Browse content similar to 19/07/2016. Check below for episodes and series from the same categories and more!
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Hello and on the hottest day of the year, welcome to The Warm Show. Did | :00:16. | :00:21. | |
you like what I did? I did. With Matt Baker. And Nina Wadia! Always | :00:22. | :00:28. | |
lovely to see you, my dear. What is wrong with you today? We will get on | :00:29. | :00:32. | |
to that. We have a lot to get through tonight. It's true. We will | :00:33. | :00:40. | |
start with our guest tonight, who is an award-winning comedy actress. Now | :00:41. | :00:44. | |
she is bringing back some of her favourite characters, including this | :00:45. | :00:49. | |
one. Talking to me? Yes, it's the last stop. Am I bovvered? What? Am I | :00:50. | :00:55. | |
bovvered, though? This is the last stop. She might not be bovvered, but | :00:56. | :01:01. | |
is she hot and bovvered today? It is Catherine Tate. Hello. That is the | :01:02. | :01:05. | |
question. It is the question. Are you a thriver or a wilter? I'm... I | :01:06. | :01:11. | |
don't know. I don't go out in this weather. Who could possibly go out | :01:12. | :01:20. | |
in this? 33.3 C. It is too much. We want to know how you are coping at | :01:21. | :01:28. | |
home. Maybe you are like the gorillas at London Zoo? Send in your | :01:29. | :01:34. | |
photos and we will show some of the coolest later. We will bring on | :01:35. | :01:38. | |
another little friend. Catherine is excited about Ethel. You are further | :01:39. | :01:41. | |
away than I was expecting. Hang on. Two seconds. Thank you very much. | :01:42. | :01:47. | |
There we are. This is Ethel. Have a little stroke now. I will pop her | :01:48. | :01:52. | |
there. Hello, my darling. The rest of her life! Ethel is a French | :01:53. | :02:06. | |
bulldog. Like poodles and Afghans, dogs like Ethel are in vogue. Where | :02:07. | :02:10. | |
there is demand, there is always a criminal, happy to make money | :02:11. | :02:17. | |
whatever the cost. Here is Dan. They are the must-have dogs for a | :02:18. | :02:22. | |
growing band of celebrities, including the Rock, and these | :02:23. | :02:26. | |
flat-faced four-legged friends are fast becoming all the rage with the | :02:27. | :02:29. | |
rest of us, too. Welcome to my world! They are so popular that UK | :02:30. | :02:37. | |
breeders are struggling to cope with demand. Yeah. And rather than | :02:38. | :02:45. | |
waiting for the next litter of pugs or French bulldogs, some wannabe | :02:46. | :02:49. | |
owners are shelling out thousands of pounds for a pup online. That | :02:50. | :02:54. | |
potential to make big money is fuelling a black-market in underage | :02:55. | :02:59. | |
puppies being smuggled across the border from Europe. The Dogs Trust | :03:00. | :03:09. | |
filmed the illegal trade in puppies. Their footage was captured at a vets | :03:10. | :03:15. | |
surgery in Lithuania. This rogue vet is falsifying the date of birth on | :03:16. | :03:22. | |
this puppy's passport. It is illegal to import puppies younger than 15 | :03:23. | :03:27. | |
weeks as they won't be properly vaccinated against diseases like | :03:28. | :03:29. | |
rabies. The Dogs Trust says hundreds of | :03:30. | :03:49. | |
snub-nosed puppies have been trafficked into the UK. Adam is | :03:50. | :03:52. | |
showing me around this quarantine kennel in Dover. It was set up last | :03:53. | :03:57. | |
year in response to the influx of smuggled puppies. This last weekend, | :03:58. | :04:02. | |
28 pups were seized over two cars. 28 in two cars? Yeah. They are | :04:03. | :04:08. | |
coming from countries that aren't rabies free and that means there is | :04:09. | :04:12. | |
a risk of bringing that into this country. The rise in puppy smuggling | :04:13. | :04:20. | |
incidents is a big concern for the authorities. Catching and | :04:21. | :04:24. | |
