Browse content similar to 26/04/2016. Check below for episodes and series from the same categories and more!
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Tonight he's back in his home town of Dunblane, part of a tour | :00:00. | :00:07. | |
Hello and welcome to the One Show with Matt Baker... | :00:08. | :00:21. | |
Today has seen one of the most emotional moments in | :00:22. | :00:25. | |
The families of the 96 victims of the Hillsborough disaster have | :00:26. | :00:30. | |
finally heard the verdict they've been fighting for, | :00:31. | :00:32. | |
since their loved ones died at the football ground in 1989. | :00:33. | :00:35. | |
That the victims were unlawfully killed, due, in part, | :00:36. | :00:39. | |
And, equally important, there was no misbehaviour | :00:40. | :00:44. | |
by the fans that contributed to the deaths. | :00:45. | :00:48. | |
Huge news for the families and the city as a whole. | :00:49. | :00:51. | |
We have spent the last few days with the brother of one of those who died | :00:52. | :00:55. | |
and we'll hear from him soon. a focal point for Liverpudlians, | :00:56. | :00:58. | |
aren't you, Matt? Yes we're in St George's plateau in | :00:59. | :01:07. | |
front of St George's hall, this has been a focal point for this epic | :01:08. | :01:12. | |
struggle, this fight for justice for the 96 victims of the Hillsborough | :01:13. | :01:16. | |
disaster. Here, there have been vigils, there have been | :01:17. | :01:19. | |
demonstrations and there have been many tears over the last 27 years. | :01:20. | :01:26. | |
Steve Kellie lost his brother Michael that day at Hillsborough. We | :01:27. | :01:29. | |
spent the last couple of days with him finding out exactly what this | :01:30. | :01:35. | |
verdict means. It's the morning of the verdict. | :01:36. | :01:41. | |
Feeling very nervous, anxious. I'm just hoping for the truth to come | :01:42. | :01:48. | |
out. Enormity of it now is kicking in. This is history in the making | :01:49. | :01:56. | |
and we're part of it. I was the younger brother by two-and-a-half | :01:57. | :02:00. | |
years. I always looked up to him. Always tried to be him as you do | :02:01. | :02:05. | |
with your older brother. He always looked after me. I missed that. | :02:06. | :02:16. | |
Football was the great thing in his life. He loved going to the football | :02:17. | :02:21. | |
match. He loved Liverpool. He was a season ticket holder. He had booked | :02:22. | :02:24. | |
the coach. He was looking forward to the game. Through the video footage | :02:25. | :02:36. | |
we had to see ourselves, I mean I identified Michael coming through | :02:37. | :02:39. | |
the tunnel. It's difficult to watch, because every time I look at it, I | :02:40. | :02:43. | |
think the same thing - he's only got minutes to go. It's as though, | :02:44. | :02:50. | |
you're watching him die all the time. | :02:51. | :03:00. | |
The most difficult thing for me was hearing the match commander admit in | :03:01. | :03:09. | |
court that he'd lied. I was looking around the courtroom, I couldn't | :03:10. | :03:13. | |
believe, I was looking at other people, seeing their reactions and I | :03:14. | :03:18. | |
just remember looking at him and thinking, "You've just been a | :03:19. | :03:24. | |
coward. You could have pear us this. -- spared us this." The reason we | :03:25. | :03:28. | |
didn't give up was love. We loved our family. That's why we fought for | :03:29. | :03:38. | |
so long to clear their names. Since Hillsborough, we've lost our mum, my | :03:39. | :03:46. | |
sister, Joan, I lost my youngest son five years ago. I had to do that on | :03:47. | :03:53. | |
my own. My brother, I know, would have stood shoulder to shoulder with | :03:54. | :03:58. | |
me and supported me through these things and that's what I miss about | :03:59. | :04:02. | |
him most. The jury of nine, after two years of | :04:03. | :04:08. | |
evidence have concluded that the 96 football fans, who lost their lives, | :04:09. | :04:13. | |
