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I'm here in the Blue Peter studio, on the search for fantastic beasts. | 6:59:44 | 6:59:48 | |
Over there, we have a trunk and large ears. | 6:59:48 | 6:59:51 | |
TRUMPETING That's an elephant. | 6:59:51 | 6:59:53 | |
Over here, we have scaly skin and no legs. | 6:59:53 | 6:59:55 | |
RATTLING That's a rattlesnake. | 6:59:55 | 6:59:57 | |
Over behind it, I think I've found the fiercest of all creatures. Run! | 6:59:57 | 7:00:01 | |
ROARING | 7:00:01 | 7:00:02 | |
Is he OK? Barnes? Was it something I said? | 7:00:02 | 7:00:05 | |
CHEERING | 7:00:21 | 7:00:23 | |
Hello, and welcome to live Blue Peter and, my goodness, | 7:00:23 | 7:00:26 | |
we have an animal-tastic show coming your way. | 7:00:26 | 7:00:28 | |
Coming up, Radzi goes behind the scenes on the set | 7:00:28 | 7:00:31 | |
of a brand-new blockbuster movie. | 7:00:31 | 7:00:33 | |
It's called Fantastic Beasts And Where To Find Them. It's amazing. | 7:00:33 | 7:00:36 | |
Stay tuned to see what Radzi gets up to. | 7:00:36 | 7:00:38 | |
Speaking of beasts, look who's in the studio. | 7:00:38 | 7:00:40 | |
It's animal expert Scott, | 7:00:40 | 7:00:42 | |
and he has brought a very scary something along with him. | 7:00:42 | 7:00:45 | |
I'm scared already, Barnes. | 7:00:45 | 7:00:46 | |
And this time, we've got the coolest animal yet. | 7:00:46 | 7:00:49 | |
When she was talking about beasts, she was talking about you, Scott. | 7:00:49 | 7:00:52 | |
Also, a brand-new competition, it's a funny one, | 7:00:52 | 7:00:54 | |
that's why my favourite person on Earth, Sir Peter Kay, | 7:00:54 | 7:00:57 | |
is going to be along a bit later. | 7:00:57 | 7:00:58 | |
And we want you to vote for the favourite baby animal film | 7:00:58 | 7:01:01 | |
you want to see later in the show. | 7:01:01 | 7:01:03 | |
Is it going to be seals, baby tigers or okapi? | 7:01:03 | 7:01:06 | |
-They're all so squishy and cute. But it's up to you. -Tigers. | 7:01:06 | 7:01:09 | |
Head to the Blue Peter website, you've got about ten minutes left, | 7:01:09 | 7:01:12 | |
and get voting. What do you want to see? | 7:01:12 | 7:01:14 | |
-Tigers. -Shh! -You asked me the question. | 7:01:14 | 7:01:17 | |
While you're online, | 7:01:17 | 7:01:18 | |
tell us what beast you would be if you could create one. | 7:01:18 | 7:01:20 | |
So, let's say you want to have the legs of a cheetah | 7:01:20 | 7:01:22 | |
and the head of a lion, because you want to bite people and run away. | 7:01:22 | 7:01:25 | |
-Or maybe the legs of a giraffe and crocodile legs... -Scales! | 7:01:25 | 7:01:28 | |
Whatever you want to do. | 7:01:28 | 7:01:29 | |
Just tell us what kind of beast you would create. | 7:01:29 | 7:01:31 | |
Give yourself a name as well, please, | 7:01:31 | 7:01:34 | |
so that we know who you are, and what you'd be. | 7:01:34 | 7:01:36 | |
Also, Spot Shelley is happening later. Shelley WILL appear. | 7:01:36 | 7:01:39 | |
The person who spots Shelley first and gets in touch will win | 7:01:39 | 7:01:41 | |
-a house in Florida... -No, they won't. -..and £1 million! | 7:01:41 | 7:01:44 | |
-They won't. Sh! They'll get a shout-out. -None of that's true. | 7:01:44 | 7:01:47 | |
Speaking of Spot Shelley, | 7:01:47 | 7:01:48 | |
I'm struggling to spot Radz today. Where is he? | 7:01:48 | 7:01:50 | |
It doesn't matter about not seeing him, because I know Radzi very well. | 7:01:50 | 7:01:53 | |
You know how some people have a smell? Radzi has his own smell. | 7:01:53 | 7:01:56 | |
It's a bit like steak crisps, and the smell of steak crisps is | 7:01:56 | 7:01:59 | |
stronger over at this part of the studio. | 7:01:59 | 7:02:01 | |
Now, I know he is around here somewhere, | 7:02:01 | 7:02:03 | |
because there is a camera there, so he must be here... | 7:02:03 | 7:02:06 | |
-Barney! -Whoa! Radz! -Hello. | 7:02:06 | 7:02:07 | |
Mate, that's pretty special, isn't it? | 7:02:07 | 7:02:10 | |
That is actually awesome. | 7:02:10 | 7:02:11 | |
I've tried my absolute best, and I'm camouflaged into this wall, | 7:02:11 | 7:02:14 | |
courtesy of a body-painting world champion. Do you want to meet her? | 7:02:14 | 7:02:17 | |
Honestly, she looks incredible. She really does blend in(!) | 7:02:17 | 7:02:21 | |
It's Carolyn Roper! | 7:02:21 | 7:02:22 | |
-Hey, Carolyn. How are you doing? -Hi. | 7:02:22 | 7:02:24 | |
-What a job. -Thank you. -Let's talk about what you do. | 7:02:24 | 7:02:27 | |
You started with a masterpiece and took it somewhere else. | 7:02:27 | 7:02:30 | |
How have you created Radzi's look? | 7:02:30 | 7:02:32 | |
First of all, we painted on these lines going all the way across, | 7:02:32 | 7:02:36 | |
making sure that his body really blends in here. | 7:02:36 | 7:02:39 | |
Then what I had to do was paint on all of these little squares | 7:02:39 | 7:02:42 | |
individually, one at a time, so it's a good job that Radzi is | 7:02:42 | 7:02:45 | |
really patient, because he's stood like this for over three hours. | 7:02:45 | 7:02:48 | |
We could have picked an easier set for you to stand in front of! | 7:02:48 | 7:02:50 | |
How has it been, standing there for three hours? | 7:02:50 | 7:02:53 | |
Cold, but surprisingly difficult, just to stand still. | 7:02:53 | 7:02:56 | |
And be very, very quiet as well. | 7:02:56 | 7:02:57 | |
It's really effective. It looks really good. | 7:02:57 | 7:02:59 | |
Carolyn, I know you are a world champion, | 7:02:59 | 7:03:01 | |
you've been doing it for 13 years, but how did it all begin? | 7:03:01 | 7:03:04 | |
I started off by training as a make-up artist, | 7:03:04 | 7:03:06 | |
