Browse content similar to 05/11/2015. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Alex Jones. | :00:15. | :00:18. | |
And the delicious James Martin. | :00:19. | :00:28. | |
She's only saying that because there is now he's on the table. I made | :00:29. | :00:40. | |
these. We had these because we had a really interesting film about sugar. | :00:41. | :00:44. | |
Unfortunately, we had to ditch it because we had something very big to | :00:45. | :00:49. | |
share with you as a world exclusive. On the show, you will see Adele | :00:50. | :00:53. | |
performed for the first time in three years in front of a TV | :00:54. | :00:59. | |
audience. It was especially recorded for the ABC and you will see it | :01:00. | :01:08. | |
first here tonight. Our other guest tonight was an accomplished | :01:09. | :01:11. | |
musician. You probably know him better as the pointless bloke on the | :01:12. | :01:16. | |
television. So happy to be here. Nice to be back on the sofa here | :01:17. | :01:22. | |
with you. First of all, do you want a brownie? Which is the sugary one? | :01:23. | :01:31. | |
You are here because this is your first album. Your first music album. | :01:32. | :01:36. | |
I thought it would be you introduced in your favourite songs somebody | :01:37. | :01:41. | |
else singing. But it is you. Yes, it is me. All my life, I have been a | :01:42. | :01:49. | |
singer. My training, actually was music. I was a chorister when I was | :01:50. | :01:54. | |
very little. I was a choir boy when I was little, a proper chorister | :01:55. | :02:01. | |
when I was seven onwards. I sang all the way up to 22. Then I thought, I | :02:02. | :02:05. | |
don't want to do this professionally. I go into comedy. No | :02:06. | :02:15. | |
one ever asked me to sing. I always had it on my CV. People would say, I | :02:16. | :02:22. | |
see you are trained at singing. You played instruments first? I play a | :02:23. | :02:28. | |
bit of piano but I am properly trained to sing. Semiprofessional. A | :02:29. | :02:38. | |
trained baritone. So we will have you later after Adele. What about | :02:39. | :02:41. | |
that? Adele is my warm up. Plus, James is here because | :02:42. | :02:49. | |
Matt is live in Land's End with Team Rickshaw on the night | :02:50. | :02:51. | |
before their challenge begins. We'll catch up with them all | :02:52. | :02:54. | |
in a bit. Let's not wait a moment longer - | :02:55. | :02:56. | |
It's been three years in the making, and now Adele has finally returned | :02:57. | :02:59. | |
with new music. for the BBC, and The One Show had a | :03:00. | :03:01. | |
front row seat. Adele has come a long way since her | :03:02. | :03:11. | |
TV debut in 2007. She captivated her audience with a stunning vocal | :03:12. | :03:13. | |
performance that captivated the audience. Since then, she has taken | :03:14. | :03:21. | |
the world by storm with two multiplatinum albums and other live | :03:22. | :03:29. | |
performances like this one at the Brits in 2011. Just a piano and that | :03:30. | :03:37. | |
voice. Then there are key stacks of awards, Grammys, Globe and others. | :03:38. | :03:51. | |
I'm delighted to be amongst the privileged few who get to see Adele | :03:52. | :03:57. | |
sing live for the first time on TV in nearly three years. With moments | :03:58. | :04:02. | |
to go before the curtain rises, I tracked down the host. It is amazing | :04:03. | :04:08. | |
for her to be singing the songster night after all her vocal surgery | :04:09. | :04:14. | |
and everything. She broke the Internet. It was more popular than | :04:15. | :04:20. | |
Kim Kardashian's bottom. That is a big thing right there. This ticket | :04:21. | :04:27. | |
is so hot and exclusive that the audience have two handed in their | :04:28. | :04:33. | |
phone before they come in. I was amazed. I've got a ticket! There | :04:34. | :04:40. | |
were tears. I was on repeat, hello, it's me after all these years. I am | :04:41. | :04:47. | |
so amazed. I can't believe I'm here tonight. First, some warm up | :04:48. | :04:57. | |
questions from Graham. Some people thought you were going to leave it | :04:58. | :05:02. | |
after two albums. I was very self-critical. I thought with 21 | :05:03. | :05:07. | |
being so successful it might be enough for everyone. I realised it | :05:08. | :05:12. | |
