12/10/2016 The One Show

Hello and welcome to the One Show with Matt Baker And with Alex Jones.

The studio is on fire tonight as we are welcoming three Hollywood stars

who are going to be lighting up the big screen very shortly. I left you

a path. Now only you can finish it. Is this supposed to be a challenge?

A puzzle. Specifically designed for you. He created a plague. If the

plague exists... This map, it's a trail. So I can find it. Come on,

this way. But it will be Langdon. Please welcome the director and

stars of Inferno, Ron Howard, Felicity Jones and Tom Hanks.

CHEERING AND APPLAUSE

What an opening. We were told by your crack staff of employees here.

We have pyros outside. In America that means people who light fires

for pleasure. I thought they were going to be throwing bottles of

gasoline around. Fireworks. Right. They were hot when they went off

Yes. They were. A lovely walk in. Great. The things they should have

outside certain restaurants. Tea outside. Periodically blow up a jet

exhaust on us. Good showmanship. We thought we would go all out,

Hollywood as much as possible. Tom, we have it on good authority you are

excited about coming to Britain I always love coming to Britain. You

bet. I've never been here without being at the invitation of a movie.

I alwayses... I never came as a tourist with a backpack and make the

exchange rates... Somebody in the car has been telling me what to do

and where I am the next and what have you the next night. Felicity

you are on home turf. Where will you take the gentlemen? I feel a

terrible responsibility knowing you have only been here for work. We

have to go out on the town. Ron and I came in yesterday. We were talking

about this great in bar in Embankment called Gordons. I don't

know if you've been to that... It's fantastic. Get out of the M25, get

North. Aisle I'll give you places to go. If you like cheese, cheese and

wine. A sign on the motorway that says the North" " It's the place to

be. It's a large place - The North. My wife and I came here after we got

married. It was probably 1975. Maybe 76. I now realise I went shopping

and I still have a great little tie from Harrods. It's thin I have a

feeling it will be cool. It will come back into You are a fashion.

Skinny tie kind of guy. We have three of the hottest guests right

here on the planet - Literally after that entrance. Exactly. We have Tom,

a a jazz genius. Gregory Porter is with us.

# You've got a friend in # You've got a friend in me

# When the road looks rough ahead # You've got a friend in me...

# Plus.

Great. I had to record that song like I knew how to sing. You did so

well. You know. I could just say - I'm just a plastic cowboy toy. Don't

expect the quality of that man. Gregory will be performing later in

the show. Fantastic voice. With Christmas coming up fast,

we're sure that loads of people will be putting a fancy new coffee

machine on the top of their list. But when you find out just how hard

it is to recycle those little pods, it might leave

you with a bitter aftertaste. Lucy thinks it's time

the manufacturers woke up It wasn't that long ago that making

a cup of coffee meant reaching for a jar of instant, but now we've

discovered real coffee and it seems there is no going back. Certainly

not for me. Like many people I have developed a thing for real coffee.

And, I've even been tempted by these, capsules. Sales of which are

on the verge of outstripping instant. Last year us Brits drank

more than 340 million of these a year. That's 110 million pounds

worth. There is one thing about them that worries me, and that's the

waste. Most of the pods sold here can't be recycled easily. Now I

didn't know that. Does anyone else? To find out, I'm holding my own

coffee morning here in Manchester. You are all invited. Do you have a

coffee machine in your house? Yes, I have a Nespresso one. Taismo. Nice.

. What do you do with the capsules? Recycle it them. The the a

appropriate bin. The brown bin. Lovely. Putting them in the

recycling bin may not be the answer. To find out why I'm meeting

sustainable packaging experts Mike. These are difficult to recycle? They

are unresigh Constable at the kerb side. Why is that? I will show you

why. You have an alminimum foil top. Inside is the coffee. At the very

bottom you have a fabric filter. That will massively hinder he the

recycling of the alminimum. The plastic are as complex. Three layers

of material. To separate them is so costly in terms of time and energy.

