Browse content similar to 30/05/2014. Check below for episodes and series from the same categories and more!
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the boxing rematch. Tennis, triathlon and the women's cup final | :00:00. | :00:00. | |
action, we have it all on sports that 6:30pm but now time for the | :00:00. | :00:00. | |
Film Review. Hello and welcome to The Film Review | :00:00. | :00:26. | |
on BBC News. To take us through this week's cinema releases is Jason | :00:27. | :00:31. | |
Solomons. We will see the blockbuster that keeps on giving. | :00:32. | :00:34. | |
Tom Cruise and Emily Blunt team up in the Edge Of Tomorrow, and | :00:35. | :00:39. | |
tomorrow, and tomorrow. That joke will become clear later. Ken Loach | :00:40. | :00:50. | |
is back with a 1930s tail in Ireland with a bid to reopen a community | :00:51. | :00:56. | |
centre. And Seth MacFarlane and Charlize Theron blazed their saddles | :00:57. | :00:59. | |
through the Western spoof A Million Ways To Die In The West. Edge Of | :01:00. | :01:06. | |
Tomorrow, the latest Tom Cruise. There is always one! The one thing | :01:07. | :01:09. | |
about Tom Cruise movies, if you don't like one, another will come | :01:10. | :01:14. | |
along very soon. He has got into this blockbuster groove, running | :01:15. | :01:18. | |
around dystopia with a young English actor. Oblivion recently and now he | :01:19. | :01:26. | |
is in a film that has been billed as Groundhog Day meets all kinds of | :01:27. | :01:31. | |
other action films. He plays a spin doctor cast into the Battle of a | :01:32. | :01:36. | |
future dystopia where the world is taken over. The concept of this film | :01:37. | :01:41. | |
is so high that you get neck ache looking up to work out what is going | :01:42. | :01:46. | |
on. It is so big that you just don't notice the holes in the plot because | :01:47. | :01:50. | |
of the pyrotechnics. If you know what is going on here, you are | :01:51. | :01:54. | |
stronger than me, but I think Tom Cruise is flirting with Emily Blunt. | :01:55. | :02:03. | |
Not a good idea. You all right? I think I broke something. What? My | :02:04. | :02:13. | |
back. The only thing I can feel is my lips. This is an important rule. | :02:14. | :02:18. | |
It is the only rule. You get injured on the field, you better make sure | :02:19. | :02:24. | |
you die. Why? Last time I was in combat I was hit. I was bleeding | :02:25. | :02:30. | |
out, just not fast enough. I woke up in a field hospital with three pints | :02:31. | :02:34. | |
of someone else's blood and I was out. I lost the power. Do you | :02:35. | :02:41. | |
understand? We had better start over. The thing about that is that | :02:42. | :02:49. | |
Tom Cruise is doing a hamster impression. That is awful. That is | :02:50. | :02:54. | |
his lips. It is quite fun because he takes the Mickey out of his own | :02:55. | :02:59. | |
green image, which is better than normally being so provost. It has | :03:00. | :03:07. | |
been written by Butterworth, who wrote Jerusalem, and I quite liked | :03:08. | :03:11. | |
this Friday night blockbuster. The concept was good as far as I could | :03:12. | :03:16. | |
follow it. He can reset the day, keep reliving the same day until he | :03:17. | :03:21. | |
gets it right. If he does not like it the first time round, you think, | :03:22. | :03:26. | |
oh, he is doing it again. It does not get wittier and he does not | :03:27. | :03:31. | |
grow. But it is a big scale blockbuster and it stars Jane Hill | :03:32. | :03:38. | |
from BBC News. We will watch it just for that. She is in it a bit. And | :03:39. | :03:49. | |
Ken Loach's latest? He is back with Jimmy's Hall. I was at the Cannes | :03:50. | :03:52. | |
Film Festival when this came out. He is so beloved there, his 12th film | :03:53. | :03:57. | |
in competition, that people cheer him. He has a social conscience that | :03:58. | :04:02. | |
goes down well, a humanism that beats through his movies and this is | :04:03. | :04:10. | |
no exception. A period film, which is set in 1930s Ireland, just after | :04:11. | :04:13. | |
independence when a political firebrand called Jimmy is being | :04:14. | :04:17. | |
urged to open up his dance hall again so the community can learn to | :04:18. | :04:21. | |
do poetry and learn some literature and do some dancing. An element of | :04:22. | :04:30. | |
Footloose. As ever, shot through with the community feel. This will | :04:31. | :04:35. | |
to get the community to action against the ruling classes, either | :04:36. | :04:40. | |
the church here, or some imperialist state, Britain. Lots of Ken Loach | :04:41. | :04:45. | |
themes going on but beautifully done with good costumes and great music | :04:46. | :04:49. | |
and lovely performances. Lovely performances and you can see that it | :04:50. | :04:54. | |
is fun. One of the critics of Ken Loach is that he lets the politics | :04:55. | :05:00. | |
overbalance the plot. He has managed to make what is essentially a group | :05:01. | :05:05. | |
of people trying to engage in social activism seem like fun. Yes, and I | :05:06. | :05:09. | |
think it is. It is not too preachy. They're just trying to better | :05:10. | :05:12. | |
community, give the community something to do. The kids wanted the | :05:13. | :05:18. | |
