Browse content similar to 10/10/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker... | :00:19. | :00:20. | |
Tonight's guest is a journalist and broadcaster with a reputation | :00:21. | :00:25. | |
for butting heads with the big guns of politics. | :00:26. | :00:28. | |
He's troubled Tony, grilled Gordon and given David the third degree, | :00:29. | :00:31. | |
but there's one potential world leader who, sadly, | :00:32. | :00:33. | |
he's never had the opportunity to trump. | :00:34. | :00:40. | |
Shall we find out if he has managed to do it? Let's welcome Jeremy | :00:41. | :00:47. | |
Paxman! You are back from Washington, DC. Let me tell you | :00:48. | :00:54. | |
exclusively, we did not get an interview with Donald Trump. There | :00:55. | :00:58. | |
are no votes in talking to a British audience, really. That's the long | :00:59. | :01:02. | |
and short of it. What would you have liked to have asked him? Well, after | :01:03. | :01:07. | |
that very embarrassing take the other day, I would ask him, were you | :01:08. | :01:13. | |
telling the truth when you said that you grabbed women's genitals? | :01:14. | :01:19. | |
Because if he answers yes, it is hugely embarrassing, and if he | :01:20. | :01:23. | |
answers no... Then you are entitled to say, well, what else, we believe | :01:24. | :01:28. | |
about you? So I think it's quite a good question. What did you make of | :01:29. | :01:32. | |
him palming it off as locker room chat? Well, there must have been | :01:33. | :01:40. | |
some lady locker room is! Well, I've snuck in! Have you?! I don't think | :01:41. | :01:47. | |
we want to go down this line of questioning! I can tell you, I've | :01:48. | :01:52. | |
been in a few locker room is over the years and I've never heard that | :01:53. | :02:00. | |
sort of talk! Did you stay up in the early hours to watch? No, I watched | :02:01. | :02:05. | |
the highlights. We are going to be talking about your new book, and | :02:06. | :02:10. | |
talking about your stomping ground, Cambridge University. If you have | :02:11. | :02:17. | |
seen a bloke sketching away, that is our One Show portrait artist, | :02:18. | :02:24. | |
Alvarez didn't artist. -- our resident artist. When you are not | :02:25. | :02:31. | |
talking, stare into the distance and we will get a beautiful profile! But | :02:32. | :02:40. | |
first, terrorising gangs, not something you would expect to see | :02:41. | :02:46. | |
today. Nick has been looking at what can be done to stop the biker gangs. | :02:47. | :02:53. | |
There is a motorised menace on our streets. You've got quad bikes, | :02:54. | :03:00. | |
superbikes, motorbikes... Communities around the country say | :03:01. | :03:05. | |
they are being overrun. They write them on the pavements. People don't | :03:06. | :03:10. | |
want to come out of their houses. It is not just noise or run-of-the-mill | :03:11. | :03:14. | |
anti-social behaviour. They've also been linked to robberies and gun | :03:15. | :03:19. | |
crime. I've come to this estate on the Wirral. Just one of many areas | :03:20. | :03:23. | |
being plagued by unregistered and is driven bikes. Sheila is a community | :03:24. | :03:29. | |
worker. How bad the anti-social behaviour on this estate? Very bad. | :03:30. | :03:36. | |
People are really intimidated. Out of control, then? Yes. Have lives | :03:37. | :03:42. | |
been put at risk at what has gone on? Yes. Somebody was out playing, | :03:43. | :03:49. | |
somebody came along on a bike on the pavement, they run them over. The | :03:50. | :03:52. | |
father intervened and two cars pulled up with young lads end, they | :03:53. | :03:58. | |
pulled up, beat him up. So a father trying to protect his own son was | :03:59. | :04:02. | |
beaten up in front of his house? Yes, in front of his own children. | :04:03. | :04:07. | |
Later on, the house got attacked, they threw stones. The police say | :04:08. | :04:12. | |