What do our coffee connoisseurs think of these revelations? Does it

surprise you that that pod is not recyclable in a norm Al household

collection? Yes. I would expect it to be. Shocked. Yeah, shocked. It's

not that we don't want to recycle, it's more convenient to be able to

recycle at home with all the bins there. My primary concern is that

this lot doesn't end up in landfill. We know there are coffee pod

recycling schemes out there. Will they accept these? First up is

Nespresso. It does offer a return service. You can request a

collection or drop them off at one of 6,000 collection points across

the country. They are taken to this recycling plant in Cheshire where

the aluminium is melting down for reuse. Next up is market leader

Tasimo. They have 268 sites across the UK where you can drop off your

pods. They are run jointly with a recycling firm. They are not

everywhere. If you live in Hereford your nearest drop-off is in

Cheltenham. That's a round trip of 70 miles. In central London where

there are more pod users than you can shake a stick at, there are

precisely zero. What about will.i.am's favourite, Dolce Gusto,

they have no recycling whatsoever. You have to take them back to the

shop. You have to store them to a take them back to the shop. You

don't fancy doing that? No. They should make more of an effort to

recycle them. Tassimo acknowledge their recycling scheme wasn't enough

and were discussing ways to expand it. Nestle who own Nespresso told us

they were edges exploring ways to recycle capsules through council

collections. They would trial easier options for recycling Doce Guto pods

in the next few months. The CEO of Nespresso runs a company that runs

does biodegradable products. We have a planet to take care of. To use

plastic and aluminium is just foolish. Should we be insisting on

pods we can compost in future? Mr Packaging, certainly thinks thens

can can and must do better. Single material pack would be fantastic.

Could we go aluminium. The answer is, we probably could. There is a

window opportunity to take the heat of our ur o our beloved coffee pods.

In reality it will take some consumer pressure to make these

companies change their ways. I'll drink to that. Lucy, let me tell

you, the discussion that film raised. Unbelievable. . The first

time we have ever been informed of this important... You learn

something. Always turn to the BBC. I'm glad it doesn't have

commercials. APPLAUSE Because of that we can now

talk about your film. Let us indeed talk about Inferno. It's based on

the book by Dan Brown, the third in the trilogy. It evols around the

death mask. It's pretty scary this. We hear on good authority... It's

Mick Jagger's pre-death mask. He is alive and well. They have a new

record coming out. This is how he looks when he sleeps. Looked good.

Damn good. There are 15 of these in the world. They have flown one over

very kindly. How does this mask fit into the story. Who would like to

give us the premise? Professor Langdon... Well, first we have fo

determine why we have to find it, right? We don't know. No. We have to

determine where it's hidden. Right. Then we have to determine what's the

point of finding it? Does that make sense? Yes. You are not Absolutely.

Your usual self I'm suffering from sort of head injury that gives me

bad headaches! It's a type of thing. We read, I said Ron, he is supposed

to have a head injury. Can he have a headache every now and again. I

can't remember anything! Amnesia. On that thought, here is the moment

where Robert Langdon is trying to work out, trying to piece together

what's happened to him. Was I given an injection? When? At the hospital?

No, no you were into you baited. Anything you got came through the

IV. Not at the hospital. It I was fully dressed.

I was had in the back of some carat some point in the last two-days.

Something was injected into my bloodstream. Now I'm showing signs

of an illness. What if... What if what? What if I'm the carrier?

Plagues plus

I'm worried about you, my friend. I want to thank the crowd for that

mercy applause. Hats off to your part-time staff here who made that

happen. That's great. We saw you Felicity in that clip. It's a

two-hander between the pair of you. The first time though that we've

seen your character, Dr Sienna. Give us an idea of how she comes into the

story? The first time that Langdon and Sienna meet is in an hospital

ward. They bond immediately. There is a real sort of sense that they

are both outsiders. They both feel like they were probably the child at

school who wasn't in the cool gang who was a bit of a geek and a nerd.

We find out in that first scene there is a real, kind of,

intellectual and soulful affinity between them. What is it about this

series, the Dan Brown series you love so much? Often you don't direct

sequels. This is the third one? Tom has something to do with that. I

love directing Tom. He loves this character. He is very good at it. I

like making all kinds of movies, dramas... I know I talked to you

about The Beatles documentary, kids films. I love all the genres.

