Browse content similar to 22/11/2016. Check below for episodes and series from the same categories and more!
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Well, to the one sure with Matt Baker. And Alex Jones. We know parts | :00:19. | :00:26. | |
of the weather have been atrocious the last | :00:27. | :00:32. | |
24 hours so we hope you are seeing safe and dry out there. Never fear, | :00:33. | :00:39. | |
we have got a winter warmer of a programme for you. Our guests | :00:40. | :00:44. | |
wrapped up some very impressive numbers. This went in at number one. | :00:45. | :00:52. | |
She has pleaded many times on her Radio 2 show. And has put all her | :00:53. | :00:57. | |
favourite on a new album with three series. At Forfar at 11 and a half | :00:58. | :01:05. | |
she is a giant of musical theatre, it is Elaine Paige -- at four foot | :01:06. | :01:12. | |
11 and a half. To be honest we had numbers all the way up to 2.2 | :01:13. | :01:16. | |
million because that is how many listeners you now have. It is | :01:17. | :01:21. | |
fantastic, who would have thought it? 12 years ago we started this | :01:22. | :01:25. | |
programme thinking it would be some kind of little eclectic specialist | :01:26. | :01:30. | |
programme for if you musical theatre lovers because at the time, 12 years | :01:31. | :01:37. | |
ago, it was a bit snobby about musical theatre don't you think? | :01:38. | :01:42. | |
People would never admit they liked musical theatre, even if secretly | :01:43. | :01:45. | |
they really did, they would never come out and say so. Things have | :01:46. | :01:51. | |
changed. I wonder what the key to that is, maybe your programme? I | :01:52. | :01:59. | |
think maybe it did help. Much to my surprise, people latched onto it, | :02:00. | :02:02. | |
and as you have said, the figures keep going up and up so it's | :02:03. | :02:07. | |
fantastic. We have always been very open about our love of musical | :02:08. | :02:11. | |
theatre. And our audiences also very keen. CHEERING | :02:12. | :02:18. | |
Part of the 2.2 million in tonight. One way to maintain your | :02:19. | :02:21. | |
independence whilst receiving the care you need as you grow older is | :02:22. | :02:25. | |
to move into a retirement property. Yes but some of these schemes can | :02:26. | :02:30. | |
have a financial sting in the tail which can hit families at the worst | :02:31. | :02:35. | |
possible time. Here is Joe. With many baby boomers retiring with | :02:36. | :02:39. | |
savings in the bank and final salary pensions it's no wonder property | :02:40. | :02:43. | |
companies have designs on them. Purpose-built retirement villages | :02:44. | :02:47. | |
are becoming more common with around 150,000 properties across the UK. | :02:48. | :02:53. | |
But some claim these new types of retirement property deals can leave | :02:54. | :02:56. | |
families with an unwanted financial legacy. Extra costs and restrictions | :02:57. | :03:02. | |
in the lease can make retirement properties difficult to sell. And if | :03:03. | :03:07. | |
you do, there may well be an additional hefty charge known as an | :03:08. | :03:13. | |
event or exit fee. Sebastian runs a campaign group calling for the | :03:14. | :03:18. | |
industry to be made more fair. It's good that all people live together | :03:19. | :03:22. | |
communally, they can help each other but unfortunately they can be the | :03:23. | :03:25. | |
worst property investment you make in your life. I am contacted by | :03:26. | :03:29. | |
people who are deeply unhappy with the circumstances and want to move | :03:30. | :03:33. | |
but cannot. Either because the property value has fallen so | :03:34. | :03:37. | |
dramatically or because they are such high exit fees and a sale is | :03:38. | :03:43. | |
simply an economic. Penelope and John from Beverley in Yorkshire have | :03:44. | :03:46. | |
first-hand experience of the complications which can crop up in | :03:47. | :03:52. | |