prosecuting smugglers is far from easy. The people who arrive at the | :04:25. | :04:28. | |
ports may not be the breeder, so there can be a number of people | :04:29. | :04:32. | |
involved. That is why it is difficult to trace back to the | :04:33. | :04:36. | |
actual origin of the person who has been responsible for those pups | :04:37. | :04:40. | |
coming over in the first place. What can we do to stop this happening? | :04:41. | :04:44. | |
What we'd like people to do is make sure that they are seeing the puppy | :04:45. | :04:47. | |
with their natural mother and they are checking to see is they haven't | :04:48. | :04:51. | |
come from another country because it fuels this ring of puppies coming | :04:52. | :04:55. | |
into the UK. These homeless hounds may have had an unhappy start to | :04:56. | :05:00. | |
their life, but their future is set to get a whole lot brighter. Many of | :05:01. | :05:05. | |
them are cared for by Dogs Trust volunteers, until they are | :05:06. | :05:08. | |
vaccinated and ready to be matched with new owners here in Britain. | :05:09. | :05:15. | |
Richard and Jessie adopted Lulu earlier this year. She came from a | :05:16. | :05:21. | |
puppy farm in the Czech Republic and she was confiscated at Dover Docks. | :05:22. | :05:25. | |
Jessie, how is she settling in? Perfect. I was surprised how | :05:26. | :05:31. | |
friendly she was to begin with, like considering her background, but, | :05:32. | :05:35. | |
yeah, she's perfect. She's had a tough start to her life, but it is | :05:36. | :05:37. | |
all on the up from here. Yes. Ethel has moved from our side of the | :05:38. | :05:47. | |
sofa and found a new best friend. She has. Ethel was smuggled. Oh my | :05:48. | :05:54. | |
gosh. We are happy to say, after being quarantined, she has been | :05:55. | :06:00. | |
re-homed... Aren't you beautiful? You have lost her, Lana! That's it. | :06:01. | :06:08. | |
You brought back bad memories then! Leave off! Sorry. You have your own | :06:09. | :06:20. | |
dog. I do. There we go. She has an interesting backstory. This | :06:21. | :06:27. | |
beautiful dog, yeah, she isn't a rescue dog, although I'm very much | :06:28. | :06:31. | |
an advocate of rescue dogs. What I did do was I rescued her from | :06:32. | :06:39. | |
Jonathan Ross. I rescued her from a life of luxury because she is the | :06:40. | :06:44. | |
offspring of two of Jonathan's dogs. I got, yeah, he knew I wanted a dog, | :06:45. | :06:54. | |
he said have a look, and she was there. She's beautiful. We | :06:55. | :07:00. | |
understand you are going on tour. Let's remind yourselves of one of | :07:01. | :07:04. | |
those characters. Thank you. Can you call me back on the | :07:05. | :07:10. | |
landline? I'm at the office. I'm at my desk now. Right. | :07:11. | :07:19. | |
This character was based on your mum? Yes, my mum says I don't look | :07:20. | :07:40. | |
like that. You always have to nick from people's characteristics but | :07:41. | :07:43. | |
don't give them the same hair, that is the trick. My mum says, I said | :07:44. | :07:50. | |
that was based on you, she said, I have not got hair like that, but you | :07:51. | :07:54. | |
do scream at everything that happens. I was so embarrassing when | :07:55. | :07:59. | |
I was a child. The door would ring and she would go, I won't do it | :08:00. | :08:04. | |
because Ethel will get a bit... It is like, please, it is so | :08:05. | :08:08. | |
embarrassing. Margaret is one of the many characters that you will be | :08:09. | :08:13. | |
putting on stage this summer. It surprises me you haven't done this | :08:14. | :08:18. | |
already. Me, too. Why now? I don't know what I was doing with my time | :08:19. | :08:24. | |
before. I just always wanted to and I never blocked out the amount of | :08:25. | :08:27. | |
time you are supposed to and you have to do it so far in advance, I | :08:28. | :08:37. | |
