Browse content similar to 11/10/2016. Check below for episodes and series from the same categories and more!
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Hello, and welcome to The One Show with Alex Jones. | :00:16. | :00:17. | |
Tonight's guests are two top comedians who've decided to join | :00:18. | :00:21. | |
But as they are equally well-known, and equally funny, nobody really | :00:22. | :00:27. | |
So, in no particular order, please welcome... | :00:28. | :00:45. | |
APPLAUSE There we are! | :00:46. | :00:56. | |
. Bounds or in the night, Jasper! It's great having you both with us | :00:57. | :01:02. | |
-- the bounds team tonight. You have a brand-new tour. You didn't really | :01:03. | :01:05. | |
know each other beforehand. What have you learned each other -- about | :01:06. | :01:13. | |
each other? I've learnt a lot about comedy. One thing I had forgotten is | :01:14. | :01:19. | |
what a good musician he is. He plays the guitar. We saw a clip earlier. | :01:20. | :01:24. | |
He doesn't play my favourite song of his in our show, this was the B-side | :01:25. | :01:31. | |
of his single. The last line, which you only heard, I have to fix it in | :01:32. | :01:40. | |
the guarding, I still call the garden at the guarding! I was about | :01:41. | :01:45. | |
was if you do an impression? I don't! We understand that you do an | :01:46. | :01:50. | |
impression of Alistair doing an impression of you in fact. In fact, | :01:51. | :01:59. | |
I'm doing it right now! It is like I was in the room with you! Hours of | :02:00. | :02:04. | |
practice! Tomorrow we are joined by Tom Hanks. This might sound a bit | :02:05. | :02:10. | |
strange, but, trust us, all will become clear. | :02:11. | :02:19. | |
photos of lost items you've seen on the street. | :02:20. | :02:23. | |
For example, gloves, shoes, socks, scarves, hats, toys... | :02:24. | :02:25. | |
APPLAUSE Very good! | :02:26. | :02:30. | |
Tell us who you are and where you found them, and, | :02:31. | :02:35. | |
with Tom's help, we might feature them on tomorrow's show | :02:36. | :02:38. | |
when we are also joined by Ron Howard and Felicity Jones. | :02:39. | :02:40. | |
I suddenly feel a bit the list, don't you? It's a great line. ... | :02:41. | :02:50. | |
Can they do an impression of Matt Baker? Probably not! | :02:51. | :02:53. | |
If you are a friend of a property developer named | :02:54. | :02:55. | |
Khalid Mahmood Choudhry, then pick up the phone and tell him | :02:56. | :02:58. | |
Because, Mr Choudhry, this film is all about you... | :02:59. | :03:07. | |
Behind all this scaffolding is one of Grimsby's most historic | :03:08. | :03:14. | |
buildings. Built in 1889 and great two listed, the Victoria Mill | :03:15. | :03:21. | |
supplies flour to the world. These were converted into flats around 15 | :03:22. | :03:25. | |
years ago, and the same thing was meant to happen to the main building | :03:26. | :03:28. | |
in the middle, but it didn't and it was left to become something of an | :03:29. | :03:32. | |
eyesore, and a dangerous one at that. Dave Needham owns one of the | :03:33. | :03:36. | |
existing flats. But for four months earlier this year, home suddenly | :03:37. | :03:40. | |
wasn't home. Which flat is yours? The third one, the second story | :03:41. | :03:45. | |
down. The neighbouring silo had deteriorated so much that in | :03:46. | :03:49. | |
February's storms, dangerous movement was detected and police had | :03:50. | :03:53. | |
to clear the building fast. What was it like when you found out that you | :03:54. | :03:56. | |
were going to have to get out of here and get out of here quick? We | :03:57. | :04:00. | |
were shocked to the system. We were in the door while you got in and got | :04:01. | :04:07. | |
dropped year out. You had no idea? We thought it would be one or two | :04:08. | :04:12. | |
days, maybe a week at most. In the end, residents spent nearly four | :04:13. | :04:15. | |
months in emergency accommodation. He paid for all of your | :04:16. | :04:19. | |
out-of-pocket expenses while you are at the hotel? The council paid for | :04:20. | :04:22. | |
all of the accommodation but we had to pay for the meals and staff. The | :04:23. | :04:26. | |
council paid up, even though the mill is not theirs, it is private. | :04:27. | :04:32. | |