the attack was properly investigated but those involved declined to give | :04:13. | :04:17. | |
statements. This is why people won't come forward. They are frightened of | :04:18. | :04:20. | |
what will happen. Why are you coming forward? I've lived on this state | :04:21. | :04:28. | |
all my life and it's my home. I shouldn't be frightened to walk the | :04:29. | :04:34. | |
streets. But many here clearly do feel intimidated. This mum agreed to | :04:35. | :04:40. | |
talk only if we didn't show her face. You get scared to go out. You | :04:41. | :04:48. | |
get worried about... What your kids are seeing when they go out. You | :04:49. | :04:53. | |
can't be found out to be reporting anything or trying to stop what they | :04:54. | :04:56. | |
are doing because they will find out who you are and where you live. It | :04:57. | :05:01. | |
doesn't take much for them to do it. But it seems amazing you have | :05:02. | :05:04. | |
roaming gangs of kids running riot on an estate like this. We get | :05:05. | :05:10. | |
ignored, we get forgotten, those of us living on the estate. And the | :05:11. | :05:16. | |
wood Church state is far from unique. Police forces from Wales to | :05:17. | :05:20. | |
Yorkshire have set up dedicated units to deal with the problem. This | :05:21. | :05:25. | |
is the police response, seizing and crushing bikes. Superintendent Jenny | :05:26. | :05:30. | |
Sim says they are working hard to stop them. Over the summer period we | :05:31. | :05:35. | |
seized over 200 bikes, many of which were stolen. We've arrested nearly | :05:36. | :05:40. | |
100 people and have warrants across premises across Merseyside. The | :05:41. | :05:46. | |
youth who rode through this shopping centre was jailed for a year. We are | :05:47. | :05:50. | |
using every resource possible to target these offenders and bring | :05:51. | :05:54. | |
them to justice. Although the police say they are working hard, the | :05:55. | :05:57. | |
problem hasn't gone away, and for people here, the answer to nuisance | :05:58. | :06:04. | |
bikes cannot come soon enough. But could this be part of a | :06:05. | :06:08. | |
solution? This track was built to keep young riders off the road. It | :06:09. | :06:15. | |
was hugely popular. 2000 members. It was set up to teach youngsters to | :06:16. | :06:18. | |
ride responsibly by motocross instructor Graham. They learn how to | :06:19. | :06:24. | |
maintain the bikes properly, what kit to wear, how to do it with their | :06:25. | :06:29. | |
ability, and it was all in a safe environment. It was brilliant. It | :06:30. | :06:35. | |
was lovely. And then it stopped. Last year, Graham's police on the | :06:36. | :06:39. | |
land wasn't renewed so the track had to shut. -- his lease. He thinks | :06:40. | :06:43. | |
it's the wider community that has lost out. It gives kids a focus and | :06:44. | :06:49. | |
it gives them self-esteem. They come, they become part of a club, | :06:50. | :06:55. | |
they learn new skills. This works. Without a doubt, this works. We just | :06:56. | :06:59. | |
need a suitable piece of land and we can crack on. We will do this. But | :07:00. | :07:04. | |
while Graham searches for a new site, the battle against nuisance | :07:05. | :07:08. | |
bikers goes on. Thank you very much. Well, A Life in | :07:09. | :07:14. | |
Questions, we've just had a chat about it. In this packed career, how | :07:15. | :07:19. | |
do you start crafting a book with all these different anecdotes? | :07:20. | :07:22. | |
Because you say you are not much of a diarist. You've tried and failed | :07:23. | :07:28. | |
at that. Well, if you live long enough and you try enough times, you | :07:29. | :07:33. | |
get a decent diary out of it. You get pages and pages and pages. It | :07:34. | :07:37. | |
doesn't matter if you only last until March, April on a good year! | :07:38. | :07:42. | |
