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For close to two decades now, | 0:00:03 | 0:00:05 | |
JK Rowling's stories of Harry Potter and the rest of the wizarding world | 0:00:05 | 0:00:09 | |
have dominated popular culture. | 0:00:09 | 0:00:11 | |
Along the way, they've amassed arguably the largest | 0:00:11 | 0:00:15 | |
and most passionate fanbase in the world... | 0:00:15 | 0:00:17 | |
You are the most wonderful fans in the world! | 0:00:17 | 0:00:20 | |
..given us some of the most recognisable stars on the planet | 0:00:20 | 0:00:25 | |
and created an enormous demand for more of this. | 0:00:25 | 0:00:28 | |
So, earlier this year we got a West End play and now, | 0:00:30 | 0:00:34 | |
five years since The Deathly Hallows, Part Two... | 0:00:34 | 0:00:36 | |
We're pretty sure it's going to be five movies. | 0:00:36 | 0:00:39 | |
..kicking things off with the kind of, sort of prequel, | 0:00:39 | 0:00:42 | |
Fantastic Beasts And Where To Find Them. | 0:00:42 | 0:00:45 | |
Don't panic. There is absolutely nothing to worry about. | 0:00:45 | 0:00:48 | |
But what is it about these stories | 0:00:48 | 0:00:50 | |
that has made them such a phenomenon? | 0:00:50 | 0:00:52 | |
Gryffindor! | 0:00:52 | 0:00:53 | |
We'll be speaking to star Eddie Redmayne, | 0:00:55 | 0:00:57 | |
director David Yates, the crew, | 0:00:57 | 0:00:59 | |
the fans, and some bloke called Daniel Radcliffe | 0:00:59 | 0:01:03 | |
to answer the all-important question - | 0:01:03 | 0:01:05 | |
what is the secret of the wizarding world? | 0:01:05 | 0:01:08 | |
Before we get started, just in case you recently escaped | 0:01:18 | 0:01:21 | |
from Azkaban after a 20-year stretch | 0:01:21 | 0:01:23 | |
and aren't in the know, | 0:01:23 | 0:01:25 | |
I've set my good friends, The Vamps, a challenge - | 0:01:25 | 0:01:28 | |
recap all of the Harry Potter films in under a minute, | 0:01:28 | 0:01:32 | |
just so you're totally up-to-date with everything that's going on. | 0:01:32 | 0:01:36 | |
I'm cruel, I know. | 0:01:36 | 0:01:37 | |
Voldemort kills Harry's parents. | 0:01:37 | 0:01:39 | |
But Harry's a bit of a Batman and doesn't actually die. | 0:01:39 | 0:01:42 | |
He gets adopted by his auntie and uncle. | 0:01:42 | 0:01:43 | |
But then he gets a letter through that gives him | 0:01:43 | 0:01:46 | |
the chance to go to Hogwarts. | 0:01:46 | 0:01:48 | |
Hagrid comes and boots the door down and picks him up and goes, | 0:01:48 | 0:01:50 | |
"You're coming with me, mate." | 0:01:50 | 0:01:51 | |
He loves it. He meets Hermione and he meets, erm... | 0:01:51 | 0:01:54 | |
..Ron. Ronald. | 0:01:57 | 0:01:58 | |
They kill a guy that's got a Voldemort head | 0:01:58 | 0:02:01 | |
on the back of his head. | 0:02:01 | 0:02:02 | |
-And... Is that...? -The second film... | 0:02:02 | 0:02:05 | |
I didn't make it to the second film! | 0:02:05 | 0:02:06 | |
..something happens with the wand, and some, erm...Quidditch. | 0:02:06 | 0:02:10 | |
They go kill a big snake, take his tooth, | 0:02:10 | 0:02:12 | |
stab something with it. | 0:02:12 | 0:02:13 | |
Third film, pretty much the same thing. | 0:02:13 | 0:02:16 | |
He's got, like, a relative, Sirius Black. | 0:02:16 | 0:02:18 | |
Snape's kind of bad as well in this. | 0:02:18 | 0:02:19 | |
Dobby is a little elf - also dies at some point. | 0:02:19 | 0:02:22 | |
Then... Oh, Oh. | 0:02:22 | 0:02:24 | |
Voldemort is in it as well. | 0:02:24 | 0:02:26 | |
They're trying to find a Horcrux. | 0:02:26 | 0:02:28 | |
I've skipped two movies. | 0:02:28 | 0:02:30 | |
They get them all and there's a massive battle at the end. | 0:02:30 | 0:02:32 | |
Loads and loads of people die, | 0:02:32 | 0:02:34 | |
but all in all, it's a good family movie. | 0:02:34 | 0:02:35 | |
I'd thoroughly recommend watching it. | 0:02:35 | 0:02:37 | |
-HAGRID: -You're a wizard, Harry. | 0:02:37 | 0:02:39 | |
That's it. Yeah. | 0:02:40 | 0:02:41 | |
LAUGHTER | 0:02:41 | 0:02:42 | |
And what about the story of Fantastic Beasts? | 0:02:42 | 0:02:45 | |
Can the star himself, Eddie Redmayne, tell us? | 0:02:45 | 0:02:48 | |
I can tell that story. | 0:02:48 | 0:02:50 | |
I'm going to stop you, and I hate to do this, because I've been sent... | 0:02:50 | 0:02:53 | |
No. Shut up. Is this a Newt one? | 0:02:53 | 0:02:56 | |
I've been sent your very own wand. | 0:02:56 | 0:02:58 | |
This is quite a moment, because we went to Comic Con recently, | 0:02:58 | 0:03:01 | |
and I handed out 3,000 of these wands, and I was given one, | 0:03:01 | 0:03:05 | |
and I had to make 3,000 people do a spell. | 0:03:05 | 0:03:08 | |
But when I handed them all out, I handed them ALL out, | 0:03:08 | 0:03:11 | |
so I got on stage to do this spell and realised I didn't have a wand. | 0:03:11 | 0:03:14 | |
So I ran back into the audience and there was a girl there, | 0:03:14 | 0:03:16 | |
and I said, "Look, please, can I just borrow this one?" | 0:03:16 | 0:03:19 | |
and she was like, "Yeah, if you give it back!" | 0:03:19 | 0:03:22 | |
And I was like, "OK." | 0:03:22 | 0:03:24 | |
So I went and I did the spell | 0:03:24 | 0:03:25 | |
and I could see her in the front row being like... | 0:03:25 | 0:03:28 | |
