Browse content similar to 11/09/2013. Check below for episodes and series from the same categories and more!
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Hello, welcome to the One Show with Alex Jones and Matt Baker. | :00:20. | :00:28. | |
Tonight's guest does have world class whiskers, looks good in black | :00:28. | :00:33. | |
lad and likes a big sloppy kiss. We could not get the sea lion so | :00:33. | :00:43. | |
please welcome Bill Bailey! You must have kissed plenty of animals. | :00:43. | :00:51. | |
Yes, I have. That was not the question I was anticipating. We | :00:51. | :00:55. | |
have got a lot of animals in our house. You end up, in a moment of | :00:55. | :01:01. | |
emotion, you might give a little peck on the whiskers. Do you have a | :01:01. | :01:09. | |
parrot? We have several. Birds, they will touched their peak to | :01:09. | :01:17. | |
your lips. It is quite sweet. Hello, Molly, they say. She is a parrot. | :01:17. | :01:32. | |
Last week pile up on the Isle of Sheppey crossing in Kent has | :01:32. | :01:35. | |
highlighted that we are at the time of year when fog can be an issue. | :01:35. | :01:41. | |
Later, we have advice on how to drive safely in fog. Carrie Grant | :01:41. | :01:47. | |
goes on an interesting journey. Martin Lewis will tell us how to | :01:47. | :01:51. | |
get the best interest rates on savings accounts. If you want to | :01:51. | :01:55. | |
get any interest, the first step is to make sure your money is safe. | :01:56. | :02:02. | |
Do not panic. I am not stealing this. It is a fake cash machine. It | :02:02. | :02:09. | |
is called Anthony and I'm planting him on a busy high street in London | :02:09. | :02:12. | |
because attempts to steal bank cards and pin numbers have trebled | :02:12. | :02:18. | |
in the past year. This is the latest attempt to raise awareness | :02:18. | :02:22. | |
of the crime among the public. We no cash machine fraud exists. We | :02:22. | :02:27. | |
have been told what to look for. Why does it keep happening? Fraud | :02:27. | :02:30. | |
have been told what to look for. at the cash machine is profitable, | :02:30. | :02:36. | |
often run by organised gangs. These are fitting a skimming device to | :02:36. | :02:41. | |
this one, to read card details and record pin numbers and steal your | :02:41. | :02:46. | |
cash. They were caught and convicted. The police say they have | :02:46. | :02:50. | |
to remain one step ahead of criminals. Together with the | :02:50. | :02:56. | |
banking industry, may have come up with this pretend cashpoint machine | :02:56. | :03:01. | |
with extra features. They are designed to look like a normal | :03:01. | :03:08. | |
machine. They have something in there that they can take the data | :03:08. | :03:11. | |
from a card. That will slot into there that they can take the data | :03:11. | :03:19. | |
the cash machine. What is this? It is a camera. It looks rough and | :03:19. | :03:25. | |
ready. If you open it, you will find inside it is a simple camera. | :03:25. | :03:32. | |
In a vice or that, I would suspect it. There has been a camera bar on | :03:32. | :03:37. | |
this all of the time. We are filming now. It is that? And it has | :03:37. | :03:48. | |
a pinhole. There is nobody behind me so I do that. It is clear. To | :03:48. | :03:54. | |
read again while you cover it up with your other hand. -- do it | :03:54. | :04:00. | |
again. A careful are we when we draw money? We are using Anthony to | :04:01. | :04:06. | |
find out. It is obvious the machine is not real. It is hollow. The sign | :04:06. | :04:13. | |
is handwritten. Bits of it come off in your hand. And the wire, out the | :04:13. | :04:19. | |
back, leads up here, into the shop a bar. Do you think anyone can be | :04:19. | :04:29. | |
fooled? So we hide in the shadows and wear it. Some seem curious. | :04:29. | :04:38. | |
Some are not convinced. But the first people are retracted. We are | :04:38. | :04:44. | |
from the One Show. First thing, it is plugged into the shop. There is | :04:44. | :04:54. | |
a handwritten sign. That comes off. Your card is inside! Where else | :04:54. | :05:02. | |
would it be? I am embarrassed. There is couple spotted something | :05:02. | :05:04. | |