You know? Get enough of those and you are fine! Shall we see a young | :07:43. | :07:50. | |
Jeremy? A nice picture? We think about 11 or 12. Something like that. | :07:51. | :08:02. | |
A beautiful smile. Funny ears, though! Looking back, what did you | :08:03. | :08:07. | |
hope for the future? What did you hope to be? I rather hoped I | :08:08. | :08:11. | |
wouldn't have to play football for much longer! I used to get hacked | :08:12. | :08:14. | |
quite a lot because I was quite tall and thin. So I was a bit of a | :08:15. | :08:21. | |
target. No, that wasn't what I hoped. I never really had ambition. | :08:22. | :08:26. | |
I just did things that seemed interesting at the time and I've | :08:27. | :08:28. | |
been very lucky, and the reason I wanted to write the book is because | :08:29. | :08:32. | |
a lot of funny things have happened. And I've met some amazing people. I | :08:33. | :08:37. | |
don't think that stage I really had an ambition but I realised looking | :08:38. | :08:43. | |
back on life, you've got to live it looking forwards but you only | :08:44. | :08:46. | |
understand looking backwards. Looking backwards, I can see that, | :08:47. | :08:51. | |
you know, I loved words and I love finding things out, so a career in | :08:52. | :08:58. | |
journalism was a natural for me. And I would have been absolutely | :08:59. | :09:02. | |
hopeless at many other careers! In fact, I was turned down for every | :09:03. | :09:07. | |
other job I applied for! Well, you didn't get the first job at the BBC, | :09:08. | :09:13. | |
did you? No, that's right. Very wise! You gloat, you and your locker | :09:14. | :09:23. | |
room anecdotes! You start off with your childhood and the schools you | :09:24. | :09:25. | |
went to and you write about the relationship with your dad, which | :09:26. | :09:29. | |
has garnered quite a lot of press when people are talking about the | :09:30. | :09:33. | |
book. How did you find the process of going back and revisiting your | :09:34. | :09:36. | |
childhood and writing about that time? Actually, it didn't trouble | :09:37. | :09:43. | |
me. I think one of the characteristics of childhood is of | :09:44. | :09:48. | |
course you appreciate things much more intensely as a child than you | :09:49. | :09:52. | |
ever do as an adult. Except going into a locker room, of course! But | :09:53. | :09:58. | |
you do appreciate them intensely and, you know, I had a bad | :09:59. | :10:01. | |
relationship with my father but then I'm not sure that my siblings have a | :10:02. | :10:05. | |
much better relationship. That's for them to say, I think. I'm the one... | :10:06. | :10:11. | |
This one nearest me, on the right of the picture. And then the one on the | :10:12. | :10:16. | |
left became a diplomat. And the one in the middle, James, end up | :10:17. | :10:23. | |
conservationist. So looking back at this life of questions, thinking | :10:24. | :10:28. | |
about the line you often take with your interviews, where do you think | :10:29. | :10:32. | |
that comes from? Because you say you love words and all this, that and | :10:33. | :10:38. | |
the other, but that hard edge, that no-nonsense, direct approach, what | :10:39. | :10:42. | |
you put that down to? Look, there's no difference between you, me, Alex | :10:43. | :10:46. | |
or anyone else in this room, and is a great crowd of people here! I | :10:47. | :10:50. | |
don't know why they don't have a job to do! Anyway! There's no | :10:51. | :10:55. | |
difference, really. The only difference is one of opportunity, | :10:56. | :11:01. | |
and I think... There's no special position that an interviewer or | :11:02. | :11:06. | |
journalist has but if you have an opportunity you should down well use | :11:07. | :11:09. | |
it. I think you are there on behalf of the citizen and if you ask a | :11:10. | :11:14. | |
