where we going? Right? | 0:26:24 | 0:26:26 | |
-Sidhe. -Left. | 0:26:26 | 0:26:28 | |
Sidhe, straight. | 0:26:28 | 0:26:31 | |
Speaking Indian now, ain't I? | 0:26:31 | 0:26:32 | |
Once he's picked up a fare south, | 0:26:34 | 0:26:36 | |
Pradeep usually takes the expressway into Central Mumbai. | 0:26:36 | 0:26:40 | |
-Over there? -Yeah. | 0:26:42 | 0:26:44 | |
National Park on the left. | 0:26:52 | 0:26:53 | |
The fast-moving expressway has its own dangers. | 0:26:55 | 0:26:59 | |
Whoa! Whoa! | 0:27:01 | 0:27:03 | |
Sorry, mate, sorry. They got to put a bit of tarmac down here. | 0:27:05 | 0:27:10 | |
Jesus. Oh, mate. | 0:27:10 | 0:27:14 | |
-Mason. -What? What? | 0:27:14 | 0:27:16 | |
Don't think so. I'm having a nightmare. | 0:27:17 | 0:27:19 | |
Off the expressway and into the city centre, | 0:27:21 | 0:27:23 | |
things start to get more complicated. | 0:27:23 | 0:27:26 | |
Pradeep, why don't they put the street signs on the streets | 0:27:28 | 0:27:31 | |
so I know where I'm going? | 0:27:31 | 0:27:32 | |
Whoa, this is nuts, mate. | 0:27:38 | 0:27:41 | |
I don't know where I'm going. It's a nightmare. | 0:27:42 | 0:27:45 | |
But where are we now? Where are we? | 0:27:45 | 0:27:47 | |
-The Times of India Building. -Times of India Building. | 0:27:47 | 0:27:50 | |
You know, you're teaching me, Pradeep, | 0:27:50 | 0:27:52 | |
but it's not really making much sense, you know? | 0:27:52 | 0:27:55 | |
It took Mason three years to learn the streets of London, | 0:27:55 | 0:28:00 | |
but he has just a few days to master Mumbai. | 0:28:00 | 0:28:03 | |
If they start going crackers in the back | 0:28:03 | 0:28:05 | |
and screaming the house down, "Where are you going? | 0:28:05 | 0:28:07 | |
"What are you doing? Why have you come this way?" | 0:28:07 | 0:28:11 | |
Not good, mate, not good. | 0:28:11 | 0:28:12 | |
To be honest, I'm stressed out. Very stressed out. | 0:28:16 | 0:28:20 | |
Stressful experience, you know? | 0:28:20 | 0:28:22 | |
Pradeep has decided Mason needs a break | 0:28:26 | 0:28:28 | |
and a cup of the local milky tea. | 0:28:28 | 0:28:30 | |
-Good. -Good? -Yeah, nice. | 0:28:35 | 0:28:37 | |
It's not just taxi drivers who ply their trade on the roads of Mumbai. | 0:28:37 | 0:28:42 | |
The cab rank is a marketplace for beggars and street sellers. | 0:28:42 | 0:28:47 | |
That's the one. That's the one. I'll have this one. | 0:28:47 | 0:28:50 | |
-What's your name? -Badami. | 0:28:52 | 0:28:54 | |
Badami? | 0:28:54 | 0:28:57 | |
Badami, thank you very much. Hello, boys, how you doing? | 0:28:57 | 0:29:01 | |
You looking after your mum, eh? Eh? | 0:29:01 | 0:29:03 | |
Are you from Mumbai? | 0:29:06 | 0:29:08 | |
Up north, huh? North India. | 0:29:10 | 0:29:13 | |
Badami lives in a community of Rajasthanis | 0:29:15 | 0:29:18 | |
who have made their home under the flyover. | 0:29:18 | 0:29:20 | |
With no work in the countryside, Mumbai is a magnet for people | 0:29:22 | 0:29:26 | |
from India's poorest regions. | 0:29:26 | 0:29:28 | |
That's it there? | 0:29:32 | 0:29:33 | |
What, there? That's it? | 0:29:36 | 0:29:38 | |
Right on the motorway here. | 0:29:39 | 0:29:41 | |
Badami and her family have lived here for four years. | 0:29:43 | 0:29:47 | |
Across India, an estimated 78 million people are homeless. | 0:29:47 | 0:29:53 | |
What is in Rajasthan? Is there anything there for you? | 0:29:56 | 0:30:00 | |
Do you always have enough money to eat? | 0:30:05 | 0:30:08 | |
Badami, what's your hopes for the future for you and your children? | 0:30:19 | 0:30:24 | |
It's like a load of lost souls, isn't it, | 0:30:39 | 0:30:42 | |
just waiting for someone to help them, I suppose. | 0:30:42 | 0:30:46 | |
Beautiful children. | 0:30:46 | 0:30:47 | |
Just been dealt a wrong hand, mate, in life, that's all. | 0:30:47 | 0:30:51 | |
