04/11/2015 The One Show


04/11/2015

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Tonight, we have a world exclusive from

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global superstar Adele, recorded live at the BBC, when she sang

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in front of a TV audience for the first time in nearly three years.

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That's not all, we have a whole evening packed with the

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We're recreating one of Norman Wisdom's most dangerous

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We're talking about the biggest TV talent show on telly with

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Strictly Come Dancing's Anton and Katie. Joining us in the studio.

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Please welcome the superstar singer who brought

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soul to rock and roll and the world class comedian who has, hopefully,

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brought some broadcastable one liners with him tonight,

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You wouldn't want to be a Rangers fan in here tonight. Listen. Have

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you met before you started singing together over there the pair of you?

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We go back a long way. Do you? We have the drinks in. Yes. These are

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rum and Coke. You are a fan. Oh. We know you are generous when it comes

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to getting a round in. Really? Apparently so. That is not

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reputation you have. I certainly haven't. How did yours happen. I was

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late for a gig. The train was delayed. I was two-and-a-half hours

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late for a show and 1,300 people waited because there is nothing else

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to do in Blackburn, presumably. I bought them all of a drink.

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APPLAUSE. Yours. Only two fans turned for me!

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No. I was in Las Vegas. It was the last show. There were so many Celtic

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supporters in the audience with their green and white shirts on. I I

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said, meet you over the road at ramies he played for Rangers. I

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think there was 60, 70. Cost me $5,000. Well worth it. Did it?

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Ramsay's. Dave has been handing the drinks out. We don't know who is

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paying for it. You can fight it out between the pair of you. We'll be

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fine. That's number four. Send us a picture of you with Jimmy

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or Rod and we'll see if they can tell whose fans are

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whose at the end of the show. Just a few of weeks ago we showed

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how farmers are using drones to Now, the police are getting in

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on the act. But with police spending under

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review, is it the kind of thing they Could this be the future of

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policing? An offender on-the-run. Chased on foot, but also from the

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air by a police drone. Can they really make a difference? Drones. A

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clever tool for fighting crime or simply a new toy for the police?

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I've been invited to Warwickshire Police headquarters as the force

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here is the latest to trial drones. They have spent ?5,000 on equipment

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alone. How useful are they? The Chief Inspector is heading the drone

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patrol. About public safety It's and support prosecutions. They have

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spent ?19,000 using drones. It has led to no arrests. Not money wisely

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spent? I would question arrests for a measure of success of these

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devices. We would say they have a part to play in catching criminals

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and a wider value in dealing with finding missing people, evidential

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purposes, all of which we currently use a helicopter for, which is a

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very, very expensive resource. With police helicopters costing roughly

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?800 an hour to fly. He has a point. Earlier this year it was announced

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that the police air service is to cut ten air bases. It's no surprise

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forces are looking for cheaper options. They are trialing drones in

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Dorset, dovn and Cornwall Police, Cumbria and the Met. Can they

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replace police helicopters? I'm not sure. You can't ply fly them at

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night, in the rain or if there are strong winds. The police's history

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of drone use has been patchy. Merseyside Police got a ticking off

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from the Civil Aviation Authority back in 2010 for flying one without

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the proper permission. The following year they crashed it into the

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Mersey. It it brought their venture with drones to a sorry end. I have

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broken into someone's house with microbar. I'm still quite fast. How

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fast is that drone? This shed is the house I've just burgled. Now, it's

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time for me to do a runner. This isn't real. In the new year this

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force could use the drones to track criminals. Their cameras sending

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back real time images of search areas up to a kilometer for the

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operator. If it rains harder, the drone will be forced to land. I will

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hide from the police. The drone is above me. Images from the drone help

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the officers on the ground track me down. The police dog looks like she

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means business. How did I do? I've been nicked. I may be fast, but I've

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been rumbled by the drone. Rain stopped play for the drone today

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much we head back indoors. At the controls were PC Mark Billingham and

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Police Community Support officers, Andy Stephenson. Do you think there

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will be a big use for the drones in the police force? In your scenario

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we found you. We could identify quickly that you had a weapon in

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your hands. That information could be passed on to officers in real

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time on the ground. The other aspect of missing person searches and

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things like that. That will just be another feather in the cap, if you

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like. The Warwickshire drones will be chasing real crooks in the new

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year. They certainly gave me a run for my money, but I don't like to be

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beaten. Not as young or fit as I used to be. I had a couple more

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miles left in my legs. I reckon I could get away. We had you in our

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sights. You had no chance. You might have wanted to wear a green jacket.

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Red was vibrant. Gave it away. It's not just the police trialling

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drones. Thinking of other emergency services, fire are grade? Fire and

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Rescue in man chest, have 24/7 op call. Will not replace the Fire

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Service. If they turn up to a call, shout out, it's bad, four or five

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fire engines called, they can send a drone up in the air, it can assess

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the situation. It can see where someone is lying, the heart of the

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fire. Safe for the fire brigade to go up there. It sends thermal images

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back as well. They can make decisions based on what they see

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from the drone. It's going down well there. The Ambulance Service is

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doing something similar. This is in Belgium. A drone that can take a

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defibrulator to a scene. Imagine you are in London and you had a cardiac

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arrest with traffic it could take ages to get there. The drone can

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find its way by using the signal from the mobile phone that made the

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emergency call. It can do 100 kilometers an hour. 12 kilometers in

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one minute. It sends images back. It isn't replacing the paramedics. The

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paramedics can look at the live footage and tell the person - It

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talks to them? Through the drone. It says, this is what you need to do.

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Place the pads here on the body. I think that happens in Casino Royale.