were unlawfully killed. At least we know now Michael was just a fan who | :04:14. | :04:17. | |
got caught up in the wrong thing at the wrong time. It's a bitter sweet | :04:18. | :04:20. | |
moment. We should have had this 27 years ago to spare the families. | :04:21. | :04:26. | |
# You'll never walk alone # | :04:27. | :04:27. | |
CHEERING I'm pleased to say that Steve joins | :04:28. | :04:39. | |
us now. It's clear what you might have started doing for Michael, for | :04:40. | :04:44. | |
your brother, you now do for a larger group of people. It's not | :04:45. | :04:48. | |
just for Michael. It's for 95 other people who were sadly killed at | :04:49. | :04:52. | |
Hillsborough. The thousands that went over there that day and the | :04:53. | :04:57. | |
city as a whole, we were all maligned by the lies that came out. | :04:58. | :05:02. | |
We've struggled all these years to get the message out that, you know, | :05:03. | :05:07. | |
you were right that day to carry on this fight. I'm glad we've done it. | :05:08. | :05:12. | |
We've been proven today that we were justified and yeah, I'm really | :05:13. | :05:15. | |
proud. How many times during the last 27 years due think that you'd | :05:16. | :05:20. | |
never get this far, that the message would just never get out? Well, up | :05:21. | :05:25. | |
until this morning, I never thought we'd get this far. I was still | :05:26. | :05:29. | |
worrying this morning. We've been so close so many times. You know, we've | :05:30. | :05:37. | |
failed. But this particular time, thanks to the Hillsborough | :05:38. | :05:40. | |
Independent Panel report and the great legal team that we've had, | :05:41. | :05:43. | |
with the fresh evidence that was given to the court, there was only | :05:44. | :05:48. | |
ever going to be one outcome today. Thankfully it came true. It is just | :05:49. | :05:52. | |
another step, though. It's a big step. What do you feel still needs | :05:53. | :05:56. | |
to be done? There needs to be accountability. There were 14 points | :05:57. | :06:00. | |
given to the jury to decide on today. Them 14 points were proven in | :06:01. | :06:05. | |
our favour. There was many people proved to be failing for what | :06:06. | :06:11. | |
happened on April 15, 1989. Further down the road, it will be for | :06:12. | :06:15. | |
greater legal minds than mine to sort this out. Somewhere along the | :06:16. | :06:18. | |
line there's got to be accountability. We have one of those | :06:19. | :06:21. | |
legal minds with us now. You've been representing a lot of the families | :06:22. | :06:27. | |
of the victims of Hillsborough. Does an unlawful killing verdict | :06:28. | :06:30. | |
naturally mean there will be prosecutions, is that what follows | :06:31. | :06:33. | |
next? It's difficult to say that at this moment. I don't want to | :06:34. | :06:36. | |
prejudice further investigations. What we would say is that action | :06:37. | :06:40. | |
definitely needs to be taken not only to the unlawful killing verdict | :06:41. | :06:44. | |
but also in relation to the cover up. Steve has explained the amount | :06:45. | :06:48. | |
of time and effort the families have put into that. They should not have | :06:49. | :06:53. | |
been here 27 years later. That falls back to the cover up. You have spent | :06:54. | :06:57. | |
so much time with these families. What is the feeling now? To move on | :06:58. | :07:02. | |
and take further action, is that what they want? There's 96 different | :07:03. | :07:08. | |
families involved here. We have 96 different opinions on that. But as a | :07:09. | :07:12. | |
majority, I'd say further action needs to be taken, yeah. In relation | :07:13. | :07:18. | |
to the unlawful killing and in relation to the cover-ups. Thank you | :07:19. | :07:23. | |
so much. It is a step, it's a big step, but it's not the end for these | :07:24. | :07:30. | |
families, talking to people we've met around here today, this has | :07:31. | :07:35. | |
exonerated the fans that were there, exonerate the victims and go some | :07:36. | :07:38. | |
