Browse content similar to 20/04/2012. Check below for episodes and series from the same categories and more!
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Hooray! Hooray! Here we go again. Hello, and thank you for tuning | :00:28. | :00:31. | |
into another Friday one-hour One Show with Alex Jones and Chris | :00:31. | :00:36. | |
Evans. Tonight, any to meets some amazing giants on the streets of | :00:36. | :00:44. | |
Liverpool. Many magicians will astound us with their hocus-pocus. | :00:44. | :00:49. | |
You see, I say that all might, let's do that all might. Jay | :00:49. | :00:52. | |
unleashes his hunter-gatherer and digs up free food in the wilds of | :00:52. | :01:02. | |
:01:02. | :01:04. | ||
Wales. And we have got two great guests. They are not only at the | :01:04. | :01:08. | |
top of their profession, but also from the top of the alphabet. | :01:08. | :01:14. | |
an award-winning comedian who has toured as a Tooth Fairy and a Spexy | :01:14. | :01:20. | |
Beast and is now a camp chat show champ. Anne Beavis and award- | :01:20. | :01:23. | |
winning actress who stole the screen in Secrets And Lies, little | :01:23. | :01:33. | |
:01:33. | :01:46. | ||
Good evening. Welcome. Nice to be here. I am trying to breathe in, | :01:46. | :01:54. | |
because the shirt is a bit tight. Here for one hour. You're joking! I | :01:54. | :02:04. | |
:02:04. | :02:08. | ||
will undo my bottom. There we go. - - my button. You share something in | :02:08. | :02:16. | |
common. You have never met, but you both suffer from nerves. I should | :02:16. | :02:21. | |
be on a stretcher before stepping on stage. I am so frightened. But | :02:21. | :02:28. | |
the minute I step on stage, I am fine. I get all four wind. And then | :02:28. | :02:35. | |
I get the feeling that I have wet myself. Just before I go on stage. | :02:35. | :02:45. | |
:02:45. | :02:47. | ||
Might do wet myself. -- well, I do wet myself. Around 32,000 people | :02:47. | :02:50. | |
will be starting to feel butterflies round about now because | :02:50. | :02:56. | |
it is the London Marathon on Sunday morning. You have run the marathon | :02:56. | :03:00. | |
three times. Yes. But you also practised the London Marathon, but | :03:00. | :03:07. | |
not on the streets of London. treadmill. I would have the TV and | :03:07. | :03:11. | |
I would be on my treadmill. This is why I was asked to do it. They | :03:11. | :03:17. | |
thought I had gone 26 miles, but I had only done about five. What was | :03:17. | :03:25. | |
your method? Isn't it true that the London Marathon is on on Sunday | :03:25. | :03:29. | |
morning and you would turn it on TV and you would run until the first | :03:29. | :03:35. | |
person crossed the line. Yes, for two-and-a-half hours. But I have | :03:35. | :03:41. | |
only travel five miles, whereas they have travelled 26. In fairness, | :03:41. | :03:48. | |
that is still a lot. And you did it for real. It took me a fortnight | :03:48. | :03:56. | |
each time. And how about you? Exercise? We do not get on. People | :03:56. | :04:05. | |
do not believe it, but after years of mincing I have got a bad leg. I | :04:05. | :04:09. | |
have physiotherapy because with my walking, that is really tight. | :04:09. | :04:15. | |
Honestly, I just walk round in circles. Are you out of kilter with | :04:15. | :04:22. | |
yourself? I am, honestly. More from them as the show continues. Tonight, | :04:22. | :04:27. | |
we would like to see your best marathon finish line photo. | :04:27. | :04:31. | |
marathon will do. The more exhausted you look, the better, and | :04:31. | :04:36. | |
we will show some later. Now, to the streets of Liverpool, where | :04:36. | :04:41. | |
something incredible is happening on an enormous scale. A Anita Rani | :04:41. | :04:47. | |
has been there as they prepare for an invasion of giant proportions. | :04:47. | :04:51. | |
See Order see is a story of love, loss and Reunion on a gigantic | :04:51. | :04:55. | |
scale. -- Sea Odyssey. It is inspired by a little girl who wrote | :04:55. | :05:00. | |
a letter to her father on the Titanic. And now her time- | :05:00. | :05:03. | |
travelling uncle has sworn to scour the sea for 100 years to retrieve | :05:03. | :05:13. | |
the letter and give it back to her. Magical creatures and 50 ft giants. | :05:13. | :05:17. | |
Pioneering French theatre group Royal Deluxe are known for sending | :05:17. | :05:22. | |
cities around the world to an astonished standstill. And now | :05:22. | :05:26. | |
their creations are emerging from the depths of the Mersey. I wonder | :05:26. | :05:35. | |
what kind of mind it would take to think up something as inventive. | :05:35. | :05:41. | |
You are the artistic director of the Sea Odyssey. I think. Why have | :05:41. | :05:51. | |
:05:51. | :05:59. | ||
you picked Liverpool? Liverpool is My work is not a carnival. There is | :05:59. | :06:05. | |
no doubt he is a creative genius, but I am slightly confused right | :06:05. | :06:10. | |
now. Essentially, what I am getting is that he wants to do more than | :06:10. | :06:13. | |
just entertain the city of Liverpool. He wants to bring them | :06:13. | :06:21. | |
all together, whether you are a red or blue. The giant stars are | :06:21. | :06:26. | |
walking 23 miles around Liverpool. It is the biggest logistical | :06:26. | :06:32. | |
operation this city has ever staged. You cannot walk with giants around | :06:32. | :06:36. | |
Liverpool without making a mess. What is that? We believe that | :06:36. | :06:41. | |
plates have started to move beneath the earth. When Royal De Luxe come | :06:41. | :06:45. | |
into the city, things like this start to happen all over in the | :06:45. | :06:49. | |
build-up before the event. What an absolutely brilliant and crazy | :06:49. | :06:54. | |
thing for Liverpool to decide to do. It has been the most incredible | :06:54. | :06:57. | |
event in terms of how many communities have got involved. | :06:57. | :07:01. | |
There have been loads of kids involved in writing letters. The | :07:01. | :07:08. | |
amount of services that have gone on to make it happen... I got | :07:08. | :07:13. | |
completely drenched. This is just a tiny taste of what you can expect | :07:13. | :07:18. | |
over the next few days. Under cover of darkness, the Giants are moved | :07:18. | :07:25. | |
into position. It is massive, huge. And the shroud has come off. | :07:25. | :07:30. | |
Brilliant! Check out those boots, wicked. There is a lot of pressure | :07:30. | :07:35. | |
on you because you are going to be lowering the giant into the dock. | :07:35. | :07:42. | |