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He has that in the car. The James Bond movie. They've nicked it. This

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is James Bond with the rescue service. This is a rope bridge. A

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drone in Zurich, two researchers have made this. They use drones to

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actually build a bridge. It will be strong enough to support the weight

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of a grown man to walk across. It uses 120 meters of rope. That binds

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it altogether. The drone has a motor sized spool to adjust the tension.

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That could be used if you are in the Peak District. Someone has broken

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the leg. It would take two hours to walk around. You can build a bridge.

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Brilliant. Absolutely brilliant. He didn't come up with it, you know

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that? I know that. Great explanation. I still think bricks

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and concrete have a while to play. They have to dry. I wouldn't drive a

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car across it. My son is too young for that. As it walked away he

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landed on my head. This drone landed on my head quite soft. You know, it

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being loos like real hair! They have done a lovely job. He dyes it. I

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don't. Be proud of your hair. They are using these drones to deliver

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shopping now as well. The fourth emergency service. Where I go to my

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clic and collect. It's a rough area. This can deliver the shopping to you

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within half an hour's journey. Tell Rod's butler about it. You order

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your food. It can turn up, do a half another journey. Two bags of

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shopping. Hang on. Does she come with it? She has a nice birthday

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cake. There is shoplifters. If you saw that going down the street you

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would say, that is my shopping done. I'll have what they are having. You

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can talk to that contraption. If someone tries to nick it. It will

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talk to them. If you nick it, we're phoning the police. It's monitored

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by a control centre. We are seeing the future here. This is the future.

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It's striking, it really is. We want to talk to you about your model

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trains? Me. At this point. Why do you want to talk to me about my

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model trains. It's embarrassing. We got you a drone. That is why you

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landed on my head. It fits into that same category. You playing with

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trains. When you go on tour. You take your trains with you, is that

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right? No. Hold on. I don't take my train set. It's a scale model

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railroad. Oh, sorry. It's posh. When I go on tour, if I'm in a hotel

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room, they will give me a spare hotel room. What happens is I have

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tool kits, paints, you know, everything I need to build a project

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if I want to - stop laughing. That's how most people travel, Rod. That is

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how most people in this day and age will bring a spare room for their

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model train. You are such a rock What else could star. I have been?

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Look at this face. Let's change the subject. How big is your train set

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at home No, don't talk about my train set. I heard it's the size of

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a tennis court. It is. How do I get it up? How do you get it up! Shut

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up, shut up. You are at an age... This time last year we used our

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drone to film the firework display. Look at this footage. I bet you

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didn't get that back! On that theme of being in a firework.

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For Bonfire Night this year we've gone one better.

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This man will be strapping fireworks to himself and leaping out

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Tomorrow, I will be heading down to Land's End to prepare

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for the Rickshaw Challenge which is setting off at dawn on Friday.

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We've met five of the rickshaw riders already.

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The last one is an incredibly brave and strong young woman who

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A message of good luck. I want to wish all the people the luck in the

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world on the Rickshaw Challenge. We're all thinking of you. You're

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doing great. My name is Erin. I will take part in the Rickshaw Challenge

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for children in need. This is where I live with my mum, dad, brother,

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Max and dog, Bonnie. It was my 18th birthday yesterday. I had all the

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family around and a wee party in the house. I got loads of presents and

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cards and a Pudsey cake. When I was younger I was really active. I loved

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gymnastics. I was really sporty. When I was eight I got diagnosed

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with arthritis. It's all over my body. Every morning my dad would

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have to carry me out of my bed into a warm bath so I could start moving

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again because I couldn't even open my hands or I couldn't straighten my

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legs. My body was in shock with a lot of the pain. My body shakes

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uncontrollably. I'm on strong pain kills. Horse tranquillisers. People

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say it's an old person's disease and young kids don't get it. If they

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could live a day in Erin's life it would open people's eyes. She went

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through gruelling treatments. Hair falling out. Sickness. She's had

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years of not being able to attend school. It changed the whole

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family's life. It was quite quick. From being very mobile to having to

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be lifted out of her bed. Constant pain. Up all night. Crying with pain

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and stuff like that. We went from having someone who was bouncy. It

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was quite a dramatic impact on the family.

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Arthritis Care is a UK charity working with people of all ages. In

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Scotland we have got a couple of projects and one has been funded by

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children in need for a 10-18 -year-olds. It is hugely important

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to young people because they do not get many chances to meet other young

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people with arthritis and people who understand. The support that you get

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here is amazing. They are another family I have got. I can phoned them

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or text them whatever time in the night. I can meet up for copy or

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dinner if I feel like I just need to talk. I do not know what she would

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do without them because they are another lifeline. They teach a lot

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of emotional and life skills to help cope and it has been a really

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positive thing. I am so excited about taking part in the Rickshaw

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Challenge, I cannot wait. It is massively important for me to give

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something back. I do not know where I would be without them because they

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gave me my life back. Erin is very good at challenging herself and

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succeeding at things. It is made for her, it is perfect. I am looking to

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working together and cheering each other on. My big thing will be the

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pain of arthritis and knowing my limits and saying, that is enough, I

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will get back on the rickshaw later. I push myself and push myself. I am

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so proud of her. She will push herself, I can see her being bossy

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boots and telling people of to save her pedalling. I am taking part in

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the Rickshaw Challenge, but we need your help, so please donate. There

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you have the team which is now complete.

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Hope you feel better very soon, Erin.

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Tell our viewers how they can donate.

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To donate ?5 to Children in Need, text the word "team" to 7075.

:17:44.:17:47.

Or to donate ?10 text "team" to 70710.

:17:48.:17:51.