So I've actually not... I don't have my own wand, | 0:03:29 | 0:03:33 | |
so this is a big moment. | 0:03:33 | 0:03:34 | |
-Allow me to give that to you. -Thank you. | 0:03:34 | 0:03:37 | |
ROARING | 0:03:41 | 0:03:43 | |
You've known for 24 hours that an unregistered wizard | 0:03:44 | 0:03:47 | |
set magical beasts loose in New York? | 0:03:47 | 0:03:50 | |
-Yes. -Where is this man? | 0:03:50 | 0:03:52 | |
-Teeny. -That's Mr Scamander. | 0:03:58 | 0:04:01 | |
He's lost something I'm going to help him find. | 0:04:01 | 0:04:03 | |
Some of these characters and families that we've grown to love | 0:04:03 | 0:04:06 | |
through the Harry Potter films, you hear their names | 0:04:06 | 0:04:09 | |
and you begin to get a sense of their legacy. | 0:04:09 | 0:04:11 | |
What makes Albus Dumbledore so fond of you? | 0:04:11 | 0:04:14 | |
It's like sort of jumping back in the family tree, in some ways. | 0:04:14 | 0:04:17 | |
You kind of realise how thoroughly | 0:04:17 | 0:04:19 | |
JK Rowling has got her world in her head. | 0:04:19 | 0:04:21 | |
It's not an adaptation of Fantastic Beasts, | 0:04:21 | 0:04:23 | |
it's a new project, it's a new set of stories with a character | 0:04:23 | 0:04:27 | |
called Newt Scamander, who exists in that book. | 0:04:27 | 0:04:30 | |
Newt Scamander is a British self-proclaimed magizoologist. | 0:04:30 | 0:04:34 | |
Newt gets off a boat in New York in 1926. | 0:04:34 | 0:04:38 | |
-First trip to America? -Yes. | 0:04:38 | 0:04:39 | |
They've got these rules that the Brits just don't have. | 0:04:39 | 0:04:42 | |
He's a wizard who loves fantastic beasts and magical creatures. | 0:04:42 | 0:04:46 | |
They are kind of illegal | 0:04:46 | 0:04:48 | |
because they might give away that wizards exist. | 0:04:48 | 0:04:50 | |
You're the guy with the case full of monsters, huh? | 0:04:50 | 0:04:52 | |
News travels fast. | 0:04:52 | 0:04:54 | |
He's basically spent a year in the field all across the globe, | 0:04:54 | 0:04:57 | |
finding, studying magical creatures. | 0:04:57 | 0:05:00 | |
ROARING | 0:05:00 | 0:05:02 | |
And some of them live in his case. | 0:05:02 | 0:05:03 | |
It was open? | 0:05:03 | 0:05:05 | |
Just a smidge. | 0:05:05 | 0:05:06 | |
Mr Scamander, do you know anything | 0:05:07 | 0:05:09 | |
about the wizarding community in America? | 0:05:09 | 0:05:11 | |
-We don't let things loose. -We got a plan, right, guys? | 0:05:13 | 0:05:16 | |
They need our help. | 0:05:16 | 0:05:17 | |
I found it such an amazing mixture of action. | 0:05:17 | 0:05:20 | |
There were sort of thriller elements... | 0:05:20 | 0:05:22 | |
It wasn't Hogwarts, | 0:05:22 | 0:05:23 | |
it wasn't what we'd done before, and it felt fresh. | 0:05:23 | 0:05:26 | |
I think this is related to Grindelwald's attacks in Europe. | 0:05:27 | 0:05:31 | |
There was great darkness in it, | 0:05:31 | 0:05:33 | |
and wonderful emotions. | 0:05:33 | 0:05:35 | |
I have seen a vision of immense power. | 0:05:35 | 0:05:38 | |
It had that sort of feeling of coming home. | 0:05:38 | 0:05:41 | |
There were comedic elements, there was sort of romance, | 0:05:41 | 0:05:44 | |
and I just hoped that we would be able to capture that spirit. | 0:05:44 | 0:05:47 | |
I hope we have, and I hope you guys enjoy it. | 0:05:49 | 0:05:51 | |
There was a time when we thought it was all over. | 0:05:51 | 0:05:54 | |
No more films, no more books, | 0:05:54 | 0:05:56 | |
no more anything, apart from maybe a couple of theme parks | 0:05:56 | 0:05:59 | |
and a studio tour, | 0:05:59 | 0:06:00 | |
but that's a big reason why fans are so excited right now. | 0:06:00 | 0:06:04 | |
They cannot wait to find out more. | 0:06:04 | 0:06:07 | |
So, what is it about the stories of the wizarding world | 0:06:07 | 0:06:09 | |
that fascinate us all? | 0:06:09 | 0:06:11 | |
Let's meet a die-hard fan to find out. | 0:06:11 | 0:06:13 | |
I'm Jenessa Baber, and I'm a very proud Hufflepuff. | 0:06:13 | 0:06:17 | |
The first book came out in 1997 when I was only a year old, | 0:06:17 | 0:06:19 | |
and the first films in 2001, so I was only like three or four. | 0:06:19 | 0:06:22 | |
But my earliest memory of it is going to see Prisoner Of Azkaban | 0:06:22 | 0:06:26 | |
with my uncle and his daughter. | 0:06:26 | 0:06:28 | |
And we'd literally missed the viewing by about ten minutes, | 0:06:28 | 0:06:32 | |
so we had to wait three hours for the next viewing, | 0:06:32 | 0:06:34 | |
and we were sat at Vue, and we were just waiting | 0:06:34 | 0:06:36 | |
for the next one to come on. | 0:06:36 | 0:06:37 | |
And we got lost on the way there, | 0:06:37 | 0:06:38 | |
and it was just the most traumatic experience ever, | 0:06:38 | 0:06:41 | |
but I think I was about five or six. | 0:06:41 | 0:06:44 | |
The time in most people's lives when they discovered it | 0:06:44 | 0:06:47 | |
meant that it has an incredibly important place | 0:06:47 | 0:06:50 | |
in a lot of people's childhoods and, you know, | 0:06:50 | 0:06:53 | |
they still feel very, sort of, protective over it. | 0:06:53 | 0:06:55 | |
Expecto Patronum! | 0:06:55 | 0:06:57 | |