Thissent tans in different ways. What Dan Brown created is hard to

compare to other movies. Elements of this, elements of that. It

fascinates me. It's... The places that he takes you, the ideas that he

deals with. The tension, the motion and this character at the centre of

it, Lee Hsien Loong, it's interesting. By the way, they are a

blast to make. Go to these places. They are fun. That clip was in the

palaszzo vecchio and we had master places on the wall. We loved seeing

these fantastic locations because you were in flors, Istanbul, all

over the place. How much of a headache was that, it was peak time

when you were filming, holidaymakers?

At first it's great, you with a team of collaborators you are excited and

they take you on the tour is that they don't think anybody else on and

you got a historian fill you in. Thrilling. Then you get to the

logistics, is what they will allow us to do, and the time they will

allow you to have. I design we are shooting, a scene that would

normally take a we've got like 90 minutes. It's up to these guys and

the crew to get in there and create these combo painted scenes.

Transporting the audience is fun these are audience movies. Dan Brown

writes Page Turners. It's fun to go and see this on the big screen. The

locations are perfect. We ruin some peoples holidays. I want to sit down

on the step, mum! We look out all of the curses. We are not there for

long. We say, hold on, folks, we will be out of here. Felicity, to

see all those wonderful places, you must have been mesmerised.

Absolutely, there were times when they would go, where are the cast?

We disappeared and we would be in a museum looking at an amazing

painting. It was a really cool experience. We are wonderful dinner

party guests after these movies because we know so many things. We

know about golden doors with codes in them and secret passageways and

white Dante's death mask, where it was done... We know a good pub quiz.

We'll take you after the show. You can see Inferno for yourself from

this Friday. It's on the IMAX, in 3-D. That version is really cool. No

glasses required. Sorry to break it to you, Ron, but Inferno isn't the

only film with a high octane chase in it. Hang on a minute, lads, Gyles

has an idea. Get the wheels in line! The Italian Job is full of 60s cool,

unabashed Patrick Chisholm and often quoted one-liners. -- unabashed

compatriot -ism. You are only supposed to blow the bloody doors

off! Starring Michael Caine, it's one of the all-time great heist

movies but, despite its cast, it's remembered above all for three very

different stars, the red, white and blue mini Coopers used for the

famous getaway C. -- scene. Filming this chase, the minis steal the

show. In an escape sequence that lasts almost 20 minutes. Before the

robbers complete their disappearing act by driving full speed into the

back of a moving coach. And it's that seemed that today the One Show

will try to recreate with its very own stuntmen. What made the film

such a cult classic? 50 years old but probably only about 25 years or

so that it's been in the public consciousness in the way it is now.