way to erase what was a stain on the good name of the city of Liverpool. | :07:39. | :07:45. | |
It's a stain that's perpetuated by dison I and deceit and we wouldn't | :07:46. | :07:49. | |
have got this far without the hard work, determination and faith of the | :07:50. | :07:52. | |
victims' families. Thank you Matt. A verdict that | :07:53. | :07:56. | |
should have been heard 27 years ago. Thanks to Steve as well for sharing | :07:57. | :07:58. | |
his story. Listening to that with us tonight | :07:59. | :08:01. | |
is a man from Sheffield, where He also happens to be | :08:02. | :08:04. | |
a Bafta-winning actor. You were born in Sheffield, | :08:05. | :08:07. | |
you've visited the ground as a child and your family were in the city | :08:08. | :08:17. | |
on that sad day. What do you remember, though, | :08:18. | :08:26. | |
because you had already moved away? I was away at college in Dublin by | :08:27. | :08:32. | |
that point. I was 19. So I don't have memories of that day, so much. | :08:33. | :08:38. | |
But I remember much more, you know, remembers when the tenth anniversary | :08:39. | :08:44. | |
came round and the 20th anniversary and thinking, why does it take this | :08:45. | :08:48. | |
long for what was really Sheffield's darkest day, I think, in its whole | :08:49. | :08:56. | |
history, that it took so long to, for the truth to come out and for | :08:57. | :09:01. | |
the terrible behaviour of the police and of the newspapers to be given | :09:02. | :09:13. | |
the light of truth. It's a great day and it's the families that are to be | :09:14. | :09:19. | |
congratulated. We will speak to Dominic tonight about two huge | :09:20. | :09:22. | |
Hollywood films that he's starring in in coming months. | :09:23. | :09:30. | |
films he's starring in in the coming months and also a life-changing | :09:31. | :09:33. | |
trip he recently made to the Syrian border. | :09:34. | :09:35. | |
But first Miranda's in Cornwall - or rather just off | :09:36. | :09:38. | |
the coast of Cornwall - where she's been rooting out | :09:39. | :09:40. | |
Along Britain's coast is a peculiar plant that you can often see on | :09:41. | :09:46. | |
cliff-top walks. But its familiarity doesn't mean it belongs here. The | :09:47. | :09:50. | |
plant is an alien invasive species and for the gardeners here at St | :09:51. | :09:55. | |
Michael's Mount Cornwall, protecting their island from it, requires | :09:56. | :10:00. | |
extreme weeding. I'll be helping them clear the plant by abseiling | :10:01. | :10:13. | |
over a 60-foot drop. The hottentot fig is native to South Africa. It's | :10:14. | :10:16. | |
a creeping succulent. It's believed to have been brought to our shores | :10:17. | :10:21. | |
by Victorian gardeners for its attractive flowers and foliage. | :10:22. | :10:27. | |
Today, its rampant across heath land and coastal grassland happen tatts | :10:28. | :10:36. | |
You can understand why people wanted to bring it back, but they didn't | :10:37. | :10:39. | |
know it would be so invasive. It grows about a metre a year. It | :10:40. | :10:43. | |
starts to take over areas. It sufficient indicates the native | :10:44. | :10:48. | |
Flora that we have. The combined weight of a large patch of fig | :10:49. | :10:53. | |
plants has even been blamed for a land slide in Bournemouth in 2013. | :10:54. | :10:58. | |
The National Trust aims to keep the plant on St Michael's Mount in check | :10:59. | :11:00. | |
rather than destroying it all together. But to remove even a small | :11:01. | :11:07. | |
area is labour intensive and requires a head for heights. Darren | :11:08. | :11:15. | |
little has managed the gardens on St Michael Mount for 15 years. Where is | :11:16. | :11:19. | |
the fig? Today we shall be abseiling off the corner here. We will set up | :11:20. | :11:24. | |
the ropes here. Going down over the edge there. It's amazing how that | :11:25. | :11:29. | |
plant colonises what looks like bare rock face. It retains a lot of water | :11:30. | :11:35. | |
and thrives off its own nutrients. He only needs a slight crack to grow | :11:36. | :11:40. | |