was a bit of a commitment-phobe and I bit the bullet. Is this all new | :08:38. | :08:44. | |
material? Yes. The old characters. We recently had to revive Goodness | :08:45. | :08:49. | |
Gracious Me and we aged up some of the characters. Yes. Are you doing | :08:50. | :08:58. | |
that? No. Young forever! Nan's going to get older! No, I thought about | :08:59. | :09:03. | |
doing that. Maybe if I did a TV show that might be the way to do it. On | :09:04. | :09:08. | |
tour, you kind of got to bring out your greatest hits. Hello! Someone | :09:09. | :09:19. | |
dropped her! A biscuit. Someone dropped her a hobnob. There could be | :09:20. | :09:23. | |
anything back there! As far as all of the characters are concerned, you | :09:24. | :09:27. | |
can't rely on anybody else here. You will have a bit of help on stage? I | :09:28. | :09:33. | |
have got help. Matt Horne is coming in - I would hate to do anything on | :09:34. | :09:39. | |
my own. The costume changes... The costume changes alone... I don't | :09:40. | :09:42. | |
know how I will cope! That is a really technical thing. That is | :09:43. | :09:45. | |
going to take an age in rehearsals to get that right. It is exciting. | :09:46. | :09:52. | |
We are going all over the country. I love doing stuff live so that is | :09:53. | :09:57. | |
good. This one is coming with me! For those that have tuned in, this | :09:58. | :10:02. | |
is not Catherine's dog. It is my new character! Out of all the characters | :10:03. | :10:08. | |
that you have played, who has been your favourite? In my show? Yes. You | :10:09. | :10:14. | |
know what, it is great to make people laugh and that is all fun. To | :10:15. | :10:21. | |
be honest, the Nan does elicit the most reaction, but that's old people | :10:22. | :10:28. | |
swearing for you! Are you going to be doing prosthetics? Yes. I had a | :10:29. | :10:33. | |
fitting yesterday because the prosthetics have to be done much | :10:34. | :10:38. | |
quicker, so they are done... The privilege of age, do what you like | :10:39. | :10:43. | |
with everyone else! Are we going to see them back on TV again? I hope | :10:44. | :10:48. | |
so, yeah. I don't really make plans, really. There is no sort of great | :10:49. | :10:54. | |
scheme behind anything. Perhaps, yeah, I'd like to. You have always | :10:55. | :10:59. | |
been busy. Apart from your show, you have been in Doctor Who? Yes. You | :11:00. | :11:04. | |
are very talented, it is incredible. Thank you very much. As you can see, | :11:05. | :11:10. | |
I work wonders with dogs! She begs to differ! You are off on tour very | :11:11. | :11:18. | |
soon. The The Catherine Tate Show kicks off in York. It has not been a | :11:19. | :11:22. | |
good week for British transport with Southern Rail making drastic changes | :11:23. | :11:26. | |
to timetables and British Airways having technical issues with their | :11:27. | :11:33. | |
check-in desks. To tell the story of another headline-hitting blunder, | :11:34. | :11:40. | |
Nick Hewer has bought a one-way ticket to the 1980s. | :11:41. | :11:44. | |
It was every boy's dream to become a train driver when I was growing up. | :11:45. | :11:48. | |
By the early 1980s, our railways were the butt of a national joke. | :11:49. | :11:54. | |
British Rail intend to maintain their standards, but now for the | :11:55. | :12:03. | |
good news... The high-speed advanced passenger train was developed by | :12:04. | :12:08. | |
British Rail during the '60s and '70s. It was designed to tilt as it | :12:09. | :12:13. | |
went around the many bends of the West Coast Main Line enabling it to | :12:14. | :12:19. | |
slash half an hour off the four-and-a-half hour journey time | :12:20. | :12:22. | |
from Glasgow to London. It shows the perils of launching a new product | :12:23. | :12:26. | |
before it is truly ready. I have come to the Crewe Heritage Centre to | :12:27. | :12:32. | |