would it be? I am embarrassed. was not right. Sorry to bother you, | :05:04. | :05:10. | |
can we have a word? You did not put your card in. That came away. It | :05:10. | :05:19. | |
looks dodgy. Despite it looking dodgy, customers kept rolling in. | :05:19. | :05:26. | |
You put your card in? Yes. I was not looking. It looked odd, but | :05:26. | :05:34. | |
then I thought I would try it. The his people were not horrified at | :05:34. | :05:39. | |
being fought. If this was a scam we could have got away with it -- | :05:39. | :05:50. | |
fooled. The vast majority of cash by machines are safe but we need to | :05:50. | :05:54. | |
take more responsibility to keep ourselves and our money saved. | :05:54. | :06:01. | |
That is scary. Martyn Lewis, the money-saving expert is with us. I | :06:01. | :06:04. | |
imagine you have a routine around a money-saving expert is with us. I | :06:04. | :06:12. | |
cash machine. If it is stand-alone, do not go near. Supermarkets, you | :06:12. | :06:17. | |
can see everybody's pin number. People do not hide them. I call it | :06:18. | :06:23. | |
the four finger system. You put your hand over and I put four | :06:23. | :06:29. | |
fingers on keys that do not represent the number I am pressing | :06:29. | :06:34. | |
necessarily. It is more different - - difficult for people to see what | :06:34. | :06:39. | |
you are pressing. I feel awkward about hiding my pin number. That is | :06:39. | :06:45. | |
a terrible British thing. Do not feel that you are rude. Hide your | :06:45. | :06:50. | |
pin number. If everybody does it, you will not feel awkward. Just | :06:50. | :06:55. | |
because he looks honest, he could be trying... I could be a Ford | :06:55. | :07:01. | |
staff. I hide the pin number from myself! -- fraudster. Other big | :07:01. | :07:15. | |
news this week is that there is an investigation into banks and | :07:15. | :07:21. | |
building societies because of a rates where banks offer a high | :07:21. | :07:25. | |
interest accounts and bring the interest rate down a year later. | :07:25. | :07:29. | |
They say it is a trick. You disagree. No money, I agree with | :07:29. | :07:34. | |
the regulator. Some people want these to be banned, which would be | :07:34. | :07:38. | |
detrimental in the low interest rate environment. We used to call | :07:38. | :07:47. | |
them bonus rates. There was a savings account available that paid | :07:47. | :07:55. | |
2.5% of the interest rate which was a bonus last in a year. If you have | :07:55. | :08:00. | |
an account, it is variable, they can drop it, they could Tropic next | :08:00. | :08:05. | |
week and that happens. With this rate -- trumpet. With this rate, it | :08:05. | :08:11. | |
is a minimum rate guarantee. It cannot drop below the amount and | :08:11. | :08:16. | |
that savings account is still the best by now because while it can | :08:16. | :08:21. | |
drop, nothing else is paying more. I look for accounts with a decent | :08:21. | :08:28. | |
bonus rate. Of course, you have to be ready to switch. This is new. It | :08:28. | :08:50. | |
is made from polymer fibre. Thanks for your advice. I would keep that! | :08:50. | :08:58. | |
The man from the Bank of England is following me! We have entered the | :08:58. | :09:07. | |
season when fog can cause problems on the roads. Look at the accident | :09:07. | :09:12. | |
that happened in Kent last week. Thankfully, no one was killed. But | :09:12. | :09:19. | |
it is awful when you drive into fog. There are things you can do to get | :09:19. | :09:24. | |
through it safely. This is Carrie Grant. | :09:24. | :09:30. | |
Eddie rain, high winds, weather conditions that can make driving | :09:30. | :09:36. | |
potentially dangerous. There is one phenomenon drivers do not seem to | :09:36. | :09:45. | |
be able to handle well. Fog. The initial reports suggest 30 cars | :09:45. | :09:51. | |
were involved. I grabbed my child and we ran as fast as we could. The | :09:51. | :09:58. | |
130 vehicles were involved. 30 people were taken to hospital. Ms | :09:58. | :10:04. | |
drivers adjust their behaviour and know they should slow down. I am | :10:04. | :10:08. | |
riding in similar conditions faced by those motorists who crashed in | :10:08. | :10:15. | |
