12/10/2016 The One Show


12/10/2016

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Transcript


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Hello and welcome to the One Show with Matt Baker And with Alex Jones.

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The studio is on fire tonight as we are welcoming three Hollywood stars

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who are going to be lighting up the big screen very shortly. I left you

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a path. Now only you can finish it. Is this supposed to be a challenge?

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A puzzle. Specifically designed for you. He created a plague. If the

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plague exists... This map, it's a trail. So I can find it. Come on,

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this way. But it will be Langdon. Please welcome the director and

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stars of Inferno, Ron Howard, Felicity Jones and Tom Hanks.

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CHEERING AND APPLAUSE

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What an opening. We were told by your crack staff of employees here.

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We have pyros outside. In America that means people who light fires

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for pleasure. I thought they were going to be throwing bottles of

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gasoline around. Fireworks. Right. They were hot when they went off

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Yes. They were. A lovely walk in. Great. The things they should have

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outside certain restaurants. Tea outside. Periodically blow up a jet

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exhaust on us. Good showmanship. We thought we would go all out,

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Hollywood as much as possible. Tom, we have it on good authority you are

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excited about coming to Britain I always love coming to Britain. You

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bet. I've never been here without being at the invitation of a movie.

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I alwayses... I never came as a tourist with a backpack and make the

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exchange rates... Somebody in the car has been telling me what to do

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and where I am the next and what have you the next night. Felicity

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you are on home turf. Where will you take the gentlemen? I feel a

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terrible responsibility knowing you have only been here for work. We

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have to go out on the town. Ron and I came in yesterday. We were talking

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about this great in bar in Embankment called Gordons. I don't

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know if you've been to that... It's fantastic. Get out of the M25, get

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North. Aisle I'll give you places to go. If you like cheese, cheese and

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wine. A sign on the motorway that says the North" " It's the place to

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be. It's a large place - The North. My wife and I came here after we got

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married. It was probably 1975. Maybe 76. I now realise I went shopping

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and I still have a great little tie from Harrods. It's thin I have a

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feeling it will be cool. It will come back into You are a fashion.

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Skinny tie kind of guy. We have three of the hottest guests right

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here on the planet - Literally after that entrance. Exactly. We have Tom,

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a a jazz genius. Gregory Porter is with us.

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# You've got a friend in # You've got a friend in me

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# When the road looks rough ahead # You've got a friend in me...

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# Plus.

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Great. I had to record that song like I knew how to sing. You did so

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well. You know. I could just say - I'm just a plastic cowboy toy. Don't

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expect the quality of that man. Gregory will be performing later in

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the show. Fantastic voice. With Christmas coming up fast,

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we're sure that loads of people will be putting a fancy new coffee

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machine on the top of their list. But when you find out just how hard

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it is to recycle those little pods, it might leave

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you with a bitter aftertaste. Lucy thinks it's time

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the manufacturers woke up It wasn't that long ago that making

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a cup of coffee meant reaching for a jar of instant, but now we've

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discovered real coffee and it seems there is no going back. Certainly

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not for me. Like many people I have developed a thing for real coffee.

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And, I've even been tempted by these, capsules. Sales of which are

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on the verge of outstripping instant. Last year us Brits drank

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more than 340 million of these a year. That's 110 million pounds

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worth. There is one thing about them that worries me, and that's the

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waste. Most of the pods sold here can't be recycled easily. Now I

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didn't know that. Does anyone else? To find out, I'm holding my own

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coffee morning here in Manchester. You are all invited. Do you have a

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coffee machine in your house? Yes, I have a Nespresso one. Taismo. Nice.

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. What do you do with the capsules? Recycle it them. The the a

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appropriate bin. The brown bin. Lovely. Putting them in the

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recycling bin may not be the answer. To find out why I'm meeting

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sustainable packaging experts Mike. These are difficult to recycle? They

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are unresigh Constable at the kerb side. Why is that? I will show you

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why. You have an alminimum foil top. Inside is the coffee. At the very

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bottom you have a fabric filter. That will massively hinder he the

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recycling of the alminimum. The plastic are as complex. Three layers

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of material. To separate them is so costly in terms of time and energy.

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What do our coffee connoisseurs think of these revelations? Does it

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surprise you that that pod is not recyclable in a norm Al household

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collection? Yes. I would expect it to be. Shocked. Yeah, shocked. It's

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not that we don't want to recycle, it's more convenient to be able to

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recycle at home with all the bins there. My primary concern is that

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this lot doesn't end up in landfill. We know there are coffee pod

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recycling schemes out there. Will they accept these? First up is

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Nespresso. It does offer a return service. You can request a

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collection or drop them off at one of 6,000 collection points across

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the country. They are taken to this recycling plant in Cheshire where

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the aluminium is melting down for reuse. Next up is market leader

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Tasimo. They have 268 sites across the UK where you can drop off your

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pods. They are run jointly with a recycling firm. They are not

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everywhere. If you live in Hereford your nearest drop-off is in

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Cheltenham. That's a round trip of 70 miles. In central London where

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there are more pod users than you can shake a stick at, there are

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precisely zero. What about will.i.am's favourite, Dolce Gusto,

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they have no recycling whatsoever. You have to take them back to the

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shop. You have to store them to a take them back to the shop. You

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don't fancy doing that? No. They should make more of an effort to

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recycle them. Tassimo acknowledge their recycling scheme wasn't enough

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and were discussing ways to expand it. Nestle who own Nespresso told us

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they were edges exploring ways to recycle capsules through council

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collections. They would trial easier options for recycling Doce Guto pods

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in the next few months. The CEO of Nespresso runs a company that runs

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does biodegradable products. We have a planet to take care of. To use

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plastic and aluminium is just foolish. Should we be insisting on

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pods we can compost in future? Mr Packaging, certainly thinks thens

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can can and must do better. Single material pack would be fantastic.