board the last remaining APT to have been in public service. This man | :12:33. | :12:38. | |
spent many years developing state-of-the-art technology. In | :12:39. | :12:41. | |
1969, work was started on the project. We built a couple of | :12:42. | :12:47. | |
prototype test vehicles, I spent a long time on those. You can see the | :12:48. | :12:54. | |
hydraulics tilting over and then going back again. Yeah. But the APT | :12:55. | :12:59. | |
was about to be derailed by politics. The Prime Minister, | :13:00. | :13:04. | |
Margaret Thatcher, a publicly owned company like British Rail, it was a | :13:05. | :13:09. | |
place of waste and inefficiency, as the chairman found out. She didn't | :13:10. | :13:13. | |
like the railways. Her general attitude was, if anybody is any | :13:14. | :13:17. | |
good, they don't work in a nationalised business. After | :13:18. | :13:21. | |
spending ?50 million of taxpayers' cash, or over ?140 million in | :13:22. | :13:24. | |
today's money, questions were being asked. Why isn't it ready? So | :13:25. | :13:30. | |
against all expert advice, the bosses at British Rail, with the | :13:31. | :13:40. | |
Government blaring in their ears, decided to bring the launch forward. | :13:41. | :13:45. | |
It was prepared for its maiden departure on the 7th December, 1981. | :13:46. | :13:56. | |
The APT sped towards Euston with the sun coming up. Alan Marshall saw | :13:57. | :14:02. | |
exactly what was coming down the tracks. Quite a few of the | :14:03. | :14:05. | |
journalists had been taken to Glasgow the day before. They went | :14:06. | :14:08. | |
into the hotel bar and stayed there rather late and then they got on a | :14:09. | :14:11. | |
train and blamed the tilting sensation of the train for them not | :14:12. | :14:16. | |
feeling too well. I thought the ride was bumpier than I expected. The | :14:17. | :14:27. | |
press dubbed the APT Queasy Rider. It made two Private Eye front | :14:28. | :14:32. | |
covers. The papers had a field day. The train suffered frozen pipes and | :14:33. | :14:37. | |
brake failure in the freezing midwinter conditions. Will you make | :14:38. | :14:40. | |
it to London today? Of course we are. Out of the first six journeys, | :14:41. | :14:45. | |
only two reached their destination. Not a drop of tea was spilt. For 40 | :14:46. | :14:49. | |
minutes, the train didn't move. In PR terms, the launch of the APT was | :14:50. | :14:55. | |
a disaster. In a last-ditch attempt to win over the public, British Rail | :14:56. | :15:01. | |
made a promotional film with former Blue Peter presenter, Peter Purvis. | :15:02. | :15:07. | |
I was aware that people had said it's a bit queasy, absolute | :15:08. | :15:11. | |
nonsense. It was a smooth as can be. The technology to my mind was just | :15:12. | :15:13. | |
perfection. I have had an excellent breakfast in | :15:14. | :15:23. | |
delightful surroundings. Were you riding a revolution every train or a | :15:24. | :15:30. | |
white elephant? It was not a white elephant. But he was wrong. More | :15:31. | :15:36. | |
problems with the British rail APT, the brakes failed because of the | :15:37. | :15:41. | |
cold. After a month in service, the APT was withdrawn indefinitely. But | :15:42. | :15:46. | |
there is a twist. The following year, the rights to British Rail's | :15:47. | :15:52. | |
APT technology were acquired by the railway division of Fiat, after some | :15:53. | :15:55. | |
finessing it was rolled out on the next generation of trains and today | :15:56. | :16:00. | |
if you travel on the West Coast Main line it may be an aid helping and | :16:01. | :16:10. | |
only no train. -- pendolino. Yes, we bought back our own technology, so | :16:11. | :16:14. | |
if anybody should feel sick it's the British taxpayer. Nick is with us | :16:15. | :16:20. | |
now. Nick, meet kettle. We are going to stick with PR but we are going to | :16:21. | :16:30. | |
