Gloucester 27 Flog It!


Gloucester 27

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I'm walking a well-trodden path here.

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For centuries, people have made their way to this site to experience

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the wonder and the majesty of Gloucester Cathedral,

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a witness to the slings and arrows to British history.

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This place has survived the dissolution of the monasteries

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and the English Civil War. But will it survive Flog It!?

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Well, I'm sure it will. Welcome to the show.

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CHORAL SINGING

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From outside, Gloucester Cathedral is a late medieval church,

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which doesn't quite prepare you for what's inside.

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The first thing that strikes you are the gigantic Norman

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columns lining the nave,

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which take you back a further 300 years

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to when the church was first built.

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As you enter the choir, the effect of the soaring vaulted ceiling

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and the light streaming in from the gigantic stained-glass window

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almost takes your breath away.

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For a building that's witnessed so much history,

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it's quite appropriate that

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we are adding a little bit of our own here today.

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Who knows what ancient stories or treasures of antiquity lie

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hidden within all of these bags and boxes for our experts to muse over.

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The lucky ones will be going off to auction

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and hopefully home with a small fortune.

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Sharing their knowledge of antiques with us today

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are experts Catherine Southon, who looks to be multi-talented.

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-You are a good little mover, aren't you?

-I am a good little mover.

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And Michael Baggot, who knows what he likes...

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If any of you have got a gold bar, just wave it in the air.

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It's the sort of thing I don't want to miss.

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..and what he doesn't.

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-Oh, don't like clones!

-No, nor me.

-I'll leave that to Catherine.

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-No, don't leave it to me!

-I'm frightened. I'm frightened.

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Let's get this extraordinary queue inside.

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Coming up on the show, Michael uses his powers of deduction to

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value a mystery object, but is he right?

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-I'm fairly sure, 95% sure, that it's a human bone.

-Right.

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Catherine is in awe of the canny prices paid by one of our owners.

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What did you pay for it?

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50 pence.

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Can I come with you when you go to these jumble sales?

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And we find out about a part of the inner life of the cathedral.

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Its choir.

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Nothing can quite prepare you for the sheer scale

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of this incredible building.

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Your eyes are naturally drawn to the ceilings as

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if up to the heavens in awe of its beauty and construction.

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But right now, it's back down to earth with a thud,

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as we look at our first valuation.

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And first, we have Michael with a teapot that looks a

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little cut above.

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Yvonne, thank you so much for coming along today

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and bringing this wonderful teapot.

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Before I tell you anything about it, what do you know about it?

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Where did it come from?

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It came from my mother. I come from an aristocratic family in France.

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I was born in a chateau.

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We've still got it. And that was part of the items that we had.

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-So this is noble family silver?

-Yes.

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My father was a Viscount and my mother Viscountess.

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-Oh. I feel I should curtsy or something.

-No, no.

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It's a beautiful teapot.

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If we turn it over, all silver should have marks.

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-And, of course, you being French, it is a French teapot.

-Yes.

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We've got the French fineness mark there,

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which is the Roman Minerva's head.

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The only difficult thing we have is the French didn't institute,

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as we did, a date-letter system.

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So we have to go sometimes by the maker

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and sometimes actually just by the style of the object to date it.

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What's marvellous here is we've got a maker's mark,

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and the maker's name stamped underneath it. Odiot.

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Yes.

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Jean Baptiste Claude Odiot.

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And that has to be one of the premier silversmiths in France.

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Really?

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Originally, they made silver for Napoleon.

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They worked throughout the 19th century.

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And made things, as we can obviously see here,

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to an extremely high standard.

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-We are looking at something here that's 170 years old.

-Yes.

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Would have been made in about 1840.

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And we've got all of this decoration underneath the handle here.

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The leaves and fruit.

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And even that little acanthus which, on an English one, would be

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quite nice, there it almost comes alive.

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And those, I assume, beautifully engraved there are your family arms.

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-No.

-Are they not?

-I don't think so.

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I don't think so because in fact there is a marking "Zittol"

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-on the top there, and I don't know what it is.

-Oh!

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-It's definitely two coats of arms.

-But who's I don't know.

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-You don't know?

-No.

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It would have been for a wedding. It would have been as a marriage piece.

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-Right.

-Two noble families marrying together.

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Maybe it was an extinct line.

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Value... Let's put £500 to £800 on it.

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Yes.

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And let's put a fixed reserve £500.

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And all we need is someone on the internet that recognises

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the name Odiot and understands the quality, and we might have a little

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bit of a bidding war in the room, but it's a stunning piece of silver.

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Thank you.

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A collector's dream. Thank you so much for bringing it in today.

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-Thank you, Michael.

-Thank you.

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What a good start for Michael.

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And now over to Catherine for her first item.

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This is a real chunky piece that you've brought along to Flog It!

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Where did you get these scales from?

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They actually belonged to my father, who has been dead now for 20 years.

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They've been in our family for about 47 years.

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Right, and where did your father get them from?

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He bought them in an auction in Hereford, when we lived in Hereford.

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Did he buy them to use or for decorative purpose?

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No. Just because he liked them, I think.

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Do you know if he paid a lot of money for them?

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I was given to understand he'd paid about £500 for them.

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-But I don't know whether that is true or not.

-Really?

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-Yes.

-Wow, that's actually quite a lot of money for them.

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Going back how many years ago?

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-47, probably...

-40-odd years ago.

-Yes.

-Right.

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Essentially, what we've got here is a set of Victorian parcel scales.