At the time it didn't really work. Why? The film poster was of an

Italian gangster sitting in an armchair with a Tommy gun. Nothing

about the mini. So the advertising campaign didn't really do the job it

should have done. It just does the normal round of the West End opening

and in general release around the country and then disappears. And yet

it does become successful over time. Why is it now a cult film? It

becomes a staple of bank holiday afternoon TV screenings, Christmas,

Boxing Day, Easter, and the regularity of its showing begins to

make it seep into people's consciousness. Shot almost entirely

on location in Turin, the stunts were masterminded by former French

crossed motorbike champion. There was a young Brit working on the film

as well, a 19-year-old champion by the name of David. I could drive

before I could walk. I've always been around cars. How does a go

karting champion it into the movies? Originally it was to be a stunt

driver, and to supply the cars. It was the time of my life. Everything

was worked out to the ultimate degree. It was practice time and

time again. It was calculated and it had become a science. The big one is

the jumping from roof to roof. That was the truly death-defying stunt

which we only ever did once. The producer had a jet standing by ready

to fly him out of the country in case somebody got killed because the

producer would have been responsible. Wow. Did you get a line

in the film? One. Should we synchronise our watches? Nuts to

your watches! Unfortunately it was dubbed in the end. Oh no! 60 years

on, the One Show has swapped the car. We will be using a lorry

instead of a classic Bedford. The owner of the only original car we

could find deemed the stunt too risky. If we were filming we would

have had a rehearsal days and a long time to prep so considering we have

come here today, rehearsed it this morning and shooting this afternoon,

we'd better crack on. You were only supposed to blow the

bloody doors off! CHEERING

Very good. You are all in show business! We look forward to seeing

the second half of that. Let's talk about stunts. We have heard today

that ?1.6 million, a Disney production company being sued

because of Harrison ford's accident. Ron, how an edge are you on those

stunt days? I love directing actors. That's my favourite. But I like

movies and sometimes they have stunts. You can use digital effects

to make them safer, but it still comes down to an element of real

risk. I haven't had any serious injuries. I've done a lot of action

scenes, fire, cars, all kinds of things. The only real injuries I've

had have been around horses. They are unpredictable. No matter how

many times you reverse, something could go wrong. We heard, Tom, that

sometimes you get your brother to do your stunts. We resemble each other

closely. Which is me and which is my brother? That's us. We were shooting

Forrest Gump. We had multiple units and one of them had to get Forrest

running across the country and so I said, well, they were going to get a

double, and I said get my brother, we look the same. That is me

running. But, he had to go up to Montana and South Dakota and parts

of America, he'd fly off and have wonderful vacations where all that

was expected of him was to run. I had the flu that day. You were sick

as a dog! So you only had to run half the length that we thought. My

brother and I have arguments over who was in what shot. There was a

shot in a cornfield and we each insist it is us. We still look at it

and say, no, you didn't, we shot that in New Hampshire. No, we shot

it in Nebraska, you were doing something else. And he does the

voice of Woody? He does the computer games. The punishment that goes

along with resembling each other is that we sound like each other, too.

We both have this nasal voice. Felicity, you have been doing quite

a bit of, well, kung fu, shall we say. That is an Rogue One, the new

Star Wars film. Guests, when we were shooting Inferno in Budapest, we

started doing some initial kung fu training, just for an hour to start

off. It was a wonderful experience. But there is a lot of sort of jerky

movements that you have to get used to. And trying, particularly trying

to look like, sometimes when you are doing a stunt, the stunt person will

do the death-defying act and then suddenly there will be a close on

you where have to look like you have been doing the stunt and do

something really aggressive with your face. Sometimes that is the

hardest thing. When you are standing still but you have to show it all in

your face. I am the guy who gets beaten up in stunts. There is no

training for that. You just get beaten up. We found a kung fu stunt

that happened on Happy Days. Weirdly, it was you! That's right.

There we go. Was that you? I put this in. I said, is there anyway he

can... Costume are not bad! That's it.

There you go. That's real, ladies and gentlemen.

APPLAUSE I tell you what, that looked convincing. I didn't even

think that was my brother. I like the guy in the background with the

crop top. Starting university is scary for many but imagine how

daunting it must be for somebody with Asperger's syndrome. We are

about to point out, because our old friend Rosie King is taken us with

her as she embarks on a new life away from home.

I can just get so stressed sometimes. I get these little cakes.

I sometimes scream for no reason at all. -- these little ticks. I will

suddenly be sad and people don't understand. That was me when I was

13, making some TV shows for the BBC about my condition. I've got

Asperger's. I'm on the autistic spectrum. It means my brain is wired

a bit differently. I find it quite difficult to socialise and to deal

with things under pressure. I'm quite prone to panic attacks. At the

positives, I've got quite a vivid imagination and I can communicate

with my friends who are severely affected. My younger brother, many,

is 14. He has classic autism. My younger sister, Daisy, as another

syndrome. And she has autistic traits. School wasn't great. I did

experience some bullying. I felt for the first time very different and

quite isolated. I wasn't in a good place. Now I have a nice group of

friends. A lot of them are very understanding about different needs.

Everyone is a little bit weird! We don't all totally fit in. But we can

be isolated together. I'm about to go to university. I'm going to study

creative writing. I love any kind of literature. I can't wait to study it

and hopefully create some of my own. I've never lived away from home

before so this is a very new, very exciting but also very, very scary.

