Browse content similar to 27/04/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker | :00:29. | :00:51. | |
We'll be talking to music legend Billy Ocean and he'll be playing us | :00:52. | :00:58. | |
one of the greatest of his greatest hits at the end of the show. | :00:59. | :01:01. | |
With 100 days to go until the Rio Olympics, | :01:02. | :01:05. | |
gymnastic World champion and Olympic medalist Max Whitlock will be | :01:06. | :01:11. | |
revealing some of the brand new designer kit Team GB | :01:12. | :01:16. | |
But for starters, how's about we get him to reveal some | :01:17. | :01:22. | |
Looking forward to chatting to Al and Harry shortly. | :01:23. | :01:37. | |
But we'll start in the audience because all our audience members | :01:38. | :01:40. | |
tonight have something very special in common. | :01:41. | :01:45. | |
They are all transplant patients - and they're all displaying a number. | :01:46. | :01:50. | |
Showing how long it's been since their life changing surgery. | :01:51. | :01:54. | |
Teresa, you are celebrating the 30th anniversary | :01:55. | :01:57. | |
A kidney transplant. OK. We have Jack, from the first year of the | :01:58. | :02:21. | |
rickshaw challenged. One man has not shown his number yet. You are | :02:22. | :02:29. | |
revealing an incredible... 38. What happened 38 years ago? I had been | :02:30. | :02:36. | |
dialysed in for six years 30 hours a week and one night and in -- at | :02:37. | :02:44. | |
home. A phone call from the Queen Elizabeth Hospital in Birmingham | :02:45. | :02:48. | |
saying, can you get up here? I said, and he got a kidney for me and they | :02:49. | :02:52. | |
said yes. Everything has gone very well since. You're looking | :02:53. | :02:58. | |
incredibly well. How are you feeling? Great. I have done | :02:59. | :03:08. | |
marathons. We have half of Team GB here. I started helping out the | :03:09. | :03:16. | |
athletics track with athletics coaching. Hold your number five. -- | :03:17. | :03:24. | |
hi. Together our audience have been | :03:25. | :03:28. | |
given an incredible, combined 344 additional years | :03:29. | :03:31. | |
of life by donated organs. We think that deserves | :03:32. | :03:34. | |
a round of applause. None of the people here would be | :03:35. | :03:39. | |
with us today if it wasn't And, as Joe has been hearing, | :03:40. | :03:42. | |
behind every transplant is a unique Scarlett is five years old and well | :03:43. | :03:46. | |
up for giving Mary Berry But, as a baby, her future did not | :03:47. | :04:08. | |
look so sweet. She was so poorly. She had heart failure and was on | :04:09. | :04:13. | |
life support from about six months onwards. She was the sickest, I | :04:14. | :04:17. | |
think, and she could have been without receiving a heart. Tell me | :04:18. | :04:25. | |
when it hits 100 again. Scala was at the top of the emergency transplant | :04:26. | :04:30. | |
list that her family were worried about the lack of donor organs for | :04:31. | :04:38. | |
children. We used to come home at night and discuss funeral songs. I | :04:39. | :04:43. | |
think we did actually think we would be planning a funeral, I think. | :04:44. | :04:53. | |
There we go! On the Isle of White, 300 miles away, in Whitley Bay -- | :04:54. | :04:59. | |
from Whitley Bay, another girl was growing up by the sea. We used to | :05:00. | :05:05. | |
love coming down here with EV, finding crabs and starfish and | :05:06. | :05:12. | |
generally having a good time. She used to try to hold the crabs. When | :05:13. | :05:17. | |
they were on her hand, she would scream and throw them off. A lovely | :05:18. | :05:24. | |
beach to take children to. Two days after a family day out, simple trip | :05:25. | :05:31. | |
to the shops changed everything. She loved to bake, and she wanted to | :05:32. | :05:35. | |
make some very cakes. She wanted different decorations to put on top | :05:36. | :05:41. | |
of the cake. We pulled out of the drive and got hit by a car coming | :05:42. | :05:45. | |
from the right-hand side. That was as we were entering the road. All I | :05:46. | :05:51. | |
can remember being woken up and being told that EV did not make it, | :05:52. | :06:04. | |
she had died. -- Evie. Evie's parents were determined her death | :06:05. | :06:11. | |
should make others live. I made the decision to go ahead with organ | :06:12. | :06:16. | |
donation. It was simple as that. That saved the life of Scarlett. | :06:17. | :06:26. | |
Where did your special heart come from? Evie. She died and is an angel | :06:27. | :06:41. | |
now. Normally donors and recipients remain completely anonymous. Who are | :06:42. | :06:53. | |
we making these for? Evie's and dad. Her parents stumbled across an | :06:54. | :06:57. | |
article about a little girl having a heart transplant. I read it and I | :06:58. | :07:08. | |
just knew it was Evie's. The families made contact. Today, after | :07:09. | :07:12. | |
four years getting to know each other online, they finally feel | :07:13. | :07:18. | |
ready to meet face to face. Hallow, sweetie. Thank you very much. Hello, | :07:19. | :07:29. | |
I am Niall. Nice to meet you. Are we going to have a cup of tea in a | :07:30. | :07:32. | |
minute and eat some of your cakes? Can we do that? Which ones should | :07:33. | :07:43. | |
Penny have? That is a nice one. Cheers. Brilliant to see you. The | :07:44. | :07:51. | |
surgeon said it was a perfect heart. We are always thinking our daughter | :07:52. | :07:55. | |
has a perfect heart. She is thriving. It is a fantastic thing. | :07:56. | :08:08. | |
Can we find some shelves? It is very special and reinforces the decision | :08:09. | :08:12. | |
we made. We are proud of Evie for giving Scarlett the life she has | :08:13. | :08:21. | |
now. We had so much sadness that is a really positive thing for us. In | :08:22. | :08:27. | |
some ways it does ease some of grief. Obviously, donating their | :08:28. | :08:34. | |
daughter's organs, without that, we would not have Scarlett. I plead | :08:35. | :08:38. | |
with everyone to become a donor. You do not need your organs when you are | :08:39. | :08:42. | |
not here, other people do. It is simple really. | :08:43. | :08:44. | |
Special thanks must go to Evie's mum and dad, | :08:45. | :08:47. | |