fog last week. I am doing it in an advanced simulator. They are coming | :10:15. | :10:23. | |
in close. We are going at 30 and it feels fast. That really has got | :10:23. | :10:30. | |
four key. I have to go at ten miles per hour to see the lorry -- foggy. | :10:30. | :10:41. | |
This is the Transport Research Laboratory that investigates | :10:41. | :10:44. | |
accidents. They have discovered that fog affects the driver in an | :10:44. | :10:48. | |
unexpected way, which is very shocking. When people hit bad | :10:48. | :10:53. | |
weather conditions they slowdown and they are more vigilant. They | :10:53. | :10:57. | |
put the lights on. What can happen to many is that we can get used to | :10:57. | :11:04. | |
it. When you have been driving in fog, you might speed up. So some of | :11:04. | :11:11. | |
our speed up? We do not have the view out of the window. There is no | :11:11. | :11:17. | |
visual clue to say that you wondering whatever that speed might | :11:17. | :11:24. | |
be. Rather than leaving the house and at putting the fog lights on, | :11:24. | :11:29. | |
it is constantly evaluating, not concentrating on the car in front. | :11:29. | :11:33. | |
The worst thing is to follow everybody else assuming Bano what | :11:33. | :11:38. | |
they are doing. Assess the risk and drive accordingly. I feel that fog | :11:38. | :11:44. | |
is mesmerising and you are transfixed on the road, not looking | :11:44. | :11:49. | |
at your speed. Different people do different things. Some people do | :11:49. | :11:54. | |
not look at the dials and overcompensate, focusing ahead of | :11:54. | :11:58. | |
them. That is not great because you cannot see, you have lost a lot of | :11:58. | :12:04. | |
side vision. The clues you would have about speed you are travelling. | :12:04. | :12:13. | |
Recognise what speed you are doing and slowed down. Also if you are | :12:13. | :12:17. | |
driving in a rural environment, in a town, and you are at a junction, | :12:17. | :12:22. | |
turn the radio down, open the window, can you hear the traffic? | :12:22. | :12:25. | |
Use everything available to you to window, can you hear the traffic? | :12:25. | :12:30. | |
drive safely. And make sure you know how to turn on your fog lights. | :12:30. | :12:36. | |
Most -- many people do not know where they are. | :12:36. | :12:39. | |
What is scary is that people react differently. Everybody is confused. | :12:39. | :12:45. | |
Wind the window down so that you can hear the traffic. I never put | :12:45. | :12:53. | |
my headlights on either. You listen? It is just what I do. | :12:53. | :13:04. | |
Everything refracts. This is a strange show we have had money in a | :13:04. | :13:12. | |
glass of wine. Qualmpeddler, you are back on tour. Does your father | :13:12. | :13:18. | |
come to these? He is 82? He likes comedy. My dad, his comedy was The | :13:18. | :13:34. | |
Goons. He likes left of centre, D. He will give me the odd word of | :13:34. | :13:43. | |
advice. -- comedy. Do as he like the television showed their Killing. | :13:43. | :13:53. | |
You talk about it on stage. It is in Danish apart from the odd word. | :13:53. | :13:58. | |
There was a scene in the police station. The subtitle said thanks | :13:58. | :14:15. | |
for the coffee, SPEAKS IN DANISH. When they find the body. SPEAKS | :14:15. | :14:27. | |
WORDS SIMILAR TO ENGLISH. And last week, I was performing in | :14:27. | :14:52. | |
Sweden, and even they were saying, yes, that is how it is. You have got | :14:52. | :14:58. | |
a lovely set there. It is very flamboyant. That is the deluxe | :14:58. | :15:02. | |
a lovely set there. It is very version of my show. It is not the | :15:02. | :15:08. | |
whole of the second leg, just one at the end. I am not counting forests | :15:08. | :15:15. | |
around the whole of Britain. No, I have got grass on the stage, which I | :15:15. | :15:18. | |
always wanted to have, as it looks great, trees and lights and | :15:18. | :15:27. | |
shrubbery. It is very rural. And later, I will tell you exactly how I | :15:27. | :15:33. | |
drive on stage. This show, you try to keep it as topical as possible, | :15:33. | :15:37. | |
so what do you make of Alan scared, the founder of UKIP, leaving to | :15:37. | :15:44. | |