question you should get an answer to it. Everybody is school now in how | :11:15. | :11:17. | |
not to answer questions and it's your job just to cut through that. | :11:18. | :11:23. | |
And as many funny anecdotes, because, as you say, you've met many | :11:24. | :11:29. | |
funny people, and one of them was the CEO of MNS. -- of Marks | :11:30. | :11:42. | |
Spencer. Who is that?! Looks a bit like John Suchet! In a locker room! | :11:43. | :11:48. | |
Just tell us what happened, because that was a bizarre lunch, wasn't it? | :11:49. | :11:53. | |
It was very bizarre. I was very foolish. I shouldn't have complained | :11:54. | :11:59. | |
about the quality of Marks Spencer's pants. They were better | :12:00. | :12:06. | |
than many in terms of quality. They wash better! I'm glad you wash them! | :12:07. | :12:13. | |
I concluded there wasn't any intrinsic problem with any brand of | :12:14. | :12:18. | |
superb -- pants except that when you buy food it says best before or eat | :12:19. | :12:24. | |
by, and the same should be true of pants, because once they have | :12:25. | :12:27. | |
gone... Do you know how old the pants that you are wearing today? | :12:28. | :12:33. | |
Well, without thinking too much, yes. You don't know how old they | :12:34. | :12:39. | |
are. And because you don't know, they've gone through the wash enough | :12:40. | :12:44. | |
times and they start getting ropey. I'm just loving the fact that here | :12:45. | :12:49. | |
we are, sitting on The One Show with Jeremy Paxman having an in-depth | :12:50. | :12:53. | |
conversation about pants! So I wrote to Stuart Rose and said I was very | :12:54. | :12:58. | |
worried about Marks Spencer's reputation, and he invited me to | :12:59. | :13:02. | |
lunch, and through the course of the lunch, there would be a knock on the | :13:03. | :13:05. | |
door and in through the door would come a man. A bit like that but | :13:06. | :13:11. | |
hairless! And he would come in and wearing -- be wearing a pair of | :13:12. | :13:16. | |
briefs, and then a thong, and then boxer shorts, and all the time, | :13:17. | :13:20. | |
Stuart Rose having a tremendous time saying, do feel the quality of the | :13:21. | :13:27. | |
cotton! A novel experience! We already a minute over! We will have | :13:28. | :13:34. | |
to move on. All will be revealed in Bass Rock, which is out now! Now, | :13:35. | :13:42. | |
Jeremy might have been broadcasting for more than 40 years but another | :13:43. | :13:47. | |
institution has been broadcasting for even longer. We have given Lucy | :13:48. | :13:51. | |
just three minutes to sum up 70 years of Woman's Hour. | :13:52. | :13:57. | |
I am at Broadcasting House about to be interviewed by a radio legend. | :13:58. | :14:03. | |
This is Jenni Murray, welcoming you to Woman's Hour. Lucy joins me to | :14:04. | :14:11. | |
talk about slow fashion. In 1946, as women tried to adjust back into a | :14:12. | :14:15. | |
role in the home, there was appetite for a radio show just for them. | :14:16. | :14:20. | |
Originally presented by a man, the show didn't immediately hit the | :14:21. | :14:25. | |
right note. Well, I would like to ask all the husbands the table | :14:26. | :14:29. | |
whether it is a good idea to have more than one wife. It depends on | :14:30. | :14:34. | |
the wife you have already! Thankfully, perhaps, a woman soon | :14:35. | :14:38. | |
took over and the show began to tackle relevant topics, including | :14:39. | :14:42. | |
the two blue... I think the next item will make some of you very | :14:43. | :14:47. | |
angry but these two people have chosen to cohabit rather than marry | :14:48. | :14:59. | |
and they give their reasons. On Woman's Hour, it is jam, Jerusalem | :15:00. | :15:05. | |
and genital warts! Sorry about the vulgarity, but that doesn't cover | :15:06. | :15:09. | |
it. They continue to push boundaries and the responsibility of hosting | :15:10. | :15:14. | |
