Browse content similar to 10/09/2013. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello and welcome to the One Show with Matt Baker. And Alex Jones. | :00:00. | :00:26. | |
Tonight, we will be talking about this satirical newspaper which was | :00:26. | :00:29. | |
written and produced in harrowing conditions on the front line during | :00:30. | :00:32. | |
World War I. And talking about it with us will be the editor of this | :00:32. | :00:37. | |
satirical newspaper, which is written in a cosy London office just | :00:37. | :00:40. | |
around the corner from a Tesco Metro. It is Ian Hislop! Yeah, they | :00:40. | :00:51. | |
did have tougher conditions than us. Some interesting things have | :00:51. | :00:54. | |
been coming out in the news recently. Have you decided on the | :00:54. | :00:59. | |
cover of next week's Private Eye? It looks like a number of BBC figures | :00:59. | :01:05. | |
in suits, possibly with the headline, the great British payoff. | :01:05. | :01:13. | |
Now, you have written a comedy drama about the Wipers Times, which we | :01:13. | :01:18. | |
will talk about later. But first, ADHD is a common childhood disorder. | :01:18. | :01:22. | |
Symptoms include finding it hard to stay focused and pay attention, and | :01:22. | :01:27. | |
difficulty controlling sometimes violent behaviour. In the last five | :01:27. | :01:32. | |
years, there has been a 50% increase in the number of prescriptions being | :01:33. | :01:38. | |
given to children with ADHD. That is over 657,000 prescriptions a year. | :01:39. | :01:43. | |
So what is it like for the children on those drugs? These are | :01:43. | :01:51. | |
16-year-old Terry Ray and 14-year-old Luke's stories, in their | :01:51. | :01:56. | |
own words. I was not a happy child. I was very angry. I used to smash up | :01:56. | :02:03. | |
things all the time. I used to get into fights, pushing my dad, | :02:03. | :02:08. | |
punching my dad, biting my dad. At the age of six, my mum took me to | :02:08. | :02:12. | |
the doctor about it and then I got diagnosed with ADHD. I was not a bad | :02:12. | :02:20. | |
child, I was just misunderstood. Memory and concentration were the | :02:20. | :02:21. | |
child, I was just misunderstood. main issues. I would always want to | :02:21. | :02:26. | |
do what I was told, I just got distracted. By the age of six, there | :02:26. | :02:31. | |
was no denying it. Everybody knew I was different, but I didn't know | :02:31. | :02:37. | |
why. I was diagnosed with ADHD. It didn't feel any different, until I | :02:37. | :02:42. | |
started taking the tablets. Last year, doctors wrote 657,000 | :02:42. | :02:48. | |
prescriptions for ADHD drugs, a 50% rise over the past six years. It is | :02:48. | :02:55. | |
hard to talk about it. It is hard to tell people you have got ADHD, | :02:55. | :03:01. | |
because a lot of people label you naughty, when I am not. I am not | :03:01. | :03:10. | |
nasty or horrible. My medication makes me a different person. It is | :03:10. | :03:17. | |
almost robotic. I am not my bubbly self. I feel boring. But it works so | :03:17. | :03:23. | |
although it has some side effects that I may not be so happy about, it | :03:23. | :03:30. | |
is going to benefit me, completely. If I am on the drugs, personally, I | :03:30. | :03:37. | |
don't feel me. It makes me very emotional. It makes me cry a lot | :03:37. | :03:42. | |
when I get angry Tom because the medication kicks in and I am trying | :03:42. | :03:49. | |
not to cry. If I did not have the medication, I would not cry. Every | :03:49. | :03:55. | |
morning, Chloe Ramus decide when to take her medication. She can only | :03:55. | :03:59. | |
take one pill a day, and the effects only last for eight hours. She must | :03:59. | :04:04. | |
choose which lessons she needs to focus on most, so she can take the | :04:04. | :04:10. | |
pill at the right time. My medication only lasts for six | :04:10. | :04:15. | |
lessons. I find are read to be quite an easy subject, because I enjoyed | :04:15. | :04:20. | |
it -- religious education. So I don't need my tablet as much as I | :04:20. | :04:24. | |
would for, say, music, which is the last lesson. The first lesson and | :04:24. | :04:31. | |
last lessons are the main important ones, because I either take it for | :04:31. | :04:34. | |