this new property sector. In 2012 Penelope inherited her mother 's | :03:53. | :03:57. | |
?125,000 flat. She wanted to sell it but found the lease with the orders | :03:58. | :04:06. | |
of the retirement village found it had lots of fees and restrictions. | :04:07. | :04:11. | |
We could not do anything with it. We were upset to find restrictions had | :04:12. | :04:18. | |
been imposed. It was just a ghastly business. It went on and on and on. | :04:19. | :04:24. | |
Even though her mother had died Penelope was being billed for | :04:25. | :04:27. | |
service fees totalling ?10,000 over 18 months. Including a care package. | :04:28. | :04:34. | |
I was so angry at having to pay a well-being package when there was | :04:35. | :04:38. | |
nobody there to receive any well-being. She was dead, how could | :04:39. | :04:46. | |
there be well-being? With mounting fees and falling house prices | :04:47. | :04:50. | |
Penelope finally sold the flat back to the Methodist Housing Association | :04:51. | :04:54. | |
for ?40,000 less than her mother bought it for. I was upset because | :04:55. | :05:00. | |
mother had died and to have all this going on as well, although she had | :05:01. | :05:04. | |
been happy there, she would have been mortified if she had known this | :05:05. | :05:10. | |
was the outcome. To add insult to injury Penelope was then hit with | :05:11. | :05:13. | |
another cost in the form of an exit feed. The housing association would | :05:14. | :05:18. | |
get 1% of the market value of the property for every year they had had | :05:19. | :05:21. | |
the flat which totalled almost ?6,000. Methodist housing insist the | :05:22. | :05:29. | |
exit fees and restrictions are fair and were made completely clear to | :05:30. | :05:32. | |
Penelope's 90-year-old mother at the time of purchase. The CEO Adrian | :05:33. | :05:40. | |
says the fees and well-being charges guarantee all residents have | :05:41. | :05:43. | |
round-the-clock care they expect when buying the homes. It's a shared | :05:44. | :05:48. | |
cross back across the community which is why every unit in the | :05:49. | :05:53. | |
scheme needs to make its contribution all the time regardless | :05:54. | :05:57. | |
of anyone living there or not. Methodist housing say they are | :05:58. | :06:01. | |
committed to transparent fees but other areas of this growing industry | :06:02. | :06:07. | |
have come under scrutiny recently. The Law Commission has found a lack | :06:08. | :06:10. | |
of clarity over fees with some developers. We did a mystery | :06:11. | :06:16. | |
shopping expedition and some of it has been absolutely dire, people | :06:17. | :06:19. | |
have not been told about event fees and have gone into it by which time | :06:20. | :06:24. | |
it is too late. We are going to introduced Acord backed up with | :06:25. | :06:27. | |
legislation which requires developers to tell prospective | :06:28. | :06:31. | |
purchasers at an early stage all about the event fees. With worked | :06:32. | :06:34. | |
examples which tell them how much they will have to pay, how the event | :06:35. | :06:39. | |
he is calculated and when it has to be paid. You are not going to | :06:40. | :06:44. | |
suggest best practice, it will be law in place? This code will have | :06:45. | :06:50. | |
teeth, basically if developers do not comply with the transparency | :06:51. | :06:55. | |
obligations then the event he is not recoverable. The new rules should | :06:56. | :06:59. | |
come into effect next February. Knowing you will have care on hand | :07:00. | :07:03. | |
when you need it is an expensive business. So checking the financial | :07:04. | :07:09. | |
small print is vital. That seems to be a clear message | :07:10. | :07:15. | |
coming out. Absolutely, many people buy a retirement property when there | :07:16. | :07:18. | |
is eight problem and that's the worst time because they rush into it | :07:19. | :07:22. | |