A full-bodied Patronus is the most difficult to produce, | 0:06:59 | 0:07:02 | |
but shield forms can also be equally useful | 0:07:02 | 0:07:04 | |
against a variety of opponents. | 0:07:04 | 0:07:06 | |
'I've been told by several friends that it just takes them to a place' | 0:07:06 | 0:07:11 | |
of warmth and comfort, and that is so lovely to me. | 0:07:11 | 0:07:14 | |
That's the real-world effect a film can have on someone's life | 0:07:14 | 0:07:17 | |
and I think that's great. | 0:07:17 | 0:07:18 | |
Think of the happiest thing you can. | 0:07:21 | 0:07:23 | |
I'm trying. | 0:07:24 | 0:07:26 | |
I know. It's good. | 0:07:26 | 0:07:27 | |
This is really advanced stuff, guys. | 0:07:28 | 0:07:30 | |
You're doing so well. | 0:07:30 | 0:07:31 | |
I think they got it so right with the characters, you know, | 0:07:32 | 0:07:35 | |
Daniel Radcliffe, Emma and Rupert, I believe. | 0:07:35 | 0:07:38 | |
-The way they kind of, like, gel together. -Chemistry. | 0:07:38 | 0:07:42 | |
And then we grew up with them. | 0:07:42 | 0:07:44 | |
They're immediately accessible. | 0:07:46 | 0:07:48 | |
They feel like someone we know, | 0:07:48 | 0:07:50 | |
or they feel like an extension of ourselves, | 0:07:50 | 0:07:53 | |
and she's done that again with the characters in Fantastic Beasts. | 0:07:53 | 0:07:56 | |
Hey, Mr Scamander. | 0:07:56 | 0:07:58 | |
You prefer pie or strudel? | 0:08:02 | 0:08:03 | |
I really don't have a preference. | 0:08:06 | 0:08:08 | |
You prefer strudel, huh, honey. | 0:08:13 | 0:08:14 | |
Strudel it is. | 0:08:17 | 0:08:18 | |
JK Rowling often writes about outsiders and she herself says that, | 0:08:18 | 0:08:21 | |
and I think that that's what connects everyone | 0:08:21 | 0:08:24 | |
to both the Potter films and hopefully to Fantastic Beasts | 0:08:24 | 0:08:27 | |
is that no-one's an insider. | 0:08:27 | 0:08:29 | |
Like, even those people in life who sort of put on this front | 0:08:29 | 0:08:31 | |
of being cool, or, I don't know, somehow an insider, | 0:08:31 | 0:08:34 | |
they secretly are probably crushing inside. | 0:08:34 | 0:08:37 | |
Well, sit down, Mr Scamander. | 0:08:37 | 0:08:39 | |
We're not going to poison you. | 0:08:42 | 0:08:44 | |
And so I think that's kind of the appeal, | 0:08:44 | 0:08:45 | |
is none of us necessarily feel like we really fit in. | 0:08:45 | 0:08:47 | |
I also get a kick out of the fact that this is our world, | 0:08:47 | 0:08:50 | |
but underneath it all, I might be a wizard. | 0:08:50 | 0:08:53 | |
And probably are. | 0:08:53 | 0:08:54 | |
-Well, this has got awkward. -I'll see how your wand work is. | 0:08:54 | 0:08:57 | |
Having that close reality to our world and another world is something | 0:08:57 | 0:09:02 | |
really clever, and because it's so relatable, | 0:09:02 | 0:09:05 | |
you are almost there, | 0:09:05 | 0:09:08 | |
and it's just that little bit of reality holding you back. | 0:09:08 | 0:09:10 | |
But you can always dream, can't you? | 0:09:10 | 0:09:14 | |
Excuse me, sir. Can you tell me where I might find | 0:09:14 | 0:09:16 | |
-platform nine and three quarters? -Nine and three quarters? | 0:09:16 | 0:09:19 | |
Think you're being funny, do you? | 0:09:19 | 0:09:20 | |
Suddenly, you'd go to Kings Cross | 0:09:20 | 0:09:23 | |
and that wall would just be so exciting! | 0:09:23 | 0:09:25 | |
And I hope that in Fantastic Beasts, the Woolworth Building in New York, | 0:09:50 | 0:09:54 | |
these places that you're really familiar with... | 0:09:54 | 0:09:56 | |
Lots of our cast were from New York, and they were just so excited by | 0:09:56 | 0:10:00 | |
the detail of that, and it makes you feel that magic | 0:10:00 | 0:10:03 | |
literally lives around you. | 0:10:03 | 0:10:04 | |
We've all been to school, | 0:10:04 | 0:10:06 | |
we've all had teachers who we don't like and teachers that we adore. | 0:10:06 | 0:10:11 | |
It's a universal experience, and then you add magic on top. | 0:10:11 | 0:10:14 | |
Everyone wants to be a wizard and everyone wants to, like, you know, | 0:10:14 | 0:10:18 | |
flick the wand. | 0:10:18 | 0:10:19 | |
You'd be able to tidy your room quicker, | 0:10:19 | 0:10:22 | |
you'd be able to transport yourself to a different place | 0:10:22 | 0:10:24 | |
in, like, the split of a second. | 0:10:24 | 0:10:26 | |
All these abilities that you know | 0:10:26 | 0:10:29 | |
you'd never be able to do in reality. | 0:10:29 | 0:10:31 | |
But everyone wants to be special, | 0:10:31 | 0:10:34 | |
everyone wants to feel like they've got the power to do something, | 0:10:34 | 0:10:38 | |
and being a witch or wizard completely gives you that power, | 0:10:38 | 0:10:42 | |
and I think that's why everyone wants to be a witch or wizard. | 0:10:42 | 0:10:45 | |
And to meet Dumbledore! | 0:10:45 | 0:10:47 | |
Of course, stories involving magic aren't a new thing - | 0:10:47 | 0:10:50 | |
just ask a distinctly younger-looking Stephen Fry. | 0:10:50 | 0:10:54 | |
I think what I liked from the first about Harry Potter | 0:10:54 | 0:10:57 | |
was what's woven into them is a true history | 0:10:57 | 0:10:59 | |
of the English folkloric tradition of magic. | 0:10:59 | 0:11:01 | |
She hasn't made up a magic world | 0:11:01 | 0:11:03 | |
