Browse content similar to 08/07/2016. Check below for episodes and series from the same categories and more!
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# It's a kind of magic # It's a kind of magic... # | :00:14. | :00:22. | |
Time for The One Show with Alex Jones and tonight's guest presenter. | :00:23. | :00:26. | |
You know what? With the magic of television, we got away with that. | :00:27. | :00:28. | |
We did, yeah. You will have to push! You looked in pain. Hello and | :00:29. | :00:45. | |
welcome to The One Show with Alex Jones. And Craig Charles! Lovely to | :00:46. | :00:52. | |
see you, Craig. So, on the way to work, I saw Craig | :00:53. | :00:57. | |
outside and was very shocked to see him in a wheelchair. What's | :00:58. | :01:01. | |
happened? I was hosting Steve Wright's Show on BBC Radio Two last | :01:02. | :01:05. | |
week. I did the Monday and Tuesday fine. On the Wednesday, I slipped in | :01:06. | :01:09. | |
the bathroom... On what? On the floor and lacerated myself on a | :01:10. | :01:13. | |
piece of glass. Severed all the tendons. Had a four-hour operation. | :01:14. | :01:19. | |
I still made the show for Friday! Is it painful? A bit. It is a scratch! | :01:20. | :01:26. | |
It's not. I saw the picture. Lovely to have you here. Cheers! Tonight, | :01:27. | :01:32. | |
we will be joined by Ben Hart, illusionist, who has been warming up | :01:33. | :01:41. | |
outside. This is amazing. How did he do that? If only I could fold the | :01:42. | :01:48. | |
laundry that quickly! Inside keeping our sofa warm, we have the host of | :01:49. | :01:55. | |
BBC's latest live extravaganza, Peter Snow and Hannah Fry. Nice to | :01:56. | :02:00. | |
see you. They are hosting Trainspotting Live. When I think of | :02:01. | :02:05. | |
trainspotting, I think of a certain film or men with a flask of tea and | :02:06. | :02:11. | |
fish-paste sandwiches on a train station writing things down in a | :02:12. | :02:15. | |
book. Which one is it? Those guys writing things down in the book, | :02:16. | :02:18. | |
they are the front-line, they are the trainspotters. | :02:19. | :02:29. | |
Us raise enthusiasts, we will watch the programme. It is about the | :02:30. | :02:34. | |
railway network. What we are trying to do is get people excited about it | :02:35. | :02:39. | |
and report to us - we will be going all over the country with cameras | :02:40. | :02:42. | |
watching the trains flying past. We will talk about the history of the | :02:43. | :02:48. | |
trains. And have them telling us what they see as they watch at their | :02:49. | :02:53. | |
various places. Send us in the picture and we will talk about it. | :02:54. | :02:58. | |
You have sold it already! We will talk more about it later on. You | :02:59. | :03:03. | |
want people to get involved. We will let them know how. Are you ready to | :03:04. | :03:08. | |
become glamorous assistants? Ben pinpointed you out and said you were | :03:09. | :03:14. | |
perfect. OK. Andy Murray is through to the final at Wimbledon. You have | :03:15. | :03:21. | |
probably just seen it! And what a journey Wales have had this month | :03:22. | :03:28. | |
after reaching a first major tournament since 1958 and making it | :03:29. | :03:33. | |
to the semi-finals. It is some story. We were close to becoming the | :03:34. | :03:37. | |
first British side to reach a final in half a century. Now the | :03:38. | :03:40. | |
tournament may be over for them. Their moment in the sun still goes | :03:41. | :03:45. | |
on. Today, they arrived home to a much-deserved hero's welcome. | :03:46. | :03:51. | |
So, they flew in to Cardiff Airport, then they went to the castle, a | :03:52. | :03:57. | |
brilliant place to get married, 100,000 people came out to support | :03:58. | :04:01. | |
them. The atmosphere was fantastic. From lunch time, the crowds were | :04:02. | :04:05. | |
four or five-deep. They make the journey all the way through the city | :04:06. | :04:09. | |
centre and as the Manic Street Preachers said, it is like a | :04:10. | :04:13. | |
beautiful dream. They were waiting for them at the stadium. This is | :04:14. | :04:16. | |