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Could we go aluminium. The answer is, we probably could. There is a

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window opportunity to take the heat of our ur o our beloved coffee pods.

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In reality it will take some consumer pressure to make these

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companies change their ways. I'll drink to that. Lucy, let me tell

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you, the discussion that film raised. Unbelievable. . The first

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time we have ever been informed of this important... You learn

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something. Always turn to the BBC. I'm glad it doesn't have

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commercials. APPLAUSE Because of that we can now

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talk about your film. Let us indeed talk about Inferno. It's based on

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the book by Dan Brown, the third in the trilogy. It evols around the

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death mask. It's pretty scary this. We hear on good authority... It's

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Mick Jagger's pre-death mask. He is alive and well. They have a new

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record coming out. This is how he looks when he sleeps. Looked good.

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Damn good. There are 15 of these in the world. They have flown one over

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very kindly. How does this mask fit into the story. Who would like to

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give us the premise? Professor Langdon... Well, first we have fo

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determine why we have to find it, right? We don't know. No. We have to

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determine where it's hidden. Right. Then we have to determine what's the

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point of finding it? Does that make sense? Yes. You are not Absolutely.

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Your usual self I'm suffering from sort of head injury that gives me

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bad headaches! It's a type of thing. We read, I said Ron, he is supposed

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to have a head injury. Can he have a headache every now and again. I

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can't remember anything! Amnesia. On that thought, here is the moment

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where Robert Langdon is trying to work out, trying to piece together

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what's happened to him. Was I given an injection? When? At the hospital?

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No, no you were into you baited. Anything you got came through the

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IV. Not at the hospital. It I was fully dressed.

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I was had in the back of some carat some point in the last two-days.

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Something was injected into my bloodstream. Now I'm showing signs

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of an illness. What if... What if what? What if I'm the carrier?

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Plagues plus

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I'm worried about you, my friend. I want to thank the crowd for that

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mercy applause. Hats off to your part-time staff here who made that

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happen. That's great. We saw you Felicity in that clip. It's a

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two-hander between the pair of you. The first time though that we've

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seen your character, Dr Sienna. Give us an idea of how she comes into the

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story? The first time that Langdon and Sienna meet is in an hospital

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ward. They bond immediately. There is a real sort of sense that they

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are both outsiders. They both feel like they were probably the child at

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school who wasn't in the cool gang who was a bit of a geek and a nerd.

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We find out in that first scene there is a real, kind of,

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intellectual and soulful affinity between them. What is it about this

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series, the Dan Brown series you love so much? Often you don't direct

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sequels. This is the third one? Tom has something to do with that. I

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love directing Tom. He loves this character. He is very good at it. I

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like making all kinds of movies, dramas... I know I talked to you

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about The Beatles documentary, kids films. I love all the genres.

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Thissent tans in different ways. What Dan Brown created is hard to

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compare to other movies. Elements of this, elements of that. It

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fascinates me. It's... The places that he takes you, the ideas that he

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deals with. The tension, the motion and this character at the centre of

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it, Lee Hsien Loong, it's interesting. By the way, they are a

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blast to make. Go to these places. They are fun. That clip was in the

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palaszzo vecchio and we had master places on the wall. We loved seeing

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these fantastic locations because you were in flors, Istanbul, all

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over the place. How much of a headache was that, it was peak time

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when you were filming, holidaymakers?

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At first it's great, you with a team of collaborators you are excited and

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they take you on the tour is that they don't think anybody else on and

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you got a historian fill you in. Thrilling. Then you get to the

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logistics, is what they will allow us to do, and the time they will

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allow you to have. I design we are shooting, a scene that would

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normally take a we've got like 90 minutes. It's up to these guys and

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the crew to get in there and create these combo painted scenes.

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Transporting the audience is fun these are audience movies. Dan Brown

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writes Page Turners. It's fun to go and see this on the big screen. The

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locations are perfect. We ruin some peoples holidays. I want to sit down

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on the step, mum! We look out all of the curses. We are not there for

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long. We say, hold on, folks, we will be out of here. Felicity, to

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see all those wonderful places, you must have been mesmerised.

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Absolutely, there were times when they would go, where are the cast?

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We disappeared and we would be in a museum looking at an amazing

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painting. It was a really cool experience. We are wonderful dinner

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party guests after these movies because we know so many things. We

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know about golden doors with codes in them and secret passageways and

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white Dante's death mask, where it was done... We know a good pub quiz.