Penny and Neil, for telling us all about their wonderful | :08:48. | :08:49. | |
Thank you for joining us tonight. A remarkable experience, watching that | :08:50. | :09:02. | |
film. Many of you have been through a similar situation. You said | :09:03. | :09:05. | |
earlier on the key to making that decision, it was a difficult and | :09:06. | :09:13. | |
intense time. It was about the communication you had with your | :09:14. | :09:19. | |
daughter. With respect to our incident, my wife and I were in the | :09:20. | :09:22. | |
car at the same time and we were quite badly injured. My wife was in | :09:23. | :09:25. | |
a coma when I was approached by the doctors in the hospital to talk | :09:26. | :09:31. | |
about donating Evie's organs and turning off the life-support | :09:32. | :09:36. | |
machine. Prior to that, Penny and I had discussed organ donation. Any | :09:37. | :09:40. | |
carried a card and conversation was vitally important. I knew it was the | :09:41. | :09:49. | |
right thing to do. That is something you want to say as well. It is | :09:50. | :09:54. | |
brilliant when people sign up as organ donors. It is fantastic. Share | :09:55. | :10:00. | |
your wishes with your loved ones. Unless a next of kin knows your | :10:01. | :10:05. | |
wishes, nothing can be done. It is well and good carrying a card but | :10:06. | :10:10. | |
please share your wishes. You are saying it is never too early to have | :10:11. | :10:17. | |
that conversation. A few minutes around the dinner table. It is not | :10:18. | :10:21. | |
nice to talk about but once it is done everyone knows and everyone is | :10:22. | :10:27. | |
clear. You have a very important job now. If you can hold the card nice | :10:28. | :10:33. | |
and steady, everyone will need to know -- everyone will know the | :10:34. | :10:37. | |
address they need to contact. Thank you very much. | :10:38. | :10:44. | |
I am sure you will help a lot of people. Just have the conversation. | :10:45. | :11:01. | |
We saw Neil and capital -- Penny meet the family. Organ donation is | :11:02. | :11:09. | |
completely anonymous. Donors families will never know where the | :11:10. | :11:11. | |
organs go and recipients will never know when your kids have come from. | :11:12. | :11:16. | |
That is just how it works. It is completely confidential. However, | :11:17. | :11:19. | |
further down the line, if we want to get in touch with the other family, | :11:20. | :11:23. | |
you could write an anonymous letter through the NHS. If the other party | :11:24. | :11:28. | |
decides to receive that letter and respond, then maybe contact can be | :11:29. | :11:33. | |
made full debate is completely confidential unless you choose | :11:34. | :11:40. | |
otherwise. That film was really powerful. Lots of parents are quite | :11:41. | :11:46. | |
reluctant to sign for children's organs to be donated. You can | :11:47. | :11:51. | |
understand why. The majority do not. The consent rate is about 44%. We | :11:52. | :11:58. | |
have seen in this case what happens when they do sign up. An amazing | :11:59. | :12:03. | |
story two years ago, it was a Welsh couple who decided to donate the | :12:04. | :12:08. | |
organs of a young baby who had a terrible fatal condition and died | :12:09. | :12:11. | |
shortly after birth. They donated his kidneys, heart and bowels. The | :12:12. | :12:18. | |
kidneys went to a grown man and saved his life. 100,000 people | :12:19. | :12:21. | |
joined the register as a result. These often have quite big | :12:22. | :12:25. | |
ramifications and people should think carefully about it. The | :12:26. | :12:29. | |
difference you can make by being a donor is phenomenal. Is it right | :12:30. | :12:38. | |
that you are both registered? I am, yes. No argument against it when you | :12:39. | :12:45. | |
see that story. You are right. Often, when you are a parent, you do | :12:46. | :12:51. | |
not want to address even the possibility of it. Hopefully that | :12:52. | :12:58. | |
little film will make people think. Make the decision in advance. Who | :12:59. | :13:03. | |
knows what emotions you will go through? Think about what is | :13:04. | :13:09. | |
involved, maybe it is too much for some people. If you have thought | :13:10. | :13:13. | |
about and had that, session before, it is that bit easier for you had | :13:14. | :13:19. | |
had that combination with Penny. Thank you so much. Can we have the | :13:20. | :13:28. | |
sign one more time? Perfect. Standing by already. You are a pro. | :13:29. | :13:33. | |
We have put all the details on our website. | :13:34. | :13:36. | |
It looks like another high street name might be heading the same way | :13:37. | :13:39. | |
as Comet and Woolies after going into administration | :13:40. | :13:41. | |
on Monday, leaving a ?571 million pension deficit. | :13:42. | :13:46. | |
Fingers are being pointed at the former boss - | :13:47. | :13:48. | |
Sir Phillip Green - as well as the current owners. | :13:49. | :13:51. | |
But who do shoppers think is to blame for all the trouble in store? | :13:52. | :13:54. | |
Alex Riley has been to Solihull to find out. | :13:55. | :14:05. | |
The one show wants to hear your views on the demise of BHS. Who is | :14:06. | :14:17. | |
to blame? It was beautiful, I love British Open scores. So who's to | :14:18. | :14:25. | |
blame? -- British home stores. Too much money has been taken out, and | :14:26. | :14:29. | |
they should have spent money restocking. Maybe they appeal more | :14:30. | :14:36. | |
to the elderly than the young. I know the young spend a lot of money | :14:37. | :14:41. | |
on clothes. I think BHS have failed to keep up with the times. They do | :14:42. | :14:48. | |
not have a strong enough brand and I have not seen them advertised. It | :14:49. | :14:53. | |
looks like a jumble sale and the clothes are not good enough. The | :14:54. | :14:58. | |
stuff in the stock room is the same as when I worked there two years | :14:59. | :15:07. | |
ago. How often do you going? Twice a year. So it is your fault?! I would | :15:08. | :15:11. | |
like to give Philip Green a gold card. They would not accept my | :15:12. | :15:16. | |
credit card in the store. This is a lousy deal. We have just | :15:17. | :15:29. | |
lost our British Home Stores. He took a big bonus and self, so that | :15:30. | :15:33. | |