fell to Sue MacGregor. I was sent to South Africa to interview Winnie | :15:15. | :15:18. | |
Mandela. He was very much in jail and she was banned. That was | :15:19. | :15:22. | |
famously charged because the house was raided while you were there? | :15:23. | :15:28. | |
Yes. It is extremely difficult to explain to your own children the | :15:29. | :15:33. | |
presence of these forces in your own home... She said, you have gone | :15:34. | :15:40. | |
quite white. I said, well, yes. She said, don't worry, they do this | :15:41. | :15:46. | |
every day. What was it like interviewing the Iron Lady? She came | :15:47. | :15:49. | |
in quite nervous and I was surprised. She said, do you think | :15:50. | :15:54. | |
they will be able to tell our voice apart? I said, I suspect so. You | :15:55. | :16:01. | |
don't get to be a thriving, vigorous, enthusiastic country by | :16:02. | :16:04. | |
saying to people, you make money and we will taxi. But here is a | :16:05. | :16:10. | |
surprising fact. Out of almost 3.5 million weekly listeners, a third of | :16:11. | :16:14. | |
them are men. Matt Smith is a football pool cost and also an avid | :16:15. | :16:18. | |
woman's hour listener. -- Woman's Hour listener. Why are you | :16:19. | :16:26. | |
listening? Woman's Hour? They often look for a woman point -- one's | :16:27. | :16:30. | |
point of view to address topics. It's not done in an an inclusive way | :16:31. | :16:36. | |
for men and what I find is with a family that includes a wife and | :16:37. | :16:40. | |
daughter, late in the day when I see them, I bring up the topics I've | :16:41. | :16:42. | |
heard that maybe they haven't from the programme. And they either agree | :16:43. | :16:46. | |
or disagree, but it informs a talking point, which is the mark of | :16:47. | :16:52. | |
a good show. What do you think is responsible for the enduring appeal | :16:53. | :16:59. | |
of Woman's Hour? I think women can like to cook, don't like to cook, | :17:00. | :17:03. | |
you know, the huge range of interests. And we reflect that. | :17:04. | :17:09. | |
Woman's Hour has become a national institution. And 70 years old, it is | :17:10. | :17:11. | |
still going strong. A very happy birthday to Woman's | :17:12. | :17:21. | |
Hour, 3.5 million viewers, listeners even, not viewers! | :17:22. | :17:24. | |
It is on the radio. Thurau the programme tonight Jeremy has been | :17:25. | :17:28. | |
sketched by our friend here, and it's now time to find out a little | :17:29. | :17:35. | |
bit more about him. He has a slightly gentler interviewing | :17:36. | :17:39. | |
approach than Jeremy. Who he is sketching actress whose own image | :17:40. | :17:40. | |
has made headlines. I'm Adebanji Alade, | :17:41. | :17:46. | |
an artist who loves to sketch People's lives are etched onto their | :17:47. | :17:53. | |
faces. When I see a face I see a story and drawing them means I can | :17:54. | :17:57. | |
be part of their story. Today I'm going to draw actress Leslie Ash who | :17:58. | :18:02. | |
starred in the British classic Quadra Ruffini and became a | :18:03. | :18:07. | |
household name for her role in the award-winning Men Behaving Badly and | :18:08. | :18:11. | |
has had roles in prime-time dramas but her career in recent years has | :18:12. | :18:15. | |
been overshadowed by her appearance recently. You've always been on | :18:16. | :18:18. | |
show. This must have been ingrained in new. The way we looked was always | :18:19. | :18:23. | |
quite important to my mum. She was my number one fan. The way the | :18:24. | :18:30. | |
public saw me is basically how I was portrayed in the press so I suppose | :18:31. | :18:33. | |
I've been portrayed as being a bit silly and I've made a few mistakes. | :18:34. | :18:37. | |
To be honest that's not me. I want to find a way to paint her the way I | :18:38. | :18:43. | |