the first lesson and miss out the last, or take it for the last and | :04:34. | :04:41. | |
miss out the first. Education, in my life, is the most important thing. | :04:41. | :04:46. | |
Without my tablet, I would not be anywhere. After eight years on | :04:46. | :04:49. | |
Without my tablet, I would not be medication, Luke is on his third | :04:49. | :04:52. | |
type, and although it controls his behaviour, he does not always take | :04:52. | :04:57. | |
his tablet. If I say to my mum and dad that I have taken them, I will | :04:57. | :05:01. | |
need have put them down the sink or say I have taken them when I | :05:01. | :05:05. | |
haven't. Or I will keep them in my mouth and spit them in the toilet. | :05:05. | :05:12. | |
Luke's know that missing his tablet can have serious consequences. Why | :05:12. | :05:18. | |
haven't you taken it? I have been taking it, but not properly. Then | :05:18. | :05:26. | |
you go all moody with me, and start hitting and lashing out because you | :05:26. | :05:28. | |
you go all moody with me, and start have not taken it. When I say, why | :05:28. | :05:32. | |
haven't you taken it, you say, you have. But I know you haven't. It is | :05:32. | :05:38. | |
hard when you don't take it, because we have do pick up the pieces. You | :05:38. | :05:45. | |
are the one who has to deal with it. People ask me all the time, do you | :05:45. | :05:50. | |
grow out of it? You are born with it and you die with it. You can't get | :05:50. | :05:55. | |
rid of it. You can stop it for a few hours with the tablet, but it will | :05:55. | :06:03. | |
always be who you are. If people have got ADHD, it is really | :06:03. | :06:10. | |
important to be active. Ice skating is really good, because I can go all | :06:10. | :06:16. | |
the time. Instead of breaking stuff, I can just ask my mum and dad if I | :06:16. | :06:20. | |
can go skating. It makes me feel free on the ice. It makes me feel | :06:20. | :06:25. | |
like I can fly away, because when I am on the ice, I am me, with or | :06:25. | :06:31. | |
without medication. You really feel for them, watching | :06:31. | :06:37. | |
that. Thank you to Chloe-Rae and Luke for | :06:37. | :06:41. | |
sharing their stories. Doctor Sarah Jarvis is here now. There might be | :06:41. | :06:46. | |
some people out there the same age as Luke and Chloe-Rae who may think | :06:46. | :06:51. | |
they have ADHD, or parents who are concerned. If a parent brought a | :06:51. | :06:54. | |
child into the surgery to see you, how would you determine whether they | :06:54. | :07:00. | |
had ADHD? There are several different kinds of ADHD. Chloe-Rae | :07:00. | :07:05. | |
described herself as a dreamer. That is the inattention kind. Boys often | :07:05. | :07:10. | |
have the more hyperactive, impulsive kind. They are the ones who throw | :07:10. | :07:15. | |
themselves off high walls and don't understand. The difference between a | :07:15. | :07:18. | |
child with ADHD and a child who is badly behaved is that a child with | :07:18. | :07:23. | |
ADHD can't behave well. A badly behaved child, with enough of an | :07:23. | :07:27. | |
incentive, can make themselves behave properly. A child with ADHD | :07:27. | :07:31. | |
may desperately want to, but they can't. But to have a diagnosis, you | :07:31. | :07:36. | |
need to have had at least six of the symptoms for six months, such as not | :07:36. | :07:41. | |
being able to concentrate, losing things, being disorganised, finding | :07:41. | :07:46. | |
it difficult to motivate yourself, blurting out questions, that sort of | :07:46. | :07:49. | |
thing, and it has got to be different from other kids, in at | :07:49. | :07:54. | |
least two settings, at home or at school. Bowie said from the age of | :07:54. | :08:00. | |
six, she was different. In the process goes further than just going | :08:00. | :08:05. | |
to see a GP. A GP can start the process, but ADP should never give a | :08:05. | :08:11. | |
diagnosis. Once you are off school age, if you are moderately | :08:11. | :08:15. | |
effective, you should get to a specialist. At an early stage, we | :08:15. | :08:20. | |
can try early things, but a GP should never put you on these drugs. | :08:20. | :08:25. | |
They are not for us to start. We saw in that film how Luke was so upset, | :08:25. | :08:29. | |
having had to take these drugs and trying to hide them from his family. | :08:29. | :08:36. | |