and I saw some adverts for body-painting festivals, | 7:03:06 | 7:03:09 | |
competitions that were around, and I literally just went along, | 7:03:09 | 7:03:12 | |
never painted anyone before, tried it out, really liked it | 7:03:12 | 7:03:15 | |
and then I just kept practising and practising until I got good at it. | 7:03:15 | 7:03:18 | |
-And you are very good. -Thank you. -We can prove that. | 7:03:18 | 7:03:20 | |
We have photographs. Look at this. That is some of your work. | 7:03:20 | 7:03:23 | |
-No! -It's amazing. | 7:03:23 | 7:03:24 | |
-That looks quite tough to do, that. -Thank you. | 7:03:24 | 7:03:27 | |
That was a difficult day. We had to start very early in the morning | 7:03:27 | 7:03:30 | |
about five o'clock in the morning. | 7:03:30 | 7:03:31 | |
That's too early for that. Oh, that's really good. | 7:03:31 | 7:03:34 | |
-Is that a football stadium? -Is he sat down? -He is sat down. | 7:03:34 | 7:03:36 | |
You'd think that would be easier, but, quite frankly, | 7:03:36 | 7:03:39 | |
-his legs went to sleep because he was sat there for so long. -No! | 7:03:39 | 7:03:41 | |
Which is a nightmare, cos they'll be up all night. | 7:03:41 | 7:03:43 | |
It can be just as hard to sit down as stand up. | 7:03:43 | 7:03:46 | |
This one is my favourite, because if the shoes weren't there, | 7:03:46 | 7:03:48 | |
I don't think you'd be able to see that person. | 7:03:48 | 7:03:51 | |
That looks quite detailed. | 7:03:51 | 7:03:52 | |
It was difficult to do, | 7:03:52 | 7:03:53 | |
but sometimes the more detail you've got, the more someone | 7:03:53 | 7:03:56 | |
will disappear into the background, so that's why it works so well. | 7:03:56 | 7:03:59 | |
So everyone at home is thinking, "I'd like to be able to do this." | 7:03:59 | 7:04:02 | |
So, for any budding body-painters out there, what advice do you have? | 7:04:02 | 7:04:05 | |
Firstly, I'd say make sure you use face-paints. | 7:04:05 | 7:04:08 | |
-Don't use a felt-tip pens or poster paints or anything else. -Sure. | 7:04:08 | 7:04:11 | |
Face-paints are safe to use on the skin. | 7:04:11 | 7:04:13 | |
Once you've got those, you can use sponges or art brushes, | 7:04:13 | 7:04:16 | |
and you can start small. | 7:04:16 | 7:04:18 | |
Just practise little things on your hands or on your face, | 7:04:18 | 7:04:21 | |
-and then you can just work bigger as your confidence grows. -Amazing. | 7:04:21 | 7:04:24 | |
-Carolyn, we're going to do a bit more painting later. -Yes. -Nice one. | 7:04:24 | 7:04:27 | |
-Thank you for now. -Thank you. | 7:04:27 | 7:04:29 | |
So, from hand-painted art to computer animation. | 7:04:29 | 7:04:33 | |
Just over a year ago, I got the chance to go | 7:04:33 | 7:04:36 | |
behind the scenes at one of the biggest films of 2016. | 7:04:36 | 7:04:39 | |
I look a bit ridiculous, by the way, | 7:04:39 | 7:04:41 | |
but you are going to like this a lot. Take a look. | 7:04:41 | 7:04:43 | |
Calling all Muggles. | 7:04:45 | 7:04:47 | |
It is time to dust off your dress robes and polish your wands, | 7:04:47 | 7:04:49 | |
because the wizarding world is back. | 7:04:49 | 7:04:52 | |
Fantastic Beasts And Where To Find Them is the latest film | 7:04:52 | 7:04:55 | |
from Harry Potter creator JK Rowling. | 7:04:55 | 7:04:58 | |
Following the adventures of Newt Scamander | 7:04:58 | 7:05:01 | |
in a secret community of witches and wizards, it's set 70 years | 7:05:01 | 7:05:05 | |
before Harry Potter reads Scamander's book at Hogwarts | 7:05:05 | 7:05:08 | |
and, unbelievably, | 7:05:08 | 7:05:09 | |
I've come to visit the set of one of the biggest films of the year. | 7:05:09 | 7:05:13 | |
Check this place out! | 7:05:13 | 7:05:16 | |
Well, we have been given exclusive backstage access to this | 7:05:16 | 7:05:20 | |
incredibly secretive set to help tell you all about it. | 7:05:20 | 7:05:25 | |
The film uses special effects, | 7:05:25 | 7:05:27 | |
stunning sets and beautiful costumes to bring the 1920s to life, | 7:05:27 | 7:05:32 | |
and the creator of those costumes is | 7:05:32 | 7:05:34 | |
Oscar-winning designer Colleen Atwood. | 7:05:34 | 7:05:37 | |
In terms of the difference between the costumes Muggles wear | 7:05:37 | 7:05:40 | |
and the wizards wear, what are those differences? | 7:05:40 | 7:05:43 | |
It's a blurred line between the Muggles and the wizards because, | 7:05:43 | 7:05:46 | |
in this film, the wizards are living amongst the Muggles. | 7:05:46 | 7:05:49 | |
You work with hundreds of actors throughout the year, | 7:05:49 | 7:05:52 | |
so I imagine some mishaps do take place. | 7:05:52 | 7:05:54 | |
We have a thing in the movie where the actors magic themselves | 7:05:54 | 7:05:59 | |
in and out of costumes, but we realised they didn't have underwear | 7:05:59 | 7:06:03 | |
that went under it, so that step of the magic was, like, "Oh!" | 7:06:03 | 7:06:06 | |
So we had to fake that one! | 7:06:06 | 7:06:09 | |
Colleen, I would love to look like somebody from the 1920s. | 7:06:09 | 7:06:13 | |
Where can I go? | 7:06:13 | 7:06:15 | |
-If you go right over there, we'll fix you up. -Amazing. | 7:06:15 | 7:06:18 | |
That's right, I'm about to experience a glimpse of what | 7:06:18 | 7:06:22 | |
it's like to star in a magical blockbuster movie. | 7:06:22 | 7:06:26 | |
Make-up and costume is done. | 7:06:27 | 7:06:29 | |
Now I'm just going to magic myself on the set. | 7:06:29 | 7:06:31 | |
HE SNAPS HIS FINGERS | 7:06:31 | 7:06:33 | |
I'll just walk. | 7:06:35 | 7:06:37 | |
I saw its eyes. | 7:06:38 | 7:06:40 | |