But there is more. With the silo in a dangerous state and no response | :04:33. | :04:35. | |
from the owner, the council also paid to make it safe, costing ?1 | :04:36. | :04:40. | |
million of public money. And the costs are still mounting, because | :04:41. | :04:44. | |
every day the council has to go on site and inspected to see if it is | :04:45. | :04:47. | |
still safe. Today's surveyor Andy Cole is going up the scaffolding to | :04:48. | :04:52. | |
check for further damage. Meanwhile, we've been given exclusive access | :04:53. | :04:56. | |
inside. Councillor David Watson is with me. Look at this place! It's | :04:57. | :05:06. | |
huge, isn't it? It has got the scale of a cathedral. There is as much | :05:07. | :05:09. | |
stuff on the inside as there is on the outside. The council is set to | :05:10. | :05:12. | |
pay a further ?1.2 million to make it watertight. Can you afford to | :05:13. | :05:19. | |
spend this money? Not really, the council is under severe pressure due | :05:20. | :05:24. | |
to Government austerity measures. Why don't you present the bill to | :05:25. | :05:28. | |
the owner and so, we have spent ?1 million, it is your responsibility, | :05:29. | :05:31. | |
you cough up the cash? We have issued a order and the owner has | :05:32. | :05:40. | |
ignored us. -- a quart order. The silo is one of ten properties | :05:41. | :05:44. | |
featured in the Victoria Society's annual list of endangered buildings. | :05:45. | :05:48. | |
Joe O'Donnell says they have noticed a growing problem of developers | :05:49. | :05:52. | |
wiring listed buildings only to leave them to deteriorate. It does | :05:53. | :05:58. | |
dominate Grimsby's skyline. It is important for the town and its | :05:59. | :06:02. | |
future as well as the past. RUC and a lot of this kind of thing around | :06:03. | :06:07. | |
the country? Sadly, yes. Owners by buildings like this and they don't | :06:08. | :06:10. | |
realise the scale of work that needs to be done -- RUC and lots of this | :06:11. | :06:14. | |
kind The owner of the mill has a few | :06:15. | :06:21. | |
questions to answer. CPG Investments Limited owns this particular silo, | :06:22. | :06:26. | |
with Khalid Mahmood Choudhry named as the director. There are two | :06:27. | :06:30. | |
addresses in Leicester which are associated with it. We wrote to Mr | :06:31. | :06:34. | |
Choudhry a few weeks ago but heard nothing. So we hit the road for | :06:35. | :06:38. | |
Leicester. We find his listed address, but are told he no longer | :06:39. | :06:43. | |
lives there. Contacting his accountant gives us a Manchester | :06:44. | :06:47. | |
link. I was wondering if I could speak to Mr Khalid Mahmood Choudhry, | :06:48. | :06:50. | |
please? It is with regards to Victoria Mill is, the place where | :06:51. | :06:57. | |
CPG investment aimed up in Grimsby. The fellow was helpful, he says he | :06:58. | :07:03. | |
know exactly where he is. But not a peep from this the Choudhry. The | :07:04. | :07:08. | |
trail has gone cold. The owner is irresponsible. The council has had | :07:09. | :07:12. | |
to step in and use its reserves that or under pressure to repair this | :07:13. | :07:17. | |
building. Really, you know, we need to speak to the own and he needs to | :07:18. | :07:20. | |
speak to us so that we can move on from here. What do you think of the | :07:21. | :07:26. | |
person who owns the silo next door? Not too great! That company or | :07:27. | :07:29. | |
himself should have kept on top of it. If they had done the dogs as | :07:30. | :07:33. | |
they came along, we wouldn't have had this problem. -- done the job | :07:34. | :07:39. | |
is. Thanks to the council, Victoria Mill is safe for now. But there are | :07:40. | :07:42. | |
many people queueing up to put questions to its elusive owner, Mr | :07:43. | :07:45. | |
Choudhry. You'd think North East | :07:46. | :07:47. | |
Lincolnshire Council would be How can he just vanish? You'd think | :07:48. | :07:57. | |
the one show would be able to vanish, but we ended up in the wrong | :07:58. | :08:00. | |
city, which is embarrassing! Sometimes these things happen. The | :08:01. | :08:04. | |
point we need to make from the start is that there likely to be plenty of | :08:05. | :08:08. | |
Khalid Mahmood Choudhrys out there, and lots of companies with CPG in | :08:09. | :08:13. | |