in. Are you ready? I am, yeah. Let's get kited up. The gardening team is | :11:41. | :11:46. | |
in constant battle against this invader. Three times a year they | :11:47. | :11:50. | |
resort to rope and harness to clear the cliff. Now it's time to go over | :11:51. | :11:55. | |
the edge. We are a long way up and we've got all this stuff and all we | :11:56. | :12:00. | |
can do is a bit of weeding! Over the edge. For a weed... Beware of your | :12:01. | :12:08. | |
footing there as you go down. I don't like this bit. This is the | :12:09. | :12:12. | |
over the edge bit. Hang on. Whoa, whoa. There we go. Down? Brilliant. | :12:13. | :12:20. | |
Yeah, good. After a tentative start, we've reached a cliff ledge overrun | :12:21. | :12:27. | |
by the weed. You can see how it's very matting, this will smother the | :12:28. | :12:31. | |
ground and stop the native weeds coming through. I am on the edge! | :12:32. | :12:43. | |
Look at that. That is amazing. Nobody knows how the fig actually | :12:44. | :12:48. | |
got here, but if a bit breaks off and washes into the sea, it doesn't | :12:49. | :12:52. | |
get killed by the salt water. It might wash up somewhere else and | :12:53. | :12:55. | |
take root. Then this happens. Hand pulling the weed is the only way to | :12:56. | :13:00. | |
control the plant. It's strenuous work. Oh, gosh. You need somebody | :13:01. | :13:07. | |
stronger than me to do this. After an hour-and-a-half, our work, | :13:08. | :13:10. | |
suspended over this beautiful coastal landscape, is complete. For | :13:11. | :13:16. | |
now! The areas we've cleared are free for native Flora to take hold | :13:17. | :13:21. | |
and flourish. It's incredible seeing how much we threw down. Yes! That's | :13:22. | :13:27. | |
the craziest gardening I've ever done in my life. | :13:28. | :13:35. | |
What a location! A lovely place. We were talking about your | :13:36. | :13:39. | |
paragliding. That is a pastime. That is. You've eclipsed me with your | :13:40. | :13:45. | |
story about hand gliding! I was hoping to do in June, yeah, a trip | :13:46. | :13:51. | |
climbing up Holy Mown anyone in India with a holy man who lives in | :13:52. | :13:56. | |
the mountain. We will do it next year. I've done a bit of | :13:57. | :14:01. | |
parademrieding. How often do you get into the sky then? Not too much. I | :14:02. | :14:05. | |
went with a friend a couple of years ago. We did a lot in India. Someone | :14:06. | :14:10. | |
died and it rather put me off. I didn't do what you did. We can't go | :14:11. | :14:16. | |
into that. It's way too dangerous. You went to visit a refugee camp. | :14:17. | :14:20. | |
But camp doesn't convey the scale of these places. They are like four | :14:21. | :14:26. | |
cities in one. They're ginormous. This is the fourth biggest city in | :14:27. | :14:35. | |
Jordan now. Save the Children, who's a charity I enormously respect, they | :14:36. | :14:38. | |
gave me the chance to go to Jordan as part of their public I for their | :14:39. | :14:44. | |
campaign Every Last Child, which aims to help the 15 million | :14:45. | :14:47. | |
refugees, but the most vulnerable children in the world, who are | :14:48. | :14:53. | |
either, the ones who are neglect and excluded are girls, disabled and | :14:54. | :14:58. | |
refugees. Save the Children has a three year campaign to try and help | :14:59. | :15:02. | |
them with mainly education and Health Services. They are prominent | :15:03. | :15:08. | |
in this camp, which is outside Amman in Jordan. It's got 80,000 refugees | :15:09. | :15:14. | |
there. They're all from Syria. The thing about the Syrian conflict is | :15:15. | :15:22. | |
that it's so complex and so politically insoluble really. The | :15:23. | :15:26. | |
only thing we can do is support people like Save the Children. I | :15:27. | :15:30. | |
went out there and saw what they did. I went to their educational | :15:31. | :15:36. | |
centres and what their health centres and the kinkeder gartens | :15:37. | :15:40. | |