Shining wide eyes. | 7:06:40 | 7:06:42 | |
And it dove down on the ground. | 7:06:42 | 7:06:44 | |
CRACKING AND BANGING | 7:06:44 | 7:06:47 | |
ROARING | 7:06:49 | 7:06:51 | |
Thank you, sir. | 7:07:01 | 7:07:02 | |
This set is just incredible. It looks exactly like the real thing. | 7:07:03 | 7:07:08 | |
And...action. | 7:07:10 | 7:07:11 | |
But the guys who star in Fantastic Beasts for real | 7:07:11 | 7:07:15 | |
are Eddie Redmayne and Katherine Waterston. | 7:07:15 | 7:07:18 | |
We got the chance to chat to them and give them a certain badge. | 7:07:18 | 7:07:22 | |
-Thank you. -These are like the most extraordinary... | 7:07:22 | 7:07:25 | |
I can't believe I've got a Blue Peter badge. | 7:07:25 | 7:07:27 | |
So, what was it like for them, working on such a huge production? | 7:07:27 | 7:07:30 | |
What was amazing for us is, | 7:07:30 | 7:07:32 | |
I thought when you work on a film that's this big and magical, | 7:07:32 | 7:07:35 | |
that the guys in charge of it would say, "This is how we do it." | 7:07:35 | 7:07:38 | |
But actually, the director kind of gave us freedom. | 7:07:38 | 7:07:41 | |
You are not just alone around the green screens. | 7:07:41 | 7:07:44 | |
There are people playing with you and helping you see the creatures. | 7:07:44 | 7:07:48 | |
They also allowed us to see all the designs, so there are these | 7:07:48 | 7:07:51 | |
amazing departments who start months before you make the film. | 7:07:51 | 7:07:54 | |
They've done all these drawings and they've gone through | 7:07:54 | 7:07:57 | |
the evolution of all these different ideas for all of the creatures, | 7:07:57 | 7:08:00 | |
because JK Rowling, in the book | 7:08:00 | 7:08:01 | |
Fantastic Beasts And Where To Find Them, | 7:08:01 | 7:08:03 | |
describes them all so intricately that we had quite | 7:08:03 | 7:08:06 | |
a good sense of what they looked like by the time we started filming. | 7:08:06 | 7:08:09 | |
This place has absolutely blown my mind, | 7:08:09 | 7:08:12 | |
but I haven't seen any fantastic beasts yet. | 7:08:12 | 7:08:15 | |
I wonder where they might be hid... | 7:08:15 | 7:08:17 | |
FLUTTERING | 7:08:17 | 7:08:19 | |
Whoa. | 7:08:19 | 7:08:21 | |
Whoa! | 7:08:21 | 7:08:23 | |
ROARING | 7:08:25 | 7:08:27 | |
ROARING STOPS | 7:08:27 | 7:08:29 | |
It was open? | 7:08:29 | 7:08:31 | |
Just a smidge. | 7:08:31 | 7:08:32 | |
Mum, I was on a film set! | 7:08:32 | 7:08:34 | |
Yes! | 7:08:34 | 7:08:36 | |
Now, though, you have a five-minute warning, because you've got | 7:08:36 | 7:08:39 | |
just less than five minutes to enter our baby animal adventures. | 7:08:39 | 7:08:43 | |
Would you like to see a baby seal, a baby tiger or a baby okapi film? | 7:08:43 | 7:08:47 | |
The choice is yours. Jump online and cast your vote and we'll find out | 7:08:47 | 7:08:51 | |
which one you've chosen later on in the show. | 7:08:51 | 7:08:53 | |
But also, stay tuned, | 7:08:53 | 7:08:55 | |
because we have a beast of a competition. | 7:08:55 | 7:08:57 | |
We're saying "beast" a lot today, | 7:08:57 | 7:08:59 | |
because there are beasts right here in the studio. | 7:08:59 | 7:09:01 | |
Not with me, not with Linds, not with Barney, | 7:09:01 | 7:09:04 | |
but with animal expert Scott. | 7:09:04 | 7:09:06 | |
Here he is. Scott, you're in the studio. | 7:09:06 | 7:09:08 | |
Thank you so much for coming in. | 7:09:08 | 7:09:09 | |
You seem to have forgotten to bring your first animal guest on. | 7:09:09 | 7:09:12 | |
-No, he's definitely out. -Oh, yeah? -Turn round. | 7:09:12 | 7:09:14 | |
Turn around? OK, let's see where he is. Here he is. | 7:09:14 | 7:09:17 | |
Who's this, Scott? | 7:09:17 | 7:09:19 | |
Hello, mate. | 7:09:19 | 7:09:20 | |
Well, this here is Muscovado, and he is a sugar glider. | 7:09:20 | 7:09:23 | |
Sugar gliders are a marsupial, | 7:09:23 | 7:09:25 | |
which means they're a mammal that carry their babies in a pouch. | 7:09:25 | 7:09:28 | |
-Like a kangaroo would? -Just like a kangaroo or a koala. | 7:09:28 | 7:09:31 | |
I've fallen in love with him already today, by the way. | 7:09:31 | 7:09:34 | |
But this marsupial's talent isn't hopping like a kangaroo, | 7:09:34 | 7:09:37 | |
it's actually flying. Well, gliding, to be more precise. | 7:09:37 | 7:09:40 | |
-The clue is kind of in the name, isn't it? -Yes. | 7:09:40 | 7:09:42 | |
Oh, look! That is ridiculous. | 7:09:42 | 7:09:43 | |
They have a flap of skin that goes from their front leg to their | 7:09:43 | 7:09:46 | |
back leg, and turns them into a parachute, basically. | 7:09:46 | 7:09:49 | |
They glide from tree to tree to evade predators. | 7:09:49 | 7:09:51 | |
He is so amazing. And why "sugar"? What does that mean? | 7:09:51 | 7:09:55 | |
That's pretty simple as well. | 7:09:55 | 7:09:57 | |
They love to eat sugary snacks, so nectar, fruit. | 7:09:57 | 7:09:59 | |
That's what they love to eat for their dinner. | 7:09:59 | 7:10:01 | |
Oh! Can you stay forever? He's amazing. | 7:10:01 | 7:10:04 | |
How far can he go when he goes for one of those big glides? | 7:10:04 | 7:10:07 | |
They can glide for up to 50 metres, | 7:10:07 | 7:10:09 | |
so that's, like, five double-decker buses. | 7:10:09 | 7:10:11 | |
You are kidding! Let's have a look here. | 7:10:11 | 7:10:13 | |
So, he has jumped off a tree, still has landed... | 7:10:13 | 7:10:16 | |
It's like he's got wings. | 7:10:16 | 7:10:19 | |
Still going. | 7:10:19 | 7:10:20 | |
He is the ultimate glider. | 7:10:20 | 7:10:22 | |
And then just lands on the tree so casually, no worries. | 7:10:22 | 7:10:25 | |