what's been happening there in the last half an hour. | :04:17. | :04:30. | |
# Come on and set the world alight # So come on Wales | :04:31. | :04:37. | |
# So come on Wales... # It is quite emotional watching those | :04:38. | :05:10. | |
pictures. It would be fantastic to be in Cardiff today. We have all | :05:11. | :05:16. | |
been Welsh this week! You were all welcoming. Did you watch the match? | :05:17. | :05:21. | |
My wife was born in Wales so I had no choice whatever. I did indeed. I | :05:22. | :05:25. | |
thought Wales were going to win. They had possession all through the | :05:26. | :05:31. | |
first half. Portugal played so badly throughout the tournament I thought | :05:32. | :05:39. | |
Wales were in with a chance. I thought the games they were going to | :05:40. | :05:44. | |
lose, they won. Did you do any probabilities on it, Hannah? I tried | :05:45. | :05:50. | |
to. It is best to ignore the betting odds and go with your gut. It has | :05:51. | :05:54. | |
been like a dream. They played so well. The pride in all of us, the | :05:55. | :05:59. | |
fire in our bellies has been incredible. Thank you. What is | :06:00. | :06:03. | |
Cardiff going to be like tonight? There will be some messy people! | :06:04. | :06:11. | |
Peter, we trust that, as an esteemed broadcaster, you would never be an | :06:12. | :06:16. | |
embarrassing dad, not even when you donned a loincloth for Children In | :06:17. | :06:19. | |
Need and sang King of the Swingers. What were you doing here? Did you | :06:20. | :06:25. | |
see that picture? Was that for Children In Need? It was. Not one of | :06:26. | :06:33. | |
the best moments of my life. You made a good Tarzan! It was great | :06:34. | :06:41. | |
fun. It made people laugh. We called Dan and he said, you have done many | :06:42. | :06:44. | |
things as an embarrassing dad, especially when he bought you a pair | :06:45. | :06:49. | |
of boxer shorts and you thought they were outdoor shorts and wore them | :06:50. | :06:57. | |
outside. No? Oh dear. Naughty Dan. Peter, it is safe to say, you don't | :06:58. | :07:01. | |
come close to the man in our next film. We think we have found | :07:02. | :07:05. | |
Britain's most embarrassing dad. We have sent Larry Lamb to expose him. | :07:06. | :07:13. | |
My kids accuse me of being an embarrassing dad for dancing in | :07:14. | :07:17. | |
public. I wonder what they would say if I did that. The guy in the | :07:18. | :07:21. | |
picture, Mark Roberts, has appeared in all his glory at more than 500 | :07:22. | :07:27. | |
events around the world. One of the cheekiest was the Wimbledon men's | :07:28. | :07:32. | |
finals in 2002. I was a bit ashamed. My dad was running around with no | :07:33. | :07:37. | |
clothes on. I can't think of anybody else that would make me laugh as | :07:38. | :07:41. | |
much as Mark does. He asked me, could I do The X Factor and I said | :07:42. | :07:46. | |
no, because all my friends would have been watching and they would | :07:47. | :07:49. | |
have been talking in school. So I said no. Mark makes money from | :07:50. | :07:59. | |
part-time work as a painter and decorator and from firms that | :08:00. | :08:02. | |
sponsor him. I am surprised to see you with your clothes on. Don't some | :08:03. | :08:07. | |
people find it eccentric doing the streaking business? Some people like | :08:08. | :08:11. | |
to sit at home and watch the telly with their slippers and a pipe. I | :08:12. | :08:14. | |
like to live on the edge. I have paid more fines than anything else. | :08:15. | :08:18. | |
I have paid thousands. It is not about money. It is about having an | :08:19. | :08:23. | |
idea, seeing it through and accomplishing that end goal. I have | :08:24. | :08:27. | |
a tattoo. That is your philosophy? If you can think it, you can do it! | :08:28. | :08:33. | |
As I grow older, I realised I am used to the fact he does what he | :08:34. | :08:38. | |
does. He's known all over the world. He's been on the news so many times. | :08:39. | :08:52. | |
You look like you are in good shape. I suppose you have to? Not as good | :08:53. | :08:59. | |