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We'll take you after the show. You can see Inferno for yourself from

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this Friday. It's on the IMAX, in 3-D. That version is really cool. No

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glasses required. Sorry to break it to you, Ron, but Inferno isn't the

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only film with a high octane chase in it. Hang on a minute, lads, Gyles

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has an idea. Get the wheels in line! The Italian Job is full of 60s cool,

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unabashed Patrick Chisholm and often quoted one-liners. -- unabashed

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compatriot -ism. You are only supposed to blow the bloody doors

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off! Starring Michael Caine, it's one of the all-time great heist

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movies but, despite its cast, it's remembered above all for three very

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different stars, the red, white and blue mini Coopers used for the

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famous getaway C. -- scene. Filming this chase, the minis steal the

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show. In an escape sequence that lasts almost 20 minutes. Before the

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robbers complete their disappearing act by driving full speed into the

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back of a moving coach. And it's that seemed that today the One Show

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will try to recreate with its very own stuntmen. What made the film

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such a cult classic? 50 years old but probably only about 25 years or

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so that it's been in the public consciousness in the way it is now.

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At the time it didn't really work. Why? The film poster was of an

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Italian gangster sitting in an armchair with a Tommy gun. Nothing

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about the mini. So the advertising campaign didn't really do the job it

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should have done. It just does the normal round of the West End opening

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and in general release around the country and then disappears. And yet

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it does become successful over time. Why is it now a cult film? It

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becomes a staple of bank holiday afternoon TV screenings, Christmas,

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Boxing Day, Easter, and the regularity of its showing begins to

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make it seep into people's consciousness. Shot almost entirely

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on location in Turin, the stunts were masterminded by former French

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crossed motorbike champion. There was a young Brit working on the film

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as well, a 19-year-old champion by the name of David. I could drive

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before I could walk. I've always been around cars. How does a go

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karting champion it into the movies? Originally it was to be a stunt

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driver, and to supply the cars. It was the time of my life. Everything

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was worked out to the ultimate degree. It was practice time and

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time again. It was calculated and it had become a science. The big one is

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the jumping from roof to roof. That was the truly death-defying stunt

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which we only ever did once. The producer had a jet standing by ready

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to fly him out of the country in case somebody got killed because the

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producer would have been responsible. Wow. Did you get a line

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in the film? One. Should we synchronise our watches? Nuts to

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your watches! Unfortunately it was dubbed in the end. Oh no! 60 years

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on, the One Show has swapped the car. We will be using a lorry

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instead of a classic Bedford. The owner of the only original car we

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could find deemed the stunt too risky. If we were filming we would

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have had a rehearsal days and a long time to prep so considering we have

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come here today, rehearsed it this morning and shooting this afternoon,

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we'd better crack on. You were only supposed to blow the

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bloody doors off! CHEERING

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Very good. You are all in show business! We look forward to seeing

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the second half of that. Let's talk about stunts. We have heard today

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that ?1.6 million, a Disney production company being sued

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because of Harrison ford's accident. Ron, how an edge are you on those

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stunt days? I love directing actors. That's my favourite. But I like

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movies and sometimes they have stunts. You can use digital effects

:22:40.:22:45.

to make them safer, but it still comes down to an element of real

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risk. I haven't had any serious injuries. I've done a lot of action

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scenes, fire, cars, all kinds of things. The only real injuries I've

:22:56.:22:59.

had have been around horses. They are unpredictable. No matter how

:23:00.:23:04.

many times you reverse, something could go wrong. We heard, Tom, that

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sometimes you get your brother to do your stunts. We resemble each other

:23:13.:23:17.

closely. Which is me and which is my brother? That's us. We were shooting

:23:18.:23:25.

Forrest Gump. We had multiple units and one of them had to get Forrest

:23:26.:23:29.

running across the country and so I said, well, they were going to get a

:23:30.:23:34.

double, and I said get my brother, we look the same. That is me

:23:35.:23:40.

running. But, he had to go up to Montana and South Dakota and parts

:23:41.:23:44.

of America, he'd fly off and have wonderful vacations where all that

:23:45.:23:49.

was expected of him was to run. I had the flu that day. You were sick

:23:50.:23:58.

as a dog! So you only had to run half the length that we thought. My

:23:59.:24:03.

brother and I have arguments over who was in what shot. There was a

:24:04.:24:07.

shot in a cornfield and we each insist it is us. We still look at it

:24:08.:24:11.

and say, no, you didn't, we shot that in New Hampshire. No, we shot

:24:12.:24:16.

it in Nebraska, you were doing something else. And he does the

:24:17.:24:23.

voice of Woody? He does the computer games. The punishment that goes

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along with resembling each other is that we sound like each other, too.

:24:28.:24:33.

We both have this nasal voice. Felicity, you have been doing quite

:24:34.:24:37.

a bit of, well, kung fu, shall we say. That is an Rogue One, the new

:24:38.:24:44.

Star Wars film. Guests, when we were shooting Inferno in Budapest, we

:24:45.:24:50.

started doing some initial kung fu training, just for an hour to start

:24:51.:24:56.

off. It was a wonderful experience. But there is a lot of sort of jerky

:24:57.:25:01.

movements that you have to get used to. And trying, particularly trying

:25:02.:25:07.

to look like, sometimes when you are doing a stunt, the stunt person will

:25:08.:25:14.

do the death-defying act and then suddenly there will be a close on

:25:15.:25:17.

you where have to look like you have been doing the stunt and do

:25:18.:25:22.

something really aggressive with your face. Sometimes that is the

:25:23.:25:25.

hardest thing. When you are standing still but you have to show it all in

:25:26.:25:31.

your face. I am the guy who gets beaten up in stunts. There is no

:25:32.:25:35.

training for that. You just get beaten up. We found a kung fu stunt

:25:36.:25:41.

that happened on Happy Days. Weirdly, it was you! That's right.