So, he glides to get away from predators, but I've brought | 7:10:25 | 7:10:28 | |
a different animal that evades predators in a different way. | 7:10:28 | 7:10:31 | |
-Would you like to meet them? -I would. | 7:10:31 | 7:10:32 | |
We've to do a shout-out to Scott. He did a little nervous wee - | 7:10:32 | 7:10:35 | |
not Scott, Muscovado - right before we came on camera then. | 7:10:35 | 7:10:38 | |
-All over Scott's arm. I'm sorry about that. -I'm used to it. | 7:10:38 | 7:10:41 | |
Let's look at our next guest. | 7:10:41 | 7:10:43 | |
I'm going to pop him back into his little nocturnal habitat. | 7:10:43 | 7:10:46 | |
Oh, I love him. Bye. See you later. | 7:10:46 | 7:10:47 | |
OK, so what have we got in the box? | 7:10:47 | 7:10:49 | |
The next animal is hiding in there. | 7:10:49 | 7:10:52 | |
Can you see what's next? | 7:10:52 | 7:10:54 | |
I can see twigs, moss, some leaves. | 7:10:54 | 7:10:57 | |
Where are they? Hello! He's moving. | 7:10:57 | 7:10:59 | |
There are actually two real live animals. | 7:10:59 | 7:11:01 | |
We've got to Vietnamese mossy frogs. | 7:11:01 | 7:11:04 | |
They are amazing. Can we get them out and have a look at them? | 7:11:04 | 7:11:07 | |
-Don't get them out! -No, Barney is scared of them. | 7:11:07 | 7:11:09 | |
It'll be all right, we've got Scott here. | 7:11:09 | 7:11:11 | |
So, their way of evading predators is awesome camouflage. | 7:11:11 | 7:11:14 | |
See how well camouflaged they are? | 7:11:14 | 7:11:16 | |
Do they feel like moss? | 7:11:16 | 7:11:18 | |
They feel like moss, they look like moss. | 7:11:18 | 7:11:20 | |
Their green skin looks like moss, and when they get scared when | 7:11:20 | 7:11:23 | |
-they see a predator, they act dead, like this. -You're kidding? | 7:11:23 | 7:11:26 | |
So, he's playing dead, he's looking like a piece of moss, | 7:11:26 | 7:11:29 | |
and then, predator's gone, and he turns back into a frog. | 7:11:29 | 7:11:32 | |
Come here, mate. Hello. | 7:11:32 | 7:11:33 | |
Welcome to Blue Peter. | 7:11:33 | 7:11:35 | |
Oh, he's lovely. They've got big, bulgy eyes as well. | 7:11:35 | 7:11:38 | |
They've got gigantic eyes, | 7:11:38 | 7:11:40 | |
so they can see in the dark and see predators. | 7:11:40 | 7:11:42 | |
That's when they're going to play dead or stay still... | 7:11:42 | 7:11:45 | |
-Oh! Where's he off to? -..and look like a piece of moss. | 7:11:45 | 7:11:48 | |
He's amazing. And where would he live, normally? | 7:11:48 | 7:11:51 | |
Not in this box, presumably? | 7:11:51 | 7:11:53 | |
No. These guys come from mountainous rainforests. | 7:11:53 | 7:11:56 | |
They like to live in places where it's moist, | 7:11:56 | 7:11:58 | |
so they like to live near rivers, | 7:11:58 | 7:12:00 | |
and can you see on the end of their toes? | 7:12:00 | 7:12:02 | |
Little suction cups so that they can climb over the wet rocks and twigs. | 7:12:02 | 7:12:05 | |
They're amazing. | 7:12:05 | 7:12:07 | |
And they camouflage a bit like Radzi today, don't they? | 7:12:07 | 7:12:10 | |
Just blending into the background. It's amazing. | 7:12:10 | 7:12:12 | |
Shall I put him back in? Pop in. Come on. Do a little jump... | 7:12:12 | 7:12:15 | |
-Whoa! -OK, he's just gone on to the set there. | 7:12:15 | 7:12:18 | |
That's fine, we've got him. | 7:12:18 | 7:12:19 | |
-We rescued him. He's fine. -Everybody's calm. Stay there. | 7:12:19 | 7:12:22 | |
-We're going to pop the lid on. -Let's have a look at our next guest. | 7:12:22 | 7:12:25 | |
He really is a monster, OK? | 7:12:25 | 7:12:27 | |
I've got to put some special gloves on for this. | 7:12:27 | 7:12:29 | |
Should I be scared? | 7:12:29 | 7:12:31 | |
-Maybe. -Oh? You didn't say that in rehearsal. That's slightly worrying. | 7:12:31 | 7:12:35 | |
I'm just going to take a step back. | 7:12:35 | 7:12:38 | |
Who is this? He really is a monster, isn't he? | 7:12:38 | 7:12:42 | |
Well, I've saved the best beast till last. | 7:12:42 | 7:12:45 | |
So, here we've got Jesus, and Jesus is a Gila monster. | 7:12:45 | 7:12:48 | |
-Jesus is terrifying. -He is. | 7:12:48 | 7:12:50 | |
And he is North America's largest lizard, | 7:12:50 | 7:12:53 | |
and the most amazing thing about him is, | 7:12:53 | 7:12:55 | |
he is one of the only venomous lizards in the world. | 7:12:55 | 7:12:58 | |
In fact, his venom is neurotoxic, exactly the same as a rattlesnake. | 7:12:58 | 7:13:02 | |
-That's why we're wearing the gloves today. -Yes. | 7:13:02 | 7:13:04 | |
Got to keep those gloves on for safety, | 7:13:04 | 7:13:06 | |
which is why I'm not going to hold him today. | 7:13:06 | 7:13:08 | |
-I don't think that's the best idea. -You can see his mouth opening. | 7:13:08 | 7:13:11 | |
Why is he doing that? Yawning? | 7:13:11 | 7:13:13 | |
If he wanted to protect himself, he'd use his really strong jaws | 7:13:13 | 7:13:16 | |
to be able to bite me, but I'm not sure he does. | 7:13:16 | 7:13:18 | |
-But he's nice and happy in the Blue Peter studio? -He is indeed. | 7:13:18 | 7:13:21 | |
He's not going to camouflage very well, | 7:13:21 | 7:13:23 | |
because he's orange and black, so that won't be very good. | 7:13:23 | 7:13:26 | |
No, the Gila monster does the opposite, so instead of having | 7:13:26 | 7:13:28 | |
camouflage, like the frogs, he has got really bright colours. | 7:13:28 | 7:13:31 | |
Instead of hiding, he wants all the other animals to see him, | 7:13:31 | 7:13:34 | |
and he wants them to know that he's dangerous and if they try | 7:13:34 | 7:13:37 | |
and mess with him, | 7:13:37 | 7:13:38 | |
they probably can guess what's going to happen to them. | 7:13:38 | 7:13:40 | |