One false move... It is going to get wet anyway. It is a big piece | :07:42. | :07:46. | |
of machinery but also very delicate with lots of hydraulics. One good | :07:46. | :07:52. | |
knock and the show will be over. did not know what to expect, but it | :07:52. | :07:55. | |
has a thought deep-sea diving outfits, including the boots and | :07:55. | :08:00. | |
buckles. How does it feel to be part of something like this? | :08:00. | :08:03. | |
have to feel privileged because you are part of a new group doing a | :08:03. | :08:06. | |
unique job. It is something I will never forget and hopefully the City | :08:07. | :08:12. | |
will never forget it. Anita Ryan -- Anita Rani will be live with those | :08:12. | :08:16. | |
giants soon. Here is a taste of what has been happening in the last | :08:16. | :08:21. | |
few hours. That is quite scary, isn't it? They were responsible for | :08:21. | :08:25. | |
the giant elephants up from London to a standstill, before you got | :08:25. | :08:35. | |
:08:35. | :08:36. | ||
You remember the big elephant. would be like me doing the marathon. | :08:36. | :08:43. | |
We are worried about your legs. also have amnesia of the bottom. My | :08:43. | :08:49. | |
bum has forgotten how to work. I have to have someone to really... | :08:49. | :08:55. | |
You do not have to have a man! You choose to have a man. Well, the | :08:55. | :09:03. | |
woman was busy. Seriously, I know people think that I make it up, but | :09:03. | :09:06. | |
I get asked to do all of these wonderful comic relief things but I | :09:06. | :09:15. | |
cannot because it goes. It has just gone, everyone. �2 a month will | :09:15. | :09:23. | |
make it go! Time to see how Jamie has fed on his latest challenge. | :09:23. | :09:28. | |
create spectacular screen savers from each of the north, east, south | :09:28. | :09:38. | |
:09:38. | :09:41. | ||
I have come to the far north of Scotland to photograph an | :09:41. | :09:48. | |
extraordinary mountain. Its distinctive shape and weathered | :09:48. | :09:54. | |
stone pinnacles make it a magnet for photographers. The sandstone is | :09:54. | :09:59. | |
some of the most ancient in Britain. It is a dramatic landscape, even | :09:59. | :10:04. | |
for the north-west of Scotland. I am heading for the summit, at 600 | :10:04. | :10:09. | |
metres above sea level, for the views, but first for the wide shots. | :10:09. | :10:13. | |
Here is an unmissable opportunity for a great landscape shot. Not | :10:13. | :10:16. | |
only have we got the mountain in the background that we are aiming | :10:16. | :10:20. | |
for, but the foreground is full of this beautiful, blossoming course. | :10:20. | :10:27. | |
In the middle there is the lake. It gives a real depth of perspective. | :10:27. | :10:32. | |
The photographer will always be rewarded for legwork. Take the | :10:32. | :10:38. | |
trouble to shoot your subject from as many angles as possible. This is | :10:38. | :10:42. | |
only an hour's hike away, but we are above the snow line and the | :10:42. | :10:47. | |
whole character of the shot is transformed. And for its stark, | :10:47. | :10:50. | |
clean portrait of northerly climes, this is my first screensaver | :10:50. | :10:57. | |
nomination. Gaining height on a day like this will surely get some | :10:57. | :11:03. | |
stunning views, but in unfamiliar territory, I need some local | :11:03. | :11:08. | |
knowledge in the form of a mountain guide. This must be a bit of a hit | :11:08. | :11:11. | |
with local climbers. You can see the pinnacles and the rock | :11:11. | :11:16. | |
formations when we get up there. That is what it is about. My toes | :11:16. | :11:20. | |
and fingers are getting cold already. It takes two hours to get | :11:20. | :11:25. | |
to the summit, but even before we get there, I am met with a jaw- | :11:25. | :11:32. | |
dropping view. It is quite seriously hard work to get up here, | :11:32. | :11:37. | |
but my God it is worth it. Look at this. Totally remote and utterly | :11:37. | :11:47. | |
:11:47. | :11:48. | ||
spectacular. This whole area, the north-west corner of Scotland. | :11:48. | :11:53. | |
is not just millions, but billions of years old. The rocks in the | :11:53. | :11:59. | |
foreground are 3 billion years old. In these conditions, the landscape | :11:59. | :12:02. | |
setting on your camera is an obvious choice, but what does it | :12:02. | :12:06. | |
do? Well, it narrows the aperture, which keeps the whole picture in | :12:06. | :12:13. | |
focus. One final push, and we are close to the summit. Wow! It just | :12:13. | :12:17. | |
gets better and better. There cannot be that many days like this | :12:17. | :12:25. | |
in north-west Scotland at this time of year. Amazing. To make the most | :12:25. | :12:30. | |
of the sky and water, used a polarising filter. This is without | :12:30. | :12:35. | |
the filter - good, but hazy and lacking in clarity. And this is | :12:35. | :12:40. | |
with the filter - the detail is better, the glare has gone and the | :12:40. | :12:48. | |
sky is a deeper Blue. And it is my second screensaver nomination. The | :12:48. | :12:54. | |
next thing I want to focus on is the striking rock formations. That | :12:54. | :13:00. | |
means a climb. There must be no end of climbing available here. You can | :13:00. | :13:03. | |
find a different way every time you come up. Landscape photography can | :13:04. | :13:07. | |
be as simple as pointing and shooting, if you are in the right | :13:07. | :13:11. | |
place. But I want to take it to another level by framing the | :13:11. | :13:21. | |
:13:21. | :13:24. | ||
The boulder perched precariously between two rocky walls adds real | :13:24. | :13:31. | |
tension to the landscape. But, for my third screensaver nomination, I | :13:31. | :13:39. | |
am going for this unusual framed landscape shot. At the summit, the | :13:39. | :13:43. | |
drama of the rocky peak set against the serenity of distant landscape | :13:44. | :13:52. | |
gives the composition of the shots great depth and sense of scale. | :13:52. | :13:55. | |
Days Like These in north-west Scotland are few and far between, | :13:55. | :14:01. | |
and it has produced three cracking screensaver shots. The other- | :14:01. | :14:06. | |
worldly snow econuts. A classic Scottish lake and mountain View, | :14:06. | :14:16. | |
:14:16. | :14:17. | ||
They were brilliant! That is Great Britain. This script originally | :14:17. | :14:22. | |
read that you can download the screensaver photographs from our | :14:22. | :14:27. | |
website, but there was an extra letter T, and it said you can't | :14:27. | :14:37. | |