as I used to be! The only keep-fit part is, when I'm running away from | :09:00. | :09:02. | |
the police and security. You have to be quick. The most important part is | :09:03. | :09:06. | |
timing. I can get my clothes off in 2.8 seconds. Show us. My pants, they | :09:07. | :09:13. | |
are all velcro. All the way down? And down the back... Did you make | :09:14. | :09:18. | |
them yourself? I have a seamstress to do them. Mark remembers worrying | :09:19. | :09:22. | |
at Wimbledon that he wouldn't get on to the court. When he did, he said | :09:23. | :09:27. | |
the crowd went wild. The whole stadium was in uproar. What about | :09:28. | :09:36. | |
the finalists? I have found that it relaxes the players. They just | :09:37. | :09:40. | |
laugh. Yes, they chill out and they can think more calmly. I'm not so | :09:41. | :09:48. | |
sure. Right, I have brought you to a place that was made for you, Mark. | :09:49. | :09:53. | |
Looks rather anonymous from the outside. Inside, it is different. | :09:54. | :10:01. | |
Customers and staff all go naked. You are having a giraffe! It is a | :10:02. | :10:09. | |
new concept, when you arrive you go to a changing room and you put on a | :10:10. | :10:14. | |
gown. Then when you get to your table, if you want, you can take the | :10:15. | :10:22. | |
gown off. Well, nobody's taken the plunge? Don't get your kit off, dad. | :10:23. | :10:31. | |
You are joking. On the beach, he keeps the towel around his waist. | :10:32. | :10:35. | |
Have you been around when your dad has been streaking? No, definitely | :10:36. | :10:40. | |
not! So, when was the first time you went off with Mark on a streaking | :10:41. | :10:45. | |
adventure? It was a play in Liverpool called the Ale House, | :10:46. | :10:50. | |
which was set in a pub with lots of characters, so, of course, Mark, | :10:51. | :10:53. | |
being the character he is, decided to jump on. What Mark is doing is | :10:54. | :10:59. | |
illegal. Time and again he's hauled away and ends up in court. His | :11:00. | :11:07. | |
verdict? The law is an ass! I get charged with causing distress to the | :11:08. | :11:11. | |
public. I have 56,000 people cheering every time I have done it. | :11:12. | :11:14. | |
Not a lot of cheering here at the Tate. A German artist asked him to | :11:15. | :11:19. | |
streak to test how a cultured audience reacted. I group of women | :11:20. | :11:24. | |
said, are you an exhibit? I said I am what you want me to be, my love. | :11:25. | :11:30. | |
What next? Should they worry at the Rio Olympics? Mark says he has | :11:31. | :11:37. | |
ripped open the velcro for the last time! | :11:38. | :11:43. | |
He is not here. Let's hope not. What Mark used to do is illegal, as well | :11:44. | :11:47. | |
as embarrassing. It is not to be recommended. Was your dad an | :11:48. | :11:51. | |
embarrassment? He has been pretty good. Back in the day, when we were | :11:52. | :11:55. | |
in an Indian restaurant, they brought the flannels round. Dad had | :11:56. | :11:59. | |
had a few and went to eat the flannel because he thought it was | :12:00. | :12:02. | |
the first appetiser. We should put him on the end of the platform at | :12:03. | :12:08. | |
Doncaster and the trains would come to a complete stop. My dad used to | :12:09. | :12:15. | |
pass wind at will. He could press there and go pffrrt! Amazing(!) He | :12:16. | :12:24. | |
would walk up the stairs like that - pffrrtt! Let's talk about your show. | :12:25. | :12:32. | |
The trainspotters on the platforms, you are the anchor, Dick Strawbridge | :12:33. | :12:35. | |
is the engineer and Hannah, you will be providing the maths. How does | :12:36. | :12:40. | |
maths fit in? There is a surprising amount of mathematics that goes into | :12:41. | :12:45. | |
running the railway, designing it, keeping it going. The timetables, | :12:46. | :12:50. | |
when you see the timetables across the entire country, the amount of | :12:51. | :12:54. | |
maths that is required and just how crowded the network is, it is eye | :12:55. | :12:58. | |
watering, the complexity of things that people are dealing with. You | :12:59. | :13:01. | |