Texts will cost your donation, plus your standard network message

:17:52.:17:53.

All of your donation will go to Children in Need.

:17:54.:17:57.

You must be 16 or over and, please, ask for the bill payer's permission.

:17:58.:18:01.

For more information and full terms and conditions go to

:18:02.:18:03.

where you can also donate online if you want to give a different amount.

:18:04.:18:08.

The lines are open now so, please, get on your phone and start texting.

:18:09.:18:14.

Also remember, we are creating a gallery of givers so take a selfie

:18:15.:18:18.

All the details on the Children in Need page.

:18:19.:18:30.

We have been getting into the stunt recreation business and Gyles has

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already staged this classic stand from Some Mothers Do 'Ave 'Em,

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roller skating under a moving lorry. This week we are throwing a willing

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stuntman called Theo down some stairs all in the name of comedy.

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British film and television has a long-standing history with false and

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the one man who embodied this like no other was Norman Wisdom. There

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was one sequence the producers felt was too dangerous for the star to

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perform. The film was called A Stitch In Time and was released in

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1963. The sequence sees his character covered in bandages

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hurtling down a set of stairs in a wheelchair through a wall and onto a

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moving ambulance. It was in this movie filmed at Pinewood Studios

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that stuntman Tex Fuller was tasked with performing the now notorious

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sequence. But the experienced stuntman would not appear in the

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film. Norman's son, Nicholas, remembers his father's account of

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what happened that day. The most amazing story of the stitch in time,

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Bob Asher, the director, called him over and said you are not going to

:19:52.:19:58.

be happy, I have hired a stuntman. My father was flabbergasted because

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he could not believe he would do that. He said, I have hired a

:20:03.:20:07.

stuntman, this is far too dangerous. The stuntman came down

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the stairs and went through the wall and landed on the ambulance and went

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straight over the edge and injured himself so much he had to go to

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hospital. The mood in the camp was not good as you can imagine. Bob

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Asher came over to Norman and said, did you see that? What do you think?

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Norman said it would be a shame to waste all this set that you have got

:20:35.:20:40.

now, I will do it. Bob Asher was in a terrible position. He got

:20:41.:20:46.

everybody on set. Time was money. If anything happens to him, the film

:20:47.:20:51.

would not be completed. So he then said he could do it. Here we are all

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these years later remembering the sequence, what is the enduring

:20:58.:21:03.

appeal? It is just good clean comedy. He gives his audience what

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they wanted to see. I can remember watching A Stitch In Time at the

:21:10.:21:15.

cinema. At the end of the film everybody applauded. That was a

:21:16.:21:19.

fantastic feeling for me to hear that. Like many stunts, the seeming

:21:20.:21:29.

ease with which they are accomplished belies reality. It took

:21:30.:21:33.

a particular skill and some clever engineering to get that we'll show

:21:34.:21:38.

to write down those stairs. With that in mind we brought in our very

:21:39.:21:44.

own on show stunt team to try to recreate the famous steer sequence.

:21:45.:21:52.

The stunt coordinator is tasked with working out the logistics before the

:21:53.:21:59.

stuntman can attempt it. The stairs in the original sequence were

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purpose-built for the stands at Pinewood Studios. If you look

:22:04.:22:06.

closely you can see the shallow depth and gentle gradient of the

:22:07.:22:11.

steps, giving the wheelchair are much easier dissent than our team

:22:12.:22:16.

will have with the steps they have to work with. Jamie has discovered

:22:17.:22:21.

another problem, the wheelchair. As we have seen in the movie, the way

:22:22.:22:28.

the wheelchair was designed they ended up putting the front wheels on

:22:29.:22:32.

the back of the wheelchair and we are going to do the same thing. We

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are completely turning the wheelchair back on itself, reinforce

:22:37.:22:42.

the frame and change the seat position. If we did not do that, the

:22:43.:22:46.

performer would go down the stairs and tip up. With the initial tests

:22:47.:22:51.

done, they have sent the wheelchair to be rebuilt to the design used in

:22:52.:23:00.

A Stitch In Time. For as the steps are real and they are made of stone.

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Part two is coming up very soon. Jimmy, you are back on tour. I am

:23:08.:23:19.

always on tour. This is The Best Of Ultimate Gold Greatest Hits Tour. I

:23:20.:23:23.

did not want to confuse anyone with the name. But you are doing

:23:24.:23:27.

something quite brave, you are telling jokes you have already told

:23:28.:23:34.

before. Brave is maybe not the right word. According to the Independent

:23:35.:23:42.

it is either a genius or Acorn. Where do you stand? You go and see

:23:43.:23:48.

rock and roll groups and they knocked out the hits. Where would

:23:49.:23:51.

they be if you did not do Maggie May? There would be an uproar. But

:23:52.:24:00.

with the greatest hits it kind of can signal the beginning of the

:24:01.:24:05.

end. Oh, my God, she is retiring me. I thought it would be nice.

:24:06.:24:11.

You'd do corporate gigs occasionally and you do a greatest hits there and

:24:12.:24:14.

you knock out the old stuff that always works and you have a great

:24:15.:24:20.

show. Then you think, why don't I do that for people who come and see me

:24:21.:24:25.

every year. I have done about ten DVDs and 20 hours of jokes. I cannot

:24:26.:24:30.

remember it all. I am sure the audience will be fine. Let's look

:24:31.:24:36.

back. Do not play my stuff on your show, Ofcom will get involved. We

:24:37.:24:44.

have picked carefully, it is fine. If somebody recommend a book and

:24:45.:24:47.

they say, it is a page turner I think, I know how books work.

:24:48.:24:52.