must be where the trouble started. The supermarket was quite cheap, but | :15:34. | :15:39. | |
now it has got great things and it is facing competition. If he was | :15:40. | :15:46. | |
entitled to that money, you should not be forced to pay it back. What | :15:47. | :15:49. | |
about the management, the controversy of Philip Green taking | :15:50. | :15:54. | |
money out? But he also owns top shop, which does very well. What did | :15:55. | :15:58. | |
he do wrong? He made a lot of money out of it. But I bet a lot of the | :15:59. | :16:03. | |
girls in there, some of them have been there for 30 years. I am just | :16:04. | :16:09. | |
so sad. Let's hope they get some buyers that come forward and do a | :16:10. | :16:14. | |
better job. Philip Green, cellular yachts and put it back into BHS. | :16:15. | :16:23. | |
Save our shop! -- sell your yachts. And we wish BHS a good outcome. | :16:24. | :16:25. | |
Still to come, Olympic gymnast Max Whitlock revealing what Team GB | :16:26. | :16:31. | |
This got us thinking. If you have no clue what to Wear to your special | :16:32. | :16:39. | |
event, we have experts on hand. Send us a picture of | :16:40. | :16:43. | |
you with the two outfits He goes through the same problem | :16:44. | :16:47. | |
every morning. Al and Harry and Billy Ocean, | :16:48. | :16:55. | |
who was once a tailor, don't you know, will all give | :16:56. | :16:57. | |
you their opinion They will help you out. I would've | :16:58. | :17:07. | |
thought the Olympic team will be wearing a sport Kit. Shorts. Blue or | :17:08. | :17:14. | |
red? And is also. You should see the | :17:15. | :17:24. | |
amount of kit on offer. That it is not about sports, it is maybe a | :17:25. | :17:27. | |
wedding. I would wear a wedding dress, then. A wedding reception in | :17:28. | :17:37. | |
the canteen of BHS, perhaps. You two have got a big event coming up, | :17:38. | :17:42. | |
because you're putting on a special. We getting married? No. You're | :17:43. | :17:49. | |
putting on a brilliant one-off gig, all in memory of your friend, Matt. | :17:50. | :17:55. | |
Tell us about him and the relationship between the three of | :17:56. | :18:02. | |
you. Matt Bradstock Smith, doctor Matt Bradstock Smith, I met him on | :18:03. | :18:05. | |
my first day of medical school and I bought him a drink at the bar. He | :18:06. | :18:11. | |
asked for a snowball. I knew he was a Christmas drinker. So we became | :18:12. | :18:19. | |
friends and we used to do medical school shows together on the | :18:20. | :18:22. | |
circuit, and we became a little comedy troupe. We formed the band, | :18:23. | :18:28. | |
the pop band. Matt played keyboards and Harry sank. It was an | :18:29. | :18:37. | |
approximation. -- Harry was a singer. We toured a little show and | :18:38. | :18:43. | |
one of the things that came out of it was the pub landlord actor that I | :18:44. | :18:48. | |
do. And to this day, I do not get a percentage on that. We did about 100 | :18:49. | :18:57. | |
dates all around the country. And the big date was the Lyric Theatre | :18:58. | :19:00. | |
on Shaftesbury Avenue, which is where we are having this benefit. He | :19:01. | :19:05. | |
sadly died of cancer at the beginning of the year, Matt, and | :19:06. | :19:08. | |
ended his days in a hospice, so we are raising money for that hospice. | :19:09. | :19:14. | |
And have you put this show together yourselves? I was going to work? | :19:15. | :19:19. | |
Obviously there is a close connection with him but how does it | :19:20. | :19:24. | |
shaped the bill? We have people around, who started out at the same | :19:25. | :19:30. | |
time as we did, Stewart Lee and Tim Vine, and Brendan, who was doing a | :19:31. | :19:38. | |
turn at the same time of us, and we have got out a list of what was in | :19:39. | :19:43. | |
the show 20 years ago. The fact is, it might not work. But it is only | :19:44. | :19:48. | |
for one night. We thought we would put together a show that he would | :19:49. | :19:52. | |
have liked to have seen. He was a big fan of Tim Vine and Stewart Lee | :19:53. | :19:55. | |
and we all hung around together in the early days. I have some home | :19:56. | :20:03. | |
movie footage of us all. We have got someone to come in and emulate his | :20:04. | :20:07. | |
playing style, so we're going to give the band one last go. We have | :20:08. | :20:12. | |
looked through the archives and found some footage of Matt playing | :20:13. | :20:17. | |
your adopted son. Let's have a look. Little Alan Hill, only three years | :20:18. | :20:22. | |
old, the freakish of string of Anne Robinson and Eamon Holmes. Due to a | :20:23. | :20:26. | |
cruel slip of the Rabbi's knife, only able to communicate by tapping. | :20:27. | :20:38. | |
One tab for yes. Two taps for now. -- for no. And as if to imply a | :20:39. | :20:42. | |
little purpose in his life, a little Saturday night Fever. I mean, he was | :20:43. | :20:53. | |
a mover. It was amazing what people laughed at during the 90s. Matt | :20:54. | :20:58. | |
never had any lines, you never spoke. He could not really do lines. | :20:59. | :21:05. | |
He was a doctor. Physical comedy. We went off and became comedians and he | :21:06. | :21:09. | |
was a GP down in Bognor. During the day, and then he would go and do | :21:10. | :21:14. | |
that? Yes, he gave it up and became a GP full-time. We could not decide | :21:15. | :21:19. | |
to play that clip or a clip I would like to play now, the Bucks fizz | :21:20. | :21:23. | |
tribute. This just makes me laugh. That is you? Yes. And there are owls | :21:24. | :21:36. | |
on drums. Who are the badgers? They were lent to us by Brian May. They | :21:37. | :21:40. | |
are not real badgers, they are people dressed up. Highly trained | :21:41. | :21:47. | |
dancers. We always ended the show with a badger parade. And will | :21:48. | :21:52. | |
badgers be appearing in the new show? There is a badger, there is a | :21:53. | :21:57. | |
competition winner who will appear as a badger. | :21:58. | :22:00. | |
Al and Harry's show, For Little Alan, is | :22:01. | :22:01. | |
on at the Lyric Theatre, Shaftesbury Avenue | :22:02. | :22:05. | |
Here You Are, we know that you did Shakespeare live opposite Dame Judi | :22:06. | :22:18. | |