and when you rush into these things you make mistakes and the mistakes | :07:23. | :07:27. | |
come back to bite you. Part of those mistakes might be based on these | :07:28. | :07:31. | |
retirement properties being leaseholds. Many people are not used | :07:32. | :07:35. | |
leaseholds, they might have sold a freehold house to pay for a | :07:36. | :07:38. | |
retirement property and leaseholds come with all sorts of restrictions. | :07:39. | :07:43. | |
Nothing wrong with that, you just have to understand the restrictions. | :07:44. | :07:46. | |
There will be service charges every six months, you cannot alter the | :07:47. | :07:51. | |
property without permission, if you cannot sell it you might not be able | :07:52. | :07:54. | |
to sublet the property post you're not there. All sorts of things going | :07:55. | :07:59. | |
on and you have the exit fees we mentioned on film and it might be a | :08:00. | :08:03. | |
1% fee on paper which doesn't sound too much but they have been | :08:04. | :08:07. | |
criticised for being an fair because it's difficult for people to imagine | :08:08. | :08:10. | |
the amount it will end up being because some of them are not just | :08:11. | :08:14. | |
1%, they can be much more or 1% every year you have been there. That | :08:15. | :08:19. | |
can be a considerable amount of money so you get to the point where | :08:20. | :08:22. | |
you cannot move or you do not feel you can move, you feel tramped. The | :08:23. | :08:25. | |
other thing to say is you are vulnerable, you are a tenant when | :08:26. | :08:30. | |
you have a leasehold property, if you do not pay the charges you could | :08:31. | :08:33. | |
lose it. There are a lot of things to be wary of and you should not | :08:34. | :08:37. | |
rush into them, you have to take time to read the small print. The | :08:38. | :08:42. | |
whole point of going is for the benefits, the social side, community | :08:43. | :08:47. | |
and security that comes with it. Is renting an option, how does it weigh | :08:48. | :08:53. | |
up? It's about taking time to read the details, renting can be a great | :08:54. | :08:59. | |
solution. Instead of quickly going in and risking the money you have | :09:00. | :09:04. | |
got, why not rent, try an area out and try that type of living? If you | :09:05. | :09:09. | |
don't like it you can move. But if you have bought somewhere and risked | :09:10. | :09:13. | |
the lump sum, you are paying everything else. Thank you, | :09:14. | :09:19. | |
brilliant. You have experience of this, Elaine, with relatives who | :09:20. | :09:24. | |
have chosen to go into retirement village? A friend of my mothers went | :09:25. | :09:29. | |
to a retirement, like a gated community in Surrey and had a | :09:30. | :09:34. | |
marvellous time! There was help at hand if anything went wrong within | :09:35. | :09:38. | |
her one-bedroom flat, she had a little garden with great views, | :09:39. | :09:45. | |
wonderful social life. There was a restaurant where they could have | :09:46. | :09:50. | |
meals prepared every day. Sign me up, that sounds great! That's what I | :09:51. | :09:58. | |
thought, better put my name down now! If you would like to know more | :09:59. | :10:04. | |
get in touch, we will put the address on screen. What do you think | :10:05. | :10:07. | |
is quickest, a ferret up a trouser leg or a rat up a drainpipe? Is it a | :10:08. | :10:14. | |
medal or a plastic drainpipe, corduroy trousers? | :10:15. | :10:18. | |
Faster than the speed of light is more than 186,000 miles per second. | :10:19. | :10:28. | |
Quick as a flash. Lightning travels in excess of 61,000 miles per | :10:29. | :10:33. | |
second. But what about some of our other quick phrases. Many cliches | :10:34. | :10:37. | |
evoke a sense of speed so I have set myself a challenge, to use science | :10:38. | :10:42. | |