their initials. But if Mr Khalid Mahmood Choudhry is watching the | :08:14. | :08:16. | |
programme tonight, he could save a lot of public expense by getting in | :08:17. | :08:19. | |
contact with the council. Also put the minds of the residents live | :08:20. | :08:25. | |
either side of his property to rest. Their lives were potentially put in | :08:26. | :08:28. | |
danger by his failure to carry out his responsibility as the owner of | :08:29. | :08:33. | |
the silo. What is going to happen in the interim? They have to make sure | :08:34. | :08:36. | |
that the building is safe and secure? One way that the council | :08:37. | :08:41. | |
could -- try to seize control of the property is to argue in court that | :08:42. | :08:45. | |
they have invested so much in making the building safe but actually it | :08:46. | :08:49. | |
overrides the value of the property. Now, if they do that, Mr Choudhry | :08:50. | :08:53. | |
might suddenly break cover and have won two things to say about it. But | :08:54. | :08:57. | |
what they have got to do is understand that making the building | :08:58. | :09:00. | |
safe is very important. The problem is, when they get hold of it, what | :09:01. | :09:04. | |
are they going to do with it? The ideal thing would be to try and sell | :09:05. | :09:13. | |
it on to property developer who is going to turn it into flats and they | :09:14. | :09:16. | |
could try and recoup some of their money. But there is a big question | :09:17. | :09:19. | |
about the value of the property as a development itself. The buildings | :09:20. | :09:21. | |
either side of it were developed before the financial crash in 2008. | :09:22. | :09:24. | |
In the Daybell is not climate, is it valuable for a developer to going to | :09:25. | :09:28. | |
listed building -- in today's climate, is it valuable to sell it? | :09:29. | :09:34. | |
This has wider and locations. All of the buildings on the Victoria's | :09:35. | :09:39. | |
society list are outside the south-east of England. Inside the | :09:40. | :09:43. | |
south-east, you have a superheated property bubble, and property | :09:44. | :09:45. | |
developers will maintain their properties and sell them on and make | :09:46. | :09:50. | |
money. In the rest of the country it is a different story. There are | :09:51. | :09:54. | |
wonderful Victorian buildings in Cardiff that have been neglected. | :09:55. | :09:58. | |
People hope they will fall down so they can put something you up. It's | :09:59. | :10:03. | |
awful. But come on, Mr Khalid Mahmood Choudhry, do the right thing | :10:04. | :10:06. | |
and get in contact. It is quite frankly ridiculous. Contact George | :10:07. | :10:15. | |
Clarkson. You could go and live in that and it would be absolutely | :10:16. | :10:17. | |
amazing! That's a good one! You might think that | :10:18. | :10:20. | |
if you bulldozed a forest and put a motorway on top, | :10:21. | :10:22. | |
that would be the last But, as George has been finding out, | :10:23. | :10:25. | |
nature, with a little bit of help, can bounce back | :10:26. | :10:29. | |
in a truly surprising way. On January nine, 1996, a year after | :10:30. | :10:42. | |
the controversial Newbury bypass order was signed, bulldozers fired | :10:43. | :10:45. | |
up, beginning one of the largest mass popular protests Britain had | :10:46. | :10:50. | |
ever seen. There is no excuse for destroying all of this wildlife and | :10:51. | :10:56. | |
beauty. The bypass was to condemn 10,000 mature trees and almost 360 | :10:57. | :11:01. | |
acres of ancient woodland to be raised to the ground. Thousands | :11:02. | :11:04. | |
descended on the common, the epicentre of the demonstrations. | :11:05. | :11:14. | |
This is a mistake! Ultimately, the new brew protests failed, and this | :11:15. | :11:19. | |
bypass was built. But two decades later, what remains of the forest | :11:20. | :11:23. | |
isn't just archiving the protests, but the living descendants of those | :11:24. | :11:30. | |
ancient trees. Bill Pritchard was one of the protesters. The impact of | :11:31. | :11:36. | |
non-violent direct action against road-building during the 1990s, | :11:37. | :11:40. | |
there were a lot of noisy defeats but a lot of quiet victories. We | :11:41. | :11:44. | |