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And we have a lovely set of weights here, ranging from a great big

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four pound here, right down to the half an ounce.

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So this is for your parcels and your letters.

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Thinking about how the Victorians used to use them.

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How they used the weights and measures.

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And, of course, now everything is digitalised.

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When we go into the Post Office now, we just put a parcel onto

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the scales, they press a few buttons.

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Unfortunately we can't see any names here.

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I suppose that where it's been cleaned, it's been rubbed out.

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It has been rubbed out a bit. It would be nice to see a maker's name.

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But nevertheless, they've got a good look about them.

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I see quite a lot of scales coming up for auctions,

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particularly the smaller ones, and they don't make big money.

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But this is a really impressive set.

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And lovely. And importantly, you've got all the pieces here.

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You've got all the weights, which is essential.

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Where is it now?

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Just upstairs on the desk. And I'm downsizing.

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-That's why I want to get rid of it.

-You want to get rid of them?

-Yes.

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OK. So you think that your father probably paid around the £500 mark.

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They are an excellent example, but I'm a bit concerned

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that your father paid that sort of money for them.

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Because I would value them at around £100-£150.

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-Right.

-Would you be happy to put them back into auction at £100-£150?

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-Yes.

-We will put a £100 reserve on,

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just to make sure they don't go for nothing.

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-That would be fine.

-A great example, in good condition.

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Thank you for bringing them along to Flog It!

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Thank you, thank you very much.

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Well, Catherine weighed that one up in a very balanced way.

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Now, let me show you some of this magnificent cathedral.

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The cloisters here at Gloucester Cathedral are some

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of the finest examples of medieval architecture in the world.

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Part of the Benedictine monastery that existed

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here before the dissolution of the monasteries by Henry VIII,

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this is where the monks spent most of the day studying and worshipping.

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There is something I want to point out and you've just seen it.

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Yes, it's up there. Striking architectural detail.

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This type of decorative architecture is known as fan-vaulted ceiling,

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believed to have been conceived here in the mid-1300s,

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around the time of the black plague, when there wasn't enough

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labour to continue with the rest of the structure of the church.

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So the masons focused their attention on this particular part.

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And what they came up with is absolutely mind-blowing.

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Just look at the detail!

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There is a palpable sense of history here.

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Not to mention a more recent motion picture history,

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as the cloisters were used for Hogwarts in the Harry Potter films.

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And talking of wizards, it's noted it's now time to catch up with

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our experts back at the tables to see what else they can conjure up.

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And here is Michael with a cameo appearance.

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Thea, I was slightly disappointed to see this in a box

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and you not wearing it in the queue.

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It's a wonderful thing. Where did it come from?

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My mother left it to me when she died.

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-She spent a couple of years looking for it.

-Yes?

-Yes.

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She didn't want just any old cameo, she wanted something spectacular.

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Oh, marvellous.

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I don't know where she actually bought it in the end.

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I don't know whether it was on one of her trips abroad or

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whether she bought it in this country.

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But she wanted something...

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I think your mum was a lady after my own heart.

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Normally, of course, they are shell cameos.

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And we have that slightly pinky-orange background

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and white shell, which are carved out of the large conch shell.

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-Yes.

-Of course, you can also get cameos and intaglios -

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-these carved portraits - done in hard stone.

-Yes.

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But there is another material, and I know you know what this is,

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but this is probably the most unusual material,

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and once you've seen it, you will never forget it.

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It is, of course, lava.

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-Yes.

-And, of course, it carves extremely well.

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It's actually, I mean, we think of lava and the heat

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and the furnace of the volcano. The stone is very light.

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So you can wear it comfortably on a garment without it falling off.

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It is also quite fragile.

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It's marvellous that it has survived.

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Did your mother give you any idea when it was carved

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or where it was carved?

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I was told that it was lava from Vesuvius.

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It is indeed.

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And about 1845, something like that.

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At the height of the classical revival.

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Because this is particularly well modelled,

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it's in a lovely unmarked but low carat gold mount.

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It could be nine, it could be ten, 12 or 15 -

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different carats of gold used in Italy,

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-which is where this was carved.

-Yes.

-The only shame is that sometimes

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when they are this good, you will get an artist's name on the back.

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-Right. Yes.

-You sometimes do with shell cameos.

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I don't think this one has.

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No. It's a lovely thing. Have you ever worn it or do you wear it?

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I haven't worn it, no, but my mother used to.

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She used to dress quite flamboyantly.

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She went to balls and things like that.

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So yes, she had particularly nice grey crocheted dress,

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which sort of flared out, and she used to wear that on the shoulder.

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It did look lovely.

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Any idea of what the value might be?

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Not really, no.

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I think we'd be sensible

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putting it into auction at £150-£250...

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-Right.

-..and hoping that it goes on from there.

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-Yes.

-We will put a fixed reserve of £150 on it.

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OK, that sounds fine.

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That's wonderful. Thank you so much for bringing it in.

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Thank you very much.

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What a little treasure!

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What a great turnout we've got here today.

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I'm sure it's got something to do with our magnificent host location.

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Everywhere you look, we are surrounded by history.

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And hopefully we can make some history of our very own today,

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as we are off to auction for the very first time.

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Here is a quick recap of the items that are going under the hammer.

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Let's hope the bidders take a shine to Yvonne's superb silver teapot.

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Lynn is downsizing, so the parcel and letter scale needs a new home.

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And who couldn't fail to be impressed by Thea's lava brooch?

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From the valuation day in the heart of the city,

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we have come to the auction room in the heart of the countryside.