see her. Would you say that the press, have they been kind with you? | :18:44. | :18:54. | |
It's a strange thing being papped as they say. At the beginning you | :18:55. | :18:58. | |
wanted it to happen. People would come through Heathrow Airport and | :18:59. | :19:01. | |
have big coats and sunglasses on and you would think, God, I want to be | :19:02. | :19:06. | |
like that, you know? And then it all started in the 80s, paparazzi fever, | :19:07. | :19:13. | |
they became quite invasive. Pictures didn't always look nice. They would | :19:14. | :19:17. | |
always tend to want to get the picture where you didn't look very | :19:18. | :19:22. | |
nice. When I sketch someone and they are talking there is something about | :19:23. | :19:27. | |
what they're saying, it resonates, especially when they are very | :19:28. | :19:31. | |
genuine about what they are saying. It's almost like the whole picture | :19:32. | :19:35. | |
speaks to me. Would there ever be a time when you have looked into the | :19:36. | :19:39. | |
mirror and you didn't like what you saw? I have tried cosmetic surgery. | :19:40. | :19:47. | |
I've messed up big time. Seriously, I regret ever having anything done | :19:48. | :19:52. | |
in the past. It was a really silly thing to do. And as I say, learn | :19:53. | :19:58. | |
from my mistakes. In 2004 while being treated in hospital Leslie | :19:59. | :20:04. | |
contracted a hospital acquired infection, MMSA. When something like | :20:05. | :20:14. | |
that happens, when you are so lucky to survive, it is life changing. I | :20:15. | :20:21. | |
had to start again, learning to walk. Your image was everything to | :20:22. | :20:25. | |
you. Because of your business and what you did. My husband was a | :20:26. | :20:30. | |
footballer and we always knew that his career would come to an end. I | :20:31. | :20:34. | |
just never imagined anything would stop me becoming an actress. I just | :20:35. | :20:39. | |
thought I'd picked a good one here, I can do it until I pop my clogs, | :20:40. | :20:44. | |
basically. It's sort of surprised me how difficult and how brutal it was | :20:45. | :20:52. | |
really that it just stopped. I think it makes you tougher. You start to | :20:53. | :20:57. | |
realise that actually it's not all about you. Sometimes you just think, | :20:58. | :21:06. | |
actually, just get on with it. Yeah. Just go with it, and 56-year-old | :21:07. | :21:10. | |
disabled woman getting on with my life, getting on with my career. | :21:11. | :21:15. | |
What is your core identity now? What would you say? Mother, that's what I | :21:16. | :21:20. | |
feel I've really done well at. I'm finding it difficult with the age | :21:21. | :21:24. | |
process, I have to say. It's not an easy thing to go through. My sons | :21:25. | :21:30. | |
want me to grow old gracefully. OK! That's good. Which are not very | :21:31. | :21:35. | |
happy about it but I will. Image was so important when I was younger | :21:36. | :21:38. | |
because you just didn't know what was going to happen, you would just | :21:39. | :21:42. | |
go with the Times. I never used to leave the house is my hair was | :21:43. | :21:45. | |
blow-dried and sometimes now I just let it go natural, which is quite | :21:46. | :21:51. | |
curly, actually. My mother had curly hair and I'm sort of like turning | :21:52. | :21:56. | |
into my mother. I was very close to my mum, my mum passed away in 2000. | :21:57. | :22:02. | |
You have this fear of them passing on the Batson to you, you have to | :22:03. | :22:07. | |
just carry on and do your best for your kids -- bat on. Using the time | :22:08. | :22:11. | |
sketching Leslie I've created a portrait of the way I see her. | :22:12. | :22:20. | |
Wow. Adebanji, how long did it take for the finished painting? Close to | :22:21. | :22:28. | |