imagine, when you are on your commute to work, can't they add an | :13:02. | :13:06. | |
extra train in? They are dealing with fast trains, slow trains, local | :13:07. | :13:11. | |
trains, Intercity trains, freight trains, the Queen's trains. It is | :13:12. | :13:17. | |
like spinning plates... Is it right that say if somebody jams a bag in | :13:18. | :13:22. | |
the door, that can affect a train hundreds of miles away? Absolutely. | :13:23. | :13:28. | |
It doesn't occur to you, really, in your normal train journeys, but | :13:29. | :13:32. | |
things are run so tightly and to such precision that one train being | :13:33. | :13:35. | |
late, you can't possibly have two trains on the same place, on the | :13:36. | :13:40. | |
same track in the same time. If something is running late, that has | :13:41. | :13:43. | |
a knock-on effect on another train, on another train, and it can have an | :13:44. | :13:49. | |
impact that runs the entire length of the country. | :13:50. | :13:53. | |
And your love of trains, Peter, stemmed from a very young age, tell | :13:54. | :14:00. | |
us about your dream attic. It's a dream attic, that came later. My | :14:01. | :14:05. | |
parents said the first word I ever said was choo-choo. I had a great | :14:06. | :14:13. | |
big yellow train when I was a kid. Now we have an attic at home and the | :14:14. | :14:17. | |
great thing is if you have an attic with stairs going up in the middle, | :14:18. | :14:20. | |
you must put a train round it. Their riches. You can see pictures of our | :14:21. | :14:26. | |
train. Is it right that the train used to come into the bathroom in | :14:27. | :14:30. | |
the last house with a bottle of shampoo on it? Who told you that? | :14:31. | :14:35. | |
Yes, that did happen, it went around the top floor. I'd say, send me some | :14:36. | :14:41. | |
shampoo, my wife would put the shampoo... A drink of beer... In the | :14:42. | :14:45. | |
little truck, it would come through into the bathroom. Amazing. For | :14:46. | :14:51. | |
those of us who haven't taken up the hobby, that CU telling us where we | :14:52. | :14:57. | |
should start. Traditional camera spot as tools. Only spot from public | :14:58. | :15:03. | |
land, no trespassing, never though one of the tracks. Note flash | :15:04. | :15:08. | |
photography. Stations are privately owned, so if you spot from one, let | :15:09. | :15:12. | |
the staff know you are there. Anorak isn't obligatory but make sure you | :15:13. | :15:22. | |
dress for the weather. APPLAUSE When you talk about Trainspotting, | :15:23. | :15:27. | |
what are you actually spotting? Trainspotting, that kind of | :15:28. | :15:29. | |
Trainspotting is really serious spotting with a notebook, making a | :15:30. | :15:33. | |
note of the numbers, we hope people will do a bit of that, at the real | :15:34. | :15:37. | |
thing is the enthusiasm for the railways, the fun of watching these | :15:38. | :15:42. | |
marvellous vehicles, incredible contraptions, steam, diesel, | :15:43. | :15:47. | |
electric. Taking people all over the country, in huge comfort, the power, | :15:48. | :15:51. | |
the speed of them, it's so exciting. We want to get people involved in | :15:52. | :15:55. | |
the next week, Monday, Tuesday, Wednesday, telling us what they've | :15:56. | :15:59. | |
seen, what they are enjoying seeing, we'll talk to train spotters on the | :16:00. | :16:02. | |
platform. If you want to get involved please can they get hold of | :16:03. | :16:12. | |
us on BBC .co .uk, the website,/ Trainspotting Live. I assume you | :16:13. | :16:19. | |
haven't done loads with trains before, what have you learned about | :16:20. | :16:22. | |
trains, what has captured your imagination? There's an awful lot. | :16:23. | :16:28. | |
Ultimately the thing I like the most about the railway in Britain is how | :16:29. | :16:32. | |
much it connects us to our history, our shared cultural history. | :16:33. | :16:36. | |
Probably my favourite thing so far is that it was the railway that gave | :16:37. | :16:41. | |
us the same time across the entire country, so before the railway came | :16:42. | :16:44. | |
in we were all running two different times. You'd have the sundial, the | :16:45. | :16:51. | |