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There aren't many salerooms that have a view like this.

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This one does, though - Moore, Allen and Innocent,

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situated just outside of Cirencester.

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This is where our lots are going under the hammer.

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Let's get inside and catch up with our owners

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and get the sale under way.

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The man on the rostrum is Philip Allwood,

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and the commission here is 15% plus VAT.

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First up, Yvonne with her delightful teapot.

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Going under the hammer right now, we have a continental teapot.

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It's silver and it's Michael's thing and belongs to Yvonne,

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-who looks absolutely stunning today.

-Thank you.

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And thank you for bringing that in as well.

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Right, will it get that top end or will it get that lower end?

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-How is the silver market, Michael?

-It's very good.

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Best French maker as well.

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Best of 19th-century French maker and super quality.

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-And a higher standard to our own.

-Yes.

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-So it's got...

-Architecturally, it looks quite nice.

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It's sort of big and bold, saying, "Look at me, use me, buy me."

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Fingers crossed we'll sell it. This is it.

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It's going under the hammer now.

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Lot number 270. It's the 19th-century French silver teapot.

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300 to get off. At 300.

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At 300. 320. 340.

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360. 380.

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At 380. 400. 420.

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440.

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This is good. We are getting the top end. Come on!

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500. At £500. On my right now at 500.

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At £500. Selling in the room here now then.

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Selling on estimate. Just there.

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-Sold at 500.

-Just on the reserve.

-Just on the reserve.

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-It scraped in.

-Yes, just.

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-That was close, wasn't it?

-Very close.

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-But it's gone. We are pleased, are you pleased?

-Very.

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Good. Thank you for bringing that in. Well done, Michael.

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A stunning piece of silver like that is never going to be out of fashion.

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The next item could be described as made-to-measure.

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Right now, you could say it's in the balance.

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Oh! Very clever.

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Which brings us to the set of Victorian scales belonging to Lynn.

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Well, let's see if we can get the top end.

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How is it weighing now?

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It's weighing up. I think, as scales go, they're not little...

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-No, they are not tiny, are they?

-They are a good set.

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One way or another, I think we will let the bidders decide.

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It's going under the hammer now.

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Starting at 100. That would be cheap, wouldn't it? £100.

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It would be very cheap.

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I'm going to start you here on the book at a mere 55. 55.

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We want a lot more than that, don't we?

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60. Five. 70. Five.

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80.

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-We are getting there.

-At 85 here. 90. Five.

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-100.

-Yes!

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110, if you like, on the net.

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£100. On my left at 100.

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Sold. Hammer has gone down. Look, we are happy.

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Yes, so am I.

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You didn't want them, did you? You are downsizing.

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£100 is better than nothing.

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And 100lb is always worth having.

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Michael has pinned his hopes on our next item.

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Going under the hammer right now, we have a 19th-century tourist

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piece from Naples. It's a lava brooch.

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Unfortunately, we do not have

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our owner, Thea, she can't make it today. But we do have the brooch

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and we have our expert, Michael, who valued it.

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It's quite showy and big, isn't it?

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It's a big one and it's beautiful quality.

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Here we go. It's going under the hammer.

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100. The best one I've seen in a long while.

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110 if you like. 110.

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120.

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130. 140. 150. The book is out at 150.

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160 on the net.

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170. 180.

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190.

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At 190.

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-I think to the top end.

-Yes.

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At 220. 240. 260.

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At 260, the lady's bid.

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-At 280.

-This is good. This is really good, actually.

0:18:020:18:05

-Are brooches back in fashion?

-I think they are, Michael.

0:18:050:18:08

At 320. The gentleman has bid at 320.

0:18:080:18:10

It's in the room at 320. 340.

0:18:100:18:13

At £340. At 340...

0:18:130:18:16

Hammer has gone down. £340.

0:18:170:18:19

I think they are back in fashion. I think that's quite showy.

0:18:190:18:22

-It's quite large.

-It's showy, and I wouldn't be surprised

0:18:220:18:24

if that was an Italian bidder.

0:18:240:18:26

They are big money over in Italy and not much to post, is it?

0:18:260:18:29

No, no, exactly. A bit of bubble wrap.

0:18:290:18:31

Thank goodness for the internet. Online bidding. There you go.

0:18:310:18:35

Excellent result. Thea will be pleased with that.

0:18:350:18:38

Now, the majesty of Gloucester Cathedral has been inspiring

0:18:410:18:44

worshippers for centuries,

0:18:440:18:46

but nothing lifts the spirits more than

0:18:460:18:47

the sound of its world-renowned choir.

0:18:470:18:50

While we were in the area filming, I had the opportunity of finding

0:18:500:18:54

out more about the cathedral's jewel in the crown.

0:18:540:18:57

CHORAL SINGING

0:19:030:19:08

If there is one thing that is guaranteed to send a chill

0:19:180:19:21

up my spine it's that -

0:19:210:19:23

the sound of those wonderful voices filling this vast, enormous,

0:19:230:19:27

magnificent space.

0:19:270:19:30

There is nothing quite like it on earth.

0:19:300:19:33

And that was the idea, the vast and soaring interiors of the great

0:19:350:19:39

medieval cathedrals, like Gloucester,

0:19:390:19:42

were designed to inspire awe.

0:19:420:19:44

The represented heaven on earth.

0:19:440:19:46

And to complete the effect, the monks added a choir of angels.