I would not mess with him. Have you seen the size of his claws? | 7:13:40 | 7:13:43 | |
They are ridiculous. Shall we put him back inside? | 7:13:43 | 7:13:45 | |
Do you want me to pop him away? | 7:13:45 | 7:13:47 | |
Yes, I'm not going to have a feel and I'm certainly not going | 7:13:47 | 7:13:49 | |
to stroke him. He's fine there. | 7:13:49 | 7:13:51 | |
Let's lock that cage and head over to the Big Badge Wall, which is | 7:13:51 | 7:13:55 | |
covered in all your glorious post. Is he all right there, Scott? | 7:13:55 | 7:13:57 | |
Yes, we're locking him up. | 7:13:57 | 7:13:59 | |
Come with me, cos you'll love the Big Badge Wall this week. | 7:13:59 | 7:14:01 | |
-Can you see that Radzi's here as well? -Where is he? | 7:14:01 | 7:14:04 | |
I am not coming out unless the frogs have gone! | 7:14:04 | 7:14:06 | |
The frogs are away. You can come out. | 7:14:06 | 7:14:08 | |
There he is. It's fine. | 7:14:08 | 7:14:10 | |
What have you done? No, there's not a frog in his hand. | 7:14:10 | 7:14:13 | |
Let's take a look at this picture. | 7:14:13 | 7:14:15 | |
Sam from Leeds has sent in a picture of meerkats, | 7:14:15 | 7:14:17 | |
but it's the three of us as meerkats. | 7:14:17 | 7:14:19 | |
It might be my favourite picture yet. | 7:14:19 | 7:14:21 | |
There's Radz, Lindsey, and me going, "Say what?" | 7:14:21 | 7:14:24 | |
Thank you very much, Simon. | 7:14:24 | 7:14:26 | |
You've got a green badge on its way to you. | 7:14:26 | 7:14:28 | |
Speaking of green badges, Libby from Cumbria has sent in this. | 7:14:28 | 7:14:31 | |
-You love 3-D postcards. -I do like 3-D postcards. | 7:14:31 | 7:14:34 | |
And look, it's got a fluffy tail. It's a red squirrel, | 7:14:34 | 7:14:36 | |
-cos she sees them when she's out on dog walks. -That's awesome. | 7:14:36 | 7:14:39 | |
And the sun is shining bright, made out of foil. Well done. | 7:14:39 | 7:14:42 | |
Now, a little while ago on Blue Peter, we met the cutest armadillo | 7:14:42 | 7:14:46 | |
of all time, called Melon. | 7:14:46 | 7:14:48 | |
There's Lindsey holding Melon, there, inside her shell. | 7:14:48 | 7:14:52 | |
Well, Joseph from Gloucester, | 7:14:52 | 7:14:54 | |
you've recreated Melon beautifully in this fantastic picture. | 7:14:54 | 7:14:57 | |
You've got a blue badge coming your way very soon, my friend. | 7:14:57 | 7:15:00 | |
-Congrats. -And you guys are going to like this. | 7:15:00 | 7:15:03 | |
Hyanne has drawn a picture of her friend's dog, | 7:15:03 | 7:15:05 | |
because it reminds her of Iggy! | 7:15:05 | 7:15:07 | |
Amazing. | 7:15:07 | 7:15:09 | |
-Iggy, she'll be watching. Hello. Hi. -Hello, Iggy. -Hi, Iggs. | 7:15:09 | 7:15:12 | |
Scott, thank you very much for being here today. | 7:15:12 | 7:15:14 | |
It's been an absolute pleasure. | 7:15:14 | 7:15:15 | |
-Can I point out how awesome Scott's hair is? -I know. | 7:15:15 | 7:15:18 | |
Leopard-print hair. It's amazing. Thank you so much. | 7:15:18 | 7:15:21 | |
And thanks for all your fab post. We love it. | 7:15:21 | 7:15:23 | |
Now, if you like what's on the Big Badge Wall, | 7:15:23 | 7:15:25 | |
you're going to love what's just over here. | 7:15:25 | 7:15:27 | |
Shall we walk there, Barney? | 7:15:27 | 7:15:28 | |
We'll have to, there's another camera there. | 7:15:28 | 7:15:30 | |
So, we've got some BP fans in the studio, who are art lovers as well. | 7:15:30 | 7:15:33 | |
Scarlett, hello, welcome to the show. | 7:15:33 | 7:15:35 | |
Before we talk about your hand, let's look at your picture, | 7:15:35 | 7:15:38 | |
-which earned your silver badge. Look at that. -Whoa! | 7:15:38 | 7:15:40 | |
I've spotted Shelley, everybody. | 7:15:40 | 7:15:42 | |
That is not it, there's another one. | 7:15:42 | 7:15:44 | |
Scarlett, let's talk about your hand. | 7:15:44 | 7:15:46 | |
I've made a snake, so I've done yellow and green for the beak... | 7:15:46 | 7:15:49 | |
HISSING | 7:15:49 | 7:15:51 | |
..and then I've used black to do the scales, and drawn an eye. | 7:15:51 | 7:15:53 | |
-It's very good. -It's genius. -Carolyn, what you think? | 7:15:53 | 7:15:56 | |
I think it's incredible. | 7:15:56 | 7:15:57 | |
I really love all the different colours that she's got, | 7:15:57 | 7:16:00 | |
all the different shades of green on those scales. It's amazing. | 7:16:00 | 7:16:03 | |
You should be a TV presenter, Scarlett. | 7:16:03 | 7:16:05 | |
Right on camera two, that was. It was a great shot. | 7:16:05 | 7:16:07 | |
Max, let's take a look at yours. What have you got? | 7:16:07 | 7:16:09 | |
-I've made a dog. -BARKING | 7:16:09 | 7:16:12 | |
So, for the base, I've painted my arm brown, | 7:16:12 | 7:16:14 | |
and then I have got the black polka-dots. | 7:16:14 | 7:16:17 | |
And you can also open its mouth. | 7:16:17 | 7:16:19 | |
It makes its own sound effects as well! What a job there. | 7:16:19 | 7:16:22 | |
You've sent us a picture, Max, which is the three of us, | 7:16:22 | 7:16:25 | |
we're at the front, | 7:16:25 | 7:16:27 | |
we're saying good night to Shelley, because she's sleeping. | 7:16:27 | 7:16:30 | |
It's very cool. There's no doubting your artistic skills. | 7:16:30 | 7:16:32 | |
Now, Wilf, you also sent us a picture. | 7:16:32 | 7:16:35 | |
Let's take a look at that one here. | 7:16:35 | 7:16:37 | |
And what is that a picture of, there, Wilf? | 7:16:37 | 7:16:39 | |
-I think we know the answer. -Shelley. -We've found Shelley, everybody. | 7:16:39 | 7:16:42 | |
Third time! What's on your hand? | 7:16:42 | 7:16:44 | |
I've done a seagull. | 7:16:44 | 7:16:46 | |
-SQUAWKING -I did the body and the neck white, | 7:16:46 | 7:16:49 | |