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There we go. Was that you? I put this in. I said, is there anyway he

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can... Costume are not bad! That's it.

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There you go. That's real, ladies and gentlemen.

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APPLAUSE I tell you what, that looked convincing. I didn't even

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think that was my brother. I like the guy in the background with the

:26:29.:26:33.

crop top. Starting university is scary for many but imagine how

:26:34.:26:36.

daunting it must be for somebody with Asperger's syndrome. We are

:26:37.:26:41.

about to point out, because our old friend Rosie King is taken us with

:26:42.:26:44.

her as she embarks on a new life away from home.

:26:45.:26:50.

I can just get so stressed sometimes. I get these little cakes.

:26:51.:26:55.

I sometimes scream for no reason at all. -- these little ticks. I will

:26:56.:27:04.

suddenly be sad and people don't understand. That was me when I was

:27:05.:27:11.

13, making some TV shows for the BBC about my condition. I've got

:27:12.:27:16.

Asperger's. I'm on the autistic spectrum. It means my brain is wired

:27:17.:27:22.

a bit differently. I find it quite difficult to socialise and to deal

:27:23.:27:27.

with things under pressure. I'm quite prone to panic attacks. At the

:27:28.:27:33.

positives, I've got quite a vivid imagination and I can communicate

:27:34.:27:41.

with my friends who are severely affected. My younger brother, many,

:27:42.:27:47.

is 14. He has classic autism. My younger sister, Daisy, as another

:27:48.:27:52.

syndrome. And she has autistic traits. School wasn't great. I did

:27:53.:28:01.

experience some bullying. I felt for the first time very different and

:28:02.:28:05.

quite isolated. I wasn't in a good place. Now I have a nice group of

:28:06.:28:11.

friends. A lot of them are very understanding about different needs.

:28:12.:28:17.

Everyone is a little bit weird! We don't all totally fit in. But we can

:28:18.:28:25.

be isolated together. I'm about to go to university. I'm going to study

:28:26.:28:31.

creative writing. I love any kind of literature. I can't wait to study it

:28:32.:28:36.

and hopefully create some of my own. I've never lived away from home

:28:37.:28:44.

before so this is a very new, very exciting but also very, very scary.

:28:45.:28:50.

My main concerns rusher my main concerns are around her doting

:28:51.:28:55.

friendships, being outside her comfort zone, the routine, her

:28:56.:29:00.

family. There are so many other things that Rosie has to take on

:29:01.:29:04.

board in a social environment. To some extent, she is still relatively

:29:05.:29:11.

naive in those aspects. I think I'm a lot more confident than I was in

:29:12.:29:15.

high school but I still have fears that people will accept me. I'm

:29:16.:29:20.

worried I'll miss my family. I'm worried about the workload. I'm

:29:21.:29:24.

worried I'll get lost. Pretty much name anything, I'm probably worried

:29:25.:29:32.

about it! I've got an app called Brame Enhanced. If I'm having a

:29:33.:29:38.

panic attack, I can go on my phone and it will come up with a list of

:29:39.:29:45.

solutions. Rosie has preprogrammed all the advice so it is specific to

:29:46.:29:52.

her needs. Before I had the app I wasn't very independent and I

:29:53.:29:55.

couldn't use public transport by myself. My mum used to have to drive

:29:56.:30:00.

me everywhere which wasn't very good. I can take the bus no problem

:30:01.:30:08.

now, which is magic. Rosie has described having access to the app

:30:09.:30:11.

as having an older and wiser version of herself on hand in her pocket and

:30:12.:30:18.

then, as a back-up system, there is a red button she can press to speak

:30:19.:30:22.

to somebody and somebody gets back to her within half an hour. When she

:30:23.:30:27.

goes to uni, she's going to blossom so much. She is wonderful. Get past

:30:28.:30:32.

the first couple of months and I think that will be it. This is where

:30:33.:30:42.

I'm going to be for the next two years. -- three years. It's really

:30:43.:30:48.

pretty and I am super excited but also really nervous.

:30:49.:30:51.

This is my room. I've been using the app quite a lot this week. It's been

:30:52.:31:01.

helping me get around. I've been super home sick and I get really

:31:02.:31:05.

lonely, but I've made a lot of new friends. Which is something I

:31:06.:31:09.

thought I'd really struggle with. It's making me feel like

:31:10.:31:12.

everything's going to be OK. So that's good.

:31:13.:31:19.

Rosie is here with mum Sharon. Obviously, still doing creative

:31:20.:31:26.

writing. A lot in common with our guests tonight. Rosie, going back to

:31:27.:31:31.

that app. How are things going. You have been at university for six

:31:32.:31:33.

weeks, are you finding that you are using it less? I've been using it

:31:34.:31:40.

less and less as I've been getting more comfortable with the situation.

:31:41.:31:45.