France -- Ethel. The French spent 12 billion on new trains. Right. The | :16:31. | :16:37. | |
problem is that size matters and they were an inch and a half too | :16:38. | :16:41. | |
wide and consequently somebody in France had to go around 1300 | :16:42. | :16:45. | |
stations chipping off the edge of the platforms. Disastrous. They were | :16:46. | :16:52. | |
too wide and unfortunately they were too high. On the Riviera, the | :16:53. | :16:56. | |
bridges were too low, so everybody had to get out of the trains into | :16:57. | :17:00. | |
Italy and get into another train because somebody hadn't taken | :17:01. | :17:07. | |
Netscape major! How can that happen? -- hadn't taken the tape measure. | :17:08. | :17:14. | |
What about these guys? Anyone flown to Berlin recently? Brandenburg | :17:15. | :17:20. | |
airport, the joy of Germany, it will be when it's finished. 5 billion | :17:21. | :17:24. | |
over budget, it was due to open in 2014. They think 2017, perhaps 2019 | :17:25. | :17:33. | |
and some say that it will never open, 20,000 unresolved problems. | :17:34. | :17:39. | |
20,000! Some of them you'll be delighted about. Apparently nobody | :17:40. | :17:42. | |
in the airport was advanced enough to switch off the lights, there are | :17:43. | :17:47. | |
2000 lights burning day and night and it cost them ?2000 every 12 | :17:48. | :17:54. | |
hours. The escalators, size matters, they were too short and they had to | :17:55. | :18:00. | |
take them away. I love it. Somebody delivered thousands of trees and | :18:01. | :18:05. | |
planted them and then they had to be chopped down, the wrong trees. And | :18:06. | :18:15. | |
so it goes on. That was a kind of achtung but the PR man was fired for | :18:16. | :18:19. | |
being honest, he said he isn't sure that it's never going to open. Let's | :18:20. | :18:25. | |
move onto ticket side of things, away from the airport. There's a | :18:26. | :18:32. | |
good story. American Airlines aren't alone in making a mess of a | :18:33. | :18:36. | |
promotional programme. There is was called the airpass. You give me a | :18:37. | :18:44. | |
quarter of ?1 million, they say, and you can fly anywhere you like, | :18:45. | :18:49. | |
first-class for as long as you like and as many times as you like. They | :18:50. | :18:53. | |
thought that a future if executives would take it up, but essentially | :18:54. | :18:58. | |
it's a good PR story -- a few chief executives. One man took it up and | :18:59. | :19:05. | |
flew to London 16 times in a month. LAUGHTER | :19:06. | :19:08. | |
Clearly he had nowhere to live. I bet you he was Indian! One chap | :19:09. | :19:15. | |
apparently flew ?21 million worth of flights, 10 million miles. They | :19:16. | :19:21. | |
increased the price, but people kept coming, they increased it again and | :19:22. | :19:25. | |
they eventually stopped it. They thought they had better have a look | :19:26. | :19:28. | |
and see what's going on and they got in a fraud team. For that 250,000, | :19:29. | :19:37. | |
for you, and for 150,000, I could take you. And I'm worth it! Some | :19:38. | :19:45. | |
tricky characters, one person was putting people in with fraudulent | :19:46. | :19:51. | |
names, he flew a priest to Rome. He sent a mother to see her children | :19:52. | :19:56. | |
because one of them had a sniffle. You've got to be very careful with | :19:57. | :20:06. | |
these promotional items. A vacuum cleaner manufacturer offered a deal | :20:07. | :20:10. | |
where it you buy one, you will fly to Barbados, and they were swamped. | :20:11. | :20:15. | |
Nice to see you. Time for Esther to get some help with another one of | :20:16. | :20:19. | |
your dilemmas, this one is all about terms of endearment in the | :20:20. | :20:22. | |
workplace, isn't that right, petal? Stop it! In the words of our guest, | :20:23. | :20:32. | |
how very dare you! Here's an interesting dilemma. There's a | :20:33. | :20:35. | |