:14:37. | :14:41. | ||
download them! Go to our website! That cleared that up! The second | :14:41. | :14:47. | |
series of Vera starts on ITV one at 8 o'clock next week, on Sunday. You | :14:47. | :14:54. | |
play Vera Stanhope. Do you agree that she is a female version of | :14:54. | :15:04. | |
:15:04. | :15:05. | ||
Frost. Columba, I would say. -- Colombo. She is a scruffy, | :15:05. | :15:08. | |
shambolic, an unlikely detective, if you met her in the street. | :15:08. | :15:13. | |
really gritty and the first episode is gripping. This is when the young | :15:13. | :15:19. | |
girl goes into a coma and you are having a chat on the bed. All night | :15:19. | :15:23. | |
she stood at the open window looking out. Whoever did this must | :15:23. | :15:27. | |
have known there was somebody in. There so much for arson. Attempted | :15:27. | :15:32. | |
murder. The relish in her voice! Plus, she has got her fingers | :15:33. | :15:37. | |
burned. See these marks, this is heat damage, but this is an old | :15:37. | :15:44. | |
injury. How old? It is hard to say. Partly healed, minimum of a month. | :15:44. | :15:54. | |
:15:54. | :15:57. | ||
She has been in the wars. It is quite gritty and set in | :15:57. | :16:00. | |
Northumbria. How much fun is it to make? We just have the most | :16:00. | :16:04. | |
wonderful time up there. I had never been there before I did this | :16:04. | :16:08. | |
series. It is so beautiful in Northumberland and the people are | :16:08. | :16:13. | |
so lovely. Do you hang about more with them to get that accent | :16:13. | :16:18. | |
sorted? That was an issue, wasn't it? I couldn't have done the job | :16:18. | :16:22. | |
unless I had got it. I went into the town and I chat to people in | :16:22. | :16:28. | |
the shops, and just... Have you got a good ear? I always thought I had | :16:28. | :16:35. | |
before I tried that one! Did you try the Taro Aso Lata trick? What | :16:35. | :16:43. | |
is that? You say certain words to help you get the Northumbrian | :16:43. | :16:51. | |
accent. Like Kawasaki. I was thinking of buying one of them. | :16:51. | :16:57. | |
Have you got a licence? No. I thought it would be nice to have a | :16:58. | :17:07. | |
:17:08. | :17:09. | ||
motorcycle. Anyway, I digress! Yes! I had help with the accent, yes. | :17:09. | :17:18. | |
What would you say set Vera apart? She is a woman of a certain age in | :17:18. | :17:23. | |
a job of authority. There is no romantic interest. Why? Do we know | :17:24. | :17:28. | |
her back story? We don't but all she lives and thinks his work. She | :17:28. | :17:34. | |
is a loner. Not lonely, but a loner. She has had a love interest, I | :17:34. | :17:38. | |
think you might find. Incidentally, in this first episode, you will see | :17:38. | :17:44. | |
that she also ran a marathon way back. They elude to a relationship | :17:44. | :17:48. | |
between Vera and her colleague. Are we giving things away? A younger | :17:48. | :17:56. | |
colleague? If is he? The one that looks like Matt Baker? Not him! You | :17:56. | :18:04. | |
mean John Morrison. They have known each other for years. But the | :18:04. | :18:11. | |
stories this year our great and the production values are fabulous. | :18:11. | :18:21. | |
:18:21. | :18:22. | ||
she Miss Marple, Jessica Lang? Jessica Lang? Jessica Lang spree! | :18:22. | :18:30. | |
Who is Jessica line? She looks like Jessica Lang. What happened? | :18:30. | :18:39. | |
don't know! Kawasaki! I don't think anybody noticed! Which TV detective | :18:39. | :18:49. | |
would you be? Who would it be? Hercule Poirot. Very nice! You have | :18:49. | :18:59. | |
:18:59. | :18:59. | ||
got the walk. Yes! And the hairline, the way it is going. I love Hercule | :18:59. | :19:05. | |
Poirot. You have played lots of mothers, Brenda. To Keira Knightley, | :19:05. | :19:13. | |
Brad Pitt, who else? Jane Horrocks. Who did you most enjoy being the | :19:13. | :19:18. | |
mother to? I think Keira Knightley because I was so happy to be | :19:18. | :19:23. | |
offered the part in pride and prejudice. I knew they were filming | :19:23. | :19:26. | |
it for six months before they knocked on my door and it was six | :19:27. | :19:30. | |
weeks before they started filming and they asked if I would like to | :19:30. | :19:34. | |
play the part. I thought it had passed me by. Obviously somebody | :19:34. | :19:41. | |
else dropped out! What about Brad Pitt's mother? That was fabulous. | :19:41. | :19:45. | |
Did you have a water fight with him? Yes, a water pistol fight, but | :19:45. | :19:53. | |
he cheated because he had two. That was also with Robert Redford. I was | :19:53. | :20:03. | |
:20:03. | :20:03. | ||
in heaven. Love it. Time for Jay's bit. What is on the menu? I am | :20:03. | :20:09. | |
going wild because I have been hunting and eating wild garlic. | :20:09. | :20:14. | |
Like most people, I am used to having all manner of food cooked | :20:14. | :20:20. | |
especially for me. All I have to do is lift my knife and fork. But | :20:20. | :20:24. | |
today I am experiencing the other side of things. I am going foraging | :20:24. | :20:29. | |
for wild garlic, no less. Happily I am not going by myself, what | :20:29. | :20:36. | |
otherwise who knows what I would end up picking? Raoul is helping me | :20:36. | :20:40. | |
track down wild garlic. Unlike bulbs that you get in the shops, | :20:40. | :20:44. | |
with wild garlic it is primarily it believes that you eat. If I could | :20:45. | :20:49. | |
not say how much wild garlic there is I could smell it. And it will be | :20:49. | :20:54. | |
smelling for a few days in your trousers and the whole thing! | :20:54. | :20:58. | |
going to smell of garlic? It is one of my favourite smells, so no | :20:58. | :21:04. | |
problem. How long have you been foraging? All my life, practically, | :21:04. | :21:10. | |
from six years old. In different countries. I believe that it is a | :21:10. | :21:14. | |
good way of living. Picking things for free and selling for good money. | :21:14. | :21:19. | |
I sell it to local top restaurants. I was selling to Antonio Kali duo, | :21:19. | :21:25. | |
and then after that I was exporting to France. How much do you get for | :21:25. | :21:30. | |
a kilogram of this stuff? A few pounds. But you can sell it in | :21:30. | :21:35. | |
France and at the moment you can get 11 euros a kilo. It seems that | :21:35. | :21:43. | |
we are actually selling garlic to the French?! Wild garlic as a Latin | :21:43. | :21:46. | |
name which translates as there's garlic. After hibernation, the | :21:46. | :21:54. | |