I'm really enjoying it now. It's something that I thought I'd really

:31:46.:31:54.

struggle with. I've had that extra difficulty, but I feel like you can

:31:55.:31:57.

do things at your own certain pace. You don't have to do everything at

:31:58.:32:02.

the same time as everyone else. My little sister didn't learn to walk

:32:03.:32:06.

until she was five. She can still walk perfect now. Just because she

:32:07.:32:10.

had to learn to walk a little bit later in a different way to most

:32:11.:32:15.

other children, it doesn't mean she can't learn how to walk. That's the

:32:16.:32:19.

same with... Same principle, isn't it? Anybody with a different ability

:32:20.:32:25.

or general struggle can do anything that they put their mind to, that

:32:26.:32:31.

they want to do. Absolutely. For you Sharon, as your mum, it US NUS be

:32:32.:32:35.

fantastic to see her go off, go to uni and make new friends and be able

:32:36.:32:39.

to be independent. Is that something at a stage you thought you would get

:32:40.:32:45.

to? If in one hand it's terrible, I've lost my best friend. On the

:32:46.:32:51.

other hand to see her fulfilling her potential is wonderful. It's

:32:52.:32:55.

exciting for me as a mum. Not only have we Rosie's needs who are

:32:56.:33:01.

milled. We have Daisy and Lenny with severe needs as well. The thinking

:33:02.:33:04.

behind children with additional needs is changing to support them,

:33:05.:33:08.

to give them the right support to fulfil their potential. For me, as a

:33:09.:33:13.

mum, it's just so exciting. Wonderful. You brought your new

:33:14.:33:18.

friends with you tonight. They are here in the audience. Why you are

:33:19.:33:21.

here you might ask about creative writing. Is there anything you want

:33:22.:33:28.

to ask this lot? How? ! You're doing it, you write. It's like anything. I

:33:29.:33:31.

thought so. You practice and it builds. Rewrite it again, rewrite

:33:32.:33:35.

it. You know, the first sentence is just the beginning. That's all it

:33:36.:33:40.

is. Thank you. Rosie, wonderful to see you again and you too Sharon.

:33:41.:33:44.

Thank you for coming and making such a wonderful film. Thank you. Good

:33:45.:33:49.

luck with the rest of uni. Change the world! Check it out. Tell those

:33:50.:33:57.

stories, we need them. We need good stories. Gregory Porter will be

:33:58.:34:01.

singing for us live outside in just a little while. We will be out there

:34:02.:34:04.

shortly. We will indeed. One of Tom's first roles

:34:05.:34:09.

was as a cross-dressing advertising executive in a sitcom called Bosum

:34:10.:34:19.

Buddies. can you believe, was

:34:20.:34:23.

cancelled after two seasons. But, you could say, things

:34:24.:34:32.

turned out OK in the end. We have a problem, Houston. My name

:34:33.:34:51.

is Forrest, Forrest Gump. Our objective is to win the war. Wilson!

:34:52.:34:58.

My mum always said, life is like a box of chocolates, you never know

:34:59.:34:59.

what you're going to get. Shall we? I appreciate the films you left out

:35:00.:35:27.

of that clip package. Thank you very much. You You went coy there and a

:35:28.:35:33.

little bit embarrassed? You know what, the thing about the movies, I

:35:34.:35:37.

see them once, but then they don't change. They are the same thing over

:35:38.:35:42.

and over. If there is a painful clunker in those movies, every time

:35:43.:35:45.

it comes up you have to make sure you are outside of the room. I have

:35:46.:35:50.

seen Sleepless in Seattle... That tells me something about you,

:35:51.:35:52.

doesn't it? High expectations of love, I tell you. I'm telling you.

:35:53.:35:59.

Real-life doesn't match We screwed up up. A lot of men's lives. For me,

:36:00.:36:06.

Forrest Gump. All the way. Ron, you have known Tom for a hibg heck of a

:36:07.:36:11.

long time since Splash, another classics. This will be really

:36:12.:36:16.

embarrassing for you now... You called it a "classic" - that's all I

:36:17.:36:20.

need. I've won as far as I'm concerned. What is it then about

:36:21.:36:25.

Tom, Ron, that makes him so brilliant to work with? I'm going to

:36:26.:36:32.

read through this script. From the very first experience working with

:36:33.:36:38.

him. Coming fresh off that show where he wore a lady's wig. He came

:36:39.:36:42.

in and had confidence, he had creativity going. He's a hard

:36:43.:36:48.

worker. He's never really changed. He has gained more and more

:36:49.:36:53.

experience. You love Forrest Gump. The first time I saw that movie, he

:36:54.:36:58.

had a silent moment when the bus was pulling away. You saw so many

:36:59.:37:04.

emotions on his face. I thought my friend has really become a powerful

:37:05.:37:07.

screen actor. It's great when you can do things with words, it's's

:37:08.:37:11.

another thing when you can fill up a moment like that. After that we did

:37:12.:37:16.

Apollo 13. I could see it for myself as a director. He is a lot of

:37:17.:37:21.

laughs, very creative. He's the opposite of high strung. I would say

:37:22.:37:30.

he's low strung! Like a double bass. I'm low strung! That's a good thing.

:37:31.:37:36.

OK. Is there medication you can take for that? Tom mansion to make

:37:37.:37:41.

anything seem really cool and chilled out and effortless.

:37:42.:37:47.

Particularly also I loved Sleepless in Seattle with Meg Ryan, you were

:37:48.:37:50.

so easy. It was like jazz, so relaxed. You and Meg we only work

:37:51.:37:55.

one day together. All the day she is there. My days off she was working -

:37:56.:38:01.