junior doctor working in hospital and her consultant keeps calling her | :20:36. | :20:39. | |
love and sweetheart even in the professional setting. She says she | :20:40. | :20:43. | |
finds the name degrading but she hasn't said anything because it may | :20:44. | :20:48. | |
damage her career. Should she bring it up? Lex see what the people of | :20:49. | :20:56. | |
Rotherham think. -- let's see. Hello, can you help? Hello, can you | :20:57. | :21:02. | |
help me? You don't have to talk into it like that. What should she do? | :21:03. | :21:07. | |
Don't come and work for me because I do it all the time. The only person | :21:08. | :21:12. | |
who pulled me up on it, she was pompous and she was a snub. Does he | :21:13. | :21:16. | |
call you sweetheart? He doesn't call me that. What do you think she | :21:17. | :21:23. | |
should say? Get on with her life. That's good advice. If the | :21:24. | :21:30. | |
individual finds it not appropriate their many to bring it up with their | :21:31. | :21:36. | |
boss. I'd pull you to one side and say, listen, I don't like that, but | :21:37. | :21:41. | |
I wouldn't be really bothered. Life is too short. Other things to have a | :21:42. | :21:47. | |
row about. Do you think she should argue or ignore it? Argue! What did | :21:48. | :21:57. | |
you call me? You called me love? Yeah. That's what we are talking | :21:58. | :22:01. | |
about, people who call each other love and pet why do they do that? | :22:02. | :22:06. | |
You bump into somebody, you say excuse me, sorry, love, it isn't a | :22:07. | :22:11. | |
disrespectful thing. When you called me love, I rather liked it! She is a | :22:12. | :22:18. | |
colleague, she shouldn't be threatened and she should go quietly | :22:19. | :22:23. | |
and say that they don't like him using those terms. It shouldn't | :22:24. | :22:27. | |
spoil their relationship. Would you mind? Not at all, no. Some jobs I | :22:28. | :22:33. | |
think you should be more professional but at the salon, it is | :22:34. | :22:40. | |
totally different, more relaxed. You are gorgeous, far better than on | :22:41. | :22:43. | |
television, aren't you lovely? How can she pointed out to her boss? | :22:44. | :22:51. | |
Call me by my name, people preferred that. We say sweetheart. Pet. It is | :22:52. | :23:02. | |
a term of endearment. Do you think she should approach it? Ignore it. | :23:03. | :23:10. | |
No. In Yorkshire we nearly always say love. What does he call you? | :23:11. | :23:16. | |
That's for me to know and for you to find out! True! | :23:17. | :23:21. | |
Hopefully Esther will be back in Rotherham soon for more dilemmas. | :23:22. | :23:27. | |
Catherine, are you a fan of pet names, do you think they are | :23:28. | :23:31. | |
appropriate? When your producer was talking to me and said we will do an | :23:32. | :23:33. | |
item about terms of endearment in the workplace I said I thought it is | :23:34. | :23:39. | |
inappropriate, I don't think it's right. Then I got here, the runner | :23:40. | :23:46. | |
said it was nice to meet me and I said OK, thanks, love! LAUGHTER | :23:47. | :23:55. | |
I thought, oh, what a hypocrite. I have to say, is one of the first | :23:56. | :23:59. | |
things I noticed when I moved to the country, there is a real warmth | :24:00. | :24:01. | |
about the terms of endearment, especially up north. Come in, love. | :24:02. | :24:09. | |
It is a community thing. The prom season is well underway and we are | :24:10. | :24:13. | |
going to meet the young virtuoso with an extraordinary talent. The | :24:14. | :24:17. | |
thing is, she is only 11 and was composing music at an age when most | :24:18. | :24:28. | |
of us can't even tie our shoelaces. My name is Alma Deutscher, 9/11 | :24:29. | :24:33. | |
years old, I'm a composer and a pianist and a violinist. I'm going | :24:34. | :24:40. | |
to play concert at the Henley Festival. I'm going to play the | :24:41. | :24:45. | |