to measure which speedy sayings are Usain Bolt. Sports scientist doctor | :10:43. | :10:48. | |
Gavin from the University of Southwark studies speed. How do you | :10:49. | :10:53. | |
measure these tiny fractions of time? Special cameras including | :10:54. | :10:59. | |
infrared. We can record footage at 100 thousand times faster than a | :11:00. | :11:04. | |
typical TV camera. First things first, the blink of an eye which | :11:05. | :11:08. | |
should be fast and easy. It feels a bit like clockwork Orange, it's not | :11:09. | :11:14. | |
going to hurt is it? It will be over in the blink of an eye! Ready? Like. | :11:15. | :11:29. | |
Blink. And blink. What is the result Gavin? It took 0.174 seconds and the | :11:30. | :11:36. | |
speed is 8.05 centimetres per second. That is not very fast, I | :11:37. | :11:44. | |
never realised my eyelids were so sluggish, let's try to beat it with | :11:45. | :11:48. | |
another cliche, but this one I will need the help of the seal. Who is a | :11:49. | :11:55. | |
rat. Time to send a rat up a drainpipe. To give her some purchase | :11:56. | :11:59. | |
we have angled the pipe by 45 degrees. Look at her go. Like a rat | :12:00. | :12:07. | |
up a drainpipe. She got distracted, come on! Come on! It's not going | :12:08. | :12:14. | |
well is it Gavin? It has been a lovely day out for her. It has. | :12:15. | :12:19. | |
Average bead of seven centimetres per second. For the next experiment | :12:20. | :12:24. | |
we need the help of the bravest member of our team, the researcher | :12:25. | :12:29. | |
who is wearing a pair of thick cotton jeans and a pair of oversized | :12:30. | :12:37. | |
over trousers to allow some room. I think you will need this as well. | :12:38. | :12:41. | |
It's a terrible job but in the interest of science Ed has got to do | :12:42. | :12:50. | |
it. The ferret is very happy to do this and I would like to assure you | :12:51. | :12:54. | |
that no ferrets will be harmed in this experiment. But I am not sure | :12:55. | :12:59. | |
about Ed. Can you please insert the ferret into the trouser leg. It's | :13:00. | :13:07. | |
in. LAUGHTER It's moving up quite fast, it's in | :13:08. | :13:10. | |
the middle, it's going down the other one. Second attempt. Going up, | :13:11. | :13:17. | |
lightning fast. Lightning fast. There she is. 8.16 centimetres per | :13:18. | :13:26. | |
second. She went up that trouser leg at the drop of a hat. I don't need a | :13:27. | :13:30. | |
researcher for this experiment, I can do it all on my own. Told you. | :13:31. | :13:39. | |
That must be the fastest yet? It tells us the hat was travelling at | :13:40. | :13:44. | |
360 centimetres per second. That is so fast! We are getting faster but | :13:45. | :13:51. | |
for one last supersonic test we are going to the dogs. The final | :13:52. | :13:55. | |
experiment has brought us to the dog track to see if we can beat the | :13:56. | :13:59. | |
speed of gravity, like greyhounds out of the traps. We are measuring | :14:00. | :14:03. | |
the greyhounds across a distance of three metres starting from the | :14:04. | :14:09. | |
moment they come out of the traps. That was quick! How fast is a | :14:10. | :14:20. | |
greyhound out of the traps? 1489 centimetres per second. It seems we | :14:21. | :14:23. | |
have a definitive winner in the league table of fast phrases. The | :14:24. | :14:28. | |
fastest cliche is like a greyhound out of the traps. At the flick of us | :14:29. | :14:34. | |
which speedy cliches have spread to the English language like wildfire | :14:35. | :14:37. | |
and they are here to stay, they are not just a flash in the pan. Hang on | :14:38. | :14:42. | |
a minute that three more experiments I could do! Does anyone have a | :14:43. | :14:47. | |
frying pan? Brilliant! Where is Gavin? Gavin? Gavin? | :14:48. | :14:53. | |
Is who? It's up a drainpipe, not at a 45 degrees angle. The man was | :14:54. | :15:08. | |