start his own party? Did he not say he thought UKIP was getting too | :15:44. | :15:50. | |
extreme? I think that is true. I think UKIP had a bit of a burst of | :15:50. | :15:54. | |
extreme? I think that is true. I attention, because of Nigel Farage, | :15:54. | :16:00. | |
he seems like this jolly chap, you always see him with a pint, but as | :16:00. | :16:04. | |
soon as anybody tried to examine their policies, everything fell | :16:04. | :16:08. | |
apart, because they did not have one. I talk about this in the show. | :16:08. | :16:17. | |
Policy, do we have one? ! Sort of like, no women in the bar area, and, | :16:17. | :16:22. | |
smoking in hospitals, that will do. So, I can understand it, I imagine | :16:22. | :16:30. | |
he is horrified. Let's look at entertainment news. Obviously, | :16:30. | :16:33. | |
strictly come dancing is the big thing at the minute. Is it? !Would | :16:33. | :16:43. | |
you ever appear on it? I will tell you what, I would, if aliens were | :16:43. | :16:49. | |
holding the world to ransom, and one of their conditions for the release | :16:49. | :16:55. | |
of the world was that I appeared on X Li. I know it is not very likely, | :16:55. | :17:00. | |
but then, I might go, all right, then. So, there is a chance, is what | :17:00. | :17:12. | |
you are saying. Let's not tell him we have done it. Done what? ! | :17:12. | :17:22. | |
Doesn't matter. Anyway, you can see Bill on tour, going all around the | :17:22. | :17:29. | |
country. It is not a coastal tour! It is me on a dinghy, and fishing | :17:29. | :17:44. | |
boats! Do it, then! We know that you love creatures great and small, as | :17:45. | :17:47. | |
we spoke about at the beginning. Yes, I do, I love this table, it is | :17:48. | :17:55. | |
like a Perspex rib cage of a massive wail. And you either like the creepy | :17:55. | :18:04. | |
Crawley ones. Yes, we have got a lot of insects in our house. Some | :18:04. | :18:08. | |
friends of ours came to dinner, and their present was six Madagascan | :18:08. | :18:14. | |
cockroaches. I said, quite rightly, normally, people bring a bottle of | :18:14. | :18:18. | |
wine, but they are marvellous pets, actually, and the hissing bit is | :18:18. | :18:24. | |
true. You are going to love this, in your honour, we have sent George | :18:24. | :18:29. | |
McGavin to meet the daddy of them all. This ferocious looking beetle | :18:29. | :18:36. | |
would not seem out of place in a tropical jungle, but it is in fact a | :18:36. | :18:42. | |
home-grown is dag beetle. It mainly lives in gardens across south-east | :18:42. | :18:46. | |
England. It is the biggest British beetle, and one of the most | :18:46. | :18:50. | |
beautiful. Being so big, you would think they would be easy to study, | :18:50. | :18:54. | |
but in fact, they lead incredibly secret lives. They have got huge | :18:54. | :19:00. | |
antlers, which are actually modified mouthparts, but don't worry, they | :19:00. | :19:04. | |
cannot bite. The adults do not use their jaws for feeding. In fact, the | :19:04. | :19:09. | |
adults hardly feed at all. One of the eating is done by the larvae. | :19:09. | :19:14. | |
Stag beetle larvae spend up to seven years hidden underground, munching | :19:14. | :19:17. | |
through rotten wood and building up fat reserves to power their adult | :19:18. | :19:23. | |
lives. When they finally emerge, they only live for about six weeks. | :19:23. | :19:27. | |
Their sole purpose in life during that short time is to find a mate, | :19:27. | :19:32. | |
so eating is the last in on their mind. I have come to royal Holloway | :19:32. | :19:40. | |
University of London to meet a specialist, who has spent 13 years | :19:40. | :19:44. | |
understanding the detail of their extraordinary lives, starting with | :19:44. | :19:49. | |
the larvae. They rub their legs together, on one leg, they have | :19:49. | :19:54. | |
ridges, and on the other leg, little teeth. They move their legs | :19:54. | :19:58. | |
backwards and forwards across those which is. It is a bit like bagging | :19:58. | :20:04. | |
your fingernail over a piece of coal. That's right. We can just | :20:04. | :20:11. | |
stick this down the side, and let's see if they make a noise. At first, | :20:11. | :20:15. | |