British people are one inch taller than we were 20 years ago and that

:24:53.:24:57.

is because 20 years ago we were all children. I had this cab driver

:24:58.:25:01.

driving a black cab whistling and smiling and he said, I love my job,

:25:02.:25:07.

I am my own boss and nobody tells me what to do. I said, left here.

:25:08.:25:18.

Absolutely brilliant. I have cut down on carbohydrates since I told

:25:19.:25:22.

that joke. You have had to look back over the DVDs and what is the main

:25:23.:25:29.

difference? For a long time I looked as if my face had been shoved in a

:25:30.:25:34.

lift, it was slightly fatter. You get better as a performer. Do you

:25:35.:25:40.

look back at the early 70s? Oh, do not tell me about the early 70s. How

:25:41.:25:47.

you interpret the song and I know when you look back at the early

:25:48.:25:52.

stuff I think, I threw away that one-liner because I was so nervous

:25:53.:25:57.

on stage. I have got no training. You get better at what you do. And

:25:58.:26:04.

it is nice to go back and revisit. You have written books and all

:26:05.:26:10.

sorts. You are very thorough. It is a bit pseudo on occasion. I think I

:26:11.:26:16.

have got more rude. On the early stuff there is plenty you can play

:26:17.:26:20.

on the show, but now not so much. It is brutal. I do not swear that much.

:26:21.:26:31.

Rod is terrible. I do not know what I am doing here. Normally you have a

:26:32.:26:38.

deadpan expression, so when you are delivering all of these jokes, are

:26:39.:26:43.

you laughing inside? I did not laugh early on in my career because my

:26:44.:26:50.

love is so ridiculous. I laugh when I breathe in, so it is a strange

:26:51.:26:58.

goose noise. If I try and suppress it, it sounds like somebody has

:26:59.:27:03.

smuggled an owl into the room. It does. It is infectious.

:27:04.:27:09.

You say you were nervous when you first started and you have honed

:27:10.:27:14.

your skills, but your mum was a big believer. She said, you are good at

:27:15.:27:20.

this, go for this. She was an incredibly funny woman and that is

:27:21.:27:24.

why I wanted to get into it. She was so charismatic and she was a funny

:27:25.:27:28.

woman and everybody gravitated towards her. I thought, I will do

:27:29.:27:35.

that. It is a nice thing. Everybody asks what is your favourite joke,

:27:36.:27:39.

but when you are looking back through the archives, which joke

:27:40.:27:43.

were you more surprised by that you did not realise was funny at the

:27:44.:27:48.

time? I don't know, I am thinking of my all-time favourite joke that

:27:49.:27:52.

might work on this show. I asked a Welsh friend of mine how many

:27:53.:27:56.

partners he had in his life and he started to count and he fell asleep.

:27:57.:28:02.

That is just about all right, isn't it? I like the one about the stag

:28:03.:28:12.

and the meat, the stag meat. Venison is dear, isn't it? I wrote a 2 word

:28:13.:28:19.

joke which was to war shortage, so I could pack more jokes into the show.

:28:20.:28:24.

If you are a dwarf and you are offended, grow up. The Best Of

:28:25.:28:30.

Ultimate Gold Greatest Hits Tour starred in Peterborough on the 17th.

:28:31.:28:39.

Jimmy is great at playing the fool and Rod produces musical gold, so

:28:40.:28:44.

guess which mineral our Jim Hunter has been collecting in his latest

:28:45.:28:54.

film? This is a crowbar. Today I am heading towards one of

:28:55.:28:59.

the so-called Slate Islands on the West Coast of Scotland in search of

:29:00.:29:04.

a special crystal. For centuries this island was a world centre for

:29:05.:29:09.

slate quarrying and it is within those old quarries that I am

:29:10.:29:14.

searching for a semi-specialist stone called pyrite, also known as

:29:15.:29:21.

fool's gold. Despite measuring less than a mile long and wide, in its

:29:22.:29:26.

heyday, Easdale had seven working quarries. Everywhere you look on the

:29:27.:29:31.

island there is plenty of evidence of its industrial past, but what

:29:32.:29:36.

happened to all the quarries? Donald has lived on the island most of his

:29:37.:29:42.

life. Back in the day there were over 500 people living and working

:29:43.:29:45.

in the quarries when they were in full production. It was the peak of

:29:46.:29:52.

the industry, but in 1881 a massive storm hit the island and the tidal

:29:53.:29:58.

wave devastated the quarries and the industry almost overnight. What did

:29:59.:30:03.

the Quarry men do when they left? All the tools were in the bottom

:30:04.:30:08.

covered with water and there were no tools and no pay and the island went

:30:09.:30:13.

downhill at that point. Today Easdale has a population of around

:30:14.:30:17.

60 people and is one of the smallest, inhabited islands in the

:30:18.:30:23.

inner Hebrides. There are no roads, street lights or cars and the

:30:24.:30:26.

official mode of transport is the humble wheelbarrow,

:30:27.:30:31.