My main concerns rusher my main concerns are around her doting

friendships, being outside her comfort zone, the routine, her

family. There are so many other things that Rosie has to take on

board in a social environment. To some extent, she is still relatively

naive in those aspects. I think I'm a lot more confident than I was in

high school but I still have fears that people will accept me. I'm

worried I'll miss my family. I'm worried about the workload. I'm

worried I'll get lost. Pretty much name anything, I'm probably worried

about it! I've got an app called Brame Enhanced. If I'm having a

panic attack, I can go on my phone and it will come up with a list of

solutions. Rosie has preprogrammed all the advice so it is specific to

her needs. Before I had the app I wasn't very independent and I

couldn't use public transport by myself. My mum used to have to drive

me everywhere which wasn't very good. I can take the bus no problem

now, which is magic. Rosie has described having access to the app

as having an older and wiser version of herself on hand in her pocket and

then, as a back-up system, there is a red button she can press to speak

to somebody and somebody gets back to her within half an hour. When she

goes to uni, she's going to blossom so much. She is wonderful. Get past

the first couple of months and I think that will be it. This is where

I'm going to be for the next two years. -- three years. It's really

pretty and I am super excited but also really nervous.

This is my room. I've been using the app quite a lot this week. It's been

helping me get around. I've been super home sick and I get really

lonely, but I've made a lot of new friends. Which is something I

thought I'd really struggle with. It's making me feel like

everything's going to be OK. So that's good.

Rosie is here with mum Sharon. Obviously, still doing creative

writing. A lot in common with our guests tonight. Rosie, going back to

that app. How are things going. You have been at university for six

weeks, are you finding that you are using it less? I've been using it

less and less as I've been getting more comfortable with the situation.

I'm really enjoying it now. It's something that I thought I'd really

struggle with. I've had that extra difficulty, but I feel like you can

do things at your own certain pace. You don't have to do everything at

the same time as everyone else. My little sister didn't learn to walk

until she was five. She can still walk perfect now. Just because she

had to learn to walk a little bit later in a different way to most

other children, it doesn't mean she can't learn how to walk. That's the

same with... Same principle, isn't it? Anybody with a different ability

or general struggle can do anything that they put their mind to, that

they want to do. Absolutely. For you Sharon, as your mum, it US NUS be

fantastic to see her go off, go to uni and make new friends and be able

to be independent. Is that something at a stage you thought you would get

to? If in one hand it's terrible, I've lost my best friend. On the

other hand to see her fulfilling her potential is wonderful. It's

exciting for me as a mum. Not only have we Rosie's needs who are

milled. We have Daisy and Lenny with severe needs as well. The thinking

behind children with additional needs is changing to support them,

to give them the right support to fulfil their potential. For me, as a

mum, it's just so exciting. Wonderful. You brought your new

friends with you tonight. They are here in the audience. Why you are

here you might ask about creative writing. Is there anything you want

to ask this lot? How? ! You're doing it, you write. It's like anything. I

thought so. You practice and it builds. Rewrite it again, rewrite

it. You know, the first sentence is just the beginning. That's all it

is. Thank you. Rosie, wonderful to see you again and you too Sharon.

Thank you for coming and making such a wonderful film. Thank you. Good

luck with the rest of uni. Change the world! Check it out. Tell those

stories, we need them. We need good stories. Gregory Porter will be

singing for us live outside in just a little while. We will be out there

shortly. We will indeed. One of Tom's first roles

was as a cross-dressing advertising executive in a sitcom called Bosum

Buddies. can you believe, was

cancelled after two seasons. But, you could say, things

turned out OK in the end. We have a problem, Houston. My name

is Forrest, Forrest Gump. Our objective is to win the war. Wilson!

My mum always said, life is like a box of chocolates, you never know

what you're going to get. Shall we? I appreciate the films you left out

of that clip package. Thank you very much. You You went coy there and a

little bit embarrassed? You know what, the thing about the movies, I

see them once, but then they don't change. They are the same thing over

and over. If there is a painful clunker in those movies, every time

it comes up you have to make sure you are outside of the room. I have

seen Sleepless in Seattle... That tells me something about you,

doesn't it? High expectations of love, I tell you. I'm telling you.