bears eat it to clean out their digestive tract and get the | :21:54. | :21:58. | |
strength back. Sounds sensible. But can you accidentally mistake it for | :21:58. | :22:02. | |
something poisonous? The lily of the valley has a beautiful smile | :22:02. | :22:06. | |
but belief looks the same. But this is floppy, compared to the lily of | :22:06. | :22:11. | |
the valley, which is rigid. What does Lily of the valley taste like? | :22:11. | :22:16. | |
I have never made that mistake! When foraging wild garlic, you | :22:16. | :22:20. | |
should never take more than you need, but I think there is more | :22:20. | :22:26. | |
than enough here to justify taking a full basket. Pretty powerful | :22:26. | :22:34. | |
stuff. And also my lunch! I just needed somebody to cook it for me. | :22:34. | :22:40. | |
Fortunately, Matt Tebbutt, one of Raoul's best customers, agreed to | :22:40. | :22:45. | |
help out. Foraged food for me strengthens the menu. You look at | :22:45. | :22:52. | |
what is in season. We take the main ingredients, rabbit, lamb or fish, | :22:52. | :22:57. | |
whatever is good, and we complement it with foraged food. It makes | :22:57. | :23:00. | |
sense and the best way to cook is to use wild garlic in its simplest | :23:01. | :23:06. | |
form. Use pure ingredients like eggs, rice. Delicious. What is the | :23:07. | :23:10. | |
difference in flavour between this stuff and bulb garlic that we are | :23:10. | :23:15. | |
more familiar with? The obvious one is the strike. The bulb garlic is | :23:15. | :23:23. | |
very potent. Bulb -- the strength. This has a mild, peppery taste that | :23:23. | :23:30. | |
creeps up on you at the end. Time to get to work. I have been | :23:30. | :23:33. | |
promised a fantastic wild garlic risotto with cheese. It sounds | :23:33. | :23:43. | |
wonderful. It is good. It had longer to cook. I would not want to | :23:43. | :23:46. | |
feed J Rayner that just yet. after a few minutes, the risotto | :23:46. | :23:50. | |
was ready. I was back in my familiar role, having my food | :23:50. | :23:56. | |
brought to me. This smells fantastic, but how does it taste? | :23:56. | :24:00. | |
That is lovely. It is garlicky, but not in an excessive way. It does | :24:00. | :24:04. | |
not hit the back of the throat. I am romantic about my food. The fact | :24:04. | :24:09. | |
that this was in the field a few hours ago, and is now in front of | :24:09. | :24:14. | |
me on the plate, that does make it rather special. That was Otto, just | :24:14. | :24:22. | |
by looking at it, is one of the things that has been tastiest. -- | :24:22. | :24:30. | |
that risotto. It was certainly up there. And Raoul is here. From | :24:30. | :24:37. | |
Belgium? And a few other places. is very exotic! We have got the | :24:37. | :24:41. | |
selection here. The St George mushrooms are over here because St | :24:41. | :24:47. | |
George's Day is on Monday. So how we made that work? Raoul loves them. | :24:47. | :24:51. | |
I love them because they are coming out in springtime. If they grow in | :24:51. | :24:56. | |
a ring and they smell of chamois leather, that is how you can | :24:56. | :25:04. | |
recognise them. They do as well! Can you eat them? Yes, but they are | :25:04. | :25:14. | |
better if you cook them. Why don't you taste this, Alan? Lovely! | :25:14. | :25:22. | |
are not that bad. You are not like that at all. This is part pastry | :25:22. | :25:28. | |
with St George mushrooms. How is it? Gorgeous. A chef called Roger | :25:28. | :25:33. | |
Brooks made that for us. Gorgeous. Tell us about the legality and | :25:33. | :25:37. | |
where we can find mushrooms and so on. You must always ask the | :25:37. | :25:43. | |
permission of the landowner. Never over pick. Always make sure there | :25:43. | :25:51. | |
is enough for other people and for other years as well. You have to be | :25:51. | :25:56. | |
careful what you pick and what you do. That is very true. There is a | :25:56. | :25:59. | |
great writer called Nicholas Evans. He went picking mushrooms, going | :26:00. | :26:04. | |
back to the same spot by somebody that knew what he was doing. He | :26:04. | :26:08. | |
picked the wrong ones, poisoned himself and his guests, went into | :26:08. | :26:18. | |
:26:18. | :26:19. | ||
kidney failure and had to have a transplant. Now you tell me! He was | :26:19. | :26:22. | |
a great loss to British showbusiness. | :26:22. | :26:32. | |
:26:32. | :26:35. | ||
You will be fine, Raoul picked them and not me. But he has always hated | :26:35. | :26:42. | |
your act...! It is serious. We also have wild garlic. Do you want one | :26:42. | :26:50. | |
of those? OK. Hop shoots, over here. They are fantastic. I don't know if | :26:50. | :26:55. | |
we can see them separately. They are in the salad. In Belgium, at | :26:56. | :27:00. | |
the beginning of the season, they can go as much as 1,000 euros per | :27:00. | :27:07. | |
kilo? The first of very expensive. The second, then half price, and so | :27:07. | :27:13. | |
on. That is because of the publicity for the restaurant. That | :27:13. | :27:17. | |
restaurant bought the first hop shoots, and that is their publicity. | :27:17. | :27:27. | |
:27:27. | :27:27. | ||
We have had three key weather, so freaky foraging? -- 3 strange | :27:27. | :27:33. | |
weather. It depends on a weather. If you pick the mushrooms now, full | :27:33. | :27:41. | |
of water, better wait, better price! Thank you for coming in, | :27:41. | :27:47. | |
Raoul. We have another cup of coming up. Yes, we are on the hunt | :27:47. | :27:51. | |
for the greatest Indian style chicken curry. Not any old curry, | :27:51. | :27:56. | |
but chicken in the style of the Indian sub-continent. If you can be | :27:56. | :28:01. | |
sure that your creation is the best in the UK, tell us what makes it so | :28:01. | :28:06. | |
special, secret ingredients and special twists. The details on the | :28:06. | :28:12. | |
website. You have to be over 18. The closing date is 9 o'clock on | :28:12. | :28:15. | |
Monday night and you need to send us details of your recipe and a | :28:16. | :28:25. | |
:28:26. | :28:26. | ||
photograph of your curry. You have been a naughty boy, Jay. He has | :28:26. | :28:26. | |
been a naughty boy, everyone! He has to apologise otherwise we all | :28:26. | :28:30. | |
get sacked. I made some flippant comments about the sinking of the | :28:30. | :28:34. | |
Titanic last week. If anybody was offended, I apologise and normal | :28:34. | :28:43. | |
service has been resumed. To be fair, we both did. You let me on. | :28:43. | :28:49. | |