they've set up and they are doing more than anyone else to help the | :15:41. | :15:44. | |
most vulnerable people there. These children were your guides? Yeah. | :15:45. | :15:50. | |
These lovely guys. They're incredible kids. They've been | :15:51. | :15:55. | |
through horrors that you or I can't imagine at their most vulnerable | :15:56. | :15:59. | |
stage. This guy was 11 when his house was being shelled in Damascus. | :16:00. | :16:04. | |
He took me to his shelter. This place here, where he's living. It | :16:05. | :16:09. | |
was beautiful and straight away, four cups of tea came out, very | :16:10. | :16:12. | |
sweet tea because it stops the hunger. They live in these, you | :16:13. | :16:18. | |
know, it looks quite nice here and it was a nice, cool, sunny day. In | :16:19. | :16:23. | |
the winter that is freezing cold. In the summer, it's boiling hot. It's a | :16:24. | :16:29. | |
tough life for them. What strikes you when you go to these camps, we | :16:30. | :16:36. | |
live in the 21st century and there is no need with communications, I | :16:37. | :16:40. | |
can fly out there for four hours, there's no need for people to be | :16:41. | :16:44. | |
living like this. It's very important therefore that they get | :16:45. | :16:47. | |
the help of people like Save the Children. They're the only ones who | :16:48. | :16:51. | |
are helping them. You can see that documentary on the website. The | :16:52. | :16:56. | |
website is Save the Children.org. UK, please give some money to them, | :16:57. | :16:59. | |
because that's money very well spent. That will go to directly | :17:00. | :17:02. | |
helping all the most vulnerable children in the world. | :17:03. | :17:07. | |
Now the first in a new series of films for The One Show. | :17:08. | :17:10. | |
The only thing Esther Rantzen likes more than sorting out viewers' | :17:11. | :17:13. | |
problems is talking to people on the street. | :17:14. | :17:15. | |
And now she's found a way of combining the two. | :17:16. | :17:25. | |
Dear Esther, my 17-year-old daughter wants her boyfriend to stay over for | :17:26. | :17:31. | |
the first time in our home. And they want to stay in the same bedroom. | :17:32. | :17:37. | |
What should I do? Well, let's see what the people of Stoke-on-Trent | :17:38. | :17:45. | |
advise? I have a viewer's dilemma. I'm seeking advice. The daughter | :17:46. | :17:49. | |
wants the boyfriend to spend the night at home. No. I'm only 22 | :17:50. | :17:55. | |
myself. I wouldn't be allowing my daughter to be doing that at that | :17:56. | :17:59. | |
age, no. Is there an age where you would let it happen? No, not in my | :18:00. | :18:07. | |
house, no. 20? No. 30? No. If she were 18 would you say yes? I might, | :18:08. | :18:14. | |
but her dad wouldn't. 50? I wouldn't say not, no. It's all right staying | :18:15. | :18:17. | |
in the family home, but not sleeping together. No hanky panky. No. No | :18:18. | :18:24. | |
way. Really not? She should waiting for her 18th. Wait a year, you say? | :18:25. | :18:29. | |
After that she can do whatever she want. I moved into my boyfriend's | :18:30. | :18:34. | |
when I was 16. Did you? Gosh. Is he still your boyfriend? Not any more. | :18:35. | :18:36. | |
If you're watching, you're dumped! Is your name Annika? Am I Annika | :18:37. | :18:55. | |
Rice? Angela Rippon, that's it. They're going to do it any way, if | :18:56. | :18:59. | |
they're in my house, I can keep an eye on the situation. Your advice | :19:00. | :19:08. | |
would be? I'd rather know that she's there rather than going behind your | :19:09. | :19:13. | |
back. I'd rather my daughter be safe under my roof. You are quite strict. | :19:14. | :19:17. | |
Very strict. Are you? And does it work? No. Not really. Has she ever | :19:18. | :19:27. | |
set you dilemmas like this? I have got two sons. They've brought girls | :19:28. | :19:31. | |
home and slept. I've had no say in it. And the boys went wild and you | :19:32. | :19:35. | |
didn't? Yes, I was good. Why is that? I'm making up for it now! Did | :19:36. | :19:44. | |