0:19:460:19:51

CHORAL SINGING

0:19:530:19:55

Cathedrals across the country have male voice choirs,

0:19:550:19:59

at the heart of which are boy choristers.

0:19:590:20:01

To appreciate the full effect, you have to use your imagination.

0:20:070:20:11

Just imagine the cathedral flickering with hundreds of candles

0:20:110:20:16

burning bright, the air heavy with incense and music playing.

0:20:160:20:21

It really would have been a multisensory

0:20:210:20:24

experience for the worshipper,

0:20:240:20:26

designed really to take their breath away.

0:20:260:20:28

It certainly takes my breath away.

0:20:300:20:33

SINGING CONTINUES

0:20:330:20:36

The choir in its current form dates back to 1541, when Henry VIII,

0:20:380:20:43

who was a highly accomplished musician,

0:20:430:20:46

established choir schools alongside the new cathedrals.

0:20:460:20:50

Today's choristers are continuing in that 500-year-old tradition.

0:20:500:20:54

Gloucester Cathedral choir is one of the finest in the country.

0:20:590:21:02

And for the moment, carries on the all-male tradition

0:21:020:21:05

with the men singing the bass, tenor and alto parts.

0:21:050:21:08

And the boys singing the treble.

0:21:080:21:11

CHORAL SINGING

0:21:110:21:14

And it's these choristers, or boy trebles, with their voices

0:21:300:21:34

and their angelic faces, that have the ability to move whole

0:21:340:21:38

congregations with their ethereal sound.

0:21:380:21:41

To achieve this effect, the choir works hard,

0:21:450:21:49

with 11 hours of rehearsal and six services each week,

0:21:490:21:53

plus all the extra services at Easter and Christmas.

0:21:530:21:57

It's a huge commitment but the boys get a first-class musical education

0:22:000:22:05

and the chance to perform in one

0:22:050:22:06

of the country's finest medieval buildings.

0:22:060:22:09

The choristers start at an incredibly young age,

0:22:090:22:12

just seven years old,

0:22:120:22:14

and work their way through to the ages of 13 and 14,

0:22:140:22:18

basically when their voices break.

0:22:180:22:20

CHORAL SINGING

0:22:220:22:26

'But what does it take to be a chorister?

0:22:320:22:35

'I asked the cathedral's director of music Adrian Partington.'

0:22:350:22:39

It's incredible to see boys as young as seven.

0:22:390:22:42

What do you look for vocally in a seven year old?

0:22:420:22:45

Actually, I don't necessarily look for something vocal.

0:22:450:22:48

I always look for a bright boy.

0:22:480:22:50

You know, somebody who can react, somebody who is alert.

0:22:500:22:54

-A part of the test is I say, "What's six times seven?"

-Right.

0:22:540:22:57

And if they get the answer right, then I know their brain works.

0:22:570:23:00

The thing is, voices at seven aren't very developed.

0:23:000:23:03

So I sometimes take a chance.

0:23:030:23:05

Nine out of ten, they blossom into something really special.

0:23:050:23:08

And that's obviously what they take away with them.

0:23:080:23:11

Definitely. I was one myself a long time ago.

0:23:110:23:14

Have things changed?

0:23:140:23:15

No. No.

0:23:150:23:17

Rehearsals have been happening in this very room for 400 or 500 years.

0:23:170:23:20

This room is steeped in history.

0:23:200:23:22

It certainly is. And the boys, they feel that. They do.

0:23:220:23:25

Without exception.

0:23:250:23:27

The best thing about it is esprit de corps, you know.

0:23:270:23:30

They feel like they are doing something special.

0:23:300:23:32

They feel like they are doing something worthwhile.

0:23:320:23:35

There must be quite a few times during the difficult

0:23:350:23:37

process of nurturing these children

0:23:370:23:40

and getting their voices up to scratch that you stand

0:23:400:23:43

back and go, "Gosh, yes, this is fantastic."

0:23:430:23:46

There is one piece in particular which always moves me to tears.

0:23:460:23:51

Italian piece. The Miserere, which we do on Ash Wednesday.

0:23:510:23:54

It has lots of top notes

0:23:540:23:56

and each year we have to find a boy who is going to hit those top notes.

0:23:560:23:59

And each time he does, I think, "You know, there is a heaven."

0:23:590:24:03

They look like a little angels. Are they?

0:24:160:24:19

Um, no, actually. They are not.

0:24:190:24:21

INDISTINCT CHATTERING

0:24:340:24:37

But don the robes and start singing and they become like angels.

0:24:490:24:54

CHORAL SINGING

0:24:540:24:58

Well, the monks certainly got it right.

0:24:580:25:00

Hearing these glorious voices in this spectacular space is such

0:25:000:25:04

a unique experience, not least because it's

0:25:040:25:07

carrying on a tradition that stretches back hundreds of years.

0:25:070:25:10

From the choir to the nave,

0:25:450:25:46

where it looks like Catherine has found us a rainbow.

0:25:460:25:50

Kathleen, what a collection of scarves.

0:25:510:25:55

These are absolutely amazing. Where did you get them from?

0:25:550:25:58

-Jumble sales.

-Right.

0:25:580:26:00

Charity shops. And people give them to me because they know I collect.

0:26:000:26:05

How long have you been collecting for?

0:26:050:26:07

Since I was 11.

0:26:070:26:09

Wow, and what made you interested in collecting scarves?

0:26:090:26:12

Well, we had a street party for VE Day and I had a paper serviette.

0:26:120:26:19

It was lovely, it had little pictures on it

0:26:190:26:23

and I'd never had anything like that before.