Now, photographs. Steven Davis sent from Northumberland at the end of | :28:49. | :28:55. | |
the 1983 North Tyneside marathon. My husband Brian. Actually, not my | :28:55. | :29:02. | |
husband! Jane Craig's has spent running for the local hospice, just | :29:02. | :29:10. | |
in front of Gordon Ramsay. Oh, yes! This is an heir hunter after | :29:10. | :29:14. | |
finishing the Berlin marathon on her first wedding anniversary. -- | :29:14. | :29:24. | |
:29:24. | :29:25. | ||
an Mrs Hunter. Very good. Moving on, this is magic. Ever wondered where | :29:25. | :29:30. | |
magicians get the tricks of their trade? They go to the shops to get | :29:30. | :29:39. | |
tricks and trade. This is Larry Roald Dahl said that if you don't | :29:39. | :29:44. | |
believe in magic, you will never find it. But I have got directions. | :29:44. | :29:50. | |
It is second after the lights, but it involves some time trouble. Go | :29:50. | :29:54. | |
back to 1898 Ben Lewis Davenport open day conjuring emporium in | :29:54. | :29:58. | |
central London. Little did he know, the shop would never close. He was | :29:58. | :30:03. | |
on the top of his game, performing on stage most evenings. He had a | :30:03. | :30:06. | |
brainwave - why not spend the day time inventing tricks and selling | :30:06. | :30:11. | |
them. His son became a magician and joined him. Together, they dreamed | :30:11. | :30:18. | |
up hundreds of illusions. His granddaughter to cut magic, and the | :30:18. | :30:24. | |
shop. Soon, her son was helping out. The 4th generation of a family. And | :30:24. | :30:27. | |
here they are today in the shop that has been open since the reign | :30:27. | :30:32. | |
of Queen Victoria. It is thought to be the oldest family magic business | :30:32. | :30:37. | |
in the world. Many of the tricks date back to my great-grandfather's | :30:37. | :30:41. | |
time. We still have them today because the classics of magic are | :30:41. | :30:46. | |
classic and everlasting. Betty joined to the shop at 14. 64 years | :30:46. | :30:51. | |
later, she is still here every day of the week. It has not just been | :30:51. | :30:57. | |
behind the counter. She was also a stage illusionist. They are not so | :30:57. | :31:02. | |
many female conjurers, are there? No, because people generally give a | :31:02. | :31:08. | |
box of tricks to the boy. It is a shame, because girls love magic. | :31:08. | :31:15. | |
Was she good? Very good. She still wears. You would say that, wouldn't | :31:15. | :31:19. | |
you? She learned a lot of tricks from her father. One of his | :31:20. | :31:25. | |
classics was the floating match. And it is not just magic. Roy has | :31:25. | :31:32. | |
been showing me some of the original novelties. Old fashioned | :31:33. | :31:42. | |
:31:43. | :31:44. | ||
peanut brittle. Thank you! The shop was the meeting place for | :31:44. | :31:47. | |
professional stage Ms -- magicians when they came to London for | :31:47. | :31:51. | |
conventions. Orson Welles was a customer, and today, even the big | :31:51. | :31:56. | |
names like Paul Daniels. And then there was an unknown who came in in | :31:56. | :32:01. | |
the 1950s. He was so hard up he could not afford a thing - one | :32:01. | :32:06. | |
Tommy Cooper. We used to help him as much as we could with tricks. He | :32:06. | :32:11. | |
became great friends of the family. They even found him bookings and | :32:11. | :32:17. | |
they never doubted he would end up being one of the greats. This was a | :32:17. | :32:25. | |
tube that he opened and said magic words, and there we are. That | :32:25. | :32:29. | |
actually belonged to Tommy. In the early days before TV and the | :32:29. | :32:34. | |
talkies, going to the music hall for a full-scale magic show was an | :32:34. | :32:38. | |
everyday entertainment. The magic had to be big enough for everyone | :32:38. | :32:43. | |
to see, so you had the Floating Lady, assaulting a woman in half, | :32:43. | :32:48. | |
the appearing elephant and the all of these huge tricks that were | :32:48. | :32:53. | |
performed. -- cutting a woman in half. Now, the tricks have gone | :32:53. | :32:58. | |
right down to small card tricks that you see at parties. It is | :32:58. | :33:02. | |
working a new variations that is the job of another magician, Roy's | :33:02. | :33:09. | |
elder brother, Bill. You keep up to date. This is one of my favourites. | :33:09. | :33:15. | |
You can see the blank cards. They are not really much good. So I will | :33:15. | :33:19. | |
try to print one of the cards, which sounds impossible. To print a | :33:19. | :33:29. | |
card, you just need to get a card, and another, and another, and | :33:29. | :33:33. | |
another. The thing about magic is that it is often a visual illusion. | :33:33. | :33:39. | |
As I said, this was a blank DEC. It really is completely blank. I am | :33:39. | :33:45. | |
such a sucker for these things. But the classics never change, as Roy | :33:45. | :33:50. | |
demonstrates with some of his great-grandfather's originals. | :33:50. | :33:55. | |
make it disappear and come back again is a timeless piece of magic. | :33:55. | :34:03. | |
That is beautifully simple, isn't it. There are two strong reasons | :34:03. | :34:07. | |
why this shop will stay open for a good while longer - James and | :34:07. | :34:10. | |
Sophie, the fifth generation. They are already showing all of the | :34:10. | :34:20. | |
:34:20. | :34:24. | ||
signs that the businesses for them. Brilliant. | :34:24. | :34:30. | |
He just clap once. Magic shops have inspired lots of the budding David | :34:30. | :34:36. | |
Blaine as MACRO and David Copperfields. And we have three | :34:36. | :34:40. | |
magicians here, members of the Young Magician's Club. We will see | :34:41. | :34:46. | |
if they can amaze Allen and baffle Brenda. First, Liz Fuller, 13, from | :34:46. | :34:56. | |
:34:56. | :34:57. | ||
Kent. -- Lewis Fuller. I would shake your hand but you have | :34:57. | :35:07. | |
instructed me to hold these. Do you want them now? How did you get into | :35:07. | :35:12. | |
magic? My dad bought me a magic set when I was in hospital. From there, | :35:12. | :35:19. | |
it kicked off. I just enjoy doing what I do. First, are you better? | :35:19. | :35:27. | |
Yes, I am better. Magic! They have seen this loads of times and always | :35:27. | :35:34. | |
wanted to be part of it. I am so excited. What do I need to do? | :35:34. | :35:44. | |
:35:44. | :35:44. | ||
You can see that I have a long piece of rope, a short piece of | :35:44. | :35:50. | |
rope and a medium pace. I am going to create an illusion. They will | :35:50. | :35:57. | |