heard about what was happening here, came here at the request of local | :11:45. | :11:47. | |
campaigners and supported them to set up camps and build tree houses. | :11:48. | :11:53. | |
Most people thought that was the end of the protest, but later that year, | :11:54. | :11:58. | |
people came back and set up little vegetable growing gardens along the | :11:59. | :12:01. | |
route of the bypass. There was a lengthy period where the bare land | :12:02. | :12:05. | |
that had been burnt and scoured by the bulldozers was left. The land | :12:06. | :12:10. | |
responded by thousands of tiny dormant acorns and sweet chestnut | :12:11. | :12:15. | |
seeds sprouting, and a little shin high forest grew. We became aware | :12:16. | :12:19. | |
that if we left them there they were going to get tarmac and dug up. So | :12:20. | :12:24. | |
we parted them and they went all around the country. Still planted | :12:25. | :12:28. | |
some in his old allotment that he hasn't seen for five years. Three | :12:29. | :12:33. | |
oaks and one silver birch. The last time I saw them they were a little | :12:34. | :12:37. | |
bit taller than me, and now they are massive. 20 years of growth, that is | :12:38. | :12:43. | |
a substantial tree. They are the descendants of the ones that were | :12:44. | :12:48. | |
cut down. Apparently the last two years they have had acorns, that is | :12:49. | :12:53. | |
something really special. I know you shouldn't really, but I just want to | :12:54. | :12:58. | |
hug them! They are such gorgeous trees. But some of what Phil | :12:59. | :13:03. | |
describes as his refugee trees went further afield. 200 miles away to | :13:04. | :13:11. | |
Cornwall. That's amazing. I didn't realise it free could grow that much | :13:12. | :13:16. | |
in 20 years. A little circle of oak trees around it -- a tree could grow | :13:17. | :13:21. | |
that much. And then this big sweet chestnut, amazing. Pictures from the | :13:22. | :13:28. | |
day we planted them where Russell and Fran helping us, he is throwing | :13:29. | :13:32. | |
up his arms in jubilation. That is what I feel now, knowing that the | :13:33. | :13:36. | |
tree was going to be destroyed but it is growing well. This man was 11 | :13:37. | :13:46. | |
when he and his parents took part in the bypass protests. I remember | :13:47. | :13:50. | |
going a lot of walks in the forests and woodlands that were destined to | :13:51. | :13:53. | |
be cut down to make way for the road. On one of those walks I picked | :13:54. | :13:58. | |
up a pine cone and took it back home and grew the seeds from it. As you | :13:59. | :14:02. | |
can see, they've grown a lot bigger and become mature pine trees. One of | :14:03. | :14:07. | |
them we won't see used as our Christmas tree, it grew a bit too | :14:08. | :14:14. | |
big and we planted it on. Remembering the scene of devastation | :14:15. | :14:17. | |
that I'd seen at the bypass when they cut down all the trees, and | :14:18. | :14:19. | |
seeing all the protest, I was inspired, really, to go on and do | :14:20. | :14:24. | |
that myself later in life. 20 feet above the northbound carriageway | :14:25. | :14:27. | |
stands a tree named Middle oak by people who lived up at four months. | :14:28. | :14:31. | |
It was the only one of 10,000 mature trees to be spared. Well, there is | :14:32. | :14:37. | |
no doubt that the tree climbers sway public opinion. And later, political | :14:38. | :14:42. | |
policy changed, too. Virtual holding the construction of major new roads | :14:43. | :14:47. | |
for a generation. As a tree lover, it's really great to see Middle are | :14:48. | :14:51. | |
still here. But also to know that the descendants of the trees that | :14:52. | :14:53. | |
were lost live on -- Middle oak. Incredible, given the chance to see | :14:54. | :15:03. | |
how quickly those oaks can grow. We know that you two have been getting | :15:04. | :15:07. | |
to know each other because of the tour. We thought we'd start with a | :15:08. | :15:11. | |
couple of questions each. Alistair, you've got one of the Jasper, | :15:12. | :15:14. | |
Jasper, you've got one for our stuff. Jasper, you start. This is | :15:15. | :15:17. | |
options of three. I didn't bring my Specsavers... We | :15:18. | :15:32. | |
can do this. Which of these statements is true about Jasper? I | :15:33. | :15:39. | |