brave to have the ferret up his trousers. Indeed. Last week, Sting | :15:09. | :15:20. | |
came in. There were only ten tracks on his new album. I thought it was a | :15:21. | :15:27. | |
bit tight. Your new album, three CDs, 58 tracks. We love it. | :15:28. | :15:33. | |
Absolutely. Value for money from May. We are going to trigger some | :15:34. | :15:43. | |
Memories. We will put the music on. It is an interesting story how it | :15:44. | :15:48. | |
happened for you. I was coming home from a dinner party and I heard this | :15:49. | :15:56. | |
tune on the radio. The DJ said, I will play the entire theme of Andrew | :15:57. | :16:02. | |
Lloyd Webber's theme from his new musical. There was no lyric to it. I | :16:03. | :16:09. | |
loved the tune. I dashed into the house. I thought I'd take it. The | :16:10. | :16:16. | |
first time you heard it? It was the first time. I was nothing to do with | :16:17. | :16:25. | |
Cats at the time. Then this is the drag old, mangy cat appeared. I'd | :16:26. | :16:30. | |
lived in the house for two years and I'd never seen it before. I try to | :16:31. | :16:38. | |
get it across my legs because if a black cat crosses your path it's | :16:39. | :16:43. | |
good luck. I taped the tune and left the door open. The cat had followed | :16:44. | :16:52. | |
me in. I gave it a saucer of milk. I taped the song and said, tomorrow | :16:53. | :16:56. | |
I'm going to ring Andrew Lloyd Webber and say I have two record | :16:57. | :17:01. | |
this song because it did something to me. It touched me emotionally. I | :17:02. | :17:06. | |
didn't have to do anything because the next morning, the telephone rang | :17:07. | :17:11. | |
and it was Andrew offering me the part in the Cats. Isn't that weird? | :17:12. | :17:19. | |
And that old cat stayed with me for the rest of my life. It sounds like | :17:20. | :17:25. | |
I made this up. Honestly, it's a true story and I think it's a bit | :17:26. | :17:35. | |
spooky. What did you call the cat? What do you think? Rob Grisabella. | :17:36. | :17:45. | |
Some people are quite new to musical is and you have some contemporary | :17:46. | :17:49. | |
ones on there. Once that have come from films. It is quite a mix of | :17:50. | :17:58. | |
material. From old standards to new material. There is a wealth of | :17:59. | :18:04. | |
material. We could have had six albums. Save some for next | :18:05. | :18:10. | |
Christmas. It came out of the radio show because I am inundated every | :18:11. | :18:13. | |
week with people requesting their favourite songs. Being on tour | :18:14. | :18:19. | |
myself, I have some favourites and I thought I would mix and match. I | :18:20. | :18:24. | |
made my list and everybody else's list and we have come piled them and | :18:25. | :18:31. | |
managed to whittle it down. It is a lot. Three CDs but it is like having | :18:32. | :18:36. | |
my radio show in your own home whenever you like. There's no | :18:37. | :18:42. | |
escape. You are still on stage and the singing. Of the more modern | :18:43. | :18:49. | |
musicals, which one do you enjoy yourself? I don't perform to many | :18:50. | :18:58. | |
modern musicals in my own concert. I saw Wicked! And I loved it. I would | :18:59. | :19:10. | |
love to play in that. Last week, I saw Half A Sixpence it is my hot | :19:11. | :19:16. | |
tip. Go and watch it. Charlie Kemp is a star. Go and see him. Would you | :19:17. | :19:22. | |
ever go back onto the stage in the West End? Never say never but, eight | :19:23. | :19:30. | |
shows a week? You need to be young like these lovely guys. We would | :19:31. | :19:35. | |
love to see a lane back in the West End. We will be talking more about | :19:36. | :19:44. | |
her amazing career. Her album Elaine Paige Presents The Musicals is out | :19:45. | :19:52. | |
next week. Rosie King has been giving as an insight into life with | :19:53. | :19:58. | |
Asperger's syndrome. This week she went to university. Up stepped a | :19:59. | :20:09. | |