wasn't enough for me, so, sorry. I will make your ears bleed a bit | :05:13. | :05:17. | |
more. I wondered if I wanted to go back to it but obviously I do. I | :05:18. | :05:21. | |
wanted to make sure that everything was in place so I could do it | :05:22. | :05:25. | |
properly. I can't do anything else. This is all that I like doing. It | :05:26. | :05:32. | |
doesn't stop the rumour mill churning. Use this opportunity to | :05:33. | :05:38. | |
set the record straight. We are going to play rumour has it. Rumour | :05:39. | :05:49. | |
has it that you are not allowed access to your own tour account. I'm | :05:50. | :05:58. | |
not a drinker any more but when it first came out, I was always drunk | :05:59. | :06:09. | |
tweeting and nearly put my foot in it a few times. Now, someone else | :06:10. | :06:14. | |
has two sign it off. I write all my own tweets but somebody has to do | :06:15. | :06:20. | |
check it. And this was the moment that everybody was waiting for. | :06:21. | :06:39. | |
# I'm sorry for everything that I've done. | :06:40. | :06:51. | |
# I'm on the outside, at least I can see that I've changed. | :06:52. | :06:57. | |
# I'm sorry for breaking your heart. | :06:58. | :07:06. | |
# I hope it doesn't take you apart any more. APPLAUSE | :07:07. | :07:25. | |
Absolutely. The. How fantastic is that? I listen to it eight times on | :07:26. | :07:41. | |
Saturday night. And you can watch the full programme on BBC One. She | :07:42. | :07:48. | |
famously had some problems with her voice. Have you had any vocal | :07:49. | :08:01. | |
problems? Yesterday, I was doing my character on Pepa Pig and I started | :08:02. | :08:08. | |
croaking. Steam is the answer. Steam and cayenne pepper. That tends to | :08:09. | :08:11. | |
work. Nothing works better than two nights good sleep but often you | :08:12. | :08:18. | |
don't have time for that. Do you warm up your voice? I do weird | :08:19. | :08:33. | |
warm-ups. It's good. You need to find the right resonances. We are | :08:34. | :08:36. | |
glad that Adele has got hers back. This next film probably needs | :08:37. | :08:42. | |
the biggest safety warning we've Do not try and jump out | :08:43. | :08:44. | |
of a plane with fireworks strapped to your body, unless you are | :08:45. | :08:51. | |
a trained professional and it Daredevils have always attracted an | :08:52. | :09:05. | |
audience, partly because of the danger and bravery on show but what | :09:06. | :09:10. | |
could be left that can capture our imagination? Most people have | :09:11. | :09:18. | |
watched a fireworks display where they launch rockets into the sky. | :09:19. | :09:23. | |
What if we were to turn it around and launch them at the ground | :09:24. | :09:31. | |
instead? How might we go about that? Skydiver Dayne Kenny thinks he has | :09:32. | :09:35. | |
the answer and has spent two days rehearsing with the one show team. | :09:36. | :09:41. | |
He will become our very own human firework. What can possibly go | :09:42. | :09:50. | |
wrong? Quite a lot, actually. Especially when you are going to be | :09:51. | :09:58. | |
skydiving with these expenses. They are pyrotechnics. It is what they | :09:59. | :10:03. | |
use an festival stages and stuff like that. They will be attached to | :10:04. | :10:08. | |
my arms. I am going to have two lots on my arm. These clusters of 12 will | :10:09. | :10:16. | |
go on my boot like that, a cluster on each foot. They will have to go | :10:17. | :10:21. | |
off in a sequence so there is a continuous burn from the time I go | :10:22. | :10:31. | |
out until the time a -- I land. It is important that all the flares go | :10:32. | :10:38. | |
out before I open my canopy. They could damage the lines to the | :10:39. | :10:41. | |
parachute itself and I could be between the devil and the deep sea. | :10:42. | :10:47. | |
He will be setting off his in freefall. To give the best display | :10:48. | :10:54. | |
he wants to set off a second set of flares whilst the parachute is open. | :10:55. | :11:04. | |
His timing must be exact. To document this fact, we have enlisted | :11:05. | :11:08. | |
leak Regine turn our skydiving cameraman. I have filmed | :11:09. | :11:20. | |
pyrotechnics and skydivers before. I have to make sure I don't get in | :11:21. | :11:25. | |
range. A face full of sparks. It will have to be perfect timing. With | :11:26. | :11:34. | |