You just want to clean them up and put them in lovely clothes and, | 0:30:51 | 0:30:54 | |
you know, let them enjoy their life as a kid, innit? | 0:30:54 | 0:30:57 | |
Ain't no life for a kid, is it, really? | 0:30:57 | 0:30:59 | |
I don't know, mate. I really don't know any answers. | 0:30:59 | 0:31:03 | |
This city's just fucking draining me, mate, really, emotionally. | 0:31:03 | 0:31:07 | |
It's just...I don't know. | 0:31:07 | 0:31:09 | |
Pradeep's family also came to Mumbai | 0:31:14 | 0:31:16 | |
from the countryside of northern India. | 0:31:16 | 0:31:19 | |
For him, the threat of poverty and destitution is very real. | 0:31:19 | 0:31:23 | |
Poverty, mate. Oh. | 0:31:52 | 0:31:54 | |
Why don't the government do something, sort it out? | 0:31:56 | 0:31:59 | |
Shouldn't be happening in the 21st century. | 0:31:59 | 0:32:02 | |
If you ain't got no money, you're fucking... | 0:32:02 | 0:32:04 | |
you're bang in schtuck in this place, mate. | 0:32:04 | 0:32:06 | |
Just a grind just to live, | 0:32:06 | 0:32:10 | |
just to eat, just to survive. | 0:32:10 | 0:32:12 | |
DOGS BARK | 0:32:12 | 0:32:13 | |
Just to be human, really. | 0:32:13 | 0:32:15 | |
Pradeep has brought Mason to the southern tip of Mumbai | 0:32:21 | 0:32:24 | |
and the very heart of the city. | 0:32:24 | 0:32:26 | |
I'm loving the architecture down here, mate. | 0:32:26 | 0:32:30 | |
This is a beautiful part of town. | 0:32:30 | 0:32:32 | |
Aha! See, when we make something, mate, it stays, doesn't it, eh? | 0:32:37 | 0:32:43 | |
But behind the tourist attractions | 0:32:53 | 0:32:56 | |
live some of Mumbai's poorest people. | 0:32:56 | 0:32:58 | |
Pradeep wants Mason to meet some taxi drivers | 0:32:58 | 0:33:02 | |
at the very bottom of the pile. | 0:33:02 | 0:33:04 | |
-Hello, how are you? -Hello, mate. Nice to meet you. | 0:33:18 | 0:33:20 | |
-Welcome to India. -Thank you very much, sir. | 0:33:20 | 0:33:22 | |
-This is my friend, Ragu. -Ragu. -Hi. | 0:33:22 | 0:33:25 | |
-Nice to meet you. He's from UP as well? -Yes. | 0:33:25 | 0:33:28 | |
Like many cabbies, Pavan and the drivers arrived in Mumbai | 0:33:28 | 0:33:31 | |
from India's poorest northern states. | 0:33:31 | 0:33:34 | |
It's nice tea. | 0:33:34 | 0:33:35 | |
Nice tea, yeah. Shukria. Shukria. Oh, that's a good one. | 0:33:35 | 0:33:40 | |
That's a good one. That's a vintage one, that one. | 0:33:40 | 0:33:42 | |
Another cup of rosy with the boys before we start the shift. | 0:33:44 | 0:33:48 | |
Guys, when you first came down here driving a cab, how did you get by? | 0:33:48 | 0:33:52 | |
Your geographical knowledge of Mumbai must have been very small. | 0:33:52 | 0:33:55 | |
Like Mason, these drivers wear the khaki uniform which shows | 0:34:13 | 0:34:17 | |
that they rent their cars. | 0:34:17 | 0:34:19 | |
Pavan, is this your taxi? | 0:34:19 | 0:34:21 | |
This is your baby, yeah? | 0:34:23 | 0:34:25 | |
Cheap to run, the Fiat Padmini is the workhorse | 0:34:31 | 0:34:34 | |
for the city's poorest taxi drivers. | 0:34:34 | 0:34:37 | |
Here we go. Come on. | 0:34:37 | 0:34:39 | |
This is the car Mason will be driving when he goes solo... | 0:34:39 | 0:34:42 | |
Hey! | 0:34:42 | 0:34:44 | |
..in just a few days' time. | 0:34:44 | 0:34:46 | |
This motor is an animal, I'm telling you. | 0:34:48 | 0:34:50 | |
The white one drove better in my training. | 0:34:50 | 0:34:52 | |
Where you off to, mate? | 0:34:55 | 0:34:57 | |
Bombay central. | 0:34:58 | 0:35:00 | |
This is Mason's first chance to pick up some fares. | 0:35:00 | 0:35:03 | |
Sidhe. Sidhe. | 0:35:03 | 0:35:06 | |
Yeah, sidhe. | 0:35:06 | 0:35:08 | |
With Pavan directing him, Mason's getting into the swing of things. | 0:35:08 | 0:35:12 | |
So, you work for a call centre, huh? | 0:35:13 | 0:35:15 | |
Yeah. | 0:35:15 | 0:35:16 | |
Can you say to me, "Is the homeowner there?" | 0:35:16 | 0:35:20 | |