all stretch to the same size. We had a short piece, a medium-pace | :35:57. | :36:01. | |
and a long piece. But because everyone looks confused, we were | :36:01. | :36:10. | |
just used two pieces. Maybe just one long piece. They say that it is | :36:10. | :36:14. | |
not the rope that you should watch but the ends of the rope. If you | :36:14. | :36:18. | |
find a good spot, you can chuck them on. If you blink, you will | :36:18. | :36:28. | |
:36:28. | :36:29. | ||
miss it, Chris. People do not normally find that the best part. | :36:29. | :36:33. | |
The best part is when you take the middle and you pull it off. But it | :36:33. | :36:37. | |
would not be a piece of rope without a middle, so we have to | :36:37. | :36:40. | |
make one long piece. In the beginning we had three pieces of | :36:40. | :36:50. | |
:36:50. | :36:51. | ||
rope. Alan and Chris, will you come here? Hold on to this. The magic is | :36:51. | :37:01. | |
in your hands. Ready? We have the small, the medium and the long. | :37:01. | :37:11. | |
:37:11. | :37:17. | ||
Thank you. Next, Elizabeth Rogan, When did you get into magic? Who | :37:17. | :37:22. | |
was responsible for introducing you to magic? About it four years ago | :37:22. | :37:26. | |
my uncle got me into magic with a basic card trick and I progressed | :37:26. | :37:32. | |
from there. Have you performed before? Yes, at the London magic | :37:32. | :37:40. | |
circle and charity shows. You are so confident. Just shout out stop. | :37:40. | :37:50. | |
:37:50. | :37:53. | ||
And Take That card. Show it to the camera. 10 of clubs. Whoops! It is | :37:53. | :37:59. | |
not the 10 of clubs. We will do different trick now. Only joking. I | :37:59. | :38:09. | |
:38:09. | :38:19. | ||
will take your card. You push it in Are you ready? Yes. It is even | :38:19. | :38:26. | |
better now, isn't it? I like to wear jewellery. Ago once, twice, | :38:26. | :38:36. | |
:38:36. | :38:56. | ||
Finally, James Wilson, 17, from High Wycombe. Hello. Your suit is | :38:56. | :39:04. | |
magic. What about that? I came as a bar code. I am going to step out | :39:04. | :39:08. | |
because I messed up the last one. Brenda, takeover. I am going to | :39:08. | :39:14. | |
give you this pen. Think of a word that relates to the word "up". Do | :39:14. | :39:19. | |
not tell me what it is and write it on there, on my crystal ball. | :39:19. | :39:25. | |
Quickly, because you only have one minute! Brilliant. Close it up. I | :39:25. | :39:30. | |
do not know what is in there. Only you know what is in this. No one at | :39:30. | :39:38. | |
home knows what is in this. Here we go. Could you take it back for me? | :39:38. | :39:48. | |
:39:48. | :39:49. | ||
Put it in there for me. This way around. I will take the pen. Could | :39:49. | :39:54. | |
you hold this side of the table? I will hold this side. Think of your | :39:54. | :40:01. | |
word. Think of your word. Keep thinking of your word. Go with it, | :40:01. | :40:07. | |
go with it, go with it. Have a look underneath, see if there's anything | :40:07. | :40:12. | |
going on. We will come down again. Think of your word. Was it the | :40:13. | :40:21. | |
opposite? Was the word down. Yes. Can you open it and show the camera | :40:21. | :40:31. | |
:40:31. | :40:41. | ||
Well done. You did not get that from Brad Pitt, did you? No. Well | :40:41. | :40:51. | |
done. Chattyman is back next Friday. Let's have a look at a clip from | :40:51. | :41:01. | |
:41:01. | :41:02. | ||
the last series. Welcome to a new series of cooking with Lady Gaga. | :41:02. | :41:06. | |
If you have not got the same amount of time that we have got, we like | :41:06. | :41:12. | |
to use the lazy way, a source that you can use for any occasion. You | :41:12. | :41:19. | |
use this yourself, don't you, Lady Gaga? No. As used by Lady Gaga | :41:19. | :41:29. | |
:41:29. | :41:34. | ||
It is the eighth series. I know! is back on Friday, so are you head | :41:34. | :41:42. | |
to head with Graham Norton? Yes, and I am going to win. Was it a big | :41:43. | :41:48. | |
decision? It was basically Channel 4. Do you remember the Friday-night | :41:48. | :41:54. | |
project? It kept changing which day it was on. They test it. It feels | :41:54. | :42:01. | |
like a Friday show. It is upbeat. And you get the jump on him, don't | :42:01. | :42:11. | |
you? Pardon! You get the jump on him. Oh, I see what you mean. I am | :42:11. | :42:18. | |
before him. Yes. And you won an award for the show, didn't you? | :42:18. | :42:26. | |
I did, Brenda. This time, you are doing two specials. The Jubilee and | :42:26. | :42:31. | |
the Olympics. It is an Alan Carr spectacular. It will be fantastic. | :42:31. | :42:37. | |
I am sure it will be. There are lots of stars around at the time. | :42:37. | :42:42. | |
Who have you got booked? We have got Justin be becoming on, Kim car | :42:42. | :42:52. | |
Paul Weller. Everyone. After winning the award, it has changed | :42:52. | :42:58. | |
it. Are you ever tempted to do the show live? I have trouble with my | :42:58. | :43:07. | |
wind. If we get a wind turbine, I could power it. I would love it, | :43:07. | :43:13. | |
but I don't know. Sometimes you get boring celebrities. You must have | :43:13. | :43:19. | |
boring celebrities. Never! They are so boring and you have to pick the | :43:19. | :43:23. | |
best bit. But what you lose on one hand, you gain on the other. I | :43:24. | :43:29. | |
think you would be exciting to watch live. Really? But they tell | :43:29. | :43:34. | |
me off. I have a nervous tic, when someone is boring and I have not | :43:34. | :43:40. | |
liked their film or their album, my hand goes like that. "I absolutely | :43:40. | :43:45. | |
loved your film". They have to tell me, stop it in your hand over your | :43:45. | :43:54. | |
mouth. -- stop putting your hand over your mouth. Well, we can't | :43:54. | :44:04. | |
:44:04. | :44:05. | ||
wait for your show, honestly! are really busy because you are | :44:05. | :44:08. | |
doing other stuff, writing a sitcom as well. Can you tell us about | :44:08. | :44:14. | |
that? I can't, because it might be rubbish. I am just going to try and | :44:14. | :44:18. | |
write it and see if people like it. I do not want to build it up. I am | :44:19. | :44:24. | |
desperate to go on tour again so I am going to write a stand-up tour. | :44:24. | :44:28. | |
Have you started your sitcom, because I know the lady who | :44:28. | :44:33. | |
published your autobiography. She said she used to have to phone you | :44:33. | :44:36. | |
and you would do anything but right. Your house had never been clear | :44:36. | :44:41. | |