and the beak orangey-gold. | 7:16:49 | 7:16:50 | |
It is brilliant. | 7:16:50 | 7:16:52 | |
Obviously, Carolyn, you're giving everyone top tips here, | 7:16:52 | 7:16:55 | |
and these are quite simple to do, because you're doing foliage | 7:16:55 | 7:16:58 | |
and feathers and fur. | 7:16:58 | 7:17:00 | |
If somebody wanted to try drawing an animal's face, is that easy to do? | 7:17:00 | 7:17:03 | |
Are there things that will help them out? | 7:17:03 | 7:17:06 | |
I think it's just a case of practising, again. | 7:17:06 | 7:17:08 | |
So, all you do is work your hand into lots of different shapes, | 7:17:08 | 7:17:11 | |
work out which one works best. | 7:17:11 | 7:17:13 | |
If you're going to have a beak or like the dog here, | 7:17:13 | 7:17:16 | |
you can make the mouth move or their ear wiggle, | 7:17:16 | 7:17:18 | |
and just have loads of fun with it, | 7:17:18 | 7:17:20 | |
so you can play around with all different patterns and colours. | 7:17:20 | 7:17:23 | |
You could do not just a seagull, you could do a parrot or pigeon. | 7:17:23 | 7:17:26 | |
The dog could have white fur and black spots. | 7:17:26 | 7:17:29 | |
-You can have as much fun with it as you like. -Lots you can try at home. | 7:17:29 | 7:17:31 | |
Carolyn, thank you. Scarlett, Max and Wilf, thank you too. | 7:17:31 | 7:17:34 | |
If you want to have a go at doing some painting yourself, | 7:17:34 | 7:17:37 | |
why not give it a go? You've got to use face-paints. | 7:17:37 | 7:17:40 | |
Don't go into the shed and get that paint pot from 1995. | 7:17:40 | 7:17:43 | |
Get some proper face-paints, they're designed for the job, | 7:17:43 | 7:17:46 | |
have a go and send us your pictures, please. We'd love to hear from you. | 7:17:46 | 7:17:49 | |
All week, you've been voting for which Blue Peter baby animal film... | 7:17:49 | 7:17:51 | |
-Which one was it?! -Of course it was the tigers. -Ah... -Of course it was. | 7:17:51 | 7:17:55 | |
Here they are. I want one. | 7:17:55 | 7:17:56 | |
This is Woburn Safari Park in Bedfordshire | 7:18:01 | 7:18:03 | |
and, over its 3,000 acres, you can find elephants, | 7:18:03 | 7:18:06 | |
white rhinos and bears. | 7:18:06 | 7:18:09 | |
And they're amazing. But they're not why I'm here. | 7:18:09 | 7:18:12 | |
I'm here to see what I think is one of the most stunning animals | 7:18:16 | 7:18:20 | |
in the whole world, the Siberian tiger. | 7:18:20 | 7:18:23 | |
And he is right there. | 7:18:23 | 7:18:25 | |
Beautiful, but incredibly rare, | 7:18:25 | 7:18:28 | |
the Siberian tiger is under threat of extinction. | 7:18:28 | 7:18:31 | |
They are at the rarest big cats in the world, | 7:18:31 | 7:18:34 | |
with only around 520 left in the wild. | 7:18:34 | 7:18:37 | |
So, in places like Woburn, | 7:18:37 | 7:18:39 | |
the race is really on to try and save the Siberian tiger, | 7:18:39 | 7:18:42 | |
which is why the next guys I'm about to meet are such great news. | 7:18:42 | 7:18:46 | |
I think they are down this corridor here. | 7:18:48 | 7:18:50 | |
Oh! | 7:18:50 | 7:18:52 | |
Look at them. | 7:18:52 | 7:18:53 | |
Hey, guys. | 7:18:53 | 7:18:55 | |
Wow! Mum is huge. | 7:18:55 | 7:18:58 | |
Four-year-old tigress Minerva had two healthy cubs, | 7:18:58 | 7:19:02 | |
which is great news for the world's tiger population | 7:19:02 | 7:19:05 | |
and for their keeper, Chris. | 7:19:05 | 7:19:07 | |
Chris, tell us more about these beautiful Siberian tigers. | 7:19:07 | 7:19:10 | |
Why are they so threatened as a species? | 7:19:10 | 7:19:14 | |
Due to habitat loss and hunting for the coats | 7:19:14 | 7:19:17 | |
and hunting for their body parts, | 7:19:17 | 7:19:19 | |
so it's really important that we're trying to conserve these species. | 7:19:19 | 7:19:22 | |
It's really sad, isn't it? | 7:19:22 | 7:19:24 | |
Why do you keep them in here, | 7:19:24 | 7:19:25 | |
and how come they're not running around outside? | 7:19:25 | 7:19:27 | |
So, for their first 12 weeks, we need to keep them nice and safe, | 7:19:27 | 7:19:30 | |
until they've had their full injections. | 7:19:30 | 7:19:32 | |
So we keep them nice and secure in this tiger house. | 7:19:32 | 7:19:35 | |
Then, in a few weeks' time, | 7:19:35 | 7:19:37 | |
the cubs will be released into this nine-acre reserve. | 7:19:37 | 7:19:41 | |
In the meantime, I get a chance to meet their dad, Elton. | 7:19:41 | 7:19:45 | |
Elton, are you ready? | 7:19:45 | 7:19:47 | |
I'll let him out. Elton, come on. | 7:19:47 | 7:19:49 | |
Here we go! | 7:19:51 | 7:19:52 | |
SHE GASPS | 7:19:52 | 7:19:54 | |
Off he goes. | 7:19:54 | 7:19:56 | |
Five weeks later, I'm back to see the cubs released into their | 7:19:56 | 7:20:00 | |
new outdoor home for the very first time. | 7:20:00 | 7:20:03 | |
Hey, Chris, how are these guys getting on? | 7:20:03 | 7:20:05 | |
Yeah, really good. Doing really well. | 7:20:05 | 7:20:07 | |
You can see they've grown quite a lot, quite playful. | 7:20:07 | 7:20:10 | |
They're weighing in about 10-12 kilos at the moment, | 7:20:10 | 7:20:13 | |
they're not feeding from Mum much at all. | 7:20:13 | 7:20:15 | |
They're mainly on their meat. So we're ready to get them out. | 7:20:15 | 7:20:18 | |
Have you given them the all-clear? Are they ready to go? | 7:20:18 | 7:20:21 | |
Yes, all clear, all ready to go, so out into their main enclosure | 7:20:21 | 7:20:24 | |
today and, hopefully, they'll have a nice run round. | 7:20:24 | 7:20:27 | |
First, the cubs are removed from their den to a holding area. | 7:20:27 | 7:20:31 | |
Then there's just one gate between them and their new enclosure. | 7:20:33 | 7:20:37 | |