Don't spoil it. You are best friends! It's all right. Splash, I

:38:02.:38:06.

remember directing him, he was anxious. It was his first job. It

:38:07.:38:10.

was important for me, my second studio film. I'm a couple years

:38:11.:38:16.

older, I had this leadership role. I went through and was controlling

:38:17.:38:19.

this and controlling that. When I went to the editing room and started

:38:20.:38:25.

to watch the scenes, I literally said to myself - if I ever get to

:38:26.:38:29.

work with Tom again I will make him more of of a collaborator less than

:38:30.:38:35.

someone I'm telling what to do. The creativity was there. He edges

:38:36.:38:44.

tended it from comedy into drama. We made several movies together, Apollo

:38:45.:38:53.

13, Splash... We did Backdraft, Parenthood, I wasn't that. A

:38:54.:38:57.

beautiful... You started young, the three of you. Felicity we heard you

:38:58.:39:01.

before we saw you in something that is close to the nation's hearts,

:39:02.:39:05.

didn't we? In the Archers. I don't know if you haves willened to it...

:39:06.:39:09.

Why arele we just hearing about this now? Fantastic radio

:39:10.:39:21.

Where did that transition from radio to Hollywood come? Well, gosh, it's

:39:22.:39:29.

always, I don't know. It was very gradual. I started off doing the

:39:30.:39:34.

Archers when I was about 16. I think the first scene was falling off a

:39:35.:39:39.

church roof. Early stunts, even on radio. Can we recreate that right

:39:40.:39:45.

now? Everybody close their eyes... Listen to radio. Say something like

:39:46.:39:48.

one of the Archers would? I would have to shout. I was with Ed Grundy

:39:49.:39:55.

the character I was like, "oh, no, Ed, I've just fallen off the roof!"

:39:56.:40:04.

APPLAUSE You have got a lovely voice, Felicity. Thank you. When you

:40:05.:40:13.

left the world of acting and decided to concentrate on directing, why did

:40:14.:40:17.

that happen? When did that come to you? What was wrong with Happy Days?

:40:18.:40:24.

I was a child actor. I started when I was four years old. I loved

:40:25.:40:29.

everything about the whole process. I loved hanging around with the

:40:30.:40:33.

camera people. At a certain point I realised the director got to hang

:40:34.:40:37.

out and play with everybody. Eventually, particularly like the

:40:38.:40:42.

movie the Graduate, it was the first movie I studied by the late, great

:40:43.:40:47.

Mike Nichols. It's not just directing traffic and telling people

:40:48.:40:50.

to move here, talk now. There is this other theme going on which is

:40:51.:40:55.

the hand of the storyteller. I became passionate about it. By the

:40:56.:41:01.

way, actors often get thrown into situations where they are miserable.

:41:02.:41:05.

They don't get to wear the right coat for the weather... Wet. They

:41:06.:41:10.

are wet. And ultimately they do have to defer to the director. I realised

:41:11.:41:15.

I've enough of a control freak to want to do it, make decisions. I

:41:16.:41:19.

wanted to tell the story. We like to do a bit of research when we have

:41:20.:41:24.

guests on the One Show. We love it when we uncover something that is

:41:25.:41:28.

fascinating. Tom we know that you love typewriters? Yes. How many do

:41:29.:41:35.

you have? Where best can I invest my money? Nothing quite like worthless

:41:36.:41:44.

machines. I bought some of them for as much as $100 to $150 and they are

:41:45.:41:54.

worth $20 a piece. I view them as a combination of engineering and art.

:41:55.:41:58.

These machines that are limited. A limited number of usages, you can

:41:59.:42:01.

change the world with one of those things. I'm going to send one to

:42:02.:42:05.

Rosie, as a matter-of-fact... Isn't that lovely. I have English machines

:42:06.:42:10.

that have the pound instead of the dollar. Did you hear that? I will

:42:11.:42:15.

send you one. What you do, it ends up you think - you are locked-in

:42:16.:42:21.

because you can't change it erase it. It frees you. You don't bother

:42:22.:42:25.

with the mistake you made, you move on to the next idea. I use them

:42:26.:42:30.

every day. I send out letters, memos and love notes to my wife. I do it

:42:31.:42:35.

all. Tom, you are not the only one who loves #24e78 them. We have found

:42:36.:42:41.

the type of people - get it - Ah! I love that. I started collecting

:42:42.:42:49.

typewriters approximately 10 years ago because I love them and because

:42:50.:42:52.

I worked with them for so many years. Then I watched them being

:42:53.:42:58.

thrown in skips and I thought - there is history going down the pan

:42:59.:43:03.

there. Once they are gone, they are gone. I'm the proud owner of over

:43:04.:43:10.

200 typewriters. One machine which came from the tip the first portable

:43:11.:43:18.

typewriter made. The most prized typewriter I have is the Little

:43:19.:43:31.

Royaltyite from the man who carried out the awe autopsy on Tutankhamun.

:43:32.:43:44.

We had a typing session erday. We had to wear gas masks. Twice a week

:43:45.:43:50.

we had to type to music. 1, 2, 3, space. 1, 2, 3, space. A bell rang

:43:51.:43:55.

at the end of the line. Had you to push the carriage like

:43:56.:43:59.

this. You were doing this and that again. I had only been on a course

:44:00.:44:04.

three months when I had a slip asking me to go for an interview to

:44:05.:44:08.