Are there other options to medication? Medication should never | :08:36. | :08:40. | |
be used on its own. For mild cases and preschool children, we don't | :08:40. | :08:43. | |
recommend it at all. But for severely affected kids, their lives | :08:43. | :08:46. | |
are completely blighted by the condition, so the NICE guidance is | :08:46. | :08:52. | |
that they must first get help for their parents. That is not to say | :08:52. | :08:57. | |
their parents are useless. These kids don't have the same rules. | :08:57. | :09:02. | |
Cognitive behavioural therapy, social skills training, helping them | :09:03. | :09:05. | |
understand what their condition is doing. There is a link on our | :09:05. | :09:12. | |
website if you want more information about ADHD. Now, nearly 100 years | :09:12. | :09:17. | |
ago, a satirical magazine was produced from an unlikely place, the | :09:17. | :09:22. | |
trenches of World War I. It was packed with jokes about | :09:22. | :09:26. | |
bombing raids, the British Army and the evil hand. Ian is so passionate | :09:26. | :09:30. | |
about the magazine that he has written a new comedy about it for | :09:30. | :09:35. | |
BBC Two, and more importantly, he made this film for us. | :09:35. | :09:44. | |
In 1916, the First World War was dragging on. With no end in sight, | :09:44. | :09:52. | |
morale was in short supply. On a miserable January morning, the men | :09:52. | :09:57. | |
of 12 Sherwood Foresters were patrolling the streets of Ypres in | :09:57. | :10:01. | |
Belgium, insert of materials with which to repair the war-torn | :10:01. | :10:05. | |
trenches. Their commanding officer was one Captain Fred Roberts. He and | :10:05. | :10:09. | |
his men came across something unexpected, something which would | :10:09. | :10:13. | |
not mend their trenches, but which would help shore up their spirits. A | :10:13. | :10:24. | |
printing press. Blimey. Can you make this work? It has not been used for | :10:24. | :10:30. | |
a while. But given a bit of time, yes Thomas. During World War I, | :10:30. | :10:37. | |
there were various trench newspapers, but none were produced | :10:37. | :10:43. | |
under such testing conditions in the battlefield as the wipers time. The | :10:43. | :10:49. | |
paper took its name from the inability of the soldiers to | :10:49. | :10:53. | |
pronounce the name Ypres correctly. They pronounced it wipers. It is | :10:53. | :10:59. | |
genuinely funny. All the latest in barbed wire etc. I am such a fan | :10:59. | :11:05. | |
that I recently co-wrote a drama about it for the BBC. Soldiers from | :11:05. | :11:10. | |
all ranks contributed to the newspaper. And they did so in | :11:10. | :11:14. | |
snatched moments of free time. The pages of the Wipers Times are filled | :11:14. | :11:18. | |
with fake advertisements, because the ads were at the front, an | :11:18. | :11:23. | |
editorial, letters from readers, poems. It is all black comedy about | :11:23. | :11:28. | |
daily life in the trenches. Clearly, comedy is a way of coping with the | :11:28. | :11:32. | |
horrors of war. This is an advert for a music hall show that they are | :11:32. | :11:37. | |
going to put on, a screamingly funny farce. They say of the Cloth Hall, | :11:37. | :11:41. | |
it is the best ventilated war in the town. In fact, it was a building | :11:41. | :11:46. | |
that had been bombed to bits. You could not put on anything there. It | :11:46. | :11:50. | |
would be dangerous just to be in it. German shelling meant constant | :11:50. | :11:54. | |
disruptions to production of the paper. The number of printing blocks | :11:54. | :12:00. | |
was always limited. The unique tone of the paper was largely influenced | :12:00. | :12:04. | |
by its editor, captain Fred Roberts. A man of considerable | :12:04. | :12:08. | |
literary talent and a sharp sense of humour, he is a fascinating | :12:08. | :12:13. | |
character. He died in 1964, but his wartime exploits are well known | :12:13. | :12:17. | |
amongst his grandchildren. It is an odd thing to reduce a newspaper in | :12:17. | :12:22. | |
the middle of the war. What were his qualities that made him want to do | :12:22. | :12:28. | |
that? He was a rebel. And a risk taker. This was why he enjoyed | :12:28. | :12:32. | |
taking the Mickey out of the sensors, basically cocking a snook | :12:32. | :12:37. | |