which is simply a great wish list of Disney-esque fantasy of, | 0:11:03 | 0:11:06 | |
well, if you have a dream it's going to come true, | 0:11:06 | 0:11:08 | |
because Harry Potter doesn't present a world like that. | 0:11:08 | 0:11:11 | |
It's connected, and it comes out of the whole fabric of English history | 0:11:11 | 0:11:15 | |
and folkloric mythology. | 0:11:15 | 0:11:17 | |
That's why it works, because things don't work | 0:11:17 | 0:11:20 | |
if they are the result of a feeble-minded fantasy. | 0:11:20 | 0:11:22 | |
A lot of sort of motifs that we associate with witchcraft | 0:11:22 | 0:11:26 | |
have been picked up by JK Rowling. | 0:11:26 | 0:11:29 | |
They have the black robes and the hats and the broomsticks, | 0:11:29 | 0:11:33 | |
the cauldrons, but these have all been updated as school kit, | 0:11:33 | 0:11:36 | |
things Harry needs to go to school. | 0:11:36 | 0:11:38 | |
We look at Arthurian literature and there are lots of connections | 0:11:38 | 0:11:41 | |
between Harry Potter's story and the story of King Arthur. | 0:11:41 | 0:11:44 | |
Both are separated from their parents, | 0:11:44 | 0:11:46 | |
both are watched over by a powerful wizard - | 0:11:46 | 0:11:49 | |
Merlin in the case of King Arthur, Dumbledore in Harry Potter. | 0:11:49 | 0:11:53 | |
Although they're drawing upon these much older mythic themes | 0:11:53 | 0:11:57 | |
of good versus evil, death and resurrection, | 0:11:57 | 0:12:00 | |
they also tie into themes that are very relevant to us now. | 0:12:00 | 0:12:03 | |
There's a key theme in what the story is fundamentally about, | 0:12:03 | 0:12:06 | |
which is to embrace and accept the things | 0:12:06 | 0:12:08 | |
we don't necessarily understand | 0:12:08 | 0:12:10 | |
and to develop our curiosity about those things, | 0:12:10 | 0:12:13 | |
and to be open to the wonders of the world and to be open to things | 0:12:13 | 0:12:17 | |
that are different to our immediate experience, | 0:12:17 | 0:12:21 | |
because otherwise, you know, the world becomes a darker place. | 0:12:21 | 0:12:25 | |
I think a lot of it is all about life lessons. | 0:12:25 | 0:12:27 | |
Harry's story is he's the orphaned child and he has to go on and defeat | 0:12:27 | 0:12:32 | |
all these awful things, but it brings you back to | 0:12:32 | 0:12:35 | |
there is war, people die. | 0:12:35 | 0:12:37 | |
Harry Potter... | 0:12:37 | 0:12:39 | |
..the boy who lived. | 0:12:43 | 0:12:45 | |
She isn't afraid of dealing with death. | 0:12:45 | 0:12:47 | |
She isn't afraid of dealing with the darker side of human nature | 0:12:47 | 0:12:53 | |
and she goes there very easily, I think. | 0:12:53 | 0:12:55 | |
She kind of enjoys it! | 0:12:55 | 0:12:56 | |
This dark edge that occasionally comes into the stories | 0:13:01 | 0:13:05 | |
I think is essential, because she recognises that the world | 0:13:05 | 0:13:09 | |
is not an easy place, and I think, even for younger readers | 0:13:09 | 0:13:13 | |
and younger viewers, it's important to acknowledge that there's a side | 0:13:13 | 0:13:17 | |
to life that needs to be acknowledged | 0:13:17 | 0:13:20 | |
and dealt with sometimes. | 0:13:20 | 0:13:22 | |
What you've fallen in love with is the story, | 0:13:22 | 0:13:25 | |
the characters, the themes we can all relate to. | 0:13:25 | 0:13:28 | |
How you fall in love is by getting lost in the detail, | 0:13:28 | 0:13:33 | |
and there is a lot of detail to get lost in. | 0:13:33 | 0:13:36 | |
There is no stone unturned with JK Rowling. | 0:13:36 | 0:13:40 | |
She can literally answer absolutely every question, | 0:13:40 | 0:13:44 | |
and you can be waiting for that for the rest of your life, | 0:13:44 | 0:13:47 | |
but you still will not know the full story of Harry Potter, | 0:13:47 | 0:13:51 | |
and that is really exciting. | 0:13:51 | 0:13:52 | |
I asked a question about Madam Picquery, | 0:13:52 | 0:13:55 | |
who runs the Ministry of Magic. You know, where is she from? | 0:13:55 | 0:13:58 | |
And literally 48 hours later, | 0:13:58 | 0:14:01 | |
Jo came back with a ten-page breakdown | 0:14:01 | 0:14:04 | |
of the history of magic in America, | 0:14:04 | 0:14:06 | |
and she said, "I just started and I couldn't stop." | 0:14:06 | 0:14:08 | |
She creates such a fully-fledged world that that's the one | 0:14:08 | 0:14:12 | |
we all want to dive into, and I feel like since they started making | 0:14:12 | 0:14:14 | |
the Potter films, and it's lots of the same crew into Fantastic Beasts, | 0:14:14 | 0:14:18 | |
they sort of respect that and so they go that extra step further with | 0:14:18 | 0:14:22 | |
getting the absolute intricacy of the details right. | 0:14:22 | 0:14:25 | |
In charge of all those details for Fantastic Beasts is Oscar-winning | 0:14:25 | 0:14:28 | |
production designer and Potter movie veteran Stuart Craig. | 0:14:28 | 0:14:32 | |
In the books, in the screenplay, | 0:14:32 | 0:14:34 | |
there's a huge amount of description, | 0:14:34 | 0:14:37 | |
so we set about it just delivering what was expected of us. | 0:14:37 | 0:14:41 | |
I was somewhat surprised at the level of interest | 0:14:41 | 0:14:45 | |