0:26:230:26:25

-You couldn't get things like that during the war.

-Right.

0:26:250:26:28

So anything then I collected and it sort of grows on to other things.

0:26:280:26:33

But you've got a collection here.

0:26:330:26:35

You've got polyester ones and some are silk. So you collect all sorts.

0:26:350:26:40

I really go by either the name that's on it or the story it tells.

0:26:400:26:45

-Right, OK.

-Because they are all commemorating something.

0:26:450:26:50

Let's look at a couple of them.

0:26:500:26:52

-First of all, this one caught my eye.

-Mary Quant.

0:26:520:26:56

Because this is by Mary Quant.

0:26:560:26:58

When did you get this one?

0:26:580:27:00

It came from a jumble sale.

0:27:000:27:01

Oh, did it? How much did you pay for that one?

0:27:010:27:03

Probably 20p for that one.

0:27:030:27:05

20p?! Wow! I mean, Mary Quant, fantastic name.

0:27:050:27:09

-But it is quite plain as Mary Quant scarves go.

-Yes.

0:27:090:27:13

And then this one over here,

0:27:130:27:15

that's really the one that I want to focus on.

0:27:150:27:19

And the reason I want to focus on it is because of this name

0:27:190:27:22

right at the bottom. Hermes - Paris.

0:27:220:27:25

Hermes, the French designer, started making scarves in 1937.

0:27:250:27:31

They were worn by quite a lot of film stars. Grace Kelly,

0:27:310:27:35

she used to wear the Hermes scarves.

0:27:350:27:38

They are beautifully made. They are 90cm by 90cm.

0:27:380:27:42

Each one weighs exactly 65 g.

0:27:420:27:47

I didn't realise that!

0:27:470:27:48

I've been so boring, I've weighed this.

0:27:480:27:51

-And it does weigh exactly 65 g.

-I never knew that!

0:27:510:27:55

Do you actually wear these?

0:27:550:27:56

The scarves I keep to wear are all the quirky ones.

0:27:560:28:00

-A bit unusual?

-Yes.

0:28:000:28:02

Are you happy to see these go? Are you happy to sell them?

0:28:020:28:05

When do you stop? What do you do with them?

0:28:050:28:07

I know, you've got to keep going, haven't you?

0:28:070:28:09

Do you have other scarves as well?

0:28:090:28:12

Yes, I have about 200 or so.

0:28:120:28:14

200?

0:28:140:28:16

Did you want to sell the other scarves as well?

0:28:160:28:19

I would like to, yes.

0:28:190:28:20

If you are interested in selling the other scarves, I think

0:28:200:28:24

what would be best is to take all the scarves off to auction

0:28:240:28:28

and then leave it up to the auction house to divide them

0:28:280:28:32

into separate lots, making sure that all the designer ones are kept

0:28:320:28:38

together as individual lots.

0:28:380:28:40

This one by itself would make £100-£200 at auction.

0:28:400:28:46

What did you pay for it?

0:28:460:28:48

50p.

0:28:480:28:49

Can I come with you when you go to these jumble sales?

0:28:490:28:53

-That's about the most I've ever paid.

-What, 50p?!

0:28:530:28:56

Yes.

0:28:560:28:57

I've never bought one out of a shop, just, you know, normally.

0:28:580:29:02

That's amazing. What I would suggest here is probably selling this

0:29:020:29:06

as a collection. Because the other ones, although they are jolly nice,

0:29:060:29:11

there's no big names.

0:29:110:29:12

We've got the Jacqmar, the Hermes and we've got the Quant.

0:29:120:29:15

If we put this all together with an estimate of £150-£250

0:29:150:29:19

and a reserve of 120, how does that sound to you?

0:29:190:29:23

That sounds fantastic.

0:29:230:29:24

I'm sure it does sound fantastic after you've been paying 20p here

0:29:240:29:27

and there.

0:29:270:29:29

I've really enjoyed looking at the collection. Thank you, Kathleen.

0:29:290:29:32

-I'll see you at the auction.

-Thank you very much.

0:29:320:29:35

Amazing. It shows what you can buy for 50 pence.

0:29:350:29:39

I'm told it's always good to get a few extra shots for the edit.

0:29:410:29:46

Let me do some filming, here we go.

0:29:460:29:48

-HE HUMS

-Smile everyone!

0:29:480:29:50

Now, I bet you've never seen one of these before.

0:29:520:29:56

Well, Monique, we've seen some wild and interesting things on Flog It!

0:29:560:30:01

but I think this wins, this takes the biscuit.

0:30:010:30:04

In 13 series, I don't think we've seen anything as macabre

0:30:040:30:08

and bizarre as this. What do you know about it?

0:30:080:30:11

Nothing, unfortunately.

0:30:110:30:13

My mum gave it to me on Sunday to take to a car-boot sale,

0:30:130:30:17

didn't want to take it to the car-boot sale

0:30:170:30:19

and I knew you were here, so I've literally brought it.

0:30:190:30:21

More than anything, I wanted to know what it was.

0:30:210:30:24

Good grief! First of all, we've got no provenance to go back

0:30:240:30:27

and say it belonged to your great, great, great grandfather.

0:30:270:30:31

So we are left with the object itself.

0:30:310:30:33

-First of all, it's a bone.

-Yep.

0:30:330:30:36

-And I'm fairly sure, 95% sure, but it's a human bone.

-Right.

0:30:360:30:41

Probably a leg. This is really quite a deep colour.