Hollywood A-lister with a secret to keep. Tom, we know that you love | :20:10. | :20:18. | |
typewriters. You can change the world with them. I'm going to send | :20:19. | :20:25. | |
one to Rosie. He sent one. It is so sweet, so strange how nice people | :20:26. | :20:33. | |
can be. " I think it is a month ago that we were on the one show. " | :20:34. | :20:44. | |
"Never Mind spell-checking, just go with the groove and get into the | :20:45. | :20:51. | |
creative process." Is there anything you want to ask this lot? You are | :20:52. | :20:57. | |
doing it. You are right. You are practising. Write it, rewrite it. | :20:58. | :21:04. | |
They were all so nice. They could tell I was really nervous. They were | :21:05. | :21:10. | |
absolutely lovely to me. The first sentence is just the beginning. | :21:11. | :21:15. | |
That's all it is. The mechanics take awhile to get used to the result is | :21:16. | :21:21. | |
right there on paper. With some adjusting the spacing, you can make | :21:22. | :21:25. | |
room to edit all you want with a pencil. He added that. "I Hope that | :21:26. | :21:31. | |
it your days at University are happy ones and that we meet again. It | :21:32. | :21:41. | |
doesn't have to be on TV. Yours, Tom Hanks." It's beautiful. I love the | :21:42. | :21:48. | |
colour. I love the way it types. I want to say thank you for him being | :21:49. | :21:53. | |
so kind to me. I hope my dream comes true and I become a writer, | :21:54. | :21:57. | |
hopefully, I will write some books on this. That is amazing. Imagine | :21:58. | :22:06. | |
getting a typewriter from Tom Hanks. It's just extraordinary. We are | :22:07. | :22:10. | |
going to send that film to Tom Hanks and Benny can see how much he | :22:11. | :22:15. | |
appreciated. Elaine, as a decorated stage actor, we know you are | :22:16. | :22:24. | |
familiar with the term tableau. It is when actors freeze in character | :22:25. | :22:29. | |
onstage. It reminded as of the current Internet sensation, the | :22:30. | :22:33. | |
mannequin challenge. People are doing it in the pubs, at schools, | :22:34. | :22:40. | |
weddings. It gave as an idea. We have been doing some mannequin | :22:41. | :22:44. | |
challenges in the office today. What have you been doing? We have been | :22:45. | :22:53. | |
representing moments of your career. Basically, they have been acting | :22:54. | :22:58. | |
them out. In tableau, the mannequin challenge. So you have to tell us | :22:59. | :23:03. | |
what is happening at each stage. The music is a clue to the musical. " | :23:04. | :23:16. | |
The age of Aquarius." I know what that is. When I was in Hair. I was | :23:17. | :23:27. | |
one of the last of the cast to get naked. I was a bit of a wimp. My | :23:28. | :23:34. | |
friend Gary Hamilton, told and handsome, he said he'd stand next to | :23:35. | :23:38. | |
me and hold my hand for moral support. When the terrible moment | :23:39. | :23:42. | |
came, it was such a shock to stand in front of the audience naked. | :23:43. | :23:49. | |
Fully naked. Nothing. I put my hand out, like that, to hold hand. | :23:50. | :23:59. | |
LAUGHTER There we are. Just one more. Here we | :24:00. | :24:11. | |
go. So, there you are. You are in a stairwell. People can't see you very | :24:12. | :24:23. | |
well. So it's Sunset Boulevard. I got to Broadway with Sunset | :24:24. | :24:31. | |
Boulevard. It was the last day before my opening and I was coming | :24:32. | :24:36. | |
down the staircase where Norma Desmond makes a grand entrance. And | :24:37. | :24:42. | |
the stairs and the banister were such that you couldn't see me. The | :24:43. | :24:47. | |
stairs were, you know, everybody else who played the role prior to me | :24:48. | :24:52. | |
was average height. I'm only four foot 11 and a half. As I was coming | :24:53. | :25:00. | |
down the stairs, they couldn't see me. They had to build the stairs up. | :25:01. | :25:05. | |