you ever go behind your mum's back? Sometimes. She went behind your | :19:45. | :19:49. | |
back? I don't think she did. She doesn't think you did. You sneaked | :19:50. | :19:56. | |
out? She sneaked out. I did have a boyfriend at that age. I stayed at | :19:57. | :20:02. | |
his house. My mum and dad, they were so mad, my dad called me all kinds | :20:03. | :20:06. | |
of names. Was he a serious boyfriend? In the end we had my | :20:07. | :20:10. | |
daughter. Well, there you are. It all ended happily. Yes. That will | :20:11. | :20:20. | |
have got Britain talking. Giggling going on here. What's the | :20:21. | :20:25. | |
conclusion? The poor writer of that letter, what have you got to say? I | :20:26. | :20:30. | |
was mazed how Frank people were. You've got a daughter of 17. I do. | :20:31. | :20:35. | |
Yes, well I won't ask what your views are. We will, don't worry. But | :20:36. | :20:41. | |
mums are much more lenient than dads. Parents are much more lenient | :20:42. | :20:47. | |
with sons than with daughters. So if you want to get up to anything, go | :20:48. | :20:52. | |
to his place, you know - I didn't say that. I'm just fascinating by | :20:53. | :20:59. | |
the advice that people are giving, so be careful. Generally, they said | :21:00. | :21:04. | |
17 is too young, wait they said. They also thought I was Angela | :21:05. | :21:10. | |
Rippon but that's fine. That may be why they talked so frankly with me. | :21:11. | :21:14. | |
You have a daughter who's 17. What would your view on it be? I like | :21:15. | :21:22. | |
Billy Crystal's comments, he said to his daughter boyfriend, of course | :21:23. | :21:26. | |
you can sleep with my daughter in our house, when I'm dead. | :21:27. | :21:34. | |
LAUGHTER That's what my dad would have said as well. You want more | :21:35. | :21:38. | |
dilemmas. Absolutely. What do you think the public would be good at | :21:39. | :21:42. | |
helping with then? Any sort of personal problem, any sort of | :21:43. | :21:45. | |
embarrassing dilemma you're faced with. It turns out you go on the | :21:46. | :21:48. | |
streets and people give you really good advice and tell you all sorts | :21:49. | :21:52. | |
of stuff about their own lives that maybe their own families don't know. | :21:53. | :21:57. | |
Beware. I'm assuming people get in contact via the usual methods, | :21:58. | :22:05. | |
e-mail, social media. And I will do the rest. Thanks Esther. | :22:06. | :22:08. | |
House of the Rising Sun is a classic '60s track. | :22:09. | :22:11. | |
You might think it's about a place in New Orleans. | :22:12. | :22:13. | |
But as Carrie's been finding out, it might have | :22:14. | :22:17. | |
had its unlikely origins - not in the Southern | :22:18. | :22:19. | |
States of America - but the East Anglian coast. | :22:20. | :22:37. | |
The Animals had a massive hit with their version of the song, and being | :22:38. | :22:54. | |
a traditional ballad, the origins are uncertain. Some believe it was a | :22:55. | :22:58. | |
real den of iniquity somewhere in New Orleans. But could inspiration | :22:59. | :23:03. | |
for the hit have come from closer to home? I'm heading for the beacon of | :23:04. | :23:08. | |
debauchery that is Lowestoft. This Suffolk town Mike look innocent, but | :23:09. | :23:14. | |
Kevin has been digging up the dirt. When was the song first heard? It | :23:15. | :23:24. | |
was kicking around America as a folk song for decades. There is a theory | :23:25. | :23:28. | |
that it started life as an English folk song, which was then taken to | :23:29. | :23:35. | |
America by immigrants. This theory was sparked in 1952, Alan Lomax | :23:36. | :23:40. | |
recorded an English folk singer, Harry Cox, performing old songs he | :23:41. | :23:46. | |
heard from his father. This is Harry Cox singing about a pub in | :23:47. | :23:50. | |
Lowestoft, it is not exactly radio friendly. | :23:51. | :23:57. | |
# If you go to Lowestoft, there you will find Polly Armstrong BLEEP | :23:58. | :24:04. | |
BLEEP! That is proper rude! I should stop it there, it gets ruder. | :24:05. | :24:14. | |