0:30:410:30:46

If I relate that to other objects I've seen with that

0:30:460:30:50

sort of patination,

0:30:500:30:53

we are certainly going back at least 300 or 400 years.

0:30:530:30:57

And we've got these little fittings made.

0:30:570:31:00

But most curiously, at the end, the joint here has been hand-stitched

0:31:000:31:07

and covered with possibly leather, to form a membrane.

0:31:070:31:10

And then we've had two holes cut and these copper mounts on it.

0:31:100:31:14

It's a bizarre thing. I can't think of any practical use for it.

0:31:140:31:22

We were saying, could it possibly be for tribes, like a weapon or not?

0:31:220:31:27

You see, if it were a weapon

0:31:270:31:29

you would want the bone of a larger animal.

0:31:290:31:32

That could hurt you. But it couldn't do any serious harm

0:31:320:31:35

-because it would probably crack and spring open.

-OK, yeah.

0:31:350:31:38

I mean, there are obviously Tibetan cultures where they mount skulls.

0:31:380:31:43

Is it possible that this is Tibetan of far Eastern?

0:31:430:31:49

But what it is is absolutely fascinating.

0:31:490:31:51

You could have...

0:31:510:31:53

I would think there are a lot of people that would recoil from it,

0:31:530:31:57

but there's also a lot of people

0:31:570:31:59

and antiquaries that would love this, just to discuss.

0:31:590:32:02

Try and find out what indeed it is.

0:32:020:32:05

That'd be very interesting, wouldn't it?

0:32:050:32:07

Thank goodness you didn't take it to the car boot. That's a relief.

0:32:070:32:09

Thank goodness you brought it to Flog It!

0:32:090:32:12

-I don't think it's wildly valuable.

-Yep.

0:32:120:32:14

But I would defy anyone to put an accurate valuation on it.

0:32:140:32:17

-It's almost impossible.

-Yep.

-Because, you know.

-Yeah, yeah.

0:32:170:32:20

If you don't know what it is, it's difficult to value.

0:32:200:32:23

-I would say, let's put £100-£200 on it.

-OK.

0:32:230:32:27

And we'll put a reserve of something like £60-£70 on it.

0:32:270:32:31

Are you are happy with that?

0:32:310:32:32

Yeah, yeah. No, like I say, it was going to be sold for a pound.

0:32:320:32:36

So that's a bonus, isn't it?

0:32:360:32:38

I hope it's not like one of those Victorian stories where

0:32:380:32:40

I am now cursed.

0:32:400:32:41

-And have to return it to the tribe before I'm 60.

-No, no, no.

0:32:410:32:45

When the hammer comes down and we are both struck by lightning,

0:32:450:32:48

yeah, it was cursed.

0:32:480:32:49

Hopefully not.

0:32:490:32:51

Fingers crossed. Thank you so much for bringing it in.

0:32:510:32:53

Thank you very much indeed.

0:32:530:32:55

Well, that is a mystery that deserves some detective work.

0:32:550:32:58

Catherine has now set up under the beautiful fan-vaulted ceiling.

0:33:000:33:04

Karen, the word that springs to mind

0:33:040:33:07

when looking at these two necklaces is elegance.

0:33:070:33:12

Can you tell me a little bit about them?

0:33:120:33:15

I think they are French because my relatives who left them to the

0:33:150:33:19

family, they came from France and they left a collection of jewellery.

0:33:190:33:25

We could choose our favourite pieces. And I chose these two.

0:33:250:33:28

Why were you drawn towards these in particular?

0:33:280:33:31

I like the shape. They seem sort of Art Deco or that sort of era.

0:33:310:33:34

And I like the shapes of them.

0:33:340:33:37

They are not quite Art Deco, they are Art Nouveau.

0:33:370:33:39

-Oh, Art Nouveau.

-So slightly earlier.

0:33:390:33:41

I was probably confused about both of them.

0:33:410:33:43

Date-wise we are looking at about 1900 to 1910, that sort of period.

0:33:430:33:49

This one in particular, if you think about Art Nouveau,

0:33:490:33:52

which goes back to nature, this is wonderful because you've got

0:33:520:33:55

the wheat here which has been incorporated into the design.

0:33:550:34:00

I'm guessing this is 18 carat gold.

0:34:000:34:03

And I love the little seed pearl drop at the end.

0:34:030:34:06

This reminds me very much of Edwardian jewellery that we

0:34:060:34:09

see in 1900 and 1910.

0:34:090:34:12

But this is actually a French piece.

0:34:120:34:14

And what we've got here are seed pearls.

0:34:140:34:19

However, we have got two missing. Did you know that?

0:34:190:34:21

Is there two missing? I thought there was one.

0:34:210:34:23

There's one over here. And then one on the other side.

0:34:230:34:26

And we've got this coloured gold.

0:34:260:34:29

I'm guessing again this is probably 18 carat gold.

0:34:290:34:32

And the bow, the way that the bow has been crafted is real quality.

0:34:320:34:36

-It's very intricate.

-Absolutely superb.

0:34:360:34:38

This one, however, is my favourite.

0:34:390:34:43

This one is delightful.

0:34:430:34:45

I love the way that these pieces have been incorporated

0:34:450:34:50

and copied onto the chain.

0:34:500:34:52

-And the shape of it is just so unusual.

-Yeah.

0:34:520:34:55

Which is your favourite?

0:34:550:34:57

I prefer this one as well.

0:34:570:34:58

I like the fact that you can take them off the chain

0:34:580:35:01

-and have the chain separate, have a brooch as well.