Jane and Lee attempting such a dangerous shot, timing has to be | :11:35. | :11:43. | |
crucial. The problem is that with weather deteriorating planes are | :11:44. | :11:46. | |
unable to fly preventing any more rehearsals. With the forecast | :11:47. | :11:51. | |
offering a brief window for the scheduled performance, they will | :11:52. | :11:56. | |
make their first and only jump with operational flares in front of an | :11:57. | :12:01. | |
expectant audience. With night falling, the crowds are gathering to | :12:02. | :12:08. | |
watch this one-off performance. I just hope that they haven't got | :12:09. | :12:15. | |
their wires crossed. Ladies and gentlemen, I give you the incredible | :12:16. | :12:16. | |
human firework! With the first part of the dive | :12:17. | :12:54. | |
complete, the parachute open, he ignites the flares to perform the | :12:55. | :12:57. | |
finale. APPLAUSE | :12:58. | :13:34. | |
That was pretty good. It was incredible. | :13:35. | :13:42. | |
Please don't strap fireworks to your body tonight and | :13:43. | :13:44. | |
What the scariest thing you have ever done. I once advertised a | :13:45. | :13:55. | |
delicious summary drink and they made me stand 120 feet up a tree. I | :13:56. | :14:03. | |
had a harness and everything. I would have only felt the benefit of | :14:04. | :14:08. | |
the harness if I fell off. There was just a guy at the bottom of the | :14:09. | :14:14. | |
crane. Basically, the only way I know if I am up to this is by | :14:15. | :14:19. | |
falling off. But you are still here to tell the tale. Thankfully. I | :14:20. | :14:26. | |
James the same question. He said this. James Martin! And that was | :14:27. | :14:46. | |
before the days of airbrushing. That was frightening. Never again. It was | :14:47. | :14:53. | |
when the Spice Girls were big at the time. They opened the show. They | :14:54. | :14:59. | |
asked everybody. Who would be stupid enough to do it? Five chefs. One of | :15:00. | :15:05. | |
the Spice Girls asked me where the toilet was. Because I was dressed as | :15:06. | :15:09. | |
a security guard. I walked her to the toilet! | :15:10. | :15:18. | |
You are here because of your first album? Yes, thank you. What is its | :15:19. | :15:29. | |
name? A Year Of Songs and it comes out tomorrow. There are some famous | :15:30. | :15:36. | |
songs. I put it on a CD player thinking Matt Monroe, the first one, | :15:37. | :15:43. | |
and it is using it. Yes, it is. There is an nice mixture on there. | :15:44. | :15:50. | |
There is a classical stuff and nice and popular classic songs like | :15:51. | :15:55. | |
Summertime. You have got an orchestra. Yes, and a key piece | :15:56. | :16:04. | |
orchestra and it is glorious. The producer has a very cinematic | :16:05. | :16:09. | |
palette. You get wonderful shades of bright and dark. It is wonderful. | :16:10. | :16:16. | |
Not only does it sound pretty good, but you have nailed the crooner | :16:17. | :16:22. | |
look. We have done research into this. There are three key points | :16:23. | :16:27. | |
that you have pulled off, and first of all it is the smart outfit. You | :16:28. | :16:33. | |
have the wistful look in your eye. And keep it all you have the | :16:34. | :16:40. | |
crooner's Li Na. And you are in good company because we have also done | :16:41. | :16:48. | |
some research. Leaning on a staircase. Barry Manilow. The | :16:49. | :16:55. | |
ultimate Welsh crooner. Leaning on a tree. How high up that tree is he? | :16:56. | :17:03. | |
And then we have got the other Welsh icon stuck in a cupboard. I went | :17:04. | :17:11. | |
slightly overboard on the leaning and they have photo shopped me into | :17:12. | :17:18. | |
a cupboard. But it was not only me who had a go because James Martin, | :17:19. | :17:24. | |
you pull it off quite well. That issue on the cover of one of your | :17:25. | :17:31. | |
books. Is that the magazine? A magazine for what? Slow cooking. It | :17:32. | :17:42. | |
is genuine. Music was in your blood as well all through your childhood. | :17:43. | :17:50. | |
You were a scholar. I finished up as a choral scholar. Classical music is | :17:51. | :17:54. | |
the only training I have. I have done it all the way through and I | :17:55. | :17:59. | |
have kept it up. Your lovely friend Andrew has been teaching me for some | :18:00. | :18:03. | |