enough. I would be going, I have got those skirting boards to clean. | :44:41. | :44:48. | |
And then watching homes under the hammer. Have you written anything | :44:48. | :44:53. | |
for the sitcom? A few characters and funny lines. But it is hard | :44:53. | :44:59. | |
work. Where is it based? I am not going to tell you, you will steal | :44:59. | :45:09. | |
:45:09. | :45:09. | ||
my idea. You have not written anything! I have! The Other story | :45:09. | :45:13. | |
that I liked about you was that you got to dance with Prince Harry the | :45:13. | :45:23. | |
:45:23. | :45:26. | ||
other day. Is that right? No! I am so embarrassed. I was absolutely | :45:26. | :45:34. | |
paralytic, and I saw him in a club and I started dancing up to him, up | :45:34. | :45:42. | |
against him. You know when you are doing that? His bodyguards are | :45:42. | :45:52. | |
rubbish. Nobody tried to stop me. But he is so lovely, so lovely. | :45:52. | :45:56. | |
he your best mate? Yes, me and pepper are always going on the | :45:56. | :46:01. | |
razzle. It was a dream to meet him like that. I cannot remember much, | :46:01. | :46:08. | |
but it was a right laugh. Maybe he will come on your show. Chattyman | :46:08. | :46:13. | |
starts on Friday at 10pm, against Graham. We can't wait to see how | :46:13. | :46:20. | |
that drama unfolds. Anita Rani is up in Liverpool which, for one | :46:20. | :46:30. | |
:46:30. | :46:31. | ||
weekend only, has become the land I am in the land of the giants, and | :46:31. | :46:36. | |
to call her a big glass would be an understatement. Look at that. They | :46:36. | :46:41. | |
are just putting her to bed. This spectacular event is courtesy of | :46:41. | :46:46. | |
Royal De Luxe, street theatre company and Sabine Mayer is their | :46:46. | :46:52. | |
manager. What is happening? little girl giant has just finished | :46:52. | :46:56. | |
her first day in Liverpool. She came to see the big sea diver, her | :46:56. | :47:02. | |
uncle. And now she is going to bed? Yes. Who are the marionettes behind | :47:02. | :47:09. | |
her? They are helping her to move. They are putting her to sleep. They | :47:09. | :47:14. | |
dress her in the morning and help her with her shower. They are | :47:14. | :47:17. | |
acrobats and technicians from France and they are utterly devoted | :47:17. | :47:22. | |
to her. I have got to shout because we have got live groups playing | :47:22. | :47:27. | |
music here as well. Claire McColgan is the head of Culture for | :47:27. | :47:35. | |
Liverpool city council. Great title. What is happening today? The giants | :47:35. | :47:39. | |
have been on a huge journey across the city. Out of the Albert Dock. | :47:39. | :47:43. | |
An incredible day in Liverpool. don't know if you can see the | :47:43. | :47:48. | |
crowds, but it is packed. It has been happening all weekend. I feel | :47:48. | :47:53. | |
like I am in a fairy tale. We have to go because she has got to go to | :47:53. | :47:58. | |
bed. We will catch up with you later. Liverpool is the place to be. | :47:58. | :48:02. | |
Brilliant, Anita. We have already gone off with Jamie Crawford, third | :48:02. | :48:09. | |
time to travel to the other end of the country. Dan Snow is with the | :48:09. | :48:14. | |
village that got washed away when its shoreline was stolen. | :48:14. | :48:18. | |
Burma's's Devonport yard, part of the largest naval base in Western | :48:18. | :48:25. | |
Europe. -- Plymouth's. For hundreds of years, British fleets have left | :48:25. | :48:31. | |
here to fight the nation's battles. At the turn of the 20th century | :48:31. | :48:33. | |
were the First World War looming, orders were given to double the | :48:33. | :48:37. | |
size of the Devon port side and this mighty expansion would drown | :48:37. | :48:41. | |
an entire village. These are the remains of what was a prosperous | :48:41. | :48:47. | |
fishing village 100 years ago. The rest of it, 30 buildings, homes, | :48:47. | :48:56. | |
the pub, a 10 metres below me on the bottom of the English Channel. | :48:56. | :49:01. | |
Hallsands was a close-knit community of 128. Now it is a ghost | :49:01. | :49:09. | |
town. In 1917, this village was literally washed away. Its | :49:09. | :49:14. | |
residents separated to find new homes nearby. Their community was | :49:14. | :49:19. | |
broken. This was not a battle with the elements. All sounds was a man- | :49:19. | :49:25. | |
made disaster. -- Hallsands. Germany and America were building | :49:25. | :49:31. | |
up their babies. This was an arms race in the run-up to World War One. | :49:31. | :49:35. | |
-- Ben Davies. Britain needed to build up their capacity to keep up | :49:35. | :49:39. | |
power. They were building up a battle fleet to compete with the | :49:39. | :49:42. | |
Royal Navy and the ships were getting even bigger. The | :49:42. | :49:46. | |
Dreadnought type ship that was being produced could not be fitted | :49:46. | :49:52. | |
into the dock here. The Dreadnought was a new class of warship. Massive | :49:52. | :49:55. | |
guns, great speed, and the British believed it would give them the | :49:55. | :50:00. | |
edge. An extra 118 acres were added to the Great North yard so that | :50:00. | :50:06. | |
five could be built here. The man task with the job was John Jackson, | :50:06. | :50:10. | |
an engineering entrepreneur interested in making money and fast. | :50:10. | :50:14. | |
This vast new Devonport extension would require thousands of tons of | :50:14. | :50:19. | |
concrete. John Jackson would not have to look far for the makings of | :50:19. | :50:26. | |
it. A high quality shingle at all sounds would be perfect for the job. | :50:26. | :50:34. | |
-- Hallsands. In the spring of 1987 -- 1897, they started dredging | :50:34. | :50:38. | |
without even bothering to consult the villagers. The Government and | :50:38. | :50:43. | |
the local landowners did their thing. Really, the local fishermen | :50:43. | :50:47. | |
did not count and they did not know. How much shingle was removed from | :50:47. | :50:55. | |
the beach? 650,000 tonnes is recorded but considerably more than | :50:56. | :51:00. | |
that. This shingle was the only defence between Hallsands and the | :51:00. | :51:04. | |
English Channel. The villagers could see the water is coming | :51:04. | :51:08. | |
closer but for five years their protests were ignored. A New Year's | :51:08. | :51:13. | |
Day, 1902, the man finally took matters into their hands. They | :51:13. | :51:18. | |
marched up the coast and confronted the dredgers, just up there. Angry | :51:18. | :51:23. | |