-Exactly that.

0:35:010:35:04

Both of them have pins on the back so both of them can be

0:35:040:35:07

worn independently as brooches.

0:35:070:35:09

-Do you ever wear them?

-I have worn them, yes.

0:35:090:35:12

I wore them a couple of times, but I don't want to break them.

0:35:120:35:15

-They are quite delicate.

-Bit too worried?

-Yeah.

0:35:150:35:18

Well, price-wise, this one,

0:35:180:35:21

-you'll be looking at about £200-£300.

-Right.

0:35:210:35:25

But this piece, this is a little bit special.

0:35:250:35:28

Oh, really?

0:35:280:35:29

And I would say...

0:35:290:35:31

This would make somewhere between £700 and £900.

0:35:320:35:35

Lovely, yes.

0:35:350:35:37

Thank you so much for bringing along such elegant necklaces.

0:35:370:35:40

You've really made my day. It's been lovely to meet you.

0:35:400:35:42

Thank you very much. It's been lovely to meet you, too.

0:35:420:35:45

Those two are absolutely glorious.

0:35:450:35:48

Sadly, it's time to say goodbye to Gloucester Cathedral -

0:35:540:35:57

our magnificent host location for today.

0:35:570:36:00

As we go over to the auction room for the very last time, we've got

0:36:000:36:04

some unfinished business there.

0:36:040:36:05

Here's a quick recap of the items we are taking with us.

0:36:050:36:08

I imagine that Kathleen's collection of 50p scarves should raise

0:36:100:36:14

a little bit more than that at auction.

0:36:140:36:16

Who knows how valuable Monique's mystery bone will turn out to be.

0:36:200:36:24

Pure elegance is the only way to describe the two gold

0:36:290:36:32

Art Nouveau necklaces.

0:36:320:36:34

Without further ado, let's see how they do at auction.

0:36:390:36:43

If you love Art Nouveau you will love this next lot.

0:36:430:36:45

We've got some jewellery belonging to Karen. Two necklaces.

0:36:450:36:48

-Yes.

-Do you like the Art Nouveau period?

0:36:480:36:50

I do like Art Nouveau.

0:36:500:36:51

Hopefully we can get top money. Two lots going under the hammer.

0:36:510:36:55

My favourite is the first one.

0:36:550:36:57

Is it?

0:36:570:36:58

I do think that's really pretty, but I prefer the second one.

0:36:580:37:01

OK, let's see what the first one does.

0:37:010:37:03

It's going under the hammer right now.

0:37:030:37:05

Start here at 100 on the book. £100.

0:37:050:37:08

110. 120.

0:37:080:37:10

130. 140. 150. The book is out at 150.

0:37:100:37:13

160. 170.

0:37:130:37:16

180 if you like it. 170. 180.

0:37:160:37:19

INDISTINCT SPEECH

0:37:190:37:20

190. 200 if you like now.

0:37:200:37:24

At £190. Selling at 190.

0:37:240:37:27

-Fantastic. That's very good.

-190. Happy with that?

0:37:280:37:31

-Very happy with that.

-Well done. That's great, actually.

0:37:310:37:34

It was really, really pretty. Very elegant, wasn't it?

0:37:340:37:36

We're doing the next one now.

0:37:360:37:38

Very pretty piece there. Where are you going to be for that?

0:37:380:37:41

Should be 1,000 really. Where are you going to be for this?

0:37:410:37:43

Who will start me? Start me at 800.

0:37:430:37:45

-That's a low start.

-Five!

0:37:460:37:48

At £500, thank you. At 500. 520. 550.

0:37:480:37:52

580.

0:37:520:37:54

600. At 600. 620 now?

0:37:540:37:57

At £600. 620 anyone?

0:37:570:38:00

All sure at 600...

0:38:000:38:02

-That one I'm afraid needs a little bit more than that.

-That's a shame.

0:38:030:38:06

-So close as well.

-That was, in my mind, the better piece.

0:38:060:38:10

And as he said at the beginning, it should be worth £1,000.

0:38:100:38:14

And if it doesn't sell for six, then forget it.

0:38:140:38:18

Sell it somewhere else on another day because it's worth it.

0:38:180:38:22

It's a nice thing.

0:38:220:38:23

There has to be another day in the auction

0:38:230:38:26

room for a necklace like that.

0:38:260:38:29

Now time to unravel the mystery surrounding that curious bone.

0:38:290:38:34

Our research suggests it's a Tibetan kangling -

0:38:340:38:38

a ceremonial horn or trumpet

0:38:380:38:40

which is indeed made from human thigh bone.

0:38:400:38:43

It's used for various Buddhist rituals and sounded to call up

0:38:490:38:53

demons to partake of the ritual feast offerings.

0:38:530:38:56

Let's hear what auction near Philip Allwood thinks of it.

0:38:560:39:01

These sort of things create a lot of interest, particularly in China.

0:39:010:39:04

I would think the estimate on this at £100-£200, I would still

0:39:040:39:08

hope, would be conservative. We've had some interest in it already.

0:39:080:39:11

I would expect a whole lot more interest from internet

0:39:110:39:15

throughout the sale.

0:39:150:39:16

Going under the hammer right now, we have a human leg up for grabs.

0:39:180:39:23

It doesn't get wackier than that, does it? It belongs to Monique.

0:39:230:39:26

-It's not your leg, is it?

-No, not mine.

0:39:260:39:29

But you are selling it.