-"Hold a minute." -I'm sure it's you. | 0:35:20 | 0:35:22 | |
You've been getting me out of bed too early! | 0:35:22 | 0:35:24 | |
HORNS BEEP INCESSANTLY | 0:35:28 | 0:35:30 | |
Jesus. | 0:35:30 | 0:35:31 | |
Out of me way. | 0:35:31 | 0:35:34 | |
As the notorious rush hour approaches, | 0:35:34 | 0:35:37 | |
the Mumbai public just want to get home. | 0:35:37 | 0:35:40 | |
People walking in the road. There's just so many people in Mumbai. | 0:35:40 | 0:35:44 | |
I've never seen so many people. | 0:35:44 | 0:35:46 | |
Where are you going to, madam? | 0:35:48 | 0:35:50 | |
-I want to go doctor. -Doctor? -Yeah, dockyard. | 0:35:50 | 0:35:54 | |
-Doctor Jard? Dockyard? -Dockyard. -Oh, the dockyard! | 0:35:54 | 0:35:58 | |
I'm working. I can't go any quicker, love. | 0:36:02 | 0:36:04 | |
Taxi! Taxi! | 0:36:07 | 0:36:08 | |
CAR HORN Yeah, hold on. Doing me job, pal. | 0:36:08 | 0:36:11 | |
You'll have to hold on, mate. It's what I do for a living. | 0:36:11 | 0:36:15 | |
Straight on, my man? | 0:36:16 | 0:36:17 | |
With just days to go, Mason is no closer to finding his way round. | 0:36:17 | 0:36:22 | |
-Left? -U-turn, U-turn. -U-turn. | 0:36:22 | 0:36:25 | |
Without Pavan, he'd be lost. | 0:36:25 | 0:36:28 | |
I don't drink whisky, | 0:36:28 | 0:36:29 | |
but I feel like having a double or something like that, I really do. | 0:36:29 | 0:36:33 | |
Really fucking stressed. | 0:36:33 | 0:36:35 | |
Sweating hot. Not knowing where I'm going is just, it's unbearable. | 0:36:35 | 0:36:40 | |
Like the heat. I feel really vulnerable. | 0:36:40 | 0:36:44 | |
I really don't think I can do it, mate. I don't know where I'm going. | 0:36:44 | 0:36:48 | |
I really don't. I ain't had time. You know? | 0:36:48 | 0:36:51 | |
Turn it in. Cup of chai, please! | 0:36:53 | 0:36:55 | |
Pavan's wife and two-year-old daughter | 0:37:00 | 0:37:02 | |
still live back in a village in Uttar Pradesh. | 0:37:02 | 0:37:05 | |
He can't afford for them to stay in the city, | 0:37:07 | 0:37:09 | |
so instead he sends money home. | 0:37:09 | 0:37:11 | |
Living apart is another burden on Mumbai's migrant workers. | 0:37:14 | 0:37:19 | |
Pavan, how often do you see your wife and daughter? | 0:37:19 | 0:37:21 | |
Pavan sends most of his earnings - about £100 a month - | 0:37:35 | 0:37:39 | |
home to his wife. | 0:37:39 | 0:37:41 | |
He also pays for his brother's education. | 0:37:41 | 0:37:43 | |
How long's he got to go? | 0:37:59 | 0:38:00 | |
He's away from his family, his little girl, for all that time. | 0:38:05 | 0:38:08 | |
That's something he ain't going to get back. | 0:38:08 | 0:38:10 | |
It's like he's banged up somewhere, isn't it, really? | 0:38:10 | 0:38:13 | |
I feel sorry for him, mate, I really do. | 0:38:13 | 0:38:15 | |
There must be thousands of them doing it, | 0:38:15 | 0:38:17 | |
though, all coming down here. | 0:38:17 | 0:38:18 | |
Go to Mumbai, seek your fortune. The streets are paved with gold. | 0:38:18 | 0:38:22 | |
But they ain't. | 0:38:22 | 0:38:23 | |
But the lure of huge wealth and opportunity is irresistible. | 0:38:27 | 0:38:30 | |
As more and more people are drawn to the city, | 0:38:30 | 0:38:33 | |
overcrowding is reaching crisis proportions. | 0:38:33 | 0:38:36 | |
At its worst, one million people are crammed, cheek by jowl, | 0:38:36 | 0:38:40 | |
into just one square mile. | 0:38:40 | 0:38:42 | |
With rental prices through the roof, over 60% of Mumbai's population | 0:38:42 | 0:38:47 | |
are forced to live in the city's growing slums. | 0:38:47 | 0:38:49 | |
Pavan's life is typical. | 0:38:49 | 0:38:52 | |
To save cash, Pavan shares a room with other migrant workers. | 0:38:56 | 0:39:01 | |
Up to 20 drivers live in this shack. | 0:39:01 | 0:39:04 | |
-We'll sleep here... -Yeah. | 0:39:05 | 0:39:07 | |
..in lines, eight to ten people. | 0:39:07 | 0:39:10 | |