And guess who's got control of the gate? Me. I am so excited for this. | 7:20:37 | 7:20:42 | |
Three, two, one... | 7:20:42 | 7:20:44 | |
They've both gone back inside. They're nervous. | 7:20:46 | 7:20:49 | |
Oh, here we go. One has gone through. | 7:20:49 | 7:20:52 | |
Oh, the little shy one has gone straight through. Look at her go. | 7:20:52 | 7:20:55 | |
Oh, you can see she's a little bit nervous. | 7:20:57 | 7:21:00 | |
Go on, follow Mum. | 7:21:00 | 7:21:02 | |
To get a closer look at how they're settling in, | 7:21:04 | 7:21:07 | |
I need to join Chris in the safety of the car. | 7:21:07 | 7:21:10 | |
So, what do you think these babies are feeling at this point? | 7:21:12 | 7:21:15 | |
It's quite a big day for them. | 7:21:15 | 7:21:17 | |
Yes, it's quite a big day for them. | 7:21:17 | 7:21:19 | |
Obviously, in here, there are completely new smells | 7:21:19 | 7:21:22 | |
and things to look at and things to explore, | 7:21:22 | 7:21:24 | |
so they're going to be excited but also confused. | 7:21:24 | 7:21:27 | |
It's a massive learning curve. | 7:21:27 | 7:21:29 | |
It doesn't stop now, being out for the first time today, but it means | 7:21:29 | 7:21:33 | |
that over the next few weeks, they've got loads to learn and see. | 7:21:33 | 7:21:35 | |
They seem to be trying to hunt each other as well. | 7:21:35 | 7:21:38 | |
They're messing about, aren't they? | 7:21:38 | 7:21:40 | |
Yeah. They're doing exactly what we hoped they would do. | 7:21:40 | 7:21:43 | |
Everything baby tigers should be doing. | 7:21:43 | 7:21:46 | |
What a moment to witness this, to see them out and about, | 7:21:46 | 7:21:49 | |
playing, so happy in their new enclosure. | 7:21:49 | 7:21:52 | |
It's really lovely. | 7:21:52 | 7:21:54 | |
What an experience this has been! Do you know what? | 7:21:59 | 7:22:02 | |
I've loved making this film, | 7:22:02 | 7:22:04 | |
because there are only about 520 Siberian tigers actually left | 7:22:04 | 7:22:08 | |
in the wild, so these cubs that we've seen are | 7:22:08 | 7:22:10 | |
so important for the tiger population. | 7:22:10 | 7:22:13 | |
And we've been a small part of their journey - it's pretty cool. | 7:22:13 | 7:22:17 | |
Pretty cool and pretty cute. | 7:22:17 | 7:22:19 | |
-I love baby tigers. -I've had one of my brilliant ideas. -Uh-oh. | 7:22:19 | 7:22:22 | |
You know how we have pets on the show? | 7:22:22 | 7:22:24 | |
-Yeah. Where are you going with this? -Tigers - the next pet. | 7:22:24 | 7:22:27 | |
-I don't know if that's allowed. -Why? | 7:22:27 | 7:22:29 | |
I don't think we can have tigers in the BP studio. | 7:22:29 | 7:22:31 | |
Have a look at how they're getting on now. | 7:22:31 | 7:22:33 | |
They look even cuter. Look, they're all grown up. | 7:22:33 | 7:22:35 | |
-Still playing as siblings, though. -Hang on, is that them now? -Yeah. | 7:22:35 | 7:22:39 | |
-That's amazing. -They've got pretty big, haven't they? | 7:22:39 | 7:22:41 | |
-Bit scarier than they were before, aren't they? -Wowsers. | 7:22:41 | 7:22:43 | |
-They're huge. -Yeah. -The telly's over there. | 7:22:43 | 7:22:46 | |
-Awesome. I've got a joke for you. -Yeah? | 7:22:46 | 7:22:48 | |
What did the tiger say when he ate the clown? | 7:22:48 | 7:22:51 | |
Um...don't know. | 7:22:51 | 7:22:52 | |
This tastes funny. | 7:22:52 | 7:22:54 | |
OK, we'll try again. I've got quite a good one. | 7:22:54 | 7:22:57 | |
How do you count cows? | 7:22:57 | 7:22:59 | |
I don't know. | 7:22:59 | 7:23:01 | |
A cow-culator! | 7:23:01 | 7:23:02 | |
Yeah, I think we need a bit of help, don't we? | 7:23:02 | 7:23:05 | |
We are launching a brand-new competition - | 7:23:05 | 7:23:07 | |
it's a jokey competition - | 7:23:07 | 7:23:09 | |
in partnership with the Comedy Classroom and Red Nose Day 2017. | 7:23:09 | 7:23:13 | |
-We're giggling already! -It's that funny. | 7:23:13 | 7:23:15 | |
You need to come up with three rib-tickling jokes that you think | 7:23:15 | 7:23:18 | |
are awesome and hilarious. | 7:23:18 | 7:23:20 | |
Write them down and then, if you're the winner, you might actually | 7:23:20 | 7:23:23 | |
have your joke read out for our Red Nose Day special show. | 7:23:23 | 7:23:26 | |
-By a celebrity person. -That's cool. -That's very cool. | 7:23:26 | 7:23:28 | |
Also, the judges, let's talk about those for a second. | 7:23:28 | 7:23:31 | |
Richard Curtis, who is one of the top directors in the world, | 7:23:31 | 7:23:33 | |
knows everything about comedy, | 7:23:33 | 7:23:35 | |
has been writing comedy for hundreds of years... | 7:23:35 | 7:23:37 | |
-Hundreds? -Hundreds, that's how good the man is. | 7:23:37 | 7:23:39 | |
He also founded Red Nose Day... Sorry, Comic Relief. | 7:23:39 | 7:23:42 | |
And also, Miranda Hart, who is one of the top comedians as well. | 7:23:42 | 7:23:45 | |
They are going to be judging your jokes. So no pressure(!) | 7:23:45 | 7:23:47 | |
No, not at all. If you need a bit of inspiration, | 7:23:47 | 7:23:50 | |
look no further than legend and funnyman... | 7:23:50 | 7:23:52 | |
-I love this guy. -..Peter Kay. | 7:23:52 | 7:23:55 | |
Let's talk about a joke. What is a joke? What makes something funny? | 7:23:55 | 7:23:59 | |
A joke, I think, is a nice straight story with a funny left turn. | 7:23:59 | 7:24:04 | |
A funny surprise at the end that you're not expecting. | 7:24:04 | 7:24:07 | |
OK. Let's break it down to three top tips. | 7:24:07 | 7:24:10 | |
So, what is it that makes a joke funny? | 7:24:10 | 7:24:12 | |
Surprise, timing... | 7:24:12 | 7:24:14 | |