Doesn't sound like House of the Rising Sun? But they discussed | :24:15. | :24:19. | |
another version, if you go to low stuff, and you ask for The Rising | :24:20. | :24:28. | |
Sun, there you will find BLEEP! It was made a decade before The Animals | :24:29. | :24:35. | |
heading the UK, it is unlikely that he was influenced by American | :24:36. | :24:40. | |
culture. There was a pub called the Rising Sun, it stood somewhere | :24:41. | :24:44. | |
around here for 100 years. So what might have been the legendary House | :24:45. | :24:51. | |
of the Rising Sun is now a carpet factory and a fishing we couldn't | :24:52. | :24:56. | |
leave without catching sunrise at the most easterly spot in Britain. | :24:57. | :25:01. | |
Who better to celebrate us than local lads The Harpoon Blues Band? | :25:02. | :25:11. | |
It's a great song, so gritty and real. That is why it has survived | :25:12. | :25:15. | |
and why people are going to keep playing it for years to come. It | :25:16. | :25:17. | |
sounds great! We'll probably never know the exact | :25:18. | :25:37. | |
origins of the song, but until somebody comes up with a better | :25:38. | :25:40. | |
theory, I think Lowestoft should claim it! | :25:41. | :25:57. | |
That is one of the first songs I learned to play on the guitar. The | :25:58. | :26:06. | |
guitar will be out! Let's talk about Money Monster. You are doing a film | :26:07. | :26:11. | |
with George Clooney and Julia Roberts. Who are the Money Monsters, | :26:12. | :26:17. | |
are you one of them? I think I am the monster, I am the villain. It is | :26:18. | :26:24. | |
the story of a guy, an ordinary Joe in New Jersey, who takes over a TV | :26:25. | :26:30. | |
show, run by Julia Roberts. He holds them hostage, to demand what | :26:31. | :26:33. | |
happened to his money when the banking crisis happened. I am the | :26:34. | :26:37. | |
evil banker, and I am held to account, finally. I am the Money | :26:38. | :26:45. | |
Monster, I think. George, it turns out, is the good guy. Has it become | :26:46. | :26:54. | |
normal for you to act along the likes of George Clooney? I wish! And | :26:55. | :27:03. | |
the director is Jodie Foster. Five days, George and me. And Jack... | :27:04. | :27:11. | |
Jack. The wonderful lead actor! Is he a canny lad? Clooney? Fantastic, | :27:12. | :27:24. | |
perfect movie star. He kept talking about his house in Italy, I invite | :27:25. | :27:30. | |
everyone... The one on the lake? Everyone I meet, we just invite | :27:31. | :27:35. | |
everybody. I'm going, yeah? I still haven't got my invitation. I am | :27:36. | :27:39. | |
reliably informed that is Jack O'Connell. Sorry, great rising star | :27:40. | :27:46. | |
from Derby, near me. Anyway, we had a great time. That is one of the | :27:47. | :27:51. | |
films, Finding Dory, which we are excited about. You play an east end | :27:52. | :27:57. | |
sea lion? I do, yes. I'm just reminding myself, it was a while ago | :27:58. | :28:05. | |
we did it. Andrew Stanson, who did Finding Nemo, I did a film with him. | :28:06. | :28:10. | |
Is this it? I haven't seen it! I can't wait to see it. Is this the | :28:11. | :28:15. | |
first time you have seen a clip of it? I saw clips when I was doing the | :28:16. | :28:20. | |
voice. But not the full pictures. This is the sequel to Finding Nemo. | :28:21. | :28:28. | |
Your co-star, your co-sea lion, Idris Elba? Andrew got us together, | :28:29. | :28:36. | |
we were McNulty and Stringer Bell, we had a few scenes together, we | :28:37. | :28:45. | |
were nemeses. How do you get into character is a sea lion? I had no | :28:46. | :28:54. | |
idea what I was doing! That is all we have time for. Thanks to Dominic | :28:55. | :28:59. | |
West. You can find out all about his trip to Syria on the Save The | :29:00. | :29:01. | |
Children website. Tomorrow Al Murray, Harry Hill, | :29:02. | :29:05. | |
team GB's pommel horse hero Max Whitlock and Billy Ocean | :29:06. | :29:07. | |
will be performing live! | :29:08. | :29:09. |