at authority. Not only is this quality writing, but the | :12:37. | :12:42. | |
circumstances under which it was produced or extraordinary. It is | :12:42. | :12:46. | |
incredible. I don't know how he had the time to both write a war and | :12:46. | :12:47. | |
incredible. I don't know how he had write a trench magazine, but he | :12:47. | :12:54. | |
did, and he did it well. My mother was immensely proud of him. She | :12:54. | :12:59. | |
often referred to how brave he was. And they had technical problems? | :13:00. | :13:05. | |
They had problems with a lack of type. For instance, they were short | :13:05. | :13:10. | |
of the letter in the, the letter S and the letter I. It depended what | :13:10. | :13:13. | |
particular press he had at the time as to whether he could publish the | :13:13. | :13:21. | |
magazine. I felt the work he did during World War I to produce this | :13:21. | :13:24. | |
trench magazine and all its humour did a massive amount to improve the | :13:24. | :13:28. | |
morale of the troops who read it. I don't think that was ever | :13:28. | :13:33. | |
acknowledged at the end of the First World War. Such is the demand for | :13:33. | :13:36. | |
First World War memorabilia that original copies of the paper now | :13:36. | :13:41. | |
sell for hundreds of pounds at auction. Looking back almost 100 | :13:41. | :13:46. | |
years, the Wipers Times emerges not just as a first-hand account of | :13:46. | :13:49. | |
authentic voices from the trenches, but also as a classic example of the | :13:49. | :13:57. | |
British comic tradition at its best. Ian, what kind of situation are we | :13:57. | :14:02. | |
talking about for this newspaper? The first one had just 100 copies, | :14:02. | :14:06. | |
but it got past hand to hand, and a printed more and then they printed | :14:07. | :14:10. | |
1000, and it started getting right around the western front and then | :14:10. | :14:14. | |
going home. People at home were picking it up, thinking, that is | :14:14. | :14:18. | |
funny. The further the war went on, the more popular it became. And now, | :14:18. | :14:22. | |
funny. The further the war went on, when you pick it up, because it was | :14:22. | :14:27. | |
hand-printed, it is a beautiful thing. Yes, I have one original copy | :14:27. | :14:32. | |
which a lady discovered in her attic and sent to me. It has got mud on | :14:32. | :14:36. | |
the back and it is yellowed with age. It is the authentic voice of | :14:36. | :14:42. | |
the time. That one is from 1916. And there was a motto connected to this | :14:42. | :14:46. | |
paper that came from a comment made by one of the senior chiefs? Yes, | :14:46. | :14:52. | |
the commanding inspector would check the troops and say, are you being | :14:52. | :14:56. | |
offensive enough? They were worried about the troops doing nothing. So | :14:56. | :15:01. | |
Roberts thought, yeah, we are being offensive! And he used it as a joke. | :15:01. | :15:07. | |
He would say, are you being offensive enough? In the film, it | :15:07. | :15:13. | |
looks like you are having a bit of a pop at one of the national | :15:13. | :15:17. | |
newspapers. Everything in the film is real. That is not you?No. There | :15:17. | :15:27. | |
is a pop at the Daily Mail, which obviously, I approve of. But the war | :15:27. | :15:33. | |
correspondents hated them, because they were sitting there saying, I am | :15:33. | :15:38. | |
here at the front line, and Roberts thought, no, you are not. Never seen | :15:38. | :15:47. | |
any of you. And they road fake dispatches. One of them wrote | :15:47. | :15:51. | |
dispatches about how he was in an airship. It was rubbish. | :15:51. | :16:03. | |
dispatches about how he was in an Humour was a way of getting through | :16:03. | :16:07. | |
it, wasn't it? They obviously did it to keep themselves sane, but they | :16:07. | :16:09. | |
found it was keeping other people sane too. Literally just laughing at | :16:09. | :16:15. | |
the awful things that were going on. Cleverly written as well, it's | :16:15. | :16:20. | |
clever satire? Is It's contribution yuetions from all ranks and it's | :16:20. | :16:28. | |
jokes, poems, Limericks, the lot -- contributions. You showed some | :16:28. | :16:32. | |
adverts of what happened in the film. After years of working in the | :16:32. | :16:37. | |
Private Eye, are there articles that you are particularly surprised at? | :16:37. | :16:41. | |