I am Rae off to the old slate quarry. What is special about the

:30:32.:30:40.

slate is that as well as the pitch black colour it has a rippling

:30:41.:30:46.

effect on its surface which distinguishes it from other British

:30:47.:30:50.

smoother slates. The reason why I'm here is because of the real beauty

:30:51.:30:55.

that lies within. Revealed by the simplest of taps. Beautiful. Once

:30:56.:31:03.

opened, you can see these gorgeous crystals of pyre rite glistening in

:31:04.:31:09.

the sun light. They naturally grow into these perfect cubic shapes. You

:31:10.:31:12.

can see when it's glisenning in the sun light, like this, that a lot of

:31:13.:31:16.

people were fooled into thinking it's gold. What I'm after are cube

:31:17.:31:21.

that is are around half a centimetre in size which can be found in larger

:31:22.:31:27.

pieces of slate. The best place to find them is in the undisturbed

:31:28.:31:35.

water-logged quarries. Here we go! , luckily the water is very clear. I

:31:36.:31:39.

can swim down the sloping quarry face to see if there are any big

:31:40.:31:46.

pieces of slate that could contain a nice amount of pirite. I found this

:31:47.:31:52.

piece of slate here. It's absolutely speckled with pirite. I hopefully I

:31:53.:31:57.

will be able to split it open and find nice crystals inside. Once I

:31:58.:32:00.

get the slate back Attapatu my workshop I can really start to

:32:01.:32:05.

create my piece of jewellery. I'm using a soft hammer, not a steel

:32:06.:32:09.

hammer, but a rubber hammer. That absorbs a bit of the impact so it's

:32:10.:32:16.

less likely to damage the crystals. Then, it's a case of cutting the

:32:17.:32:22.

slate down and choosing which cube to use. I had the idea of designing

:32:23.:32:27.

a complicating piece of jowl are you and set it with other gem stones.

:32:28.:32:32.

Now I've seen its raw beauty and I've changed my mind. You can see

:32:33.:32:37.

the cubic shape of the pirite embedded in the slate. It's

:32:38.:32:40.

naturally growing out of there. I'm going to leave leave it as it is

:32:41.:32:44.

with a simple silver setting and keep it as a pendant. He does lovely

:32:45.:32:57.

pendants as well. And lovely cufflinks all sorts. Rod, a new

:32:58.:33:01.

album, Another Country. We have the first track here, it's called

:33:02.:33:05.

Please. Let's hear it before we chat about it.

:33:06.:33:07.

# Stay with me tonight # Lay your head down next to mine

:33:08.:33:21.

# Stay with me tonight # Let's leave our troubles behind

:33:22.:33:25.

# Please! # What a note, Rod!

:33:26.:33:33.

APPLAUSE. A beautiful song. Try singing along

:33:34.:33:38.

to that at home. There is going to be terrible noises coming out of

:33:39.:33:43.

cars. Trying to hit the high note. That was a high one. You two are -

:33:44.:33:50.

You shouldn't have given us... It's family television. Behave. Speaking

:33:51.:33:57.

of which you are now singing in your own words age appropriate songs?

:33:58.:34:01.

That one Please is, yeah. It's, for want of a better word, the wife is

:34:02.:34:07.

watching. It's a pulling song. It's not Tonight's The Night,

:34:08.:34:16.

it's not Stay with Me, it's not Do, You Think, I'm Sexy. How many

:34:17.:34:21.

pulling songs did you write I had my moments. Write what you know. Have

:34:22.:34:26.

you taken up the mantle again, you have done a whole am bum. What is

:34:27.:34:29.

the difference. Did you have the moment when you thought - I can do

:34:30.:34:35.

it get. I put the autobiography together, Rod, unusual title. I

:34:36.:34:39.

thought, I had so many things to write about. It dawned on me I had

:34:40.:34:44.

tonnes of stuff to write about. That was the catalyst. That was the

:34:45.:34:48.

opening of the floodgates. I've continued. The song that you have

:34:49.:34:54.

written for your son. That is the most wonderful. Batman, Superman.

:34:55.:35:00.

He's watching. Let me tell him. I'm bringing this home for you my old

:35:01.:35:05.

mate. Talking about setting the scene and creating the image. It

:35:06.:35:08.

hits it perfectly. How was that process writing that song and

:35:09.:35:12.

putting that feeling down in words? Every night I'm the last one to say

:35:13.:35:16.

good night to him. He says - dad, read me a story much I go, what

:35:17.:35:21.

about? He says, make it up. What about? Bat Macman Superman or

:35:22.:35:27.

Spider-Man. So the song was written. He plays it when I'm away from home.

:35:28.:35:33.

When I'm on tur or something. When I come home he never plays it. It's

:35:34.:35:40.

weird. Bless him. Aidan. I never get to put my song to bed much I was

:35:41.:35:46.

listening to it and I got sad on the way Did you? Home. I'm going to cry.

:35:47.:35:54.

Have you got any kids? No. Plenty of time. You go through the writing

:35:55.:35:59.

process. You have to write loads of jokes they are one liners. You have

:36:00.:36:05.

to write 1,000 to get 250 good ones, is that true? The audience decide.

:36:06.:36:10.

There is a quote by an American comedian called Lenny Bruce he said,

:36:11.:36:14.

the audience is a genius. . Side what is and isn't funny. You tell

:36:15.:36:18.

and audience they will tell you what they like. Instantly. I bet Rod gets

:36:19.:36:27.

it. You will say this is the single. The audience will tell you what they

:36:28.:36:31.

are core keen on. As far as your venues, the size of them is

:36:32.:36:35.

concerned, they differ greatly. You do intimate. They are all stadiums?

:36:36.:36:41.

Next June, they are. Yeah. All my boys will be there. That feeling for

:36:42.:36:48.

you, do you prefer it. Is it getting loads of people in one place at one

:36:49.:36:54.

time or do you prefer the feeling. It's an outdoor show and the weather

:36:55.:36:57.

is great it has a carnival atmosphere. Everyone has a few

:36:58.:37:02.

tipples. They enjoy the show. When it's raining the British are great.

:37:03.:37:05.