16 hours. Really? Not everything was finished alive, I had to do some | :22:29. | :22:32. | |
after. There is a lot in that face. You've been going 20 minutes or so | :22:33. | :22:39. | |
on Jeremy. Has he got a good face to sketch? Brilliant come out of this | :22:40. | :22:44. | |
world. We are talking about a sketch, not a caricature, aren't we? | :22:45. | :22:49. | |
No, no, this is a sketch. The first thing is your nose. I've spent my | :22:50. | :22:54. | |
whole life being told I have a huge hooter. I tell you what, those | :22:55. | :23:02. | |
intricate parts of your face, I love them. I look forward to seeing it. | :23:03. | :23:09. | |
We will have a look shortly. OK. Adebanji normally sketches on public | :23:10. | :23:13. | |
transport a lot, on the train. What you look for in a good face? The | :23:14. | :23:17. | |
light, the shade, the texture, beauty, wrinkles. It could just be | :23:18. | :23:22. | |
the mood people are in. I think most Londoners are not happy going to | :23:23. | :23:27. | |
work so they create a good feeling to sketch. The first one you saw is | :23:28. | :23:31. | |
you in a winter hat wasn't it? When I don't have anyone to sketch I look | :23:32. | :23:36. | |
at a reflection of myself in the window of the train. It is just | :23:37. | :23:41. | |
addictive, I love sketching and I have to do it. We were talking | :23:42. | :23:46. | |
earlier on that you don't use an eraser at all. It plays on your | :23:47. | :23:50. | |
brain, go straight for pen or something you cannot eraser so your | :23:51. | :23:53. | |
brain gets used to not making mistakes. We are unique and | :23:54. | :23:58. | |
wonderful as human beings, so yes. I think we should reveal your work to | :23:59. | :24:03. | |
Jeremy, if you are ready. I am ready. Just 20 minutes. That was | :24:04. | :24:07. | |
very quick. APPLAUSE | :24:08. | :24:14. | |
I tell you what, that is, yeah, isn't that wonderful. That is | :24:15. | :24:22. | |
recognisable! It's definitely you! Thank you, Adebanji. | :24:23. | :24:27. | |
From reading Jeremy's but we know he has struggled to find club to join | :24:28. | :24:31. | |
when he was at Cambridge but if he had a head for heights he might have | :24:32. | :24:34. | |
wanted to try the Ultima University challenge. Hey! Good one. Iwan | :24:35. | :24:40. | |
Thomas has discovered the Night Climbers, or as we like to call it | :24:41. | :24:45. | |
Posh Parkour. I'm on the trail of a secret | :24:46. | :24:50. | |
society, one that was set up over 80 years ago here amongst the hallowed | :24:51. | :24:55. | |
halls of Cambridge University. But they were not an underground | :24:56. | :24:59. | |
organisation, they operated on a far higher plane under the cover of | :25:00. | :25:03. | |
darkness. They were called The Night Climbers of Cambridge. | :25:04. | :25:09. | |
Their shadowy aim was to scale the buildings and walk the rooftops of | :25:10. | :25:16. | |
Cambridge in celestial splendour, inspired by a little-known book. | :25:17. | :25:21. | |
Someone who knows this book intimately is Doctor Bradley | :25:22. | :25:25. | |
Garratt, an academic and writer on urban exploration. | :25:26. | :25:29. | |
This book is The Night Climbers of Cambridge, published in 1937. It's a | :25:30. | :25:32. | |
collection of photographs and stories from about 24 Night Climbers | :25:33. | :25:38. | |
over the course of 20 years. This phenomenon began because some | :25:39. | :25:42. | |
students liked to go to the pub but the college locked the gates at | :25:43. | :25:46. | |
10pm, so with nothing to do they discovered that the builders of | :25:47. | :25:50. | |
Cambridge had plenty of natural footholds -- buildings. People would | :25:51. | :25:54. | |
scale these wars just to not get into trouble? Absolutely. That looks | :25:55. | :25:59. | |
worn down from people's feet. That is precisely what it is from, you | :26:00. | :26:04. | |