Yes, there is a fake agony column and someone's written in it "don't | :16:41. | :16:46. | |
worry, shooting a senior officer is always excusable" and I'm thinking, | :16:46. | :16:50. | |
they are talking about shooting a senior officer in 1916, you know, | :16:50. | :16:54. | |
it's very black and there's an advert for a duck board, so that | :16:54. | :16:58. | |
when your commanding officer comes down, you jump on one end and it | :16:58. | :17:04. | |
flips him into no-man's-land and they are running this as an ad. We | :17:04. | :17:07. | |
can see now how you turn the magazine into the comedy. The Wipers | :17:07. | :17:13. | |
Times is on at BBC Two tomorrow night at 9 o'clock. This is Michael | :17:13. | :17:21. | |
Palin as General Mitford. I'm referring to this response. | :17:21. | :17:28. | |
"Dear Sir, no, the death penalty is not enforced in the cause of | :17:28. | :17:32. | |
murdering a senior officer, as you will always be able to claim ex-ten | :17:32. | :17:39. | |
waiting circumstances". LAUGHTER That's a joke? It's an | :17:39. | :17:43. | |
incitement to mutiny, I'll have him shot. Not if he shoots you first. | :17:43. | :17:49. | |
You watch it and think to yourself, is it all right to laugh at this. | :17:49. | :17:53. | |
There are a lot of moments like that. We have classic Palin moments | :17:53. | :17:58. | |
later on when we reveal the two nominees for the People's Portrait | :17:58. | :18:00. | |
later on when we reveal the two when you get to vote for Great | :18:00. | :18:02. | |
later on when we reveal the two Britain to have their picture hang | :18:02. | :18:07. | |
in the National Portrait Gallery. First, a survey found 62% of people | :18:07. | :18:11. | |
have lied about reading classic novels to make themselves appear | :18:11. | :18:17. | |
more intelligent. Never! Lewis wondered if she could find anybody | :18:17. | :18:22. | |
who'd claim to have read this, entirely fictitious novel by a very | :18:22. | :18:24. | |
unlukely author. It's not out in entirely fictitious novel by a very | :18:24. | :18:30. | |
hard back yet. It's very good! To be quite honest, I often lie | :18:30. | :18:36. | |
about books and films that I say I've read and seen but I haven't. | :18:36. | :18:40. | |
Can I get others to admit they do the same? | :18:40. | :18:46. | |
You have not read it yet? No.Do you intend to read it? I haven't... No, | :18:46. | :18:52. | |
I don't know anything about it. Alex Jones. A new writer to me. Thug read | :18:52. | :18:59. | |
The Valleys yet? No.It's on your list? Yes.Do you think she'll be up | :18:59. | :19:04. | |
there with the literary greats, like Dickens, toll city? Yes.This is her | :19:04. | :19:09. | |
third book, how many of her books have you read? I just read the first | :19:09. | :19:14. | |
one. You have read the first one. Did you enjoy it? Yeah. Her writing | :19:14. | :19:23. | |
is, you know, quite classic. Do you feel she speaks to you as a woman? | :19:23. | :19:28. | |
Oh, yes, you know, she's very good and you get the feel of her | :19:28. | :19:33. | |
characters in everything that she's doing. Why did some of the people I | :19:33. | :19:39. | |
spoke to feel the need to lie? I think it's all about ego, isn't it, | :19:39. | :19:44. | |
you know? We all want to be what we are not or we all want to be better | :19:44. | :19:48. | |
than we are or better than we are perceived. Sometimes I do feel a | :19:48. | :19:53. | |
bit, you know, you don't want to keep saying, sorry, I haven't read | :19:53. | :20:00. | |
that. Why do we do it? I suppose we don't want to appear to be not very | :20:00. | :20:06. | |
erudite, I suppose, we want to appear very knowledgeable and know | :20:06. | :20:13. | |
about our literature. I talk about books that I skimmed or | :20:13. | :20:18. | |
glanced at or read a review of and then I have probably allowed people | :20:19. | :20:22. | |
to get the impression that I had read it. | :20:22. | :20:25. | |
What do you think the reasons are that people pretend to have read a | :20:25. | :20:29. | |
book when they haven't? We live in a world where we are constantly | :20:29. | :20:33. | |
worried, perhaps far too much, about what other people are thinking about | :20:33. | :20:37. | |
us. There is such a per crepion that books are things that we should read | :20:37. | :20:43. | |