One man, second, third, fourth, in line. | 0:39:10 | 0:39:13 | |
No-one should live like this, mate. | 0:39:13 | 0:39:15 | |
This is fucking beyond making a few quid, innit, really? | 0:39:15 | 0:39:18 | |
About being a human being, innit? | 0:39:18 | 0:39:20 | |
The Bollywood dream of Mumbai is a long way from reality | 0:39:20 | 0:39:24 | |
for these migrant taxi drivers. | 0:39:24 | 0:39:27 | |
With space at such a premium, some natives of Mumbai have begun | 0:39:41 | 0:39:45 | |
to resent the influx of migrants from the northern states | 0:39:45 | 0:39:49 | |
of Uttar Pradesh and Bihar. | 0:39:49 | 0:39:51 | |
Some local politicians have whipped up these tensions, | 0:40:16 | 0:40:19 | |
blaming the migrants for the city's many problems | 0:40:19 | 0:40:22 | |
and in the past there have been violent attacks on migrant workers. | 0:40:22 | 0:40:26 | |
Marked out by their uniforms, taxi drivers from the north | 0:40:26 | 0:40:29 | |
have borne the brunt of the violence. | 0:40:29 | 0:40:32 | |
There is little Pavan or his friends can do | 0:40:45 | 0:40:47 | |
about the discrimination they face. | 0:40:47 | 0:40:49 | |
Guys, when I go home and I tell my wife about you, like, | 0:41:00 | 0:41:03 | |
meeting you and what I've seen, she'll tell me | 0:41:03 | 0:41:06 | |
never to moan again about driving a taxi in London. | 0:41:06 | 0:41:10 | |
One thing I think we all share is that you need a bit of luck, huh? | 0:41:10 | 0:41:15 | |
So be lucky. | 0:41:15 | 0:41:16 | |
Be lucky. | 0:41:18 | 0:41:19 | |
'Being from UP or Bihar, | 0:41:21 | 0:41:23 | |
'you ain't exactly flavour of the month down here, are you? | 0:41:23 | 0:41:26 | |
'They're getting the brunt of it, you know, | 0:41:26 | 0:41:28 | |
'cos they're easy pickings, ain't they, with their uniform on. | 0:41:28 | 0:41:30 | |
'The odds are stacked against you. | 0:41:30 | 0:41:33 | |
'It's a noble job, they say that, you know?' | 0:41:33 | 0:41:35 | |
It's been going for hundreds of years. Great job, really, | 0:41:35 | 0:41:38 | |
driving a cab. But here, they're looked at like a piece of shit. | 0:41:38 | 0:41:41 | |
Back on the old plot. Thank God. | 0:41:53 | 0:41:55 | |
I've missed the Borivali East! | 0:41:57 | 0:41:59 | |
Hello, boys. Abisheck, how are you? | 0:42:00 | 0:42:03 | |
After experiencing the conditions that the migrant drivers live in, | 0:42:03 | 0:42:07 | |
Mason is seeing Pradeep's neighbourhood in a different light. | 0:42:07 | 0:42:11 | |
I'm lifted already. Kids are smiling. | 0:42:14 | 0:42:17 | |
Weren't a lot of smiley kids down there, mate. | 0:42:17 | 0:42:19 | |
Nothing to smile about, is there? | 0:42:19 | 0:42:22 | |
And now I'm back in my old street. | 0:42:22 | 0:42:24 | |
When I first saw this, I was like, "Oh," | 0:42:24 | 0:42:26 | |
and then I went down there and see, you know, how Pavan's living. | 0:42:26 | 0:42:32 | |
Just another level, really. It's brighter here, you know? | 0:42:32 | 0:42:35 | |
People are smiling, there's a nice community. | 0:42:35 | 0:42:37 | |
I didn't really get that feel down there. | 0:42:37 | 0:42:39 | |
They was like people in despair, you know? | 0:42:39 | 0:42:41 | |
Hello, guys. How are you? | 0:42:41 | 0:42:44 | |
Hello, mate, how are you? | 0:42:44 | 0:42:45 | |
You all right? Good to see you. | 0:42:45 | 0:42:47 | |
-Hi, Sheela. -Hi. -You OK? Hello, mate. -Morning. -How are you? -Fine. | 0:42:47 | 0:42:53 | |
Opening up me old gaff. | 0:42:53 | 0:42:55 | |
Any post? Oh, a few bills. Get you every time! | 0:42:57 | 0:43:00 | |
Another day in paradise! | 0:43:04 | 0:43:05 | |
Mason is getting in one last practice run | 0:43:10 | 0:43:12 | |
in Pradeep's taxi before he has to go it alone. | 0:43:12 | 0:43:16 | |
This is like driving a Rolls-Royce compared to that bloody other thing. | 0:43:16 | 0:43:21 | |