The last step, they didn't tell me, the last one was really deep because | :25:06. | :25:10. | |
they couldn't get the extra step in. And that's all we've got time for in | :25:11. | :25:14. | |
the mannequin challenge game. Moving on slightly. This morning was the | :25:15. | :25:20. | |
first day we had a serious conversation about Christmas | :25:21. | :25:24. | |
presents. Who wants what. I haven't put my order in yet. It seems as | :25:25. | :25:30. | |
though wildlife cameraman Richard Taylor Jones is basing his shopping | :25:31. | :25:39. | |
on the 12 days of Christmas. The turtledove used to be one of the | :25:40. | :25:47. | |
most evocative sounds of the British summer but today your chance of | :25:48. | :25:52. | |
seeing one is remote. Numbers have decreased by 93% over 20 years. But | :25:53. | :26:02. | |
all is not yet lost. John is an RSPB scientist working with a | :26:03. | :26:06. | |
conservation partnership to save this bird. Why is this happening? | :26:07. | :26:14. | |
There is strong evidence that they have been negatively affected by | :26:15. | :26:18. | |
agricultural intensification over the last few decades. The abundance | :26:19. | :26:24. | |
of their favourite food plants has. Diminished They face of threats as | :26:25. | :26:29. | |
they migrate. As they passed through France and Spain they are legally | :26:30. | :26:34. | |
hunted. Their wintering ground in West Africa is also under pressure. | :26:35. | :26:41. | |
Here the problems are habitat loss and drought. With threats wherever | :26:42. | :26:46. | |
they go, it's crucial for conservationists to pinpoint what | :26:47. | :26:50. | |
regions are important for them. To that end, a satellite tag was put on | :26:51. | :26:56. | |
a turtledove christened Titan and tracked the exact route he took on | :26:57. | :27:01. | |
his three-month journey from Suffolk to Mali and back. The information is | :27:02. | :27:09. | |
absolutely fascinating. If you look at this map, you can see the 11,000 | :27:10. | :27:15. | |
kilometre round trip he took. Along with, crucially, where he stopped | :27:16. | :27:22. | |
off along the way. This will help focus conservation efforts but more | :27:23. | :27:26. | |
information is needed so this year they have typed ten more birds and | :27:27. | :27:30. | |
we want to track them down before they set off for their migration. | :27:31. | :27:36. | |
The data, is it telling you that there particular hotspots to look | :27:37. | :27:41. | |
for? There are congregations not far from where we are. The signals lead | :27:42. | :27:47. | |
us to a farm in the south-east which has received grants to improve the | :27:48. | :27:53. | |
habitat for this bird. Careful management has allowed annual weeds | :27:54. | :28:02. | |
to grow, replenishing a natural food source to increase. Other farmers | :28:03. | :28:06. | |
have put out supplementary food. Here at Glebe farm they have | :28:07. | :28:14. | |
increased their number of birds using a special seed mix. Our best | :28:15. | :28:21. | |
bet is to stake out the feeding spot. Pink chested bullfinches, a | :28:22. | :28:28. | |
yellowhammer and, finally, a turtledove. That is a very beautiful | :28:29. | :28:38. | |
bird. Absolutely stunning. That lovely pattern on its wings. That | :28:39. | :28:45. | |
tortoiseshell pattern. It is not why they are called turtledoves. No. The | :28:46. | :28:51. | |
purring sound is where they get their name. Living proof that this | :28:52. | :28:59. | |
operation is working. Tagging, monitoring the efforts of the | :29:00. | :29:04. | |
farmers, all contributing to help save this beautiful bird from the | :29:05. | :29:10. | |
edge of extinction here in the UK. So you will never sing that Carol in | :29:11. | :29:15. | |
the same way again. Thank you to our guest tonight, Elaine Paige. | :29:16. | :29:19. | |
Elaine Paige Presents the Musicals | :29:20. | :29:23. |