Real-life doesn't match We screwed up up. A lot of men's lives. For me,

Forrest Gump. All the way. Ron, you have known Tom for a hibg heck of a

long time since Splash, another classics. This will be really

embarrassing for you now... You called it a "classic" - that's all I

need. I've won as far as I'm concerned. What is it then about

Tom, Ron, that makes him so brilliant to work with? I'm going to

read through this script. From the very first experience working with

him. Coming fresh off that show where he wore a lady's wig. He came

in and had confidence, he had creativity going. He's a hard

worker. He's never really changed. He has gained more and more

experience. You love Forrest Gump. The first time I saw that movie, he

had a silent moment when the bus was pulling away. You saw so many

emotions on his face. I thought my friend has really become a powerful

screen actor. It's great when you can do things with words, it's's

another thing when you can fill up a moment like that. After that we did

Apollo 13. I could see it for myself as a director. He is a lot of

laughs, very creative. He's the opposite of high strung. I would say

he's low strung! Like a double bass. I'm low strung! That's a good thing.

OK. Is there medication you can take for that? Tom mansion to make

anything seem really cool and chilled out and effortless.

Particularly also I loved Sleepless in Seattle with Meg Ryan, you were

so easy. It was like jazz, so relaxed. You and Meg we only work

one day together. All the day she is there. My days off she was working -

Don't spoil it. You are best friends! It's all right. Splash, I

remember directing him, he was anxious. It was his first job. It

was important for me, my second studio film. I'm a couple years

older, I had this leadership role. I went through and was controlling

this and controlling that. When I went to the editing room and started

to watch the scenes, I literally said to myself - if I ever get to

work with Tom again I will make him more of of a collaborator less than

someone I'm telling what to do. The creativity was there. He edges

tended it from comedy into drama. We made several movies together, Apollo

13, Splash... We did Backdraft, Parenthood, I wasn't that. A

beautiful... You started young, the three of you. Felicity we heard you

before we saw you in something that is close to the nation's hearts,

didn't we? In the Archers. I don't know if you haves willened to it...

Why arele we just hearing about this now? Fantastic radio

Where did that transition from radio to Hollywood come? Well, gosh, it's

always, I don't know. It was very gradual. I started off doing the

Archers when I was about 16. I think the first scene was falling off a

church roof. Early stunts, even on radio. Can we recreate that right

now? Everybody close their eyes... Listen to radio. Say something like

one of the Archers would? I would have to shout. I was with Ed Grundy

the character I was like, "oh, no, Ed, I've just fallen off the roof!"

APPLAUSE You have got a lovely voice, Felicity. Thank you. When you

left the world of acting and decided to concentrate on directing, why did

that happen? When did that come to you? What was wrong with Happy Days?

I was a child actor. I started when I was four years old. I loved

everything about the whole process. I loved hanging around with the

camera people. At a certain point I realised the director got to hang

out and play with everybody. Eventually, particularly like the

movie the Graduate, it was the first movie I studied by the late, great

Mike Nichols. It's not just directing traffic and telling people

to move here, talk now. There is this other theme going on which is

the hand of the storyteller. I became passionate about it. By the

way, actors often get thrown into situations where they are miserable.

They don't get to wear the right coat for the weather... Wet. They

are wet. And ultimately they do have to defer to the director. I realised

I've enough of a control freak to want to do it, make decisions. I

wanted to tell the story. We like to do a bit of research when we have

guests on the One Show. We love it when we uncover something that is

fascinating. Tom we know that you love typewriters? Yes. How many do

you have? Where best can I invest my money? Nothing quite like worthless

machines. I bought some of them for as much as $100 to $150 and they are

worth $20 a piece. I view them as a combination of engineering and art.