This is good taxi, Pradeep, | 0:43:21 | 0:43:24 | |
compared to...Padmini. | 0:43:24 | 0:43:28 | |
-That's killing me, that cab. -Yeah. -That cab's killing me! | 0:43:28 | 0:43:32 | |
Oh, fine. Fantastic. | 0:43:34 | 0:43:37 | |
-Am I blending in now? Am I becoming a Mumbaian? -Oh! | 0:43:49 | 0:43:53 | |
DRUMS ROLL | 0:43:59 | 0:44:02 | |
Today is one of the biggest days on the Mumbai calendar. | 0:44:03 | 0:44:07 | |
What's going on, Pradeep? | 0:44:09 | 0:44:11 | |
It's the climax of a 12-day festival | 0:44:14 | 0:44:17 | |
celebrating the elephant god, Ganesh, | 0:44:17 | 0:44:20 | |
and celebrations have hit the streets. | 0:44:20 | 0:44:22 | |
FIREWORKS BANG | 0:44:23 | 0:44:26 | |
Fucking Ada! | 0:44:26 | 0:44:27 | |
GENERAL HUBBUB | 0:44:27 | 0:44:30 | |
Millions of Mumbaikars head for the city's beaches, | 0:44:30 | 0:44:33 | |
carrying effigies of Ganesh which they then immerse in the sea. | 0:44:33 | 0:44:38 | |
I would have given this one a swerve at home, I think. | 0:44:43 | 0:44:46 | |
Pradeep and Mason have given Santos and his family | 0:44:46 | 0:44:50 | |
a lift down to the beach. | 0:44:50 | 0:44:52 | |
THEY CHANT | 0:44:52 | 0:44:54 | |
Come on, Santosh. You're nearly there, mate. | 0:44:54 | 0:44:57 | |
THEY CHEER | 0:44:57 | 0:44:59 | |
I've never seen so many people on the beach in all my life. | 0:45:02 | 0:45:05 | |
I can't believe how many people are here. Thousands of people. | 0:45:05 | 0:45:09 | |
The festival was embraced by the people of Mumbai at the turn | 0:45:09 | 0:45:12 | |
of the last century as a show of unity against colonial British rule. | 0:45:12 | 0:45:17 | |
Now, it's a time for all Mumbaikars to celebrate together. | 0:45:17 | 0:45:22 | |
He's done me no favours so far, Ganesh, traffic-wise, you know? | 0:45:22 | 0:45:26 | |
But there's still time, there's still time. | 0:45:26 | 0:45:29 | |
GENERAL HUBBUB | 0:45:29 | 0:45:32 | |
Keep going. | 0:45:34 | 0:45:36 | |
Their god...submerged. | 0:45:39 | 0:45:43 | |
Ganesh is a symbol of hope for all Mumbaikars. | 0:45:43 | 0:45:47 | |
Whether they were born here or migrated from further afield, | 0:45:47 | 0:45:51 | |
they're locked in the same struggle to survive | 0:45:51 | 0:45:53 | |
in India's city of dreams. | 0:45:53 | 0:45:56 | |
Yeah, I'm from Bethnal Green, east London. | 0:45:56 | 0:45:58 | |
-Fantastic to meet you. -Yeah, and to meet you, sir. | 0:45:58 | 0:46:00 | |
-I'm very, very happy. -Oh, good. And me, I'm pleased as well. | 0:46:00 | 0:46:03 | |
-Yes. -Where you from? -Bombay, sir. -UP. -UP? -Yes. | 0:46:03 | 0:46:06 | |
-Calcutta. -Calcutta. UP? Bihar? Bihar? Oh, UP. | 0:46:06 | 0:46:12 | |
They're from all over India down here, you know? | 0:46:12 | 0:46:14 | |
All doing this, you know, they've come down here for this day | 0:46:14 | 0:46:17 | |
and they're all together, doing it all together, | 0:46:17 | 0:46:19 | |
which is a good thing, you know? | 0:46:19 | 0:46:21 | |
How was it? It was good, Santos? You enjoyed doing that? | 0:46:21 | 0:46:24 | |
Ah, it was very good. | 0:46:24 | 0:46:26 | |
Very good. You done well, mate, you done well. | 0:46:26 | 0:46:28 | |
THEY CHEER | 0:46:28 | 0:46:32 | |
You know, it's nice to see a bit of hope in people's faces | 0:46:33 | 0:46:36 | |
that haven't got anything. | 0:46:36 | 0:46:38 | |
It's not all despair and traffic. Very, very special day. | 0:46:38 | 0:46:42 | |
Now Lord Ganesh has got to help me out | 0:46:42 | 0:46:44 | |
when I take that taxi out on my own. | 0:46:44 | 0:46:46 | |
I'm hoping he will. I'm hoping he'll do me a favour, | 0:46:46 | 0:46:48 | |
cos I brought him down here, I've said me prayers and sent him | 0:46:48 | 0:46:51 | |
off in immersion, so I've done my bit! | 0:46:51 | 0:46:53 | |
It's the moment of truth for Mason. | 0:47:02 | 0:47:05 | |