Dench. -- Al, we know that you did Shakespeare live. Look at those | :22:19. | :22:24. | |
years, are they not fantastic? I was the biggest Bottom that she had ever | :22:25. | :22:29. | |
worked with. It was the most incredible thing to be involved in. | :22:30. | :22:36. | |
A fantastic thing. And I got the part quite a while ago. It was not | :22:37. | :22:40. | |
going to be playing opposite Dame Judi Dench two weeks ago, I got the | :22:41. | :22:45. | |
call, saying that it was opposite Dame Judi Dench. But it is legit, | :22:46. | :22:51. | |
you can ring your mum and say, guess what I'm doing, rather than saying I | :22:52. | :22:59. | |
am spilling beer on people and telling jokes about them. I wish I | :23:00. | :23:04. | |
hadn't turned it down. Very good. Moving on. Many of you will know the | :23:05. | :23:11. | |
story of how the UK's most successful boxing | :23:12. | :23:13. | |
promoter, Frank Maloney, underwent surgery to change her gender. Now | :23:14. | :23:22. | |
she is Kelly Maloney, and she is finding out how that decision has | :23:23. | :23:28. | |
affected her doctors. Dad turned around and said, I was born in the | :23:29. | :23:31. | |
wrong body and I should have been born female. It was very confusing. | :23:32. | :23:36. | |
All of the motions, upset, angry, protective, he was still our dad and | :23:37. | :23:42. | |
so we did not want anyone saying anything horrible. I did not know | :23:43. | :23:46. | |
what it meant and I did not care. I did not speak to dad for a long | :23:47. | :23:57. | |
time. The day that he started living full-time as Kellie was the day that | :23:58. | :24:02. | |
the world knew. I was an eccentric little Cockney, but nobody knew what | :24:03. | :24:09. | |
I was fighting inside. In 2014, I finally came to terms with myself | :24:10. | :24:13. | |
and I came out to the world as the person I believe I should have been | :24:14. | :24:18. | |
born as, Kellie Maloney. But the one thing I was sick about was the | :24:19. | :24:20. | |
possibility of losing the love of my daughters. Dad had bouts of | :24:21. | :24:29. | |
depression and he tried to take his own life. I just said, you need to | :24:30. | :24:34. | |
share whatever the problem is because it is really hard to support | :24:35. | :24:37. | |
you if I do not know what I'm dealing with. And he turned around | :24:38. | :24:41. | |
and said, I was born in the wrong body and should have been a female. | :24:42. | :24:48. | |
I think there was a point where he lost me especially. I isolated | :24:49. | :24:55. | |
myself a lot. I did not want to acknowledge the situation, I did not | :24:56. | :24:58. | |
want to speak about it. I did not want to even cobranded. Libby is | :24:59. | :25:05. | |
definitely more angry, even to this day. -- I did not want to even | :25:06. | :25:10. | |
comprehend it. She is more angry than I am. I just feel quite | :25:11. | :25:15. | |
confused still. It is a hard thing to get your head around. There have | :25:16. | :25:20. | |
been times where, selfishly, I have thought I am losing my dad, or I do | :25:21. | :25:23. | |
not want my dads to be transgender. And I always thought about that time | :25:24. | :25:29. | |
when dad tried to take her own life. It was my dad in a coffin, or in | :25:30. | :25:35. | |
address. And to me, whenever I have that thought, there is no choice. It | :25:36. | :25:39. | |
is always going to be my dad in a dress. I'm quite a private person, | :25:40. | :25:45. | |
and I would much prefer us deal with Kellie's transition has a family, | :25:46. | :25:50. | |
privately. But we did not really have that option. On social media, | :25:51. | :25:54. | |
we got a lot of horrible comments, and obviously we got told to rise to | :25:55. | :26:00. | |
none of them, but some things you just can't help. I was really angry | :26:01. | :26:06. | |
at the time, anything I saw I would fight back at it. And then I would | :26:07. | :26:10. | |
probably regret it because I had loads of people on my Twitter hating | :26:11. | :26:17. | |
on me. I have got the best doctors in the world. I am very proud of the | :26:18. | :26:21. | |
way you have dealt with it. And I will always love you. I will always | :26:22. | :26:25. | |
be there for you, the way you have been there for me. I know one thing, | :26:26. | :26:31. | |
I am happy and I love sharing my life with my daughters. This is what | :26:32. | :26:37. | |
you apply way too much over. I think he's lucky to have three girls | :26:38. | :26:41. | |
around him, because he has all the advice he needs. It is like having a | :26:42. | :26:45. | |
personal make-up stylist and a fashion team. Stop moving! She is | :26:46. | :26:55. | |
such an angry girl! I referred to Kellie as dad still. I think after | :26:56. | :27:00. | |
40 years, that is a hard habit to stop doing. He is still saved in my | :27:01. | :27:11. | |
phone as dad. He is saved as Kel-Kel with a little princess emoji. Since | :27:12. | :27:19. | |
dad's transition, she has definitely softened. She has become a nicer | :27:20. | :27:24. | |
person to be around. She's going to go! I can only imagine how hard it | :27:25. | :27:34. | |
is. Of course, I am proud with sticking with what he wants to do in | :27:35. | :27:39. | |
life, and going through with it. You need to hold yourself together. She | :27:40. | :27:46. | |
is a wreck. I am proud of how she has dealt with it and what she has | :27:47. | :27:50. | |
had to face and how she still continues to grow as Kellie. I am | :27:51. | :27:51. | |
really proud. First of all, I think we should say | :27:52. | :27:59. | |
a big thank you to you, Kellie, and your three daughters, for making | :28:00. | :28:04. | |
that film for us. We saw that some parts were obviously hard for you to | :28:05. | :28:07. | |
watch because the girls were being so honest about the experience. How | :28:08. | :28:11. | |
much of that did you not know until you the footage? Quite a lot of it. | :28:12. | :28:19. | |
I knew they struggled the journey, but they never really showed me, | :28:20. | :28:27. | |
except my youngest. It was very hard on her for about 45 months. We could | :28:28. | :28:31. | |
not approach the subject or talk about it. Eventually, she started | :28:32. | :28:36. | |