local church clock, exactly... You would set your clock spy. As soon as | :16:52. | :16:54. | |
you had the railway, trains running up and down the country, you | :16:55. | :16:57. | |
couldn't have them crossing time zones every 20 minutes. It was the | :16:58. | :17:02. | |
railway that forced the need to create Greenwich mean Time, which is | :17:03. | :17:10. | |
an approximation of solar time, an equation that averages out the way | :17:11. | :17:14. | |
the solar time works the course of the year. That was the thing that | :17:15. | :17:19. | |
went across Britain and gave us all exactly the same time. We look | :17:20. | :17:23. | |
forward to seeing it, Trainspotting Live starts Monday night on BBC | :17:24. | :17:28. | |
Four. We'll bring you some amazing magic with a man from west end show | :17:29. | :17:36. | |
that features women and men doing magic. Angelica Bauer has been | :17:37. | :17:40. | |
finding out more about women doing magic. -- Angellica Bell. Harry | :17:41. | :17:43. | |
, Paul Daniels and dynamo easily come to mind. But it's almost | :17:44. | :17:55. | |
impossible to can drop any females. One woman bucking this trend is | :17:56. | :17:59. | |
23-year-old Megan Knowles bacon, who last year became the first female | :18:00. | :18:06. | |
secretary of the Magic Circle. She combines the two great loves in her | :18:07. | :18:11. | |
life, magic and ballet dancing. Magic was really created with women | :18:12. | :18:14. | |
in mind, generally men have performed in tail suit in the past, | :18:15. | :18:18. | |
these have lots of pockets and long sleeves which is really good for | :18:19. | :18:21. | |
magic. Women's clothes don't have this. A man's hand are slightly | :18:22. | :18:26. | |
larger, so there are quite a few tricks that might be easier to do | :18:27. | :18:29. | |
with larger hands, but it's not to say you can't do them. You have to | :18:30. | :18:33. | |
be clever, adapt things more. Like you do in your act. I perform in a | :18:34. | :18:38. | |
tutu, not something many men would perform in, but it works for me. | :18:39. | :18:42. | |
What does this lot make of Megan's style of magic? It's great to see a | :18:43. | :18:47. | |
female magician who has managed to own the tricks without the need for | :18:48. | :18:51. | |
a top hat or jacket. I love the combination of ballet and magic, | :18:52. | :18:57. | |
it's amazing. Megan represents a new generation of female magicians | :18:58. | :18:59. | |
stepping into the spotlight, each one having a debt of gratitude to | :19:00. | :19:04. | |
the bullet catching Adelaide Herrmann. Known as the Queen of | :19:05. | :19:09. | |
magic, Adelaide Herrmann became one of the great first female magicians | :19:10. | :19:14. | |
in history. I've come deep into the magic circle to meet an avid | :19:15. | :19:18. | |
Adelaide fan. Its president, Scott Penrose. Adelaide was born 1853 | :19:19. | :19:25. | |
London by Belgian parents. She was a dancer by trade. She met Alexander | :19:26. | :19:32. | |
Herman, this great magician, fell in love, got married, then she became | :19:33. | :19:36. | |
part of the great Herrmann show. She passed away in 1986. It was an | :19:37. | :19:42. | |
obvious progression for her to take on the magic show. -- he passed away | :19:43. | :19:50. | |
in 1886. She took over the week after he died, it's cemented her | :19:51. | :19:54. | |
success. Adelaide had to keep her act fresh, she wowed audiences with | :19:55. | :19:58. | |
canned drink tricks where animals seemed to appear and disappear. She | :19:59. | :20:04. | |
pulled off levitation stunts and even tried her hand at summoning the | :20:05. | :20:08. | |
spirits of the dead. If Adelaide was here what sort of tricks would she | :20:09. | :20:12. | |
have done? One particular trick she was noted for was a box suspended | :20:13. | :20:16. | |
above the stage with a child in it, there would be a puff of smoke and | :20:17. | :20:20. | |
the child would disappear. If she could pull it off then she must have | :20:21. | :20:25. | |
been pretty good. One of Adelaide's biggest stunts is something Scott is | :20:26. | :20:30. | |