in the so-called detail, or that people perceived it | 0:14:45 | 0:14:48 | |
as different to a lot of other films. | 0:14:48 | 0:14:50 | |
I get it now. | 0:14:50 | 0:14:52 | |
I remember coming onto set on one of the first days | 0:14:52 | 0:14:54 | |
and seeing newspaper cuttings like that were in a newspaper stand | 0:14:54 | 0:14:58 | |
at the back of a massive set miles away - | 0:14:58 | 0:15:00 | |
there was no chance they were going to be in shot - and you sort of... | 0:15:00 | 0:15:03 | |
I was wandering past there on a coffee break moment, and I sort of | 0:15:03 | 0:15:06 | |
looked at what was written in the newspaper, and it was like | 0:15:06 | 0:15:09 | |
the entire history of, sort of, what was going on | 0:15:09 | 0:15:12 | |
in the wizarding world that day. | 0:15:12 | 0:15:13 | |
I was like, "God, if you..." It was totally enthralling. | 0:15:13 | 0:15:17 | |
If you believe in the surroundings, in the situations, | 0:15:17 | 0:15:20 | |
in the newspaper you're holding the contents of, | 0:15:20 | 0:15:23 | |
if you really believe in that, | 0:15:23 | 0:15:25 | |
it gives credibility to the whole thing | 0:15:25 | 0:15:27 | |
and to the extraordinary bits of cinematic magic. | 0:15:27 | 0:15:30 | |
That's it, really, it's the pursuit of credibility, I think. | 0:15:32 | 0:15:34 | |
What's amazing about these films is there are so many | 0:15:34 | 0:15:37 | |
extraordinary people behind the scenes | 0:15:37 | 0:15:39 | |
whose job it is to create wands. | 0:15:39 | 0:15:41 | |
The interesting thing about wands is that it's a prop | 0:15:41 | 0:15:43 | |
that's absolutely specific to a character. | 0:15:43 | 0:15:45 | |
Often it can be an expression of their taste | 0:15:45 | 0:15:48 | |
and their fields and their ideals. | 0:15:48 | 0:15:49 | |
When I first got cast, they came with all these designs | 0:15:49 | 0:15:53 | |
and possible ideas, and we talked it through. | 0:15:53 | 0:15:56 | |
I got super method on my wand. | 0:15:56 | 0:15:57 | |
And when we make the originals, we make them in the proper materials | 0:15:57 | 0:16:01 | |
as much as we can - wooden shafts etc - | 0:16:01 | 0:16:02 | |
to give it as much authenticity as possible. | 0:16:02 | 0:16:05 | |
And so you'll see there are no, sort of, animal products, | 0:16:05 | 0:16:08 | |
this is like a sort of shell, so a bit of mother of pearl and... | 0:16:08 | 0:16:10 | |
But it's a bit battered because he's sort of gone, you know, | 0:16:10 | 0:16:13 | |
he's been out in the field with it. | 0:16:13 | 0:16:15 | |
For me, the most important thing is the actor makes the final choice, | 0:16:15 | 0:16:20 | |
so is able to sit there and go, | 0:16:20 | 0:16:22 | |
"This one feels right to me." | 0:16:22 | 0:16:23 | |
So happy to have this back. | 0:16:23 | 0:16:25 | |
-I can tell. -Just made me really happy. | 0:16:25 | 0:16:27 | |
Sorry, because... Yeah. Go on. | 0:16:27 | 0:16:29 | |
-Question? -Yeah. Repeat. | 0:16:29 | 0:16:30 | |
I feel like everything you say has more impact. | 0:16:30 | 0:16:33 | |
-If I do that? -When you do that. | 0:16:33 | 0:16:35 | |
Do you know what? I started, I was doing all this... | 0:16:35 | 0:16:38 | |
Oh, my God, I just did it. Was that caught on camera? | 0:16:38 | 0:16:40 | |
I was like, "I think I'm going to make Newt really cool, | 0:16:40 | 0:16:42 | |
"and he has this fiddle," because I always watch people | 0:16:42 | 0:16:44 | |
do that with their pens, but I could never do it, | 0:16:44 | 0:16:46 | |
so I spent months trying it and then I could never do it on camera, | 0:16:46 | 0:16:49 | |
so I decided to ditch that, but I just did it on camera. | 0:16:49 | 0:16:52 | |
Did you catch it? That's so exciting! | 0:16:52 | 0:16:54 | |
My tenth birthday I got my first wand from my mum, | 0:16:54 | 0:16:57 | |
which was Hermione Granger's wand. | 0:16:57 | 0:16:58 | |
It's just really cool. | 0:16:58 | 0:17:01 | |
Well, probably not to some people, | 0:17:01 | 0:17:03 | |
but to me it's really cool because it's like | 0:17:03 | 0:17:05 | |
bringing a piece of the film home with you. | 0:17:05 | 0:17:08 | |
And, yeah, I do play with my wands every now and then. | 0:17:09 | 0:17:12 | |
As well as a few more wands, | 0:17:12 | 0:17:13 | |
Fantastic Beasts introduces us to a new must-have bit of merch | 0:17:13 | 0:17:17 | |
with a key role to play in the film - | 0:17:17 | 0:17:19 | |
Newt's case. | 0:17:19 | 0:17:21 | |
It's a bit like Doctor Who's Tardis. Doctor Who's Tardis looks very small | 0:17:21 | 0:17:24 | |
but you open the door, you go in, and it's enormous. | 0:17:24 | 0:17:26 | |
Well, that's Newt's case. | 0:17:26 | 0:17:28 | |
It's basically the size of a football pitch, | 0:17:28 | 0:17:30 | |
which is kind of the space that Newt could create. | 0:17:30 | 0:17:33 | |
And it's all put together with sort of British glue | 0:17:33 | 0:17:36 | |
and, sort of, elastic tape. | 0:17:36 | 0:17:38 | |
I ain't got the brains to make this up. | 0:17:38 | 0:17:40 | |
But still kind of extraordinary and bonkers. | 0:17:40 | 0:17:43 | |
You open it, you end up in a shed, because, you know, | 0:17:43 | 0:17:45 | |