talking about it. -- four or five months. She started coming with me | :28:37. | :28:42. | |
to some events, talking to young transgender people, and growing in | :28:43. | :28:47. | |
confidence. She now talks to other families and other children as well. | :28:48. | :28:53. | |
And we heard your daughters there calling you she and dad, in the same | :28:54. | :28:57. | |
sentence. How does that feel to watch? Well, I am their dad, and all | :28:58. | :29:03. | |
I have done is medically correct something that was wrong at my | :29:04. | :29:08. | |
birth. But I was their dad at the birth and I will always be their | :29:09. | :29:14. | |
dad, no matter what. One of the things that Emma, your eldest | :29:15. | :29:17. | |
daughter, said, it was dad in a coffin or dad in the dress, and that | :29:18. | :29:22. | |
is the one line that stands out. Neither are great options for the | :29:23. | :29:25. | |
girls, at the beginning, even though they have grown to be used to it. | :29:26. | :29:30. | |
But did you have a lot of criticism at the time for making quite a | :29:31. | :29:33. | |
selfish decision, in terms of the girls? Not really. I felt I was | :29:34. | :29:39. | |
selfish but it was the only way I could deal with it because I wanted | :29:40. | :29:42. | |
to see my children grow up and I wanted to see my grandchildren and I | :29:43. | :29:46. | |
knew that if I did not make that decision, and have that journey, I | :29:47. | :29:49. | |
would not be here today to see them. And then Emma did say that to me | :29:50. | :29:54. | |
privately, so that gave me encouragement as well. | :29:55. | :30:00. | |
Emma said she wished it had been a bit more private. Did you feel you | :30:01. | :30:10. | |
did not have that option? I was transitioning very quietly for it | :30:11. | :30:15. | |
all broke. No one bothered me. Unknown to me I was being followed | :30:16. | :30:20. | |
by a photographer and a reporter. I had that dreaded knock on a Thursday | :30:21. | :30:27. | |
afternoon, about 5:30 p.m.. I was lucky I had my lawyer on speed dial | :30:28. | :30:33. | |
and I could get hold of him straightaway. Do you feel like you | :30:34. | :30:42. | |
were waiting for that moment? Plan A was to go private. I put a deposit | :30:43. | :30:47. | |
down on a mobile home because I was going to tour around Europe. That | :30:48. | :30:54. | |
would have been lovely. Keep in contact with my daughters and | :30:55. | :30:58. | |
family. That option was whipped away from us and I lost my deposit on the | :30:59. | :31:05. | |
mobile home. You went back to boxing, which is notoriously a match | :31:06. | :31:09. | |
environment. What was the reaction in the first few days when you went | :31:10. | :31:15. | |
back to your job? -- a macho environment. One fighter knocked on | :31:16. | :31:23. | |
my door and asked him to represent him, a fighter called Tony James. | :31:24. | :31:28. | |
I'm glad he did because that gave me back some of my confidence. It was | :31:29. | :31:33. | |
something I love and I am passionate about it. There are some people who | :31:34. | :31:41. | |
are very accepting and work with me. I have had up body modification but | :31:42. | :31:48. | |
I have not had a brain transplant. I have an astute boxing brain. Some | :31:49. | :31:54. | |
are not comfortable with it and I just smile at them and get on with | :31:55. | :32:01. | |
what I am doing. Thanks again for sharing your story with us. | :32:02. | :32:07. | |
Time now for an adventure. A dozen children from Surrey... You might | :32:08. | :32:25. | |
think this is something out of Enid Blyton but here is the story. | :32:26. | :32:34. | |
Earlier this month, a group of children helped Surrey Police | :32:35. | :32:38. | |
tracked down two suspected burglars in a most unusual way. It was Good | :32:39. | :32:44. | |
Friday and the start of the Easter weekend. The annual Easter egg hunt | :32:45. | :32:49. | |
was under way and the children were filled with excitement. As they | :32:50. | :32:54. | |
searched high and low for their chocolate delights, another more | :32:55. | :32:58. | |
important search was taking place. Above their heads, the police were | :32:59. | :33:02. | |
flying in the magnificent helicopter. Who were they searching | :33:03. | :33:08. | |
for? Could it be the two men who had passed the children earlier? If it | :33:09. | :33:13. | |
was, the police were looking in the wrong direction. The Tremendous 12 | :33:14. | :33:18. | |
realised they needed to do something. They needed to get the | :33:19. | :33:21. | |
message to the police in the helicopter. But how? | :33:22. | :33:32. | |
Where was the helicopter? In the air. Right here. Above us here. One | :33:33. | :33:45. | |
of the adult spotted a man running along the edge of a field. Why did | :33:46. | :33:52. | |
he think he was suspicious? He was hiding under the bushes and running | :33:53. | :33:56. | |
around, carrying something. It could not see what he was carrying. You | :33:57. | :34:02. | |
could see the helicopter was looking for this guy. When did it start to | :34:03. | :34:08. | |
go in the wrong direction? After five minutes, it started to go this | :34:09. | :34:14. | |
way. As a group, what did you decide to do? We decided to make an arrow | :34:15. | :34:21. | |
on the ground. I lay on the ground and I said, we should make a human | :34:22. | :34:28. | |
arrow. Come on, let's get down on the floor. The reason we pointed | :34:29. | :34:34. | |
that way is because he led did all around the field. When I first saw | :34:35. | :34:39. | |
the children, it was obvious they were pointing to something. The | :34:40. | :34:45. | |
arrow was ten metres across. When did you realise that the helicopter | :34:46. | :34:51. | |
had got the idea? They went in that direction. We were hovering over | :34:52. | :34:57. | |
woodland and a pointed us in the direction of the second suspect he | :34:58. | :35:02. | |
was still at large. We went down to go and see what was there. He left | :35:03. | :35:12. | |
some cigarettes and his jacket. How old are you? 11. The insists -- the | :35:13. | :35:22. | |
assistance was invaluable. I have never seen anything might this | :35:23. | :35:27. | |
before. Eat your heart out, Enid Blyton. At the end of their day of | :35:28. | :35:32. | |