years. I keep up with music lessons to keep the technique ticking over. | :18:04. | :18:10. | |
Finally, Tim Rice asked me if I would think in a concept. I saw you | :18:11. | :18:16. | |
do it and you were fantastic. Thank you, that went on telly last | :18:17. | :18:19. | |
Christmas and from there somebody said, you really saying. We cannot | :18:20. | :18:31. | |
put down things like horse riding or sword fighting on your CD, it came | :18:32. | :18:38. | |
from that. We went and spoke to your housemaster at Durham college. This | :18:39. | :18:45. | |
is what he said. We had an inter-house music competition that | :18:46. | :18:49. | |
Alex was supposed to be prepared for and he announced to 500 people that | :18:50. | :18:54. | |
the Moroccan folk song that he would sing in Arabic was genuine. It was | :18:55. | :18:59. | |
not. It was a concoction of weird noises that sounded like Arabic and | :19:00. | :19:05. | |
they had been very briefly rehearsed. Pure unadulterated | :19:06. | :19:13. | |
bluffing. But well done. Can we have a blast of that funny Arabic? I was | :19:14. | :19:27. | |
half joking. I remember it even to this day. Some of your classmates | :19:28. | :19:35. | |
are musicians as well. Five musicians, one pilot and two please | :19:36. | :19:40. | |
men. If you had gone down the route of music earlier, what would have | :19:41. | :19:44. | |
happened? I would not have been sitting here. Having done comedy I | :19:45. | :19:50. | |
was given privileged access in a slightly unfair way. Comedy was an | :19:51. | :19:55. | |
excuse to do music as well because we write songs for our show. I kind | :19:56. | :20:01. | |
of kept it going. I don't know where I would be. I would be a middle | :20:02. | :20:09. | |
ranking, not doing averagely well, performing in Dusseldorf. Do not | :20:10. | :20:13. | |
sell yourself short, it is a good album. A Year Of Songs is out | :20:14. | :20:15. | |
Children in Need night is nearly here, which means it's time to begin | :20:16. | :20:19. | |
There will be plenty of laughter, tears and money raised | :20:20. | :20:23. | |
along the way, and Matt will be with them for every mile of it. | :20:24. | :20:26. | |
Did you get there safely? It is all good so far, but we have not started | :20:27. | :20:36. | |
yet. The mist has now blown in here and I am underneath the famous sign | :20:37. | :20:41. | |
which displays how far the team has to go. The East End, 47 miles. I | :20:42. | :20:52. | |
wish, 477. Let me remind you how big total up. We head off to Padstow and | :20:53. | :21:00. | |
then Okehampton, Taunton, Bristol, Winchester, Brighton, Chatham and | :21:01. | :21:05. | |
hopefully arriving in the studio on Friday. I am not standing here alone | :21:06. | :21:14. | |
because I am joined by Team Rickshaw. In general, how are we | :21:15. | :21:26. | |
feeling? Fired up. Ten hours to go, final thoughts. Really excited, I | :21:27. | :21:32. | |
want to get going. Area I said last night you were not feeling so well. | :21:33. | :21:37. | |
You were checked out and what is the verdict? A chest infection, but I | :21:38. | :21:43. | |
will be fine because I am always fine. Just get on with it. On the | :21:44. | :21:50. | |
training side of things we know you had a few rough and tumble moment, | :21:51. | :21:57. | |
Lucy, but, George, how many laps of Richmond Park did you squeeze in | :21:58. | :22:01. | |
before you got on the train today? I did 14. That is 40 miles. I went | :22:02. | :22:13. | |
there and all the way back home to ham. You are cycling a bit further | :22:14. | :22:19. | |
than that on this trip. It is not just the trip, they have to do a | :22:20. | :22:26. | |
speech in front of an enormous crowd. We sent Elliott of 21 big | :22:27. | :22:39. | |
night at Wembley. Elliott, make sure you look at the | :22:40. | :22:44. | |
audience and imagine they all love you. That is important. Two minutes. | :22:45. | :22:52. | |
We have somebody very special and his name is Elliott. Two years ago | :22:53. | :22:59. | |
my life was turned totally upside down. I had not been feeling very | :23:00. | :23:04. | |
well. After some tests they told me I had Hodgkin's lymphoma, a type of | :23:05. | :23:10. | |
cancer. That was a real shock. I had never been ill and now I had | :23:11. | :23:14. | |