Today, he has to drive the cab on his own. | 0:47:05 | 0:47:08 | |
He'll have to pick up fares for real on Mumbai's streets. | 0:47:08 | 0:47:12 | |
How are you? | 0:47:12 | 0:47:13 | |
Thank you very much, darling. Cheers. Thank you. | 0:47:15 | 0:47:18 | |
Mason is still worried about getting lost, so he's asked | 0:47:18 | 0:47:21 | |
a neighbour for some last-minute advice. | 0:47:21 | 0:47:23 | |
-With the lefts and rights... -OK. So... | 0:47:23 | 0:47:26 | |
-Left. -Left is baia. -Baia. | 0:47:26 | 0:47:29 | |
-Or right is daya. -Right is daya. | 0:47:29 | 0:47:32 | |
And in front of you, sidhe. | 0:47:32 | 0:47:34 | |
Sidhe, I've got that one. I'm good with that one. | 0:47:34 | 0:47:36 | |
-Oh, and behind is pichi. Yeah. -OK, so baia, daya... | 0:47:36 | 0:47:40 | |
-..sidhe, pichi. -Yeah. -You're a good teacher. | 0:47:40 | 0:47:43 | |
-No, I'm not teacher. -I'm a bad student! | 0:47:43 | 0:47:46 | |
Mason's car for the day is a vintage Fiat Padmini | 0:47:49 | 0:47:52 | |
and Pradeep is making sure he has all the help he can get. | 0:47:52 | 0:47:56 | |
I'm feeling a bit...nervous. | 0:48:23 | 0:48:26 | |
Today, I've got to show the... well, I want to show myself | 0:48:26 | 0:48:29 | |
and Pradeep that I can do the job, you know? | 0:48:29 | 0:48:32 | |
He's showed me as much as he can and I'm on my own now, | 0:48:32 | 0:48:35 | |
so, you know, I want to get on with it. | 0:48:35 | 0:48:38 | |
Pradeep has a last-minute surprise for Mason - a reminder of home. | 0:48:40 | 0:48:45 | |
-All right, Pradeep? -Hi. -Ah! Ah! | 0:48:45 | 0:48:49 | |
Good morning! | 0:48:51 | 0:48:52 | |
It's good. | 0:49:04 | 0:49:06 | |
Very good. | 0:49:09 | 0:49:11 | |
Seeing the girls' names there has upset me, it has. | 0:49:13 | 0:49:18 | |
Cos I'm missing them at the moment and yeah, it's really nice. | 0:49:20 | 0:49:23 | |
For hire. | 0:49:26 | 0:49:27 | |
Hooter works. Let's go. | 0:49:27 | 0:49:30 | |
Let battle commence! | 0:49:30 | 0:49:32 | |
With his family behind him and an elephant god on the dashboard, | 0:49:35 | 0:49:39 | |
London cabbie Mason McQueen is driving out solo | 0:49:39 | 0:49:43 | |
into the mean streets of Mumbai - | 0:49:43 | 0:49:45 | |
a taxi wallah hunting for fares. | 0:49:45 | 0:49:49 | |
Oh, cow in the road, cow in the road! | 0:49:49 | 0:49:52 | |
Mason's first challenge is to find a passenger heading south | 0:49:52 | 0:49:56 | |
towards the busiest streets of Central Mumbai. | 0:49:56 | 0:50:00 | |
Taxi, madam? No? Taxi? | 0:50:00 | 0:50:03 | |
Taxi! Taxi! Taxi. | 0:50:03 | 0:50:06 | |
Come on, Mason, get a job here. | 0:50:08 | 0:50:10 | |
But he's not having much luck. | 0:50:12 | 0:50:15 | |
14 million people, I can't get a job. | 0:50:15 | 0:50:18 | |
Driving around the railway stations, | 0:50:18 | 0:50:21 | |
it's dog-eat-dog in the hunt for fares. | 0:50:21 | 0:50:23 | |
I'm surrounded by all these auto rickshaws | 0:50:23 | 0:50:26 | |
and they're all jumping in there. | 0:50:26 | 0:50:28 | |
HORNS BEEP | 0:50:28 | 0:50:30 | |
Every passenger is fair game for the auto rickshaws. | 0:50:30 | 0:50:33 | |
Ah, another one's gone over and nicked me job. Jesus. | 0:50:35 | 0:50:39 | |
He's just dropped off that geezer and then he's nicked the first job. | 0:50:39 | 0:50:43 | |
Don't do that. | 0:50:43 | 0:50:45 | |
Cheaper than Mason's cab, the rickshaws pick up job after job. | 0:50:45 | 0:50:49 | |
Ah, look, he's getting in an auto rickshaw. Fuck's sake. | 0:50:49 | 0:50:55 | |
Fucking pests. Three-wheeled pests. | 0:50:55 | 0:50:59 | |
Mason decides to cut his losses | 0:51:03 | 0:51:05 | |
and heads to the busier streets of the south. | 0:51:05 | 0:51:08 | |
Empty. | 0:51:08 | 0:51:10 | |
Oh, me luck might change down here, I don't know. | 0:51:10 | 0:51:13 | |
Come on, you lovely people of Mumbai. | 0:51:13 | 0:51:16 | |