adventure, the capital at tremendous 12 went home. -- Tremendous 12. | :35:33. | :35:39. | |
With just 100 days until the start of the Rio Olympics - | :35:40. | :35:42. | |
the Olympic torch was officially handed over to Brazil earlier today | :35:43. | :35:44. | |
This should get us all in the mood. Let the countdown begin. Jessica | :35:45. | :36:03. | |
Ennis Hill is back on top of the world. Nicola Adams has just made | :36:04. | :36:16. | |
history. That is a huge jump. Laura Trott, world champion! It brings it | :36:17. | :36:32. | |
all back, doesn't it? Some of the kit was revealed today. We have an | :36:33. | :36:39. | |
exclusive. Here to reveal what the British medallists will wear on the | :36:40. | :36:40. | |
podium, please welcome Max Whitlock. Let's have a look. This is the | :36:41. | :36:56. | |
tracksuit. Talk us through this design and how it feels. It feels | :36:57. | :37:02. | |
amazing. Stella has done an amazing job. They have this coat of arms | :37:03. | :37:06. | |
which is brand-new. I think it looks brilliant. You really feel like a | :37:07. | :37:17. | |
team then. And the lightness? It is 10% lighter than the 2012 kit. If | :37:18. | :37:27. | |
you overheat, it is perfect. Can we see and do need a jacket? Steady on! | :37:28. | :37:34. | |
This is a T-shirt we are seeing here. This is Village where. This | :37:35. | :37:43. | |
kit has been unveiled a new had tried it on. Can you take it home? | :37:44. | :37:50. | |
There will be specific dates when athletes can pick up the kit. We | :37:51. | :37:54. | |
will pick our sizes and come home with it. Supermarket Sweep, grabbing | :37:55. | :38:07. | |
everything. You were involved in the design? Yes, I was lucky enough to | :38:08. | :38:14. | |
see it in the first stages and now it is done it is amazing for the | :38:15. | :38:18. | |
athletes do have is that a big input. It is brilliant to see the | :38:19. | :38:24. | |
final product. We have seen what an athlete looks like modelling the | :38:25. | :38:29. | |
kit. Shall we see what a man on the street would look like? This is the | :38:30. | :38:35. | |
supporters wear. It makes you want to do it. Congratulations! You can | :38:36. | :38:52. | |
do something. I can do that clap. You might need some physio at the | :38:53. | :39:03. | |
end of this. -- crab. There is a problem. Max will do some | :39:04. | :39:05. | |
demonstrating. There you are. Let's have a look how good the kit | :39:06. | :39:23. | |
is. I will tell you what, give us an idea. There is so much preparation | :39:24. | :39:26. | |
that goes into something like the Olympics. You are world champion, | :39:27. | :39:30. | |
European champion. What is the key thing for you to deliver the perfect | :39:31. | :39:36. | |
performance when it matters? The training is intense with hours of | :39:37. | :39:41. | |
work. When I go in there and perform the 52nd routine, I need to think I | :39:42. | :39:45. | |
have done the groundwork and the build-up and chill and enjoy the | :39:46. | :39:48. | |
experience. That is what I am trying to do. Are you feeling happy? | :39:49. | :39:59. | |
Max does this in the corner of his floor routine. You can see exactly | :40:00. | :40:13. | |
why. There we go, Max Whitlock. He has beautifully nailed the landing, | :40:14. | :40:19. | |
as always. That is the first time you have performed in your kit. Any | :40:20. | :40:27. | |
chafing? Nothing. You're good to go to Rio. | :40:28. | :40:31. | |
Well, we've seen how the design of a kit can affect | :40:32. | :40:34. | |
But how can a design of a building affect the weather? | :40:35. | :40:42. | |
My name is Roma and diamay structural engineer. I am passionate | :40:43. | :40:49. | |
about the science and design of buildings and ever since I was a | :40:50. | :40:55. | |
child, it is the skyscraper that has captivated me. As an engineer, I | :40:56. | :40:59. | |
have been lucky enough to welcome some of the biggest, including the | :41:00. | :41:06. | |
Shard. When planning such huge constructions, there are many things | :41:07. | :41:09. | |
we need to take into account that one being the wind. Skyscrapers need | :41:10. | :41:14. | |
to be able to withstand forces produced by high winds. The curious | :41:15. | :41:19. | |
thing about them is that they themselves can affect the windfalls | :41:20. | :41:22. | |
they can channel the strong winds you get up there, up here to ground | :41:23. | :41:31. | |
level, making a windy day, even windier. This footage shows one of | :41:32. | :41:37. | |
the earliest known examples of the wind effect. In this case produced | :41:38. | :41:41. | |
by the flat iron building in New York. It was the windiest corner of | :41:42. | :41:47. | |
the city. The Bridgewater Place skyscraper in Leeds also suffers | :41:48. | :41:50. | |
from the wind effect. The conditions are so bad that on a windy day the | :41:51. | :41:56. | |
council closes the road to traffic. Before we build skyscrapers, part of | :41:57. | :42:00. | |
the engineer's role is to try to forecast the impact the design and | :42:01. | :42:06. | |
shape will have on the resulting wind effect. In this wind tunnel in | :42:07. | :42:10. | |
Milton Keynes many new skyscraper designs are tested. Ender is lead | :42:11. | :42:21. | |
engineer. This is the walkie-talkie. We will put this model into the wind | :42:22. | :42:26. | |
tunnel and it will tell it how all of these structures interact with | :42:27. | :42:34. | |
the wind. That is right. The City of London authorities have received | :42:35. | :42:37. | |
complaints that the walkie-talkie skyscraper have made it windier. | :42:38. | :42:44. | |
Ten, Crowe has chosen this building to show how it works. This is a | :42:45. | :42:52. | |
gentle breeze, not a strong wind we are assimilating. -- Enda has | :42:53. | :43:01. | |
chosen. At certain heights, the smoke tends to go downwards. I can | :43:02. | :43:09. | |
see the smoke is spreading itself round the different streets and | :43:10. | :43:13. | |
different structures. That is right. The corner areas are the windiest. | :43:14. | :43:18. | |
The South west and north-west corners of the buildings are the | :43:19. | :43:23. | |
worst locations. When the wind hits leap tall building committee goes in | :43:24. | :43:28. | |