something that could possibly kill me. I had chemotherapy which made me | :23:15. | :23:20. | |
feel ill for days. I also took pills which would make me gain a lot of | :23:21. | :23:26. | |
weight. I would wake up in the morning feeling really bad and in a | :23:27. | :23:30. | |
horrible mood. It was such a relief to find teams unite, a charity that | :23:31. | :23:39. | |
has pulled together teenagers with cancer and they understand what I am | :23:40. | :23:43. | |
going through. My cancer is in remission, but it has not completely | :23:44. | :23:53. | |
gone away. Please donate if you can. Your money could help people like me | :23:54. | :24:07. | |
and many others. Thank you. Elliott, what was it like to feel | :24:08. | :24:13. | |
that support at Wembley? It was absolutely amazing. I did not expect | :24:14. | :24:18. | |
them to support me as well as they did, it was a once-in-a-lifetime | :24:19. | :24:22. | |
opportunity and I was glad to get it. You just wait, team, until you | :24:23. | :24:28. | |
hear the support of Great Britain, they will be right behind you all | :24:29. | :24:32. | |
the way. Now we need the rickshaw and here it comes. Courtesy of the | :24:33. | :24:39. | |
Royal Navy air Station of cold rows. What an arrival. From here on it is | :24:40. | :24:44. | |
all about you and you will be powering it. Who is going to be the | :24:45. | :24:50. | |
first one up? Before we remind everybody of the route we are taking | :24:51. | :24:57. | |
tomorrow, 60.21 miles, the first rider up at 5am will be... Lucy, it | :24:58. | :25:07. | |
is you. You will have to get a good night's sleep. If you do not mind, | :25:08. | :25:15. | |
Alex and James, would you remind everybody from your nice one studio | :25:16. | :25:19. | |
have everybody can follow this very adventurous trip. | :25:20. | :25:22. | |
Thanks, Matt, and you can track Team Rickshaw's | :25:23. | :25:24. | |
progress throughout their challenge online, the link's on our website. | :25:25. | :25:30. | |
To donate ?5 to Children in Need, text the word TEAM to 70705. | :25:31. | :25:37. | |
Texts will cost your donation plus your standard | :25:38. | :25:45. | |
All of your donation will go to Children in Need. | :25:46. | :25:50. | |
You must be 16 or over and please ask for the bill payer's permission. | :25:51. | :25:54. | |
For more information and full terms and conditions go to | :25:55. | :25:56. | |
where you can also donate online if you want to give a different amount. | :25:57. | :26:09. | |
After that speech somebody will I am sure. You are about to sing. Do you | :26:10. | :26:18. | |
get nervous? Yes, really nervous. Well, it is time. Thank you very | :26:19. | :26:24. | |
much, it has been lovely to see you. Looking forward to it. | :26:25. | :26:30. | |
If you've already donated, we've been asking you to send a | :26:31. | :26:33. | |
photo so we can say a proper thank you, so watch out during Xander's | :26:34. | :26:36. | |
Thank you for your company, James. Can I have a brownie now? | :26:37. | :26:47. | |
Tomorrow Matt will be live in Padstow to greet Team Rickshaw, | :26:48. | :26:50. | |
and here to help me cheer them in are David Walliams and British | :26:51. | :26:53. | |
We'll leave you with the dulcet tones of Alexander | :26:54. | :26:56. | |
Armstrong from his new album A Year of Songs, it's On Days Like These. | :26:57. | :27:05. | |
# On days like these when skies are blue and fields are green | :27:06. | :27:13. | |
# I look around and think about what might have been | :27:14. | :27:23. | |
# And then I hear sweet music float around my head | :27:24. | :27:33. | |
# As I recall the many things we left unsaid | :27:34. | :27:44. | |
# It's on days like these that I remember | :27:45. | :27:53. | |
# While your eyes played games with mine | :27:54. | :28:04. | |
# On days like these I wonder what became of you | :28:05. | :28:14. | |
# Maybe today you are singing songs with someone new | :28:15. | :28:24. | |
# I'd like to think you're walking by those willow trees | :28:25. | :28:34. | |
# Remembering the love we knew on days like these | :28:35. | :28:46. | |
# It's on days like these that I remember | :28:47. | :28:53. | |
# While your eyes played games with mine | :28:54. | :29:05. | |
# On days like these I wonder what became of you | :29:06. | :29:19. |