-- perception. If you find a cultured, sophisticated person, you | :20:43. | :20:53. | |
think you need to read books. . I've got to put her out of her misery. I | :20:53. | :20:59. | |
just made her up. No! You rat bag. You've done what I do all the time. | :20:59. | :21:06. | |
If somebody's enthusiastic about an author, I will play along with them. | :21:06. | :21:10. | |
Most people that we have spoken to today have admitted that they have | :21:10. | :21:14. | |
lied about their cultural consumption at some point to fit in. | :21:14. | :21:21. | |
So, just bear in mind the next time you are having a literary | :21:21. | :21:22. | |
So, just bear in mind the next time conversation with someone, you may | :21:22. | :21:22. | |
So, just bear in mind the next time not be telling you the whole story, | :21:22. | :21:23. | |
or even half of it. The rat bag is here, Lucy! Can't | :21:23. | :21:38. | |
believe that. I'm so ashamed.She'll enjoy my book when it finally comes | :21:38. | :21:42. | |
out! The Man Booker Prize short list is out today, Lucy. Yes.At the | :21:42. | :21:46. | |
start of the film you said you don't read the books so you obviously | :21:46. | :21:49. | |
haven't read any of them? Not yet. What is on the list? It's very | :21:49. | :21:54. | |
strong, some critics called it the strongest short list ever. We have | :21:54. | :22:04. | |
the Testament of Mary, We Need More Names, Harvest, The Lowland and A | :22:04. | :22:11. | |
Tale for the Time Being, a very strong list. Have you read any, Ian? | :22:11. | :22:19. | |
No. I have done the opposite and pretended I've never read a Jeffrey | :22:19. | :22:25. | |
Archer when I did! LAUGHTER | :22:25. | :22:27. | |
Was it good? No. If you are drawn into conversation | :22:27. | :22:32. | |
about these books on the list, this is the bluffer's guide. From someone | :22:33. | :22:37. | |
that's never read 'em, come on. I have read A book, I would like to | :22:37. | :22:48. | |
clear that up. The Lowland author is already a Pulitzer prize novelist. | :22:48. | :22:56. | |
This is an extraordinary novel. Why? Sa I'm going to tell you. It charts | :22:56. | :23:00. | |
two brothers' journeys. One goes to the US and one stays in east Bengal | :23:01. | :23:04. | |
and gets involved in politics. What the author is able to do is to get | :23:05. | :23:10. | |
that emotional resonance so she conjures from the chaos of human | :23:10. | :23:15. | |
life, she's able to conjure... Really? All right, Lucy... This is a | :23:15. | :23:25. | |
completely different vibe. This is the Wexford author, known as the | :23:25. | :23:29. | |
Master, and in fact that was one of the titles of his novels. This time | :23:29. | :23:36. | |
the protag nast is Mary Mother of God. In 101 pages, we find Mary as a | :23:36. | :23:41. | |
solitary older woman looking back at the life of her son and the | :23:41. | :23:46. | |
foundations of Christianity. It's so powerful. What I find interesting | :23:46. | :23:53. | |
about The Testament of Mary is how they recount Lazarus. Does that | :23:53. | :23:56. | |
reflect what we are talking ability now? Yes, you have done that | :23:56. | :24:01. | |
straight back at me! We don't like to get specific about pages. Keep it | :24:01. | :24:07. | |
general. They gave me that line to throw at you. You wouldn't last five | :24:07. | :24:13. | |
minutes at a dinner party. It was a good guide, thank you ever so much. | :24:13. | :24:17. | |
Now time to say goodbye to viewers in Scotland. But, you will have to | :24:17. | :24:22. | |
catch up within this next bit on the iPlayer because we need you to vote | :24:22. | :24:27. | |
on the People's Portrait on Friday. Good luck in the football. See you. | :24:27. | :24:33. | |
For everyone else, here are today's nominees for the People's Portrait. | :24:33. | :24:38. | |
One of which could end up in the National Portrait Gallery. | :24:38. | :24:46. | |
Michael Palin, comedy legend, actor, writer and modern day fill yas Fire | :24:47. | :25:00. | |
Brigade. -- Phileas Fogg. I want you to imagine a world without Michael | :25:00. | :25:06. | |
Palin's contribution to comedy. I want to register a complaint. What | :25:06. | :25:13. | |
is wrong with it? It's dead. And there was the subtle comedy of a | :25:13. | :25:22. | |
Fish Called Wanda. He has this sort of ability. He's | :25:22. | :25:30. | |