These machines that are limited. A limited number of usages, you can

change the world with one of those things. I'm going to send one to

Rosie, as a matter-of-fact... Isn't that lovely. I have English machines

that have the pound instead of the dollar. Did you hear that? I will

send you one. What you do, it ends up you think - you are locked-in

because you can't change it erase it. It frees you. You don't bother

with the mistake you made, you move on to the next idea. I use them

every day. I send out letters, memos and love notes to my wife. I do it

all. Tom, you are not the only one who loves #24e78 them. We have found

the type of people - get it - Ah! I love that. I started collecting

typewriters approximately 10 years ago because I love them and because

I worked with them for so many years. Then I watched them being

thrown in skips and I thought - there is history going down the pan

there. Once they are gone, they are gone. I'm the proud owner of over

200 typewriters. One machine which came from the tip the first portable

typewriter made. The most prized typewriter I have is the Little

Royaltyite from the man who carried out the awe autopsy on Tutankhamun.

We had a typing session erday. We had to wear gas masks. Twice a week

we had to type to music. 1, 2, 3, space. 1, 2, 3, space. A bell rang

at the end of the line. Had you to push the carriage like

this. You were doing this and that again. I had only been on a course

three months when I had a slip asking me to go for an interview to

Number Ten. I was seconded downstairs to the Churchill rooms

underground. It was all-action. We did in fact type the battle orders

for D-Day. People often ask me about how we felt about it? You are just a

cog in a massive machine. Everybody is doing something. I just happened

to be doing that. My typewriter stood me in the most tremendous

stead. When I think back to my choice of wanting to be a nurse. I

say, your parents do get it right sometimes. I'm George Blackman being

I have been repairing typewriters since I was 16 years of age. I'm now

77. I have a pride in the work. When I look at a typewriter I first of

all do not get the screw drivers out. I actually look at it and then

I put my hands on it and feel all the moving parts. Then we start with

the tools. When you are a young engineering you get the plyers out.

You musn't do that. I've done typewriters servicing and repair for

a few famous people. One of the most famous was Winston Graham. He was

very keen on keeping that same machine. I was the man that helped

to finish Poldark. Princess 300. That's my favourite. They can trace

two at the moment. One is in a museum in Germany. One is in my

shop. Even the springs and the type bars and type face are all plated in

gold. It's just amazing. Ual know, even to look at, they are lovely

things. A computer is a pretty boring thing to look at. I've got no

use for them! Well, we had a full running

commentary from Tom Hanks! He's got a typewriter room. That's amazing.

We've talked to you about Inferno but you three are massively busy

with a schedule of stuff coming up. We'll start talking about Rogue One.

Your character, Jyn Erso, tell us a bit more about her. I've been really

lucky this last year, playing some fantastic female roles. She is

incredibly determined. She's a strong minded woman. And beautifully

written on the page. I've been very lucky. So this is a stand-alone Star

Wars movie. How long did it take to film? There is a lot of special

effects to the movie in total was about six to seven months of

shooting and going to San Francisco, where they do the effects. So it's

always a surprise when you are watching scenes back after it's been

done with the effects and you suddenly, you were in the middle of

a studio and then you are in hyperspace and you look around and

think, wow, the power of a computer. Then you turn around after your

stunt. We have to talk about Sully, this pilot who landed this

commercial plane on the Hudson River. Yes, he did the right thing

and 155 people survived something they probably wouldn't have, were it

not for his instincts and expertise. It landed on the Hudson. What a day.

Imagine you are in New York City going about your business and you

look out of the window and you see a passenger airliner low against the

sky. I have spoken to people and said, what did you think? They

thought it was 9/11 again. It was 2009. It feels more recent. The

imagery is power. Directed by Clint Eastwood. How did that to compare,

him and Ron? Oh, dear! I'm going to do you... Run, OK, let's go! OK,

machines! Ready to go! Remember! Remember you are being chased! Ready

and, three, two, one, action!! That's the way Ron direct. This is

how Clint Eastwood directs. All right, go ahead. I'm not kidding.

That's how he does it. When you are done, he said, OK, that's enough. I

tell you what I'm really excited about your next project, Splash.

With Channing Tatum as a merman. I wouldn't say it's my next project.