Number Ten. I was seconded downstairs to the Churchill rooms

:44:09.:44:13.

underground. It was all-action. We did in fact type the battle orders

:44:14.:44:19.

for D-Day. People often ask me about how we felt about it? You are just a

:44:20.:44:24.

cog in a massive machine. Everybody is doing something. I just happened

:44:25.:44:29.

to be doing that. My typewriter stood me in the most tremendous

:44:30.:44:33.

stead. When I think back to my choice of wanting to be a nurse. I

:44:34.:44:38.

say, your parents do get it right sometimes. I'm George Blackman being

:44:39.:44:45.

I have been repairing typewriters since I was 16 years of age. I'm now

:44:46.:44:52.

77. I have a pride in the work. When I look at a typewriter I first of

:44:53.:44:55.

all do not get the screw drivers out. I actually look at it and then

:44:56.:45:00.

I put my hands on it and feel all the moving parts. Then we start with

:45:01.:45:06.

the tools. When you are a young engineering you get the plyers out.

:45:07.:45:12.

You musn't do that. I've done typewriters servicing and repair for

:45:13.:45:16.

a few famous people. One of the most famous was Winston Graham. He was

:45:17.:45:19.

very keen on keeping that same machine. I was the man that helped

:45:20.:45:27.

to finish Poldark. Princess 300. That's my favourite. They can trace

:45:28.:45:31.

two at the moment. One is in a museum in Germany. One is in my

:45:32.:45:37.

shop. Even the springs and the type bars and type face are all plated in

:45:38.:45:43.

gold. It's just amazing. Ual know, even to look at, they are lovely

:45:44.:45:47.

things. A computer is a pretty boring thing to look at. I've got no

:45:48.:45:49.

use for them! Well, we had a full running

:45:50.:46:01.

commentary from Tom Hanks! He's got a typewriter room. That's amazing.

:46:02.:46:05.

We've talked to you about Inferno but you three are massively busy

:46:06.:46:08.

with a schedule of stuff coming up. We'll start talking about Rogue One.

:46:09.:46:16.

Your character, Jyn Erso, tell us a bit more about her. I've been really

:46:17.:46:22.

lucky this last year, playing some fantastic female roles. She is

:46:23.:46:26.

incredibly determined. She's a strong minded woman. And beautifully

:46:27.:46:33.

written on the page. I've been very lucky. So this is a stand-alone Star

:46:34.:46:41.

Wars movie. How long did it take to film? There is a lot of special

:46:42.:46:47.

effects to the movie in total was about six to seven months of

:46:48.:46:51.

shooting and going to San Francisco, where they do the effects. So it's

:46:52.:46:55.

always a surprise when you are watching scenes back after it's been

:46:56.:47:00.

done with the effects and you suddenly, you were in the middle of

:47:01.:47:04.

a studio and then you are in hyperspace and you look around and

:47:05.:47:09.

think, wow, the power of a computer. Then you turn around after your

:47:10.:47:16.

stunt. We have to talk about Sully, this pilot who landed this

:47:17.:47:20.

commercial plane on the Hudson River. Yes, he did the right thing

:47:21.:47:27.

and 155 people survived something they probably wouldn't have, were it

:47:28.:47:32.

not for his instincts and expertise. It landed on the Hudson. What a day.

:47:33.:47:37.

Imagine you are in New York City going about your business and you

:47:38.:47:42.

look out of the window and you see a passenger airliner low against the

:47:43.:47:46.

sky. I have spoken to people and said, what did you think? They

:47:47.:47:52.

thought it was 9/11 again. It was 2009. It feels more recent. The

:47:53.:48:00.

imagery is power. Directed by Clint Eastwood. How did that to compare,

:48:01.:48:07.

him and Ron? Oh, dear! I'm going to do you... Run, OK, let's go! OK,

:48:08.:48:18.

machines! Ready to go! Remember! Remember you are being chased! Ready

:48:19.:48:24.

and, three, two, one, action!! That's the way Ron direct. This is

:48:25.:48:34.

how Clint Eastwood directs. All right, go ahead. I'm not kidding.

:48:35.:48:43.

That's how he does it. When you are done, he said, OK, that's enough. I

:48:44.:48:50.

tell you what I'm really excited about your next project, Splash.

:48:51.:48:57.

With Channing Tatum as a merman. I wouldn't say it's my next project.

:48:58.:49:03.

I'm currently directing a ten hour series about the life of Albert

:49:04.:49:08.

Einstein starring Geoffrey Rush. But this is something that Channing

:49:09.:49:14.

Tatum, Brian Grazer and I, and it's an idea... To kind of flip the whole

:49:15.:49:23.

thing on its tail, pardon the pun. Let's grown a little bit. That was

:49:24.:49:32.

inexcusable. Sorry. Channing Tatum and Gillian love working together

:49:33.:49:36.

and she loves that movie. We said, why don't you be Daryl Hannah and

:49:37.:49:43.