being a British bloke, you've got to have a shed, | 0:17:45 | 0:17:47 | |
and that's where he keeps all his books and all his | 0:17:47 | 0:17:49 | |
sort of, like, medicines for all the animals. | 0:17:49 | 0:17:51 | |
And then you open the door to the shed and that takes you into | 0:17:51 | 0:17:55 | |
this next level of the case, which is this set of enclosures, really, | 0:17:55 | 0:17:58 | |
and that's where he keeps all the beasts. | 0:17:58 | 0:18:00 | |
The creatures have always been my favourite thing about Harry Potter. | 0:18:00 | 0:18:03 | |
And people have got cats and dogs in the real world, | 0:18:03 | 0:18:06 | |
but over there you'll have a pet Niffler or... | 0:18:06 | 0:18:09 | |
Yeah, I'm so looking forward to seeing how they tackle that | 0:18:09 | 0:18:12 | |
and what they look like. Yeah, it's exciting. | 0:18:12 | 0:18:15 | |
There's always been a visual effects department, | 0:18:15 | 0:18:17 | |
but as the years have gone on, techniques have improved and... | 0:18:17 | 0:18:21 | |
That's where the heart of this movie is, in the digital technology, | 0:18:21 | 0:18:25 | |
extending what was previously possible. | 0:18:25 | 0:18:27 | |
We were on it for about 21 months or so, | 0:18:27 | 0:18:30 | |
so it was quite a few months of play | 0:18:30 | 0:18:32 | |
and "Wouldn't it be cool if...?" | 0:18:32 | 0:18:34 | |
And so, yeah, something like the Niffler, we had several designs. | 0:18:34 | 0:18:37 | |
I think it was kind of based on a honey badger. | 0:18:37 | 0:18:39 | |
-You do not mess. -You do not mess with the honey badger. | 0:18:39 | 0:18:42 | |
The honey badger, for those who don't know, | 0:18:42 | 0:18:44 | |
and do look it up on YouTube, | 0:18:44 | 0:18:45 | |
is this kind of badgery thing that eats anything. | 0:18:45 | 0:18:48 | |
Ew, eating snakes. | 0:18:48 | 0:18:50 | |
Ew, what's that, a mouse? | 0:18:50 | 0:18:52 | |
Oh, that's nasty. | 0:18:52 | 0:18:53 | |
I mean, we did over 200, 300... | 0:18:53 | 0:18:55 | |
-Yeah. -..sketches of different creatures. | 0:18:55 | 0:18:58 | |
Come on, give me a smile. | 0:18:59 | 0:19:00 | |
Some of the things like the Bowtruckle, Pickett - | 0:19:00 | 0:19:03 | |
of him alone, we had over 200 different versions | 0:19:03 | 0:19:07 | |
of a design for him. | 0:19:07 | 0:19:08 | |
Newt has several Bowtruckles but he has a particular favourite | 0:19:08 | 0:19:11 | |
in Pickett, and he sort of keeps him in his top pocket. | 0:19:11 | 0:19:14 | |
Wait a minute. | 0:19:14 | 0:19:15 | |
'So, evidently has a favourite and it's not the greatest of parenting.' | 0:19:15 | 0:19:18 | |
That's a Bow... That's a Bowtruckle, right? | 0:19:18 | 0:19:21 | |
-No. -Ah, come on, they pick locks, am I right? | 0:19:23 | 0:19:26 | |
You're not having him. | 0:19:26 | 0:19:28 | |
We develop puppets for all the hero characters, | 0:19:28 | 0:19:30 | |
which range from sort of small Pickett-sized | 0:19:30 | 0:19:34 | |
little animatronic things that could be operated by hand | 0:19:34 | 0:19:38 | |
to a 17-foot-tall Erumpent. | 0:19:38 | 0:19:40 | |
Put this on. | 0:19:40 | 0:19:42 | |
Put... Why would I have to wear something like this? | 0:19:42 | 0:19:45 | |
Because your skull is susceptible to breakage under immense force. | 0:19:45 | 0:19:49 | |
We projected the creatures onto the wall and then Eddie stood there, | 0:19:49 | 0:19:52 | |
and we decided how big the Erumpent was by moving the projector | 0:19:52 | 0:19:56 | |
back and forth, and he could stand there with it | 0:19:56 | 0:19:59 | |
and David could see the creature next to him, | 0:19:59 | 0:20:01 | |
and it would at least give you a sense of scale. | 0:20:01 | 0:20:04 | |
He's hurt. Oh, wake up, Mr No-Maj. | 0:20:04 | 0:20:07 | |
SNARLING Argh! | 0:20:07 | 0:20:09 | |
Mercy Lewis, what is that? | 0:20:10 | 0:20:13 | |
Nothing to worry about. | 0:20:13 | 0:20:15 | |
That is...a Murtlap. | 0:20:15 | 0:20:17 | |
What else have you got in there? | 0:20:19 | 0:20:20 | |
Its success has instilled confidence, really, | 0:20:20 | 0:20:23 | |
in everybody in the studio, in the producers, in the director. | 0:20:23 | 0:20:27 | |
Normally, as we did on Harry Potter 1, Harry Potter 2, | 0:20:27 | 0:20:30 | |
we had to, out of necessity, find real locations. | 0:20:30 | 0:20:34 | |
And as the series went on and with Fantastic Beasts, | 0:20:34 | 0:20:37 | |
we have designed and built here at Leavesden | 0:20:37 | 0:20:40 | |
more and more of the world. | 0:20:40 | 0:20:42 | |
But as people watch it, I'd like them to realise | 0:20:42 | 0:20:45 | |
that not a single scene with actors was shot in New York at all, | 0:20:45 | 0:20:50 | |
and the success of the franchise has afforded us that luxury. | 0:20:50 | 0:20:54 | |
Story, detail, sure, | 0:20:54 | 0:20:56 | |
but for me, what really sets the wizarding world apart is the fans. | 0:20:56 | 0:21:01 | |
Everyone I've met is passionate, | 0:21:01 | 0:21:04 | |
fiercely loyal and very knowledgeable indeed. | 0:21:04 | 0:21:07 | |
And when they get together, | 0:21:07 | 0:21:08 | |
you can really feel their amazing sense of community. | 0:21:08 | 0:21:12 | |