the best of British. Michael Palin's not only brought a unique unorthodox | :25:30. | :25:35. | |
form of comedy into British homes for almost 50 years. His travel | :25:35. | :25:39. | |
adventures have introduced millions of us to cultures and characters | :25:39. | :25:43. | |
across the globe. What you see on screen on travel | :25:43. | :25:49. | |
documentaries is him, very genuinely him. He's a national treasure, yes. | :25:49. | :25:55. | |
So, if ever you'd been on or dreamt of going on an adventurous holiday, | :25:55. | :26:00. | |
the probably down to Michael Palin. Mount Everest. Forbidding, aloof, | :26:01. | :26:06. | |
terrifying. No, I'm sorry, we don't go there. No. If you are filled with | :26:06. | :26:16. | |
pride, that's thanks to the work of Michael Palin. I have every single | :26:16. | :26:23. | |
tape of Monty Tie on this. I've been in a sketch with you once -- Monty | :26:23. | :26:29. | |
Python. He's not the that sire, just a very lovely man. | :26:30. | :26:43. | |
-- the messiah. Mr Clifford. The idea of protecting | :26:43. | :26:47. | |
the rights of the innocent. When it comes to the idea of protecting the | :26:47. | :26:52. | |
rights of those who've been detained for onth or convicted of extreme | :26:52. | :26:56. | |
crimes like terrorism or murder, that requires a special dedication | :26:56. | :27:03. | |
of quite high moral code. As a boy, Clive Stafford Smith wrote a history | :27:03. | :27:07. | |
essay of capital punishment and later discovered it's still | :27:08. | :27:12. | |
happening across the world. Clive vowed to make a difference. | :27:12. | :27:16. | |
And he has. Known for taking on cases for free | :27:16. | :27:20. | |
for those who cannot afford a lawyer, he's represented over 300 | :27:20. | :27:25. | |
death row prisoners and increedibly, prevented the death penalty in all | :27:25. | :27:29. | |
but six cases. But to Clive, any loss of life is | :27:29. | :27:32. | |
unacceptable. When the family ask me why, all I | :27:32. | :27:38. | |
can say is it's a sick world, it's a sick world. | :27:38. | :27:48. | |
We treat people with standards by which we'll be judged. When history | :27:48. | :27:56. | |
will be written, his life will be seen as huge importance. He's put | :27:56. | :28:00. | |
himself under hunger strike out of solidarity for the last detainee in | :28:00. | :28:05. | |
Guantanamo Bay. During the course of his career, he's been called a | :28:05. | :28:11. | |
traitor, all simply for fighting for basic human rights. Working in the | :28:11. | :28:16. | |
field that Clive has for 30 years and to keep going has got to be | :28:16. | :28:22. | |
really, really applauded. Clive Stafford Smith is brave, passionate | :28:22. | :28:27. | |
and an authentic British humanitarian. | :28:27. | :28:31. | |
There are 12 candidates in all. It's a difficult question to choose a TV | :28:31. | :28:35. | |
legend or human rights lawyer, but who would you go for there, Michael | :28:35. | :28:41. | |
or Clive? Michael Palin's just agreed to star in my film so it | :28:41. | :28:45. | |
would be incredibly ungrateful if I didn't pick him, so I'll go for | :28:45. | :28:51. | |
Clive. Excellent.A very important an extraordinary man and less sung | :28:51. | :28:53. | |
than Michael. There'll be more People's Portrait | :28:53. | :28:57. | |
nominees later this week and you can vote for your favourite when the | :28:57. | :29:01. | |
lines open on Friday. If you want to see them all now, go to the website. | :29:01. | :29:06. | |
Also this week, we will be saluting the summer of 2013 and saying thank | :29:06. | :29:10. | |
you so much for all that brilliant sunshine we've had. So we'd like you | :29:10. | :29:15. | |
to send us your stories, pictures and videos of the best thing you got | :29:15. | :29:18. | |
up to this summer. We want to see the highlights, | :29:18. | :29:23. | |
looking forward to that one of you celebrating at Wimbledon. Thanks for | :29:23. | :29:24. | |
looking forward to that one of you the ones you have sent in so far. | :29:24. | :29:26. | |
E-mail us your videos, links or the ones you have sent in so far. | :29:26. | :29:31. | |
however you want to do it. All the details are on the website. You can | :29:31. | :29:38. | |
see Ian's new comedy at BBC Two tomorrow at 9. Bye. Bill | :29:39. | :29:39. |