going to perform... On me. This is a re-creation of one of her big crowd | :20:31. | :20:35. | |
pleaser is, a very famous trick named the marvellous decapitation | :20:36. | :20:39. | |
mystery. I guess you'll be needing my help. Ladies and gentlemen, boys | :20:40. | :20:45. | |
and girls, I give you Adelaide's most ghastly and ghoulish illusion, | :20:46. | :20:47. | |
the marvellous decapitation mystery. Scott, where are you taking me? Can | :20:48. | :21:02. | |
I have my body back, please? She's had her head back since then, | :21:03. | :21:16. | |
we are all white. We are joined by Ben Hart, star of the magical stage | :21:17. | :21:20. | |
show Impossible which opens tonight at the Noel Coward Theatre in | :21:21. | :21:24. | |
London. I believe everyone in the theatre is watching right now. Hello | :21:25. | :21:29. | |
in the theatre. Megan was saying how there is a lack of female magicians. | :21:30. | :21:33. | |
But you have them all in your show, you have seven different | :21:34. | :21:38. | |
illusionists. Give us a flavour of the different stuff the seven of you | :21:39. | :21:41. | |
do. We have Josephine Lee and Sabine, amazing female magicians who | :21:42. | :21:47. | |
do big, grand illusions. An escapologist called Jonathan | :21:48. | :21:51. | |
Goodman, a daredevil character. A mind reader called Chris Cole. I | :21:52. | :21:56. | |
love mind reader, is he good? Is excellent. We've got everything, our | :21:57. | :22:00. | |
whole wide range of magic, something in it for everybody. Let's have a | :22:01. | :22:05. | |
flavour of your magic, you have a trick lined up for us with the help | :22:06. | :22:09. | |
of our glamorous assistant Peter. Glamorous. Flattery will get you | :22:10. | :22:17. | |
nowhere. I thought I'd start by telling you about the dream I have | :22:18. | :22:21. | |
been having. It could I borrow a ?10 note from you? I've got one here, | :22:22. | :22:26. | |
there is a tenner. Can you sign it nice and big and bold across the | :22:27. | :22:29. | |
front. So we know there is only one of those in the universe. In this | :22:30. | :22:34. | |
dream I wake up and find myself metamorphosed into for or butterfly, | :22:35. | :22:38. | |
then I see a bright lights... Have you seen somebody about this? Then I | :22:39. | :22:44. | |
fly towards it, that is the moment I wake up. So we're happy there's only | :22:45. | :22:49. | |
one note in the universe that looks like that. No Peter Snow's signature | :22:50. | :22:53. | |
on. I'm going to do something really | :22:54. | :23:07. | |
extraordinary, watch. Origami. You see it starts to look like a | :23:08. | :23:11. | |
butterfly. I'm going to try and fill it with some life. Watch... | :23:12. | :23:23. | |
That's fantastic. Still your note, please don't ever take your eyes off | :23:24. | :23:41. | |
this. I want to tell you about this theory. In the complicated | :23:42. | :23:45. | |
mathematics of weather prediction there is a theory called the | :23:46. | :23:48. | |
Butterfly effect, the idea of butterfly could flap its wings and | :23:49. | :23:51. | |
create circulations in the air that would create a chain reaction | :23:52. | :23:55. | |
resulting in a hurricane, electrical storm somewhere else in the | :23:56. | :23:59. | |
universe. I folded this into a little cocoon, Alex don't take your | :24:00. | :24:03. | |
eyes off it, you might see the moment it starts to vanish. Watch. | :24:04. | :24:10. | |
See it start to feel away? -- fade away. And you've fused the lights as | :24:11. | :24:17. | |
well. Could it be some small action he has created a larger action up | :24:18. | :24:20. | |
there? Would you hold onto the bottom of the lampshade for me. | :24:21. | :24:27. | |
Inside here, is a piece of paper. No. It's not any old piece of paper, | :24:28. | :24:35. | |
it is in fact a ?10 note. The question is, Peter, is this the note | :24:36. | :24:41. | |
that you signed? I suppose it is, but I can't believe how you've got | :24:42. | :24:45. | |
it there. It's sealed within the vacuum of the light bulb, please | :24:46. | :24:51. | |