third movement of my violin Concerto with the Welsh National Orchestra. | :24:46. | :24:50. | |
I'm going to play with a really amazing singer. Bryn Terfel is a | :24:51. | :24:57. | |
novel is -- is an opera singer and I'm excited to share the stage with | :24:58. | :25:05. | |
him. When I was little, I didn't even know it was called composing. I | :25:06. | :25:11. | |
would just sit down at the piano and I would play the tunes I had in my | :25:12. | :25:16. | |
head. When I was five, I started writing things down on paper, not | :25:17. | :25:20. | |
just keeping it in my head like I had done before. I had a notebook | :25:21. | :25:28. | |
full of my early pieces. This is me Emperor by a man I was quite. -- | :25:29. | :25:37. | |
improvising when I was four. Since she was small, she has had tunes | :25:38. | :25:41. | |
pouring out of her, it wasn't a sudden moment of discovery, it has | :25:42. | :25:47. | |
always been there. Here I am very young, so my improvisation is an | :25:48. | :25:54. | |
much simpler than now. -- improvisations are much simpler. It | :25:55. | :26:00. | |
is fun to look back. I don't go to school because if I went to school I | :26:01. | :26:04. | |
would have no time for properly doing music. I learn exactly what I | :26:05. | :26:10. | |
would learn and more at home. I have private lessons and I read a lot. I | :26:11. | :26:15. | |
also have lots of friends. If I went to school, it would be a waste | :26:16. | :26:20. | |
because I would dream 80% of the time. I've got a magic skipping rope | :26:21. | :26:29. | |
and I wave it around and sometimes randomly a melody springs into my | :26:30. | :26:35. | |
mind and I hurry and record it. I'm glad she spotted that one. I | :26:36. | :26:54. | |
think she's an astonishing talent. Technically she's a very fine player | :26:55. | :26:58. | |
already at the tender age of 11, I think. But actually is the music she | :26:59. | :27:05. | |
writes, it's astonishing for somebody of that age. She has sharp | :27:06. | :27:11. | |
ears, she picks up things in rehearsals. I think, OK, wouldn't | :27:12. | :27:25. | |
mind those ears. I would like to have that confidence at her age, she | :27:26. | :27:29. | |
plays the music and writes it as well. A very playful personality, | :27:30. | :27:36. | |
credit to her parents. When you have a special talent in your family, you | :27:37. | :27:40. | |
must nurture it. I had the rehearsal with the orchestra and it was very | :27:41. | :27:42. | |
exciting, listening how it sounds. CLASSICAL MUSIC. Very excited but I | :27:43. | :27:55. | |
get nervous on her behalf. She doesn't get nervous but I get | :27:56. | :28:00. | |
nervous for her. Can I introduce you to Alma Deutscher. I am writing a | :28:01. | :28:13. | |
piano Concerto which is a big project, because it isn't easy. I | :28:14. | :28:18. | |
think I will always be a composer because that's one thing that I | :28:19. | :28:22. | |
really love the most and I would be very unhappy if I couldn't compose. | :28:23. | :28:28. | |
APPLAUSE What an unbelievable talent that is. | :28:29. | :28:47. | |
Incredible. Thank you for the photos you have been sending in, how to | :28:48. | :28:51. | |
cool off in the summer. Just in from the West Midlands is cooling off | :28:52. | :28:58. | |
with his grandson's T Rex. Holly is the dog wearing the Panama. And this | :28:59. | :29:02. | |
from Cheryl with a horse, cooling off. That's all we've got time for | :29:03. | :29:08. | |
tonight. Thank you to Catherine whose live tour kicks off on October | :29:09. | :29:18. | |
the 31st. How much have you enjoyed Ethel's company? I love it. I will | :29:19. | :29:23. | |
be back tomorrow, enjoy the rest of the sunshine. Goodbye for now. | :29:24. | :29:36. | |
As the only female in a hard, tough, very macho world, | :29:37. | :29:39. | |
do you feel any particular sense of pressure | :29:40. | :29:42. |