I'm currently directing a ten hour series about the life of Albert

Einstein starring Geoffrey Rush. But this is something that Channing

Tatum, Brian Grazer and I, and it's an idea... To kind of flip the whole

thing on its tail, pardon the pun. Let's grown a little bit. That was

inexcusable. Sorry. Channing Tatum and Gillian love working together

and she loves that movie. We said, why don't you be Daryl Hannah and

I'll be Tom Hanks. See you are not going to be the love interest. I

would like to reprise my role and fall in love with Channing Tatum and

find happiness at last where we both accept who we really are. That would

be a worthwhile revival. But you agree that it's happening. Really, I

think it's... It's a really interesting idea. Everybody seems

excited about it. Brian Grazer have heard a million examples of what you

could do with Splash as a reboot and that's the first time we thought,

that's how courageous enough to give it a try. Now then, we noticed on

social media when we were researching that you like, for some

reason, taking pictures of lost property. Why is that? It is little

urban stories. I am walking around and I stumble across things and I

think, how did this get in the middle of the ocean? Who lost this

glove? Is it sad because it misses its mate? Little visual poems that

remind us that the world is a gossamer place and we have to take

care of each other. Tom, we have some helpful viewers and we ask them

to send in pictures. Yesterday, we asked them to send in pictures of

things... So they are walking around and they see this thing? Exactly. I

don't know if you want to pinch a movie to Ron but these dentures were

found by Kerry on a road in Sittingbourne. -- to pitch. All

you've got this option, this boot found by Roy in the middle of a

Bobby Moore in Yorkshire. OK. -- a boggy more. The denture one, I have

a title for that movie. I don't know how you spell it, but that is how...

I don't know. Channel your inner arch, 16-year-old. Is that a tower

you would fall off? It's more like, Where's My Boot. I would call it,

The Long Hot Whole. Four. Earlier, we saw Gyles preparing to recreate

one of the famous car scenes from The Italian Job. He is revved up and

ready to go. Can he become a fully paid-up member of the self

preservation society? The One Show has assembled a team of

professional stuntmen to recreate one of the most iconic moment in

British cinema history. Our team is made up of stunt coordinator Jamie

Edgell and stunt drivers Andy and Danny. We have challenged ourselves

to complete the stand in just one day, that is reversing and driving

three minis into the back of a driving truck. As each rehearsal

increases in speed, the difficulties are becoming clear. On that one,

Jamie, a bit more difficult. A bit of a panic situation. The ramp moved

over four or five inches before we came onto it. What you could have

done with is a camera, just so you had a visual of what he's doing.

Wood for the production team the first obstacle was finding three

mini Cooper's. But they found three Italian job aficionados willing to

put their pride and joys at risk. It's become part of a family so much

that my children have meant it. No doubt the guys will be experts but

that is still my little motor. Hitting the Minis Reddy has not been

easy. A couple of weeks ago it was in bits and last night it was still

up on the ramps at 10pm. It's been a rush. Excited to see my car do

something I watched as a kid and scared because my pride and joy,

watching somebody drive it full pelt into the back of a lorry. After the

morning of rehearsal, how are Jamie and Gary reeling about the stunt?

Unforeseen, the white car has got wider wheels and we are only getting

about an inch clearance up the ramp. Once you commit, no room for error.

With the final stunt approaching, the best way to capture the sequence

is causing debate. He's going to accelerate altogether. Up to the

ramp. If we get Yewtree to come up in formation up to the ramp, the

worst thing to do is to rush this. -- if we get you two to come up in

formation. Perhaps it's time I took the lead.

# This is the self preservation society...

I don't know what all of the fuss was about. Sweet, man. He did get!

What a golden way to end a fabulous programme. A very big thank you to

all of our guests night. CHEERING. We'll be back tomorrow.

Finally, taken from his brand-new album, Take Me To The Alley, this is

Gregory Porter. # Sitting on the top of the roof,

the bridge is all mine # The bridges fall down

and so do my dreams # If the bridges fall down,

Don't lose your head of steam # And whoa, young man,

I'm counting on you # But baby you are

the family star # If the bridges fall down,

Don't lose your head of steam # And whoa, young man,

I'm counting on you # But do me this do

Don't lose your head of dreams # And whoa, young man,

I'm counting on you # Don't let them get you down

# I'm counting on you # Don't you lose your head of dreams

# Don't you lose your head of dreams Hello, I'm Tina Daheley

with your 90 second update. MPs have been arguing in Parliament

that they should be able to vote