don't actually need specs, Matt! . I am a skilled dowser and can use a | :15:40. | :15:43. | |
forked stick to find underground water. I was once voted in the top | :15:44. | :15:48. | |
ten best looking Brummies, I would go with that. And I secretly support | :15:49. | :15:54. | |
Aston Villa. It's definitely not the last one. OK, the dowser, I like | :15:55. | :16:01. | |
that, it's nice and 70s, it was a big craze. I will go with your | :16:02. | :16:07. | |
advice, Alex, the middle one. No, it's the dowsing. Are you properly | :16:08. | :16:12. | |
into it then, do you use it for other things other than finding | :16:13. | :16:15. | |
water? The experts can find anything. They can go on to a map | :16:16. | :16:23. | |
and look for gold and stuff. I do general stuff like water pipes, | :16:24. | :16:29. | |
electric things. Also there is another branch which is using | :16:30. | :16:34. | |
muscles, muscle strength to test people for allergies and what is | :16:35. | :16:38. | |
right or wrong and it's quite involved. I didn't expect that from | :16:39. | :16:45. | |
Jasper, such detail there. Alistair. This is... I will do this as David | :16:46. | :16:50. | |
Mitchell for the hell of it! Try and remember that. I was once doing an | :16:51. | :16:54. | |
impression of Andy Murray when Andy Murray walked in. He wasn't pleased. | :16:55. | :16:59. | |
I once appeared naked on the West End stage. I have a dog and a cat | :17:00. | :17:04. | |
both named Alistair. LAUGHTER It's not the dog and the | :17:05. | :17:09. | |
cat. Andy would have been thrilled to pieces that you were doing such a | :17:10. | :17:13. | |
good impression of him. So I am going to go for the middle one, you | :17:14. | :17:20. | |
appeared naked on stage. Actually, two of them are right. I was once | :17:21. | :17:27. | |
doing an impression of Andy Murray and Andy walked in and, he kind of | :17:28. | :17:34. | |
knew it was happening (as Andy Murray (the idea was he would go | :17:35. | :17:38. | |
what are you doing and he did, but he actually really loved it. I have | :17:39. | :17:43. | |
also appeared naked on the West End stage, which is what you said. He | :17:44. | :17:49. | |
has appeared naked in our show. How did this start, your show? We were | :17:50. | :17:53. | |
thrown together a couple of years ago at the Henley Festival in | :17:54. | :17:59. | |
Berkshire. They had this 800 seater tent and didn't know what to do and | :18:00. | :18:02. | |
asked me to do an hour and I wasn't ready to do an hour at that stage, | :18:03. | :18:05. | |
because I hadn't worked for ages but coy do half an hour and he could. So | :18:06. | :18:11. | |
you split it. We got on like a house on fire. Of course I have a bit of | :18:12. | :18:16. | |
form with working with impressionists because I did nearly | :18:17. | :18:23. | |
300 shows with Phil. It works. It's two different Stipes of humour | :18:24. | :18:26. | |
because an impressionist is not that - you don't get the person on stage | :18:27. | :18:31. | |
because they work behind characters for the majority of the time they're | :18:32. | :18:35. | |
on stage. I work personally talking about stories and my views, | :18:36. | :18:40. | |
whatever. So, that's why it works, because it's comedy, two hours of | :18:41. | :18:44. | |
comedy but it's very different. Of course, he goes on first for half an | :18:45. | :18:50. | |
hour and then I am back stage sweating, thinking please don't run | :18:51. | :18:57. | |
them out. He has had a few coconuts into the back of his head. I go on | :18:58. | :19:02. | |
and the second half is the same. You get an early bath. People know | :19:03. | :19:07. | |
they're not going to have a real jarring morality or language thing, | :19:08. | :19:09. | |
we both use the same language and same ideas. It's a nice balance. | :19:10. | :19:18. | |
It's terrific. It starts this Saturday and runs until next March. | :19:19. | :19:19. | |
On and off. If you've ever wondered what 60s | :19:20. | :19:24. | |
music legends PJ Proby, The Searchers and Gary Puckett | :19:25. | :19:26. | |
and The Union Gap are up to now... Every man knows that as he gets | :19:27. | :19:29. | |
older, he might need to tone down Unless, of course, you're | :19:30. | :19:36. | |
a veteran rock 'n' roll star Your audience will always | :19:37. | :19:42. | |