this one does not seem too keen to speak to me. General rule with | :20:16. | :20:20. | |
watching wildlife is that when you want them to do something, they | :20:20. | :20:34. | |
never do. There it is. It is a really clever trick, when you are in | :20:34. | :20:37. | |
darkness, feeding underground, to make noises, to tell your mates | :20:37. | :20:43. | |
where you are, or not to come to close. Debra's latest findings have | :20:43. | :20:47. | |
revealed that it is not just stag beetle larvae which operate in the | :20:47. | :20:50. | |
dark. To find out more about that, we need to look at the beetles in | :20:50. | :20:57. | |
a. She has discovered that adult stag beetles are far more active at | :20:57. | :21:02. | |
night than anybody had realised. So, I have brought a specially modified | :21:02. | :21:06. | |
camera, with infrared lights, so that we can see them, but they | :21:06. | :21:11. | |
cannot see us. It shows how important their sense of smell is, | :21:11. | :21:16. | |
because they they are relying on their antennae. Females release a | :21:16. | :21:22. | |
pheromone which males can detect across several gardens. Once he has | :21:22. | :21:27. | |
found her, he does something quite surprising. The mail is using his | :21:27. | :21:33. | |
mandibles to hold the females still, putting them over her | :21:33. | :21:40. | |
shoulders. I always thought the mandibles were only used to fight, | :21:40. | :21:43. | |
but clearly, they have a very important secondary function. All | :21:43. | :21:49. | |
the time they are making, the male, he has got tiny hairs, he is | :21:49. | :21:54. | |
touching the female, tasting the female's head. All of this is going | :21:54. | :22:00. | |
on in pitch darkness, but through our specialist cameras, we are | :22:00. | :22:03. | |
getting a unique glimpse into the world of the. Beetle I am absolutely | :22:03. | :22:10. | |
amazed, I have never seen it in this light. This one is a much bigger | :22:10. | :22:17. | |
male. The smaller mail has been bullied away, but is not giving up | :22:17. | :22:21. | |
that easily. Here is the other one coming back. I have never seen this, | :22:21. | :22:33. | |
ever, in my life. The this.This is fantastic. But while egg antlers are | :22:33. | :22:39. | |
handy in battle, being big is not necessarily best. He cannot quite | :22:39. | :22:45. | |
hold her with his mandibles, as the other one could, so, a really big | :22:45. | :22:50. | |
male has not got much of an advantage when it comes to mating, | :22:50. | :22:53. | |
because he cannot keep his lady where he wants him. It has been | :22:53. | :22:57. | |
wonderful to witness these not turn up antics. We might be in a | :22:57. | :23:03. | |
laboratory, but just imagine, all of this drama and passion is being | :23:03. | :23:07. | |
played out under cover of darkness in back gardens all over the | :23:07. | :23:11. | |
south-east of England. Very intimate. But it was a good film. A | :23:11. | :23:20. | |
brilliant exhibition is coming back to the Natural History Museum. Yes, | :23:20. | :23:26. | |
And It Is A Showcase For Fantastic Images, Some Of Which We Have Here. | :23:26. | :23:32. | |
. This Is Two Very Wet Looking Lions In The Serengeti. They are not as | :23:32. | :23:38. | |
miserable as they look, because they can actually lick the rainwater off | :23:38. | :23:45. | |
each other. It is a majestic shot. . This one is off the | :23:45. | :23:47. | |
each other. It is a majestic shot. . This one is off coast of Egypt, | :23:47. | :23:50. | |
hoovering up seagrass by the bucket load. It is amazing. And this one is | :23:50. | :23:58. | |
called the race for life, a jaguar after its favourite prey, the | :23:58. | :24:02. | |
largest rodent in the world. In this case, it escapes, as it usually | :24:02. | :24:07. | |
does, but one out of ten, they get crunched. And we have got a | :24:07. | :24:14. | |
wonderful portrait of you, George, . She is called Dora, she is a | :24:14. | :24:19. | |
four-year-old orangutan orphan in Sumatra. We have been filming for a | :24:19. | :24:24. | |
3-part series on BBC One, all about primates all over the world. That, | :24:24. | :24:30. | |