three directions, up and around the building and also downwards. The | :43:29. | :43:31. | |
downdraught makes it windy for pedestrians at street level. Do you | :43:32. | :43:36. | |
think the wind effect is particularly bad on this building? | :43:37. | :43:43. | |
Typical of a tall building. Any tall structure will cause a similar | :43:44. | :43:49. | |
effect. For more streamlined shapes like the Gherkin, the wind tends to | :43:50. | :43:56. | |
flow around it. Often, windy conditions at street level cannot be | :43:57. | :43:59. | |
blamed on one particular building. If there are several towers nearby, | :44:00. | :44:04. | |
you can also get channelling effects as the wind is squeezed through a | :44:05. | :44:09. | |
narrow space between buildings. However, there are things of | :44:10. | :44:13. | |
engineers can do to help reduce the wind effect by adding specific | :44:14. | :44:22. | |
features to a building. This is the Shard. Most people might not realise | :44:23. | :44:26. | |
it but you can see canopies attached near the base of the tower. They | :44:27. | :44:30. | |
catch the wind before it reaches the ground level. Most people might not | :44:31. | :44:34. | |
realise that as they are walking around the building that they are | :44:35. | :44:40. | |
hugely beneficial for downdraughts. This same feature can be found on | :44:41. | :44:45. | |
other buildings like the Cheese grater. It is by using techniques | :44:46. | :44:49. | |
like this we hope to reduce the wind effect from tall buildings meaning, | :44:50. | :44:53. | |
hopefully, in the future, we will not get blown around so much by | :44:54. | :44:55. | |
skyscrapers. Is that the patio is so windy? It | :44:56. | :45:10. | |
appears so. Billy Ocean this year! -- is here. Lovely to see you. | :45:11. | :45:15. | |
Before we have a chat, we have a job for you because we mentioned last | :45:16. | :45:20. | |
time that you are a tailor and we can tell by your style tonight that | :45:21. | :45:25. | |
you know your stuff about clothes. Basically, inspired by the unveiling | :45:26. | :45:32. | |
of Team GB's kit, I was saying if anybody has any holding dilemmas, to | :45:33. | :45:35. | |
send in pictures. I will show you the first one. This is Alice. Alice | :45:36. | :45:40. | |
is turning 90 this weekend. She is having a big tea party but what | :45:41. | :45:48. | |
should she wear? Pink or blue? I think pink would be the right thing. | :45:49. | :45:55. | |
Why? Because it is a very feminine colour, number one. It would suit | :45:56. | :46:02. | |
her hair. I thought he would go with the blue, for the Caribbean. What | :46:03. | :46:07. | |
kind of party is she having? Like a birthday? -- buffet. I do not want | :46:08. | :46:18. | |
her clothes to clash with the entrees. I rather like the crocheted | :46:19. | :46:25. | |
cover on the sofa. Rather nice. She should wear that as a poncho. This | :46:26. | :46:36. | |
is Trevor. He needs to leave school. This is that you, Al. Trevor has | :46:37. | :46:41. | |
been appointed captain of Gloucester golf club. He says he's going to see | :46:42. | :46:47. | |
you soon. But the question is, will the laser clash with the Pub | :46:48. | :46:55. | |
Landlord? No, because I wear a distinctive shade of marooned. The | :46:56. | :46:59. | |
original blazer came from British Home Stores, the last time I went in | :47:00. | :47:03. | |
there, 20 years ago. If you wear that, that will look great. Red and | :47:04. | :47:09. | |
marooned clash. Yes, but I am on stage, so everyone is looking at me. | :47:10. | :47:13. | |
Danny from Slough, Batman or Superman? Well, I like Batman and I | :47:14. | :47:18. | |
like Superman but which is better. Superman. Let's talk about your new | :47:19. | :47:29. | |
album, Billy. This is how this works, gentlemen. Two CDs, the first | :47:30. | :47:35. | |
CD is stories about songs that inspired your life, musically. The | :47:36. | :47:39. | |
second CD, the results of that inspiration. Basically, your | :47:40. | :47:46. | |
greatest hits. Well put. Did you expect the first CD to be so | :47:47. | :47:50. | |
biographical? Yes, because it was intentional. There is a drag on | :47:51. | :47:56. | |
their called time on the river, which is by Brook Benton. -- there | :47:57. | :48:04. | |
is a track on there. We're going to have a listen. And it is all in | :48:05. | :48:12. | |
order. Yes, that was the first song. My father used to be a musician and | :48:13. | :48:23. | |
he got this little Philips radio, with gold cloth at the front. And he | :48:24. | :48:29. | |
came home with this radio one day, in the village, and everyone was | :48:30. | :48:33. | |
looking around, where is the voice coming from? We were looking around | :48:34. | :48:36. | |
the back of the radio and everything, it was that long ago! | :48:37. | :48:43. | |
The very first song I heard on the radio was this Brook Benton song, | :48:44. | :48:47. | |
and then I got to hear people like Nat King Cole and Sam Cooke and | :48:48. | :48:55. | |
Frank Sinatra. Where was that photo taken? It is a lovely photo of you | :48:56. | :49:01. | |
on the cover. That was taken in the East End, when I was 11 years old | :49:02. | :49:06. | |
and full of dreams. A head full of dreams. And the last time you were | :49:07. | :49:10. | |
here, Billy, you said you had enjoyed a 17 year break, and you | :49:11. | :49:16. | |
were just doing music for the love it. And now, for you to be touring, | :49:17. | :49:22. | |
and you to everybody, literally everybody. It takes you forever to | :49:23. | :49:26. | |
get anywhere because you just love life and spreading that feeling. | :49:27. | :49:33. | |
Because what to us as entertainers might mean nothing, to them it means | :49:34. | :49:38. | |
an awful lot. And the graph, to stop and say hello, a smile, especially | :49:39. | :49:43. | |
with all the selfies in the modern age. They treasure it forever. | :49:44. | :49:48. | |
Really and truly, we make people happy. Speak for yourself! Harry is | :49:49. | :49:55. | |
a big fan of yours, Billy. He has even performed one of your songs in | :49:56. | :50:03. | |
the past. When the going gets tough? Yes. When the going gets tough, the | :50:04. | :50:10. | |