words were exchanged. We don't know if it bubbled over into violence, | :51:23. | :51:29. | |
but the dredgers certainly left, never to return. Days later, the | :51:29. | :51:32. | |
Board of Trade revoked John Jackson's licence. The Plymouth | :51:33. | :51:37. | |
docks would be completed without any more precious shingle. John | :51:37. | :51:40. | |
Jackson assured the villagers that the sea would in time replace what | :51:40. | :51:45. | |
had been taken but the damage had been done. What effect did that | :51:45. | :51:50. | |
have, removing the shingle? Very quickly it meant the end of the | :51:50. | :51:55. | |
village. In four years it was taking away the first row of houses. | :51:55. | :52:02. | |
The defences were removed and the houses went immediately? Yes. | :52:02. | :52:09. | |
village and its 128 residents were living on borrowed time. On January | :52:09. | :52:14. | |
26th, 1917, a strong easterly gale at combined with an exceptionally | :52:14. | :52:20. | |
high tide created the perfect storm. By midnight four houses have gone | :52:20. | :52:24. | |
as the villagers looked down from the cliffs above. The next day | :52:24. | :52:28. | |
there was another high-tide and house after house crashed into the | :52:28. | :52:33. | |
sea. By the end only a couple were left standing. The Plymouth naval | :52:33. | :52:37. | |
dockyard had doubled in size, but the price was the destruction of | :52:37. | :52:44. | |
this community. Very interesting. That was very sad. | :52:44. | :52:50. | |
On the subject of things falling into the sea, didn't you become an | :52:50. | :52:56. | |
unlikely hero? A where is this going? I heard the story of you and | :52:56. | :53:00. | |
Lionel Blair, of all people, saving a man from committing suicide. What | :53:00. | :53:06. | |
happened? Lionel and I were having a glass of wine in a bar and there | :53:06. | :53:14. | |
was a man trying to kill himself and this man asked us to help. Me | :53:14. | :53:24. | |
and Lionel? Yes! I ran over there. The man was hanging on. Lionel goes, | :53:24. | :53:28. | |
it is Lionel Blair off the television. I would have jumped! I | :53:28. | :53:34. | |
am joking, I love Lionel! He said, I want to die. Then I poked my head | :53:34. | :53:42. | |
over. It saved his life. We pulled him off. What happened? He said | :53:42. | :53:48. | |
that initially and this shocked him so much? Yes, he couldn't believe | :53:48. | :53:55. | |
it. Imagine my head and Lionel's! He decided to hang around. We | :53:55. | :54:03. | |
pulled him up. Well done. The to take him for a glass of wine? | :54:03. | :54:07. | |
it was pretty serious. The police came and took him away. I did not | :54:07. | :54:17. | |
:54:17. | :54:19. | ||
get an award. I am not bitter! Debate applaud you in the bar? | :54:19. | :54:26. | |
we were like heroes. -- it did they applaud you? I was walking along | :54:26. | :54:31. | |
the cliff at Ramsgate once, and I heard this crumbling. I looked over | :54:31. | :54:37. | |
the edge and there was somebody six feet down. There was barbed wire | :54:37. | :54:41. | |
between the top of the cliff and the railings and he was caught in | :54:41. | :54:50. | |
the barbed wire. To cut a long story short... And go on! He got | :54:50. | :54:58. | |
out of the barbed wire, I removed his jacket, and I pulled him out. | :54:58. | :55:03. | |
Hang on, a second. Has anybody else saved anybody? Can we get this out | :55:03. | :55:12. | |
of the way? It is turning into Pride of Britain! Well done, | :55:12. | :55:16. | |
everyone! Although long Anita has been following the biggest little | :55:16. | :55:20. | |
girl in the world, stomping through Liverpool for the Sea Odyssey giant | :55:20. | :55:27. | |
spectacular. How is the little girl now? She has been tucked up in bed. | :55:27. | :55:33. | |
If you can hear this beautiful lullaby music helping her drift off | :55:33. | :55:39. | |
to sleep. She is coming pass now and it is quite something, like a | :55:39. | :55:42. | |
fantasy world in Liverpool. Claire McColgan is the head of culture. | :55:43. | :55:48. | |
What else has been going on today? It has just been amazing with | :55:48. | :55:51. | |
hundreds of thousands of people across the city seeing her on her | :55:51. | :55:54. | |
journey and trying to find her uncle with the letter for her that | :55:54. | :55:58. | |
he will give her tomorrow. story is that the uncle has gone | :55:58. | :56:02. | |
down to the sea and he has been walking around Liverpool separately. | :56:02. | :56:06. | |
Yes, with his mailbox. He is ready to meet her tomorrow night at this | :56:06. | :56:10. | |
very place to give her the letter from her father. He is in his deep | :56:10. | :56:17. | |
sea divers outfit. Yes. At the moment he is sleeping. The little | :56:17. | :56:24. | |
girl is in bed behind us. Who is the dog behind her? He will sit on | :56:24. | :56:28. | |
her knee as she sleeps and wake up with her tomorrow morning. Every | :56:28. | :56:32. | |
detail of this has been thought out. It has been two years in the | :56:32. | :56:37. | |
planning. The marionette have come from France. They are all trained | :56:37. | :56:42. | |
acrobats. Yes. They are incredible artists. Just watching how they | :56:42. | :56:47. | |
move and work with the giants has been incredible to watch. Today has | :56:47. | :56:52. | |
been spectacular. What else is coming up? Tomorrow it just builds | :56:52. | :56:58. | |
during the day. She wakes up at 9:30am. The diver wakes up at 11 | :56:58. | :57:01. | |
o'clock in Stanley Park and then they come together tomorrow after | :57:01. | :57:06. | |
going round the city. This music is so beautiful, a motive. How have | :57:06. | :57:12. | |
the crowds reacted? Everybody has been fantastic, coming out in their | :57:12. | :57:17. | |
thousands. It has been incredible for Liverpool. And the son has just | :57:17. | :57:23. | |
come out. It is quite something. -- the sunshine. Get yourselves down | :57:23. | :57:33. | |
:57:33. | :57:33. | ||
here. Picture perfect skies in the background. Wonderful. We have had | :57:33. | :57:39. | |
lots of photographs of you running the marathon. This is Simon Baker, | :57:39. | :57:43. | |
an amputee, who completed the Dublin marathon on crutches. | :57:43. | :57:53. | |
:57:53. | :57:55. | ||
This is a marathon in Kenya. One hour after this photograph they got | :57:55. | :58:01. | |
married with their marathon running vicar. This is my dad doing the | :58:01. | :58:09. | |
aeroplane at the Swiss marathon last year. He is going to kill me, | :58:09. | :58:17. |