Ah, I'm in. | 0:51:19 | 0:51:21 | |
Hello, guv'nor. Where, mate? | 0:51:21 | 0:51:24 | |
Sophia, Sophia. Four-hander, eh? | 0:51:25 | 0:51:29 | |
Four carpenters are heading to work in the south. | 0:51:29 | 0:51:33 | |
See how your luck changes? One minute you're down in the dumps, | 0:51:33 | 0:51:37 | |
the next, you've got a big smile on your face. | 0:51:37 | 0:51:39 | |
Sidhe? Sidhe? Santa Cruz? | 0:51:39 | 0:51:41 | |
-Sidhe? -Santa Cruz. -Sidhe. | 0:51:41 | 0:51:43 | |
Mason's last-minute language lesson is paying off. | 0:51:43 | 0:51:47 | |
-Baia. -Baia. | 0:51:47 | 0:51:48 | |
Baia, yeah, I know that one an' all! | 0:51:48 | 0:51:53 | |
That's what it's all about. Shukria, sir. Nice to meet you. | 0:51:53 | 0:51:56 | |
First one out the way. | 0:51:59 | 0:52:00 | |
Armed with just a few words of Hindi, he heads out to work | 0:52:00 | 0:52:03 | |
the busy streets of the city centre. | 0:52:03 | 0:52:07 | |
-You know the route? -Yeah, kind of. | 0:52:14 | 0:52:18 | |
Baia? Sidhe? | 0:52:18 | 0:52:21 | |
Pichi? Behind? | 0:52:21 | 0:52:24 | |
In the bustling streets, fares start rolling in. | 0:52:24 | 0:52:27 | |
Finally, Mason is feeling like a proper cabbie. | 0:52:27 | 0:52:30 | |
-Baia. -Baia. -Baia! | 0:52:30 | 0:52:32 | |
It's a bit limited, mate, but it's all I know. | 0:52:32 | 0:52:35 | |
Do you have a licence? | 0:52:38 | 0:52:40 | |
Oh, yes, sir, yes. I've got a TV licence! | 0:52:40 | 0:52:43 | |
There you go, guv'nor. There's just your change, OK? | 0:52:45 | 0:52:49 | |
Come. What? You are standing there now, I thought you're dead. | 0:52:49 | 0:52:51 | |
-Come here, now. -Is that the wife? -It doesn't matter. | 0:52:51 | 0:52:54 | |
-I'll get her? I'll get the wife? -I'll take the... | 0:52:54 | 0:52:56 | |
-Where has she gone? Let's get her. -She was that side. | 0:52:56 | 0:52:59 | |
We'll get her. Not a problem, no. All part of the service. | 0:52:59 | 0:53:02 | |
I'm getting quite attached to this Padmini. | 0:53:05 | 0:53:07 | |
Never thought I'd say that! | 0:53:07 | 0:53:10 | |
It's gruelling work but, as the evening rush hour begins to kick in, | 0:53:15 | 0:53:19 | |
thousands of Mumbai taxi wallahs head back north. | 0:53:19 | 0:53:23 | |
Tonight, one of them is London cabbie Mason McQueen. | 0:53:23 | 0:53:27 | |
Come on, the old Padmini. Get me home, Pads. | 0:53:27 | 0:53:32 | |
Oh, I'm minging, that's how I'm doing. Could kill a shower. | 0:53:56 | 0:54:00 | |
I've got the grime of this city all over me. | 0:54:02 | 0:54:04 | |
But I'm glad to put it on the belt, clip it on the belt, | 0:54:06 | 0:54:09 | |
another notch on the belt. Quite an experience. | 0:54:09 | 0:54:13 | |
Like they say, if you can drive in Mumbai, you can drive anywhere. | 0:54:13 | 0:54:16 | |
I've had a go. What I've got is what I've got. | 0:54:19 | 0:54:22 | |
I'm sure he'll be fine with that. | 0:54:22 | 0:54:24 | |
Hello, mate. | 0:54:33 | 0:54:34 | |
Just under 500. All right? | 0:54:39 | 0:54:42 | |
Done my best. Not bad, eh? Not bad for a learner! | 0:54:43 | 0:54:46 | |
When I get back to London, there won't be a day goes by that I don't | 0:54:51 | 0:54:55 | |
think of you, thinking, "Right, if he's doing that, I can do it too." | 0:54:55 | 0:54:59 | |
-OK, mate. -OK. -Yeah, nice one. -Yes. | 0:55:11 | 0:55:15 | |
GENERAL HUBBUB | 0:55:15 | 0:55:17 | |
What's going on here? Wow, look at the street! | 0:55:17 | 0:55:20 | |
Look at the street where I live! | 0:55:20 | 0:55:21 | |
Mumbaikars love a street party. | 0:55:23 | 0:55:26 | |
Tonight, Pradeep and his neighbours have pulled out all the stops | 0:55:26 | 0:55:29 | |
for Mason's triumphant return. | 0:55:29 | 0:55:31 | |
Pavan. All right, buddy? How are you, son? | 0:55:32 | 0:55:35 | |
Good to see you. Got through it and that was the aim of the game. | 0:55:35 | 0:55:39 | |