They don't care. They are used to it. It's... I prefer both. I love

:37:06.:37:13.

the outdoor shows. I love the intimacy of, let's say - That venue

:37:14.:37:17.

in Las Vegas is incredible. People spend their lives in front of

:37:18.:37:22.

screens, computers and TVs. They like going out to stuff. To feel

:37:23.:37:26.

part of a crowd and sing-a-long. It's a will havely experience. You

:37:27.:37:32.

like to hear the ad libs. You don't like the big stages because of that?

:37:33.:37:36.

It's different with comedy. I want people at the back of the theatre to

:37:37.:37:40.

be able to shout out and be part of the show. The audience are a big

:37:41.:37:46.

part of it. I will write jokes, 70% 80%. On a good night it's the

:37:47.:37:50.

audience heckling and being rude to me. How do you go about writing a

:37:51.:37:58.

joke? Backwards. How do you mean The punch line and go back. How about my

:37:59.:38:06.

socks? Stripy jocks. They are absolutely useless and don't go with

:38:07.:38:10.

anything else I'm wearing. I just noticed. A sock joke. I'll work on

:38:11.:38:15.

it. We will get there. We will give you time. Thank you for the photos

:38:16.:38:18.

coming in with either of these two. We will do something with them. Is

:38:19.:38:20.

there anything we can show? Yes. Rod's tour starts in Norwich

:38:21.:38:25.

on the 4th June. Time now to return to that lethal

:38:26.:38:29.

looking stone staircase This is the moment that Gyles

:38:30.:38:32.

recreated the famous scene from Can our stunt team recreate the

:38:33.:38:54.

legendary Norman Wisdom stunt on a set of stone steps without breaking

:38:55.:38:59.

any bones? A special effects team has redesigned the wheelchair and

:39:00.:39:02.

run tests on it is durability ready for Theo and Jamie to plan the

:39:03.:39:08.

safest way to perform the stunt. I put a huge amount of trust in Jamie.

:39:09.:39:14.

He has more experience than I do. Once he feels that he has looked at

:39:15.:39:19.

every aspect safety wise, he's confident with that, that puts a

:39:20.:39:23.

huge amount of confidence in me to just do my job. Biggest issue we'll

:39:24.:39:29.

have is the chair flipping. Maybe catching the edge of the railing.

:39:30.:39:32.

Maybe the wheel getting caught and flipping me out of the chair.

:39:33.:39:36.

Throwing you down. You don't have brakes on there. If things start to

:39:37.:39:41.

go wrong, it's probably going to be a lot harder to sort things out.

:39:42.:39:47.

Then you are committed. I think it's very much getting the alignment

:39:48.:39:50.

right. Making sure the wheels are on track and then doing the best job.

:39:51.:39:55.

With the serious issue of not being able to control the wheelchair's

:39:56.:40:01.

speed, Jamie has deviced a safety system using rope -- devise. The

:40:02.:40:07.

rope will be attached to a 4x4. It will run through a series of Pulis

:40:08.:40:12.

before being fastened to the back of the wheelchair. The wheelchair speed

:40:13.:40:16.

can then be kept constant. With each rehearsal Theo is gaining confidence

:40:17.:40:19.

to attempt the stone steps without the rope system. Jamie has his

:40:20.:40:26.

concerns. I think what you're going to get now, looking at what you're

:40:27.:40:30.

doing now, you go from the top you will just be... I think it will be

:40:31.:40:39.

out of control. The teamsome now concerned that the wheelchair is

:40:40.:40:43.

taking a lot of punishment on the hard stone. There's no more time for

:40:44.:40:48.

rehearsals. Can Theo make it down from the top in one piece and

:40:49.:40:51.

without the rope? There's a lot of fuss about nothing

:40:52.:41:02.

going on here. I think it's about time that a true professional, like

:41:03.:41:07.

myself, showed these boys how to entertain an audience. This goes

:41:08.:41:10.

around here. That goes there. I'm telling you, Norman Wisdom

:41:11.:42:16.

earned that knighthood. Oh, anyone got a cushion!

:42:17.:42:21.

APPLAUSE. It worked! Very good. Have you two

:42:22.:42:36.

taken out insurance on Gyles, are you trying to kill him?

:42:37.:42:40.

In a moment we'll be meeting two of the stars of the biggest show

:42:41.:42:43.

Yes, Strictly Come Dancing's Anton and Katie are standing by

:42:44.:42:46.

and they're about to hear what two Strictly Superfans really think

:42:47.:42:49.

First, Mike is giving his own judgement

:42:50.:42:52.

Please welcome to the dancefloor, the Rufus Grasshopper.

:42:53.:42:58.

Across the UK the mating season brings out some pretty nifty dance

:42:59.:43:04.

moves. It isn't just the larger animals who strut their stuff in

:43:05.:43:09.

search of love. Deep in the undergrowth, here on the Devon

:43:10.:43:13.

coast, there is a tiny creature with a dance to rival any animal in the

:43:14.:43:21.

country. The grasshopper. There are over 10,000 species worldwide. Their

:43:22.:43:27.

preference for warmer cloy mates mean only 11 call the UK their home

:43:28.:43:33.

thechl are some of the most easily identified of all British insects

:43:34.:43:37.

thech have strong back legs, able to jump over 20 times their own body

:43:38.:43:41.

length. If you're not actually able to see them, you will certainly be

:43:42.:43:47.

able to hear them. Each species has its own unique sound. They make

:43:48.:43:52.

their sounds by rubbing their legs against their wings. Today I'm on

:43:53.:43:58.

the search for the Rufus Grasshopper. Their song is the key

:43:59.:44:03.

to finding them. There is no-one better at recognising this serenade

:44:04.:44:08.

than insect expert, John Walters. John, top tips for looking for this

:44:09.:44:12.

rare specialised grasshopper? It looks similar to the grasshoppers

:44:13.:44:18.

you would find in your garden. This has some amazing antennae, which you

:44:19.:44:24.

will see in a minute. It likes warm south facing grasslands with sun

:44:25.:44:29.

pockets in. With their distinctive call all around we split up to try

:44:30.:44:34.

and find some. Most grasshoppers pursue their mates purely with song.