0:39:290:39:30

-I am indeed, yes. Hope so anyway.

-What a bizarre thing.

0:39:300:39:34

Are you pleased you are getting rid of this?

0:39:340:39:36

Is it quite weird carrying a leg bone around?

0:39:360:39:39

Mmm. I was more interested to find out what it was, to be honest.

0:39:390:39:42

It's a rare thing.

0:39:420:39:43

However it ended up in Gloucester, goodness only knows.

0:39:430:39:46

I was going to say break a leg, but, hey,

0:39:460:39:48

we don't want to break this one.

0:39:480:39:49

290 is the Tibetan Buddhist kangling. The human femur flute.

0:39:490:39:55

There we go. Every house should have one.

0:39:550:39:57

Where are you going to be? Is that a couple of hundred?

0:39:570:40:00

100 to get off. 100?

0:40:000:40:03

Dear, oh me, oh my.

0:40:030:40:05

50 then to start. There must be 50. £50 bid.

0:40:050:40:08

Five. 60. Five. 70. Five.

0:40:080:40:11

80. Five. 90. Five anywhere? Five.

0:40:110:40:15

At 95. 100 now?

0:40:150:40:17

100. At 100. 110? At £100. Thought it might make a little more.

0:40:170:40:22

At £100 right in front of me.

0:40:220:40:24

All sure at 100?

0:40:240:40:26

You've sold it. 100.

0:40:260:40:28

Thank you for bringing that because I've never ever said,

0:40:280:40:31

"Going under the hammer right now is a human leg bone."

0:40:310:40:34

-So that's a first.

-First for you.

-Thank you so much.

0:40:340:40:37

No problem at all.

0:40:370:40:38

We are not quite on the last leg. One more item to go.

0:40:390:40:42

So far, so good.

0:40:450:40:47

Going under the hammer right now, we have quite a collection of scarves.

0:40:470:40:51

-Some of these I know caught your eye.

-Oh, yes.

0:40:510:40:53

Kathleen, thank you for bringing them in.

0:40:530:40:55

But you went home after the valuation day, had a forage,

0:40:550:40:58

found a load more and brought them in.

0:40:580:41:01

Philip has kindly lotted these one after the other

0:41:010:41:05

after our particular item.

0:41:050:41:07

This lady has been collecting since she was 11.

0:41:070:41:10

-Can you remember the first one?

-Yes.

0:41:100:41:12

-Are you going to keep that one or are you selling it?

-Um...

0:41:120:41:15

SHE LAUGHS

0:41:150:41:17

-No, I've got it in my album at home.

-You're going to keep that one.

0:41:170:41:19

-That's nice.

-Yes, that's what I like to hear.

0:41:190:41:21

-That was during the war.

-Was it?

-At the end of the war, yes.

0:41:210:41:24

-How many in your collection all told?

-250.

0:41:240:41:27

And the thing is, with quality, it never goes out of fashion,

0:41:270:41:30

does it, when it's that good?

0:41:300:41:31

We are going to put these valuations to the test.

0:41:310:41:33

Starting with our lot now.

0:41:330:41:35

250 is the collection of scarves including the Hermes scarf

0:41:350:41:39

and all sorts of things there.

0:41:390:41:41

£50.

0:41:410:41:42

£50 bid there. At 50 on my right. Five.

0:41:420:41:45

60. Five. 70. Five.

0:41:450:41:47

80. Five. 90. Five.

0:41:470:41:50

100. And five.

0:41:500:41:52

110. 120.

0:41:520:41:54

Right, look at this.

0:41:540:41:55

At 120 here. 130. 140.

0:41:550:41:59

-This is more like it.

-At 140 here.

0:41:590:42:03

-Beautiful scarves.

-£140 right in front of me here. At 140...

0:42:030:42:06

-Sold at 140.

-Sold.

-Happy?

0:42:080:42:11

-Wonderful.

-One down and we've got four more lots, haven't we?

0:42:110:42:16

And here is a quick look at the hammer going down on the rest of

0:42:170:42:20

Kathleen's collection of around 250 scarves, divided into the four lots.

0:42:200:42:26

This is the first.

0:42:260:42:28

In front of me, then at £80. 80 it is.

0:42:280:42:31

Good investments there, I must say.

0:42:310:42:33

This is the second.

0:42:330:42:35

140. It's at 140 on the net.

0:42:350:42:38

140 it is.

0:42:380:42:40

This is the third.

0:42:400:42:41

Gentleman's bid then. All done at 55.

0:42:410:42:44

55 it is.

0:42:450:42:47

This is the fourth and final one.

0:42:470:42:49

At £80. It's yours right in front of me. At 80.

0:42:490:42:53

Yes, they sold! Well, that's a grand total, I think, of around £495.

0:42:550:43:01

-Well done. That's fantastic.

-That's brilliant.

-Very good.

0:43:010:43:04

-Thank you so much.

-That was hiding under the bed.

0:43:040:43:07

-I know, can you believe it?

-Thank you so much for coming in.

0:43:070:43:10

-Thank you both.

-Thank you, Kathleen.

0:43:100:43:12

And what a way to end today's show as well.

0:43:120:43:15

Really, it doesn't get any better than that, does it?

0:43:150:43:18

That's what this business is all about -

0:43:180:43:20

collectors and learning something.

0:43:200:43:22

And we have today. So fingers crossed.

0:43:220:43:24

Join us again next time for many more surprises, but until then,

0:43:240:43:27

from Cirencester, it's goodbye from the three of us.

0:43:270:43:30

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