I went down to the international fan event | 0:21:12 | 0:21:15 | |
for Fantastic Beasts And Where To Find Them | 0:21:15 | 0:21:17 | |
in London's Leicester Square. | 0:21:17 | 0:21:18 | |
What better place to find fantastic fans than here? | 0:21:18 | 0:21:22 | |
You're going to a fan event. | 0:21:22 | 0:21:23 | |
-This is true. -Are you nervous? | 0:21:23 | 0:21:26 | |
I am a bit nervous, yeah. | 0:21:26 | 0:21:27 | |
Are you worried that there might be quite a few people dressed as Newt? | 0:21:29 | 0:21:32 | |
Have you seen Eddie Redmayne? He's just over there. | 0:21:32 | 0:21:34 | |
-Oh, yeah. -Oh! | 0:21:35 | 0:21:38 | |
I love that! I love it, it's really weird. | 0:21:38 | 0:21:41 | |
And did you just so happen to have a blue jacket and a bow tie? | 0:21:41 | 0:21:44 | |
I actually went shopping for this entire outfit yesterday. | 0:21:44 | 0:21:47 | |
The people that we've met are so supportive | 0:21:47 | 0:21:49 | |
of Fantastic Beasts, really, | 0:21:49 | 0:21:51 | |
and getting to see more into JK Rowling's imagination. | 0:21:51 | 0:21:54 | |
I think I'm just mostly excited about being back | 0:21:54 | 0:21:56 | |
in the wizarding world and being just amazed at JK Rowling's work. | 0:21:56 | 0:21:59 | |
They are a passionate crowd and that's... | 0:21:59 | 0:22:02 | |
that's always a wonderful thing, being passionate. | 0:22:02 | 0:22:05 | |
We are really proud to be here and to be part of | 0:22:05 | 0:22:07 | |
something new in the Harry Potter universe. | 0:22:07 | 0:22:10 | |
No, it's definitely special, | 0:22:10 | 0:22:11 | |
it's just great to see everyone else enjoying themselves. | 0:22:11 | 0:22:14 | |
Let's get a big cheer, everyone. | 0:22:14 | 0:22:15 | |
CHEERING | 0:22:15 | 0:22:18 | |
Hi! | 0:22:18 | 0:22:19 | |
Hello, hello to everybody. | 0:22:20 | 0:22:22 | |
We are thrilled to be here at the AMC Kips Bay IMAX theatre | 0:22:22 | 0:22:28 | |
in New York City! | 0:22:28 | 0:22:29 | |
It's definitely a family and it's so accepting. | 0:22:31 | 0:22:34 | |
You can be whoever you want and it's... | 0:22:34 | 0:22:37 | |
You're welcomed into that family. | 0:22:37 | 0:22:38 | |
So we've got friends all over the world, | 0:22:38 | 0:22:40 | |
we've got different team members in different countries, | 0:22:40 | 0:22:43 | |
and its just amazing to be part of, really. | 0:22:43 | 0:22:46 | |
What sets them apart is their curiosity | 0:22:46 | 0:22:49 | |
and that JK Rowling's books and the films then... | 0:22:49 | 0:22:53 | |
You know, a lot of fandoms are kind of exclusive and they're like, | 0:22:53 | 0:22:56 | |
"We can only be a fan of this thing," where I think Harry Potter | 0:22:56 | 0:22:59 | |
actually has introduced people to a lot of other things, | 0:22:59 | 0:23:02 | |
a lot of other literature and a lot of other films, | 0:23:02 | 0:23:04 | |
and the people I meet are all, like, incredibly kind and sweet, | 0:23:04 | 0:23:08 | |
and I think it gives people a hunger to find more things | 0:23:08 | 0:23:11 | |
that they like as much as Harry Potter and other forms of art | 0:23:11 | 0:23:14 | |
that they are as hungry for. | 0:23:14 | 0:23:16 | |
The Harry Potter generation is also the internet generation. | 0:23:16 | 0:23:20 | |
We've got all the books here and I thought I would show you | 0:23:20 | 0:23:23 | |
just to prove that I do have... | 0:23:23 | 0:23:25 | |
As the internet grew, | 0:23:25 | 0:23:27 | |
so did people's ability to instantly communicate with everyone else. | 0:23:27 | 0:23:31 | |
And before we had social media, before we had Twitter and Facebook, | 0:23:31 | 0:23:34 | |
we had these Harry Potter fan sites and forums | 0:23:34 | 0:23:37 | |
that would talk about Harry Potter in one place. | 0:23:37 | 0:23:39 | |
It's about people connecting, and again, people that feel themselves | 0:23:39 | 0:23:43 | |
to be outsiders finding other kindred spirits and souls. | 0:23:43 | 0:23:48 | |
Hmm. | 0:23:48 | 0:23:49 | |
Difficult, very difficult. | 0:23:49 | 0:23:53 | |
Plenty of courage, I see. | 0:23:53 | 0:23:55 | |
Not a bad mind, either. | 0:23:55 | 0:23:57 | |
There's talent, oh, yes, | 0:23:57 | 0:23:59 | |
and a thirst to prove yourself. | 0:23:59 | 0:24:02 | |
But where to put you? | 0:24:03 | 0:24:06 | |
(Not Slytherin.) | 0:24:06 | 0:24:07 | |
Harry Potter gives you an ability to be put in a house, | 0:24:07 | 0:24:11 | |
which makes you find other friends, which makes you find other friends, | 0:24:11 | 0:24:14 | |
and it's just this one big collective group of people | 0:24:14 | 0:24:17 | |
who love the same thing, but you identify yourself as something. | 0:24:17 | 0:24:20 | |
Well, if you're sure... | 0:24:20 | 0:24:23 | |
-(Anything but Slytherin.) -..better be... | 0:24:23 | 0:24:26 | |
Gryffindor! | 0:24:26 | 0:24:27 | |
So, for the sorting on Pottermore, | 0:24:30 | 0:24:32 | |
the questions are devised by JK Rowling. | 0:24:32 | 0:24:34 | |
There are questions that are designed to really test you, | 0:24:34 | 0:24:36 | |
and it will pull out different parts of your personality | 0:24:36 | 0:24:39 | |
without you sort of realising. It's quite hard to sort of guess | 0:24:39 | 0:24:42 | |