:44:35.:44:38.

The Rufus Grasshopper has an extraordinary dance routine that I'm

:44:39.:44:44.

hoping to see. We soon hit the jackpot. Rod sets up his specialist

:44:45.:44:50.

micro camera. There is a female with a male waiting in the wings. We

:44:51.:44:55.

sneak in for a front row seat hoping to watch the romance build. They

:44:56.:44:59.

love living on these steep south-facing banks like this because

:45:00.:45:04.

it's a bit tricky to keep in position, almost sliding down here.

:45:05.:45:07.

These are sun traps, particularly this time of year. Here we go. He's

:45:08.:45:13.

going for it. He spotted the female. Trying to get head on so she can see

:45:14.:45:18.

the pouts. He is trying to get her attention. There we go. There we go.

:45:19.:45:23.

He has spotted her. Now will he do the display? Wonderful. Straight

:45:24.:45:30.

head on there. Now starting the lug clockwork motion. I love the way he

:45:31.:45:33.

ticks his head from side to side. It's gorgeous. Here we go, waggle of

:45:34.:45:40.

the pouts. There we go. He flicks them down. A little bit of a song.

:45:41.:45:45.

Chirping there. He is working his magic. What a dance.

:45:46.:46:18.

Despite his best effort it seems the mail's dance moves do not quite

:46:19.:46:25.

sweet this female off her feet. I have watched these hundreds of times

:46:26.:46:29.

and I have never ever seen the mail successfully caught the female. She

:46:30.:46:34.

is sitting there and letting him do a super display today. Look at that.

:46:35.:46:39.

Despite his best moves they were unlucky.

:46:40.:46:41.

Despite his best moves, unlucky grasshopper, I'm going to have to

:46:42.:46:43.

Talking of Strictly, we're joined by Anton and Katie now.

:46:44.:46:55.

It's been up and down for you two, but let's have a look

:46:56.:46:58.

at the dance that saw you top the leaderboard, the Waltz.

:46:59.:47:06.

CHEERING Oh, happy days.

:47:07.:47:30.

That was a good night. What is the planned for this weekend? More of

:47:31.:47:36.

the same. The quick step this weekend. How is that going? Not bad,

:47:37.:47:47.

I think he is quite good at it. You know you have to do a thing called a

:47:48.:47:54.

director's take and, look like you are interested, so we filmed it and

:47:55.:47:58.

sent it off to the director of the show. And we did it today for the

:47:59.:48:04.

first time and it went well. Normally it is an nightmare. It

:48:05.:48:07.

looked good, with all the steps in the right order. Go for it. It is OK

:48:08.:48:17.

for you. Because this has not happened a lot to you. Apart from

:48:18.:48:25.

when you were with Ann Widdecombe, what dads are you looking forward to

:48:26.:48:31.

doing with Katie? The quick step. I am looking forward to the quick step

:48:32.:48:35.

this week and there is a dance I have never had the opportunity to do

:48:36.:48:39.

on a Strictly Come Dancing, and that is the showdowns. Don't patronise

:48:40.:48:50.

me. I have never had the chance because I have never made the final.

:48:51.:49:01.

I have so much... So much to give. It is actually 15 minutes long and

:49:02.:49:04.

it will be a lovely surprise for Katie. Tonight you are going

:49:05.:49:09.

to be judged by members of the public.

:49:10.:49:13.

Please welcome Strictly Superfans, Carol and Derek Lea from Wigan.

:49:14.:49:21.

They know what they are talking about.

:49:22.:49:26.

You have been watching with interest as you do every year. Come over

:49:27.:49:34.

here, so we can see you. Top tips for Katie and Anton for this

:49:35.:49:41.

weekend. Katie and Anton, with Len being a purist, make sure that you

:49:42.:49:48.

can identify the dance that you are doing straightaway, not too much

:49:49.:49:53.

faffing about. OK, good. That is technical. Katie, I think you should

:49:54.:50:03.

loosen up, and you must feel the music and let it flow all through

:50:04.:50:07.

your body. You have got to feel the music. Right. This is 44 years of

:50:08.:50:17.

experience and we have got a wonderful picture of you both when

:50:18.:50:21.

you first met and you go dancing every week? I was 15 and he was 17

:50:22.:50:28.

and we met on the dance floor. And the first dance was a waltz. When

:50:29.:50:37.

Anton was born. We would love to see a cha-cha. You are good at that.

:50:38.:51:06.

That was beautiful. Derek and Carol Lea from Wigan.

:51:07.:51:15.

Now, Anita will be dancing the Jive this weekend on Strictly.

:51:16.:51:18.

First, here she is meeting a soldier who fully deserves the George Cross

:51:19.:51:27.

He's called Chris Finney and just wait until you hear his story.

:51:28.:51:39.

The 21st of March we went into Iraq. We were with the squad and within

:51:40.:51:49.

our troop of four vehicles, we were going very slowly between a small

:51:50.:51:56.

village and a river and it was a relatively straightforward task.

:51:57.:51:59.

What nobody realised was that flying overhead were two US tank buster

:52:00.:52:10.

aircrafts. The US crew had spotted that Chris and his convoy could not

:52:11.:52:14.

make up their minds as to who they were, where they friend or foe?