for me, is wonderful. You are a patron of that very course. Indeed. | :24:30. | :24:39. | |
It is time to add more names to the mix of great British people who you | :24:39. | :24:43. | |
can vote into the National portrait Gallery. And it is the turn of two | :24:43. | :24:51. | |
women who are equally deserving. Barbara Windsor, Faerie Queene of | :24:51. | :24:56. | |
acting, and a true East End. Born near here, in Shoreditch, she is as | :24:56. | :25:01. | |
British as they come, as British as a cup of tea, fish and chips or | :25:01. | :25:08. | |
Christmas pantomime. Oh, yes she is. Known as the archetypal dolly bird, | :25:08. | :25:12. | |
she starred in nine carry on films. The first one was Carry On Camping. | :25:12. | :25:19. | |
When you think of her, you get a smile on your face. You just think, | :25:19. | :25:25. | |
Barbara Windsor is here, everything is good to be all right. With such | :25:25. | :25:32. | |
effervescence, some might underestimate her as an actress, but | :25:32. | :25:37. | |
don't. She has been nominated for a BAFTA, and also for a Tony award, | :25:37. | :25:45. | |
for her Broadway appearance in Oh, What A Lovely War! Away from the | :25:45. | :25:51. | |
razzmatazz of showbiz, Barbara Windsor has proved she really has | :25:51. | :25:53. | |
razzmatazz of showbiz, Barbara got a heart of gold. I got it for | :25:53. | :25:58. | |
services to entertainment, and actually, Amy would help Barbara | :25:58. | :26:07. | |
with her lines for EastEnders, but Amy would have to be Peggy Mitchell. | :26:07. | :26:14. | |
For 16 years, we watched her cat fights, her affairs, her battle with | :26:14. | :26:19. | |
breast cancer. I am not some cuddly little old lady. I am Peggy | :26:20. | :26:27. | |
Mitchell, I am old East End. Her irrepressible personality and | :26:27. | :26:31. | |
trademark volcanic larva have made sure that she is one of the most | :26:31. | :26:35. | |
recognisable faces - and voices - in the country. | :26:35. | :26:49. | |
Dame Jocelyn is a pioneering campaigner for racial equality. For | :26:49. | :26:58. | |
60 years, she has demonstrated total commitment to fight for, influence | :26:58. | :27:05. | |
and encourage opportunities for others, particularly black women, | :27:05. | :27:11. | |
like myself. As a 29-year-old, arriving in 1950s Britain, she came | :27:11. | :27:14. | |
face-to-face with racial discolouration. They are not | :27:14. | :27:22. | |
clean... Not prepared to tolerate the prejudiced, she helped to found | :27:22. | :27:26. | |
the Campaign Against Racial Determination, which saw it become | :27:26. | :27:31. | |
illegal to prejudice against anybody based on the colour of their skin. | :27:31. | :27:35. | |
The strength and courage that Dame Jocelyn showed at that time was | :27:35. | :27:41. | |
quite incredible. We should not underestimate that she was a black | :27:41. | :27:45. | |
woman in a white male dominated world. As a senior teacher, she | :27:45. | :27:50. | |
pioneered the introduction of multicultural education in the | :27:50. | :27:57. | |
1960s. Her impact on British culture through her work in universities and | :27:57. | :28:01. | |
schools how the light up to the United Kingdom and made Britain look | :28:01. | :28:05. | |
at itself. She helped make the kind of society that we live in now. Dame | :28:05. | :28:11. | |
JOcelyn Barrow should be a role model to us all, having dedicated | :28:11. | :28:15. | |
her life to fight for equality for everyone, encouraging individuals to | :28:15. | :28:18. | |
do their best, make a difference, and, like her, never give up on a | :28:18. | :28:29. | |
dream of a better future. Now, there are 12 nominees, and you can vote | :28:29. | :28:34. | |
for your favourite when the lines open on Friday. But if you want see | :28:34. | :28:40. | |
them all now, you can go to The One Show website. Earlier in the show, | :28:40. | :28:43. | |
we were talking about the best way to drive | :28:43. | :28:52. | |
You were listening closely when we talked about driving in fog. I was | :28:52. | :29:08. | |
trying to say do not drive with headlines on full beam. I was not | :29:08. | :29:13. | |
saying I did not drive without headlights! On tomorrow's show, Sir | :29:13. | :29:20. | |
Terry | :29:20. | :29:21. |