have a picture of you in their minds in your 20s, usually with long, | :19:43. | :19:48. | |
flowing locks, maybe Its stars are from the decade | :19:49. | :19:50. | |
that changed the world. And they have the hair | :19:51. | :20:02. | |
to go with it. The question is, do the icons | :20:03. | :20:06. | |
of the '60s still have what it takes First up is one of the stars | :20:07. | :20:09. | |
of the tour, Gary Puckett. When he had a monster | :20:10. | :20:20. | |
hit with Young Girl, So, the '60s were always known | :20:21. | :20:23. | |
as quite a wild time. The word "wild" always elicits drugs | :20:24. | :20:30. | |
and, you know, orgies and things. And we weren't really a drug or orgy | :20:31. | :20:42. | |
band, as such. And all these years later, | :20:43. | :20:45. | |
he's still the sensible face The truth is, I love the people | :20:46. | :20:48. | |
and I love the music. But I also get up in the morning | :20:49. | :20:54. | |
knowing that I have a family to support and a daughter in medical | :20:55. | :20:57. | |
school and things like that. Waiting backstage is John McNally, | :20:58. | :21:02. | |
singer and guitarist in The Searchers, who topped the UK | :21:03. | :21:16. | |
charts in 1963 and '64. In the '60s a lot of people | :21:17. | :21:20. | |
were growing their hair But you guys never really | :21:21. | :21:25. | |
went that way. We liked Cliff and The Shadows | :21:26. | :21:29. | |
and they liked all And we thought, well, | :21:30. | :21:36. | |
we should get suits. And that's been our | :21:37. | :21:39. | |
image ever since. But surely they went | :21:40. | :21:42. | |
a little bit wild? The first few days, | :21:43. | :21:45. | |
until the novelty wore off. And then, once you started touring, | :21:46. | :21:48. | |
overnight trips and buses All the lads getting | :21:49. | :21:51. | |
half cut all the time. Ladies and gentlemen, | :21:52. | :21:57. | |
will you please welcome Superb. | :21:58. | :22:04. | |
Saves me a few bob. # Sweets for my sweet, | :22:05. | :22:12. | |
sugar for my honey... Gary and John have survived the rock | :22:13. | :22:19. | |
'n' roll years pretty unscathed. But not everyone | :22:20. | :22:22. | |
was as level-headed. So my next call is with a man who | :22:23. | :22:23. | |
drained the 1960s to its last drop. When PJ Proby arrived | :22:24. | :22:27. | |
in the UK from Texas in 1964, People had never seen | :22:28. | :22:34. | |
anything like him. Today, he is a bequiffed | :22:35. | :22:37. | |
77-year-old who is still very When did you last have | :22:38. | :22:44. | |
it cut? PJ had 11 hits in the UK | :22:45. | :22:49. | |
but is perhaps best remembered for something that happened one | :22:50. | :23:01. | |
night in Croydon in 1965. My pants split onstage | :23:02. | :23:03. | |
and Mary Whitehouse, who had this thing called | :23:04. | :23:06. | |
the Morals Committee, went to town on me and had me banned | :23:07. | :23:11. | |
from all theatres. But now he's back, and so is his | :23:12. | :23:14. | |
ponytail, which today comes That is about four or five months | :23:15. | :23:17. | |
old. How long can you keep | :23:18. | :23:25. | |
doing this for, I'll dance right into a big | :23:26. | :23:35. | |
old hole in the ground! The three men I've met today | :23:36. | :23:41. | |
have a combined age of 225 But I think the one thing | :23:42. | :23:47. | |
they all have in common which keeps them looking so youthful | :23:48. | :23:51. | |
is rock 'n' roll. That was like a trip down memory | :23:52. | :24:07. | |
lane for you, Jasper. I am afraid so, yeah. We agree that ?3,000 for | :24:08. | :24:13. | |
that ponytail seems a bit steep. I'd use it! | :24:14. | :24:18. | |
We did have a look through the archives at lots of wonderful | :24:19. | :24:22. | |
photos. And then we thought, you know what, instead of showing a | :24:23. | :24:27. | |
picture shall we go back to 1978 and relive one of your early big shows, | :24:28. | :24:33. | |
let's have a look. Oh, no! I have always been pretty good on the | :24:34. | :24:37. | |
guitar. LAUGHTER | :24:38. | :24:43. | |
I was a child prod... I was clever as a kid. We used to practise for | :24:44. | :24:48. | |
hours and the neighbours used to keep throwing bricks through the | :24:49. | :24:53. | |