:52:15.:52:24.

Despite the pilot's concerns, the decision was taken to open fire. The

:52:25.:52:33.

ban was huge. There was an explosion and spots and flames all around and

:52:34.:52:38.

I did not know what was happening. Clearly our vehicle was destroyed or

:52:39.:52:43.

going to be. I heard Alan shouting, he was my gunner on the same vehicle

:52:44.:52:49.

is me. Alan had been shot in the leg and was trapped in the gun turret.

:52:50.:52:53.

Now engulfed in flames Chris made a snap decision to return to the

:52:54.:52:58.

vehicle. I grabbed Alan by his shirt and I dragged him around the front

:52:59.:53:05.

of the vehicle and I tapped him in so the vehicles would go over the

:53:06.:53:10.

top of us. The troops set up red smoke to signal they were allied

:53:11.:53:14.

force, but it was not enough and the tank busters return for another

:53:15.:53:18.

attack. Alan would have died if he had been left. This time Chris was

:53:19.:53:24.

hit as he shielded his comrades. I was losing a fair bit of blood and I

:53:25.:53:29.

lay down with Alan and I put my arm around him. I thought he was dead at

:53:30.:53:34.

the time. Despite his injuries Chris again thought of someone other than

:53:35.:53:39.

himself. The symmetry tank behind him was also on fire. I could still

:53:40.:53:44.

hear the gunner from that vehicle. He was clearly in trouble. Chris

:53:45.:53:50.

attempted a second rescue but the flames were too much. We went to

:53:51.:53:55.

have a look and you could not go in there. You wanted to give a shot to

:53:56.:54:03.

try and help, but unfortunately I could not. To help allied forces

:54:04.:54:09.

recognise one another each vehicle displays an agreed colour, but the

:54:10.:54:14.

Americans had mistaken the panels on Chris's convoy as rocket used by the

:54:15.:54:21.

enemy. Alan no longer wants to relive the event, but for the first

:54:22.:54:25.

time in six years Chris is being reunited with Paul Scott whose

:54:26.:54:29.

convoy was alongside Chris's when he saved Alan's life. Neither will

:54:30.:54:37.

forget that day. How are you doing? All right? Not bad. What was the

:54:38.:54:47.

first you knew something was up? I heard the attack and I assumed they

:54:48.:54:51.

were helping us out. Everyone was in shock trying to understand what had

:54:52.:54:57.

happened. The moment the US pilot realised their mistake is also on

:54:58.:55:06.

tape. British soldier Matty Hull lost his life. They overstepped the

:55:07.:55:16.

mark, it was just a day at the office. At 19 Chris Finney became

:55:17.:55:21.

the youngest ever military recipient of the George Cross. Instituted by

:55:22.:55:27.

King George VI at the height of the Blitz, it recognises civilian

:55:28.:55:30.

bravery and was awarded to Chris for an act of courage performed in the

:55:31.:55:39.

absence of the enemy. It is such a young age to do such a remarkable

:55:40.:55:44.

thing. It was pretty amazing. What did the Queen say to you? She said

:55:45.:55:50.

it had been a long time since she had given one before. If it were not

:55:51.:55:58.

for Chris's bravery that they more lives would have been lost. 75 years

:55:59.:56:04.

after the creation of the George Cross King George himself would say

:56:05.:56:07.

that Chris had done his country proud.

:56:08.:56:09.

There will be a Royal British Legion Festival of Rememberance this

:56:10.:56:12.

Rod, you are performing at the Royal Albert Hall, it must be a big

:56:13.:56:22.

honour. Of course it is. I have written a song. From all the stories

:56:23.:56:32.

my brothers and sisters Toby about my mum and dad and what London was

:56:33.:56:36.

like during the war, I have written a song about that. It is on the

:56:37.:56:43.

album. Yes. And that moment when the poppies fall. Do not tell me, I am

:56:44.:56:52.

going to cry. How can you do that without crying? There are plenty of

:56:53.:56:58.

rehearsals, so I get used to it. Are we finished? I have missed the

:56:59.:57:05.

football. We asked everybody to send in photos if they had met you.

:57:06.:57:10.

We have had hundreds. We are going to guess. Here is a picture of

:57:11.:57:18.

somebody, a lovely lady called Lillian. Who is it? It could be

:57:19.:57:31.

Anton? We are going Rod. Who could this be? Gemma has met somebody.

:57:32.:57:41.

With that bloody, old tweed jacket, it has to be you. The last one. This

:57:42.:57:56.

is Michael. It is on a train, so it is not him. Are you saying it is

:57:57.:58:06.

you? I have got to show this one that has come in. Dave's wide Pat

:58:07.:58:12.

has sent this one end. Why are you looking at me? There is my old mate

:58:13.:58:18.

at the end. And there is a little Rod Stewart. Where did you get that

:58:19.:58:26.

from? You can take that home. Can I really?

:58:27.:58:31.

Thanks to Rod Jimmy, Katie and Anton.

:58:32.:58:33.

Tickets for Jimmy and Rod's tours are on sale now,

:58:34.:58:35.

Rod's album Another Country is out now and of course Strictly will be

:58:36.:58:39.

If any thing that Rod or Jimmy have let slip tonight, we apologise.

:58:40.:58:51.

Tomorrow I'll be here with James Martin and Alexander Armstrong.

:58:52.:58:53.

I'm off to Lands End to start the Rickshaw Challenge so I'll see you

:58:54.:58:57.

Hello, I'm Sophie Long with your 90-second update.

:58:58.:59:10.

Flights to the UK from Sharm el-Sheikh in Egypt

:59:11.:59:13.

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