With your help, I made it. | 0:55:40 | 0:55:43 | |
'This community has, like, kept me | 0:55:45 | 0:55:48 | |
'going through the despair I'm seeing on the streets every day. | 0:55:48 | 0:55:51 | |
'They've kept me going, especially the kids. | 0:55:51 | 0:55:53 | |
'They get by with the minimum of everything, | 0:55:55 | 0:55:58 | |
'but they do it with a dignity and they just get on with life. | 0:55:58 | 0:56:03 | |
'Fucking exhausted, but elated that I done it | 0:56:03 | 0:56:06 | |
'and I've been welcomed into this community like I have been. | 0:56:06 | 0:56:12 | |
'Really nice people.' | 0:56:12 | 0:56:15 | |
Got me through it, it really has. | 0:56:15 | 0:56:17 | |
Special place. Borivali East, mate. | 0:56:17 | 0:56:20 | |
Welcome to India! | 0:56:20 | 0:56:22 | |
# I'm a one man band Nobody knows or understands... # | 0:56:28 | 0:56:35 | |
Mason is back and working the streets of London. | 0:56:35 | 0:56:39 | |
Bus lane, baby. There ain't none of these in Mumbai. | 0:56:39 | 0:56:41 | |
Look at this, clear. Going past the traffic. | 0:56:41 | 0:56:44 | |
Look, open the window... silence. | 0:56:44 | 0:56:48 | |
Silence is golden. | 0:56:48 | 0:56:50 | |
One new passenger in his cab is a constant reminder of his time | 0:56:52 | 0:56:56 | |
with the taxi wallahs of Mumbai. | 0:56:56 | 0:56:59 | |
There's not a time that I don't think about Pradeep and Pavan, | 0:56:59 | 0:57:02 | |
you know, I feel for them, pulling them cabs around in that heat. | 0:57:02 | 0:57:06 | |
We're lucky, we've got it all here. We've got it all. | 0:57:06 | 0:57:09 | |
You know, we've got our own problems, but I think they're | 0:57:09 | 0:57:12 | |
really small in comparison to what's going on in Mumbai, you know? | 0:57:12 | 0:57:17 | |
Evening! | 0:57:23 | 0:57:24 | |
It's the Mumbai marauder. | 0:57:26 | 0:57:27 | |
Oh, abuse. I love it in here. I pay you for it. | 0:57:29 | 0:57:33 | |
-How was the food out there, Mase? -Bill, it weren't as nice as yours, | 0:57:33 | 0:57:36 | |
-but it was... -Ah! -Oh, Bill! | 0:57:36 | 0:57:39 | |
Look at that, Plan B. Nasty Terry. | 0:57:42 | 0:57:44 | |
Look at that, it's Nasty Terry. Cockle, straight away. | 0:57:44 | 0:57:47 | |
Mason knows that even a few pounds will go a long way | 0:57:47 | 0:57:49 | |
-for the drivers he's met in Mumbai. -Thanks, Nick. | 0:57:49 | 0:57:52 | |
A whip-round raises enough cash | 0:57:52 | 0:57:55 | |
to send Pavan back home to see his family. | 0:57:55 | 0:57:57 | |
Good luck, mate. I'm glad you ain't let me down. | 0:57:57 | 0:58:00 | |
I thought £11.80, looking at the lot of yous, but no, | 0:58:00 | 0:58:02 | |
it's really nice of you, guys. | 0:58:02 | 0:58:04 | |
London's finest. Finest cab service in the world. | 0:58:04 | 0:58:07 | |
-Well done. -Hear, hear! | 0:58:07 | 0:58:10 | |
-Gents, I'm going back to work. -All right, mate. | 0:58:10 | 0:58:12 | |
God bless you all. Thank you very much, yeah? | 0:58:12 | 0:58:14 | |
-Be lucky, Mase. -Ta-ta, mate. | 0:58:14 | 0:58:17 | |
Next time, Richard Gibson leaves his dairy farm in Devon | 0:58:20 | 0:58:23 | |
to work as a Samburu cattle herder. | 0:58:23 | 0:58:26 | |
This isn't going to be my usual day then, obviously. | 0:58:26 | 0:58:28 | |
With farmers forced into bloody battles to keep their cattle alive. | 0:58:28 | 0:58:33 | |
He's prepared to give his life for his cows, | 0:58:33 | 0:58:35 | |
cos if they haven't got them, they've got nothing. | 0:58:35 | 0:58:37 | |
He'll be faced with some unusual traditions... | 0:58:37 | 0:58:40 | |
I just don't want to be circumcised today! | 0:58:40 | 0:58:43 | |
..and experience a way of life on the edge of existence. | 0:58:46 | 0:58:50 | |
Been totally in awe of the way they have managed to keep farming. | 0:58:50 | 0:58:54 | |
Subtitles by Red Bee Media Ltd | 0:58:54 | 0:58:57 |