don't try this at home. The dangerous bit. Goodness me. I think | :24:52. | :25:01. | |
you'll find that... It really is the note that you gave me. Oh my | :25:02. | :25:10. | |
goodness me. It is. APPLAUSE I want to scale this up, try a | :25:11. | :25:14. | |
similar experiment with something much harder to manipulate Banna | :25:15. | :25:18. | |
note. I want to try it with living, breathing flesh. I've given out 25 | :25:19. | :25:24. | |
T-shirts numbered 1-25. Hello everybody, hello number people. I've | :25:25. | :25:30. | |
also got some cards here. These cards all have the numbers 1-25 | :25:31. | :25:35. | |
printed on the front, they are totally different, you can see. | :25:36. | :25:38. | |
Would you touch the back of anyone you would like for me? That one. | :25:39. | :25:45. | |
What number did you choose? Number 15, we're going to use number 15, | :25:46. | :25:53. | |
where are you? Come and join me. Nice to meet you, what your name? | :25:54. | :25:59. | |
Antonio. Confirmed to everybody you are happy to participate. Yes. This | :26:00. | :26:05. | |
is an auto conductive cage made of wood above the ground, connected | :26:06. | :26:09. | |
this electrical generator, in a moment I will pass electricity | :26:10. | :26:12. | |
through your body. You looked terrified. Look at that terrified | :26:13. | :26:17. | |
face. Would you step up here and step inside the cage and praised the | :26:18. | :26:21. | |
front? Whatever you do don't touch the sides of the cage. Stay | :26:22. | :26:27. | |
perfectly still. As long as you are inside the cage you're going to be | :26:28. | :26:32. | |
absolutely fine. As for the rest of us, that's a different story | :26:33. | :26:37. | |
altogether. Are you ready? If you're ready, I'm ready. Tell you what, | :26:38. | :26:41. | |
would you take hold of Peter's note? Hold on to that, stay perfectly | :26:42. | :26:50. | |
still. Ready? Now all they have to do is complete the circuit. | :26:51. | :27:00. | |
I asked you to stay still, now get ready to fly. Yes! Antonio, give us | :27:01. | :27:22. | |
a wave! That the butterfly effect. APPLAUSE | :27:23. | :27:30. | |
I'm actually speechless that number 15 is holding the note. Number 15 | :27:31. | :27:36. | |
can we see the note. Antonio, hello, show us the note. Wow. Can I just | :27:37. | :27:44. | |
say, thank you so much, that was like nothing... Peter Hartley ever | :27:45. | :27:49. | |
seen anything like that? Never in my life. We'll be expecting that. | :27:50. | :27:54. | |
You're not allowed to tell us how you did it, you? You were totally | :27:55. | :28:00. | |
shocked. I'm still totally shocked. I think we should see it again to | :28:01. | :28:02. | |
make sure we saw what was going on. How did he do that? It's completely | :28:03. | :28:20. | |
mesmerising, thank you so much. What an honour for us all to see that, | :28:21. | :28:26. | |
brilliant, wasn't it? Thanks to Ben, Peter Wright Hannah for joining us. | :28:27. | :28:32. | |
Trainspotting Live starts 8pm on Monday night on BBC Four. Thanks for | :28:33. | :28:36. | |
having me again. It's been a pleasure. Get well soon. Thank you | :28:37. | :28:41. | |
so much. I'll be back on Monday with Queen of the American chat show | :28:42. | :28:44. | |
Ellen DeGeneres and maybe if Andy Murray wins we might get an | :28:45. | :28:48. | |
interview, I don't know. Have a great weekend whatever you do and | :28:49. | :28:50. | |
see you on Monday. Gregg and Chris are back to help us | :28:51. | :28:55. | |
slash the weekly food bill. They'll look at | :28:56. | :28:58. | |
the mistakes we make... I like my food, | :28:59. | :29:01. | |
but this is embarrassing. What is that?! | :29:02. | :29:03. | |
..and show us that cheaper food... Anybody can make this dish. | :29:04. | :29:06. | |
And it was less than ?2.50. ..might be easier, | :29:07. | :29:08. | |
healthier and tastier than we think. That's perfect rice. | :29:09. | :29:11. | |
I'm not surprised, I'm astounded. Marks out of ten for your mother? | :29:12. | :29:14. | |
Eleven. This is all about breaking habits | :29:15. | :29:16. | |
and learning something new. | :29:17. | :29:22. |