..and, um...I can't think of a third. | 7:24:16 | 7:24:18 | |
-So let's just do two. -Two, then. | 7:24:18 | 7:24:21 | |
-You made it hard by saying three. -I was going to say six. | 7:24:21 | 7:24:24 | |
Best day of your life? | 7:24:24 | 7:24:26 | |
Honestly, one of my favourite days, ever, on Blue Peter. | 7:24:26 | 7:24:29 | |
That guy is such a legend. | 7:24:29 | 7:24:30 | |
Barney rang me after that shoot and couldn't speak, you were so happy. | 7:24:30 | 7:24:34 | |
He's such a nice guy. | 7:24:34 | 7:24:35 | |
So, yes, all the details you need to write your jokes. | 7:24:35 | 7:24:37 | |
-Now, these need to be brand-new jokes. -Original. | 7:24:37 | 7:24:40 | |
You have to invent them yourself. | 7:24:40 | 7:24:41 | |
Go to the Blue Peter website and find all the details you need. | 7:24:41 | 7:24:44 | |
And you haven't got long. The deadline is 28th February 2017. | 7:24:44 | 7:24:48 | |
Actually, you've got time. | 7:24:48 | 7:24:50 | |
Get your teacher to print out a form and get thinking of those jokes. | 7:24:50 | 7:24:53 | |
Make us LOL! Radz, have you got any jokes? | 7:24:53 | 7:24:56 | |
-I have got a brand-new original joke. -OK, come on. | 7:24:56 | 7:24:59 | |
-Two sheep in a field. -Yep. -Yeah. -One goes, "Baa!" | 7:24:59 | 7:25:01 | |
The other one says, "I was going to say that." | 7:25:01 | 7:25:04 | |
-That's not bad. Two snowmen in a field... -Oh, no... | 7:25:04 | 7:25:07 | |
One goes, "Can you smell carrot?" | 7:25:07 | 7:25:09 | |
Cos the nose is made of carrot! Where's she gone? | 7:25:09 | 7:25:12 | |
I don't have a very good joke, | 7:25:12 | 7:25:14 | |
but what I do have is a piece of Blue Peter history right here | 7:25:14 | 7:25:17 | |
because, for over 50 years, when we celebrate Christmas, | 7:25:17 | 7:25:20 | |
we wheel out the icon that is the Advent crown. Look at it. | 7:25:20 | 7:25:24 | |
-It's beautiful. -Look at that. -And look at me. -Still blending in! | 7:25:24 | 7:25:27 | |
We're going to light a candle each week to celebrate the countdown | 7:25:27 | 7:25:31 | |
leading up to 15th December, which is a Thursday, | 7:25:31 | 7:25:33 | |
that is our Christmas show. | 7:25:33 | 7:25:34 | |
-For safety, we're not actually lighting them. -Agh! -They're not hot. | 7:25:34 | 7:25:38 | |
But you can see that one is lit up right over there. | 7:25:38 | 7:25:40 | |
That means that there are three to go. | 7:25:40 | 7:25:43 | |
Three Blue Peters until our big Christmas special. | 7:25:43 | 7:25:46 | |
-And we love that show, don't we? -I've got really good news, guys. | 7:25:46 | 7:25:48 | |
-Each of those shows are jam-packed. -We like a bit of jam! | 7:25:48 | 7:25:52 | |
Now, you've been getting in touch today and telling us about what | 7:25:52 | 7:25:55 | |
beasts you would like to be. | 7:25:55 | 7:25:56 | |
Shall we sit down? | 7:25:56 | 7:25:58 | |
-I like sitting down. -That's nice, isn't it? | 7:25:58 | 7:26:00 | |
-It's like being around at our house. -I've got no shoes on. | 7:26:00 | 7:26:03 | |
-PapayaTheUnicorn says... -Good name. | 7:26:03 | 7:26:05 | |
..her beast, or his beast, would be a Cugorn - | 7:26:05 | 7:26:08 | |
it would have this skin of a chameleon, a unicorn's horn, | 7:26:08 | 7:26:11 | |
and the clumsiness of a pug. | 7:26:11 | 7:26:13 | |
-I genuinely like that. -The clumsiness of a pug?! | 7:26:13 | 7:26:15 | |
That's not very fair to pugs. | 7:26:15 | 7:26:17 | |
MustardDottyCabbage says, "My beast would be a Wiggle called Wigglywog | 7:26:17 | 7:26:22 | |
"from the planet Blob. | 7:26:22 | 7:26:23 | |
"He would have blue skin..." A bit like Radzi at the moment! | 7:26:23 | 7:26:26 | |
"..and laser eyes to defeat villains." | 7:26:26 | 7:26:28 | |
That's like a superhero as well. I love that. | 7:26:28 | 7:26:31 | |
I love this. | 7:26:31 | 7:26:32 | |
PeculiarMoonChild says, "My beast would be half wolf, | 7:26:32 | 7:26:36 | |
"half bird, and it's called Air-howler." | 7:26:36 | 7:26:39 | |
-Genius. -That's brilliant. -I've got one more. | 7:26:39 | 7:26:41 | |
MarvellousMagicalMidnight, the Tragon. | 7:26:41 | 7:26:43 | |
"My beast is half tiger and half dragon. | 7:26:43 | 7:26:45 | |
"It has six arms, eight legs, it moves like a cow, | 7:26:45 | 7:26:48 | |
"it barks like a dog | 7:26:48 | 7:26:49 | |
"and it can climb skyscrapers and turn into a person." | 7:26:49 | 7:26:51 | |
It can do everything. | 7:26:51 | 7:26:52 | |
As well, we've been playing Spot Shelley, | 7:26:52 | 7:26:55 | |
and our winner his JustFocuz, with a Z. | 7:26:55 | 7:26:57 | |
There she was, hiding on Radzi's back, | 7:26:57 | 7:27:00 | |
-when you did your painty happy dance. -That's my happy dance. | 7:27:00 | 7:27:03 | |
-That's all we've got time for. -Already? -Yes, I know. | 7:27:03 | 7:27:05 | |
Next week, find out if your favourite book makes it into | 7:27:05 | 7:27:08 | |
-the Blue Peter Book Awards. -As well as that, | 7:27:08 | 7:27:10 | |
I'll be on in old-school car, doing a very cool vintage car rally. | 7:27:10 | 7:27:14 | |
-How awesome is that? -I'll also be showing you how to make this, | 7:27:14 | 7:27:17 | |
which is officially called | 7:27:17 | 7:27:19 | |
-the most awesome Christmas card on planet Earth. -Ever. | 7:27:19 | 7:27:22 | |
As well as that, there's a web chat with Scott. | 7:27:22 | 7:27:24 | |
It's straight after the show. | 7:27:24 | 7:27:26 | |
Get all your animal facts and everything lined up. | 7:27:26 | 7:27:28 | |
-We will see you next week. Bye. Wave. -Bye-bye. -You look amazing. | 7:27:28 | 7:27:31 | |
Thank you! Happy dance! Hey! | 7:27:31 | 7:27:33 |