windows so they could hear better. Lovely hair. Seems like yesterday! | :24:54. | :25:00. | |
Where are you now with new material and how does that fit into your | :25:01. | :25:03. | |
world of comedy now? Well, from previous times on the show, I mean, | :25:04. | :25:07. | |
I have sort of rediscovered stand-up over the last couple of years. I | :25:08. | :25:12. | |
have been writing new stuff and of course there's so many comedians out | :25:13. | :25:15. | |
there it's difficult to get something for yourself. I talk about | :25:16. | :25:22. | |
getting old. They can't do because they're all foetuses. I am | :25:23. | :25:27. | |
concentrating on that. And of course what is interesting working with | :25:28. | :25:31. | |
alist certificate that he brings a younger audience in so it's | :25:32. | :25:34. | |
interesting that we appeal to each other's audience. Of course he | :25:35. | :25:39. | |
works, they're all 25 and under and they don't watch you because they've | :25:40. | :25:46. | |
all got iPhones and watching you live and, it's terrific to be back. | :25:47. | :25:52. | |
So, I am working on - I used to do a popular u routine about car | :25:53. | :25:56. | |
insurance claim form statements, I don't know if you remember, what | :25:57. | :25:59. | |
people write on forms. I drove out of my drive straight into a bus at | :26:00. | :26:04. | |
7.00am. The bus was five minutes early. I had been researching all | :26:05. | :26:08. | |
the new ones, I won't do any because I am still collecting them. It's a | :26:09. | :26:13. | |
fascinating journey of rewriting because I have always said, I always | :26:14. | :26:18. | |
write about who I am, what I am and where I am so that always changes so | :26:19. | :26:22. | |
the material changes. I have not enjoyed myself on stage this much | :26:23. | :26:26. | |
ever. It's brilliant. Because you have this new tour and because | :26:27. | :26:31. | |
Alistair you have a few new impressions which we might have time | :26:32. | :26:35. | |
before we go. We are going to do a quick game. Lovely people | :26:36. | :26:41. | |
volunteered a few impressions. Here is clip one. This time next year we | :26:42. | :26:45. | |
will be millionaires, Rodney. Yes, we have the voice of one celebrity | :26:46. | :26:50. | |
and a catchphrase of the other. I think it's Del Boy and Citizen Khan. | :26:51. | :27:00. | |
Nearly. Arnold Schwarzenegger... Let's move on to the next one. Here | :27:01. | :27:05. | |
we go. You are the weakest link, goodbye! | :27:06. | :27:11. | |
Anne Robinson's catchphrase, but who was she doing? I don't know. Arnie. | :27:12. | :27:18. | |
Arnie again? I reckon so. It is a male. Somebody from New York. Don't | :27:19. | :27:25. | |
know who that was. Robert de Niro. The last one very quickly. I have a | :27:26. | :27:31. | |
feeling we're not in Kansas any more! | :27:32. | :27:39. | |
Michael Caine doing Judy Garland. Correct. We have got time for just a | :27:40. | :27:44. | |
few of your brand new ones. Please do some of the cast from Gogglebox. | :27:45. | :27:48. | |
I am working on them, they're not perfected yet. Sandy and Sandra, all | :27:49. | :27:55. | |
I can do is... Love Sandra! What's that all about! That's all I can do | :27:56. | :28:02. | |
so far? Gyles and Mary. Oh, Mary, I don't know what's going on there. | :28:03. | :28:05. | |
Can I have another grape, Mary, please. Do you think I sound like | :28:06. | :28:09. | |
Alan Bennett without a Yorkshire accent? I do. Steven and Chris in | :28:10. | :28:14. | |
Brighton. Yeah, what's all this about then. I don't know. Do you | :28:15. | :28:17. | |
know? No, I have never seen it. No, I haven't. I don't even know which | :28:18. | :28:22. | |
of us is doing any more. Do you know? No, nor do I. Leon. I love The | :28:23. | :28:33. | |
One Show, June. They did us, do you remember. That's all we have time | :28:34. | :28:34. | |
for tonight. Their tour, An Evening Shared with | :28:35. | :28:39. | |
Jasper Carrot and Alistair McGowan, starts this Saturday and runs | :28:40. | :28:43. | |
until March next year. We'll be back tomorrow | :28:44. | :28:45. | |
when we'll be talking to the stars of Inferno - | :28:46. | :28:48. | |
Tom Hanks, Felicity Jones and And, Gregory Porter will | :28:49. | :28:50. | |
be performing. | :28:51. | :28:57. |