dance all. Lots of Irish jigs and dancing, very unusual in a Ken Loach | :05:19. | :05:24. | |
movie. The priest was played brilliantly. Add a period in British | :05:25. | :05:30. | |
history that we don't see very much. The real history of Jimmy Gralton, | :05:31. | :05:37. | |
he was whitewashed and deported to America. It is not really a history | :05:38. | :05:42. | |
movie but about what you can do for your community. When you watch a Ken | :05:43. | :05:45. | |
Loach film, you feel like a better person for having watched it. I | :05:46. | :05:50. | |
forgot how much I liked Ken Loach movies and then I got imbued with a | :05:51. | :05:55. | |
humanistic spirit and came out dancing! Where you dancing to A | :05:56. | :06:01. | |
Million Ways To Die In The West? Apparently there are 1 million ways | :06:02. | :06:04. | |
to die and one way is to put yourself on the big screen, if you | :06:05. | :06:08. | |
are Seth MacFarlane. He was very funny in that film and he played the | :06:09. | :06:13. | |
teddy bear. He splits audiences. Nobody liked his Oscar show but I | :06:14. | :06:18. | |
didn't mind it. He plays a lonely sheep are ditched by his girlfriend | :06:19. | :06:23. | |
played by Amanda Seyfried, and then meets Charlize Theron in her first | :06:24. | :06:27. | |
comic role. I am setting this up so we can get this clip and see just | :06:28. | :06:32. | |
how hilarious it can be when you are not doing Blazing Saddles. I have | :06:33. | :06:39. | |
that skirt. I worried to the fair two years ago but good for you for | :06:40. | :06:43. | |
trying to bring it back. I figured only a complete idiot would throw | :06:44. | :06:47. | |
away a perfectly good thing. We were going to check out the shooting | :06:48. | :06:51. | |
gallery. It would be fun, right? Yes, and let's make things | :06:52. | :06:56. | |
interesting. A nickel a target. That is actually a little rich for my | :06:57. | :07:01. | |
blood. How about a penny? What is the matter? It's business bad? You | :07:02. | :07:14. | |
are such a sheep skate! Let's go. You can shear me an! That is awful! | :07:15. | :07:26. | |
Isn't it terrible? The rest of it is toilet humour and puerile humour. | :07:27. | :07:32. | |
Out of time stuff like that little routine there. You get it in the | :07:33. | :07:36. | |
streets and the ghetto and it is transposed. I don't know who sees | :07:37. | :07:40. | |
westerns any more. 13`year`old boys might have appreciate this but when | :07:41. | :07:46. | |
did they watch Westerns? I don't get this. You can do comedy Westerns. | :07:47. | :07:55. | |
City Slickers was fantastic. But there is no point for this Are plain | :07:56. | :08:01. | |
spoof. For every ten shots, I did laugh once. `` no point in these | :08:02. | :08:14. | |
types of spoofs. And there is no chemistry with Charlize Theron, who | :08:15. | :08:20. | |
proves to be a good comedian. Seth MacFarlane is the dead centre and he | :08:21. | :08:24. | |
is the director and the actor. Who else can you blame? Nobody. And | :08:25. | :08:32. | |
you're best of the week is The Two Faces of January. Yes, an elegant | :08:33. | :08:35. | |
thriller packing in audiences slowly. There is no reason to see | :08:36. | :08:39. | |
this other than it being an old, elegant thriller, based on a British | :08:40. | :08:49. | |
type of film. There is a murderer. Whodunnit? It is quite obvious and | :08:50. | :08:55. | |
it is not very twisted but it is very elegant. Kirsten Dunst is very | :08:56. | :09:00. | |
good and Oscar Isaac plays a young American in this. I like it. It. It | :09:01. | :09:05. | |
transports you to another time as well. They don't make these films | :09:06. | :09:10. | |
any more. You might think, I know why, once you have watched it but I | :09:11. | :09:14. | |
enjoyed it had a great sense of style to it. Your DD `` DVD is | :09:15. | :09:24. | |
called Advanced Style but I have not heard of it. And that is why I am | :09:25. | :09:30. | |
here today. It was a fashion blog from some unimpressed by the old | :09:31. | :09:34. | |
ladies on the streets of New York. He used to tell them they looked | :09:35. | :09:36. | |
fantastic and take their photographs. It is a documentary | :09:37. | :09:41. | |
going into the lives of these stylish old ladies in Manhattan with | :09:42. | :09:45. | |
big cats and glasses. It is about expressing yourself in a certain | :09:46. | :09:49. | |
age, which is a demographic so undersold to and targeted by any | :09:50. | :09:54. | |
industry, that I found it extremely inspirational about keeping your | :09:55. | :09:58. | |
self`expression into old age. It is not about fashion. It is about | :09:59. | :10:03. | |
looking good and accessorising your way through it. It was a brilliant | :10:04. | :10:07. | |
documentary. Very funny, very rich and original. I have never heard of | :10:08. | :10:12. | |
anything like that. You could get some tips! Big glasses. I will wear | :10:13. | :10:18. | |
some crazy glasses next week. You will find more news and reviews from | :10:19. | :10:24. | |
across the BBC online. That is it for this week. Thank you for | :10:25. | :10:25. | |
watching and goodbye. us, a weekend in which we leap into | :10:26. | :10:45. | |
June. Time to look back at the statistics for May. Indeed the whole | :10:46. | :10:50. | |
of spring. It looks like it | :10:51. | :10:51. |