can see along the fence all the way up to the top would be a match from | :26:05. | :26:09. | |
night scaling. They suddenly got interested by what else they could | :26:10. | :26:13. | |
climb. The Night Climbers wore no special clothing, apart from the odd | :26:14. | :26:17. | |
tweed jacket and silk scarf. They usually would climb without ropes | :26:18. | :26:22. | |
and wouldn't balk at scaling the near 100 foot high King's College | :26:23. | :26:25. | |
already Deeping through midair. This is one of the most dangerous climbs | :26:26. | :26:29. | |
in Cambridge, going in the drainpipe over Senate House passage and when | :26:30. | :26:33. | |
you get to the top of the drainpipe jumping across the gap, called the | :26:34. | :26:43. | |
Senate House leap. That is a good six foot gap. If they felt they | :26:44. | :26:46. | |
would definitely break their legs and might die. The plucky Night | :26:47. | :26:48. | |
Climbers liked to let people know about their exploits, and they would | :26:49. | :26:51. | |
leave things in full view, Santa hats, toilet seats, underwear, and | :26:52. | :26:56. | |
in 1958, this. They were engineering students so | :26:57. | :26:59. | |
they basically constructed this winch and winched the van up onto | :27:00. | :27:02. | |
the roof and left it there and everyone worked up in the morning | :27:03. | :27:06. | |
and there was a van on top of this any house. The Night Climbers are | :27:07. | :27:09. | |
still conquering the summits of Cambridge even today. The Times | :27:10. | :27:13. | |
journalist used to be one of them. Nice to meet you. Nice to meet you. | :27:14. | :27:19. | |
He will demonstrate a climb at the Royal Holloway College just for The | :27:20. | :27:22. | |
One Show. Cambridge didn't want to play. How on earth did you get in | :27:23. | :27:26. | |
tonight climbing? I got given the book by my dad. You | :27:27. | :27:31. | |
are 18 at university, who wouldn't want to be part of that? | :27:32. | :27:35. | |
Today Tom's best friend is this guide rope, in the interests of | :27:36. | :27:39. | |
safety and the avoidance of a lawsuit he will be attached to this | :27:40. | :27:43. | |
line at all times, and I know it is supposed to be a night but that's | :27:44. | :27:47. | |
health and safety for you. Feeling all right? Yes, it should be fun. | :27:48. | :27:56. | |
Fun? Have a good one. Jiyas. Shall I leave you to concentrate? No, it is | :27:57. | :28:01. | |
OK. It is lovely. What would you like me to do now? I was just | :28:02. | :28:07. | |
reading up on what you crazy lot do, you just look like him. He is using | :28:08. | :28:16. | |
the drainpipe. Many of the Night Climbers became proper explorers, | :28:17. | :28:19. | |
four of whom went on to summit Everest. But there is a different | :28:20. | :28:22. | |
legacy to these posh pranks and it doesn't require the wearing of | :28:23. | :28:27. | |
tweeds. Our modern urban explorers and death-defying rooftop climbers | :28:28. | :28:31. | |
can trace their lineage back to The Night Climbers of Cambridge. Come | :28:32. | :28:40. | |
on, Tom. Nearly bare. He is taking ages. Hello. Well done. Jiyas. | :28:41. | :28:53. | |
Unlovely One Show flag. # No mountain high enough # | :28:54. | :28:57. | |
The question is, did you ever find yourself climbing the walls of any | :28:58. | :29:00. | |
building at Cambridge? I used to climb the walls but I | :29:01. | :29:04. | |
never did that stuff. The furthest I got was climbing in after the gates | :29:05. | :29:10. | |
had been locked. Gertje stop out! Locker room interloper! -- dirty | :29:11. | :29:14. | |
stop out! It has all been revealed to night. | :29:15. | :29:25. | |
11 questions will be released soon. Do you want that sketch? Thank you | :29:26. | :29:27. | |
very much. Tomorrow we'll be joined by | :29:28. | :29:28. | |
Jasper Carrott and Alistair McGowan. | :29:29. | :29:31. |