tough get going. We're not asking you to sing it! Thank you. I will | :50:11. | :50:20. | |
sing it if you would like me to. Billy is going to be singing for us | :50:21. | :50:23. | |
at the end of the show so we will leave it to him. I insist! You're | :50:24. | :50:33. | |
going to go outside and sing for us. We have a lovely stage is set up out | :50:34. | :50:38. | |
there. Just be wary of the wind, after that film that we watched. My | :50:39. | :50:41. | |
granddaughter is going to be watching tonight. As far as she is | :50:42. | :50:46. | |
concerned, she only knows me as grandad so she is beginning to ask | :50:47. | :50:51. | |
questions. Who are you, grandad? Grandad, what is your name? Hello to | :50:52. | :50:57. | |
your granddaughter. And he is a lot more than just grandad to a lot of | :50:58. | :51:01. | |
people. Before you go on saying, Christine has been getting out of | :51:02. | :51:07. | |
her dreams and into car. All to drive along the road with something | :51:08. | :51:13. | |
her sat nav will not have heard of. I am about to go for a drive on a | :51:14. | :51:18. | |
hidden network of roads that is hundreds of miles in length. It is | :51:19. | :51:22. | |
only one kilometre from here but you cannot see it. That is because it is | :51:23. | :51:25. | |
one kilometre straight beneath my feet. To get there, I had to head | :51:26. | :51:38. | |
underground. At over 1000 metres, this mine on the north-east coast is | :51:39. | :51:43. | |
the deepest in the UK. So it is time to get rooted and suited. Down | :51:44. | :51:53. | |
below, it is pitch black and 40 degrees. To get there, I need to | :51:54. | :51:56. | |
take the longest lift journey in the UK. Coming down in that cage, I was | :51:57. | :52:03. | |
actually freaking out quietly. But seven minutes seemed to disappear. | :52:04. | :52:10. | |
The reason for the mine shaft is fertiliser. They produce potash, | :52:11. | :52:17. | |
which gardeners use to give plants extra potassium. How far away is the | :52:18. | :52:21. | |
actual potash base? Tenko monitors from here. Ten kilometres?! -- ten | :52:22. | :52:32. | |
kilometres from here. We are 1100 metres deep on a network of roads | :52:33. | :52:38. | |
they have been digging for 40 years. Where are we, I am totally | :52:39. | :52:43. | |
disorientated? We are heading north, towards Germany. Under the sea?! How | :52:44. | :52:51. | |
many miles of roads are down here. About 700 miles of excavated | :52:52. | :52:58. | |
roadways. That is practically the length of England! Because potash is | :52:59. | :53:03. | |
so crumbly, the roads are dug in the strongest salt layer underneath. The | :53:04. | :53:07. | |
way that salt is used on the road in winter to keep it without ice. We | :53:08. | :53:13. | |
have about 150 men down here. And how long do they stay underground? | :53:14. | :53:19. | |
They work 11 and a half hour shifts. You have been underground for 25 | :53:20. | :53:25. | |
years?! Using quite normal! Finally, we arrived at the potash district. | :53:26. | :53:34. | |
So this is the base. Yes. Lurking in the tunnel is a giant mining | :53:35. | :53:40. | |
machine. Its teeth are ready to tear into the potash. It is operated by | :53:41. | :53:46. | |
remote control. Can you show me how to operate this giant machine? This | :53:47. | :53:59. | |
one and this one, to go ahead. The men dig over 6000 tonnes of potash | :54:00. | :54:05. | |
or everyday, enough to make 2000 tonnes of potash. You have shuttles | :54:06. | :54:11. | |
going back and forth and back and forth all the time. 24 hours a day? | :54:12. | :54:21. | |
24/7. Even Christmas day? No, we have Christmas off. That's good. But | :54:22. | :54:25. | |
they might not be mining potash any longer. At the moment we find that | :54:26. | :54:28. | |
we have enough reserves for two or three years. What are you going to | :54:29. | :54:35. | |
do about that? At the moment, we have found a new sink, but now the | :54:36. | :54:41. | |
potash, and that is poly daylight. That is another mineral fertiliser, | :54:42. | :54:47. | |
that has always been known about. It was not always economic or the mine. | :54:48. | :54:52. | |
Now the future of this mine depends on it. How hard can it get down | :54:53. | :54:59. | |
here? The hottest part is at the southern part, and it can get to 42 | :55:00. | :55:04. | |
degrees. That is like working in an oven? Absolutely. So it is a case of | :55:05. | :55:12. | |
keeping yourself hydrated and eating plenty. By which I mean, it's time | :55:13. | :55:17. | |
for lunch, sunshine! How long have you worked down this mine? Six | :55:18. | :55:25. | |
years. Do you enjoy it? Yes. Why? You just have to look around and see | :55:26. | :55:30. | |
the size of everything. I would not want to work down here to save my | :55:31. | :55:36. | |
life. It is hot, dark, sweaty and sticky, but thank goodness some of | :55:37. | :55:40. | |
the lads do, because without their work, we would not have the | :55:41. | :55:44. | |
fertiliser that you or I use to have tasty tomatoes. Thank you, | :55:45. | :55:49. | |
Christine, and thanks to all our guests. | :55:50. | :55:51. | |
Al and Harry's one off gig is on 16th May at the Lyric | :55:52. | :55:54. | |
theatre and Billy's album 'Here You Are' is out on Friday. | :55:55. | :55:57. | |
And thanks to Max Verstappen off the Team GB kit. And you have a new | :55:58. | :56:07. | |
coach now! -- thanks to Maxim for showing off. | :56:08. | :56:09. | |
But with 'When the Going Gets Tough' - get going, Billy! | :56:10. | :56:15. | |
# When the going gets tough, the tough get going. | :56:16. | :56:25. | |
# When the going gets tough, the tough get rough, yeah. | :56:26. | :56:28. | |
# Tough, tough, tough, tough, huh, huh, huh. | :56:29. | :56:35. | |
# I'm gonna put this dream in motion. | :56:36. | :56:51. | |
# I'm gonna get myself 'cross the river. | :56:52. | :57:06. | |
# That's the price I'm willing to pay. | :57:07. | :57:10. | |
# I'm gonna make you stand and deliver. | :57:11. | :57:17. | |
# And give me love in the old-fashioned way. | :57:18. | :57:22. | |
# I gotta get it through to you, ooh. | :57:23. | :57:41. | |
# Darlin', I'll reach for the heaven. | :57:42. | :58:24. | |
# Come and get it. # Come and get it. | :58:25. | :59:15. |