I'll be Tom Hanks. See you are not going to be the love interest. I

:49:44.:49:48.

would like to reprise my role and fall in love with Channing Tatum and

:49:49.:49:53.

find happiness at last where we both accept who we really are. That would

:49:54.:49:58.

be a worthwhile revival. But you agree that it's happening. Really, I

:49:59.:50:04.

think it's... It's a really interesting idea. Everybody seems

:50:05.:50:10.

excited about it. Brian Grazer have heard a million examples of what you

:50:11.:50:14.

could do with Splash as a reboot and that's the first time we thought,

:50:15.:50:17.

that's how courageous enough to give it a try. Now then, we noticed on

:50:18.:50:24.

social media when we were researching that you like, for some

:50:25.:50:28.

reason, taking pictures of lost property. Why is that? It is little

:50:29.:50:35.

urban stories. I am walking around and I stumble across things and I

:50:36.:50:40.

think, how did this get in the middle of the ocean? Who lost this

:50:41.:50:44.

glove? Is it sad because it misses its mate? Little visual poems that

:50:45.:50:50.

remind us that the world is a gossamer place and we have to take

:50:51.:50:56.

care of each other. Tom, we have some helpful viewers and we ask them

:50:57.:51:01.

to send in pictures. Yesterday, we asked them to send in pictures of

:51:02.:51:06.

things... So they are walking around and they see this thing? Exactly. I

:51:07.:51:13.

don't know if you want to pinch a movie to Ron but these dentures were

:51:14.:51:16.

found by Kerry on a road in Sittingbourne. -- to pitch. All

:51:17.:51:23.

you've got this option, this boot found by Roy in the middle of a

:51:24.:51:29.

Bobby Moore in Yorkshire. OK. -- a boggy more. The denture one, I have

:51:30.:51:40.

a title for that movie. I don't know how you spell it, but that is how...

:51:41.:51:50.

I don't know. Channel your inner arch, 16-year-old. Is that a tower

:51:51.:51:58.

you would fall off? It's more like, Where's My Boot. I would call it,

:51:59.:52:11.

The Long Hot Whole. Four. Earlier, we saw Gyles preparing to recreate

:52:12.:52:16.

one of the famous car scenes from The Italian Job. He is revved up and

:52:17.:52:21.

ready to go. Can he become a fully paid-up member of the self

:52:22.:52:25.

preservation society? The One Show has assembled a team of

:52:26.:52:28.

professional stuntmen to recreate one of the most iconic moment in

:52:29.:52:36.

British cinema history. Our team is made up of stunt coordinator Jamie

:52:37.:52:39.

Edgell and stunt drivers Andy and Danny. We have challenged ourselves

:52:40.:52:44.

to complete the stand in just one day, that is reversing and driving

:52:45.:52:51.

three minis into the back of a driving truck. As each rehearsal

:52:52.:52:55.

increases in speed, the difficulties are becoming clear. On that one,

:52:56.:53:02.

Jamie, a bit more difficult. A bit of a panic situation. The ramp moved

:53:03.:53:06.

over four or five inches before we came onto it. What you could have

:53:07.:53:12.

done with is a camera, just so you had a visual of what he's doing.

:53:13.:53:16.

Wood for the production team the first obstacle was finding three

:53:17.:53:23.

mini Cooper's. But they found three Italian job aficionados willing to

:53:24.:53:29.

put their pride and joys at risk. It's become part of a family so much

:53:30.:53:33.

that my children have meant it. No doubt the guys will be experts but

:53:34.:53:38.

that is still my little motor. Hitting the Minis Reddy has not been

:53:39.:53:45.

easy. A couple of weeks ago it was in bits and last night it was still

:53:46.:53:49.

up on the ramps at 10pm. It's been a rush. Excited to see my car do

:53:50.:53:55.

something I watched as a kid and scared because my pride and joy,

:53:56.:53:59.

watching somebody drive it full pelt into the back of a lorry. After the

:54:00.:54:03.

morning of rehearsal, how are Jamie and Gary reeling about the stunt?

:54:04.:54:11.

Unforeseen, the white car has got wider wheels and we are only getting

:54:12.:54:20.

about an inch clearance up the ramp. Once you commit, no room for error.

:54:21.:54:25.

With the final stunt approaching, the best way to capture the sequence

:54:26.:54:33.

is causing debate. He's going to accelerate altogether. Up to the

:54:34.:54:41.

ramp. If we get Yewtree to come up in formation up to the ramp, the

:54:42.:54:45.

worst thing to do is to rush this. -- if we get you two to come up in

:54:46.:54:51.

formation. Perhaps it's time I took the lead.

:54:52.:55:12.

# This is the self preservation society...

:55:13.:55:58.

I don't know what all of the fuss was about. Sweet, man. He did get!

:55:59.:56:10.

What a golden way to end a fabulous programme. A very big thank you to

:56:11.:56:14.

all of our guests night. CHEERING. We'll be back tomorrow.

:56:15.:56:27.

Finally, taken from his brand-new album, Take Me To The Alley, this is

:56:28.:56:32.

Gregory Porter. # Sitting on the top of the roof,

:56:33.:56:33.

the bridge is all mine # The bridges fall down

:56:34.:56:36.

and so do my dreams # If the bridges fall down,

:56:37.:56:40.

Don't lose your head of steam # And whoa, young man,

:56:41.:56:47.

I'm counting on you # But baby you are

:56:48.:56:56.

the family star # If the bridges fall down,

:56:57.:57:00.

Don't lose your head of steam # And whoa, young man,

:57:01.:57:17.

I'm counting on you # But do me this do

:57:18.:57:27.

Don't lose your head of dreams # And whoa, young man,

:57:28.:57:59.

I'm counting on you # Don't let them get you down

:58:00.:59:02.

# I'm counting on you # Don't you lose your head of dreams

:59:03.:59:15.

# Don't you lose your head of dreams Hello, I'm Tina Daheley

:59:16.:59:24.

with your 90 second update. MPs have been arguing in Parliament

:59:25.:59:26.

that they should be able to vote

:59:27.:59:30.

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