what house you're going to end up in. | 0:24:42 | 0:24:45 | |
I think a lot of fans are quite surprised when they go on | 0:24:45 | 0:24:47 | |
and they might be a bit offended, like, | 0:24:47 | 0:24:49 | |
"Oh, I never saw myself as a Slytherin!" | 0:24:49 | 0:24:51 | |
This is going to sound awful, but I did the Pottermore test | 0:24:51 | 0:24:54 | |
and I was actually placed in Slytherin, which I would never, | 0:24:54 | 0:24:58 | |
ever have put myself in. | 0:24:58 | 0:24:59 | |
And not that I totally disassociate myself with it, but I just... | 0:24:59 | 0:25:02 | |
I don't feel like a Slytherin at heart, | 0:25:02 | 0:25:04 | |
I've always considered myself a Hufflepuff, | 0:25:04 | 0:25:06 | |
so I overruled JK Rowling's opinion on my house! | 0:25:06 | 0:25:10 | |
I wrote to her and she wrote back to me. | 0:25:10 | 0:25:12 | |
It even came back with a Harry Potter stamp, | 0:25:12 | 0:25:14 | |
which was really amazing. | 0:25:14 | 0:25:16 | |
She has seen the dress on Twitter. | 0:25:16 | 0:25:18 | |
I wanted to paint the chapter The Marauder's Map onto it | 0:25:18 | 0:25:22 | |
in the style of the Marauder's Map. | 0:25:22 | 0:25:24 | |
She liked my post about it, at which I was like, | 0:25:24 | 0:25:27 | |
"Did this just happen?" | 0:25:27 | 0:25:28 | |
A lot of fans have some kind of connection with her. | 0:25:28 | 0:25:31 | |
I think that's one of the things that you love about the fandom, | 0:25:31 | 0:25:33 | |
is that you can connect with a lot of people involved. | 0:25:33 | 0:25:36 | |
The fact that Jo Rowling is still so heavily involved | 0:25:36 | 0:25:39 | |
nearly a quarter of a century since she first | 0:25:39 | 0:25:41 | |
came up with the whole idea - | 0:25:41 | 0:25:42 | |
is that the secret ingredient that sets the wizarding world apart? | 0:25:42 | 0:25:46 | |
I mean, I think so. | 0:25:46 | 0:25:48 | |
I think it would be very hard for anything to happen | 0:25:48 | 0:25:51 | |
in the Harry Potter world without her, you know, | 0:25:51 | 0:25:54 | |
involvement, really, and it feel like the same world. | 0:25:54 | 0:25:57 | |
The more time you spend with Jo, the more you hear about not just | 0:25:57 | 0:26:01 | |
Fantastic Beasts but the world around it, | 0:26:01 | 0:26:04 | |
the more detailed and intricate and compelling and exciting it becomes. | 0:26:04 | 0:26:09 | |
My breath is frequently taken away. | 0:26:09 | 0:26:12 | |
Like, I can't believe she has the capacity for such imagination. | 0:26:12 | 0:26:17 | |
The most important aspect of it for me is that she delivers | 0:26:17 | 0:26:20 | |
these positive values, the values that's held together, you know, | 0:26:20 | 0:26:24 | |
certainly in my lifetime, of civility and decency | 0:26:24 | 0:26:28 | |
and respect and curiosity for others and sort of respect for truth, | 0:26:28 | 0:26:34 | |
and that is probably a testament | 0:26:34 | 0:26:36 | |
greater than any other to her work, I think. | 0:26:36 | 0:26:39 | |
Jo really cares about the people that she writes for, about the... | 0:26:39 | 0:26:43 | |
She cares about the people she writes | 0:26:43 | 0:26:45 | |
and about the people she writes for, and it's lovely that she has chosen | 0:26:45 | 0:26:48 | |
to expand the world in so many different ways | 0:26:48 | 0:26:50 | |
because there is still such a hunger for that. | 0:26:50 | 0:26:53 | |
But, yeah, I mean, she's just an immensely... | 0:26:54 | 0:26:57 | |
just intelligent, funny, | 0:26:57 | 0:27:01 | |
kind human being, | 0:27:01 | 0:27:03 | |
and I think that obviously comes across in her writing. | 0:27:03 | 0:27:05 | |
When you spend time reading a book, | 0:27:05 | 0:27:07 | |
you don't just spend time with the characters | 0:27:07 | 0:27:10 | |
but you spend time with the author, and she is a lovely person | 0:27:10 | 0:27:12 | |
to feel like you're hanging out with, I think. | 0:27:12 | 0:27:14 | |
There's no other set of stories, be it Star Wars | 0:27:14 | 0:27:17 | |
or Star Trek or Lord Of The Rings, | 0:27:17 | 0:27:20 | |
where still just one person has all of the answers. | 0:27:20 | 0:27:23 | |
And it's her passion and knowledge | 0:27:23 | 0:27:26 | |
and sheer humongous imagination | 0:27:26 | 0:27:28 | |
that has set the wizarding world apart | 0:27:28 | 0:27:31 | |
and made it so special for so many people. | 0:27:31 | 0:27:34 | |
I want to be a wizard. | 0:27:34 | 0:27:36 | |
That, for me, is why Jo herself is the secret of the wizarding world. | 0:27:36 | 0:27:41 | |
-Do I actually get to keep it? -You actually... -That's amazing! | 0:27:41 | 0:27:44 | |
That is for you. And... | 0:27:44 | 0:27:46 | |
And it gets its own little, own little sleeve! | 0:27:46 | 0:27:48 | |
It gets its own ornamental sleeve. That's for you. | 0:27:48 | 0:27:50 | |
Thank you so much. I'm really very excited about that, thank you. | 0:27:50 | 0:27:53 | |
-It's my pleasure. -Nice to see you. | 0:27:53 | 0:27:55 | |
I can't believe I was the guy that got to do that! | 0:27:55 | 0:27:57 | |
You gave Newt his wand! | 0:27:57 | 0:27:59 | |
-Have you got, like, a wand pocket? -Yeah, no, I wish! | 0:27:59 | 0:28:01 |